GEORGE M. HATHAWAY (AMERICAN, 1852-1903) “PEMAQUID POINT, EAST SHORE”. Oil on board coastline scene shows the lighthouse with connected buildings and a red Victorian house beyond fence. A rock ledge coastline with turquoise to blue waves and sailboats on the horizon. Signed lower right “G. M. HATHAWAY”. Titled on reverse. Housed in a fine gesso-decorated period gilt frame. SIZE: 6″ x 10-1/4″. PROVENANCE: From a private Maine collection. CONDITION: Very good. Very minor touch up. 9-97466 (1,000-1,500)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) SCHOONER OFF COAST. Oil on board coastal scene shows a two-masted vessel in full sail, sailing right to left with another on the horizon. Small waves lap onto coastal rock. The sea in shades of light green and white. Signed lower left “G. M. HATHAWAY”. Housed in a period gesso-decorated frame. SIZE: 6″ x 10-1/2″. PROVENANCE: From a private Maine collection. CONDITION: Minor touch up. Very good. 9-97480 (1,000-1,500)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) “BREAKWATER LIGHT, PORTLAND HARBOR”. Oil on academy board shows a small lighthouse at the end of the breakwater, a three masted tall ship is seen with half sails along with a one-masted sloop. Another point of land has houses and sailboat. Signed lower left “G. M. HATHAWAY”. On the back of board is the artist’s business card. Titled on back of board. Housed in a modern gilt wood frame. SIZE: 6″ x 10″. PROVENANCE: From a private Maine collection. CONDITION: Inpainting. Very good. 9-97465 (800-1,200)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) ENTERING PORTLAND HARBOR. Fine oil on board scene shows a three-masted schooner with tug alongside entering the harbor passing Bug Light at the end of the breakwater. Signed lower left “G. M. HATHAWAY”. Housed in a gilt wood frame with gilt mat. SIZE: 6″ x 10″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97481 (1,250-1,750)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) SCHOONERS AT REST. Fine watercolor scene shows two, two-masted schooners beside each other with others in a tranquil bay. The morning light has just arrived and the yellow sunlight peeks out from behind clouds. Signed lower left ‘G. M HATHAWAY”. Housed in a gilt wood frame with gilt liner and glass. SIZE: Sight size: 10″ x 18″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97482 (1,500-2,500)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) PORTRAIT OF THE SAILBOAT MARION HAGGETT. Oil on canvas scene shows the one masted sailboat in full sail, sailing left to right with two other vessels on the horizon. The name emblazoned on front bow and having two figures aboard. Signed lower left “G.M.HATHAWAY 1899″. Housed in a gesso-decorated period gilt frame. The Haggett was built in 1877 on Swan’s Island, Maine and its home port was Brooklyn Maine. SIZE: 13″ x 19”. PROVENANCE: From a private Maine collection. CONDITION: Very good, some inpainting. Relined. 9-97468 (2,000-4,000)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) PORTLAND HEADLIGHT. Oil on canvas coastline scene shows the large headlands lighthouse with connected buildings outside of Portland Harbor. A three-masted schooner is approaching the harbor and large green waves break on rocky shore. Signed lower left “G.M. HATHAWAY 1901″. Housed in a fine carved oak period frame. SIZE: 18″ x 30”. PROVENANCE: From a private Maine collection. CONDITION: Relined. Very minor inpainting, very good. 9-97483 (3,000-5,000)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) U.S.BATTLESHIP MAINE. Oil on academy board portrait of The Maine sailing left to right in green, white-tipped ocean. The stern having an American flag and smoke billows from the twin stacks. Thirty-one sailors aboard. Signed lower left, “G M HATHAWAY 1898″. Housed in a carved oak frame. SIZE: 14-1/4″ x 24-1/2”. PROVENANCE: From a private Maine collection. CONDITION: Slight bow to board. Very good. Minor inpainting. 9-97462 (1,500-2,500)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) CAUSEWAY TO ORR’S ISLAND. Oil on canvas scene shows a series of bridges leading to island with dirt road. A sailboat is seen in calm water under blue and white cloud sky. Signed lower right, “G.M. HATHAWAY”. Housed in its original gilt wood frame having a “C.H. BATCHELDER PORTLAND, MAINE” label. SIZE: 14″ x 22″. PROVENANCE: From a private Maine collection. CONDITION: Very good. Minor inpainting. 9-97463 (2,000-3,000)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) WHITEHEAD, CUSHINGS ISLAND. Oil on board scene shows granite cliffs with pounding waves under gray sky. Signed bottom right, “G M HATHAWAY”. Housed in a period gesso-decorated frame. SIZE: 22″ x 14″. PROVENANCE: From a private Maine collection. CONDITION: Very good with inpainting. 9-97467 (1,200-1,600)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) LEAP FROG. Oil on academy board interior scene shows three small cats playing leap frog. One brown kitten crouches while a white and black cat jumps over and a black cat prepares to jump, all on a carpet and wood floor. Signed lower right, “G. M. HATAHWAY”. Housed in a gesso-decorated period frame. SIZE: 11″ x 14-1/4″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97464 (800-1,200)

GEORGE M. HATHAWAY (AMERICAN, 1852-1903) INTERIOR HARRIET BEECHER STOWE HOMESTEAD. Oil on canvas interior Colonial scene shows a fireplace equipped with antique accessories including a musket on the mantle. A woman sits in another room reading a book with other antique accessories. Signed lower left, “G. M. HATHAWAY”. Housed in its original gold fancy frame. SIZE: 12″ x 18″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97484 (1,500-2,500)

ATTRIBUTED TO GEORGE M. HATHAWAY (AMERICAN, 1852-1903) COASTAL STEAMER. Oil on board Maine coastal scene shows a steamer on the horizon with a foreground of rocks and crashing waves. Housed in its original gesso-decorated wood frame. Unsigned. SIZE: 6-1/4″ x 18-1/2″. CONDITION: Very light scratches. Very good. 9-96463 (600-900)

RICHARD C. HASENFUS (American, 1932-) WRECKS OFF THE MAINE COAST. Oil on canvas coastal scene shows two wrecked schooners from a recent storm being battered by large waves against rock ledge. Signed lower right “R Hasenfus” and dated “57”. Housed in a carved gilt wood replacement frame. SIZE: 16″ x 20″ CONDITION: Very good. 9-95076 (1,000-1,500)

SETH STEWARD (American, 1844-1927) NORTHERN MAINE LANDSCAPE. Oil on board panoramic view showing Moosehead lake dotted with small islands having a mountain background under light blue and white cloud sky. Signed lower right “S W Steward 1921″. Housed in what appears to be its original gilt leaf decorated frame. SIZE: Sight: 12-1/2″ x 23”. CONDITION: Very good, surface fly specks and surface grime. 9-97012 (2,500-3,500)

SCOTT (NICHOLAS WINFIELD) LEIGHTON (AMERICAN, 1849 – 1898) PASTURE MATES. Fine oil on canvas landscape showing a brown and a white horse in grass meadow with tree background under white cloud and blue sky. Signed lower right. Housed in a fine probably original gilt gesso-decorated wood frame with gilt liner. Leighton was a Maine artist and was known for his fine rendering of horses. SIZE: 8″ x 10″. CONDITION: Some touch up. Very good. 9-97716 (2,000-3,000)

DELBERT DANA COOMBS (American, 1850-1938) THE WOODEN BRIDGE. Oil on canvas Maine landscape shows a dirt road with gate and wood bridge over a small stream. Signed lower left “D D Coombs 87″. Housed in a lemon gold deep molded wood frame. SIZE: 17″ x 11”. CONDITION: Very good. 9-96925 (400-600)

CARL SPRINCHORN (American, 1887 – 1971) LAKE THROUGH THE PINES. Oil on canvasboard shows a view through pine trees looking across lake to blue mountains. Signed lower left. Housed in a fine carved wood and gilt replacement frame. SIZE: 12″h x 15-3/4″w. CONDITION: Very good. 9-96328 (2,000-3,000)

KEN PRATSON (American, -2000) “OFF GULL ROCK”. Outstanding oil on board coastal scene shows a large rock cliff/outcropping with deep blue sea and white capped waves having a lobster boat nearby with two figures aboard. Snow spots the top of the rock under a blue sky. Signed lower right “Pratson”. Housed in a fine dark molded wood frame with gilt and linen liner. SIZE: 30″ x 40″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96025 (4,000-6,000)

HENRY BAYLEY SNELL (AMERICAN, 1858 – 1943) MONHEGAN. Oil on canvas Monhegan Island scene shows a single-masted sailboat in front of large grass-covered cliff and beyond another grass-covered cliff. The water in a deep green under a light sky. Signed lower right “H. B. SNELL”. Housed in a reproduction carved and gilt wood frame. SIZE: 16-1/4″ x 12-1/4″. CONDITION: Relined with some inpainting. Very good. 9-97659 (4,000-6,000)

ALEXANDER BOWER (AMERICAN, 1875 – 1952) ENTERING THE HARBOR. Oil on canvas Maine scene shows a red-hulled small boat with person at rudder coming toward viewer on choppy blue and green ocean. Signed lower right. Housed in a modern gilt frame. SIZE: 30″ x 26″. CONDITION: Relined and restored with inpainting. Very good. 9-97717 (4,000-6,000)

ALEXANDER MINEWSKI (American, 1917-1979) OFF MONHEGAN ISLAND. Oil on board scene shows a round buoy with tall shaft in dark seas with white caps off a tall cliff island under blue skies. SIZE: Sight: 15-1/2″ x 19-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96007 (1,000-2,000)

HARRY J. SUNTER (AMERICAN, 1850 – ) “A RELIC OF OLD EASTPORT, ME”. A large oil on canvas harbor scene shows two sail fishing boats moored to dock. A wharf with buildings on a timber-formed foundation with cut out passage. One of the connected buildings has a bell on roof and a figure walks down the stairs towards the boats. Signed lower left “SUNTER 86″. Housed in what may be its original deep carved walnut frame with gold liner. An unusual topographical painting documenting one of Maine’s easternmost towns. Titled and signed on reverse of stretcher. SIZE: 25″ x 40”. PROVENANCE: A private Maine collection. CONDITION: Minor touch up. Very good. 9-97470 (2,000-4,000)

IVAN F. SUMMERS (American, 1889-1964) “LOBSTER COVE, VINALHAVEN, MAINE”. Oil on board coastal scene shows a small inlet having a rocky shoreline with fishing shacks on stilts and docks. Two figures are walking toward a wooded area under blue sky. Signed lower right. Housed in a gilt wood frame. Titled and identified on reverse. SIZE: 14″ x 18″. CONDITION: Very good., horizontal scratch on left side. 9-97345 (1,800-2,400)

DAVID LITTLE (American, 20th Century) “SNOW MELT-EAST BRANCH 1994”. Colorful impressionistic oil on canvas winter scene shows a stream through snow covered banks with forest beyond. Signed lower left “David Little 94″. Housed in a light wood frame with linen liner. SIZE: 14″ x 18”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good to excellent. 9-96235 (500-1,000)

DAVID LITTLE (American, 20th Century) “VIEW FROM PARADISE HILL, BETHEL, MAINE”. Oil on canvas colorful scene shows hills and trees in a fall colorful landscape. Signed lower left “David Little 92″. Housed in a white painted wood frame with linen liner. Hand written artist card on reverse. SIZE: 16″ x 20”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96159 (1,000-1,500)

THOMAS M. NICHOLAS (American, 1963-) “ANDY AND JANET”. Oil on canvas winter scene shows a man filling a low sled pulled by a large brown and white work horse. They are on a snow covered hillside with scattered cut logs and pine trees. A small stream is seen in the foreground. Signed bottom right “T M Nicholas”. Housed in a fine ribbed wood frame with gilt liner. An index card is attached to reverse with title, etc. SIZE: 30″ x 30″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96023 (5,000-7,000)

THOMAS (TM) NICHOLAS (AMERICAN, 1963 – ) “WEATHER FROM THE WEST”, JONESPORT, BEALS ISLAND, MAINE. Oil on panel Maine island scene depicting ships and storm beginning to move in. Signed lower left. Accompanying is a portfolio of articles and information on the popular Nicholas and his works. SIZE: 16″ x 20″. CONDITION: Excellent. 9-97655 (7,500-10,500)

THOMAS M NICHOLAS (American, 1963-) “STONINGTON FISH SHACKS”. Oil on canvas winter scene shows the harbor in Stonington, Maine with a fishing boat beside a long dock. Several Colonial homes are at far side with a large red connected building on stilted wharf. A late afternoon sky with snow covered foreground. Signed lower right “T M Nicholas”. Housed in a fine gilt carved wood frame with gilt liner. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-95078 (6,000-9,000)

DON STONE (AMERICAN, 1929 – ) “TWO OF FOUR”. Egg tempera on board winter scene shows two boys pulling unseen sleds across a snow-covered field toward a connected Colonial house. The sun is setting,casting yellow colors in the sky with light gray clouds. Two lights can be seen in the house in the distance. Signed lower right. Housed in a wonderful stained, molded wood frame with gilt liner. One of the finest works by this artist that we have handled. Bay View Gallery label on reverse. SIZE: 18″ x 30″. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97459 (10,000-15,000)

DON STONE (AMERICAN, 1929 – ) “IN FOR REPAIRS”. Oil on canvas boatyard scene shows a large fishing trawler at dry dock with men working on deck and beside hull. In foreground two fishermen stretch out net, all under gray sky. Signed lower right. Housed in silver gilt frame with linen lliner, teh frame having an artist and title plaque. SIZE: 20″ x 24″. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97457 (2,500-4,000)

DON STONE (AMERICAN, 1929 – ) “NEW SNOW”. Outstanding oil on canvas rugged coast scene shows snow-covered cliffs with evergreens, battered by waves in a sunlit ocean with green and blue coloring. Signed lower left, “DON STONE N.A.”. Housed in a fine silver gilt frame with linen liner. Frame having a title and artist’s plaque. The back having a Bay View Gallery label. SIZE: 16″ x 24″. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97458 (2,000-4,000)

DON STONE (AMERICAN, 1929 – ) “BACK OF KNOWLTONS”. Fine watercolor late fall scene shows the back of a house with barns and apple tree. The house overlooks a Maine coastal inlet. Signed bottom right. Housed in a modern gilt molded wood frame with double mats. SIZE: Sight size: 14″ x 21″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97460 (1,500-2,500)

HOWARD CLIFFORD (American, 1950-) “CLOUD SERIES XXXXI”. Large oil on canvas aerial view looking through white and gray clouds across coastal land towards islands and water. Signed lower left “HC”. Signed, titled and dated “1987” on reverse. Housed in a shadow box type frame. Clifford, a native of Portland, Maine, is known for his large canvases and this from a series of Maine coastline views. SIZE: 40″ x 60″. PROVENANCE: From a Portland, Maine collection. CONDITION: Very good. 9-95816 (2,000-4,000)

HOWARD CLIFFORD (American, 1950-) “SURFACE SERIES V”. Large oil on canvas modern coastal scene shows coastline with islands having a flame colored clouds under a blue sky. Signed upper right with initials “HC”. Signed and titled on reverse and dated “1986”, also a list of colors and varnish used. Housed in a simple wood shadowbox type frame. Clifford, a native of Portland, Maine, is known for his large canvases and this from a series of Maine coastline views. SIZE: 60″ x 90″. PROVENANCE: From a Portland, Maine collection. CONDITION: Very good. 9-95815 (2,000-4,000)

JOHNNIE ROSS (American, last quarter of the 20th Century) “RED MAIDE”. Modern abstract shows a rounded edge rectangle in colors of red, green, blue and mustard. Signed bottom right “Johnnie Ross “Red Maide” 1979 ME”. The green, blue and mustard squares appear to be applied pieces on the paper. Housed in a shadowbox type frame with glass front. Johnnie Ross was a teacher at the Portland School of Art. SIZE: Actual: 27-1/2″ x 39-1/4″. PROVENANCE: From a fine Portland, Maine home. CONDITION: Good. 9-96538 (500-1,000)

JEFFREY SABOL (AMERICAN, 20TH/21ST CENTURY) CAMDEN SCHOONERS. Large oil on canvas realistic nautical scene shows two side by side schooners moored in calm mist-laden bay with point of land on left. The masts are reflected in the calm gray water. Signed lower right and dated “00”. Housed in a fine modern decorated molded wood frame. NOTE: A similar image minus the points of land was used as a limited edition print. SIZE: 48″ x 30″. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97471 (1,500-2,500)

WILLIAM THON (AMERICAN, 1906-2000) “GOLDEN AUTUMN”. Oil on Masonite abstract landscape scene shows a golden forest under full moon. Signed bottom right, “THON”. Housed in its original gilt wood frame with linen and gilt liner. Titled on reverse and numbered 220. Also retaining its original Mid Town Galleries, NY label and an exhibition tag from the Audubon Artist’s Annual National Academy Galleries, NY with artist information and title. SIZE: 48″ x 23″. CONDITION: Very good. 9-97136 (5,000-7,000)

ALAN MAGEE (American, 1947-) ILLUSTRATION COVER ART FOR BOOK “BREAKING IN”. Mixed media watercolor, acrylic and pencil scene shows a young male athlete seated on a wood gymnasium floor against a light blue wall with stripe. He has taken a break and sweat drips down his face. Signed lower left “A Magee”. Housed in a silver gilt wood frame with linen matte. Accompanying this work is a copy of the novel “Breaking In” by Lawrence T. Lorimer. SIZE: Sight: 14″ x 10″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96081 (3,000-5,000)

HANNA BROWN SKEELE (American, 1829-1901) LITTLE DRUMMER GIRL. Outstanding oil on canvas portrait of a young girl with blue eyes and blond hair. She wears a fancy lace edged white dress with a blue printed scarf at waist and a small gold and black enameled bar pin. She is seated with arm resting on her eagle decorated red and gold drum and holding a drumstick. The edge of a picture book is seen below the drum. Her legs are tucked under her and off to the side and a colorful Victorian carpet can be seen. Housed in its fine period gesso decorated gilt frame. Signed lower left “HB Skeele”. The back stretcher retaining its original Fine Arts Store label of Cyrus F. Davis, Portland, Maine. SIZE: 27″ x 22″. CONDITION: Very good with minor touch up. 9-97126 (4,500-5,500)

WALDO PEIRCE (American, 1884-1970) “CASTINE”. Watercolor and pencil landscape showing three connected white houses below tree covered hill with water and marsh area foreground. Signed lower right “W Peirce 38” and titled “Castine” lower left. Housed in a modern partial gilt frame with white matte. NOTE: Accompanying the work is an appraisal by John W. Peirce dated 1989. SIZE: Sight: 13-1/2″ x 19″. PROVENANCE: Acquired directly from Waldo Peirce. CONDITION: Very good. 9-97499 (800-1,200)

WALDO PEIRCE (American, 1884-1970) “THE GREENHOUSE”. Unsigned pen and ink watercolor study for the original oil painting of the same title which is in the permanent collection of the Colby College Museum of Art, Waterville, Maine. That painting was used as a postcard by the museum and one is attached to the back. Scene shows several people and children working in a large glass enclosed greenhouse. Housed in a fine carved wood frame with double mattes having a label of the House of Heydenryk. Dated bottom right “5 June 51″. NOTE: Accompanying the work is an appraisal by John W. Peirce dated 1989. SIZE: Sight: 9-1/2″ x 13-1/4”. PROVENANCE: Purchased directly from Waldo Peirce. CONDITION: Very good. 9-97497 (800-1,200)

WALDO PEIRCE (American, 1884-1970) TWO WORKS: “THE SCARECROW” AND “KITTENS”. 1) Watercolor study for the original painting in the Schneider Museum of Art, Southern Oregon State College, Ashland, Oregon. The pencil, pen and ink watercolor shows a scarecrow with swan decorated umbrella in a field and tree setting. Inscribed lower left “For Ellen WP”. Housed in a metal frame with white matte. 2) Watercolor study shows two cats, one sitting and one lying with paws tucked under. They sit on a purple floor. Signed lower right “WP41″. Housed in a decorative wood frame with double mattes. NOTE: Accompanying the work is an appraisal by John W. Peirce dated 1989. SIZE: Sight: 1) 11″ x 8-1/4″. 2) 9-1/2″ x 8”. PROVENANCE: Acquired directly from Waldo Peirce. CONDITION: 1) Good. 2) Very good with some light wrinkles. 9-97495 (800-1,200)

WALDO PEIRCE (American, 1884-1970) TWO WORKS: “PENOBSCOT VALLEY COUNTRY CLUB” AND LANDSCAPE WITH COW. 1) Watercolor working sketch of the layout of a section of the golf course. The sketch having pencil notations of colors and structure. Signed lower right, titled and dated “4 Aug 65”. Housed in a simple gilt frame with gray matte. 2) Watercolor farm scene shows a house under large tree with two barns and a cow in the foreground grass. Signed “W Peirce Aug. 1930″. Housed in a modern gilt frame with double matte. SIZE: Sight: 1) 8″ x 11″. 2) 13-1/2″ x 19-1/2”. PROVENANCE: Acquired directly from Waldo Peirce. CONDITION: Both very good. 9-97496 (1,000-1,500)

WALDO PEIRCE (American, 1884-1970) THE SAILOR DANCE. Charcoal/graphite sketch of a sailor in dancing move with a young woman while another sailor sits atop a table watching. Signed bottom right “Waldo Peirce 1936″. Housed in a gilt wood frame with brown matte. SIZE: Sight: 11-1/2″ x 14-1/2”. PROVENANCE: Purchased directly from Waldo Peirce. CONDITION: Very good. 9-97498 (800-1,200)

JAMES EDWARD FITZGERALD (American, 1899-1971) THE ORANGE LEAVES OF AUTUMN. Watercolor autumn scene shows a view through black trees and orange leaves to a purple mountain beyond under light gray skies. Signed lower left. Housed in a cherry wood frame with white and ivory matte. SIZE: Sight: 23″ x 18-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96160 (3,000-6,000)

JAMES EDWARD FITZGERALD (American, 1899-1971) “CALISTA”. Watercolor on paper interior scene shows a nude woman seated on a bed with arms raised combing her long black hair against an orange and gray geometric background. Signed upper right “James Fitzgerald”. Housed in a modern silver and black frame with double ivory mattes. Attached to reverse is a statement of authenticity from Mrs. Edgar F. Hubert indicating that the watercolor was in James Fitzgerald’s studio on Monhegan Island, Maine, 1971. Collection No. 233. A most unusual subject matter for this Monhegan Island artist. SIZE: 26″ x 20″. CONDITION: Very good. 9-96649 (4,000-6,000)

JAY HALL CONNAWAY (American, 1893-1970) MONHEGAN FISHERMEN. Gouache scene shows four fishermen on shore, two in a boat and two next to a group of barrels. The backdrop is hills leading to turquoise and blue water. Signed lower left “Connaway”. Housed in a modern black and gilt frame with white matte. SIZE: Sight: 14-1/4″ x 18-1/2″. CONDITION: Very good. 9-97107 (3,000-5,000)

JAY HALL CONNAWAY (AMERICAN, 1893-1970) “FISH BEACH, MONHEGAN AT NIGHT”. Oil on Masonite scene shows a line of houses with water. The foreground having small boats and fishing equipment. The back with title and retaining a Vose Galleries of Boston label. Housed in a period carved and gilt wood frame. SIZE: 25″ x 30-1/4″. CONDITION: Very good. 9-97140 (9,000-12,000)

CHARLES HERBERT WOODBURY (American, 1864-1940) PORPOISES AT PLAY. Outstanding oil on canvasboard seascape shows four leaping porpoises in a white capped blue wave ocean. Housed in a fine modern gilt wood frame. Unsigned front, having a Estate stamp on reverse and “31”. SIZE: 12″ x 17″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96006 (4,000-6,000)

CHARLES HERBERT WOODBURY (American, 1964-1940) PORPOISES. Framed etching shows three porpoises out of water at different stages of their jump. Signed in pencil. Housed in a modern gilt frame with white matte. SIZE: Sight: 7″ x 8″. Image: 6-1/4″ x 7-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good, not examined out of frame. 9-96005 (200-400)

KEITH OEHMIG (American, 20th Century) “EARLY SNOW”. Oil on canvas Maine scene shows the results of a heavy snow showing snow covered trees and ground under blue sky. Signed lower left and dated “75”. Housed in a fine carved wood gilt frame. Back retaining a Wiscasset Bay Gallery label. SIZE: 14″ x 11″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96021 (1,000-2,000)

JOHN CALVIN STEVENS (American, 1855-1940) “ICE AND SNOW”. Oil on canvas mounted on board winter scene shows a snow covered ground with evergreens after a recent snow. Signed lower left “John Calvin Stevens”. Housed in a modern silver gilt frame. Stevens worked most of his life in the Portland, Maine area and was affiliated with the “Brushians Group”. Pencil inscribed on reverse with an indication that it was for the Salmagundi Auction. SIZE: 14″ x 14″. CONDITION: Minor inpainting, very good. 9-96379 (1,200-1,500)

PHILIP BARTER (American, 1936-) MAINE COAST. Oil on board coastal view shows two crows flying over an ocean churned up by a recent storm. The foreground with flowers and trees looking out to pine topped islands. Signed middle center right “Philip 83″. Housed in a modern gilt frame with linen liner. SIZE: Sight: 14-1/2″ x 20-1/2”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96250 (800-1,200)

PHILIP BARTER (American, 1936-) “LEAD MOUNTAIN FROM THE AIRLINE (RTE 9)”. Oil on canvasboard colorful landscape scene shows a road leading through colorful trees toward a mountain. Signed upper right “Philip 83″. Housed in a white painted wood frame. SIZE: 16″ x 20”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96161 (800-1,200)

ROCKWELL KENT (American, 1882-1971) “THE CHILDREN’S MOTHER”. Pencil drawing of a standing nude woman. Titled and signed on bottom left. Housed in a modern gilt frame with title and artist plaque and double matte. Probably a drawing of his first wife Kathleen and dating approximately to 1915. SIZE: Sight: 14-1/2″ x 7″. CONDITION: Blemish to top left area of margin, otherwise very good. 9-96393 (1,000-2,000)

ROCKWELL KENT (American, 1882-1971) A PORTFOLIO OF SIX SIGNED PRINTS. A collection of six prints printed in two colors, loose in a brick red wrapper portfolio with a printed paste label on the upper cover. Limited Edition, privately printed by the Schering Corporation in 1944 “as a gift to its friends.” Bloomfield, NJ: The Schering Corporation. prints include: “The Full Pitcher”; “Many More”; “Sorrows of the World”; “How Soon”; “The Empty House” and “O World, O Life, O Time”. SIZE: Total: 13-3/4″ x 10-3/4″. PROVENANCE: From a private collector. CONDITION: Very good. 9-96763 (400-800)

BOX OF ROCKWELL KENT ILLUSTRATED BOOKS & REFERENCE BOOKS. Lot includes: Two “Wilderness” forth printings; “Voyaging” forth printing; “Moby Dick”, 1930; “It’s Me O Lord”, 1955; “Leaves of Grass”, the Heritage Press with box; “The Jewel” in box; “This is my Own”, first edition, 1940; Assorted books on Kent’s prints; a postage stamp sheet, 1939; and two prints. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Generally good, dust jackets “as is”. 9-95985-3 (200-400)

GOODWIN (AMERICAN, EARLY 20TH CENTURY) KENEBUNKPORT IN WINTER. Oil on canvas mounted to wood scene shows snow-covered rooftops in a harbor dock area under gray skies. Signed lower right, “GOODWIN”. Housed in an antique gesso-decorated oak frame. SIZE: 16-1/2″ x 14″. PROVENANCE: Purchased from artist’s Estate. CONDITION: Surface dirt, craquelure. Good. 9-96606 (1,000-1,500)

RAYMOND A EWING (American, 1891-1976) “BIRDHOUSE BAY, DESERT ISLAND, MAINE”. Oil on canvas scene shows a cove with moored sail and lobster boats, fishing shacks, lobster traps and wharf. Signed lightly lower right. Housed in a white painted wood frame. The title and artist written on back of canvas. SIZE: 20″ x 24″. CONDITION: Very good. 9-97285 (800-1,200)

BLAIKIE HINES (American, 1949-) “SMALL POINT, MAINE”. Oil on masonite Maine coastal schooner shows a single mast sailboat off rocky beach with waves under blue, white and gray cloud sky. Signed lower left. Housed in an antique gesso decorated frame with gilt liner. SIZE: 18″ x 40″. CONDITION: Very good to excellent. 9-96359 (1,500-2,500)

BLAIKIE HINES (American, 1949-) OFF THE MAINE COAST. Oil on masonite coastal Maine scene shows a two-mast vessel flying American flag sailing parallel with a rocky coastline. Another sailboat is seen on horizon under gray, pink and white cloud sky with glimpses of blue. Signed lower left. Housed in an antique gesso decorated gilt frame. SIZE: 32″ x 24″. CONDITION: Very good to excellent. 9-93996 (1,500-2,500)

JOYCE WILLIAMS (American, 20th Century) “PICKET FENCE, MONHEGAN”. Watercolor scene shows a white long picket fence with stacked lobster traps behind it. Grass and trees leading to water. Housed in a modern gilt frame with double matte. Signed lower right “Joyce Williams AWS”. SIZE: Sight: 20-1/2″ x 28″. CONDITION: Very good to excellent. 9-94764 (800-1,200)

JOYCE WILLIAMS (American, 20th Century) “CLEANING THE FISH”. Outstanding watercolor scene shows a Maine fisherman on the edge of a pebble beach cleaning a fish on top of a crate. Signed lower right “Joyce Williams AWS NWS”. Housed in a fine modern gilt frame with white matte. SIZE: Sight: 21″ x 29-1/2″. CONDITION: Very good to excellent. 9-94775 (800-1,200)

JOYCE WILLIAMS (American, 20th Century) TWO WORKS: “BEALS ISLAND, MAINE” AND “DESERTED HARBOR”. Each housed in modern gilt and black frames having double mattes. Both showing houses on coastline, one with lobsterman, the other with schooner. Nice pastel colors. Both signed lower right “Joyce Williams AWS NWS”. SIZE: Sight: 21″ x 28-1/2″ and 18″ x 28-1/2″. CONDITION: Very good to excellent. 9-94752, 9-94757 (1,000-2,000)

JOYCE WILLIAMS (American, 20th Century) THREE UNFRAMED WATERCOLORS. Each matted, two signed, one unsigned. Titled “St. Augustine Dock”, “Deer Isle” and the other untitled. SIZE: Sight: Two are 14-1/2″ x 19″; 18″ x 24″. CONDITION: Very good. 9-94787, 9-94792; 9-94893 (500-800)

ALEC EAMES RICHARDSON (American, 1966-) “ISLAND PINE VI”. Oil on wood panel shows a small pine atop a grass bluff near a rocky coastline. A glimpse of the sea can be seen and waves pound the rocks under a light sky. Signed “A Richardson” lower right. Titled and signed on reverse with an artist tag. Housed in a thin shadowbox type frame. A nice Maine view. SIZE: 15″ x 15″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96022 (500-1,000)

BILL PAXTON (American, 20th Century) FIVE WORKS. All unframed and unmatted. Light oil/watercolors on paper, all signed “Bill Paxton”. Four titled and signed on reverse including two “Union Station, Portland, Maine 1940”; “Looking East on Congress St. Portland, Maine Circa 1923″; Great Fire at Portland, Maine July 4, 1866″; untitled showing Epping Train Station. SIZE: 14″ x 20”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96277 (500-1,000)

JOSEPH M. ARENTZ (AMERICAN, 1903 – 1969) “SAILING IN THE SUNSET”. Oil on board seascape shows a two-masted schooner sailing left to right with a bright sunset sky with clouds. Signed lower left “J. M. ARENTZ”. Inscribed and date 1967 and signed on reverse. Housed in a decoarteive gold and white frame. SIZE: 14″ x 18″. CONDITION: Very good. 9-96604 (800-1,200)

TOM MCCOBB (American, 20th Century) “ST. GEORGE QUARRY”. Watercolor scene shows a view from the inside of a large quarry with the side depicted in purples and lighter colors. A break in the clouds casts light down the edge of the quarry wall. Housed in a painted wood frame with double matte. Attached to reverse is a Wiscasset Bay Gallery label with artist and title. SIZE: Sight: 21″ x 14-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96251 (200-400)

L. E. VARNI (American, 19th Century) “PINES IN THE DE_____ AT BOWDOIN COLLEGE. Oil on canvas scene shows a dirt path leading through tall pine trees and grassy area under blue and white cloud sky. Signed lower right, “VARNI”. Housed in its original gilt wood frame. The stretcher retaining an original Portland society of Art label with artist and title. There is pencil writing in reverse of canvas with date of “1890”. SIZE: 22″h x 18″w. CONDITION: Paint chips to left side and tree trunk, craquelure. Some in painting, otherwise good. 9-96352 (400-600)

BARRY SIMON (AMERICAN, LATE 20TH CENTURY) “MONHEGAN ISLAND – 1910”. Oil on board scene shows a two-masted schooner flying an American flag, moored at the end of a long dock with large building. A smaller one-masted white sailboat is beside. Calm water with low hill beyond. Signed lower left “SIMON 1996″. Artist’s name and title on reverse. Housed in a modern gilt frame with linen and gold liner. SIZE: Sight size: 7-1/4″{ x 8-1/2”. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97478 (400-800)

DAVID MILLARD (American, 1918-2002) LOBSTER BOATS. Watercolor and pencil harbor scene shows several lobster boats moored near dock. Signed lower left “Millard AWS”. Housed in a silver metal frame with white matte. SIZE: Sight: 14-3/4″ x 20″. PROVENANCE: Collection of Elwyn Dearborn of Medford, NJ & Portland, ME. CONDITION: Very good. 9-96234 (200-400)

KEN KNOWLES (American, 1968-) “FISHING SHACKS IN GEORGETOWN, ME”. Oil on masonite Maine coastal scene shows a small beach at the ending of an inlet having three fishing shacks with dock and lobster boat alongside. An American flag flies on tall flagpole and a Colonial home is seen beyond on a point of land. Signed lower left. Also titled, signed and dated “2008” on reverse. Housed in a modern carved and gilt wood frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-96803 (1,750-2,250)

ERNEST FIENE (American, 1894-1965) END OF DAY-MONHEGAN. Oil on canvas scene shows a lobsterman pulling a lobster trap aboard a boat while another man rows away in a smaller boat. The sky in yellow, gold and gray and the cliffs hide one small fishing shack. Wonderful colors in the ocean with reflections in the sky. Signed lower right “E Fiene”. Housed in a weathered wood gilt edged frame with linen liner. SIZE: 12″ x 16″. CONDITION: Minor inpainting, very good. 9-97394 (4,000-6,000)

ERNEST FIENE (AMERICAN, 1894 – 1965) “THE BREAKERS AT MONHEGAN ISLAND”. Unframed oil on board shows a bright colored seascape with large waves breaking over rocks and cascading onto beach. Signed bottom right, “E. FIENE”. Titled and signed on reverse. SIZE: 22″ x 30″. CONDITION: Left quarter with break in board, in need of restoration. 9-97304 (200-300)

MICHAEL GRAVES (AMERICAN, 1952 – ) ACADIA. Oil on canvas coastal scene shows a sunlit harbor with small boats surrounded by small mountains in the foreground is a rocky shore line with house and tree. Signed lower left. Housed in a fine carved wood and gilt frame. SIZE: 12″ h x 16″w. CONDITION: Very good to excellent. 9-97274 (1,500-2,000)

ANNA ELIZA HARDY (American, 1839-1934) PINK ROSES AND VASE. Oil on canvas still life scene shows a bulbous vase with three pink roses and green leaves with five pink roses and leaves set beside the vase. All against a light gray background with light reflection off of the tabletop. Signed bottom right “A E Hardy”. Housed in a period gilt and carved wood frame. On reverse of stretcher is a “W. H Gorham” framers label from Bangor, Maine. SIZE: 14″ x 20″. PROVENANCE: Wedding gift from the artist to Christine Peirce of Bangor, Maine, 1913. Descended to Gordan Douglas from the Estate of his mother, Christine Peirce Douglas, 1979 to his daughter, 2006. CONDITION: Very good. 9-95805 (4,000-6,000)

PAUL BERNARD KING (AMERICAN, 1867 – 1947) SILVER SAILS. Oil on Masonite coastal scene shows several sailboats and rowboats in a group just outside some coastal rock on calm water under blue and white cloud sky. Signed bottom right. Housed in a gilt carved wood replacement frame. SIZE: 16″ x 12″. CONDITION: Very good. Some inpainting. 9-97393 (4,000-6,000)

PAUL BERNARD KING (AMERICAN, 1867 – 1947) MONHEGAN ISLAND HARBOR. Early oil on canvas Monhegan Island scene shows Monhegan Harbor with 9 various one and two masted sailboats moored on quiet water with two houses near dock with figure, all under a light blue sky with white clouds. Signed bottom right, “PAUL KING N A”. Housed in a fine antique carved and decorated wood frame which is branded “M. GRIEVE CO. NEW YORK/LONDON”. SIZE: 25-1/4″ x 30-1/4″. CONDITION: Relined, inpainting. Very good. 9-97392 (15,000-25,000)

THOMAS (TM) NICHOLAS (AMERICAN, 1963 – ) “A NEW SEASON”, BIRCH HARBOR, MAINE. Large oil on canvas of Maine coastal scene of cottages, dock and boats. Signed lower left. Housed in an attractive gold frame. Accompanying is a portfolio of articles and information on the popular Nicholas and his works. SIZE: 24″ x 30″. CONDITION: Excellent. 9-97654 (12,500-17,500)

ANTONIO PIETRO MARTINO (American, 1902-1988) “LIGHTHOUSE MAINE”. Oil on board view of Pemaquid Lighthouse with its connected buildings. Signed lower left. Housed in a gray washed weathered wood frame. Pemaquid Light is located on the south central coast of Maine at the tip of a peninsula south of Bristol. SIZE: Sight: 9-1/2″ x 19-1/2″. PROVENANCE: Acquired directly from the artist by our consignor. CONDITION: Good to very good with some surface dirt and very light scratches. 9-97293 (1,500-2,500)

Revised: 8/20/2009

WITHDRAWN:

JOHN NICHOLS HAAPANEN (American, 1891-) SUNSET OVER BOOTHBAY HARBOR. Oil on canvas scene shows a bright orange and gold sunset sky over docks with buildings and moored schooner. A grassy shoreline with buildings in foreground and the sunset reflecting in the water. Signed lower right “Haapanen”. Housed in a fine carved and gilt wood frame with artist plaque. SIZE: 10″ x 14″. CONDITION: Very good. 9-96329 (1,200-1,800)

EDWARD REYNOLDS KINGSBURY (American, 1855-1940) PERKINS COVE, OGUNQUIT MAINE. Oil on canvas coastline view shows blue water beyond rocks with colorful vegetation. Signed lower left. Housed in a gilt wood period frame. Partial Ogunquit, Maine label attached to stretcher. SIZE: 24″ x 30″. CONDITION: One patch to reverse, some inpainting. 9-97312 (1,200-1,500)

PAUL STRISIK (American, 1918-1998) MAINE COASTAL HARBOR. Fine watercolor shows a view toward buildings and wharfs on tall stilts laden with lobster traps. Seagulls fly over calm water with two rowboats. Signed lower left “P Strisik”. Housed in a fine gilt wood frame with gray and white matte. SIZE: Sight: 14″ x 21″. CONDITION: Very good. 9-96314 (1,000-1,500)

WILLIAM JURIAN KAULA (American, 1871-1953) “OGUNQUIT, 1900”. Watercolor shoreline scene shows waves crashing onto rocks forming a small tidal pool. Signed lower right “W J Kaula Ogunquit, 1900″. Housed in a gilt wood frame with white matte. SIZE: Sight: 10-1/2″ x 14-1/2”. CONDITION: Very good. 9-97574 (1,200-1,500)

STEPHEN GEORGE MANIATTY (American, 1910-) “MONHEGAN ISLAND”. Oil on canvasboard coastline scene shows a wave crashing onto a rock ledge with an overturned boat hull wreck. Signed lower right. Housed in a modern stained wood frame with white wood liner. SIZE: 10″ x 16″. CONDITION: Very good. 9-96643 (1,000-1,500)

SCOTT ZUCKERMAN (American, 1951-) BULL MOOSE IN LANDSCAPE. Oil on board winter scene shows a large bull moose in low underbrush with marsh area and trees. Signed lower left. Housed in a modern burl decorated frame. Scott Zuckerman has been used by LL Bean for cover work of their catalogs. SIZE: 9″ x 12″. CONDITION: Very good. 9-97570 (900-1,200)

WILLIAM COLUMBUS EHRIG (American, 1892-1973) MOONLIT COAST. Oil on masonite Maine coastal scene shows small waves hitting a rock cliff under an unseen moonlit night sky which is reflecting on the water. Signed bottom right “Wm. C. Ehrig”. On reverse is an artist biography and dated “July 1965″. Housed in a partial gilt gray wood frame. SIZE: 12″ x 18”. CONDITION: Very good. 9-96648 (800-1,200)

SAMUEL PETER ROLT TRISCOTT (American, 1846-1925) “HAYSTACKS ON THE SALT MARSHES AT HAMPTON, N.H.”. Small watercolor shows elevated haystacks on flat marsh fields with grass and water. Housed in a small antique gilt wood frame behind glass. The watercolor is titled bottom right “Hampton NH” but appears to be unsigned. There is a pencil inscription on back of board indicating the title and artist. SIZE: 3-1/2″ x 7-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-95940 (200-400)

TIMOTHY PARK (American, Late 20th Century) MAINE COASTLINE. Outstanding pastel panoramic view looking across rock strewn fields toward one of Maine’s water inlets. All under a white and gray cloud sky. Signed lower right “Parks”. Nicely housed in a red stained wood frame with white matte having a linen liner. SIZE: Sight: 15″ x 19-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good to excellent. 9-96255 (400-800)

CHARLES GOODHUE (American, 20th Century) SUNLIT WOODS. Oil on canvas woodland scene shows a small clearing with the forest floor in sunlight with a small red leaf maple tree in foreground. Signed lower left. Housed in a black and stained wood modern frame. SIZE: 16″ x 20″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96158 (400-600)

THEODORE VICTOR CARL VALENKAMPH (American, 1868-1924) ON THE HIGH SEAS. Oil on canvas seascape shows a three-mast large ship angling toward viewer in a green and white tipped wavy ocean. Seagulls fly beside the ship under a white and pink cloud blue sky. Signed lower right “T V C Valenkamph 1901″. Housed in a good gilt molded wood replacement frame. SIZE: 18″ x 30”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96191 (2,000-4,000)

THEODORE VICTOR CARL VALENKAMPH (American, 1868-1924) ON THE VOYAGE. Oil on canvas seascape shows a large three-mast ship with figures on deck plying through rough turquoise colored ocean with white spray. An interesting cloud and blue sky. All in pastel colors. Housed in what appears to be its original carved and silvered gilt frame. Purchased from Marine Arts Gallery, Salem, MA. SIZE: 24″ x 28-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: All over craquelure which appears to be stable, otherwise very good. 9-96192 (2,000-4,000)

PAUL BERNARD KING (American, 1867-1947) THE SPLENDOR OF AUTUMN. Large oil on board fall scene shows birch trees with yellow foliage overlooking a large, winding river with mountains in the background under blue skies. Housed in an outstanding carved, arts and crafts-style gilt replacement frame and having a gilt wood artists plaque. SIZE: 19″ h x 33″ w. CONDITION: Very good. 9-96337 (3,000-5,000)

PAUL STRISIK (American, 1918-1998) “THE BEACH, APRIL 1964”. Fine oil on masonite scene shows a curving sandy beach with blue water with a setting sun casting yellow light. Signed lower left, “P. STRISIK”. Titled and signed on reverse. Housed in a fine carved and gilt replacement frame with gilt wood artist plaque. SIZE: 16″h x 24″w. CONDITION: Very good. 9-96341 (3,000-5,000)

WAYNE BEAM MORRELL (American, 1923-) REFLECTIONS OF FALL. Oil on masonite late fall scene shows a winding brook through trees and grass lined banks with fall colors. Signed lower right. Housed in a good gilt carved wood frame with linen and gilt liner. A nice early work by this Rockport artist. SIZE: 20″ x 16″. CONDITION: Very good. 9-97096 (1,000-1,500)

WAYNE BEAM MORRELL (American, 1923-) “SPRING APPLE TREE”. Oil on masonite landscape scene shows an old apple tree standing amongst tall grass and wildflowers. The tree shows colorful budding flowers. Signed lower right and titled on left “100 Yr Old Apple Tree”. Titled, signed and dated “1976” on reverse. Housed in a modern gilt wood frame with linen liner. SIZE: 18″ x 24″. CONDITION: Very good to excellent. 9-94231 (1,500-2,500)

UNSIGNED (American, New Hope School, First half of the 20th Century) SPRING BLOSSOM. Oil on canvas landscape scene shows a green hillside with boulders, flowering apple tree and other trees leading to a large house with connected buildings under blue and white cloud sky. Housed in a modern gilt frame. SIZE: 17″ x 21″. CONDITION: Very good. 9-96632 (400-600)

GEORGE LUFTUS NOYES (American, 1864-1954) PATH TO THE HOUSE. Oil on canvasboard scene shows a dirt path leading through sparce trees towards large connected house under blue and white cloud sky. Housed in a gilt frame with velvet and gilt liner. Signed lower right. SIZE: 8″ x 10″. CONDITION: Very good. 9-97324 (1,000-1,500)

NILES SPENCER (American, 1893-1952) BACKYARD PATH. Watercolor landscape scene shows a house with hillside lawn and path. Signed lower left. Housed in a modern gilt frame with white matte. SIZE: Sight: 23-1/2″ x 18-1/2″. CONDITION: Very good. 9-97315 (1,000-1,500)

BERNARD COREY (American, 1914-2000) “FRESHLY PLOWED”. Oil on board scene shows two cows alongside a recently plowed field with trees and pasture beyond. Signed lower right. Housed in a fine carved and gilt wood frame with carved signature “Paul Carter Goodnow”. Attached to reverse is an exhibition label from the Bernard Corey Retrospective at the Rockport Art Association, Sept. 24-Nov. 9, 2000. Also an Estate card indicating “#BC121″. SIZE: 9″ x 12”. CONDITION: Very good. 9-96426 (1,400-1,800)

BERNARD COREY (American, 1914-2000) “WHEN LIFE WAS SIMPLE”. Oil on linen mounted to masonite scene shows a New England farm with patches of snow under gray skies. The farm has a connected white farmhouse with connected red barn and silo. Signed lower right. Titled and signed on reverse. Housed in a decorative molded wood frame with linen and white matte. SIZE: 10″ x 14″. CONDITION: Very good to excellent. 9-95168 (1,500-2,500)

H HILLIARD SMITH (American, 1871-1948) THE RED BARNS. Oil on canvas summer scene shows a white cape farmhouse with two red detached barns. A series of fields with rock wall and stream with three cows. Signed lower right and dated “46”. Also signed on reverse of canvas. Housed in its original decorated molded wood frame. SIZE: 14″ x 17″. CONDITION: Very good, one shallow chip to sky. 9-97535 (1,000-2,000)

FRANK FEDERICO (American, 20th Century) THE ABANDONED BARN. Watercolor New England scene shows a barn with cupola having a silo beside in a bright spring landscape. Signed bottom left. Housed in a modern walnut frame with double white matte. SIZE: Sight: 10-1/2″ x 14-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96248 (200-300)

TOM HUGHES (American, 20th/21st Century) WINTER FIELDS. Oil on canvas New England scene shows a late afternoon looking across partially snow covered fields with water, stone wall and distant wood under a gray and white cloud sky with areas of blue. Signed lower left. Housed in a fine gilt and stained wood frame. A fine example from this Maine artist. SIZE: 28″ x 24″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96206 (1,000-2,000)

MAUD CABOT MORGAN (American, 1903-1999) SUNLIT VALLEY. Large unframed oil on canvas scene shows snow covered mountains in blue and white hues with lower green hills. The bright sun shoots rays down the mountain valley. Monogrammed with artist cipher lower left. SIZE: 43″ x 60″. CONDITION: Several tears and losses, dry flaking paint to upper edge. In need of restoration. 9-97137 (1,000-1,500)

GEORGE CARPENTER (American, 1928-2006) MAINE WINTER. Oil on canvas laid on masonite winter scene shows a curving stream with snow lined banks surrounded by evergreens. Signed lower right “Carpenter”. Marked on back “George Carpenter” with address and dated “1953”. Housed in its original stained wood frame. SIZE: 24″ x 30″. CONDITION: Very good. 9-97537 (800-1,200)

UNSIGNED (American, First half of the 20th Century) HOUSE IN WINTER. Interesting cubist style oil on canvas landscape with trees, connected house and sky. Unsigned. Housed in a modern gilt carved wood frame. SIZE: 24″ x 36″. CONDITION: Very good. 9-97446 (400-600)

HAL ROBINSON (AMERICAN, 1875 – 1933) WINTER LANDSCAPE. Oil on board scene shows a snow-covered ground looking over woods and lake to blue mountains. Signed lower left “H. ROBINSON”. Housed in a carved gilt frame. SIZE: Sight size: 11″ x 15″. CONDITION: Very good. 9-97700 (1,000-1,500)

ALFRED JANSSON (American, 1863-1931) ROAD THROUGH THE WOODS. Oil on canvas scene shows a wide dirt road through deep forest. A large tree is seen in foreground. Signed lower right and dated “1904”. Housed in an outstanding period gesso decorated gilt frame with gilt liner. SIZE: 24” x 28”. CONDITION: Relined, inpainting, small nick in tree. Otherwise very good. 9-96932 (1,000-1,500)

JOSEPH R. BARR (American, 20th Century) “THE SUMMIT”. Oil on canvasboard scene shows a dirt path/road ending at the top of a mountain with rock cliffs and tree. Signed lower right “Joe Barr”. Retaining its original Salmagundi Club Thumb-box Exhibition label. Housed in probably its original Newcomb-Macklin Co. frame which retains its original label. SIZE: 9″ x 12″. PROVENANCE: From an East Sangerville, Maine private collection, by descent from the estate of Caroline Wetmore Davidson Hiles (Warren, Pennsylvania – Brooklyn Heights, New York), to the present owner, a great-grand-daughter. After the death of her second husband, Mrs. Hiles, a suffragette, put her three sons in private schools and spent the rest of her life traveling the world by steamer with her English lady companion, Rose Pasco, and a cockatoo named Van Heemskerk. CONDITION: Good, some paint loss in small areas. 9-94925 (500-1,000)

LEONARD OCHTMAN (American, 1854-1934) MOONLIT RIVER LANDSCAPE. Oil on canvas mounted to board moonlit scene shows a river with path and hill beside with trees beyond. All under a full moon. Signed lower left. Housed in a gesso decorated frame with linen and gilt liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-97681 (1,500-2,500)

UNSIGNED (American School, 19th-20th Century) MOUNTAIN STREAM. Oil on canvas scene shows stream cascading through rocks to a woodland pool. Mountains are seen in the background under a blue and white cloud sky. Housed in a good gilt gesso decorated frame. SIZE: 16″ x 24″. CONDITION: Very good. 9-90644 (800-1,200)

HAL ROBINSON (American, 1875-1933) SPRING RUN-OFF. Oil on canvas springtime scene shows a small stream through a pasture with woods beyond. The pallet in nice pastel colors. Signed lower right “Hal Robinson”. Housed in a modern gilt frame with linen liner. SIZE: 30″ x 20″. CONDITION: Very good, relined and restretched on new stretcher with inpainting. 9-94498 (800-1,200)

MINNIE LEE JUDSON (American, 1865-1939) “A BROOK IN APRIL”. Oil on canvas scene shows a cascading brook through rocky woods with blue sky peaking through the dense woods. Initialed lower right “MLJ”. Original artist tag is attached to back with title. Also an exhibition label from the Pennsylvania Academy of the Fine Arts, 1906 Annual Exhibition. Housed in a fine period gesso decorated gilt frame. SIZE: 24” x 16”. CONDITION: Minor inpainting, very good. 9-96917 (400-800)

ARTHUR J. HAMMOND (American, 1875-1947) SUNLIT RIVER. Oil on board New Hampshire scene shows a small river cascading through woods with sunlight streaming in. Signed on reverse of board. Also a piece of paper indicating that it originally came from the Estate of the artist and purchased by Herb Dyer in the 60’s. Housed in a fine antique gesso decorated gilt frame with gilt liner. SIZE: 4-3/4″ x 7-1/2″. CONDITION: Very good. 9-96900 (600-900)

RUSS WEBSTER (AMERICAN, 1904 – 1984) “NEAR MADRIVER GLEN”. Oil on canvas Vermont winter landscape shows a woman hanging laundry on a line outside her house next to a small covered bridge with two children. Behind the house is a church and beyond that are hills under a blue and white cloud sky. Titled and signed on reverse. Housed in a decorative wood frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-97723 (500-1,000)

FRANCIS HOPKINSON SMITH (American, 1838-1915) A LAZY AFTERNOON. Watercolor landscape scene shows a summer afternoon near a pond with a large rowboat and two figures. Signed lower left “F Hopkinson Smith 82″. A well accomplished artist, he, along with Quarterly and Reinhart were part of the artist colony at Cold Spring Harbor. Housed in a nice gilt frame with decorated matte. SIZE: 11-3/4″ x 15-3/4”. CONDITION: Very good with a couple of spots on the top edge. 9-96381 (1,500-2,200)

FIDELIA BRIDGES (AMERICAN, 1834 – 1923) LILLY POND SUNSET. Watercolor landscape shows a stream leading to lily pad pond with trees and church steeple in the background. Sunset colors from yellow to red. Housed in a gilt wood frame with dark mat. SIZE: SIght size: 9-3/4″ x 16-1/2″. CONDITION: Very good. 9-97701 (1,000-1,500)

BERNARD COREY (American, 1914-2000) LATE FALL SOLITUDE. Oil on canvas landscape scene shows a break in a stone wall with birch trees and evergreens. The leaves have fallen to the ground and the scene is in late fall colors. Signed lower right. Housed in an antique gilt replacement frame. SIZE: 12″ x 16″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good with a reworked area around the signature. 9-96027 (2,000-3,000)

ALBERT CURTIS WILLIAMSON (Canadian/American, 1867-1944) SUNSET AT THE SHORE. Oil on canvas coastal scene shows fishing shacks along an ocean bay with a sliver of light sky in darkening sky. Signed lower left “CURTIS WILLIAMSON, 1907”. Housed in a period flower-decorated gilt frame with gilt liner. SIZE: 24″h x 30″w. CONDITION: Some minor touch up, otherwise very good. 9-96363 (2,750-3,250)

WILLIAM JURIAN KAULA (American, 1871-1953) “AUTUMN HILLSIDE”. Oil on canvas fall scene shows a colorful tree and rock hillside under gray and white cloud and blue sky. The scene reminds one of a fall late afternoon approaching thunderstorm. Signed lower right. Housed in a modern gesso decorated gilt antique style frame. SIZE: Sight: 9-1/2″ x 12-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96028 (1,500-2,500)

Revised: 8/19/2009

Correction: We have been told that this is a painting by Helio Wernegreen (American, 1907-1979) who had a studio in Chicago.

UNSIGNED (American, First half of the 20th Century) HOUSE IN SUNSET. Oil on canvas scene shows a saltbox type house with connected barns on bluff of hill under large trees overlooking a mountain. All under a colorful sunset sky. Housed in a partial gilt carved wood frame. On back of stretcher is a label “Helio’s Art Gallery, Chicago, IL.”. SIZE: 25″ x 30″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Very good. 9-95016 (800-1,200)

JOHN CUTHBERT HARE (American, 1908-1978) “SUNSET”. Oil on canvas early evening scene shows a two-mast schooner and other boats moored to docks with buildings under a golden yellow, brown and pink sky. Signed lower right “John Hare”. Housed in its original gilt molded wood frame. Titled in pencil on reverse. SIZE: 16″ x 20″. CONDITION: Very good. 9-97110 (2,000-3,000)

MARY ELIZABETH PRICE (American, 1877 – 1965) INTERIOR SCENE WITH STILL LIFE. Interesting oil on canvas still life scene shows a striped tablecloth with blue and white oriental ginger jar and large green vase. The backdrop to the still life is a nude in a room setting. Signed bottom right, “M. ELIZABETH PRICE”. Housed in what may be its original period carved and gilt arts and crafts frame with an added gilt wood artist’s plaque. SIZE: 18″h x 24″w. CONDITION: Very good. Very small repair to center. 9-96336 (3,000-5,000)

WRAY MANNING (American, 1898-) NATURES BOUNTY. Oil on masonite still life shows a picnic bench having a draped white cloth background showing apples, purple and green grapes and a half filled glass next to wildflowers in a vase. Signed lower left. Housed in a painted wood frame. SIZE: 27″ x 36-1/2″. CONDITION: Very good. 9-96325 (600-800)

UNSIGNED (American, 19th/20th Century) ONIONS AND COPPER BUCKET. Oil on canvas still life scene shows a grouping of freshly picked onions, an amber glass bottle and a large brass bale handled bucket which lays on its side. Dark brown background. Housed in a natural stained pine molded wood frame. SIZE: 24″ x 30″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good with some inpainting. 9-96075 (800-1,200)

KEES VERWEY (Dutch, 1900-1995) COLORFUL FLOWER STILL LIFE. Large watercolor tabletop still life shows a cylinder shaped vase with blue, red and white flowers. Signed lower left and dated what appears to be “74”. Housed in a partial gilt frame with linen and gilt liner. Watercolor has been attached to a board. SIZE: 28″ x 22-1/2″. CONDITION: Very good. There are areas of consolidated colors at the edges which we assume is the technique of the artist. 9-96547 (800-1,200)

LAURA COOMBS HILLS (American, 1859-1952) STILL LIFE OF GARDEN FLOWERS. Pastel still life shows a silver bowl atop a table with pink and red tulips, yellow daffodils against a blue drape background. Signed lower right. Housed in a carved wood and gilt modern wide frame. SIZE: Sight: 23-1/2″ x 17-1/2″. CONDITION: Very good. 9-96872 (1,500-2,500)

ALEX MINEWSKI (American, 1917-1979) “LILACS”. Oil on masonite still life scene shows an impressionistic view of purple lilacs with green leaves in a vase set on a table in an interior setting. Signed lower left “Minewski”. Titled and signed on reverse, also having an artist stamp. Housed in a gray wood frame with linen matte. SIZE: 8″ x 12″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95928 (400-600)

RUTH JEWELL (American, 1908-1999) FLOWER ARRANGEMENT. Oil on board colorful bouquet of flowers against a mottled blue background. Signed lower left “Ruth Jewell”. Housed in a gilt frame with linen and gilt liner. SIZE: 15″ x 20″. CONDITION: Very good. 9-97160 (500-800)

NEIL G. WELLIVER (American, 1929-2005) “LOON”. Etching and aquatint on paper scene shows a loon in green water with ripples and reflection below. Signed in pencil lower right “Welliver” and “AP” lower left. Housed in a fine gray stained wood frame with double mattes. A 1988 work limited to an edition of 150. SIZE: Sight: 26″ x 26″. PROVENANCE: From a fine Portland, Maine home. CONDITION: Very good to excellent. 9-96540 (1,000-2,000)

NEIL G. WELLIVER (American, 1929-2005) BIRCHES. Limited edition silkscreen print showing seven birch trees in black and white against a green evergreen and blue sky background. Pencil signed lower right. Pencil numbered “124/144″. A small rare edition for this graphically pleasing print. Housed in a silvered gilt modern frame with white matte. SIZE: Sight: 39-1/2″ x 33″. Image: 37″ x 30-1/2”. CONDITION: Very good, not examined out of frame. Not laid down. 9-96399 (1,200-1,800)

CARROLL THAYER BERRY (American, 1886-1978) FOUR WORKS. Four identically framed woodcuts, three with color background. Titled as follows: “Limestone and Sail 5/50”; “Lobsterman-Maine Coast”; “White and Weatherworn-Maine Coast”; and “Winter-Deer Isle-Maine Coast”. Housed in black frames with white mattes. All pencil signed lower right. All show Maine coastal scenes. SIZE: Sight: 11-1/2″ x 13″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, not examined out of frames. 9-96217 (500-1,000)

ANDREW NEWELL WYETH (American, 1917-2009) “FOG BELL”. Unframed limited edition signed lithograph made especially for the Penobscot Bay Medical Center by the Triton Press, Inc. NYC. Pen signed below image and numbered “84”. The image shows a tall pyramid shaped white clapboard building with large bell outside with house beyond. Because the artist signed in pen many of these prints when hung up and exposed to sunlight lost their signatures. This example is as original with a strong bold signature. SIZE: 32-3/4″ x 22-3/4″. CONDITION: Very good. Appears to be unused and we are told by the consignor that it was sealed in cardboard, placed into a closet and never framed since being sent to them by the medical center. 9-96296 (4,000-6,000)

AFTER WINSLOW HOMER (American, 1836-1910) “THE FOG WARNING”. Large etching shows a fisherman rowing through large waves looking out at fog bank with distant schooner. His boat is laden with large halibut. Signed in plate “Winslow Homer” and “Hamilton Hamilton”. Pencil signed by left remark “Winslow Homer” and in right corner below signature “Hamilton Hamilton”. The print also at top left corner printed “Copyright 1887 Fishel Adler & Schwartz, New York”. Housed in its original stained oak carved wood frame with thick white matte. SIZE: Image: 20″ x 31-1/2″. Sight: 23-1/2″ x 34″. CONDITION: Some light toning, a C-shaped tear in bottom margin. Otherwise good. 9-97548 (3,000-5,000)

THOMAS HART BENTON (American, 1889-1975) “HUCK FINN”. Lithograph, State II, edition of 100. Circulated by the Associated American Artists, New York City. Pencil signed bottom right. REFERENCE: The Lithographs of Thomas Hart Benton by Fath, page 44, No. 12. Part of the Missouri State Capitol series. Pencil signed bottom right. Housed in a black wood frame with white and black mattes. SIZE: Sight: 17″ x 22″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Not laid down, not examined out of frame. Very good. 9-95953 (8,000-12,000)

THOMAS HART BENTON (AMERICAN, 1889 – 1975) “ISLAND HAY 1945”. Lithograph shows three men with sickles harvesting hay. Pencil signed lower right. From an edition of 250. The scene is of Martha’s Vineyard, Massachusetts. Hinge-mounted in a hinged mat. SIZE: Total: 12-1/4″ x 16-1/4″. CONDITION: Very good. 9-97367 (2,500-3,000)

THOMAS HART BENTON (American, 1889-1975) “AARON”. Lithograph from an edition of 250, circulated by the Associated American Artists of New York City. REFERENCE: The Lithographs of Thomas Hart Benton by Fath, page 104, No. 42. Housed in a black frame with white and black mattes. Pencil signed lower right. SIZE: Sight: 13-1/4″ x 10″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, not glued down, not examined out of the frame. 9-95954 (2,000-3,000)

THOMAS HART BENTON (AMERICAN, 1889 – 1975) “NIGHT FIRING”. Lithograph scene shows a man stoking a fire at night in a small building. Pencil signed lower right from an edition of 250. Ref. F-57. Hinge-mounted in a hinged mat. SIZE: Total: 10-3/4″ x 15″. CONDITION: Very good. 9-97366 (2,500-3,000)

JOHN STEUART CURRY (American, 1897-1946) “JOHN BROWN”. Lithograph from an edition of 250, published by Associated American Artists in 1940. Pencil signed lower right. REFERENCE: No. 34 in the Catalog Raisonne by Cole. SIZE: Sight: 15-1/2″ x 11-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, not examined out of frame. 9-95956 (3,000-5,000)

JOHN STEUART CURRY (AMERICAN, 1897 – 1946) “MAN HUNT”. 1934, from an edition of about 50. Pencil signed and titled and dated 1934. The print shows several men, horse and dog on a man hunt. Ref. Cole 22. Currently housed in a hinged mat. SIZE: Total: 11-1/2″ x 16″. CONDITION: Very good. 9-97376 (1,200-1,500)

JOHN STEUART CURRY (American, 1897-1946) “THE CORNFIELD”. Pencil signed lithograph from an edition of 25, 1935. Inscribed bottom left “The Cornfield 25 Prints”. Housed in a black frame with white matte. SIZE: Sight: 13-1/2″ x 10-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, not examined out of frame. 9-95957 (2,000-3,000)

ALFRED HERBER HUTTY (American, 1877-1954) “THE PATRIARCH”. Framed etching shows a large tree with dripping moss. Pencil signed lower right. Housed in a gold and black frame with wide white matte. SIZE: Sight: 10″ x 11-1/4″. CONDITION: Very good. 9-97588 (2,500-3,500)

SEARS GALLAGHER (AMERICAN, 1869 – 1955) “IN THE POND”. Pencil signed etching Monhegan Island beach scene shows three children at edge of water. Pencil signed lower left. Housed in a modern gilt frame with gold liner and highlighted white mat. SIZE: Sight size: 7-1/2″ x 8″. CONDITION: Very good. 9-96929 (1,000-2,000)

STOW WEGENROTH (AMERICAN, 1906 – 1978) “NORTH VILLAGE, PORT CLYDE, MAINE”. 1938, Etching shows a small inlet at low tide with boat, fishing shacks and hillside. Pencil signed and numbered ED/60. Presently housed in a hinged mat. Ref. Stuckey’s # 77. SIZE: Total 15-1/2″ x 21″. CONDITION: Very good. 9-97385 (900-1,200)

STOW WENGENROTH (American, 1906-1978) “SAND DUNES”. Pencil signed lithograph from an edition of 30 lithograph shows the sand dunes in Provincetown, Massachusetts executed in February 1938. REFERENCE: Stuckey, 72. Housed in a black gold edge frame with white matte. SIZE: Sight: 10-3/4″ x 16-3/4″. CONDITION: Very good, not laid down. 9-97384 (900-1,200)

STOW WENGENROTH (AMERICAN, 1906-1978) “DUNES”. Original dry brush drawing shows grass covered dunes with scrub pine. Pencil signed center left bottom housed in a black painted molded wood frame with white matte. This is a study for Stuckey’s No. 307. Circa 1967. SIZE: Sight: 14-1/2″ x 23″. CONDITION: Very good, not laid down. Not examined out of frame. 9-97383 (4,000-6,000)

EDWARD MORAN (American, 1829-1901) “NORTH WEST WOODS, EAST HAMPTON, L.I.”. Rare etching shows a saltbox house amongst three trees and small hillside. Pencil signed lower right “Edward Moran”. Also inscribed in pencil “Dedicated to E. A. Noble and presented to C. H. Betsford. First proof-first state “North West Woods” East Hampton L.I.”. Housed in a black wood frame with matte. SIZE: Sight:11-3/4″ x 9-1/2″. Plate: 9-3/4″ x 7-3/4″. CONDITION: Very good. Not examined out of frame. 9-95775 (1,000-2,000)

BENTON MURDOCH SPRUANCE (1904-1967) “VANITIES II: JACOB AND THE ANGEL”. 1950, edition of 40 in four colors (yellow, blue, red/brown, black). Pencil signed lower right, dated “52” and titled. Colored print shows two men, one with wings, embracing. Housed in a modern metal frame with white matte. REFERENCE: The Prints of Benton Murdoch Spruance, A Catalog Raisonne by Fine and Looney, page 184, illustration 289. SIZE: Sight: 14-3/4″ x 19-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, not examined out of the frame. 9-96212 (500-1,000)

PAUL CADMUS (American, 1904-1999) “MOBILE”. Color silkscreen shows a man holding a mobile made of twigs, shells, feather and skull. Signed “Cadmus” lower right 59 out of an edition of 75. Housed in a light wood frame with white matte. SIZE: Sight: 16″ x 18″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good, not examined out of frame. 9-96086 (2,000-4,000)

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903) “THE LIME-BURNER”. Original etching shows a man in a factory setting leaning against a wall with ladders and sieve. Signed and dated “1859” in plate. Housed in a black wood frame with matte. Kennedy, 46. Affixed to matte only at top edge. SIZE: Paper: 14-1/4″ x 10″. Image: 10″ x 7″. PROVENANCE: From a private Rangeley, Maine home. CONDITION: Examined out of frame. Brown stain to lower and upper sections, some toning, two side tape marks under matte in margin. Repaired tear upper left corner which goes 1″ into the image. 9-95012 (1,500-2,500)

JAMES ABBOTT MCNIEL WHISTLER (American, 1834-1903) “VITRE-THE CANAL”. Lithograph shows an overview of a city with foreground canal. Pencil signed with butterfly mark bottom center. Annotated on verso in pencil by the artist “No. 47”. On laid paper with “Pro Patria” watermark. References: W. 39: L.65. Housed in a modern gilt frame with wide linen matte. SIZE: Sight: 12″ x 7-1/2″. CONDITION: Very good. 9-97503 (1,000-2,000)

LINDA STEIN (American 1942-) THREE FACES OF MAN. Lithograph limited edition print shows three heads of men layered beside each other. One representing the masculine, one represents the feminine and the last representing the spiritual. Pencil numbered “4/90″ and signed in pencil lower right. Housed in a flat black wood frame with gray matte. Linda Stein exhibited at the Creative Gallery in NY in 1967 and had one-man shows at the Lang Gallery, NY in 1968. SIZE: Sight: 12-1/2″ x 12-1/4″. Image: 11-3/4″ x 11-3/4”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96078 (400-800)

LOT OF 15 SIGNED ART BOOKS. 11 signed by artist author including Leonard Baskin, Emile Gruppe, Paul Cadmus, Philip Jamison, Jackson Lee Nesbitt, Charles E. Martin, Karl Schrag, Betty L. Schlemm, Robert Vickrey, Paul Strisik and Theodore F. Wolff. Also included Andrew Wyeth signed Richard Meryman, Force through Delicacy signed George M. Young, Speaking to Strangers signed J. Day Mason and The Art of Frank H. Shapleigh signed Charles O. Vogel. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Generally very good. 9-95986-5 (200-400)

LOT OF 10 SIGNED CHILDREN’S BOOKS. 5 books signed Dahlov Ipcar, other books signed by Mary Beth Owens, Steven Shepard, Carol Inouye, John Canemaker, and Douglas Alvord. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Generally very good. 9-95986-7 (150-250)

FORTY PRINT RELATED ART REFERENCE BOOKS. Lot includes twelve volumes of American Etchers by Arthur Wm. Heintzelman. Books include Thomas Hart Benton, Peter Hurd, Stow Wengenroth, John Curry, Reginald Marsh and more. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Generally good. 9-95985-1 (400-600)

EIGHT BOXES OF ART REFERENCE BOOKS. The lot includes books on individual artists, an 8-volume set of Benezit 1966, Regionalist art groups. Approximately 120 books. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Generally good. 9-95985 (500-1,000)

25 ART REFERENCE BOOKS. The books concentrating on John Marin, Winslow Homer, the Wyeth’s and Marsden Hartley. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Generally good. 9-95985-2 (200-400)

WILLIAM THOMSON (American, 20th Century) STUDY FROM A THOMAS EAKINS WORK. Watercolor portrait of Thomas Eakins work “Portrait of Professor Gross (the Gross Clinic, 1875). The view shows him from the chest up looking slightly to the side wearing a brown coat and gray hair. One of his series in The Lost Drawings of Eakin. Signed lower right “Thomson”. Housed in a gilt and stained wood frame with ivory matte. Thomson studied in Connecticut under Ernst Lohrmann, at the Paier Art School, and at the Meriden Trade School. His solo exhibitions include the Van Ward Gallery in Boston and Oqunquit, ME. SIZE: Sight: 15-1/4″ x 21-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96155 (500-1,000)

WILLIAM THOMSON (American, 20th Century) SELF PORTRAIT WITH THOMAS EAKINS PAINTING BACKGROUND. Mixed media scene shows a half portrait of William Thomson standing with arms crossed in front of the famous Thomas Eakins painting “Portrait of Professor Gross (the Gross Clinic, 1875). Signed lower right “Thomson”. Housed in a gilt and stained wood frame. One of his series in The Lost Drawings of Eakin. Thomson studied in Connecticut under Ernst Lohrmann, at the Paier Art School, and at the Meriden Trade School. His solo exhibitions include the Van Ward Gallery in Boston and Oqunquit, ME. SIZE: Sight: 17-3/4″ x 25-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96154 (500-1,000)

WILLIAM THOMSON (American, 20th Century) “SKETCHBOOK SERIES, SEARCH FOR HOMER.”. Oil on canvas half portrait of Winslow Homer standing in front of a wall decorated with two of his paintings. The bottom quarter having a six-line script verse which is illegible. Signed lower right “Thomson”. Housed in a gray painted wood frame with white wood liner.Reverse having an exhibit entry card with title, artist, etc. Thomson studied in Connecticut under Ernst Lohrmann, at the Paier Art School, and at the Meriden Trade School. His solo exhibitions include the Van Ward Gallery in Boston and Oqunquit, ME. SIZE: 35-1/2″ x 28-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96153 (500-1,000)

WILLIAM THOMSON (American, 20th Century) “LOST EAKINS DRAWING V”. Mixed media scene shows a sketch of Thomas Eakins work “Portrait of Professor Gross (the Gross Clinic, 1875). Other sketches surround this work in watercolor, charcoal, etc. Signed lower right “Thomson”. Housed in a gray painted wood frame with linen and white matte. Back having a title label. Thomson studied in Connecticut under Ernst Lohrmann, at the Paier Art School, and at the Meriden Trade School. His solo exhibitions include the Van Ward Gallery in Boston and Oqunquit, ME. SIZE: Sight: 22″ x 15-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96156 (800-1,000)

WILLIAM THOMSON (American, 20th Century) “FALLEN ROCKET HOMAGE TO WHISTLER”. Casein scene shows a fireworks rocket exploding in the sky showering yellow, white and orange sparks in a nighttime scene. Signed “Thomson” lower right. Housed in a stained wood frame with double white matte. Thomson studied in Connecticut under Ernst Lohrmann, at the Paier Art School, and at the Meriden Trade School. His solo exhibitions include the Van Ward Gallery in Boston and Oqunquit, ME. SIZE: Sight: 13-3/4″ x 11-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96157 (600-900)

ARTHUR HOEBER (American, 1854-1915) THE FISHERMAN’S DAUGHTER. Oil on canvas scene shows a young woman in pink dress with white apron in a small rowboat in calm water with lighthouse and ship beyond. Signed lower left. Housed in its original gesso decorated gilt frame with original artist and title plaque. SIZE: 20″ x 16″. CONDITION: Relined, restored with inpainting, very good. 9-97206 (2,250-2,750)

GEORGE ELMER BROWNE (American, 1871-1946) UNLOADING THE BOAT. Oil on canvasboard dockside scene shows four men with gangplank unloading bags of produce from boat. Signed lower right “Geo. Elmer Browne”. Housed in a fine carved and gilt wood frame having gilt artist plaque. SIZE: 6-3/4″ x 10″. CONDITION: Very good. 9-95492 (1,800-2,200)

GEORGE ELMER BROWNE (American, 1871-1946) ITALIAN DOCKSIDE. Oil on canvasboard Italian dock scene shows five men unloading a boat laden with sacks of produce. Beyond the boat is the busy harbor. Signed lower left “Geo. Elmer Browne”. Housed in a fine reproduction gilt carved wood frame having artist plaque. SIZE: 6-3/4″ x 10″. CONDITION: Very good. 9-95491 (1,800-2,200)

HENRY SALEM HUBBELL (American, 1870-1949) THE QUIET COVE. Oil on canvas pastel colored scene shows a quiet ocean cove with tree covered coastline and houses under a colorful pink, white and blue sky. Signed lower right “H S Hubbell”. Housed in a fine carved gilt double frame with glass front. SIZE: 12″ x 16″. CONDITION: Very good, relined. 9-96332 (1,500-2,500)

LUDLOW THORSTON (American, 20th/21st Century) ROUNDING THE BUOY. Fine watercolor shows a two-mast schooner in full sail sailing left to right past a small rock area with bell buoy. Several figures are seen on deck of the green hulled boat. Signed lower right. Housed in a weathered wood frame with double white matte. SIZE: Sight: 13-3/4″ x 2-1/4″. CONDITION: Very good. 9-95077 (800-1,200)

WILLIAM HARNDEN (American, 1920-1983) PASTEL BOATS. Oil on board scene shows five rowboats near beach and wharf. Strong sunlight lights pastel colored shoreline and reflects on the boats. Signed lower left “Harnden”. Housed in a carved wood and painted frame having a linen liner and artist plaque. SIZE: 20″ x 24″. CONDITION: Very good. 9-96633 (600-800)

JAMES KING BONNAR (American, 1883-1961) “MISTY MORNING”. Oil on canvasboard scene shows two fishing schooners working side by side with three figures aboard. A tall sailing yacht is seen on horizon and there are five seagulls flying in a light colored sky. Signed lower right. Titled on sticker on reverse. Housed in a silver gilt molded wood replacement frame. SIZE: 24″ x 30″. CONDITION: Two small spots of inpainting, otherwise very good. 9-96774 (1,500-2,500)

THEODORE (THEOPHILOUS) JOHN MORGAN (AMERICAN, 1872-1947) “CROWDED HARBOR”. Oil on board harbor scene shows a very crowded harbor with moored sailboats, small rowboats under sunlit sky which reflects in the foreground water. Signed lower left. Housed in a great carved and gilt wood replacement frame. Titled on reverse of board. SIZE: 29-1/4″ x 24-1/4″. CONDITION: Very good. 9-97179 (1,500-2,500)

CALTHEA CAMPBELL VIVIAN (American, 1857-1943) SAILBOATS. Oil on board harbor scene shows several small single mast sailboats with buildings in the background. Signed lower right. Housed in a period gilt gesso decorated frame. SIZE: 13-1/4″ x 15-1/2″. CONDITION: Some consolidation to paint, otherwise good. 9-97296 (1,200-1,800)

ANDERSON TYLER (American, 20th Century) THE BUSY DOCK. Watercolor on board scene shows a dock area with large ships at end and store front buildings lining the large wood dock. Several wagons and many people are seen around the dock. Signed lower right “Anderson Tyler ’36”. Housed in an antique gesso decorated gilt frame. SIZE: Sight: 15-1/2″ x 21″. CONDITION: Very good. 9-95062 (1,000-2,000)

GEORGE BUNN (AMERICAN/BRITISH, Last Half of the 19th Century) FISHERMAN’S WHARF. Oil on canvas scene shows a stone and wood wharf with three men working on sails and several sails drying in background. A small boat has come alongside wharf with two men as another sailboat leaves. White capped waves are seen under a lavender to white sky. Signed lower right “G Bunn 85″. Housed in an antique gesso decorated liner. SIZE: 20″ x 30”. CONDITION: One spot of inpainting, otherwise very good. 9-96875 (1,000-2,000)

BEN PAULEKAS (American, 1915-2004) “HIGH NOON”. Oil on canvas harbor view shows two fishing trawlers and a smaller boat being tended by two fishermen drying nets. Signed lower left. Titled and dated on reverse “1981”. SIZE: 20″ x 24″. CONDITION: One small chip in water, otherwise very good. 9-97166 (500-800)

MICHAEL STOFFA (AMERICAN, 1923 – 2001) ON DRY GROUND. Oil on canvas scene shows a small rowboat tethered to rocks pulled up on dry ground. Water is in the foreground with rock wall and trees. Signed lower left, “STOFFA 88”. Housed in a decorative gilt frame with white wood lining. The back stretcher inscribed “THE 12TH OF OCTOBER”. SIZE: 16″ X 20″. CONDITION: Very good. 9-97161 (500-800)

RALPH ILIGAN (American, 1894-1960) NORTH SHORE SURF. Fine oil on canvas coastal scene shows large waves crashing onto a rock ledge under blue and white cloud sky. Signed lower right “Ralph Iligan”. Iligan was an illustrator and the fine details in this painting are evidence of his detail work. Probably a scene on the coast of Maine or Massachusetts. Housed in a decorative gilt frame with white liner. SIZE: 22″ x 28″. CONDITION: Very good. 9-96294 (2,000-3,000)

WILLIAM B. GILLETTE (American, 1964-1937) “PEBBLY BEACH, B.I.”. Fine watercolor shows small waves cascading onto a pebble strewn beach with rocks and distant hillside. The sky is cloudy gray. Housed in its original fine carved and gilt frame with matching title and artist plaque. Signed lower left “W B Gillette”. SIZE: Sight: 16″ x 26″. CONDITION: Very good. 9-97404 (2,000-4,000)

RALPH LOVE (American, 1907-1992) MIDNIGHT WAVE. Oil on board nocturnal scene shows a coastline with large rock outcroppings being pummeled by large wave. In shades on blue and black. Signed lower left “Love”. Housed in a good stained wood frame with linen liner. SIZE: 11″ x 16″. CONDITION: Very good. 9-95686 (600-800)

ISABELLA MCQUAIDE HOOPES (American, 1893-1987) “BY THE SEA”. Unframed oil on canvas beach scene shows four boys, three of which are building a sand castle and the older boy stands in the surf. A sand dune is seen on the right side with a tufts of grass. Signed lower left. Titled and signed on reverse. SIZE: 22″ x 28″. CONDITION: Several chipped areas in sky and edges, otherwise good. 9-97303 (1,000-2,000)

BENNETT SCHROEDER BRADBURY (American, 1914-1991) “AMBER & JADE”. Oil on canvas coastal seascape shows colorful waves crashing onto rock ledge under a colorful morning sky. Signed lower left. Also signed on back of canvas and titled. Housed in a fine carved wood frame with linen liner. SIZE: 18″ x 24″. CONDITION: Very good. 9-96638 (800-1,200)

J RICHARDSON ADAMS (American, Late 20th Century) THE BIG WAVE. Oil on wood panel shows a large crashing wave next to coastal jagged rocks. Signed lower right “J Richardson Adams 96″. Information on reverse indicates Adams is a Buck’s County Pennsylvania trained artist. Housed in a modern gilt decorated frame. SIZE: 20″ x 28”. CONDITION: Very good. 9-97095 (500-700)

WARREN W. SHEPPARD (American, 1858-1937) SUNRISE OVER ROCKY COASTLINE. Large oil on canvas scene shows sun rising amongst a light sea mist and rocks jutting out into a tranquil ocean. Signed lower left “Warren Sheppard”. Housed in a replacement gilt carved wood frame with gilt liner. SIZE: 22″ x 34″. CONDITION: Very good, relined, some inpainting, lines where stretcher conforms to canvas. 9-97540 (2,000-4,000)

ALICE KENT STODDARD (American, 1885-1976) ROCKY SURF. Oil on canvas coastal scene shows turquoise to blue waves moving towards coastal rocks with white and blue sky. Estate stamped bottom right. Also having an Estate stamp on reverse. Housed in a fine gilt carved arts & crafts style replacement frame. SIZE: 20″ x 28″. PROVENANCE: David David Art Gallery, Philadelphia. CONDITION: Relined, minor inpainting. Very good. 9-97339 (2,000-3,000)

JAMES CRAIG NICOLL (American, 1846-1918) “SHOWER ON THE COAST”. Oil on canvas scene shows waves starting to build in a coastal scene with a rocky point. The greenish and white sea is seen under a cloudy sky. Signed lower right “J C Nicoll N.A.”. Housed in a period gilt decorative frame. SIZE: 20″ x 30′. CONDITION: Very good. 9-97347 (1,500-2,500)

JOSEF M ARENTZ (American, 1903-1969) “SEA FLAVOR”. Oil on canvas coastal scene shows one large wave crashing onto rocky outcroppings. Light shines from the left across the waves and onto the rocks. Signed lower right. Housed in a gilt textured wood frame with gray liner. SIZE: 20″ x 30″. PROVENANCE: From a southern Maine home. CONDITION: Very good. 9-96601 (1,000-1,500)

CHARLES U BOIZARD (American, First Quarter of the 20th Century) NOCTURNAL BEACH. Oil on board nighttime scene shows waves crashing on to beach in tones of gray. Signed lower right “Cha. U Boizard”. Housed in a fine antique gesso decorated frame. SIZE: 13-3/4″ x 19-3/4″. CONDITION: Very good. 9-96780 (800-1,200)

AFTER JOHN MARIN (American, 1870-1953) “SEASCAPE”. Oil on canvas board of an abstract view with rocks and ocean. Signed lower right “MARIN 50″. This is a copy and we are not guaranteeing this to be a work by John Marin. On reverse is the original Midtown Galleries label with artist and title. Unframed. SIZE: 12″ x 16”. CONDITION: Very good. 9-97300 (600-800)

ELIZABETH RUGGLES (American, Last half of the 20th Century) “GULLS FEEDING”. Oil on canvas seascape shows crashing waves with white spray with a small flock of seagulls above. Signed lower left “Ruggles”. Housed in a simple wood thin frame. Title and artist on label on reverse. SIZE: 28″ x 38″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96095 (300-600)

ALVYK BOYD CRUISE (American, 1909-1988) THE BUSY BEACH. Watercolor scene shows a sandy beach populated by many beach goers. Some are seated under colorful umbrellas and some walk by people watching. Signed lower left “Cruise”. Housed in a modern silver gilt ribbed frame with matte. SIZE: Sight: 12-3/4″ x 22-1/4″. CONDITION: Very good. 9-95696 (1,000-1,500)

CARL W. BRANDIEN (American, 1886-1965) SURF STUDY. Oil on board scene shows waves cresting with white tips under light blue and white sky. Signed lower left. Housed in its original partial gilt carved wood frame with linen and gold liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-97328 (1,000-1,500)

ARNOUD WYDEVELD (American, 1823-1988) FRESH CATCH. Unframed oil on canvas scene shows a large recently caught salmon with gaff beside. Landscape background. Signed lower left “A Wydeveld NJ”. SIZE: 18″ x 32″. CONDITION: Unrestored having several punctures, in need of restoration. 9-97045 (1,000-2,000)

MAYNARD REECE (American, 1920-) “KING SALMON”. Oil on canvasboard shows a leaping salmon against a sunset sky with mountains being reflected in a calm lake. Signed lower right “Sketch by Maynard Reece”. Title inscribed on back. Housed in a gilt molded wood frame with linen liner. SIZE: 8″ x 10″. CONDITION: Very good. 9-95765 (800-1,200)

WILLIAM JOSEPH SCHALDACH (American, 1896-1982) MUSKIE. Watercolor scene shows a large muskie about to devour a small yellow perch. The large fish has swirled the top water in an aggressive pursuit. Signed lower right “Wm. J. Schaldach”. Housed in a good birdseye maple molded wood frame with white matte. SIZE: Sight: 14-3/4″ x 20-1/4″. CONDITION: Very good. 9-95761 (800-1,200)

H A DRISCOLL (American, 20th Century) STRIPED BASS. Oil on canvas coastline scene shows a striped bass with hook in mouth against a wave and rock background. Signed lower left “H A Driscole”. Housed in a molded wood replacement frame. SIZE: 18″ x 12″. CONDITION: Relined, some inpainting. Very good. 9-95764 (800-1,200)

MAYNARD REECE (American, 1920-) BLUE MARLIN. Oil on canvasboard scene shows a leaping marlin against a blue and cloud sky reflected in a light wave ocean. Signed lower left “Sketch by Maynard Reece”. Also attached to reverse is a typed and signed letter dated “March 14, 1975″ on Maynard Reece letterhead. Housed in a gilt molded wood frame with linen liner. SIZE: 8″ x 10”. CONDITION: Very good with minor touch up in sky. 9-95766 (800-1,200)

ATTRIBUTED TO HENRY “HY” HINTERMEISTER (American, 1897-1972) A STINKY PREDICAMENT. Oil on canvas illustrative scene shows a fisherman balancing on a rock and fallen tree with fly rod high in the air landing a fish with a net in the other. He is called by his fellow fisherman to glance behind him where a skunk is walking down the fallen tree. Housed in a period gilt frame. Unsigned but clearly the subject matter and technique used by this fine illustrator. Accompanying the lot is a metal advertising sign for Champagne Velvet Beer which is after an illustration which is signed “Hy Hintermeister’. Both items have similar characters and a comical flare. SIZE: 17-1/4″ x 23-1/4″. Sign: 14-1/4″ x 19-1/4”. CONDITION: Sign in good condition with some light scratches and dimples. Painting is very good. 9-96385 (1,200-1,500)

FREDERICK LEO HUNTER (AMERICAN, 1858-1943) FIRST FLIGHT. Oil on canvas scene shows a group of brown birds resting on a pink flowering branch awaiting the arrival of another bird. All under blue and white cloud sky. Signed lower right “F L Hunter, 1882″. Housed in a fine period gesso decorated frame with velvet and gold liner having front glass. The outside frame decoration of ears of corn. SIZE: 7″ x 9”. CONDITION: Very good. 9-96891 (500-800)

JOSEPH DAY KNAP (American, 1875-1962) “BLUE BILLS”. Watercolor marshland scene shows a small flock of six ducks in flight over a pond with marshes under a dusk setting. Signed lower left “J D Knap”. Housed in a modern gilt molded wood frame with beige matte. SIZE: Sight: 10″ x 14″. CONDITION: Very good. 9-95763 (200-400)

ARTHUR SHILSTONE (American, 1922-) CALLING IN THE DUCKS. Fine watercolor hunting scene shows two hunters crouched behind dune grass. One holds a shotgun while the other uses a duck call to lure them in. Signed lower left. Housed in a fine gilt molded wood frame with line highlighted matte. SIZE: Sight: 15-1/2″ x 21-1/2″. CONDITION: Very good. 9-97112 (900-1,200)

RON JENKINS (American, 1932-) “RUFFLED GROUSE”. Oil on masonite portrait of a ruffled grouse perched atop a moss covered rock with forest scene background. Signed lower left “R Jenkins 90″. Housed in a weathered wood molded frame with linen and wood liner. SIZE: 16″ x 20”. CONDITION: Very good. 9-95762 (400-600)

CHARLES DE FEO (American, 1892-1978) VALLEY QUAIL”. Oil on canvasboard wildlife scene shows three quail in flight with colorful plumage. A lavender colored sky with low hills and marshland in background with red berry vine at bottom foreground. Signed lower right “Charles De Feo”. Housed in a natural wood molded frame with linen matte. SIZE: Sight: 15-1/2″ x 19-1/4″. CONDITION: Very good. 9-95756 (1,000-2,000)

FOUR PIECE LOT OF SPORTING ART. 1. Signed framed etching “SNIPE AT DAWN” by Aiden Lassell Ripley (American, 1896 – 1969). 2. Matted etching of grouse by Alfred Conway Peyton (American, 1875-1936). 3. Book: “Roland Clark” by John T. Ordeman. Signed and numbered 1005. 4. Book: “William J. Schaldach” by John T. Ordeman. Signed and numbed 905. SIZE: Sight size: 1. 9-1/2″ x 12-1/4″; 2. 11″ x 12-1/2″; 3. CONDITION: Very good. Number 2 with toning. 9-97368 (1,500-2,000)

OGDEN MILTON PLEISSNER (American, 1905-1983) “DRY FLY FISHING FOR SALMON”. Unframed lithograph showing a fly fisherman wading in bend of river casting a fly. His guide and partner are in a canoe at point of land. Pencil signed below image on bottom right. Titled below the print, embossed stamp lower left “TGF”. Printed at bottom of margin “Copyright by Theodore Gordon Flyfishers, 1982”. Bottom right printed “Printed in the USA by the Hennegan Co.”. Printed at top “Published privately in 1982 for Theodore Gordon Flyfishers in a limited edition of 300 prints”. SIZE: 21″ x 30″. CONDITION: One corner with light folds, otherwise very good to excellent with strong colors and signature. 9-96304 (300-500)

OGDEN MINTON PLEISSNER (American, 1905-1983) “CLOVE VALLEY”. Limited edition print shows two men hunting pheasant in a snow covered landscape. Pencil signed lower right. Titled below print. Imprinted above image “Published privately in 1981 by Clove Valley Rod & Gun Club in a limited edition of 156 prints”. Housed in a modern stained wood frame with double matte. SIZE: Sight: 20″ x 29″. CONDITION: Very good. 9-96303 (300-500)

OGDEN MINTON PLEISSNER (American, 1905-1983) “THE LYE BROOK POOL BATTENKILL RIVER, VERMONT”. Unframed lithograph showing a fly fisherman in river with landscape mountain background. Pencil signed lower right. Embossed stamp lower left “KJD”. Printed at bottom margin “Reproduced by Frost & Reed, LTD. Bristol and London, England”. Lower right printed “Copyright by the Museum of American Fly Fishing”. Upper print with “Printed privately for the Museum of American Fly Fishing in a limited edition of four hundred copies”. Title at bottom of print. SIZE: 22-1/4″ x 29-3/4″. CONDITION: Margins with slight reductions, very good. 9-96305 (300-500)

FRAMED AUTOGRAPH: WINSLOW HOMER; ARTIST (American, 1836-1910). The collage has a penned signature incorporated in an artist pallet doodle by Winslow Homer. On the back of this card is another complete signature which is ink stamped, dated “Mar 28, 1904”. Also, there is a signed envelope postmarked “Prouts Neck, Maine 1909”. A print of Winslow Homer and a Carroll Thayer Berry woodcut titled “Winslow Homer Studio, Prouts Neck-Maine” which is pencil signed. Housed in a partial gilt wood frame with white matte having four cutouts. SIZE: Total: 16-1/2″ x 20-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95968 (500-1,000)

FRAMED AUTOGRAPH: ROCKWELL KENT, ARTIST (American, 1882-1971). Collage including a signed photograph of Rockwell Kent; a signed letter dated October 2, 1968 on Rockwell stationary regarding a California fan; also is a pencil signed print of the 10 ORE stamp. Incorporated in the collage is a business card designed and printed by Rockwell Kent for his own use and on the back of the card is the drawing which is shown in the upper left of this collage. It shows a figure kneeling in front of a potted plant and having a “Rockwell Kent” stamp. Also there is a lithograph of a woman and child which also has a Rockwell stamp. Housed in a decorative wood frame with light gray matte having seven cutouts. SIZE: Total: 20″ x 20″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95961 (1,000-2,000)

FRAMED AUTOGRAPH: MARSDEN HARTLEY, ARTIST (American, 1877-1943). Collage includes a pen written letter signed “Sincerely, Marsden Hartley”, dated August ’42 from Corea, Maine. Also a pen written and signed note on Hartley blue stationary signed “Sincerely Yours, Marsden Hartley”. There are four various Hartley prints and a photographic print of Hartley. Housed in a blue metal frame with light blue matte having eight cutouts. SIZE: Total: 21-1/2″ x 21-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96110 (800-1,200)

FRAMED AUTOGRAPH: THOMAS HART BENTON; ARTIST (American, 1889-1975). Framed sheet of 8 cent Missouri commemorative postage stamps showing the Benton mural and signed on side of sheet “Thomas H. Benton”. Housed in a black wood frame with white and black mattes. SIZE: Total: 16-1/4″ x 15″. Sight: 10″ x 9″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95955 (200-400)

FRAMED AUTOGRAPH: THOMAS EAKINS; ARTIST (American, 1844-1916). This collage incorporates a very important letter written to “L.W Miller” concerning the portrait of Mrs. William D. Frishmuth which is housed at the Philadelphia Museum of Art. It says in part “The first sketch and general perspective drawing are for convenience made one sixth the size of the picture…” and signed “Yours truly, Thomas Eakins”. Also included are two First Day Covers of Eakins and pictures of the painting mentioned in the letter along with a print of Eakins himself. Housed in a molded wood frame with white matte having eight cutouts. SIZE: Total: 19″ x 22″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95971 (1,500-2,500)

FRAMED AUTOGRAPH: CHARLES EPHRIAM BURCHFIELD; ARTIST (American, 1893-1967). A Christmas card pencil signed “Bertha and Charles Burchfield”. The card is a print of a painting by Burchfield titled “The Glow of Christmas”. Nicely housed in a partially gilt frame with ivory matte having two cutouts. SIZE: Total: 18-1/2″ x 12-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Crisp signature, very good. 9-96100 (150-250)

FRAMED AUTOGRAPH: KEITH HARING, ARTIST (American, 1858-1990). Framed collage including an 8″ x 10″ black and white glossy photograph of haring painting on a city street wall. On the blank wall over the photograph in bold black marker Haring has drawn a figure of one of his humans, making it appear that he painted this figure on the wall. It is signed and dated “1988”. Also there is a signed print above. Housed in a red metal frame with white matte having three cutouts. SIZE: Total: 14-1/2″ x 12-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96103 (800-1,200)

JAMIE WYETH (American, 1946-) RUDOLF NUREYEV. Limited edition lithograph showing Rudolf Nureyev in a dancing leap. Black and white image with the exception of his blue shirt. Pencil signed lower right and “AP” for artist proof. Embossed stamp “1978 J.W.” Housed in a black metal frame with double mattes. SIZE: Sight: 33-1/2″ x 23-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96106 (800-1,200)

FRAMED AUTOGRAPH: CHARLES M. SCHULTZ; CARTOONIST (American, 1922-2000). Wonderful collage framed presentation incorporating three first day issue envelope covers, each of which has a hand drawn Peanuts character including Snoopy on a Christmas 1990 cover; Charlie Brown on a 1985 school bus cover and Lucy on a 1987 Love stamp cover. All three are signed by the artist “Schultz”. Also incorporated into the collage are two announcements which were on the comic pages announcing Charles Schultz’s retirement. Also two photographs of cast members and a program from the 1972 “You’re a Good Man Charlie Brown” staged by Elwyn Dearborn. SIZE: Overall: 33″ x 27″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. Drawings and signatures are strong and crisp. 9-96147 (1,500-2,500)

TWO ARTIST SIGNED BOOKS. 1) “Gist of Art” by John Sloan, 1939. Signed in pencil “John Sloan”. 2) “An Artist in America” by Thomas Hart Benton, 1951. Signed on first page “Thomas H. Benton”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Good. 9-95986-1 (200-400)

FRAMED AUTOGRAPH: ANDREW WYETH, ARTIST (American, 1917-2009) & JAMIE WYETH, ARTIST (American, 1946-). A double signed print of Andrew Wyeth by Jamie Wyeth. Bottom left signature of Jamie, bottom right signature of Andrew. Housed in a mahogany frame with white matte having a double cutout. SIZE: 11-1/2″ x 12-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96107 (500-1,000)

FRAMED AUTOGRAPH: JAMIE WYETH, ARTIST (American, 1946-) & RUFOLF NUREYEV, DANCER (Russian, 1938-1993). Collage including a signed photograph of Nureyev in leaping position. Also a pencil signed print by Jamie Wyeth and signed by him. Housed in a maroon metal frame with tan matte with four cutouts. SIZE: Total: 11-1/2″ x 13-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96105 (300-500)

FRAMED AUTOGRAPH: ANDY WARHOL; ARTIST (Russian, 1928-1987) & JAMIE WYETH; ARTIST (American, 1946-). An interesting collage incorporating an Andy Warhol portrait of Jamie Wyeth print which has been signed “Andy Warhol 1976”. To the right is Jamie Wyeth’s print of a portrait of Andy Warhol being penned signed by Jamie. Below which is a print of John Kennedy inscribed “For Elwyn Dearborn, Jamie Wyeth” and the last is a Campbell Soup collage print, pen signed by Andy Warhol. Housed in a brown wood frame with white matte having four cutouts. SIZE: Total: 20-1/2″ x 19″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96108 (1,000-1,500)

FRAMED AUTOGRAPH: MICK JAGGER, MUSICIAN (American, 1943-) & ANDY WARHOL, ARTIST (American, 1928-1987). Collage has the backdrop as the “Sticky Fingers” album cover of the Rolling Stones. Two signed photographs atop the cover, one a picture of Mick Jagger signed in gold marker, the other a photograph of Andy Warhol signed in black marker. Housed in a black frame. It should be noted that this famous album cover of the Rolling Stones was designed by Andy Warhol. SIZE: Total: 13-1/4″ x 26″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96101 (300-500)

HARRY SPIERS (AMERICAN, 1869 – 1947) SUMMER GRAZING. Gouache summer scene shows four cows grazing on a rock wall-lined pasture with tall trees under white, gray and blue skies. Signed lower left and dated “30”. Housed in a gilt molded wood frame. SIZE: 19-1/2″ x 23-1/2″. CONDITION: Very good. 9-97251 (1,000-1,500)

GEORGE ARTHUR HAYS (American, 1854-1945) FIVE WORKS: COWS IN LANDSCAPES. All five oil paintings appear to be housed in their original frames. All signed “G A Hays”. One showing two cows drinking from a watering tub at well with a woman having house and haystacks. One shows two cows in front of haystacks and a farm. Another with a herd of cows in a field; Another with three cows at water and the last showing a single cow in summer landscape. SIZE: Two are 7-1/2″ x 9-1/2″; Two 8-1/2″ x 11-1/2″; One 8″ x 10″. PROVENANCE: From a Southern Maine Collection. CONDITION: Surface dirt, generally very good. 9-96609 (2,000-3,000)

CHARLES FRANKLIN PIERCE (American, 1844-1920) LAZY DAY. Oil on canvas scene shows two cows in a field with woodland borders. Signed with initals lower left. Housed in a modern partial gilt frame. SIZE: 11″ x 16″. CONDITION: Very good. 9-96708 (1,500-2,500)

CHARLES HENRY HAYDEN (American, 1856-1901) COWS. Watercolor scene shows two brown and white cows in a field overlooking water. Radcliffe Art Gallery label on reverse. Signed lower left and dated “1892”. Housed in a fine reproduction gilt and decorated frame with tan and gilt matte. SIZE: Sight: 9-1/2″ x 11″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96233 (300-500)

J GREENEBAUM (American, Late 19th Century) THE SHEPHERDESS. Oil on canvas mounted to board landscape scene shows a woman in black coat and red headscarf tending to a small flock of sheep in a meadow filled with grass and flowers. A small stream and trees is beyond under blue and white cloud sky. Signed lower right “J Greenebaum Paris, 95″. Possibly the work of Joseph David Greenbaum (American, 1864-1940). Housed in a modern gilt gesso decorated frame with gilt liner. SIZE: 21″ x 29-1/4”. CONDITION: Very good with only spot inpainting. 9-96821 (1,000-1,500)

POSSIBLY JAMES H. HAGAMAN (AMERICAN, 1866-1946) TENDING THE FLOCK. Oil on canvas on board landscape summer scene shows a shepherd with a large flock of sheep grazing in an expansive meadow with trees under blue and white cloud sky. Signed lower right “J. Hagaman” and having the location “Crecy-en-brie”. Also it looks like there was an older signature identical but dated “1900”. Housed in a fancy gold pierce decorated period frame. SIZE: 18″ x 22″. CONDITION: Very good. 9-97444 (1,200-1,600)

FRANK FREDERICO (American, 20th/21st Century) TURKEYS. Watercolor scene show three colorful turkeys against a bluish background. Signed lower left “Frederico”. Housed in a gilt modern wood frame with white matte. SIZE: Sight: 14-1/4″ x 21″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good to excellent. 9-96252 (200-300)

MILTON CHRISTIANSON (American, 20th/21st Century) “WILD TURKEYS”. Large watercolor outdoor scene shows three turkeys in a landscape under a bright setting sun. Interestingly there are five black, red and white stylized turkeys amongst the three. Signed lower right. Housed in a stained wood frame with double matte. Titled and signed on reverse. SIZE: Sight: 21″ x 28-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96269 (400-600)

THOMAS P. DOUGHERTY (American, 20th Century) THE PRODUCE MARKET. Large oil on canvas scene shows a small produce market having bins of vegetables with some passers-by. Seen at table level. A woman in red tends the table. All in pastel colors. Signed lower left “T F Dougherty”. Housed in a modern gilt frame with linen liner. SIZE: 30″ x 40″. CONDITION: Very good. 9-97152 (500-1,000)

FRANCIS NORTON JOHNSON (AMERICAN, 1878-1931) BACKYARD VIEW. Oil on board colorful scene shows several buildings with a garden backyard with fence, flowers and electric pole. Signed lower right. Housed in a modern gesso decorated gilt frame. SIZE: 14-3/4″ x 18″. CONDITION: Minor inpainting. Very good. 9-96893 (1,000-1,500)

ROY HENRY BROWN (American, 1879-1956) CONTRASTS IN COLOR. Oil on masonite landscape scene shows a blue shaded tree against a dark green hill with light grass in the foreground. All set under a light blue and white cloud sky. Signed lower right “Roy Brown”. Housed in an arts & crafts style replacement modern frame with gilt artist plaque. SIZE: 12-1/2″ x 15″. CONDITION: Minor spot inpainting, very good. 9-96331 (1,000-1,500)

XAVIER J. BARILE (American 1891-1981) “EAST COAST-ROCKPORT, MASS. JULY 1943”. Oil on canvas board beach scene shows a nude woman in water with two children with red ball. A lobster boat is nearby with man pulling in lobster trap. Signed lower right. Title and date on reverse with other annotations. Housed in a modern gilt molded wood frame with gilt liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-94376 (300-500)

JOYCE WILLIAMS (American, 20th Century) THREE WATERCOLORS. All unframed but matted. 1) “Metinic Island” shows a side of a house with window. 2) “The Flag” shows a US flag draped on chair in front of a window. 3) “Still Life Boat and Bottles”. SIZE: Sight: 1) 13-1/2″ x 20-3/4″. 2) 10-1/4″ x 14-1/4″. 3) 10″ x 14-1/4″. CONDITION: Very good. 9-94799, 9-94895; 9-94897 (800-1,200)

JOYCE WILLIAMS (American, 20th Century) THREE WORKS. All nicely housed watercolors in decorative gold frames with white mattes. 1) “The Other Room” showing an open door in an interior setting. 2) “Sea Flower” showing a conch shell on ocean floor. 3) “March Thaw” showing snow covered rocks with trees. All signed “Joyce Williams AWS”. SIZE: Sight: Approximately 22″ x 29″. CONDITION: Very good to excellent. 9-94748, 9-94771; 9-94773 (1,500-2,500)

JOYCE WILLIAMS (American, 20th Century) THREE WORKS. Signed watercolors include: 1) “Island Marina” shows a tidal inlet with boats and building. 2) “In the Grange” shows interior view of basket on cupboard. 3) “Road to Spruce Head” shows a road by a house with sunset. All housed in decorative wood frames. SIZE: Sight: 1) 17″ x 22-1/2″. 2) 10″ x 14″. 3) 5-3/4″ x 8-3/4″. CONDITION: Very good to excellent. 9-94731, 9-94742; 9-94736 (1,000-1,500)

ARTHUR VIDAL DIEHL (American, 1870-1929) A DUTCH INTERIOR. Oil on canvas Dutch interior scene shows two women and a child in a home with fire in a fireplace. One woman is beside a table while the other is seated. A young child peers out the door at two figures and a windmill. Signed lower right “Arthur V. Diehl 1911″. Housed in a gesso decorated gold antique frame with gilt liner. SIZE: 9″ x 12”. CONDITION: Minor inpainting. 9-96383 (1,200-1,500)

ARTHUR VIDAL DIEHL (American, 1870-1929) CAPE COD. Oil on canvas mounted to foam board beach scene with grass covered sand dune. Signed lower right. Housed in a molded wood frame. SIZE: Sight: 5″ x 9-1/2″. CONDITION: Very good with minor spot inpainting. 9-96786 (400-600)

CASIMIR CLAYTON GRISWOLD (American, 1834-1918) SUMMER LANDSCAPE. Oil on canvas landscape scene shows a rock-strewn grassy field leading to woods with lake and low hills beyond. Signed lower left, C. C. GRISWOLD, N.A.”. Unframed. SIZE: 14″h x 22″ w. CONDITION: Wax relining. Very good. 9-96366 (1,000-1,400)

MICHAEL PALMER (American, 20th Century) “RECLINED ON ROCKS”. Ink and acrylic on canvas scene shows a boy resting on a group of rocks under a tree and blue sky. Signed lower right “Michael Palmer”. Housed in a modern silver gilt wood frame with linen matte. On reverse is attached a Hobe Sound Galleries North label. SIZE: 13-1/2″ x 13-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96082 (800-1,200)

COURTLAND L. BUTLER (American, 1871-1952 THE EVENING WALKWAY. Oil on canvas evening scene shows a stone house with back entrance with a stairway and a road. Signed lower right “C L Butler”. Housed in its original gilt carved wood frame. SIZE: 23″ x 16-1/2″ CONDITION: 1″ vertical slit towards bottom, otherwise good. 9-96922 (500-1,000)

NELSON AUGUSTUS MOORE (American 1824-1902) “STUDY OF A SKY”. Oil on unstretched canvas scene of Lake George shows two sailboats under a setting sun and on calm water. Signed bottom right “Moore” and stamped “N. A. Moore Studio” on reverse. Housed on an antique gesso decorated gilt frame. SIZE: 5-3/4” x 7-1/2”. CONDITION: Very good. 9-96902 (700-1,200)

ATTRIBUTED TO CHARLES HENRY MILLER (American, 1842-1922) THE OLD MILL, LONG ISLAND. Oil on canvas scene shows a thatched roof watermill with pond having two figures and a dog on the bank with cows, trees and buildings beyond. Housed in a modern gilt wood frame. New York canvas stamp on reverse. SIZE: 18″ x 24″. CONDITION: One small patch to reverse, inpainting. Good. 9-96930 (500-1,000)

CHARLES DAY HUNT (AMERICAN, 1840 – 1914) EARLY EVENING CRUISE. Watercolor landscape shows a one-masted sailboat on calm water passing by a house on shore under trees. A beautiful pastel sunset sky reflects in the water. Signed lower left. Housed in a fine modern gilt molded wood frame and lavender gold lined mat. SIZE: Sight size: 9-1/2″ x 15-1/2″. CONDITION: Very good. 9-97176 (400-600)

MINOR (American, 20th Century) PAIR OF LANDSCAPES. Oil on board scenes. One showing water with trees and fields. The other showing a small stream and dock with figure in a boat under trees with fields and mountains. Both identically housed in gilt wood frames. SIZE: 6″ x 6″. CONDITION: Very good. 9-97625 (500-1,000)

F C HERBST (American, 1912-1970) ALONG THE BANKS. Oil on canvas landscape scene shows a boy standing on the sandy and tree lined banks of a winding river through tall trees. He looks down the river at another figure. The landscape reflected in the water. Signed lower right “F C Herbst”. Housed in a modern carved and gilt wood frame. SIZE: 16″ x 20″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good with small paint scratch near signature. 9-96085 (400-600)

RALPH TAYLOR (American, 1897-1978) THE SUNLIT PATH. Watercolor scene shows a path leading up through woods with colorful bushes and sunlight beyond. Signed lower right. Housed in a fine gilt frame with linen matte and gilt liner. SIZE: Sight: 15″ x 11-1/4″. CONDITION: Very good. 9-97153 (200-400)

EURILDA LOOMIS FRANCE (AMERICAN, 1865 – 1931) TREE LINED ROAD. Oil on canvas fall scene shows a dirt road with colorful trees under a blue sky. Signed lower left. Housed in a gilt molded wood frame. SIZE: 14″ x 17″. CONDITION: Very good. 9-96896 (400-800)

HAROLD WESTON (American, 1894-1972) “MOOSE MAPLE BY RIVER”. Oil on board landscape shows a maple sapling next to two trees on a bank of a river. Known for his paintings of the American wilderness, this is a small fine example of his work. Titled on reverse. Signed bottom right “Weston-24″. Biographical information attached to reverse. Housed in a modern gilt molded wood frame with linen and gold liner. SIZE: Sight: 6-1/4″ x 8”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96230 (300-500)

FREDERICK DICKENSON WILLIAMS (American, 1829-1915) THE PASTURE STREAM. Fine watercolor summer landscape shows a small stream leading through trees and fields with pastured and tree hillsides in distance. Inscribed lower left “Mrs. Charles Lilly-With Kind Regards of “F.D.W.” Aug. 1898″. Housed in what is probably its original gilt ribbed frame with gilt liner and matte. SIZE: 15-1/2″ x 13-1/4″. CONDITION: Toning, mattes and backboard with all over foxing. Otherwise very good. 9-97125 (350-550)

FRANK A. BARNEY (American, 1862-1954) THE WOODLAND PATH. Unframed oil on board forest scene shows a dirt path winding through tall tree woods with boulders in a spring/summer setting. Signed lower right “F A Barney”. SIZE: 12″ x 16″. CONDITION: Very good. 9-93071-4 (500-800)

FRANK A. BARNEY (American, 1862-1954) RIVER LANDSCAPE. Oil on board summer scene shows a quiet river with grassy banks alongside a hill with fields under blue and white cloud sky. The unsigned painting having come from a group of signed and unsigned works of which a copy of a letter of provenance accompanies the lot. Housed in a period gilt wood frame with glass. SIZE: 10″ x 8″. CONDITION: Very good. 9-93071-5 (300-500)

FRANK A. BARNEY (American, 1862-1954) THE MARSHES EDGE. Unframed small oil on artist board colorful fall scene shows a small marshy area with water and grass lined with colorful trees under a purple and bluish/white sky. The unsigned painting having come from a group of signed and unsigned works of which a copy of a letter of provenance accompanies the lot. SIZE: 5-1/2″ x 6-1/2″. CONDITION: Very good with minor touch up. 9-93071-6 (300-500)

BETTY LOU SCHLEMM (American, 1934-) “WINTER DUNES”. Oil on canvas impressionistic scene shows a flower and bush topped sandy dunes under a colorful pink, white and gray sky. Signed lower left. Housed in a modern gilt molded wood frame. Back having a Rockport Art Association Exhibition label. SIZE: 20″ x 24″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96254 (500-800)

BETTY LOU SCHLEMM (American, 1934-) YELLOW BICYCLE. Watercolor scene shows a kid’s yellow bike parked amongst bushes with a pair of sneakers dangling from the high bar handlebars. Signed lower right and dated “1984”. Housed in a modern molded wood frame with double white matte. SIZE: Sight: 21-3/4″ x 29-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96266 (200-400)

BETTY LOU SCHLEMM (American, 1934-) THE RED FOX. Watercolor wildlife scene shows a seated red fox amongst bushes. Signed lower left and dated “1986”. Housed in a modern wood molded frame with double beige mattes. SIZE: Sight: 21″ x 29″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96267 (200-400)

BETTY LOU SCHLEMM (American, 1934-) “LANEVILLE SOUND”. Watercolor coastal scene shows two lobster boats in small inlet near granite pier with figures. Signed lower left. Housed in a decorative wood frame with white matte. Signed and titled on reverse and dated “1981”. SIZE: Sight: 14″ x 20″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96236 (150-250)

GORDON HOPE GRANT (AMERICAN, 1875 – 1962) “REFLECTIONS AND LUMBER WHARF”. Two lithographs each signed by the artist below image. Both hinge-mounted in hinged mats. Each having an Associated American Artist label. Both showing harbor scenes with boats and men. SIZE: Total: 12″ x 16″. CONDITION: Very good. 9-97375 (800-900)

ALBERT WINSLOW BARKER (AMERICAN, 1874 – 1947) TWO WORKS: “HAULING THE LOG” AND “THE OLD CART”. Both pencil signed. One from an edition of 50, the other of 52. Both housed in hinged mats. One showing a man with oxen team hauling a wagon of logs. The other an old two-wheeled cart in barn. SIZE: Overall: 9″ x 11-3/4″; 16″ x 11-1/2″. CONDITION: Very good. 9-97369 (500-700)

PETER HURD (AMERICAN, 1904 – 1984) “DONA NESTORITA”. Etching, 1942, from an edition of 50. Pencil signed and titled below plate. The lithograph showing a portrait of a charming old lady. Ref. plate LV, Peter Hurd, “The Lithographs by Andrew Wyeth”. Presently hinge mounted in a hinged mat. SIZE: Total: 18-1/4″ x 14″. CONDITION: Very good. 9-97374 (600-800)

LESTER GEORGE HORNBY (American, 1882-1956) “FANEUIL HALL FROM QUINCY MARKET”. Etching, 1920, showing the side of Quincy market with Faneuil Hall at the end. Pencil titled and signed from an edition of 40. Housed in a black frame with wide white matte. SIZE: Sight: 5-1/2″ x 8″. CONDITION: Very good, not laid down. 9-97372 (600-900)

THOMAS WATERMAN WOOD (AMERICAN, 1823-1903) “THINKING IT OVER”. Etching shows a man with white beard in blacksmith’s shop holding Boston newspaper. Signed bottom right in pencil. Signed and dated “1884” in plate. Presently housed in a hinged mat. SIZE: Total: 18″ x 14″. CONDITION: Very good. 9-97370 (600-800)

ROBERT RIGGS (AMERICAN, 1896 – 1970) “IN THIS CORNER”. Circa 1932-33, from an edition of 50 or less. The lithographs showing a black prize fighter being announced in a fight ring scene. Pencil titled and signed by the artist. Ref. Bassham 25. Hinge-mounted in a hinged mat. SIZE: Total: 18″ x 22″. CONDITION: Very good. Very slight toning. 9-97378 (4,000-5,000)

ROBERT RIGGS (American, 1896-1970) “NEIGHBORHOOD CHAMP”. 1932, pencil signed and titled lithograph of an edition of about 50 shows a fighter in the corner of a ring with spectators surrounding. Housed in a black frame with white matte. SIZE: Sight: 15-3/4″ x 20-3/4″. CONDITION: Very good, not laid down. 9-97377 (4,500-6,000)

LUIGI KASIMIR (AMERICAN. 1881 – 1962) “MINORITENKIRCHE”, VIENNA. Soft ground etching with aquatint portrait of a large stone church with figures beside. Pencil signed lower right. Housed in a modern black frame with white mat. SIZE: 22-3/4″ x 18-1/4″. CONDITION: Mounted to board but not glued. Very good. 9-97389 (1,000-1,200)

LUIGI KASIMIR (American, 1881-1962) “KARLSKIRCHE”, VIENNA. Pencil signed soft ground etching and aquatint printed in color shows a tall wide dome top building. Pencil signed bottom center. Housed in a fine decorated partial gilt frame with double mattes. SIZE: Sight: 18-1/2″ x 15-3/4″. CONDITION: Very good. 9-97388 (1,200-1,500)

RAPHAEL SOYER (AMERICAN, 1899 – 1987) “SEATED NUDE”. Limited edition lithograph shows a 3/4 view of a seated nude woman. Pencil signed and numbered 38/100. Hinge-mounted in a hinged mat. SIZE: Total: 22-3/4″ x 17-1/4″. CONDITION: Very good. 9-97373 (600-800)

JOHN FRENCH SLOAN (American, 1871-1951) “RENDEZVOUS” (“MISS AGNES ENTERS, 1926”). Small etching shows a woman in costume walking through opening in curtain. Inscribed in plate “John Sloan 26 Miss Agnes Enters”. Pencil signed lower right below image “John Sloan” and inscribed “Enters 1927 with best wishes from Dolly + J.S.” It is our understanding that these were given out as Christmas cards and there is some evidence that 100 proofs were made, imprinted by John Sloan. This particular one was given to Alexander Brook and Peggy Bacon. Housed in a good gilt molded wood frame with archival glass and linen matte. SIZE: Sight: 4-1/4″ x 3-1/2″. Image: 3″ x 3″. CONDITION: All over light toning, otherwise very good. 9-97451 (700-900)

FOUR FRAMED WINSLOW HOMER HARPER’S WEEKLY WOOD ENGRAVING PRINTS. All housed in fine black frames with light mattes. Titles: “The Army of the Potomac-A Sharp Shooter on Picket Duty”; “Ship-Building, Gloucester Harbor”; “The Last Days of Harvest” and “The Noon Recess”. SIZE: Sight: Approximately 9-1/2″ x 14″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good, “Noon Recess” has spot foxing. 9-96152 (500-800)

FREDERICK JAMES BOSTON (American, 1855-1932) THE WINDOW GREETING. Oil on wood panel shows two young women leaning out a window flanked by greenish/blue shutters with pink rose branches. Signed lower left “FJ Boston”. Housed in its original fancy gilt frame with gilt liner (as found). SIZE: 24″ x 20″. PROVENANCE: From a southern Maine collection. CONDITION: Very good with surface dirt. 9-96587 (1,000-1,500)

VOLLIAN BURR RANN (American, 1897-1956) THE OLD PROVINCETOWN PLAYHOUSE. Watercolor Cape Cod scene shows two buildings on stilt foundation. Two small boats are moored beside. Signed lower right “V B Rann”. Housed in a modern silver molded wood frame with white matte. SIZE: Sight: 14-1/2″ x 21″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96242 (800-1,200)

JAMES MORGAN LEWIN (American, 1836-1877) THE PICNIC. Oil on canvas landscape scene shows a young man and woman seated under tall trees in grass and rock pasture. The slight hill leading to a pond with distant pasture with sheep. A river valley is seen beyond with steeple and rooftop under trees against a light blue sky. Signed lower left “J M Lewin 186_”. Housed in a what appears to be its original frame which has been gold painted. SIZE: 11-1/4″ x 25″. CONDITION: Relined, craquelure, some lifting to center sky but appears to be stable. 9-95801 (1,000-2,000)

UNSIGNED (American, 19th Century) THE WORKING MILL. Oil on canvas scene depicting a mine and mill with all its buildings, mine shafts and goings on. The scene shows an artist painting, two wagon and horse teams, cattle barns, water pump and a man ringing a large bell. Housed in an antique birdseye maple ogee frame. The back having a New York Williams, Stevens, Williams canvas stamp. SIZE: 16″ x 18″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Minor spot inpainting, very good. 9-94808 (1,000-1,500)

GERALD LYDON MERFELD (American, 1936-) “THE CONVERSATION”. Oil on masonite outdoor scene shows two women hanging clothes on a clothesline in a spring/summer day. A duck and two ducklings look on. Signed lower left “Merfeld”. Titled, signed on reverse and dated “1988” with an inventory number “15-88″. Housed in a fine modern gilt frame with linen matte and thin gold liner. SIZE: 18″ x 24”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96240 (500-800)

Revised: 8/19/2009

Lot Added:

GERALD LYDON MERFELD (American, 1936-) “WINTER”. Oil on canvas winter scene shows a large Victorian house with wrap around porch in the midst of a snowy winter. A figure is in the doorway greeting a boy pulling a sled with another child. Signed lower left “Merfeld”. Titled and signed on reverse and numbered “37-72″. Housed in a carved wood frame with linen and gold liner. SIZE: 20″ x 24”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96275 (400-800)

JEAN KALISCH (American, 20th Century) ROOFTOPS. Panoramic oil on board overlooking a city from a rooftop vantage point. All under blue sky. Signed lower left. Housed in a modern gilt wood frame with linen liner. SIZE: 22″ x 30″. CONDITION: Very good. 9-96358 (400-600)

THREE ANTIQUE OIL PAINTINGS. 1) Oil on canvas seascape showing a rocky coastline with waves and mountains beyond under a white cloud and blue sky. Signed lower right “W.J. Russell 92”. 2 & 3) Pair of oil on canvas landscapes signed “AEP”. One showing a lean-to in snow covered woods. The other shows a small boat moored next to grass and forested shoreline. All three housed in period gesso decorated frames, one with losses. SIZE: 1) 12″ x 20″. 2 & 3) 12″ x 18″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Generally good with surface dirt. 9-95850, 9-95871 (400-600)

MARIE PADDOCK (American, Last half of the 20th Century) “MADALYN AS A BALLERINA”. Oil on canvas interior scene shows a woman with stern look wearing a blue ballerina outfit seated on a red cloth. Signed lower right. Housed in modern gilt wood frame. Pencil inscribed on back with title. SIZE: 20″ x 16″. CONDITION: Very good. 9-97447 (300-500)

BLANCHE (NETTIE BLANCHE) LAZZELL (American, 1878-1956) CITY ROOFTOPS. Watercolor sketch showing a rooftop view across roofs to church steeple. Signed lower left “Blanche Lazzell-1934″. Housed in a gilt wood frame with gray matte. SIZE: Sight: 15″ x 10”. CONDITION: Some fading and toning to paper, foxing. Good. 9-96546 (300-500)

UNSIGNED (NEW HAMPSHIRE SCHOOL, 19TH/20TH CENTURY) THE DISTANT BRIDGE. Oil canvas New Hampshire scene shows a river with high banks leading to a covered bridge below high hills all under blue and white cloud sky. Housed in a fine and possibly original gilt wood frame. SIZE: 9-1/2″ x 19″. CONDITION: Very good. Some inpainting. 9-96890 (600-900)

Revised: 8/20/2009

Correction: Title should read SIGNED (19th/20th Century) LANDSCAPE SKETCH.

JAMES EDWARD HERVEY MCDONALD (CANADIAN, 1873 – 1932 ) LANDSCAPE SKETCH. Unframed oil on board sketch with what appears to be a dock and water with trees in background under blue sky. Signed “JM” bottom right. SIZE: 7-1/2″ x 9-1/2″. CONDITION: Very good. 9-97299 (1,000-1,500)

SIGNED (American/Russian, 20th Century) MID WINTER. Oil on board snow winter scene shows tall birches in a clearing with other trees leading to snow capped mountain under blue sky. Signed lower right with what appears to be “G. Neczyporuis”. Housed in a painted frame with white matte. SIZE: Sight: 8-1/4″ x 6-1/4″. CONDITION: Very good. 9-96423 (500-1,000)

ALPHONSE JOSEPH SHELTON (American, 1905-1976) “FIRST SNOW”. Oil on masonite New England scene shows a small village nestled in hillside valley with snow capped mountains in the background. It is late fall and the snow has come early with color still in the trees. Signed lower left and titled and signed on reverse. SIZE: 12″ x 16″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96238 (500-1,000)

JACK JONES (American, 20th Century) WINTER HARBOR. Fine watercolor winter harbor scene shows a lobster boat covered with snow at low tide. It is tied to a dock with building and other buildings and docks are seen beyond. Signed lower left “Jack Jones-ISMP”. Housed in a fine modern gilt wood frame with highlighted double matte. A nice example of this underrated artist. SIZE: Sight: 12-1/2″ x 16-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96249 (400-600)

A. E. BURDIN? (American, Early 20th Century) WINTER MOON. Oil on board winter evening scene shows a bright full moon shining through foggy snow covered woods. Signed indistinctly lower left. Housed in a molded walnut wood frame with gold liner. SIZE: Sight: 15-1/2″ x 24-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good with some inpainting. 9-96244 (300-500)

COLE (American, 19th Century) HILLSIDE VILLAGE. Oil on canvas scene shows a New England/New York village with houses nestled in a series of small hills under blue and white sky. A woman walks along a path in the foreground near cows,farm house and red barn. Signed lower left “COLE”. Housed in a period gilt, molded wood frame. A round canvas stamp “GOUPLES BROADWAY, N.Y.”. Possibly the work of Sarah Cole, sister of the famous American artist Thomas Cole. SIZE: 12″ h x 10″w. CONDITION: Surface dirt, minor touch up, very good. 9-96326 (500-700)

POIRSON (Mid 20th Century) TWO WORKS: PLOWING THE FIELDS AND THREE JESTERS. 1) Oil on wood panel colorful abstract scene shows two horse teams pulling a harrow with figure behind. Signed bottom left. 2) Oil on wood panel colorful abstract shows three figures, each with hats and colorful costumes. Unsigned. Both identically housed in simple wood frames. SIZE: 39-1/2″ x 25-1/2″. CONDITION: Very good. 9-97445 (400-600)

GINTHER (American, 20th Century) HOUSE AND TREES. Watercolor landscape scene shows a stucco house behind two large trees with hillside and grasses. Signed lower left “Ginther 81″. Housed in a silver gilt molded wood frame with double mattes. SIZE: Sight: 17″ x 23”. CONDITION: Very good. 9-97214 (400-600)

E. CORELLI (American, First half of the 20th Century) BACKYARD VIEW. Oil on canvas mounted on panel scene shows the backyard view of several houses with flower garden in the foreground. Signed lower right what appears to be “E. Cor_lli”. Housed in a modern gilt gesso decorated frame with inner gold liner behind glass. SIZE: 18″ x 14″. CONDITION: Very good. 9-96873 (400-800)

CYNTHIA F. COOLEY (American, 20th/21st Century) “E.F. MORAN & CO.”. Unframed watercolor shows three ships moored back to a dock with the company name on the side. Signed lower left and dated “1982”. Also having an artist card attached to back with title. Presently housed in a double matte wrapped in plastic. Probably a scene near Pittsburgh, PA where she is from. SIZE: Sight: 17-1/2″ x 28″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96262 (200-400)

MARTHA ELIZABETH MOORE (American, 1913-1982) AUTUMN HARVEST. Oil on board still life scene shows fall vegetables and flowers in an attractive setting. The composition includes a jug of red roses, a pot of yellow mums, gourds, grapes and corn. Signed lower left. Housed in a modern gilt frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-97150 (500-800)

UNSIGNED (American, Mid 20th Century) FAR AWAY THOUGHTS. Oil on board scene shows a nude black man laying on rocks beside water with mountains in the background. He looks skyward where the clouds have separated and a vision of women in gowns dance in the clouds. Unsigned. Reminiscent of a Rockwell Kent subject matter. Housed in a painted wood frame. SIZE: 18″ x 22″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Inpainting, several chips in sky. Fair to good. 9-96241 (200-400)

ATTRIBUTED TO FREDERICK JOHN MULHAUPT (American, 1871-1938) COASTAL SIDE HOTEL. Watercolor view from the harbor looking towards a three-story white clapboard building with two wrap-around porches and a dock beside which has a two-mast schooner being tended to. A series of churches and buildings dot the hillside background. Probably a Maine or Massachusetts scene. Housed in a gilt wood modern frame with white matte. SIZE: Sight: 14-1/4″ x 20-1/4″. CONDITION: Very good. 9-95710 (1,000-1,500)

STEPHEN HOWARD (American, 20th Century) “TUG”. Acrylic scene shows a tugboat cruising right to left in colorful blue and green sea under gray cloud and blue sky. Signed upper right “S Howard”. Titled and signed on reverse of cardboard. Housed in a wood frame with white matte. SIZE: Sight: 9-3/4″ x 16-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96284 (200-400)

J. PHILIP RICHARDS (American, ) “ON THE GRAND BANKS”. Watercolor scene shows a fishing trawler in rough seas with sixteen men, most in yellow slickers, emptying a large net of fish. Signed lower right “J Philip Richards 81 A.W.S.”. Housed in a fine decorative wood frame with double matte. SIZE: Sight: 12″ x 18″. PROVENANCE: Collection of Elwyn Dearborn of Medford, NJ & Portland, ME. CONDITION: Very good. 9-96287 (300-500)

STAPLETON KEARNS (American, 1952-) EARLY MORNING SUNRISE. Oil on wood panel landscape scene shows early morning sun shining over a tree lined clearing with pond. Signed lower left “Stapleton Kearns 1990″. Housed in a well selected frame with linen matte and gold frame and liner. SIZE: 12″ x 10”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96020 (800-1,200)

LYNNE MAPP DREXLER (American, 1928-1999) TWO WORKS: “A WAVE” & “BLUE VASE-BLUE WALL”. 1) Oil on canvas abstract scene shows a wave crashing onto rocks. Titled, signed and dated on reverse of canvas. Housed in a simple silver shadowbox type frame. 2) Oil on canvas still life shows a blue vase with colorful flowers on a red tabletop against a multi-blue background. Titled, signed and dated “1984” on reverse of canvas. Housed in a simple wood frame. SIZE: 1) 16″ x 18″. 2) 18″ x 16″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96279 (300-500)

CHARLES F. BOHANNAH (American, 1910-1985) PAIR OF LANDSCAPES. Both unframed and show summer landscapes with trees and grass. One is illegibly signed lower left and the other is unsigned. Both come with Estate artist card indicating that the artist is an African-American and resided in New York City. SIZE: 18″ x 14″ and 14″ x 18″. CONDITION: Uneven varnish layer on one, otherwise very good. 9-94329 (300-500)

BILL BAGLEY (American, 20th Century) THREE WORKS: “YOUNG FARMER”, “BATHER” AND BATHER WITH TOWEL. 1) Acrylic on canvas shows a young man standing in a wheat field. 2) Acrylic on canvas shows a nude young man standing ankle deep with his reflection in the water. 3) Unframed acrylic on canvas scene shows a man knee deep in water holding a white towel. All three signed “Bagley”. SIZE: 1) 30″ x 16″. 2) 30″ x 13″. 3) 32″ x 22″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96256 (400-600)

ROGER WILLIAM ELLENBERGER (American, Late 20th Century) TWO WORKS. 1) “Blueberries & Cream”. Watercolor still life scene shows an early American stoneware crock full of blueberries with a sprigware handled teacup also filled with blueberries and a similar creamer beside. All on a tabletop against a brown background. Signed “Roger W Ellenberger” and dated “1987”. Housed in a gilt molded wood frame with double matte. 2) “Blue Decorated Stoneware & Blueberries”. Watercolor scene shows a similar scene with just the crock and blueberries. Signed along the left side and dated “1987”. Housed in a gilt modern frame with double white matte. SIZE: Sight: 1) 11-1/2″ x 17-1/2″. 2) 5″ x 3-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good to excellent. 9-96072 (400-600)

CHARLES HENRY RICHERT (American, 1880-1974) AUTUMN HARVEST. Oil on canvas tabletop scene shows a grouping of vegetables including carrots, pepper, onion, celery and squash next to a cast iron skillet with cover. Signed lower left “C H Richert”. Housed in a decorated wood frame with liner. SIZE: 20″ x 24″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Light craquelure, minor inpainting. Very good. 9-96071 (400-800)

HUGO R.B. NEWMAN (American, 20th Century) GRAPES, PEARS AND A REDWARE JAR. Oil on masonite still life scene shows five pears covered with red grapes alongside a decorated two-handled covered Redware jar. Signed upper right “Hugo R B Newman”. Housed in a modern gilt decorated frame. SIZE: 14″ x 17-1/4″. CONDITION: Minor inpainting, very good. 9-96882 (300-500)

DAVID LYLE MILLARD (American, 1918-2002) “RADISHES”. Watercolor scene of a bunch of red radishes on a doorstep. Signed lower left “Millard”. On reverse is a Rockport Art Association Exhibition label with a bio page. Housed in a silver gilt molded wood frame with white matte. SIZE: 10-1/2″ x 15-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good to excellent. 9-96237 (300-500)

ROBERT GEISSMAN (American, 1909-1976) CENTENNIAL TRIBUTE. Watercolor illustration of a tabletop bronze replica of the Liberty Bell set against a Colonial US Flag. Unsigned. Housed in a white frame with white, red and blue mattes. NOTE: Accompanying the watercolor is a letter from Reader’s Digest indicating that the illustration was not used as one of the Reader’s Digest covers but that Robert Geissman was the artist for two other covers, May 1960 and July 1975. SIZE: Sight: 7-1/2″ x 6-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good to excellent. 9-96197 (300-500)

K. AXILROD (American, Late 20th Century) “STILL LIFE WITH PEARS, PLUMS AND POMEGRANATE”. Oil on canvas tabletop scene shows a yellow bowl with colorful fruit with fruit beside on a colorful tablecloth. Signed lower right, titled in pencil on reverse. Housed in a simple wood shadow box type frame. SIZE: 18″ x 30″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96246 (200-400)

CHARLES J. BURDICK (American, 1924-) LEFT BEHIND. Oil on board scene shows Noah’s Ark filled with two of every animal in a large wooden boat leaving on shore a unicorn family. Signed lower right “Burdick”. Housed in a Victorian walnut frame with gilt and velvet liner. SIZE: Sight: 10-1/2″ x 14-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96282 (300-500)

WILLIAM JAMES DOW (American, 1891-1973) A RAY ON SUNSHINE. Fine watercolor interior view shows a white door being cascaded with sunlight through a side window with settle below. Signed center bottom. Housed in a weathered wood frame with white matte. SIZE: Sight: 14-1/2″ x 21-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96288 (300-500)

ATTRIBUTED TO VIVIAN FORSYTHE PORTER (American, 1888-1982) “THE DANIEL WEBSTER”. Oil on canvas nautical scene shows a three-mast ship in half sail sailing left to right in rough seas. Signed lower right “T. Bailey” but having an old typed and written attribution on reverse. It is known that paintings signed by ” T. Bailey” were probably done by a trio of artist’s who resided together in Winthrop, MA. The ship portrayed here was built in 1858 and lost at the Cape of Good Hope. Housed in a decorative frame with linen and silver liner. SIZE: 22″ x 28″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96273 (300-500)

BYRON RANDALL (American, 1918-1999) HOUSE ON THE HILL. Oil on board scene shows a barn and house on a grass and tree lined hill. Signed bottom right “B. Randall”. Housed in a modern gilt molded wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-96877 (200-400)

N. E. KING (American, 19th/20th Century) WALK ALONG THE WATERS EDGE. Oil on canvas scene shows a woman pausing on her stroll along a dirt road flanked by water. The landscape has two houses, two sailboats and some large trees under blue and white cloud sky. Housed in a gesso decorated gilt shadowbox frame with front glass with some gesso loss. SIZE: 11″ x 14″. CONDITION: Very good. 9-93983 (250-350)

ROBERT S. MOSKOWITZ (AMERICAN, 1935 – ) EMBOSSED WHITE. Embossed image on white paper housed in a white painted wood frame. The back having a Robert Pardo Gallery label. Label indicates Leo Costelli & Munich Collection. SIZE: Sight size: 10-1/2″ x 8-1/2″. CONDITION: Very good. 9-97333 (200-300)

GLADYS EMERSON COOK (American, 1899-1976) BLUE-EYED KITTEN. Pastel portrait of a seated cat looking straight at viewer, white and gray color with bright blue eyes. Housed in an antique oval frame with blue mat. SIZE: 13-1/2″ h x10-1/2″w. CONDITION: Very good. 9-96348 (200-400)

MEG BLACK (American, 20th Century) FLOWER GARDEN. Collage scene shows a colorful flower garden with daisies and lupines. Signed lower right “Meg Black”. An entirely crafted hand colored paper sheet all amalgamated together as one piece of paper that became a watercolor painting unique to the artist. Attached to white backing board and housed in a silver gilt frame with white matte. SIZE: 29-1/2″ x 21-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95934 (150-200)

TWO FRUIT PASTELS. 1) Anne Weber (American, 20th Century) “5-1/2 Peaches”. Pastel on paper showing peaches against a white and silver background. Title and artist on reverse. Signed “Weber”. Housed in a gilt modern frame with white matte. 2) O. Arnold? (American, Early 20th Century). Pastel fruit scene shows pears, apple and purple grapes against a greenish background. Signed middle right. Housed in an antique oak frame with gilt liner. SIZE: 1) 10″ x 13″. 2) 7″ x 17″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96069, 9-96070 (150-250)

UNSIGNED (American, First half of the 20th Century) WORKING ON THE DOCK. Oil on canvas scene shows two men working on a wood dock with boat moored beside. Several ships are seen in distance across the harbor water. Housed in a modern wood frame. SIZE: 18″ x 24″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Some minor spot repairs with inpainting, very good. 9-96243 (150-250)

CLIFFORD WINNER JR. (American, 20th Century) ARCHITECTURAL SPLENDOR. Watercolor building study shows the front of a multi-story building with large cupola and horse weathervane. Signed bottom right. Housed in a painted wood frame with complimentary double matte. SIZE: Sight: 21″ x 14-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96253 (150-250)

M S DONAHUE (American, Late 20th Century) TWO WORKS. 1) Unframed oil on masonite scene shows a young man seated on the top of a chair in the corner of a room. Signed upper right “M S Donahue 84”. 2) Oil on masonite abstract portrait of a drummer boy. Signed lower left “M S Donahue 7-20-86″. Housed in a simple wood frame. SIZE: 1) 31-3/4″ x 21-3/4″. 2) 32″ x 24”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: 1) Very good. 2) Very good. 9-96263 (100-200)

EVELYN WINTER (American, Late 20th Century) “KEEPERS OF THE FIRE”. Watercolor scene shows two women in colorful ponchos facing the flames of a large fire. Signed lower left. Housed in a brass type frame with white matte. SIZE: 16″ x 16″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, front glass with break at corner. 9-96276 (100-200)

RICHARD GARRIGUS (American, Late 20th Century) “PRESENCE”. Oil on wood panel abstract in colors of black and orange. Signed and dated “1997” and titled on reverse. Housed in a simple stained shadowbox type frame. SIZE: 16″ x 15-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96278 (100-150)

EDWARD MINCHIN (American, Late 20th Century) “LEAF ARCH”. Watercolor scene shows several yellow leaves and stems against a blue background. Signed lower right. Housed in a chrome frame with white matte. Artist label on reverse. SIZE: 16″ x 20″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96280 (100-200)

CHARLES J. BURDICK (American, 1924-) UNICORNS IN THE MOONLIGHT. Watercolor fantasy scene shows two unicorns on a rock surrounded by water under a moonlit sky. Signed lower left “Burdick”. Artist stamp on reverse. Housed in a modern brass type frame with double mattes and no glass. SIZE: Sight: 10″ x 14″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96281 (100-200)

PAT DEWS (American, 20th/21st Century) PURPLE FLOWERS. Watercolor of purple blossoms and green leaves. Signed lower right. Housed in a silver chrome frame with white and purple matte. Dews is a living artist who is an author of watercolor books and a member of the AWS and NWS. SIZE: Sight: 9-3/4″ x 13-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95929 (200-300)

MARGE CHAVOOSHIAN (American, 20th Century) PAIR OF WILDFLOWER SCENES. Watercolor scenes show colorful wildflowers and grasses. Signed lower right “Chavooshian”. Housed in identical birdseye maple stained frames with linen and red matte. SIZE: Sight: 17-1/2″ x 13-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95925 (200-400)

UNSIGNED (American, 19th Century) THE BLUE VASE. Watercolor still life shows a blue pedestal vase filled with a colorful arrangement of flowers. Housed in a lemon gold frame with line highlighted matte. SIZE: Sight: 10-3/4″ x 8-1/4″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Small tight tear to top edge, slightly yellowed paper. Otherwise good. 9-95846 (300-500)

MILDRED C JONES (American, 1899-1992) TWO WORKS: LAKE ATITLAN, GUATEMALA AND YELLOW DAFFODILS. 1) Oil on canvas scene shows a Native Guatemalan women with a young child slung over her back in a papoose type holder. They walk down through a cornfield to the lake below with mountains in the background. Signed lower right. Housed in a wide stained molded wood frame. 2) Oil on canvas still life shows a vase of yellow daffodils and white blossoming branches. Signed lower right. Housed in a modern gilt and white painted frame. SIZE: 1) 24″ x 30″. 2) 20″ x 16″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Both very good. 9-96200, 9-96390 (300-500)

GERALD LYDON MERFELD (American, 1936-) “CHRISTMAS STILL LIFE”. Oil on canvas scene shows the edge of a Christmas tree next to a window with table setting of Christmas gifts and objects. Signed lower left “Merfeld”. Housed in a modern wood frame with linen and wood liner. A note attached to back from artist with title, date and inventory number “31-73″. SIZE: 20″ x 24”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96274 (300-500)

FRANCIS LEE JAQUES (American, 1887-1969) TWO WORKS: “VICUNA” AND FLOWERING BRANCH. 1) Ink on scratch boards titled “Vicuna Head Chap. II”. Signed lower left “F L Jaques”. Scene shows a small group of Vicunas against a mountain backdrop. Unframed, shrink wrapped on foam core. 2) Ink on board of a dogwood branch with honeybees. Untitled and signed with initials “FLJ”. Unframed, shrink wrapped on foam core. SIZE: 1) 11″ x 9-1/4″. 2) 6-1/2″ x 14″. CONDITION: Some wear to edges and corners, very good. 9-95770 (300-500)

MARGARET W. WILLIAMS (American, 20th Century) STILL LIFE WITH RED FLOWERS. Large watercolor shows a pot of red flowers with green leaves with an ironstone soup tureen, brass candlestick, copper charger and flower painting in the background. Signed lower right “M. W. Williams”. Housed in a modern gilt wood frame with white matte. SIZE: Sight: 19″ x 25-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96272 (200-400)

CYNTHIA D. HYDE (American, 20th/21st Century) TULIPS. Oil on canvas scene shows a table with pots of flowers including bright red tulips. Signed lower right “Hyde 91″. Housed in a simple pine shadowbox type frame. SIZE: 32″ x 30”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very goof to excellent. 9-96265 (200-400)

EMMONS (American, 19th Century) DESERT CACTUS IN BLOOM. Oil on canvas southwestern scene shows a cactus with bright red large blossoms against a light green background. Signed lower left “Emmons”. Possibly the work of Dorothy Stanley Emmons. SIZE: 22″ x 10-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96096 (200-300)

GERTRUDE MARTIN TONSBERG (American, 1903-1973) “INDIAN PIPES #2”. Oil tempera on masonite forest floor scene shows new Indian pipe shoots breaking through oak leaves with a green fern background. Housed in a carved and partially gilt wood frame with liner. SIZE: 12″ x 16″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96239 (200-400)

LINE STEVENS HOPKINS TUTWILER (AMERICAN, 20TH/21ST CENTURY) “IN THE KITCHEN”. Oil on canvas interior scene shows a Colonial kitchen with deep working fireplace, having fire, kettle on crane and iron and brass accessories. The room is filled with antique furniture and accessories. Signed lower right. Housed in a modern gilt molded wood frame. SIZE: 12″ x 16″. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97473 (200-400)

SIGNED (American, 20th Century) TWO LANDSCAPES. 1) Walter G. Cleveland (American, 20th Century) “Lake Erie Marsh – Ohio March 1903”. Small oil on board scene shows a marsh in fall under colorful sky. Signed lower left. Also signed and titled on reverse. Housed in a gilt molded wood frame. 2) Alice Tilton Gardin (American, 1859-1949). Oil on wood panel shows buildings near water with green reflections under colorful sky. Signed lower right “A T Gardin”. Housed in a period carved wood gilt frame. SIZE: 1) 4″ x 8″. 2) 6″ x 8″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: 1) Chip in sky, dirty. Otherwise good. 2) Good. 9-95874, 9-95899 (150-250)

WATERCOLOR HALF PORTRAIT OF A BOY IN GREEN. The boy in profile wearing a green shirt and having dark brown hair. Pencil lined face and hands. Inscribed “Painted July 8, 1854″. Housed with a reverse painted glass matte, gold and black wood frame. SIZE: Sight: 5-3/4″ x 4”. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Some light foxing, otherwise very good. 9-95898 (150-250)

FRANCIS MCCARTHY (American, 20th Century) TWO BOYS IN THE KITCHEN. Watercolor and pen interior scene shows two African-American boys in a kitchen setting with table having printed tablecloth and chair. One boy leans on the table while a younger boy sits atop. Inscribed bottom right “For Stuart King-McCarthy 53″. The watercolor has been glued down to backing board and housed in a gray stained wood frame. SIZE: 24″ x 17-3/4”. CONDITION: Good with some toning to edges. 9-94339 (200-400)

DANIEL RALPH CELANTANO (American, 1902-1980) FIELDS AND TREES. Pastel on paper scene shows a field area leading to water with a line of trees bordering a golden field. Signed lower left and dated “77”. Housed in a modern gilt decorated frame. SIZE: Sight: 10-1/4″ x 14-1/4″. PROVENANCE: Estate of the artist. CONDITION: Very good. 9-94353 (200-400)

UNSIGNED (American, 19th Century) PAIR OF PRIMITIVE LANDSCAPES. Oil on wood panel scenes show a lake with sailboats between mountains. One having a house amongst trees under blue sky. The other with fence and fields between trees under colorful sky. Identically housed in gilt molded wood frame. SIZE: 6-1/2″ x 11-1/2″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Some wood grain showing, dirty, some frame abrasion. Otherwise good. 9-95872 (100-200)

GEORGE DANIELL (American, 20th Century) TWO WORKS: TIGER LILIES & “NUDE MAINE YOUTH”. 1) Bright watercolor scene shows a stem of three tiger lilies against a blue background. Signed upper right “Daniel”. Housed in a silver wood frame with white matte. 2) Frontal view of a nude male against a lake landscape background. Signed “Daniell” bottom right. Housed in a black frame with decorative mattes. SIZE: 1) 20″ x 16-1/2″. 2) Sight: 16″ x 13″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96247, 9-96283 (150-250)

SIGNED (American, Mid 20th Century) “GULL’S HOUSE NEW BERN, N.C.”. Watercolor house portrait shows a three-story white house with green shutters with driveway, fire hydrant and wall with urn. Signed indistinctly lower left “A. Ay____”? Housed in a modern gilt frame with matte. SIZE: Sight: 14″ x 20″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Very good with some light foxing. 9-95888 (100-150)

DON STONE (AMERICAN, 1929 – ) “THE STERN MAN”. Colored limited edition print shows a Maine lobster man at the end of his boat with one hand on a lobster trap, just outside coastal rock ledge. Numbered 44/1100. Pencil signed with inscription. Housed in a silver gilt wood frame and white mat. SIZE: Sight size: 13″ x 21-1/2″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97461 (100-200)

THOMAS NADEAU (American, 20th Century) “VIEW FROM “TOP OF THE EAST””. Limited edition lithograph shows a rooftop view looking across Portland, Maine to the harbor beyond. Numbered “14/102″, pencil signed and titled. Unframed, presently shrink wrapped on form board. SIZE: 36-3/4″ x 26”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96223 (100-150)

Revised: 8/22/2009

WITHDRAWN

L. GEISER (American, Mid 20th Century) MAINE BLUEBERRIES. Watercolor scene shows a freshly picked quart box of blueberries resting on a window ledge with half open window overlooking the Maine coastline. Signed lower left “L Geiser”. Housed in a weathered gray painted wood frame with double matte. SIZE: Sight: 13″ x 18-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96068 (100-200)

BEN SHAHN (American, 1898-1969) “HOW THE BIRDS FLY”. Framed lithograph showing a flying dove with gray background with inscription “….one must feel how the birds fly”. Signed in the plate. Back having a John Wanamaker, Philadelphia certificate indicating the title and limited edition of 750 of which this is 227. Housed in a black and silver wood frame with gray cutout matte. SIZE: Sight: 20-1/4″ x 17″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96264 (200-400)

FRANZ GERITZ (American, 1895-1945) “SUNRAYS IN THE RED WOODS”. Colored woodcut shows a sunlit path through tall trees. Pencil titled lower left. Signed lower right and dated “37”. Housed in a gilt wood frame with white matte. SIZE: Sight: 12-1/2″ x 9-1/4″. PROVENANCE: From a private collector. CONDITION: Very good. Not examined out of the frame. 9-96762 (400-600)

PAUL MULLALLY (American, 1947-) PORTRAIT OF A YOUNG WOMAN. Oil on board shoulder length portrait shows a young woman in white dress with long black hair gazing sideways and looking slightly upward. Signed bottom right “Mullally”. Housed in an antique gilt edged frame. SIZE: 13″ x 9″. CONDITION: Fair to good. 9-97168 (500-800)

P R GEROME (Mid 20th Century) YOUNG FRENCH GIRL. Oil on canvas portrait of a young girl with long red hair wearing a red shirt with white collar. Signed lower right. Housed in a modern fancy gilt frame. SIZE: 15″ x 11″. CONDITION: Very good with some inpainting. 9-96881 (300-500)

PHILIP PEARLSTEIN (American, 1924-) “MALE AND FEMALE NUDES ON SPANISH RUG”. Etching and aquatint pencil signed, titled and numbered “34/50″. Unframed. SIZE: Image: 17-1/2″ x 21-3/4″. Overall: 22-1/4″ x 30”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Small water stain on leg, otherwise very good. 9-96222 (300-500)

JOE RIMINI (American, 1920-2000) STUDIO NUDE. Oil on canvas study of a nude standing in a studio setting. Signed lower left “Rimini”. Housed in a modern white painted decorative frame. SIZE: 20″ x 16″. CONDITION: Very good. 9-97159 (300-500)

O T MOVAN (American, 19th/20th Century) THE FAMILY PICNIC. Large oil on canvas summer scene shows a husband and wife with picnic basket walking beside four large trees while two daughters and a dog play next to shallow stream. Field and trees beyond under light gray and white skies. Signed lower left “O.T. Movan”. Housed in its original gilt gesso decorated frame with gilt liner. NOTE: We have been unable to find this artist listed. SIZE: 22″ x 36-1/4″. CONDITION: Some inpainting, very good. 9-97055 (300-600)

JOSEPH UNGER (Mid 20th Century) ALONG THE CANAL. Oil on canvasboard scene shows a canal with houses and trees lining the far bank. Signed lower right “Joseph Unger 1944″. Housed in a weathered wood frame with white liner. SIZE: 16″ x 20”. CONDITION: Very good. 9-96904 (300-500)

KARL ZERBE (American, 1902-1972) “SUNSET, CAMBRIDGE, 1934”. Oil on paper city view scene shows a bicyclist on a curving road with utility poles and buildings under a yellow and dark brown cloud sky. Signed lower right “Zerbe”. Housed in a molded wood frame with linen matte. SIZE: Sight: 17″ x 24-1/2″. CONDITION: Good with some light scratches and wrinkles. 9-97139 (500-700)

LOUIS KINNEY HARLOW (American, 1850-1913) “VERONA”. Watercolor showing a river with double arch bridge and figures on bank next to houses. Three small boats with people on the far bank and hill background with buildings. Signed lower right. Housed in a period frame with white backing matte having an inscription and title. Inscription indicating that this is one watercolor from a tour of Italy. SIZE: 11″ x 9″. Sight: 16-3/4″ x 13-1/2″. CONDITION: Matte has foxing, watercolor is very good. 9-96791 (400-800)

M P C (20th Century) SIDE BUILDING. Interesting watercolor and canvas collage depicting a side of a building with rounded top windows. All in differing textures and colors. Signed lower right “MPC”. Housed in a fine ebonized and red striped molded wood frame. SIZE: 24-1/2″ x 26″. CONDITION: Minor spot inpainting, very good. 9-96919 (400-600)

SIGNED (19th Century) THE WHISTLING SWEEPER. Oil on canvas mounted to masonite shows a young boy with tattered clothes having a broom under his arm and stepping forward whistling. He has just swept the stairs and is seen against a building side. Signed lower right with what appears to be “Mare_ _”. Housed in an antique etched ebony and gold frame. SIZE: 15″ x 10-3/4″. CONDITION: Restored, good. 9-96916 (400-600)

HENRY CURTIS AHL (American, 1905-1996) THREE WORKS: CALIFORNIA LANDSCAPES. 1) “Abalon, Santa Catalina Island, California 1971”. Unframed oil on canvasboard shows a series of houses with roads and mountains. Signed lower right. 2) “At Arroyo Burro, Santa Barbara”. Unframed oil on canvasboard landscape shows a house nestled on a hill below mountains with road and stream in foreground. 3) “California Aqueduct View of Vista Point towards Palurdale, CA.” Small framed oil on canvasboard landscape shows a river with expansive lowlands ending in mountains. SIZE: 1) 12″ x 14″. 2) 10″ x 12″. 3) 5″ x 7″. CONDITION: Very good. 9-97156 (500-700)

HENRY CURTIS AHL (AMERICAN, 1905 – 1996) THREE LANDSCAPES. All unframed. All signed bottom right. 1) “Grand Tetons, Wyoming”. Showing a line of snow-covered mountains with lake and boat. 2) “Turnacacori Mission, Arizona”. The mission is seen below large mountains. 3) “Fort Popham, Maine”. Shows the fort at the end of the Kennebec River in Popham, Maine. SIZE: 1) 10″ x 14″. 2 & 3) 9″ x 12″. CONDITION: Very good. 9-97157 (500-700)

ALPHAEUS PHILIMON COLE (American, 1879-1988) “WAITING FOR A MEAL”. Unframed oil on canvas garden scene shows a cat crouched on a stone wall lining a colorful garden with red flowers. Signed lower left “Alphaeus P. Cole N.A. 1968”. Original Lyme Art Association label on reverse with title, artist signature and address. Also indicating “From Collection of Samuel Jones”. SIZE: 24″ x 36″. CONDITION: Very good. 9-97331 (300-500)

LOUIS ANTHONY BURNETT (American, 1907-1999) THE RED SHED. Oil on canvas landscape scene shows a white house with red shed beside all under a large tree. A rock cliff is beside all under blue and white cloud sky. Signed lower right “Burnett” SIZE: 20″ x 30″. CONDITION: Very good. 9-97162 (300-500)

JOHN CHETCUTI (American, 1900-1976) CITY BOATYARD. Oil on board scene shows three boats with workers outside of city buildings. Unsigned but written on back “With authentication dated ’78” by a family member. Housed in a modern gilt frame. SIZE: 15″ x 22″. CONDITION: Good. 9-97158 (300-500)

JOYCE WILLIAMS (American, 20th Century) FOUR WATERCOLOR WORKS. All unframed but matted. 1) “Winter Woods”. 2) “Back Door”. 3) “Farm Scene”. 4) “Village Church”. SIZE: Sight: 1) 14″ x 19″. 2) 7-1/2″ x 10-1/2″. 3) 9″ x 12-1/2″. 4) 9″ x 13-3/4″. CONDITION: Very good. 9-94795, 9-94898; 9-94798; 9-94896 (800-1,200)

JOYCE WILLIAMS (American, 20th Century) THREE WORKS. All signed “Joyce Williams” and in black mattes. All pencil sketches of buildings. Titled “The Dock”, “Southern Farm” and “Carter County House”. SIZE: Sight: 10-1/2″ x 13-1/2″. CONDITION: Very good. 9-94797, 9-94894; 9-94902 (200-400)

T. BAILEY (American, Mid 20th Century) “SHIP SINODA OF BOSTON, MASS 1854”. Oil on canvas scene shows a tall ship sailing toward the viewer in greenish/blue white capped ocean. Housed in a decorative gray frame with linen and gold liner. Title to reverse and signed bottom right. SIZE: 14″ x 10″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good. 9-96563 (250-400)

TWO STILL LIFE FLOWER PAINTINGS. 1) Oil on board signed “Fairhurst 1971” still life of white bowl of colorful iris’s set on a mirror plateau against a blue curtain background. Housed in a modern silver gilt frame. 2) Unsigned oil on canvas still life of white flowers in a blue vase set on a tabletop against a light blue background. Back pencil inscribed “Summer 1889″. Housed in a modern gilt wood frame. SIZE: 1) Sight: 27-1/2″ x 21-1/2″. 2) 15″ x 11”. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: 1) Good with small chip near date. 2) Good with some minor chips. 9-95837, 9-95866 (250-400)

EIGHT WORKS BY VARIOUS 20TH CENTURY ARTISTS. 1) Signed John Buxton unframed print “Warm Companions”. 2) Signed unframed print by Rob Griffing “Scouting for the English Fort Duquesne”. 3) Signed unframed print by Cindy McIntyre titled “Belted Galloways”. 4) Matted intaglio piece by Jerry Miner titled “Cupid 80/150”. 5) Unframed print titled “Candlelight” signed indistinctly. 6) Matted lithograph signed “Levesque” and titled “Men of the Ranks Decided the Issues”, Artist Proof. 7) Framed lithograph of nude man, indistinctly signed in the plate. 8) Framed colored print by Edward Ward, “Twilight 4/150”. SIZE: Varies. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Generally very good. 9-96219 (100-200)

UNSIGNED (European, Early 20th Century) PAIR OF HANGING GAME PLAQUES. Oil on wood panels. One having two ducks hanging from a string. The other a rabbit and two birds. The oval boards having a molded edge with hanging hook and are of a figured walnut. SIZE: 27″ x 15″. CONDITION: Consolidation to paint layer, generally very good. 9-95279 (300-500)

DEAN MEEKER (American, 1920-2002) THREE WORKS: “LITTLE WOLF”,”GREGORY AS LORENZO” AND “JOSEPH’S COAT”. All limited edition color lithographs, each nicely housed in contemporary frames. All pencil signed, titled and with edition numbers. 1) “Little Wolf” showing a Native American on horseback (50 edition). 2) “Gregory as Lorenzo” showing a man seated in a chair with city background (13/60). 3) “Joseph’s Coat” showing a standing man with a colorful coat (2/50). SIZE: Sight: 1) 34-1/2″ x 22-1/2″. 2) 37-1/2″ x 23″. 3) 35″ x 21″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good, one has crack in glass. 9-96225, 9-96270; 9-96271 (400-600)

SIGNED “PRENDERGAST” (20th Century) TWO WORKS: VENICE AND PARK. 1) Unframed oil on board shows a Venice canal with buildings and boat. 2) Watercolor shows a park area with tents and people, possible Central Park. Housed in a gray modern frame with white matte. SIZE: 1) 12″ x 9″. 2) Sight: 13-1/4″ x 9-1/4″. CONDITION: Very good. 9-97342 (600-800)

ANTHONY THIEME (American, 1888-1954) “NEW YORK”. Crayon drawing of a street lined with tenement buildings. Signed lower right “N York AT”. Housed in an oak molded wood frame. SIZE: 12″ x 9″. CONDITION: Very good. 9-97329 (400-600)

JAMES TOPPING (American, 1879-1948) LEFT BEHIND. Oil on academy board still life scene shows a rose with a stem that has been removed from a clear glass bowl of water leaving behind two petals. Signed lower left “Jas. Topping 07″. Housed in a good replacement gesso decorated gilt frame. SIZE: 8-3/4″ x 14”. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good. 9-96561 (300-500)

MILES SILVERMAN (American, 1910-) PLASTER MASK WITH FRUIT. Oil on canvas still life scene shows a table with a plaster face mask, red cloth and assorted fruit including pears, plums and bananas. Signed lower left and dated “44”. Housed in a decorative wood frame. SIZE: 24″ x 20″. CONDITION: Very good. 9-96868 (300-500)

JOE WHITE EYES (American, 20th Century) HEAD PORTRAIT OF A NATIVE AMERICAN. Mixed media pastel, ink and watercolor portrait shows an elderly man straight on wearing a red head scarf and yellow string tie. Signed lower left “Joe WhiteEyes”. Mounted on a white board. SIZE: 18″ x 12″. CONDITION: Glue bleed through edges, appears not to intrude on image. Otherwise good. 9-96793 (250-400)

H. JOLLE (19th Century) BARBIZON LANDSCAPE. Oil on wood panel scene shows a shepherdess with flock of sheep in grass meadow lined by large trees under blue and white cloud sky. Signed lower right what appears to be “H Jolle”. Housed in an antique gilt molded wood frame. SIZE: 5″ x 7-1/2″. CONDITION: Very good. 9-96915 (300-500)

GORDON GRANT (American, 1875-1962) “YACHT CLUB ANCHORAGE”. Pencil signed original lithograph shows several small boats in harbor setting. Housed in its original wood frame with white matte having an Associated American Artist label affixed to reverse. SIZE: Sight: 9-1/2″ x 12-1/2″. CONDITION: Some light toning and toned edges, good. 9-97169 (200-300)

WILLIAM (WOODY) JACKSON (American, 20th Century) “INDONESIA”. Woodblock print in colors of blue, black and green. Inscribed below the image with title, artist signature and “State Proof”. Housed in a hinged light blue colored matte against foam board. Woody Jackson was the creator and designer of Ben & Jerry’s Ice Cream cows. SIZE: Sight: 13″ x 15-1/4″. CONDITION: Very good. 9-96788 (200-300)

GEORGE REES (Publisher, British, 19th Century) “SIR BEVYS”. Framed print of a black race horse with jockey atop, rail and landscape background. Legend below as follows: “Sir Bevys Winner of the Derby Stakes at Epsom 1879. Value of the Stakes 7050. When two years old won a maiden sweepstakes at First October meeting. Painted & engraved by Hunt & Son”. Housed in a black and gilt wood frame with glass having a reverse painted black and gold matte. SIZE: Sight: 21-1/2″ x 27″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good, not examined out of frame. Matte has some lifting. 9-96564 (200-400)

UNSIGNED (20th Century) REMOVING THE SPLINTER. Bronze nude boy sits on a stump and is removing a splinter from the bottom of his foot. Bronze set on a gray marble round disk. SIZE: 11-1/2″ h; 13″ h total. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96033 (200-400)

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “BUFFALO HORSE”. Recast bronze depicting a rearing buffalo with horse and Native American atop. Late 20th Century. Mounted on a green marble plinth. SIZE: 15-1/2″ h; 16-1/2″ including base. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96010 (200-300)

THREE BOXES OF ANTIQUE REFERENCE BOOKS. Approximately 50 books including books on postcards, art pottery, furniture and more. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Generally good. 9-95986 (200-400)

INITIALED (AMERICAN, 18TH/19TH CENTURY) “PROVINCETOWN”. Watercolor scene shows a wrecked boat hull next to a long dock with man. In the distance is seen several boats and another dock with building. Appears to be initialed indistinctly and inscribed “PROVINCETOWN 1900″. Housed in a simple wood frame with white mat. SIZE: 6-3/4″ x 9-1/2”. CONDITION: Toning on edges, otherwise good. 9-96897 (200-400)

BESSIE ELLA HAZEN (AMERICAN, 1862-1946) WESTERN DAM. Watercolor scene appears to show a large concrete dam spanning a canyon. Signed middle bottom. Housed in a gilt molded wood frame with watercolor highlighted wide white matte with inner matte. SIZE: Sight: 21″ x 15-1/2″. CONDITION: Very good. 9-96886 (200-400)

SIGNED (White Mountain School, Early 20th Century) MOUNTAIN VIEW. Pastel landscape shows a mountain background under light skies with house, water, field, and birch trees. Signed bottom right, possibly “C Wraddox”. Housed in a good gesso decorated period frame with green and gilt mattes. SIZE: Sight: 15-1/4″ x 7-1/4″. CONDITION: Very good. 9-96876 (200-300)

S. ANDERSON (Mid 20th Century) MOUNTAIN LANDSCAPE. Oil on masonite scene shows a ridge of snow capped mountains with a lake lined with trees which are reflected in the calm water. Signed lower right. Housed in a molded wood frame with linen and gilt liner. SIZE: 17″ x 27″ CONDITION: Very good. 9-96869 (200-400)

UNSIGNED (European, 19th Century) SUNSET CHURCH. Oil on canvas sunset scene over a river leading to a five-arch bridge near tall church surrounded by mountains. Unsigned. Housed in a lemon gold antique frame. SIZE: 9″ x 12″. CONDITION: Very good 9-96867 (200-400)

C P RAYMOND (American, 19th/20th Century) BIRCHES IN SUNSET. Fine watercolor landscape shows a small body of water surrounded by tall birch trees leading to a yellow to red sunset with flock of birds. Housed in a lemon gold frame with gold liner. Signed lower right. SIZE: Sight: 13″ x 25″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good. 9-96562 (200-400)

TWELVE WORKS FROM VARIOUS 20TH CENTURY ARTISTS. 1) Framed NC Wyeth print of Washington. 2) Framed photograph of mountainscape by Bill Christie dated “80”. 3) Framed photograph “Morning Coffee Camden, Maine” by Neal Parent. 4) Framed pastel of man. 5) Framed oil on canvas, unsigned, still life. 6) Framed oil on canvas, unsigned, of bridge and water. 7) Framed oil on board by Bill Begay, western scene. 8) Watercolor collage by Sherry Miller, 1986. 9) Unframed landscape with lake and swimmer by J.C. Berry. 10) Unframed photograph “The Water Gap” by G.H. MacCullough. 11) Unsigned photograph landscape, unframed. 12) Unframed photograph of a woman, indistinctly signed. SIZE: Varies. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Some stains to mattes, generally very good. 9-96289 (200-300)

LOT OF SEVEN WATERCOLORS BY VARIOUS 20TH CENTURY ARTISTS. 1) Unframed watercolor titled “Between Holidays” by William Thomson. 2 & 3) Two small matted watercolors of skiers by John Hancock. 4) Unframed seascape by Sherry Miller. 5) Abstract watercolor of trees by Nataline Hale Smith with Estate stamp. 6) Framed watercolor of red barns signed indistinctly. Housed in a nice contemporary gilt frame with double white mattes. 7) Framed watercolor titled “Swan Lake”, indistinctly signed and dated “74”. SIZE: 1) 16-1/2″ x 23-1/2″. 2 & 3) 4-1/2″ x 6-1/2″. 4) 7″ x 10-1/4″. 5) 11″ x 15″. 6) Sight: 3-1/4″ x 4″. 7) Sight: 10″ x 8-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Generally very good. 9-96215, 9-96084 (200-400)

AL MANCHESTER (American, Late 20th Century) SIX WORKS. Included are three collage works with material and watercolors. One with Eskimo, another with eagle and banner and mans navel in jeans. The other three are watercolors, one framed with tin of blueberries, unframed, possible self portrait and unframed nude male. SIZE: Range: 7-1/2″ x 9-1/2″ to 24″ x 18″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Generally very good. 9-96074, 9-96146 (200-300)

EURILDA LOOMIS FRANCE (American, 1865-1931) PORTRAIT OF SOCIALITE. Oil on canvas 3/4 portrait of a woman wearing a red dress, pearl necklace and colorful needlework shawl. She holds an open black fan and colorful dangle earrings. Seen against a gold and blue background. Unsigned front but Estate stamped on back of canvas. Housed in a gilt molded wood modern frame. SIZE: 30″ x 22″. PROVENANCE: From a Belfast, Maine home. CONDITION: Light chipping, scattered inpainting. Otherwise good. 9-92969 (200-300)

ZYCKEN (Late 20th Century) AT THE WELL. Contemporary oil on canvas scene shows a young woman with large brass double handled water vessel standing next to a well. She is under a bridge with bush and rock landscape. Signed lower left. Housed in a gold gesso decorated frame. SIZE: 36″ x 24″. PROVENANCE: From a Belfast, Maine home. CONDITION: Very good. 9-92959 (200-300)

FRANK SIMON HERMANN (American, 1866-1942) TWO WORKS: SEASIDE GOLDENROD AND FLOWERING TREE TRUNKS. 1) Unframed watercolor shows a large wave crashing on shore and in the foreground a windswept yellow goldenrod. Back side having an evening landscape of a house with trees in winter. Unsigned. 2) Gouache on paper scene shows black tree trunks covered with white flowering vines against a blue background. The reverse has a gouache scene of yellow flowers against a background of large green leaves. Unsigned work housed in a silver modern frame. SIZE: 1) 21-1/2″ x 27-1/2″. 2) Sight: 27-1/2″ x 21-1/2″. CONDITION: Very good. 9-91099, 9-91100 (200-400)

DAVID KNOWLTON III (AMERICAN, 20TH/21ST CENTURY) “WINTRY LIGHT”. Limited edition colored print shows a tall lighthouse on rock coastline with snow-covered ground. Numbered 704/950. Titled and signed below image. Housed in a wood decorated frame with double mats. SIZE: Sight size: 14-1/2″ x 7-1/2″. PROVENANCE: From a private Maine collection. CONDITION: Very good to excellent. 9-97486 (100-200)

FOUR FRAMED WORKS. 1) Currier & Ives small folio print “Noah’s Ark”. Housed in a period walnut frame with gilt liner. 2) Prang chromolithograph “Harvest” showing a New England scene with mountain, corn field, house and fall colors. Original labels on reverse. Housed in a period walnut frame with inner gold frame and liner. 3) Oil on canvas evening seascape with moon, stars and clouds over a dark sea. An image similar to Rockwell Kent’s work. Unsigned, housed in a lemon gold frame. 4) Modern theorem on cloth by Barbara A. Palmer. Housed in an oval modern walnut frame. Signed beside basket of fruit and dated “86”. Also having artist card on reverse. SIZE: 1) Sight 11-1/2″ x 14-1/2″. 2) 8-3/4″ x 14-1/2″. 3) 7″ x 13″. 4) 8″ x 10″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: 1) Good. 2) Very good. 3) As is with L-shaped tear. 4) Very good. 9-96208 (100-200)

UNSIGNED (American, Late 19th Century) DOGWOOD BLOSSOMS. Watercolor scene shows white blossoming branches with green leaves against a light blue background. Housed in an antique painted and gilt frame with white matte. A sticker on the back indicates that the original framing had a newspaper “The Penny Post, Portsmouth, NH dated 1889″. SIZE: Sight: 21″ x 10-1/2”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96245 (100-200)

GRACE ANDERSON (EARLY 20th CENTURY) IN FROM THE GARDEN. Oil on canvas produce scene shows turnip, radishes, lettuce and potatoes on a table top. Signed lower left. Housed in its original decorated wood frame. SIZE: 12″ X 22″. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-97479 (100-200)

SIGNED (American, 20th Century) “HERE’S A REAL PISSER”. Oil on wood panel scene shows a man with dog on leash who is relieving itself in the bushes. Signed lower left indistinctly. Housed in a gilt bamboo style frame with linen and gilt liner. Title and inscription on reverse. Possibly the work of Harry Hanan (American, 1916-). SIZE: 6″ x 8″. CONDITION: Very good. 9-97318 (100-200)

RAY ANTHONY GRATHWOL (American, 1900-) THE FARMSTEAD. Watercolor late fall scene shows a 2-1/2 story white Colonial house with outbuildings and red barn near a stream with golden fields all against a mountain backdrop. Signed lower right “R Gothwol”. On reverse is the remnants of a Canton Art Sixth Annual Exhibit label. Housed in a painted white wood frame with white matte. SIZE: Sight: 14″ x 20-1/2″. CONDITION: Very good. 9-96918 (100-200)

SIGNED (20th Century) SEASIDE HOME. Oil on masonite coastal scene shows a house with large tree with fishing shack. A sailboat is seen on blue ocean under colorful sky. Signed lower right indistinctly. Housed in a modern gilt frame. SIZE: 6″ x 8″. CONDITION: Very good. 9-96903 (100-200)

PETER BIELING (American, 20th/21st Century) “PUMPING UP”. Acrylic on canvas body building scene of a man lifting barbell wearing a blue outfit. The scene shows waist to neck. Signed bottom center, titled and signed on reverse of stretcher. Housed in a simple wood frame. SIZE: 24″ x 30″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96257 (100-200)

SMALL GROUP OF ORIGINAL ILLUSTRATIVE WORKS. Lot includes 1) Watercolor illustration for the Sunday Examiner Vol. LXVII, No. 31, July 31st, 1898. Scene shows flags with a woman at spinning wheel and man beside. Signed “H. W. Hansen (Herman Wendelborg Hansen, 1854 – 1924). Titled bottom right “Donnybrook Fair Ground”. Matted. Sight size: 19-1/2″ x 15-1/2″. 2) Unsigned watercolor, possibly by H. W. Hansen. Illustration for the Sunday Examiner Vol. LXVI, May 15, 1898 No. 135″. Scene shows Columbus with Native American, Lady Liberty and U.S. Seal with eagle. Matted. Sight Size: 19-1/2″ x 16″. 3) Original ink drawing for a Sunday newspaper insert. Thirteen U.S. Soldier paper cutouts depicting soldiers with guns and flag in different poses. These show folding lines so they can be set up on a table or floor. Signed with initials. Sight size: 12″ x 20″. 4) Unsigned ink illustration of man in armor on horseback with flag. Matted. Sight size: 11-1/4″ x 12″. 5) 12-1/2″ x 16-1/2″ colored print of New York City “No. 113- bei Winckelmann & Sohne in Berlin”, mounted to cardboard, appears to be mid 19th Century. 6) 18-1/2″ x 8-1/2″ oil on artist board western scene, unsigned with men and pack horse in mountain landscape. Along with five western prints and six prints of ships at sea by J. O. H. Cosgrave II. All unframed by Penn Prints, NY. Overall size is 14-1/4″ x 18″. Also, three small etchings by Jeanette Maxfield Lewis (“Looking Through”, “In Port”, “Fish Stalls”. SIZE: As noted above. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Generally very good. 9-94882 (100-200)

S. KELLER (First half of the 20th Century) THE LONE TREE. Gouache landscape shows a tall dead tree at the center of woods overlooking a field under blue and white sky. Signed lower left “S. Keller 31″. Housed in a wood frame with linen and gold liner behind glass. SIZE: Sight: 19″ x 13”. CONDITION: Very good. 9-96933 (200-400)

SIGNED (Mid 20th Century) THE FIESTA. Oil on masonite scene shows Spanish dressed people in a festive atmosphere. Possibly signed lower right indistinctly. Housed in a gilt frame with linen and gilt liner. SIZE: 15-3/4″ x 10″. CONDITION: Very good, some surface dirt and discoloration to the varnish. 9-97154 (200-400)

EVA G SIMARD (American, 20th Century) APPLE TOSS. Oil on canvas scene shows a Classical scene with man in red robe throwing an apple to a woman in white gown. They stand atop a white stepped palace which overlooks water and mountains. Signed lower right. Housed in its original gilt decorated frame. SIZE: 20″ x 32″. PROVENANCE: From a Belfast, Maine home. CONDITION: Very good. 9-92955 (150-300)

UNSIGNED (American, Early 20th Century) MOONLIT HARBOR. Oil on canvas scene shows a small harbor with boats at dock and moored. All under a breaking cloud and full moon sky. Housed in a silver decorated modern frame. SIZE: 10″ x 15″. CONDITION: One small patch to reverse, some unrestored but painted over chips. Fair to good. 9-93950 (150-250)

DENES DE HOLESCH (American, 1910-1983) POLO PLAYERS. Oil on canvasboard scene shows two polo players on horses in the midst of a match. Signed lower left “Holesch”. Housed in a partial gilt frame with linen and gold liner. SIZE: 9″ x 11″. CONDITION: Very good. 9-93953 (150-250)

BRUCE HABOWSKI JR. (American, Late 20th Century) IMPRESSIONISTIC LANDSCAPE. Large oil on canvas scene shows a misty day with fields lined in colorful trees. Signed lower right. Unframed, unstretched. A commissioned work. Habowski is a contemporary Maine artist. SIZE: 47″ x 95″. CONDITION: Folds and wrinkling. Good. 9-95652 (150-300)

UNSIGNED (19th Century) LANDSCAPE WITH COWS. Oil on canvas primitive landscape shows two figures beside a path taking an afternoon break while in the foreground cows and sheep are seen in a grassy field. Housed in an antique decorative frame. SIZE: 9″ x 14″. CONDITION: Relined, minor inpainting, very good. 9-97035 (150-250)

CHARLES RUSSELL LOOMIS (American, 1857-1936) SAILING ON A CALM DAY. Watercolor coastal scene shows several sailboats in a calm bay with beach having three tethered rowboats. Signed bottom right “CR Loomis”. Housed in a fine modern silver frame with light gray matte. SIZE: Sight: 10-1/4″ x 14-3/4″. CONDITION: Very good. 9-97182 (150-300)

BERNARD COREY (American, 1914-2000) “WOODSTOCK FARM”. Oil on board early spring scene shows a white farmhouse with red barns nestled on a hillside with pastures, a small farm pond and trees. Signed lower right. Housed in a gilt decorated frame with linen and white liner. On reverse is a Rockport Art Association Exhibition label. Also a Rockport Art Association sticker. SIZE: 10″ x 16″. CONDITION: Very good. 9-96425 (1,000-1,500)

BERNARD COREY (AMERICAN, 1914-2000) “OLD APPLE TREE”. Oil on Masonite spring scene shows an apple tree on the fence edge of a pasture with barn in background under blue and white cloud sky. Signed lower right. Housed in a gilt molded wood frame with linen lining. Titled on reverse of the frame. SIZE: 10″h x 16″w. CONDITION: Very good. 9-97275 (2,000-2,500)

ROBERT EMMETT OWEN (American, 1878-1957) “BROOK IN WINTER (NEAR RIDGEFIELD, CONN)”. Fine oil on canvas scene shows a winding brook with snow covered banks having several houses and barns in background. Signed lower left. Housed in a fine carved and gilt wood frame. Back of stretcher has title, artist and address. SIZE: 16″ x 20″. CONDITION: Very good. 9-97518 (2,500-3,500)

GEORGE MATTHEW BRUESTLE (American, 1871-1939) “AUTUMN AFTERNOON”. Fine oil on wood panel impressionistic Connecticut fall landscape shows a Colonial farm under large red maple trees with a boulder filled pasture in foreground. Light blue sky graduates to a soft peach colored horizon. Signed lower right “Geo H Bruestle”. Housed in a fine gilt and carved replacement frame. The back retaining an original Salmagundi Club auction sale label with artist and title. SIZE: 12″ x 16″. CONDITION: Very good with minor spot inpainting. 9-97278 (2,500-3,500)

CHARLES PAUL GRUPPE (American, 1860-1940) GRAZING UNDER THE SHADE TREE. Oil on canvas scene shows a cow grazing under tall trees at the edge of a green pasture with other cows beyond and building. All under white cloud and blue sky. Signed lower left “Chas. P. Gruppe”. Housed in what appears to be its magnificent fancy flower decorated gilt frame with gilt liner. SIZE: 18″ x 24-1/4″. CONDITION: Wax lining, some inpainting. Very good. 9-96411 (5,000-7,000)

CHARLES PAUL GRUPPE (AMERICAN, 1860 – 1940) “THE RUNNING BROOK”. Oil on canvas landscape scene shows a curling brook with tree and rock-lined bank having a cow at center edge under two large trees with another cow beyond. An afternoon sky losing light. Signed lower left. Housed in a modern decorated frame with white liner. Titled on reverse of stretcher. SIZE: 20″ x 24″. CONDITION: Very good. 9-97711 (2,500-4,000)

CHARLES PAUL GRUPPE (American, 1860-1940) DUTCH CANAL. Fine large oil on canvas Dutch scene shows two boats moored along a canal/waterway leading to houses and large windmill. All under an expansive light gray and white cloud sky with glimpses of blue. Signed lower right. Housed in a magnificent wide carved and gilt replacement frame with wide liner having a gilt wood artist plaque. SIZE: 24″ x 30″. CONDITION: Some inpainting, very good. 9-97359 (6,000-9,000)

PINCKNEY MARCIUS-SIMONS (AMERICAN, 1867-1909) IN THE GROVE. Large oil on canvas scene shows a grove of large trees with grass-covered ground. Light penetrates the trees and lights up the grassy areas. Signed center bottom, “P. MARCIUS-SIMONS”. Housed in an antique gesso-decorated gilt frame. SIZE: 27-1/2″h x 41-1/2″w. CONDITION: Three small canvas patches to reverse. Some minor touch up, otherwise very good. 9-96373 (6,500-8,500)

FREDERICK JOHN MULHAUPT (AMERICAN, 1871-1938) GOLDEN AUTUMN DAY. Fine oil on canvas scene shows an early fall day landscape having a stream with golden colored fields and tall trees. Two figures are seen under a tree looking over a flock of sheep. Small hills and valley is seen in the distance under a light blue and cloud sky. Signed lower left “Mulhaupt”. Housed in a fine carved and gilt wood wide replacement frame. Frame retaining a North Shore Art Association exhibit label from the Frederick J. Mulhaupt Exhibit, April 13-Oct 24, 1991. SIZE: 14″ x 20″. CONDITION: Light craquelure, faint stretcher lines. Very good. 9-96912 (10,000-14,000)

HARRY LEITH ROSS (American, 1886-1973)”IN THE MEADOW”. Oil on canvas spring scene shows a bright landscape with fields and trees. In the foreground is a lone cow with shadows cast by the tall trees. Signed lower right “Leith-Ross”. On reverse is a label indicating title and date of painting “1916”. Also a label indicating that this painting was exhibited at the North Shore Arts Association 75th Anniversary Show, Emile Gruppe-A Retrospective from August 2-31, 1997″. Housed in a modern gilt molded wood frame. SIZE: 14″ x 14″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96019 (8,000-12,000)

THOMAS BIGELOW CRAIG (American, 1949-1924) SUMMER GRAZING. Fine watercolor summer scene shows five cows grazing in a green grass field near stream and woods. A red barn is seen surrounded by trees in background. All under a white and blue sky. Signed lower left “Thos. B. Craig. A.N.A.”. Housed in a modern gilt frame with ivory matte. SIZE: Sight: 14″ x 24″. CONDITION: Very good. 9-96427 (1,200-1,600)

THOMAS BIGELOW CRAIG (American, 1849-1924) COWS IN SUMMER LANDSCAPE. Oil on canvas summer scene shows three cows, one drinking from small stream, the other two standing in line on grassy bank under trees. Signed lower left “Thos. B. Craig A.P.A.”. Housed in its magnificent original gilt fancy frame with gilt liner. SIZE: 18″ x 26″. CONDITION: 1/2″ x 5″ section of canvas missing at top center, canvas is torn at stretcher along top edge. Otherwise dirty, very good. A fine painting worth restoring. 9-97358 (2,500-3,500)

LOUIS ASTON KNIGHT (AMERICAN, 1873-1948) HILLTOP LILY POND. Oil on canvas board fall scene shows a partial view of a lily pond leading to colorful trees and a valley backdrop to another hill. Colorful red ivy climbs the center tree, the other trees with reddish and golden foliage. Signed center bottom, “ASTON KNIGHT”. Housed in a gilt, carved wood replacement frame. SIZE: 19-3/4″ x 20″. CONDITION: Very good. 9-97268 (5,000-7,000)

HERBERT WILLIAM MEYER (American, 1882-1960) “OLD GRAY BARN-DORSET, VT”. Large oil on canvas Vermont scene shows a long gray barn with extended shed having fenced corral and fields. A small calf is in the foreground and the backdrop of the barn are tall dark hills. Signed lower right. Housed in a fine gilt molded wood frame with artist title and name plaque by Guido Frame Studio. Exhibition labels (which are not affixed to frame) provided indicate this work was exhibited at the Rhode Island School of Design and McBeth Gallery, NYC. SIZE: 25″ x 30″. CONDITION: Very good. 9-97114 (5,000-6,000)

EMILE ALBERT GRUPPE (American, 1896-1978) NEAR JEFFERSON, VT. Oil on canvas winter scene shows a river at the base of a snow covered hill with houses. Signed lower right. Probably from a series of oil paintings that the artist did in and around Jefferson, Vermont. A nice early work by this popular artist. Housed in a fine carved gilt wood modern frame with gilt wood artist plaque. SIZE: 18″ x 20″. CONDITION: Very good. 9-95477 (7,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT BIRCHES, 1957”. Bright oil on canvas scene shows a small grove of white birch trees on the banks of a river. Beyond can be seen a farmhouse in fields below hills. A nice colorful late fall scene. Signed bottom right. Titled and signed on reverse with “1957”. Housed in a fine carved and gilt replacement frame. SIZE: 20″ x 16″. CONDITION: Very good. 9-96421 (4,000-6,000)

THOMAS M NICHOLAS (American, 1963-) “HILLSIDE PATTERNS, VT”. Oil on board early spring scene shows a road winding through Vermont hillsides dotted with the remains of the winter snow. A connected farmhouse is seen with its blue mailbox across the dirt road. All under a very colorful morning sky. Signed lower right “TM Nicholas”. Housed in a fine reproduction arts & crafts gilt carved frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-97017 (4,000-6,000)

THOMAS M. NICHOLAS (American, 1963-) AUTUMN IN NEW ENGLAND. Large oil on canvas scene shows a New England farm nestled amongst boulder covered grass pastures set below colorful low hills. The farmhouse is off to one side and a red barn with connected cattle barn is perpendicular. Signed lower left “T M Nicholas”. Housed in a fine carved and gilt modern frame. SIZE: 36″ x 36″. CONDITION: Very good to excellent. 9-97016 (10,000-15,000)

WILLIAM A. HILL (AMERICAN, MID 20TH CENTURY) “HAMPTON FALLS, OCTOBER”. Oil on canvas autumn scene shows tow colorful maples outside a large white church with clock and green shutters. Shadows are cast on the leaf-strewn lawn all under blue sky with two seagulls. Housed in its original gilt molded wood frame. Titled and signed on reverse. Signed lower right “W. A. HILL”. SIZE: 20″ x 24″. CONDITION: Very good. 9-97722 (1,500-2,000)

JONATHAN HOTZ (American, 20th/21st Century) “TAPPING SUGAR MAPLES, VERMONT”. Oil on canvas winter scene shows two men next to a large maple tree. One is boring a tap hole at chest level, the other is preparing a bucket. The tree is on the edge of a bluff overlooking a river with hills. Signed lower right “Jonathan Hotz”. Housed in a modern gilt wood frame with linen liner. This painting was featured in an article in “The Cape Ann Summer Sun”, 8/24/90. It is a scene in Jeffersonville, Vermont. SIZE: 30″ x 30″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96026 (2,000-4,000)

ATTRIBUTED TO ALDRO THOMPSON HIBBARD (AMERICAN, 1886-1982) COVERED BRIDGE IN WINTER. Oil on board winter scene shows a large covered bridge over river with birch trees and road in foreground and snow-covered hills in background under colorful sky. Unsigned. Housed in a period silver gilt carved wood frame with silver painted wide liner under glass. The back of board inscribed in pen “C.R. MORSE”. Morse was an accomplished artist who trained under Hibbard. SIZE: 10″h x 12″w. CONDITION: Very good. 9-97276 (1,200-1,600)

BOB NALLY (American, 20th Century) “JEFFERSONVILLE, VERMONT”. Oil on canvas winter scene shows a snow and tree covered hillside overlooking a snow covered valley with hills beyond. Signed lower right “Bob Nally 89”. Housed in a gilt molded wood frame with white liner. Attached to reverse is a memorial exhibit label dated May, 1991. Also written on back of board “Painted at Jeffersonville, Vermont Feb. 1989″. SIZE: 20″ x 30”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96029 (800-1,200)

WILLIAM LESTER STEVENS (American, 1888-1969) WINTER BROOK. Outstanding watercolor winter landscape scene shows a brook with snow covered banks winding amongst trees with a connected red barn beyond. Signed lower right “W Lester Stevens N.A.”. Housed in a modern gilt frame with linen liner and double mattes. SIZE: Sight: 10-1/2″ x 13-1/2″. CONDITION: Very good. 9-96428 (1,800-2,200)

WILLIAM LESTER STEVENS (American, 1888-1969) WINTER VILLAGE. Large oil on canvas winter scene shows a dirt road with deep snowbanks winding through a small village. The road leads to a series of hills under white and blue sky. The small village has a church and several New England Colonial homes. Probably a scene of Colrain, Massachusetts. Signed lower right “W. Lester Stevens N.A.”. Housed in a replacement gilt molded wood frame. SIZE: 34″ x 40″. CONDITION: Very good with minor touch up. 9-96430 (15,000-20,000)

ERIC SLOANE (AMERICAN, 1905 – 1985) “LINGAUR SLOPES, AUSTRIA”. Outstanding oil on Masonite winter skiing scene shows a snow-covered slope with mountain background. Three skiers are seen in foreground dotted with evergreens. Titled lower left and signed lower right. Also signed on reverse with address. Housed in what appears to be its original frame with white liner and having a brass plaque inscribed with title, artist and “J. P. HUNT COLLECTION”. Mr./ Hunt was a real estate developer from Ft. Lauderdale, Florida. SIZE: 24″ x 30″. CONDITION: Very good. 9-97075 (8,000-10,000)

DANIEL PUTNAM BRINLEY (American, 1879-1963) BLUE HILL STREAM IN SILVERMINE, CT. Large oil on canvas winter landscape shows a river with blue hill backdrop, yellow sky and snow covered rock foreground. Probably a scene of Silvermine, CT.Signed bottom right “D Putnam Brinley”. housed in a fine modern carved and gilt wood frame. SIZE: 29″ x 36″. CONDITION: Relined with inpainting. Very good. 9-96865 (4,000-8,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING ALONG CREEK, 1928”. Outstanding oil on canvas early work showing a stream with boulders and boulder banks with wooded background. The bright purple/blue water reflects the trees in the background. Gruppe, by using deep colors and thick impasto with curving brush strokes, shows his reverence to Monet and his early study of light and colors. A fine early work from an important period in Gruppe’s lifetime. Housed in a gesso decorated gilt replacement frame with gilt liner. The back of the original canvas inscribed “Morning Along Creek by Emile A Gruppe, 1928″. We beleive that this is the earliest dated work that we have ever handled. SIZE: 24″ x 20”. CONDITION: Very good. 9-97280 (20,000-25,000)

EMILE ALBERT GRUPPE (AMERICAN, 1896-1978) WINTER REFLECTIONS. Early oil on canvas winter scene shows a winding still brook through light woods with snow-covered banks. The light cascades in from the right, casting shadows up the snowy bank. White cumulus clouds and blue sky are seen through the trees and opening. All reflected in the still water. Signed lower left. Housed in a decorative carved and painted replacement frame. Circa 1920s. SIZE: 25″ x 30″. CONDITION: Very good. 9-97269 (18,000-22,000)

THOMAS (TM) NICHOLAS (AMERICAN, 1963 – ) “DOWN THE ROAD, ANNISQUAM” MASS. Oil on panel village scene with various New England/Colonial homes. Signed lower left. Housed in an attractive gilt frame. Accompanying is a portfolio of articles and information on the popular Nicholas and his works. SIZE: 8″ x 10″. CONDITION: Excellent. 9-97652 (3,000-4,500)

THOMAS NICHOLAS (American, 1934-) “EAST WIND, CAPE ANN”. Watercolor scene shows small trees and bushes with rocks overlooking water under gray and white cloud sky. Signed lower right. Housed in a carved wood frame with canvas matte and wood liner. A nice example from this Cape Ann artist. SIZE: Sight: 18-3/4″ x 24″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96268 (1,000-1,500)

STEPHEN MAXFIELD PARRISH (American, 1846-1938) “AUTUMN SUNSET ANNISQUAM, MASS.”. Oil on canvas landscape shows foreground water with blue tinged banks and field lined with colorful red and golden trees. The sun is setting which outlines the clouds in a beautiful blue sky. Signed lower right. Housed in its original period stepped gilt molded wood frame. The back having two labels, one having an alternate title “Autumn Cape Ann” which is also on the title plaque on front. Back frame having a Marshall Field & Co. label. SIZE: 20″ x 28″. CONDITION: Wax relining, some light chipping in foreground tree with some small spot inpainting. Otherwise good. 9-97314 (6,000-8,000)

DON STONE (AMERICAN, 1925 – ) THE BLUE GATE. Watercolor of a Rockport, Massachusetts street scene shows two figures walking on sidewalk next to Colonial homes. A blue gate is seen with white picket fence. Signed lower right, “DON STONE” and dated ’61. Housed in a fine reproduction Sanford White style carved wood frame. SIZE: (sight) 7″h x 11″w. CONDITION: Very good. 9-95502 (750-1,000)

DON STONE (AMERICAN, 1929 – ) ROCKPORT STREET SCENE. Oil on canvas summer scene shows a mother and daughter walking on a curving street with houses and trees casting shadows on the road. Signed bottom left, “STONE”. Housed in a weathered wood frame. SIZE: 12″ x 16″. CONDITION: Very good. 9-96835 (750-1,250)

JOSEPH ELIOT ENNEKING (American, 1881-1942) “SANDY BAY”. Oil on canvasboard Rockport harbor scene shows motif #1 with wharf and several boats moored in calm water looking out to the mouth of the harbor and the ocean beyond. Signed bottom right “J Eliot Enneking”. Numbered on reverse “21-C” with title. Housed in a good carved and gilt wood replacement frame. SIZE: 12″ x 14″. CONDITION: Very good with inpainting. 9-95166 (2,500-3,500)

ROGER WILLIAM CURTIS (American, 1910-2000) ROCKPORT SHORE. Oil on canvas coastal scene shows a large wave gathering in a break in the rocky shoreline. Signed lower right “Roger Curtis”. Housed in a weathered wood frame with white liner. SIZE: 16″ x 20″. CONDITION: Very good. 9-97155 (600-800)

JOSEPH MARGULIES (AMERICAN, 1896-1984) ROCKPORT FISHERMAN. Outstanding oil on Masonite scene shows a portrait of a weathered fisherman seated on rock ledge. He wears a gold-colored jacket, brown pants, gray floppy hat and holds a pipe in his right hand. Cape Ann shoreline with rocks and waves in background. Signed lower right. Housed in a partially gilt, carved-wood frame with white wood liner. SIZE: 24″ x 30″. CONDITION: Very good with inpainting 9-97272 (3,000-4,000)

EDWARD HENRY POTTHAST (American, 1857-1927) MOTIF #1. Oil on canvas Rockport Harbor scene shows a green hulled fishing boat moored to a connected red fishing barn on dock. In the foreground is a figure in a green hulled rowboat. Signed lower left “Potthast”. Marked on back of canvas “1925”. Housed in a gilt molded wood modern frame. SIZE: 8-1/2″ x 10-1/2″. CONDITION: Edge relining, some inpainting. Very good. 9-97680 (5,000-8,000)

STANLEY WINGATE WOODWARD (American, 1890-1970) “NOCTURNE”. Oil on board evening scene shows rock cliffs with white tipped waves and two sails on the horizon. A blue sky shows through dark clouds. Signed lower left “Stanley Woodward”. Housed in a period carved and partial gilt wood frame. Attached to back is a Grand Central Art Galleries exhibition label with title and artist. A scene reminiscent of Monhegan Island off the Maine coast. SIZE: 16″ x 20″. CONDITION: Very good. 9-95674 (1,500-1,800)

WAYNE BEAM MORRELL (American, 1923-) THE SCHOONER “COLUMBIA”. Outstanding oil on masonite Gloucester Harbor scene shows a majestic two-mast schooner with sails rolled having a New England seaside village as backdrop. A green hulled two-mast schooner with figures aboard with sails up and sailing right to left behind the Columbia. All reflected in a calm harbor water. A colorful late afternoon sky is shown with lavender to peach clouds with hints of blue. Signed lower right. One of Morrell’s best works circa 1974. Housed in a fine carved wood frame with white linen liner. SIZE: 24″ x 36″. CONDITION: Very good. 9-97038 (3,500-6,000)

WAYNE BEAM MORRELL (American, 1923-) “A BRIGHT SUNLIT DAY”. Oil on board summer scene shows a two-mast schooner with people aboard sailing right to left by a point of land with a house and outbuildings. Three other sailboats are seen all under a very colorful sky with seagulls. Signed lower left. Housed in a fine gilt frame with linen liner. One the reverse is attached the original sketch for this painting. Also inscribed “One of my finest schooner paintings off Cape Ann waters, 2005″. Signed and titled. SIZE: 24″ x 30”. CONDITION: Very good. 9-96434 (2,000-3,000)

KEN KNOWLES (American, 1968-) “FISHING SHACKS IN ROCKPORT”. Oil on canvas winter scene shows a figure standing outside a line of buildings, several decorated with lobster buoys and marine equipment. A setting sun sky still casts sunlight on the scene. Signed lower right. Titled and signed on reverse and dated “07”. Housed in a fine gilt molded wood frame. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-96960 (4,000-6,000)

KEN KNOWLES (American, 1968-) “THE BLUE SHUTTERS”. Oil on canvas Rockport scene shows a man with his son pulling a sled on a snow covered road. Houses line the street leading to the ocean. Signed lower left. Signed, titled and dated “08” on reverse with inscription “Mt. Pleasant Street Winter Rockport, The Blue Shutters”. Housed in a contemporary carved wood and gilt arts & crafts style frame. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-96801 (3,500-5,500)

HARRISON CADY (American, 1877-1970) “BRIDGE AND WAGON”. Oil on masonite Cape Ann scene shows a stone bridge over a tidal river with small boats on banks. A horse drawn wagon with figure and dog cross the bridge and on the other side is a Colonial connected house under large trees and a blue and white cloud sky. Signed lower left. Housed in a modern gilt molded wood frame. SIZE: 16″ x 20″. CONDITION: Very good with surface dirt. 9-97494 (5,000-10,000)

HARRISON CADY (American, 1877-1970) “THE BATHER, MARTINIQUE”. Oil on board island scene shows a half nude woman with towel, blanket and wide brim hat standing on a beach overlooking blue and turquoise water with three sailboats and land, buildings and palm trees beyond. A woman in native garb sits beside her with picnic basket, bottle and umbrella. A small house is seen down by the water under two palm trees. All under a very colorful expansive sky. Signed lower right. Housed in a good gilt ribbed frame with wide gilt liner. SIZE: 22″ x 28″. CONDITION: Inpainting, very good. 9-95711 (3,000-5,000)

FREDERICK WILDERMUTH RIGLEY (American, 1914-2009) “MORNING LIGHT, GLOUCESTER”. Oil on masonite harbor scene with large and small boats. A dock is seen in the foreground with lobster boat being unloaded and the background is a busy dock with many masts. Signed lower left. Housed in a carved gilt wood modern frame with linen liner. SIZE: 24″ x 30″. CONDITION: Very good. 9-94073 (2,500-3,500)

RUTH FARRINGTON (American, 1900-) ROCKY NECK, GLOUCESTER. Oil on canvas scene shows an artist painting alongside a road overlooking Gloucester Harbor with buildings and boats under colorful sky. Signed lower left. Housed in a modern gilt and molded wood frame. SIZE: 25″ x 30″. CONDITION: Inpainting, good. 9-96956 (2,000-3,000)

PETER TYSVER (American, 1948-) “EQUINOX-BASS ROCKS, GLOUCESTER”. Fine oil on canvas scene shows three sailboats in a calm ocean off a rocky point with rock and sand foreground having rose bushes. Signed lower left. Housed in a fine gilt carved wood frame. Titled, signed and dated “2004” on reverse. SIZE: 20″ x 30″. CONDITION: Very good. 9-94085 (1,500-2,500)

WILLIAM HENRY HILLIARD (American, 1836-1905) “GLOUCESTER, CAPE ANN, MASS.”. Oil on canvas scene shows a sailboat off a point of land with waves onto a beach. Signed lower left and dated “1877”. Housed in a gesso decorated gilt frame. SIZE: 8″ x 17″. CONDITION: Minor inpainting, very good. 9-96949 (500-1,000)

JOE RIMINI (AMERICAN, 1920-2000) GLOUCESTER HARBOR UNDER SUNSET. Oil on canvas harbor scene shows a three-masted ship, several small boats, figure on dock and building lined harbor all under a colorful setting sun sky. Signed lower left, “RIMINI”. Housed in a gesso-decorated gilt frame. SIZE: 24″ x 30″. CONDITION: Very good. 9-97149 (1,000-1,500)

HAROLD STANWOOD MADDOCKS (AMERICAN, 1889-1963) “TWIN LIGHTS, GLOUCESTER”. Oil on canvas Cape Ann scene shows rock ledge with crashing waves with Thatcher’s Island and the Twin Lighthouses. Signed lower right “H S Maddocks”. Housed in a carved wood gilt replacement frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-96942 (1,000-2,000)

ELIZABETH B. ROBB (American, 1864-1939) “WHARVES OF GLOUCESTER”. Oil on canvas Gloucester Harbor scene shows a green hulled two-mast fishing boat moored alongside dock. A figure is climbing the rigging of the boat. All under a blue, turquoise and white sky. Signed lower right. Also signed and dated on reverse of canvas “1927” and retaining its original artist label. Housed in a gilt wood arts & crafts style frame. SIZE: 16″ x 12″. CONDITION: Inpainting, some light consolidation to greens, good. 9-97336 (1,000-1,500)

WAYNE BEAM MORRELL (American, 1923-) “ANNISQUAM RIVER VIEW FROM BAYVIEW JUNE 20, 1976”. Oil on masonite scene shows the tidal river having a moored sailboat and figures in small boats at dock in a summer scene with houses, trees and hillside in background and sand, grasses and rocks in the foreground. All under a colorful blue sky with clouds. Signed lower left. Titled and signed on reverse. Housed in a partial gilt frame with white and gilt liner. SIZE: 24″ x 36″. CONDITION: Very good. 9-96435 (3,000-5,000)

WAYNE BEAM MORRELL (American, 1923-) “THE IPSWICH RIVER”. Oil on canvas scene shows a person fishing in a lily pond with colorful flowers. Beyond the pond is the ocean dotted with sailboats and a house on the shoreline. All under a blue sky with colorful edged white clouds. Signed lower right. Title on reverse and dated “July 1987″. Housed in a gilt carved wood frame. SIZE: 24″ x 36”. CONDITION: Very good to excellent. 9-97094 (2,500-3,500)

CHARLES PAUL GRUPPE (American, 1860-1940) FISHING SCHOONERS, GLOUCESTER, MASSACHUSETTS. Oil on canvasboard Gloucester Harbor scene shows several green hulled fishing trawlers with a long white dory with three men. They are all lined up in front of buildings and docks. All seen under a white cloud sky with blue opening. Reflections are seen in the calm water. Signed lower left. Housed in a modern gilt wood frame. SIZE: 12″ x 16″. CONDITION: Very good with one inpainting spot at top edge. 9-96775 (4,000-6,000)

CHARLES PAUL GRUPPE (1860 – 1940) “LANESVILLE”. Oil on canvas Cape Ann scene shows two small boats in small inlet harbor. The blue-hulled boat moored alongside building supported by stilts. Barrels and lobster trap in foreground all under a white/gray cloud sky with glimpses of blue. Signed lower left. Title on back of stretcher. Housed in a modern, painted wood frame with white liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-97710 (4,000-6,000)

ANTHONY THIEME (American, 1888-1954) “ENTERING PORT”. Outstanding and colorful oil on canvas harbor scene shows a fishing schooner approaching a dock with tethered rowboat and another similar vessel with two rowboats at dock. A busy curving wharf with sixteen figures and having two multi-story buildings. All set under a light blue sky with seagulls. Several sails can be seen in the background and reflections are seen in the water. Signed in script bottom right “A Thieme”. Housed in a fine reproduction carved wood and gilt frame with gilt wood title and artist plaque. Titled on back of stretcher. SIZE: 25-1/4″ x 30-1/4″. CONDITION: Relined, very good. 9-96887 (30,000-50,000)

MAX KUEHNE (American, 1880-1968)” GLOUCESTER MORNING”. Oil on canvas panoramic view of Gloucester Harbor showing docks with ships, boats and buildings. The distant skyline of Gloucester with church steeples and houses. Several figures walk along the edge of the harbor in the foreground. Signed lower right “Kuehne”. Titled and signed on reverse. Housed in a fine carved wood and gilt replacement frame. SIZE: 20-1/2″ x 24″. CONDITION: Very good with inpainting. 9-97020 (25,000-35,000)

CARL WILLIAM PETERS (American, 1897-1980) GLOUCESTER DOCK. Unsigned oil on canvas harbor scene shows two fishing schooners moored side by side at the end of a dock with building. Another dock is seen with figure overlooking other boats under blue sky. Housed in a gilt wood frame, the back having a foam dust board retaining an R H Love Galleries, Inc. Chicago, IL label with artist information. SIZE: 20″ x 24″. CONDITION: Very good. 9-96772 (7,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) HARBOR VIEW. Oil on canvas Gloucester Harbor scene shows three men beside a docked green fishing boat with dory beside. The granite and wood pier has several buildings and the city can be seen beyond. Signed lower right. Housed in a fine original silver gilt carved frame. SIZE: 20″ x 18″. CONDITION: Very good. 9-96899 (6,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “THE OLD COASTER”. Oil on canvasboard Gloucester Harbor scene shows a three-mast green hulled schooner with one sail up moored beside a dock with a small boat and man beside. Other boats are seen in the harbor under blue and cloud sky. Reflections are seen in the harbors water. Signed lower right. Housed in what appears to be its original unsigned Newcomb-Macklin carved and gilt frame with wide gilt liner. The frame having its original Rockport Art Association label with artist name and title. REFERENCE: For a similar painting of the same scene see page 86 in “Gruppe on Painting” by Emile A. Gruppe. SIZE: 16″ x 12″. CONDITION: Very good. 9-97279 (8,000-12,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER DRAGGERS”. Oil on canvas harbor scene shows three fishing trawlers, two with green hulls moored side by side to a wharf with buildings. Other harbor buildings are seen beyond. Signed lower right. Housed in what appears to be its original gilt carved wood frame. This painting was exhibited at the North Shore Arts Association 75th Anniversary Show, Emile Gruppe-A Retrospective, August 2-31, 1997. SIZE: 20″ x 24″. CONDITION: Very good. 9-96429 (10,000-15,000)

WALTER EMERSON BAUM (AMERICAN, 1884-1956) “NEW ENGLAND BOATS-GLOUCESTER”. Oil on canvas board Gloucester harbor scene shows several sailboats moored to docks with buildings and church in background. Signed lower right “BAUM”. Titled and signed on reverse of board. SIZE: 16″ x 20″. CONDITION: Very good. 9-97270 (8,000-10,000)

WILLIAM LESTER STEVENS (American, 1888-1969) DRYING THE SAILS, ROCKPORT. Oil on canvas scene shows three figures in a green hulled two-mast schooner drying blue and white sails. They are moored alongside Motif #1. Signed lower right. Housed in a gilt wood frame with gilt liner. SIZE: 25″ x 30″. CONDITION: Inpainted area to lower left, otherwise very good. 9-97037 (2,000-4,000)

WILLIAM LESTER STEVENS (AMERICAN, 1888-1969) THE NEIGHBOR’S HOUSE. Watercolor winter scene shows a colonial house with connected buildings in back of two large maple trees. A figure walks down the dirt road towards another house. The ground is snow covered with low hills in the background. Probably a Conway or Ashfield Massachusetts scene. Housed in a weathered wood frame with double mat behind glass. Signed lower right, “W. LESTER STEVENS N.A.-A.W.S.” SIZE: 16-1/4″ x 22-1/4″. CONDITION: Very good. 9-97273 (3,000-3,500)

JOHN S. CAGGIANO (American, 1949-) “THE AIM OF WORKING IS TO DREAM”. Outstanding oil on masonite impressionistic landscape shows a dirt road with trees and bright wild flowers. Signed lower right. Housed in its original lavender and gilt wood frame with white linen liner. Title, signed and dated “1990” on reverse. Attached to reverse is a Rockport Art Association label for the Second Show. Also an artist label “No. 661″. SIZE: 18″ x 24”. PROVENANCE: Purchased directly from the artist. Private Collection from Rangley, Maine. CONDITION: Very good to excellent. 9-95004 (2,000-3,000)

ANTHONY THIEME (American, 1888-1954) THE GREEN SCHOONER. Oil on board harbor scene shows a large two-mast green hulled schooner docked beside wharf and building with two other smaller schooners and rowboat with man. Signed lower right “A Thieme”. Housed in a good carved and gilt modern replacement frame. SIZE: 8″ x 10″. CONDITION: Very good. 9-96901 (3,000-5,000)

ANTHONY THIEME (AMERICAN, 1888-1954) THE GREEN WAVE. Fine watercolor coastal scene shows a green wave with white tip curling towards rocky shore. Three seagulls are seen on rocks in foreground and the wave has started to crash on the furthest rock. Signed lower right “A. Thieme”. Housed in a fine gesso decorated gilt frame with linen liner. SIZE: Sight: 14″ x 21-1/4″. CONDITION: Very good. 9-97302 (2,000-3,000)

CHARLES SALIS KAELIN (American, 1858-1929) EVENING ON ROCKPORT HARBOR. Unsigned pastel scene shows several sailboats alongside a dock with coastal town beyond. Housed in a silvered gilt molded wood frame with linen and gilt liner. SIZE: Sight: 17″ x 13-1/2″. CONDITION: Very good. 9-97438 (1,500-2,500)

CHARLES SALIS KAELIN (American, 1858-1929) WINTER IN ROCKPORT HARBOR. Pastel winter scene looking across Rockport Harbor with Bear Skin Neck and its small buildings covered in snow. Several small sailboats are seen in the harbor. Signed lower left “C.S. Kaelin”. Housed in a fine modern reeded frame with linen and gilt matte. SIZE: Sight: 15-1/2″ x 19-1/2″. CONDITION: Very good. 9-97439 (1,500-2,500)

KEN KNOWLES (American, 1968-) “GRANITE COVE-ROCKPORT”. Oil on board Cape Ann scene shows a rocky beach with hillside dotted with houses under large trees. Signed lower left. Housed in a good gold carved frame. Titled on reverse. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-96295 (2,000-3,000)

KEN KNOWLES (American, 1968-) “PLUM COVE SUNLIGHT”. Oil on masonite winter scene shows a road and bridge leading to a small village with colorful houses with snow and rock lined stream. All under a blue sky. Signed on reverse, titled and dated “09”. Housed in a carved modern silver gilt frame. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-96802 (3,000-5,000)

KEN KNOWLES (American, 1968-) “VIEW FROM HORN HILL, MONHEGAN ISLAND”. Oil on masonite winter scene shows a panoramic view of a cove with boats surrounded by houses and buildings. Signed lower right. Signed, titled and dated “03” on reverse. Housed in a modern gilt frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-96967 (3,000-5,000)

Revised: 8/19/2009

Correction: Image is wrong in catalog. Not photographed.

CHARLES C. GRUPPE (American, 1928-) “EASTERN POINT GLOUCESTER”. Acrylic on board shoreline scene shows the connected white buildings with lighthouse at the end of Eastern Point. Two sailboats have been drawn up on beach in foreground. Signed lower right “C Gruppe”. Titled and signed on reverse. Housed in a gilt wood frame with white matte. SIZE: Sight: 21″ x 28″. CONDITION: Very good to excellent. 9-97539 (600-900)

CHARLES C. GRUPPE (American, 1928-) “SCHOONER”. Acrylic on board morning scene shows a man in a small sailboat passing a large schooner with sail up and moored to dock. Three other boats are seen with seagulls and light sky. Signed lower left “C Gruppe”. Housed in a gilt wood frame with white matte. SIZE: Sight: 28″ x 21″. CONDITION: Very good to excellent. 9-97538 (500-800)

CHARLES C. GRUPPE (American, 1928-) “BRITTANY-FRANCE”. Large oil on canvas scene shows a line of white and pink buildings with two sailboats beside. All reflecting in calm water with birds. The foreground with bright red flowers. Signed center bottom “C Gruppe”. Titled and signed on reverse of stretcher. Housed in a modern gesso decorated gilt frame. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-97080 (500-1,000)

WILLIS HENRY PLUMMER (American, 1838-) BACK TO PORT. Oil on canvas scene shows the tugboat “Protector” pulling a three-mast schooner through heavy seas. One figure stands atop the bow and the bow shows icicles off its rigging indicating a winter scene. The schooner appears to be in good shape and the scene is shown under lightening gray skies. Signed lower left and dated “1885”. Housed in a gilt wood molded frame. SIZE: 20″ x 30″. CONDITION: Craquelure, some discoloring to varnish. Otherwise very good. 9-95149 (1,500-2,000)

FRANKLIN DULLIN BRISCOE (American, 1844-1903) BUSY SHIPPING LANES. Oil on canvas coastal scene shows a number of sailing ships off a coast lined with windmill and buildings. Signed lower left “FD Briscoe”. Housed in a fine antique style gilt wood replacement frame with gilt wood artist plaque. SIZE: 8″ x 16″. CONDITION: One very small repair in sky, very good. 9-97356 (1,000-1,500)

JAMES BRADE SWORD (American, 1839-1915) RIVER TRAFFIC. Oil on canvas early evening scene shows a tug steaming right to left in front of a large three-mast ship with sails down. A city is seen in the background under golden skies. Signed lower left “JB Sword”. Housed in what appears to be its original deep gold gesso decorated frame with gold liner (which is slightly warped). SIZE: 14″ x 22″. CONDITION: Very good. 9-96923 (3,000-5,000)

H. NICHOLS (American/British, 19th Century) SHIP IN DISTRESS AT SUNSET. Large oil on canvas nautical scene shows a sidewheel steamer in distress. A large group of seagulls fly over the rough seas and the background is a wonderful colored sunset from blue to red which is reflected in the ocean. Signed bottom right “H. A. Nichols” or possible “H. H. Nichols”. This possibly is the work of Hobart Nichols Jr. or Sr. Housed in a modern gilt gesso decorated frame. The stretcher having the remnants of a Philadelphia label. SIZE: 24″ x 42″. CONDITION: Craquelure, touch up with inpainting. Very good. 9-94663 (4,000-6,000)

WILLIAM EDWARD NORTON (American, 1843-1916) “OFF THE BATTERY EXITING NEW YORK HARBOR”. Outstanding oil on canvas New York harbor scene shows a two-mast boat with sails up sailing right to left leaving the harbor. A large three-mast ship, other sailboats, a steam tug and a large freighter are seen in front of large buildings. Blue and white cloud sky with blue white capped ocean. Signed lower left “William E Norton”. Housed in its original wide gold frame with gold liners. On back of original frame is a Bigelow & Jordan label. SIZE: 20″ x 25″. CONDITION: Very good, patch to reverse with restored hole with some inpainting. 9-97607 (15,000-25,000)