Annual Winter Antique & Fine Art Auction
Sale Totals Over $1.5 Million!

Auction: February 6 & 7, 2009

Preview: February 5, 2009

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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DON STONE (AMERICAN, 1925 – ) THE BLUE GATE. Watercolor of a Rockport, Massachusetts street scene shows two figures walking on sidewalk next to Colonial homes. A blue gate is seen with white picket fence. Signed lower right, “DON STONE” and dated ’61. Housed in a fine reproduction Sanford White style carved wood frame. SIZE: (sight) 7″h x 11″w. CONDITION: Very good. 9-95502 (800-1,200)


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STANLEY WINGATE WOODWARD (American, 1890-1970) “NOCTURNE”. Oil on board evening scene shows rock cliffs with white tipped waves and two sails on the horizon. A blue sky shows through dark clouds. Signed lower left “Stanley Woodward”. Housed in a period carved and partial gilt wood frame. Attached to back is a Grand Central Art Galleries exhibition label with title and artist. A scene reminiscent of Monhegan Island off the Maine coast. SIZE: 16″ x 20″. CONDITION: Very good. 9-95674 (3,000-5,000)


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STANLEY WINGATE WOODWARD (American, 1890-1970) “ANDREWS POINT”. Oil on board coastal North Shore, Massachusetts scene shows large green waves crashing onto coastal rocks spraying white foam skyward. Signed lower left. Also titled and signed on reverse of board and dated “Sept. 4 1939″. Andrews Point is located on the northern coastline of Rockport, MA. Housed in a fine period carved and gilt wood frame. SIZE: 8″ x 10″. PROVENANCE: From an East Sangerville, Maine private collection, by descent from the estate of Sidney Wetmore Davidson ( 1894-1979 ), Brooklyn Heights, New York, to the present owner, a grand-daughter. Probably acquired by the present owner’s grandparents from the artist in Rockport , Massachusetts, where siblings of both Mr. and Mrs. Davidson lived and they often visited. CONDITION: Very good. 9-94926 (800-1,200)


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HENRY ABRAHAM WOLFSON (American, 1891-) “CLOUDY MORNING, GLOUCESTER”. Oil on canvas Gloucester Harbor scene shows a figure in a single mast fishing trawler drying the nets over the side of the boat. A backdrop of buildings and treed hillside under a light sky. Signed lower right “Wolfson”. Housed in a painted molded wood frame with white wood liner. Back retaining two exhibit labels from the New York Chapter of the American Artists Professional League”. SIZE: 24″ x 20″. CONDITION: Very good. 9-95408 (1,500-2,000)


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PHILIP LITTLE (American, 1857-1942) SUMMER COVE. Watercolor and gouache coastal summer scene shows a protective cove lined with rock ledge and trees. A flock of birds fly over opening and a boat can be seen sailing left to right. Signed lower right “Philip Little”. Nicely housed in a gilt molded wood modern frame with white matte. SIZE: Sight: 15-1/2″ x 19-1/2″. CONDITION: Very good. 9-95403 (1,500-2,000)


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JOHN S. CAGGIANO (American, 1949-) “THE AIM OF WORKING IS TO DREAM”. Outstanding oil on masonite impressionistic landscape shows a dirt road with trees and bright wild flowers. Signed lower right. Housed in its original lavender and gilt wood frame with white linen liner. Title, signed and dated “1990″ on reverse. Attached to reverse is a Rockport Art Association label for the Second Show. Also an artist label “No. 661″. SIZE: 18″ x 24″. PROVENANCE: Purchased directly from the artist. Private Collection from Rangley, Maine. CONDITION: Very good to excellent. 9-95004 (2,000-3,000)


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FREDERICK WILDERMUTH RIGLEY (American, 1914-) “MORNING LIGHT, GLOUCESTER”. Oil on masonite harbor scene with large and small boats. A dock is seen in the foreground with lobster boat being unloaded and the background is a busy dock with many masts. Signed lower left. Housed in a carved gilt wood modern frame with linen liner. SIZE: 24″ x 30″. CONDITION: Very good. 9-94073 (3,000-6,000)


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SIGNED(American, Rockport School, 20th Century) ALONG THE DOCKS. Oil on artist board harbor scene shows several boats moored along a large dock with buildings. Signed lower right with what may be “C S Harper”. Housed in a wood frame with brown matte and glass. SIZE: 8-3/4″ x 11-3/4″. CONDITION: Tack holes at edge, surface dirt, otherwise good. 9-92057 (100-200)


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WAYNE BEAM MORRELL (American, 1923-) “SUNLIT LILY POND”. Outstanding large oil on masonite scene shows a view across a pond filled with pink and white blooming lilies and lily pads. The far shore has a man in rowboat next to a dock with two boys fishing. Above them is a house with red roof nestled amongst colorful trees which span the background except for a large gap where two people sit at ocean where three sailboats can be seen beyond. Signed lower right and dated “1983″. Housed in an fine partial gilt frame with linen liner. Title and inscription on reverse with signature. One of the finest Morrell lily pad paintings we have seen. SIZE: 30″ x 40″. CONDITION: Very good to excellent. 9-94225 (4,000-6,000)


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WAYNE BEAM MORRELL (American, 1923-) “GARDEN WALK BY THE SEA”. Oil on masonite colorful summer scene shows a woman with a parasol walking beside a colorful and full large flower garden. Two other figures are at the end of the path overlooking the ocean with sailboats. A house is nestled under tall trees with flower gardens. Signed lower right. Housed in a modern gilt frame with linen liner. On reverse is inscribed “Gift to Lilian & Lisa Morrell Nov. 6th, 1989″, also titled and signed. Also “One of my most important garden series”. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-94221 (3,000-5,000)


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TOD LINDENMUTH (American, 1885-1976) COUNTRY BACKYARD. Oil on artist board scene shows two large trees with fence leading to a red barn. Signed lower left “Tod Lindenmuth”. Housed in a fine carved modern gilt wood frame with wood gilt artist plaque. SIZE: 18″ x 14″. CONDITION: Very good. 9-95037 (2,000-3,000)


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TOD LINDENMUTH (American, 1885-1976) “BOATS IN MOONLIGHT”. Oil on board moonlit seascape scene shows a two-mast schooner with two small boats beside and two further schooners beyond. The unseen moon shines brightly on the ocean, all in a blue pallet. Signed lower left. Housed in a fine carved wood frame with gilt liner. SIZE: 12″ x 14″. CONDITION: Very good. 9-93904 (2,500-4,000)


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TOD LINDENMUTH (American, 1885-1976) THE CHORES OF A LOBSTERMAN. Oil on canvasboard North Shore scene shows a man carrying a wooden lobster trap alongside a fishing shack by a small harbor. Several other figures are seen along harbor edge. Signed lower left “Tod Lindenmuth”. Housed in an old good gilt carved wood frame with gilt wood artist plaque. SIZE: 13″ x 16″. CONDITION: Very good. 9-95036 (2,500-3,500)


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EMILE ALBERT GRUPPE (American, 1896-1978) “WATER LILLIES”. Exceptional and rare large oil on canvas lily pond scene shows a partial view of a large pond filled with clusters of green lily pads having colorful flowering buds. The background shows the edge of the pond with boulders, trees and bushes including a blue and green bush which resembles Agava. The central background having an opening with light flowing through it onto the pond reflecting a light to medium blue swirling water flanked by the reflections of the darker tree and bush lined bank. A wonderful use of light and dark colors to achieve a realistic but impressionist view of the scene. Signed lower right “Emile A. Gruppe”. Most likely a scene in or around Naples, Florida. Housed in a gilt wood frame with linen liner. Title and artist name written on the top stretcher. To our knowledge, this is one of only three known lily pond works by Gruppe. This work exemplifies his finest efforts and shows how his modern style emulated from Claude Monet’s influence. Through this work, one can see Monet’s influence and Gruppe’s rendition of one of Monet’s water lily paintings. A true masterpiece of Emile Gruppe’s talent. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-95746 (30,000-40,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) MANSFIELD’S BIRCHES. Outstanding large oil on canvas landscape shows a stand of white birches having yellow and gold foliage lined along a rock strewn field at the bottom edge of Mt. Mansfield. All under a white and blue cloud sky. Wonderful pallet and a nice, early work. Housed in its original carved and gilt wood frame. Signed lower right. SIZE: 30″ x 36″. PROVENANCE: By descent through the housekeeper of the Charles Edison Estate. CONDITION: Very good. 9-95624 (10,000-15,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) “GILL NETTER”. Outstanding oil on canvas Gloucester Harbor scene shows a green and red hulled fishing boat with smaller boat beside at a large wharf with red building. Beyond is a single mast schooner on a long wharf with other boats. Beyond the scene is the city hillside with church steeples and buildings. The scene is shown from the Rocky Neck side of Gloucester Harbor. Pencil titled on reverse of stretcher. Signed lower left. Housed in what is most likely its original silver gilt carved wood fancy frame. An outstanding example of Gruppe’s early Gloucester Harbor views. SIZE: 25″ x 30″. CONDITION: Very good, original condition. 9-95672 (20,000-30,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) “FISHING SCHOONERS SADIE NOONAN & WENTWORTH IN SMITH’S COVE”. Large oil on canvas Gloucester Harbor scene shows two two-mast schooners on right side against a dock with a man in skiff beside. Several other skiffs are seen with a two-mast schooner with one sail up in central harbor with buildings on the left. The late afternoon sky with light edged gray clouds and blue sky. The sun reflects on the central schooner and casts light over the man and through the center of the scene. Signed lower right “Emile A. Gruppe 1945″. Housed in a wide carved wood and gilt modern frame. REFERENCE: A similar exampled is illustrated in “Brushwork of the Oil Painter” by Emile Gruppe, 1982. SIZE: 30-1/4″ x 36″. CONDITION: Very good, relined on new stretcher with some inpainting. 9-95670 (25,000-35,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT WINTER”. Oil on canvas Vermont winter scene shows a winding river with snow covered banks leading to hillside and mountain with evergreens. Signed lower right. Housed in a fine carved and gilt wide replacement frame. SIZE: 25″ x 30″. CONDITION: Very good to excellent. 9-95169 (12,000-18,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) NEAR JEFFERSON, VT. Oil on canvas winter scene shows a river at the base of a snow covered hill with houses. Signed lower right. Probably from a series of oil paintings that the artist did in and around Jefferson, Vermont. A nice early work by this popular artist. Housed in a fine carved gilt wood modern frame with gilt wood artist plaque. SIZE: 18″ x 20″. CONDITION: Very good. 9-95477 (7,000-9,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) “SMELT FISHERMEN”. Oil on canvasboard Gloucester Harbor scene shows a dock with building and boats beside having a number of fishermen with poles and lines in water fishing for smelt. The right side also having a fisherman on dock, a boathouse is at the end of the dock with men working on nets. Signed lower right. Housed in a bronze gilt carved wood frame with linen liner. Titled on reverse of board. SIZE: 20″ x 16″. CONDITION: Very good. 9-95725 (5,000-7,000)


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EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER DOCKS”. Oil on canvas Gloucester Harbor scene shows several figures on dock with red building tending to several boats that are moored alongside. A two-mast schooner sails left to right beyond. All under a colorful sky. Signed lower right “Emile A Gruppe”. Titled and signed on reverse. Housed in a decorated frame with linen and gilt liner. SIZE: 25″ x 30″. CONDITION: Very good. 9-94779 (5,000-8,000)


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PETER TYSVER (American, 1948-) “EQUINOX-BASS ROCKS, GLOUCESTER”. Fine oil on canvas scene shows three sailboats in a calm ocean off a rocky point with rock and sand foreground having rose bushes. Signed lower left. Housed in a fine gilt carved wood frame. Titled, signed and dated “2004″ on reverse. SIZE: 20″ x 30″. CONDITION: Very good. 9-94085 (2,000-4,000)


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KEN KNOWLES (American, 1968-) “VIEW FROM STATE FISH PIER, GLOUCESTER”. Oil on canvas Gloucester scene shows a set of docks with houses and trees in the background under white cloud and blue sky. Lobster boats and sailboats line the docks. Signed lower right. Titled, signed and dated “2008″ on reverse. Housed in a fine carved and gilt modern wood frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-95461 (5,000-7,000)


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KEN KNOWLES (American, 1968-) “THE SCHOONER RACES, GLOUCESTER, MA”. Oil on canvas Gloucester harbor scene looking out between two wharfs at several schooners readying for the race. Morning light shines from the left corner across the harbor reflecting the schooners in the calm water. Signed lower left, titled, signed on reverse and dated “2008″. Housed in a fine contemporary gilt wood frame. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-95459 (4,000-7,000)


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KEN KNOWLES (American, 1968-) “TUGBOAT, GLOUCESTER”. Oil on masonite scene shows the inner harbor with large dock, boats and a small tug in foreground. Signed lower right “Ken Knowles”. Signed, titled and dated “2008″ on reverse. Housed in a nice contemporary gilt carved frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-95460 (3,000-5,000)


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KEN KNOWLES (American, 1968-) “SNOW ON THE BOATYARD, ESSEX, MA”. Oil on masonite scene shows a winter snow covered boatyard with house beyond. Three different boats are set on cradles. All under a blue and white cloud sky. Signed lower left “Ken Knowles”. Housed in a fine carved and gilt wood frame. Signed, titled and dated “07″ on reverse. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-95583 (2,500-3,500)


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THOMAS M. NICHOLAS (AMERICAN, 1963 – ) “CLEARING STORM, ESSEX”. Outstanding large oil on canvas winter scene of Essex, Massachusetts village. The viewer looks across snow-covered shoreline towards the village with dock, colorful houses and two churches. A snow squall is seen on the right side and clearing blue sky is advancing from the left. Signed lower right, “T.M. NICHOLAS”. Titled on reverse of canvas. Housed in a fine wide, carved and gilt wood frame. SIZE: 30″h x 40″w. CONDITION: Very good to excellent. 9-95499 (10,000-15,000)


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THOMAS M NICHOLAS (American, 1963-) “STONINGTON FISH SHACKS”. Oil on canvas winter scene shows the harbor in Stonington, Maine with a fishing boat beside a long dock. Several Colonial homes are at far side with a large red connected building on stilted wharf. A late afternoon sky with snow covered foreground. Signed lower right “T M Nicholas”. Housed in a fine gilt carved wood frame with gilt liner. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-95078 (6,000-9,000)


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KEN KNOWLES (American, 1968-) “MISTY MORNING FIVE ISLANDS, MAINE”. Oil on canvas Maine coast scene shows a large shoreline house with deck and American flag looking out over a calm harbor with lobster boats. The grass yard having small gardens of flowers. Signed lower right “Ken Knowles”. Signed, titled and date “08″ on reverse. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-95582 (6,000-8,000)


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MAX KUEHNE (American, 1880-1968) THE WATERS EDGE. Oil on canvas laid on board coastal scene shows green white tipped waves near large granite ledges under a light sea mist colored sky. Signed “Kuehne” lower right. Housed in a modern gilt wood frame with white liner. SIZE: 26″ x 32″. CONDITION: Very good. 9-95034 (2,000-3,000)


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MAX KUEHNE (American, 1880-1968) THE EMERALD SEA. Oil on canvas coastal scene shows rock ledge with emerald white capped ocean beyond under a light blue to light green sky. Kuehne stamp signature lower left. Housed in a carved partial gilt wood frame with white wood liner. SIZE: 26″ x 31″. CONDITION: Strip lined to bottom edge, good. 9-94232 (1,500-2,500)


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WAYNE BEAM MORRELL (AMERICAN, 1923-) “SUNLIT WINTER SCENE, STOWE VERMONT”. Fine New England winter scene shows a stream winding through snow-covered field leading by a Colonial house with smoke coming from the chimney and lights in the windows. Birch trees frame the scene and a setting sun is casting light across the scene. Colorful purple and white clouds in a blue sky. Signed lower right. Housed in a gilt wood frame with linen liner. Titled on back and dated 1971. SIZE: 24″h x 30″w. CONDITION: Very good. 9-95523 (4,000-6,000)


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WAYNE BEAM MORRELL (American, 1923-) GOLDEN JANUARY LIGHT. Large oil on masonite winter scene shows two figures walking down a snow covered road by cliffs with a colorful landscape background. Blue and white/pink cloud sky reflecting the setting sun. Signed lower left. On back is an alternate title “School St. & 128-Cape Ann January 20, 1992″. Housed in a gilt molded wood modern frame with linen liner. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-94224 (3,000-5,000)


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WAYNE BEAM MORRELL (American, 1923-) “NOVEMBER MIST, THE MEADOWS OF ESSEX, 1965″. Oil on canvas early winter scene shows a mist covered landscape with patches of snow and trees with loss of leaves. Signed lower right “Wayne Morrell”. Titled, signed and dated on reverse of canvas. Housed in a fine gilt carved wood frame with gilt liner. SIZE: 12″ x 16″. CONDITION: Very good to excellent. 9-95048 (1,500-2,500)


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WAYNE BEAM MORRELL (American, 1923-) WINTER STROLL. Oil on masonite afternoon winter scene shows a figure with a dog walking down a snow covered road with trees and pasture under blue and white cloud sky. Signed lower left. Housed in a regilt antique carved wood frame. SIZE: 12″ x 16″. CONDITION: Very good. 9-95052 (1,500-2,500)


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ANTHONY THIEME (American, 1888-1954) THE RED SKIFF. Outstanding oil on canvas laid on board Gloucester or Rockport Harbor scene shows a red building on a dock having boats moored to side, one having a blue hull with a red skiff beside with figure. The scene is reflected in the calm water and is set under a light morning sky. Incised signed lower left “A Thieme”. Housed in a wood frame with linen matte and white liner. A wonderful small early example of this artist’s work. SIZE: 8″ X 10″. CONDITION: Very good. 9-95693 (4,000-6,000)


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ANTHONY THIEME (American, 1888-1954) THE FISHING FLEET. Watercolor scene shows three sail fishing boats with figures. The masts are draped with fishing nets which are drying and a man in a skiff is beside one of the fishing boats. Seagulls fly overhead and a point of land with two houses can be seen beyond. Signed bottom right “A Thieme”. Housed in a modern gilt frame with wide white matte. On back is a piece of the original matte inscribed “To my friend D S Greene from A Thieme, May 1-1949″. SIZE: Sight: 11-1/2″ x 2-3/4″. CONDITION: Very good. 9-95709 (2,000-3,000)


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ARTHUR R. HERRICK (American, 1897-1970) “SUNLIGHT AND SHADOW”. Oil on canvas Rockport street scene shows a woman outside a Cape Cod style house with white picket fence. Other Colonial buildings are beside under large trees. The light cascades and casts shadows across the scene. Signed lower left “A R Herrick”. Housed in its original silver gilt carved wood frame. Title and artist name on back stretcher. SIZE: 25″ x 30″. CONDITION: 1/2″ square chip to bottom right, craquelure. Otherwise very good. 9-95705 (1,000-1,500)


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WILLIAM B. HOYT (American, 20th Century) “WRAPPING UP THE SEASON”. Outstanding contemporary oil on canvas Maine harbor scene shows several schooners being wrapped and set for winter alongside a dock with figures. Many small boats dot the sheltered harbor under calm water. The late fall scene in late afternoon/early evening sunset sky. Possibly a scene of Camden Harbor. Signed lower right “W B Hoyt 1999″. Housed in a wide gilt wood frame. Back stretcher having title. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-95310 (2,500-3,500)


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JAY HALL CONNAWAY (American, 1893-1970) SUMMER DAY, MONHEGAN. Oil on masonite coastal scene shows waves crashing onto ledge rock with grass covered foreground and scrub pine along rock. Signed lower right “Connaway”. Housed in a good gilt molded wood modern frame. SIZE: 18″ x 26″. CONDITION: Very good. 9-95391 (3,000-4,000)


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WILLIAM THON (American, 1906-2000) “STORMY DAY, KILKEE”. Watercolor coastal abstract scene in colors of white, black and gold. Signed lower right “Thon”. Housed in a fine gilt wood frame with linen matte and white liner with glass. On back is a Midtown Galleries, New York label with artist name and title. Kilkee is a town on the coast of Ireland. SIZE: 20-1/2″ x 27″. CONDITION: Very good. 9-95571 (1,000-1,500)


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JOHN LOUIS LAURENT (American, 1921-2005) ABSTRACT WITH FIGURE. Oil on board abstract scene shows a central figure with water on the right side and what appears to be a fishing net on the left. Signed lower right “J Laurent”. Housed in a natural wood frame. SIZE: 30″ x 40″. CONDITION: Very good. 9-95565 (1,000-1,500)


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CHRISTOPHER HUNTINGTON (American, 1938-) “SHINN POND”. Oil on board scene shows a sandy bank with trees and ground cover. Housed in a gray molded wood frame with linen liner. Signed lower right. SIZE: Sight: 11-1/2″ x 11-1/2″. CONDITION: Very good. 9-94990 (800-1,200)


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_ H. SAVAGE (American, 19th/20th Century) “SOMES SOUND, MT. DESERT”. Fine oil on board Maine coastal scene shows two sailboats in calm water looking over to Acadia with Cadillac Mountain off in the distance under a blue and white cloud sky. Signed bottom left with the first initial cut off. Housed in a period gesso decorated gilt frame. Title on reverse. SIZE: 4-3/4″ x 9″. CONDITION: Some surface dirt, otherwise very good. 9-95314 (800-1,200)


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UNSIGNED (American, Early 20th Century) MONHEGAN CLIFFS. Oil on canvas coastal scene shows a grass covered rock cliff shoreline with blueish/green water supporting a sail under light blue to lavender sky. Housed in a gilt molded wood frame. SIZE: 12″ x 16″. CONDITION: Very good, some inpainting. 9-95387 (400-600)


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JOYCE WILLIAMS (American, 20th Century) “MIDNIGHT HAUL”. Large watercolor Maine coastal scene shows two lobsterman preparing to go out. Their lobster boat and dingy are moored to a post near rock ledges and the full moon can be seen up the coastline. Signed lower left “Joyce Williams AWS NWS”. Housed in a decorative gilt frame with double white matte. SIZE: Sight: 22″ x 29″. CONDITION: Very good to excellent, frame loose at one end. 9-94777 (800-1,200)


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JOYCE WILLIAMS (American, 20th Century) “MONHEGAN NIGHT”. Fine large watercolor evening coastal scene shows a two-mast schooner near island cliffs with house in foreground, moon and sailboat in background. Signed lower left “Joyce Williams AWS, NWS”. Housed in a fine gilt frame with double white matte. SIZE: Sight: 20″ x 28″. CONDITION: Very good to excellent 9-94744 (1,000-2,000)


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JOYCE WILLIAMS (American, 20th Century) “WEATHERED VANE II”. Outstanding large watercolor scene shows a wood codfish weathervane on stand and bale handled apple basket set in an interior room floor with a double door and wall in the background. Signed lower right “Joyce Williams A W S”. Housed in a fine gilt molded wood frame with double white mattes. A label affixed to the reverse “From the Artist’s Council, Palm Springs Art Museum, Pal Springs, CA”. SIZE: Sight: 21″ x 29″. CONDITION: Very good to excellent. 9-94743 (2,000-4,000)


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HOWARD RUSSELL BUTLER (American, 1856-1934) “SLANTING ROCKS, BASE OF BALD HEAD CLIFF OGUNQUIT, MAINE”. Oil on board scene shows shoreline with small building next to grass covered cliff. Signed lower right “H. R. Butler”. Original artist label on back indicating title and date of 1917. Housed in a silver gilt frame with white linen liner. SIZE: 10” x 14”. CONDITION: Very good. 9-96045 (300-500)


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ALBERT BABB INSLEY (American, 1842-1937) “SURF AT PORT CLYDE, MAINE”. Oil on canvas Maine coastal scene shows surf pounding on shoreline rocks with green ocean supporting two sailboats. Signed lower right. Housed in a fine carved wood gilt replacement frame. SIZE: 14″ x 19″. PROVENANCE: Acquired from the grandson of the artist. CONDITION: Relined and restreched, very good with some inpainting. 9-95399 (2,000-3,000)


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SETH W. STEWARD (American, 1844-1927) PANORAMIC MAINE LANDSCAPE. Oil on canvas fall scene shows a large river cascading under a bridge with several large logs running the river. The foreground with bush and grass hillside. The background having several farms on cultivated land with trees and fences. Signed lower left “S W Steward 1913″. Housed in a gilt wood frame. SIZE: 19-1/4″ x 36″. CONDITION: Craquelure, discolored varnish layer. Otherwise very good. 9-94908 (3,000-5,000)


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DELBERT DANA COOMBS (American, 1850-1938) “SABBATH DAYS WITH THE CATTLE-MOOSEHEAD LAKE”. Oil on canvas Maine scene shows three cows near large lake lined with trees and sandy shoreline. All under a blue and white cloud sky. Signed lower left “D D Coombs 1917″. Also titled on reverse of stretcher. Housed in what may be its period lemon gold frame. SIZE: 16″ x 24″. CONDITION: Very good with one small touch up area in right cow. 9-94010 (1,500-2,500)


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WALDO PEIRCE (American, 1884-1970) “OLD JIM, 1923″. Oil on canvas scene shows a brown horse peering over a wood slat fence under a blue and white cloud sky. Signed lower right “WP 23″. Also titled and dated on reverse of canvas. Housed in a gilt wood frame. SIZE: 16″ x 12″. CONDITION: Very good. 9-95148 (800-1,200)


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WILLIAM ONGLEY (American, 1836-1890) “SCHOONER HEAD, BAR HARBOR, MAINE”. Large unframed oil on canvas Maine coastal scene shows a point of land with sloping rock ledge and trees. A green and blue ocean casts waves onto rocks. All under a storm gathering sky. Signed lower left “W Ongley”. Titled on reverse of stretcher. Schooner Head is a point of land in Acadia National Park. SIZE: 20″ x 40″. CONDITION: Repaired tear in sky with mis-match paint, otherwise very good. 9-95555 (1,500-2,000)


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JOHN CHRISTOPHER MILES (American, 1837-1911) “MEGUNTICOOK MTS, CAMDEN, MAINE”. Large oil on canvas panoramic view of Megunticook Lake at the base of the small Megunticook mountain range. Two people are being ferried across the lake to the small town at the base of the mountain. Unsigned front but having its original label on reverse with title and artist signature. Housed in its original gilt and gesso decorated liner. An extremely rare view by this listed artist. SIZE: 20″ x 40″. PROVENANCE: The Estate of Chad Richards, Camden, Maine. CONDITION: Appears to be backed on aluminum, discolored varnish, restored area in center mountain, in need of cleaning. 9-94688 (5,000-10,000)


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EARL CUNNINGHAM (American, 1893-1977) THE COVERED BRIDGE. Outstanding folk art oil on masonite scene shows a large red roofed covered bridge spanning two green land masses and a line of wagons crossing. The foreground water has three red birch bark canoes with depictions of Native Americans with oars. Also two white hulled, white sailed schooners. The land masses have trees and flowers and there is one house with a dock with two men fishing. The background is in a mottled blue sky with two three-mast sailboats on the horizon. Several white birds fly in the sky. Signed lower left. Unframed. SIZE: 16″ x 36″. PROVENANCE: From a New England home. CONDITION: Very good. 9-95595 (15,000-25,000)


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EARL CUNNINGHAM (American, 1893-1977) THE CURVING STAIRCASE. Oil on fiberboard scene shows a New England Salt Box Colonial home on a grass covered area with five trees supporting black and white tropical birds. A path leads from the house to another house which is partially viewed having a curving stairway to its fourth floor. A dock is on edge of shoreline with small three-mast boat leading to blue water with a white sailed black hulled schooner. Signed lower left “Earl Cunningham”. Housed in a stained carved wood frame. SIZE: 16″ x 16″. PROVENANCE: From a New England home. CONDITION: Very good. 9-95596 (8,000-12,000)


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EARL CUNNINGHAM (American, 1893-1977) A SEASIDE FARM. Oil on fiberboard scene shows an expansive farm on the edge of an ocean with island in foreground. The farm has a large barn with fence area with figure herding cattle. A smaller house is seen beside a gate leading up the hillside to the farmers house which has smoke billowing from the chimney. A wagon is seen on this grassy area with two figures. The hillside is covered with multi-color grasses and bushes. A mustard colored sky with white birds, a flock of black birds and brown and black clouds. The water is a mustard/brown with black wash and supports five teeny single mast sailboats with colorful sails. Six red hooded ducks are seen swimming left to right. The island in dome shape with six triangular top green trees, some supporting a single branch with white birds. The red and white saltbox style house has two figures walking down a path toward dock with another figure and two sailboats. Three flowering trees complete the island. Signed lower left “Earl Cunningham”. Housed in a flat molded edge wood frame. A fine example of Cunningham’s work. SIZE: 16″ x 24″. PROVENANCE: Recently found in a New England home. CONDITION: Very good. 9-94194 (15,000-25,000)


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EARL CUNNINGHAM (American, 1893-1977) A TROPICAL PARADISE. Unsigned oil on panel shows a land and seascape with tropical features. Two sections of land are separated by water thoroughfare. The right section of land has tall wide trunk trees and small evergreens, a few having colorful flowers. The ground is covered in high colorful grass and there is a brown, tan and black house with chimney. Four white egrets are seen along with three pink flamingos. There is a dock with figure, a boat on dry cradle, a man rowing a small rowboat and two ducks. The left section of land has similar trees with the addition of what appear to be palm trees. A longer house is seen with dock and man in rowboat. The background has brightly colored yellow/gold sky which reflects in far water and down the thoroughfare. Housed in a painted wood frame. SIZE: Sight: 15-3/4″ x 23-3/4″. PROVENANCE: Recently found in a New England home. CONDITION: Very good. 9-94195 (8,000-12,000)


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EARL CUNNINGHAM (American, 1893-1977) VIKING SHIPS AND ISLAND. Unframed oil on masonite scene shows two Viking ships with white sails on a mustard/orange sea dotted with white splashes, three ducks and two white sailboats. A sky of red, yellow and brown is seen beyond a central square island having two trees and colorful rock border. Unsigned. SIZE: 12″ x 16″. PROVENANCE: Recently found in a New England home. CONDITION: Very good. 9-94197 (3,000-5,000)


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EARL CUNNINGHAM (American, 1893-1977) TWO SCHOONERS. Unframed oil on masonite scene shows two two-mast schooners with white sails sailing left to right on a light slate blue sea with yellow dashes. A colorful red, yellow and brown sky beyond. An inlet is seen in foreground with green land and brown and black edges. Unsigned. SIZE: 12″ x 16″. PROVENANCE: Recently found in a New England home. CONDITION: Very good. 9-94198 (3,000-5,000)


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RICHARD C. HASENFUS (American, 1932-) WRECKS OFF THE MAINE COAST. Oil on canvas coastal scene shows two wrecked schooners from a recent storm being battered by large waves against rock ledge. Signed lower right “R Hasenfus” and dated “57″. Housed in a carved gilt wood replacement frame. SIZE: 16″ x 20″ CONDITION: Very good. 9-95076 (1,000-1,500)


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JAMES HAMILTON (American, 1819-1878) A BUSY SHIPPING LANE. Large oil on canvas scene shows various ships on a green choppy ocean with a central fishing boat with sails up coming towards viewer. Several other boats are seen on horizon line, three larger ships with sails down, one being a steamer and two other fishing boats beside. Several sails are seen in distant horizon. All under a white cloud and blue sky. Signed lower left “Hamilton”. Housed in a gilt molded wood frame with gilt liner. SIZE: 30-1/2″ x 50-1/4″. CONDITION: Craquelure, inpainting. Otherwise generally good with heavy discolored varnish and surface dirt. 9-94662 (6,000-8,000)


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HEINRICH ANDREAS SOPHUS PETERSEN (German, 1834-1916) WRECK OF THE SHIP OROZIMBO OFF KEY WEST, FLORIDA, 1860. Outstanding oil on canvas nautical scene shows the three-mast black hulled ship sailing left to right in very heavy swells under dark skies. Two masts have been broken off and flounder next to the vessel while the front mast is partially intact with torn sails. There are several crew members aboard and the ship is in peril. On the bottom border in a handwritten legend “Ship Orozimbo H. L. Townsend, Master. off Key West Florida Sept. 10th 1860″. Signed lower right “H Petersen”. Housed in an antique lemon gold frame with gold liner. REFERENCE: There are two listings for the Schooner Orozimbo, one built in Gouldsborough, Maine with a home port of Calais, Maine in 1854 (161 tons) and the second listing in 1846, built in Essex, MA with Boston, MA as its home port (40 tons). SIZE: 20-1/2″ x 31″. CONDITION: Relined on replaced stretcher, very good with some inpainting. 9-95323 (4,000-6,000)


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WALTER L. DEAN (AMERICAN, 1854-1912) HARBOR UNDER MOONLIGHT. Large oil on canvas scene shows two small sailboats moored in shallow inlet with land beyond. Lights can be seen in one sailboat and along the shore. A bright full moon shines through scattered clouds and reflects on the water. Signed lower left, “WALTER L. DEAN”. Housed in a fine, wide, carved and gilt frame with gilt liner. SIZE: 22″h x 27″w. CONDITION: Re-lined with in painting. Very good. 9-95478 (6,000-8,000)


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FRANK KNOX MORTON REHN (American, 1848-1914) CALM DAY ON THE NORTH SHORE. Oil on canvas scene shows a stone and wood wharf holding a building with red door and open sides. Several other buildings are seen beyond, all reflected in a calm blue water. Signed bottom right “R K M Rehn”. Housed in a fine gilt molded wood frame with Guido Frame Studio label. SIZE: 16″ x 28″. CONDITION: Craquelure, some spot inpainting. Very good. 9-95184 (4,500-6,500)


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H. NICHOLS (American/British, 19th Century) SHIP IN DISTRESS AT SUNSET. Large oil on canvas nautical scene shows a sidewheel steamer in distress. A large group of seagulls fly over the rough seas and the background is a wonderful colored sunset from blue to red which is reflected in the ocean. Signed bottom right “H. A. Nichols” or possible “H. H. Nichols”. This possibly is the work of Hobart Nichols Jr. or Sr. Housed in a modern gilt gesso decorated frame. The stretcher having the remnants of a Philadelphia label. SIZE: 24″ x 42″. CONDITION: Craquelure, touch up with inpainting. Very good. 9-94663 (4,000-6,000)


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JAMES GAYLE TYLER (American, 1855-1931) RACING. Oil on canvas scene shows two single mast sailboats with figures aboard with sails out and full of wind. Signed lower left “James G. Tyler 1902″. Numbered on back of canvas “38″. Housed in a gilt molded wood frame. SIZE: 18″ x 14″. CONDITION: Very good. 9-94915 (1,500-2,500)


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DEAN WAITE (American, 1923-) SUMMER YACHTING. Oil on canvas scene shows a two-mast sailing yacht in full sail sailing left to right in blue ocean with white tipped waves. Two similar boats are seen parallel, possibly racing. Signed lower left. Housed in a fine gilt modern frame. SIZE: Sight: 29-1/2″ x 23-1/2″. CONDITION: Very good, sections flourece under blacklight which may indicate a later finishing. 9-95059 (3,000-5,000)


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VICTOR PETRY (American, 1903-) THE RACE. Oil on canvas summer nautical scene shows five single mast sailboats racing side by side. Two figures in each boat and each white sail has a number and a red star. On the left side is a red buoy and a small lighthouse with two-mast sailing ship. All seen under blue and white cloud sky. Signed lower right “Victor Petry”. Housed in its original molded wood frame. SIZE: 24″ x 30″. CONDITION: Dirty, craquelure and some scrapes in bottom ocean edge. 9-95620 (1,500-2,000)


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JOHN WALTER BEAUVAIS (European, 1942-2004) SUMMER INTERNATIONALS. Oil on canvasbaord scene shows a sailboat race off a C-shaped beach lined with spectators in white with colorful hats. Four flags fly on poles including the U.S. flag. Housed in a modern silver gilt wood frame. SIZE: 20″ x 24″. CONDITION: Very good. 9-94092 (1,500-2,500)


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BLAIKIE HINES (AMERICAN, 1949 – ) “1887 AMERICA’S CUP”. Oil on wood panel shows the sailing yacht “VOLUNTEER” versus “THISTLE” in an America’s Cup duel. They sail right to left with steam yacht and coastal steamer at right side. Signed lower right. Housed in a gilt, molded wood modern frame. SIZE: 11-3/4″h x 16″w. CONDITION: Very good. 9-95527 (1,000-1,500)


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BLAKIE HINES (AMERICAN, 1949-) “FIVE MILE RIVER, ROWAYTON”. Oil on Masonite, 19th century style scene shows two schooners with sails up sailing off coast under a setting sun sky. Signed lower right and titled on reverse. Housed in a good, molded, gilt wood frame. Rowayton Connecticut is on the coast near Stamford. SIZE: (sight) 16-1/2″h x 26-1/2″w. CONDITION: Very good. 9-95525 (1,800-2,400)


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BLAIKIE HINES (American, 1949-) “LITCHFIELD HILLS, FARM PATH”. Large oil on masonite landscape scene shows a small dirt path leading through flower and grass field to a sunlit meadow with trees and mountain beyond. Wonderful white cloud and blue sky. Signed lower left. Housed in an outstanding modern copper/gold gilt carved wood frame with wood gilt title plaque. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-95526 (3,000-5,000)


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DAVID JOHNSON (American, 1827-1908) THE ABANDONED MILL. Oil on board scene shows a mill building with open door end having large chimney with connected building. It is set against a grass lined body of water with trees. Signed lower left with conjoined artist monogrammed initials. Housed in a modern carved and gilt frame. SIZE: 12″ x 12″. CONDITION: Surface dirt, otherwise very good. 9-95676 (1,500-2,000)


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CHARLES ROSEN (American, 1878-1950) “MID SUMMER BIRCHES”. Oil on board impressionistic summer scene shows a small pond lined with birches and being reflected in the water. Outstanding pastel colors in a very pleasing scene. Housed in a gilt molded wood frame. Back of board inscribed “Charles Rosen Mid Summer Birches ’48″. Signed on front bottom left “C Rosen”. SIZE: 20″ x 24″. CONDITION: Very good. 9-95682 (4,000-6,000)


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JOE JONES (American, 1909-1963) “NEW ENGLAND IDYLL”. Oil on canvas coastal scene shows what is purported to be Mt. Desert Island with sandy beaches and tree lined coast. A peninsula ending with small mountain is seen under blue and white cloud sky. Signed lower left “Joe Jones”. Housed in a good silver gilt carved wood frame. SIZE: 15″ x 18″. CONDITION: Very good. 9-95690 (2,000-3,000)


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FREDERICK JOHN MULHAUPT (American, 1871-1938) COASTAL SIDE HOTEL. Watercolor view from the harbor looking towards a three-story white clapboard building with two wrap-around porches and a dock beside which has a two-mast schooner being tended to. A series of churches and buildings dot the hillside background. Probably a Maine or Massachusetts scene. Housed in a gilt wood modern frame with white matte. SIZE: Sight: 14-1/4″ x 20-1/4″. CONDITION: Very good. 9-95710 (2,000-3,000)


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CHARLES EDWIN LEWIS GREEN (American, 1844-1915) RED ROCK, LYNN, MASSACHUSETTS. Loose oil on canvas landscape scene shows two cows in a green pasture overlooking Red Rock with Nahant in the distance. Signed lower right “C Green 81″. An Estate stamp from Elwyn George Gowen, 1895-1954 is stamped on reverse of canvas. The canvas is affixed to a dark decorated wood frame. SIZE: 11-3/4″ x 15-1/2″. CONDITION: Unstretched, surface dirt. Otherwise very good. 9-95691 (4,000-6,000)


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ARTHUR SARON SARNOFF (American, 1912-2000) “BEATING TO THE WEATHER MARK”. Large oil on canvas nautical scene shows a large racing yacht from the viewpoint of a passenger, racing another off the port bow. Wonderful colors of blue and white. Signed lower right “Art Sarnoff”. Titled and signed on reverse of canvas. Housed in a decorative partial gilt wide wood frame with linen liner. SIZE: 24″ x 30″. CONDITION: Very good. 9-95701 (3,000-5,000)


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EDWARD A. PAGE (AMERICAN, 1850 – 1928) TENDING TO THE FLOCK. Outstanding large oil on canvas New England scene shows a small flock of six sheep being tended to by a man beside small cart. The sheep graze in a field which is bordered by a large wood fence separating the field from the house beyond. A flowering tree spreads over the fence. Beyond the field is another house under colorful sky. Signed lower right, “E.A. PAGE, 1922″. Housed in an outstanding reproduced reeded, carved wood gilt frame with carved gilt liner having a gilt artist’s plaque. SIZE: 20″h x 30″w. CONDITION: Re-lined, inpainting. Very good. 9-95495 (3,500-5,500)


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EDWARD A. PAGE (American, 1850-1928) MARSHLAND FARM. Unframed watercolor North Shore, MA scene shows a yellow Colonial farmhouse with detached barn amongst a grove of green trees on lowlands with tidal water. Signed lower right “E A Page”. SIZE: 10-3/4″ x 15″. CONDITION: Very good. 9-95178 (800-1,200)


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ERIC SLOANE (American, 1905-1985) “FEBRUARY”. Fine oil on masonite New England barn scene shows several barns at the base of a snow covered hill with trees and flock of geese. The sun is dropping low in the sky off to the left and casting light on half of the barns. Signed and titled lower left. Also inscribed on back “Eric Sloan New Milford Conn.”. SIZE: 20″ x 24″. CONDITION: Very good. 9-95017 (12,000-18,000)


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HENRY WARD RANGER (American, 1858-1916) THE COMING STORM. Oil on canvas landscape scene shows a large meadow with stream having grazing cows with mountain backdrop. Gray clouds gather with only a glimpse of blue sky. Signed lower left. Housed in a fine carved wood and gilt modern frame with gilt liner. SIZE: 22″ x 34″. CONDITION: Relined, some inpainting. Very good. 9-95557 (5,000-7,000)


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HENRY WARD RANGER (American, 1858-1916) SUMMER FARMING. Wonderful large oil on canvas scene shows a figure atop a wagon pulled by two oxen approaching a stone and wood fence with another figure at gate. Green pastures and large trees dot the landscape under white cloud and blue sky. An outstanding work by this American impressionistic painter. Signed lower left “H W Ranger”. Housed in an outstanding Stanford White influenced reproduction wide frame with gilt wood name plaque. SIZE: 24″ x 32-1/4″. CONDITION: One small patch with corresponding touch up. 9-95055 (6,000-8,000)


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GEORGE ARTHUR HAYS (American, 1854-1945) THE SNOWY PATH. Large oil on canvas winter scene shows a man driving a team of oxen pulling a sled filled with wood through deep woods on snow covered ground. Signed lower left “G A Hays”. Housed in a magnificent deep carved modern gilt frame with gilt liner. A fine work by this New England artist. SIZE: 25″ x 30″. CONDITION: Very good with minor touch up. 9-95043 (3,000-5,000)


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GEORGE GUNTHER HARTWICK (American, -1899) THE SKATING POND. Unsigned oil on canvas winter scene shows an iced over mill pond with thirteen figures, some of them skating. The mill is seen in the center with waterwheel and smoke coming from the chimney. The rocky and tree covered ground shown with snow, all under a cloudy sky which has opened in the center revealing blue sky. Housed in a gilt molded wood frame. SIZE: 24″ x 32″. CONDITION: Relined on new stretcher, very good with light craquelure and scattered inpainting. 9-95412 (5,000-10,000)


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GEORGE WASHINGTON NICHOLSON (American, 1832-1912) WINTER STROLL. Oil on board winter scene shows two figures walking away from a large farmhouse on snow covered road. Beyond the figures is a river with buildings, all under light and gray cloud sky. Signed lower left “G W Nicholson”. Housed in a modern gilt antique style frame with gold liner and glass. SIZE: Sight: 10″ x 14″. CONDITION: Very good. 9-95042 (2,000-3,000)


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CHARLES HERBERT WOODBURY (American, 1864-1940) “OAK WOOD WINTER”. Outstanding large oil on canvas winter landscape scene shows a deep snow filled ground looking through trees towards snow covered hills. Signed bottom right “Charles H Woodbury 23″. Titled on reverse of stretcher. Also having an Estate stamp “Charles H Woodbury /C.H.W.” and numbered “12″ on reverse of canvas. Written in pencil is “Belonging to E. W. Perkins”. Housed in a wonderful carved and gilt wood replacement frame. NOTE: Exhibited at the Museum of Fine Arts, Boston, MA, Special Exhibition of Works of Charles H. Woodbury, 1945. Accompanying the painting is the original label which is detached and a receipt and return receipt for the exhibition. SIZE: 29-1/4″ x 36-1/4″. PROVENANCE: Includes Mrs. Charles B. Perkins, Jamaica Plain, MA and the Estate of Dr. William B. Castle, Brookline, MA. CONDITION: Very good with one small patch to reverse with corresponding inpainting and minor spot inpainting. 9-95163 (15,000-25,000)


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ARTHUR LORENTZ LINGQUIST (American, 1889-1975) SNOW SEASON. Oil on canvasboard winter scene shows a panoramic view overlooking houses and barns on a snow covered hill looking across to hills and mountains. Probably a scene in Vermont or New Hampshire. Signed lower right “A Lingquist”. Housed in a good gilt molded wood modern frame. SIZE: 20″ x 24″. CONDITION: Very good with some spot inpainting. 9-95359 (1,000-2,000)


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Revised: 2/5/2009

Additional Information: This is actually a scene in New Hampshire NOT Vermont

CHARLES CURTIS ALLEN (American, 1886-1950) “MT. MONADNOCK”. Oil on board Vermont scene shows a view of the ledge covered mountain dropping to a valley with Colonial farm, pastures, rock walls and trees. All under white cloud and blue sky. Signed lower right “Chas. Curtis Allen”. Titled and signed on reverse. Housed in its original silver gilt carved wood frame. SIZE: 9″ x 11″. CONDITION: Very good. 9-95153 (2,000-4,000)


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WILLIAM FREDERICK PASKELL (American, 1866-1951) MT. CHOCORUA. Oil on canvas New Hampshire scene shows a treeless peak mountain beyond a calm lake surrounded by trees. Signed lower left “W M Paskell”. Housed in its original gesso decorated gold frame. SIZE: 8″ x 13″. CONDITION: Light craquelure, good. 9-95630 (800-1,200)


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DAVID JOHNSON (American, 1827-1908) OVERLOOKING THE HUDSON. Oil on canvas scene shows a man with an ox-cart on a dirt road next to farm with woman feeding chickens. The fall landscape looks out over blue water with mountains in the background. Grayish/blue sky. Signed lower left with artist monogram and dated “75″. Housed in a gesso decorated French style gilt period frame with gilt liner. SIZE: 15″ x 25″. CONDITION: Thin paint layer, bottom right with stabilized cracking and some bottom edge light chipping. 9-95103 (20,000-40,000)


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JOHN ROSS KEY (American, 1837-1920) THE RIVER FERRY. Large charcoal drawing shows a wide river bend having a low ferry with people and horse cart starting their journey from left to right under a bank with high trees. At the river bend is a town with steeple and buildings with moored ships. Signed lower right “John R Key”. Housed in its fabulous gilt decorated frame. SIZE: Sight: 22-3/4″ x 33-1/2″. CONDITION: Some light brown foxing spots, generally very good. 9-95129 (1,000-2,000)


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FREDERICK DICKINSON WILLIAMS (American, 1829-1915) ALONG THE HUDSON. Fine oil on canvas Hudson River scene shows a dirt road preceding down a hill with hay wagon and figures. A path off to the right with two other figures, all seen against a panoramic view of the Hudson hills and low mountains. All under a white cloud and blue sky. Signed lower left “F. D. Williams 1860″. Housed in a fine museum quality antique style frame. SIZE: 9″ x 13″. CONDITION: Relined with very minor touch up. Very good. 9-95058 (3,000-5,000)


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ARTHUR PARTON (American, 1842-1914) HOUSE ALONG THE RIVER. Oil on canvas scene shows a man in a small rowboat near connected farmhouse with bridge beside. The winding river is still with marshy area. All under a light cloud sky. Housed in its original large leaf decorated gesso gilt frame with gilt liner having brass artist plaque. SIZE: 14″ x 20″. CONDITION: Very good, relined. 9-95045 (4,000-6,000)


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LEMUEL MAYNARD WILES (American, 1826-1905) MORNING REFLECTIONS. Unsigned oil on canvas landscape scene shows a calm river with sandy banks leading to a large field with farmhouse. Low mountains and hills beyond. A stepped grassy bank is on the left side while the right side has a flat, sandy area with trees. A bright sun is rising and casting its reflection across the field and into the water. A fine study of color and light. Housed in a period gesso decorated frame. SIZE: 12″ x 20″. CONDITION: Very good with inpainting. 9-95413 (8,000-10,000)


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GEORGE LORING BROWN (AMERICAN, 1814-1889) NEW HAMPSHIRE LANDSCAPE. Large oil on wood panel landscape scene shows a river cascading through large boulders along a steep bank with rock ledge and trees. A low mountain is seen beyond. A scene reminiscent of the White Mountain area of New Hampshire. Signed lower right, “GEO. L. BROWN”. A man is seen ankle-deep next to shoreline. All under a light blue and white cloud sky. Housed in a magnificent reproduction gesso-decorated gilt frame with carved gilt liner. SIZE: 27-1/2″h x 35-1/2″w. CONDITION: There is a tight horizontal crack at left middle, some crackalure and in-painting, otherwise very good. 9-95475 (8,000-12,000)


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THOMAS DOUGHTY (American, 1753-1856) ALONG THE RIVER. Large oil on canvas river scene shows a river boat steaming away from viewer toward hills under blue and white cloud sky. The right bank with two men seated and standing beside rocks. A dirt road is seen with two figures and colorful trees. Unsigned front but have “T Doughty” in heavy black old paint on stretcher. Housed in a gilt molded wood frame. The scene possibly could be along the Susquehanna River. SIZE: 33″ x 48″. CONDITION: Old relining with five canvas patches, inpainting with restoration. Very good. 9-95556 (8,000-12,000)


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CHARLES EPHRAIM BURCHFIELD (American, 1893-1967) “EARLY SPRING”. Watercolor and gouache scene shows a stream running through woods with grassy banks, a hillside is seen with flowers. Signed lower right with artist monogram and dated “1917″. Housed in a wonderful carved wood and gilt double frame with white linen matte and glass. SIZE: Sight: 15″ x 22″. CONDITION: Flattened crease bottom right, otherwise very good. 9-95165 (12,000-18,000)


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DON MOY CHU KINGMAN (American, 1911-2000) “17 MILE DRIVE, CALIFORNIA, 1954″. Outstanding large watercolor showing a modernistic view of a marshy area with trees, birds and grasses against a full moon/sun on horizon. Signed lower right “Don Kingman”. Housed in its original weathered wood frame with white liner and glass. “National Academy of Design 129th Annual Exhibition, 1954″ label affixed to reverse. Also “Midtown Galleries” label with artist and title. Also inscribed “Property of Herbert & Elizabeth Daugherty”. Also attached to back is a note from Mrs. Daugherty to consignor regarding the gift of the painting. REFERENCE: Illustrated on pages 96 and 97 of the Watercolors of Don Kingman, Introduction by William Saroyan indicating that it is from the collection of Mr. & Mrs. H. L. Daugherty. SIZE: Sight: 21-1/4″ x 29-1/4″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Very good. 9-94996 (10,000-20,000)


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ALEXANDER DZIGURSKI (American, 1911-1995) LIGHTHOUSE ON THE COAST. Large oil on canvas panoramic coastal scene shows green and white tipped waves crashing onto rock ledges. The background shows a large coastline with left hand hills holding a large white lighthouse. Mountains are seen in the background with what appears to be large towns along its edge. Signed lower right. Housed in a modern gilt molded wood frame. Possibly a California coastline scene. SIZE: 23-3/4″ x 47-1/2″. CONDITION: Wax relining, some minor touch up, very good. 9-91615 (3,000-5,000)


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ALEXANDER DZIGURSKI (American, 1911-1995) CALIFORNIA COASTLINE. Oil on canvas coastal scene shows colorful waves crashing on rocks topped by Cyprus trees. The waves are seen in light green to blue colors. Light emanates from the top of gray clouds in a nice colorful scene. Signed lower right. Housed in a fine carved gilt wood modern frame. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-94089 (2,000-4,000)


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PERCY GRAY (American, 1869-1952) CALIFORNIA COAST. Watercolor coastal scene shows waves crashing through a break in coastal rocks. Three ships can be seen on the horizon and low land mass beyond. Signed lower left. Housed in a carved and partial gilt wood frame with painted liner, colored linen matte with inner gold liner. SIZE: Sight: 10-3/4″ x 15″. CONDITION: Very good. 9-95629 (3,000-5,000)


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MAURICE BRAUN (American, 1877-1941) EUCALYPTUS TREES. Watercolor landscape shows a group of eucalyptus trees in a field with yellow and brown grasses. Low hills beyond with blue and white sky. Signed lower left. Housed in a nice modern carved and gilt frame with wide matte and inner gold liner. SIZE: Sight: 10-1/2″ x 8-1/4″. CONDITION: Very good with some fading. 9-95628 (1,000-2,000)


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LOUIS EDWARD REA (American, 1868-1927) PAIR OF CALIFORNIA SCENES. Oil on canvas laid on board scenes identically housed in birdseye maple frames with gold liners. Depicting a lighthouse with coastal mountains and water. The other with a beach and fort with mountains. One signed, one unsigned. SIZE: 10″ x 15-1/4″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good. 9-94804 (500-700)


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Revised: 2/6/2009

Additional Information: This is NOT from the Gaba Estate.

SIGNED (American, First half of the 20th Century) SOUTHERN CALIFORNIA MISSION. Oil on canvas Western scene shows a street with stucco buildings. Corner building having a small balcony with colorful flower pots. Large mountains are seen in the background under blue and white cloud sky. Spuriously signed lower right “Gardner Symons”. Housed in what appears to be its original thin gilt molded wood frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-92072 (200-300)


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FLORENCE PARKER BLOSER (American, 1889-1935) THE REFLECTING POOL. Oil on canvas California Mission scene shows a stucco mission church with bell alcove having flower gardens and path leading to a foreground fountain pool with lily’s and birds. The pool reflecting the mission’s architecture. Signed lower right. Housed in its original gilt molded wood frame. SIZE: 25″ x 25″. CONDITION: Very good. 9-94326 (2,000-3,000)


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UNSIGNED (American, 19th/20th Century) THE CLIFF HOUSE, SAN FRANCISCO. Oil on wood panel shows the multi-floor white Cliff House with red roof perched on the cliffs overlooking Seal Rocks with several ships in the distance. The famous structure was consumed by fire in 1894 and 1907 and another was placed on its foundation. Housed in a decorative copper colored antique frame. SIZE: 8″ x 10″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Craquelure, very good. 9-94817 (500-1,000)


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JONATHAN HARTLEY FOLLIOTT SCOTT (American, 1914-1995) LAGUNA BEACH PIER. Watercolor and light oil on paper mounted to board scene shows a wood post tall pier with eight figures atop and three colorful skiffs below. Signed lower left in pencil “Jonathan Scott”. Housed in a fine modern carved gilt and wood frame with colored matte and inner gilt liner. SIZE: Sight: 10-3/4″ x 7-3/4″. CONDITION: Very good. 9-95694 (600-800)


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ALVYK BOYD CRUISE (American, 1909-1988) THE BUSY BEACH. Watercolor scene shows a sandy beach populated by many beach goers. Some are seated under colorful umbrellas and some walk by people watching. Signed lower left “Cruise”. Housed in a modern silver gilt ribbed frame with matte. SIZE: Sight: 12-3/4″ x 22-1/4″. CONDITION: Very good. 9-95696 (2,000-3,000)


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PRENDERGAST (American, First half of the 20th Century) A STROLL ON THE BEACH. Oil on masonite scene shows a woman in white summer dress with white parasol next to a woman in blue dress with bouquet of flowers. They stroll along what appears to be a sandy beach. Signed lower right “Prendergast 1935″. We are unsure which Prendergast this is by as the date coincides with Charles, the signature corresponds with Maurice. Housed in a gold gesso decorated frame. SIZE: 14-3/4″ x 12″. CONDITION: Very good. 9-95713 (4,000-6,000)


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CLEMENT SAMUEL WILENCHICK (American, 1900-1957) “THREE COLORFUL NUDE WOMEN”. Large oil on canvas scene shows two standing nude women with another lying on the ground. Landscape background, each having a different color cloth. Unsigned. Housed in a wide gilt modern wood frame. SIZE: 53″ x 34″. CONDITION: Relined, placed on new stretcher, some inpainting. Very good. 9-95706 (6,000-8,000)


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HARRISON CADY (American, 1877-1970) “THE BATHER, MARTINIQUE”. Oil on board island scene shows a half nude woman with towel, blanket and wide brim hat standing on a beach overlooking blue and turquoise water with three sailboats and land, buildings and palm trees beyond. A woman in native garb sits beside her with picnic basket, bottle and umbrella. A small house is seen down by the water under two palm trees. All under a very colorful expansive sky. Signed lower right. Housed in a good gilt ribbed frame with wide gilt liner. SIZE: 22″ x 28″. CONDITION: Inpainting, very good. 9-95711 (6,000-8,000)


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EMIL CARLSEN (American, 1848-1932) STILL LIFE WITH FRUIT AND JARS. Oil on canvas tabletop scene shows an arrangement of fruit and vases on a blueish/green cloth partially covering a white tabletop. The fruit includes a cut orange, purple grape bunch and yellow apple. A green Chinese ginger jar and bronze handled vessel are seen in back against the uplifted cloth and brown background. Signed lower left. Housed in what appears to be its original gilt carved wood frame. SIZE: 21″ x 24″. CONDITION: Five old patches to reverse, old restoration with inpainting at patch points, some wrinkling at corners which needs tightening. Otherwise good to very good. 9-95102 (8,000-12,000)


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GEORGE LOFTUS NOYES (American, 1864-1954) “ROSES”. Oil on canvas still life scene shows a group of pink and yellow roses with green leaves resting on a grassy area with water beside. Greenish/brown background with a reflection of the roses in the water. Signed lower left “G L Noyes”. Housed in a decorated gilt wood frame. SIZE: 9″ x 12″. CONDITION: Craquelure, very good. 9-95041 (2,000-3,000)


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EDWARD CHALMERS LEAVITT (American, 1842-1904) THE FRESH BOUQUET. Oil on canvas still life scene shows a pile of recently cut budding pink roses with long thorny stems having green leaves. Light green foreground with rusty red background. Signed lower right “E C Leavitt 1900″. Housed in a carved gilt wood modern frame. SIZE: 16″ x 20″. CONDITION: Relined, inpainting. Very good. 9-95503 (2,500-3,500)


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SANTOS ZINGALE (American, 1908-) COLORFUL STILL LIFE. Oil on canvas interior scene shows a blue vase of bright flowers, a potted yellow flower, all on a red striped tabletop with black chest behind. Signed bottom right “Z”. Housed in a regilt antique frame. Back of canvas having “S Z”. SIZE: 26″ x 19-1/2″. CONDITION: Very good. 9-94327 (2,000-3,000)


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CHARLES ETHAN PORTER (American, 1847-1923) PINK ROSES. Unframed oil on canvas still life scene shows a green vase of three pink roses and green leaves. One rose has dropped to the tabletop and the petals are separated. Signed lower left “C E Porter”. SIZE: 15-1/4″ x 12-1/2″. CONDITION: Very good. 9-95553 (5,000-7,000)


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ROBERT DOUGLAS HUNTER (American, 1928-) STILL LIFE ARRANGEMENT. Fine oil on canvas tabletop still life shows an antique pewter charger against a wall with copper ewer, wood turned bowl, cast iron bale handled kettle, ginger jar, onions and red cloth. Signed lower left and dated “80″. Housed in a fine gilt reeded frame with wide gilt wood liner. SIZE: 20″ x 36″. CONDITION: Very good to excellent. 9-95170 (6,000-9,000)


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JOE (JOSEPH JOHN) JONES (American, 1909-1963) “STUDIO STILL”. Oil on canvas mounted on board scene shows a table top with yellow covering with green striped white tablecloth, a basket of lemons, apple and other fruit. Signed bottom right “Joe Jones”. Circa 1939. Housed in a decorative wood frame. SIZE: Sight: 23-1/4″ x 17-1/2″. CONDITION: Very good. 9-94360 (2,000-3,000)


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MANNER OF CLAUDE RAGUET HIRST (American, 1855-1942) STILL LIFE WITH BOOKS AND CANDLESTICK. Oil on artist board scene shows an open book with reading glasses next to three other books, brass candlestick with candle, paper sack and wick trimmers against a grayish background. Signed bottom right Claude Raguet Hirst, N.Y.”. Housed in a fine apple vine decorated period frame. Though the signature does not fluoresce, the style appears to be looser, possibly indicating an early study or a late work. SIZE: 13-1/2″ x 18-1/2″. CONDITION: Very good with a few very minor spots of inpainting, mostly in the background. 9-94165 (2,000-3,000)


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HUGO R B NEWMAN (American, Early 20th Century) CHINESE STILL LIFE. Oil on canvas laid on panel scene shows a Buddha, blue and white vase and a red dish set on a table in front of a blue and white draped cloth with brass charger. Signed bottom right “Hugo R B Newman”. Housed in a modern gilt wood frame. SIZE: 25″ x 19″. CONDITION: Surface dirt, light craquelure, some inpainting, good. 9-95578 (1,500-2,500)


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ATTRIBUTED TO THEODORE WORES (American, 1859-1939) GOLDEN PARASOL. Oil on canvas scene shows Oriental woman wearing a blue coat and holding a large open parasol on her shoulder in bright colors of yellow, gold and orange. Unsigned. Housed in a fine carved and gilt modern frame. SIZE: 19″ x 26″. CONDITION: Very good. 9-94370 (3,000-5,000)


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HARMEN C. KOOPS (American, 1898-1957) THE THREE GEISHA’S. Large oil on panel interior scene shows three Geisha, one reading, one smoothing a robe and the other looking on. There are two decorative screen panels, one with flowering tree. The background with a block design. Signed lower right. Housed in a molded wood frame. SIZE: 48″ x 60″. CONDITION: Very good. 9-95445 (2,000-3,000)


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LEON KROLL (American, 1884-1974) “ISABEL AND MARIE CLAUDE”. Oil on paper outdoor scene shows a woman with white bathrobe standing next to a young girl in summer red dress with flower decorated hat. The young girl has an open book in her lap. The background is a pink flower field leading to trees and water. Unsigned. Housed in a fine French style scallop decorated partial gilt frame with gilt liner. A label on reverse indicates the title and that these two people were Kroll’s favorite model and his granddaughter. SIZE: 21-1/2″ x 14-1/2″. PROVENANCE: The provenance as indicated on back label is listed as the Sid Deutch Gallery: Owings Dewey Fine Art of Santa Fe: Christies, New York: A private collector, Maine. Circa 1930. CONDITION: Very good. 9-95506 (7,000-9,000)


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WALTER SATTERLEE (AMERICAN 1844-1908) FIELD OF FLOWERS. Large oil on board landscape scene of young man and young woman standing in a field of flowers with a large haystack beyond. She holds a large gathering of grass and flowers and he holds a pitchfork. They stand amongst flowers under a colorful blue to pink sky. Signed lower left, “W. SATTERLEE”. Housed in a gilt carved wood frame. SIZE: 36″h x 29″w. CONDITION: Very good, with minor touch up. 9-95476 (4,000-6,000)


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PAUL BERNARD KING (American, 1867-1947) THE RED JACKET. Oil on board coastal scene shows two women seated on a large rock at the end of a beach. They gaze out over a blue and white ocean with blue and white cloud sky. Signed lower left. Housed in a fine carved gilt wood modern frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-95057 (3,000-5,000)


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DODGE MACKNIGHT (American, 1860-1950) “THE THREE SISTERS, GASPE PENINSULA”. Watercolor scene shows a crescent shaped beach having a moored green two-mast schooner with a number of small dories pulled up on sand and beach goers. Several buildings are seen on grassy area that leads to grass covered coastal cliffs. Signed lower left, titled on reverse. Housed in a fine carved and gilt double replacement frame with glass front. SIZE: 16″ x 23″. CONDITION: Very good. 9-93833 (3,000-4,000)


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THOMAS ALLEN, JR. (AMERICAN, 1849-1924) THE GRAPE ARBOR. Oil on canvas scene shows a young mother with infant on stairs leading to a large grape arbor attached to the house where a young boy looks out an open window. Sunflowers have bloomed at corner of house and a coastal view can be seen beyond. Signed bottom right. Housed in a fine gesso-decorated gilt frame with gilt liner, having gilt wood artist’s plaque. SIZE: 12″h x 18″w. CONDITION: Relined, new stretcher, very good with some inpainting. 9-95497 (2,500-3,500)


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WILLIAM RICKARBY MILLER (American, 1818-1893) “GRIST MILL, SLEEPY HOLLOW, TARRYTOWN”. Oil on canvas scene shows an old mill with working water wheel with a small stream framed with trees. All under a blue and white cloud sky. Signed lower left “W R Miller 1891″. Housed in a fine period gesso decorated gilt frame. Kennedy Gallery label affixed to reverse indicates the scene in Tarrytown, New York. A Wallace Gallery label indicates this was probably painted as a part of a series which Miller called “1000 Gems of American Landscape”. SIZE: 20″ x 16″. CONDITION: Relined, some inpainting. Very good. 9-94163 (3,000-5,000)


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WILLIAM RICKARBY MILLER (American, 1818-1893) COUNTRY VILLAGE SCENE. Fine detailed oil on canvas country village scene shows a series of houses with picket fences on either side of a wide dirt street. A family with dog is seen leaving the town and a woman walks up from the stream which has rock wall banks. Two white ducks/swans are seen approaching an arched stone bridge. A wagon is seen with man atop crossing the bridge with a connected building beyond. Cultivated hillsides are seen with tree lined fields. All under a light blue and white cloud sky. Signed lower left “W R Miller 1887″. Housed in what appears to be its original gesso decorated gilt frame. SIZE: 13-1/2″ x 19-1/2″. CONDITION: Very good. 9-94520 (2,500-4,000)


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JOHN JOSEPH ENNEKING (American, 1841-1916) SUNSET GLOW. Oil on canvas sunset scene shows a sky with gold, yellow and orange tones over a wispy treeline with grass in the foreground. Signed lower right “Enneking”. Housed in a fine black and gold frame with gilt wood artist plaque. SIZE: 10″ x 8″. CONDITION: Very good with minor inpainting and light craquelure. 9-95493 (900-1,200)


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JOSEPH ELIOT ENNEKING (American, 1881-1942) “SANDY BAY”. Oil on canvasboard Rockport harbor scene shows motif #1 with wharf and several boats moored in calm water looking out to the mouth of the harbor and the ocean beyond. Signed bottom right “J Eliot Enneking”. Numbered on reverse “21-C” with title. Housed in a good carved and gilt wood replacement frame. SIZE: 12″ x 14″. CONDITION: Very good with inpainting. 9-95166 (3,000-5,000)


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JOHN JOSEPH ENNEKING (American, 1841-1916) THE HOMESTEAD. Oil on canvas summer scene shows a farmhouse nestled in a grove of trees with pastures and woods under a colorful sunlit cloudy sky. Signed lower right “Enneking”. Housed in a reproduction gilt wood frame with gilt liner. SIZE: 12″ x 18″. CONDITION: Very good, relined, signature appears to flourece under blacklight but is consistent with the artist signature known. 9-95032 (3,000-5,000)


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JOHN WHORF (American, 1903-1959) THE BACK OF THE BARN. Unframed watercolor on paper mounted on board spring/winter scene shows the back coral area of a barn overgrown with trees with spots of snow. Signed lower right “John Whorf”. SIZE: 12″ x 17-1/2″. CONDITION: Very good. 9-95675 (1,000-2,000)


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FREDERICK JUDD WAUGH (American, 1861-1940) THE RIVER MILLS. Small oil on board shows a low dam with water over spilling and cascading by a series of mill buildings. Initialed bottom right “F.J.W”. Housed in a gilt wood frame with a Winston Dibble Gallery, New Jersey label. SIZE: 4-1/2″ x 6″. CONDITION: Very good. 9-95689 (600-800)


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LIZETTE PARAVICINI (American, 1889-) THE PICKET FENCE. Oil on board scene shows a Colonial house near a bridge framed by large trees which cast shadows on the slate roof. A pink blossoming bush is at both corners of the building. Unsigned front but pencil identified on reverse. Also stamped “Registered at the Pennsylvania Academy of Fine Arts, Chester Springs, PA Jul 24″. Housed in a period carved and gilt wood frame. SIZE: 11″ x 15″. CONDITION: Minor inpainting, very good. 9-95692 (300-500)


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LILLA CABOT PERRY (American, 1848-1933) GIRL WITH BLUE DRESS. Unfinished oil on canvas sketch of a young girl wearing a blue dress walking barefoot on a walkway holding a hat filled with eggs. Signed lower right “L C Perry”. Housed in a modern carved gilt wood frame. SIZE: 14″ x 10″. CONDITION: Very good. 9-95677 (4,000-6,000)


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ALEXANDER KIRCHER (American, 1867-) THE GREAT FALLS AT NIAGARA. Oil on canvas scene shows four men seated and standing in the foreground on rock ledge overlooking the falls at Niagara under a colorful cloud and blue sky. Signed lower left “A Kircher”. Housed in a heavy wide gesso decorated period frame. SIZE: 27-1/2″ x 23-1/2″. CONDITION: One small patch on reverse, the edge is strip lined and attached to a new stretcher. Otherwise very good. 9-95712 (6,000-8,000)


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GUY CARLETON WIGGINS (American, 1883-1962) “WINTER AT THE PLAZA”. Oil on canvasboard scene shows a single horse-drawn carriage with driver waiting by a monument with horse and rider. Five figures are seen walking with a building backdrop. Signed lower right “Guy Wiggins N.A.”. SIZE: 10″ x 14″. CONDITION: Restored with inpainting, good. 9-95678 (6,000-8,000)


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BERNARD COREY (American, 1914-2000) “QUIET PLACE”. Oil on masonite late fall scene shows a stream with rock and tree banks curving through field leading to dense woods. All under light blue and white cloud sky. Signed lower left, titled and signed on reverse. Housed in a fine gilt molded wood frame with linen liner. SIZE: 10″ x 14″. CONDITION: Very good. 9-94078 (1,200-1,800)


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BERNARD COREY (AMERICAN, 1914 – 2000) “JUST BEFORE WINTER”. Oil on Masonite late fall scene shows fields with tree borders leading to connected red barns under dark and light clouded sky. Estate stamped signature lower left and having an estate label on reverse guaranteeing work. Housed in a carved gilt work frame. SIZE: 7″h x 10″w. CONDITION: Very good. 9-95500 (800-1,200)


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BERNARD COREY (American, 1914-2000) “WHEN LIFE WAS SIMPLE”. Oil on linen mounted to masonite scene shows a New England farm with patches of snow under gray skies. The farm has a connected white farmhouse with connected red barn and silo. Signed lower right. Titled and signed on reverse. Housed in a decorative molded wood frame with linen and white matte. SIZE: 10″ x 14″. CONDITION: Very good to excellent. 9-95168 (2,000-3,000)


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BERNARD COREY (American, 1914-2000) “CONNEMARA COTTAGE”. Oil on masonite Irish scene shows a white stucco thatched roof farmhouse with stone walls and flowering bush. A man is seen with a pail approaching the front door. Signed lower right with title and signature on reverse. Housed in a decorative wood frame with linen and white mattes. SIZE: 8-3/4″ x 14″. CONDITION: Very good. 9-95167 (2,500-3,500)


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BERNARD COREY (AMERICAN, 1914 – 2000) “SUMMER VIEW”. Oil on Masonite summer landscape shows trees and a field of flowers under colorful sky. Estate stamped signature lower left. Having an estate label on reverse guaranteeing work. Housed in a fine carved, gilt wood frame. SIZE: 7″h x 9-1/2″w. CONDITION: Very good. 9-95501 (800-1,200)


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BERNARD COREY (American, 1914-2000) “WINTER ON THE LAKE, MILLBURY”. Fine oil on board New England scene shows several connected farmhouses in a winter landscape. All under blue and cloud sky. Signed lower right “Bernard Corey”. Housed in a gold gilt replacement frame stamped “Guido Frame Studio”. Painting has a painted spring landscape scene on reverse which is very nice but unsigned. SIZE: 9″ x 12″. CONDITION: Very good. 9-95518 (1,000-1,500)


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WALTER EMERSON BAUM (American, 1884-1956) COLORFUL LANDSCAPE. Oil on canvasboard scene shows a rock strewn hillside flanked by trees under colorful sky. Signed lower right “W. E. Baum”. Housed in a painted wood frame. SIZE: 12″ X 16″. CONDITION: Very good to excellent. 9-94715 (2,000-3,000)


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MAURICE BRAZIL PRENDERGAST (American, 1858-1924) SUNDAY AFTERNOON. Mixed media (watercolor, gouache) on paper scene shows thirteen figures in an ocean front park area overlooking water with two sailboats and red sun. Three trees frame with scene with shoreline rock ledge. Probably a North Shore, Massachusetts scene. Signed lower right “Prendergast”. Housed in a magnificent gesso decorated gilt frame with title and artist plaque. SIZE: Sight: 14-3/4″ x 19-3/4″. CONDITION: Very good. 9-95432 (30,000-50,000)


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IRVING RAMSEY WILES (American, 1861-1948) BOATS AT DOCK. Oil on canvasboard scene shows two boats, one with sails, moored next to a wood dock in an inlet lined with trees and small buildings. Other boats can be seen along the edge of the water. Signed lower right “Irving R. Wiles”. Housed in a good carved arts & crafts style frame. The back of board having a Winsor & Newton, New York art supply label and the back having a stamp from the Grand Central Art Galleries, Inc., New York, NY. SIZE: 10″ x 14″. CONDITION: Very good. 9-95198 (20,000-30,000)


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EDWARD HENRY POTTHAST (American, 1857-1927) BEACHING THE DORY. Oil on board beach scene shows three men dragging a red and white hulled dory onto dry beach while another with two men go out over a wave. Signed lower right “E Potthast”. Housed in a gilt molded wood frame. SIZE: 11″ x 14″. CONDITION: Very good. 9-95538 (50,000-75,000)


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WILLIAM MERRITT CHASE (American, 1849-1916) BEACH SIDE SHANTY. Watercolor scene shows a small house set in dunes on a beach side landscape under a light yellow and gray sky. Signed bottom right “W M Chase”. Housed in a period gilt frame with gilt liner and matte. SIZE: Sight: 4-3/4″ x 9-1/4″. CONDITION: Watercolor sandwiched and glued between matte and board, water stain to upper right. Otherwise good. 9-95539 (8,000-12,000)


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GEORGE GUSTAV ADOMEIT (American, 1879-1967) THE TRANQUIL INLET. Outstanding oil on board coastal scene shows a narrow inlet having a large boathouse/warehouse with boat beside. A dock in the foreground has supplies and boat beside. A scene reminiscent of the outer sections of Cape Cod or possibly one of the areas along the Massachusetts coast. Signed lower right “Geo. Adomeit”. Housed in a period carved and gilt wood frame with glass front and also having a gilt wood artist plaque. SIZE: 14″ x 20″. CONDITION: Very good. 9-95050 (2,500-3,500)


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ANDERSON TYLER (American, 20th Century) THE BUSY DOCK. Watercolor on board scene shows a dock area with large ships at end and store front buildings lining the large wood dock. Several wagons and many people are seen around the dock. Signed lower right “Anderson Tyler ’36″. Housed in an antique gesso decorated gilt frame. SIZE: Sight: 15-1/2″ x 21″. CONDITION: Very good. 9-95062 (2,000-3,000)


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SANDOR BERNATH (American, 1892-1984) “AFTERNOON GLOW”. Oil on board coastal scene shows a bright sun in a late afternoon scene reflecting on the water. The foreground with coastal rocks and the background having a low hill with coastal buildings. Signed lower right “Sandor Bernath”. Pencil dated and titled on reverse “Tues July 17, 1923 Afternoon Glow”. Housed in a fine gilt molded wood modern frame with wood gilt artist plaque. SIZE: 9″ x 12″. CONDITION: Very good. 9-95039 (1,000-1,500)


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WILLIAM TROST RICHARDS (AMERICAN, 1833 – 1905) FALL TWILIGHT. Unframed oil on canvas landscape shows a lightly wooded area with bush and grass under fading light conditions. Signed lower right “WTR”. SIZE: 11″h x 18-1/2″w. CONDITION: Some minor inpainting otherwise very good. 9-95552 (8,000-12,000)


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ALFRED BRYANT COPELAND (American/French, 1840-1909) ADVENTURE BOUND. Outstanding oil on canvas scene showing five mice led by a mouse holding a walking stick and hat with attached bag. They stop to see a fellow mouse who peers out of a hole in a gourd or loaf that is set on a brick with a green bottle which has been placed on a brick mantle with fireplace chimney behind. Signed lower right “Alfred B Copeland, Paris 1898″. Below is another name which is illegible with a date. Copeland often copied other artist’s work and notated this on his canvases. We assume this is the artist’s name of the work that he copied. Housed in a fine bronze colored modern frame. SIZE: 22-1/4″ x 27-1/4″. CONDITION: Thick varnish layer, tape patches on reverse, restored. Good. 9-95458 (5,000-8,000)


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NELSON NORRIS BICKFORD (AMERICAN, 1846 – 1943) KITTENS IN A HAT. Oval oil on canvas scene shows two white kittens peering out of a black top hat. A pair of gloves and a cigar are set on the table beside. Signed lower left, “N. N. BICKFORD”. Housed in an oval wood frame with gold liner. SIZE: 13″h x 10-1/4″w. CONDITION: Very good. 9-95577 (1,500-2,500)


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AUGUST LAUX (American, 1847-1921) THE PLAYFUL KITTENS. Oil on canvas scene shows three brown and white kittens playing with sewing accessories including a pair of scissors, thread, thimble and basket full of yarn, etc. All set on a tabletop against a brown background. Signed lower right “A Laux”. Housed in a two-tier antique frame liner. SIZE: 10″ x 14″. CONDITION: 1/2″ oval hole with paint loss, some minor scratches, in need of light cleaning and restoration. 9-95100 (800-1,200)


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MAX STANDLEY (AMERICAN, 20TH CENTURY) “HIDDEN WATCHER”. Oil on Masonite realistic scene shows a small rabbit peering out from behind ferns and ivy. Colorful ferns, leaves and grasses elseware. Signed lower left, “M. STANDLEY”. Retaining an original label on reverse with title and date of 1981. Housed in a stained oak frame. Standley is known for his realism and had a one-man show at the R. Michelson Galleries in Amherst Massachusetts in 2002. SIZE: 24″h x 32″w. CONDITION: Very good. 9-95504 (1,000-2,000)


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WILLIAM JACOB HAYS SR. (American, 1830-1875)) “POINTER AND QUAIL, A GOOD RETRIEVE”. Oval oil on canvas sporting scene shows a white and brown dog from the shoulders up holding a recently shot quail in mouth. The background is a field under blue and white cloud sky. Signed lower left lightly which can be seen in strong light. Housed in a gilt wood frame with linen matte having an oval window. The back retaining two Kennedy Galleries labels with painting information. SIZE: 21″ x 17″. CONDITION: Relined with minor inpainting, tight craquelure. Very good. 9-95747 (1,000-1,500)


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SIGNED (American, First half of the 20th Century) THE COURTSHIP. Large oil on canvas wildlife scene shows two female game birds being attracted by a strutting male in a partial snow covered nighttime scene. Signed lower right indistinctly. Housed in a gilt period frame. SIZE: 31″ x 39″. CONDITION: Several areas of scrapes and lost paint, otherwise good. 9-95567 (1,000-1,500)


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MULLER (GERMAN, 19TH CENTURY) CAUGHT IN THE TRAP. Oil on canvas scene shows a red fox caught in a metal spring strap, a raven flies over stump near fox. A dead bird was used as bait. All under a white a gray cloud sky. Signed lower left, “MULLER,MUNCHEN ’79″. housed in a gesso gilt period frame. SIZE: 15-1/4′h x 19-1/4″w. CONDITION: Two small holes, some surface dirt, otherwise very good. 9-95537 (900-1,200)


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FREDERICK MORTIMER LAMB (American, 1861-1936) ON POINT. Watercolor hunting dog scene shows a black and white dog on point while another brown and white dog looks in that direction. They are seen in a field with wooded border. Signed lower right “F M Lamb”. Housed in an antique gesso decorated gilt wood frame behind glass. SIZE: 8″ x 11″. CONDITION: Slight fading to images, otherwise very good. 9-94521 (800-1,200)


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AUGUST VOIGT (German, 19th/20th Century) A BARN FULL. Large oil on canvas barn livestock scene shows eight sheep laying in a hay covered floor with four chickens. Signed lower right “A Voigt”. Housed in a deep gesso decorated gilt frame with gilt liner. SIZE: 18″ x 30″. CONDITION: Two small tears, dirty. Otherwise very good.A 9-95619 (1,000-2,000)


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THOMAS BIGELOW CRAIG (American, 1849-1924) FRIENDS. Oil on canvas landscape scene shows a black cow next to a tan cow walking along a hillside pasture. A farm is seen in the distance under a sunset sky. Signed lower left “Thos. B. Craig A.N.A.”. Housed in a fine reproduction Sanford White influenced frame. SIZE: 9″ x 12″. CONDITION: Very good, some minor inpainting. 9-95483 (1,200-1,600)


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GEORGE BERNIER (American, 1862-1918) “RED PATH: STEEPLE-CHASER”. Oil on canvas portrait of a brown race horse with jockey atop seen in a grass pasture with hedge row fence under blue sky. Housed in a wonderful period gesso decorated frame with artist plaque and title plaque “Red Path Steeple-Chaser App. au Baron ed. Grenier”. Signed lower right “Geo. Bernier”. SIZE: 14-3/4″ x 18-1/4″. CONDITION: Craquelure, center stretcher line evident, some spot inpainting. Otherwise very good. 9-95573 (2,000-3,000)


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J GRANT (English, 19th/20th Century) PORTRAIT OF A RACE HORSE. Outstanding oil on wood panel scene shows a large brown horse with jockey atop on a groomed grass lawn with white rail fence and buildings and trees beyond. Housed in a gesso decorated period frame. Signed lower right and dated “90″. SIZE: 10-1/2″ x 13-3/4″. CONDITION: Very good with some inpainting. 9-95574 (1,500-2,500)


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HORACE BEEVOR LOVE (British, 1800-1838) THE GALLANT STALLION. Oil on canvas horse portrait shows a large brown horse with rider atop dressed in formal riding outfit including white pants, red jacket and black top hat. A landscape scene is the backdrop with a fox hunt with horse, riders and dogs. Signed lower right on log “H B Lo Pinxit 26″. Housed in an old gesso decorated gilt frame. SIZE: 18″ x 21-3/4″. CONDITION: Very good, some scattered inpainting, relined. 9-95318 (5,000-7,000)


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JOHN FRANCIS SARTORIUS (British, 1775-1831) PAIR OF FOX HUNTING SCENES. Oil on panel scenes, one showing five men on horseback being led by a large group of hounds through landscape. The other shows a farmhouse with mother and daughter next to fence with chickens and two men with hoses are seen with large pack of hounds. Both signed lower right “J. Sartorius”. Both identically housed in antique birdseye maple frames with gold liners. SIZE: 11-3/4″ x 15-3/4″. CONDITION: Light green masking varnish, otherwise very good. 9-94352 (800-1,200)


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VALENTINE DAVIS (British, 1854-1930) PAIR OF FOX HUNTING SCENES. Oil on wood panel identically housed in decorative pierce carved gilt frames. Each showing horse and riders following dogs in a summer landscape. Signed lower left. SIZE: 9″ x 12″. CONDITION: Very good. 9-95622 (800-1,200)


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CHRISTOPHE FRATIN (French, 1801-1864) A PAIR OF SETTERS. Fine antique bronze sculpture of two dogs, side by side, one with head and tail up, the other with head and tail down. Both having collars with attached chains. Signed amongst the naturalistic base “Fratin”. Side of the base marked with a round foundry seal “Thiebaut Frere Foundeurs Paris”. Nice dark brown patina. SIZE: 8″ h x 13-1/2″ l x 6″ w. CONDITION: Very good. 9-95296 (3,500-4,500)


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COUNT ARTHUR MARIE GABRIEL DU PASSAGE (French, 1838-1909) SETTER. Fine bronze sculpture of a dog holding a snipe in its mouth standing on a naturalistic rock with vegetation. He holds one paw off the ground in retrieval stance. Signed “Cte du Passage”. Blackish/brown patina on a nice antique bronze. REFERENCE: Full page illustration, page 273 in “Les Animaliers” by Horswell. SIZE: 14-3/4″ h x 16″ l. CONDITION: Very good. 9-95295 (2,500-3,500)


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LOUIS (NATAVEL) VIDAL (French, 1831-1892) THE FALLEN ELK. Fine bronze sculpture of a recently fallen elk who lays on a rocky ground raising its head for one last gasp of air. The head supports a thirteen point rack. The base signed “Vidal (aveugle)” (Vidal the Blind). Vidal had a continuing blindness since youth and often signed his bronzes this way. Mounted to an oval molded edge green and black marble base. Nice old brown patina. A fine example of this 19th Century bronze. SIZE: Bronze: 9-1/2″ h x 13″ l. With base: 11-1/2″ h x 15-1/2″ l x 7-1/2″ w. CONDITION: Very good. 9-95287 (1,000-2,000)


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FIGURAL BRONZE BEAR INKWELL. Well sculpted bronze seated bear with a hinged neck to reveal ink reservoir. 19th/20th Century. SIZE: 4-1/2″ h x 5″ l. CONDITION: Generally very good, does not have glass liner but brass insert present. 9-95288 (800-1,200)


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SIGNED (Russian) CAST IRON SCULPTURE OF A BUFFALO. The large black painted cast iron figure shows a standing buffalo with head up and tail bent down against a tree trunk and naturalistic base. Signed in the base in Cyrillic and dated “97″. This large and interesting sculpture is made in two parts. The buffalo attached to the base in six bolted areas. Under the base are two signature areas in Cyrillic and dated “1975″ “CCCP”. Our understanding is that one of the marks indicates the work is by one of the Bah family and the foundry to be the Kaslinski Foundry Works. In the research for this sculpture we have been told that the first of these iron animal figures were made in the 19th Century by Robert Romanovich Bah along with Nikolay Romanovich Bah (the father) who was most known for his statues of animals of which the buffalo is considered the best one. Research indicates that there was an edition of 30 and were collected by the hierarchy of Russian society. There is speculation that the buffalo itself in this sculpture is older and possibly 19th Century which has been attached to a newer base. One of the ways that this would be possible is if a figure was found in the Kaslinski Foundry and never mounted on a base in the 19th Century. The buffalo’s finish is referred to as “the old Kuzbaski finish” which was not used after 1890. Though we cannot confirm the above the information it was provided in Russian from a knowledgeable collector of these statues. SIZE: 15″ h x 22″ l x 10″ w. PROVENANCE: From a South Carolina home. CONDITION: Finish shows small rust spots, generally in very good condition. 9-95305 (4,000-6,000)


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NIKOLAI IVANOVICH LIBERICH (Russian, 1828-1883) “SIBERIAN GRISSLY”. Outstanding bronze sculpture of a standing bear with paws extended and mouth open. He stands over a fallen tree. Signed in Cyrillic and has a side inscription in Cyrillic and dated “1865″. We are unsure of the casting date but mounted to a more modern molded edge wood plinth. SIZE: Bronze: 21″ h; 22-1/2″ with plinth. PROVENANCE: From a private Rangley, Maine home. CONDITION: Very good. Wood plinth has separation crack. 9-95009 (3,000-5,000)


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FOREST HART (American, Last quarter of the 20th Century) “THE DOMINANT ONE”. This bronze figure of a moose is a 1998 limited edition of 18, depicting a nine-year-old bull in his prime, “the ruler of his domain”. Mounted on a free-form bronze earthy base and signed thereon in script “Forest Hart 1/18 copyright 1998″. Further mounted on a rectangular polished black stone plinth. Affixed with brass plaque printed “THE DOMINANT ONE / Forest Hart – Sculptor”. Literature: Wildlife in Bronze by Forest Hart, 2005 catalog, see p. 62. SIZE: 27-1/4″ h. of statue. 28″ overall h. x 30″ overall l. CONDITION: Statue in very fine original condition. 9-95321 (1,500-2,500)


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UNSIGNED (20th Century) THE MAJESTIC LION. Silvered bronze/brass figure of a standing male lion in an art deco type style with swirling mane and uplifted head. It stands atop a rectangular attached plinth. SIZE: 18″ h x 20″ l. CONDITION: Generally very good. 9-90888 (1,000-2,000)


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RAYMOND (CARL RAYMOND) JONSON (American, 1891-1982) COLORFUL SQUARES. Oil on canvas abstract shows yellow, green, black, blue and red broken squares against a light yellow background. Signed lower left “Jonson 58″. Housed in a modern flat black frame. SIZE: 40″ x 32″. CONDITION: Surface grime, otherwise good. 9-95681 (8,000-10,000)


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THOMAS ALBERT SILLS (American, 1914-2000) “BLUE JAY”. Modern abstract oil? shows a stylized bluejay on a branch with the yellow sun background against a blue sky. Similar to an enamel like process. Signed lower right “T Sills”. Housed in a modern gold edged frame. SIZE: 15-1/4″ x 12″. CONDITION: Very good. 9-95683 (600-800)


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JOHN MILLARD FERREN (American/French, 1905-1970) SAILBOATS. Oil on canvas mounted on cardboard abstract modernist scene shows what appears to be a line of sailboats in geometric patterns. Signed lower right “Ferren”. Housed in a silver gilt carved wood frame. SIZE: 17″ x 22″. CONDITION: Very good. 9-95714 (4,000-6,000)


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ELLA PHILLMORE LILLIE (American, 1884-1972) “THE FAMILY’S FARM ENTERPRISE”. Large oil on canvas southern scene shows a large family gathered outside their shanty, each involved in some activity. A woman tends to a cooking pot, a man smokes a cigar on the porch, a woman washes clothes, a child riding a pig pulling its tail, a woman beats clothes and livestock are scattered in the scene including pigs and chickens. Signed lower right. Signed and titled on reverse of canvas. Housed in a white painted molded wood frame. A partial label is in corner of stretcher which is illegible. SIZE: 28″ x 36″. CONDITION: Very good. 9-95684 (6,000-8,000)


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DON MCILVAINE (American, 1930-2005) THREE WOMEN. Oil on masonite half portrait of three African American women. They each have different colored dresses and head scarves. Signed lower right “Don McIlvaine 8/70″. Housed in a brown stained wood frame. SIZE: 33″ x 26″. CONDITION: Right hand very top corner is missing, board is warped, otherwise good. 9-95702 (6,000-8,000)


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JAMES AMOS PORTER (American, 1905-1970) PORTRAIT OF A YOUNG MAN. Watercolor on paper shows a shoulder length portrait of a young African-American male with white shirt. Signed lower right “J A Porter”. Free mounted in a modern gilt wood frame with wide matte and inner gilt liner. SIZE: 13″ x 11-1/4″. CONDITION: Very good. 9-95703 (2,000-3,000)


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MILTON JAMES BURNS (American, 1853-1933) SIX ILLUSTRATIONS WWI. Six unframed monochromatic illustrations for what probably is one magazine or newspaper story involving the coal loading of ships. Each numbered (1 thru 6). 1) 7″ x 5-1/2″ titled “Signalling by hand-flag for coal”. 2) 9-1/4″ x 6″ titled “Coalers Signalling to Fleet”. 3) 9-1/4″ x 6″ titled “on Guard”. 4) 7″ x 10″ titled “Receiving coal at night”. 5) 10″ x 14″ titled Transferring Coal to Yawls from Tender for Warship”. Also inscribed on back is “Coal for the Fleet, six drawings to be returned to M. J. Burns, Millington, NJ”. 6) 7″ x 10″ titled “Cruiser Coaling and Ironclad at Sea”. SIZE: As noted above. CONDITION: Generally very good with some nicks at edges, #4, 5 & 6 are signed “Burns”. Other three are not signed. 9-95159 (1,500-2,500)


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HARRISON BIRD BROWN (American, 1831-1915) THE COAST OF MAINE. Large oil on canvas coastal scene shows green white tipped waves crashing onto seaside cliffs. Housed in a magnificent gilt gesso decorated frame with gilt liner having an artist plaque. SIZE: 26″ x 48″. CONDITION: Relined, very good with inpainting. 9-95752 (7,000-9,000)


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MILTON JAMES BURNS (American, 1853-1933) TWO ILLUSTRATIONS. Both monochromatic and signed lower left “Burns 99″. 1) Scene shows a winter campsite with teepee, a reindeer pulled sled with man, a man with cradled baby, a hunter with skies and bird in a clearing. 2) The North Cape showing a ship rounding the steep cliffs with high surf. The unframed works being laid on light cardboard with old mattes. SIZE: 1) 11″ x 16-3/4″. 2) 11-1/2″ x 16-3/4″. CONDITION: Edges are “as is”. Left top corner of #2 sliced. 9-95160 (800-1,200)


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JESSIE WILCOX SMITH (American, 1863-1935) ORIGINAL POSTER ART “SAVE YOUR PENNIES AND FEED THE STARVING CHILDREN OF BELGIUM”. Oil/gouache on heavy paper scene shows a boy and a girl in blue outfits slicing large loafs of bread and handing them out to a long procession of needy children which disappear into the clouds which support the title. Signed lower left “Jessie Wilcox Smith”. Housed in a modern gilt molded wood frame with white matte. A wonderful example of Smith’s work including her favorite subject, children. It was at the time of WWI artist’s were asked to contribute and this example exemplifies their effort. SIZE: Sight: 29″ x 21-1/2″. CONDITION: There is an open split 12″ long from left to center halfway horizontal which is restorable, otherwise very good. 9-95438 (20,000-30,000)


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EDWARD JOSEPH DREANY (Canadian, 1908-) ILLUSTRATION FOR “UP THE COLUMBIA FOR FURS”. Unframed oil on board illustration for the book “Up the Columbia for Furs” by Cecil Dryden, Published 1949, page 188. The caption “On their return they killed not only some of the enemy but two of Kittson’s men”. The scene shows two Indian braves attacking two men in a woodland setting. Signed lower right “E Joseph Dreany”. SIZE: Total: 24-3/4″ x 20″. Sight: 23-3/4″ x 18-1/4″. CONDITION: Line scrapes to left side, otherwise good. 9-95722 (500-1,000)


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ABRAM LOEB (American, First half of the 20th Century) FOUR PIECE MURAL. Abram Loeb headed the art division of Old Mr. Boston Distillery in Boston, Massachusetts. He was responsible for all illustrative works dealing with the company and was under their hire. This mural descended through the owner’s family. The works are unsigned and may or may not have been used in the distilleries promotional campaign. The mural has been divided into four panels and housed in simple stained wood frames. The following oil on canvas laid on fiberboard panels are described left to right in the mural 1)17-1/2″ x 58″ panel shows a large farm with haystacks and man filling a hay wagon. Left side depicting two men, one teaching a sporting dog within a scroll border. 2) 17-1/2″ x 68-1/2″ shows the farm with farmer next to haystacks looking to a stagecoach with people and four horse team. 3) 17-1/2″ x 74-1/4″ shows a group of fox hunters on horses returning to the tavern where they are being presented with mugs of beer. A landscape scene is seen in the background with a large house. 4) 17-1/2″ x 91-1/2″ completes the mural having a fox hunting scene with dogs, horses and men. A landscape with trees and water. Ending in a tavern scene with men at table with steins within a scroll border. These panels would be a wonderful decorative element in any pub, tavern, home or hunting clubs meeting room. SIZE: 24+ foot total PROVENANCE: From a fine coastal Maine home. CONDITION: Panels: 1) with some minor scrapes; 2) Very good. 3) Very good. 4) Several areas of scrapes and chipped paint. The panels have not been cleaned and in need of cleaning and with some minor restoration would be put back to original condition. 9-92949 (3,000-5,000)


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SEARS GALLAGHER (American, 1869-1955) BENJAMIN FRANKLIN “REMEMBER THAT TIME IS MONEY”. Watercolor scene shows a portrait of Franklin with black hat and red shirt, church in background. Signed lower left. Housed in a gilt molded wood frame. Inscribed on back and dated 1949. SIZE: Sight: 17″ h x 13″ w. CONDITION: Very good to excellent. 9-95121 (1,000-2,000)


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CHARLES B. ROSS (American, 1878-1933) WE THREE KINGS. Oil on board scene shows the three kings atop camels proceeding down a road to a walled city with a domed building with light above. Signed lower left. Housed in a fine carved wood gilt ribbed frame with wide gold liner and front glass. SIZE: Sight: 7-1/2″ x 5-1/4″. CONDITION: Very good. 9-95407 (800-1,200)


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SMALL GROUP OF ORIGINAL ILLUSTRATIVE WORKS. Lot includes 1) Watercolor illustration for the Sunday Examiner Vol. LXVII, No. 31, July 31st, 1898. Scene shows flags with a woman at spinning wheel and man beside. Signed “H. W. Hansen (Herman Wendelborg Hansen, 1854 – 1924). Titled bottom right “Donnybrook Fair Ground”. Matted. Sight size: 19-1/2″ x 15-1/2″. 2) Unsigned watercolor, possibly by H. W. Hansen. Illustration for the Sunday Examiner Vol. LXVI, May 15, 1898 No. 135″. Scene shows Columbus with Native American, Lady Liberty and U.S. Seal with eagle. Matted. Sight Size: 19-1/2″ x 16″. 3) Original ink drawing for a Sunday newspaper insert. Thirteen U.S. Soldier paper cutouts depicting soldiers with guns and flag in different poses. These show folding lines so they can be set up on a table or floor. Signed with initials. Sight size: 12″ x 20″. 4) Unsigned ink illustration of man in armor on horseback with flag. Matted. Sight size: 11-1/4″ x 12″. 5) 12-1/2″ x 16-1/2″ colored print of New York City “No. 113- bei Winckelmann & Sohne in Berlin”, mounted to cardboard, appears to be mid 19th Century. 6) 18-1/2″ x 8-1/2″ oil on artist board western scene, unsigned with men and pack horse in mountain landscape. Along with five western prints and six prints of ships at sea by J. O. H. Cosgrave II. All unframed by Penn Prints, NY. Overall size is 14-1/4″ x 18″. Also, three small etchings by Jeanette Maxfield Lewis (“Looking Through”, “In Port”, “Fish Stalls”. SIZE: As noted above. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Generally very good. 9-94882 (500-1,000)


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Revised: 2/5/2009

Additional Information: We are not guaranteeing that this painting is by George Caleb Bingham. Also, the Smithsonian lists indicates Hirschl & Adler owned this at one time. Hirschl & Adler advised us that they did not own it, it was on consignment.

GEORGE CALEB BINGHAM (American, 1811-1879) WESTERN LANDSCAPE. Outstanding recent rediscovery oil on canvas panoramic landscape showing what is believed to be Pike’s Peak in the background. Foreground having a group of people led by a Native American with spear and shield. There are ten figures in all and they stand next to the river on a grassy bank dotted with large trees. A large tree is on the right side with colorful ground cover at bottom near the water. Light cascades in from the left lighting the mountain in a rose glow. Signed lower right “G C Bingham 71″. An outstanding example of this American artist. Housed in a fine decorated gilt wood replacement frame. REFERENCE: Smithsonian Inventory of Art, Control Number IAP 71930309. SIZE: 34-1/2″ x 27-1/4″. CONDITION: Very good, relined with inpainting. 9-95512 WAG (40,000-60,000)


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THOMAS HILL (American, 1829-1908) “PRESIDIO, EARLY CALIFORNIA”. Oil on board coastal view shows a section of the San Francisco area having a C-shaped bay area with sandy beach. Several large ships are moored with one at dock. Many red roof buildings are seen in rows and one area circling a parade area flying flag. The foreground hillside having a tent encampment with men and some houses. The background having an extended coastline with bay areas and mountains. A label from Maxwell Galleries, San Francisco is attached to the back with title and artist. Painting is signed lower right “T. Hill”. Housed in a gilt molded wood frame. A wonderful historic scene of the California coast. SIZE: 15″ x 22″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good. 9-94801 (30,000-50,000)


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EDWIN DEAKIN (American, 1838-1923) “NO. 104 SIERRA LAKE”. Fine oil on canvas western scene shows a large mountain range partially covered in snow with tall waterfall emptying into a lake. The foreground having a Native American woman near campfire. She has a backpack cradle with child on her back. The campfire is on the edge of a rocky tall tree shoreline. Signed lower right “Edwin Deakin 1879″. Housed in a decorative carved wood replacement frame. Attached to reverse of stretcher is a Maxwell Galleries San Francisco label with artist and title. SIZE: 36″ x 24″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Relined, some inpainting. Very good. 9-94800 (10,000-20,000)


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WILLIAM KEITH (American, 1838-1911) WESTERN LANDSCAPE. Oil on canvas western landscape scene shows a lake nestled with surrounding mountains. The foreground is rocky ledges with small stream. The background with distant mountains under white, gray, cloud and blue sky. Signed lower right “W Keith”. On reverse of frame is a San Francisco Museum of Art label indicating this was lent in 1938 by Mr. & Mrs. A. L. Johnston Jr. for the William Keith Exhibition. Housed in a magnificent period and probably original frame. SIZE: 18″ x 22″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Craquelure, 9-94821 (10,000-15,000)


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RALPH ALBERT BLAKELOCK (American, 1847-1919) INDIAN CAMP. Oil on wood panel landscape scene shows a teepee with figure in red beside in a clearing in front of woods. Housed in a flower decorated gesso gilt frame with linen liner. Back having a University of Nebraska Blakelock inventory tag “No. 1621 Cat.2″. Signed lower left “R A Blakelock”. SIZE: 5-3/4″ x 10″. PROVENANCE: Estate of Laurence Kramer, Chapel Hill, North Carolina. CONDITION: Very good with minor inpainting along frame edges. 9-95105 (5,000-7,000)


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RICHARD H. TALLANT (American, 1853-1935) “LAKE PHOEBE, UTAH”. Oil on canvas western landscape scene shows a calm lake surrounded by hills with trees and rocks reflecting in water and a large mountain backdrop. Blue and cloud sky. Signed bottom right “Tallant 94″. Housed in a fine gesso decorated pierced frame with gilt liner. Pencil title to reverse of stretcher. SIZE: 25″ x 30″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good. 9-94820 (3,000-4,000)


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JUAN BUCKINGHAM WANDESFORDE (American, 1817-1902) THE TRAPPERS FIRE. Outstanding oil on canvas western scene shows two men around a campfire, their guns resting on the rocks. They have found a clearing next to a lake with tall mountains, tall trees and colorful sunset sky from blue to pink to yellow. Signed lower right “Wandesforde”. Housed in a period gesso decorated lemon gold frame. Wandesforde became a resident artist in San Francisco in 1862 and resided in Hayward, CA until his death in 1902. This could be a scene of Clear Lake, California which he frequented often. He was the co-founder and first president of the San Francisco Art Association. SIZE: 16″ x 24″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Small hole in tree, consolidated paint causing cracking lines, good. 9-94807 (2,000-4,000)


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ERNEST ETIENNE NARJOT (American, 1826-1898) “COL. J. C. CREMONY LEADING A FIGHT AGAINST APACHES”. Large oil on canvas panoramic battle scene shows Civil War Union soldiers confronting a band of Native Americans. In the foreground is Col. J.C. Cremony thrusting his rifle with bayonet over his head down at a fallen Indian. Several Union soldiers on foot and on horseback are seen firing guns and attacking. In the background is a cavalry charge against a group of Indians on horseback. The scene is shown under gray and white clouds and probably depicts a scene of the fight of the reoccupation of Arizona. On reverse of backboard is a Kennedy Galleries label as well as a Scottsdale Art Auction label. Housed in a fine gilt carved wood replacement frame with linen liner. SIZE: 32-3/4″ x 52-1/2″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Relined, restored with areas of restoration have been lightly colored and can be seen in the sky. Otherwise very good. 9-94802 (10,000-20,000)


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JOHN FERY (American, 1859-1934) WESTERN LANDSCAPE. Oil on board scene overlooking a small water area with tall mountains peaks in the background under blue sky. Signed lower right “J Fery”. Housed in what may be its original period frame. SIZE: 6″ x 9-1/2″. CONDITION: Very good. 9-95313 (2,000-3,000)


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ALBERT BIERSTADT (AMERICAN, 1830 – 1902) MOUNTAIN STUDY. oil on unstretched canvas landscape scene shows two converging mountains under blue sky. Unsigned. Housed in a period frame which is as is. SIZE: 6-1/4″h x 10-1/4″w. CONDITION: Wax lining. Tears and crackalure. 9-95576 (1,500-2,000)


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UNSIGNED (American, 19th Century) SUTTER’S MILL. Oil on canvas scene depicting Sutter’s Mill with all its buildings, mine shafts and goings on. The scene shows an artist painting, two wagon and horse teams, cattle barns, water pump and a man ringing a large bell. Housed in an antique birdseye maple ogee frame. The back having a New York Williams, Stevens, Williams canvas stamp. SIZE: 16″ x 18″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Minor spot inpainting, very good. 9-94808 (1,000-1,500)


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SIGNED (American, 19th Century) WESTERN LANDSCAPE. Oil on canvas scene shows a waterfall off rock ledge feeding to a river with rock and tree lined banks. A figure walks along the sandy bank of the river on the left edge. The background having tall mountains, one mountain peak obscured by a cloud under blue sky. Signed illegibly but clearly dated “1878″. Housed in a gesso decorated frame. SIZE: 16-3/4″ x 13-1/2″. CONDITION: Very good, relined. 9-95396 (800-1,200)


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M. R. (American, 19th Century) WESTERN LANDSCAPE WITH NATIVE AMERICANS. Oil on canvas landscape scene shows a man on horseback with Native American woman and daughter. They walk along a dirt path between large trees with mountains in the background. Initialed “M. R.” and dated “84″. Housed in a modern gesso decorated gilt frame with brown velvet liner. Schussler Bros., San Francisco canvas stamp on reverse of canvas. SIZE: 29-1/2″ x 13-1/2″. PROVENANCE: The Geraldine B. Gaba Trust of Scottsdale, AZ. CONDITION: Discolored varnish with some old spot repairs which need attention. 9-94814 (500-1,000)


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EDWARD WILSON CURRIER (American, 1857-1918) CALIFORNIA LIGHTHOUSE STATION. Oil on artist board scene shows a coastline with low beach area with sand dunes having a series of buildings and what appears to be a lighthouse in construction. Another building is separated closer to the water and in between is a flagpole flying American flag. Waves lap onto the sandy beach area and the horizon appears to have a mountain shoreline. Signed lower right “E. W Currier”. Housed in its original gesso decorated frame. SIZE: 14″ x 20″. CONDITION: Extremely dirty, otherwise very good. It is our belief that this painting will clean up extremely well. 9-95718 (1,000-2,000)


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UNSIGNED (American, 19th Century) “BRIG TOWED OUT GOLDEN GATE BY A STEAM TUG ON THE SAN FRANCISCO BAY”. Oil on canvas California coastal scene shows a mountain lined bay with Alcatraz island having fort, lighthouse and buildings with American flag. A three-mast ship is being towed by a small tug and a small fishing boat with mooring buoy is seen in the foreground. A two-mast sailboat is sailing left to right in front of island. All under a beautiful sunset sky shaded from blue to yellow with pink highlighted clouds. A modern label with title affixed to reverse. Also a penned inscription “James Leonard Collection”. Housed in a gilt replacement frame. SIZE: 23″ x 30-1/2″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good, relined, professionally restored. 9-94805 (2,000-4,000)


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UNSIGNED (American, 19th Century) “ALCATRAZ ISLAND-SAN FRANCISCO BAY, CALIFORNIA”. Primitive light oil/gouache on canvas scene shows Alcatraz Island with its numerous buildings and fort with lighthouse at one end. Several sails are seen on a blue wavy ocean. Housed in an antique gilt ripple decorated frame. The back having an older label which identifies the seen. SIZE: 19-3/4″ x 30″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Good. 9-94806 (1,000-2,000)


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ALBERT BIERSTADT (American, 1830-1902) “GUERRILLA WARFARE”. Oil on canvas landscape scene shows seven Union soldiers firing on a group of men next to house in valley. The soldiers hide behind a wood fence and bushes under a large tree. Signed with artist monogram lower right “AB”. Housed in a fine period gesso decorated gilt frame with new liner. “During the Civil War, Albert Bierstadt painted works other than landscapes. In October, 1862 Bierstadt received a five day pass to observe Union troops. For the next two years, Bierstadt painted several paintings of war scenes. In 1862 Bierstadt painted “Guerrilla Warfare” (Union Sharpshooters firing on Confederates)”. This painting appears to be a rendition of the finished copy which is listed in Hendricks. There are a few minor detailed differences which are evident. SIZE: 24-1/2″ x 30-1/2″. PROVENANCE: Red Baron, June 2004. A letter from Red Baron antiques to our consignor indicates that the painting was in the hands of Bob Bowers whose grandfather had bought it directly from the Estate of Albert Bierstadt while he was in New York City in the early years of the 20th Century. CONDITION: Very good. Restretched on new stretcher, possibly remounted on newer canvas. 9-94916 (30,000-50,000)


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FIFTEEN BOOKS ON WEST COAST ART AND ARTISTS. Keith Old Master of California by Brother Cornelius Vols. 1 & 2; William Keith by Eugene Neuhaus; California Mission Paintings by Edwin Deakin; Thomas Moran Artist of the Mountains by Thurman Wilkins; Thomas Hill The Grand View by Marjorie Dakin Arkelian; California Pictorial by Norstrand & Coulter; The First Hundred Years of Painting in California by Nortstrand; Plein Air Painters of California the North by Ruth Willy Westphal; The Wonderful City of Carrie Van Wie; Artist’s of the Old West by John C. Ewers; Master Works of California Impressionism; California’s Western Heritage exhibition catalog; Selected California Paintings Butterfield & Butterfield catalog; Albert Bierstadt by Hendricks. CONDITION: Generally very good. 9-94883-3 (250-400)


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DUCHOISELLE (French) INDIAN BRAVE. Bronze figure of a Native American lying on the ground clutching a bow. Signed on the top “Duchoiselle”. Nice dark brown bronze patina. SIZE: 6-3/4″ h x 17″ l x 6″ w. CONDITION: Very good. 9-95511 (900-1,200)


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JEAN JULES SALMSON (French, 1823-1902) SPELTER FIGURE OF AN INDIAN. Statue of a standing man with Native costume including headdress and shield. He carries a weapon behind him with handle which is broken and hold his arm up which most likely held a spear which is not present. Probably a South American Indian. Attached to a turned black painted wood base. marked “Salmson” on base. SIZE: 25-1/2″ h including base. CONDITION: As noted above, otherwise good. 9-95515 (600-900)


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OLYMPO BRINDESI (American, 1897-1965) BUST OF AN INDIAN BRAVE. Outstanding large bronze shoulder bust of a Native American brave. His hair in braids and he looks sternly to his right. Bust mounted to a marble rectangular plinth and is inscribed on reverse “Olympo Brindesi May 28 1920 N.Y”. SIZE: Bronze is 16-1/2″ h x 16-1/2″ w. Plinth 3″ h. CONDITION: Very good. 9-93769 (1,500-2,500)


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UNSIGNED (French, 19th Century) A FRONTIERSMAN. Bronze sculpture of a man seated on a naturalistic setting holding a rifle and cocking the gun. He wears a punch decorated leather hat over his long hair and over his shoulder is a bag with recently shot bird. Brown patina. SIZE: 10″ h x 7-1/2″ l x 5″ d. CONDITION: Very good. 9-95298 (500-1,000)


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NELSON BOREN (American, 1952-) “WRESTLING WITH MY SADDLE”. Outstanding large watercolor shows a cowboy wearing a U S Flag style shirt and leather chaps with grayish/black hat. He bends over and grasping onto his saddle. Signed lower right. Housed in a molded wood frame with wide linen matte having a gilt liner. This accomplished western artist is represented in the Whitney Museum of Western Art in Cody, WY amongst others and considered one of the finer contemporary western artists of the times. SIZE: 30″ x 44″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95337 (10,000-15,000)


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DAN MIEDUCH (American, 1947-) “ALMOST QUITTIN’ TIME”. Outstanding oil on masonite western scene shows a cowboy atop a horse holding the reins and a rope. He crosses a shallow river next to four other horses, all traveling left to right. The horses are reflected in calm water with light cascading from the left. Signed lower right and dated “1999″. Housed in a fine weathered wood and gilt frame. An outstanding work by this western artist. SIZE: 18″ x 27″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95345 (8,000-12,000)


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FRANK C. MCCARTHY (American, 1924-2002) “HOSTILES AT BEAR WALLOW”. Outstanding oil on canvas western scene shows three Indian braves, two atop brown horses, one kneeling on a rock ledge next to a white horse. One holds a rifle, the other two with spears and appear to be tracking. All is seen against a barren rock ledge with small water flow with trees and mountain landscape beyond. Signed lower left. Housed in a magnificent decorated gilt frame with gilt liner. On reverse is a Legacy Gallery label, Scottsdale-Jackson Hole. Though not a native of the west, his art represents some of the finest western art in contemporary times. A fine example from this artist. SIZE: 24″ x 14″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95341 (5,000-10,000)


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OLEG STAVROWSKY (American, 1927-) “TEAMWORK”. Outstanding large oil on canvas western scene shows two cowboys atop horses on the range roping steer against a green grass background and having several cattle present. The artist has painted the seen from a high vantage point looking down at the two ropers. Signed lower left. Also titled and signed on reverse. Housed in a gilt carved wood wide frame. An accomplished illustrative artist, Stavrowsky changed to western art after being influenced by a trip to Oklahoma City and the Cowboy Hall of Fame. SIZE: 60″ x 40″. Overall: 68″ x 48″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95347 (5,000-10,000)


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WILLIAM CLINTON SCHENCK (American, 1947-) “BUTCH HATED TO CUT HIS STAY IN JACKSON HOLE SO SHORT”. Large oil on canvas western scene shows a cowboy riding atop a brown and white horse in full gallop. The man looks back with six-shooter in hand cocked at the ready. The background is tall majestic mountains under bright blue skies. Signed lower right “Schenck” and dated “97″. Housed in a modern deep blue painted wood frame. Attached to reverse are three labels including Vanier Galleries, Scottsdale Arizona. Titled and dated on reverse also. SIZE: 45″ x 58″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95338 (4,000-6,000)


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HOWARD ROGERS (American, 1932-) “ROCK CREEK CROSSING”. Fine oil on canvas western scene shows a cowboy with blue shirt and red scarf atop a brown horse with white face proceeding down a stream bed with pack horse beside. The background shows a forested ravine. Signed lower right. Housed in a carved weathered wood frame with gilt edge and white linen liner. Back having a Legacy Gallery label, Scottsdale-Jackson Hole. SIZE: 24″ x 18″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95346 (3,000-5,000)


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JOHN FAWCETT (American, 1952-) “SPLASH”. Outstanding oil on canvasboard western scene shows a cowboy in a long golden trail coat with black hat atop a brown horse. They cross a shallow river with a landscape background. Light shines from the right side and they are reflected in the calm water. Signed lower left “Fawcett”. Housed in a weathered wood frame with gold liner. Fawcett, a Veterinarian by profession, turned to art full time later in his life due to his fascination of how animals and people interact, predominantly in the western theme. SIZE: 12″ x 18″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95356 (3,000-5,000)


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MEHL LAWSON (American, 1942-) “DIAMONDS AND DENIM”. Outstanding large bronze depicting a standing cowgirl next to her saddle and rope. She stands with lariat over shoulders wearing leather boots, fringed chaps and wide brim hat. Brown patina. Signed on base of bronze “Mehl Lawson CA 94″, also with title and “AP/5″. Mounted on a walnut molded edge wood plinth with brass plaque. Mehl Lawson is considered one of the most successful contemporary sculptors on the western scene today. SIZE: Bronze: 33″ h x 16″ dia at base. Overall with base 35″ h x 19″ dia. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95348 (5,000-8,000)


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MEHL LAWSON (American, 1942-) “DIAMOND IN THE ROUGH”. Contemporary bronze sculpture shows cowboy wearing hat and chaps breaking in a stallion for use on the range. The stallion is shown rearing up with the cowboy hanging on with one hand. The bronze is in a light brown patina and is signed in the sculpture “Mehl Lawson CA”, numbered “7/35″ and titled. The bronze is mounted to a walnut round wood plinth. Mehl Lawson is considered one of the most successful contemporary sculptors on the western scene today. SIZE: Bronze is 19″ h x 12″ at widest. Overall is 20″ h. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95350 (4,000-6,000)


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GREG KELSEY (American, 1971-) “GET OFF MY BACK”. Large bronze sculpture shows a bronco buster atop a stallion on a wild ride. One arm is outstretched with hat while the other holds the reins for dear life. The stallion is set atop a naturalistic high mount which is attached to a round marble disc which is part of a rotating two-part walnut base having brass plaque. Brown patina. Inscribed on the back of the bronze “Gregory Kelsey 2001 11/25″. Kelsey was raised in the southwest in a ranching family and turned to sculpture and art shortly after attending art school. SIZE: Bronze including marble: 29-1/2″ h; With wood base 33″ h x 16″ at widest. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95349 (4,000-6,000)


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CARL CILIAX (American, 20th/21st Century) “RASCAL”. Bronze figure of a standing horse outfitted with saddle and accessories. The head is turned to the right and the tail downsweeping. Greenish/brown patina. Inscribed on the base is the artist’s monogram and “3/15″. Mounted to a molded edge oval walnut plinth with brass plaque. Ciliax, a western native, known for his realistic sculpture of western motifs and animals. SIZE: 12″ h x 13″ l. Overall with base 14″ h x 14″ l. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95351 (800-1,200)


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CHARLES SCHRIDDE (American, 1926-) “THE ROPER”. Outstanding large oil on canvas rodeo scene shows a man in blue jeans and white striped red shirt lassoing a calf just dismounting his horse and preparing the take down of the calf and the roping of its legs. He is seen in mid air as the horse stops. He holds the reins and has the rope in his mouth. A blue sky background, a yellow fence and figures behind. Signed lower right. Housed in a fine antique style stained wood frame with inner linen and gilt liner. Reference: Illustrated in a full page color illustration on page 56 of Charles Schridde, Western Impressionism. The caption states that this was a commissioned piece and in a private collection. This outstanding work exemplifies Schridde’s illustrative prowess and knowledge of the rodeo action. SIZE: 30″ x 40″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95339 (2,500-4,000)


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CHARLES SCHRIDDE (American, 1926-) “WILD THANG”. Large oil on canvas rodeo scene shows a bronco buster in the midst of his performance. The cowboy, with blue jeans, red jacket and white hat is being bucked by an aggressive stallion. The image is given movement by the swirling yellow background and dust being kicked up by the horse. The view of this bareback ride is seen from above and the background strokes influenced by Van Gogh’s painting. Signed lower left. Housed in a stained wood frame with linen and gilt wood liner. Reference: Illustrated accross two pages in the front of the book of Charles Schridde, Western Impressionism and also on a single page, page 26. Noted to be in the Collection of Chris Witteveld. A copy of this book accompanies this work. This outstanding work exemplifies Schridde’s illustrative prowess and knowledge of the rodeo action. SIZE: 29″ x 39″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95340 (2,500-4,000)


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JASON RICH (American, 1971-) “BRINGIN’ IN THE HERD”. Oil on masonite western scene shows a cowboy wearing a blue shirt and brown hat on a brown and white horse. He is within a corral with livestock in foreground. Background has green rolling hills leading to a blue mountain. Signed lower left “J Rich”. Titled on reverse and dated “2001″. Housed in an outstanding naturalistic weathered wood frame with gold molded wood liner. Jason Rich is a contemporary western artist who is known for his ability to light objects without losing contrast which is exemplified in this work. SIZE: 18″ x 24″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95355 (2,500-4,000)


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JASON RICH (American, 1971-) “DUSK MASK”. Oil on masonite western ranch scene shows a cowboy with red scarf over his mouth and nose wearing a hat and light blue outfit atop a brown horse working in a corral with cattle. Light shines from the left side. Signed lower right “J Rich”. Titled and dated “2000″ on reverse. Housed in a fine carved wood gilt frame, stamped “America West Frames, Flagstaff, AZ”. Meyer Gallery label on reverse. Jason Rich is a contemporary western artist who is known for his ability to light objects without losing contrast which is exemplified in this work. SIZE: 14″ x 11″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95343 (1,500-2,500)


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GEORGE DEE SMITH (American, 1944-) “PACK OUTFIT ON HEARTBREAK RIDGE”. Fabulous oil on masonite western mountain scene shows a cowboy atop a brown horse leading two pack horses up a steep mountain covered in snow. The background is a snow covered tall peaked mountain. Signed lower right. Titled, dated “2000″ and signed on reverse. Housed in a fine modern partial gilt molded wood frame. Back having a label from the Legacy Gallery, Scottsdale-Jackson Hole. Born and living in Cody, Wyoming, George Smith is known for his western wilderness scenes, reflecting his love of the mountains and their inhabitants. SIZE: 20″ x 10″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95342 (2,000-4,000)


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DAVID YORKE (American, 20th/21st Century) “THE HUNTED”. Oil on wood panel portrait of a Native American wearing a Union blue jacket with bow and arrow in hands. His face is painted and he holds an arrow in his mouth. A fur lined quiver rests off his back and three vultures fly in a gray sky. Signed lower left and dated “2004″. Housed in a modern gilt frame with gilt liner. The frame having a Trailside Galleries, Jackson, Wyoming label. This artist is best known for his Native American portraiture of which this is a fine example. SIZE: 20″ x 30″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95352 (2,000-3,000)


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CHRISTINE PICAVET (American, 20th/21st Century) “REASONS TO RUN”. Oil on linen, mounted to masonite western scene shows a cowboy with green shirt, blue pants and white hat atop a white horse in the process of lassoing a white calf on the run. The background depicting a rodeo setting. Signed lower right. Titled and dated “2002″ on reverse. Housed in a fine decorated gilt frame with gilt liner. This Paris born artist now living in Colorado is best known for her equine paintings and continues to explore other subject matters. SIZE: 19″ x 24″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95354 (2,000-4,000)


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ROBERT “SHOOFLY” SHUFELT (American, 1935-) “THE GAL-LEG BIT”. Fine pencil on paper shows a cowboy on horseback with attached lasso moving toward a wood slat fence. The horse pulls on the rope which extends beyond the image as the cowboy looks back at the tightening rope. Signed lower right, dated “2001″ and titled above signature. Housed in a fine silver gilt molded wood frame with double matte and inner silver liner. Label attached to reverse from the Legacy Gallery, Scottsdale-Jackson Hole. The title derives from the figure of a ladies leg decorating the horses bit. This decoration was used by legendary Texas spur maker J. R. McChesney. SIZE: Sight: 18-1/4″ x 13-1/2″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95344 (1,000-2,000)


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CARRIE FELL (American, ) “NO ORDINARY GIRL”. Pastel and acrylic on paper portrait of a cowgirl. She wears a lavender hat and turquoise shirt against a red background. Signed lower left and having an original label affixed to a signed paper backing. The Carrie Fell label with title indicating that it is from the Ghost Riders TM Series. Housed in a modern antique style gesso decorated partial gilt frame with white matte. The work is mounted on a foam board inside a linen matte which allows it to appear free floating. SIZE: 16″ x 12″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95357 (1,000-2,000)


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ROBERT H. BLAIR (American, 1937-) “AT LAST THE TRADER COMES”. Outstanding watercolor western winter scene shows a trapper atop a horse with pack horse beside holding a rifle over his head gesturing welcome to an Indian camp with five tepees and two figures beside. Deep snow has fallen on the field and the mountains are shrouded in clouds. Signed lower right. Housed in a decorated carved wood frame with triple matte. The back having an original label with title, numbered “607″ and having “La Galeria” card. This California artist works on capturing images of the past. SIZE: Sight: 14″ x 20″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95353 (800-1,200)


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SANDIE WITBECK (American, 20th/21st Century) “DANG IT”. Oil on canvas mounted to masonite cowboy scene shows a cowboy in blue with yellow hat in the process of lassoing. He is atop a brown and white horse. Seen against a blue sky and yellow dust background. Signed lower right. Mounted freely in a dark stained wood shadowbox type frame. Titled on reverse, also having an artist card attached to reverse using this painting as the frontice piece. SIZE: 30″ x 30″. PROVENANCE: From a private New Hampshire collector. CONDITION: Very good to excellent. 9-95358 (1,000-2,000)


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JOANANNA STANDEFER (American 20th Century) “THE BLANKET MAN”. Oil on canvas scene shows native American on horseback with striped blanket corralling four brown horses. Nice detailed scene from this late 20th Century western artist. Signed lower right. Housed in a decorated fancy gilt frame with title and artist plaque. Accompanying lot is a Fields Gallery Exhibit invitation, 1987. SIZE: 24″ x 20″. CONDITION: Very good to excellent. 9-90609 (400-800)


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EDWARD SHERIFF CURTIS (American, 1868-1952) “THE SCOUT-APACHE”. Framed orotone showing a Native American on horseback with desert cactus and brush. Signed lower right. Housed in its original bronze colored gesso decorated frame retaining its original label which has some damage but can be read. SIZE: Sight: 7-1/2″ x 9-1/2″. Overall: 11″ x 13″. PROVENANCE: From a New Hampshire home. CONDITION: Very good. 9-95333 (4,000-6,000)


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VIVIAN MILNER AKERS (American, 1886-1966) FOUR FRAMED PHOTOGRAPHS. 1) Man playing violin, emboss stamped “V. Akers”. Mounted on white card, nicely framed with double matte. 2) Two boys on hillside, one with bow and arrow. Incised signature “V Akers 1920″. Housed in a wood frame with double matte. 3) “Lake Road” color highlighted photographic print shows a road passing by a lake with mountains. Pencil signed on reverse with an illegible lake name. Housed in a wood frame with double matte. 4) Forest road photograph showing a dirt road through a forest. Pencil signed “V. Akers 1920″. Housed in a wood frame with double matte. SIZE: 1) Actual: 3-1/2″ x 5-1/2″. 2) Sight: 5-3/4″ x 9″. 3) Sight: 7″ x 9″. 4) Sight: 6″ x 9″. CONDITION: All very good. 9-95601 (600-800)


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LEON JOSEPH FLORENTIN BONNAT (French, 1833-1922) “CONCERT”. The scene is after a work by the Dutch painter Jacob Van Loo (1614-1670). There are two versions known by Loo, one in the Hermitage Museum and the Museum of Art Thyssen-Bornemisza in Madrid. Bonnat was known to be an expert and collector of Dutch paintings and frequently copied the work of the Old Masters. Outstanding oil on canvas scene shows a young man and woman seated at a table with colorful tablecloth while three musicians are serenading them. A woman with gold dress plays a cello, a man sings while playing a mandolin and a girl plays the flute. They are all seated and standing on a black and white checkerboard floor in an open air building supported by columns overlooking a landscape under blue and white cloud sky. Signed lower right “L. Bonnat 1873″. SIZE: 31″ x 24″. PROVENANCE: Descended through the family of George C. Paitchadze (1928-1996), Distinguished scientist, professor, historian, Laureat of State Premium of Georgia. According to the family, he purchased the work in one of the Moscow antique stores on Arbat Street, across from Vakhtangov Theater. It was told to the purchaser that it belonged to a Russian noble family of Trubetskoy. This information is provided by Irina Sokolova of the Hermitage Museum. CONDITION: Very good with some very light scratches at frame edge and one pinhole at bottom left. 9-94913 (100,000-200,000)


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MAURICE DE VLAMINCK (French, 1876-1958) VIEW NEAR VALENCIENNES. Oil on canvas scene shows a landscape on the onset of evening. A connected house with road and field having some water with fence in foreground. Dark to light skies in blues, whites and purples. Signed lower left. Housed in a what may be its original gesso decorated white washed frame. Pencil title on reverse in French which is illegible and a chalk “#247″. SIZE: 18″ x 21-1/2″. CONDITION: Very good with one patch to reverse with corresponding inpainting, light chipping to right edge of the house. 9-95095 (30,000-50,000)


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LUCIEN LIEVRE (French, 1878-1936) LA PLACE DES VICTORIES. Large oil on canvas Paris scene shows the famous bronze statue of the horse and rider on large plinth surrounded by a fence and a street roundabout. Multi story buildings surround the square and a recent snow has fallen. Several people are seen, one with wheelbarrow and one woman with a child. A car, bus and horse drawn wagon are in the roundabout. Signed lower right. Housed in a painted wood frame. The back of the canvas having a “Blanchet Paris” canvas stamp. SIZE: 51-1/2″ x 63-3/4″. CONDITION: Three small patches to reverse, some minor spot inpainting, very good. 9-95550 (10,000-15,000)


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EDMA MORISOT-PONTILLON (French, 1839-1921) WASH DAY ON THE RIVER. Oil on canvas French country scene shows a winding river with sailboat, two women washing clothes and a fisherman. Grass and tree covered banks lead to a hill with a village. Signed bottom left “E Morisot”. Edma Morisot was older sister of Bertha Morisot, one of the most revered painters in the Corot style. The influence of Corot on this piece is strong and this exemplifies Edma’s best abilities at landscape painting. Housed in a fine Napoleon style gilt replacement frame. SIZE: 19-1/4″ x 25-1/2″. CONDITION: Very good. 9-94358 (4,000-6,000)


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ALBERT DUBOIS PILLET (French, 1846-1890) CITY PARK. Oil on canvas scene shows what appears to be a small park on the edge of a large town/city with tall buildings. Two figures stand next to a flagpole which is set beside water which is lined with bushes and walkway. Another figure strolls beside a wall. All under a light blue sky. Signed lower right “Dubois Pillet”. Housed in what appears to be its original gilt frame with gilt liner. SIZE: 16″ x 10-1/2″. CONDITION: Surface dirt with discolored varnish, light craquelure. A couple of very minor scratch/scrapes. Otherwise very good. 9-94998 (5,000-10,000)


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STUDIO OF JEAN-BAPTISTE LEPRINCE (French, 18th Century) THE SLEIGH RIDE. Rare reverse painted oil on glass scene depicts a man wearing skates and colorful costume pushing a fancy single person sleigh. An elegant young lady dressed in fine costume is riding. Her pink robe lined in mink. The sleigh has metal runners and is adorned with a full bodied swan in the front. They pass a mill building with waterwheel under blue and cloud sky. Signed lower right “J. B. Leprince, 1779″. We beleive this painting to be after or in the style of a painting by Jean Honoré Fragonard (French, 1732-1806). The technique of reverse painting on glass requires a high degree of skill since the layers of paint are reversed thus the signature would be placed and then the scene, in this case, the rocks and grass, are painted over in subsequent layers. This is an outstanding example of this technique, certainly done by someone in Leprince’s studio or Leprince himself. Housed in a gilt incised decorated wood frame. REFERENCE: For history and details on reverse painting techniques, refer to Mildred Lee Ward’s book “Reverse Paintings on Glass”. SIZE: Sight: 17-1/4″ x 24-1/4″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Very good. 9-94993 (5,000-10,000)


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STUDIO OF JEAN-BAPTISTE LEPRINCE (French, 18th Century) BATHING AT THE WELL. Rare reverse painted oil on glass scene depicts three nude and partially nude maidens bathing in an exterior setting. A figural water fountain with dolphin head and cherub cascades water into a small pool. The three women sit and lay next to the pool. A background spring/summer landscape is seen under cloud and blue sky. Signed lower right “J. B. Leprince, 1779″. We beleive this painting to be after or in the style of a painting by François Boucher (French, 1703-1770). The technique of reverse painting on glass requires a high degree of skill since the layers of paint are reversed thus the signature would be placed and then the scene, in this case, the rocks and grass, are painted over in subsequent layers. This is an outstanding example of this technique, certainly done by someone in Leprince’s studio or Leprince himself. Housed in a gilt incised decorated wood frame. REFERENCE: For history and details on reverse painting techniques, refer to Mildred Lee Ward’s book “Reverse Paintings on Glass”. SIZE: Sight: 16-1/2″ x 24″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Generally very good. There appears to be some discoloration to the initial layer. On right margin, there are some small flecks which appear to be paint loss. 9-94992 (5,000-10,000)


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AUGUSTE RODIN (French, 1840-1917) “L’ETERNAL PRINTEMPS”. Outstanding bronze statue of two nude lovers embracing against a naturalistic tree trunk form. Dark greenish/black patina. Signed “Rodin” on right side of the base and on left side “F Barbedienne Fondeur”. Mounted on a polished black marble base. REFERENCE: Christies, New York. November 13th, 1985, lot 250. SIZE: Bronze is 14-1/2″ h. 15-1/2″ h including base. PROVENANCE: We have been told by the consignor that a family member bought this post sale from the above auction. From a South Carolina home. CONDITION: Very good. 9-95303 (200,000-400,000)


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SEVRES (French, 19th Century) THE CLASSICAL WARRIOR. Rare and outstanding porcelain and bronze figure of a standing man wearing a plume topped helmet, cape, armored outfit standing beside his outer armor outfit. His right hand holding a sword which is not present and the left hand holding a scabbard which also is not present. The figure having white porcelain arms, head and legs. There are parts that are bronze metal including the plume and cape, other parts are bronze painted porcelain. The round base being a goldish bronze paint over porcelain, the base having incised Sevres mark having two dots above and two dots below. Also numbered “73″ with a script capital “B”. SIZE: 16″ h. PROVENANCE: From a South Carolina home. CONDITION: As noted above with some rubs but generally very good. 9-95306 (3,000-5,000)


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ALBERT ERNEST CARRIER-BELLEUSE (French 1824-1887) “LISEUSE” (THE READER). Circa 1880. Bronze and ivory figure depicting a lady reading a book, with ivory face and hands, signed on the base “A. CARRiER BELLEUSE”. On the stepped circular plinth is attached a plaque reading “LISEUSE / PAR CARRIER-BELLEUSE / GRAND PRIX DU SALON”, further joined to a white marble stepped plinth. SIZE: 16-3/4″ overall h. 15-3/4″ h. of bronze. CONDITION: Very good overall with dark brown patina, gilt-bronze highlights on details of dress and robe. Proper right hand has old seam crack in ivory running between the two middle fingers. Otherwise very good original condition. 9-95133 (8,000-12,000)


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AFTER ALBERT ERNESY CARRIER-BELLEUSE (French, 1824-1887)YOUNG BOY PLAYING MANDOLIN. The bronze statue of a young boy with wide brimmed hat plucking at a mandolin and standing on one leg. The plinth signed, “A. Carrier”. SIZE: 26”h. CONDITION: Roughly cast with scratches on arm and back. 9-74986 (500-1,000)


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C. ANFRIE (French, 1886-) “QUAND VOUS VOUDREZ”. Bronze figure of a military officer standing with arms crossed at chest. He wears full military regalia including holstered pistol, dress sword, fancy hat and jacket with epaulets and medal. The base inscribed with title, also “Alsace-Lorrain” (famous French battle) and further inscribed “Salon des Beau Arts 1886″. Dark brown patina. REFERENCE: Pictured page 1194, fig. 4822 Vol. 4 Bronzes by Berman. SIZE: 17″ h. CONDITION: Very good. 9-95286 (1,000-2,000)


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LEO ROUSSEL (French, 1868-1943) “EN GARDE”. Fine French bronze depicts a man with mustache and goatee in boxing stance wearing boxing gloves, a sleeveless t-shirt and pants. Signed in script on base. Also titled in relief on edge of base. Back base inscribed “Copyright by Leo Roussel, 1901″, having French foundry seal. SIZE: 18″ h. CONDITION: Very good. 9-93765 (1,000-2,000)


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AIME MILLET (French, 1819-1891) “THE DISCONSOLATE ARIADNE”. 2nd half 19th century. Bronze with olive patina depicting a kneeling partially robed woman leaning on a rocky outcropping continuing to a molded square plinth with canted corners. Signed at base of rock outcropping “AIME MILLET SC”. Stamped on edge of plinth beneath right knee foundry mark “OUDIN” (Marseille). Titled at midpoint front of outcropping “APIAANH”. SIZE: 13-1/2″ h. CONDITION: Nice olive green patina, very good overall. Old and minor surface scratches including tiny nick in hair, otherwise very good. 9-95328 (2,000-3,000)


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JEAN-LOUIS GREGOIRE (FRENCH 1840-1890), TWO WINGED CHERUBS WITH ARROWS. Cast figural bronze depicting two winged boys, one kneeling and one standing before a tree stump, each examining an arrow. On a rocky plinth mounted on a conforming oval naturalistic base, inscribed “L. GREGOIRE” beneath the standing figure. SIZE: 12-1/2″ overall h. Figure: 11-1/2″ h. x 8-1/4 w. CONDITION: With good gold patina. Chip on marble base, small screw protruding from proper right side of torso of standing figure, indicates absence of an element. Otherwise very good. 9-95098 (1,000-2,000)


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UNSIGNED (French, 19th Century) WOMAN OF THE FOLLIES. Fine bronze figure of a young woman in dancing costume with long flowing train and wearing high heels. She is posed with one leg out and hands behind her back. Oval base. SIZE: 14-1/4″ h. PROVENANCE: From a South Carolina home. CONDITION: Very good. 9-95304 (800-1,200)


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EDOUARD DROUOT (French, 1859-1945) “PLOWING”. Circa 1895 bronze having a brown-yellow patina shows a man with plow and two oxen team plowing a brown field. He has a long whip in his hand. Bronze is mounted to a black variegated marble molded edge plinth. Ref.: Pictured pg 660, Vol 3, Harold Berman Bronzes. SIZE: 11-1/2″ h x 26″ l x 8″ w (without marble). Marble 1-1/2″ h. PROVENANCE: Christies 4/19/88. CONDITION: Very good. 9-93768 (1,500-2,500)


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BRONZE PUTTO OF THE SEA. Late 19th/early 20th century. Depicted seated on seaweed covered rock draped with fishing net, holding up a large deep-sea clamshell, a turtle beneath his foot, a Nautilus shell strapped to his body, continuing to a wave-covered circular plinth cast with small fish and shells. Unsigned and unmarked. SIZE: 13″ h. x 9-1/4″ w. x 5-1/2″ d. CONDITION: Very nice overall, with dark green-brown patina, well modeled and detailed. 9-95326 (800-1,200)


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PIERRE PUVIS DE CHAVANNES (French, 1824-1898) THE VENZTECORE. Painted plaster sculpture shows a seated semi-nude woman bent at the waist, arms at her knees and head down. Signed and inscribed “The Venztecore. P. Chavannes Sculptor”. Chavannes was one of the leaders of Symbolism. The sculpture with dark cream patina. SIZE: 9″ h x 14″ l x 6-1/2″ w. CONDITION: Several small paint chips, generally very good. 9-95361 (500-1,000)


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CHARLES WILLIAM WYLLIE (British, 1853-1923) HOME WITH GLORY. Large oil on canvas scene shows a cities population coming out to welcome back the fleet. A procession of oar powered galleons wind through an opening into the harbor with many smaller boats beside. Trumpeters trumpet, people clap and cheer from rooftop turrets and castle sides. A wonderful depiction of an earlier time. Signed lower right. Housed in a fine gesso decorated older frame with some losses. The back stretcher retaining a label indicating it was exhibited at the Royal Academy. SIZE: 34″ x 50″. CONDITION: Relined with some minor inpainting. 9-95551 (12,000-15,000)


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JULIAS AAGAARD (1847-1926) “THE MANOR COTTAGE, CARLTON”. Oil on canvas interior cottage scene shows a room having checkerboard tile floor, fireplace, tall clock, chair and table with decorative hanging plates. The door is open leading to a colorful garden area and a window has a curtain and a potted flower on the windowsill. Signed lower right “Julius Aagaard, 1913″. Housed in a gilt fancy frame. The back having a descriptive card with title concerning the artist. SIZE: 14″ x 22″. PROVENANCE: Private Collection from Rangeley, Maine. CONDITION: Relined, minor spot inpainting. Very good. 9-95008 (5,000-10,000)


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UNSIGNED (British) BUSY DAY AT THE BEACH. Oil on canvas scene shows several fishing boats on dry beach at low tide. Two horses are behind gentlemen who are at a stand with other people, possibly the seller of the days catch. Housed in a good period gesso-decorated gilt frame. SIZE: 18-1/2″h x 24-1/2″w. CONDITION: Relined. Some inpainting. Very good. 9-94067 (2,500-4,000)


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NEVILLE JOHNSON (British, 1911-1999) “THE WALL”. Unframed oil on canvas realistic scene shows a brick wall with butterfly overlooking a smokestack under gray sky. Signed lower right with artist monogram “NJ”. Back retaining a partial label from a Boston, MA gallery. SIZE: 16″ x 20″. CONDITION: Very good. 9-95431 (2,000-4,000)


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JOHN HODGSON LOBLEY (British, 1878) “GENTLE BREEZES, CHRISTCHURCH HARBOR”. Oil on board scene shows a small sailboat in a sheltered harbor with low lands, harbor buildings and sailboats in distance. All seen under an expansive blue sky with white clouds. Signed lower left “J Hodgson Lobley 1921″. Housed in a fine gilt decorated frame. On reverse is an original title label. Also an exhibition label on reverse. SIZE: 11-3/4″ x 14-3/4″. CONDITION: Very good. 9-95085 (400-800)


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SIGNED (Russian, 19th/20th Century) THE COSSACK SCOUT. Fine bronze showing a man in Cossack outfit holding a long spear sitting atop a horse with its two front legs up on a rock edge extending its head forward. The bronze is signed with what appears to be “Cradik” (probably Cyrillic) and is mounted to a stepped black and white marble plinth. SIZE: 11-1/4″ h x 13″ l. Overall with base: 14-1/2″ h. CONDITION: Very good. 9-95292 (1,500-2,500)


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ATTRIBUTED TO EMILE VICTOR BLAVIER (French, 19th Century) “HENRI DUC DE GUISE 1641″. Bronze figure of a soldier in full armor dress holding a large sword in one hand, the other hand with a scrolled paper. He wears a helmet adorned with a plume. The bronze base inscribed with title but appears to be unsigned. The base has two protruding bottom pins, probably for a base which is not present. Also there are two drilled 1/8″ hole in base along with holes in the back shoulder strap which were used to mount to a building. SIZE: 21-1/4″ h. CONDITION: Very good, as noted above. 9-95293 (1,500-2,500)


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EMILE VICTOR BLAVIER (French, 19th Century) “FREDERIC DE LATOUR D’AUVERGNE DUC DE BOUILLON 1641″. Fine detailed bronze of a Cavalier wearing a feather decorated hat, armor, boots with spurs and sword held at his side. Base inscribed with title and signed with date “1851″. The base has two protruding bottom pins, probably for a base which is not present. Also there is a drilled 1/8″ hole in base along with holes in the back shoulder strap which were used to mount to a building. SIZE: 21″ h. CONDITION: Very good, as noted above. 9-95294 (1,500-2,500)


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HENRY WEISS (German, Early 20th Century) THE ARAB RIFLEMAN. Bronze figure of a standing soldier gripping a Persian rifle. He wears traditional garb with cape and tucked into his waistband are two pistols. Signed on the base and having a brown patina. SIZE: 21″ h. CONDITION: Very good. 9-95291 (2,500-3,500)


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ILUI OSIPOVICH BONCHA-TOMASHEVSKY (Russian, 1834-1920) SCENE FROM MOLIERE’S TARTUFFE, ACT III, SCENE III. Unframed oil on wood panel interior scene shows a gentleman in black outfit with black cap conversing with an elegantly dressed woman in a gold brocade upholstered armchair. The interior setting with a large pictorial tapestry, fine wood paneling, a pair of armchairs, elegant carpet and a table covered with fabric with an ormolu desk set. Signed lower left “T. Boncha”. On the reverse is a title and signature. Also two labels, “Carpentier-Deforge” and “Geo. Rowney & Co.”. There is a stencil and label “58″ and some other writing which is illegible. SIZE: 15-1/4″ x 18″. PROVENANCE: Descended through the family of George C. Paitchadze (1928-1996), Distinguished scientist, professor, historian, Laureat of State Premium of Georgia. According to the family, he purchased the work in one of the Moscow antique stores on Arbat Street, across from Vakhtangov Theater. It was told to the purchaser that it belonged to a Russian noble family of Trubetskoy. CONDITION: Very good. 9-94914 (40,000-60,000)


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KONSTANTIN IVANOVICH GORBATOV (Russian, 1876-1945) THE BOATS OF CAPRI. Colorful oil on canvasboard shows a line of sailboats with colorful sails sailing left to right reflecting in a blue and green ocean under colorful sky. Several figures are seen aboard the boats. Signed lower left “C Gorbatov 1926″. Housed in a silver gilt wood frame which has a “Hermann Gieseler, Berlin” label. SIZE: 16″ x 19-3/4″. CONDITION: Some paint chips which show white on bottom edge. Also some small scattered chipping in sky, otherwise generally very good. 9-95113 (15,000-25,000)


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SERGIE KOLESNIKOFF (Russian, 1889-1947) THE MEETING PLACE. Oil on canvas scene shows an archway entrance leading to an interior vestibule having three figures with guard outside. Signed lower right “S. Kolesnikoff”. Housed in a fine replacement carved and gilt frame. SIZE: 22″ x 27″. CONDITION: Very good. 9-95324 (12,000-18,000)


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ALEXANDRE NIKOLAEVICH BENOIS (Russian, 1870-1960) THE BLUE GATE. Gouache on heavy blue paper winter scene shows a blue cast iron fence with large double door gate leading to snow covered ground with buildings beyond. A light post stands at the side of the entrance and a stone building with green shutters and outside park bench is on right side. Signed lower right and dated “1930”. Unframed. SIZE: Total is 16” x 19-1/2”. Painting is 15” x 18-3/4”. CONDITION: Generally very good. 9-90397 (6,000-8,000)


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NATAN ISAEVICH ALTMAN (Russian, 1889-1970) ABSTRACT WITH PHRASES. Loose unframed oil on canvas abstract scene with geometric shapes in black, red and white having several phrases below. Signed in Cyrillic bottom left “Nat. Altman”. SIZE: 23-1/2″ x 17-3/4″. CONDITION: Good. 9-95651 (10,000-20,000)


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SERGEI IVANOVICH ZIMIN (Russian, 1875-1942) “SCRIABIN IN LUKIN’S DANCE”. Oil on light board shows a nude figure against geometric patterns in colors of light green, brown and red. Unframed and unmatted. Signed in Cyrillic “S. I. Zimin” and inscribed in Cyrillic with title. SIZE: 27-1/2″ x 18-1/2″. CONDITION: Upper section has crease marks, right hand corner with loss and tear. Otherwise good. 9-95650 (5,000-7,000)


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KONSTANTIN IVANOVICH GORBATOV (Russian, 1876-1945) RESTING IN THE PARK. Watercolor on paper park scene shows a woman in red and blue outfit seated on a park bench. Flower gardens are seen next to a dirt road with a grassy area having a cupola nestled in the corner next to water. Signed center bottom. Housed in a shadowbox type frame with light green linen background. SIZE: 17-1/4” x 12”. CONDITION: Light wrinkles, generally very good. 9-90395 (6,000-8,000)


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SONIA DELAUNEY-TERK (French/Russian, 1885-1979) THEATER COSTUME DESIGN. Watercolor on paper theater design for an Egyptian princess in bright colors. Signed upper left and dated “1920″. Unframed and unmatted. SIZE: 9-1/2″ x 6-1/2″. CONDITION: Very good. 9-95642 (4,000-8,000)


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ALEKSANDR YAKOVLEVICH GOLOVIN (Russian, 1863-1930) TWO THEATER COSTUME SKETCHES. The two watercolors on paper sketches from “The Storm” by Aleksandr Ostrovsky. One character dressed as an old man is identified as “Dikoi”. The other figure is identified as “Lackey”. Inscriptions are in Cyrillic and signed with initials bottom right. Unframed and unmatted. SIZE: 11-1/4″ x 7-1/2″. CONDITION: Old man with smudge in bottom of coat, otherwise good. 9-95646 (2,500-4,000)


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NATALIA SERGEEVNA GONCHAROVA (Russian, 1881-1962) TWO WORKS: DANCER #1 & #2. Gouache on light board costume designs show a woman dancer with an exotic costume which incorporates balls on strings and a looped headdress. Both are signed “NG” in Cyrillic. One having a crossed off annotation at bottom. Each piece is painted on the inside cover of an old drawing album with Cyrillic writing. Unframed. SIZE: 10-3/4″ x 8-1/2″ and 8-1/2″ x 10-1/2″. CONDITION: Background paper with surface dirt, otherwise good. 9-93838 (3,000-5,000)


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KONSTANTIN ALEKSEYEVICH KOROVIN (Russian, 1861-1939) PARIS BOULEVARD. Unframed watercolor nighttime scene shows an impressionistic view of a street with pedestrians. Signed and inscribed bottom right “Paris 1931″. SIZE: 11-3/4″ x 12″. CONDITION: Flattened angled fold mark to left side, otherwise very good. 9-93839 (2,000-3,000)


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ALEXANDER ALEXANDROVICH VESNIN (Russian, 1883-1959) COSTUME DESIGN. Unframed watercolor on paper theater costume design shows a bearded man with arms up holding a cape with red and white outfit. Signed lower left in Cyrillic. SIZE: 14″ x 10-1/2″. CONDITION: Very good. 9-93842 (3,000-5,000)


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ALEXANDER ALEXANDROVICH VESNIN (Russian, 1883-1959) COSTUME DESIGN. Unframed watercolor theater costume design shows a man smoking a pipe and wearing a red and white cap, red shirt and brown pants. The drawing has angular features and is signed lower left in Cyrillic. SIZE: 14″ x 10-3/4″. CONDITION: Very good. 9-93843 (3,000-5,000)


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VALENTINA MIKHAILOVNA KHODASEVICH (Russian, 1894-1970) TWO WORKS: “ESMERALDA”. Two unframed watercolors on paper glued to board depicting characters from the opera/ballet Esmeralda, which we believe were stage adaptions of Victor Hugo’s 1831 novel “The Hunchback of Notre Dame”. Signed bottom center/left in Cyrillic and dated “1918″. SIZE: 12-1/4″ x 7-3/4″. CONDITION: One has 1-1/2″ sq area of paper loss to left of face and losses to right of face. All over tiny brown foxing marks, otherwise good. 9-93847 (2,500-4,000)


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NATALIA SERGEEVNA GONCHAROVA (Russian, 1881-1962) THEATER COSTUME DESIGN. Gouache on paper/light board scene shows a woman seated at edge of stage posing in an Egyptian style with an appropriate Egyptian dress. Stage is black with green stage curtain backdrop. Signed lower right “NG” in Cyrillic. Unframed. Back having what appears to be an original catalog label in Russian indicating “N. Goncharova” “Kaunas 194?” along with the dimensions of the painting and other less legible information. SIZE: 11-1/4” x 10-3/4” CONDITION: Very good. 9-90396 (1,500-2,500)


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VLADIMIR EGOROVICH MAKOVSKY (MAKOWSKI) (Russian, 1846-1920) THE READING LESSON. Watercolor interior scene shows a girl at a round table reading from a large open book. An older woman has elbow on table and hand to side of head and there is a painting on the back wall. Signed lower right in Cyrillic and dated “1920″. Housed in a simple flat wood frame. SIZE: Sight: 5-1/2″ x 8″. CONDITION: Very good. 9-93836 (2,000-3,000)


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YULIY YULEVICH KLEVER II (Russian, 1882-1942) WINTER SUNSET. Unframed watercolor on paper scene shows a red and orange sun setting on a tree line under colorful sky. The foreground with large evergreen trees and snow covered ground which reflects the sunset. Signed lower right in Cyrillic with the work “Komia” and dated 1940. It is believed “Komia” refers to the Komi Republic. SIZE: 16-1/2″ x 11-1/2″. CONDITION: Very good. 9-93837 (1,000-1,500)


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MICHAEL I. KURZIN (Russian, 1888-1957) TWO WORKS. 1) Watercolor on paper signed bottom left in Cyrillic “M Kurzin” and “Tashkent 1942″. Sketch shows a head study and other items. 2) Watercolor on paper signed bottom left in Cyrillic “M Kurzin” and “Tashkent 1942″. There is an additional illegible signature, possibly in Lithuanian and the date “May 22 1945″. Sketch shows a seated man and some household article. Both unframed and unmatted. Some literature concerning the artist indicates that he was a member of the “Masters of New East Operating in Tashkent”. SIZE: 1) 9-1/2″ x 6-1/2″. 2) 6-1/2″ x 9-1/2″. CONDITION: Very good. 9-95644, 9-95643 (2,500-4,000)


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DAVID NESTOROVICH KAKABADZE (Georgian, 1889-1952) ABSTRACT SHAPES. Watercolor on paper mounted to board abstract scene shows curving and triangular shapes in colors of red, blue, black and yellow. Signed below image “D. Kakabadze”. Housed in a white wood frame. SIZE: 12-1/2″ x 9″. CONDITION: Good. 9-95649 (4,000-6,000)


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STANISLAV VASILEVICH PETRASHEVSKI (Russian, 1935-1990′s) SCHOOL BOYS. Oil on board scene shows three school boys climbing hill overlooking large river with people, boats and bridge. An industrial town is seen in the distance. Cyrillic initials lower right. Housed in a good carved wood gilt frame with gilt liner. SIZE: 16″ x 23″. CONDITION: Very good. 9-94091 (800-1,200)


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ANTON MICHAJLOVIC LAVINSKI (Russian, 1893-1968) “NECHISTAYA” (unclean/evil). Watercolor on paper glued to board theater costume design for Vladimir Mayakovski’s “Mystere-Bouffe”. The sketch also inscribed in pencil “Rabotnitsa” (working woman) and “Nechistaya”meaning “unclean/evil”, a play on the words for the name of the character. All are in Cyrillic, signed lower right. Watercolor shows a woman in blue dress with white apron holding a broom. Unframed and unmatted. SIZE: Watercolor is 9-3/4″ x 7-1/4″. CONDITION: Very good. 9-95641 (2,000-3,000)


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ALEKSANDER NIKOLEARVICH BENOIS (Russian, 1870-1960) PEASANT THEATER COSTUME. Watercolor on paper costume design shows a woman in colorful costume with hand out holding pan. Pencil signed lower left, illegible notation upper right in red. SIZE: 13″ x 9″ CONDITION: Some dirt, good. 9-95645 (1,500-2,500)


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GUSTAV GUSTAVOVICH KLUCIS (Latvian, 1885-1944) ABSTRACT. Watercolor on wood panel abstract scene with geometric patterns in green, red, black and brown. Signed in Cyrillic “G. Kluciz” bottom right and numbered “149″. Unframed. SIZE: 16″ x 12″. CONDITION: Slight warp to board, fading. Fair to good. 9-95648 (4,000-6,000)


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MSTISLAV VALERIANOVICH DOBUZHINSKI (Russian, 1875-1957) AWAITING AN ARRIVAL. Unframed watercolor on paper scene shows a young girl in blue dress looking out through a fancy iron railing onto an elegant driveway entrance which is flanked with tall sculpture on large columns. Green trees are seen in the background under a light blue and cloud sky. Signed in Cyrillic lower right and dated “1938” and with a title that appears to read “Vilno”. SIZE: 12-3/4” x 9”. CONDITION: All over spot foxing, otherwise good. 9-90398 (500-1,000)


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FELIPE CASTANEDA (Mexican, 1933) DESNUDO. Outstanding bronze sculpture of a reclining nude woman lying on her side with her head facing back. Signed on arm “F. Castaneda 76 I/VII”. The bronze is mounted to a polished black besalt rectangular base. The bronze having a wonderful blue flecked and dark patina. SIZE: Overall: 31-1/2″ x 13-1/2″. CONDITION: Very good to excellent. 9-95736 (12,000-14,000)


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FRANZ BERGMAN (Austrian, 1838-1894) ARAB TENT TABLE LAMP. Cold painted bronze sculpture of a tall dome top tent. The interior fitted with a seated Arab male holding chalice. He is seated atop a stepped rug interior holding a platter with water pot. The opening is draped cloth holding a shield and a staffed flag. The dome having a crescent moon finial and having four colored windows. The sides of the tent have colored panels and the piece is signed in the bottom back fringe partially “Geschutzt” and has the Bergman monogram above. Also stamped “Made in Austria” at the base of the right front tent flap. REFERENCE: Pictured on page 761, Fig. 2763 Vol. 3 in Bronzes by Berman. SIZE: 14-1/4″ h x 8-1/2″ w x 6″ d. CONDITION: Very good, in working order with strong color. The staffed flag missing its finial, is bent and is presently detachable. 9-95290 (5,000-10,000)


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MARGARET (PRESCOTT) HOARD (American, 1879-1944) BRONZE BOUDOIR LAMP. Figural lamp comprised of a nude girl with arched back yawning. Over her head is a large flower with glass shade insert. She stands on a rock like base which is fitted for a cord which extends up through the stem of the flower to the light fixture. The base is signed “M Hoard Copyright 1914″. Greenish/brown patina. SIZE: 15-3/4″ h. CONDITION: Glass shade has broken ruffle edge, flower stem has disconnected from base and top. 9-95510 (3,500-5,000)


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FREDERIC AUGUSTE BARTHOLDI (French, 1834-1904) STATUE OF LIBERTY. Spelter figure of the Statue of Liberty holding a tablet marked “4th July 1776″. The arm is upstretched, holding a torch which has a threaded top with flame missing. Signed on base “Bartholdi 1875″. Also “August 1876″ with other writing that is illegible. Fitted to a turned wood plinth. SIZE: Total: 17-1/2″ h; statue is 15-1/4″. CONDITION: As noted above, some repair to crown, uneven patina, dent in base. Generally good. 9-95509 (800-1,200)


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LIMITED EDITION BRONZE REPLICA OF THE LIBERTY BELL. Authentic reproduction scale model of the Liberty Bell which is mounted to a wood shaped plinth by four cast arms. The plinth having two silver plaques inscribed as follows: “This replica of the Liberty Bell was cast at the request of Thomas P. Quinn in commemoration of the Bicentennial of the American Revolution 1776-1976″. And “Cast at the Whitechapel Bell Foundry, London, England to their original designs of the Liberty Bell made in the same foundry in the year of our Lord, 1752″. Clapper intact with decorative pull, excellent sound. SIZE: Bell is 9″ h x 9-1/2″ dia. Overall including plinth and arms is 15″ x 13″ x 13″. CONDITION: Some finish loss to base, bronze in excellent condition. 9-95013 (800-1,200)


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AFTER ANTIONO CANOVA (Italian, 1757-1822) THE GRECIAN BEAUTY. Bronze sculpture of a semi-nude woman reclining on a cushion top dolphin decorated chaise. The whole mounted on a black marble rectangular base. Bronze signed “A Canova”. A 20th Century casting. SIZE: Bronze: 12″ h x 21″ l x 6″ d. Overall with base 13-1/2″ h x 20″ l x 7-1/2″ w. CONDITION: Generally very good, the inside of one elbow has discoloration and loss to patina. 9-95266 (300-500)


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UNSIGNED (Italian School, 18th Century) BATHING IN THE GROTTO. Oil on canvas scene shows three women in a cave like area with tall ceiling and tree in a tidal pool bathing. A wood stair ramp is seen from right side opening. A bay area is beyond the opening with a mountain. Housed in a gilt molded wood frame with a replaced liner. Stretcher having an old label marked “No. 23… Salerno,… Salvatore Rosa”. SIZE: 23-1/2″ x 17-1/2″. CONDITION: Relined, inpainting, craquelure, very good. 9-95027 (4,000-6,000)


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UNSIGNED (Italian School, 18th Century) WOMEN’S CHORES. Large oil on canvas landscape scene shows the foreground with three women, one with basket on head and water jug at small bridge with stream. A woman milking a goat while another woman with basket and large jug stands beside. Next to the goat are three steer and two sheep. The scene overlooks a walled village beneath a castle nestled near large mountains. Housed in a 19th Century antique gesso decorated frame. SIZE: 26″ x 33″. CONDITION: Relined having several patched to reverse, restored with inpainting. Generally very good. 9-95026 (3,500-5,500)


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UNSIGNED (Continental, 18th Century or Earlier) OLD MASTER. Large oil on canvas scene depicting man and woman with infant with another man looking on. The white bearded man holds the infant and wears a fancy red robe. Housed in a 20th Century gilt frame. SIZE: 31″ x 38″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Relined with patches, extensive craquelure. Under blacklight showing some restoration and inpainting. Two holes in from canvas. Otherwise good. 9-95007 (3,000-5,000)


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UNSIGNED (19th Century) RELIGIOUS PASSAGE. Unframed oil on canvas laid on board shows a man in green and red robe with halo above head holding a book and quill pen in hand. The book having a passage “Passio Dni Ntri Jessv Xpti”. Below the book is an eagle holding a glass tube in its beak. The scene set against green trees and blue sky. SIZE: 39-1/2″ x 27″. CONDITION: Some inpainting, very good. 9-95451 (3,000-5,000)


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UNSIGNED (18th Century) MEETING BESIDE THE BRIDGE. Oil on canvas Old Master style painting shows a bridge over water with two men on horseback shaking hands. One has a musket over his shoulder and the other with a white coat. A dog drinks beside the horses in a landscape with round stone building, trees and rocky bank. On side of bridge is shown a man with two dogs. The water winds toward hills with buildings. All under blue and white cloud sky. Unframed. SIZE: 16″ x 19″. CONDITION: Relined, light craquelure, inpainting. Very good. 9-95312 (2,500-3,500)


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ATTRIBUTED TO GIOVANNI FATTORI (Italian, 1825-1908) THE WELCOMING. Oil on wood panel scene shows a husband and wife standing in front of their stucco house with the families boros and son beside. The scene is under a blue sky. Unsigned. Housed in a gilt wood frame with gilt liner. SIZE: 6-1/2″ x 6″. CONDITION: Very good. 9-95393 (1,000-2,000)


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LUIGI CAVALIERI (Italian, 19th/20th Century) A SOCIAL GATHERING. Fine oil on canvas mounted on masonite lavish interior scene shows a man and a woman conversing while a woman serving tea looks on. Three men and a woman play cards at an adjoining table. Outstanding detailed costumes as well as interior furnishings including painted room screen, chairs and tables, rug and painting. Signed lower left “L Cavalieri Firenze”. Housed in a good gilt gesso decorated frame. SIZE: 18-1/2″ x 27-1/2″. CONDITION: Very good. 9-95320 (6,000-8,000)


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ABASTENIA ST. LEGER EBERLE (American, 1878-1942) HIDE AND SEEK. Outstanding pair of bronze bookends. One depicting a standing girl with arms outstretched. The other a boy with arms outstretched. Signed “A Eberle Cop’1911″. Also having “Cast by Griffoul Newark, N.J.”. Brown bronze patina. SIZE: 6-3/4″ h x 4-1/2″ w x 2-3/4″ d. CONDITION: Very good. 9-95508 (4,500-6,500)


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UNSIGNED (19th/20th Century) EARTH AND SEA. Two bronze figures. One depicting a fisherman standing with hand resting on anchor and fishing net. The other is a farmer with elbow leaning on harrow. Both mounted to molded edge shaped black slate bases. SIZE: Total is 13-1/2″ h. PROVENANCE: From a Rangeley, Maine collection. CONDITION: One have loose base pin, otherwise very good. 9-95001 (1,500-2,500)


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CARL KAUBA (American, 1865-1922) “TRUE BLUE”. bronze figure of a WWI soldier with rifle, bayonet, ammo belt and pack. He stands tall on a rock plinth wearing wide brim hat. Signed on base “C Kauba” and inscribed “National Security League, 1915 New York”. Mounted on a round green marble base. SIZE: Bronze: 11-1/2″ h. Overall with base: 12-1/4″. CONDITION: Very good. 9-95297 (1,000-2,000)


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CARL LUDWIG SCHMITZ (American, 1900-1967) “DANCER”. Bronze female figure partially nude with upraised arms, in the Art Deco taste. Signed on plinth right rear corner facing “C. L. SCHMITZ”. Foundry mark incised left rear edge facing of plinth “BEDI-RASSY FDRY N.Y.C.” This nice example with good dark brown and verdigris patina. SIZE: 40-1/2″ h. PROVENANCE: This example was last sold at Sotheby’s, New York, Arcade sale, 9-25-92, Lot 181. CONDITION: All original, very good, minor surface scratches at rear of head. 9-95322 (8,000-12,000)


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UNSIGNED (19th/20th Century) THE DISCUS THROWER. Bronze sculpture of a nude man with a fully extended arm holding a discus. He is resting against a stump and in full motion. The round bronze base mounted to a white marble short column with top and bottom black molded caps. SIZE: Overall is 25-1/4″ h. Bronze is 19-1/2″. CONDITION: Wonderful rubbed brown patina, very good. 9-95731 (1,000-1,200)


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ALICE RIORDAN (American, 20th Century) THE TEMPTRESS. Multi-colored bronze sculpture shows a young woman lying on a naturalistic bed scantily clad. Her dress is a blueish/gray. Her skin is bright bronze and she has red flowers in her hair. She lies on a brown colored textured bed. Signed “Alice Riordan” and numbered “54/250” with a foundry mark of a conjoined initial. Mounted to a black base. SIZE: 10-1/2” h x 18” l x 12-1/2” w. CONDITION: Very good. 9-94409 (500-1,000)


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AFTER GUSTAVO OBIOLS DELGADO (Spanish, 1858) VENUS AND CUPID. Bronze sculpture shows Venus seated with arms extended on a rock and a cape over shoulder looking back to Cupid who sits on another rock. Green patina, inscribed below arm on rock “G. Obiols”. Bronze mounted to a cut corner rectangular green and black marble base. SIZE: Total is 14-1/4″ h. bronze is 13-1/4″ h. Total l is 22-1/2″ x 7-1/2″ w. CONDITION: Very good. 9-95734 (2,500-3,500)


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JAN & JOEL MARTEL (French, 1896-1966) “A MONSIEUR L’ABBE ROUSSEAU”. Cream patinated terracotta sculpture of a seated man with hands in his lap wearing a suit and wide rimmed hat. Title inscribed and signed “J. J. Martel” on base. A wonderful Cubist sculpture. SIZE: 16-1/4″ h x 8-1/4″ d x 4-1/4″ w. CONDITION: Hat repair, small flakes and chips to base and some minor patina loss. 9-95152 (800-1,200)


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CHARLES CALVERLEY (American, 1833-1914), MARBLE BUST OF YOUNG BOY. Young boy attired in sailor suit with bows, signed on back of bust “C. CALVERLEY Sc / 1882″, raised on a spool-turned white marble stand joined to a conforming black marble plinth. SIZE: 19-1/2″ h. CONDITION: Very good overall, with some areas of minor discoloration in marble, small flakes in tips of hair and sleeve edges on bust. 9-95311 (1,500-2,500)


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NICHOLAS BRIGANTI (Italian, 1861-1944) VIEW FROM THE TERRACE. Oil on canvas Mediterranean scene shows a large veranda with flower trellis, columns and open scenery. A woman feeds some birds and the panoramic view of the coastline and sea surrounds her. Signed lower right “N. Briganti”. Housed in what appears to be its original gilt wood frame. SIZE: 24-1/4″ x 36″. CONDITION: Relined, very good. 9-95729 (2,000-3,000)


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DOROTHY P. NEAVES (American, Early 20th Century) “MIXED FLOWERS AND BLUE BIRD”. Pastel still life shows a blue vase with colorful bouquet of flowers. A small dish and bird are seen beside. Signed lower left. Also retaining an original Grace Horne Galleries Boston label. Housed in a black wood frame with inner gold liner and glass. SIZE: Sight: 18-1/2″ x 16-1/2″. CONDITION: Very good. 9-95728 (800-1,200)


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ANDRE MAHIEU (French, 1904-1979) “LE COQ BLANC NATURE MORTE”. Oil on canvas still life scene shows a dead white chicken draped on table with tablecloth. Beside it is an onion, pewter pitcher and jar. A multicolored curtain is behind. Signed lower left. Also titled, signed and location “Chateau des Osten Waardamme Belgique”. Housed in an outstanding floral carved frame with white liner. SIZE: 27-1/2″ x 31-1/2″. CONDITION: Very good with very minor touch up. 9-90998 (2,500-3,500)


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ROBERT WILLIAM WOOD (American, 1889-1979) “AUTUMN AFTERNOON”. Oil on masonite scene shows a fall landscape with colorful trees, fields with water and houses beyond a golden field. All under a white cloud and blue sky. Signed lower right and titled on reverse. Housed in a decorative bronze color frame with linen and gilt liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-95745 (2,500-4,000)


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E. VALENTI (European, 19th/20th Century) PARIS STREET SCENE. Oil on canvas Paris street scene shows a dirt street with vendors lining the fancy storefronts leading to a large cathedral under blue skies. Signed lower right “E Valenti”. Housed in an old carved and gilt wide wood frame. SIZE: 20″ x 16″. CONDITION: Very good. 9-95450 (1,500-2,500)


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MARCEL BRISSON (French, 20th Century) NOTRE DAME AND THE RIVER SEINE. Oil on canvas Paris scene shows a three-arch bridge over a river leading by a large cathedral. Several pedestrians are seen walking along the river and vehicles cross the bridge. Signed lower right “Brisson”. Housed in a decorated carved wood frame with white liner. SIZE: 24″ x 30″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Discolored varnish, otherwise very good. 9-95006 (2,000-3,000)


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GEORGES ANDRE KLEIN (French, 1901-1992) ROOFTOP VISTA. Unframed oil on canvas French scene shows the viewers point of view looking over the rooftops of a town with mountains in the background. Signed lower right “G A Klein”. SIZE: 25-1/2″ x 32″. CONDITION: Very good. 9-95610 (1,000-2,000)


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SIGNED (French, 19th/20th Century) FRENCH COUNTRY VILLAGE. Oil on canvas scene shows a village nestled amongst trees in a low hill valley under blue and pink sky. Signed lower right which appears to be “Pierre J_ _ met”. Housed in an antique gesso decorated gilt frame. SIZE: 20″ x 24″. CONDITION: Center stretcher line, craquelure, very good. 9-95448 (2,500-3,500)


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EDOUARD PAIL (French, 1851-1916) SPARKLING DEW ON ROSE COLORED FIELDS. Colorful oil on canvas landscape shows a field with light red flowers having draping strings of dew. A shepherd tends to a large flock of sheep and the morning mist is lifting from the valley floor under light skies. Signed lower left “E. Pail”. Housed in a fine gesso decorated gilt replacement frame. SIZE: 21-1/2″ X 25-3/4″. PROVENANCE: From an East Sangerville, Maine private collection, by descent from Dr. Samuel Cox Hooker (1864, Brenchley England -1935, Brooklyn Heights, New York), a sugar chemist, magician, and art collector, to the present owner, a great-grand-daughter. Acquired by Dr. Hooker in Paris. CONDITION: Very good with 1″ scrape line at left edge of frame. 9-94927 (2,000-4,000)


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ATTRIBUTED TO ANDRE DERAIN (French, 1880-1954) FLOWER GIRL. Oil on canvas half portrait of a young woman wearing a flower decorated green hat, green shirt and holding a bouquet of flowers. Set against a multi-colored background. Signed lower right. Housed in a fine hand carved wood frame with leaf and berry carved panels. SIZE: 21″ x 17-1/2″. CONDITION: Very good. 9-95392 (2,000-3,000)


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NARCISSE VIRGILE DIAZ DE LA PENA (French, 1808-1876) THE CLEARING. Oil on wood panel scene shows a clearing through woods in a late summer/early fall scene. Light cascades from the opening onto the forest floor. Signed lower right “Diaz”. Housed in a gesso decorated gilt frame. SIZE: 8″ x 12″. CONDITION: Very good. 9-95563 (1,200-1,500)


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ADOLPHE MONTICELLI (French, 1824-1886) GARDEN PARTY. Oil on wood panel scene shows several finely dressed women in an outdoor terrace setting. A dog is seen at center between the ladies. Signed lower left. Housed in a period gesso decorated gilt frame. SIZE: 8″ x 12-3/4″. CONDITION: Some inpainting, masking varnish. Very good. 9-93041 (2,000-3,000)


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CONSTANTINE KLUGE (French, 1912-2003) STUDY IN BLUE AND WHITE. Oil on board interior scene shows a young woman resting her head on her elbow while seated wearing a necklace and loose robe. The background in multi-color swirls. Signed lower right. Housed in a good gilt frame with linen liner. SIZE: Sight: 23-1/2″ x 19-1/2″. CONDITION: Very good. 9-95401 (1,500-3,000)


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CHARLES EMILE FRANCOIS (French, 1821-1902) MADONNA AND CHILD. Oil on canvas Old Master style painting shows a young woman with halo wearing a red shirt and greenish/brown scarf holding a baby in a blue and white cloth. The portrait has an oval border with medallions in each corner. Signed bottom right “C Francois New York 1855″. SIZE: 30″ x 25″. CONDITION: Relined, craquelure, restored. Very good. 9-95192 (2,000-4,000)


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JEAN-JACQUES HENNER (French, 1829-1905) RED. Oil on wood panel portrait of a young woman with long red hair. She is posed sideways looking left and wears a blue dress with white flower at chest. Signed upper right. Housed in a fine gesso decorated gilt frame with gilt liner. SIZE: 13″ x 9-1/4″. CONDITION: Very good. 9-95632 (2,500-3,500)


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CHARLES MARCON (French, 1920-). Oil on masonite scene shows three figures standing in front of an impressionistic tree scene. Signed lower left “Marcon 59″. Housed in a carved wood frame with linen and gilt liner. Back of masonite is a “Vonanes Francaices” stamp. SIZE: 25-1/2″ x 39-1/2″. CONDITION: Very good. 9-95404 (3,000-5,000)


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SYLVIAN VIGNY (French, 1903-1970) ALONG THE PIER. Oil on wood panel bright colored scene shows figures on a dock with building, lighthouse and four sailboats on blue ocean. Signed lower left and dated “49″. Housed in a gray painted wood frame. SIZE: 19-3/4″ x 25-1/2″. CONDITION: Very good. 9-95409 (1,500-3,000)


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FRANZ RICHARD UNTERBERGER (Austrian, 1838-1902) MEDITERRANEAN COAST. Gouache scene shows a light blue sea with cliff side coastline having city with boats on beach. High mountains continue the coastline under a light blue and pink sky. Signed lower left “F R Unterberger”. Housed in a 19th Century gesso decorated deep gold frame with gold liner and glass. SIZE: Sight: 16″ x 24″. CONDITION: Upper edge with two small cracks and light stain to upper right edge, otherwise very good. 9-95716 (3,000-5,000)


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ANDRE LANSKOY (Russian/French, 1902-1976) LONDON. Large unframed oil on canvas colorful abstract scene shows what appears to be a procession of people on a street outside a large church. Scene with bright, heavy impasto technique against black areas. Signed lower left “Lanskoy”. Signed on back of relining. SIZE: 44″ x 28″. CONDITION: Relined, very good. 9-95700 (8,000-10,000)


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DALE (American, Mid 20th Century) “KODIAK ALASKA”. Oil on canvas coastal scene shows waves crashing onto coastal rocks. A foreground rock has three seals. The sky in blue with white and pink clouds. Signed lower left “Dale Kodiak Alaska”. Housed in a gilt period frame with gilt liner. SIZE: 18″ x 24″. CONDITION: Very good. 9-95699 (800-1,200)


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NIEK VAN DER PLAS (Dutch, 1954-) DAY AT THE BEACH. Oil on wood panel beach scene shows a number of beach goers under umbrellas on dunes and near water. Two sailboats are drawn up on the beach and are awaiting a stiffening breeze. Signed lower right. Also branded on reverse. Housed in a fine gesso decorated gilt frame. SIZE: 13-1/2″ x 17-1/4″. CONDITION: Very good to excellent. 9-95029 (2,500-3,500)


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NIEK VAN DER PLAS (DUTCH, 1954-) BEACH SCENE. Oil on wood panel beach scene shows several beachgoers under colorful umbrellas with sailboats on shore and in the water all under a colorful sky. Signed lower right and also branded on reverse. Housed in a fine gesso-decorated frame. SIZE: 7″h x 9″w. CONDITION: Very good to excellent. 9-95581 (1,500-2,500)


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NIEK VAN DER PLAS (Dutch, 1954-) COLORFUL UMBRELLAS. Oil on wood panel summer scene shows a sandy beach with beach goers under blue, red, yellow and orange umbrellas. Several sails are seen on a calm ocean under blue and white cloud sky. Signed lower right. Also branded with signature on back of panel. Housed in a gilt fancy modern frame. SIZE: 5″ x 7″. CONDITION: Very good to excellent. 9-95028 (1,000-1,500)


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ARNOUD WYDEFIELD (American/Netherlands, 1823-1988) A PAIR OF FRUIT. Oil on wood panel still life shows a realistic peach beside a pear against a brown background. Signed lower left “A.W.”. Housed in a fine period gesso decorated gilt frame. SIZE: 5″ x 6-3/4″. CONDITION: Inpainting, very good. 9-95507 (2,000-3,000)


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HENRY ARCHIBALD MAJOR (British, 1829-1902) STILL LIFE WITH PEARS, GRAPES AND PLUM. Oil on canvas still life scene shows four pears draped with green and purple grapes with a plum beside. A yellow jacket is atop the plum, a housefly on the pear and a green beetle is on the ground. The fruit are surrounded by green ground cover and bare ground. Signed lower right “HA Major 1888″. Housed in a good antique gilt carved wood frame. SIZE: 12″ x 14″. CONDITION: Craquelure, otherwise very good. 9-95061 (1,000-2,000)


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ANDREW JOHN HENRY WAY (American, 1826-1888) STRAWBERRIES. Oil on canvas still life scene shows a clear glass compote filled with a pick of strawberries. Four picking baskets are seen beside, one full and three empty. Seven strawberries are placed on the table. Housed in a natural stained modern wood frame. SIZE: 12-1/2″ x 18″. CONDITION: Surface dirty, otherwise very good. 9-95561 (1,200-1,500)


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F. ASSANI (Early 20th Century) THE CLOCK MAKER. Oil on canvas interior scene shows an elderly man seated at a table repairing/fixing several watches and clocks. Two clocks adorn the wall behind him with various tools and parts. Signed lower left “F. Assani 1902″. Housed in a gilt lemon gold frame. SIZE: 14″ x 11″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Four tape patches to reverse with corresponding inpainting. Craquelure, very good. 9-94809 (800-1,200)


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V. S. L. (19th/20th Century) THE TOY MAKER. Oil on canvas on backing board interior shop scene shows a craftsman seated on a wood box in front of a table painting a hobby horse. Various tools and paint cans are scattered amongst the interior with some other toys. Through the large store front window are seen five onlookers. Signed lower right “V S L”. Housed in a modern burl wood frame. SIZE: 11-3/4″ x 15-1/2″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good. 9-94811 (500-800)


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Revised: 2/5/2009

Additional Information: This painting is attributed to David Ryckaert and not guaranteed to be by the artist.

ATTRIBUTED TO DAVID RYCKAERT (Flemish, Late 17th/Late 18th Century) SMOKE BREAK IN THE TAVERN. Oil on canvas interior tavern scene shows three gentleman seated around a keg formed table smoking from clay pipes. Several other figures can be seen in the background in an alcove, the floor has a wood tub with earthen ware jug as well as a large pewter tankard. Signed on edge of bench “D. Ryckaert”. Housed in a fine gilt gesso decorated frame. SIZE: 19-1/4″ x 26-1/4″. CONDITION: Relined with some restoration but hard to determine extent under blacklight. 9-95315 (4,000-6,000)


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HENDRIK WILLELM CRAMER (Dutch, 1809-1874) THE BUDDING COURTSHIP. Outstanding oil on canvas interior scene shows a man being presented by family members to a young woman. He is getting advice from another man and holds a small bouquet of flowers. Another woman sits beside the girl looking away from the gentleman.A younger girl sits on an ottoman and shields her face with a fan. Above the gentleman is a double window looking out to vinery and blue with white cloud sky. The interior set with elegant furnishings. Signed lower right “Cramer”. Housed in a magnificent period gesso decorated gilt wide frame. SIZE: 26-1/2″ x 22″. CONDITION: Restored, relined. Very good. 9-95519 (2,000-3,000)


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BALTHASAR SACHS (German School, 19th Century) THE PROPOSAL. Oil on wood panel interior scene shows a man on his knee proposing to a young lady in an elegant green and white dress who is holding a fan. A lavish colorful interior shows furniture, Oriental rug, mirror and a red drape having a young woman peeking at the couple. Signed bottom right “B. Sachs”. Housed in a snakeskin style decorated gilt wood frame with gilt liner. SIZE: 10″ x 8″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good. 9-94816 (800-1,200)


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G. ANCILLOTTI (European, 19th/20th Century) “A SOCIAL GAME OF CHESS”. Oil on canvas interior scene shows a gentleman and lady seated at a game table in the midst of a chess match. The elegant room setting has paintings, furniture and an Oriental rug. A low table is set beside the game table with refreshments. Signed lower right “G Ancillotti, Paris”. Housed in a fine wide pierce carved and gesso decorated gilt frame with gilt liner. Frame having a label with artist name, title and brief biography of artist. SIZE: 13-1/2″ x 17-1/2″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Very good, relined with inpainting. 9-94819 (1,000-1,500)


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ERNESTINE FABBRI (Late 19th Century) KNITTING BY THE WINDOW. Fine oil on canvas interior scene shows a young woman seated sideways to a large window knitting a red garment. Through the window can be seen water and trees with mountain background. Housed in its original gilt carved wood frame with gilt liner. Signed lower right “Ernestine Fabbri” and dated “88″. Back having a Goupol’s New York City label. SIZE: 18″ x 14-1/4″. PROVENANCE: The Estate of Chad Richards, Camden, Maine. CONDITION: Very good. 9-94691 (1,500-2,500)


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SIGNED (19th Century) THE MEND. Oil on canvas interior scene shows a young woman seated at a table mending a piece of clothing. A candlestick, scissors and spools of thread are on the stand and a fireplace mantle is behind her with various articles atop. Appears to have an illegible signature bottom left. Housed in a period gesso decorated frame (some losses). SIZE: 14″ x 12″. PROVENANCE: From an East Sangerville, Maine private collection, by descent from Dr. Samuel Cox Hooker (1864, Brenchley England -1935, Brooklyn Heights, New York), a sugar chemist, magician, and art collector, to the present owner, a great-grand-daughter. Acquired by Dr. Hooker in Paris. CONDITION: Some inpainting, consolidation and craquelure, fair to good. 9-94928 (1,000-2,000)


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CHARLES COLE MARKHAM (AMERICAN, 1837 – 1907) THE SHY ONE. Oil on board, interior scene shows two young girls leaning against wall, one with hand to face looking away. The end of a bench is seen which probably indicates this is a school room setting and both may be receiving punishment. Signed bottom right, “C.C. MARKHAM”. Housed in a gesso-decorated gilt frame. SIZE: (sight) 9-1/2′H x 8″w. CONDITION: Very good. 9-95575 (1,000-1,500)


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JOSEF EUGEN HORWARTER (Austrian, 1854-1925) WATERING THE GARDEN. Oil on board scene shows a young maiden with watering can watering a vegetable garden at the back barn area. The backdrop has a stone wall with potted flower and a fruit tree. Signed lower left. Also signed on reverse. Housed in a gold painted old frame. SIZE: 18-3/4″ x 13-1/4″. CONDITION: Very good. 9-94345 (1,000-1,500)


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ANDREAS MITTERFELLNER (German, 1912-1972) “KIRCHSEE BOI HOLZKIRCHEN”. Oil on masonite landscape scene shows a large building atop a bluff overlooking water and mountains. The foreground with a grass covered hillside and trees. Signed lower left and dated “1947″. Housed in a fine gesso decorated wide frame. Titled and signed on reverse. SIZE: 23-1/2″ x 31-1/2″. PROVENANCE: Private Collection from Rangley, Maine. CONDITION: Consolidation to varnish layer, surface dirt. Good. 9-95005 (6,000-9,000)


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MARTHA WALTER (American, 1875-1976) THE MUSEUM ENTRANCE. Oil on canvas street scene shows several groups of pedestrians in front of a large building with statues in archways. Signed lower left. Housed in a modern partial gilt carved wood frame. There are two labels in German, one dated 1937 on the stretcher. SIZE: 20″ x 25-3/4″. CONDITION: Craquelure, very good. 9-95572 (5,000-7,000)


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GEORGE ELMER BROWNE (American, 1871-1946) ITALIAN DOCKSIDE. Oil on canvasboard Italian dock scene shows five men unloading a boat laden with sacks of produce. Beyond the boat is the busy harbor. Signed lower left “Geo. Elmer Browne”. Housed in a fine reproduction gilt carved wood frame having artist plaque. SIZE: 6-3/4″ x 10″. CONDITION: Very good. 9-95491 (1,800-2,200)


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GEORGE ELMER BROWNE (American, 1871-1946) UNLOADING THE BOAT. Oil on canvasboard dockside scene shows four men with gangplank unloading bags of produce from boat. Signed lower right “Geo. Elmer Browne”. Housed in a fine carved and gilt wood frame having gilt artist plaque. SIZE: 6-3/4″ x 10″. CONDITION: Very good. 9-95492 (1,800-2,200)


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CHARLES PAUL GRUPPE (American, 1860-1940) “BREAD AND MILK”. Oil on board Dutch scene shows a young mother spooning milk to an infant in a high chair. She wears a red shirt with green skirt and wood shoes. Signed lower left “Chas P. Gruppe”. Also titled on reverse and inscribed “My father painted this painting in Holland: His son, Emile A. Gruppe”. Housed in a gesso decorated gilt frame with painted liner. SIZE: 14″ x 10-1/2″. CONDITION: Very good. 9-95726 (1,500-2,500)


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SIGNED (American, Mid 20th Century) PARIS STREET CAFE. Oil on canvas Paris street scene shows a group of fancy dressed Parisians at an outdoor cafe. The street is lined with tall buildings and a domed building beyond. Signed lower left illegibly. Housed in a fancy partial gilt frame. A nice colorful well done scene. SIZE: 24″ x 20″. PROVENANCE: Private Collection from Rangeley, Maine. CONDITION: Very good, two small chips to right corner. 9-95015 (1,500-2,000)


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SIGNED (European, 19th/20th Century) FRENCH STREET SCENE. Fine watercolor shows a wide boulevard with cross over bridge in an interior city scene. A large domed building is at end of street and it is evening and the street lights shine with pedestrian and horse drawn coaches. Signed lower right. Housed in a magnificent ornate gesso decorated gilt modern frame with gilt liner, white matte and inner gilt liner with glass. SIZE: Sight: 15-1/2″ x 11-1/2″. CONDITION: Very good. 9-95449 (1,200-1,800)


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T ANGELSKI (American, First Half of the 20th Century) VENICE. Oil on canvas Venice waterway scene shows the Grand Canal with sailboats and large buildings surrounding water. Signed lower right “T. Angelski 9-35″. Housed in its original gilt molded wood frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-93178 (800-1,200)


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T. ANGELSKI (American, First Half of the 20th Century) CITY VIEW. Oil on canvas scene shows a carriage and automobile with pedestrians at the edge of a city park having a backdrop of tall buildings. Signed lower right “T Angelske 8-36″. Housed in its original carved and gilt wood frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-93179 (800-1,200)


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T. ANGELSKI (American, First Half of the 20th Century) HERDING THE COWS. Oil on canvas landscape scene shows a woman with three cows near dirt cart path with trees and stream. Early fall scene under blue and white cloud sky. Housed in its original gilt and carved wood frame. Signed lower right “T Angelski 2-35″. SIZE: 24-1/2″ x 16-1/2″. CONDITION: Very good. 9-93180 (800-1,200)


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VERA EUGENIA ANDRUS (aka Vera Harriet Owen) (American, 1894-1979) “IN-THE-WALLED-TOWN, CONCARNEAU”. Oil on canvasboard town scene shows two women approaching a large archway from different sides with houses beyond. Signed lower right “Vera H Owen”. Attached to back of board is a 1928 North Shore Art Association 6th Annual Exhibition label. Concarneau is on the Atlantic side of coastal France. Housed in a fine modern carved and gilt wood frame with gilt wood title and artist plaque. SIZE: 11-3/4″ x 15-3/4″. CONDITION: Very good. 9-95038 (800-1,200)


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C. SCHTER (Last half of the 20th Century) “ST. BARTHOLOMGE CHAPEL”. Oil on canvas scene shows a large snow covered mountain range with lake and church with buildings on shoreline. Back indicates that this is the “Devils Horn Mountain in Konigssee Region”, Konigsse is a lake in Bavaria, on the border of Germany and Austria. SIZE: 23-1/2″ x 31-1/2″. CONDITION: Very good. 9-95623 (800-1,200)


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F. C. ARTZ (American, Early 20th Century) “THE DUTCH ROOM”. Oil on canvas interior scene shows a woman in Dutch country attire seated in a chair taking a break from reading a book. A landscape with windmill can be seen through window and the room is outfitted with furniture and accessories. Signed bottom right “F. C. Artz” and titled on back of canvas. Housed in its original fancy decorated frame. Little can be found about this artist though listed in Davenports as an American artist. SIZE: 28″ x 19″. PROVENANCE: From a New Hampshire home. CONDITION: Very good. 9-95336 (400-600)


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SIGNED (European, 19th Century) A EUROPEAN VILLAGE. Oil on canvas mounted on panel summer scene shows two figures in grass and tree area outside a town with cathedral and other buildings. Signed indistinctly lower right. Housed in a black painted molded wood frame. SIZE: 14″ X 19-1/4″. CONDITION: Very good with minor inpainting. 9-95397 (600-800)


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HENRICH HERMANN SCHAFER (German, 1815 – 1884) “LOUVIERS, NORMANDY”. Fine watercolor city scene shows a street lined with fancy store fronts and large cathedrals. A produce seller is selling on the corner with men and ladies walking the street. Housed in a black and gold frame. Titled lower left and signed lower right “H Schafer”. SIZE: Sight: 17-1/2″ x 13-1/2″. CONDITION: Very good. 9-95599 (700-1,000)


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J. CHARLES ARTER (American/French, 1860-1923) ALONG THE CANAL. Watercolor scene shows a boat with sail being rowed along the waterway with sun reflecting the sail and boat in the water. Signed lower right “J C Arter Chioggio”. Chioggio is an inlet on the coast of Italy. Housed in a gold wood frame with matte. SIZE: Sight: 15″ x 10″. CONDITION: Good. 9-95388 (400-600)


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HAYLEY LEVER (American, 1876-1958) ST. IVES HARBOR. Oil on canvasboard harbor scene shows several small and large boats in a blue harbor lined with buildings. Signed lower left “Hayley Lever”. Housed in a fine carved arts & crafts style gilt wood frame with wide carved and gilt liner having a wood gilt artist plaque. SIZE: 6-1/2″ x 10″. CONDITION: Very good. 9-95035 (2,500-3,500)


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FRANCIS H. RICHARDSON (American, 1859-1934) “GIRL IN BLUE”. Outstanding large oil on canvas interior scene shows a young woman seated in a wood armchair with scroll arms next to an open fire. She has a blue blouse and she is sewing a piece of white cloth. A mantle is set behind her with a bottle and figurine. A fireplace settle is beside. Signed lower right. Also inscribed on reverse “Girl in Blue, F.H. Richardson Ipswich, Mass”. Housed in a modern gilt gesso decorated frame. SIZE: 26″ x 32″. CONDITION: Some inpainting, very good. 9-95698 (4,000-6,000)


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SAUL BERMAN (American, 1899-1975) NEW YORK CITY BRIDGE. Oil on canvas New York City scene shows what appears to be the George Washington bridge with a horse-drawn carriage and figures crossing the bridge. Large buildings are on a steep bank and buildings and boats are seen along the near shore. Signed lower right. Housed in a natural molded wood frame with linen and gilt liner. SIZE: 24″ x 30″. CONDITION: Very good. 9-95680 (800-1,200)


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FAIRFIELD PORTER (American, 1907-1975) LANDSCAPE. Watercolor on paper scene shows a field lined with bushes and one tree. Signed lower left in pencil “Fairfield Porter ’63″. Housed in a silver gilt wood frame with decorative matte. SIZE: Sight: 6″ x 8″. CONDITION: Very good. 9-95715 (2,000-3,000)


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Revised: 2/5/2009

Additional Information: Should be attributed to, we are not guaranteeing this to be by the artist.

ATTRIBUTED TO GEORGE INNESS (AMERICAN, 1825-1894) FISHING FLEET. Oil on canvas, mounted on board impressionistic scene shows several fishing sailboats along beach with figures, all under a mist-filled sky with sun shining through. signed lower right, “G. INNESS”. Housed in a replacement gesso-decorated gilt frame. SIZE: 20″h x 27″w. CONDITION: Good. 9-95566 (3,000-5,000)


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JOHN PRENTISS BENSON (American, 1865-1947) SAILING OFF BERMUDA. Unsigned oil on canvas backed by board scene shows a sailboat with figures aboard in full sail on light blue ocean under blue and white cloud sky. Housed in a good gilt molded wood replacement frame with linen and gilt liner. SIZE: 16″ x 24″. PROVENANCE: Letter accompanying painting states that this painting was acquired from the grandson through inheritance. CONDITION: Craquelure, surface dirt and one small chip in sky. Otherwise good. 9-94369 (4,000-6,000)


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ROSS STERLING TURNER (American, 1847-1915) BERMUDA. Large watercolor of a rooftop view overlooking a large plantation with church, courtyards and connected buildings. A woman is seen in foreground near cooking utensils and potted plants. Signed lower left. Housed in a wonderful gilt oak frame with gilt liner and double matte. SIZE: Sight size 19″ x 26″. CONDITION: Toning at matte edge. Some light foxing. Very good. 9-94356 (4,000-6,000)


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JOYCE WILLIAMS (American, Late 20th Century) “CORNISH MODEL”. Large watercolor interior scene shows a single mast ship model placed in front of a six-pane window overlooking buildings. Signed lower right “Joyce Williams, AWS, NWS”. Housed in a good gilt molded wood frame with double white matte. SIZE: Sight: 21″ x 29″. CONDITION: Very good to excellent. 9-94763 (800-1,200)


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JOYCE WILLIAMS (American, 20th Century) “THE BLUE CHEST”. Fine large watercolor shows two baskets, one containing dried flowers atop a light blue antique cupboard. A quilt hangs from a quilt rack to its right. Signed lower left “Joyce Williams AWS NWS”. Housed in a nice decorative partial gilt frame with double mattes. SIZE: 21″ x 26-1/2″. CONDITION: Very good to excellent. 9-94751 (1,000-1,500)


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JOYCE WILLIAMS (American, 20th Century) THREE WORKS: “THE WINDOW”, “WHITE HOUSES OF MAINE” “SAFE HARBOR”. 1) “The Window” watercolor scene shows the front step of a Colonial home having white railings and wildflowers beside. Signed lower right. 2) White Housed of Maine” watercolor shows a connected white farmhouse with small detached building nestled against woods with field in foreground. Signed lower right. 3) “Safe Harbor” watercolor scene shows a Maine harbor in a tranquil moment with boats, dock and buildings. Signed lower left. All unframed but matted. Each with title on reverse. SIZE: Sight: 1) 10″ x 13-1/2″. 2) 14-1/4″ x 19″. 3) 14-1/4″ x 21-1/4″. CONDITION: Very good to excellent. 9-94791, 9-94794; 9-94796 (800-1,200)


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FRANK DUVENECK (American, 1848-1919) PORTRAIT OF A YOUNG WOMAN. Oil on canvas half portrait of a young woman wearing a white shirt and red scarf in her hair. A side angle view as she looks toward viewer. Signed with conjoined initials upper left. Housed in an antique gilt frame. Dated on reverse “Dec 23 99″. SIZE: 23-1/4″ x 17-1/2″. CONDITION: Light craquelure, surface dirt. Good. 9-95564 (3,000-5,000)


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ATTRIBUTED TO CICILIA BEAUX (American, 1855-1942) LITTLE MARY PAUL. Watercolor on board half portrait of a small child in white dress seated against a bluish/gray background. One hand holds a red, green and blue colored ball, the other holds a gathering of red flowers. Signed upper right “Beaux”. Housed in a gilt wood frame with gilt liner with glass. We beleive this to be the same portrait as listed in the Smithsonian Inventory of Art as No. IAP 80650074. SIZE: 15-1/2″ x 16-1/4″. CONDITION: Some light scratches in upper left corner, otherwise very good. 9-95364 (2,500-4,000)


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SCOTT CLIFTON CARBEE (American, 1860-1946) THE RED SILK ROBE. Oil on canvas portrait of a young woman wearing an Oriental red robe over a white shirt. She gazes at the viewer and has black hair and wears hoop earrings. Set against a green mottled background. Signed bottom left “Carbee”. Housed in a carved wood frame with gilt and black decoration, probably original, behind glass. Carbee is the founder and director of the Fine Arts Department of the summer school of the University of Vermont in Burlington. SIZE: 20-1/2″ x 16″. CONDITION: Very good. 9-95579 (2,500-4,500)


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FRANK C. PENFOLD (American, 1849-1927) A QUIET MOMENT. Oil on canvas pleasant scene shows a French woman with traditional country dress and wearing pink and blue bonnet. She sits on a small sand dune with wild flowers to her right. An expanse of beach and then water is seen. Colorful sky in pastel blue to pink. Signed lower right “F C Penfold 1883″. Housed in its fine original gilt decorated frame with decorated gilt liner. SIZE: 14″ x 10-1/2″. CONDITION: Very good. 9-93082 (2,000-4,000)


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KONSTANTIN ALEXEIEVITCH KOROVIN (Russin, 1861-1939) PERSIAN WOMAN. Watercolor on paper glued to board costume design shows a woman in brightly colored Persian outfit. Inscribed in Cyrillic “Persian Woman” and “5th Act”. Signed faintly in pencil “Const. Korovin” lower left. Other indistinctly writing in pencil in upper area. SIZE: 11-3/4″ x 9-1/4″. CONDITION: Foxing at edges, otherwise good. 9-95647 (1,500-2,500)


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WILLIAM MCGREGOR PAXTON (American, 1869-1941) DOUBLE SIDED SILVER POINT ON PAPER DRAWING. Side one is a study of two figures which is partially signed lower right. Side two with tree and fence, unsigned. Housed in a fabulous double sided frame with carved and gilt highlights, silk matte and inner gold liners all on a table stand base. Bottom base of frame is engraved signed “W F Scott”. The base has a label from the Norton Gallery & School of Art, West Palm Beach, Florida and with title “Head of woman, arm & leg”. SIZE: Sight: 12-1/2″ x 10-1/2″. CONDITION: Very good. 9-95558 (1,000-1,500)


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JOHN SINGER SARGENT (American, 1856-1925) GABRIELLE. Pencil and china white drawing of a winged child blowing horns walking out of a doorway. The pencil sketch has some white highlighting. Signed lower right “John S Sargent”. Housed in its original silver frame with white matte. SIZE: Sight: 15-1/4″ x 5-1/2″. CONDITION: Some toning, no rips or holes evident. Not examined out of frame. 9-95380 (1,000-2,000)


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ATTRIBUTED TO THOMAS COWPERTHWAITE EAKINS (American, 1844-1916) TWO CHARCOAL NUDE STUDIES. 1)Charcoal on paper back view of a nude woman with arm extending and hand holding the edge of a door. Inscribed in pencil upper right “Mary Wittman (as posed) Done life d.15 _? 93″. Inscribed lower left in pencil “Feb. 20 93 Give to _ _?”. Right corner “Eakins” in capital letters. 2) Charcoal on paper of a seated nude man seated on a stool in sideways pose. His hands are on his knees and he looks straight ahead and has a mustache. Inscribed in pencil upper right illegibly, also “Eakins”. We are told by our consignor that these were purchased from a family member of Susan McDowell, about 30 years ago, who was widow of Thomas Eakins. It is known that upon her death that a great number of lesser works were found in the apartment and some were later sold and the majority went to the Pennsylvania Academy. SIZE: 1) 24″ x 15-1/2″. 2) 22-3/4″ x 15-1/2″. CONDITION: 1) Edges are toned and have bites and small tears, less than 1″. Otherwise good. 2) Edges have been cut, top edge with some bites and small tears. Generally good. 9-95416 (1,000-2,000)


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MORRIS COLE GRAVES (American, 1910-2001) “TORNADO”. Oil and pen on paper scene of a black tornado with colorful sky. A hint of a town with church steeple is in its path. Pencil signed on matte. Loosely housed in an antique black oak frame which is “as is”. SIZE: Sight: 8″ x 11″. CONDITION: Good. 9-95562 (1,000-1,500)


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CHAIM GROSS (American, 1904-1991) THE FOUR DANCERS. Watercolor depicting four burlesque type dancers. Inscribed and signed bottom right and dated “1950″. Housed in a modern ivy decorated gilt frame with triple matte. SIZE: Sight: 9-1/2″ x 13-1/2″. CONDITION: 1″ tight tear in upper center, otherwise very good. Examined out of frame. 9-94038 (800-1,200)


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PAULINE LENNARDS PALMER (American, 1867-1938) WOMAN IN WHITE. Large oil on canvas three-quarter portrait of a young woman dressed in a white dress with yellow collar and black bow-tie. She wears a white French style hat which is cocked to the side and she smiles at the viewer. She is set against a plum colored background. Signed lower left. Housed in a fine carved and partially gilt wood frame. SIZE: 36″ x 30″. CONDITION: Very good, some minor inpainting. 9-94340 (2,000-3,000)


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PAULINE LENNARDS PALMER (American, 1867-1938) WOMAN IN A BLUE SUIT. Fine oil on canvas half portrait of a woman seated in a red chair with one arm resting on back of chair. She faces the viewer and she is wearing a blue jacket with matching dress. Signed bottom right “Pauline Palmer”. Housed in a gilt and black decorated frame. SIZE: 32-1/4″ x 26-1/4″. CONDITION: Minor inpainting, very good. 9-93062 (2,000-3,000)


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P. FABRE (19th Century) DAISY. Oil on canvasboard portrait of a young girl in a white dress and bonnet holding a bouquet of daisies. Housed in a magnificent flower decorated gesso gilt wood frame with gilt liner. SIZE: 12″ x 9″. PROVENANCE: From the Estate of Geraldine Gaba, Scottsdale, AZ. CONDITION: Discolored varnish, very good. 9-94810 (500-1,000)


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WILL ROWLAND DAVIS (American, 1879-1944) MOTHER AND CHILD. Mixed media study of a young mother with infant. She holds the baby in her arms. The baby wearing a white Christening dress. An outstanding composition. Signed lower right “W.R.Davis 07.” Housed in a partial gilt molded wood frame with brown matte. SIZE: Sight: 15-3/4” x 11-3/4”. PROVENANCE: Descended in the artist’s family. CONDITION: Very good. 9-95120 (500-1,000)


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JAY WEAVER (American, Mid 20th Century) “OKIE”. Oil on canvas shoulder length portrait of a mid-west rancher. The man is seen with a wide brim hat, weathered facial features and smoking a pipe. The artist has captured the character of the rugged farmer of the mid 20th Century. Signed lower right “Jay Weaver”. Titled on reverse of canvas. Housed in a silver painted wood frame with silver liner. SIZE: 20″ x 16″. CONDITION: One patch to reverse corresponds to a repaired 2″ slit in bottom brim of hat, craquelure, good. 9-95568 (500-700)


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RAPHAEL SOYER (American, 1899-1987) PORTRAIT OF A MAN. Unframed oil on canvas half portrait of a man with crossed arms, white shirt and glasses. He stands under a tree with an ocean backdrop. Signed lower right. SIZE: 32″ x 26″. CONDITION: Some inpainting. Very good. 9-94321 (1,000-1,500)


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REYNOLDS BEAL (American, 1867-1951) “CORINTO-NICARAGUA-1933″. Unframed mixed media scene shows a group of people with donkey outside a series of houses under palm trees under white cloud and blue sky. Signed and titled lower left. SIZE: 13″ x 16-1/2″. CONDITION: Very good. 9-95146 (1,500-2,500)


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REYNOLDS BEAL (American, 1867-1951) “COCK FIGHTS-BRIDGETOWN, BARBADOS-1932″. Unframed mixed media island scene shows ten men gathered around two birds which are in the midst of a fight. A group of buildings with palm trees are seen as backdrop under blue and white cloud sky. Signed and titled lower left. SIZE: 11″ x 13-3/4″. CONDITION: Very good. 9-95145 (1,500-2,500)


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REYNOLDS BEAL (American, 1867-1951) CIRCUS, 1922. Unframed mixed media scene shows a group of circus performers seated and standing next to an elephant and circus wagon in front of a large tent with four American flags. Signed lower left and dated “1922″. SIZE: 11-1/4″ x 13-3/4″. CONDITION: Very good. 9-95147 (1,500-2,500)


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GIFFORD BEAL (American, 1879-1956) THE CIRCUS WAGONS. Unsigned oil on board scene shows three circus wagons outside a large tent and building shaded by large trees. Two figures are seen at covered table next to horses. Housed in an antique gilt carved wood frame with gilt liner. SIZE: 16″ x 20″. CONDITION: Two tack holes on top margin, otherwise very good. 9-95389 (2,000-3,000)


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REYNOLDS BEAL (AMERICAN, 1867 – 1951) WICKFORD HARBOR LIGHTHOUSE. Oil on board harbor scene shows a point of land in harbor area supporting a square white lighthouse with connected building. The lighthouse was destroyed in 1930 and was situated in the harbor of this Rhode Island town. Signed lower right and housed in a decorative period gilt frame. SIZE: 10″h x 13-1/4″w. CONDITION: Very good. 9-95481 (2,500-3,500)


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LEWIS GEORGE BOUCHE (American, 1896-1969) CIRCUS PERFORMER. Watercolor on paper scene shows a man holding two big balls with a large trapezoidal anchor attached to his neck. The big top is full with an onlooking crowd. Signed lower right “L. Bouche”. SIZE: 14″ x 11″. CONDITION: Very good. 9-94354 (300-500)


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FRANCIS WENDROTH SAUNDERS (AMERICAN, 1901 – 1992) “THE ATLANTIC”. Fine watercolor shows a locomotive with tender and passenger car crossing a three-arched bridge. Signed lower left and dated ’79. The artist has provided us a description in a typed paper on reverse and indicates that the Pennsylvania-Atlantic is shown speeding from Harrisburg, PA across the Susa River. Housed in a black molded wood frame with light gray mat. SIZE: Sight: 14″ x 21-1/2″. CONDITION: Very good. 9-95456 (1,000-1,500)


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FRANCIS WENDEROTH SAUNDERS (American, 1901-1992) ARRIVING AT THE RAIL YARD. Large watercolor shows a black locomotive with tender and five passenger cars coming into a multi-track rail yard. Signed lower right “F Wenderoth Saunder, 76″. Housed in a gilt modern molded wood frame having a Guido Studios label and having a silk wide matte. SIZE: Sight: 20-1/2″ x 28-1/4″. CONDITION: Very good. 9-95442 (1,000-1,500)


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BELA DE TIREFORT (American, 20th Century) WASHINGTON SQUARE. Oil on canvasboard New York City scene shows a double-decker bus traveling through the arch monument with brick buildings beyond. The scene shows a snow covered ground under blue and dark gray skies. Signed lower right “De Tirefort 44″. Housed in its original gilt wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-95094 (2,000-4,000)


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D E TIREFORT (American, 20th Century) STREET MARKET-NEW YORK CITY. Oil on canvasboard scene shows a merchant under make do tarp with customers in an area of other shops and buildings. Signed lower left “De Tirefort 39″. Housed in a fine modern carved and decorative gilt wood frame with artist and title plaque. SIZE: 14″ x 18″. CONDITION: Some inpainting, very good. 9-95479 (1,500-2,500)


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BELA DE TIREFORT (American, 20th Century) WASHINGTON SQUARE. Oil on masonite scene shows the monument arch with buildings under blue sky. One figure is seen. Signed lower left “J E Tirefort 41″. Housed in an antique molded wood frame. SIZE: 10″ x 8″. CONDITION: Very good. 9-94046 (900-1,200)