THREE PAIRS OF MOLDED CLEAR GLASS CANDLESTICKS. 19th century. 1) Columnar pair with pewter bobeche inserts. 2) Hollow blown pair on square reeded pedestals. 3) Short molded pair of faceted candlesticks with turret corners. SIZE: 8-3/4″, 10″ and 4-1/2″ h, respectively. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Air bubble in shaft of one stick from mfg. 2) Chipping and roughness to underside of base of one stick. 3) Both sticks have fleabites. 9-23309 (300-500)

SIX EARLY BLOWN AND MOLDED GLASS SINGLE CANDLESTICKS. Second half 19th century. 1) Faceted example, with metal bobeche insert. 2) Similar faceted example. 3) Ring turned example with central deep indigo baluster section. 4) Clear ring turned candlestick with broken pontil. 5 & 6) Two molded examples of columnar form. SIZE: Tallest: 10-1/2″ h. Shortest: 9″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good. 2) Large chip above foot. 3) With shell fracture in bobeche. 4) Very good overall. 5 & 6) With chips in candle cups. 9-23241 (800-1,200)

SEVEN MOLDED AMERICAN AND SANDWICH GLASS SINGLE CANDLESTICKS. 1) Two color dolphin Sandwich candlestick with green bobeche. 2 & 3) Two deep indigo molded candlesticks, one of the Eiffel tower. 4) Single translucent dolphin candlestick. 5) Ivory spiral twist candlestick with petal bobeche. 6) Neo-Classical figural candlestick. 7) Opaque pearl faceted candlestick. SIZE: Tallest: 10-3/4″ h. Shortest: 8″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All very good with minimal flakes. 9-23261 (1,000-2,000)

FLINT GLASS AND SILVER EPERGNE. First half 20th century. Nice clear glass example, in three parts, rendered with trumpet flower upper section on silver socle joined to central clear lobed plate raised on flaring footed silver base. SIZE: 19″ h x 14-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: One chipped petal at top. Dents in socle. Otherwise very good. 9-23311 (400-600)

PAIR OF QUEEN ANNE BRASS CANDLESTICKS AND COPPER TRANSFER PLATE. Late 18th and mid 19th century. Each push up candlestick with petal form footed base and with scalloped bobeche. Engraved copper plate for Willowware transfer decoration in the Oriental taste. Also engraved in corner “IRON STONE CHINA” on banner. SIZE: Candlesticks: 8-3/4″ h. Plate: 10-3/4″ x 10-1/2″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Candlesticks with normal and expected minor denting and scratching. Plate with roughness resulting from use. Otherwise both good. 9-23274 (300-500)

NEW ENGLAND MEMORIAL WATERCOLOR OF MR. BENJAMIN GUILD. Circa 1800. Possibly Boston. The watercolor mourning picture depicting a central tomb being mourned over by young lady in yellow ribbon tied Empire dress, the tomb set before a small reflecting pool framed by classical willow tree, a cemetery in the near middle ground and hills in the background. In the sky, partially hidden in cloud, a celestial spirit. “Sacred I’ll keep thy dear remains/In memory of Mr. Benjamin Guild who departed/ this life Decbr 2nd 1800 AE 33 yrs/Celestial spirits hover oer his tomb/Deck it with garlands of amaranthine/ blooms”. SIZE: Sight: 15-1/2″ x 17-1/2″ PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With some overall discoloration to paper, especially in area of sky due to acid reaction to backboards. Craquelure in areas where watercolor is heaviest. Some slight creasing and wrinkles to border of proper right side of paper. A small crease or tear to proper right side of tomb, across tree trunk. Colors remain good. 9-23202 (1,000-1,500)

NEW ENGLAND SILK ON LINEN SAMPLER OF SALLY “SHEPLEAFED”, JULY 7, 1811. Wrought with three rows of alphabet in capital and lower case above a line of Arabic numerals in dark brown followed by two rows of the alphabet in script followed by four lines of verse which read “Youth’s the springtime of our years/Short the rapid end appears/Let’s improve the fleeting hours/Virtue’s noblest fruits be ours” stitched in shades of light blue and brown followed by a line stitched with her name and date the quilt was completed. The bottom a pictorial line of a fruit tree flanked by a flower stem and a tree full of birds all within a zigzag border further surrounded by a zigzag and acorn border in blue and cream silk, all within a S-scrolled outer border. SIZE: Sight: 18-3/4″ x 16″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The linen ground with overall staining from acid backing resulting in overall fading of silk threads in tones of brown. 9-23200 (500-800)

TWO CONTINENTAL NEEDLEWORK & SILK PAINTED PICTURES. Mid-19th century. 1) Allegorical scene of a mother and child beneath a shade tree attended to by an angel. 2) Showing a maiden at a footbridge by a stream transporting a bucket on her head. SIZE: Oval; sight is 14″ x 17″. Rectangular; sight is 16-1/4″ x 12″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Retains vibrant colors, stitching intact but with areas of light deterioration to proper right side of silk in sky. 2) Very good overall with vibrant color. Mounted under original Eglomise panel, gilt frame repainted and with damage to lower corner. 9-23201 (800-1,200)

THREE MINIATURE PORTRAITS. Second quarter, 19th century for all. 1) An oval bust portrait of a young man on ivory with high collar and black cravat with dark hair, blue eyes and pronounced features. 2) An oval bust portrait on ivory of a younger man with white winged collar shirt, white cravat and stick pin. Mounted in a marbleized or grained frame of the period. The paper backing affixed to the backboard of the frame with illegible script, identifying the sitter. 3) A portrait of a mother and child. The woman in an empire, white lace dress with blue scarf. The portrait appears to be a paint-heightened transfer on porcelain, mounted within an oval gilt metal frame, decorated overall with floral garlands. Attached to the back of the frame backing is a handwritten label, “AFTER PAINTING SIG A. LAUVREU (?)..LADY DOVER”. SIZE: 1) 2-1/4″ h x 1-3/4″ w; 2) 2-1/2″ h x 2″ w; 3) 4″ h x 3-1/4″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The first with some dryness to painted surface. The second is very good, frame is fair to good. The double portrait is generally very good, somewhat faded. 9-23220 (600-900)

HANDSOME EARLY 18TH OR LATE 17TH CENTURY MAHOGANY LOOKING GLASS. Molded mahogany veneered frame with stepped top. The early silvered mirror in two parts; top panel is wonderfully cut with a design of birds, urns, flowers etc. Retains original backboard. SIZE: 34-1/2″ h x 16-1/2″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones.. CONDITION: Generally very good. 9-23572 (1,500-2,500)

TRANSFER DECORATED LIVERPOOL PITCHER AND MUG. Mid 19th century. 1) Transfer decorated creamware pitcher with musical theme, the score for “Non Nobis Domine” between two ribbon tied musical trophy groups. 2) Creamware transfer decorated Liverpool mug of “JACK TAR” and “WAPPING LANDLADY”. SIZE: 1) 8-1/2″ h. 2) 3-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Spout with total restoration. 2) With some fleabites on rim and with small chips on base rim, minor loss to black transfer in hat of Jack Ta, otherwise very good. 9-23236-1 (1,500-2,000)

PARIAN, JASPER & SIGNED WEBB GLASS MEDALLIONS. 19th and early 20th century. 1) Oval Wedgwood example by “W.O. DAVIS”, a limited edition Neoclassical medallion in basalt titled “JUSTICE AND LIBERTY”. 2, 3 & 4) Three oval parian examples, two of Neoclassical women, one of battle scene. 5) Medallion molded with bust of Washington, signed “TARDIEU”. 6, 7 & 8) Three marked Webb glass “Gems”, two oval amethyst colored examples of Neoclassical subjects in relief. The third, an indigo circular example impressed with flying angel and child. SIZE: 1) 4-3/4″ x 3-3/4″. 2) 3-1/2″ x 2-3/4″. 3) 4″ x 3-1/4″. 4) 2″ x 2-1/2″. 5) 3-3/4″ dia. 6) 1-1/4″ x 1″ 7) 1-1/4″ x 1″. 8) 1-1/2″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good. Three parian example with minimal and minor chips along edges. 9-23275 (800-1,200)

TWO PIECES OF ANTIQUITY. Including earthenware polychrome painted head, possibly pre-Columbian, and a turquoise glaze ushabti Egyptian tomb figure on stand. SIZE: Head: 9″ x 6-1/2″. Ushabti: 4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Head with old split at back of head. Holes drilled at back of top. Painted surfaces appear original and faded. Ushabti appears original with old split and repair across lower body at knees. 9-23219 (600-900)

PAIR OF GOULD & RICHTER HUMMINGBIRD PRINTS. 1) “Thaumastura Enicura”. Print shows three hummingbirds on a pink flowering leafy plant. Bottom left “J. Gould & H. C. Richter Del et Lith”. Bottom right “Hullmandel & Walton, Imp”. 2) “Loddigesia Mirabilis”. Print shows three fancy hummingbirds with double tails on a yellow blossoming cactus. Bottom left “J. Gould & H. C. Richter Del et Lith”. Bottom right “Walter & Cohn, Imp”. Both identically housed in black gold edge wood frames with white mattes. SIZE: Sight: 20-1/4″ x 13-1/4″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Not examined out of frame, some toning, generally good. 9-23240 (400-600)

12 STERLING BULLION SOUP FRAMES WITH 8 LENOX INSERTS. The matched set of frames having reticulated sides and two scroll handles. Bottoms marked “Sterling” with hallmark of the Watson Company of Attleboro, MA., circa 1905-1929. Also marked “29-1/2”. Along with eight gold band cream color bullion inserts by Lenox. WEIGHT: 24 tr. oz. SIZE: Inserts: 4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23231 (400-600)

TWO SIGNED HAWKES CUT & ETCHED BOWLS & DECANTER. Late 19th/early 20th century. 1) Small bowl with everted rim, floral decorated. Sides simulating water in which swim three turtles. Signed in the bottom center with etched “Hawkes” insignia. 2) Larger bowl etched and cut with four reserves of floral filled basket, urn and cornucopia. Signed in the bottom center with etched “Hawkes” insignia. 3) Slender decanter decorated overall with floral sprays alternating with drapery swags complete with hollow blown stopper. SIZE: Bowls 7″ dia and 8″ dia, respectively. Decanter 14″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both bowls are very good with overall surface dirt. Decanter is very good with wear to underside base rim. 9-23312 (300-500)

CUT GLASS JEWELED DECANTER AND CASED GLASS MAUVE COMPOTE. First quarter 20th century, American. Clear glass decanter cut with bull’s eyes and faceted gems overall. SIZE: Decanter: 13-3/4″ h. Compote: 17-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Decanter with fleabites and small chips in rim and on some edges. Compote with abrasions to foot and some surfaces scratches on exterior of bowl, otherwise good. 9-23314 (300-500)

LOT OF THREE FLINT & CUT GLASS PEDESTAL BOWLS. 19th century. 1) Scalloped edge and square cut design. 2) Nicely everted rim above the paneled bowl on a swelled foot. 3) Diamond and star cut panels beneath a notched rim. All three bowls are unmarked. SIZE: Tallest is 9-1/4″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1 & 2 are generally very good with normal expected wear on foot rims. 3) Multiple small chips around top rim and with scratches on foot rim. 9-23310 (300-500)

TWO CUT GLASS URN SHAPED VASES. Late 19th/Early 20th century. 1) This clear crystal example is engraved with Oriental influenced scenes with bamboo, herons and small temples. Signed beneath the lower border in script “W. Fritsche”. 2) Similar example engraved with scrolling cartouches of leaf tips interwoven with floral garlands and swags on a square footed base. SIZE: Each are 6-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both are very good with each having wear to the underside of foot from use. 9-23257 (800-1,200)

GROUP OF COLORED GLASS CRUETS. Late 19th/Early 20th century. 1) Ruby red example with tri-corner spout. 2) Pair of cranberry ewers with silver-plated mounts. 3) Deep indigo example with applied scrolled handle and conforming indigo stopper. SIZE: Tallest is 9-1/2″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All pieces are very good. 9-23315 (800-1,200)

SIX ASSORTED COLORED GLASS VASES. Late 19th, early 20th century. Including ruby glass fluted vase with clear stem, green trumpet vase, blue trumpet vase, Victorian gilt pale blue vase, amber faceted canister with cover and emerald faceted short vase. SIZE: Tallest: 15″ h. Shortest: 4-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good, Victorian example with slight losses to gilding, canister with small chips and fleabites to faceted edges of lid and upper rim of canister, short vase with fleabites on base rim. 9-23316 (800-1,200)

GROUP OF NINE CLEAR GLASS MOLDED DECANTERS AND PITCHERS. 19th/20th century. Including a pair of swirl pattern decanters marked “GIN” and “RUM”, decanter and pitcher with water leaf design, handleless cruet and decanter of hobnail design and three miscellaneous molded decanters. SIZE: Tallest: 11-1/2″ h. Shortest: 6-3/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: While all are in generally good condition, there are minor and insignificant flecks, burst bubbles and areas of soil throughout. Group missing two stoppers. 9-23308 (500-700)

SIX ASSORTED BLOWN GLASS MOLDED DECANTERS. Five with stoppers; all in various patterns in clear glass. SIZE: Tallest is 11-1/2″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Although no major problems noted, all have minimal and minor fleabites or burst bubbles or mold imperfections which all are minor in nature. 9-23307 (400-600)

THREE ANGLO-IRISH FLINT GLASS TABLEWARES. 2nd half 19th century. Included two footed examples; an oval compote with pineapple decoration and a vase with bulls eye and starburst. Together with an oval covered condiment with crosshatch decoration having a monogram within a square cartouche. SIZE: Compote 5-1/2″, vase 9″, condiment 6″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Oval compote has chips around rim and on foot rim. Vase has chips on the top rim and with roughness on base rim. Condiment with small chip at fitted section of lid rim, fleabites on top rim of base and scratches to underside of base. Otherwise good. 9-23313 (400-500)

WEDGWOOD QUEENSWARE COPPER COATED CUP. Circa 1930-35. Cup decorated overall with neoclassical scenes and coated with thin molded sheet of copper. Base impressed “WEDGWOOD”. SIZE: 2-3/4″ h x 3″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good color and patina. Slight lifting of metal sheathing around rim. With old hairline cracks running vertically downward from lip. Otherwise very good. 9-23337 (500-1,000)

THREE WEDGWOOD PLATES OF ORIENTAL DESIGN. Circa 1871-1872. A pair of octagonal transfer decorated plates with a molded diaper work border with impressed mark on the reverse and additionally marked with the retailers backstamp “JOHN MORTLOCK POTTERY GALLERIES LONDON”. The third, a round example, similarly decorated with impressed mark and date stamp. The transfer decorations are of wood block prints. SIZE: 9″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Each with wear to transfer decoration, otherwise structurally sound. 9-23266 (400-600)

LARGE WEDGWOOD QUEENS WARE PLATTER IN ORIENTAL TASTE. Late 18th/early 19th century. The center decorated overall with floral sprigs, heron, insects and two fanciful turtles within a border of alternating pale green and cinnabar colored reserves, each decorated with a polychrome butterfly within flower heads. Impressed “WEDGWOOD”, also with the numeral “6” and mounted with a custom brass hanging frame. SIZE: 18-1/2″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Structurally good with overall wear to enameled surfaces and with light scratches within the center. 9-23256 (1,000-2,000)

GROUP OF SIX WEDGWOOD TABLE ARTICLES. 19th Century. Comprised of a pair of pink scallop serving plates, one raised on three dolphin form legs, a pink and gray striated form dish, all three incised “WEDGWOOD”. Wedgwood cup & saucer enamel-decorated with green four-toed dragon on a yellow ground, and two Wedgwood cups and single saucer in Imari palette, the latter three with incised “WEDGWOOD” mark. SIZE: Footed Shell: 3″ h x 9″ dia; Dragon cup & saucer-cup 3-1/2″ dia, saucer 5-1/2″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Striated shell with single rim chip. Imari cups with minor roughness to rim and wear to gilded surfaces, one cup additionally with tight vertical hairline; otherwise all very good. 9-23352 (400-600)

GROUP OF WEDGWOOD AND ENGLISH TEA WARES. Late 18th & 19th century. A shaped feather edge serving dish with scrolled handle impressed “WEDGWOOD” and additionally impressed with a “B”. A pair of lavender transfer-decorated cups and saucers with fanciful peacocks, each cup applied with strap handle and signed “WEDGWOOD” with a mixture of capital and lower case letters (1759-1800). A Wedgwood cup and saucer molded with vinery in an ivory glaze with gilded borders from the Levy Collection. A Swansea scenic paint decorated cup and saucer of English manor houses, gilt decorated and with blue borders. Two blue and white decorated cups and tea bowls in underglaze-blue of Oriental taste, gilt decorated. SIZE: 9″ x 7-3/4″ (plate). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The first with rim chips. The second group with a chip to one cup and with shallow rim chips to saucers, otherwise good. Cup and saucer with vinery with minor gilding losses to rim, otherwise very good. Swansea cup and saucer very good. The cups and tea bowls overall very good with slight roughness to scalloped rims of saucers. 9-23350 (400-600)

WEDGWOOD PLATE TOGETHER WITH PAIR OF BASALT INKWELLS. Late 19th century. Plate with central putti on lilac ground within main border of floral swags on celadon ground impressed “WEDGWOOD”; jasper inkwells marked with impressed “C”. SIZE: Plate: 6-1/2″ dia. Inkwells: 2-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 9-23345 (200-400)

WEDGWOOD MINIATURE CREAMWARE TRANSFER DECORATED CUP & SAUCER. Last quarter 18th century. Decorated with brown leafy sprig on banner borders. Bottom of saucer incised “WEDGWOOD” with indecipherable number beneath. SIZE: Teacup: 1-1/2″. Saucer: 3″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 9-23347 (300-500)

GROUP OF TWELVE WEDGWOOD TABLE WARES. 18th and 19th century. Including an 18th century oval basket weave soft paste dish with reticulated borders from the Frank Arnold collection, an unmarked transfer printed molded plate of exotic birds, second half 18th century, two blue and white decorated plates, two plates in the Oriental taste; one decorated with heron in the midst of flowering bushes, a chrysanthemum pattern desert plate, Ex-Webber collection, a round footed sauce bowl with undertray decorated with borders of scrolling floral garlands and with green bands, impressed with mark “WEDGWOOD”, a small floral decorated beaker, a dark brown bowl with floral sprigs, a bulbous stem vase and a Worcester stein with the phrase “What tho my gates be poor/Take them in good part/Better cheer may you have/But not with better heart”. SIZE: 10-1/4″ x 9-1/4″ (largest plate); 5″ h (round sauce dish); 4″ h (beaker). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All pieces generally in good condition. Several with minimal and minor flecks to rims. One of blue decorated plates with chip. 9-23353 (600-900)

TWO ENGLISH WEDGWOOD CREAMWARE MOLDED TEAWARES AND A BLACK ENAMEL TEAPOT. Late 18th/early 19th century. The matching Creamware teapot and creamer molded with columns, acanthus and water leaves, each with a light Wedgwood blue enameled rondel centering a silhouette. The black teapot of similar unmarked design, decorated with a central mourning scene, flanked by square columns and urns. SIZE: Teapots 6-1/2″ h each, creamer 4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Creamware teapot and creamer with minor flecks and roughness to end of spouts and the teapot with small chips overall. The black example with a chip on rear of top rim, otherwise very good. 9-23333 (400-600)

THREE PIECES OF WEDGWOOD ROSSO ANTICO. Last quarter 19th century. Comprising a paneled milk pitcher with enamel floral decoration, and a Dragon Kenlock ware cup and saucer with enameled dragon, insect and Foo Dog decoration. All three pieces are impressed on the underside “Wedgwood”. SIZE: Pitcher is 6-1/4″ h. Cup is 3-1/2″ dia. Saucer is 5-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with slight soiling. 9-23349 (200-300)

TWO RARE FLIGHT BARR & BARR WORCESTER ITEMS. First quarter 19th century. The first a paint-decorated and gilt Worcester chamberstick. Paint decorated with a small pastoral scene, marked beneath the base “Flight Barr & Barr Royal Porcelain Works/Worcester/London House/1 Coventry Street”. The second, a Flight Barr & Barr floral decorated shallow bowl with the incised marked “BEB”, marked beneath with complete maker’s mark with the 1 Conventry Street address. SIZE: Chamberstick 2″ h, 4″ l x 3-1/2 w. Bowl 1″ h, 6″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 23267-1 (2,000-3,000)

TWO WORCESTER “KING OF PRUSSIA” TRANSFER DECORATED CUPS AND WORCESTER BOWL. 19th century. 1& 2) Worcester mugs with molded handles transfer decorated with half profile bust of King of Prussia beneath putti in act of bestowing laurel wreath. Figure pointing to large military trophy with banners identifying various victories. The whole trumpeted by an angel. Beneath trophy is mark of Robert Hancock, Worcester and dated “1757” beneath portrait. 3) Bowl decorated overall with Classical pastoral scenes. Signed with mark of Robert Hancock, Worcester beneath an urn. SIZE: Smaller” 3-1/4″ h. Larger: 4-1/2″ h. Bowl: 3″ h x 6″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Smaller cup with repair to handle, otherwise good. Larger cup with glaze imperfection at midpoint between putti, portrait and portrait, otherwise very good overall. Bowl with shallow rim chip, otherwise very good. 9-23348 (500-600)

Revised: 8/22/2011

Additional Information: The bowl with the scalloped edge has a professional restoration at the top edge. The teapot has a chip and repair on the lid rim.

FOUR DECORATED WORCESTER TABLEWARES. Late 18th/early 19th century. Comprising a teapot and covered sugar, floral decorated in underglaze blue, each with matching floral knop. Each marked with a solid blue crescent. A bowl with scalloped edge decorated overall with floral sprays and butterflies in underglaze blue, unmarked. A bowl polychrome decorated in the Imari pallette marked beneath with a solid blue crescent. Ex Ruth Troiani. SIZE: Teapot 8 1/2″H; Sugarbowl 4 1/2″; Diameters of bowls 6″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. No imperfections or restorations noted. 9-23273 (800-1,200)

FLORAL DECORATED WORCESTER PLATTER IN UNDERGLAZE BLUE. Second half 18th century. The rectangular platter with canted corners and basketweave sides; the center decorated overall with floral sprays signed on the bottom with solid crescent mark in underglaze blue. SIZE: 15″ l x 11-1/4″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 9-23268 (600-900)

TWO “ROYAL CHINA WORKS” WORCESTER RETICULATED VASES. First half 19th century. The first a reticulated vinery vase in cream glaze with gilt rim, marked beneath “Royal China Works, Worcester. #2054”. The second with bands of reticulated scrolling vinery alternating with bands of pink enamel dots. Marked beneath the vase, the symbol for Royal China Works. In addition, hand-painted “356/3001”. Additionally marked with the retailers stamp “SHREVE CRUMP & LOW CO./BOSTON” SIZE: First 7 1/2″ h. Second 5″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both vases in very good condition. 9-23267 (400-600)

GROUP OF ROYAL WORCESTER TABLEWARES. 19th and 20th centuries. Including floral decorated footed bowl; canister vase with bamboo sprig; blue transfer creamer; miniature fruit decorated teapot together with pair of cups and saucers of similar design; peach highlighted cup and saucer; blue and peach swirl cup and saucer; and underglaze blue with gilt leaf design coffee cup and saucer. SIZE: Footed bowl: 9-1/2″ dia. Bamboo vase: 6″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally very good overall. 9-23343 (600-900)

LARGE ROYAL WORCESTER MOLDED MATTE GLAZE VASE. Circa 1884. Decorated overall with a band of raised carp swimming amongst waves centered by gilt Greek key borders with a green backstamp and date letter “V”. SIZE: 10-3/4″ h x 8″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Structurally very good with areas of slight soiling on sides. 9-23271 (400-600)

FIVE ASSORTED ENGLISH TEAPOTS. Mid 19th century. 1 & 2) Two Majolica examples in the form of a head of cauliflower. 3) Brown and white drip glaze footed Whieldon example. 4) Derby Repousse molded floral teapot. 5) Unmarked salt glaze teapot with “sand” decoration. SIZE: 1) 5-1/4″ h. 2) 5-1/4″ h. 3) 5-1/4″ h. 4) 3-1/2″ h. 5) 5-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Broken and repaired lid. 2) With minor base rim chips, otherwise very good. 3) Bird finial broken, but present. Spout with chip, otherwise very good. 4) Very good. 5) Chips on spout. Slight damage to top rim. Otherwise very good. 9-23233 (1,000-2,000)

THREE ENGLISH DECORATED TEAPOTS. 18th and 19th centuries. 1) Creamware example with polychrome floral decoration in manner of William Greatbatch. 2) Leeds ware floral decorated example with strap handle and floral knop. 3) With incised mark “WOOD”, ribbed and molded example with scrolling floral polychrome midband and floral knop. SIZE: 1) 3-3/4″ h. 2) 4-1/2″ h. 3) 4-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Craquelure and some discoloration, otherwise very good. 2) Some abrasions and paint loss to flowers, otherwise good. 3) Overall minor losses to painted areas and to gilding with flecks on spout, but overall very good. 9-23234 (800-1,200)

THREE BRITISH TEAPOTS. 2nd half 18th century. 1) British Pearlware Mochaware teapot with sky blue slip field surrounded by a rouletted black slip-filled checkered band above a turned white band, the matching cover with floral knop, the spout molded with leaftips, the entwined reeded strap handle with flowerhead and leaftip terminals. Ex-Rickard Collection. 2) Caughley or Salopian teapot decorated overall in the Oriental taste in underglaze blue with gilt highlights. Marked beneath the base “S” above an “x”. 3) Unmarked similar example decorated in the Oriental taste with gold gilt highlights. SIZE: 4″ h, 5-1/2″ h and 4-3/4″ h, respectively. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) With chips on rim of lid, chips to spout and with crazing in base. 2) With old shallow chips to lid rim and wear to gilded surfaces, soiled. 3) With chips to spout beneath inpainted gilding. Otherwise all pieces are very good. 9-23339 (400-600)

THREE ENGLISH SALTGLAZED TEAPOTS. Mid 18th century. 1) The first a squat, bulbous example with molded gilt-decorated cartouches, the conforming lid similarly decorated with a bird knop. Raised on small paw feet. 2) The second bulbous teapot with incised arch decoration as a midband. The lid with a recumbent dog finial. Raised on in-curved legs with paw feet surmounted by shells. 3) The third example polychrome decorated overall with a man reaching for a butterfly opposing a figure with wide-brimmed hat amidst flowering trees. The conforming lid similarly decorated and with acorn knop. SIZE: 5-1/2″ h (all three). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Lid with tight hairline, spout with slight roughness and tip of proper left wing of bird finial with chip, otherwise good. 2) Head of dog restored. Tight vertical hairline to rim of pot with overall restoration. 3) With restoration to lid and possibly rim of teapot. 9-23334 (600-900)

RARE STAFFORDSHIRE SALT GLAZE FIGURAL TEAPOT. Mid-18th century. This fine example depicting a recumbent camel, its head the spout, fitted with an ornately decorated “howdah”, the conforming lid with a bust finial, the teapot handle a serpent. Reference: nearly identical example now in Chazen Museum of Art, Madison, Wisconsin, a gift from Charles W. Vaughn. SIZE: 8″ h x 9-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Lid with old repairs. Top rim with chips emitting hairline cracks. Spout with loss to lower jaw. Chip at end of tail on handle. Some discoloration in glaze. Overall good. 9-23336 (400-600)

TWO CASTLEFORD STONEWARE TEAPOTS WITH BLUE DECORATION. First quarter 19th century, Yorkshire, England. First example impressed with Liberty on one side, opposing side impressed with eagle and American shield. Probably made by Sowter & Co with incised “22” beneath base. Second example decorated with oval medallion of classical scenes on pale blue Wedgwood-like ground. Impressed overall with Anthemian leaves and ribbon tied trophies. SIZE: First: 5-1/2″ h. Second: 6″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: First retains original pin for hinge. Small chip near bottom of handle, otherwise very good. Second with shallow chips to spout, otherwise very good. 9-23335 (300-500)

FINE SET OF TWELVE GILT-DECORATED ROYAL CROWN DERBY PLATES. Late 19th/early 20th century. Each plate heavily gilt-decorated with fruit-filled urns amidst scrolling leaf tips on a cinnabar colored ground. In addition to the maker’s mark is the title of the retailer “DAVIS COLLAMORE & Co. Ld./BROADWAY 21ST STR./NEW YORK”. SIZE: 8-1/2″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very fine with no wear or blemishes noted. 9-23262 (1,000-2,000)

SET OF TWELVE GILT DECORATED ROYAL CROWN DERBY SERVICE PLATES. Circa 1893. Each decorated with hanging floral filled urns within C-scrolled cartouches joined by scrolling leaf tips alternating with pale turquoise reserves all on an ivory ground. With Royal Crown Derby 1893 back stamp. SIZE: 10″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: In very fine condition overall. 9-23263 (1,000-2,000)

TWO BLUE AND WHITE CHARGERS IN ORIENTAL TASTE. 18th/19th century. The first charger, an unmarked example, with convex center, floral decorated in underglaze-blue with alternating reserves. The second decorated overall with a western landscape, two exaggerated female figures in the foreground all in underglaze-blue. The reverse marked with a single blue stripe. SIZE: 14″ dia.; 13″ dia. respectively. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With restoration and damage to both. The first with extensive rim chips in addition to restoration. 9-23216 (500-800)

FIVE FEATHER EDGE SOFT-PASTE PLATES AND PLATTERS BY VARIOUS MAKERS. 18th/19th century. Group includes an oval platter in oriental taste decorated in underglaze blue with incised underglaze marked “ASTBURY” (Thomas Astbury, 1725-1780). An unmarked plate decorated with a multi-tier pagoda. A Leeds plate with green feather edge and two Wedgwood bowls in underglaze blue. SIZE: Platter 17-1/2″ l; Bowls 9-1/2″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Platter with craquelure and glaze losses to surface of sides. Pagoda plate with rim chips. Leeds plate very good. Wedgwood bowls with rim chips, one with staple repair. 9-23280 (600-900)

SIX COALPORT DECORATED PLATES. Last quarter 19th century. Each heavily gilt decorated example with pink reserves centering a scenic landscape within scrolling gilt borders on ivory ground. Marked on reverse with Coalport backstamp and additionally with label of retailer. SIZE: 7″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 9-23265 (400-600)

GROUP OF FIVE ENGLISH AND CONTINENTAL DECORATED PLATES. 18th and 19th century. 1) The first an old Chelsea example with exotic birds and insects. 2) A Copeland *garret example in the Imari pallette. 3) An unmarked plate of Imari design, possibly Copeland or Derby. 4) A Sevres soft-paste floral decorated plate with 1755 datemark. 5) A French plate, hand-painted with chickens, hand-signed on the reverse in script “BOYER, R. DE LA PAIX”. SIZE: Diameter: 8 3/4″ to 9 1/2″ PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Wear to gilding. 2) Very good. 3) Very good. 4) Repainted gilding. 5) Roughness to edge. 9-23346 (300-500)

FIVE ENGLISH & CONTINENTAL DECORATED PLATES. 19th Century. 1) A transfer decorated bowl with an Oriental garden scene in underglaze blue. 2) A red-brown transfer decorated plate of peafowls. 3) A plate with polychrome scrolling belleflowers. 4) Transfer decorated plate of windmill in tones of gray. 5) Small creamware undertray for a creamer decorated with green sprigs & swags. SIZE: Largest diameter 10″, smallest 7 1/2″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally very good, some with light surface scratches. Peafowl plate with shallow rim chip. 9-23344 (300-500)

GROUP OF ENGLISH PORCELAIN SCENIC TABLE WARES. 19th century. The first example, a cabinet plate with a central hand painted scene titled “State Street Boston” within a floral gilt border. Together with two cups and a matching saucer, each decorated with reserves of English landscapes within cobalt and gilt decorated borders alternating with fruit decorated reserves. SIZE: 9″ dia. plate; 2-1/4″ h cups; 5-1/2″ dia. saucer. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. Painted scenes remain vibrant. 9-23325 (500-700)

GROUP OF SEVEN SPODE AND OTHER ENGLISH TABLE WARES. 19th century. Including a “Spode’s Imperial” footed compote in the Imari palette; a Spode creamware oval dish in the Oriental taste, a copper lustre transfer and paint decorated plate with reticulated edge; a transfer decorated Shakespeare plate, a green enamel warming dish with raised floral decoration, an oval faience fruit & floral decorated serving platter and the last example is a shaped English earthenware basket applied with roses and leafy sprig. The outer surface of the basket applied with a layer of sand particles, the inner surface in an olive green glaze. SIZE: Largest 16″ l; Smallest 7-1/4″ dia; 4-3/4″ h of basket. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good with minor wear on gilded surfaces. 2) Very good overall. 3) With shallow rim chip and with craquelure. 4) With minor craquelure. 5) With wear to gilded surfaces and with chips to spout. 6) Very good. 7) Basket with small chips in flower petals and basket rim. 9-23320 (500-800)

SIX ENGLISH EARTHENWARE TABLEWARES. Including platter with molded basket weave and diaperwork design and a small reticulated shallow bowl of similar design, two buff earthenware Gothic style dishes impressed “I. HALL & SONS”, creamware bowl decorated with floral sprigs and fruit above etched band, and small sauce pitcher with molded diaperwork applied with handle. SIZE: Platter: 12″ dia. Pitcher: 4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All generally very good. Sauce pitcher with firing crack beneath spout and with loss to decoration within reserves. 9-23338 (500-700)

THREE ASSORTED BLUE DECORATED TABLEWARES. 19th century, English. First, a 7″ dia. bowl with Oriental decoration in underglaze blue. Second, a molded creamer with transfer decorated deer. Third, cup and saucer with floral underglaze blue decoration within gilt borders. All probably Bow, Wedgwood, and related companies. SIZE: 1) 7″ dia. 2) 3-1/4″ h. 3) Cup: 2-1/2″ h. Saucer: 5-1/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Bowl with rim chips. Creamer very good. Cup and saucer with wear to gilding. 9-23351 (200-300)

THREE STAFFORDSHIRE TRANSFER DECORATED PLATES. 19th century. 1) From the “BEAUTIES OF AMERICA” series by “I & W RIDGWAY”, a small 10-1/2″ oval platter titled “COURT HOUSE/BOSTON”. 2) 10″ plate “LANDING OF GEN LA FAYETTE” with incised mark impressed “WARRANTED STAFFORDSHIRE CLEWS”. 3) 10-1/2″ plate with scalloped edge transfer decorated overall with Oriental garden scene with fanciful birds within floral border, with incised mark “WOOD”. SIZE: As noted. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally very good. 9-23340 (400-600)

TWO CREAMWARE DECORATED PITCHERS TOGETHER WITH LIVERPOOL AESOP TILE. 18th and 19th centuries. 1) Creamware jug titled “John & Elizabeth Snowdon”, paint decorated with farm scenes. 2) Gilt and paint decorated creamer titled “George Mears Boston”, side panel painted with interior scene of gentleman getting mustache trimmed above slogan “We Three Loggerheads be”. 3) Tile black transfer decorated with one of Aesop’s fables. SIZE: 1) 7-1/2″ h. 2) 4″ h. 3) 5″ square. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good. 2) Very good. 3) With old chips along edges and with wear to transfer decoration. 9-23236 (600-900)

PAIR JACKFIELD POTTERY COW FORM CREAMERS. Each cow in high glaze black with gilt highlights standing upon an oval plinth impressed with floral decoration. SIZE: 5-3/4″ h x 7-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with small losses to gilding on horns. 9-23223 (300-500)

TWO ENGLISH TRANSFER DECORATED TABLEWARES. Mid 19th C. The first and unmarked Staffordshire example an oval reticulated bread basket with matching undertray decorated overall in the Oriental taste. The second with the impressed mark “HECULANEUM”, a Liverpool pottery transfer decorated footed soup tureen with lid, undertray and ladle. Marked in underglaze blue within a banner “STONE CHINA”. Decorated overall with rural river scenes with various buildings in the background. SIZE: Breadbasket: 5″ h x 11″ l x 6-1/2″ w; undertray 11-1/2″ l X 8-3/4″ w. Soup tureen and undertray: 7-1/2″ overall. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both items in very good condition. 9-23341 (300-500)

ENGLISH DECORATED MOON VASE WITH SCENES FROM “MERCHANT OF VENICE”. Late 19th/early 20th century. The vase applied with handles on sides and with dragon scrolled ornamentation at neck. The flattened sides with convex rondels, each with a scene from the Merchant of Venice with dialog. On a footed base decorated overall with leafy rondels joined by chain links. SIZE: 14-3/4″ h x 12-1/2″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with craquelure. 9-23272 (300-400)

COLLECTION OF SIX ENGLISH PEARLWARE, LUSTRE AND TRANSFER-DECORATED PITCHERS AND CREAMERS. Late 18th/early 19th century. Including 1) Prattware creamer known as “Mischievous Sport”. 2) Second pearlware creamer molded with cupids on one side and two young children on the other with vertical patterns of water leaves. 3) A pink lustre pitcher with male and female busts. 4) A second lustre pitcher with silver resist borders of grape leaves. 5) Two transferware pitchers, the first pearlware example polychrome decorated with scenes of birds and pastoral landscapes on a red/orange ground with floral borders. 6) The second a Staffordshire transferware pitcher with classical vignettes of robed figures. SIZE: 8-1/2″ h (largest); 4-1/2″ h (shortest). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) With shallow chip on spout. 2) Flecks on spout. 3) Slight wear to lustre on rim. 4) Shallow chip on rim. 5) Very good. 6) With chip on rim. Otherwise all very good. 9-23226 (400-600)

SIX PIECE GROUP OF LEEDS & LIVERPOOL TRANSFERWARE TOGETHER WITH FRENCH TRANSFER PLATES. 19th Century. Lot includes an oval transfer decorated creamware pendant attr. to the Herculaneum pottery; a creamware plate transfer decorated with classical ruins; an oval creamware undertray with a classical scene in the tropics, possibly Herculaneum. A silver lustre oval platter with indistinguishable underglaze mark and two French transferware plates; one of Aesop’s fables titled “LE RENARD ET LE BUSTE”; the second a transfer decorated plate from a series on commerce, Plate No. X “Prix Fixe/Soieries/SCHALES/et/nouveautes”. SIZE: Pendant measures 5″ x 4″; Platter 12″L x 8 3/4″W. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good; 2) Flea bites and shallow chips to rim, wear to transfer decoration; 3)slight wear to transfer decoration on rim, otherwise very good; 4) with roughness to rim and wear to silver lustre, otherwise good; 5)Aesop’s fable with shallow rim chip, otherwise very good; Prix Fixe very good. 9-23322 (400-600)

MEISSEN BREAKFAST TEA SERVICE IN ORIENTAL TASTE. 19th century. Comprised of teapot, undertray, creamer, covered sugar, two cups, two shallow bowls and a bread plate. Polychrome decorated overall with clusters of flowers and sprigs and with rose bud finials. All marked with crossed swords with underglaze-blue, some with “20” underneath mark. SIZE: 10-1/4″ x 8-1/2″ (tray); 7-1/2″ h (pitcher); 6″ dia. (plate). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Teapot knop on lid with chips. Creamer with repaired foot. Otherwise very good. 9-23222 (800-1,200)

FOUR MEISSEN TABLE WARES. First quarter 19th century. 1) Large platter decorated with a central floral spray surrounded by floral sprigs. 2) Bowl molded with flower heads and vinery arrayed in the Gothic taste, all heightened with gold leaf. 3) Bowl in underglaze-blue decorated with fan-shaped reserves containing flower filled baskets, all in the Oriental taste. 4) A molded pearlware teacup with scrolled handle. SIZE: 1) 18″ x 13″; 2) 10-3/4″ dia. 3) 4-3/4″ dia. 4) 2-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) With hairline crack running through interior. 2) Some wear to gilded surfaces. 3) Very good. 4) Slight chips to handle and foot rim. Otherwise all very good. 9-23270 (400-800)

TWO GERMAN FLORAL DECORATED CUPS AND SAUCERS. 19th century. 1) Cup with lid and saucer encrusted with white flower heads overlaid with sprigs of flowering roses. Each side of cup applied with a bird, as is the finial of the lid. Saucer decorated on interior with pink floral sprays. Bottom of cup and saucer with pseudo-Meissen crossed swords mark in underglaze blue with two cut lines beneath the crossed swords possibly signifying a rejected item after manufacture. 2) 6-footed cup and saucer floral decorated overall, applied with blue floral sprigs emanating from feet. Also decorated with polychrome painted insects. With Meissen mark of crossed swords in underglaze blue. SIZE: 1) Overall: 4″ h. Saucer: 5″ dia. 2) Overall: 3-1/4″ Saucer: 5-1/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good overall with minor and minimal losses to some flower petals. Note: Vertical firing cracks noted around rim of saucer beneath glaze. 2) With damages to some floral sprigs and to some flower petals. 9-23331 (800-1,200)

PAIR OF SEVRES COVERED CUPS AND SAUCERS. Circa 1754. Each with soft paste mark and with date letter for 1754 in overglaze blue. Beautifully decorated with central floral spray within gilt and blue scrolling leaf borders continuing to secondary band of ivory, floral decorated, alternating with reserves of floral sprays. Each teacup with conforming cover with ribbon tied wreath knop. SIZE: Cup with lid: 3″ h. Saucer: 5-1/2″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23225 (400-600)

TWO SEVRES HISTORICAL SERIES PORTRAIT PLATES. Late 18th century. First with portrait of “Mme de Sevigne”. Second with portrait of “Anne d’Autriche”. Transfer and gilt decorated with hand painted detail on a “duberry rose” ground. Underside of each plate gilt decorated with hard paste Sevres mark beneath name of subject and additionally marked with monogram of the gilder Andre-Joseph Foinet (1758-1839), known as “La France”. SIZE: 9-1/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with minimal wear to painted and gilded surfaces. Colors remain vibrant. 9-23318 (600-900)

PAIR OF RUSSIAN PORCELAIN PEAR FORM COVERED CONDIMENTS. Last quarter 19th century. Each covered dish modeled in form of a pear with twig handle mounted within a leaf. Each with factory mark in underglaze blue for M.S. Kuznetsov Porcelain Factory of an Imperial double headed eagle above a horseshoe medallion with Cyrillic lettering. Interior of lid with “38” in underglaze pink, also with name of artist in black script. SIZE: 5″ h x 7-3/4″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good with wear to gilding. 9-23264 (800-1,200)

PAIR OF RUSSIAN CONDIMENT DISHES. Last quarter 19th century. One modeled as a duck, the second as a dove. Each condiment with mark of M.S. Kuznetsov Porcelain Factory in blue. Name of artist on inner rim of lid in black script. Dove with paper label reading “RUSSIAN IMPERIAL EXHIBIT”. Each in blue and purple decoration with gilt decorated beaks. SIZE: Duck: 5″ h x 7-1/2″ l. Dove: 4-3/4″ h x 8-1/4″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With small abraded areas to blue decoration. With wear to gilt. 9-23238 (400-600)

DAVENPORT FOOTED COMPOTE AND A RUSSIAN CHARGER. Second and third quarter, 19th century. 1) A W. DAVENPORT & CO transfer-and-paint decorated footed shallow bowl with polychrome floral garlands and scrolling gilt cartouches centering a bucolic transfer decorated landscape. Marked in underglaze blue with an anchor below an arched banner. 2) A painted and gilt decorated charger made by the Russian Imperial Porcelain Factory. Painted with a central polychrome floral spray within a border of ivory reserves decorated with flowers and animals alternating with polychrome panels decorated overall with scrolling gilt vinery. The reverse with the Russian Imperial Porcelain Factory mark in underglaze blue. SIZE: 1) 2-3/4″ h x 10″ dia. 2) 12″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) The compote very good overall. 2) The charger with base rim chip and with slight knife cuts in central floral design and with areas of wear to glaze in ivory ground. 9-23329 (300-500)

UNIQUE ENAMELED EARTHENWARE CAT TEAPOT. First half 20th century. With intricate polychrome enameled floral decoration, the seated cat applied with scrolled handle. Lid in the form of a feathered cap. Signed beneath base in script with the name of the artist. SIZE: 8-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With loss to end of handle and with some surface chips around base rim and to rim of lid. 9-23260 (600-900)

PATE-SUR-PATE TEAPOT. 19th century, Continental, probably German. Unmarked baluster form pitcher with lavender and ivory glaze, with gilt decorated borders and accents, applied with S-scroll handle and with molded decoration of Classical figures. Lid with acorn knop. SIZE: 10-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with slight wear to gilding. 9-23232 (1,000-1,500)

FINE PATE SUR PATE VASE. Third quarter 19th century. Bulbous faceted terracotta colored vase applied with branch form handles with pendant grapevines centering two frolicking putti, raised on six gilt feet. SIZE: 8″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very fine. 9-23227 (500-800)

ROSENTHAL PATE-SUR-PATE DINNER SERVICE. 20th century. Comprised of individual tea pot, milk pitcher, covered sugar and creamer; twelve 8-1/2″ dinner plates; eight 7-3/4″ salad plates; ten 6″ butter plates; four 6″ saucers; 5 coffee cups; five 6-1/2″ berry bowls. Each with molded ivory decoration of floral sprays, trellis work and C-scrolls on a sea-green ground, each with Rosenthal Ivory backstamp. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: One dinner plate with large chip on edge; three saucers with damage; two cups with spider cracks; one berry bowl with rim chips; covered sugar missing knob; teapot missing lid. All else very good. 9-23221 (1,000-2,000)

CONTINENTAL PORCELAIN TEAPOT APPLIED WITH FLOWERS AND BIRDS. 19th century. Similar to Meissen, the bulbous teapot applied overall with dense white flower heads overlaid with blooming roses and with yellow birds on opposing sides. Spout and handle gilt decorated simulating tree bark. Marked beneath base with monogram in underglaze blue incorporating “R”. SIZE: 4-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With some losses to leaves. Additionally a loss to bird’s beak. Overall good. 9-23332 (600-900)

CONTINENTAL PAINT DECORATED TEAPOT. First half 19th century, possibly French. Signed beneath base in underglaze blue with stylized “F”, also with incised “Z”. Bulbous example with figural spout molded with clown-like bust. Side panels transfer decorated with putti within molded cartouche. Lid with berry finial within pale blue border. SIZE: 4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with minor wear to gilding. 9-23258 (600-900)

DUTCH TIN GLAZED POSSET POT. Late 18th, early 19th century. Of typical form with domed knop lid, two C-scrolled handles centering a spout, decorated overall in underglaze blue. SIZE: 7-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Colors remain vibrant. Rim and lid with normal and expected shallow chipping and with small areas of loss to glaze. Overall very good. 9-23235 (800-1,200)

PAIR OF DELFT-STYLE CHARACTER JUGS. 20th century. Pair of jugs, most likely “Punch and Judy”, each with lids in the form of caps. Beneath each base, marked in underglaze blue are maker’s initials in script “TSL” above date “1750”. SIZE: 12-1/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. Male figure to glazing losses to end of nose and to toe of proper left shoe. Female figure with glazing loss in areas of top of bonnet. 9-23237 (1,000-1,500)

TWO DELFT TILES, WORCESTER BOWL AND OVAL BOX. 18th & 19th century. The first tile of a farmer feeding pigs at trough. Second tile with a sailing ship. A “kakiemon” Worcester bowl in Amari pattern and an oval blue and white decorated box with lid marked in underglaze-blue “S.C/T”. SIZE: 1) 6″ x 6″ 2) 5-3/4″ x 5-3/4″; bowl 5-3/4″ dia; oval box 2″ x 4″ x 2-3/4″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both tiles showing normal wear to glaze with chips in corners and edges. The Worcester bowl with roughness to rim with wear to gilding. Shallow foot rim chips. Oval box very good overall. 9-23327 (300-500)

SEWELL & DONKIN PAINT DECORATED CHARGER. Late 18th, early 19th century, Newcastle-on-Tyne. Charger decorated with allegorical scene relating to good and evil, showing woman entering confessional and man exiting after receiving penance. Caricature of devil in background, titled beneath “DEN OORBIEGT”. With impressed mark of maker. SIZE: 1-1/4″ h x 13″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 9-23228 (600-900)

CONTINENTAL FAIENCE HANGING BULB POT. Mid 19th century, possibly French. Floral decorated overall in underglaze blue and burnt orange with flared sides and scalloped edges. Drilled for hanging. Back marked in underglaze blue with stylized interwoven “C” and “M”. SIZE: 4-1/2″ h x 9-1/4″ l x 6″ d. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With multiple small chips in edges. Top overall with minute hairline cracks. Good overall. 9-23342 (400-600)

GROUP OF POTTERY AND FAIENCE TABLE WARES. 18th & 19th century. Including a small Faience shallow bowl decorated with a horse or goat, a Leeds type small plate with peafowl decoration amongst trees within blue feather edge, an English transfer-decorated small plate “But now the supper crowns their simple board…”, an embossed creamware butter hand painted with a floral spray with an incised mark of “Rogers”, a small creamware plate decorated in blue with house, fence and flowers, an allegorical French Faience “wedding cup” from the collection of Vivian S. Hawes and an early creamer with wedge-shaped spout, sprig decorated. SIZE: 7″ (Diameter of largest plate); 5-1/2″ (Diameter of smallest); 2-1/2″ h (creamer). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) With shallow rim chips. 2) With shallow rim chips. 3) Slight craquelure. 4) Small losses to glaze on interior of plate. 5) Shallow rim chips. 6) With foot rim chips. 7) With shallow foot rim chips and flea bites to spout, otherwise very good. 9-23328 (300-500)

PAIR OF CONTINENTAL DECORATED DOUBLE GOURD VASES. 19th century, similar to mark of Gotthelf Greiner Limbach having crossed swords above 6-pointed star on unglazed bottoms of vases. Decorated with parodies of figures bordered by lavender and gilt decorated reserves. Opposing sides each with floral bouquets. Each fitted lid with berry knop. SIZE: 8″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23239 (500-800)

CONTINENTAL CREAM PORCELAIN CENTERPIECE IN THE ROCOCO TASTE. Three frolicking putti centering a cactus-form center bowl. Joined to a tripartite base with scrolled feet. SIZE: 8″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With craquelure and staining overall. 9-23224 (400-600)

TWO CONTINENTAL PORCELAIN TABLE WARES. 19th century. The first a teapot polychrome decorated overall with insects and marked beneath the base with a crown above a “D”. The second an oval dish polychrome painted within a landscape and four insects within the border with the word “Nymphenburg” beneath the base under glaze. SIZE: 4-3/4″ h (teapot); 8-1/2″ x 7″ (plate). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Teapot is very good overall with slight and minimal wear to gilding. The oval plate with some wear to painted surfaces on interior. 9-23324 (400-600)

GROUP OF CONTINENTAL TEA WARES. 18th & 19th century. 1) Sevres type demitasse in blue, decorated with birds within a gilt cartouche with a Sevres type mark in over-glaze blue. 2) An unmarked Paris porcelain cup and saucer. The saucer painted with a treed landscape. The cup decorated with a young flute player seated on a rock, all within gold bands. 3) A Meissen cup and saucer polychrome painted with a floral filled urn marked in under glaze blue with “1774-1817″ mark. 4) A floral decorated cup and tea bowl marked with a stork in under glaze blue, possibly Dutch. SIZE: 1) 2-1/4″ h. 2) 2-1/4″ h. (cup) 5” dia. saucer. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good. 2) Tight hairline in cup with wear on gilding. 3) Very good. 4) Very good. 9-23323 (400-600)

HOCHST FLORAL DECORATED SQUARE BOWL. Last quarter 18th century. The square bowl embossed with floral swags and hand painted with polychrome painted swags and sprays. Of square form with inset corners marked within the base with a Hochst star in underglaze-purple. SIZE: 3-1/4″ h x 8″ square. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with normal and expected wear to gilt rim. A vertical firing crack in one corner at rim. 9-23326 (400-600)

ROYAL FLEMISH DECORATED URN, BERNARD MOORE FLAMBE BOTTLE VASE AND GLAZED REDWARE CREAMER. Late 19th, 20th century. 1) Mt. Washington urn painted in gold with floral and bird decoration applied with rolled handles, signed beneath base. 2) Flambe vase of flattened bottle form marked “BM'” beneath base. 3) Small redware creamer applied with C-scroll handle raised on three short shaped feet with everted rim and chocolate brown high glaze. SIZE: 1) 9-1/2″ h. 2) 9-1/4″ h. 3) 3-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good with slight wear to handles, in need of cleaning. 2) Very good overall. 3) Small rim chips at spout. Otherwise very good. 9-23354 (700-900)

GROUP OF EARTHENWARE AND CREAMWARE TABLE OBJECTS. 18th and 19th centuries. Including oval creamware chestnut basket with under plate and Leeds reticulated plate with impressed mark; Copeland soft paste teapot with simulated bamboo sides and floral decoration; jasper oak tree form teapot with English registry mark with date of manufacture November 3, 1846 and impressed anchor, probably Staffordshire; Neale & Co jasper buff miniature teapot with Classical decoration and impressed mark; Wedgwood stoneware covered sugar with spaniel finial and molded scrolling floral design overall. SIZE: Basket: 9-1/2″ l. Tallest teapot: 5-1/2″ h. Mini teapot: 3″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Under plate with chip to edge, bamboo with soiled areas at finial, top of handle and spout, oak form with slight craquelure in interior, Neale teapot with damage to rim of lid, Wedgwood with repaired handle. Overall very good. 9-23330 (600-900)

THREE CONTINENTAL PAINT-DECORATED TABLE WARES. 18th/19th century. Including two footed saucers with cup inserts, both hand painted with allegorical scenes of classical landscapes. One cup depicting Minerva drawn by horses mounted in a large shell accompanied by trumpet blowing centaurs. The second cup depicting a young man with dog receiving the blessings of a man in a blue robe and cape. The third example, a 7-1/2″ plate, decorated with a central mountainous landscape; a lone figure in the foreground, bordered with frolicking putti amongst floral sprays. SIZE: 7″ dia. (saucers); 2-3/4″ h x 2-3/4″ dia. (cups) PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The single plate with old restoration on rim and some minor enamel losses around sides of plate. One cup with some minor old rim flecks. Otherwise all very good. 9-23230 (250-400)

GROUP OF ENGLISH AND GERMAN TABLE WARES. 19th century. This lot includes a footed polychrome transfer-decorated compote with an incised mark “ZELL” (Germany, Third quarter 19th C.), together with a transfer-decorated teacup and saucer decorated with a classical scene incorporating a Union Jack. A Jackfield-type covered sugar bowl and undertray with pineapple knop, a similar coffee can and earthenware plate densely decorated overall with Oriental garden scenes with brown ground. The last, an unmarked teapot polychrome paint-decorated with romantic Greek archers and warriors with helmet and shield. SIZE: 4-1/2″ h x 8-3/4″ dia.(compote); 6-1/2″ h (last teapot). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally very good. The can with tight vertical hairline at rim by handle. 9-23321 (500-700)

PORCELAIN FIGURE OF RABBIT. Late 19th, early 20th century, possibly Samson & Co. Hand painted example of seated rabbit eating grapes with exaggerated long ears, with underglaze star marked on rear haunch. SIZE: 6-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23255 (800-1,200)

GROUP OF SEVEN MUGS AND CUPS. 19th Century. Including pink, silver, and copper lustre example; the latter with the name “Robert”. A transfer decorated mug titled “Views in Central Park”. Two sand-decorated Majollica mugs applied with fruit, each with a frog within. A miniature sprig decorated cup. SIZE: Largest 3-1/2″ h; smallest 1-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Lustre and transfer mugs with slight roughness to rims. Majolica cups with slight chips on fruit sprays. The sprig cup with rim roughness. 9-23269 (400-600)

AMERICAN VICTORIAN PRESENTATION PITCHER. Fourth quarter 19th century. Made by Greenwood Pottery of Trenton, NJ, this large ironstone pitcher in ivory and eggplant centering gilt decorated cartouche in which is written “Railroad House/Con Daly. Prop.” Impressed with maker’s mark on center of bottom. SIZE: 9-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Structurally very good with considerable wear to gilded surfaces. 9-23229 (300-500)

TWO CHINESE SAUCE TUREENS WITH UNDERTRAYS. Late 19th century. First, a Famille Rose example, with reserves of courtly scenes alternating with reserves of birds and flowers, gilt decorated overall. Second, a rectangular tureen, with berry knop and cow head handles with conforming undertray. Polychrome decorated overall with flower heads, birds and shrubs. SIZE: 1) 6″ h overall x 8″ l. 2) 4″ h overall x 7-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: First with slight roughness to edge of saucer, otherwise very good. Second with roughness to handle snout, otherwise very good. 9-23285 (500-700)

TWO CHINESE EXPORT HELMET FORM PITCHERS AND SAUCE BOAT. Second half 18th century. The first example decorated with reserves of figures in conversation. The second an armorial example with monogram “JM”. The sauce boat an armorial example decorated with floral clusters alternating with bamboo stalks. SIZE: 1) 6-3/4″ l; 2) 5-1/4″ l; 3) 8-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All very good. Sauce boat with fleck on spout. 9-23287 (800-1,200)

THREE CHINESE EXPORT DECORATED PLATTERS. 18th and 19th centuries. 1) 18th century example decorated with central garden scene within diaperwork border in underglaze blue with scalloped edges and canted corners. 2) Rectangular platter with canted corners decorated overall with floral sprigs centering a garden with birds and insects. Done in colors of brick red with grays, greens and birds. 3) Smallest example decorated with central coastal scene, two dogs in foreground with floral border, all in underglaze blue with canted and notched corners. SIZE: 1) 14-1/2″ x 11. 2) 13″ x 9-1/4″. 3) 10-3/4″ x 7″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good retaining vibrant colors. 2) With wear to edges including minor losses of gilding and painted border, otherwise very good. 3) Very good. 9-23249 (1,000-1,500)

PAIR OF CHINESE EXPORT POLYCHROME PAINTED PLATES. Mid 19th Century. Decorated with floral shrubbery by a pavilion beneath pine trees. SIZE: Each are 9″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with minimal and minor checking on edges. 9-23278 (800-1,200)

THREE POLYCHROME-DECORATED CHINESE EXPORT PLATES. Late 18th/early 19th century. 1) Decorated with brown heron in a garden scene within polychrome floral border and with panels of turquoise diaperwork. 2) Decorated with pond scene with ducks and exotic birds within border of floral sprays. 3) Central garden scene with meandering fence within border of floral sprays. SIZE: 8-3/4″ to 9″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All structurally very good with shallow and very small chips and roughness on edges. 9-23279 (600-900)

THREE CHINESE EXPORT PLATES. 20th century. Two plates decorated with a Famille Rose floral border each headed with an eagle’s bust. One an interior boudoir scene, the second an exterior scene of an elderly gentleman seated on a horse regarding a younger man carrying a scroll. A third example decorated overall with an interior domestic scene showing a group of woman around a table holding fans and a basket of flowers, a male figure with a tray of tea. SIZE: All 7-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The pair with minor roughness to edges, and some small losses to painted enamel surfaces, otherwise very good. The third example very good condition. 9-23293 (700-1,000)

PAIR OF CHINESE EXPORT POLYCHROME PAINTED PLATES. Late 18th/early 19th century. The decoration depicting a sampan on rough seas, the occupants gesturing at birds within a scrolling polychrome floral border. SIZE: 9″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: One plate with chip and tight hairline on edge. Each with minor roughness to edges and wear to gilding. Overall very good. 9-23277 (800-1,200)

TWO CHINESE EXPORT PLATTERS IN BLUE AND WHITE DECORATION. Second half 18th century. The first a rectangular tray with canted and notched corners depicting feeding birds in a field within a scrolling border of flowers and butterflies, all in underglaze-blue. The second an example of similar form decorated with a fenced garden scene with birds and insects. SIZE: 13″ l x 10″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Structurally very good with normal and expected wear to edges, colors remain vibrant. 9-23281 (800-1,200)

CHINESE EXPORT PORCELAIN COVERED TUREEN. Late 18th, early 19th century. Of shaped oval form decorated overall with magenta triangular bands and with gilding. Tureen with gilt strap handles, lid with berry knop. SIZE: 6″ h overall x 12-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with some wear to painted and gilded areas. 9-23253 (800-1,200)

FINE CHINESE EXPORT CHARGER DECORATED IN UNDERGLAZE BLUE. Decorated overall with fruit sprays on a blue-white ground. Reverse decorated with alternating underglaze blue x’s and lines. SIZE: 12″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with old, shallow abrasions to rim with resulting glaze losses. Additionally with small tight hairlines on underside. 9-23215 (800-1,200)

FOUR CHINESE EXPORT CHARGERS TOGETHER WITH AN IMARI DISH. 18th and 19th century. Lot includes a 9-3/4″ diameter export plate of “thousand butterfly” design. An 11-1/2″ diameter export charger decorated overall with roosters amongst flowers, the reverse decorated with cinnabar color bamboo. An 11-1/2″ charger depicting a festive parade including fireworks and dragons. A 13-1/2″ diameter unusual Chinese export charger decorated overall with reserves depicting fanciful birds, parrots and insects in a dense floral landscape all surrounded by floral vinery borders populated with red squirrels. A 7-1/4″ diameter, 19th century Imari scenic plate decorated with two panels of landscapes and with Japanese lanterns. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) With chip to rim. 2) With shallow rim chip. 3) Very good overall. 4) Very good. 5) Very good. 9-23286 (1,000-1,500)

CHINESE EXPORT PORCELAIN ARMORIAL PLATTER. Last quarter 18th century. Oval platter with wavy blue and gilt decorated border centering an armorial crest with motto “FIDE ET DILIGENTIA” within banner. SIZE: 2-1/4″ h x 14-3/4″ l x 12-1/4″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with normal and expected wear to paint and gilding in crest. Wavy gilded border on rim with minor touch-ups. 9-23250 (800-1,200)

TWO CHINESE EXPORT PAINT DECORATED TEAPOTS. Early 19th century. Each decorated with scenes of arts and learning. One with faceted sides. SIZE: 6-1/4″ and 5-3/4″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Each with minor losses to polychrome painted surfaces. Faceted example with shallow chip on spout. Both with minor losses to gilding. Otherwise very good. 9-23245 (600-900)

TWO CHINESE EXPORT DECORATED TEAPOTS. 18th, 19th century. First, a Famille Rose example, each side with floral decorated reserve within border of pink diaperwork. Lid with turquoise border and knop finial. Top joined to pot by decorative chain banded to pot at handle and spout. Possibly Yung-Cheng period. Second smaller example decorated with polychrome sailing vessel on rough seas surrounded by stylized cloud bands. Lid with decorated reserves alternating with pink diaperwork and knop finial. SIZE: First: 4-3/4″ h. Second: 4-1/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23244 (600-900)

TWO CHINESE EXPORT TEAPOTS. 19th century. First example with painted floral decoration encircled with insects. Second in kutani orange palette decorated with floral panels alternating with diaperwork reserves. SIZE: 5-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: First very good overall with minimal and minor flecks to floral knop. Second with shallow chip to edge of spout, otherwise very good. 9-23301 (400-600)

COLLECTION OF CHINESE EXPORT AND 19TH CENTURY TEA WARES. Mid 18th thru early 19th Century. Including a pair of armorial shallow bowls, the rims decorated with floral sprays and a banner with the Latin inscription “VERTUE LAURETH“, a delicate tea bowl and saucer enameled and gilt decorated for the European trade within reserves of Oriental landscapes and pink, believed to be Yung Cheng reign. A similarly decorated bowl of the period depicting a mother and father with child. Two shaped saucers decorated in underglaze-blue, one accompanied by matching cup. Each decorated with a butterfly and applied with floral stems. The third saucer applied with vinery centering a domestic scene with children. Two tea bowls with matching saucers,both in underglaze-blue. One of flowering shrubs, the other decorated with a fence beneath tree. SIZE: 2-3/4″ dia. (export cup); 4-1/2″ dia. (saucer); 5-1/2″ dia. (export bowl); 6-1/2” (shallow bowls). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good with minimal and minor flecks and with minimal wear to gilding. Butterfly saucer with larger chip at one end. The pair of shallow bowls with crack to one and with normal wear to gilding, overall good. 9-23303 (500-700)

FIVE CHINESE EXPORT TEA WARES. Late 18th/early 19th century. Including a matching tea can, bowl and saucer each decorated with a cluster of grapes and butterfly, a tea cup decorated in underglaze-blue, two people conversing, and a saucer decorated in blue and white heightened with gilt decoration. SIZE: 2-1/2″ h (tea can); 3-1/4″ h (blue & white teacup; 5-1/2″ dia. (blue & white bowl). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally very good. 9-23302 (400-600)

PAIR OF CHINESE EXPORT FAMILLE VERTE URNS. 19th century. Each baluster form vase is nicely decorated with bamboo and other flowering trees amongst exotic birds. Sides are decorated with Foo Dog mounts with flaring inverted rims. SIZE: 18″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: One urn with large crack extending from base up side to handle and down the other side. Second urn is very good. 9-23294 (300-500)

NANKING BLUE DECORATED CHOCOLATE POT. China. Deep underglaze blue pastoral scene mounted with side handle with rolled grip and S-scrolled spout. Lid with foo dog finial. SIZE: 8-1/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. Lid professionally mended. 9-23252 (600-900)

GROUP OF SIX CANTON SERVING DISHES. 19th century. Comprising an oval well-n-tree platter, an oval reticulated serving platter, an oval chestnut basket with handles, a shallow bowl with scalloped edges, a shaped vegetable serving dish and an undertray. All with typical decoration in blue and white underglaze. SIZE: 1) 17-3/4″ x 13-1/2″ 2) 11″ x 9-3/4″ 3) 3-1/2″ h x 7″ l x 5-3/4″ w. 4) 9-1/4″ dia. 5) 9-1/2″ x 10″ 6) 7-1/2″ x 5-1/2″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good overall. 2) 3/4″ chip to rim at end of platter. 3) With minor firing cracks inside. 4)Very good. 5) Very good. 6) With hairline crack at corner of side. 9-23282 (1,000-1,500)

FINE PAIR OF SATSUMA CHRYSANTHEMUM VASES. 19th century. Pair of beaker form vases, gilt decorated and painted overall with polychrome chrysanthemums. Marked on underside with twelve character marks denoting the company & maker beneath a dark indigo cross within a circle. SIZE: 16″ h x 9-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with fine craquelure. 9-23295 (1,000-2,000)

RARE “ROYAL” SATSUMA TEACUP AND SAUCER TOGETHER WITH DECORATED SATSUMA TEABOWL. 19th century. First decorated with shaped reserves, each with group of people , on polychrome floral ground. Teacup decorated on interior with dense flock of polychrome butterflies. Saucer similarly decorated in center. Maker’s mark on bottom of each. Teabowl decorated with series of pale blue rondels, each paint decorated with different animal within gilt decorated border. SIZE: Cup: 1-3/4″ h. Saucer: 4-1/4″ dia. Bowl: 2″ h x 3-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both very good overall. 9-23299 (400-600)

GROUP OF JAPANESE KUTANI AND SATSUMA TABLEWARES. Lot includes 1) Bowl with vignette of scholar and student. 2) Plate with vignette of scholars studying scrolls. 3) Large shell dish decorated with garden flowers and butterflies: The exterior decorated with crustaceans and clams, signed on interior. 4) Creamer decorated overall with butterflies fitted with a lid in the form of a leaf. 5) Kutani coffee can. The exterior paint decorated with floral and scenic panels, the interior with rows of verse. 6) Earthenware teapot in matte glaze decorated overall with flowers in pastel colors on brown ground. SIZE: 1) 8-1/2″ dia. 2) 8-1/2″ dia. 3) 7-3/4″ x 5-1/2″ 4) 3-1/2″ h. 5) 2-3/4″ dia. 6) 6″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Shell with craquelure and wear to glaze on exterior. Lid not well fitted to creamer. The handle of teapot mounted with lead insulators. Otherwise overall good condition. 9-23300 (500-700)

TWO LARGE IMARI CHARGERS. Early 20th century. The first with a central rondel decorated with five-toed dragon in burnt umber within polychrome cloud bands surrounded by a band of four indigo rondels surmounted by moths alternating with an additional four rondels decorated with fanciful phoenix all within dense polychrome flowerheads. The exterior with fish beneath band of scales in underglaze-blue. The center of the base with an out of period Ming Dynasty six-digit mark, possibly a Japanese interpretation. The second smaller charger decorated overall with six reserves of floral sprays and floral landscapes set within diaperwork and indigo gilt decorated panels centering a rondel with deep orange and cobalt blue floral spray. The exterior decorated with “Precious Things” in underglaze-blue. SIZE: 1) 18-1/2″ dia. 2) 15-3/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good. 2) Very good with minor roughness to rim edges. Colors remain vibrant. 9-23218 (800-1,000)

TWO OVAL IMARI PLATTERS. Late 19th/Early 20th century. 1) Scalloped edges, decorated with four reserves centering an oval panel which is floral decorated. 2) With opposing floral decorated panels; one with a building, the second with a bird within a polychromed painted floral ground. Both are decorated on the reverse in underglaze blue. SIZE: 12″ & 13-1/2″ long. PROVENANCE: From the Collection of Dorothy-Lee Jones. CONDITION: Both are very good with each having small losses to glazing. 9-23283 (600-900)

GROUP OF FIVE ORIENTAL AND ENGLISH TABLEWARES. 20th century. Includes shell dish and octagonal dish both in underglaze blue with pseudo-Chinese markings. Underglaze decorated teabowl in Oriental taste, possibly Johnson. Japanese scalloped bowl decorated with Japanese flag, fan and heron. Three legged Famille Rose censor with carved hardwood lid decorated overall with flowers and butterflies. SIZE: 1) 9-3/4″ l. 2) 6-1/2″ dia. 3) 3-1/2″ dia. 4) 7″ dia. 5) 6-1/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Chips to rim of leaf dish. Chip to edge of oct. dish. Chip to rim of teabowl. Japanese bowl with wear to gilding. Censor with repair to flower petals on handle, missing knop. 9-23304 (400-600)

ORIENTAL “LOWESTOFT” ARMORIAL TEAPOT. 19th century. Teapot of bulbous form decorated with armorial crest incorporating a lion rampant within a shield beneath helmet beneath leopard head beneath banner in which is written “ESSAYEZ” beneath floral garlands and swags. Domed lid with knop. SIZE: 6-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With roughness to edge of spout and with small losses to enamel paint within each crest. With wear to gilding on spout and handle. Otherwise very good. 9-23254 (500-800)

CHINESE BLANC SUR BLANC PORCELAIN CHARGER. 19th century. With central design of scrolled pomegranates within floral and gilded borders. Ching-Te-Chen region, “The Porcelain City”. SIZE: 15″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with wear to gilding. 9-23217 (800-1,200)

TWO ORIENTAL DECORATED VASES. Late 19th/early 20th century. The first a baluster form famille verte decorated overall with polychrome floral shrubs populated with fanciful birds and insects. The everted rim with a pale lavender diaperwork band with reserves decorated with scholarly devices. The base with six-character mark in underglaze-blue. The second a faceted hexagonal canister vase polychrome decorated overall with flowering shrubs at top and bottom, the center section decorated with censors on stands alternating with panels of symbols in red enamel. SIZE: 1) 18″ h x 8-1/4″ dia. 2) 12-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1)Very good. 2) Very good. 9-23291 (600-800)

THREE DECORATED JAPANESE DISHES. 20th century. 1) Decorated with central rondel with concentric circles radiating leaf tips. 2) With a small house in a treed landscape with border of flowerheads. 3) Decorated with large floral spray in orange oxides within a scrolling border of fleur de lis and floral devices. SIZE: 9″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All three with shallow chips, roughness and losses to glaze on edges. Otherwise structurally good. 9-23284 (300-500)

TWO ORIENTAL TEAPOTS. First example with ribbing in underglaze blue applied with gilt decorated floral sprigs with scrolling gilded border on gray ground. Lid with berry knop. Second a floral decorated bulbous example with cream painted floral ground. SIZE: 5-1/4″ h. PROVENANCE: First: Eleanor Gordon Antiques. From the private collection of Dorothy-Lee Jones. CONDITION: First with minimal and minor flecks to applied sprigs and loss to gilded decoration, otherwise very good. Second with two vertical hairlines at top of pot. Some wear to gilding and borders. Otherwise good. 9-23243 (600-900)

Revised: 8/22/2011

Additional Information: In reference to the photo of the four plates; one of the bottom plates has a small, old professional repair to the rim edge.

TWO PAIR OF CHINESE POLYCHROME DECORATED BOWLS. 20th Century. The first decorated with floral and berry vinery centering a large stylized flower. The reverse similarly decorated and with an out-of-period Ming Dynasty mark of the Wan Li Period (1563-1620). The second pair of delicate scrolling polychrome vinery. The reverse densely decorated with floral vinery. Bottom with out-of-period mark of the Ch’ing Dynasty, Yung Cheng Period (1723-1735). SIZE: 7-3/4″ dia.; 7-1/2″ dia. respectively. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good for both pair with minimal and minor roughness to edges. 9-23276 (600-900)

SIX ORIENTAL SMALL BOWLS. 19th/20th Century. Six Oriental bowls, each marked from the Ch’ing Dynasty Period, the reign of Yung Cheng. Believed to be out-of-period marks. 1) A footed bowl decorated overall with red bats within green cloudbands on a yellow ground. 2) A footed rice bowl, sang-de-boeuf enamel. 3) Pair of shallow bowls incised with scrolling floral decoration beneath yellow glaze. 4) Pair of molded shallow bowls with wave decoration beneath pale blue glaze. SIZE: 1) 4-3/4″ dia. 2) 5-1/4″ dia. 3) 5-3/4″ dia. 4) 6-1/4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good. 9-23298 (300-500)

CHINESE BLACK LACQUER AND CINNABAR DECORATED VASE & TWO OPAQUE VASE. Last quarter 19th century, Chinese. 1) Baluster vase overlaid with black lacquer peopled landscapes on cinnabar base with diaperwork. 2) Glass trumpet vase with molded floral vinery of morning glories with everted rim and scalloped foot rim. 3) Similar bulbous example with tri-corner rim. SIZE: 1) 6-1/4″ h. 2) 9-1/4″ h. 3) 10″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Very good. 2) Very good with moderate wear to gilded surfaces, painted flowers and leaves. 2) Very good. 9-23248 (500-800)

LARGE CHINESE PAINT DECORATED VASE. Second half 19th century. Decorated overall with flowering trees, egrets and exotic birds beneath a band of scholarly ribbon-tied objects. The throat similarly decorated. SIZE: 23-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good with some losses to enamel and with some light surface scratching. 9-23292 (600-900)

PAIR OF CHINESE BEAKER FORM VASES. 20th Century. With everted rim and base rim decorated overall in underglaze blue with peopled garden landscapes. SIZE: 14-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both appear to be in very good overall condition. Colors remain vibrant and glaze intact. 9-23297 (500-700)

TWO GREEN GLAZE DECORATED VASES. 20th century, probably Japanese. First, a baluster vase, decorated with herons within rondels. Second, a pear shaped bottle vase, floral decorated and with birds and trees within cartouches. Each with same maker’s mark. SIZE: 13-1/2″ h and 13″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with craquelure overall. 9-23242 (800-1,200)

TWO JAPANESE CERAMIC VASES. Late 19th/Early 20th century. 1) Satsuma vase with polychrome floral reserves within gold borders. Body decorated overall in multicolored granules applied as a ground amongst gold gilded seaweed centering rayed fans. Unsigned. 2) Kutani vase with flared scalloped rim decorated with trees and banners. Neck applied with Foo dog handles. Body is decorated with polychrome Samurai warriors in challenging positions amongst shields and banners. Signed on underside. SIZE: 12″ h and 13″ h respectively. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Satsuma vase with allover craquelure and with vertical hairline crack. Kutani vase with fleabites to top rim as well as wear to glaze on handles. 9-23296 (600-800)

FOUR ORIENTAL ART POTTERY VASES. 20th century. Including an indigo baluster form vase with everted rim, a double gourd pale yellow mold decorated vase made in Jing De Zeng, a small double gourd vase in shades of purple and red and a bottle vase with everted rim in red, olive, brown and cream. SIZE: 8″ h (tallest); 4-1/4″ h (shortest) PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Indigo vase with craquelure, bottle vase with craquelure. Otherwise all appear very good. 9-23290 (600-900)

CHINESE PORCELAIN DECORATED COVERED BOX. 19th century. Square box with notched corners decorated in underglaze blue, lid with arrangement of five 4-toed dragons in pursuit of pearls in seascape. SIZE: 3-1/2″ h x 8″ square. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23251 (500-700)

TWO BLANC DE CHINE PORCELAIN FIGURES OF GUANYIN. 20th century. Standing figure marked “CHINA” within base. Second, heavier modeled example, of seated figure with beaded necklace. SIZE: 1) 11″ h. 2) 8-3/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both with damages to digits. Standing figure missing right foot. 9-23209 (500-800)

THREE ORIENTAL CARVED FIGURES. 19th/20th Century. First a carved figure of waiter serving a turtle entree attired in vermilion and gold brocade robe in red lacquer and with silver gilt decoration. Waiter also lacquered in gold gilt with unique facial features and with long hair and headdress. Now mounted in later stand. Pair of foo dogs in vermilion, black and gold paint. Each on carved plinth. In classic poses, each with free floating ball within its mouth. Each on rockwork plinth. SIZE: Waiter: 16-1/2″ h. Foo Dogs: 7-3/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Waiter structurally very good with some drying and flaking to painted, lacquered, and gilded surfaces. Each foo dog with small losses to collars, tips of tail and ears. Painted surfaces good. 9-23212 (800-1,200)

TWO CHINESE TERRACOTTA FIGURAL ROOF TILES. 20th Century. Each depicting a warrior in a combative stance decorated in shades of mustard and emerald green enamels. SIZE: 14-1/2″ h x 12-1/4″ h respectively. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good with normal expected losses to glaze. 9-23210 (600-900)

THREE CHINESE WATERCOLOR SCROLLS. 20th century. 1) The first, a small mountainous landscape on a gold ground within textured silk borders signed proper right side. 2) Depicting a small square landscape of mountains, pond with ducks and flowering trees within a textured, silk beige border with original storage box. Signature and/or title located at top of scroll. 3) The third, a watercolor depicting a praying mantis, insects and moths amongst flowering branches. Signed proper right side. Within an ivory textured surround. Accompanied by storage box. SIZE: 1) 24″ h x 26-1/2″ l; 2) (overall) 44″ h x 14-3/4″ w; (image) 10″ h x 11″ w; 3)(overall) 80″ h x 18-1/2″ w; (image) 40″ h x 13-1/2″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The first scroll with water stains, the second and third, very good overall. 9-23319 (700-900)

ONE CHINESE & TWO JAPANESE WATERCOLOR SCROLLS. 1) The first in a hardwood storage box with characters on exterior and interior of lid. Depicting a monochromatic watercolor of a pair of white herons in a treed, aquatic landscape. Within a textured green and gold silk border. Signed lower right. 2) Depicting a delicate floral landscape with signature and/or title marks lower right corner facing. All within a gold and beige silk border. 3) Depicting flowering tree with bird on a rocky outcrop. Signed upper right hand corner facing. Within a pale gold and beige floral silk border. SIZE: 1) (overall) 67″ h x 17-1/2″ w; (image) 37-1/2″ h x 16-1/2″ w. 2)(overall) 71″ h x 18″ w; (image) 37-1/2″ h x 13-1/2″ w. 3) (overall) 74″ h x 17-1/2″ w; (image) 44″ h x 13″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: All three scrolls, very good overall. 9-23317 (700-900)

Revised: 8/22/2011

Additional Information: There is a very small, old shrinkage crack on the back of the dog’s neck.

FINE JAPANESE IVORY CARVING OF PEKINGESE. Late 19th Century, Japanese. Depicting a Pekingese with ribbon bow tie frolicking on its back, all four paws extended with abalone eyes. Signed on bottom of base. SIZE: 2-1/2″ h x 3-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with nice color and patina. 9-23306 (600-700)

ORIENTAL FINELY CARVED AND DETAILED IVORY EAR OF CORN ON HARDWOOD STAND. Late 19th century, Japanese. Rendered partially shucked with patinated silk and with partial stalk. Fitted to a custom stand. Signed by maker. SIZE: Corn: 12-1/4″ l. Overall: 14-3/4″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: With nice color and patina, small areas of silk at tip of ear missing and with small losses in areas of stalk. Otherwise very good overall. 9-23305 (800-1,200)

CHINESE CLEAR CRYSTAL COVERED JAR. Faceted pagoda lid fitted to conforming six-sided vial fashioned with four stylized fanciful elephant busts, two with suspended rings on conforming foot. SIZE: 6-3/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall with fleabites on top and bottom rims. 9-23259 (800-1,200)

GROUP OF SIX ORIENTAL SNUFF BOTTLES. Snuff bottles, including two Peking glass examples, one overlaid with dragon, second with a bat, an amethyst example with coral stopper in shape of eggplant, two terracotta colored bottles, one of glass the other possibly of stone. Largest painted with scene of warriors doing battle on horseback. SIZE: Ranges from 2-1/4″ h to 4-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. 9-23246 (400-600)

TWO JADE TREES. 20th Century. The first and largest example with hardstone petals set in a jade over hardstone container, polychrome decorated with landscapes. The second, smaller jade tree, mounted in a cloisonne container. SIZE: 1) 18″ h x 14″ w x 10″ d. 2) 13-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) As is most often the case with these objects, there are losses to petals on flower buds. The tree trunk with cracks. 2) With minor losses to petals, otherwise appears good. 9-23213 (800-1,200)

PAIR CHINESE DECORATED GLASS VASES. Ch’ing Dynasty, last quarter 19th century. Opaque baluster form vases paint decorated overall with pastoral mountain scenes. Inscribed “In the summer month of the year Ken-Sheng. Sixth year of Quang Hsu of the Ch’ing Dynasty”. Also with the seal mark of Shih-Hsien. SIZE: 9-3/4″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23247 (800-1,200)

TWO ORIENTAL REVERSE PAINTINGS ON GLASS. 20th century. 1) Portrait of young woman with fan and indigo and black floral kimono wearing a floral headband. Housed in a black molded frame. 2) Portrait of three children playing instruments by a potted bamboo bush. The two younger and one older child in traditional dress wearing laced slippers. Housed in a brown molded frame. SIZE: Sight: 19″ x 13-1/4″. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good. 9-23203 (400-600)

TWO CUPS AND SAUCERS. 20th century. The first, an Oriental hardstone cream colored cup and saucer. The second, a signed “STEUBEN” chartreuse cup, saucer and plate. SIZE: 1) 2″ h (cup), 4-1/4″ dia. (saucer). 2) 2-1/4″ h (cup), 4-1/2″ dia. (saucer), 5-1/4″ dia. (plate). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally very good. 9-23289 (100-200)

CARVED MARBLE BUST OF GUAN YIN. 18th/19th century. Nicely carved bust with full scrolling headdress of exotic birds and finely detailed facial features. Once part of a much larger statue. SIZE: 16″h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Overall very good with minimal affects from weathering with nice color and patina. 23610 (800-1,200)

CHINESE BRONZE INCENSE BURNER. Cast in the form of a Foo Dog with hinged head, open mouth and with scrolled hocks. The body cast in two halves. SIZE: 13-1/2″ h x 8″ l x 5″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Head with broken tip above right eye. Body halves need re-soldering for assembly. With good undisturbed patina. 9-23611 (800-1,200)

ORIENTAL CAST BRONZE ELEPHANT AND RIDER. 19th century, probably Chinese. Cast in two parts, depicting an elephant with trappings, a bearded rider with top knot seated astride the elephant. The rider wearing a textured robe tied at waist with three-dimensional leaf embellishments. SIZE: 16″ h x 12-3/4″ l x 6-3/4″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good with appropriate wear to bottom of elephant feet, good color and undisturbed patina. 9-23211 (500-700)

HEAVY ANTIQUE CHINESE BRONZE COVERED INCENSE BURNER. 19th Century. With relief scroll design around the body of the base, each leg ending in clawed paws with ornamental Foo Dog at the knee. Handles are on either side are serpents, the pierced openwork top with vine, dragon and lotus leaf design. Underside impressed with and out of period Ming Dynasty mark. SIZE: 8-1/2″ w x 10-1/2″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Nice old patinaed surface. 9-23573 (600-1,200)

TWO JAPANESE CAST BRONZE ELEPHANTS. Late 19th, early 20th century. Each cast with uplifted trunk and outspread ears, each tail joined to left rear leg. Larger signed beneath the stomach. SIZE: 1) 10-3/4″ h. 2) 9″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both with original surfaces. One with medium brown color, the second with coffee color. Undisturbed patina. 9-23208 (400-600)

CHINESE PATINATED BRASS INCENSE BURNER. 19th century. This nice, unusual marked example of rectangular form with a hinged carrying handle. The reticulated domed lid decorated overall with cast brass figures of treed landscapes with pagodas, sampan, and fishermen beneath cloudbands. Beneath the base is the maker’s mark of Mingzi Zhang. SIZE: Overall 8-1/2″ h x 10-1/2″ l x 7-1/3″ w. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Structurally very good with oxidized and weathered surfaces overall. Patina best on lid. 9-23206 (1,200-1,800)

TWO CHINESE BRONZE BOWLS. 19th century. Each with out of period Ming Dynasty marks. Smallest in three leg censor form cast with mythical masks at opposing ends. Larger with bands of incised scrolling vinery and with scrolling serpent handles. SIZE: 1-3/4″ h x 2-3/4″ dia. 3-1/4″ h x 4″ dia. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Both very good with good color and undisturbed patina. 9-23207 (300-500)

THREE CHINESE VASES NOW MOUNTED AS LAMPS. Including a pair of sang de boeuf bulbous vases grading to shades of turquoise and indigo at collar and a larger ginger jar in marbleized and striated shades of blue to celadon green at base. Each now mounted on a hardwood stand. SIZE: 22″ h (single); 16″ h (pair). PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Very good overall. Each vase has been drilled for wiring. 9-23204 (500-700)

THREE ORIENTAL VASES NOW MOUNTED AS LAMPS. 19th century. 1) The first a large, elongated bottle-form vase in canary yellow enamel. 2) The second, a beaker form Satsuma vase decorated with a royal procession within a cartouche, the reverse with a cartouche with a decorated tree landscape on a black ground. 3) The third is a Chinese cloisonne storage jar decorated overall with a wide midband of Chinese seal marks, all on a turquoise ground, densely populated with polychrome insects and flower heads. Each is mounted on a hardwood base and mounted as a lamp. SIZE: 1) 21″ h, overall 33″. 2) 15-1/2″ h, overall 31″. 3) 11″ h, overall 25″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: The first with craquelure, overall very good. The bottle vase and Satsuma vase, each with craquelure, otherwise very good. The cloisonne example is good overall with some pitting to enamel within some cloisons. 9-23205 (1,000-1,500)

FOUR PIECES OF CHINESE CLOISONNE. 19th century. 1) Including a rare and unusual cloisonne baluster vase. An oval reserve decorated with a female figure in an indigo Kimono amongst cherry blossoms opposing an oval reserve with birds in flight in a night sky. The sides decorated with phoenix’ in flight amongst flower heads on a light indigo ground. 2) The second a cloisonne charger. The central rondel depicting an exotic bird and an insect amongst flowering chrysanthemums on a pale turquoise ground within a wide ivory band decorated with polychrome flowers. All within a deep indigo and black band of flowers. 3)The third a bulbous cloisonne teapot of polychrome floral design overall on a pale turquoise ground, the hinged circular lid with black and brass finial conforming to the c-scrolled handle. 4) A small baluster form floral decorated cloisonne vase with gold and copper flecks throughout on a black and indigo ground. SIZE: 1) 9-3/4″ h. 2) 11-3/4″ dia. 3) 5-1/2″ h. 4) 7″ h. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: 1) Small damages to neck of vase, otherwise very good. 2) Charger with craquelure in central ground, otherwise very good. 3) Teapot with slight denting to rim of lid. Spout with damage to cloisonne at tip, otherwise good. 4) Very good overall. 9-23288 (800-1,000)

FINE JAPANESE BLACK LACQUER FITTED BOX. Second half 19th century. The rectangular box with conforming fitted lid, decorated with a floral bouquet. The interior fitted with a tray, lifting to expose a storage compartment. One end fitted with a shallow drawer beside a square, deep drawer mounted with lock and escutcheon. The sides fitted with rings to which are attached deep purple tasseled cords for carrying. SIZE: 8″ h x 7″ w x 9-1/2″ l. PROVENANCE: From the private collection of Dorothy-Lee Jones. CONDITION: Generally in very good overall condition. Bottom corner rim of lid with chip. In addition, bottom rim of box with minor lacquer losses and with shrinkage split, similar to vertical crack at seam proper left front. Otherwise very good. 9-23214 (400-600)

QING DYNASTY CARVED SOAPSTONE BRUSH BOWL. 18th century. This signed example depicting travelers approaching a bridge, three male figures seated at a table, buildings within mountainous treed landscapes. The variegated soapstone ranging from pale celadon green through rich terracotta tones and dark brown. Side of the bowl with three character signature incised on a rocky outcropping. SIZE: 2-1/2″ h x 5-3/4″ dia. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very good overall with nicely worn surfaces. 9-22148 (3,000-5,000)

FINE CARVED JADE TEAPOT WITH COVER. Second half 19th century. Carved from the solid, the celadon green jade kettle of depressed globular form fitted with a circular lid with lotus blossom finial, each side carved with a scrolling cartouche of leaf tips within guilloche carved borders. SIZE: 4-1/4″ h x 6-3/4″ l x 3-3/4″ w. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: Tip of spout with tiny fleck. Otherwise very good. 9-22147 (2,000-3,000)

FINE QING DYNASTY LACQUER AND GOLD DECORATED ROUND BOX. The black lacquer box with fitted and conforming lid decorated with a pair of opposing five-toed dragons centering a SHOU character signifying life and longevity, amidst cloud bands within a floral scrolling border. The sides with reserves of gilt phoenix. The base with a gilt five-toed dragon, a floral and fruit filled bowl in his grasp. The interior in black lacquer, the lid with a central half-round support marked with a six character Ming Dynasty Wanli mark. We are not certain of vintage & cannot guarantee the correctness of this mark. SIZE: 5-1/4″ h x 16-1/2″ dia. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: With overall craquelure, the original surfaces with minor wear throughout. In overall very fine condition. 9-22133 (10,000-15,000)

PAIR OF QING DYNASTY YELLOW ENAMEL SMALL DEEP DISHES. 19th century. Each with a 6 character Qianlong (1736-1795) reign mark in underglaze black. Each dish decorated with a central 5-toe dragon in green enamel within a leafy rondel, the borders decorated with opposing running dragons amidst leafy vinery, all in green enamel. Each dish with scalloped edge. The exterior also decorated with running dragons. SIZE: 1″ h x 5-1/4″ dia. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: Very good. 9-22145 (3,000-5,000)

QING DYNASTY HEAVILY CARVED SOAPSTONE BRUSH POT. 19th century. This fine example in green and amber soapstone carved depicting a gathering of animated sages in a mountainous landscape framed within mountains, bridges and a village. The opposing scene featuring a central Buddha surrounded by lesser sages and scribes all within a similar landscape. The underside stamped with an Imperial Qing Dynasty mark, possibly Qianlong reign (1736-1795). SIZE: 6-1/4″ h x 5-1/2″ dia. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very good overall with rich coloration and detailed carving. 9-22135 (4,000-6,000)

QING DYNASTY TEADUST-GLAZED FIVE-SPOUT VASE. 20th century. Qianlong Period. The body of compressed globular form with a tall central neck flanked by four additional cylindrical spouts. Applied overall in a rich speckled olive green glaze. The footrim centering a six character Qianlong mark. SIZE: 10″ h. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: Very good overall. 9-22141 (2,000-3,000)

FINE PEKING GLASS DEEP INDIGO CENSOR, QIANLONG MARK. 19th century with four-character Qianlong mark (1736-1795). This round example with conforming lid having a large single dragon finial. The base with opposing lion’s head handles raised on three cylindrical legs. The deep indigo glass with silver “stars” or flecks; natural inclusions within the glass. SIZE: 8-1/2″ h x 7″ dia. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: Very good. 9-22140 (3,000-5,000)

RARE ARCHAIC SHANG STYLE DING FORM BRONZE CENSOR. Possibly Shang Dynasty (18th-12th Centuries BC). The circular domed lid joined to the conforming bulbous base with an unusual female full body hinge. The S-scrolled spout in the form of a bird with elongated beak opposing a ring handle in the form of a dragon’s head mounted beneath a flattened bird’s tail. Raised on four cylindrical legs. The whole decorated in relief with bands of confronting dragons with curled snouts and tails. SIZE: 10″ h x 12″ l x 6-3/4″ w. PROVENANCE: A gift to Price Duan Aixinjueluo Zaiyi (1856-1922) from a Department Minister. From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: With fine olive-green patina and with malachite and reddish encrustation. The interior pitted and encrusted. Structurally very good. 9-22136 (2,000-4,000)

RARE QING DYNASTY CARVED TIBETAN BUDDHIST HEAD. Possibly rhinoceros horn. Impressed with a 4-character Kangxi reign mark (1662-1722). This stylistic Bodhisattva bust mounted on an angular circular plinth carved with guilloches, the underside with impressed Kangxi reign mark. This item is accompanied by a fitted Hualimu or rosewood presentation box with sliding lid. SIZE: 6-3/4″ h x 3″ dia. Box: 4-3/4″ h x 9-1/2″ l x 4-3/4″ w. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very fine original condition with very good patina and dark rich variegated coloration. 9-22138 (8,000-12,000)

RARE LARGE CHINESE HUALIMU BRUSH POT. This large and fine rosewood (hualimu) example carved overall with a pastoral treed landscape. One panel illustrating a group of sages inspecting scrolls. The opposing panel depicting three travelers before a pavilion. SIZE: 8″ h x 8-1/2″ dia. PROVENANCE: Property of Crown Prince Aixinjueluo Pujun (1886-1929). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very fine original condition with deep, rich color and good patina. 9-22134 (10,000-12,500)

RARE QING DYNASTY CARVED AMBER COLORED SOAPSTONE COVERED FRUIT DISH. First half 19th century. Impressed with 6 character Kangxi mark (1662-1722). The lid with a deeply carved central rondel depicting a Qilin, further surrounded by carved bands of Chi-Dragons. The conforming base with a band of stylized confronting dragons, in pairs, on an incised ground. Within the footrim of the base, the reign mark is flanked by rows of Chinese characters. Please note that throughout this covered dish are series of Chinese characters. SIZE: 4-1/4″ h x 9-1/2″ dia. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Overall very fine with rich warm coloration throughout. 9-22144 (10,000-15,000)

UNIQUE & IMPORTANT NATURAL CRYSTAL CARVING OF TRIBUTE TO EMPRESS DOWAGER CIXI. Circa 1894. This rare example was a birthday gift to the Empress Dowager Cixi in celebration of her 60th birthday (Oct. 10, 1894) by Prince Duan Aixinjueluo Zaiyi (1856-1922), nephew of Emperor Xianfeng (reign 1850-1861). This fanciful clear crystal carving depicting a central bearded Buddha standing with a walking staff in his right hand, a censor at his feet. Above his head is a rendering of a winged dragon beneath flying bats. A figure of a youth holding a fruit is above his right shoulder and an inscribed Fu character is above his left shoulder. To his left a deer, making an offering of a lingzhi or mushroom. On his right, above the stylized tree with jade green leaves, is a heron. The central figure standing on a rocky plinth is partially concealed behind these jade colored leaves, the natural rockwork also of a jade green color. When viewed from the rear the upper half of the carving is rendered with cloud bands centering a SHOU character at the apex, while the base clearly depicts a continuation of the tree branches. The tree roots continuing into the rockwork base. The whole mounted on a stylistic carved hardwood base of later vintage. A truly rare and fine example. SIZE: 20″ h x 13-1/2″ w. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: In very fine original condition. 9-22139 (60,000-90,000)

IMPORTANT QING DYNASTY CARVED RHINOCEROS HORN TIBETAN BUDDHIST TOWER. Possibly Kangxi (1662-1722). This fine example of obelisk form with floral and foliate carvings and with silver mounts at the corners of the medial plinth, each depicting a frog on a lily pad. The base additionally carved with Foo dogs and the plinth with scrolling vinery. The plinth is encased with a silver sheath impressed with a Yi dragon symbol. The Buddhist tower is accompanied by a beautiful hardwood presentation box with sliding cover. SIZE: 7-1/2″ h x 3″ square base. Box: 3-3/4″ h x 9-1/2″ l x 5″ w. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: In very fine or excellent original condition with lovely patina and rich coloration. The box equally in fine condition. 9-22137 (15,000-20,000)

RARE QING DYNASTY CARVED ZITAN JEWELRY BOX. Second half 19th century. The rectangular case carved overall with hexagonal floral rosettes and fitted with a pair of drawers with reeded fronts, each with a demilune carved bone handle. The sides applied with carved bone simulated latches. SIZE: 8″ h x 11″ w of case x 7-1/2″ d of case. PROVENANCE: Property of Lady Fujin, wife of Crown Prince Aixinjueluo Pujun (1886-1929). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very fine original condition. 9-22146 (12,500-15,000)

NICE PAIR OF CHINESE HONGMU FLOWER STANDS. Late 19th century. The hexagonal top with in-curved molded edges centering a hexagonal panel above the conforming double pierced and molded frieze joined to an out-sloping scrolled apron raised on six stylistic cabriole legs terminating in scrolled volutes on a hexagonal shaped plinth. SIZE: 29″ h x 23″ dia. CONDITION: Very good with cleaned original surfaces. 9-22157 (4,000-6,000)

QING DYNASTY ENAMELED DECORATED COVERED SOUP BOX. 20th century. With Qianlong (1736-1795) six figure seal mark in underglaze blue. Polychrome and gilt decorated overall, the cylindrical box with rondels of exotic birds alternating with floral rosettes within indigo Greek key borders and gold gilt vinery and applied with S-scroll gilt handles. The conforming lid decorated with polychrome floral sprays and with a circular knop finial. SIZE: 6-1/4″ h x 5″ dia. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: Very good overall with brilliant coloration. 9-22152 (1,000-1,500)

QING DYNASTY ZITAN BRUSH POT. Second half of the 19th Century. The square brush pot or “bitong” with canted corners carved with scrolling vinery, each panel depicting a caries pastoral scene comprised of various inlaid hardwoods, semi-precious stones and abalone. SIZE: 6-1/2″ h x 5-1/4″ square. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: Very good with original surfaces. No damages or restorations noted. 9-22155 (2,500-4,000)

FINE RED (DAHONGPAO) STONE STAMP OR SEAL. Second half 19th century. The top impressed with a Shou character. One side of the stone seal with 9 characters (see photo). The bottom of the stamp/seal engraved with several Chinese characters. SIZE: 2-3/4″ h x 4″ square. PROVENANCE: Property of Prince Duan Aixinjueluo Zaiyi (1856-1922). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very fine original condition. 9-22143 (8,000-12,000)

SANG DE BOEUF SLENDER BALUSTER FORM VASE. 20th century. With six character Qianlong (1736-1795) seal mark in underglaze blue (out of period). With pronounced everted rim with gilt decorated edge and with a slender throat. With an overall matte red glaze. SIZE: 12-1/2″ h. PROVENANCE: From the Private Collection of the Grand Niece of the Last Emperor Puyi (Reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and Great-Great Granddaughter of the Dowager Empress Cixi (Reign 1861-1908). CONDITION: With extensive wear to gilt decorated rim, otherwise very good. 9-22150 (500-1,000)

PAIR OF HEXAGONAL FORM BAMBOO BRUSH POTS. Each panel profusely decorated with fanciful dragons entwined in trees chasing a pearl. SIZE: 12″ h x 9-1/2″ dia. overall. PROVENANCE: Property of Crown Prince Aixinjueluo Pujun (1886-1929). From the private collection of the grandniece of the Last Emperor Puyi (reign 1906-1917) of the Qing Dynasty. Granddaughter of Puji and great-great granddaughter of the Dowager Empress Cixi (reign 1861-1908). CONDITION: Very good. 9-22149 (3,000-5,000)

RARE AND IMPORTANT CHINESE ROSEWOOD FERN STAND. 1st third 19th century. The circular top with beaded edge inset with a fine conforming high glaze enameled plaque, the central rondel decorated with an animated four-toed dragon within cloud bands within an emerald green diaper surround filled with small polychrome painted floral rosettes within a border of hexagonal devices. The apron heavily carved with fruit and flowers raised on four carved cabriole legs joined by a floral square medial stretcher terminating in out-swept paw feet. Made for domestic market. SIZE: 18″ h x 12″ dia. (top); Overall: 15-1/2″ dia. CONDITION: Very good overall with good color and patina. Some losses to toes. 9-22315 (6,000-12,000)

CHINESE BLACK LACQUER AND CINNABAR CIRCULAR PENG BOX WITH COVER. 19th century. The lid deeply carved depicting a battle between mounted Samurai framed between pavilions with a mountainous landscape in the background all within a conforming Greek key border. The sides of the box with reserves carved with various scenes of children at play and of learning alternating with ribbon tied scholarly devices. The base similarly carved. SIZE: 6″ h x 12-1/2″ dia. CONDITION: Very good overall with original surfaces and nice patina. Minor losses to black lacquered surfaces along rim of lid and base and with some shrinkage cracking in interior. 9-22317 (6,000-8,000)

TIBETAN GILT BRONZE “MEDICINE” BUDDHA. 19th century. Finely cast and modeled statue of a Buddha on a deep cassock on a double lotus throne. “His left hand is in the meditation mudra and holds a begging bowl full of long life nectar in his lap. As a sign that he gives protection from illness, his right hand is outstretched in the gesture of giving and holds the ‘great medicine’, the myrobalan plant (a-ru-ra)” Men-Tse-Khang. Underside embossed with a flowerhead. SIZE: 8-1/2″ h x 6″ w x 4-3/4″ d. CONDITION: Very fine. 9-22304 (2,500-3,000)

RARE BUDDHIST GILT BRONZE LOTUS SEED POD. 18th century. Round pod fashioned with 10 movable “seeds” protruding from the surface which, upon touching, emit a pleasing sound. Base hollow and incised with three hearts. Now mounted on a hard wood stand. SIZE: Pod: 1-1/2″ h x 4-1/4″ dia. With stand: 3″ h. CONDITION: Very good with nice patina. 9-22305 (2,500-3,000)

INDO-TIBETAN GILT BRONZE STANDING VAJRADHARA STATUE. 16th century quality and construction. The robed and bejeweled deity standing on an oval open-work plinth around the base of which is an inscription. The figure stands before a flame edged open-work mandala fastened to the plinth. SIZE: 6″ h x 3″ w x 2-1/2″ d. CONDITION: Very fine condition with good patina. No damages or restorations noted. 9-22318 (5,000-8,000)

CHINESE HUANGHUALI & SNAKEWOOD KANG TABLE. 19th century. The rectangular top with snakewood frame centering a huanghuali fielded panel above the frieze fitted with three carved drawer fronts of scrolling vinery and bats, the opposing side with conforming simulated panel drawers, continuing to in-curved legs, carved with bats and lotus blossoms, terminating in volutes, the mortised fielded panel ends of rosewood. SIZE: 14″ h x 45-1/2″ l x 17-1/2″ w. CONDITION: This example retains all original surfaces with very good patina and dark color. 9-22316 (6,000-8,000)

CHINESE CLOISONNE LOW BOWL ON A STAND. 19th century. The interior of the bowl decorated with a fanciful five-toed dragon in yellow and green enamels. The exterior decorated with opposing dragons chasing a marble ball on a black ground of cloud bands. The turquoise cloisonne base centering a four-figure mark. Accompanied by a conforming carved hardwood two-tiered stand. SIZE: Bowl: 3″ h x 10″ dia. Stand: 3-1/2″ h. CONDITION: The bowl is free of structural damages, however, the interior stained from standing water. The stand very good. 9-22750 (2,000-3,000)

FINE CHINESE CARVED IVORY DOUBLE DRAGON STATUETTE. 19th century. Carved from an archaic ivory tooth and mounted on a carved hardwood stand depicting two spiraling five-toed dragons chasing and playing with a ball decorated with flower heads and symbols (sometimes called a dragon ball). The treatment of the carving with attention to the natural discolorations of the archaic tooth. SIZE: Overall: 6″ h. CONDITION: Very nice patina with gradations in color. Structurally very good with natural age cracks. With small and minimal losses. 9-22321 (2,500-3,500)

PAIR OF FINE EARLY ORIENTAL PAINTINGS. Each painting on silk showing rare cloisonne vases with flowers. Unsigned but one of the vases with some writing. Housed in identical gilt oak frames with bead edge. SIZE: Sight: 33-1/2″ x 13-1/2″. CONDITION: Some horizontal foxing lines at intersection of backboard, other toning, otherwise very good. 9-22756 (2,000-3,000)

PAIR OF CHINESE QING KANGXI FAMILLE VERTE HEXAGONAL BALUSTER VASES ON STANDS. Qing dynasty, Kangxi period (1662-1722). Pair of faceted vases with pale yellow reserves of green and mauve chrysanthemum blooms on a checkered background above a band of palm fronds set in their original footed octagonal bases, similarly enameled. SIZE: 8-1/2″ h overall. CONDITION: Very good. 9-22164 (3,500-4,500)

CHINESE FAMILLE ROSE PLATE DEPICTING WARRIOR ASTRIDE GOAT. 20th century. Underside with 6-character Yongzheng mark within a double circle in underglaze blue. This nice example depicting a warrior with banner in period dress riding upon a white goat. Deep dish on a pale blue ground. SIZE: 1-1/2″ h x 8-1/4″ dia. CONDITION: Very good. 9-22158 (3,500-4,500)

CHINESE FITZHUGH PATTERN GARDEN SEAT. 20th century. Of hexagonal form, the blue and white enameled garden seat within opposing entwined bosses alternating with panels decorated with central rondel within dense foliate spandrels. Flanked by rows of nodules alternating with wavy borders interspersed with leafy twigs. SIZE: 18-1/2″ h x 14″ dia. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Very good. 9-22195 (1,000-2,000)

CHINESE EXPORT ROSE MEDALLION PLATTER AND LARGE ROUND SHALLOW BOWL. 19th century. The oval platter with six reserves of court scenes alternating with floral decorated reserves of birds, butterflies and beetles centering a rondel and with a polychrome floral border. The bowl polychrome painted with clusters of peonies, fruit sprigs, exotic birds and butterflies. The central rondel with gilt Greek key border. SIZE: 2″ h x 17″ l x 13-3/4″ w; 2-1/2″ d x 16″ dia. respectively PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Platter with minor flecks around rim and some wear to gilding, otherwise very good. Shallow bowl with wear to gilded edge and to gilding in rondel, otherwise very good. 9-22196 (800-1,200)

CHINESE EXPORT IMARI BOWL. Late 18th early 19th century. This nice footed bowl decorated overall with exotic birds and with floral sprays. The interior with a coral and gold gilt floral spray. The rim border with diaper reserves and peonies. SIZE: 4-1/2″ h x 10″ dia. CONDITION: With wear to gilded and painted surfaces commensurate with age. Bowl with shallow rim chips. Small vertical hairline crack in side of bowl. 9-22282 (800-1,200)

PAIR OF QING DYNASTY CARVED SQUARE ARMCHAIRS. 19th century, Qing Dynasty. The curved yoke form crestrail joined to cylindrical stiles centering a curved splat carved with a heart and deer beneath a tree. The shaped and curved arms on angled shaped supports centering a rectangular paneled seat. Raised on simple square and rectangular mortised legs joined by a box stretcher and frontal foot rest.The whole in black paint. SIZE: 42″ h of back, 21″ h of seat. CONDITION: Structurally good. Painted surfaces with wear and inpainting. Otherwise very good. 9-22259 (800-1,200)

PAIR OF CHINESE EXPORT BALUSTER FORM ROSE MEDALLION URNS WITH COVERS. 19th century. Densely decorated overall with fruit and floral sprays amidst butterflies. The shoulders mounted with simulated gilt Foo dog ring handles. Each with a domed cover with a Foo dog finial. SIZE: 26″ h. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: One urn with large visible repair to side, the cover with extensive repairs. The second urn structurally very good with minor chips to glazed surfaces on rim of cover. 9-22194 (1,000-1,500)

CHINESE WHITE CRACKLED BOTTLE FORM VASE. 19th century. Each side modeled with a fanciful bird within dense cloud bands, all in underglaze white. SIZE: 8-1/2″ h. CONDITION: Structurally very good with overall craquelure and with slight glaze flecks around upper rim. 9-22165 (1,500-2,500)

CHINESE EXPORT FAMILLE ROSE PUNCH BOWL. Second half 18th century. The interior decorated with central rondel depicting a fox hunt centered, by and beneath, interwoven floral garlands with floral sprays. The exterior decorated with large floral sprays within floral garlands and swags. SIZE: 4-3/4″ h x 11-1/4″ dia. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good with some wear to enamel in bottom of bowl interior. Edges with slight roughness and losses to gilding. 9-23562 (1,000-1,500)

PAIR OF CHINESE STORAGE OR TEMPLE JARS WITH COVERS. Each decorated in underglaze blue depicting a bearded individual presenting an object to a family group on a veranda beneath trees. Jar with applied foo dog devices through which would pass a rope handle. Domed lid with foo dog finial. SIZE: 22-1/2″ h x approx 13″ dia. CONDITION: Very good overall. 9-22766 (3,000-5,000)

CHINESE JADE AND HARDSTONE FLOWERING TREE. 19th century. Mounted in a bronze and copper rectangular planter on a hardwood stand. Featuring a blooming mei tree with jade petals flanked by lesser shrubs with hardstone and coral flower buds. SIZE: Overall: 2″ h x 15″ w x 8″ d. CONDITION: Overall very good with old surfaces. There are some losses to flower petals and an old repair to central branch of tree. The hardwood stand with some dryness. 9-22319 (1,500-2,000)

ORIENTAL MAHJONG SET IN FITTED CARVED CARRYING CASE. Late 19th century. The heavily carved case, each side depicting figures in scholarly pursuits. The hinged front panel opening to an interior fitted with five compartmentalized long drawers filled with a full complement of game pieces. Each piece of laminated bamboo and bone. SIZE: 9-1/2″ h x 9-1/2″ w x 7″ d. CONDITION: Very nice original condition with game pieces intact and retaining good color. 9-22311 (1,200-1,500)

TWO-PIECE CHINESE SILVER TEA SET. Each piece marked “Nanking Store Silver” with an Oriental mark. The teapot inscribed on bottom “Shanghai January 1940”. The set consisting of a 5-1/2″ covered teapot and 3-3/4″ creamer. Both have raised ribs to midpoint, a notched rim, and scroll handles. WEIGHT: 33 tr. oz. CONDITION: Very good. 9-22612 (1,000-1,500)

CHINESE SILVER LOTUS BOWL. 18th century. The bowl in the form of a lotus flower joined to a stem, flanked by additional stems; one a leaf, one a bud. Joined to the base in the form of a rippled pool. Hallmark beneath base. SIZE: 5″ h x 5-3/4″ dia. CONDITION: Bowl lined with thin sheet of silver, attached to which are the petals. Both with areas of slight damage, most notable around rim. Otherwise very good. 9-22306 (2,500-3,000)

TWO JAPANESE CARVED IVORY FIGURAL GROUPS. Meiji Period; late 19th century. 1) Depicting a man with child. Both in two-tone decorated robes. Man is carrying a basket of eggs suspended above a rooster. A two character mark engraved on underside. 2) Caricature of a gentleman with flowing white beard, a frond fan in his left hand holding a figure on his shoulder who is pouring from a water bag. Impressed with a three character mark on underside. SIZE: 7″ h each. CONDITION: Both pieces are very good with undisturbed patina with minor soiling. 9-23480 (1,500-2,500)

UNUSUAL CHINESE CLOISONNE GARDEN LAMP. 2nd half 19th century. Now electrified. In two parts, the upper section of pagoda form surmounted by a sphere set within a blooming lotus. The six-sided roof with cloisonne tiles emitting curved elements, each suspending an ornamental bronze bell. Beneath the roof is a open-work sphere of cloisonne floral vinery now enclosing an electrical fixture, fitted to the lower base of a cloisonne font joined to an arrangement of three bronze elephant busts standing on a circular plinth on a conforming cloisonne base. SIZE: 35″ h x 16″ dia. CONDITION: Overall very good with original surfaces and nice patina. Cloisonne in good condition. Minor losses to end of elephant tusk and to sphere of spire. 9-22322 (1,200-1,500)

CHINESE CAST BRONZE CENSOR. Late 18th, early 19th century. Of rectangular form with swelled sides, the ends cast with foo dog ring handles. Four legs headed with conforming foo dog masks. Sides of censor decorated with scrolling cloud bands. Fitted to stepped hard wood stand. Lid of scrolling pierced vinery with small jade knop. SIZE: 14″ h x 10-1/2″ l x 6-1/2″ w. CONDITION: Structurally very good with dark color and good patina. Carved lid with small losses and soot build up from use. 9-22755 (2,000-3,000)

CHINESE DOUBLE GOURD VASE. 2nd half 19th century. Decorated overall with cartouches of floral vinery opposing a tropical landscape with peacock. All on a cinnabar color ground with polychrome scrolling leaf tips. SIZE: 18″ h. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Very good. 9-21956 (1,000-2,000)

CHINESE LADY’S CHAMPLEVE GILT SILVER AND JADE HAND MIRROR. Late 19th early 20th century. The quatrefoil shaped mirror plate within a filigreed gilt silver frame. The opposing side mounted with a jade carved rondel framed by champleve flower heads. The champleve and filigree handle mounted with a jade insert carved with a Shou symbol. SIZE: 6-1/2″ l x 3″ dia. CONDITION: Very fine original condition with slight and minimal wear to gilt surfaces. 9-22313 (500-650)

CHINESE DEHUA GUAN YIN STATUE. Probably 18th century. Depicting a female figure seated on a lotus blossom, with an attendant on either side, all on a shaped plinth entwined with fish. SIZE: 6-3/4″ h x 3-1/4″ w x 2″ d. CONDITION: “Blanc de chine” figure with craquelure and spider cracks. 9-22163 (900-1,200)

FINE ORIENTAL LADY’S HAND MIRROR. Last quarter 19th century. The oval beveled mirror plate mounted within a cast brass surround. The reverse fitted with an oval jade tablet inlaid with shaped multicolor hard stone fragments fashioned as flowering branches joined to an ivory handle with etched brass collar and carved ivory grip. SIZE: 10-1/2″ l x 4″ w. CONDITION: Very good with all original elements. No damage or restoration noted. 9-22312 (800-1,200)

PAIR OF JAPANESE KUTANI ANTIQUE VASES. Bottle shaped vases having a red two-character mark to base. Decorated in rust colors on a white ground, panels of birds, insects, and flowers and some having gilt highlighting. SIZE: 8″ h x 4″ at widest. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Very good. 9-21940 (600-900)

FINE JAPANESE WATERCOLOR SCROLL. Possibly 2nd half, 18th century. This fine example depicting a day’s activities. All set within a dense landscape and with a veranda, in front of which are seated two dignitaries or members of royalty with their attendants. Further down are illustrated two traders with horse. Further down, an image of travelers with banner mounted on a horse. The scroll is marked on the back of the top with additional characters on the proper right side, approximately one quarter of the way down. SIZE: 72″ h x 32-1/2″ w overall; image 55-1/2″ h x 28″ w. CONDITION: Colors remain strong and condition remains good. The watercolor with multiple small losses to paper throughout. 9-22749 (1,000-1,500)

CARVED JAPANESE IVORY FIGURE OF AN ARMORER. 19th century. The artisan in a crouched position striking a sword blade with a mallet. The blade gripped by pincers in his left hand. The armorer with black cap tied around his chin and with black leggings, a water bucket to the left of the anvil. Please note: Artist character mark impressed in cinnabar beneath anvil. SIZE: 5-3/4″ h. PROVENANCE: From a Florida Collection. CONDITION: In very fine condition with nice mellow patina. 9-22289 (1,000-1,500)

JAPANESE IVORY, HARDWOOD AND IRON CARVING OF A CARPENTER. Late 19th early 20th century. The artisan depicted seated on a large timber, his right uplifted arm with mallet, left hand with chisel. At his belt are suspended tools of the trade. Arranged in front of the figure is a large saw and wood planes. The torso is of cast-iron while the arms, legs and tools are carved from ivory, the blocks on which the artisan is seated are hardwood, probably cherry. SIZE: 9″ h x 9-1/2″ l x 5-1/2″ w. PROVENANCE: From a Florida Collection. CONDITION: With all original surfaces and nice patina. The head of the artisan needs reattaching to body, piece of bandanna that has been broken off and is no longer present, otherwise very good. 9-22288 (1,000-1,500)

SATSUMA TABLE LAMP. Late 19th early 20th century, Japanese. The vase now mounted as a lamp in deep indigo enamel with opposing reserves decorated with dense floral bouquets; one with exotic bird in flight, the second with butterflies; each within a gilt molded surround. Now mounted on a hardwood stand. SIZE: Vase: 14″ h x 8″ dia.; Overall: 26-1/2″ h. CONDITION: Overall very good. Wear to gilt moldings, slight craquelure in panels. 9-22309 (350-450)

NICE JAPANESE DECORATED BRONZE VASE. 19th century. Of cylindrical form, cast with a cartouche centering a peacock perched in a wooded landscape by a waterfall, the opposing cartouche cast with long-tailed exotic birds perched in a fruit tree. Each within scrolling borders. The neck etched with gilt-heightened symbols of learning. Offered with a hardwood display stand. SIZE: 11-1/2″h. x 7-3/4″dia. CONDITION: Very good with dark patina. Evidence that this canister once had carrying handles fastened on either side, which appear to have been cut off. It appears that the base may have been re-attached. 9-23138 (600-800)

JAPANESE CARVED FIGURE OF STREET SELLER. 19th century. In a standing pose, pipe in right hand, leaning on a walking stick with a bundle of sticks tied to a pack on his back. SIZE: 7″ h. PROVENANCE: From a Massachusetts Collection. CONDITION: Very good with fine patina. 9-22340 (400-700)

JAPANESE BLUE DECORATED GINGER JAR WITH COVER. 19th century Japanese. Ginger jar is decorated overall with mountainous river landscapes with buildings and small boat in foreground. Moriagi decorated; lid decorated overall with dogwood blossoms. With overall craquelure on ivory ground. SIZE: 9-1/2″ h x 9-1/2″ dia. PROVENANCE: Paper label affixed beneath lid reads “Shipped from Sasebo, Japan. Dec 1945. By A.Geo. Clemens Sr. Made at Imari Kyushu”. CONDITION: Overall very good. Jar body with small dent in the making beneath glaze. Minor and minimal losses to Moriagi and with small fleabites to upper rim of jar. 9-22507 (400-600)

ORIENTAL SILK WALL HANGING. 19th century. Fine example of a mountainous river landscape depicting a series of buildings and small vessels in the foreground and mountains in the middle and foregrounds, all on an indigo ground. SIZE: 31″ x 36-1/2″, mounted on rod. PROVENANCE: Connecticut family home which descended from Sarah Upson Goodrich (Mrs. Oliver R. Beckwith) who descended from the Rev. Charles Chauncey, President of Harvard College and Elder William Brewster. Sarah was a member of the Connecticut chapter of the National Society of the Colonial Dames of America. CONDITION: With extensive deterioration to fabric and with fading. 9-21867 (200-400)

LARGE CHINESE BLUE AND WHITE EWER. 19th century. This fine example based on the Persian form with pear-shaped body painted in rich cobalt-blue tones, the tall neck with scrolling floral sprays and stiff plantain leaf bands below the widely flaring rim, applied to one side with a large shaped handle decorated with scrolling vinery and to the other with a long curved spout similarly decorated and secured by a strut decorated with cloud bands, all supported on a short straight foot encircled by a classic geometric band. The ewer fitted with a domed lid with finial. SIZE: 15-3/4″ h x 12″ l x 8″ w. PROVENANCE: From a fine Maine home. CONDITION: Very good overall. Vertical hairline crack running from upper rim down neck to shoulder and beneath top of handle. 9-22130 (500-800)

CHINESE CARVED CINNABAR AND BLACK LACQUER VASE. Second quarter of the 20th Century. Modeled overall with scrolling vinery centering floral and fruit sprays on a brass body. SIZE: 9″ h x 6-1/4″ x 3-1/2″. CONDITION: Very good overall. 9-22303 (300-400)

CHINESE ARCHAIC FORM BRONZE VASE WITH SILVER INLAY. 19th century. Diminutive example decorated overall with floral silver inlays. SIZE: 5-3/4″ h. CONDITION: Very good with rich dark patina. 9-22307 (250-400)

CHINESE GLAZED POTTERY EWER. 1st quarter 20th century. This interesting ovoid example with a dragon form handle and dragon spout. The amber mottled body beneath a green to turquoise drip glaze. The neck of the jug ribbed. SIZE: 18″ h. CONDITION: Inspection under black light shows restoration to handle and to spout. Colors remain rich and vibrant. With some craquelure throughout. 9-22310 (400-550)

CARVED POLYCHROME PAINTED SEATED BUDDHA. Carved Buddha seated on a throne with a staff in his left hand and object in right hand attired in a flowing robe. Decorated with emblems of royalty. SIZE: 14-1/4″ h x 9-1/2″ w x 5-3/4″ d. CONDITION: Structurally good with substantial weathering and losses to polychromed painted and gilded surfaces. Loss to end of scepter. 9-21756 (1,000-2,000)

CHINESE CARVED WOODEN BOX. Late 19th century. The rectangular dovetailed box fitted with a conforming lid, the central fielded panel carved with bamboo shoots and song bird beneath a four-character inscription. SIZE: 2-1/4″ x 9-1/2″ x 6-1/4″. CONDITION: Very good. 9-22323 (400-600)

CARVED ORIENTAL MARBLE TOP FERN STAND. Second half 19th century. The octagonal breschia marble insert within a conforming surround, the edges with a Greek key design above a conforming frieze pierce carved with flower heads, raised on four cabriole legs headed by mythical dragon busts and scrolling vinery with joined pierce carved scrolling returns. The legs joined by S-scrolled stretchers all supporting a central carved finial. SIZE: 35″ h x 19″ dia. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Very good overall with original surfaces. Minor and minimal roughness to feet. Overall very good. 9-21951 (400-600)

CARVED MARBLE BUST OF GUAN YIN. 18th/19th century. Nicely carved bust with full scrolling headdress and finely detailed facial features. Once part of a much larger statue. SIZE: 24″ h. CONDITION: With overall effects of weathering. Old hairline crack on proper right shoulder. Oxidation discoloration on area at front of headdress and central portion of face. Otherwise retains very good detail. 9-22837 (450-600)

ARCHAIC STYLE GU SHAPE BRONZE DRINKING VESSEL. 19th century, China. Cast with opposing C-scroll handles centering a bulbous midsection cast with flowers and leaves. SIZE: 14″ h. CONDITION: One loop handle has been reattached to body with resulting discoloration to immediate area, otherwise good. 9-22300 (450-600)

CARVED CANTONESE OR CHINESE CARD CASE. Last quarter 19th century. Relief carved depicting profuse outdoor neighborhood scenes, with pagodas, boats and groups of people all in a treed setting. SIZE: 4-1/4″ x 2-3/4″ CONDITION: Very good overall with nice mellow coloring. 9-21825 (800-1,200)

PAIR OF CARVED JADE PENDANTS. 19th Century. Each rectangular three-dimensional fruit and floral carved pendant in variegated white to emerald green jade. SIZE: 1-3/4″ x 1-1/4″. CONDITION: Very good. 9-22324 (600-800)

THREE CHAMPLEVE VASE FORM TABLE LAMPS. All with colorful enamel work of shapes and flowers on bronze. Each has been fitted for modern electrical lamp fixtures having double socket. One having elephant trunk handles, another with animal form and the last with ring. Accompanying the lot is a large shade decorated with ships on open sea. SIZE: 12″ h bases; 26″ h total of lamps. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Two cords cut, all three should be rewired. One with some damage to enamel work on side, otherwise good. 9-21950 (600-800)

CHINESE BLUE AND WHITE GLAZED BRUSH POT. Late 19th century. Scene depicting two vendors seated amidst their wares. SIZE: 4-3/4″ h x 3″ dia. CONDITION: Very good overall. 9-22166 (150-300)

CHINESE BLUE AND WHITE DECORATED STEM CUP. 19th century. This diminutive example decorated with floral sprays and with everted rim joined to a flared foot. SIZE: 3-1/2″ h x 2-3/4″ dia. CONDITION: With base rim chip, otherwise very good. 9-22170 (150-200)

PAIR OF CHINESE ENAMELED VASES. 2nd quarter 20th century. Of faceted baluster form, each panel enameled in ivory and aquamarine, paint-decorated with sprays of peonies and dogwood with butterflies and birds. SIZE: 9″ h. CONDITION: Very good overall. 9-22308 (150-300)

ORIENTAL BLUE AND WHITE DISH. First half 19th century. With central floral rondel within a border of fanciful animals including dragons and lions within a scrolling border. Footrim bordered by three underglaze blue conforming lines. SIZE: 1″ h x 7-1/4″ dia. CONDITION: Very good overall. 9-22162 (300-400)

CHINESE PORCELAIN GREEN DISH TOGETHER WITH BLUE CUP. 20th century. A green enamel plate decorated with dragons within dense scrolling vinery, signed on reverse with maker’s name “Guo Long Sheng”. The small ovoid cup with cover in indigo enamel with four-toed flying dragon and cloud bands. SIZE: Plate: 7″ dia.; Cup: 3-1/4″ h. CONDITION: Plate with tiny flecks on rims. Cup with fleck on rim of cup. 9-22314 (250-450)

PAIR OF ORIENTAL PAINTED SCENES WITH GOLD FOIL. The pair of unusual paintings having scenes of an interior palace courtyard. The scenes are identical but having different coloring. A heavy gouache painted on gold foil leaving highlights of gold and bordered by a blue on gold design. Housed in identical gilt carved wood frames. SIZE: Sight: 12″ x 17-3/4″. CONDITION: Very good. 9-22746 (250-400)

KOREAN FLORAL DECORATED BOWL IN OLIVE GREEN GLAZE. Early 19th century. The round bowl with stepped rim decorated with a floral spray along one side. SIZE: 3″ h x 5-1/2″ dia. CONDITION: Rim with 1″ chip. Side with old U-shape staple repair and with craquelure. 9-22168 (200-300)

CHINESE BLUE AND WHITE FOOTED BOWL. 19th century. Rim decorated in underglaze blue with flower petals. Central rondel with stylized landscape. Exterior decorated with scene of three sages. SIZE: 2-1/4″ h x 7-3/4″ dia. CONDITION: Very good. 9-22169 (200-300)

BLUE DECORATED BOWL WITH UNDERTRAY. 20th century, Chinese. The bowl decorated with folk art hens with outstretched wings. The undertray decorated with stylized fish all in underglaze-blue on light gray enamel ground. SIZE: Overall: 4-1/2″ h x 9-1/2″ dia. CONDITION: Good overall with some wear to undertray. 9-22325 (200-300)

GROUP OF ORIENTAL TABLE WARES. 19th/20th century. Including two deep dishes on a persimmon ground with six-character mark of Chenghua (1465-1487), out of period, decorated with a wide border of children at play centering a rondel of Buddha with children, a champleve enameled and brass bottle vase, a small Japanese cloisonne on foil cabinet vase, a small Satsuma cabinet vase decorated with women in kimonos beneath flowering branches, a miniature Satsuma teapot and a small champleve enameled bowl on matching stand set with coral and turquoise stones. SIZE: Plates: 10-3/4″ dia.; Bottle vase: 9″ h.; Foil vase: 3-1/2″ h.; Satsuma vase 3-1/2″ h.; Teapot: 1-1/2″ h.; Overall bowl on stand: 2-3/4″ h. overall. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Overall very good. 9-21980 (500-800)

FIVE PIECE COLLECTION OF ORIENTAL PORCELAIN. 19th and early 20th century. Including a Famille Vert baluster vase with four-character Chien Lung mark, a blue and white cylindrical vase with alternating panels of a robed figure reading, alternating with a bird on a branch with a four-character Chien Lung (1736-1795) mark in underglaze-blue, a bottle-form yellow glaze Japanese (?) vase with blue dragon, with an unidentified six-character mark, a Chinese blue and white baluster form vase depicting a woman reading beneath palm fronds on a veranda with a four-character “possibly” Hsuen T’Ung (1908-1912) mark and a Japanese (?) baluster form vase decorated with birds flying amongst dense floral foliage with a six-character underglaze-blue mark, unidentified. SIZE: 11-1/4″ h; 10″ h; 8-1/2″ h; 9″ h; 10″ h respectively. CONDITION: Famille Vert vase very good overall, cylindrical vase very good overall, yellow glaze very good, Chinese blue and white baluster form with small vertical hairline in top rim, otherwise very good, and last one very good overall. 9-22000 (800-1,200)

SIX PIECE GROUP OF CANTON TABLEWARES. 19th century. Including pair of lighthouse form candlesticks, faceted creamer, pair of salt and pepper shakers and double ended sauce boat. SIZE: Candlesticks: 8-3/4″ h. Pitcher: 5″ h. Sauce boat: 8″ l. CONDITION: Candlesticks with professional repair to bobeche. Pitcher with chip and vertical crack on spout. Shakers and sauce boat very. 9-22857-1 (600-900)

TWO CANTON SAUCE TUREENS. 19th and 20th centuries. First, a rectangular tureen with knop finial and with cow head handles. Second, oval footed example, with floral knop and applied with twig handles. SIZE: First: 4-1/2″ h. Second: 6″ h. CONDITION: Both very good. 9-22857 (300-400)

LARGE CANTON COVERED TUREEN AND DEEP BOWL. 19th and 20th centuries. Footed tureen with sloping sides and with cow head handles. Bowl with scalloped edges. SIZE: Tureen: 12″ x 8-1/4″. Bowl: 4-1/2″ x 9-1/2″. CONDITION: Tureen with broken knop. Bowl with shallow chips around top rim, otherwise very good. 9-22857-2 (200-400)

THREE CANTON COVERED VEGETABLE DISHES. 19th and 20th centuries. All with vegetable knops. Two of rectangular form with notched corners and one oval. SIZE: 1) 5-1/2″ h x 9-1/2″ l x 8″ w. 2) 4-1/2″ h x 8″ l x 7″ w. 3) 3″ h x 9″ l x 7″ w. CONDITION: Very good. 9-22857-3 (200-400)

FAMILLE ROSE ORIENTAL UMBRELLA STAND. Second half 20th century. Fancifully decorated overall with arrangements of flowers in various vases on a cream ground. SIZE: 18″ h x 8-3/4″ dia. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Very good. 9-21943 (300-500)

CHINESE BLUE AND WHITE VASE. With a 4-character Qianlong (1736-1795) mark on the base, out of period. This 19th century example with three rural marine scenes within round reserves. The ground with dense hexagonal flower heads. The 4-character mark in underglaze blue. SIZE: 7″ h. CONDITION: Very good. 9-22167 (600-800)

CHINESE ENAMELED FOUR-PART SWEETMEAT BOX. Late 19th early 20th century. Each circular compartment applied with ear-shaped enamel posts, each decorated with quatrefoil reserves decorated with birds in flight amongst flowering branches and set on a yellow, blue, aquamarine and pink ground filled with polychrome floral decoration. The top compartment fitted with a conforming lid with floral peony design amidst bats. SIZE: 7-1/2″ h x 7″ dia. CONDITION: Good overall. The pink compartment with rim chip. 9-22320 (500-800)

CHINESE LACQUERED AND CHINOISERIE DECORATED BOX. Mid 19th century. The square dovetailed box with hinged lid overall in black lacquer. The central cartouche depicting a domestic scene with women and children, and with a small pagoda pavilion in background, a treed landscape centered by spandrels of floral sprays and butterflies. SIZE: 4-1/2″ h x 21-1/2″ square. PROVENANCE: Connecticut family home which descended from Sarah Upson Goodrich (Mrs. Oliver R. Beckwith) who descended from the Rev. Charles Chauncey, President of Harvard College and Elder William Brewster. Sarah was a member of the Connecticut chapter of the National Society of the Colonial Dames of America. CONDITION: Lacquered surfaces dry, lid with flaking. Structurally good. 9-21854 (500-800)

Revised: 8/22/2011

Additional Information: We cataloged and believed this to be Mutton-Fat Jade with pleasant color imperfections. One viewer has suggested it may be carved Agate. We do not guarantee either, we only share this with you, you will need to make your own decision.

FINE LEAF FORM MUTTON-FAT JADE DISH. 19th century. Carved in the form of a deep dish with inverted wavy rim and decorated on the exterior with foliate vinery rendered to incorporate the amber occlusions as part of each leaf. SIZE: 1-3/4″ h x 5-1/2″ l x 4-1/2″ w. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very fine with nicely polished and finished surfaces. Small jagged roughness to leaf edge on inverted rim. Otherwise very good. 9-23567 (400-600)

TIBETAN ROUND MOLDED COPPER COVERED SWEETMEAT BOX. 19th century. Lid with a central rondel of a fanciful lion’s head within a border set with turquoise stones alternating with Tibetan symbols. Outermost rim molded with ram’s heads, birds and beetles. Fitted to the conforming base molded with vinery alternating with “shou” characters. SIZE: 4″ h x 10″ dia. CONDITION: Very good overall with nice color and patina. 9-22161 (600-900)

FAMILLE VERTE CHINESE GARDEN BARREL. Second half 19th century. The opposing reserves decorated with birds in floral scenery alternating with pierced coins in yellow enamel. Ivory ground decorated with green vinery interspersed with flower heads. SIZE: 18″ h x 13-1/2″ dia. PROVENANCE: From a New England Institution. CONDITION: Very good overall with normal and nominal wear to painted and enameled surfaces. 9-22391 (800-1,200)

CHINESE FAMILLE ROSE CHARGER. 19th century. Decorated with a central polychrome floral filled urn amidst floral and scholarly devices within a Greek key border. Exterior paint decorated with bamboo sprays. SIZE: 14″ dia. CONDITION: Very good. 9-22301 (450-600)

CARVED ORIENTAL HARDWOOD MARBLE TOP PLANT STAND. Last quarter 19th century. Shaped top with beaded molded edge centering a reddish marble insert with serpentine edge within a border of carved vinery above a conforming frieze, pierce carved with fruit and leaves, raised on four floral carved legs surmounted by foo dog masks joined by a medial shelf terminating in stylistic claw feet. SIZE: 31-1/2″ h x 27″ dia. CONDITION: Structurally very good. 9-22369 (400-600)

FINE CHINA TRADE CARVED TEAK SETTEE. Chinese, Mid-19th Century. Rectangular back with arched crest mounted with three oval backrests joined to the rectangular over-upholstered seat flanked by leaf carved arms headed by fanciful carved swans, the hand grips of birds in flight above scrolled volutes. On incurved leaf carved supports joined to the carved seat rail and raised on heavily carved claw feet. The whole profusely pierce carved with scrolling foliate and floral vinery, the crestrail with central carved heraldic crest, the apron having a central crest flanked by winged birds. SIZE: 37″ h x 76″ l x 30″ d. CONDITION: Very good overall, retaining original surfaces and nice dark brown patina with some minor cosmetic repairs. 9-98676 (1,000-2,000)

LARGE CHINESE EXPORT ROSE MEDALLION SERVING PLATTER. Showing a large gathering of officials in the foreground conversing and a group of men and women within a pavilion involved in leisurely pursuits. The border decorated with scholarly objects amidst floral vinery. Platter originally designed with strainer now absent. SIZE: 2-1/2″ h x 18-1/2″ l x 15-3/4″ w. CONDITION: Very good, absent of strainer as noted. 9-22492 (400-600)

CHINESE EXPORT FAMILLE ROSE PLATE. Decorated overall with rosebuds within a fleur-de-lis border. The edge decorated with ribbon-tied bosses within turquoise diaperwork scrolling corbels and flowerheads. SIZE: 9″ dia. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). Sarah Potter Conover, Inc. NY NY CONDITION: With minor shallow rim chips. Enamels remain vibrant. Very good overall. 9-23566 (200-400)

PAIR OF CHINESE EXPORT FAMILLE VERTE PLATTERS. Mid 19th century. The first depicting a gathering of men in a rocky terrain conversing with two armed individuals. The second depicting a small processional within a village. Both decorated with scrolling floral and diaper-work borders enhanced with birds within rondels alternating with exotic birds on branches. SIZE: 14-1/2″ l x 11-1/2″ w. CONDITION: Very good with minor and minimal wear to gilded surfaces. Both platters showing wear to enameled surfaces in center of platter. 9-22489 (800-1,200)

CHINESE EXPORT ARMORIAL BOTTLE. Decorated with opposing crests depicting a wolf standing on a shield, the top of which is a coronet within a gilt decorated border heightened with three gilt birds. The lower portion of the crest decorated with three enamel turquoise stripes on a white field centering a five-pointed star, all within a ribbon-tied wreath alternating with floral bouquets. SIZE: 9″ h. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Overall very good. 9-23561 (600-900)

CHINESE EXPORT ROSE MEDALLION AND FAMILLE VERTE PLATTERS. Second half 19th century. The first and largest example decorated with a vignette featuring a gathering of people engaged in conversation around a treed veranda within a gilt border enamel decorated with butterflies and flowers. The second oval platter showing a gathering of individuals at home within a garden. SIZE: 15-1/2″ l; 14-1/2″ l respectively. CONDITION: Very good overall with minimal and minor wear to gilding. Enameled surfaces intact. 9-22490 (700-1,000)

COLLECTION OF 11 BRONZE ARTICLES. 18th-20th Centuries. Including 20th century Russian statue of bearded man, religious bronze titled “MATER DOLOROSA”, and Renaissance revival plaque titled “RAFFAELO E FORNARINA”. Together with a selection of 6 bronze statuettes of Hindu and Buddhist deities, and copy of Chinese bronze archaic censor. SIZE: Tallest: 12-1/2″ h. Russian: 6-3/4″ h. CONDITION: All items retain old surfaces and good patina. Otherwise good overall. 9-21843 (300-500)

CHINESE BRONZE STEER FORM CENSER. 19th century. Cast with a rope through its nostrils preparing to buck. SIZE: 5″ h x 7-3/4″ l. CONDITION: With nice patina. Lid cover missing. 9-22302 (300-450)

CHINESE MOLDED HARDSTONE VASE. 20th century. Angular faceted vase in light green jade color with molded decoration overall and with scrolled handles. The underside of vase with an out-of-period seal mark. SIZE: 14-1/2″ h. CONDITION: Very good. 9-22834 (400-600)

CHINESE PAINTED POTTERY CAMEL ON STAND. Modeled after those of the Tang Dynasty. This later 20th Century example polychrome painted depicting a camel with full saddle pack. Model standing with arched neck. Fitted within a Lucite display case. SIZE: Figure: 13-1/2″ h x 11″ l; Case: 15-1/2″ x 14-1/2″ x 8-1/2″. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Good overall with minor chips and flakes. 9-22198 (500-1,000)

CARVED PINE FIGURE OF GUANYIN. 19th century. Polychrome painted overall with tightly coiled hair and headdress. Right hand raised in blessing. In long flowing robe. Circular scalloped plinth. SIZE: 79″ h. CONDITION: Structurally very good. Retains original painted surfaces, faded and with flaking. Otherwise good. 9-22838 (750-950)

FINE CHINESE CLOISONNE BRONZE FLOOR LAMP. Second half 19th century. This nice baluster and urn turned example decorated overall with stylistic cloisonne crabs. The bronze standard etched overall with diaper work; now wired as a floor lamp. SIZE: (standard) 62″h., (lamp) 69″h. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: The cloisonne base is in very fine condition overall, with undisturbed patina to bronze and to enamel. 9-21976 (800-1,200)

CHINESE CARVED BAMBOO BRUSH POT. Second half 19th century. Carved overall with stylized Oriental pine trees and cloud bands in a mountainous landscape with deer and figures in the foreground. SIZE: 5-3/4″ h x 4-1/4″ dia. CONDITION: Very good overall with dark patina. 9-22160 (800-1,000)

CHINESE INDIGO AND PLUM MEIPING VASE. 19th century. The mouth with everted rim in celadon and pale blue tones continuing to deep indigo striated coloration with opposing plum swathes within dark borders. SIZE: 13-3/4″ h. CONDITION: Very good with overall craquelure. 9-22159 (900-1,200)

ORIENTAL CARVED HARDSTONE FIGURE OF DOG. 20th century. Whimsical carving in green stone of recumbent dog with crossed front paws. Decorated with polished pinwheels and floral vinery. SIZE: 4-1/2″ h x 9″ l. CONDITION: Very good. 9-22836 (400-600)

PAIR OF CHINESE CARVED GOLD FISH. 20th century. Each nicely carved hardwood example with protruding glass eyes and elaborate fan tails. Signed by the artist. SIZE: 2-1/4″ h x 6″ and 8-1/2″ respectively. CONDITION: Very good with minor and minimal losses to some fin tips. 9-22326 (150-200)

LARGE CHINESE BLUE & WHITE PORCELAIN FIGURE ON THRONE. Mid 20th century. Depicting a gentleman with cap attired in a long robe with cape decorated overall with fanciful blue dragons and cloud bands, seated on an ornate throne. The arms wrapped with fanciful serpents. The throne raised on humanoid bare feet beneath a leopard mask on a conforming straight sided plinth. No markings of any sort observed. SIZE: 25″ h x 16″ w x 13-3/4″ d. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Very good with normal casting cracks. 9-21989 (600-900)

GEORGE M. HATHAWAY (American, 1852-1903) OWLS HEAD, MAINE. Oil on board Maine coastline scene shows the rock ledge with Owls Head Light and a sailboat in rough water having white tipped green wave crashing onto foreground rocks. Signed bottom right “G M Hathaway”. Housed in a gesso decorated gilt antique frame. SIZE: 6″ x 10-1/4″. CONDITION: Very good. 9-22859 (1,000-1,500)

UNSIGNED (American, 19th/20th Century) SAILING OFF THE CLIFF HOUSE, YORK, MAINE. Interesting oil on canvas laid on aluminum scene shows a two-mast black-hulled schooner sailing right to left past the original large multi-story inn with wrap around porch and flying the American flag. It sits atop a grass covered bluff with steep ocean side. The view is from the ocean and looking along the shoreline dotted with houses. The Cliff House, a landmark in coastal southern Maine was opened in 1872 and has had an illustrious past and is still in operation today. Housed in a modern carved wood frame with decorative brass buttons at the corners. SIZE: 22″ x 36″. CONDITION: Craquelure with some inpainting, otherwise good. 9-22994 (1,000-2,000)

HARRISON BIRD BROWN (American, 1831-1915) GRAND MANAN. Outstanding oil on canvas coastal scene shows steep cliffs bathed in sunlight with dark storm clouds above. Glimpses of blue sky can be seen and the surf is high cascading waves onto the foreground beach which are sunlit with bright green and white tips. Signed lower right “H B Brown”. Housed in its original frame liner. SIZE: 13″ x 23″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: One small area of paint loss in edge of wave, some touch up to top edge, otherwise very good. 9-22409 (2,000-3,000)

HARRISON BIRD BROWN (American, 1831-1915) SHORELINE VISTA. Oil on canvas shoreline scene depicting either Maine or New Hampshire coastline shows a foreground beach with calm water reflecting a rocky shoreline with trees under blue & white cloud sky with glimpses of pink. Signed lower right “H B Brown”. Housed in a double frame liner with gesso gilt decoration. SIZE: 13″ x 23″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good. 9-22410 (2,000-3,000)

HARRISON BIRD BROWN (American, 1831-1915) THE COMING FALL. Oil on canvas colorful landscape scene shows a wide river winding around a tall tree topped cliff with a house nestled on its grass covered bank amongst colorful trees. Signed lower left “HBB”. Housed in a modern replacement gesso decorated gilt frame with gilt liner. SIZE: 20″ x 36″. CONDITION: Very good with some minor touch up. 9-22373 (2,500-4,000)

LAWTON PARKER (American, 1868-1954) “MONHEGAN ISLAND, MAINE 1921”. Oil on board coastal scene shows waves crashing onto coastal rock formations. Signed lower left. Titled and dated on reverse. Housed in a fine gilt decorated wood frame. SIZE: 10″ x 13-1/2″. CONDITION: Minor touch up, very good. 9-22864 (2,000-3,000)

HOWARD HALL DARNELL (American, 1858-1939) “WHITEHEAD, MONHEGAN ISLAND, MAINE”. Oil on canvasboard coastal Monhegan scene shows a rock outcropping with waves and seagulls. Beyond is the Whitehead cliffs with grass and wooded top. A light blue to yellow sky. Signed lower left and housed in an antique gesso decorated gilt frame. A Monhegan Historical & Cultural Museum exhibition label on reverse from 2009. SIZE: 14-3/4″ x 18-1/2″. CONDITION: Minor touch up, very good. 9-22865 (2,000-3,000)

JAN MARINUS DOMELA (American, 1894-1973) “GAFF RIG, MONHEGAN ISLAND”. Oil on canvas harbor scene shows a quiet harbor with several boats having a house dotted shoreline with lighthouse and buildings atop grass covered hill. Signed lower right and dated “31”. Several labels to reverse. Housed in a carved gilt wood frame with branded “SHAIJN SPECK San Francisco”. SIZE: 20″ x 24″. CONDITION: Very good. 9-22863 (1,500-2,500)

ERIC HUDSON (American, 1864-1932) “MONHEGAN VILLAGE-MAIN STREET”. Unsigned oil on canvas Monhegan street scene shows colorful buildings lining a curving road under blue and white cloud sky. Attached to back is a signed statement stating that in 1999 Greg Rollins was hired by Eric Hudson’s daughter, Jacqueline, to clean the contents of her attic. They came across this painting which was done by her father and gifted it to Greg who in turn gifted it to his father, Stephen Rollins. Signed “Stephen Rollins June 22, 2008″. Housed in a replacement carved wood frame with gilt liner having an artist plaque. SIZE: 14″ x 20”. CONDITION: Very good. 9-98724 (1,000-2,000)

ALFRED RUSSELL FULLER (American, 1899-1980) MONHEGAN FISH HOUSE. Oil on masonite Monhegan Island scene shows a two-door building with ramps and stacked lobster traps. A fisherman is seen on the water side with rocky coastline beyond. Signed bottom right. Housed in its original gilt carved wood frame. The title and location on reverse, also dated “1936”. SIZE: 10″ x 14″. CONDITION: Very good. 9-22215 (800-1,200)

DON STONE (American, 1929-) LOBSTERING OFF MONHEGAN. Outstanding large watercolor shows a lobster boat with stacked lobster pots traveling left to right near Monhegans shoreline. Signed lower left “Don Stone”. Housed in a black & gold molded wood frame with wide decorative mattes. SIZE: Sight: 21″ x 29″. CONDITION: Very good. 9-22866 (2,000-3,000)

BERNARD COREY (American, 1914-2000) LOW TIDE, MAINE COAST. Oil on canvas laid on masonite coastal Maine view shows a fish shack on tall stilt dock with lobster trap, figure & lobster boat. The little cove opens up to larger water with rocky coastline. Signed bottom right. Housed in a good gilt carved wood frame. SIZE: 10″ x 14″. CONDITION: Very good. 9-22663 (1,500-2,500)

LAURENCE PHILIP SISSON (American, 1928-) “MAINE PEBBLE MOSAIC”. Fabulous large oil on canvas laid on masonite scene shows a pebble and rock strewn beach area with water in small pools and edges. A prime example of Sisson’s realistic coastal beach views. Signed lower right “L Sisson”. Titled on reverse. Housed in a simple wood edge frame. SIZE: 42″ x 72″. CONDITION: Very good. 9-22362 (4,000-6,000)

LAURENCE PHILIP SISSON (American, 1928-) “MAINE WHEN”. Outstanding large oil on masonite coastal Maine scene shows an inlet with pebble and sand beach having pools of water. The left & right coastlines with trees and rock. All under a colorful pink cloud sky. Signed lower left “L Sisson”. Titled on reverse. Housed in a gilt wood frame with wide linen matte. SIZE: 42″ x 60″. CONDITION: Very good. 9-22364 (6,000-8,000)

LAURENCE PHILIP SISSON (American, 1928-) THE COASTAL INLET. Unframed oil on masonite coastline study showing sections of a pebbled beach with high rock coastline. Unsigned. SIZE: 32″ x 48″. CONDITION: Very good. 9-22363 (2,000-4,000)

PAUL BERNARD KING (American, 1867-1947) “EVENING LIGHT” – MONHEGAN HARBOR. Outstanding oil on canvas harbor scene shows several dock areas with sailboats lining each side of a sunlit harbor. A man in a rowboat is seen in the foreground and colorful figures can be seen outside a building. Signed lower right. Housed in a fine gesso decorated partially gilt frame having a Newman Galleries label. Back of stretcher has a Grand Central Art Galleries Inc. New York Exhibition tag with artist & title. SIZE: 25″ x 30″. CONDITION: Relined, minor inpainting, very good. 9-23579 (10,000-15,000)

JAY HALL CONNAWAY (American, 1893-1970) “ROCKY COAST”. Oil on board coastal Maine scene shows a rocky cliff coastline being pummeled by large waves producing white water. Signed lower right. Housed in a fancy gilt frame with linen liner. A Kennedy Galleries Inc. NY label on reverse. SIZE: Sight: 19-1/2″ x 29-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good with some inpainting. 9-23485 (4,000-6,000)

STEPHEN MORGAN ETNIER (American, 1903-1984) “WINTER’S SUPPLY”. Oil on masonite Maine scene shows eight harvested logs beside a house ready for winter cutting & splitting. Patches of snow are seen amongst the brown ground. Signed lower right. Housed in its original wood stained frame with wide linen matte and gold liner. Titled & signed on reverse. REFERENCE: BitterSweet Magazine, April 1984, page 18, illustrated article “Mainestreams In Art” Stephen Etnier by Martin Dibner. Section of magazine included with painting. SIZE: 20″ x 36″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good. 9-22406 (4,000-6,000)

ANNA ELIZABETH HARDY (American, 1839-1934) A PALETTE OF ROSES. Oil on board still life scene shows a clear round bowl with water supporting nine roses in colors of white, yellow, and pink. Another white rose rests on the tabletop beside. Signed lower right “A E Hardy”. Housed in a modern copper gilt carved wood frame with white matte. SIZE: Sight: 9-1/2″ x 15-1/4″. PROVENANCE: From a Bangor, Maine home. CONDITION: Very good. 9-22845 (4,000-6,000)

VIVIAN MILNER AKERS (American, 1886-1966) INTERSECTING PATHS. Wonderful oil on canvas winter Maine landscape shows a broad view of a snow covered landscape with house, trees and mountains. The foreground shows a series of intersecting paths leading down to a snow covered house. Signed lower right “V Akers 1937″. Housed in a good reproduction carved and gilt frame with wide gilt liner. SIZE: 24-1/2″ x 30-1/2”. CONDITION: Very good. 9-22275 (4,000-6,000)

WALDO PEIRCE (American, 1884-1970) “APPLE PICKERS OF POMONA”. Outstanding oil on canvas scene shows nine apple pickers harvesting apples in an apple orchard. Four men are seen on ladders while another man moves a ladder and three men bring pails filling up the bushel boxes. One woman is seen with a full bucket. All under blue sky. Signed lower right “W Peirce 42”. Housed in a modern gilt wood frame with linen liner. The back of canvas having title, also signed “W Peirce Pomona NY Oct. 42″. The best example of Peirce’s work that we have had the opportunity to offer. SIZE: 31″ x 43”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23540 (10,000-15,000)

WALDO PEIRCE (American, 1884-1970) THE BLUE VASE. Oil on canvasboard oval still life scene shows a wildflower bouquet arranged in a floral decorated blue pitcher The arrangement sits on a table near a window with iron grate overlooking a nearby building. Inscribed bottom right “For Ruth From Waldo”. Housed in a oval antique frame. SIZE: Sight: 19″ x 15″. CONDITION: Very good. 9-22806 (1,500-2,500)

CARL SPRINCHORN (American, 1887-1971) “RED MAPLE”. Watercolor sketch scene shows a tall tree with red foliage intermixed with yellow & green. Signed lower right. Also having a New Bertha Schaefer, New York label with title, artist & date “1921”. Housed in an old wood frame with glass front. SIZE: Sight: 22-1/2″ x 18″. CONDITION: Some light surface dirt, minor foxing, good. 9-22982 (300-500)

CARL SPRINCHORN (American, 1887-1971) COASTAL HOME. Pastel scene shows a rundown house with small boat nestled amongst bushes and tall grass. Several seagulls are seen, one on a fence post in the foreground. All under a sweeping cloud and blue sky. Signed lower left and dated “1927”. Housed in a molded wood frame. SIZE: Sight: 22-1/2″ x 18-1/4″. CONDITION: Very good. 9-22352 (2,000-4,000)

CARL SPRINCHORN (American, 1887-1971) TWO PENCIL SKETCHES. 1) Female torso. Signed lower right “CS”. Housed in a painted wood frame with highlighted matte. 2) Nude female wearing a turban. Signed lower left. Housed in a partial gilt frame with highlighted matte. In 1914 Sprinchorn felt the desire for some additional study and enrolled at the Académie Colarossi in Paris where he worked regularly from the life model. These two drawings have the original mats from his first solo exhibition with George Hellman in New York in 1916. It was at Hellman’s where he first met Marsden Hartley who admired these works when he visited the gallery with Alfred Stieglitz, Hartley’s agent. Hartley asked for Sprinchorn’s card and said he would like to visit him. Serendipitously, they both turned up in Provincetown the following summer where their 28-year friendship began. SIZE: Sight: 1) 10-1/4″ x 8″. 2) 10-1/2″ x 8″. PROVENANCE: Estate of the artist. CONDITION: 1) Foxing spots, otherwise good. 2) Some light toning, very good. 9-21986 (1,000-1,500)

CARL SPRINCHORN (American, 1887-1971) PARIS PROMENADE. Pen, ink and wash drawing of two women in fancy dress in front of a columned building front. Titled “Paris, 1914” and signed in pencil “C.Sp.”. With funds that Carl Sprinchorn saved from his 1913 teaching job at the Los Angeles Art Institute, he made a lengthy trip the next year to Paris and his Swedish homeland. Throughout his early career, he made many drawings of society women from memory and imagination. Housed in a period frame with glass and matte. SIZE: 14″ x 11″. PROVENANCE: Estate of the artist. CONDITION: Very good, white spot repair on right margin. 9-21985 (1,000-1,500)

ERIC HOPKINS (American, 1951-) “END OF THE ISLAND”. Watercolor/gouache Maine coastal scene shows a coastline with rocks and tall trees under blue & white cloud sky. Signed lower right. Titled lower left. Housed in a simple black frame with white matte. The back having an Eric Hopkins Gallery label. SIZE: Sight: 12″ x 16″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23534 (800-1,200)

ANDREW NEWELL WYETH (American, 1917-2009) “FOG BELL”. Framed callotype limited edition, signed in plate lower left, also pen signed lower right. Scene shows a pointed lighthouse building with large bronze bell attached to side. 1978 Edition of 250, numbered “94”. Housed in a fine modern partial gilt wood frame with white matte. SIZE: Sight: 29-1/4″ x 20″. Image: 27-1/2″ x 18-3/4″. PROVENANCE: From a fine Maine home. CONDITION: Very good to excellent, not examined out of frame. 9-21752 (2,000-4,000)

ANDREW WYETH (American, 1917-2009) “DISTANT THUNDER, 1961”. Pencil signed print showing a woman lying on a grassy field with dog having binoculars, mug, and basket of blueberries. Noted below title is that the painting was from the Collection of Mrs. Norman B. Woolworth. Housed in a wood frame with gold edge. SIZE: Sight: 32″ x 19-3/4″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23514 (500-1,000)

JAMIE WYETH (American, 1946-) “IRIS AT SEA”. Limited edition colored lithograph shows purple iris in the foreground looking up at a connected lighthouse against blue sky. Numbered XII/CCC and pencil signed. From an edition of 300 plus 25 artist proofs. Printed by Nash Editions, October 1995 and having a certificate of authenticity on reverse. Housed in a fine gilt wood frame with glass. SIZE: 41-1/4″ x 35″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good to excellent. 9-23511 (1,500-2,500)

Revised: 8/22/2011

Please Note: There is a typo in the title. It is not Stell and Shevis Williams, it is William and Stell Shevis.

STELL & SHEVIS WILLIAMS (American, Mid 20th Century) “CAMDEN HARBOR-MAINE”. Colorful silkscreen scene shows lobster boat & dinghies in a harbor with town & hill background. Pencil titled lower left. Signed and dated “66” lower right. Housed in its original wood frame with glass & white trim. SIZE: Sight: 10-1/2″ x 13″. CONDITION: Very good. 9-22285 (500-1,000)

Revised: 8/22/2011

Please Note: There is a typo in the title. It is not Stell and Shevis Williams, it is William and Stell Shevis.

STELL & SHEVIS WILLIAMS (American, Mid 20th Century) “FARM IN SUMMER”. Framed serigraph shows a Camden, Maine scene of a connected farmhouse below blue hills under blue & white sky. Pencil titled bottom left. Signed and dated “68” from an edition of 100. Original biographical card on reverse. Housed in its original deep white painted frame with glass and white matte. SIZE: Sight: 10-1/2″ x 18-1/2″. CONDITION: Very good. 9-22287 (400-600)

JOHN W MCCOY (American, 1910-1989) “GEORGE’S RIVER”. Mixed media on paper panoramic landscape scene shows a calm river in between grass pastures lined with trees. The far bank with a church & houses along the road that crosses the ridge. A large expanse of cloud filled sky. Signed lower right. Housed in a modern painted wood frame with wide white matte. SIZE: Sight: 21-1/2″ x 30″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23487 (2,000-3,000)

JOHN W. MCCOY (American, 1910-1989) “THE WAY OUT”. Fine watercolor scene shows a white fenced entrance way leading out to a road with two corner trees. Signed lower right. Housed in a gilt wood frame with linen and white liner under glass. The frame supporting a plaque inscribed “Awarded the M. Grumbacher Prize for Watercolor Audubon Artist 14th Annual-1956″. On reverse is a registrars record with a return address of Babcock Gallery. SIZE: Sight: 22″ x 29-1/2”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store).. CONDITION: Very good. 9-23489 (4,000-6,000)

JOHN W MCCOY (American, 1910-1989) “OUT FRONT”. Mixed media on paper scene shows five black ducks on blue water with foreground grassy shoreline looking off to a horizon line under cloud sky. Signed lower right. Housed in a modern silver frame with wide white matte. SIZE: Sight: 21″ x 28-3/4″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23488 (2,000-3,000)

JOHN SQUADRA (American, 1932-) “THE SILENCE”. Oil on canvas colorful scene shows a Great Blue Heron perched atop a branch looking out over a calm sunset scene which is reflected in bright gold to lavender tones on the still water. The sky from peach to blue with lavender shoreline. Signed lower right and titled lower left. Housed in a modern gilt wood frame. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-22796 (2,000-3,000)

JOHN SQUADRA (American, 1932-) “PRIMAVERA”. Oil on canvas interesting surreal scene shows a winter wooded landscape with an inset mouth & nose section of the Mona Lisa. Signed lower right and titled lower left. Housed in a simple light blue wood frame. SIZE: 40″ x 30″. CONDITION: Very good to excellent. 9-22797 (1,500-2,500)

PAUL SCHULENBURG (American, Late 20th Century) “RETURN TO SPRUCE HEAD”. Fine large oil on canvas Maine dock scene shows a lobster boat returning to its home dock being unloaded by a man with a winch with two lobstermen on boat. Signed lower right. The back having an original artist label and biography. Housed in a simple black wood frame. SIZE: 48″ x 36″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23522 (800-1,200)

MIKE GRAVES (American, 1952-) BEHIND SAND BEACH-ACADIA NATIONAL PARK. Oil on canvas Maine scene shows a water inlet with trees and mountain beyond. The mountain is the precipice in the park and as indicated in a note from the artist, it was one of his favorite spots to paint. Signed lower right. Housed in a modern gilt wood frame. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-21827 (2,000-3,000)

PHILIP LITTLE (American, 1857-1942) LOW TIDE AT MUSCONGUS BAY, MAINE. Oil on canvas Maine coastal scene shows a coastline with several islands at low tide. A flock of seagulls can be seen over the colorful seaweed covered rocks. Signed lower left and dated. Housed in an antique gilt oak frame. SIZE: 18″ x 24″. CONDITION: Relined, very good with some inpainting. 9-21983 (2,000-3,000)

WILSON HENRY IRVINE (American, 1869-1936) “COAST OF MAINE”. Oil on canvas coastline scene shows deep blue ocean sending small white tipped waves onto rock strewn beach. All under a blue & white cloud sky. Signed lower left “Irvine”. Housed in a gilt molded wood frame. Title on reverse of stretcher. SIZE: 22″ x 28″. CONDITION: Craquelure, thin canvas, good. 9-23108 (3,000-5,000)

MOUNTFORT COOLIDGE (American, 1888-1954) THE RISING MOON. Unframed, large oil on canvas scene shows a full moon rising over water in the distance. The foreground with trees and rocks. The sky is dark blue with light blue clouds. Estate stamped on reverse of stretcher. SIZE: 30″ x 34″. CONDITION: Surface dirt, craquelure, otherwise very good. 9-22496 (2,000-3,000)

COLIN PAGE (American, 1977) “THE MARY DAY”. Oil on canvas harbor scene shows the Mary Day of Camden, Maine. The two-mast schooner is scene at dock flying American Flag off stern. Other boats are seen in the busy harbor dock area under blue sky. Signed lower right. Titled on reverse. Housed in a modern gold & black shadowbox frame. SIZE: 20″ x 24″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23532 (1,000-1,500)

COLIN PAGE (American, 1977) FIELD OF FLOWERS. Oil on canvas scene shows a field of daisies having purple flowers in the background. Signed lower left. Housed in a black shadowbox frame. SIZE: 28″ x 32″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23536 (1,000-1,500)

PHILIP BARTER (American, 1936-) “MT. ABRAMS”. Bold, colorful, oil on canvas Maine landscape shows a double peaked blue mountain having a cloud and blue sky. The foreground with a colorful expanse of whimsical trees. Signed bottom right “Philip” and titled on reverse. Housed in a simple blue painted wood frame. SIZE: 24″ x 30″. PROVENANCE: From a Maine collection. CONDITION: Small spot in sky with touch up, otherwise very good. 9-22851 (2,500-4,000)

ELSIE SCULL (American, 20th Century) “PUMPKIN COVE, MAINE PEMAQUID”. Oil on board scene shows a cove with oncoming waves lined by trees & rocks. Signed lower left. Housed in its original white painted wood frame. SIZE: 7″ x 9″. CONDITION: Surface dirt, otherwise very good. 9-23066 (200-300)

CARROLL SARGENT TYSON (American, 1877-1956) “EMILY, KENNEBUNK, 39”. Oil on canvasboard beach scene shows a young blonde haired girl seated on a rock with her feet in the water. A large rock is beyond with three sails under light cloud sky. Signed with initials lower left and having an original label on reverse with title & artist. Also an artist stamp. Housed in a gold painted wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-23604 (1,000-1,500)

NORMAN WEST (American, 20th Century) “STOW, ME”. Oil on board colorful landscape shows a purple mountain ridge with valley floor having green fields, dark borders and a small pond. Unsigned front, pencil signed, titled and address on reverse. Housed in a good modern Guido Studio gilt wood frame. SIZE: 8″ x 10″. CONDITION: Very good. 9-22739 (600-800)

ANTONIO CIRINO (American, 1889-1983) SNUG HARBOR, MAINE. Oil on wood panel depicts a small harbor scene with moored schooners near harbor edge with green hills beyond. Signed lower left. Housed in a light cherry wood carved frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-22494 (2,000-3,000)

KATHERINE ADAMS LOVELL (American, 1877-1965) “SUMMER IN OGUNQUIT, MAINE”. Oil on canvas summer scene shows people and cars in a busy downtown area under blue sky. Signed lower right “K Lovell”. Housed in a good replacement gilt frame with linen liner. SIZE: 18-1/4″ x 22″. CONDITION: Very good. 9-22274 (1,500-2,000)

JESSE LEACH FRANCE (American, 1862-1926) MAINE’S ROCKY COAST. Oil on board coastal scene shows low tide with exposed rocky shoreline and white capped blue waves. All under a colorful sky. Signed lower right. Housed in a gilt carved wood frame. SIZE: 10″ x 16″. CONDITION: Very good. 9-23031 (800-1,200)

EDWARD MITCHELL BANNISTER (American, 1828-1901) WHISPERING WIND. Oil on canvas summer scene shows a landscape with two women at edge of water surrounded by trees which show movement in the wind. All under a blue & cloud sky. Signed lower right “E m Bannister”. Housed in a fine gesso decorated gilt frame. SIZE: 11-1/4″ x 19-1/4″. CONDITION: Minor inpainting, very good. 9-23618 (15,000-20,000)

WILLIAM TROST RICHARDS (American, 1833-1905) “EARLY SPRING GERMANTOWN, 1875”. Watercolor spring scene shows a stream winding through meadows dotted with trees. Several people can be seen below hill and cows graze in the distance. Housed in a fine gilt modern frame with white matte. SIZE: Sight: 8-1/4″ x 12-1/2″. CONDITION: Very good. 9-23028 (3,000-5,000)

IRMA RENE KOHN (American, 19th/20th Century) “FOXGLOVES IN A NEW ENGLAND GARDEN”. Fine oil on canvas American impressionist scene shows a woman standing beside a cart path lined with grass and tall colorful flowers. A large barn is in the background with tall poplar trees under blue sky. Signed lower right “Irma Kohn 19″. Housed in a fine gilt carved wood frame. The back stretcher having an original penned title. SIZE: 16″ x 20”. CONDITION: Very good. 9-23599 (4,000-6,000)

ABBOTT FULLER GRAVES (American, 1859-1936) “AT THE LANDING”. Outstanding oil on canvas flower garden scene shows a young woman seated at the landing of a stairway. She looks at a recently picked red rose and is surrounded by her garden filled with red rose bushes. A stone wall is beyond with a field leading to connected farmhouse with blue door. Signed lower left. Housed in a fine gilt carved wood frame with carved maker’s name “Philip N. Yates”.An outstanding example of this artist’s work. SIZE: 20″ x 24″. PROVENANCE: From a fine Maine home. CONDITION: Very good to excellent. 9-22216 (100,000-150,000)

BERNARD LANGLAIS (American, 1923-1977) “LION FACE”. Painted wood relief of a lion face. The lion in a crouched position with paw beside face. Housed in a simple white wood frame. The back having a Hobe Sound Galleries North Portland, Maine label with artist & title. Accompanying the lot is the original receipt dated February 28, 1985. Also included is a folder with biographical & exhibition brochures and a copy of a Magazine Antiques article. SIZE: Overall including frame: 25″ x 48-3/4″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good. 9-22413 (6,000-9,000)

CLARKE BATTLE FITZ-GERALD (American, 1917-2004) “EYE OF THE NEEDLE”. Outstanding wood sculpture formed by a single cut from an elm tree, found in Castine, Maine with a cavity at the center. The face chip carved with nice patina, the interior painted white. Mounted on a steel plate. Signed on metal plate “FG”. NOTE: A letter accompanies the lot which was written to the previous owners by the artist. It discusses the “female-ness” of the subject matter and his thoughts surrounding his interpretation. Also accompanying the lot is a number of exhibitions, newspaper articles & pamphlets regarding the artist, some showing this sculpture in place at the Payson Gallery. SIZE: TOTAL: 33-1/2″ h x 34″ w. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good to excellent. 9-22414 (6,000-9,000)

CABOT LYFORD (American, b. 1925) CARVED WHALE SCULPTURE. Circa 1981. This fine walnut sculpture, carved from the solid, depicting a whale exiting the water, tail partially visible on the circular base. Beneath the base is carved the artist’s signature “LYFORD 81”. Note: Cabot Lyford of New Harbor, Maine did much of his work in stone. It is somewhat uncommon to have an example of his art carved in wood. SIZE: 28″ h. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good original condition. Shrinkage cracks were filled with strips of walnut prior to carving. Structurally very good with medium brown patina. 9-22407 (2,000-3,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “CHILDREN AT THE STREAM”. Oil on canvas mounted to masonite scene shows four children in a rock lined woodland pool in a summer landscape. Signed lower left. Housed in a fine carved & gilt double frame with glass front. The inside liner having a gilt wood artist & title plaque. SIZE: 8″ x 10″. CONDITION: Very good. 9-22695 (3,000-5,000)

EMILE ALBERT GRUPPE (American, 1896-1978) OCTOBER IN VERMONT. Oil on canvas fall scene shows a dirt road with colorful birches on each side leading to a hill in background under blue sky. Signed lower left. Housed in a good carved wood & gilt modern frame. SIZE: 20″ x 18″. CONDITION: Very good. 9-22661 (3,000-5,000)

WILLIAM LESTER STEVENS (American, 1888-1969) CURVE IN WINTER ROAD. Outstanding oil on canvas winter landscape shows a curving road through birch trees with winter snow covered ground. The sun reflects off the snow lighting the trees with its winter glow. A nice early work by Stevens. Signed lower left “William Lester Stevens NA”. Housed in a black painted gold decorated frame. Accompanying the painting is a brief history from a previous owner indicating that this painting was purchased from Stevens in 1940 as a 40th wedding anniversary gift. SIZE: 25″ x 30″. CONDITION: Very good. 9-22673 (7,000-10,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “WEST GLOUCESTER HAYSTACKS”. Oil on canvasboard fall scene shows a landscape with colorful trees, fields, and a bard with two large haystacks. In the distance can be seen a sliver of rich blue water. All under a colorful blue & white cloud sky. Signed lower right “W Lester Stevens”. Housed in a period gilt molded wood frame. On reverse is marked “1932”. An outstanding gem from an early period of this artist’s career. SIZE: 12″ x 14″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22125 (3,000-5,000)

WILLIAM LESTER STEVENS (American, 1888-1969) LOWER PASTURE, BARWAY. Oil on canvas spring scene shows a scene looking down from the road towards a lower pasture area below trees with a fence in the foreground. Signed lower right “W. Lester Stevens N. A.”. Housed in a gray painted frame with linen and wood liner. SIZE: 20-1/2″ x 24-3/4″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22124 (2,000-4,000)

KATHRYN E. BARD CHERRY (American, 1880-1931) “MORNING ON MAIN STREET, GLOUCESTER, 27”. Oil on canvasboard Gloucester, MA scene shows a view along Main St. lined with buildings and people walking along the sidewalk. All under pink & white clouds with blue sky. Signed lower right. Housed in a fine carved & gilt frame with wide gilt liner. Titled in pencil on reverse. SIZE: 23-1/2″ x 20″. CONDITION: Restored with inpainting, very good. 9-22665 (12,000-18,000)

JAMES GAYLE TYLER (American, 1855-1931) THE PORT LIGHT. Fine oil on canvas nautical scene shows a three-mast ship sailing at a slight angle toward viewer in a moonlit evening scene. The port light shines bright red and partial sails are up. It moves through wavy ocean with two ships in the background. The full moon shines bright behind clouds and blue sky. Signed lower left and numbered on reverse of canvas “292”. Housed in its magnificent original fancy gilt frame with gilt liner. SIZE: 20″ x 16″. CONDITION: Very good. 9-22368 (1,800-2,400)

JAMES GAYLE TYLER (American, 1855-1931) CAPE ANN FISHERMAN. Black & white oil on canvas nautical scene shows a weathered sea captain at the tiller of his fishing boat in heavy seas. Two other boats are seen in the distance under gray sky. Signed lower left and dated “1904”. Housed in a black painted wood frame with gilt liner. Back of canvas numbered “213” and having a Salmagundi Club Black & White exhibition tag. SIZE: 28″ x 22″. CONDITION: Very good. 9-23102 (2,000-3,000)

FRANK KNOX MORTON REHN (American, 1848-1914) EVENING ON GLOUCESTER BAY. Oil on canvas scene shows a dark group of buildings with dock and ships. A sunset is almost complete with colors reflecting on the dark water surface. Two sails are seen with a small rowboat. Signed lower right “FKN Rehn, N.Y.”. On reverse of stretcher is a pencil label with artist & title which is illegible. Housed in a modern decorative wood frame. SIZE: 16″ x 28″. CONDITION: Relined, inpainting, very good. 9-23036 (3,000-5,000)

HARRY AIKEN VINCENT (American, 1864-1931) HARBOR SCHOONER AT LOW TIDE. Mixed media watercolor & pastel scene shows a schooner on dry ground at low tide with other schooners behind. Signed lower left and dated “07”. Housed in a fine modern carved & gilt double frame with wide linen matte and gilt wood artist plaque, all behind glass. SIZE: Sight: 11-1/2″ x 15-3/4″. CONDITION: Very good. 9-22705 (1,750-2,250)

AGNES LAWRENCE PELTON (American, 1881-1961) CRANES BEACH. Oil on canvasboard pastel colored scene shows waterside view of the beach with dunes and chimney amongst the tall trees. Signed with artist stamp lower right. Also Estate stamped on reverse. Housed in a good decorated wood frame with gold edge. SIZE: 9-1/2″ x 19-3/4″. CONDITION: Very good. 9-23067 (1,000-1,500)

KEN KNOWLES (American, 1968-) “FROM THE RAILWAYS, GLOUCESTER, MA.”. Large oil on canvas Gloucester Harbor scene shows two fishing boats moored at parallel docks. A two-mast schooner sails right to left with other boats & buildings beyond. Wonderful cloud & blue sky. Signed lower right. Signed, titled, & dated on reverse. Housed in a gilt wood modern frame. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-22774 (4,500-6,500)

KEN KNOWLES (American, 1968-) “CAPE PORPOISE, MAINE”. Fine oil on masonite scene shows the harbor at low tide with several small sailing boats and one larger sailboat in the distance. A large antique home with barn is seen on the right with others on grassy shoreline. Signed lower left. Housed in a gilt modern wood frame. Title, signed, and dated on reverse. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-22772 (4,000-6,000)

KEN KNOWLES (American, 1968-) “WINTER MARSHES, HOG ISLAND”. Oil on masonite winter scene shows the tidal marsh area in Essex, MA with a tree lined border and hills in the distance. Signed lower right. Also signed and titled on reverse. Housed in a gilt wood modern frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-22773 (2,500-3,500)

DAVID TUTWILLER (American, 1952-) “PASSING OF THE YANKEE CLIPPER. Large oil on canvas harbor scene shows a two-mast schooner passing by the New Haven Railroard harbor rails with a large dock in foreground having MELISSA’S Seaside Cafe and the large schooner “Henderson” tied to wharf. Signed lower right. Housed in a carved and gilt modern frame. Titled, signed, and dated “2004” on reverse. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-22675 (1,250-1,750)

THOMAS M. NICHOLAS (American, 1963-) WOODLAND STREAM. Oil on masonite winter landscape shows a stream with snowy banks winding through light woods. Signed lower right “TM Nicholas”. Housed in a fine carved wood gilt frame. SIZE: 8″ x 10″. CONDITION: Very good to excellent. 9-22680 (1,750-2,250)

THOMAS M. NICHOLAS (American, 1963-) NEW ENGLAND WINTER COVE. Oil on board winter scene shows a small harbor area with houses on slight hill leading to docks with moored lobster boats. Signed lower right. Housed in a fine carved gilt wood frame. SIZE: 6″ x 8″. CONDITION: Very good to excellent. 9-22679 (1,000-1,500)

THOMAS M. NICHOLAS (American, 1963-) “ALONG THE CHARLES”. Oil on masonite panel scene shows several houses along the bush and tree lined bank of a calm river reflecting the scene. Signed lower right. Housed in a carved and gilt wood frame. On reverse is attached an entry card for the Massachusetts Horticultural Society Exhibition of Plein Air Masters at Work. Pencil alternative title “View from Elm Bank, Wellesley”. SIZE: 8″ x 10″. CONDITION: Very good to excellent. 9-21829 (800-1,200)

PAUL STRISIK (American, 1918-1998) “SPRING NEW ENGLAND”. Oil on canvas Rockport, MA street scene shows a saltbox Colonial home with two figures beside looking out towards ocean with two sails. A nice colorful scene. Signed lower left. Artist stamp on reverse, also artist gallery tag on back. Dated “May 1961″. Housed in its original decorated molded wood frame with painted liner. SIZE: 20″ x 24”. CONDITION: Very good. 9-23037 (6,000-8,000)

PAUL STRISIK (American, 1918-1998) “SILVER LIGHT”. Oil on masonite winter scene shows late afternoon winter landscape with connected white house having light shining in the window. The sky is a light yellow with gray clouds. A pleasant New England winter scene. Signed lower left. Titled on back with artist label. Housed in a gilt molded wood frame with linen matte and gold liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-22668 (2,750-3,250)

CARL WILLIAM PETERS (American, 1897-1980) READYING THE BOATS. Oil on board Cape Ann scene shows two men next to small boats at low tide near a backdrop of buildings. A nice colorful scene from this accomplished artist. Signed lower right. Housed in a gilt wood frame with linen liner. Accompanying the painting is an excerpt from Rocky Neck and the Davis Prize, page 629 showing a similar, but larger painting. SIZE: 16″ x 20″. CONDITION: Very good. 9-21830 (5,000-7,000)

OTIS PIERCE COOK (American, 1900-1980) THE GREEN SCHOONER. Oil on canvasboard harbor scene shows a three-mast green schooner tied alongside a wharf with building with seagulls flying above. Several other boats are seen, one drying a net. Signed lower right. Housed in its original silver gilt wood frame. SIZE: 16″ x 14″. CONDITION: Very good. 9-22697 (2,000-3,000)

BERNARD COREY (American, 1914-2000) “LOBLOLLY COVE, ROCKPORT, MASS”. Oil on canvas mounted to masonite coastal scene shows two figures at edge of rocky beach with point of land under colorful sky. Signed lower right. Housed in a painted wood frame. Title on reverse and Rockport Art Association label. SIZE: 9″ x 12″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22127 (1,400-2,000)

BERNARD COREY (American, 1914-2000) PATH TO THE POINT. Oil on board coastal scene shows a rock and grass shore having a path leading to water beyond. Signed lower left. Housed in a good gilt carved wood frame with a carved “Goodnow” signature (Paul Goodnow). On reverse is an Estate Certificate of Authenticity, signed by the executrix. SIZE: 10″ x 14″. PROVENANCE: This painting was part of Bernard Corey’s collection. CONDITION: Very good to excellent. 9-21828 (1,200-1,600)

MARIE LISZT (American, 1902-1992) MORNING ON ROCKY NECK. oil on canvas Gloucester street scene shows people strolling along an intersection with several houses. The far right yellow house with red roof was Emile Gruppe’s home. The scene is shown under large green trees and blue sky. Signed lower left. Housed in a gilt carved wood frame with gilt liner. SIZE: 20″ x 24″. CONDITION: Very good with very minor touch up. 9-22667 (2,500-3,500)

MARIE LISZT (American, 1902-1992) SECURING THE BOW. Oil on canvas harbor scene shows a man securing the bow of his small boat near a wharf with building and large fishing trawler. Bright morning light cascades across the harbor. Signed lower left “M Listz”. Housed in a good carved wood and gilt frame with wide gilt liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-22664 (2,000-3,000)

ATTRIBUTED TO SUSETTE SCHULTZ KEAST (American, 1892-1932) CORNER HOUSE IN ROCKPORT. Unsigned oil on board street view scene shows two Colonial houses on a corner with white picket fence. The back having a lucite window with a small sketch on reverse. The lucite has a partial Bianco Gallery label. Housed in a silver gilt wood frame. SIZE: 8″ x 10″. CONDITION: Very good. 9-23074 (1,000-1,500)

JUNIUS ALLEN (AMERICAN, 1898 – 1962) “BOAT DOCK ROCKPORT”. Oil on Masonite coastline scene shows a lobster boat moored next to dock with small building. The shoreline with green trees and blue sky. Signed lower left. Housed in a natural wood frame with white liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-20023 (600-800)

WAYNE BEAM MORRELL (American, 1923-) “MARSH SUNSET”. Oil on board scene shows three ducks in a marshy area with three flying overhead in sunset sky. Housed can be seen on the far shore with trees at land points. Signed lower left. Titled, inscribed, and signed on reverse. Housed in a gilt wood frame with linen liner. SIZE: 8″ x 12″. CONDITION: Very good. 9-22671 (600-1,000)

WAYNE BEAM MORRELL (American, 1923-) “SPRING POND, 1958”. Oil on masonite spring scene shows a fisherman near a pond with colorful trees under blue & white cloud sky. Signed lower right “Wayne Morrell, 1958”. Location on left corner “Weathersfield, Conn. March 12 ’58”. Housed in a good gilt carved wood frame with white matte. SIZE: 15″ x 19-1/4″. CONDITION: Very good. 9-23027 (500-800)

HARRY HERING (American, 1887-1967) FRONT BEACH, ROCKPORT, MASS. Oil on masonite Rockport, MA scene shows the busy town beach with bathers casting shadows on the sandy beach. A backdrop of colorful houses nestled below green trees with church steeple. Signed lower right. Housed in a carved wood frame with linen & gilt liner. SIZE: 25″ x 30″. CONDITION: Some minor chipping to surface, generally very good. 9-23090 (600-800)

UNSIGNED (American, Early 20th Century) ROCKY NECK, GLOUCESTER. Oil on canvasboard Rockport/Gloucester school painting shows the famous Art Colony area of Gloucester with its harbor looking across to ships and buildings. The foreground with a dock and building. Housed in a carved and gilt wood modern frame. SIZE: 11″ x 14″. CONDITION: Very good. 9-22873 (800-1,200)

BERNARD COREY (American, 1914-2000) “SPRING”. Oil on canvas mounted to masonite springtime panoramic landscape of a shallow valley area with farmhouses and barns, fields & trees. Signed lower right. Housed in its original gilt frame with linen and white liner. On reverse is a Rockport Art Association exhibition label. SIZE: 9″ x 14″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22126 (1,200-1,800)

BERNARD COREY (American, 1914-2000) WATER LILIES. Oil on canvas laid on panel shows a pond filled with water lilies having pink flower edges and wooded banks. Signed lower right, signed on reverse. Housed in a carved wood gilt modern frame. SIZE: 10″ x 14″. CONDITION: Very good. 9-22666 (1,500-3,000)

DON STONE (American, 1929-) THE RED BARN. Fine watercolor winter scene shows a road leading to a large red barn with cupola. Two figures are seen with dog walking beside the barn on a curve in the road. Signed lower right. Housed in a stained flat wood frame with silver liner and glass. SIZE: Sight: 8-3/4″ x 18-1/2″. CONDITION: Very good. 9-22688 (800-1,200)

DON STONE (American, 1929-) THE ABANDONED HAY WAGON. Watercolor scene shows a stone wall dividing fields with golden grass. A hay wagon rests up against the far side of the wall under dark and light cloud sky. Signed lower right and dated “1963”. Housed in a stained wood flat frame with silver liner. There is an unsigned work on the reverse. SIZE: Sight: 10-1/2″ x 28″. CONDITION: Very good. 9-22689 (1,000-1,500)

AIDEN LASSELL RIPLEY (American, 1896-1969) “ORANGE TREE”. Fine watercolor scene shows several branches of oranges against a bright blue sky. Signed upper left “A L Ripley 1925″. Housed in a modern gilt frame with white matte. The back having a Coe Kerr Gallery New York label. Also a Sarah Woolworth New York label. SIZE: Sight: 18″ x 14”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23506 (1,500-2,500)

AIDEN LASSELL RIPLEY (American, 1896-1969) LOUNGING ON THE FREIGHTER. Watercolor scene shows five passengers lounging on a deck with heavy machinery in the sun. Signed lower right “A L Ripley 27″. Housed in a modern gilt wood frame with white matte. SIZE: Sight: 15-1/2″ x 19”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23525 (1,000-1,500)

OGDEN MINTON PLEISSNER (American, 1905-1983) “AUTUMN GROUSE HUNT”. Outstanding watercolor hunting scene shows a hunter with shotgun at shoulder aimed at a recently flushed grouse with pointer standing in grass covered ground. Remnants of light snow are seen in the cart track & stone wall. Signed lower right. Housed in a modern decorative frame with linen matte and inner gilt liner. Plaque inset in matte with title and artist. SIZE: Sight: 17-1/2″ x 27-1/2″. CONDITION: Very good. 9-22945 (30,000-50,000)

OGDEN MINTON PLEISSNER (American, 1905-1983) TWO PENCIL SIGNED SPORTING PRINTS. 1) “The Battenkill at Benedict’s Crossing”. Colored print shows a fisherman with fish on, on a river near a farm. Pencil signed lower right. In a limited edition of 275 prints, published in 1978. Housed in a molded wood frame with decorative double matte. 2) “Hillside Orchard – Grouse Shooting”. Colored print shows a hunter on a rock wall lined road shooting a flying grouse. Published in 1975 and limited to 270 prints. Housed in a gilt molded wood frame with decorative matte. SIZE: Sight: 1) 18″ x 23″. 2) 16″ x 25″. CONDITION: Very good. 9-22684 (1,000-1,500)

ROLAND H. CLARK (American, 1874-1957) “JOURNEY’S END”. Outstanding oil on canvas wildlife scene shows a flock of 10 Canadian Geese coming in to land in a winter marsh setting with blue water, ice, snow and grasses. Distant hills can be seen under gray and white sky. On reverse is an original label from Abercrombie & Fitch Company, New York with artist and title. Also a Richard W Oliver auction sticker. The painting is housed in a fine gilt, gesso-decorated frame with white linen liner. SIZE: 20″ x 24″. PROVENANCE: From a private Virginia collection. CONDITION: Very good. Relined on new stretcher. A portion of the old stretcher has been kept. Also the original labels and the pen inscription on canvas has been rewritten on lining. 9-20274 (10,000-20,000)

BODGE (American, 20th Century) TWO BIRD HUNTING SCENES. Both identically housed in gilt frames with gray and ivory matte. 1) Gouache hunting scene shows a man shooting a partridge in flight while four fly away. Tall, dried grass area in a fall scene under gray clouds. Signed lower right “Bodge”. 2) Gouache scene shows a hunter walking along ocean beach area holding his pump shotgun and carrying a line of duck decoys. He smokes a pipe and looks out to the coastline edge where ducks are taking off and flying into a setting sunset. Signed lower right “Bodge”. SIZE: Sight: 16-1/2″ x 12-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22461 (2,500-3,500)

WILLIAM JOSEPH SCHALDACH (American, 1896-1982) HOOKED. Fine watercolor scene shows a brown trout recently hooked leaping out of water with unseen hook attached to line going into water. The fish has been caught at the bottom of a waterfall. Signed lower right. Housed in a black & gold wood frame with white matte. SIZE: Sight: 13″ x 16″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23495 (1,500-2,500)

WILLIAM JOSEPH SCHALDACH (American, 1896-1982) AFTER THE MAYFLY. Fine watercolor stream side scene shows a leaping brook trout after a mature mayfly. A cascading stream is seen with rocky bank. Signed lower left. Housed in a black & gold frame with white matte. SIZE: Sight: 12-1/2″ x 18″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23494 (1,500-2,500)

LOUIS DARLING (American, 1916-1970) FLY FISHING FOR RAINBOW TROUT. Fine watercolor fishing scene shows a fisherman wading in river having rocky banks. A recently hooked rainbow trout is jumping in rapids with tight line leading to a fisherman’s fly rod. Signed lower left. Housed in a modern gilt frame with white matte. SIZE: Sight: 13-1/2″ x 19-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23486 (1,000-2,000)

JOHN WALTER SCOTT (American, 1907-1987) FLY FISHING THE LILY PADS. Gouache 1950’s fishing scene shows a gentleman angler standing in a small motorboat being guided by his well dressed guide who handles the motor. The fly has landed amongst the pond lilies and the backdrop is a cultivated hillside with castle and houses. Signed lower right. Housed in a wood molded frame with double mattes. SIZE: Sight: 20-1/2″ x 15-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22460 (2,500-3,500)

HAROLD JAMES CUE (American, 1887-1961) FISHING WITH GRANDPA. Unframed oil on canvas illustrative scene shows a young boy with fishing rod & can of worms walking across grass & daisy covered field toward the old mill stream. His grandfather is seen beside him telling a fish tale and showing the size of the one that got away. The scene shows a background landscape with mill under blue & white cloud sky. Signed lower right. SIZE: 34-1/4″ x 25-1/4″. CONDITION: Some minor touch up, very good. 9-23370 (800-1,200)

JOHN WALTER SCOTT (American, 1907-1987) OUTMATCHED. Interesting gouache scene shows three men in a rowboat who have harpooned a large sawfish at nighttime. The man in the back shines a bright light exposing the giant fish as he surges out of the water with the embedded harpoon which is attached to the bow of the small rowboat. Signed lower left. Housed in a green marbleized frame with white & green matte. SIZE: Sight: 16″ x 12-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22458 (1,500-2,500)

GARY COOLEY (American, 1947-) “SPRING CREEK TROPHY”. Outstanding polychrome bronze of a Salmon swimming above river rocks and log. Wonderful colored patina in a realistic setting. Titled, signed, numbered “1/45” and dated “4/98″ on base. The bronze is mounted to a molded edge shaped wood plinth having artist & name plaque. SIZE: Total: 11″ h x 16” l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22435 (1,250-1,750)

GARY COOLEY (American, 1947-) “BEAVERKILL BEAUTY”. Fine polychrome bronze of a Rainbow Trout near the waters bottom with rocks and sunken log. The piece with realistic color patination. Mounted to a molded edge shaped wood plinth with artist title plaque. Signed in bronze on back rock with title, artist, and edition 5/10. SIZE: Total: 10″ h x 13-1/2″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22434 (1,250-1,750)

LEE LESTER (American, 20th Century) THE FISHERMAN. Outstanding bronze depicting a large bear with coho salmon in mouth walking on rock ledge. The bronze is mounted to a shaped green marble base which is attached to a molded edge wood base with title and artist plaque. Bronze is signed “S L Lester 12/50”. Brown to black patina with polychrome salmon. SIZE: Total: 15″ h x 24″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22432 (2,750-3,250)

LEE LESTER (American, 20th Century) TURKEY. Bronze model of a standing turkey. Signed on base “S L Lester 6/150”. The shaded brown patina turkey seen in walking pose on natural base mounted to an oval green marble atop molded edge oval wood base. SIZE: 14-1/2″ h x 12″ l. PROVENANCE: From a private New York Collection. CONDITION: Oxidized area a top of head, otherwise very good. 9-22431 (700-900)

GARY COOLEY (American, 1947-) TRANQUILITY. Bronze depicting a great blue heron amongst cattails and reeds. The bronze mounted to a round black marble-type base. The bronze signed, titled and numbered “20/35″. The bronze having realistic polychrome colors in greens, blues & browns. SIZE: Total: 36”. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22433 (1,500-2,000)

Revised: 8/22/2011

Additional Information: We have been told that this work might not be by Benson and thus we do not guarantee it.

FRANK WESTON BENSON (AMERICAN, 1862 – 1951) FLIGHT OF DUCKS. Large watercolor wildlife scene shows a flock of 19 ducks flying over ocean waves. A colorful sky in blues and yellows is reflected in the choppy ocean. Signed lower left, “F. W. BENSON 29″. Housed in a fine gilt wood frame with line highlighted mat. SIZE: Sight size: 22-1/2″ x 30-1/4”. PROVENANCE: From a private Virginia collection. CONDITION: Very good. 9-20273 (20,000-40,000)

FRANK WESTON BENSON (AMERICAN, 1862-1951) DUCKS. Pencil signed lithograph wildlife scene shows five ducks swimming right to left in calm water. Pencil signed below image, also “Copyright F W Benson” and “A.W. Elson & Co., Boston”. Housed in its original fumed oak flat frame with glass front. SIZE: Sight: 19-1/2″ x 23-1/2″. Image: 12-3/4″ x 17″. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Some toning, foxing spots, white spots in left margin. Otherwise good, not examined out of frame. 9-22197 (600-900)

HERMANN GUSTAV SIMON (American, 1846-1895) “A PERFECT FIND”. Outstanding oil on canvas hunting dog scene shows two Setters, one standing at point, the other laying down in a grass area pointing off to the right at an unseen game. Late fall scene with the hillside having trees, bushes, grass, and large rocks. Gray clouds fill the sky. Signed lower right “Hermann Simon 1879″. Housed in a magnificent and possibly original gesso decorated gilt frame with gilt liner. SIZE: 22″ x 32”. CONDITION: Relined, craquelure, very good. 9-23577 (5,000-8,000)

LEANDER ALLEN PLUMMER (American, 1857-1914) TWO WORKS: RED HEADED DUCKS. Identically housed in black painted wood frames. Both oil on canvas scenes of a male & female red headed duck in pond surroundings. One signed lower right “LA Plummer”, the other unsigned. SIZE: 18″ x 24″. CONDITION: Very good. 9-22835 (1,400-1,600)

PETER MUNRO (British, 1954-) AMONGST THE LILY PADS. Oil on masonite wildlife scene shows two ducks swimming between lily pads and tall grass. The water is still reflecting the grass and providing light rings from the swimming ducks. Signed lower left and dated “1988”. Housed in a gilt wood frame with linen and wood liner. SIZE: 20-3/4″ x 36″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22462 (2,500-3,500)

HOWARD L. HILL (American, -1870) PROTECTOR OF THE FAMILY. Outstanding oil on canvas wildlife scene shows a male grouse standing tall upon a rock at the edge of woods and field. Nestled below the rock is the hen and five chicks. The background with a New York or New England landscape with fields, trees and landscape. Housed in a period gold gesso decorated frame with gold liner. SIZE: Sight: 30-3/4″ x 22-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Relined with minor inpainting, very good. 9-22447 (5,000-7,500)

PETER MUNRO (British, 1954-) BLACK GROUSE. Oil on masonite wildlife scene shows a black grouse swooping down from a pine tree onto snow covered grassy area. The hen sits atop a pine bow in an authentic setting. Signed lower left and dated “1989”. Housed in a gilt molded wood frame with linen liner. SIZE: 18″ x 27″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22463 (2,500-3,500)

ARCHIBALD THORBURN (British, 1860-1935) SCOTTISH GROUSE. Limited edition colored print after a painting by Archibald Thorburn. Pencil numbered “716/850″. Published October 1997 by William Marler. Scene shows a large flock coming to and away from the viewer over colorful marsh and grassland. Housed in a modern gilt frame with green matte. SIZE: Sight: 14-1/4″ x 24”. PROVENANCE: From a private New York Collection. CONDITION: Very good, not examined out of frame. 9-22466 (800-1,200)

ARCHIBALD THORBURN (British, 1860-1935) “THE TWELFTH”. Pencil signed colored print published by Lawrence & Bullen, London, 1899. Scene shows a flock of partridge coming towards viewer over a grass landscape. Housed in a modern gilt frame with green matte. SIZE: Sight: 14-3/4″ x 22-3/4″. PROVENANCE: From a private New York Collection. CONDITION: Very good, not examined out of frame. 9-22465 (1,000-2,000)

JOHN WALTER SCOTT (American, 1907-1987) CALLING IN THE CROWS. Fine gouache hunting scene shows a hunter in camouflage clothing holding his shotgun at the ready and using a bird call to lure a flock of crows which fly nearby. He crouches under pine boughs and looks upward. Signed lower right. Housed in a modern wood frame with double brown mattes. SIZE: Sight: 19-1/4″ x 14″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22459 (1,000-1,500)

GEOFFREY DASHWOOD (British, 1947-) “CARRION CROW”. Life size bronze of a crow perched on a branch with square base. The crows wings are curved down and his head is facing to the side with open beak. Signed “Dashwood 9/12”. Greenish/black patina. SIZE: 10″ h x 16-1/2″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22444 (6,000-8,000)

GEOFFREY DASHWOOD (British, 1947-) “EAGLE OWL”. Life size bronze of an owl with mottled brown patina. Signed on back base “Dashwood 5/12”. SIZE: 25-1/2″ h. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22441 (5,500-7,500)

GEOFFREY DASHWOOD (British, 1947-) BARN OWL. Bronze owl perched on a rectangular base. Head sideways with hollow eyes. Base inscribed “Dashwood 7/12″. Bronze brown patina. SIZE: 10-1/2″ x 13”. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22439 (4,000-6,000)

GEOFFREY DASHWOOD (British, 1947-) COCK PHEASANT. Life size bronze of a pheasant standing on a round disc base which is signed “Dashwood 7/12”. Bronze with a mottled brownish/green patina. SIZE: 15″ h x 33″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22442 (4,500-6,500)

GEOFFREY DASHWOOD (British, 1947-) “BLACK GROUSE”. Life size bronze of a male black grouse with fanned tail feathers perched on a stump. Signed “Dashwood 2/12”. Black patina. SIZE: 16″ h x 12″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22443 (4,500-6,500)

GEOFFREY DASHWOOD (British, 1947-) PINTAIL DUCK. Life size bronze of a pintail duck. Back inscribed “Dashwood 2/12″ Nice brown & green patina. SIZE: 6″ h x 16” l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22440 (4,000-6,000)

GEOFFREY DASHWOOD (British, 1947-) MALLARD DUCK. Life size bronze of a preening head Mallard. The duck stands on a round disc base which is inscribed “Dashwood 3/12”. Mottled green & brown patina. SIZE: 10-1/2″ h x 13″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22445 (4,000-6,000)

GRANT HACKING (American, 1964-) “AFTER THE RAIN-BULL ELK”. Outstanding large oil on canvas wildlife scene shows a bull elf with huge rack bleating against a western river valley with large mountain range under blue & cloud sky. Signed lower left. Housed in a decorative partially gilt carved wood frame. Titled, signed, & dated on reverse of canvas. SIZE: 50″ x 60″. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22469 (8,000-12,000)

GRANT HACKING (American, 1964-) “BULL MOOSE-MT. WASHINGTON”. Large oil on canvas New Hampshire White Mountain scene shows a large majestic bull moose grazing in low bush with a backdrop of a snow peaked Mt. Washington under light blue and white cloud sky. Signed lower left. Housed in a fine gilt carved wood frame.Inscribed on reverse of canvas with title, artist and date of “2010”. SIZE: 30″ x 40″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22449 (2,000-3,000)

GRANT HACKING (American, 1964-) “FOLLOWING THE SCENT”. Oil on canvas wildlife scene shows a red fox turning to follow the scent across a snow covered area. Signed lower left. Titled, signed, and dated “2008” on reverse. Housed in a peach colored weathered wood frame with wood liner. SIZE: 16″ x 20″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22452 (800-1,200)

GRANT HACKING (American, 1964-) “CLIFF DWELLERS”. Oil on canvas wildlife scene shows six mountain goats grazing on high grass near cliffs. Titled, signed, and dated on the reverse of the canvas. Housed in a fine weathered wood frame with gilt edge. SIZE: 24″ x 30″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22451 (1,750-3,000)

GRANT HACKING (American, 1964-) EVENING SHADOWS-MOUNTAIN LION. Oil on canvas winter scene shows a mountain lion crossing a snow covered grass area with sun casting his shadow on the ground. Signed lower left. Signed & dated on reverse. Housed in a carved and gilt wood frame. SIZE: 24″ x 36″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22450 (1,500-3,000)

GRANT HACKING (American, 1964-) OUT OF THE SHADOWS. Outstanding oil on canvas African wildlife scene shows a standing tiger in a tropical setting with a shaft of bright sunlight cast on his body. Signed lower left. Housed in a fine carved & gilt wood frame which has the carved signature of Grant Hacking. SIZE: 18″ x 24″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22453 (1,500-2,500)

BOB F. KUHN (American, 1920-2007) TAKING AIM. Gouache African hunting scene shows a man perched in a tree stand aiming his rifle down at a tiger next to a recently fallen animal. Signed lower right “Kuhn”. Housed in a gilt molded wood frame with linen and gold matte. SIZE: Sight: 22-3/4″ x 15-3/4″. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22454 (3,000-6,000)

JASON LIPPITT CLARK (American, 1883-1969) THE PRONGHORN. Small bronze depicting a standing a pronghorn deer on a naturalistic base which is signed “Jas L. Clark”. Brown patina. SIZE: 10-1/2″ h x 10″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22456 (1,500-2,500)

ATTRIBUTED TO ANTOINE-LOUIS BARYE (French, 1795-1875) DEAD GAME. Interesting bronze depicting five different dead birds laying flat on a disc. Their heads droop over the side of disc. There is what appears to be an added signature “Bayre” with possible title. The bronze is mounted to a wood disc. SIZE: 9″ dia. x 3″ h (incl. base). CONDITION: Very good, wear to wood base. 9-23366 (1,500-2,500)

UNSIGNED (19th/20th Century) SETTER AT POINT. Fine bronze sculpture of a pointing hunting dog standing on a rectangular bronze plinth. Wonderful old dark patina. SIZE: 7″ h x 8-1/2″ l x 4-3/4″ w. CONDITION: Very good. 9-22682 (400-600)

PIERRE JULES MENE (FRENCH,1810-1879) VALET DE CHASSE LOUIS XV AVEC CINQ CHIENS. 20th Century edition showing the King atop his horse holding five hounds on a leash all on a naturalistic base. Polychrome decorated set on a black marble base. Signed on base “PJ Mene 1869”. SIZE: Without marble: 23-1/2″ h x 26-1/2″ l x 15″ d. With base: 25″ h x 30″ l x 18″ d. CONDITION: Very good. 9-23437 (2,000-3,000)

RUSS VICKERS (American, 1923-1997) “IT TAKES AN APACHE”. Oil on canvas western Civil War scene shows an Apache guide mounted atop his horse pointing the way to a Union officer on horseback. There are seven other soldiers on horseback below. The backdrop is a Sequoia dotted desert landscape with mountains under blue and cloud sky. Signed lower right and dated “1980”. Housed in a good carved weathered wood frame with gilt and linen liner. Titled, dated, and signed on reverse. SIZE: 24″ x 36″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22448 (6,000-7,000)

ATTRIBUTED TO FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “A CAVALRY SCRAP”. Oil on canvas scene shows a charging Cavalry amongst Indians on horseback in a desert setting. Signed lower right. Housed in an antique gesso decorated gilt frame. This appears to be a study for the final large version which is at the University of Texas. NOTE: When Remington was on assignment with Company K, 10th Cavalry he sketched a scene and entitled it “Riderless Horse.” When he was commissioned by the Knickerbocker Hotel in New York to paint “A Cavalry Charge” he used the riderless horse as the center figure and completed this gigantic painting by adding Indians and cavalrymen engaged in a ferocious battle. The painting was a gift to The University of Texas at Austin, in 1943 from Ima Hogg, and hangs on the second floor gallery of the Humanities Research Center. Also, The Charge, aka A Cavalry Scrap, was printed and published in 1910 in Collier’s Weekly (the right hand 1/3 was not used). SIZE: 20-1/4″ x 46-1/2″. PROVENANCE: From a Connecticut Collection. CONDITION: Craquelure, surface dirt, very good. 9-22264 (10,000-20,000)

F THOMAS QUIGLEY (American, 20th Century) THE CAVALRY CHARGE. Oil on canvas Civil War scene shows five men with pistols drawn charging ahead on horseback through rock & grass area. Signed bottom right “F. Thomas Quigley”. Housed in a decorative frame having a linen and wood liner. SIZE: 24″ x 36″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22267 (800-1,200)

F THOMAS QUIGLEY (American, 20th Century) THE TRUSTED SCOUT. Oil on canvas western scene shows a frontiersman using two arrows and his hand to prop up his rifle for a precision shot. His trusted Native American scout points to the target. They sit above a grass bluff overlooking other hills. Signed lower right “F. Thomas Quigley”. Housed in a good weathered wood molded frame with linen and wood liner. SIZE: 24″ x 36″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22266 (1,000-2,000)

EDWARD T. VEBELL (American, 1921-) WANTED. Mixed media on board illustration scene shows an outlaw with holster and gun, turquoise shirt, wide brim hat and red bandana burning his wanted poster in front of a Wells Fargo & Co. sign. Signed lower right. Housed in a modern wood frame with silver gilt liner. SIZE: Sight: 18-3/4″ x 15″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22262 (800-1,200)

EDWARD T. VEBELL (American, 1921-) CORNERED. Outstanding gouache illustration western scene shows a Sheriff who is being shot by a man cornered in an alleyway with a storekeeper with rifle in a slightly open doorway and another lawman approaching behind the sheriff. Signed bottom right “Ed Vebell”. Housed in its original weathered frame with inlaid rope border and inner canvas liner behind glass. SIZE: Sight: 19-1/2″ x 15-1/2″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22273 (1,000-2,000)

BOB DALE (American, late 20th Century) “SHOOTOUT AT THE END OF AN ERA”. Outstanding watercolor/gouache illustration showing three men on a stage shooting two men near a poker table. Signed lower left and dated “85”. Housed in a natural wood two-tier frame with double mattes and glass. This piece was a full page illustration on page 8 of the “Sunday Magazine”, “San Antonio Express” Sunday Edition, February 24, 1985 (copy accompanies lot). SIZE: Sight: 18-1/2″ x 16″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good. 9-22268 (800-1,200)

C. WOODWARD (American, Mid-20th Century) THE FATAL SHOT. Unframed oil on masonite illustrative scene shows a cowboy having just shot another cowboy on horseback. The horse rears out of fright and the man clutches his chest as his gun falls from his hand. Signed lower right and dated “41”. The back stamped “Property of Argosy All Rights Reserved”. Possibly the work of Cleveland Landon Woodward (1900-1986). SIZE: 28″ x 26-1/4″. PROVENANCE: From a Connecticut Collection. CONDITION: Some spot touch up, very good. 9-22269 (800-1,200)

ROBERT MACFIE SCRIVER (1914-1999) “THE WINCHESTER RIDER”. Circa 1979. This limited edition example (197/250), Big Horn Foundry. The limited edition figural bronze titled: “The Winchester Rider” was commercially commissioned and based on the famous Winchester logo featuring a mounted frontiersman, running at a full gallop, carrying a lever action Winchester rifle. The integral base with sagebrush and cow skull in relief. Marked: 197/250 Bob Scriver/1979. Mounted on a faceted walnut plinth additionally mounted with a plaque inscribed with the title “The Winchester Rider”. Robert “Bob” Macfie Scriver (1914-1999) was a Montana sculptor who was born on the Blackfeet reservation of Anglophone Quebec parents. He specialized in western subjects, and his first efforts were small inexpensive souvenir wildlife figurines cast in plaster and air-brushed in natural colors. Entry into a statewide contest for an heroic-sized portrait of Charles M. Russell, a contest he failed to win, provided the impetus to become a “real” sculptor and attracted the support and guidance of Charlie Beil, a noted Canadian sculptor. Both men built foundries and cast their own bronzes, guaranteeing high quality. In the late 1950’s the Blackfeet tribe and Scriver conferred about a series of bronzes to be cast in heroic size. These included “No More Buffalo,” “Transition”, “The Return of the Blackfeet Raiders and the well known “Winchester Rider” are some of his finest work. His works are to be found in various museum collections including, but not limited to, The Whitney Gallery of Western Art at the Buffalo Bill Historical Center, The Great Plains Art Museum, Montana Historical Society and the Rockwell Museum of Western Art in Corning, New York. SIZE: 15-1/4″ h (statue) 17″ h (overall) x 20-3/4″ l. CONDITION: Very good overall with fine dark brown patina. 9-22066 (8,000-10,000)

EARL E. HEIKKA (American, 1910-1941) ROAD AGENT. Limited edition bronze shows a cowboy with pistols in each hand looking back and firing. The horse is in a galloping position and the base is signed, also inscribed “Van Kirk Nelson 9/30”. SIZE: 11-1/2″ h x 12″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22446 (1,500-2,500)

JOE RUIZ GRANDEE (American, 1929-) US CAVALRYMAN AND COLLECTORS EDITION BOOK. The book “The West Still Lives – A Book Based on the Paintings & Sculpture of Joe Ruiz Grandee by Joy Schultz” and numbered “56/126”. Signed by both artist and author. The book having an interesting calfskin cover. The half bust bronze depicting a uniformed Cavalryman. Signed on reverse and numbered “56/126”. Both are presented on a custom wood stand. SIZE: Bronze: 6-1/2″ h x 5-1/2″ w. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22438 (500-1,000)

ATTRIBUTED TO THOMAS HILL (American, 1829-1908) WESTERN WAGON TRAIN. Outstanding unframed oil on canvas western scene shows tall mountains in the background with white billowy cloud sky. The foreground shows a valley with grass and water. Along a river bend is seen a wagon train with four covered wagons. SIZE: 21″ x 31″. PROVENANCE: Ex. Hilton Estate Collection of Greenville, Maine. CONDITION: Very good. 9-22792 (6,000-9,000)

SYDNEY MORTIMER LAWRENCE (American, 1865-1940) “MOUNT MCKINLEY”. Oil on canvasboard landscape scene shows a snow covered Mt. McKinley with its jagged peak towering up over the landscape with mountains, river, and tree lined banks. Signed lower left. Housed in an antique gesso decorated gilt frame with wide gilt liner having a gilt wood artist plaque. SIZE: 15-3/4″ x 20-1/2″. CONDITION: Very good. 9-22640 (12,000-15,000)

ALBERT BIERSTADT (American, 1830-1902) ROCKY MOUNTAIN PASS. Oil on canvas mounted to board western Rockies scene shows two men on horseback descending down a hillside path with stream and mountain peak. Signed lower right “A Bierstadt”. Housed in a fine gesso decorated gilt period frame with replaced gilt liner. SIZE: 11-1/2″ x 16-1/2″. CONDITION: Inpainting including enhancement of signature, very good. 9-22067 (8,000-12,000)

NORTON BUSH (American, 1834-1894) WESTERN MOUNTAIN VALLEY LANDSCAPE. Large oil on canvas western scene shows a stream running through flower, bush, & tree meadows leading down a valley with large mountains under a cloud & blue sky with waning sunlight. Signed lower right. Housed in its original gilt gesso decorated frame. SIZE: 22″ x 36″. CONDITION: Surface grime, small chipping across painting, craquelure, otherwise good. 9-22517 (4,000-6,000)

CORNELIUS DAVID KRIEGHOFF (Canada/American, 1812-1872) THE WINTER FORGE. Oil on canvas winter scene shows a woman who has gathered sticks with a bundle attached to her back crossing frozen water and approaching a building with a man working a forge. Snow covered hillside backdrop with house on right. Signed lower left. Housed in a modern fancy gilt frame with gilt liner. SIZE: 8″ x 12″. CONDITION: Discolored varnish which shows in craquelure grooves, good. 9-23438 (5,000-10,000)

THOMAS HILL (American, 1829-1908) VERNAL FALLS, YOSEMITE. Oil on canvas depicting Vernal Falls with rushing stream below. The ledges surmounted by Evergreen trees with a small mountain in background. Signed lower left “T. Hill”. Housed in a gold molded gessoed frame. Frame stamped on reverse “N. Grieve Co., Hand Carved New York & London”. SIZE: Sight: 15-3/4″ x 19-3/4″. CONDITION: Relined, some inpainting, very good. 9-22997 (5,000-7,000)

JOHN AMORY CODMAN (American, 1824-1886) NEW HAMPSHIRE LAKE SCENE. Oil on canvas scene shows two figures knee deep in water. One with bundle of sticks, the other with basket on head, walking across water to a group of four cows. Large trees and rocky shoreline. A rock cliff is seen in background beyond the lake. Birds fly against a cloud and blue sky. Signed lower right “JA Codman”. Housed in a wide deep lemon gold antique frame. White chalk mark on back might indicate title of Echo Lake. SIZE: 18-1/4” x 24-1/4”. CONDITION: Some inpainting, mostly in sky. Very good. 8-87412 (2,750-4,250)

PATRICK VINCENT BERRY (American, 1852-1922) NEW YORK LANDSCAPE. Oil on canvas scene shows a farmer in a field looking towards houses, fields and woods. Signed lower left “P V Berry”. Housed in its fine fancy gesso decorated gilt frame with gilt liner. SIZE: 16″ x 24″. CONDITION: Dirty, some damage to ornate gesso on frame. 8-87628 (800-1,200)

PETRO PAVESI (Italian, Early 20th century) “CARDINAL’S VISIT WITH THE POPE”. This watercolor depicts the interior of a library with two cardinals entertaining the Pope with tea. This detailed and fanciful interior includes oriental rugs and tapestries, a huge elaborate wooden library with multiple leather-bound volumes and much more. Signed lower left, “P. PAVESI, 1901”. Framed on an ornate gesso gilt frame with gold liner. SIZE: (sight) 17” h. x 13” w. CONDITION: Very good. 9-23420 (1,000-2,000)

FRANCIS GARAT (French, 1870-?) A PARISIAN SCENE. Soft watercolor on paper with large monument of winged runner. Image depicts considerable activity with pedestrians, horse-drawn carriages, omnibus and a panorama of large buildings in the background. Signed lower right, “FRANCIS GARAT” in a contemporary gilt gessoed frame. SIZE: 10” h x 14” w. CONDITION: Generally good. 9-23421 (2,000-4,000)

JEAN LOUIS ERNEST MEISSONIER (Italian/French, 1815-1891) PLEADING THEIR CASE. Oil on wood panel interior scene shows thirteen figures in an opulent setting in a large room with a view through arched doorway. A three-member family is being presented to the official who sits in an armchair next to four men at a table who are recording the event. A boy is seen holding a flag in the left corner and light shines through a stained glass window near a portrait over a large fireplace. Signed lower left “JLE Meissonier”. Housed in an antique gold gesso decorated frame. SIZE: 13-1/2″ x 22-1/2″. CONDITION: Very good. 9-22803 (3,500-5,500)

BERNARD BUFFET (French, 1929 – 1999) CANAL SCENE. This signed lithograph on paper is dated ’56 in the upper right corner and depicts a canal scene within a French city. A large cathedral is in the foreground with numerous boats in the canal. In shades of black and cream with red and blue highlights. The antique-style wooden frame with distressed white finish. The reverse features a label, “L. A. BIGELOW, BROOMFIELD STREET, BOSTON”. SIZE: (sight) 26” w x 18” h. CONDITION: Very good. 9-23426 (250-350)

JULES-LEON-EDOUARD JACQUET (French) Engraving, The Art Connoisseur. 18th Century scene depicting two art patrons examining a portfolio of engravings with numerous artworks on the wall. Signed in pencil lower right “Jules Jacquet” also affixed with original label on reverse “From Robert Dunthorne Liverpool, artist Jules Jacquet, Subject Ces Amateurs d’ Estampes, After Jce Meissonier State= First & only of 250 copies published”. Matted and framed in simple gold and ebony frame. SIZE: 18-1/2” h x 13-1/4” w. CONDITION: Generally good. 8-85251 (300-500)

GIOVANNA BATTISTA PIRANESI (Italian, 1720-1778) “PALAZZO DELLA CONSULTA” AND “S. GIOVANNI IN LATERANO MAIN FACADE WITH PALACE AND SCALA SANTA ON THE RIGHT”. Large unframed and unmatted engravings. 1) “Veduta Del Palazzo Fabbricato Sul Quirnale…” shows the exterior of a fancy ornate building with people on a wide boulevard. 2) “Venduta Della Basilica Di S. Giovanni Laterano”, number 694 shows a large building with large plaza. SIZE: Overall: 1) 22-1/2″ x 30-1/2″. 2) 22″ x 30-1/2″. CONDITION: Both have water stains into the image on the bottom, generally good. 8-76000 (500-1,000)

ELIE A. PAVIL (French 1873-1948) “CHILDREN ON A BEACH”. Impressionist watercolor of a boy and a girl seated on a sunny beach. In the background numerous boats and figures. Signed lower right, Pavil. Housed in a simple black frame. SIZE: 8” h x 10-1/2” w. CONDITION: Very good. 8-87350 (1,750-2,250)

LEON GIRARDET (French 1857-1895) MAID IN STORM WITH UMBRELLA. This delightful watercolor on paper depicts a beautiful young French maid in a windswept rainstorm. The driving rain has inverted her umbrella. Signed in lower right, “Amon ami Edwmond Wickham / Leon Girardet”. Housed in a gesso decorated gilt frame with double gilt lined mattes. SIZE: 12″ x 8-1/2″. CONDITION: Generally very good. 8-87351 (1,250-1,750)

LOUIS ICART (French, 1888-1950) “LES BRACELETS”. Framed pencil signed oval scene shows a lovely young woman wearing fancy dress and arranging her six blue bracelets on her left arm as she looks toward viewer. Pencil inscribed “75”. Also with “Copyright 1924″ and printers information at top edge. Housed in a gilt frame with period matte. The back having a Schwartz Gallery, New York label. SIZE: Image: 17-1/2″ x 13”. CONDITION: Very good. 9-23193 (800-1,200)

LOUIS ICART (French, 1888-1950) “THE LAMP”. Etching and aquatint scene shows a young woman in white fancy dress lounging on a blue upholstered chaise beside a lamp table with lamp having a pink shade. Pencil signed lower right and above image on left “Copyright 1948 by L. Icart, Paris”. Housed in a simple gold frame with white matte. SIZE: Sight: 17″ x 20-1/2″. PROVENANCE: From a fine Maine home. CONDITION: Very good, not examined out of frame. 9-22348 (1,000-1,500)

THEODORE ROUSSEAU (French, 1812-1867) LANDSCAPE WITH FIGURE. Oil on mahogany panel scene shows a figure walking along a dirt path between lines of tall trees which stand above a pond with far away trees under blue and white cloud sky. Signed lower right “T. Rousseau”. Housed in its original fabulous stepped gesso decorated gilt frame with gilt liner. SIZE: 11-3/4″ x 16″. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Surface dirt, very good. 9-21957 (6,000-9,000)

MAURICE DE VLAMINCK (American/French, 1876-1958) VASE DE FLEURS. Oil on canvas still life scene shows a brown vase filled with colorful flowers. Red, blue, white, and orange Aster-type flowers all scene against a shaded gray/blue background. Signed lower right. Housed in a carved shell decorated wood frame with linen liner. Accompanying the painting is a copy of the original receipt from Kende Galleries, Inc. New York City dated 1952 for this painting. SIZE: 15″ x 18″. CONDITION: Very good. 9-23582 (30,000-50,000)

MAURICE DE VLAMINCK (American/French, 1876-1958) RIVERSIDE TOWN. Watercolor scene shows two haystacks at the edge of a marshy water area with town on far bank. Signed lower right. Housed in what appears to be its original decorative wood frame with canvas matte. On reverse of back paper is a Boris Mirski Art Gallery, Boston, MA stamp. SIZE: Sight: 14-3/4″ x 19″. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Light toning at edges, not examined out of frame. 9-22188 (10,000-15,000)

FRITS THAULOW (French, 1847-1906) “BORDS DE LA RIVIERE D’ARQUES”. Oil on canvas scene shows a river winding past thatched roof house with treed landscape. The sun is setting casting colorful reflections in the water. Signed lower right. Housed in a modern gilt frame with metal artist & title plaque. SIZE: 15″ x 18″. CONDITION: Relined with inpainting, very good. 9-22734 (12,500-17,500)

EUGENE BOUDIN (French, 1824-1898) FRENCH LANDSCAPE WITH COWS. Oil on mahogany panel shows six cows laying & standing in a grass covered field with a farmhouse nestled amongst tall trees. In the distance is the continuation of the field with other cows and farmhouses with a low hill beyond. All under a blue & white cloud sky. Signed bottom right and dated “55”. Housed in a fine gesso decorated gilt frame with linen liner. The panel has a wood grid support. NOTE: Accompanying the lot is a copy of a recent conservator’s receipt for cleaning from Simon Parkes of New York City. SIZE: 14-3/4″ x 21-3/4″. PROVENANCE: Property from a New York Estate. CONDITION: Very good, recently cleaned with some light inpainting. 9-23609 (30,000-50,000)

FRANCOIS GALL (French/Hungarian, 1912-1987) ANTICIPATING A RENDEZVOUS. Oil on canvas cafe scene shows a young woman in blue dress seated at a small round table having her afternoon tea. Several other patrons are seen in the background with a waiter. Signed lower right “F Gall”. Housed in a fine gilt wood frame with linen liner. SIZE: 24″ x 29″. CONDITION: Very good. 9-22572 (20,000-40,000)

EUGENE GALIEN-LALOUE (FRENCH, 1854-1941) WINTER PARIS STREET SCENE. Gouache scene shows recently fallen snow in a city square with monument and busy boulevard. Many people are seen in the afternoon light. Signed lower left “E Galien Laloue”. Housed in a fine gilt frame with watercolor decorated matte. SIZE: 7-1/4″ x 12″. CONDITION: Very good. 9-22638 (8,000-12,000)

VICTOR GABRIEL GILBERT (French, 1847-1933) “SCENE DE RUE A PARIS”. Oil on board Paris street scene shows a produce vendor tending to a woman customer. The street is busy with pedestrian and vehicle traffic. Signed lower left. Housed in a modern decorative frame. SIZE: 12″ X 15-1/2″. CONDITION: Very good. 9-22293 (7,000-9,000)

EDOUARD LEON CORTES (French, 1882-1969) PARIS IN THE SPRING. Oil on canvasboard street scene shows a corner with tall buildings and tree with many pedestrians and one car. Signed lower left. Housed in a carved wood partially gilt frame. SIZE: 11″ x 13″. CONDITION: Very good. 9-22419 (5,000-10,000)

EDOUARD LEON CORTES (French, 1882-1969) NIGHTTIME IN PARIS. Oil on board nighttime oil sketch shows a street with sidewalk filled with people in front of a storefront with many lights. A darkening sky is seen over large buildings with a street having horse-drawn wagons. Signed lower left. Housed in a period bronze colored gesso decorated frame. SIZE: 9-1/2″ x 14-1/2″. CONDITION: Very good, one small scrape on upper left margin. 9-23053 (4,000-6,000)

ANDRE GISSON (American/French, 1921-2003) THE BUSY BOULEVARD. Oil on canvas Paris street scene shows the wide boulevard with horse drawn carriages and automobiles. A young girl with her peach colored parasol crosses the street followed by her mother & brother. Signed lower left. Housed in a carved wood frame with painted liner. SIZE: 24″ x 30″. CONDITION: Very good. 9-22569 (4,000-6,000)

ANDRE GISSON (American/French, 1921-2003) SIDEWALK ART SALE. Oil on canvas Paris street scene shows a sidewalk lined with paintings for sale with many pedestrians on the broad boulevard and several horse drawn carriages with buildings in the background. In the foreground, a mother & daughter walk toward viewer, the daughter wearing a bright red dress. Signed lower right. Housed in a French style frame with painted liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-22565 (3,000-5,000)

ANDRE GISSON (American/French, 1921-2003). Oil on canvas Paris street scene shows a woman & child crossing the street. Several people are seen along the sidewalk under a green awning near flowers that are reflected in the wet street. A single-horse pulled buggy is seen. A large cathedral is seen beyond the cars & wagons. Signed lower right. Housed in its original white painted frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-22566 (2,000-4,000)

JEAN BERNARD DESCOMPS (French, 1872-1948) HOLDING UP PEACE THROUGH THE CENTURIES. Impressive and important large bronze figural group shows four 24″ historical French military figures, one from each of the 16th, 17th, 18th & 19th Centuries holding up an oval shield atop which is a 24″ 20th Century military figure holding a peace offering of heather. Each figure is in the appropriate attire of the time and holds the period weapon. The four supporting figures are mounted to a large square naturalistic topped base which is inscribed with the artist’s name. Round foundry mark Cire perdue L. Catti, Foundeur. Also “Épreuve unique cire perdue Mr. Frederic Lachevre” indicating this was a single casting in the lost wax technique for Mr. Frederic Lachevre. Frederic Lachevre was born in 1855 and died in 1943 He was a bibliographer, scholar and literary critic and a French specialist on debauchery. SIZE: 48″ h x 32″ x 31″. Approx. 600 lbs. PROVENANCE: From a fine Texas Estate. CONDITION: Bronze has a wonderful verdigris patina having been outside. 9-22955 (5,000-10,000)

HENRY ETIENNE DUMAIGE (FRENCH, 1830-1888) TWO DANCERS WITH TAMBOURINE. Bronze sculpture of two maidens close together, one holds a tambourine. Signed on the square base “Dumaige Sculp.”. Nice brown bronze patina. SIZE: 14-3/4″ h. CONDITION: Very good. 9-23162 (1,800-2,200)

CHARLES (KARL) KORSCHANN (FRENCH, 1872-1943) CENTERPIECE WITH SHEEP AND CHILDREN. The bronze figural oval centerpiece depicting a ewe and two lambs on one end, the other end with two children at play with small dog. Signed on side “Ch. Korschann”. Also having a French foundry mark “Paris Louchet Ciseleur”. Wonderful gold dore finish. SIZE: 8-1/2″ h x 18″ l x 10″ w. CONDITION: Very good. 9-22577 (1,500-2,500)

ARMAND JULES LEVEEL (French 1821-1905) TWO BRONZES, DRUMMER AND BUGLER WITH MATCHING STANDS. Third quarter 19th century, French. The figural bronzes depicting a drummer in full military uniform and a bugler similarly attired. Each leaning against partially destroyed fencing. Each mounted on a circular plinth engraved with the artist’s name “A. LEVEEL”. In addition each plinth engraved with the name of the foundry “DELESALLE ET CIE EDIT”. This lot is accompanied by a pair of two-tier tripod stands embellished with brass mounts, raised on brass sabots. SIZE: Statues: 18″ h; Stands: 43″ h. CONDITION: The bronzes with unaltered patina, dark greenish brown coloration. No damages or restoration noted. The stands retain original polished surfaces, all in very good condition. 9-22575 (5,000-8,000)

UNSIGNED (19th/20th Century) AN ELEGANT WOMAN. Fine bronze & ivory sculpture shows a standing woman with edge of dress holding recently picked flowers. Her arms, shoulders, and head are ivory, the remainder is bronze. Her arm is extended while the other holds her dress to contain the flowers. She is mounted to a stepped square green marble base. SIZE: Total: 7-3/4″ h. Bronze: 6″ h. CONDITION: Some dark age lines in ivory, her right hand with loss of fingertips, otherwise very good. 9-23475 (800-1,200)

JEAN FRANCOIS THEODORE GECHTER (French, 1796-1844) GREYHOUND. Bronze sculpture of a standing greyhound looking back. He stands atop a naturalistic oval ground. Signed “J. Gechter”. Mounted to a rectangular black marble base. Dark brown patina. SIZE: Bronze: 12″ h. Total: 13-1/4″ h. CONDITION: Very good. 9-23178 (1,200-1,800)

ANDREI NIKOLAEVICH SHILDER (RUSSIAN, 1861-1919) SUNLIT FOREST POOL. Large oil on canvas forest scene shows a woman gathering sticks alongside a woodland pool surrounded by large trees bathed in sunlight. Signed lower left and dated “1892”. Housed in a black and brown decorated frame. SIZE: 27″ x 41-1/2″. CONDITION: Very good. 9-22579 (20,000-30,000)

IVAN IVANOVICH SHISHKIN (Russian, 1832 – 1898) LANDSCAPE STUDY. Graphite drawing depicting a dirt road winding through rock & bush area with a stream and large rock in foreground. Signed in Cyrillic lower right and dated “1860”. Housed in a modern decorative frame with wide gold matte. SIZE: Sight: 11-1/4″ x 15-3/4″. CONDITION: Very good. 9-22580 (15,000-20,000)

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) “AT T. SOYER’S GARDEN”. Oil on canvasboard shows a woman seated in a lawn chair with hands clasped in lap. She is seen against a groomed lawn area with flowers and trees & sky background. We believe this to be Raphael Soyer’s wife. Signed lower right “Burliuk 1951″ and titled below. Housed in a white painted oak frame. SIZE: 14″ x 10”. CONDITION: Very good. 9-22578 (3,000-5,000)

DAVID DAVIDOVITCH BURLIUK (American/Russian, 1882-1967) PORTHOLE VIEW OF NEW YORK CITY. Interesting oil on board shows a light blue porthole looking out towards a city skyline under bright moon which all reflects on the water. Signed lower left. Housed in a modern gold frame. SIZE: Sight: 9″ x 13-1/4″. PROVENANCE: From a private Collection. CONDITION: Minor paint fleck to right top quarter, otherwise very good. 9-22350 (6,000-9,000)

DAVID DAVIDOVICH BURLIUK (America/Russian, 1882-1967) FRENCH RIVIERA. Oil on canvas scene shows a large crescent beach with many people having a city lining the double lane road with green mountain peak. All under blue & white cloud sky. Signed lower right “Burliuk”. Housed in a modern wood frame. SIZE: 12-1/4″ x 15-1/4″. CONDITION: Minor inpainting, very good. 9-23087 (2,000-3,000)

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) THREE KITTENS. Oil on canvasboard scene shows three kittens holding onto and peaking over a wood fence with blue sky background. Signed lower right “Burliuk”. Housed in a modern oak frame. SIZE: 9″ x 12″. CONDITION: Two round spots on left side with missing paint, surface dirt, otherwise very good. 9-23088 (1,000-1,500)

WLADIMIR G. KRIKHATZKIJ (RUSSIAN, 1877-1942) “TRAIN STATION SQUARE, ODESSA”. Circa 1930. Oil on board rooftop view of the large train station with park beside and busy sidewalk in front of the building with many gold onion domes. Signed lower right. Housed in a decorative painted frame with gold liner. SIZE: 8-1/4″ x 12-1/4″. CONDITION: Some inpainting, paint flecks in domes, otherwise very good. 9-22582 (3,000-5,000)

SUCHKOV FEDOT VASILIEVICH (Russian, 1870-1958) RUSSIAN VILLAGE IN WINTER. Oil on canvas mounted to board scene shows a number of buildings & houses and two tall steeples amongst snow covered ground. Signed in Cyrillic and dated “1920” lower right. Housed in a modern gilt frame with white edge. SIZE: 6″ x 13-3/4″. CONDITION: Very good. 9-22581 (3,000-5,000)

PRINCE PAOLO (PAUL) TROUBETZKOY (RUSSIAN,1866-1938) THREE COSSACKS ON HORSEBACK. Outstanding bronze group depicts three armed men in traditional costume atop horses. All on a thin bronze rectangular plate base. Base inscribed “Paul Troubetzkoy Milano 1897”. SIZE: 15″ h x 22-1/2″ l x 13″ d. CONDITION: Very good. 9-22576 (15,000-25,000)

EVGENY ALEKSANDROVICH LANSERE (RUSSIAN, 1848-1886) TROIKA GROUP. 20th Century. Bronze sculptural group shows a three-horse team pulling a sled carrying the driver, man, woman & boy. Signed on top of base in Cyrillic. Nice brown bronze patina. SIZE: 10-1/4″ h x 17-3/4″ l x 9-1/4″ d. CONDITION: Very good. 9-23161 (8,000-12,000)

HARRY E.J. BROWNE (European, 19th Century) THE SULTAN’S HAREM. Large oil on canvas interior scene shows a partially clad young woman with long golden hair reclining on a long blue & white brocade upholstered sofa. She holds a palm fan in one hand. Another young woman is seen playing a lute and dressed in a light blue gown. An inlaid tabaret table holds a clear glass vase with pink & white flowers. A decorative wall backdrop & Oriental rug floor covering. Signed lower left. Housed in its original gold gesso decorated frame. SIZE: 30″ x 60″. CONDITION: Old wax relining with some modern inpainting, restored. In very good condition. 9-22747 (20,000-25,000)

ANTONIETTA BRANDEIS (Czech Republic/Italian, 1849-1920) “PALAZZO ALBRIZZI”. Oil on wood panel Venice canal scene shows a gondola and gondolier on still water proceeding under colorful vine covered bridge with tall villas lining the canal. All under a light blue sky. Signed bottom right. Titled in pencil on back. Also having a Charles Naya Venice stamp. Housed in a fine gesso decorated gilt frame. SIZE: 8-1/2″ x 4-3/4″. CONDITION: Very good. 9-22808 (5,000-10,000)

GIACOMO GUARDI (Italian, 1764-1835) BOATS ON A VENICE CANAL. Watercolor on paper scene shows several gondolas on a canal with people in foreground and two towers with bridge. Signed on reverse & titled in Italian. Housed in what appears to be its original gilt frame. The watercolor has been mounted with only a spot glue mark to a fancy watercolor & gilt backing board with an artist cartouche. The backboard having a Adolphe Stoll French label. SIZE: 3″ x 6-1/4″. CONDITION: Very good. 9-22991 (8,000-12,000)

GIACOMO GUARDI (Italian, 1764-1835) CANAL WITH CITY VIEW. Watercolor on paper Venice scene shows several gondolas and sailboat in foreground. A large city scene in background with bridge and figures along the canal. Signed in pencil & titled on reverse. The paper spot glued at top corners to a watercolor highlighted board with artist cartouche. Adolphe Stoll French label on reverse of backing board. Housed in its original gilt wood frame with glass. SIZE: 3″ x 6″. CONDITION: Very good. 9-22990 (8,000-12,000)

CARLO CIAPPI (Italian, 19th/20th Century) TWO GENRE WORKS. 1) Oil on canvas scene shows a man seated on a wine barrel while four boys play a make-do band, one drums a copper kettle, one plays cymbals with pot lids, another toots a funnel, and another boy has a baton as conductor. The interior is set with one-drawer table, plate rack, fireplace, and cassone. Signed with initials lower left. Housed in its original gilt gesso decorated frame with liner. 2) Oil on canvas scene shows a mother with seven children, one has a bunch of grapes, others are watching a make do puppet show by one of the girls. The mother knits as she watches over the children. Interior set with household belongings. Signed lower left. Housed in a fine gilt fancy frame with gilt liner. SIZE: 1) 18″ x 26″. 2) 15-3/4″ X 19-3/4″. CONDITION: Very good. 9-22645 (4,000-6,000)

GIOVANNI MARESCA (Italian, 19th Century) TWO WORKS: STREET URCHIN. Both oil on board paintings identically housed in Florentine style gilt pierced frames. One shows a boy smoking a cigarette standing next to his broom. He wears a tattered green & red outfit and a tramp type hat. Signed lower left. The second shows a boy with brown pants and white shirt carrying a broom under his arm and stepping forward while whistling a tune. Signed lower right. SIZE: Sight: 15-1/2″ x 11-1/2″. CONDITION: Very good with minor inpainting. 9-22178 (1,000-2,000)

H. ARDINNO? (Italian, 19th/20th Century) VIEW OF SIENNA, ITALY. Large oil on canvas city scene shows a tall brick tower over stucco and stone buildings. Signed lower left indistinctly. Housed in a fancy gilt frame. SIZE: 37-1/2″ x 25-3/4″. CONDITION: Craquelure, surface dirt, inpainting. Otherwise good. 9-22236 (2,000-3,000)

FILIPPO BARTOLINI (Italian, 1861-1908) ON GUARD. Watercolor portrait of a soldier standing guard outside a stucco building. He wears a blue jacket with white pants and holds his rifle with attached bayonet at his side. Signed lower right. Housed in an oak carved frame. SIZE: Sight: 16-1/2″ x 13″. CONDITION: Water stains and foxing. 9-21832 (500-1,000)

EDOUARD JEAN BAPTISTE DETAILLE (French, 1848-1912) “REVIEW OF THE 1ST LIFE GUARD”. Oil on canvas military scene shows a broadside view of a soldier atop a black stallion. He wears formal red jacket with armor vest and spiked helmet. In background are a number of other soldiers in line up fashion. All set in a grass area under cloud and blue sky. Signed lower left “Edouard Detaille 1879″. Housed in a modern gilt, carved wood frame. On back of stretcher is an original American Art Association Anderson Gallery exhibition label from February 4, 1931 Sale No. 3887, lot #24. SIZE: 18-1/4″ x 15”. PROVENANCE: From a West Virginia Collection. CONDITION: Very good. 9-21797 (6,000-9,000)

JACQUES-CHARLES OUDRY (French, 1720 – 1778) FAMILY OF HARES. Early oil on canvas woodland scene shows a group of five gray and white rabbits on a dirt,grass and flower woodland floor. Signed lower left and dated 1769. Housed in a fine gilt gesso decorated frame. SIZE: 21-1/2″ x 29-3/4″. CONDITION: Relined with a few patches to canvas, inpainting and restored. Very good 9-22234 (6,500-8,500)

AFTER ALBRECHT DURER (German, 1471 – 1528) GIANT FLEMISH RABBIT. This very early oil on canvas depicts a rare species of rabbit known as the flemish giant rabbit. This image depicts a giant flemish rabbit in wooded landscape. It is housed in an antique wood and gesso frame. Painted on a very early seamed canvas. SIZE: 14″ x 10-1/4″. CONDITION: Canvas in need of cleaning. Frame with imperfections. 9-21895 (10,000-15,000)

UNSIGNED (European, 18th/19th Century) OLD MASTER OF MADONNA. Oil on canvas half portrait of a woman with downward gazing eyes and crossed hands at her chest. She wears a blue shawl and is seen against a dark brown background. Housed in a period gilt and black frame. SIZE: 26″ x 20″. CONDITION: Relined, with restoration. Very good. 9-22748 (1,750-2,250)

UNSIGNED (European, 18th Century) THE THREE KINGS. Large oil on canvas Old Master depicts the Three Kings visiting the baby Jesus with Mary & Joseph. Behind the Kings are a procession of camels with people. Unsigned. Housed in a 19th Century gold gesso decorated frame. SIZE: 31″ x 45-1/2″. CONDITION: Relined with some restoration, left corner with scratches, otherwise good. 9-22520 (1,500-2,000)

UNSIGNED (European, 18th/19th Century) PAIR OF OLD MASTER LANDSCAPES. Each oil on canvas mounted to masonite panel identically housed in modern gilt wood frames. One showing a man fishing below falls with two figures on shoreline with large villa. The other shows three figures on shoreline with trees under blue & cloud sky. SIZE: 9-1/4″ x 12″. CONDITION: Some restoration, craquelure, good. 9-22744 (1,000-1,500)

UNSIGNED (European, 18th/19th Century) THE BABY JESUS. Unframed oval oil on canvas shows a child in make-do bed with man & woman looking over. They both wear crowns and hold their hands up, the man holding a stalk of long stem flowers. SIZE: 33-1/2″ x 24-1/2″. CONDITION: Fine craquelure, unrestored with some light scrapes and losses. 9-21878 (800-1,200)

UNSIGNED (European, 18th/19th Century) OLD MASTER. Oil on canvas Old Master landscape shows three figures on a rock sided path overlooking a distant lake with mountains & hills under blue & white cloud sky. SIZE: Sight: 13-1/2″ x 17″. CONDITION: Restored with inpainting, craquelure, relined, good. 9-22547 (800-1,200)

UNSIGNED (European, 18th/19th Century) OLD MASTER. Oil on canvas scene shows two men seated on rock outcropping being praised by three men with angel beside. Housed in a decorative gilt modern frame. SIZE: 15-3/4″ x 12″. CONDITION: Craquelure, restored with inpainting. Fair to good. 9-23170 (700-900)

UNSIGNED (Mexican, 18TH/19TH Century) OLD MASTER – SAINT WITH SKULL. Small oil on canvas mounted to cardboard scene shows a man with halo wearing a blue robe with two angels beside. His hand resting on a skull. SIZE: 6-1/4″ x 4-1/2″. CONDITION: Very good with very minor inpainting. 9-23367 (300-500)