Revised: 2/3/2017

Please Note: GREAT NEWS! Both paintings are signed lower right “A E Hardy”

ANNA ELIZA HARDY (American, 1839-1934) TWO FLORAL STILL LIFES OF ROSES.

Oils on board One in giltwood frame, matted under glass, the other in mahogany frame under glass One signed lower right “AE Hardy”, the other unsigned SIZE: 1) Sight 8-1/4″ x 10″. Overall 14-3/4″ x 16-3/4″. 2) 8″ x 10-3/4″. Overall 12″ x 14-3/4″ CONDITION: 1) Spotty varnish, surface dirt and small area of retouch. 2) Minor retouch 51019-8 (600-700) – Lot 1000

DAHLOV IPCAR (American, 1917-) TIGER.

Stuffed cloth Signed with a stitched name under belly SIZE: 9″ h x 15-1/2″ l CONDITION: Very good 51325-5 (1,000-2,000) – Lot 1001

ALFRED R FULLER (American, 1899-1980) “MONHEGAN LIGHT”.

Oil on board Housed in a modern giltwood frame Signed lower right “Alfred Fuller”, titled on verso SIZE: 16″ x 20″. Overall 21-1/2″ x 25-1/2″ CONDITION: Very good with minor warping to board 51376-22 (1,200-1,800) – Lot 1002

CD RYAN (American School, 20th century) “MONHEGAN ISLAND”.

Oil on Masonite Housed in a giltwood Newcomb Macklin frame Signed and dated lower left “C.D. Ryan. 31”, titled on verso “Monhegan Island”, frame inscribed “#8136 and NET… 76418″ SIZE: 9-3/4″ x 14”. Overall 14-1/2″ x 18-1/2″ CONDITION: Very good with minor surface grime and varnish discoloration 51350-14 (500-700) – Lot 1003

FRANK LOUVILLE BOWIE (American, 1857-1936) THREE LANDSCAPES.

1) “Portland” Oil on board, Housed in a modern giltwood frame, Signed and dated lower right “F. Louville Bowie 1920”, inscribed in pencil verso frame “Portland 1920”. 2) Birch Tree in Landscape with Lake, Oil on canvas, Housed in a vintage gold tome wood frame, Signed and dated lower right “F. Louville Bowie 1934”. 3) Dorie on a Beach, Oil on canvas, Housed in a giltwood frame, Signed and dated lower right “F. Louville Bowie 1928″ SIZE: 1) 18-1/2″ x 24-1/2″. Overall 20-1/2″ x 26-1/2″. 2) 14″ x 18″. Overall 15-1/2″ x 19-1/2″. 3) 14″ x 18”. Overall 19-1/2″ x 23-1/2″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: 1) Good with minor surface grime, discolored varnish. 2) Overall discolored varnish, surface grime and flake losses along upper left edge. 3) Tiny pinholes, minor canvas buckle, stretcher mark along left edge 51412-22 (1,000-1,500) – Lot 1004

CHARLES VOLKMAR (American/French, 1841-1914) “NOVEMBER MORNING, MOUNT BIGELOW, ME”.

Oil on canvas Housed in a substantial period giltwood frame, with presentation plaque inscribed with title Signed, inscribed and dated lower left “Chas. Volkmar Paris 73.” Verso canvas stenciled “Frame De Lorette…S ottoz Paris”, inscribed in ink on verso “A November Day Mt. Bigelow ME”, signed “Chas. Volkmar 34 Boulevard De Clichey Paris” NOTE: Charles Volkmar is better known as a ceramic artist, however at the outset of his career he was an aspiring landscape painter. In 1861 he was accused of being a Confederate sympathizer so he left for Europe and settled in Paris. Many of his canvases depicted American subjects, however, were painted in Europe. He remained there for nearly 15 years. This painting was created in 1873 while he was studying under Henry Harpignies. He was a regular exhibitor in the Paris salons beginning in 1875. SIZE: 26″ x 46″. Overall 40″ x 59-1/2″ CONDITION: Patch on verso corresponding to restoration in central tree, craquelure and discolored varnish, several areas of inpaint throughout sky and mountains, one small area in water 51348-12 (4,000-6,000) – Lot 1005

PETER ROLFE (American, 1942-) “ON THE ROAD TO NOBLEBORO”.

Oil on canvas Housed in a giltwood frame with linen liner Signed lower left “Rolfe”, titled on label affixed to verso, bears J.Todd Galleries, Wellesley label on verso SIZE: 16″ x 20″. Overall 22-1/2″ x 26-1/2″ CONDITION: Very good 51425-1 (1,500-2,500) – Lot 1006

ANNE W CARLTON (American, 1878-1968) “PERKINS COVE, OGUNQUIT”.

Watercolor on paper Housed in a modern wood frame, matted under glass Signed lower left “Anne Carleton” SIZE: Sight 14-1/2″ x 22-1/4″. Overall 24-1/2″ x 32″ CONDITION: Very good 51325-4 (1,500-2,500) – Lot 1007

ATTRIBUTED TO MARY MELLEN (American, 1817-1882) MAINE HARBOR AT SUNSET.

Oil on canvas Housed in a period giltwood frame Apocryphal signature lower right “FH Lane 1829(?)” SIZE: 12″ x 16″. Overall 16-1/2″ x 20-1/2″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Very good, small area of inpainting in sky, lined with tight, stabilized craquelure 51398-11 (5,000-10,000) – Lot 1008

T M NICHOLAS (American, 1963-) “BREEZY DAY, ACADIA”.

Oil on canvas Housed in a modern giltwood frame Signed lower left “T.M. Nicholas” SIZE: 20″ x 30″. Overall 28-1/2″ x 38-1/2″ CONDITION: Very good to excellent 51534-1 (7,000-10,000) – Lot 1009

T M NICHOLAS (American, 1963-) BOOTHBAY HARBOR.

Oil on canvas Housed in a modern giltwood frame with linen liner Signed lower right “T.M. Nicholas” SIZE: 18″ x 14″. Overall 26″ x 22″ CONDITION: Very good to excellent 51351-1 (3,000-5,000) – Lot 1010

PAUL STRISIK (American, 1918-1998) “DOWNEAST HARBOR”.

Oil on canvas Housed in a giltwood frame Signed lower left “P Strisik”, bears artist’s label with title affixed to stretcher, verso canvas stamped “reproduction rights reserved by the artist”, stretcher inscribed “Beal’s Maine April 1971″ SIZE: 12″ x 16”. Overall 17-1/2″ x 21-1/2″ CONDITION: Very good 51531-4 (2,500-3,500) – Lot 1011

PAUL STRISIK (American, 1918-1998) “MORGANS COVE”.

Oil on canvas Housed in a contemporary giltwood frame with linen liner and presentation plaque Signed lower left “P Strisik NA”, titled on artist’s label affixed to stretcher and numbered “3524” Exhibited: Rockport Art Association “Paul Strisik N.A.: The Artist & His Collection”, October 4-November 16, 2014 SIZE: 16″x 24″. Overall 23-3/4″ x 31-3/4″ PROVENANCE: Ex-collection George Cahill, Concord, Massachusetts CONDITION: Very good 51531-12 (3,000-4,000) – Lot 1012

PAUL STRISIK (American, 1918-1998) “THE INLET IN AUTUMN”.

Oil on Masonite Housed in a vintage paint decorated wood frame with linen liner Signed lower right “P. Strisik”, titled on artist’s label affixed to verso “No. 0-640″, also bears Sandra Wilson Galleries, Denver Colorado label SIZE: 12″ x 16”. Overall 20-1/4″ x 24-1/4″ CONDITION: Very good 51531-11 (2,500-3,500) – Lot 1013

HAYLEY LEVER (American, 1876-1958) MONHEGAN ISLAND DOCK.

Oil on canvas Housed in a modern giltwood frame Unsigned, lot accompanied by a photocopy of a letter of authenticity from Previti Gallery dated 1989 SIZE: 24″ x 26″. Overall 31-3/4″ x 34-3/4″ CONDITION: Very good with minor touch up along right edge. 51191-4 (10,000-15,000) – Lot 1014

WILLIAM LESTER STEVENS (American, 1888-1969) MORNING STROLL TO SOMES SOUND.

Oil on canvas Housed in a giltwood frame with linen liner Signed lower right “W. Lester Stevens N.A.”, also signed on stretcher SIZE: 20″ x 24″. Overall 27-3/2″ x 31-3/4″ CONDITION: Very good 51529-10 (5,000-7,000) – Lot 1015

FRANK HENRY SHAPLEIGH (American, 1842-1906) “OLD MILL AT ANDOVER, MAINE”.

Oil on canvas Housed in a modern giltwood frame Signed and dated lower left “F.H. Shapleigh 1885.”, titled and signed on verso “Old Mill at Andover Maine by F.H. Shapleigh.” SIZE: 20″ x 30″. Overall 28″ x 39″ CONDITION: Minor craquelure, the canvas is brittle and separating from stretcher along top edge, area of restoration in sky, otherwise good 51443-2 (2,000-4,000) – Lot 1016

ABBOTT FULLER GRAVES (American, 1859-1936) LANDSCAPE WITH LIGHTHOUSE AND FORT.

Oil on board Unframed Signed with initials lower left “AG”, signed on verso “Abbott Graves” and inscribed “82” SIZE: 6-1/4″ x 9-1/4″ CONDITION: Shrinkage cracks and craquelure, surface dirt, damaged area to board lower right 51456-1 (1,500-2,500) – Lot 1017

Revised: 1/26/2017

Please Note: We have been notified this may not be a Monhegan scene due to the saw mill included in the painting, we cannot verify if there was or was not a sawmill on Monhegan Island.

ANDREW WINTER (American, 1893-1958) SAWMILL, MONHEGAN MAINE.

Oil on canvas Housed in a 1950’s carved wood partial gilt frame with linen liner Signed lower right “A Winter” SIZE: 22″ x 26″. Overall: 31″ x 35-1/4″ CONDITION: Some surface dirt, very good 51319-12 (2,000-4,000) – Lot 1018

WILLIAM THON (American, 1906-2000) “THE OLD SLOOP”.

Watercolor on paper Housed in a giltwood frame with linen liner under glass Signed lower right “Thon”, boat inscribed with name “Lady Jane, Eastport”, bears several labels on verso with title including Dartmouth College and Midtown Galleries SIZE: 20″ x 26-3/4″. Overall 28″ x 34-1/2″ CONDITION: Paper is buckling and minor foxing lower center along edges 51350-6 (2,000-3,000) – Lot 1019

REUBEN TAM (American, 1916-1991) “RED TIDE SUNSET”, 1975.

Acrylic on canvas Housed in a black and gold decorated wood frame Signed lower right “Tam”, titled and dated on verso This lot is accompanied by “Monhegan, The Artists’ Island”, Camden Maine: Downeast Books, 1995, illustrated page 128 SIZE: 20″ x 22″. Overall 21-1/2″ x 23-1/4″ PROVENANCE: Ex-collection John Horton CONDITION: Very good 51325-3 (3,000-5,000) – Lot 1020

ALLAN LEHTIS (American, 1932-2006) THREE LANDSCAPES.

Three acrylics on canvas Housed in black and gold frames Each signed lower right “ALLAN LEHTIS” Including 1) Cranes Flying Over Water 2) Arctic Landscape 3) Maine Coast SIZE: Each 40″ x 34″. Overall: 36″ x 41-1/2″ CONDITION: Very good 51402-1 (200-400) – Lot 1021

JAMES PERRY WILSON (American, 1889-1976) TWO WORKS: CLIFFS & SHORELINE OF MONHEGAN ISLAND, MAINE.

Oil on board Housed in identical silver gilt & carved modern frames with linen liners Signed lower left & lower right “J P Wilson 1928″ SIZE: Sight: 9-1/2″ x 7-1/2″ Overall: 15-3/4″ x 13-3/4″. Sight: 7-1/2″ x 9-1/2”. Overall: 13-3/4″ x 15-3/4″ PROVENANCE: From a private Maine Collection CONDITION: Very good with minor touch up to one 51179-1 (1,000-1,500) – Lot 1022

JOHN A NEFF (American, 1926- ) SIX WORKS: “BACK COVE” (2), “PEMAQUID POINT LIGHT”, “LOBSTER FLOAT”, “MORNING CHAT”, “LOW TIDE”.

Watercolors on paper Four in identical silver metal frames, the double in a decorative wood frame All signed lower right “J.A. Neff, WPA” A WPA (Whisky Painters of America) label to reverse of each with title and artist SIZE: Sight 4″ x 5″ each. Overall: four 10-+1/4″ X 12-1/4″, one 14-1/2″ x 20-3/4″. PROVENANCE: From a Maine/Texas Collection CONDITION: Very good. 51398-52 (500-1,000) – Lot 1023

JAY CONNAWAY (American, 1893-1970) CLOUDY LANDSCAPE.

Oil on Masonite Housed in a giltwood frame with linen liner Signed lower right “Connaway”, bears exhibition label from the Rockport Art Association dated October 4th to November 16th, 2014, “Paul Strisik, N.A.: The Artist and his Collection” SIZE: 8″ x 10″. Overall 13″ x 15″ CONDITION: Very good with minor touch up 51301-3 (800-1,200) – Lot 1024

RAY WELCH (American, Mid 20th Century) SIX WORKS FROM CHILDHOOD MEMORIES.

1) Boats off lighthouse point. Oil on masonite. Housed in a walnut Victorian frame. 2) Circus scene. Oil on masonite. Housed a Victorian walnut frame. 3) General Store interior. Oil on masonite. Housed in an antique lemon gold frame with losses. 4) Church day. Gouache/watercolor on paper. Housed in a simple black frame with glass. 5) Ship with lighthouse. Unframed oil on masonite. 6) Church Day “Lake View Rest”. Oil on masonite. Unframed. Verso is written “This is a painting from childhood memory by Raymond Welch Bayneg Beg Hill, Sanford, Maine”. All signed “Ray-Welch” lower right SIZE: 1) 16″ x 28″. Overall: 21″ x 33″. 2) 18″ x 24″. Overall: 22″ x 28″. 3) 14″ x 18″. Overall: 17″ x 21-1/2″. 4) Sight: 11″ x 15″. Overall: 12-1/2″ x 16-1/2″. 5) 15-1/2″ x 24″. 6) 12-1/2″ x 22″ CONDITION: Some light scratches, generally very good 51303-3 (1,000-2,000) – Lot 1025

ALZIRA BOEHM PEIRCE (American, 1908-2010) “SEARSPORT STORM”.

Oil on canvas Unframed Signed with initials and dated lower right “A.P. ’38”, signed, titled, and dated on verso “Searsport Storm March 1938, Alzira Peirce”, bears Midtown galleries, NY label on stretcher SIZE: 20″ x 24″ PROVENANCE: By descent within the family of the artist CONDITION: Overall good with minor stretcher marks and spotty varnish, otherwise good 51220-9 (1,000-1,500) – Lot 1026

ALZIRA BOEHM PEIRCE (American, 1908-2010) SOLDIER AND WOMAN IN RED DRESS DANCING.

Oil on canvas Unframed Signed with initials and dated lower right “AP. ’44” SIZE: 20″ x 16″ PROVENANCE: By descent within the family of the artist CONDITION: Minor surface dirt, other wise good 51220-11 (800-1,200) – Lot 1027

ALZIRA BOEHM PEIRCE (American, 1908-2010) “LAYING CABLE”.

Oil on canvas Unframed Signed and dated lower right “Alzira Peirce 1941”, signed, dated and titled on verso “Alzira Peirce Laying Cable 1940″ SIZE: 31″ x 43” PROVENANCE: By descent within the family of the artist CONDITION: Surface grime, minor abrasions along edges 51220-5 (1,200-1,600) – Lot 1028

ALZIRA BOEHM PEIRCE (American, 1908-2010) “FLY FISHING”.

Oil on canvas Unframed Signed and dated lower right “Alzira Peirce ’31” SIZE: 32″ x 45-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Canvas is detached from stretcher in several places, significant surface grime, losses along the edges, surface abrasions 51220-7 (500-1,000) – Lot 1029

Revised: 1/26/2017

Please Note: Size should read 22″ x 16″.

ALZIRA BOEHM PEIRCE (American, 1908-2010) “CHILDRENS BATH”.

Oil on canvas Unframed Initialed lower right “AP.”, signed titled and inscribed on verso “Alzira Peirce, Bangor, ME. Children’s Bath” SIZE: 16″ x 22″ PROVENANCE: By descent within the family of the artist CONDITION: Surface grime, abrasions along edges, depression to canvas upper left. 51220-10 (800-1,200) – Lot 1030

ALZIRA BOEHM PEIRCE (American, 1908-2010) THE PING PONG MATCH.

Oil on canvas Unframed Signed and dated lower right “Alzira Peirce 1941”, inscribed on verso “W Peirce” SIZE: 31″ x 43″ PROVENANCE: By descent within the family of the artist CONDITION: Surface grime, several losses and abrasions along edges 51220-6 (1,500-2,500) – Lot 1031

ALZIRA BOEHM PEIRCE (American, 1908-2010) ROASTING MARSHMALLOWS.

Oil on canvas Unframed Signed and dated lower right “Alzira Peirce 1941″ SIZE: 27″ x 40” PROVENANCE: By descent within the family of the artist CONDITION: Generally very good 51220-1 (1,500-2,500) – Lot 1032

ALZIRA BOEHM PEIRCE (American, 1908-2010) “LOOKING FOR CRAYFISH”.

Oil on canvas Unframed Signed and dated lower right “Alzira Peirce Jan. 1940”, signed titled and dated on verso “Looking for Crayfish Alzira Peirce 1939″ SIZE: 22″ x 30” PROVENANCE: By descent within the family of the artist CONDITION: Good with minor surface grime, small scattered flake losses 51220-2 (1,000-1,500) – Lot 1033

WALDO OR ALZIRA PEIRCE (American, 20th Century) PEIRCE FAMILY PICNIC.

Oil on canvas Unframed Unsigned NOTE: Scene shows Alzira Peirce and her husband, artist Waldo Peirce and their twin boys SIZE: 28-3/4″ x 36-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Surface dirt, 1/4″ hole in center, 3″ vertical scratch, otherwise good 51220-3 (800-1,200) – Lot 1034

ATTRIBUTED TO ALZIRA BOEHM PEIRCE (American, 1908-2010) PEIRCE FAMILY OUTING.

Chip carved and painted wood relief plaque Unframed Unsigned NOTE: Scene shows Alzira Peirce and her husband, artist Waldo Peirce and their twin boys SIZE: 11″ x 42″ PROVENANCE: By descent within the family of the artist CONDITION: Very good. Sides have multiple drilled holes likely from reclaimed wood, large shrinkage cracks and split to panel radiating from right side. 51220-4 (3,500-5,000) – Lot 1035

ALZIRA BOEHM PEIRCE (American, 1908-2010) “MID SUMMER BOUQUET”.

Oil on canvas Unframed Signed lower right “Alzira”, signed and titled on verso SIZE: 43″ x 31″ PROVENANCE: By descent within the family of the artist CONDITION: Very good 51220-8 (1,000-1,500) – Lot 1036

BERENICE ABBOTT (American, 1898-1991) “GREYHOUND BUS TERMINAL”.

Silver gelatin print Unframed, mounted on archival mat board Signed in pencil lower right “Berenice Abbott” numbered lower left “34/40”, titled in pencil on verso “Greyhound Bus Terminal”, stamped “Berenice Abbott Retrospective/ published by Parasol Press, Ltd. 1982. All rights reserved” SIZE: 18-1/4″ x 23-1/4″. Overall 30-1/2″ x 36-1/4″ CONDITION: Very good 51349-2 (3,000-5,000) – Lot 1037

BERENICE ABBOTT (American, 1898-1991) “PORTFOLIO C: RECTOR STREET ITALIAN FESTIVAL”.

Silver gelatin print Unframed, mounted on archival mat board Signed in pencil lower right “Berenice Abbott” numbered lower left “34/40”, titled in pencil on verso “Portfolio C: Rector Street Italian Festival”, stamped “Berenice Abbott Retrospective/ published by Parasol Press, Ltd. 1982. All rights reserved” SIZE: 23-1/4″ x 17-1/2″. Overall 36-1/2″ x 30-1/2″ CONDITION: Very good 51349-3 (3,000-5,000) – Lot 1038

BERENICE ABBOTT (American, 1898-1991) “FULTON ST FISH MARKET”.

Silver gelatin print Unframed, mounted on archival mat board Signed in pencil lower right “Berenice Abbott” numbered lower left “34/40”, titled in pencil on verso “Fulton St Fish Market”, stamped “Berenice Abbott Retrospective/ published by Parasol Press, Ltd. 1982. All rights reserved” SIZE: 18-3/4″ x 23″. Overall 30-1/2″ x 36-1/2″ CONDITION: Very good 51349-1 (3,000-5,000) – Lot 1039

Revised: 2/9/2017

Please Note: There is a typographical error in our catalog description. The spelling of the foundry inscribed in the bronze is “Alexus” The Alexis foundry was renown for the quality of its work, and was the choice for many leading artists of the day. We were made aware of this discrepancy very recently. Upon further investigation and discussions with our experts, we believe this to be a “casting” error that is not uncommon from the time of creation. We will guarantee its authenticity as described in our conditions of sale.

PAUL HOWARD MANSHIP (American, 1885-1966) “INDIAN HUNTER AND HIS DOG”.

Bronze Inscribed on center top of base “1926 Paul Manship”. Inscribed on side of base “Alexis Rudier Fondeur Paris” According ot Janis Conner & Joel Rosenkranz Indian Hunter and His Dog was one of the sculptor’s most popular and widely recognized sculptures. It is also one of the few that is not based on mythology but rather takes its inspiration in part from Manship’s recollections of his childhood in Minnesota. “Indian Hunter and His Dog is a fluid, subtly naturalistic work whose sophisticated triangular composition has much in common with the Diana and Actaeon groups.” (Rediscoveries in American Sculpture: Studio Works, 1893-1939, Austin, Texas, 1989, page 148. Manship was commissioned to install a life-size version of Indian Hunter and His Dog at Cochran Memorial Park in Manship’s home town of Saint Paul, MN. It is believed that 12 examples of his 21″ version were made. 8 examples are known to be in institutions. The last one to come to the auction market was in 2013 at Sotheby’s, New York, 12/4/13, lot 36 and sold for $1,565,000 (incl. premium). SPECIAL NOTE: We would like to thank Steve Tatti Fine Arts Conservator, NYC, for his assistance in cataloging this item SIZE: 21″ h x 24″ l PROVENANCE: Alice Osofsky (1913-1994) Garden City, Long Island, NY; Donated to a private CT museum in the late 1960’s by Alice Osofsky for a collection of Tiffany Studio glass & lamps; De-accessioned from a private CT Museum (name withheld by request). Alice Osofsky was a well recognized and respected dealer & authority on Tiffany glass & lamps. CONDITION: Wonderful unpolished brown bronze patina, arrows bent at finger tips, otherwise very good 51372-3 (400,000-600,000) – Lot 1040

JUD HARTMANN (American, 1948-) THE ROMANS OF THE WEST I.

Bronze Mounted to a molded edge hardwood base Signed under bark “Hartmann 12/60″ SIZE: Bronze: 18-1/4″ h. Overall: 20″ h x 19″ l x 6-1/2” w PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Very good 51358-16 (800-1,200) – Lot 1041

LEONARD LANE (American/Canadian, 1910-1978) COASTAL VIEW WITH SHIMMERING MOONLIGHT.

Oil on canvas Housed in a white and gold decorated carved wood frame Signed lower left “Leonard C. Lane” SIZE: 25″ x 30″. Overall 33-1/2″ x 38-1/2″ CONDITION: Good with small loss in sky 51403-1 (1,500-2,500) – Lot 1042

Revised: 1/26/2017

Please Note: This is an American boat, not British as we indicate in the description. The USS PT-529 was an 80′ class Motor Torpedo Boat with a speed of 41 knots. It was built by Elco, placed in service assigned to Squadron 36 April 22, 1944 and placed out of service October 29, 1945. Other specs include DISPLACEMENT: 38 tons, BEAM: 23′, DRAFT: 5′, ARMAMENT: 4 21″ XIII torpedoes in 2 tubes; 1 20mm, 2×2 .50 cal mg, CREW: 17, Powered by three 4M2500 12-cylinder Packard gasoline engines; 1200 hp. Also, please note that Bruce Arthur Norris (February 19, 1924-January 1, 1986) was owner of the Detroit Red Wings professional ice hockey team from 1952 to 1982. He was the son of James E. Norris and half-brother of James D. Norris. Members of the Norris family owned the Red Wings for almost fifty years before selling the franchise to Mike Ilitich in 1982.

JACK LORIMER GRAY (American, 1927-1981) PORTRAIT OF THE BRITISH TORPEDO BOAT “529”.

Oil on canvas Housed in a fine giltwood frame Signed lower right “Jack L. Gray”, inscribed on stretcher “Painted for Bruce A. Norris 1967 J Gray” with title and artists signature SIZE: 20-1/4″ x 30-1/4″. Overall 28″ x 37″ CONDITION: Very good, lined, with some inpainting 51344-7 (6,000-8,000) – Lot 1043

JACK GRAY (American/Canadian, 1927-1981) “HAULING THE NETS”.

Oil on canvas board Housed in a modern gray frame with white liner Signed and dated lower left “Jack L. Gray 61″ SIZE: 18″ x 24”. Overall 23″ x 29″ CONDITION: Very good with discolored varnish 51304-4 (10,000-15,000) – Lot 1044

LOUIS ASTON KNIGHT (American, 1873-1948) “BLUFF POOL, YORK RIVER, GASPE”.

Oil on Canvas Housed in a mottled red and gold decorated wood frame Signed lower right “Aston Knight York River”, titled on verso of stretcher “Bluff Pool, York River, Gaspe” (in the eastern side of Quebec) SIZE: 18-1/4″ x 21-1/2″. Overall 24″ x 27-1/2″ CONDITION: Very good 51325-1 (5,000-7,000) – Lot 1045

PAUL STRISIK (American, 1918-1998) “DRIFTWOOD COVE”.

Oil on canvas Housed in a rustic wood frame with linen liner Signed lower right “P Strisik”, titled on artist’s label affixed to stretcher “No. 0-2040″ SIZE: 16″ x 20”. Overall 24″ x 28″ CONDITION: Very good to excellent 51531-13 (3,000-4,000) – Lot 1046

CARL W PETERS (American, 1897-1980) “ICE PATCHES”, ROCKPORT.

Oil on canvas Housed in a modern giltwood frame Unsigned, titled on verso “Ice Patches No. 368″ SIZE: 25″ x 30”. Overall 29″ x 34″ PROVENANCE: Acquired directly from the family of the artist CONDITION: Good with several small paint splatters along top 51208-3 (3,000-5,000) – Lot 1047

CARL W PETERS (American, 1897-1980) AUTUMN VILLAGE VIEW, ROCKPORT.

Oil on canvas Housed in a modern gold frame with linen liner Unsigned, bears artist’s estate stamp signed by Elaine P. Woodbury SIZE: 20″ x 24″. Overall 24″ x 28″ PROVENANCE: Acquired directly from the family of the artist CONDITION: Good 51208-10 (1,500-2,500) – Lot 1048

WILLIAM LESTER STEVENS (American, 1888-1969) GLOUCESTER FARM HOUSE WITH STONE WALL.

Oil on canvas Housed in a substantial carved giltwood frame Signed lower right “W. Lester Stevens. 1921″, bears Vose Galleries label affixed to backing board SIZE: 42″ x 48″ Overall 51-1/2″ x 57” PROVENANCE: Vose Galleries, Boston, inventory no. 35953 CONDITION: Very good with minor flake losses. Note: Some areas have canvas showing through which was the intention of the artist while other areas have tiny flake losses that do not distract from the overall image 51350-16 (20,000-30,000) – Lot 1049

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING, SMITH COVE, GLOUCESTER.

Oil on canvas Housed in a modern giltwood frame with linen liner Signed lower right “Emile A Gruppe”, titled and inscribed on stretcher SIZE: 25″ x 30″. Overall 33″ x 38″ CONDITION: Very good 51120-8 (10,000-15,000) – Lot 1050

EMILE ALBERT GRUPPE (American, 1896-1978) “DRYING SAILS, GLOUCESTER”.

Oil on canvas Housed in a vintage silver painted wood frame, bears presentation plaque with title Signed lower left “Emile A. Gruppe”, titled and signed on verso SIZE: 25″ x 30″. Overall 28-1/2″ x 33-1/2″ CONDITION: Surface grime, minor stretcher marks along edges, otherwise very good 51314-2 (8,000-12,000) – Lot 1051

EMILE ALBERT GRUPPE (American, 1896-1978) MISTY MORNING II, GLOUCESTER HARBOR.

Oil on canvas Housed in a modern wood frame with pewter colored patina Signed lower right “Emile A Gruppe”, inscribed on stretcher “My Gig! From Pop 8.26.1963″ in pink nailpolish SIZE: 30-1/2″ x 36”. Overall 39″ x 45″ CONDITION: Very good 51397-1 (15,000-20,000) – Lot 1052

EMILE ALBERT GRUPPE (American, 1896-1978) BICKFORD’S WHARF, GLOUCESTER.

Oil on canvas circa 1930’s Housed in its original silvered wood frame Signed lower left “Emile A. Gruppe” SIZE: 24″ x 20″. Overall 28″ x 24″ CONDITION: Very good 51394-2 (6,000-9,000) – Lot 1053

EMILE ALBERT GRUPPE (American, 1896-1978) “BASS ROCKS”.

Oil on canvas board Housed in a gilt gesso and wood frame Signed lower right “Emile Gruppe”, titled and signed on verso “Bass Rocks by Emile A. Gruppe” and with a dedication inscribed on verso from Helen M Kurth to Virginia Guiler dated June 16, 1984 SIZE: 15-3/4″ x 19-3/4″. Overall 21-1/2″ x 25-1/2″ PROVENANCE: Helen M. Kurth; Gifted to Virginia Guiler, 1984 CONDITION: Very good 51487-1 (2,000-4,000) – Lot 1054

ANTHONY THIEME (American, 1888-1954) “THATCHERS ISLAND”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “A. Thieme”, titled on verso “Thatchers Island” SIZE: 25″ x 30″. Overall 32-1/4″ x 37-1/2″ PROVENANCE: Collection of a Wellesley, MA gentleman CONDITION: Very good 51213-5 (6,000-9,000) – Lot 1055

MAX KUEHNE (American, 1880-1968) “STREET SCENE, ROCKPORT MASS”.

Oil on panel Housed in a giltwood frame Signed lower right by stamp “Kuehne”, identified and titled on Hirschl and Adler Galleries, NY label affixed to verso, also bears Driscoll and Walsh, Boston label, inscribed in pencil on verso “Rockport Mass. Street Scene” SIZE: 12″ x 15-3/4″. Overall 18″ x 22″ CONDITION: Minor vertical craquelure, minor scattered retouch, otherwise very good 51529-13 (5,000-7,000) – Lot 1056

FERN ISABEL KUNS COPPEDGE (American, 1883-1951) GLOUCESTER HARBOR.

Oil on canvas Housed in a molded giltwood frame Signed lower right “Fern Coppedge” SIZE: 18″ x 20″. Overall 22″ x 24″ CONDITION: Canvas is slightly buckled, minor surface dirt and discolored varnish, frame has loss lower left 51203-1 (20,000-30,000) – Lot 1057

JAMES JEFFREY GRANT (American, 1883-1960) GLOUCESTER DOCKS.

Oil on board Housed in a wood frame Signed lower right “J. Jeffrey Grant” SIZE: 14″ x 16″. Overall 17-1/4″ x 19-1/2″ CONDITION: Oveall good condition, board slightly warped 51380-1 (1,000-2,000) – Lot 1058

Revised: 1/26/2017

Please Note: Overall size should read 31″ x 37″.

BOB BLUE (American, 1924-2008) “ARRIVAL OF THE TALL SHIPS FOR THE MAYOR’S ESPERANTO CUP RACE”.

Oil on canvas Housed in a modern silver gilt molded wood frame Signed lower left “Bob Blue” NOTE: The “Esperanto Cup” is the coveted prize of the Mayor’s race, and is the symbol of the rekindling of the schooner races of the 1920s and the fishing fleet that the races represent. SIZE: 24″ x 30″. Overall 31″ x 27″ CONDITION: Very good 51302-1 (1,000-2,000) – Lot 1059

BOB BLUE (American, 1924-2008) “APPROACHING STORM”.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Bob Blue” SIZE: 24″ x 30″. Overall 30-1/2″ x 37″ CONDITION: Very good 51302-2 (1,000-2,000) – Lot 1060

ANTONIO CIRINO (Italian, 1889-1983) “THE WHITE HOUSE”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “A. Cirino”, titled inscribed on verso, bears “The Patricia Weiner Gallery, Cincinati OH” Label on foam backing board SIZE: 24″ x 30″. Overall 29″ x 35″ CONDITION: Very good with scattered retouch along bottom 51531-7 (3,000-5,000) – Lot 1061

ANTONIO CIRINO (American, 1889-1983) “GENERATIONS OLD”.

Oil on canvas Housed in a modern giltwood frame Signed lower left “A Cirino”, titled on Rockport Art Association label affixed to stretcher, bears label stapled to stretcher reads “Gold medal of honor Rockport Art Association 1976″ SIZE: 25″ x 30”. Overall 28-1/4″ x 33-1/4″ CONDITION: Very good, with small patch on verso corresponding to restored tear upper left. 51417-1 (4,000-6,000) – Lot 1062

T M NICHOLAS (American, 1963-) “LIGHT ON THE MARSHES”.

Oil on canvas Housed in a modern giltwood frame with linen liner Signed lower right “T.M. Nicholas” SIZE: 18″ x 24″. Overall 22-1/2″ x 28-1/2″ CONDITION: Very good to excellent 51351-2 (2,000-4,000) – Lot 1063

GORDAN GRANT (American, 1875-1962) “SUNDAY IN PORT”.

Watercolor Housed in a modern giltwood frame matted under glass with gilt liner Signed lower right “Gordon Grant”, titled on Grand Central Art Galleries Inc, New York label taped to paper backing SIZE: Sight: 14″ x 20-3/4″. Overall 26-1/2″ x 33-1/2″ CONDITION: Very good with slight fading, not examined out of frame 51529-6 (2,000-3,000) – Lot 1064

ROBERT CHARLES GRUPPE (American, 1944-) “ISLAS MUHERES”.

Oil on canvas Housed in a modern copper colored and ebonized wood frame Signed lower right “Robert C Gruppe” SIZE: 30″ x 40″. Overall 38-1/2″ x 48-1/2″ CONDITION: Very good to excellent 51535-1 (1,500-2,000) – Lot 1065

KENNETH KNOWLES (American, 1968-) “LAST LIGHT ON HARBOR LOOP”, GLOUCESTER, MASSACHUSETTS.

Oil on Masonite Housed in a modern giltwood frame Signed lower right “Ken Knowles”, signed, titled and dated on verso “Last Light on Harbor Loop Ken Knowles 2009″ SIZE: 24″ x 30”. Overall 30″ x 36″ CONDITION: Very good 51376-21 (2,500-3,500) – Lot 1066

WAYNE MORRELL (American, 1923-2013) “A MARCH MORNING” GOOD HARBOR BEACH, GLOUCESTER.

Oil on panel Housed in a contemporary giltwood frame Signed lower left “Wayne Morrell”, titled, signed and inscribed on verso “At Good Harbor Beach 7am Mar-20-1967 Gloucester, Mass by Wayne Morrell 1967” also inscribed “To the collection of Mrs. Lillian W. Morrell” SIZE: 9″ x 12″. Overall 15-1/2″ x 18-1/2″ PROVENANCE: Collection of a Wellesley, MA gentleman CONDITION: Very good 51213-1 (1,000-1,500) – Lot 1067

CARL GUSTAFSON (American, 1910-2011) “GLOUCESTER BOATS”.

Oil on board Housed in a modern giltwood frame Signed lower right “C Gustafson”, inscribed on verso “Carl Gustafson 1975 Gloucester” SIZE: 16″ x 20″. Overall 21″ x 25″ CONDITION: Very good 51472-2 (300-500) – Lot 1068

C HJALMER AMUNDSON (American, 1911-2001) GREEN BOAT AT DOCK, POSSIBLY YORK HARBOR.

Oil on canvas Housed in a gold tone carved wood frame (some paint loss) Signed lower left “J.J. Enwright-” NOTE: J.J. Enwright (pseudonym for Hjalmar “Cappy” Amundsen) SIZE: 28-1/4″ x 38″. Overall 33-1/2″ x 43-1/2″ CONDITION: Good with surface dirt with discolored varnish & minor craquelure 51535-2 (1,000-1,500) – Lot 1069

SARAH KRAMER GLASS (American, 1885-) FORT SQUARE, GLOUCESTER.

Oil on board Housed in a giltwood frame Signed lower left “Sarah Kramer Glass” SIZE: 10″ x 8″. Overall 14-3/4″ x 12-3/4″ CONDITION: Very good with minor retouch in sky 51529-5 (600-900) – Lot 1070

SIGNED (American, 20th Century) DAPPLED SUNLIGHT, GLOUCESTER.

Oil on canvas Housed in a carved giltwood frame Signed lower right indistinctly SIZE: 20″ x 24″. Overall 28″ x 32-1/2″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Good, minor surface dirt, frame has been overpainted 51412-77 (500-800) – Lot 1071

EMMA FORDYCE MACRAE (American, 1887-1974) “THE SEA WALL”.

Oil on canvas Housed in a 20th century silver and black decorated wood frame Signed lower left “Emma Fordyce MacRae”, bears North Shore Arts exhibition label on verso with title and artist Exhibited: North Shore Arts Exhibition of Gloucester Twenty-Seventh Annual Exhibition 1949 SIZE: 22″ x 28″. Overall 28″ x 34″ CONDITION: Canvas has been supported by cardboard however stretcher remains, restoration throughout sky, water and scattered retouch in seawall 51376-12 (12,000-18,000) – Lot 1072

ALDRO THOMPSON HIBBARD (American, 1886-1972) COASTAL SHORELINE VIEW WITH BOATS AND BUILDINGS.

Oil on board Housed in a modern giltwood frame Signed and dated lower right “A.T. Hibbard 1918″ SIZE: 9″ x 11-1/4”. Overall 16″ x 18″ CONDITION: Very good with minor scattered retouch 51217-3 (8,000-12,000) – Lot 1073

CARL W PETERS (American, 1897-1980) “ROAD TO JANE’S COVE”.

Oil on canvas Housed in a modern frame with linen liner Bears artist’s estate stamp on verso, signed by Gay Peters Hammond (daughter of the artist), titled on stretcher SIZE: 20 x 24″. Overall 30-3/4″ x 35″ PROVENANCE: Acquired directly from the artist’s daughter CONDITION: Very good 51301-1 (3,000-5,000) – Lot 1074

ALDRO T HIBBARD (American, 1886-1972) BREAKING WAVES.

Oil on canvas board Housed in a contemporary silver painted wood frame with white liner Signed lower right “A.T. Hibbard” SIZE: 17-1/2″ x 25-1/2″. Overall 23-1/4″ x 31-3/4 CONDITION: Good, with small spot of metallic paint and several white paint splatters 51314-3 (2,000-3,000) – Lot 1075

HENRY S TALBOT (American, 1836-1924) “ON THE SWAMPSCOTT COAST”.

Oil on canvas Housed in a period giltwood frame Signed lower right “H.S. TALBOT” SIZE: 12″ x 20″. Overall 21″ x 29″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Surface grime, small tear near center horizon line, craquelure, shrinkage cracks lower left 51398-25 (2,000-4,000) – Lot 1076

JAMES BREVOORT (American, 1832-1918) COASTAL SCENE WITH SAILBOATS.

Oil on canvas Housed in its original gesso decorated gilt frame with minor losses Unsigned front, identified on stretcher and dated indistinctly Note: Work is very reminiscent of A.T. Bricher subject matter SIZE: 18-1/2″ x 39-1/2″. Overall 27″ x 48″ CONDITION: 3 patches on verso, in-painting, bottom edge with roughness and some flaking on bottom 3″ 51328-1 (3,000-5,000) – Lot 1077

WILLIAM R DAVIS (American, 1952-) CAPE COD DUNES AND MARSH.

Oil on Gessoboard Housed in a modern giltwood frame Signed lower left “W. Davis”, signed on verso “William R. Davis” SIZE: 8″ x 10″. Overall 14-1/2″ x 16-1/2″ CONDITION: Very good to excellent 51531-8 (1,500-2,000) – Lot 1078

FRANK HENRY SHAPLEIGH (American, 1842-1906) “THE OLD LINCOLN HOUSE. COHASSET”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “F.H. Shapleigh”, titled and signed on verso “The Old Lincoln House. Cohasset by F.H. Shapleigh”, bears fragment of a Frost and Adams label on stretcher SIZE: 10″ x 16″. Overall 12-1/34″ x 18-3/4″ CONDITION: Patch on verso with corresponding restoration, Boston tabs and scattered retouch in sky 51443-1 (1,000-2,000) – Lot 1079

T M NICHOLAS (American, 1963-) “AFTERNOON SHADOWS, VERMONT”.

Oil on canvas Housed in a silver decorated wood frame with linen liner Signed lower right “T.M. Nicholas” SIZE: 30″ x 30″. Overall 37″ x 37″ CONDITION: Very good to excellent 51351-3 (4,000-6,000) – Lot 1080

T M NICHOLAS (American, 1963-) VALLEY FARM IN AUTUMN.

Oil on canvas Housed in a modern giltwood frame Signed lower right “T.M. Nicholas” SIZE: 24″ x 30″. Overall 32″ x 38″ CONDITION: Very good to excellent 51531-2 (6,000-8,000) – Lot 1081

T M NICHOLAS (American, 1963-) “ALONG THE RIVER, VERMONT”.

Oil on canvas Housed in a carved giltwood frame Signed lower right “T.M. Nicholas”, titled on exhibition card taped to verso SIZE: 10″ x 8″. Overall 16-3/4″ x 14-3/4″ CONDITION: Very good 51531-9 (1,000-1,500) – Lot 1082

TOM NICHOLAS (American, 1934-) “MILL HOLLOW”.

Oil on canvas Housed in a carved wood frame with linen liner Signed lower right “-Tom Nicholas”, bears paper label affixed to frame with artist’s name and title NOTE: This work has a full page color illustration in an article titled “Tom Nicholas – His Thoughts About Painting and His Work” by Herb Rogoff published in the American Artist Magazine, August, 1972, page 38 which is included with this painting. Also some biographical & studio brochures SIZE: 30″ x 30″. Overall 38″ x 38″ CONDITION: Very good 51414-1 (2,000-4,000) – Lot 1083

TOM NICHOLAS (American, 1934-) “SATSUMI AND DRIED FLOWERS”.

Oil on canvas Housed in a molded gold tone frame with linen liner Signed lower right “Tom Nicholas”, titled on label affixed to verso frame SIZE: 14″ x 10″. Overall 22-1/4″ x 18-1/4″ CONDITION: Very good with minor restoration 51531-10 (1,500-2,000) – Lot 1084

ALDRO THOMPSON HIBBARD (American, 1886-1972) RIVER VALLEY IN WINTER, VERMONT.

Oil on board Housed in a modern giltwood frame Signed lower left “A.T. Hibbard-“, inscribed on verso “Collection of John Gale” SIZE: 9″ x 12″. Overall 14″ x 17″ PROVENANCE: Ex-collection John Gale CONDITION: Very good with minor touch up lower left 51217-2 (10,000-15,000) – Lot 1085

ALDRO THOMPSON HIBBARD (American, 1886-1972) “MOUNT MANSFIELD, JEFFERSON VERMONT”.

Oil on canvas board Housed in a modern giltwood frame with presentation plaque bearing title Signed lower right “A.T. Hibbard” SIZE: 17-3/4″ x 23-3/4″. Overall 24-1/2″ x 30-1/2″ CONDITION: Very good with minor discolored varnish and minor restoration to sky 51120-7 (6,000-9,000) – Lot 1086

JOHN JOSEPH ENNEKING (American, 1841-1916) “AUTUMN MORNING”.

Oil on board Housed in a Carrig-Rohane giltwood frame, carved “1922 Carrig-Rohane Shop Inc, R.C. + MM Vose. Boston.” and numbered “#3277”. Signed lower right “Enneking”, stamped on verso “From Vose Galleries of Boston Inc, 238 Newbury St”, inscribed in pencil “#22646″ on frame SIZE: 12″ x 14”. Overall 17-1/2″ x 19-1/12″ PROVENANCE: From John J. Enneking to R. C. Vose; 1922 – to private collection; To private collection Boston Massachusetts; 1968 – to private collection Cohasett, Massachusetts; Prior to 1972 – To private collection Whippany, New Jersey; 1978 – to private collection Rhode Island CONDITION: Good, board slightly warped 51203-2 (4,000-6,000) – Lot 1087

PAUL STRISIK (American, 1918-1998) “QUIET MEADOWS”.

Oil on canvas Housed in a modern paint decorated wood frame with linen liner Signed lower right “P Strisik”, titled on artist’s label affixed to stretcher “No. 0-432″ SIZE: 12″ x 16”. Overall 20-1/2″ x 24-1/2″ CONDITION: Very good 51531-5 (1,500-2,000) – Lot 1088

PAUL STRISIK (American, 1918-1998) “SPARKLING LIGHT”.

Oil on Masonite Housed in a modern paint decorated wood frame with linen liner Signed and dated lower right “P Strisik 78”, bears artist’s label with title on verso “No. 0-1008″ SIZE: 11-3/4″ x 16”. Overall 20-1/4″ x 24-1/4 CONDITION: Very good 51531-1 (2,000-3,000) – Lot 1089

WILLIAM LESTER STEVENS (American, 1888-1969) DAPPLED LIGHT ON THE CONWAY BRIDGE.

Oil on canvas Housed in a modern carved giltwood frame Signed lower right “W Lester Stevens N.A.” SIZE: 24″ x 30″. Overall 31-1/2″ x 38″ CONDITION: Very good 51529-11 (5,000-7,000) – Lot 1090

WILLIAM LESTER STEVENS (American, 1888-1969) “COVERED BRIDGE CONWAY”.

Oil on canvas Housed in a giltwood frame with presentation plaque Signed lower left “W. Lester Stevens N.A.”, bears Rockport Art Association Auction label, 2016 lot 221 on stretcher, inscribed on verso “Covered Bridge Conway Oil (53) W. Lester Stevens N.A.” SIZE: 30″ x 48″. Overall 37″ x 47-1/2″ CONDITION: Very good 51474-1 (2,500-4,000) – Lot 1091

WILLIAM LESTER STEVENS (American, 1888-1969) MOORES CORNER, LEVERETT, MA.

Watercolor Housed in a giltwood frame matted under glass Signed lower right in pencil “W. Lester Stevens N.A.= A.W.S” SIZE: Sight: 28-1/2″ x 34-1/2″. Overall 35″ x 40-3/4″ CONDITION: Minor discoloration along edges, small scratch lower right corner, artist’s pinholes top corners, otherwise very good, not examined out of frame 51297-4 (3,000-5,000) – Lot 1092

THOMAS R CURTIN (American, 1899-1977) “LOGGING”.

Oil on board Housed in a green and gold frame with linen liner Signed with estate stamp lower right and on verso, exhibition label from Clarke Galleries Summer exhibition 1991 affixed to verso SIZE: 16″ x 20″. Overall 22-1/2″ x 26-1/4 CONDITION: Overall very good with slight warp to board 51285-1 (1,500-2,500) – Lot 1093

THOMAS R CURTIN (American, 1899-1977) MAPLE SUGARING.

Oil on canvas board Housed in a modern giltwood frame Signed lower right “Thos. R. Curtin”, also signed on verso SIZE: 15-3/4″ x 19-3/4″. Overall 21-1/2″ x 26″ CONDITION: Very good 51297-2 (2,000-3,000) – Lot 1094

THOMAS R CURTIN (American, 1899-1977) MT MANSFIELD, JOHNSON VERMONT.

Oil on canvas board Housed in a modern giltwood frame Signed lower right “Thos. R. Curtin”, inscribed on verso “Painted Oct 20th 1964 off Route 15 near Johnson, VT” SIZE: 16″ x 20″. Overall 21-1/2″ x 25-1/2″ CONDITION: Very good with minor touchup in sky and scattered retouch in buildings 51297-3 (2,000-3,000) – Lot 1095

EMILE ALBERT GRUPPE (American, 1896-1978) MOUNTAINOUS WINTER LANDSCAPE WITH HORSES AND FARMER.

Oil on board Housed in a silver painted wood frame Signed lower right “Emile A. Gruppe” SIZE: 12″ x 16″. Overall 14-1/2″ x 18-3/4″ CONDITION: Good with tiny craquelure lower right 51325-2 (2,000-4,000) – Lot 1096

EMILE ALBERT GRUPPE (American, 1896-1978) VERMONT FARM.

Oil on canvas Housed in a fine, carved wood and gilt frame Signed lower right “Emile Gruppe”. Title in artist’s hand on verso of stretcher Note: Exhibition label for the Rockport Art Association on verso (10/5/08 to 11/3/08). Also on verso is a Spanierman Gallery label. Similar composition is seen on pg 137, plate 70 of the book Gruppe on Painting. SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-1/2″ CONDITION: Very good. 50748-1 (7,000-9,000) – Lot 1097

EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT MAPLES IN FALL “.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Emile A Gruppe”, titled inscribed on stretcher in the artist’s hand, stamped “reproduction rights reserved by the artist” SIZE: 30″ x 36″. Overall 37″ x 43″ CONDITION: Very good with minor surface abrasion lower right 51529-9 (8,000-12,000) – Lot 1098

CARL W PETERS (American, 1897-1980) WINTER BROOK, NEW YORK.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Carl W. Peters” SIZE: 25″ x 30″. Overall 29-1/2″ x 34-1/2″ PROVENANCE: Acquired directly from the artist CONDITION: Very good with minor surface dirt 51208-7 (2,000-4,000) – Lot 1099

CARL W PETERS (American, 1897-1980) “WINTERS WALK”.

Oil on canvas Housed in a modern silver painted wood frame with linen liner Unsigned, paper affixed to verso bears artist’s estate stamp signed by Elaine P. Woodbury, titled on verso “# 12 Winters Walk, EL” SIZE: 29″ x 32″. Overall 34″ x 37-1/2″ PROVENANCE: Acquired directly from the family of the artist CONDITION: Flake losses throughout, two surface scratches, with surface losses, mostly across center of painting 51208-6 (2,000-4,000) – Lot 1100

JOSEF M ARENTZ (American/German, 1903-1969) “WINTER IN NEW HAMPSHIRE”.

Oil on canvas Housed in a vintage gold tone wood frame with presentation plaque Signed and dated lower right “Josef M Arentz 1940″, bears paper label affixed to verso with title and artist SIZE: 24″ x 30”. Overall 29-1/4″ x 35″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Very good 51412-13 (400-600) – Lot 1101

JOSEF M ARENTZ (American/German, 1903-1969) THREE SEASCAPES & ARTIST’S EPHEMRA.

1) Crashing Waves, Oil on board, Housed in a modern gold and wood tone frame, Signed lower left “Josef M Arentz”, stamped on verso “Jack Richard Framing Studios”. 2) Seascape with Gulls, Oil on canvas, Housed in a contemporary gold tone wood frame with linen liner, Unsigned. 3) “Fair Weather Ahead”, Oil on board Housed in a modern gold and gray tone frame with presentation plaque, Signed lower right “Josef M. Arentz,” and titled on verso. 4) Lot includes: Artist’s paintbrush framed with a gallery business card & picture of the artist (5″ x 16″); Booklet “Paintings by Joseph M Arentz; Also a notebook with newspaper articles & biographical information along with photographs of some of his paintings. SIZE: 1) Sight 13-1/2″ x 17-1/2″. Overall 17-3/4″ x 22″. 2) 9″ x 12″. Overall 13-1/4″ x 16-1/2″ 3) 12″ x 16”. 14-1/2″ x 18-1/2″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: 1) Very good. 2) Surface dirt and discolored varnish 3) Good 4) Very good 51412-24 (600-900) – Lot 1102

ROGER DEERING (American, 1904-1980) “FROSTY WEATHER, WHITE MOUNTAINS NH”.

Oil on canvas Housed in a modern gilt decorated wood frame with linen liner Signed lower left “Roger Deering”, titled on verso stretcher with inscription “No. 986 Feb. 1969- Painted by Roger Deering”, also bears artist’s reproduction rights stamp SIZE: 16″ x 14″. Overall 24″ x 22″ CONDITION: Very good to excellent 51523-1 (800-1,200) – Lot 1103

EDWARD HILL (American, 1843-1923) PANORAMIC VIEW OF THE MOUNT WASHINGTON VALLEY.

Oil on canvas Unframed Signed and dated lower left “Edward Hill ’88” NOTE: A scene from Artist’s Bluff showing Mount Lafayette, The Profile House, Echo Lake & Franconia Notch SIZE: 12″ x 20″ PROVENANCE: From a Gloucester, MA home CONDITION: Discolored varnish, stabilized craquelure, lined, restoration throughout sky 51303-2 (1,000-2,000) – Lot 1104

SAMUEL W GRIGGS (American, 1827-1898) GRAND MANAN.

Oil on canvas Housed in a modern gold tone frame Signed and dated lower left “S. W. Griggs 1861″ SIZE: 25″ x 40”. Overall 41″ x 46″ CONDITION: Good restored condition, several small patches on verso, large area of restoration in sky, scattered retouch 51344-6 (6,000-8,000) – Lot 1105

ATTRIBUTED TO SAMUEL L GERRY (American, 1813-1891) “MOUNT WASHINGTON FROM JACKSON ON THE GLEN ROAD”.

Oil on canvas Housed in a modern gilt gesso wood frame Unsigned NOTE: This painting is illustrated on page 64 of “Passing Through: The Allure of the White Mountains”, an exhibition catalog published in 2013 by Plymouth State University. Catalog accompanies this lot. Exhibited: “Passing Through: The Allure of the White Mountains”, Plymouth State University from February 23, 2013 through February 16, 2014 SIZE: 14″ x 20′. Overall 21″ x 26-1/2″ CONDITION: Good, restored condition, canvas has been lined, minor scattered touch up 51443-3 (2,000-4,000) – Lot 1106

JOHN JOSEPH ENNEKING (American, 1841-1916) COWS AT SUNSET, 1884.

Oil on canvas Housed in a modern giltwood frame with linen liner Signed and dated lower right “Enneking 84″ SIZE: 31″ x 39”. Overall 35-1/2″ x 44-1/2″ CONDITION: Large craquelure, water staining evident on verso of canvas, Boston tabs, small patch on verso corresponding to small area of inpaint, touchup scattered along edges 50996-2 (2,000-4,000) – Lot 1107

HERMANN OTTOMAR HERZOG (German/American, 1832-1932) FIGURE AND COWS IN LANDSCAPE WITH DUCK POND.

Oil on canvas Housed in a modern giltwood frame Signed lower left “H Herzog” SIZE: 14″ x 18″. Overall 17-1/2″ x 21-1/2″ CONDITION: Overall discolored varnish, canvas has been lined, good restored condition 51350-10 (3,000-5,000) – Lot 1108

CHARLES EDWIN LEWIS GREEN (American, 1844-1915) FARMYARD WITH CHICKENS.

Oil on canvas Housed in a modern giltwood frame Signed lower left “C.E.L. Green”, canvas stenciled “FRANC & C” SIZE: 10-1/2″ x 16″ Overall 16-1/2″ x 22″ CONDITION: Good, with inpaint in two areas corresponding to patches on verso, minor depression lower left. 51397-3 (1,500-2,500) – Lot 1109

Revised: 1/24/2017

Please Note: Upon further examination, we cannot guarantee that this painting was by Frank Currier (1843-1909).

FRANK CURRIER (American, 1843-1909) LANDSCAPE WITH COWS AT A WATERING HOLE.

Oil on canvas Housed in a gilt decorated 19th century frame Signed and dated lower left “F Currier 1888″ SIZE: 18″ x 24”. Overall 21″ x 27″ CONDITION: Good, surface grime, discolored varnish, minor craquelure in sky 51515-1 (1,000-2,000) – Lot 1110

JOHN WHORF (American, 1903-1959) BIRCHES IN WINTER, WHITE RIVER JUNCTION, VT.

Watercolor Housed in a modern giltwood frame with linen mat under glass Signed lower right “John Whorf” SIZE: Sight 21-1/2″ x 29-1/2″. Overall 31-1/2″ x 40″ CONDITION: Very good 51191-3 (3,000-5,000) – Lot 1111

LUIGI LUCIONI (American/Italian, 1900-1988) COLLECTION OF FOUR ETCHINGS.

Housed in similar burl wood frames, matted under glass 1) “Shadows in Lombardi” (Embury 163), Signed in pencil lower right and dated “L. Lucioni 1977”, also signed in plate lower left “Lucioni”. 2) “Lake Shadows”, Signed in pencil lower right “Luigi Lucioni”, also signed and dated in plate lower right “L. Lucioni 44”. 3) Stand in Trees, Signed in pencil lower right “Luigi Lucioni” also signed and dated in plate “L. Lucioni 44”. 4) Lone Tree, Signed in pencil lower right “Luigi Lucioni” also signed and dated in plate lower left “L. Lucioni 48″ SIZE: 1) Plate 8-1/2″ x 6-1/2″. Overall 17-1/2″ x 14-1/2″. 2) Plate 8-1/2″ x 13-1/4″. Overall 16-1/2″ x 20-1/4″. 3) Plate 6-3/4″ x 12″. Overall 16″ x 20-1/2″. 4) Plate 12″ x 10”. Overall 21″ x 18″ CONDITION: Good, #2 with toning to paper, none examined out of frame 51151-1 (1,000-2,000) – Lot 1112

CARL W PETERS (American, 1897-1980) WINTER LANDSCAPE, NEW YORK.

Oil on canvas Housed in a gold tone wood frame with linen liner Unsigned, bears artist’s estate stamp on verso signed by Elaine P. Woodbury SIZE: 20″ x 24″. Overall 24-1/2″ x 28-1/4 PROVENANCE: Acquired directly from the family of the artist CONDITION: Good with area of restoration lower right 51208-1 (2,500-4,000) – Lot 1113

C JAC YOUNG (American, 1880-1940) HOMESTEAD IN WINTER LANDSCAPE.

Oil on canvas Housed in a carved giltwood Newcomb-Macklin frame Signed lower right “C. Jac Young”, bears framers label on verso SIZE: 25″ x 30″. Overall 30-1/2″ x 35-1/2″ CONDITION: Recently professionally cleaned, minor craquelure on the bottom half, otherwise very good 51441-3 (5,000-7,000) – Lot 1114

HORACE BROWN (American, 1876-1949) VERMONT WINTER LANDSCAPE.

Oil on canvas Housed in an early 20th century paint decorated wood frame Signed upper right “Horace Brown” SIZE: 32″ x 40″. Overall 36″ x 44″ CONDITION: Craquelure and scattered retouch throughout sky, craquelure lower right quadrant, otherwise good 51376-28 (2,500-4,500) – Lot 1115

ARTHUR LINDQUIST (Swedish/American, 1889-1975) THE OLD MILL IN WINTER.

Oil on canvas Housed in a modern silver decorated wood frame Signed lower right “A. Lindquist” SIZE: 25″ x 30″. Overall 31″ x 36″ CONDITION: Very good with minor scattered retouch upper left sky and mountains 51531-6 (1,000-1,500) – Lot 1116

GUY CARLETON WIGGINS (American, 1883-1962) “WINTER AT THE LIBRARY”.

Oil on canvas board Housed in a modern giltwood frame Signed lower right “Guy Wiggins. NA”, titled on verso “Winter at the Library Guy Wiggins N.A.”, bears Grand Central Art Galleries label on verso SIZE: 12″ x 16″. Overall 19-1/2″ x 23-1/2″ CONDITION: Very good 51424-1 (15,000-25,000) – Lot 1117

ERNEST LAWSON (American, 1873-1939) NEW YORK FARM IN WINTER.

Oil on canvas Housed in a period carved giltwood frame with linen liner Signed and dated lower left “E. Lawson 1913″ Accompanied by copies of the original descent/sales letters indicating a location of Westport, CT however further research indicates that this is most likely a New York scene SIZE: 25″ x 28”. Overall: 32-1/2″ x 36″ PROVENANCE: Wedding gift from the artist to Laura Gardin Fraser in 1913; By descent to Leila Gardin Sawyer, sister of the original owner; Current owner acquired from Elizabeth Ives Bartholet, New York Art consultant in 1968 CONDITION: Very good restored condition. Lined to arrest craquelure and shrinkage cracks with small amount of loss 50159-1 (20,000-40,000) – Lot 1118

GAIL SHERMAN CORBETT (American, 1871-1952) 5TH AVENUE NEW YORK CITY.

Oil on canvas Housed in a modern giltwood frame Signed lower right “G Sherman” SIZE: 36″ x 24″. Overall 39-3/4″ x 27-1/2″ CONDITION: Very good to excellent 51350-19 (1,000-1,500) – Lot 1119

DELLA GARRETSON (American, 1859-1940) A CITY STREET SCENE.

Watercolor on board Housed in a vintage carved copper colored wood frame with a matching liner under glass Signed and dated lower right “D Garretson 1929″ SIZE: Sight 13″ x 10”. Overall 20″ x 17″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Board slightly warped, colors faded, two small scratches upper right 51412-7 (400-800) – Lot 1120

JOHN AUSTIN (American, 1918-2000) TWO NANTUCKET HOMESTEADS.

Acrylics on board Housed in black painted wood frames with white painted liners Signed lower right “Austin”, inscribed on verso “John Austin 49 Westchester Nantucket”, one numbered “#69” the other “#70″ SIZE: 11-3/4″ x 22-1/2”. Overall 18″ x 27-3/4″ CONDITION: Very good, #70 has surface abrasion upper left, both frames have soiling to the white liners and surface grime 51528-3 (1,000-2,000) – Lot 1121

HAYLEY LEVER (American, 1876-1958) “WADSWORTH, BOSTON MASS” 1930.

Oil on canvas Housed in a carved giltwood frame with linen liner and presentation plaque Signed lower right “Hayley Lever”, title inscribed on stretcher in two places, bears collectors stamp from Clayton- Liberatore Art Gallery SIZE: 13″ x 16″. Overall 21-1/2″ x 24-1/2″ PROVENANCE: Ex-collection Clayton-Liberatore Bridgehampton N.Y. CONDITION: Very good to excellent 51532-2 (9,000-12,000) – Lot 1122

LAURA WOODWARD (American, 1834-1926) A VIEW ACROSS THE POND.

Oil on canvas Housed in a period giltwood frame Signed and dated lower left “Laura Woodward 1880.” SIZE: 16″ x 24″. Overall 27-1/2″ x 35-1/2″ PROVENANCE: R.M. Raven; Private collection, Florida; Shannon’s Fine Art Auctioneers April 26, 2007, lot 177 CONDITION: Very good 51469-1 (6,000-9,000) – Lot 1123

MARTHA WALTER (American/French, 1875-1976) ALONG THE SEINE CELEBRATING BASTILLE DAY.

Oil on panel Housed in a giltwood frame Signed lower left “Martha Walter”, bears gallery label from David, David, Inc., Philadelphia, PA on verso SIZE: 13″ x 16″. Overall 18-1/2″ x 22″ CONDITION: Very good with minor touch up along edges, frame has gilt losses, with touchup 51191-2 (15,000-20,000) – Lot 1124

MARTIN JOHNSON HEADE (American, 1819-1904) FLORIDA PASTORAL.

Oil on canvas Signed lower right “M J Heade” (in script) Housed in a magnificent gilt gesso decorated wide frame Kennedy Galleries & R.W. Norton Gallery labels affixed to verso Exhibitions: R.W. Norton Gallery, Shreveport, LA “The Hudson River School”, October 1973 Reproduced Kennedy Quarterly, Vol. VII, No. One, p.34 (March 1967) Included with this painting is a copy of the Kennedy Quarterly. Information regarding Mr. & Mrs. John White Yow including a letter from Kennedy Galleries; Booklet of the M & M Karolik Collection of American Painting, 1815-1865 of Martin J. Heade, Museum of Fine Arts, Boston. Important Note: This painting is in included in the catalog raisonne: Page 279, No. 346 in “The Life and Works of Martin Johnson Heade” by Theodore Stebbins Jr. 1975; Page 275, No. 295 in “The Life and Works of Martin Johnson Heade A Critical Analysis and Catalog Raisonne” by Theodore Stebbins Jr, 2000 SIZE: 10″ x 20″. Overall: 24-1/2″ x 34-1/2″ PROVENANCE: Acquired from the family of the artist; Private Collection, Philadelphia, PA; Kennedy Galleries, Inc., New York, NY; Mr. & Mrs. John White Yow, Jacksonville, FL; Private Florida Collection CONDITION: Lined, light stabilized craquelure, some touch up inpainting to areas along edge, very good 51330-1 (300,000-500,000) – Lot 1125

CLARENCE RAYMOND JOHNSON (American, 1894-1981) “THREE TREES”.

Oil on canvas Housed in a gilt modern frame with artist plaque Signed lower right “C Raymond Johnson” Verso is written “Three Trees C Raymond Johnson Chicago” with an “O” SIZE: 15″ x 18″. Overall: 21″ x 23-1/2″ CONDITION: Very good 51441-4 (8,000-12,000) – Lot 1126

FRANK SWIFT CHASE (American, 1886-1958) MIDDAY IN EARLY AUTUMN.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Frank Swift Chase” SIZE: 25″ x 30″. Overall 35″ x 40″ CONDITION: Very good with area of restoration in sky, minor vertical craquelure in white pigments 51529-7 (6,000-8,000) – Lot 1127

ROBERT REID (American, 1862-1929) SPRING LANDSCAPE WITH BROOK.

Oil on canvas Unframed Faint signature lower left SIZE: 25″ x 30″ CONDITION: Very good, lined with new stretcher 50548-2 (6,000-9,000) – Lot 1128

FRANK RUSSELL GREEN (American, 1856-1940) TWO LANDSCAPES.

1) Sunlit Landscape with Mountain View Oil on canvas Housed in a giltwood frame with presentation plaque affixed to verso stretcher Signed lower left “Frank Russell Green” 2) Landscape with Small Building Oil on board Housed in a vintage giltwood frame Signed lower right “Frank Russell Green” SIZE: 1) 10″ x 12″. Overall 13-1/4″ x 15-1/4″. 2) 8-1/4″ x 10″. Overall 11-1/4″ x 13″ CONDITION: 1) Overall good with craquelure and stretcher marks, minor flake losses along edges. 2) Very good with minor varnish discoloration and abrasion along edges 51376-30 (2,000-3,000) – Lot 1129

Revised: 1/26/2017

Please Note: We have been notified that this painting will be entered into the catalog raisonne that Anne Louise Avery is compiling.

EDWARD MITCHELL BANNISTER (American, 1828-1901) LANDSCAPE WITH LILY POND & BRIDGE.

Oil on canvas Housed in its original magnificent antique gesso decorated gilt frame with two gilt liners Signed lower right “E M Bannister” Verso of stretcher retains a partial Boston Art Club label and a Frost & Adams, Boston label SIZE: 20″ x 30″. Overall: 31-1/2″ x 41-1/2″ CONDITION: Some small areas in sky with inpainting, otherwise very good 51558-1 (10,000-20,000) – Lot 1130

GEORGE HENRY SMILLIE (American, 1840-1921) “SANDY HOOK”.

Oil on canvas Housed in a modern giltwood frame with presentation plaque Unsigned, inscribed and dated lower right “Sandy Hook October 1881″ SIZE: 15-1/2″ x 24”. Overall 22-1/2″ x 31″ CONDITION: Painting has been mounted to new stretcher, small patch on verso corresponding to inpaint, scattered retouch throughout sky and foreground 51418-1 (2,000-4,000) – Lot 1131

FREDRICK DEBOURG RICHARDS (American, 1822-1903) SHIPWRECK ON SANDY HOOK BEACH, NEW JERSEY.

Oil on canvas Housed in a modern giltwood frame Signed lower right “F De. B. Richards”, bears indiscernible label on verso stretcher with artist’s name and title “… Vessel” SIZE: 18″ x 36-1/4″. Overall 24-1/2″ x 42-1/2″ CONDITION: Discolored varnish and minor canvas buckle, otherwise good 51376-3 (4,000-6,000) – Lot 1132

WESLEY WEBBER (American, 1841-1914) SHIP RUN AGROUND.

Oil on canvas Housed in an ebonized wood frame with gilt liner Signed and dated lower right “W Webber 1872″ SIZE: 24″ x 29”. Overall 31″ x 35-1/4″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Very good with some re-touch in sky, lined 51412-38 (1,000-2,000) – Lot 1133

HARRY A VINCENT (American, 1864-1931) COASTAL SCENE WITH FIGURES ON BEACH WITH FISHING BOAT.

Oil on canvas Housed in a Paul Goodnow giltwood frame Signed lower right “H. Vincent”, bears Rockport Art Association exhibition label on verso Exhibited: Rockport Art Association, “Harry A Vincent, ANA & His Contemporaries”, October 6- November 12, 2006 SIZE: 16″ x 24″. Overall 25″ x 32″ CONDITION: Canvas has been lined, scattered retouch throughout sky, otherwise good 51376-29 (6,000-8,000) – Lot 1134

LEON D BONNET (American, 1868-1936) CRASHING SURF.

Oil on board Housed in a carved giltwood frame Signed and dated lower left “Leon Bonnet 1925″ SIZE: 10″ x 12”. Overall 17-1/4″ x 19″ CONDITION: Overall discolored varnish, surface abrasion upper center, otherwise good 51515-3 (1,000-1,500) – Lot 1135

J. FOXCROFT COLE (American, 1837-1892) PASTORAL LANDSCAPE.

Oil on canvas Housed in a period carved giltwood frame Signed lower right “J. Foxcroft Cole” SIZE: 18-1/2″ x 26″. Overall: 28″ x 36″ CONDITION: Good restored condition, lined with touch up in craquelure 50624-1 (1,500-2,500) – Lot 1136

J. FOXCROFT COLE (American, 1837-1892) RIVER LANDSCAPE.

Oil on canvas Housed in a 20th century giltwood frame Signed lower left “J. Foxcroft Cole” SIZE: 22″ x 30″. Overall: 30-1/2″ x 38″ CONDITION: Good, restored condition, lined 50624-2 (1,500-2,500) – Lot 1137

WILLIAM CHARLES ANTHONY FRERICHS (American, 1829-1905) PASTORAL LANDSCAPE ON THE HUDSON.

Oil on canvas Housed in a modern giltwood frame Signed lower right “W Frerich/NY”, canvas stenciled “Prepared by EDW Dechaun NY” SIZE: 18″ x 24″. Overall 24-1/2″ x 31″ CONDITION: Good, with restoration along lower edge and lower center 50996-1 (1,500-2,500) – Lot 1138

HENRY PEMBER SMITH (American, 1854-1907) “A HOME BY A RIVERSIDE”.

Oil on canvas Housed in a paint decorated molded frame Signed lower right “Henry P Smith” (signature sits below frame liner), title inscribed on old label affixed to original stretcher SIZE: 20″ x 28″. Overall 26″ x 35″ PROVENANCE: Bonham’s Los Angeles, May 2013 Lot 7030 CONDITION: Lined, scattered retouch in sky, discolored varnish along edges, otherwise very good 51418-2 (2,000-3,000) – Lot 1139

ORRIN AUGUSTINE WHITE (American, 1883-1969) STREAM THROUGH FARMLAND.

Oil on canvas Housed in a silver gilt frame with gilt liner Signed lower right “Orrin A White” SIZE: 20″ x 24″. Overall: 28-1/2″ x 32-1/2″ CONDITION: Inpainting mostly to sky, very good 51364-2 (1,500-3,000) – Lot 1140

THOMAS AQUINAS DALY (American, 1937-) “BANK WILLOWS AND RIFFLE”.

Watercolor on paper Housed in a burlwood frame, matted under glass Signed lower right “TA Daly”, bears artist label with title and Gerald Peters Gallery label on verso, inscribed “Happy anniversary love… the best is yet to come! March 15, 2003″ SIZE: Sight 10-1/2″ x 15-1/4”. Overall 18-3/4″ x 23-1/2″ CONDITION: Very good, not examined out of frame 51314-4 (2,000-3,000) – Lot 1141

BERNARD COREY (American, 1914-2000) RED BARN.

Oil on Masonite Housed in a modern giltwood frame Signed lower right “Bernard Corey” SIZE: 9″ x 12″. Overall 17″ x 20″ CONDITION: Very good 51217-1 (1,500-2,000) – Lot 1142

BERNARD COREY (American, 1914-2000) FOREST STREAM IN SPRING.

Oil on canvas board Housed in a modern giltwood frame Signed lower right “Bernard Corey” SIZE: 10″ x 14″. Overall 14-3/4″ x 18-3/4″ PROVENANCE: Purchased directly from the artist CONDITION: Very good 51529-1 (800-1,200) – Lot 1143

BERNARD COREY (American, 1914-2000) SUMMER GRAZING.

Oil on panel Housed in a modern giltwood frame Signed lower right “Bernard Corey” SIZE: 9″ x 13-1/2″. Overall 13-3/4″ x 18″ PROVENANCE: Purchased directly from the artist CONDITION: Very good 51529-2 (800-1,200) – Lot 1144

HAYLEY LEVER (American, 1875-1958) “MT VERNON”.

Oil on panel Housed in a modern copper colored frame Signed, dated, and inscribed lower right “Hayley Lever MT Vernon NY, 1944″ SIZE: 9″ x 12”. Overall 12-1/2″ x 15-1/2″ CONDITION: Very good with small area of retouch 51475-1 (3,000-5,000) – Lot 1145

HAYLEY LEVER (American, 1876-1958) “MOORES FARM, KENSINGTON, CONNECTICUT”, 1935.

Oil on Masonite Housed in a modern giltwood frame with linen liner Signed lower right “Hayley Lever”, inscribed on verso “Moores Farm, Kensington, Connecticut 1935″ SIZE: 24″ x 36”. Overall 30″ x 42-1/2″ CONDITION: Very good 51300-1 (2,000-4,000) – Lot 1146

HAYLEY LEVER (American, 1876-1958) “RED, WHITE, AND PURPLE GLADIOLAS”.

Oil on canvas Housed in an early 20th century carved giltwood frame with linen liner Signed lower right “Hayley Lever”, titled on Clayton-Liberatore Art Gallery, NY label affixed to frame SIZE: 25″ x 30″. Overall 33-1/2″ x 38-1/2″ CONDITION: Very good, minimal craquelure 51532-3 (10,000-20,000) – Lot 1147

ROBERT KULICKE (American, 1924-2007) “ZINNIAS IN A GLASS JAR”.

Oil on Masonite Housed in an original Kulicke frame Signed and dated upper center “Kulicke 86”, bears exhibition label from “Davis & Langdale Company, Inc., New York”, inscribed on verso “16. KCB 4/16/99″ Exhibited: Davis and Langdale Company, Inc., November 22- December 24, 1986 SIZE: 8-3/4″ x 7-3/4”. Overall 12-1/2″ x 11-3/4″ PROVENANCE: Acquired from the artist by Mr. and Mrs. Herbert Brill, New York; By descent to current owner CONDITION: Very good with minor surface dirt 51491-2 (5,000-7,000) – Lot 1148

ROBERT KULICKE (American, 1924-2007) WHITE VASE WITH TULIPS.

Oil on Masonite Housed in a carved giltwood Kulicke frame Signed and dated lower center “Kulicke 79”, inscribed on verso “Brill #23” and on stretcher “13. KCB 4/16/99”, frame numbered “3075” Note: Mr. and Mrs. Brill were good friends of the artist and had a large collection of his work that they often loaned for exhibition SIZE: 9-3/4″ x 10″. Overall 14″ x 14″ PROVENANCE: Acquired from the artist by Mr. and Mrs. Herbert Brill, New York; By descent to current owner CONDITION: Minor varnish discoloration, otherwise very good 51491-1 (5,000-7,000) – Lot 1149

ROBERT KULICKE (American, 1924-2007) “ROSES IN A VASE”.

Oil on board Housed in an original Kulicke giltwood frame Signed and dated upper center “Kulicke 69”, inscribed on verso “14. KCB 4/16/99”, bears two exhibition labels on verso, one numbered “50”, titled “Roses in Vase 1969” with provenance listed as “Collection Mr. and Mrs. Herbert Baer Brill” SIZE: 8″ x 9-1/4″. Overall 12-1/2″ x 13-3/4″ PROVENANCE: Acquired from the artist by Mr. and Mrs. Herbert Brill, New York; By descent to current owner CONDITION: Very good with minor surface dirt 51491-3 (3,000-5,000) – Lot 1150

ROBERT KULICKE (American, 1924-2007) “ROSES IN WHITE VASE”.

Oil on cedar panel Housed in an original Kulicke giltwood frame of unusual pentagonal form Signed and dated lower center “Kulicke 66”, bears exhibition label on verso “34. Roses in White Vase 1966, Collection Mr. and Mrs. Herbert Baer Brill”, inscribed “70. KCB 4/16/99″ and with Kulicke framer’s label SIZE: 9″ x 8”. Overall 11-3/4″ x 10-1/2″ PROVENANCE: Acquired from the artist by Mr. and Mrs. Herbert Brill, New York; By descent to current owner CONDITION: Very good with minor varnish discoloration 51491-4 (3,000-5,000) – Lot 1151

EASTMAN JOHNSON (American, 1824-1906) “GIRL AND PET DOLL”.

Oil on board Housed in a fine giltwood frame Signed lower right “E.J.”, inscribed on verso “child and doll” along with illegible pencil signature NOTE: This lot is accompanied by a photocopy of a letter dated November 17th, 1988 from Patricia Hills regarding the inclusion of the work in her forthcoming Eastman Johnson catalog raisonne. In the letter, Ms. Hills mentions this painting is included in a photograph of an interior of Johnson’s studio, reproduced in her Eastman Johnson book on page 123. The same photo was originally reproduced in Edgar French’s “An American Portrait Painter of Three Historical Epochs,” Published in 1906, pg 8317. The painting was included in the estate sale of the artist’s pictures held at the American Art Galleries in New York in 1907, entry number 41 SIZE: 22″ x 10-1/2″. Overall 29-1/2″ x 18-1/2″ CONDITION: Very good, with minor scattered touch up 51191-1 (30,000-50,000) – Lot 1152

THOMAS WATERMAN WOOD (American, 1823-1903) A POOR WHITE.

Oil on canvas Housed in a fine antique style replacement gilt frame Signed lower left “T.W. Wood 1874” Note: It is possible that this work was one of a pair with the companion “Prosperous Black” was published in Harper’s Weekly in 1875. This “A Poor White” is to be included in the forthcoming catalog raisonne of the artist’s work in preparation Paul Worman for the T.W. Wood Art Gallery in Montpelier, VT. SIZE: 10-1/4″ x 7-1/4. Overall 16″ x 13″ CONDITION: Lined with some spot inpainting, small area of lost varnish at top edge, otherwise very good 51319-6 (10,000-20,000) – Lot 1153

HUGO AUGUST BREUL (German/American, 1854-1910) PORTRAIT OF A YOUNG WOMAN ARRANGING FLOWERS.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Hugo Breul”, bears Charles G. Calder, Providence Rhode Island label on stretcher SIZE: 48″ x 36″. Overall 54-1/2″ x 42-1/2″ PROVENANCE: Skinner Inc., May 9, 1997 lot 125 CONDITION: Lined, large area of restoration near hand and around face, minor scattered touch up, canvas has slight buckle 51350-2 (7,000-10,000) – Lot 1154

MARY L GOW (English, 1851-1929) DRUMMER BOY.

Watercolor Housed in a magnificent architectural carved gilt frame under glass Signed and dated lower right “Mary Gow 1912″, label on verso inscribed “This portrait of Himself aged 3-3/4 by Mary Gow belongs to D.G. Hann” SIZE: Sight: 29-1/2″ x 20-1/2″ Overall: 38-1/2″ x 30″ CONDITION: Foxing spots, otherwise very good 51376-45 (3,000-5,000) – Lot 1155

CHARLES ALLEN WINTER (American, 1849-1942) PORTRAIT OF A YOUNG WOMAN.

Oil on board Housed in a modern silver painted ribbon form carved wood frame, under glass Signed lower right “CHARLES.ALLEN.WINTER”, inscribed on cardboard backing “This original to be returned to Charles Allen Winter, 53E 59 St. New York City” SIZE: Image 17-3/4″ x 15″. Overall 22-1/2″ x 18-1/2″ CONDITION: Very good, not examined out of frame 51420-2 (2,000-3,000) – Lot 1156

ALFRED GALPIN KELLOGG (American, 1888-1935) “AFTERNOON TEA, BACKBAY, BOSTON”.

Oil on canvas Housed in a period painted wood frame Signed and dated lower right “Kellogg, 1919”, stretcher stamped “Made by Wadsworth Howland…” SIZE: 30″ X 24″. Overall 42″ x 36″ PROVENANCE: Collection of a Wellesley, MA gentleman CONDITION: Craquelure arrested by lining, scattered retouch along edges and throughout lady’s dress, stretcher marks visible 51213-4 (1,000-1,500) – Lot 1157

MARIA V LISZT (American, 1902-1992) NUDE IN FOREST STREAM.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Liszt” SIZE: 18″ x 14-1/4″. Overall 24″ x 20-1/4″ CONDITION: Wax lining, minor canvas buckle, scattered retouch throughout 51529-12 (900-1,200) – Lot 1158

JOHN GABLE (American, 1944-) “THE BLUE SABLE HAT”.

Watercolor Housed in a modern giltwood frame, matted under glass Signed lower right “John Gable”, titled and dated on verso “1992 The Blue Sable Hat” SIZE: Sight: 23-1/2″ x 15-1/2″. Overall 35-1/4″ x 26-3/4″ CONDITION: Very good, not examined out of frame 51244-1 (3,000-5,000) – Lot 1159

JOHN GABLE (American, 1944-) STUDY FOR “THE SAXOPHONE”.

Watercolor Housed in a modern black and silver frame with linen mat under glass Signed lower right “John Gable” SIZE: 9-1/2″ x 11-1/2. Overall 21″ x 23″ CONDITION: Very good, not examined out of frame 51244-2 (1,000-1,500) – Lot 1160

PERCY F ALBEE (American, 1883-1959) “BATHERS”.

Gouache on paper Housed in a gold and blue painted wood frame under glass Signed and dated lower right “Percy Albee 1916”, titled, signed and dated on verso “Bathers Percy Albee 1916″ SIZE: 10″ x 14”. Overall 16-1/2″ x 20-1/2″ CONDITION: Very good, acidic cardboard backing 51437-42 (400-600) – Lot 1161

EMMA FORDYCE MACRAE (American, 1887-1974) “ZINNIAS WITH VERMEER PRINT”.

Oil on Masonite Housed in a Newcomb-Macklin paint decorated wood frame Signed lower left “Emma Fordyce MacRae”, bears artist’s estate stamp on verso and North Shore Arts Exhibition label with artist’s name and title Exhibited: North Shore Arts Exhibition of Gloucester Thirty-Seventh Annual Exhibition 1959 SIZE: 30″ x 25″. Overall 36-3/4″ x 31-3/4″ CONDITION: Very good with minor surface dirt 51376-11 (6,000-9,000) – Lot 1162

EMMA FORDYCE MACRAE (American, 1887-1974) “THE OPEN DOOR”.

Oil on Masonite Housed in a paint decorated wood frame Unsigned, bears National Academy of Design exhibition label on verso with artist’s name and painting title Exhibited: National Academy of Design, 147th Annual Exhibition, 1972 SIZE: 24″ x 18″. Overall 30″ x 24″ CONDITION: Very good 51376-10 (2,500-3,500) – Lot 1163

RAYMOND KANELBA (American/Polish, 1897-1960) “FLOWERS IN MIRROR”.

Oil on canvas Housed in a modern silver painted wood frame Signed lower center “Kanelba”, inscribed on verso “16” bears exhibition label from Roughton Galleries, Dallas TX on verso SIZE: 30″ x 25″. Overall 37″ x 32″ CONDITION: Large craquelure, minor surface dirt 51246-1 (7,000-9,000) – Lot 1164

RAOUL MAUCHERAT DE LONGPRE (French, 1843-1911) FLORAL STILL LIFE WITH LILACS AND YELLOW ROSES.

Gouache Housed in a giltwood frame, under glass Signed lower right “Raoul M De Longpre”, bears Brockton Art Museum Label on verso SIZE: Sight 28″ x 20″. Overall 35″ x 27-1/2″ PROVENANCE: Alfred T. Morris, Sr.; Gift to Brockton Art Museum by Mr. Mortis, de-accessioned in 2004 CONDITION: Overall discoloration with small chip loss lower center, evidence of prior mat burn, minor foxing (not examined out of frame) 51246-2 (3,000-5,000) – Lot 1165

J VAN DAIL (19th/20th Century) STILL LIFE WITH ROSES.

Oil on canvas Housed in a giltwood frame, under glass Signed lower left “J. Van Dail” SIZE: 18″ x 15″. Overall 22″ x 19-1/4″ CONDITION: Craquelure throughout, small loss in white petal, otherwise good 51350-5 (500-700) – Lot 1166

ATTRIBUTED TO ARTHUR CARLES JR (American, 1882-1952) STILL LIFE.

Oil on canvas board Housed in a simple gold and black tone frame Unsigned, bears “Russel Canvas Board F.Webber and Co. Philadelphia” label affixed to verso and inscribed on masking tape affixed to verso “Carles E3004-4 Arch” SIZE: 10″ x 6″. Overall 10-1/2″ x 6-3/4″ CONDITION: Good 51350-13 (1,500-2,500) – Lot 1167

AARON BOHROD (American, 1907-1992) VICTORIAN TROMP L’OIEL STILL LIFE.

Oil on Masonite Housed in a giltwood frame with velvet liner Signed lower left “A. Bohrod” SIZE: 6-3/4″ x 4-1/4″. Overall 15″ x 12-1/2″ PROVENANCE: Ex-collection Richard Manoogian CONDITION: Very good to excellent 51325-10 (1,000-2,000) – Lot 1168

SPECIAL DANA-FARBER CANCER INSTITUTE LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 51576-1 (300-400) – Lot 1169

PERCIVAL LEONARD ROSSEAU (American, 1859-1937) TWO ENGLISH SPANIELS IN AUTUMN LANDSCAPE.

Oil on canvas Housed in a vintage gold tone wood frame Signed and dated lower right “Rosseau 1906″, bears Wunderly Brothers Fine Art, Pittsburgh PA” label on paper backing SIZE: 20″ x 26″. Overall 24-1/4″ x 30-1/4″ CONDITION: Craquelure throughout, discolored varnish, minor flake losses, otherwise good 51537-1 (20,000-40,000) – Lot 1170

AMERICAN SCHOOL (19th Century) ENGLISH SETTER ON POINT.

Oil on canvas Housed in an elaborately carved giltwood frame with gilt liner Signed with initials lower left “FD”, monogram similar to one used by Frank Duveneck SIZE: 28″ x 40″. Overall 37-3/4″ x 50″ CONDITION: Craquelure, surface grime, several small areas of touch up. Frame has been re-gilded 51541-3 (3,000-5,000) – Lot 1171

REUBEN WARD BINKS (United Kingdom, 1880-1950) “RAP”, AN ENGLISH SETTER.

Gouache Housed in a fine molded wood frame with pressed carving having watercolor highlighted mat behind glass Signed lower left “Ward Binks” SIZE: Sight: 13-3/4″ x 18-3/4″. Overall: 22″ x 26-1/4″ CONDITION: Very good, not examined out of frame 51180-1 (1,000-2,000) – Lot 1172

Revised: 1/26/2017

Please Note: This image was used on a Remington Arms-Union Metallic Cartridge Co. Advertising Poster.

GOODWIN (American/English, Early 20th Century) THREE HUNTING DOGS PEERING OUT THE WINDOW.

Oil on canvas Housed in a wood frame Signed lower right “Goodwin” SIZE: 22″ x 15″. Overall 27-1/2″ x 20-1/4″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Good with surface grime 51412-32 (800-1,200) – Lot 1173

AIDEN LASSELL RIPLEY (American, 1896-1969) TAKING AIM.

Watercolor Housed in a Haley and Steele giltwood frame, matted under glass Unsigned, bears artist’s estate stamp on verso SIZE: Sight 3-3/4″ x 5-1/4″. Overall 9-3/4″ x 11″ CONDITION: Very good, not examined out of frame 51531-3 (1,200-1,800) – Lot 1175

DON STONE (American, 1929-2015) WINTER LANDSCAPE WITH GEESE IN FLIGHT.

Watercolor Housed in a vintage wood frame with linen liner under glass Signed lower left “Don Stone” SIZE: Sight: 20-1/2″ x 28-1/2″. Overall 32″ x 40″ CONDITION: Very good, not examined out of frame 51376-19 (1,200-1,800) – Lot 1176

ROY M MASON (American, 1886-1972) MALLARDS IN FLIGHT.

Watercolor Housed in a modern giltwood frame with linen mat under glass Signed lower right “Roy M Mason” SIZE: Sight: 10-1/4″ x 14″. Overall 19″ x 22-3/4″ CONDITION: Very good, not examined out of frame 51529-14 (1,000-2,000) – Lot 1177

FRANK WHITING ROGERS (American, 1854-1917) CHICKS.

Pastel Housed in an elaborate copper painted frame under glass Signed lower right “F.W. Rogers” SIZE: Sight 11-1/2″ x 15-1/25″. Overall 19-1/2″ x 23″ CONDITION: Very good 51465-1 (1,000-1,500) – Lot 1178

MICHELE FALANGA (American, 1870-1942) “IT’S A HOMER, 1911”.

Oil on canvas Housed in a modern gold tone wood frame with linen liner and presentation plaque Signed, dated and inscribed lower right “Copyright 1911 by M Falanga” SIZE: 25″ x 30″. Overall 32-1/2″ x 37-1/2″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Very good 51412-25 (2,000-3,000) – Lot 1179

LAWRENCE BEALL SMITH (American, 1909-1995) AUTUMN SCENE WITH BOY SWINGING BAT.

Oil on Masonite Housed in a modern gold and black tone frame Signed and dated lower right “Lawrence Beall Smith 49″ SIZE: 33″ x 20-1/2”. Overall 36-1/2″ x 24″ CONDITION: Very good with minor surface dirt 51444-1 (1,500-2,500) – Lot 1180

R C CLINTAN? (American, 19th Century) CHILDREN WITH HAYWAGON PULLED BY GOATS.

Oil on canvas Housed in a giltwood frame Signed and dated lower right “R.C. Clintan 1875″. It appears that the signature is partially obscured at the last name and this makes us unable to determine who the artist is SIZE: 23-1/4″ x 31-1/2”. Overall 31-1/2″ x 40″ CONDITION: Lined, minor varnish discoloration, several small losses along edges, minor scattered retouch, otherwise good 51376-14 (2,500-3,500) – Lot 1181

NORMAN PERCIVAL ROCKWELL (American, 1894-1978) “HOT TODDY”.

Charcoal on board, 1938 Housed in a gold tone wood frame, under glass with linen mat Signed lower right “Norman Rockwell”, titled on Rainone Galleries label affixed verso Note: This drawing is listed as item number 25083 in the Norman Rockwell Museum catalog raisonne. The illustration was used in 1949 for an advertisement in the Saturday Evening Post for Schenley Whiskey “Cream of Kentucky”, listed at item number 42193 SIZE: Sight 13″ x 9-1/4″. Overall 21-3/4″ x 18″ PROVENANCE: Christie’s New York, September 28, 1989, lot 392 CONDITION: Very good, not examined out of frame 51246-7 (20,000-40,000) – Lot 1182

FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “WHIPPING IN A STRAGGLER”, CIRCA 1891.

En grisaille pen and ink with watercolor and gouache on paper Housed in a period gilt wood frame, matted under glass Signed lower right “Remington-“, titled on a Cooley Gallery, Old Lyme CT, label affixed to the backing board NOTE: This work was published in Harper’s Weekly November 28th, 1891 page 933. It is also included in Peter H. Hassrick and Melissa Webster’s “Frederic Remington, A Catalog Raisonne of Paintings, Watercolors and Drawings” (Buffalo Bill Historic Center of the West, Cody, WY, 1996) catalog number 01308. SIZE: Sight 13″ x 7-3/4″. Overall 21-3/4″ x 16″ PROVENANCE: A private Washington DC collection, circa 1930; The Cooley Gallery, CT; Skinner Inc, 11/19/2004 lot 54 CONDITION: Appears to be in very good condition, not examined out of frame 51246-6 (15,000-25,000) – Lot 1183

ROBERT BERNARD ROBINSON (American, 1886-1952) HUMOROUS ILLUSTRATION OF AN OLD GENTLEMAN RIDING IN A SIDECAR.

Oil on canvasboard Housed in a wood frame Signed lower left “Robt Robinson” Possibly a cover illustration for Motor Magazine which the artist’s works were included from 1926-1952 SIZE: 28-1/2″ x 25-1/2″. Overall 31″ x 28″ CONDITION: Good with discolored varnish and small pinhole upper left 51203-9 (4,000-6,000) – Lot 1184

Revised: 1/26/2017

Please Note: Overall size should read 26″ x 19-1/2″.

IDA MARIE PERRAULT (American, 1872-1929) DANCE OF THE FAIRIES.

Watercolor, ink, and gouache on paper mounted on a silk mat Housed in a simple green frame under glass Signed and inscribed lower right “Marie Perrault copyright” SIZE: 12-3/4″ x 9-1/2″. Overall 19-1/2″ x 26″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Very good, possible fading 51412-34 (1,000-1,500) – Lot 1185

ROSE O’NEILL (American, 1875-1944) “RIVIERA”.

Pencil with watercolor on paper Unframed Signed lower right “O’Neill” and inscribed “Riviera” Accompanying the watercolor is a Cosmopolitan Magazine artist board tag indicating No. 1589, “RUSH’ and with a date 11/12/09? SIZE: Sheet 11-3/4″ x 18-1/2” CONDITION: Minor discoloration in margins, otherwise good 51203-7 (3,000-5,000) – Lot 1186

CECIL WALTER BEATON (American/English, 1904-1980) THREE COSTUME ILLUSTRATIONS.

Watercolor and ink on paper, All three housed in chrome frames, under glass. 1) Elegant Lady in Red Dress (possibly from My Fair Lady), Signed lower right “Beaton”. 2) Dapper Gentleman in Green Suite Holding a Drink, Unsigned. 3) A Couple at the SHore Wearing Blue Bathing Costumes. Unsigned, inscribed on foam core backing “Tenderloin (2) Rev. Brock-Maurice Evans no jacket- lt. blue (off-white) jersey instead. (63)1 as girl- Siamese”. NOTE: “Tenderloin” was a musical starring Maurice Evans with sets & costumes by Cecil Beaton SIZE: Overall 14″ x 11″ CONDITION: 1) Very good. 2) With two small spots of discoloration upper right corner. 3) Very good. Not examined out of frames 51203-6 (3,000-5,000) – Lot 1187

EDWIN BLASHFIELD (American, 1848-1936) VICTORY, A PATRIOTIC WWI MURAL STUDY.

Oil on canvas Unframed Unsigned SIZE: 35-1/4″ x 71-1/2″ CONDITION: Canvas remounted and lined on new stretcher, several restored tears, scattered retouch (less than 5%), original pencil drawing shows through in places 51144-1 (30,000-50,000) – Lot 1188

JOHN TERELAK (American, 1942-) “THE CATCH” -NEW ENGLAND PATRIOTS.

Oil on canvas Housed in a modern giltwood frame with framing instructions including “J. Ter” (which is not complete) Unsigned SIZE: 20″ x 26″. Overall 28″ x 34″ PROVENANCE: Collection of a Wellesley, MA gentleman CONDITION: Very good 51213-2 (1,000-1,500) – Lot 1189

CHARLES SCHULZ (American, 1922-2000) SIGNED HAND COLORED COMIC STRIP CAMPAIGN FOR BANNING DOGS FROM RIDING IN THE BACK OF PICK UP TRUCKS.

Colored marker & crayon on black & white printed contact sheet Unframed, mounted to a foam board Signed with inscription “Best wishes Charles M Schulz” in black marker The original concept drawing which was a commission for the county of San Diego Bureau of Animal Control is in the possession of the Schulz Foundation. They are unsure of how many stages the cartoon went through to get to its final completion stage. This work is one of the steps Schulz executed in the process of producing the completed commissioned work as evidenced by the absence of a final date in one of the cells “(2-)” SIZE: 17″ x 24″. Overall: 22″ x 28″ CONDITION: Some light foxing spots, generally good 50370-1 (2,000-4,000) – Lot 1190

PETER MAX (American, 1937-) “FLAG WITH HEART”.

Mixed media Housed in a modern giltwood frame with linen liner under glass Signed lower right “Max”, bears Norwegian Star shipping label on verso dated 02/09/2005 SIZE: 16-3/4″ x 22-1/2″. Overall 30″ x 36″ CONDITION: Very good, support appears slightly bowed 51114-1 (3,000-5,000) – Lot 1191

STAN STOKES (American, 20th Century) FLAG RAISING AT IWO JIMA.

Oil on canvas Housed in a modern bronze finished wood frame Signed lower right “Stokes” NOTE: Stokes was a pilot and has been an artist for over 47 years. His work encompasses portraits, landscapes, aviation and space, nautical, automotive and western paintings. Published in numerous books, calendars and periodicals. His work is highly sought after by museums and collectors alike, and included in the collections of three presidential libraries and many prestige’s national museums and corporations. SIZE: 30″ x 36″. Overall: 35″ x 41″ CONDITION: Very good to excellent 51107-2 (3,000-6,000) – Lot 1192

STAN STOKES (American, 20th Century) “1893 AMERICA’S CUP”.

Oil on canvas Housed in a modern decorative wide frame with gilt edges Signed lower right “Stokes” Signed, dated 2007 and titled on verso of canvas A wonderful nautical scene depicting the victorious American sloop “Vigilant” against the British “Valkyrie II” NOTE: Stokes was a pilot and has been an artist for over 47 years. His work encompasses portraits, landscapes, aviation and space, nautical, automotive and western paintings. Published in numerous books, calendars and periodicals. His work is highly sought after by museums and collectors alike, and included in the collections of three presidential libraries and many prestige’s national museums and corporations SIZE: 25″ x 50″. Overall: 31-1/2″ x 56-1/2″ CONDITION: Very good to excellent 51107-1 (3,000-6,000) – Lot 1193

JOSEPH PLANK (Austrian, 1894-1977) SET OF THREE PORTRAITS OF RIDERS ON LIPIZZANER STALLIONS.

Oils on Masonite, Housed in modern giltwood frames. 1) “Levade”, Signed and inscribed lower right “J Plank / LINZ”. 2) “Capriole”, Signed lower right “J. Plank.”. 3) “Span Tritt”, Signed lower right “J. Plank” SIZE: 1) 9-1/2″ x 11-3/4″. Overall 14-1/2″ x 17″. 2) 9-1/2″ x 11-3/4″. Overall 14-3/4″ x 16-3/4″. 3) 11-3/4″ x 9-1/2″ Overall 17″ x 14-3/4″ CONDITION: Good with minor surface grime and scattered retouch 51348-17 (1,200-1,800) – Lot 1194

HOWARD FOGG (American, 1917-1996) MISSOURI PACIFIC LINE.

Watercolor and gouache on paper Housed in a modern gold tone wood frame, matted under glass Signed lower left “Howard Fogg” SIZE: Sight 15-1/4″ x 21-1/4″. Overall 25-1/2″ x 31-1/2″ CONDITION: Two vertical bands of discoloration and spotting, mat has discoloration and spotting, not examined out of frame 51409-1 (3,000-5,000) – Lot 1195

STANFORD WHITE CARVED GILTWOOD FRAME.

Molding width 6″ with varying decorative patterns and gold and green patina. SIZE: Opening: 30-1/4″ x 38-1/4″. Overall 41-1/4″ x 49-1/4″ CONDITION: Nice old patina, minor losses to corner gilding, no seam separation 51348-38 (1,200-1,500) – Lot 1196

GUTZON (John Gutzon Mothe) BORGLUM (American, 1867-1941) “APACHES PURSUED BY U.S. TROOPS”.

Bronze Signed atop rock “Gutzon Borglum” “Susse Fondeur, Paris” on edge of base REFERENCE: Plate 60 & 61 on pages 68 & 69 of “Bronzes of the American West” by Patricia Janis Broder, 1974 In describing this bronze, Broder states “Gutzon was greatly influenced by the art of Rodin. From his study of Rodin sculpture, he developed a feeling for sculptural mass and texture. The roughness of surface gave viewers an understanding of the spontaneity of creation. The impressionistic technique produced a harmony between the power of the raw material and the artistic skill of the sculptors hand. However thoroughly he made his preparatory studies of a subject, Gutzon worked rapidly with great energy and thus retained the original vitality and freshness of expression.” SIZE: 16-1/2″ h x 20″ l PROVENANCE: Alice Osofsky (1913-1994) Garden City, Long Island, NY; Donated to a private CT museum in the late 1960’s by Alice Osofsky for a collection of Tiffany Studio glass & lamps; De-accessioned from a private CT Museum (name withheld by request). Alice Osofsky was a well recognized and respected dealer & authority on Tiffany glass & lamps. CONDITION: Very good having unpolished surface, dark brown patina with only traces of green verdigris at base edge and tail. 51372-2 (50,000-75,000) – Lot 1197

THOMAS MORAN (American, 1837-1926) A HILLSIDE VILLAGE AT SUNSET.

Oil on canvas Housed in a modern gold tone wood frame with linen liner Signed and dated lower left “T. Moran. 1918″ SIZE: 12″ x 15-1/2”. Overall 18-1/2″ x 22″ CONDITION: Good with thumb print lower right, stretcher marks, craquelure, and old restoration upper center 51246-4 (30,000-50,000) – Lot 1198

FREDERICK DEBOURG RICHARDS (American, 1822-1903) “PIKES PEAK”.

Oil on canvas Housed in an early 20th century giltwood frame Initialed lower left “FDR” Note: A framed letter dated 1875 addressed to J DeB. Richards, Esquire from Gebbie Barrie accompanies this lot. In the letter Mr. Barrie, a Philadelphia bookseller, praises the painting “Pikes Peak” and proposes an exchange for books SIZE: 12″ x 16″. Overall 17-1/4″ x 21-1/2″ CONDITION: Canvas has been trimmed and lined, with minor discoloration and spotty varnish, paint surface very low in places, otherwise fair 51350-9 (3,000-5,000) – Lot 1199

VICTOR CASENELLI (American, 1868-1961) “INDIAN ENCAMPMENT”.

Oil on board Housed in a modern giltwood frame with linen liner Signed lower right “V Casenelli”, titled on verso “Indian Encampment” NOTE: Born in New York City, Casenelli was primarily self taught. He moved to Muskegon Michigan where he spent the rest of his life painting Indians. He became one of the prominent Indian painters in America and has murals in public buildings as well as in President Taft’s home SIZE: 12-1/4″ x 15″. Overall 19-1/4″ x 22-1/4″ CONDITION: Very good with a couple of small touches, one in the sky and foreground 51486-1 (1,500-2,500) – Lot 1200

WILLIAM DARLING (American, 1882-1963) “SPRING”.

Oil on Masonite Housed in an early 20th century chip carved wood frame with linen liner Signed lower left “W. Darling”, titled on label affixed to verso SIZE: 25″ x 30″. Overall 33-1/2″ x 38-1/2″ CONDITION: Overall good condition with minor varnish discoloration and small area of retouch 51376-2 (2,000-4,000) – Lot 1201

ATTRIBUTED TO WILLIAM CASTLE KEITH (American/German, 1863-1927) RIDERS APPROACHING A LAKE SURROUNDED BY MOUNTAINS.

Oil on canvas Housed in a modern giltwood frame with presentation plaque Signed lower left “Keith” SIZE: 22″ x 38″. Overall 28″ x 43″ CONDITION: Good restored condition, craquelure arrested by lining, scattered retouch in sky 51354-1 (2,000-4,000) – Lot 1202

LYLE TAYSON SR (American, 1924-2014) NATIVE AMERICAN ENCAMPMENT IN THE VALLEY OF THE GRAND TETONS.

Oil on canvas Housed in a wood frame with brown velvet liner Signed lower left “L Tayson” with artist biography affixed to verso SIZE: 19″ x 25″. Overall 24″ x 30-1/2″ CONDITION: Overall discolored varnish, craquelure upper left, under blacklight it appears that the encampment has been added at a later time, possibly by the artist. Otherwise good 51376-16 (1,500-2,500) – Lot 1203

SHELDON PARSONS (American, 1866-1943) NEW MEXICO LANDSCAPE WITH ADOBE.

Oil on board Housed in a vintage gold tone wood frame Signed lower left “-Sheldon Parsons-” SIZE: 15-3/4″ x 19-3/4″. Overall 23-1/4″ x 27-1/2″ CONDITION: Surface grime, tiny white paint splattered on surface of painting and frame 51419-1 (6,000-9,000) – Lot 1204

WILLIAM R DAVIS (American, 1952-) “SHOOTING STAR”.

Oil on panel Housed in a modern ebonized frame with gilt decoration Signed lower right “W. Davis”, signed and titled on verso “William R. Davis / Shooting Star” SIZE: 6″ x 8″. Overall 9-1/2″ x 11-1/2″ CONDITION: Very good to excellent 51213-6 (1,000-2,000) – Lot 1205

JAMES DARUM (American, 20th/21st Century) THREE AMIGOS, 1978.

Oil on canvas Unframed Signed and dated lower right “James Darum ’78” SIZE: 32″ x 36″ CONDITION: Minor surface dirt, otherwise very good 51344-8 (400-600) – Lot 1206

CYRUS EDWIN DALLIN (American, 1861-1944) “APPEAL TO THE GREAT SPIRIT”.

Bronze Base inscribed “C.E. Dallin 1913”. Marked on the back of the base “Gorham Co. Founders OXC” Unknown casting date SIZE: 9″ h PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Light wear to surface 51398-17 (1,000-2,000) – Lot 1207

CARL KAUBA (American/Austrian, 1865-1922) TRUE BLUE.

Bronze Mounted to a round green polished marble base Signed “C. Kauba” and inscribed “National Security League 1915 New York” titled at front of ground “True Blue” SIZE: Bronze only: 11-1/2″ h. Total: 12″ h CONDITION: Very good, dark brown patina 51510-2 (500-1,000) – Lot 1208

WINSTON CHURCHILL (American, 20/21st century) “A LITTLE TOO CLOSE”.

Bronze Mounted to a rectangular polished green marble base, set on a molded walnut base Signed “W. Churchill 2/60″ SIZE: 6-3/4″ h, base: 10-1/4” x 6-1/4 PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Very good 51358-89 (150-250) – Lot 1209

Revised: 2/3/2017

Please Note: We have been notified by Cardozo Gallery that this is not their 150th Anniversary Edition and is not from their gallery therefore we are uncertain of the vintage & origin of this goldtone.

EDWARD SHERIFF CURTIS (American, 1868-1952) CANYON DE CHELLY – NAVAHO, 1904 – 150th ANNIVERSARY EDITION GOLDTONE.

Goldtone Housed in a contemporary wood frame Signed lower left “Copyright 1904 E S Curtis” NOTE: According to Cardozo’s website this goldtone was produced using Curtis’s original plate and being a limited edition made by Cardozo Fine Arts. “Canyon de Chelly (pronounced “chay”, after the Navaho “Ta Sh_”) was one of the most sacred places for the Navaho and remains so to this day. It is located in Northeastern Arizona in the heart of Navaho country. Of Curtis’ 50,000 negatives this is considered to be one of his ten most important and powerful. The insignificance of man relative to nature is clearly illustrated through the sheer size (approximately 1,000 feet high) of enduring cliff formations that surround the riders. Canyon de Chelly is regarded as Curtis’ single most popular goldtone today and the contemporary Goldtone captures the subtleties and richness of the original negative in a way that was impossible a hundred years ago.” SIZE: Image: 18″ x 22″. Overall: 24-3/4″ x 29″ CONDITION: Very good 51344-13 (3,000-5,000) – Lot 1210

AFTER CARL MOON (American, 1879-1948) INDIAN WITH PEACE PIPE.

Orotone Housed in an elaborately carved floral encrusted frame with copper patina, matted under glass Signed with stamp lower left on glass “C Moon”, bears “Carl Moon Pasadena, Cal.” label on verso SIZE: Sight 13-1/2″ x 10-1/2″. Overall 25″ x 21″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Very good, not examined out of frame, photograph seems overexposed 51358-20 (800-1,200) – Lot 1211

AFTER CARL MOON (American, 1879-1948) “NAVAJO BOY”, 1907.

Orotone Housed in a gold tone frame with green and gold decorated mat liner under glass Signed with a stamp on glass lower left “Carl Moon”, stenciled with title on verso, bears “Carl Moon 565 North Mentor Ave Passadina, CL” label SIZE: Sight 12″ x 8-1/2″. Overall 18-1/2″ x 15-1/4″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Photograph appears to be in good condition, frame has tears and losses to mat 51358-18 (800-1,200) – Lot 1212

AFTER CARL MOON (American, 1879-1948) “MEGUELITO”, 1904.

Hand colored photographic print Housed in a giltwood frame under glass Signed with artist’s stamp lower right “Karl Moon”, impressed “Karl E Moon & Co”, embossed lower left “Copyrighted 1906 by the American Lumber Company” SIZE: Sight 23-1/2″ x 19-1/2. Overall 27-1/4″ x 23-1/4″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Several chip losses, pencil line across lower right, vertical crease left center, not examined out of frame 51358-19 (500-1,000) – Lot 1213

JOHN SINGER SARGENT (American, 1856-1926) “DONKEYS IN A DESERT, MOROCCO 1880”.

Oil on wood panel Housed in a fine carved & gilt wood frame Unsigned Verso depicting a study of three Venetian gondolas Reference: Sargent Catalog Raisonne, ‘Figures and Landscapes, 1874-1882’, page 298 Please Note: JOHN SINGER SARGENT COMPLETE PAINTINGS; ORMOND/KILMURRAY VOLUME IV:, Page 412 #788 Donkeys In A Moroccan landscape (recto) and Three Boats (verso) Violet Sargent (Mrs. Frances Ormond), 1925; Her son F. Guillaume Ormond, 1955; His heirs, 1971; Coe Kerr Gallery, New York, 1989; Mr. and Mrs. Harry Spiro; Private collection Exhibitions: New York, Coe Kerr Gallery, American Impressionism, 1989 19 May-23 June 1989, No.37, Ill. Cat. N.P. (color) as “Donkeys In The Desert With Squatting Figure” Literature: Mount 1955 p444 (K8034) dated 1880; 1957 Ed., p354 (K8034); 1969 Ed., p461 (K8034); As “Three Donkeys In A Desert With Squatting Figure” SIZE: 10″ x 13-1/4″. Overall: 18″ x 22″ PROVENANCE: Thomaston Auction Galleries, Aug. 2009; From a Maine/Texas Collection CONDITION: Very good 51398-47 (50,000-70,000) – Lot 1214

WILLIAM P PHELPS (American, 1848-1923) GRAND CANAL WITH DOGES PALACE AND ST MARKS.

Oil on canvas Housed in a substantial 19th century carved giltwood frame Signed lower left “WP. Phelps” SIZE: 28″ x 48″. Overall 43″ x 62″ CONDITION: Very good, craquelure throughout 51376-1 (6,000-9,000) – Lot 1215

ROBERT HENRI (American, 1865-1929) “MINAUN CLIFFS, ACHILL ISLAND, COUNTY MAYO, IRELAND”.

Watercolor on paper Housed in a carved giltwood frame with linen liner under glass Signed lower left “Robert Henri”, inscribed, signed and dated on verso “Minaun Cliffs, Achill Island, Co Mayo, Ireland Sept. 1913 Robert Henri”, bears gallery labels affixed to cardboard backing from Maynard Walker, NY and Mark Borghi Fine Art, NY SIZE: Sight 7-3/4″ x 12-1/4″. Overall 16″ x 20-1/2″ CONDITION: Good, not examined out of frame 51310-4 (1,200-1,800) – Lot 1216

HAYLEY LEVER (American, 1876-1958) “EXMOUTH, ENGLAND” CIRCA 1904.

Oil on canvas Housed in an early 20th century carved giltwood frame with linen liner and presentation plaque Signed lower left “Hayley Lever”, titled on Clayton-Liberatore Art Gallery, New York label affixed to frame SIZE: 20″ x 24-1/4″. Overall 28-1/2″ x 32-1/2″ CONDITION: Overall discolored varnish, lined, otherwise very good 51532-1 (6,500-9,500) – Lot 1217

HAYLEY LEVER (American, 1876-1958) “ST IVES , CORNWALL ENGLAND”.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Hayley Lever”, inscribed on verso “St. Ives, Cornwall. England, 1904″, bears Spanierman Gallery, LLC label affixed to cardboard backing attached to stretcher SIZE: 10-1/4″ x 13-1/4”. Overall 14-1/4″ x 17-1/4 CONDITION: Good with some craquelure and scattered retouch. 51397-4 (3,000-5,000) – Lot 1218

HAYLEY LEVER (American, 1876-1958) DOCK SCENE.

Oil on cigar box Housed in a modern ebonized wood frame Signed on verso “Hayley Lever”, panel stamped “LA Libertad Juniors” SIZE: 4-1/4″ x 6″. Overall 9-1/4″ x 11″ CONDITION: Good with vertical craquelure and minor flake losses 51350-12 (2,000-3,000) – Lot 1219

THOMAS ROWLANDSON (English, 1756-1827) “THE PRIZE FIGHT”.

Watercolor and ink on paper Housed in a giltwood frame, matted under glass Signed lower left “Rowlandson”, Bears label affixed to verso from “The Rosenbech Galleries Philadelphia, Inventory number 5732A” and typed label “Original drawing by Thomas Rowlandson ‘The Prize Fight'” SIZE: Image 11-3/4″ x 14-3/4″. Overall 21″ x 24 PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Overall discoloration and staining in margins, mat is discolored, not examined out of frame 51412-17 (1,500-2,500) – Lot 1220

THOMAS ROWLANDSON (English, 1756-1827) CARICATURE OF GENTLEMEN HAVING A LONG NIGHT AT THE GAMING TABLES.

Watercolor on paper Housed in a giltwood frame, matted under glass Signed lower right “Rowlandson”, bears “The Rosenbach Galleries, Philadelphia” label on verso, item number 3730 SIZE: 6″ x 9-1/2″. Overall 15-3/4″ x 19″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Full sheet affixed to hand painted paper mat, slightly faded 51412-18 (1,000-2,000) – Lot 1221

GEORGE SMITH RA (British, 1829-1901) “SEARCHING FOR THE WILL”, 1862.

Oil on canvas Housed in a period giltwood frame with presentation plaque Signed and dated lower right “George Smith 1862”, titled on presentation plaque NOTE: George Smith was a member of the Royal Academy exhibiting 78 paintings during his career; Smith assisted in the frescoes at the Houses of Parliament and is represented at the Victoria & Albert Museum REFERENCE: Companion painting “The Will Found 1868″ was sold at Lyon & Turnbull, 12/3/08, Lot 19 SIZE: 30-1/4″ x 29-1/2”. Overall 37-1/2″ x 53″ PROVENANCE: From the collection of the late Judge Warren F. Hicks, of Houston Texas CONDITION: Very good restored condition, relined and varnished, scattered areas of inpainting 51136-1 (8,000-12,000) – Lot 1222

THOMAS WEBSTER (English, 1800-1886) THE VILLAGE FESTIVAL.

Oil on canvas Housed in a molded giltwood frame Signed and dated lower left “T. Webster 1831.” Stenciled on verso “Reeves and Sons, Manufacturers 113 Cheapside London” SIZE: 22-1/2″ x 31-1/2″. Overall 34″ x 44-1/2″ CONDITION: Good, with small tear upper left and 3″ restored tear lower center with corresponding patch on verso. Minor paint loss along edges, small 1/4″ hole lower center, overall discolored varnish 51348-19 (10,000-15,000) – Lot 1223

NICHOLAS CONDY (English, 1793-1857) FIGURES IN A COUNTRY COTTAGE ENJOYING LUNCH.

Oil on panel Housed in a molded giltwood frame Signed lower left “N. Condy” SIZE: 13-1/2″ x 17-1/2″. Overall 17″ x 21-1/2″ CONDITION: Overall discolored varnish, large restored horizontal split to panel with other areas of restoration 51376-42 (3,000-5,000) – Lot 1224

ATTRIBUTED TO JAMES POLLARD (English, 1792-1867) TWO COACHING SCENES: “MANCHESTER COACH” AND “FENDER DOWN”.

Oils on canvas Housed in matching 19th century giltwood frames Each signed lower left “J Pollard” 1) Bears label on stretcher inscribed “stock number 830” with title and artist 2) Bears label on stretcher inscribed “stock number 938″ with title and artist SIZE: 1) 18-1/4″ x 25-3/4″. Overall 23-1/4″ x 31″. 1) 18″ x 25”. Overall 23-1/2″ x 30-1/2″ CONDITION: 1) Good restored condition, craquelure arrested with wax lining, spotty varnish. 2) Good restored condition, craquelure arrested with wax lining, inpaint lower left 51348-20 (4,000-6,000) – Lot 1225

ANTHONY VANDYKE COPLEY FIELDING (English, 1787-1855) “THE MOUTH OF THE YARE”.

Oil on panel Housed in a period giltwood frame Signed lower left “Copley Fielding,” bears indiscernible label fragment on stretcher SIZE: 10″ x 14″. Overall 17-1/4″ x 21-1/4″ CONDITION: Panel has horizontal split, yellowed varnish, surface grime, minor retouch 51376-44 (2,000-3,000) – Lot 1226

AFTER SIR JOSHUA REYNOLDS (English, 1723-1792) “THE AGE OF INNOCENCE”.

Oil on canvas Housed in an elaborately carved giltwood 19th century frame Unsigned Note: The original painting, after which this has been copied, is in the collection of the Tate Gallery, London. SIZE: 30″ x 25″. Overall 40-3/4″ x 35-3/4″ CONDITION: Surface grime, shrinkage cracks, flake losses, large tear with loss in center as well as smaller tear lower left 51509-2 (1,500-2,000) – Lot 1227

ALFRED FONTVILLE DE BREANSKI JR (English, 1877-1957) “EVENING ENNERDALE LAKE, CUMBERLAND”.

Oil on canvas Housed in a mid-century giltwood frame Signed lower left, “A de Breanski”, titled and signed on verso “Evening Ennerdale Lake, Cumberland A de Breanski”, bears unidentified exhibition label fragment on stretcher SIZE: 24″ x 36″. Overall 31″ x 43″ PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Good with minor surface dirt, vertical craquelure in sky 51398-36, `, (3,000-5,000) – Lot 1228

CHARLES W OSWALD (English, fl.1892-1900) HIGHLAND CATTLE.

Oil on canvas Housed in a modern giltwood frame Signed lower right “C.W. Oswald.” SIZE: 20″ x 30″. Overall 28″ x 37-3/4″ PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Minor surface scratch upper right, middle ground has large area of restoration, surface dirt, spotty varnish 51358-59 (500-1,000) – Lot 1229

HENRY HILLIER PARKER (English, 1858-1930) “THE SILENT WATERS OF THE THAMES”.

Oil on canvas Housed in a molded giltwood frame Signed lower left “Henry H. Parker”, signed and titled on verso “The Silent Waters of the Thames, Henry. H. Parker” and stamped “Prepared by C. Roberson and Co, LTD, 98 Longacre, London”, also inscribed in ink “A 326/1050.” SIZE: 20″ x 30″. Overall 30″ x 40″ CONDITION: Two areas of restoration in sky, small area lower center corresponding to patch on verso, large craquelure 51394-3 (3,000-5,000) – Lot 1230

WALTER WRIGHT (English, 1866-1933) “VIOLET BANK, ANON”.

Oil on board Housed in a molded giltwood frame with gold mat under glass Signed and dated lower left “W Wright 1928”, bears label affixed to verso with title and inscription “Presented to Miss Jean McMichau. Edenburg. August 1, 1928″ SIZE: 8″ x 10-1/2”. Overall 11-1/2″ x 15-1/2″ CONDITION: Very good, frame has significant losses to molding 51515-4 (1,500-2,500) – Lot 1231

HENRY CHARLES FOX (English, 1860-1925) TWO LANDSCAPES OF THE ENGLISH COUNTRYSIDE.

Watercolor Housed in molded giltwood frames with gilt mats under glass Signed and dated lower right “HC Fox 1918″ SIZE: 1) Sight: 14-1/2″ x 21-1/2″. Overall 23-1/2″ x 31-1/2″ 2) Sight: 14-1/2″ x 21”. Overall 23-1/2″ x 31″ CONDITION: Minor discoloration and fading, not examined out of frames 51522-1 (1,200-1,500) – Lot 1232

SYDNEY YATES JOHNSON (English, fl. 1890-1926) TWO RIVER LANDSCAPES.

Oils on canvas Housed in simple giltwood frames Both signed and dated “S.Y. Johnson 1908”, canvas stamped “Young and Marten, Limited, Stratford London” SIZE: Each: 24″ x 12″. Overall 26-1/4″ x 14-1/4″ CONDITION: Both have discolored varnish and craquelure, one has two small patches on verso corresponding to restored tears 51350-17, 51350-18, (1,000-1,500) – Lot 1233

EDWIN FLETCHER (English, 1857-1945) SHIPS IN HARBOR AT SUNRISE.

Oil on canvas Housed in a period giltwood frame Signed lower left “E. Fletcher” SIZE: 16″ x 24″. Overall: 24-1/2″ x 32″ PROVENANCE: Estate of Siro R. Toffolon of Old Lyme, CT. CONDITION: Good, with craquelure, discolored varnish, stretcher marks and restoration in sky 51382-1 (700-900) – Lot 1234

AFTER JAMES NORTHCOTE (English, 1746-1831) “PORTRAITS PAINTED FROM LIFE”.

Oil on panel Housed in a 19th century molded giltwood frame Unsigned, bears a fragment of a paper label with ink inscription affixed to verso possibly listing the passenger names, and inscribed on panel “Royal Academy 1784” NOTE: The original painting that this work is after was the centerpiece of a drawing created in 1784 by Edward Francis Burney depicting the West Wall of the Exhibition Hall of the Royal Academy. The drawing shows the original large scale painting by James Northcoat, titled “Portraits Painted from Life, Representing Capt Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept 1782”. Northcote once proclaimed the work “the grandest and most original thing I ever did.” Unfortunately, the location of the original painting is unknown, however, a mezzotint engraving of the work was published in 1796 by Thomas Gaugain. This version is likely an early 19th century copy after the engraving. SIZE: 24-1/2″ x 30″. Overall 29-1/2″ x 35-1/2″ CONDITION: The panel support has horizontal cracks throughout the entire painting. Surface dirt, flake losses, Frame with losses to three of the four corners 51335-8 (2,500-3,500) – Lot 1235

ENGLISH SCHOOL (19th Century) APOLLO’S COMPANION.

Oil on canvas Housed in a period 19th century carved giltwood oval frame Unsigned SIZE: 20-1/2″ x 24-1/2. Overall 31″ x 34-3/4″ CONDITION: Surface grime, small flake loss, tiny shrinkage cracks, otherwise good 51229-1 (800-1,200) – Lot 1236

SCHOOL OF RICHARD SIMKIN (English, 1840-1926) PORTRAIT OF A ROYAL HORSE ARTILLERY MOUNTED OFFICER.

Watercolor and gouache on gray paper Housed in a giltwood frame, matted under glass Monogrammed lower right and dated 1895, bears inscription on back mat “original watercolor drawing of a royal horse artillery mounted officer 1895 signed monogram. Circle of Richard Simkin.” Lot is accompanied by Lietenant Colonel P.S. Walton’s “Simkin’s Soldiers, The British Army in 1890″, Surrey: The Victorian Military Society, 1981 SIZE: Sight 8″ x 6”. Overall 15″ x 13″ CONDITION: Very good, not examined out of frame 51373-2 (800-1,200) – Lot 1237

FORD MADOX BROWN (English, 1821-1893) THE HOLY FAMILY WITH JOHN THE BAPTIST.

Oil on canvas laid down on Masonite Housed in a carved giltwood 19th century frame with gilt liner retaining an old title label “Holy Family” Signed and dated with monogram upper right (under the frame liner) “FMB 64″ SIZE: 51-1/2″ x 34-1/2”. Overall 64″ x 46-1/2″ PROVENANCE: Ex-collection Henry Audesse, Wenham, Massachusetts CONDITION: Scattered restoration throughout including touch up in three central figures, otherwise good 51350-1 (7,000-10,000) – Lot 1238

GEORGE H YEWELL (American, 1830-1923) “THE LANDING OF CLEOPATRA” AFTER CLAUDE LORRAIN, CIRCA 1858.

Oil on canvas Housed in a 19th century molded giltwood frame Unsigned, identified on label affixed to stretcher Note: The original painting by Claude Lorraine is in the Louvre, Paris SIZE: 11″ x 14″. Overall 15-3/4″ x 19″ CONDITION: Very good restored condition, restoration in sky and scattered along edges 51549-1 (3,000-5,000) – Lot 1239

ATTRIBUTED TO MAURICE QUENTIN DE LA TOUR (French, 1704-1788) PORTRAIT OF LOUIS, DAUPHIN DE FRANCE.

Pastel on canvas, mounted on board Housed in a modern gesso decorated frame with mat & inner gilt edge behind glass Unsigned NOTE: Son of King Louis XV and Queen Marie Leszczynska, Father of Louis XVI, Louis XVIII & Charles X. Was born in Versailles September 4, 1729 and died at the Chateaux de Fontainbleau December 20, 1765. REFERENCE: There is another portrait of the sitter at an earlier age by the same artist (dated 1745) in the Louvre. A preparatory study on brown paper, apparently for the present work, is preserved at the Musée Antoine-Lécuyer, a museum devoted to the works of de la Tour that contains many materials from his atelier. SIZE: 21-3/4″ x 16-1/4″. Overall: 31″ x 25-1/4″ CONDITION: Water spots along left edge and horizontally in jacket. Otherwise good. 51441-2 (4,000-8,000) – Lot 1240

CHARLES FRANCOIS DAUBIGNY (French, 1817-1878) BARBIZON LANDSCAPE WITH DUCK POND.

Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “Daubigny 1875″ SIZE: 16″ x 24”. Overall 20-1/2″ x 28-1/4″ CONDITION: Old restoration, stretcher marks and discolored varnish 51350-20 (3,000-5,000) – Lot 1241

CHARLES FRANCOIS DAUBIGNY (French, 1817-1878) BARBIZON RIVER LANDSCAPE.

Oil on panel Housed in an elaborate carved and gilt gesso wood frame with presentation plaque Signed lower left “Daubigny”, frame bears label from Marshall Field & Co. SIZE: 10-1/4″ x 16″. Overall 24″ x 29-1/2″ CONDITION: Small area of restoration upper left and another right center edge with minor scattered retouch in sky, sruface grime and frame abrasion 51487-2 (3,000-5,000) – Lot 1242

ATTRIBUTED TO LEON-VICTOR DUPRE (French, 1816-1879) FRENCH FARMYARD WITH COWS AND HORSE DRAWN PLOW.

Oil on canvas laid down on Masonite panel Housed in a modern paint decorated wood frame with linen liner Signed lower left “Victor Dupre” SIZE: 19-3/4″ x 25-1/2″. Overall 24-3/4″ x 31″ CONDITION: Good restored condition, large area of inpaint lower left, scattered inpaint throughout 51246-5 (2,000-4,000) – Lot 1243

JULES DUPRE (French, 1811-1889) BARBIZON LANDSCAPE WITH FISHERMAN.

Oil on canvas Housed in a substantial period giltwood frame Signed lower left SIZE: 16″ x 12″. Overall 25″ x 21″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Good restored condition, lined, large restored tear with inpaint lower center of canvas 51412-9 (1,000-2,000) – Lot 1244

FRENCH SCHOOL (19th Century) TWO LANDSCAPES WITH THATCHED ROOF COTTAGES.

Oils on beveled panel Housed in period molded giltwood frames Unsigned, each bearing indiscernible ink inscriptions on paper on verso Accompanied by black and white photographs of works with inscriptions on verso SIZE: 9-1/2 x 12-3/4″. Overall 15″ x 18″ CONDITION: Overall very good condition, each with impressed marks upper right. 51373-1 (2,000-4,000) – Lot 1245

MICHEL ARNOUX (French, 1833-1877) TWO WORKS: BOY WITH KITTEN BY THE FIRE AND BOY PRACTICING HORN.

Oil on panels Housed in period giltwood frames Signed lower left “M. Arnoux” The first numbered 378 on verso SIZE: 8-1/2″ x 6-1/4″. Overall 17-1/2″ x 15-1/2 CONDITION: Good both with discolored varnish and frame abrasion 51348-13 (2,500-3,500) – Lot 1246

PHILLIPPE FRANCOIS SAUVAGE (French, 19th Century) GIRL READING IN INTERIOR.

Oil on panel Housed in a period giltwood frame Signed lower left “P Sauvage” SIZE: 10″ x 8″. Overall 15-1/4″ x 13-1/4″ CONDITION: Very good, minor frame abrasion along left edge 51348-15 (3,000-5,000) – Lot 1247

THEOPHILE EMMANUEL DUVERGER (French, 1821-1886) CLASSROOM ANTICS.

Oil on mahogany wood panel Housed in a wide deep molded wood pine frame Signed lower left “Duverger” SIZE: 14″ x 10-1/2″. Overall: 23-3/4″ x 20-1/4″ CONDITION: Fine craquelure, very good, abrasion line just below the signature which may have been caused by a previous frame 50887-1 (3,000-5,000) – Lot 1248

EMILE PINEDO (French, 1840-1916) NUDE WOMAN IN FRONT OF MIRROR.

Bronze and glass Signed on base “Pinedo” SIZE: 13-1/4″ h. Base: 6-3/4″ w x 6-1/2″ d CONDITION: Circular mark at pillow, otherwise very good 51525-1 (1,000-2,000) – Lot 1249

SIGNED “TW” (1915) BOOKENDS WITH CHILD IN FRONT OF MIRROR.

Bronze and glass Marked with monogram “TW 1915” also “Real solid bronze” SIZE: 5-3/4″ h x 4″ w x 4″ d PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Very good 51412-87 (500-800) – Lot 1250

JULES MOIGNIEZ (French, 1835-1894) TWO WORKS: “POULE DE HOUDAN” AND ANOTHER CHICKEN.

Bronze Both signed “J Moigniez” SIZE: 11-1/2″ h CONDITION: Very good, brown patina 51510-1 (1,000-2,000) – Lot 1251

ALEXANDRE LOUIS JACOB (French, 1876-1972) WINTER LANDSCAPE.

Oil on board Housed in a modern gold tone frame with linen liner Signed indistinctly lower left, inscribed on verso “Alexandre Jacob, born Paris Aug 14, 1876, Student of Eugene Claude”, bears exhibition label from the Rockport Art Association dated October 4th to November 16th, 2014, “Paul Strisik, N.A.: The Artist and his Collection” SIZE: 10-1/2″ x 11-3/4″. Overall 18-1/2″ x 19-1/2″ CONDITION: Very good 51301-2 (1,000-2,000) – Lot 1252

GENEVIEVE GALLIBERT (French, 1888-1978) “ISTRES”.

Watercolor on paper Housed in a giltwood frame, matted under glass Signed lower left “G. Gallibert”, Lawrence Rill Schumann Art Foundation, 502 Beacon Street, Boston label taped to paper backing with typed inscription “#528 / Gallibert / Istres” SIZE: Sight 18-1/2″ x 23″. Overall 24-1/2″ x 28-1/2″ CONDITION: Very good, not examined out of frame 51192-2 (600-900) – Lot 1253

SCHOOL OF FRANCESCO LAZZARO GUARDI (Italian, 1712-1793) “CHIESA SAN GIORGIO MAGGIORE”.

Oil on canvas Housed in a late 19th century carved giltwood frame Unsigned, inscribed on verso stretcher “Francesco Guardi Chiesa San Giorgio Maggiore” SIZE: 18-1/4″ x 15-1/4″. Overall 22-1/2″ x 19″ CONDITION: Canvas has been wax lined and mounted on new stretchers, restoration throughout sky and water, craquelure 51350-4 (2,000-3,000) – Lot 1254

CAMILLO GIOVANNI INNOCENTI (Italian, 1871-1961) PORTRAIT OF A NEAPOLITAN WOMAN GATHERING TWIGS.

Oil on canvas Unframed Signed lower left “Innocenti” SIZE: 59″ x 39″ CONDITION: Craquelure arrested by lining, minor discolored varnish, old and new restoration scattered throughout, minor inpaint in woman’s face 51350-3 (5,000-7,000) – Lot 1255

HERMANN DAVID SALOMAN CORRODI (Italian, 1844-1905) ITALIAN LANDSCAPE WITH LAKE, MOUNTAINS, AND FISHERMEN.

Oil on canvas Housed in a period giltwood frame Signed lower left “Corrodi” SIZE: 10-1/4″ x 15-3/4″. Overall 18-1/2″ x 24″ CONDITION: Good with minor varnish discoloration, slight canvas buckle and minor frame abrasion 51348-16 (7,000-9,000) – Lot 1256

ITALIAN SCHOOL (19th Century) “NAPOLI DA POSILIPO” AND “ISOLA D’ISCHIA”.

Gouaches on paper Housed in period giltwood frames under glass Each titled on painted border SIZE: Sight 14-1/2″ x 19″. Overall 19-1/2″ x 24″ CONDITION: Good with original wood backings, discoloration on verso. Isola has moisture damage upper left and is missing part of wood backing 51305-3 (300-500) – Lot 1257

KEY HIRAGA (Japan, 1936-2000) SURREALIST COMPOSITION.

Acrylic on canvas Housed in a black frame Signed and dated lower right “Key Hiraga 66″, stretcher bears nondescript label with artist’s information and date, inscribed No.14 SIZE: 24″ x 30”. Overall 25″ x 31-1/2″ CONDITION: Good 51230-1 (8,000-12,000) – Lot 1258

GULAM RASOOL SANTOSH (Indian, 1929-1997) “THE PULL”.

Oil on canvas Housed in a modern black painted wood frame Signed and dated lower right “Santosh 62”, titled on verso “The Pull, Santosh” and inscribed “no=10, Kumar Gallery, N. Delhi 65″, bears label with title on stretcher and stamped Kumar Gallery on stretcher. SIZE: 26″ x 20”. Overall 31″ x 25″ CONDITION: Good with minor craquelure upper left, surface dirt, and scattered flake losses 51314-1 (10,000-15,000) – Lot 1259

YOUNG-IL AHN (Korean, 1934-) “RED UMBRELLA”.

Oil on canvas Housed in a modern chrome frame Signed lower left “Ahn Young-Il” SIZE: 14″ x 14″. Overall 14-1/2″ x 14-1/2″ CONDITION: Very good with small flake loss upper center 51163-1 (1,000-1,500) – Lot 1260

FELIPE ORLANDO (Cuban/Mexican, 1911-2001) “EKEUNON YAGASIGAMA”.

Oil on canvas Housed in a modern wood frame Signed lower left “Felipe Orlando=”, inscribed and titled on verso “Felipe Orlando= Ekeunon Yagasigama” SIZE: 39-1/2″ x 31-3/4″. Overall 42-1/2″ x 34-1/2″ CONDITION: Spotty varnish and surface dirt, surface scratch, otherwise good 51468-1 (4,000-6,000) – Lot 1261

CANDIDO PORTINARI (Brazil, 1903-1962) SKETCH OF A WOMAN’S HEAD.

Watercolor on paper Housed in a modern black metal frame with brown mat Signed lower right “Portinari” SIZE: Sight size: 10-3/4″ x 9″. Overall: 13″ x 11-1/4″ CONDITION: Light foxing, otherwise good. 51381-1 (2,000-4,000) – Lot 1262

GILMAR GONCLAVES (Brazilian, 20th century) FOUR WORKS.

Four oils on canvas All four in matching white painted wood frames. Each inscribed with title and date on verso, including: 1) “Menino com Pipa”, signed and dated lower right “Gilmar Gonclaves 2..8” 2) “Menino com Boninhasde Sabao”, signed and dated lower right “Gilmar Gonclaves 2..7” 3) “Bandinha”, signed and dated lower center “Gilmar Gonclaves 2..8” 4) “Pequeno Musico”, signed and dated lower left “Gilmar Gonclaves 2..8″ SIZE: 1) 15-1/2″ x 12″. 2) 15-1/4″ x 11-3/4″. 3) 11-3/4″ x 15-3/4″. 4) 15-1/2″ x 11-3/4”. Overall of each: 18″ x 14″ CONDITION: Very good, with minor surface dirt 51381-5 (1,500-3,000) – Lot 1263

ALDEMIR MARTINS (Brazilian, 1922-2006) TWO WORKS: CATS.

Watercolor on paper Housed in identical modern silver gilt wood frames with white mats Signed lower right “Aldemir Martins 2001” and lower left “Aldemir Martins 2003″ SIZE: Sight size: 11-1/2″ x 8″. Overall” 16″ x 12-1/2″ CONDITION: Very good. 51381-2 (2,000-4,000) – Lot 1264

AMANDUS GENRIKH (HEINRICH) ADAMSON (Estonian, 1855-1929) “CHAMPION LURICH”.

Bronze Signed between feet “Champion Lurich/Sculpt et Cisel/A. Adamson/1903 St. Peterbourg”. Also signed on side of base in script “A. Mordur rr?” Note: Georg Lurich (1876-1920) was an Estonian Greco-Roman wrestler and strongman and became the first Estonian to set world weightlifting records & was a multiple world champion in wrestling. In 1912, Estonian sculptor Amandus Adamson cast a bronze statue of Lurich titled “Champion” which won the 1912 Paris Olympic artist contest. Lurich was also the inspirational model for a plaster of paris sculpture by Adamson titled “Kalevipoeg at the Gates of Hell”. This may be the only example of this bronze that has come to the auction market. SIZE: 40″ h CONDITION: Accompanied by its removable fig leaf. Nice dark patina, some surface scratches & rubbing, some very light paint spatter, very good 51333-1 (10,000-15,000) – Lot 1265

DAVID ARONSON (Lithuanian, 1923-2015) EDMOUND BURKE.

Bronze relief plaque Signed lower right “Aronson” Numbered on reverse “III-XII” On verso is a Weatherspoon Art Gallery label and another partial New York label indicating 1962 SIZE: 23″ h x 20″ at widest CONDITION: Very good 51335-10 (2,000-3,000) – Lot 1266

ALEXANDER LIBERMAN (Russian/American, 1912-1999) “THE ARTIST IN HIS STUDIO”, THREE PHOTOGRAPHS.

Photographic prints mounted on boards with stretcher backs, Unframed, Unsigned, each bears a Museum of Modern Art, NY label with titles. 1) “Fernand Legere Seated Studying Stained Glass Window Designs For Church At Oudin Court, Paris 1953”, Paper label with description affixed to front. 2) “Pablo Picasso At ‘Nou Nou’s’ Golf Juan 1954”. 3) “Marc Chegall Portrait, Seated And Smiling, Venice, 1952″, Paper label affixed to the front SIZE: 1) 14″ x 10-1/2″. 2) 7-1/2″ x 11”. 3) 14″ x 9″ CONDITION: Surface scratches and with losses 51205-13 (2,000-3,000) – Lot 1267

EDWARD ANTOON PORTIELJE (Belgian, 1861-1949) IDLE MOMENT BY THE SEA.

Oil on panel Housed in a modern giltwood frame with linen liner Signed lower right “Eduard Por…l”, bears indiscernible dedication on verso SIZE: 11-3/4″ x 15-5/8″. Overall 18-3/4″ x 22-3/4″ CONDITION: Very good with scattered touch up along edges 51394-4 (5,000-7,000) – Lot 1268

Revised: 1/26/2017

Please Note: Size should read 11-1/2″ x 9″.

DAVID COL (Belgian, 1822-1900) “LA VISITE D’UN AMI”.

Oil on mahogany panel Housed in a molded giltwood frame with presentation plaque Signed and inscribed lower right “DC. No 102”, bears label on verso inscribed with title and “David Col Antwerp 9 Juin 1871″ SIZE: 9″ x 11-1/2”. Overall 16-1/2″ x 14″ CONDITION: Very good with old restoration and surface grime 51528-1 (2,000-4,000) – Lot 1269

EMIL SCHNEIDER (German/French, 1873-1948) DOCK WORKERS.

Oil on canvas Housed in a modern gilt decorated frame with linen liner Signed lower right “E. Schneider” SIZE: 25-3/4″ x 32″. Overall 33″ x 39-1/4″ CONDITION: Minor canvas buckle with tiny flake loss upper center, otherwise very good 51542-2 (1,000-2,000) – Lot 1270

TADEUSZ RYBKOWSKI (Polish, 1848-1926) FIGURES IN A TRADING CAMP WITH HORSES AND CART.

Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “Tadeusz Rybkowski 1883″ SIZE: 15″ x 22”. Overall 20″ x 27″ CONDITION: Canvas has been lined and re-mounted on original stretcher, large areas of restoration in sky, minor scattered retouch in foreground, craquelure 51376-41 (3,000-5,000) – Lot 1271

VINCENZO VELA (Italian, 1820-1891) THE LAST DAYS OF NAPOLEON.

Bronze Mounted to a green marble polished base Signed on side “A. Vela”, also signed with foundry mark “Guss. A. Brandstetter, Munchen” SIZE: Bronze only 11″h, with base 12″ h. Base: 7-3/4″ x 11″ PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Very good, nice brown bronze patina 51358-50 (1,000-1,500) – Lot 1272

LOUIS MARIE MORISE (French, 1818-1883) NAPOLEON ON HORSEBACK.

Bronze Signed on top of base “Morise” Mounted to a polished green marble base Unknown casting date SIZE: Bronze: 24″ h x 25-3/4″ overall x 24″ total l x 11″ w. PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Wonderful dark & light patina with nice detail in very good condition 51358-13 (1,000-2,000) – Lot 1273

ENGLISH SCHOOL (19th Century) TWO NAPOLEONIC PRINTS.

1) After R. Caton Woodville, Engraved by Jules Jacqued, “Napoleon I With His Old Guard At Waterloo, 1815”, Hand colored steel cut engraving, Housed in a molded copper color frame with velvet liner under glass, Published by Henry Grave and Co. Limited, London, copyright 1897, USA British Art Publishers Union. Printed by A. Salmon and R. Dail Porcabeuf, Paris. 2) After Isabey, Engraved by Liney “Napoleon A Malmaison”, Hand colored mezzotint, Housed in a modern giltwood frame matted under plastic SIZE: 1) Plate: 22-1/2″ x 36″. Overall 38-1/2″ x 53″. 2) Plate: 25-1/4″ x 17-1/4″. Overall 43″ x 34″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: 1) Paper buckling, minor discolorations in margins, not examined out of frame 2) Several small losses scattered throughout, not examined out of frame 51358-97 (200-400) – Lot 1274

RICHARD PAUL SPRINGER (American, 20th Century) TWO PORTRAITS OF NAPOLEON AFTER FAMOUS WORKS.

Oils on canvas, Unframed. 1) After Jean Auguste Dominique Ingres “Napoleon I On His Imperial Throne”, signed and inscribed lower left “Richard Paul Springer 1992| After Ingres”. 2) After Paul Delaroche “Napolean I At Fontaine Bleau”, signed lower right “Richard Paul Springer 1991 | Apres Delaroche” SIZE: 1) 39″ x 23-3/4″. 2) 35″ x 23-3/4″ PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: 1) Scattered flake losses and surface abrasions. 2) Surface dirt, abrasions 51358-25 (500-800) – Lot 1275

EUROPEAN SCHOOL (19th Century) “QUASI WAR WITH FRANCE”.

Oil on canvas Housed in a 19th century giltwood frame with presentation plaque identifying the scene Unsigned, frame bears label fragment from “R… Hurston, Successor to John Lawrence, carver and gilder” SIZE: 20″ x 29″. Overall 25″ x 33-1/4″ CONDITION: Lined, discolored varnish, old restoration throughout sky 51344-11 (2,000-4,000) – Lot 1276

HENDRICK HULK (Dutch, 1842-1937) MEN WORKING ON BEACHED FISHING BOATS.

Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “H. Hulk 1887″ SIZE: 17-1/4″ x 26”. Overall 23″ x 31-1/2″ CONDITION: Lined and remounted to original stretcher, scattered restoration throughout sky and beacc, craquelure 51376-40 (3,000-5,000) – Lot 1277

ALEJANDRO GOMEZ-MARCO (Spanish, 1910-1972) SPANISH LANDSCAPE.

Oil on canvas Housed in a contemporary gold tone frame Unsigned Accompanying painting is an exhibition pamphlet with biographical history SIZE: 19-1/2″ x 27-1/2″. Overall 27″ x 35-1/2″ CONDITION: Canvas buckle, paint surface cracking lower left, minor flake losses upper right 51524-1 (1,000-1,500) – Lot 1278

JOSEPH HEINRICH LUDWIG MARR (German, 1807-1871) CHILDREN IN HAYWAGON RIDING PAST A HERD OF SHEEP.

Oil on panel Housed in an elaborately carved 19th century giltwood frame Signed lower right “H. Marr”, bears label fragment with ink inscription “a very fine pa… bought also… uncle Augustus valuables” SIZE: 15-3/4″ X 20″. Overall 27-1/4″ x 31″ CONDITION: Good, with scattered restoration along edges, minor touch up, surface grime, areas of discoloration upper sky 51348-14 (2,000-2,500) – Lot 1279

ATTRIBUTED TO CARL SPITZWEG (German, 1808-1885) GRANDMOTHER AND CHILD DESCENDING A STAIRCASE.

Oil on panel Housed in a period black lacquered wood frame Unsigned SIZE: 8-1/2″ x 6-1/4″. Overall 13″ x 11″ CONDITION: Good with scattered flake losses 51203-3 (1,500-2,500) – Lot 1280

ATTRIBUTED TO LESSER URY (German, 1861-1931) STREET SCENE.

Pastel on canvas Unframed Unsigned SIZE: 21-1/2″ x 18″ CONDITION: Surface abrasions, water staining along bottom 51203-4 (1,500-2,500) – Lot 1281

JESUS MARIANO LEUUS (American/Mexican, 1948-) MOTHER & CHILD WITH WATERMELON.

Oil on masonite Housed in a gilt wood frame Signed lower right “Jesus Leuus Mexico 1966″ SIZE: 36″ x 20-1/2”. Overall: 37-1/2″ x 22″ CONDITION: Very good to excellent 50778-6 (1,500-2,500) – Lot 1282

CLEMENTINE HELENE DUFAU (French, 1869-1937) PARIS EXHIBITION PIECE, 1900.

Lithograph in colors Housed in a modern giltwood frame, matted under glass Signed in plate lower right “C.H. Dufau” NOTE: Art Nouveau period poster, presumably created for the Paris exhibition of 1900, where she was awarded a silver medal SIZE: Sight 51-1/2″ x 36″. Overall 60-1/2″ x 43-1/2″ CONDITION: Very good with some creases, (not examined out of frame), appears to be framed in archival materials 51025-2 (2,500-4,500) – Lot 1283

SALVADOR DALI (Spanish, 1904-1989) THREE GRAPHIC WORKS.

All housed in modern giltwood frames, matted under glass. 1) “Kabuki Dancer”, Lithograph in colors Signed in pencil lower right “Dali”, signed and dated in plate “Dali 1973”, numbered lower left “182/190”, label from The Print Room, Alexandria VA attached to verso. 2) “Return, Return Shulamite”, From Song of Songs of Solomon, Color etching with gold dust, Signed in pencil lower right “Dali”, inscribed lower left “E.A”, blind stamp lower left “LA Dali”. 3) “The Voice of My Beloved, Behold”, From Song of Songs of Solomon, Color etching with gold dust, Signed in pencil lower right “Dali”, inscribed lower left “E.A”, blind stamp lower left “LA Dali”. NOTE: Song of Songs of Solomon was published in New York in 1971 by Leon Amiel in an edition size of 320 (LA embossed seal) SIZE: 1) Sight 29-3/4″ x 21-1/4″. Overall 39″ x 30″. 2) Plate 15-1/24″ x 10″. Overall 29″ x 20″. 3) Plate 15-1/24″ x 10″. Overall 29″ x 20″ CONDITION: Not examined out of frames. 1) Very good. 2) Very good with minor depression in center of image area. 3) Slight toning to overall image 51348-22 (700-900) – Lot 1284

VICTOR VASARELY (French, 1906-1997) TWO OP-ART SCREEN PRINTS.

1) Untitled with Three Orbs, Screen print in colors on wove paper, Housed in a contemporary gold tone frame under glass, Signed in pencil lower right “Vasarely”, numbered lower left “245/250”. 2) Untitled, Screen print in colors on wove paper, Housed in a contemporary silver metal frame, matted under glass Signed in pencil lower right “Vasareli”, numbered lower left “205/275″ SIZE: 1) Plate: 34″ x 16-1/2″. Overall 44-1/4″ x 24″. 2) 23-1/2″ x 23-1/2”. Overall 32-3/4″ x 31-3/4″ CONDITION: Both very good 51205-14 (1,000-1,500) – Lot 1285

EMILIANO DI CAVALCANTI (Brazilian, 1897-1976).

Serigraph Housed in a modern frame behind glass and mat Signed in pen within arm SIZE: Sight size: 5-1/4″ x 9″. Overall: 9-1/2″ x 12-1/2″ CONDITION: Very good. 51381-3 (2,000-4,000) – Lot 1286

ERNEST MONTAUT (French, 1879-1909) “EN RECONNAISSANCE”.

Hand colored lithograph Housed in an ebonized wood frame, matted under glass Signed in plate lower right “E Montaut, Copyright M.N. Paris” SIZE: Sight: 29-1/4″ x 15″. Overall 33-1/2″ x 19-1/2″ CONDITION: Minor discoloration to paper along edges, colors faded 51425-2 (1,000-1,500) – Lot 1287

LILLIAN MATHILDE GENTH (American, 1876-1953) “PLACE NEJJARINE-FEZ”.

Oil on board Housed in a period giltwood frame with presentation plaque Signed lower left “L Genth” SIZE: 12″ x 16″. Overall 18-3/4″ x 22-3/4″ CONDITION: Good with minor touchup along bottom edge 51376-18 (3,000-5,000) – Lot 1288

LILLIAN MATHILDE GENTH (American, 1876-1953) ORIENTALIST LANDSCAPE.

Oil on canvas board Housed in a vintage giltwood frame Signed lower right “R Genth”, bears “Devoe and Reynolds Co., Inc” label on verso and inscribed in chalk “Bender” SIZE: 11-3/4″ x 15-3/4″. Overall 15″ x 19-1/4″ CONDITION: Good with scattered retouch 51376-26 (1,500-2,500) – Lot 1289

AMERICAN SCHOOL (19th Century) ORIENTALIST LANDSCAPE WITH THREE MOUNTED RIDERS AND SNOW CAPPED MOUNTAINS.

Oil on board Housed in a floral encrusted giltwood oval frame Unsigned, inscribed in pencil on verso “KL Rankin 309 W109th Street NYC” SIZE: 13-1/2″ x 16-1/2″. Overall 18-1/4″ x 21-1/4″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Craquelure throughout 51412-33 (500-800) – Lot 1290

FRANZ BERGMAN (Austrian, 1898-1963) ARAB CARPET MERCHANT LAMP.

Bronze Signed on the base with the Bergman vase signature, marked “Geschulzt” and numbered “3917”, also marked “made in Austria” on base of man Reference: Illustrated page 193 Antique Vienna Bronzes by Zobel SIZE: 21″ h x 7-1/2″ at widest x 8-1/2″ d PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Very good, some light finish scrapes 51412-19 (1,000-1,500) – Lot 1291

TWO AUSTRIAN POLYCHROME BRONZES.

1) Franz Bergman (Austrian, 1898-1963) Arab Praying on a Rug, Bronze, The underside with impressed “B” vasiform mark along with “Geschutzt” mark and numbered “3834”. 2) Unsigned (Austrian, 19th/20th Century) Arab Teacher with Three Students on Rug, Bronze SIZE: 1) 1-1/32″ h x 4-3/4″ w x 2-1/2″ d. 2) 4-1/4″ h x 8-1/4″ w x 5″ d PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: 1) Losses to paint finish. 2) Some minor losses to paint in rug 51412-20 (600-900) – Lot 1292

LOT OF THIRTEEN COLD PAINTED BRONZE AND METAL STATUES.

The lot comprised of thirteen various statues including, man seated on a carpet, various animals, bear approaching a tent, birds perched upon branches, and others. Some cast in bronze as well as other metals and all with cold painted design. SIZE: Seated figure 4-3/4″ t. Bird on branch 8″ l. Bear w/tent 3-1/4″ t. PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Overall good, typical wear to the cold painted finish. 51358-79 (600-900) – Lot 1293

HELMER MASOLLE (Swedish, 1884-1969) PANORAMIC RIVER VIEW, DALARNA, SWEDEN.

Oil on canvas Housed in a giltwood frame Signed, dated and inscribed indistinctly lower left “To my friend Knud…/Masolle 1915”, Bears indiscernible Swedish inscription on verso “…of thornsd favfen August 1934″ Note: Knud refers to Knud Rasmussen SIZE: 16″ x 28-1/2”. Overall 19-1/2″ x 32″ PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Canvas has slight buckle, and discolored varnish with minor flake losses lower right 51323-8 (1,000-2,000) – Lot 1294

NIELS LARSEN STEVNS (Danish, 1864-1941) “SIV NED KIMMERSLEV” (RUSHES AT KIMMERLEV, DENMARK).

Oil on canvas Housed in a mid-century giltwood frame Signed and titled on label affixed to stretcher “Niels Larsen Stevns / Siv Ned Kimmerslev”, also bears Danish label “Brdr. Rosendahl Kobenhavn”, inscribed in pencil “Kimmerlev 1935 Stevns” on stretcher SIZE: 28″ x 38″. Overall 32″ x 42-1/4″ PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Good with several small tack holes along edges, surface grime 51323-10 (1,000-2,000) – Lot 1295

KNUD CARL EDVARD KYHN (Danish, 1880-1969) THREE WORKS ON PAPER.

Watercolors on paper. 1) Three Horses in Landscape, Housed in a silver painted wood frame under glass Signed and dated with monogram lower right “19 KK 24”. 2) Two Horses on Beach with Seagulls, Housed in a giltwood frame under glass, Signed and dated with monogram lower right “19 KK 27”, bears label from “Wald. Stallknichts Eftf., Kobenhavn” on cardboard backing. 3) Two Ducks by the Sea, Housed in a modern green frame, matted under glass, Signed and dated with monogram lower right “19 KK 41″ SIZE: 1) 19-1/2″ x 24-3/4″. Overall 21″ x 26-1/2″. 2) 19-1/2″ x 25-1/2″. Overall 21-1/2″ x 27-1/2″. 3) Sight 8-3/4″ x 11”. Overall 13-1/2″ x 15″ PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: 1) Ingres paper, overall discoloration, foxing and pest holes lower right. Frame has losses. 2) Overall discoloration, tear upper left corner. 3) Very good. Not examined out of frame 51323-9 (500-1,000) – Lot 1296

IB GEERTSEN (Danish, 1919-2009) TWO ABSTRACT WORKS.

1) Abstract Composition In Yellow, Orange And Purple, Oil on canvas, Housed in simple wood frame Signed and dated on verso “Ib. Geertsen 1982″. 2) Abstract Composition In Yellow, Orange, Purple, And Blue, Silkscreen in colors on paper, Housed in a chrome frame, matted under glass, Signed in pencil indistinctly lower left and dated lower right 1984, bears inscription on verso in Danish dated 1995 SIZE: 1) 10-3/4″ x 8-3/4″. Overall 11-1/2″ x 9-1/2″. 2) Plate 7-1/2″ x 7”. Overall 12″ x 10-1/4″ PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: 1) Tiny craquelure throughout yellow pigment. 2) Very good, not examined out of frame 51323-33 (500-600) – Lot 1297

DANISH SCHOOL (19th Century) THREE FIGURE DRAWINGS.

1) Constantin Hansen (Danish, 1804-1880) Head of an Italian Woman, Pencil on paper, Housed in a simple giltwood frame under glass, Inscribed and signed on mat “Italian..inole Const. Hansen”. 2) Wilhelm Marstrand (Danish, 1810-1873) The Proposal, Pen and ink on paper, Housed in a gold braided design frame, matted under glass, Unsigned, includes original backing with inscription in pencil “W Marstrand” with ink inscription “12.8.1928”. 3) Attributed to Christen Kobke (Danish, 1810-1848) Neapolitan Boy, Pencil on paper, Housed in a gold tone frame, matted under glass, Unsigned, includes original carboard backing with inscription that reads “Til Inge Fra Daddy. G.3.1932″. SIZE: 1) 5-1/4″ x 5″. Overall 9-1/2″ x 9″. 2) Sight 4-1/2″ x 3-1/4″. Overall 10″ x 7-3/4″. 3) 5″ x 4-1/2”. Overall 8-1/2″ x 8″ PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: 1) Good, paper affixed to mat with ink borders, minor fox mark along edge. 2) Several water stains and ink is faded, crease upper left. 3) Two small fox marks with discoloration throughout 51323-11 (500-1,000) – Lot 1298

JOHN BRISTOL (American, 1826-1909) MOUNTAINOUS LANDSCAPE WITH BOATERS ON A LAKE.

Oil on canvas Housed in a modern gold tone frame with presentation plaque Signed lower right “J.B. Bristol” SIZE: 23-1/2″ x 43-3/4″. Overall 29″ x 49″ CONDITION: Lined, restoration throughout sky, mountain and scattered retouch in water 51536-1 (3,000-5,000) – Lot 1299

HARRY HOFFMAN (American, 1871/1874-1964) TWO WORKS: “PLEASANT VALLEY” AND “THE UPPER LIEUTENANT”.

Oils on board Housed in a modern giltwood frames by Motyka Stamped on verso “Estate of the artist Harry Leslie Hoffman” “The Upper Lieutenant” signed lower left “Hoffman” and includes exhibition label from Lyme Art Association written in the artist’s hand SIZE: 1) 12″ x 16″. Overall 18-1/4″ x 22-1/4″ 2) 10-1/4″ x 14″. Overall 16-1/2″ x 20-1/4″ PROVENANCE: Acquired Tater Hill Fine Arts, East Hattam, CT, 2002. Lot is accompanied by a letter from the Florence Griswold Museum dated 2002 regarding the location and both works are in the permanent Griswold archives on the artist. Collection of a Wellesley, MA gentleman CONDITION: 1) Very good with small chip to lower left corner. 2) Very good 51213-3 (4,000-6,000) – Lot 1300

HENRY GASSER (American, 1909-1981) LATE AUTUMN LANDSCAPE.

Watercolor on paper Housed in a wood frame, matted under glass Unsigned, bears inscription affixed to verso “This watercolor was removed from Henry Gasser’s studio during the sale of his estate.Signed, Richard K___ 9/12/85″ SIZE: Sight 14-1/4″ x 11”. Overall 22″ x 19″ CONDITION: Very good, not examined out of frame 51397-2 (800-1,200) – Lot 1301

Revised: 2/1/2017

Please Note: Artist is NOT Robert Eric Moore (American, 1927-). The artist is Robert E. Moore (American, 1956-2003).

ROBERT ERIC MOORE (American, 1927-) SUMMER MEADOW.

Oil on canvas Housed in a modern ebonized wood frame Signed lower right “R.E. Moore” SIZE: 18″ x 25″. Overall 22″ x 29″ CONDITION: Very good to excellent 51529-8 (1,000-2,000) – Lot 1302

WILLIAM SOMMER (American, 1867-1949) “RESTLESS CLOUDS”.

Watercolor Unframed Signed and dated “William Sommer 1936″ Accompanied by a tag from the 32nd May Show, The Cleveland Museum of Art, 1950 with artist & title SIZE: 12-1/2″ x 19” CONDITION: Age toning across painting, good 51203-8 (2,000-3,000) – Lot 1303

MICHAEL WILLIS (American, 20th century) “FLATS”.

Oil on cardboard Housed in a simple slat wood frame Signed lower left “Willis”, titled and inscribed on verso “Flats by Michael Willis” SIZE: 19″ x 23-1/2″. Overall 19-1/4″ x 23-3/4″ CONDITION: Very good 51515-5 (800-1,200) – Lot 1304

ALAN BRAY (American/Italian, 1946-) “RIGHT OF WAY”.

Casein on panel Housed in a simple wood frame Signed lower right “A.A. Bray”, titled on Barridoff Galleries exhibition label dated July 14 to August 11, 1984 affixed to verso SIZE: 23-1/2″ x 20″. Overall 24-3/4″ x 21″ CONDITION: Very good 51192-1 (1,500-2,500) – Lot 1305

BERNARD COREY (American, 1914-2000) MORNING STROLL.

Oil on canvas board Housed in a modern giltwood frame Signed lower left “Bernard Corey”, bears landscape with barn sketch on verso SIZE: 8″ x 12″. Overall 12-3/4″ x 17″ PROVENANCE: Purchased directly from the artist CONDITION: Very good 51529-3 (800-1,200) – Lot 1306

BERNARD COREY (American, 1914-2000) SENESCENT FIELDS.

Oil on Masonite Housed in a giltwood frame Signed lower right “Bernard Corey” SIZE: 9″ x 14″. Overall 13-3/4″ x 18-3/4″ PROVENANCE: Purchased directly from the artist CONDITION: Very good with restoration lower right 51529-4 (800-1,200) – Lot 1307

BERNARD COREY (American, 1914-2000) SPRING HILLSIDE.

Oil on board Housed in a modern molded wood frame Unsigned but having an estate certification label on verso signed by Paul A. Royka “R223″ SIZE: 10″ x 14”. Overall 15″ x 19″ CONDITION: Very good 51344-19 (500-800) – Lot 1308

BERNARD COREY (American, 1914-2000) TWO WORKS: BARNS AND WOODED LANDSCAPE AND SNOWY LANDSCAPE WITH BARNS.

1) Oil on Masonite, housed in a fine carved wood and gilt frame, signed lower right “Bernard Corey” 2) Oil on canvas mounted to board, housed in a fine, gilt carved wood frame, signed lower right “Bernard Corey” SIZE: 1) 10″ x 14″. Overall: 14-3/4″ x 18-3/4″; 2) 8″ x 10″. Overall” 13-1/2″ x 15-1/2″ PROVENANCE: Purchased directly from the artist CONDITION: 1) Very good. 2) Very good. 50778-2 (800-1,200) – Lot 1309

WALTER KOENIGER (American/German, 1881-1943) SUNSET WINTER SCENE.

Oil on canvas Housed in a wood frame with copper colored patina Signed lower left “W. Koeniger” SIZE: 27-1/2″ x 39″. Overall 36″ x 47-1/2″ CONDITION: Good with surface grime and scattered retouch 51300-2 (1,500-2,500) – Lot 1310

GEORGE H HALLOWELL (American, 1871-1926) “SMOLDERING VALLEY”.

Oil on canvas board Housed in a carved giltwood frame Unsigned, bears Ogunquit Museum of American Art exhibition label on verso Exhibited: Danforth Museum of Art, The Ogunquit Museum of American Art, and St. Botolph Club, Boston, “George H. Hallowell’s New England Visions”, April 14- October 29, 1996. Illustrated in exhibition catalog, figure 6, page 14, a copy of which accompanies this lot SIZE: 19″ x 25-3/4″. Overall 26″ x 32-3/4″ PROVENANCE: Tom Veilleux Gallery CONDITION: Very good 51325-9 (3,000-5,000) – Lot 1311

WALLACE WEIR FAHNESTOCK (American, 1877-1962) WINTER LANDSCAPE WITH BROOK.

Oil on canvas Housed in a modern giltwood frame Signed lower right “WW Fahnstock” SIZE: 20″ x 25″. Overall: 23-1/2″ x 28-1/2″ CONDITION: Minor surface dirt and discolored varnish, otherwise, very good. 51297-1 (600-800) – Lot 1312

JOSEPH DE MARTINI (American, 1896-1984) “INTERIOR WITH FIGURES”.

Casein on paper Housed in a wood frame, matted under glass Signed lower left “Joseph De Martini”, titled on label as well as inscribed with title and artist on verso SIZE: 10″ x 11-1/2″. Overall 17-1/2″ x 19″ CONDITION: Very good, not examined out of frame (work is shifting within frame) 51325-7 (1,000-2,000) – Lot 1313

STYLE OF MIAN SITU (American/Chinese, 1953-) INTERIOR OF A CHINESE KITCHEN.

Watercolor Housed in a chrome frame, matted under glass Bears chop mark in red lower left SIZE: Sight 19-1/4″ x 15-1/4″. Overall 26-1/2″ x 22-1/2″ CONDITION: Very good, not examined out of frame 51214-1 (800-1,200) – Lot 1314

RONAL PARLIN (American, 20th century) “ALBION TRACY’S”.

Oil on canvas Housed in a wood frame with linen liner Signed and dated lower right “Ronal Parlin copyright 1985”, titled, inscribed and dated on verso “Albion Tracy’s oil by Robal Parlin 1985. Painted on location. Tracy’s Farm on Anson St in Farmington, ME…” SIZE: 11″ x 14″. Overall 15-1/2″ x 18-1/2″ CONDITION: Very good 51425-3 (1,000-1,500) – Lot 1315

MAURICE L FREEDMAN (American, 1904-1985) “AUTUMN POND”.

Oil on canvas Housed in a simple giltwood frame Signed lower left “Maurice Freedman” (which was probably added at a later time), titled on stretcher and bears Kodner Gallery label inventory number 16263-1 SIZE: 16″ x 20″. Overall 17″ x 21″ CONDITION: Very good 51325-6 (3,000-5,000) – Lot 1316

Revised: 1/24/2017

Please Note: When examined outside of the frame, we found a 1″ taped tear that is located on the bottom edge and extends into one of the child’s feet.

WILLIAM JAMES GLACKENS (American, 1870-1938) FOUR BOYS WALKING A DOG.

Ink on paper Housed in a modern giltwood frame matted under glass Signed lower left “W Glackens” SIZE: Sight: 7″ x 10-1/4″. Overall 17″ x 20-1/2″ CONDITION: Horizontal center, several small fox marks, not examined out of frame 51541-2 (4,000-6,000) – Lot 1317

AFTER PAUL TAVERNIER (French, 1852-1943) TRIPTYCH OF THREE HUNTING PRINTS.

Color Mezzotints Housed in a substantial Arts & Crafts period frame with rectangular opening flanked by two oval openings Middle scene signed lower right in plate “Paul Tavernier” SIZE: Rectangle opening: 16″ x 28-1/2″. Ovals 20-1/2″ x 16-1/2″ each. Overall 27-3/4″ x 78-3/4″ CONDITION: All with fading and discoloration, oval on right has water staining lower center, frame construction has seam separation and surface grime, not examined out of frame 51348-47 (2,500-3,500) – Lot 1319

AFTER JOHN JAMES AUDUBON (American, 1785-1851) “RAVEN/CORVUS CORAX”, NO 21 PLATE CL.

Giclee on Somerset velvet paper Housed in a black frame, matted under glass From the Oppenheimer Field Museum edition of 150, embossed lower left “Field Museum”, Lower right “O” for Oppenheimer NOTE: This is a reproduction print of J.J. Audubon’s print the Raven originally printed by R. Havell. The Oppenheimer Field Museum edition celebrates the 50 best Audubon prints, and was a collaboration between Oppenheimer editions and the failed Museum of Chicago. The process was done with large format DEF digitized imaging in 1999 SIZE: Sight 38″ x 25″. Overall 41-1/2″ x 29″ CONDITION: Very good, not examined out of frame 51321-1 (700-900) – Lot 1320

ETHEL V ASHTON (American, 1896-1975) BATHERS.

Mixed media, color monotype with stencil and hand coloring Housed in a modern wood frame, matted under glass Signed in pencil lower right “E.V. Ashton” SIZE: Sight: 9-1/2″x 11-3/4. Overall 17-1/2″ x 19-3/4″ CONDITION: Very good, not examined out of frame 51325-8 (1,000-1,500) – Lot 1321

LEROY NEIMAN (American, 1921-2012) THREE SPORTING PRINTS.

1) “Swiss Race”, Color lithograph, Housed in a chrome frame, matted under glass, Signed lower right “LeRoy Neiman” and numbered “30/96” from an edition of 96. 2) “Fight with Policemen”, circa 1972, Etching on paper, Housed in a silvered wood frame, Signed lower right “LeRoy Neiman”, inscribed “A/P” lower left, artist proof outside of the edition of 150. 3) Tennis Serve, Color silk screen, Housed in a black and silver wood frame, matted under glass, Signed lower right “LeRoy Neiman” numbered lower left “74/300”, from an edition of 300, Lot is accompanied by two books on LeRoy Neiman: “LeRoy Neiman Winners – My 30 Years in Sports”, New York: Harry M. Abrams, Inc,1983; and an artist signed copy of “LeRoy Neiman Art and Lifestyle”, New York: Felicie Publishers, 1974 SIZE: 1) Sight 15″ X 21-1/2″. Overall 22-1/4 x 28-1/4″. 2) Plate 7″ x 8″. Overall 16-3/4″ x 17″. 3) Plate 20-1/4″ x 14″. Overall 31-1/2″ x 22-1/2″ CONDITION: 1) Very good. 2) Very good. 3) Foxing and discoloration in margin. All three not examined out of frame 51348-21 (700-900) – Lot 1322

WALT FRANCIS KUHN (American, 1877-1949) THREE LITHOGRAPHS: “BELLE”, “CORYPHEE”, AND “CHRISTMAS IN THE LONGHORN SALOON”.

Lithographs, Unframed, Signed lower right “Walt Kuhn”. 1) “Belle”, Titled lower center, numbered lower left “39-50”. 2) “Coryphee”, Titled lower center, numbered lower left “36-50”. 3) “Christmas in the Longhorn Saloon”, Inscribed with title lower left SIZE: 1) Plate: 9″ x 7-1/2″. Sheet: 13″ x 10″. 2) Plate: 8-3/4″ x 6-3/4″. Sheet: 13″ x 9-1/2″. 3) Plate: 8″ x 12″. Sheet: 12-1/2″ x 16″ CONDITION: 1) On laid finish paper, image area very good, two tape hinges on left corners. 2) Has several minor creases in margins with minor toning, sheet is loose. 3) Good with chipped lower left and lower right corners, loose, on wove paper 51205-4 (1,000-1,500) – Lot 1323

ALFRED HUTTY (American, 1877-1954) “MY DOORWAY ON TRADD STREET”.

Drypoint Housed in a black wood frame, matted under glass Signed lower right “Alfred Hutty” SIZE: Plate 10-1/4″ x 7-1/2″. Overall 18-1/2″ x 14-1/2″ CONDITION: Original frame of non-archival materials, discoloration in margins, mat burn visible along edges, not examined out of frame 51348-23 (800-1,000) – Lot 1324

HARRY H ROSELAND (American, 1868-1950) “THE PALM READER”.

Oil on canvas Unframed Signed lower right “Roseland” SIZE: 11″ x 14″. PROVENANCE: Ex-collection Henry D. Audesse, Wenham, Massachusetts CONDITION: Good, restored, canvas has been lined 51350-11 (2,000-3,000) – Lot 1325

ATTRIBUTED TO WILLIAM AIKEN WALKER (American, 1838-1921) CABIN WITH FIGURES ENGAGED IN DAILY CHORES.

Oil on canvas Housed in a molded wood frame Unsigned SIZE: 10″ x 13″. Overall 11-1/4″ x 14″ CONDITION: Stretcher marks, discolored varnish, otherwise very good 51203-5 (3,000-5,000) – Lot 1326

BRETT WESTON (American, 1911-1993) “BANYAN ROOTS, HAWAII”.

Gelatin silver print Unframed, mounted on acid free matboard Signed and dated on mat in pencil lower right “Brett Weston 1979″, bears artists authentication stamp on verso mat signed by Christian K. Larsen / 28 October 03 SIZE: 10-3/4″ x 13-1/2”. Overall 15″ x 18″ CONDITION: Very good 51349-4 (1,000-2,000) – Lot 1327

BRETT WESTON (American, 1911-1993) UNTITLED.

Silver gelatin print Unframed Unsigned, bears Brett Weston Estate stamp on verso, dated “12-18-96″ SIZE: Image: 9″ x 7-3/4. Sheet: 10″ x 8” CONDITION: Good 51205-8 (400-600) – Lot 1328

ANDREAS FEININGER (American, 1906-1999) THREE PHOTOGRAPHS OF TREE BARK.

Gelatin silver prints, Signed lower right “Andreas Feininger” and numbered lower left “1/100″. 1) Driftwood, Housed in a metal frame, matted under glass. 2) Untitled Tree with Foliage, Housed in a wood frame, matted under glass. 3) Untitled Tree with Bark, Housed in a wood frame, matted under glass SIZE: 1) 12-1/4″ x 9-1/4″. Overall 20-1/4″ x 16-1/4″. 2) 9-1/4″ x 9-1/4″. Overall 17-3/4″ x 14-3/4″. 3) 12-1/4″ x 9-1/4”. Overall 17-3/4″ x 14-3/4″ CONDITION: All very good 51205-6 (800-1,200) – Lot 1329

ELIOT FURNESS PORTER (American, 1901-1990) “WHITE BOULDER, BLACK PLACE,” NEW MEXICO, 1945.

Gelatin silver print Unframed, mounted on acid free matboard Signed on mat lower right “Eliot Porter”, bears artist’s stamp on verso mat with inscription “No.810 45″ an title SIZE: 14-3/4″ x 18-1/2”. Overall 22″ x 28″ CONDITION: Very good 51349-5 (2,000-4,000) – Lot 1330

HUNTINGTON WITHERILL (American, 1949-) “SAND DUNES- DEATH VALLEY”.

Gelatin silver print Housed in a contemporary black frame matted under glass Signed lower right “H Witherill”, bears artist label on verso, negative number 00707, conceived in 1980, printed in 1989 SIZE: 7-1/2″ x 9-3/4″. Overall 14″ x 16″ CONDITION: Very good 51205-7 (400-600) – Lot 1331

ANDREAS FEININGER (American, 1906-1999) THREE PHOTOGRAPHS OF TREE BARK.

Gelatin silver prints Housed in matching black metal frames, matted under glass All signed lower right “Andreas Feininger” and numbered “1/100″ SIZE: 1) Oak Tree: 12-1/4″ x 9-1/4″. 2) Beech Tree: 10-3/4″ x 9-1/4”. 3) Shagbark Hickory: 12″ x 9-1/4″ Overall: 20-1/4″ x 16-1/4″ each CONDITION: Not examined out of frames. 1) Small tear upper left corner, lifting. 2 & 3) Very good. 51205-5 (800-1,200) – Lot 1332

JIM DOW (American, 1942-) “COWBOY SIGN, THE ENCHANTED HIGHWAY MANDAN NORTH DAKOTA” 2003.

Color photograph on Fuji color crystal archive paper Unframed Signed, dated, titled and numbered on verso “No 1/20″ SIZE: Image: 9-3/4″ x 7-1/2”. Overall 11-1/4″ x 11″ CONDITION: Very good 51205-12 (500-700) – Lot 1333

IMOGEN CUNNINGHAM (American, 1883-1976) “MAGNOLIA BLOSSOM”.

Silver gelatin print Housed in a modern chrome frame, matted under glass Embossed signature lower right “Imogen Cunningham” with chop mark, bears paper label on verso from the Imogen Cunningham Trust, established in 1975 to reproduce and preserve her work. Print published after 1975 SIZE: 10-1/2″ x 13-1/2″. Overall 20-1/4″ x 20-1/4″ CONDITION: Very good, mounted to acid free mat, not examined out of frame 51205-1 (800-1,000) – Lot 1334

BARBARA VAN CLEVE (American, 1935-) “MELODY WITH MIFF AND MUFF”.

Silver gelatin print Housed in a contemporary metal frame matted under plexi glass Signed and dated lower right “Barbara P. Van Cleve 1987”, titled lower left “Melody with Miff and Muff” SIZE: 27-1/2″ x 19″. Overall 38-1/2″ x 30-1/4″ CONDITION: Very good 51205-9 (800-1,200) – Lot 1335

LEWIS W HINE (American, 1874-1940) “BREAKER, LOCUST GAP, PA”.

Gelatin silver print Unframed, housed in an archival mat Bears artist’s stamp on verso “Lewis W Hines interpretive photography / Hastings-On-Hudson, NY”, titled “Breaker, Locust Gap, PA 1920”, also bears museum label affixed to verso mat from The Art Institute of Chicago reads “Gift of David Vestal/ 1965. 279/RS5089/7″ SIZE: 5″ x 7”. Overall 14″ x 18″ CONDITION: Hinged to mat along top edge, some minor creasing visible under raking light 51205-3 (300-500) – Lot 1336

WILLIAM WEGMAN (American, 1943-) “DENDRA”.

Cibachrome on Fuji color paper Unframed Signed, dated, titled, and numbered on verso “Wm Wegman 97 / Dendra / 39/50″ SIZE: Image: 5-3/4″ x 9”. Sheet: 14″ x 11″ CONDITION: Very good 51205-11 (800-1,200) – Lot 1337

FRATELLI ALINARI (Italian, 19th century) “MERCURY BY GIOVANNI BOLOGNA”.

Sepiatone albumen print Unframed Unsigned, inscribed “ED. Alinari P.I.N. 2659. Firenze- R. Museo Naziolnale. Mercurio. (Giovan Bologna.)” NOTE: Fratelli Alinari is the oldest photography firm in the world and was founded in Florence, Italy in 1852. SIZE: 10″ x 7-1/2″ CONDITION: Chip lower left, chips and small tear along top, hinged to mat at top, several creases 51205-15 (200-400) – Lot 1338

PAUL FAIRLEY (Canadian, 1948-1991) THE CELLO PLAYER.

Bronze Signed on front of cello “P Fairley” Numbered “191/350” and dated “80” Bronze foundry mark “Artcast” Mounted to a round 2″ h x 8-1/2″ dia. polished stone base SIZE: 17″ h x 13″ d (total) CONDITION: Very good 51348-18 (2,500-3,500) – Lot 1339

UNSIGNED (European, 19th/20th Century) TWO-HORSE CHARIOT.

Bronze Unsigned SIZE: 19″ h x 20″ l x 13″ w CONDITION: Generally good, reins with some bends 51348-33 (3,000-5,000) – Lot 1340

MARSHALL MAYNARD FREDERICKS (American, 1908-1998) SWIMMING GIRL.

Bronze Signed on back of base “Marshall Fredericks” Unknown casting date SIZE: 17-1/2″ h; Base: 12″ x 8″ CONDITION: Appears to have been outside with spotty verdigris finish 51334-1 (2,500-3,000) – Lot 1341

UNSIGNED (First half 20th Century) SEATED MERCURY.

Bronze Mounted to a stepped gray stone plinth SIZE: Total height 21″ x 18″ d x 11″ w PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Some light scratches to stone and bronze, generally good 51412-55 (1,000-1,500) – Lot 1342

GEORGES ROUAULT (French 1871-1958) “PLUS LE COUEUR EST NOBLE, MOINS LE TOIL EST ROIDE”.

Etching and aquatint Housed in a black and gold frame, matted under glass Signed and dated in plate lower left “Roualt”, from an edition of 450 impressions for Le Miserere, plate 49, published in 1948 NOTE: The title translates to “The nobler the heart, the less stiff the collar.” The print depicts a general with a very stiff collar that prevents him from ever looking down to see his soldiers SIZE: Plate 22-3/4″ x 16-1/2″. Overall 31″ x 24-1/2″ CONDITION: Discoloration visible in margins, possibly laid down, not examined out of frame 51310-5 (700-900) – Lot 1343

GEORGES ROUAULT (French, 1871-1958) “L’ADMINISTRATEUR COLONIAL”, PLATE 9 FROM REINCARNATIONS DU PERE UBU.

Etching and aquatint Housed in a black and gold painted wood frame, matted under glass Signed and dated in plate lower left “GR 1929”, bears paper label inscribed “Original signed etching Georges Rouault” SIZE: Plate 3-3/4″ x 2-3/4″. Overall 12″ x 10″ CONDITION: Very good, not examined out of frame 51310-2 (200-300) – Lot 1344

GEORGES ROUAULT (French, 1871-1958) “SAINTE NITOUCHE”, PLATE 19 FROM REINCARNATIONS DU PERE UBU.

Etching and aquatint Housed in a gold and black painted wood frame, matted under glass Signed in plate lower left “GT 1929”, bears paper label inscribed “Original signed etching Georges Rouault” SIZE: Plate 3-3/4″ x 2-3/4″. Overall 12″ x 10″ CONDITION: Very good, not examined out of frame 51310-3 (200-300) – Lot 1345

AFTER FERNAND LEGER (American/French, 1881-1955) DEUX FEMME.

Lithograph in colors Housed in a modern gold and blue tone frame under glass Signed by artist stamp lower right “F. Leger,” with blind emboss from “Musee Fernand Leger BIOT”, initialed lower right in plate “F.L.” Numbered in pencil lower left “393/500″, from an edition of 500, published by The Musee Fernand Leger SIZE: Sheet 26-1/2″ x 20-3/4”. Overall 31-1/2″ x 26″ CONDITION: Edge of plate showing signs of discoloration, Sheet has been float mounted in frame affixed to backing at four corners, bottom right has small tear near blind stamp, paper is buckling, not examined out of frame 51310-1 (1,500-2,000) – Lot 1346

JAMES P. FISHER (American, 20th Century) TWO WORKS: DUCKS & DECOYS.

Watercolors Housed in birdseye maple molded wood frames with mats Signed bottom center “James P Fisher” NOTE: “Jim” James P Fisher is known for his entries into the Federal Duck Stamp program SIZE: 1) Sight: 10-1/2″ x 15-1/4″. Overall: 18-1/4″ x 23″. 2) 18″ x 14″. Overall: 26-1/2″ x 22-1/2″ CONDITION: Very good, not examined out of frames 51180-2 (400-600) – Lot 1347

THREE WORKS INCLUDING STOW WENGENROTH (American, 1906-1978) “MONHEGAN”.

1) Stow Wengentroth (American, 1906-1978) Monhegan Lithograph from an edition of 75 Housed in a simple black frame with mat Pencil signed lower right Retains a Goodspeeds Bookshop label on verso with title & date “3/8/45” 2) M R Thompson (English School, Early 20th Century) English Cottage with flowers Watercolor Housed in a gold frame with discolored mat Signed lower left & dated 1925 3) Framed print “West Gateway, Winchester” Pencil signed Phillip E. Streiller SIZE: 1) Sight: 12″ x 15-1/2″. Overall: 20″ x 24-1/2″. 2) Sight: 12″ x 7-1/2″. Overall: 19-1/4″ x 14-1/2″. 3) Overall: 19-1/2″ x 15-1/2″ CONDITION: 1) Mat is stained & foxed, print with toning & a few foxing spots, not examined out of frame. 2) Good, not examined out of frame. 3) Stained, fair 51437-3 (400-500) – Lot 1348

DIRK REINARTZ (German, 1937-) “BIZMARK IN AMERICA”, 1998.

Cibachrome Unframed Unsigned, titled and dated on verso with artist’s estate label SIZE: Image: 6-1/2″ x 9-3/4″. Overall 9-1/2″ x 12″ CONDITION: Discoloration in margins, surface scratch lower left in image area, otherwise good 51205-10 (200-400) – Lot 1349

AMERICAN SCHOOL (20th Century) AN EVENING AT THE THEATER.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Corrigan” SIZE: 30″ x 40″. Overall 38-1/2″ x 49″ CONDITION: Very good 51120-4 (800-1,200) – Lot 1350

IVAN MARIO (Spanish, late 20th C) EL ROCIO.

Oil on canvasboard Housed in a painted linen with gold edge frame liner Signed lower right “Ivan Mario/Espana 1991, titled on verso SIZE: Sight size: 8-1/4″ x 10-1/4”. Overall: 12-3/4″ x 14-1/2 CONDITION: Very good. 51381-4 (150-300) – Lot 1351

J BINGHAM (American, 20th/21st Century) TROMPE L’OEIL STILL LIFE WITH A RED VIOLIN.

Oil on canvas Housed in a modern giltwood frame with linen liner Signed lower right “J Bingham” SIZE: 24″ x 20″. Overall 33-3/4″ x 29-1/2″ CONDITION: Very good 51120-6 (200-400) – Lot 1352

M GORHAM? (European School, 19th Century) STILL LIFE OF PEARS AND PEACHES IN A BASKET.

Oil on board Housed in a black and gold painted wood frame Signed and dated indistinctly lower right “M. S or G?ehan 91″ SIZE: 13″ x 19”. Overall 17″ x 23″ CONDITION: Good restored condition 51120-1 (800-1,200) – Lot 1353

TWO SIGNED STILL LIFE WORKS.

1) M Noyes (American, 19th/20th Century) Still Life of Apples Oil on canvas Housed in a burl wood frame with gilt liner Signed and dated lower left “M. Noyes 1912” 2) L C T (American School, 19th Century) Still Life of Orange Oil on canvas Housed in a wood frame with gilt decoration Signed very faintly with what appears to be “L C T” lower right SIZE: 1) 9-1/2″ x 12-1/4″. Overall 19-1/2″ x 22-1/2″. 2) 9″ x 12″. Overall 15-3/4″ x 18-1/2″ CONDITION: 1) Very good 2) Overall craquelure, stretcher marks, scattered retouch 51120-2, 51120-3, (800-1,200) – Lot 1354

CECELIA E OLIVER (American, fl.1881-1897) STILL LIFE WITH STRAWBERRIES.

Oil on canvas Housed in a giltwood frame Signed and dated lower right “Cecelia E Oliver / July 1892″ SIZE: 16″ x 20”. Overall 18-3/4″ x 22-3/4″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Several surface scratches, surface grime, discolored varnish 51412-31 (800-1,200) – Lot 1355

WILLIAM HOWE DOWNES (American, 1855-1941) STILL LIFE OF A BASKET OF ONIONS.

Oil on canvas Housed in a period giltwood frame Signed and inscribed lower left “W H Downs Arts” Note: William Downes authored numerous books on art, including biographies of Winslow Homer and John Singer Sargeant. He is listed in “Who’s Who in American Art, Page 172 SIZE: 14″ x 20”. Overall 18″ x 24″ CONDITION: Craquelure arrested by lining, minor surface dirt, minor touch up along right edge 51019-11 (400-600) – Lot 1356

MANNER OF ROSA DE TIVOLI (German, 1655-1706) ITALIAN LANDSCAPE WITH A SHEPHERD PLAYING FLUTE NEAR A WATERFALL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned Note: Rosa di Tivoli (The Rose of Tivoli) was the nickname given to the German Baroque painter Philipp Peter Roos after he became active painting in and around Tivoli and Rome about 1677 SIZE: 23″ x 32-1/2″. Overall: 28″ x 37-1/2″ CONDITION: Good, restored condition. Canvas has been lined, paint surface is dry and brittle, old restoration (in-paint) in several areas. 49991-7 (200-400) – Lot 1357

CIRCLE OF LEONARDO COCCORANTE (Italian, 1680-1750) FIGURES IN A COASTAL LANDSCAPE WITH ARCH.

Oil on canvas/hemp Housed in a contemporary frame with linen liner Unsigned, bears “Wilhlem Knoch, Dortmund” label affixed to verso canvas with typed inscription “Abbatini, Guido Ubaldo, 1600-1656″ SIZE: 7″ x 14-1/2”. Overall:13″ x 20-1/2″ CONDITION: Overall good, with craquelure and reinforced canvas. Minor touch up. 49991-2 (400-600) – Lot 1358

DON TROIANI (American, 1949-) “THE BATTLE OF COWPENS” AND “BUSHY RUN”.

Color offset limited edition prints Unframed Signed in pencil in margin lower right “DT…” 1) Battle of Cowpens, plate number 4, signed and dated in plate “Don Troiani 1996”, numbered “1194/1250” 2) Bushy Run, plate number 2, signed and dated in plate lower left “D. Troiani 97”, numbered “427/1250” From Don Troiani’s “Battles That Forged a Nation Series”, published by Historical Art Prints, CT, in an edition of 1250 Lot is accompanied by certificate of authenticity for each print SIZE: Image: 20″ x 26-3/4″. Sheet: 24-1/2″ x 30-3/4″ CONDITION: Very good 51107-7 (300-500) – Lot 1359

KARL EUGENE FELIX (Austrian, 1837-1906) LANDSCAPE WITH SNOWCAPPED MOUNTAIN, WATERFALL AND DEER.

Oil on canvas Housed in a contemporary carved giltwood frame Signed lower left “K.E. Felix” SIZE: 38-1/4″ x 58-1/4″. Overall 46″ x 66″ PROVENANCE: From a fine Rhode Island home. CONDITION: Good condition with yellowed varnish, craquelure, surface grime, and 1″ loss lower center in foreground. Lined with scattered touch up in sky and in foreground trees and rocks 51195-1 (500-1,000) – Lot 1360

JULIAN BARROW (English, 1939-2013) THREE VENETIAN VIEWS: “PIAZZA VENEZIO”, “THE SCHIAVONE FROM HOTEL DANILLI”, AND “SAN MARIAN DE LA SALUTE FROM PALAZZO POLIGNAC”.

Oils on canvas Two housed in modern giltwood frames, the third in a gold and red tone frame with linen liner All signed lower right “Julian Barrow” The first titled on verso “Piazza Venezio”; The second titled on verso “The Schiavone From Hotel Danili”, canvas stamped “Prepared by C. Roberson and Co. 71 Parkway, London; the third titled on verso “San Marian De La Salute From Palazzo Polignac,” canvas stamped “Prepared by C. Roberson and Co, and includes a label from J.J. Patrickson Gallery (loose) SIZE: 1) 16″ x 20″. Overall 18-1/2″ x 22-1/2″. 2) 10″ x 14″. Overall 12-1/2″ x 16-1/2″. 3) 24″ x 20”. Overall 29″ x 25″ CONDITION: 1) Minor surface dirt, otherwise good. 2) Very good, bears pencil sketch of bell bottom jeans on verso. 3) Very good with stretcher mark along left edge and surface dirt 51305-5 (300-400) – Lot 1361

AUGUSTUS WEIDENBACH (American/German, 1825-) HUDSON RIVER VALLEY LANDSCAPE.

Watercolor and gouache on paper Housed in a period giltwood frame under glass Signed lower left “A. Weidenbach” SIZE: Sight 10-1/2″ x 13-1/4″. Overall 16-3/4″ x 19″ CONDITION: Good with minor water staining along top edge, losses to frame molding 51019-9 (300-500) – Lot 1362

AMERICAN SCHOOL (20th Century) GARDEN PATH LEADING TO THE BAY.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Torrens” SIZE: 24″ x 36″. Overall 32-1/2″ x 45″ CONDITION: Very good 51120-5 (800-1,200) – Lot 1363

SIGNED (American, 20th Century) IMPRESSIONIST LANDSCAPE.

Oil on board Housed in a modern Swedish giltwood frame Signed lower left indistinctly dated on verso “12-27-63″ SIZE: 24″ x 26-1/2”. Overall 28-1/4″ x 31″ CONDITION: Good with minor flake losses 51134-1 (300-500) – Lot 1364

ALICE WORTHINGTON BALL (American, 1869-1929) DRIVING THE GOATS UPHILL, 1901.

Oil on canvas Housed in a period giltwood frame Signed and dated lower left “A. Worthington Ball 01″ SIZE: 25″ x 17”. Overall 31-1/2″ x 23-1/2″ CONDITION: Minor surface dirt, scattered pinholes, otherwise good 51437-43 (300-500) – Lot 1365

THOMAS EDWIN MOSTYN (American/United Kingdom, 1864-1930) “A MEDITERRANEAN GARDEN”.

Oil on canvas Housed in an antique carved wood frame with oval window Signed lower right “Schillay & Rehs Inc. New York” label on verso SIZE: Canvas: 28″ x 36″. Oval: 26″ x 32″ (sight); Overall: 35-1/2″ x 41-1/2″ CONDITION: Three chips in sky, craquelure, some inpainting 51364-1 (800-1,200) – Lot 1366

Revised: 1/26/2017

Please Note: Overall size should read 35″ x 45″.

THEODORE TIHANSKY (American, 20th century) “RELAXING AT THE TRAILING YEW”.

Oil on canvas Housed in a giltwood frame Signed lower right “Theodore Tihansky” SIZE: 22″ x 48″. Overall: 45″ x 35″ CONDITION: Very good 51276-1 (500-1,000) – Lot 1367

JESSE LEACH FRANCE (American, 1862-1926) TWO SEASCAPES: “MOONLIGHT NEW YORK” AND UNTITLED.

1) Oil on cardboard Housed in simple wood frame Signed lower right “J.L France”, titled on verso 2) Watercolor Housed in a carved wood frame Signed lower left “J.L. France” SIZE: 1) 7-1/2″ x 11-1/4″. Overall 8-1/4″ x 12″. 2) Sight 10″ x 15-3/4″. Overall 12″ 18″ PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: 1) Surface grime and several scratches with loss. 2) Foxing out, not examined out of frame 51412-21 (600-900) – Lot 1368

COLLECTION OF FIVE FRAMED AMERICAN AND EUROPEAN WATERCOLORS.

1) A.L. Gorham (American, 20th century) “Anastasia Island, St. Augustine”, Housed in a modern gold tone frame, matted under glass, Signed lower right “A.L. Gorham”, bears paper label affixed to paper backing with ink inscription bearing title and “J.M.F. April 1891/ 23737” with a “J. Eastman Chase, Boston” label. 2) Samuel R. Chaffee (American, 1850-1913) Winter Sunset, Housed in a vintage white and gold tone frame, matted under glass, Signed lower left “SR Chaffee”, bears “William’s and Everett, Boston” label affixed to verso. 3) European Village, Housed in a giltwood frame, matted under glass Signed lower left “G Benjamin July 31, 97″. 4) Florida Landscape, Housed in a giltwood frame, matted under glass, Unsigned. 5) Seaside Village with Child Feeding Pigeons, Housed in a giltwood frame, matted under glass, Unsigned SIZE: 1) Sight 8″ x 21″. Overall 18″ x 31-1/2″. 2) Sight 13-3/4″ x 19-1/2″. Overall 25″ x 31″. 3) Sight 8″ x 12″. Overall 16″ x 19-3/4″. 4) 8-1/2″ x 13-3/4″. Overall 14-1/2″ x 19-3/4″. 5) 13-1/2″ x 9-1/2”. Overall 21″ x 17″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Not examined out of frame. 1) Scattered areas of discoloration, slipping in mount under glass. 2) Very good. 3) Very good. 4) Pinholes in each corner, minor discoloration. 5) Very good 51358-44 (800-1,200) – Lot 1369

LEWIS W HINE (American, 1874-1940) “NEAR ELIZABETHTOWN, KY”.

Silver gelatin print Unframed, housed in an archival mat Bears paper label on mat with title and date “May 1916″ Note: This photograph comes from the child labor series the artist created in 1916. The series depicts the day’s work of Estelle and Felix Humphrey. SIZE: Image 2-3/4″ x 4-1/4″. Sheet 4-3/4″ x 6-3/4”. Overall 18″ x 14″ PROVENANCE: Ex-collection of Mr. and Mrs. Harry H. Lunn, Jr, gift to Art Institute of Chicago, 1979, RX11878/16 CONDITION: Good, several small surface scratches 51205-2 (300-500) – Lot 1370

GROUP OF THREE SMALL BRONZES.

1) Anna Dwyer (American, 20th century) Horse & Foal, Bronze mounted on a shaped wood base. Signed “Anna Dwyer ’73 14/25”. 2) Jean Garnier (French, 1820-1895) Bust of a Woman. Signed “J. Garnier” also “7047” and having a bronze foundry mark of “Bronze Garanti Au Titae/L.V. Deposee”. 3) Unsigned (Austrian, 19th/20th Century) Bull SIZE: 1) 6-1/2″ h x 10″ l. 2) 5″ h. 3) 3″ h x 5″ l PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: 1) Very good. 2) Very good, only light scratches. 3) Very good 51412-5 (500-800) – Lot 1371

AFTER CHARLES MARION RUSSELL (American, 1864-1926) THREE WORKS “THE LAST LAUGH”, BUFFALO & WOLF.

Bronze “The Last Laugh” is mounted to a polished marble base All signed with either CM Russell or CMR SIZE: The Last Laugh(bronze): 4″ h x 7″ l x 5″w; Buffalo: 4″ h x 5″ l x 2-1/2″ w; Wolf: 3-3/4″ h x 4-1/2″ l x 3″ w CONDITION: Very good 51279-2 (300-500) – Lot 1372

E VILLARD? (American School, 19th/20th Century) FOREST WATERFALL WITH DEER.

Oil on canvas Housed in a period gesso decorated gilt frame with some loss Signed lower right what appears to be “E Villard Muenchen”? SIZE: 14-1/4″ x 10-1/4″. Overall: 19-1/2″ x 16″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Two patches on verso with corresponding inpainting, very good 51358-38 (150-300) – Lot 1373

JOSEPH WOLINS (American, 1915-1999) TWO WORKS: “INDUSTRIAL NIGHT” AND “KING DAVID AND THE CONCUBINES”.

Oil on masonite Housed in painted molded wood frames 1) Signed lower right “Wolins 1951” 2) Signed lower left “Wolins” SIZE: 1) 12″ x 16″. Overall: 19-3/4″ x 23-3/4″. 2) 16″ x 20″. Overall: 24-1/2″ x 28-1/2″. CONDITION: Very good 51557-1 (50-100) – Lot 1374

JUNE NELSON (American, 20th Century) SEASCAPE.

Oil on canvas Unframed Signed lower right “June Nelson.” SIZE: 24″ x 48″ PROVENANCE: From a Maine/Texas estate being sold unreserved CONDITION: Very good with minor surface dirt 51358-26 (300-500) – Lot 1375

APPROXIMATELY 45 REFERENCE BOOKS ON VARIOUS ARTISTS & ART.

Including thirteen books on Monet, Chagall, Cezanne, & Matisse. Other books include Klimt, Rodin, Vasarely, Van Gogh, Andrew Wyeth, Picasso, & Degas.Scandinavian art books include Anders Zorn/Engstrom, Stregmagi 1997, Larsen Stevns portfolio, Kvindelinier/Hansen 1936, Four books on Albert Engstrom with signed edition “Gotska Sandon” and another signed (including a photograph of the artist and Knud Rasmussen), Wilhelm Marstrand by Madsen 1905. Along with 12 books on furniture, clocks & antiques. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Generally very good, some show use. 51323-37 (300-500) – Lot 1376

SMALL LOT OF 20 ANTIQUE & ART REFERENCE BOOKS.

Lot includes: 2-Volume set of Rex Brasher’s “Birds and Trees of North America” 1962; Art books include: Martin Johnson Heade, Bound for Blue Water, American Masters, Fitz Henry Lane, Roy Cross; Other books include The China Trade, Flying the Colors, Jade & more. PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Very good, Shooters Print Book with damage. 51358-69 (200-300) – Lot 1377

MILLEFLEUR PORCELAIN PLATTER.

China, early 20th century. The oval platter handpainted in an intricate and colorful design of various flowers, all done on a black ground and accented with gilt scroll work vines. SIZE: 18″ dia. CONDITION: Very good. 50934-5 (400-600) – Lot 1500

LOT OF EXPORT PORCELAIN.

China, 18th century. The lot consists of six porcelain plates and saucers handpainted in various decoration, including two armorial examples. Together with a European soft paste cup. SIZE: Between 6-1/2″ and 4-3/4″ dia. Cup 3″ dia. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: One armorial example with line through center. One saucer broken and repaired. Scattered small chips. Cup very good. 51323-23 (300-400) – Lot 1501

LOT OF EXPORT PORCELAIN.

China, 18th century. Lot consists of seven plates with matching Famille Rose decoration displaying floral sprays in the center and flowery garland around the rim. Together with a round and octagonal example. SIZE: Between 8-3/4″ and 9″ dia. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Scattered small chips around rims. One soup plate with line through center. 51323-26 (600-800) – Lot 1502

LOT OF THREE FAMILLE ROSE SERVING PIECES.

China, 19th century. Each piece handpainted in a matching Rose Canton pattern with gilt trim, including an 18″ platter with strainer, an 18-1/2″ serving platter, and a 9-1/4″ cut corner bowl. CONDITION: Very good. 51365-1 (800-1,200) – Lot 1503

ROSE MEDALLION PUNCH BOWL.

China, 19th century. The bowl handpainted in typical design of alternating panels on a scroll work and gilt ground. SIZE: 13-3/4″ dia. CONDITION: Very good, some light wear to the enamels. 51019-5 (700-900) – Lot 1504

LOT OF FAMILLE ROSE PORCELAIN SERVING PIECES.

China, 19th century. The lot comprised of 11 pieces each decorated in a matching Rose Canton pattern with vibrant color and gilt highlights. Included are a 9″ rectangular covered serving dish, an 11″ oval covered serving dish, 12-1/4″ oval shaped bowl, 10″ oval serving bowl, 8″ covered sauce tureen with under plate, a 9″ footed compote, 5″ covered butter dish, 7-1/4″ leaf form dish, 7″ dia waste bowl, 12-1/2″ platter, and an 8″ shallow dish. CONDITION: Very good. 51365-3 (700-800) – Lot 1505

LOT OF PORCELAIN AND ENAMEL WARES.

China, 19th and 20th century. 1) Pair of porcelain vases painted with flowers on a blue sgrafitto background. 2) Porcelain sweetmeat set comprised of 8 dishes which fit together to form a butterfly. With fitted wood tray. 3) Covered Canton enamel sweetmeat set with the interior containing 9 painted dishes. SIZE: 1) 9-3/4″ t. 2) Overall 20″ across. 3) Overall 13-1/2″ across. CONDITION: 1) One with restoration to the rim. 2) Very good. 3) Considerable losses and cracking to both the trays and fitted container. 51437-11 (800-1,200) – Lot 1506

PAIR OF CANTON ENAMEL PLAQUES FITTED AS SCONCES.

China, early 20th century. Each plaque made in a tall ovoid form, finished in a white enamel and handpainted with a landscape on one and a scene of two cranes perched upon a branch on the other. Each fitted in gilt metal mounts as wall sconces. SIZE: 19″ t. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Each plaque with minor stress lines in the enamel around edges. 51323-21 (1,000-1,500) – Lot 1507

LOT OF CLOISONNE WARES.

Asia, 19th/20th century. The lot made up of two Japanese vases with colorful design. Together with a Chinese dragon decorated vase and two Chinese covered jars. SIZE: Vases 8-1/2″ and 9″ t. Covered jar 5″ t. CONDITION: One Japanese vase with spot losses of enamel on body. Chinese vase with denting and areas of loss on body. Covered jars are very good. 51322-9 (700-800) – Lot 1508

FOUR PIECE LOT OF CLOISONNE.

Japan, Meiji period. The lot made up of three vases including two with foil along with a turquoise example displaying an aquatic scene. Together with a covered jar decorated with a dragon. SIZE: Tallest 6″ t. Shortest 5-1/4″ t. CONDITION: Covered jar with enamel loss on cover. Turquoise vase with damage to enamel on rim. 51322-15 (300-500) – Lot 1509

LOT OF CLOISONNE WARES.

Asia, 19th and 20th century. The lot comprised of five pieces of Japanese cloisonne including a planter, three vases, and a covered jar. Together with a Chinese example decorated with dragons. SIZE: Tallest 7″ t. Smallest 5″ t. Covered jar 4″ t. Planter 5-1/2″ t. CONDITION: Covered jar with enamel loss to cover. Smallest dragon vase with spot of enamel loss on body. Others are very good. 51322-13 (300-400) – Lot 1510

CLOISONNE VASE.

Japan, Meiji Period. The large vase in four sided form is decorated with white and purple iris on a blue ground. SIZE: 18″ t. PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Two areas of cracking and loss to the enamel. 51358-78 (200-300) – Lot 1511

Revised: 1/26/2017

Please Note: The dragon form netsuke (shown top row, 2nd from left) has been removed from this lot. Lot is now a group of seven netsukes.

LOT OF EIGHT CARVED NETSUKES.

19/20th century. The lot comprised of seven wood examples carved in various form along with an example carved from a Tagua nut. Many signed by the artist. SIZE: Between 2-1/2″ and 1-1/2″. CONDITION: Overall very good, Tagua nut with a rough spot on the back, creature hatching from egg with small repair to top of wing. 51121-1 (2,000-3,000) – Lot 1512

LARGE GROUP OF PORCELAIN TOGETHER WITH FOUR NETSUKES.

Asia, 18th through 20th century. The lot comprised of various Chinese porcelain wares including examples in blue and white and Doucai enamels. Together with an 18th century English soft paste dish painted in a Chinese export style. Also included are four later carved Japanese wood Netsukes. SIZE: Soft paste 8-3/4″ dia. Blue and white dish 8-1/2″ dia. Doucai bowl 6=1/4″ dia. Tallest Netsuke 2-1/2″. CONDITION: Porcelain with scattered chips and lines. Netsukes are very good. 50934-2 (600-800) – Lot 1513

LOT OF PORCELAINS.

Qing Dynasty, China. Lot comprised of three plates, four bowls, two water pots and a pair of footed wood stands. SIZE: Largest plate 9″ dia, smallest 7-1/2″ dia. Largest bowl 7″ dia, Smallest 5″ dia. Water pots 2-1/4″ h and 1-1/4″ h. CONDITION: Scattered chips, largest bowl with cracks to body. 50934-3 (300-500) – Lot 1514

TOBACCO LEAF PORCELAIN DISH.

China, 18th century. The dish handpainted in a colorful tobacco leaf pattern, accented with gilt, having a scalloped edge. The reverse with three floral sprays done in red and blue. SIZE: 9″ dia. CONDITION: Two hairlines and scattered small chips around the rim. 51019-4 (300-400) – Lot 1515

LOT OF VARIOUS POTTERY AND PORCELAIN WARES.

China and others, 18th century. The lot made up of four Chinese Export dishes handpainted with floral design. Together with two tin glazed dishes with violet artwork and a soft paste tea cup. SIZE: Largest dish 12″ d. Smallest 6-1/2″ dia. Cup 3-1/4″ dia. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Chinese examples with small chips around rim. Tin glazed dishes with small chips. Soft paste cup with crack on rim. 51323-22 (700-800) – Lot 1516

THREE EXPORT PORCELAIN BOWLS WITH TIN GLAZED CHARGER.

China, 18th century. The lot comprised of three Export porcelain bowls handpainted in various patterns including Famille Rose and Imari examples. Together with a European tin glazed charger painted in a Chinese Export style. Accompanied by three wood stands. SIZE: Bowls between 9″ and 6-3/4″ dia. Charger 12″ dia. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Imari bowl with restoration. Smallest bowl with line on rim. Charger with glaze loss. 51323-24 (600-800) – Lot 1517

CARVED STONE SEAL.

China, 20th century. Stone of amber color carved in the form of a lion resting upon a four sided plinth. Signed with three characters on the side. SIZE: 2″ t. CONDITION: Very good, small chip at bottom corner. 51296-4 (800-1,000) – Lot 1518

PAINTED JADE DISK IN STAND.

China, late Qing Dynasty. The circular disc of a dark spinach color over painted in gilt and pigment with a mountainous terrain on one side and a group of animals under a tree on the reverse. Comes with wood stand. SIZE: Jade 10-1/4″ dia. Overall height approximately 17-1/2″ t. CONDITION: Wear and loss to the painted design, stand with repair and losses. 51488-1 (1,200-1,800) – Lot 1519

LOT OF JADE AND STONE ACCESSORIES.

China, 19th/20th century. Including five small carvings set in silver filigree, a small plaque decorated with a basket of flowers, and a white jade hair pin. SIZE: Silver mounted accessories between 3-1/2″ and 1-1/4″. Plaque 3″ dia. Hair pin 3-3/4″. CONDITION: Loss to the tip of hair pin. Natural fissures in the stone. 51459-1 (600-800) – Lot 1520

LOT OF JADE AND SILVER ACCESSORIES.

China, 19th century. Lot is comprised of two jade hairpins, one done with openwork, a carved jade two piece hook. Together with a silver hairpin with inset malachite cabochon. SIZE: Longest 10″. Shortest 1-3/4″. CONDITION: Longest pin with repair. Shorter jade hairpin with loss. 51291-2 (600-900) – Lot 1521

PAIR OF CARVED JADE FOOTED BOWLS.

20th century, China. Each bowl with rounded walls ending at a slightly flared top rim and standing on squared off feet. The stone of light celadon color and come with fitted wood stands. SIZE: 4-1/2″ dia x 2″ h without stands. CONDITION: Very good. Few natural imperfections. 51274-3 (3,000-5,000) – Lot 1522

LOT OF CARVED JADES.

China, 19th and 20th century. The lot including an openwork plaque with dragon, two toggles, a square pendant with gilt mount, and an openwork carving set in silver mount. SIZE: Largest 3″ dia. Smallest 1-1/2″ dia. CONDITION: Very good. 51291-1 (600-900) – Lot 1523

PAIR OF PORCELAIN WINE CUPS.

20th century, China. Each cup hand painted around the body with butterflies in flight under a band of iron red key fret accenting the top rim. Both cups marked on the underside with Qianlong seals in underglaze blue. SIZE: 2″ h. CONDITION: Very good. 51573-6 (600-900) – Lot 1523A

GILT BRONZE COVERED CENSER.

20th century, China. Censer made in the form of standing duck with open mouth and one foot raised. Shown standing on lotus base having incised four character mark. SIZE: 7″ t. CONDITION: Very good. 51573-4 (2,000-2,500) – Lot 1523B

GILT BRONZE TEMPLE BELL.

20th century, China. The exterior of the bell with deep carved design of dragons and flames surrounding a central tablet with two characters. Finished in a rich gilt. With box. SIZE: 10″ h. CONDITION: Very good. With light wear to the finish. 51573-1 (15,000-20,000) – Lot 1523C

FRAMED PORCELAIN PLAQUE.

China, 20th century. The painted scene depicting a group of playful children in a landscape with a tree growing from a rockery overhead. Comes housed in an openwork frame which sits in a stand. SIZE: Porcelain 16-1/4″ x 10″. Overall 28″ t. CONDITION: Very good. 51199-6 (600-800) – Lot 1524

PORCELAIN PLAQUE WITH ENAMELED FIGURES.

China, 20th century. The plaque hand painted with a scene depicting a scholar reciting his latest poem and a young servant seated on the ground with books. The inscription at left side showing a four-stanza seven-character poem with the main idea that eloquent lines are more precious than jade and gold. Comes with wood frame, bearing the name of Wang Da Fan. SIZE: Sight size 28-3/4″ x 8″. Overall 34-1/2″ x 12-3/4″. CONDITION: Very good. Frame with some scratching and scattered wear. 51327-1 (2,000-4,000) – Lot 1525

FAMILLE ROSE PORCELAIN PLAQUE, SIGNED WANG QI.

20th century, China. The plaque depicting and elder and attendant each wearing loose fitting robes with the elder carrying a staff in his hand. Group of script and 2 artist seals in upper left. SIZE: 15-1/4″ h x 10″ w. CONDITION: Very good. 50570-1 (7,000-9,000) – Lot 1526

PAIR OF PORCELAIN GARDEN SEATS.

China, 19th century. Each seat handpainted with large panels of figures done on a yellow ground accented with flowery vines, fruit, and butterflies. SIZE: 19″ t. CONDITION: Both broken and restored. 51141-3 (800-1,200) – Lot 1527

FRAMED SILK FAN PAINTING BY YUAN DING.

China, 19th Century. The painting in round form depicting a figure crossing a bridge away from a building in the foreground with a mountainous terrain overhead. Cyclically dated to the 5th Month of 1820 or 1880. Housed in a mid 20th C square huali hardwood frame with carved dragons around the border having a hardwood thin veneer mat with round window, all under glass. SIZE: 30-1/4″ h x 34″ w. Painting is 11″ dia. CONDITION: Appears to be laid down on a board, hole repair right of mountain, some separation to stitching, light foxing, otherwise stable & good. Wood mat with splits and warping. 51542-1 (2,000-4,000) – Lot 1528

ATTRIBUTED TO HUANG BINHONG (Chinese, 1865-1955) LANDSCAPE.

China. Single forest house under a mountainous landscape. SIZE: Sight: 13-1/4″ w x 40-1/4″ l. PROVENANCE: Skinner 6/25/2010 lot 795. CONDITION: Slight creases. Otherwise good. 51141-5 (4,000-6,000) – Lot 1529

FRAMED PAINTING, SCHOOL OF YANG SHANSHEN.

China, 20th century. Done on canvas, the image depicting two birds perched upon bamboo with rocks below. Group of script along top edge. SIZE: Overall 46-1/2″ x 16″. CONDITION: Minor staining. 51214-2 (800-1,200) – Lot 1530

REVERSE GLASS PAINTING.

China, late Qing Dynasty. The scene depicting numerous figures running through a landscape including two on horseback while carrying flags and weapons. SIZE: Sight 25-3/4″ x 18-1/4″. Frame 31″ x 23-1/4″. CONDITION: Numerous areas of water damage. Frame with significant peeling and loss to paint. 51019-10 (1,200-1,800) – Lot 1531

SCROLL PAINTING WITH BIRDS AND FLOWERS.

Japan, 18th century. The painting done in a Chinese style depicting two birds perched on an outcropping of rock surrounding by blossoming chrysanthemum. Calligraphy with seal along right margin. Label on scroll end which reads Kuso Moto Shiseki 1712 – 1786, seal: Katei Aka So Shiseki. Well patinaed polished bone end knobs. SIZE: Overall 76″ x 23-3/4″. Image 45″ x 19-1/4″. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item(s) meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item(s) into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item(s) and consummating the purchase. CONDITION: Overall very good, minor creasing, scattered small spots of staining. 51484-1 (800-1,200) ESA – Lot 1532

SATSUMA POTTERY BOWL.

Japan, Meiji period. The bowl with rounded walls having the interior painted in a thousand flower pattern separated by floral borders in the pinwheel design. The exterior with four panels containing figures separated with scenes of ducks along the waters edge. Signed on the underside. With box. SIZE: 5″ dia. CONDITION: Very good. 51502-1 (1,000-1,500) – Lot 1533

KOMAI DISH.

Japan, Meiji period. The central medallion with an intricate scene of buildings within a landscape surrounded by a crosshatched foliate pattern encased by maple leaves around the rim. Signed on reverse. SIZE: 6-1/2″ dia. CONDITION: Minor tarnishing to the surface. A couple small spots of loss to the applied artwork. 51477-1 (800-1,200) – Lot 1534

JAPANESE BRONZE OKIMONO.

Japan, Meiji Period. Depicting a standing elder with gleeful expression and holding an open book in one hand and a basket in the other. Signed on the top of the base. SIZE: 7-1/2″ t. CONDITION: Very good. 51163-3 (600-800) – Lot 1535

BRONZE OKIMONO IN THE FORM OF A TIGER.

Japan, Meiji period. The okimono made in the form of a stretched tiger with tail extended and head raised with open mouth. The surface with dark patina and the underside of the belly with signature. SIZE: 19″ l. CONDITION: Very good. 51348-32 (1,200-1,800) – Lot 1536

YOSHIMITSU (Japanese, Meiji Period) BRONZE OKIMONO OF STANDING ARCHER.

Japan, Meiji Period. The impressive sculpture depicting a Samurai archer with arm extended holding a bow and ready to fire. Gilt highlights throughout the piece and signature plate on front leg. Comes with six arrows, standing on a carved wood base. SIZE: Bronze 36″ t. Overall 47-1/2″ t. CONDITION: Very good, base having some knee losses and separation. 49941-46 (5,000-10,000) – Lot 1537

CARVED HARDWOOD STAND INSET WITH PORCELAIN TILE.

China, late 19th century. The round stand with curved legs and openwork design of leafy vines and gourds around each side. The top fitted with a round porcelain tile having a central dragon surrounded by colorful roundels. SIZE: 18″ t. Tile 8-1/4″ dia. PROVENANCE: From a Maine/Texas estate being sold unreserved. CONDITION: Overall good, some losses to edge of feet. 51358-46 (300-500) – Lot 1538

CARVED HARDWOOD BENCH.

China, 19th/20th century. Made in elongated form with each side having an openwork apron of stylized scrolling. SIZE: 57″ l x 22″ t x 9-1/2″ d. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Minor separating at the joints, scattered wear to the surface. 51323-1 (800-1,200) – Lot 1539

FOUR OFFICIALS HAT CHAIRS.

Late 19th century, China. Elmwood yoke back chairs. SIZE: 46″ h, 20-1/2″ seat height. CONDITION: Repairs to back feet. Re-polished. 50614-1 (600-900) – Lot 1540

PAIR OF CARVED CURIO CABINETS.

China, 20th century. Each cabinet with numerous shelves all outlined with a stylized key fret openwork design. All done above numerous drawers and two large swinging doors. Each door and drawer front carved with dragons on a ground of stylized clouds. SIZE: 76-1/2″ t x 37″ w x 16-1/4″ d. CONDITION: Overall very good, light wear to the surface. 51321-7 (1,500-2,500) – Lot 1541

THANGKA OF MAHAKALA.

Tibet, 19th/20th century. The image depicting a blue Mahakala in the center surrounded by flames and a mountainous terrain in the background. SIZE: 32-1/2″ x 24″. CONDITION: Very good, overall light wear. 51316-4 (800-1,200) – Lot 1542

THANGKA PAINTING.

Tibet, 19th/20th century. Done on fabric the image depicting the Field of Accumulation. Executed in gilt on a black ground. Signed on reverse. SIZE: 32″ x 22-1/2″. CONDITION: Some creasing and fraying around the edges. 51316-1 (600-800) – Lot 1543

THANGKA OF CHAKRASAMVARA.

Tibet, 19th/20th century. Chakrasamvara depicted in blue with Vajravarahi surrounded by various bodhisattvas. SIZE: 30″ x 19-1/4″. CONDITION: Fraying at the edges, minor creasing. 51316-3 (600-800) – Lot 1544

CITIPATI THANGKA.

Tibet, 19th/20th century. The dancing skeletons in center with seated deities overhead done in polychrome design. Signed on reverse. SIZE: 31″ x 22-1/4″. CONDITION: General overall wear, creasing, fraying around edges. 51316-7 (600-800) – Lot 1545

THANGKA OF AVALOKITESHVARA.

Tibet, 18th/19th century. Avalokiteshvara seated on a lotus throne in the center accented with colorful ribbons highlighted with gilt and Manidharin and Shadakshari at the deity’s side. SIZE: 30″ x 22-1/2″. CONDITION: Overall good, fraying at the edges, light wear to the painted design. 51316-6 (1,000-1,500) – Lot 1546

THANGKA PAINTING OF MANDALA.

Tibet, 19th century. The painting with a central mandala surrounding by Bodhisatvas and guardians below. SIZE: 29″ x 19-1/2″. CONDITION: Overall toning, light wear to the painting design, minor fraying at edges. 51316-5 (400-600) – Lot 1547

THANGKA PAINTING.

Tibet, 19th/20th century. Image depicting Buddha in the center surrounded by numerous figures and guardians above a flowery landscape below. Marked on reverse. SIZE: 30″ x 21-1/2″. CONDITION: Fraying at the edges, overall light wear and toning. 51316-2 (400-600) – Lot 1548

LARGE LOT OF FAMILLE ROSE PORCELAINS.

China, 19th and early 20th century. The lot comprised of 163 Famille Rose porcelains decorated in various patterns including, Rose Medallion, Rose Canton, Scenic Medallion, and others. SIZE: Plates ranging from 10″ to 5″ dia. CONDITION: Overall very good, scattered small chips and or hairlines. 51365-5 (1,100-1,500) – Lot 1549

SILVER INLAID BIDRI BASIN.

India, 18th/19th century. The basin made in circular form with up-turned rim and resting on a bulbous base. The exterior with silver inlaid decoration. Comes with original cover. SIZE: 15-1/2″ dia. CONDITION: Overall very good, light wear to the surface. 51336-1 (1,000-1,500) – Lot 1550

LARGE GROUP OF FAMILLE ROSE PORCELAINS.

China, 19th early 20th century. The lot comprised of 83 pieces handpainted in various patterns of the Famille Rose palette. Included in the lot are plates, planter, covered tea caddie, covered bowls, egg cups, and cups and saucers. SIZE: Plates between 10″ and 6″ dia. CONDITION: Overall good, some scattered chips cracks and restorations. 51365-4 (1,200-1,800) – Lot 1551

LOT OF EXPORT WARES.

China, 18th century. The lot made up of five shallow bowls decorated in the Famille Rose palette. Together with a porcelain dish and two shaped Peking enamel examples. SIZE: Largest 8-3/4″ dia. Shallow bowls 6-1/4″ dia. Peking 6-1/4″ across. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Large dish is very good. Bowls with numerous lines and restoration. Peking enamel with cracks and losses to the enamel. 51323-27 (300-500) – Lot 1552

Revised: 2/8/2017

Please Note: Upon closer examination, we noted that there is a regilding and painting on the rim at the two outer edges of the bowl. Our consultant believes there may have been handles at one time, and a very professional restorer removed the handles and repainted this area. Also, the finial on the lid shows signs of professional restoration.

ROSE MANDARIN CIDER JUG AND RETICULATED BASKET.

19th century, China. The jug beautifully painted with vibrant enamels depicting a group of figures standing in the courtyard. Comes with original dome cover having a recumbent foo lion finial finished in gilt. The basket having reticulated walls and flared top rim, painted with a group of women and two attendants. Comes with reticulated underplate. SIZE: Jug 9-3/4″ h. Basket and underplate 9-1/4″ l. CONDITION: Cider jug very good, couple small glaze pops on spout. Basket, very good. 51341-3 (1,500-1,800) – Lot 1553