DONALD ALLEN MOSHER (American, 1945- ) FARM IN SUNLIT LANDSCAPE. Oil on canvas Housed in a modern gilt wood frame in good condition Signed “Donald Allen Mosher”, lower right SIZE: 20-1/4″ x 20″. Overall: 25″ x 25″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good to excellent 9-27354 (3,000-4,000)

T.M. NICHOLAS (American, 1963- ) RED BARN IN AUTUMN. Oil canvas Housed in a modern gilt carved wood frame in good condition Signed “T.M. Nicholas”, lower left SIZE: 20″ x 30″. Overall: 28″ x 38″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good to excellent 9-27385 (3,000-5,000)

T.M. NICHOLAS (American, 1963- ) “ACADIA NATIONAL PARK, MAINE”. Oil on canvas Housed in a gold Guido frame, in good condition with small chip Signed “T.M. Nicholas”, lower left Numerous pamphlets regarding painting and artist affixed to verso SIZE: 30″ x 40″. Overall: 36″ x 46″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27352 (6,000-9,000)

T.M. NICHOLAS (American 1963- ) VIEW OF GLOUCESTER FROM ANIMATED HARBOR. Oil on canvas Housed in a gold carved contemporary frame with some wear Signed “T.M. Nicholas”, lower left Label of Thomas Nicholas Gallery, Rockport on back of frame SIZE: 20″ x 18″. Overall: 26-1/2″ x 24″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27377 (3,000-5,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER WINTER”. Oil on artist’s board Housed in a simple gold leaf 22/23 Karat Guido frame in good condition Signed “Emile A. Gruppe” lower right Signed and titled on verso SIZE: 12″ x 16″. Overall: 16-1/4″ x 20-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27362 (2,500-3,500)

EMILE ALBERT GRUPPE (American, 1896-1978) SMITH COVE, ROCKY NECK, GLOUCESTER. Oil on canvas Housed in a modern gilt wood frame in good condition Signed “Emile A. Gruppe”, lower right SIZE: 25″ x 30″. Overall: 31-1/2″ x 36-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27285 (7,500-12,500)

ERIC HUDSON (American, 1864-1932) “SCHOONER…” ON HIGH SEAS. Oil on canvas Housed in a period cove style bronze painted frame which is cut down with repairs Signed “Eric Hudson”, lower right Identified on stretcher and on fragmentary period label on verso SIZE: 24-1/2″ x 28-1/4″. Overall: 31-1/2″ x 35-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Thick impasto with craquelure 9-27316 (7,000-10,000)

ANTONIO CIRINO (American, 1889-1983) “A BIT OF CAPE ANN”. Oil on artist’s board Housed in a gold 1930’s carved frame, with some wear Signed “A. Cirino”, lower right. Titled on verso SIZE: 8″ x 10″. Overall: 9-1/2″ x 11-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered retouch, primarily to right side, otherwise very good 9-27340 (1,200-1,800)

ALDRO THOMPSON HIBBARD (American 1886-1972) MOTIF #1 IN WINTER. Oil on artist’s board Housed in a gilt molded wood Guido frame in good condition Signed “A.T. Hibbard”, lower right Inscribed on verso “To Johnny Vander Meer, just a memo of the first ‘Art lesson’ in Boston, A.T. Hibbard, July 13, 1939″ SIZE: 9″ x 11″, Overall: 12-1/2″ x 14-1/2” PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27306 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER HARBOR SCENE WITH CITY VIEWS BEYOND. Oil on artist’s board Housed in gold Guido frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27300 (3,500-5,500)

FREDERICK JOHN MULHAUPT (American, 1871-1938) “GLOUCESTER GILL NETTERS”. Oil on canvas Housed in a fine modern gesso decorated gilt frame with liner Signed “Mulhaupt”, lower right National Arts club exhibition 1932 label, and Cape Ann Arts festival label on verso SIZE: 28″ x 34-1/4″. Overall: 37″ x 43″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Wax lined with craquelure and minor retouch 9-27315 (50,000-80,000)

FREDERICK JOHN MULHAUPT (American, 1871-1938) “AT THE GUINEA WHARF”. Oil on board Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “Mulhaupt”, lower left Exhibition History: Allied Artists of America, Inc. 10th annual exhibition 1923 SIZE: 8″ x 10″. Overall: 10-3/4″ X 12-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27313 (20,000-30,000)

FREDERICK JOHN MULHAUPT (American, 1871-1938) “THE ICE-BREAKER’S PATH”. Oil on board Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “Mulhaupt”, lower right Exhibition History: Boston Art club, exhibition of intimate pictures; North Shore Arts Association of Gloucester, 1999 SIZE: 8″ x 10″. Overall: 10-3/4″ x 12-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27305 (20,000-30,000)

FREDERICK JOHN MULHAUPT (American, 1871-1938) “HARBOR LIFE”. Oil on board Housed in a gilt carved frame Signed lower left Mulhaupt”, lower left Exhibition History: Salmagundi club, thumb-box exhibition SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Shannon’s Fine Art Auctioneers, 4/26/2007, lot #13 CONDITION: Minor touch up, very good 9-27312 (20,000-30,000)

FREDERICK JOHN MULHAUPT (American, 1871-1938) FLOAT AT ROCKY NECK, EAST GLOUCESTER. Watercolor Housed in a Guido 22/23 karat gold leaf frame with glass in good condition Signed “Mulhaupt”, lower right SIZE: Sight: 8-3/4″ x 10-1/4″. Overall: 14″ x 15-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Some fading, otherwise very good 9-27308 (3,000-4,000)

WILLIAM LESTER STEVENS (American, 1888-1969) ROCKPORT HARBOR. Oil on canvas Housed in its original gilt carved wood frame in good condition Signed “W. Lester Stevens 1922″, lower right SIZE: 22″ x 27”. Overall: 28-1/2″ x 33-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Blackwood March 1/7/2009, lot 14B CONDITION: Craquelure, otherwise very good 9-27314 (8,000-12,000)

WILLIAM LESTER STEVENS (American, 1888-1969) LANES COVE. Oil on canvas Housed in a modern gilt carved frame with carved liner Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A Retrospective, September 27- November 9, 2003 illustrated on page 16 of Stevens’ book written by Judith A. Curtis. Also, a Flint Institute of Art exhibition label on verso SIZE: 34″ x 38″. Overall: 43″ x 47″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered retouching, otherwise very good 9-27273 (10,000-15,000)

WILLIAM LESTER STEVENS (American, 1888-1969) WEST TOWNSEND, VERMONT VILLAGE. Oil on canvas Signed “W. Lester Stevens”, lower left Housed in a gilt mid century frame in good condition Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003. Illustrated on page 18 in Stevens’ book written by Judith A. Curtis SIZE: 20″ x 24″. Overall: 25-3/4″ x 29-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27343 (6,500-9,500)

WILLIAM LESTER STEVENS (American, 1888-1969) “FALLS OF SHELBOURNE (ICY BROOK)”. Oil on canvas Housed in a gold a Guido frame, in good condition Signed “W. Lester Stevens NA”, lower right Identified on Child’s Gallery, Boston, label and on canvas and stretcher. Rockport Art Association Exhibition label affixed to frame verso Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 25 in Stevens’ book written by Judith A. Curtis. SIZE: 30″ x 36″. Overall: 36″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27283 (6,500-8,500)

WILLIAM LESTER STEVENS (American, 1888-1969) LATE WINTER MELT. Oil on canvas Housed in a carved wood period frame by Carrig-Rohane shop in 1924 Signed “W. Lester Stevens 1934″, lower right SIZE: 35″ x 42”. Overall: 39-1/4″ x 46″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined on new stretcher, retouch to bottom edge, appears to have a dirty varnish layer 9-27338 (8,000-12,000)

WILLIAM LESTER STEVENS (American, 1888-1969) OLD MILL, VERMONT. Oil on canvas Housed in a period carved gilt frame in good condition Signed “W. Lester Stevens N.A.” lower right SIZE: 42″ x 48″. Overall: 46-1/2″ x 52-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Pencil tip sized puncture below roof, otherwise very good 9-27265 (15,000-20,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “THE OLD MILL”. Oil on canvas Housed in a modern gesso decorated gilt frame in good condition Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 41 of Stevens’ book written by Judith A. Curtis SIZE: 33″ x 37″. Overall: 40-1/2″ x 44-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered inpainting, very good 9-27391 (10,000-14,000)

WILLIAM LESTER STEVENS (American, 1888-1969) MILL DAM. Oil on canvas Housed in a fine modern gilt frame Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 17 in Stevens’ book written by Judith A. Curtis SIZE: 40″ x 46″. Overall: 47-1/2″ x 53-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Some inpainting, otherwise very good 9-27279 (15,000-20,000)

ALDRO THOMPSON HIBBARD (American, 1886 – 1972) VILLAGE WITH BRIDGE IN WINTER. Oil on canvas Housed in a modern gesso decorated frame Signed “A.T. Hibbard”, lower right Having a Rockport Art Association exhibition label September 27- 0ctober 27, 1996 SIZE: 30-1/4″ x 36-1/4″. Overall: 38-1/4″ x 44-1/4″. PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined, very good. 9-27277 (25,000-35,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) THE ROAD HOME/ A VERMONT VILLAGE SCENE. Oil on canvas Housed in a gold stippled period frame with some gold losses Signed “A.T. Hibbard”, lower right SIZE: 24″ x 30″. Overall: 29″ x 35″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27281 (10,000-15,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT WINTER HOMESTEAD WITH SLEIGH. Oil on artist’s board Housed in a gold Guido frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 9″ x 12″. Overall: 11″ x 14″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27295 (3,000-4,000)

ALDRO THOMPSON HIBBARD (American 1886-1972) VERMONT WINTER SCENE WITH ROLLING HILLS. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Estate stamped “A.T. Hibbard”, lower left SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27301 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT VALLEY IN WINTER. Oil on canvas laid to board Housed in a gilt molded wood Guido frame in good condition Signed “A.T. Hibbard”, lower left SIZE: 9″ x 12″, Overall: 14″ x 17″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Two small surface chips, otherwise very good 9-27302 (3,500-5,500)

ALDRO THOMPSON HIBBARD (American, 1886 – 1972) WEST RIVER VALLEY, VT. Oil on canvas Housed in a modern Guido frame studio 22/23 karat gold leaf frame, in very good condition Unsigned Vose Galleries, Boston label on verso SIZE: 40″ x 49″. Overall: 45-1/2″ x 54-1/4 PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Small area of inpainting, very good. 9-27280 (30,000-40,000)

WILLIAM CHADWICK (American, 1879-1962) “HOUSE ON THE HILL”. Oil on canvas Housed in ornate carved and composite burnished gold frame, with losses Signed “W. Chadwick”, lower right Identified on verso on the Cooley Gallery label, Old Lyme, CT. Artist clippings also on verso SIZE: 16″ x 20″. Overall: 22″ x 26″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Light craquelure, otherwise very good 9-27304 (6,000-9,000)

WILLIAM CHADWICK (American, 1879-1962) SPRING LANDSCAPE WITH POND AND HOUSES BEYOND. Pastel on paper Housed in a gold ornate frame (no glass) Signed “W. Chadwick”, lower left Ingeborg Gallery/William Dobi Fine Art labels on verso SIZE: 17″ x 19 1/4″. Overall: 22-1/2″ x 25″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27303 (3,000-4,000)

PAUL SAMPLE (American, 1896-1974) “ISLAND POND MEADOWS”. Oil on canvas Housed in a gold 22/23 karat gold leaf Guido frame Signed lower left Identified on labels and graphite inscriptions on verso, including label from the Milch Galleries, NY SIZE: 14″ X 20″. Overall: 19-1/2″ x 25-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good. 9-27346 (5,000-7,000)

BRUCE CRANE (American, 1857-1937) “SPRING”. Oil on canvas Housed in a 1930’s carved & gold painted frame, cut down with losses Signed “Bruce Crane NA” lower left Identified & titled on the Greenwood Galleries, Stonington, CT label on verso SIZE: 18″ x 24″. Overall: 22″ x 28″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Sotheby’s, NY 3/8/07; The Greenwood Gallery, CT; Christie’s, NY 10/9/03 CONDITION: Heavy impasto, scattered craquelure, retouch primarily to center of composition 9-27392 (4,000-6,000)

Revised: 1/28/2013

Correction: Artist name is correct but his dates should read 1891-1955

ERNEST ALBERT, JR. (American, 1891-1955) “BIRCHES IN AUTUMN”. Oil on artist’s board Housed in a gold carved Guido frame in good condition Signed “Ernest Albert, Jr.” on lower left Identified on Salmagundi Club label on verso SIZE: 8″ x 10″. Overall: 12-1/2″ x 14-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27322 (1,200-1,800)

CARL WILLIAM PETERS (American, 1897-1980) “PETERS FARM, APRIL 1938”. Oil on Masonite Housed in a gold Guido frame in good condition Signed “Carl W. Peters”, lower left Identified in written inscriptions on verso SIZE: 12″ x 16″. Overall: 17″ x 20-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27290 (2,500-3,500)

WILLIAM JURIAN KAULA (American, 1871-1953) “BANK VILLAGE, NEW HAMPSHIRE”. Oil on artist’s board Housed in a gold, mid-century frame in good condition Signed “W.J. Kaula”, lower left Identified on the Guild of Boston Artists, Boston, label on verso SIZE: 12″ x 15″. Overall: 15″ x 18″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27360 (1,000-1,500)

ALDRO THOMPSON HIBBARD (American, 1886-1972) “BRIDGE AT BATH N.H.”. Oil on canvas Housed in a carved gilt wood frame with a label of “Gill Lagodich” Signed “A.T. Hibbard”, lower left Titled and numbered 143 on verso of canvas SIZE: 30-1/4″ x 40-1/4″. Overall: 35-3/4″ x 45-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27282 (20,000-30,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) SPRING THAW/ A SUNLIT VERMONT SCENE. Oil on canvas Housed in a gold Guido frame, in good condition Signed “A.T. Hibbard”, lower left SIZE: 25″ x 30″. Overall: 31-1/2″ x 36-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27324 (8,000-12,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) MOUNT CHOCORUA, NH. Oil on canvas Housed in a modern gilt wood frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 28″ x 44″. Overall: 34-1/2″ x 50-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27351 (20,000-30,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) FALL IN VERMONT. Oil on canvas Signed lower left, “A.T. Hibbard” Housed in a carved gilt replacement frame in good condition Exhibit label: Rockport Art Association Sept 27- Oct 27, 1996 on verso SIZE: 20″ x 24″, Overall: 23 1/4″ x 27 1/4″ PROVENANCE: John F. Gale collection, Cambridge, MA CONDITION: Very good 9-27344 (7,000-10,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT SUMMER FARM WITH RIVER. Oil on canvas Housed in a modern gilt wood frame in good condition Estate stamped and signed “Winifred J. Hibbard” on verso SIZE: 30″ x 34″. Overall: 36″ x 40″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27297 (12,500-17,500)

WILLIAM LESTER STEVENS (American, 1888-1969) LANDSCAPE WITH APPLE TREES AND BARN. Oil on canvas Housed in a gilt mid century frame in good condition Signed “W. Lester Stevens, N.A.”, lower left SIZE: 22″ x 30″. Overall: 26″ x 33-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27339 (3,500-5,500)

WILLIAM LESTER STEVENS (American 1888-1969) APPLE BLOSSOMS. Oil on masonite Housed in a modern gilt wood frame Signed “W. Lester Stevens N.A.”, lower right SIZE: 15-3/4″ x 20″. Overall: 20-1/2″ x 24-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27357 (3,000-4,000)

WILLIAM LESTER STEVENS (American, 1888-1969) FARMHOUSE WITH COWS. Oil on canvas Housed in a modern ribbed gilt frame with liner Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 56 of Stevens’ book written by Judith A. Curtis SIZE: 33-1/4″ x 39″. Overall: 41-1/2″ x 47-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined, inpainting to top edge, otherwise very good 9-27272 (7,000-11,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “COWS AT PASTURE”. Oil on canvas Housed in a contemporary burnished gold and natural wood frame in good condition Signed “W. Lester Stevens NA”, lower right Rockport Art Association label affixed to frame verso Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 23 in Stevens’ book written by Judith A. Curtis. SIZE: 30″ x 36″. Overall: 36-1/2″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27383 (5,000-7,000)

WILLIAM LESTER STEVENS (American 1888-1969) AUTUMN LANDSCAPE WITH COWS, APPLE TREE AND FARM. Oil on canvas Housed in a black and gold cut down frame Signed “W. Lester Stevens N.A.”, lower right SIZE: 25″ x 30″. Overall: 29-1/4″ x 33-3/4 PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27386 (3,000-5,000)

WILLIAM LESTER STEVENS (American, 1888-1969) AUTUMN HAYSTACKS. Oil on artist’s board Housed in a period carved gilt frame with wear Signed “W. Lester Stevens”, lower right SIZE: 14″ x 16″. Overall: 17-1/4″ x 19-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27356 (2,500-3,500)

WILLIAM LESTER STEVENS (American, 1888-1969) LATE AUTUMN. Oil on canvas Housed in a gilt modern wood frame in good condition Signed “W. Lester Stevens N.A.”, lower right SIZE: 20″ x 26″. Overall: 26-1/4″ x 32-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Repaired small tear in sky, otherwise very good 9-27387 (2,000-3,000)

JAMES KING BONNAR (American, 1883-1961) “VERMONT WINTER”. Oil on canvas Housed in a weathered wood frame with painted liner Signed “James King Bonnar”, lower right SIZE: 36″ x 58″. Overall: 40″ x 62″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27380 (5,000-7,000)

STANLEY WINGATE WOODWARD (American, 1890-1970) “OLD RED BARN”. Oil on canvas Housed in a period carved wood frame in good condition Signed “Stanley Woodward”, lower right SIZE: 40″ x 50″. Overall: 45-1/4″ x 55-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27379 (5,000-8,000)

LEO B. BLAKE (American, 1887-1976) WINTER VERMONT RIVER VALLEY LANDSCAPE. Oil on Masonite Housed in a modern composite gilt frame in good condition Signed “Leo B. Blake”, lower right SIZE: 39-1/2″ x 58″. Overall: 42-3/4″ x 61-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27266 (3,000-5,000)

LEO B. BLAKE (American, 1887-1976) “UP IN THE HILLS”. Oil on canvas Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “Leo B. Blake”, lower right Child’s gallery label on verso SIZE: 36″ x 40″. Overall: 42-1/4″ x 46-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27388 (1,500-2,500)

LEO B. BLAKE (American, 1887-1976) AUTUMN BIRDSEYE VIEW OF A VERMONT VILLAGE/HORSE DRAWN WAGON & RIDER IN MID-GROUND. Oil on canvas Housed in a gold carved Baroque style frame with some wear Signed lower left “Leo B. Blake” Artist information and 1948 Vermont calendar with examples of the artist’s work affixed to verso SIZE: 20-1/2″ x 24-1/2″. Overall: 26″ x 28-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27319 (1,200-1,800)

JOHN FREDERICK CARLSON (American, 1874-1945) “SILVERY WATERS”. Oil on canvas Housed in a modern gilt gesso decorated frame in good condition Signed “John F. Carlson”, lower left SIZE: 25″ x 30″. Overall: 33″ x 38″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27310 (7,000-11,000)

JOHN FABIAN CARLSON (American, 1874-1945) “THROUGH THE HILLS”. Oil on board Housed in a carved gilt period frame with a partial Newcomb-Macklin label Signed “John F. Carlson”, lower right Signed and titled and verso SIZE: 12 x 16. Overall: 16-1/2″ x 20-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Shannon’s Fine Art auctions 5/4/2006, lot #37 CONDITION: Very good 9-27291 (4,000-6,000)

BERNARD COREY (American, 1914-2000) RED BARN IN SUMMER. Oil on canvas board Housed in a gold contemporary frame in good condition Signed “Bernard Corey”, lower right SIZE: 8-1/2″ x 12-1/4″. Overall: 11″ x 14-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27320 (1,300-1,900)

BERNARD COREY (American, 1914-2000) THE GREEN BARN. Oil on canvas laid to panel Housed in a 1920s gilt gesso decorated frame in good condition with some wear Signed “Bernard Corey”, lower left On verso, a Royka’s Fine Art label, “From the estate of Bernard Corey” SIZE: 10″ x 14″. Overall: 12-1/2″ x 16-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27327 (1,300-1,900)

BERNARD COREY (American, 1914-2000) “FALL ON THE FARM”/ FISHERMAN RETURNING WITH DAY’S CATCH. Oil on artist’s board Housed in a carved natural oak frame, early 20th century with some losses Signed “Bernard Corey”, lower right Identified on verso SIZE: 10″ x 14″. Overall: 12-1/2″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered retouch to center of composition, otherwise good 9-27345 (1,300-1,900)

BERNARD COREY (American, 1914-2000) AN AUTUMN VIEW INTO THE VALLEY. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “Bernard Corey”, lower right SIZE: Sight: 8-1/2″ x 13-1/2″. Overall: 14-1/2″ x 19-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27349 (1,000-1,400)

BERNARD COREY (American, 1914-2000) APPLE BLOSSOMS/ A SPRING LANDSCAPE WITH BARN. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “Bernard Corey”, lower right SIZE: Sight: 8-1/2″ x 13-1/2″. Overall: 14-1/2″ x 19-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27350 (1,100-1,700)

ALDRO THOMPSON HIBBARD (American, 1886-1972) SUNLIT HILLS, WINTER IN VERMONT. Oil on artist’s board Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 8″ x 10″. Overall: 10-3/4″ x 12-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27292 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1970) “MOUNT MANSFIELD”. Oil on artist’s board Housed in a gold and black early 20th century frame, with wear to gold Signed “A.T. Hibbard”, lower right Identified on Vose Galleries, Boston, label on verso SIZE: 9″ x 12″. Overall: 11-3/4″ x 15″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Good 9-27271 (3,000-5,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) “BONDVILLE, VERMONT”. Oil on artist’s board Housed in a gold and green 1930’s frame with Gilt wear Signed “A.T. Hibbard”, lower left Identified on Wallace Gallery, East Hampton, NY and period exhibition label on verso SIZE: 9″ x 12″. Overall: 10-3/4″ x 13-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27268 (4,000-6,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) “LATE LIGHT”. Oil on artist’s board Housed in a modern gilt frame in good condition Signed “A.T. Hibbard”, lower left Period typed label with title on verso SIZE: 9″ x 12″. Overall: 10-3/4″ x 14″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27299 (3,000-4,000)

ALDRO THOMPSON HIBBARD (American 1886-1972) CONNECTED FARMHOUSE IN WINTER. Oil on artist’s board Housed in a modern gilt replacement frame Signed “A.T. Hibbard”, lower right SIZE: 9″ x 12″. Overall: 13-1/2″ x 16-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27296 (3,000-4,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “VINAL HAVEN [sic], MAINE”. Oil on canvas Housed in a gold decorated Guido frame, in good condition Signed “W. Lester Stevens”, lower left Identified on period label on stretcher SIZE: 25″ x 30″. Overall: 31″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Subtle craquelure, otherwise very good 9-27375 (3,500-5,500)

WILLIAM LESTER STEVENS (American, 1888-1969) HOUSES BY THE BAY, CAMDEN, MAINE. Oil on canvas on Masonite Housed in a modern gilt wood frame in good condition Signed “W. Lester Stevens N.A.”, lower right SIZE: 17-1/2″ x 23-1/2″. Overall: 22-1/4″ x 28-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27355 (4,000-6,000)

WILLIAM LESTER STEVENS (American, 1888-1969) PIGEON COVE, ROCKPORT. Oil on canvas Housed in a gilt modern frame in good condition Signed “W. Lester Stevens”, lower right SIZE: 20″ x 24″. Overall: 23-1/2″ x 27″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27364 (1,500-2,500)

WILLIAM LESTER STEVENS (American, 1888-1969) BARNYARD WITH WAGON. Oil on board Housed in a modern gilt wood frame in good condition Signed “W. Lester Stevens”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 57 of Stevens’ book written by Judith A. Curtis SIZE: 12″ x 14″. Overall: 17″ x 19″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27270 (1,500-2,500)

WILLIAM LESTER STEVENS (American, 1888-1969) MOUNTAIN VILLAGE AT MID-DAY. Oil on canvas Housed in a period gold carved frame with minor gold losses Signed “W. Lester Stevens”, lower right SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27353 (3,000-4,000)

WILLIAM LESTER STEVENS (American, 1888-1969) WINTER LANDSCAPE WITH BARNS AND BROOK. Oil on masonite Housed in a 1920’s gilt frame, cut down with losses Signed “W. Lester Stevens N.A.”, lower left SIZE: 15-3/4″ x 30″. Overall: 18-1/2″ x 32-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27318 (3,000-4,000)

EDGAR FORKNER (American 1867-1945) BOATS AT DOCK. Oil on canvas Housed in a period gilt molded wood frame with wear Signed “Edgar Forkner”, lower right SIZE: 22″ x 28″. Overall: 27″ x 33″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Minor scrapes, otherwise very good 9-27389 (2,000-3,000)

VLADIMIR PAVLOSKY (American, 1884-1944) ANIMATED HARBOR SCENE WITH FISHERMEN UNLOADING THEIR CATCH. Oil on canvas Housed in a gold carved frame in good condition Signed “V. Pavlosky”, lower left SIZE: 25″ x 30″. Overall: 29″ x 33-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Lined and retouched, otherwise very good 9-27311 (2,500-3,500)

MARIA VERONICA LISZT (American, 1902-1992) ANIMATED HARBOR SCENE WITH FIGURE AND NUMEROUS VESSELS. Oil on canvas Housed in a natural carved wood frame with silver and gold highlights (possibly by the artist), in good condition Signed lower right SIZE: 16″ x 20″. Overall: 21″ x 25″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27365 (600-900)

JOHN A. COOK (American, 1870-1936) TWO WORKS: HARBOR SCENE AND BOAT YARD. Watercolors Both with modern frames with glass in good condition Both signed “John A. Cook”, lower left SIZE: Sight: 17-1/2 x 21-1/2″, and 15-1/2″ x 19-1/2″. Overall: 23-1/2″ x 27-1/2″, and 20-1/2″ x 24-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27394 (700-1,100)

JOHN A. COOK (American, 1870-1936) THREE HARBOR SCENES. Watercolors Two unframed, one with shadow box type frame in good condition All signed: one “J.A. Cook”, lower left, one “John A. Cook”, lower left, and one John A. Cook”, lower right SIZE: Unframed: 18″ x 22″. Framed, Sight: 9-1/2″ x 7-1/2. Overall: 15-3/4″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Unframed: some toning and light foxing, framed: very good 9-27366 (700-1,100)

JOHN A. COOK (American, 1870-1936) LOT OF THREE ANIMATED SUMMER HARBOR VIEWS. Watercolor on paper Two housed in contemporary gold Guido frames in good condition; third housed in a simple 1930’s gold painted frame in good condition All signed SIZE: Sight: 10-1/4″ x 7″. Overall: 14″ x 10-1/2″. Sight: 7″ x 10-1/4″. Overall: 10-1/2″ x 14-1/4″. Sight: 11″ x 7″. Overall: 12-1/4″ x 8-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27326 (1,000-1,400)

JOHN WHORF (American, 1903-1959) COASTAL FISH SHACKS WITH DUNES BEYOND. Oil on canvas Housed in mid-20th century black and a gold frame with some wear Signed lower right SIZE: 12-1/4″ x 28-1/2″. Overall: 15″ x 31″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27317 (1,500-2,500)

JOHN HARE (American, 1908-1978) LIGHTHOUSE AT DUSK. Oil on canvas Housed in a painted wood carved frame Signed “John Hare”, lower right SIZE: 25″ x 30″. Overall: 30-3/4″ x 35-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Light craquelure, small repair above lower rocks, otherwise very good 9-27384 (800-1,200)

JOHN HARE (American, 1908-1978) SUNLIT FARMSTEAD IN WINTER. Oil canvas Housed in a gilt carved wood frame in good condition Signed “John Hare”, lower right SIZE: 25″ x 30″. Overall: 28-1/2″ x 33-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27382 (1,500-2,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) SUNLIT WINTER LANDSCAPE WITH YELLOW HOUSE/ VERMONT MOUNTAIN IN BACKGROUND. Oil on artist’s board Housed in a gold Guido frame in good condition Signed “A.T. Hibbard” in lower left SIZE: 9″ x 12″. Overall: 14″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27275 (2,500-3,500)

ALDRO THOMPSON HIBBARD (American, 1886-1972) DAYBREAK WINTER LANDSCAPE/ VERMONT. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “A.T. Hibbard”, lower left Inscribed “49” on verso, possibly in artist’s hand SIZE: 7-1/4″ x 9″. Overall: 10″ x 12″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27278 (3,000-5,000)

ALDRO THOMPSON HIBBARD (American, 1886-1969) “LATE AFTERNOON VERMONT”. Oil on artist’s board Housed in a Guido 22/23 karat gold leafed frame in good condition Signed “A.T. Hibbard”, lower right Period typed label on verso SIZE: 9″ x 12″. Overall: 11-3/4″ x 15″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27294 (3,000-5,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) SNOWY VERMONT LANDSCAPE WITH HOMESTEAD. Oil on Masonite Housed in a gold Guido frame in good condition with minor losses to gold Signed “A.T. Hibbard”, lower right SIZE: 9″ x 12″. Overall: 14″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Good 9-27293 (3,000-4,000)

WILLIAM LESTER STEVENS (American, 1888-1969) FOREST INTERIOR IN WINTER WITH RUNNING BROOK. Oil on canvas (new stretcher) Housed in a wood and composite ornate gold frame with green wash with wear throughout Signed “W. Lester Stevens” lower right SIZE: 18″ x 22″. Overall: 23-1/2″ x 27-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Canvas deformation, in need of restretching, and scattered paint losses 9-27267 (2,000-3,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “WAVES & ROCKY SHORELINE”. Oil on canvas Housed in a gold and grey washed period frame, in good condition Signed “W. Lester Stevens”, lower right Identified on catalog entry on verso SIZE: 25″ x 30″. Overall: 31″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good, with very minor scattered losses 9-27286 (2,000-3,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “THE RAIL FENCE”. Oil on canvas Housed in a modern gilt wood frame Signed “W. Lester Stevens N.A.”, lower right SIZE: 30″ x 40″. Overall: 32″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27298 (3,500-5,500)

WILLIAM LESTER STEVENS (American 1888-1969) “FISHING VILLAGE (GASPE, QUEBEC)”. Oil on Masonite Housed in an ornate gold cut down frame Identified on verso SIZE: 28-1/2″ x 31″. Overall: 33-1/4″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Minor scattered retouching, otherwise very good 9-27276 (3,500-5,500)

WILLIAM LESTER STEVENS (American, 1888-1969) WINTER LANDSCAPE WITH HOUSE. Oil on artist’s board Housed in a carved gilt modern frame Signed “W. Lester Stevens”, lower left SIZE: 12″ x 14″. Overall: 16-1/2″ x 18-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27325 (1,200-1,800)

BERNARD COREY (American, 1914-2000) ROLLING HILLS IN SPRING WITH FARM BUILDINGS IN BACKGROUND. Oil on Masonite Housed in a gold contemporary frame with repairs Signed “Bernard Corey”, lower right SIZE: 9″ x 14″. Overall: 11-3/4″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27374 (1,200-1,800)

BERNARD COREY (American, 1914-2000) BIRDSEYE VIEW OF SPRING LANDSCAPE SCENE WITH FARM BUILDINGS IN MID-GROUND. Oil on Masonite Housed in a gold contemporary frame, with some wear Signed “Bernard Corey”, lower right Inscribed on verso SIZE: 9″ x 14″. Overall: 11-1/4″ x 16″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27367 (1,000-1,400)

BERNARD COREY (American, 1914-2000) SPRINGTIME VIEW OF WHITE FARM THROUGH TREES. Oil on masonite Housed in a gold contemporary frame in good condition Signed “Bernard Corey”, lower right Inscribed on verso SIZE: 10″ x 16″. Overall: 12-1/4″ x 18-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27328 (1,000-1,400)

BERNARD COREY (American, 1914-2000) THE VALLEY IN SPRINGTIME WITH BARN IN MID-GROUND. Oil on Masonite Housed in a gold ornate early 20th century frame in good condition Signed “Bernard Corey”, lower right SIZE: 9″ x 12″. Overall: 12″ x 14-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27372 (800-1,200)

JOHN FABIAN CARLSON (American 1874-1945) “FARMYARD LYRIC”. Watercolor Housed in a period silvered wood frame with wear behind glass Signed “John F. Carlson”, lower right SIZE: Sight: 24-1/2″ x 29-1/2″. Overall: 29-3/4″ x 35″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Water stain at center, otherwise good 9-27309 (3,000-5,000)

JOHN FABIAN CARLSON (American, 1874-1945) “AMONG THE HILLS”. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “John F. Carlson”, lower left Identified on verso and on Salmagundi Club label on verso SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Minor scattered retouching, primarily in mid-ground, otherwise good 9-27329 (2,000-3,000)

JOHN FABIAN CARLSON (American, 1874-1945) “WINTRY HILLS”. Oil on board Housed in a period gilt carved wood frame having Newcomb-Macklin company label on verso Signed “John F. Carlson”, lower right SIZE: 12″ x 16″. Overall: 16-3/4″ x 20-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Surface dirt, cracquelure 9-27289 (3,000-5,000)

EARLE A. TITUS (American, 1895-1962) THE FARM IN WINTER WITH MOUNTAINS BEYOND. Oil on Masonite Housed in a gold painted circa 1920s frame, with scattered losses throughout Signed “E.A. Titus”, lower left SIZE: 24″ x 32″. Overall: 28″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Surface grime, otherwise very good 9-27336 (800-1,200)

CHARLES MOVALLI (American, 1945- ) “THE RED BARN”. Oil on canvas Housed in an ornate black and gold carved and composite handmade frame with some wear Signed “C. Movalli lower left Correspondence from artist affixed to verso SIZE: 24″ x 30”. Overall: 30-3/4″ x 36-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27323 (800-1,200)

ARTHUR LINGQUIST (American, 1889-1975) ROLLING HILLS OF VERMONT. Oil on canvas Housed in a gilt molded wood frame Signed “A. Lingquist”, lower right SIZE: 30″ x 36″. Overall: 33-1/2″ x 39-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined with wax reinforcement, scattered inpainting and craquelure, otherwise good 9-27393 (1,200-1,800)

ARTHUR LINGQUIST (American, 1889-1975) “WINTER VERMONT”. Oil on canvas Housed in a carved and silvered wood frame Signed “A. Lingquist”, lower right Boston Businessman’s Art Club label on verso SIZE: 26″ x 30″. Overall: 31″ x 35″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27390 (800-1,200)

ERNEST MEYER (American, 1863-1952) WINTER VILLAGE BELOW MOUNTAINS. Oil on canvas Housed in a period gilt wood frame, which is cut down with wear Signed “E. Meyer”, lower left SIZE: 24″ x 36″. Overall: 30-1/2″ x 42-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27284 (700-1,100)

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT VALLEY IN WINTER. Oil on artist’s board Housed in gold carved frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 8″ x 10″. Overall: 13-1/2″ x 15-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27321 (3,500-5,500)

ALDRO THOMPSON HIBBARD (American, 1886-1972) RED BARN WITH FIGURE IN WINTER. Oil on artist’s board Housed in a 22/23 karat Guido gold leaf frame in good condition Estate stamped “A.T. Hibbard”, lower right SIZE: 8″ x 10″, Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27307 (3,000-5,000)

ALDRO THOMPSON HIBBARD (American 1886-1972) SPRING THAW IN VERMONT VILLAGE. Oil on Masonite Housed in an ornate gold Guido frame with liner in good condition Estate stamped “A.T. Hibbard”, lower left SIZE: 8″ x 10″. Overall: 12″ x 14″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27269 (3,000-4,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) AFTERNOON SHADOWS. Oil on Masonite Fine carved gilt replacement frame with some gold losses Signed lower left “A.T. Hibbard” SIZE: 9″ x 12″, Overall: 14 3/4″ x 17 3/4″ PROVENANCE: John F. Gale collection, Cambridge, MA CONDITION: Very good 9-27274 (3,000-5,000)

STANLEY WINGATE WOODWARD (American, 1890-1970) GOLDEN SHADOWS/ THE RED BARN IN AUTUMN. Oil on canvas Housed in a grey burnished gold carved early 20th century frame in good condition Signed “Stanley Woodward”, lower right Stamped identification on stretcher and canvas on verso Small label (perhaps artist’s) on verso SIZE: 25″ x 30″. Overall: 30″ x 34-3/8″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27335 (1,500-2,500)

STANLEY WINGATE WOODWARD (American, 1890-1970) HOMESTEAD IN AUTUMN. Oil on canvas Housed in a gold gesso decorated frame Signed “Stanley Woodward”, lower right SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27334 (1,200-1,800)

STANLEY WINGATE WOODWARD (American, 1890-1970) “CAPE ANN FARM/ POOLES”. Oil on Masonite Housed in a lemon gold carved frame with some wear Signed lower right Titled on verso and inscribed by artist on frame SIZE: 19-3/4″ x 24″. Overall: 23-1/2″ x 27-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27342 (1,200-1,800)

STANLEY WINGATE WOODWARD (American, 1890-1970) AN AUTUMN AFTERNOON IN THE FARMYARD WITH CHICKENS IN THE FOREGROUND. Oil on artist’s board Housed in a carved Arts and Crafts style 22/23 Karat gold leaf Guido frame with some wear Signed “Stanley Woodward” and dated “48”, lower left SIZE: 16″ x 20″. Overall: 22-1/4″ x 26-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27348 (800-1,200)

STANLEY WINGATE WOODWARD (American, 1890-1970) RED BARN IN AUTUMN. Oil on canvas Housed in a contemporary gold frame in good condition Signed “Stanley Woodward” lower center left SIZE: 20″ x 24″. Overall: 23″ x 27″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27363 (800-1,200)

BERNARD COREY (American, 1914-2000) DOUBLE SIDED AUTUMN LANDSCAPE SCENE WITH FOOTBRIDGE. Oil on board Housed in a contemporary gold frame Signed “Bernard Corey” lower left NOTE: Incomplete autumn landscape scene on verso, signed by artist in upper right SIZE: 9″ x 14″. Overall: 11″ x 15″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27371 (1,100-1,700)

BERNARD COREY (American, 1914-2000) WINTER VILLAGE. Oil on canvas Housed in a gold ornate early 20th century frame with splits and losses Identified as from the estate of Bernard Corey, estate number 12375 on Royka’s Fine Art label on verso Also estate stamped on canvas and stretcher SIZE: 10″ x 14″. Overall: 14″ x 17-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27361 (1,000-1,400)

BERNARD COREY (American, 1914-2000) BITTERSWEET/ AUTUMN LANDSCAPE. Oil on artist’s board Housed in a gold Guido frame in good condition Signed “Bernard Corey”, lower right SIZE: Sight: 9-3/4″ x 13-3/4″. Overall: 12″ x 16″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27347 (700-1,100)

LARS THORSEN (American, 1877-1952) RIVER LANDSCAPE, WINTER. Oil on canvas Housed in a partially painted molded wood frame with paint wear Signed “Lars Thorsen”, lower left SIZE: 28″ x 26″. Overall: 34″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Sky fluoresces under blacklight, otherwise very good 9-27381 (1,200-1,800)

ROBERT E. MOORE (American, 1927-2006) “BUTTERCUPS”. Acrylic on canvas Housed in simple painted wood frame in good condition Signed “Robert Eric Moore”, lower right SIZE: 48″ x 60″. Overall: 48-1/2″ x 60-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27378 (1,200-1,800)

WILLIAM LESTER STEVENS (American, 1888-1969) COASTLINE VIEW. Gouache on board Housed in a modern 22/23 karat gold leaf frame by Guido frame studio, in very good condition Signed “W. Lester Stevens”, lower left SIZE: 10″ x 13″. Overall: 16-1/4″ x 19-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27341 (1,500-2,500)

WILLIAM LESTER STEVENS (American, 1888-1969) “EARLY MARCH- CONWAY”. Gouache on artist’s board Housed in a gold Guido frame in good condition Signed “W. Lester Stevens” Identified on verso SIZE: 7″ x 10″. Overall: 10-3/4″ x 13-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Fair, small and minor abrasions and pigment discoloration 9-27358 (800-1,200)

WILLIAM LESTER STEVENS (American, 1888-1969) DAPPLED SUNLIGHT WOODLAND INTERIOR WITH HOUSE. Oil on masonite Housed in a gold ornate cast metal frame with split at center top Inscribed “W Lester Stevens” upper right on verso SIZE: 14″ x 18″. Overall: 18″ x 21″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27359 (1,200-1,800)

WILLIAM LESTER STEVENS (American, 1888-1969) STILL LIFE WITH HIBISCUS AND BUDDHA. Oil on canvas Housed in a period wood and composite gold carved frame with very minor losses Signed lower right SIZE: 24″ x 20-1/2″. Overall: 27-1/2″ x 23-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27373 (800-1,200)

WILLIAM LESTER STEVENS (American, 1888-1969) MOUNTAIN INLET WITH FISHING SHACK AND BOATS. Watercolor on paper Housed under glass in a contemporary brown cove style wood frame Signed “W. Lester Stevens” lower right SIZE: 17″ x 21″. Overall: 24″ x 27-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered minor foxing, otherwise very good. Not examined out of frame 9-27376 (1,200-1,800)

WILLIAM LESTER STEVENS (American, 1888-1969) LIGHTHOUSE AND KEEPERS BUILDINGS WITH SAILING VESSELS BEYOND. Watercolor on artist’s board Housed in a gold and perhaps artist enhanced period frame in with corner losses Signed “W Lester Stevens NA AWS” (twice) lower right SIZE: Sight: 14″ x 17-1/2″. Overall: 18″ x 21-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Good 9-27337 (800-1,200)

Revised: 1/11/2013

ADDITIONAL INFORMATION: Condition: Proper right front and hind legs each with visible molding seam.

HENRY HAASE-ILSENBURG (German, 1879-1960) EUROPA’S THEME- MUSK OX. Bronze Inscribed “HHaase”, “Oskar Gladenbeck” Reference: P1140 Bronzes Volume 4, by Harold Berman SIZE: 16″ high, 16″ long PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good with aged patina 9-27370 (1,500-2,500)Condition: Proper right front and hind legs each with visible molding seam.

ARY JEAN-LEON BITTER (French, 1883-1960) NYMPH WITH FAWN. Bronze Inscribed “Ary Bitter”, Seal: “Lin Paris J.L.” “70” SIZE: 33-3/4″ long PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good, polychrome patina 9-27287 (1,000-1,500)

VICTOR HEINRICH SEIFERT (German, 1870-1953) “THIRSTY”. Bronze Inscribed “Pro F.W. Seifert” SIZE: 24-1/2″ high. Overall: 29″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27332 (1,500-2,500)

EDWARD FRANCIS MCCARTAN (American, 1879-1947) PAIR OF ART NOUVEAU FIGURAL CANDLESTICKS. Bronze Inscribed “E McCarten” SIZE: 16-1/2″ high. Overall: 17-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good, later casting 9-27368 (1,500-2,500)

MARIO JOSEPH KORBEL (American, 1882-1954) NUDE WITH SANDALS. Bronze SIZE: 35-1/2″ high. Overall: 36-1/4″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Nice rich brown Patina, very good 9-27330 (2,000-3,000)

MATHURIN MOREAU (French, 1822-1912) “LA VAGUE” (THE WAVE). Bronze Inscribed “Math Moreau” SIZE: 22″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Plugged electrical wire hole, otherwise very good, with some rubs 9-27288 (1,500-2,500)

EMMANUEL VILLANIS (French, 1858-1914) “PRISE DE CORSAIRE” (PRISONER OF THE PIRATES). Bronze Inscribed “Prise De Corsaire” “E. Villanis” “B4418” with a “Societe Des Bronzes De Paris” seal SIZE: 33-3/4″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27369 (1,500-2,500)

AFTER FRANZ XAVIER BERGMANN (Austrian, 1861-1936) SLAVE GIRL AT AUCTION. Ploychrome bronze Inscribed with Bergmann cypher # SIZE: 27″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27333 (1,200-1,800)

FERDINANDO DE LUCA (Italian, 20th century) PAIR OF SEATED FLAPPERS TOASTING A GLASS. Polychromed bronzes Inscribed “De Luca” SIZE: 28″ and 28-1/2″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27331 (800-1,200)

T.M. NICOLAS (American, 1963-) WINTER LANDSCAPE SCENE BY THE STREAM. Oil on board Housed in contemporary gold frame Signed “T.M. Nicholas”, lower right SIZE: 11″ x 14″. Overall: 17-1/4″ x 20-1/4″. CONDITION: Very good. 9-28161 (1,800-2,400)

DAVID TUTWILER (American, 20th-21st century) “SOUTHERN TWILIGHT”. Oil on canvas Housed in contemporary gold frame Signed “David D. Tutwiler 2004 OPA”, lower right Identified on verso SIZE: 18″ x 43″. Overall: 26″ x 51″. CONDITION: Very good. 9-27746 (1,000-1,500)

KEN KNOWLES (American, 1968-) NANTUCKET HARBOR LIGHT. Oil on masonite Housed in a modern silver gilt carved wood frame Signed lower left “Ken Knowles” Titled on verso and dated “2011” SIZE: 24″ x 30″. Overall: 30-1/4″ x 37-1/4″. CONDITION: Very good to excellent 9-27674 (4,000-6,000)

KEN KNOWLES (American, 1968-) “THE NEW ENGLANDERS”. Oil on masonite Housed in a carved & gilt wood frame Signed lower right “Ken Knowles” Titled on verso and dated “2011” SIZE: 24″ x 30″. Overall: 29-1/2″ x 35-1/2″. CONDITION: Very good to excellent 9-27673 (4,000-6,000)

KEN KNOWLES (American, 1968-) “SAILING IN EAST GLOUCESTER”. Oil on canvas Housed in a carved & gilt modern wood frame Signed lower left Titled on verso & dated “06” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″. CONDITION: Very good to excellent 9-27675 (3,000-5,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “EVENING LIGHT, VERMONT”. Oil on canvas Housed in a decorated wood frame with liner Signed lower right “Emile A. Gruppe” Titled & signed on stretcher of verso, also having a “Geraci Galleries, Rockport, MA” label SIZE: 30″ x 36″. Overall: 36-1/4″ x 42-1/4″. PROVENANCE: Purchased from Geraci Galleries as part of their exhibition in 1978. A copy of the original receipt accompanies the painting along with the exhibition list CONDITION: Very good 7-70288 (7,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) BEECHWOOD IN WINTER. Oil on canvas Housed in a fine carved & gilt modern wood frame Signed lower right “Emile A Gruppe” Titled on verso SIZE: 24″ x 20″. Overall: 31-1/2″ x 27-1/2″. CONDITION: Very good. 9-27749 (5,000-7,000)

EMILE ALBERT GRUPPE (American, 1896-1978) AFTERNOON WINTER LANDSCAPE. Oil on canvas Housed in a modern carved & gilt wood frame with some losses Signed lower right “Emile A Gruppe” SIZE: 18″ x 20″. Overall: 26-1/4″ x 28-1/4″. CONDITION: Very good. 9-27731 (4,000-6,000)

EMILE ALBERT GRUPPE (American, 1896-1978) OUT OF PORT/GLOUCESTER. Oil on artist’s board Housed in a contemporary frame Signed “Emile A. Gruppe”, lower left Identified on inscription on verso SIZE: 12″ x 16″. Overall: 16″ x 19-1/2″. CONDITION: Very good. 9-27681 (3,500-5,500)

CHARLES P. GRUPPE (American, 1860-1940) “OLD LYME”. Oil on canvas Housed in a period Newcomb-Macklin frame Signed “Charles P. Gruppe”, lower left SIZE: 30-1/4″ x 40″. Overall: 35-1/2″ x 44-1/2″. PROVENANCE: Henry P. Holt Gallery. Also, in “American Art Analog” book. CONDITION: Lined. Scattered retouch, primarily to sky. 9-27859 (7,000-9,000)

WILLIAM LESTER STEVENS (American, 1888-1969) THE RAILROAD TRESTLE. Oil on Masonite Housed in a gold Guido frame Signed “W. Lester Stevens and inscribed N.A.”, lower right Identified as John Gale collection on verso SIZE: 11-1/2″ x 14″. Overall: 16-1/2″ x 19″. PROVENANCE: Ex John F. Gale collection, Cambridge, Massachusetts. CONDITION: Very good, minor inpaint at rabbet edge. 9-28189 (3,000-5,000)

CHARLES HERBERT WOODBURY (AMERICAN, 1864-1940) “SWAMPSCOTT”. Oil on canvas Housed in a contemporary gold frame Signed “Chas Herbert Woodbury” and indistinctly dated, lower left Titled on canvas on verso Dedicated and dated “1926” on verso SIZE: 9-1/4″ x 13″. Overall: 13-1/4″ x 17-1/4″. PROVENANCE: Painting given to Elizabeth Ward Perkins in 1926. Ward was Woodbury’s former student and caretaker in his final years. CONDITION: Very good, retouched. 7-70257 (2,500-4,500)

HAYLEY LEVER (American, 1875-1958) FISHING PIER & YACHT, NANTUCKET, MA. Oil on canvas Housed in a modern carved gilt wood frame with gilt liner Signed lower left “Hayley Lever” SIZE: 13″ x 16″. Overall: 22″ x 25″. PROVENANCE: Stamp on verso “From the Collection of Clayton Liberatore Art Gallery, Bridgehampton, NY” CONDITION: Very good 9-27858 (3,000-5,000)

FREDERICK JOHN MULHAUPT (American, 1871-1938) “POOL IN THE WOODS”. Oil on canvas board Housed in a signed gold carved “Goodnow” frame Signed “Mulhaupt”, and identified on Allied Artists of America exhibition label on verso SIZE: 16″ x 12″. Overall: 21″ x 17″. CONDITION: Very good. 9-28193 (4,000-8,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) THE FARM- NEAR JOHNSON, VT. Oil on board Housed in a 20th century carved and gilt replacement frame Signed “A.T. Hibbard”, lower right SIZE: 18″ x 25-3/4″. Overall: 27″ x 34″ CONDITION: Very good. 9-27397 (7,000-9,000)

JOHN JOSEPH ENNEKING (American, 1841-1916) “THE FOOTBRIDGE, TWILIGHT”. Oil on canvas Housed in a modern gilt decorated frame with gilt liner Signed lower right “Enneking 01” A label from “Pierce Galleries” indicating its inclusion in the catalog raisonne on verso SIZE: 18″ x 24″. Overall: 25″ x 31″. CONDITION: Relined, minor retouch, very good 9-27750 (6,000-9,000)

ANTONIO CIRINO (American, 1889-1983) “NEW ENGLAND AUTUMN”. Oil on board Housed in a carved gilt frame in good condition Signed “A. Cirino”, lower left Artist label on verso SIZE: 10″ x 12″. Overall: 12″ x 14″. CONDITION: Very good. 9-27748 (1,500-2,000)

JOSEPH DE MARTINI (American, 1896-1984) CAPE ANN ROCKS. Oil on canvas Housed in a modern painted wood frame Signed “Joseph De Martini”, lower right SIZE: 30″ x 40″. Overall: 33-1/2″ x 43″. CONDITION: Very good, relined, inpainting. 9-27239 (2,000-3,000)

JOSEPH DE MARTINI (American, 1896-1984) MOONLIGHT- FISH BEACH, MONHEGAN. Oil on canvas Housed in a simple painted wood frame Signed “Joseph De Martini”, lower left SIZE: 26″ x 36″. Overall: 27″ x 37″. CONDITION: Very good. 9-27241 (800-1,200)

WILSON HENRY IRVINE (American 1869-1936) MONHEGAN ISLAND. Oil on canvas Housed in a contemporary gold carved frame Signed “Irvine” and dated, lower right Identified on Vose Galleries, Boston, label on verso SIZE: 18″ x 24″. Overall: 27″ x 34″. CONDITION: Very good, lined, very minor scattered inpainting. 9-28192 (4,000-6,000)

MEYERS ROHOWSKY (American, 1900-1974) “LOBSTER COVE, MONHEGAN ISLE”. Oil on canvas. Housed in its original carved and decorated frame. Signed lower left and dated 1946. Signed & inscribed verso in the artist’s hand: “Lobster Cove’ Monhegan Isle. Meyers Rohowsky 7 Washington Place New York City”. SIZE: 12″ x 16″. PROVENANCE: This painting hung in one place on the previous owner’s wall from the late 1940’s when she acquired it as a gift on her first wedding anniversary until 2005, when she sold it. Upstate New York home, then Private Collection, New York City. Another work (titled “On the Alert at Bryant Park – N.Y.C., 1941) by the artist, is presently at the Museum of the City of New York New York City. CONDITION: Very good. 9-25815 (800-1,000)

ABRAHAM JACOB BOGDANOVE (American, 1887-1946) MONHEGAN ISLAND INLET. Oil on artist board Housed in a carved & gilt modern frame Signed lower “A.J. Bogdanove” SIZE: 12″ x 16″. Overall: 18″ x 22″. CONDITION: Very good 9-27852 (2,000-3,000)

ABRAHAM JACOB BOGDANOVE (American, 1887-1946) ROCKY COAST WITH WAVES. Oil on artist board Housed in a modern carved & gilt frame Signed lower left “A.J. Bogdanove” SIZE: 12′ x 16″. Overall: 18″ x 22″. CONDITION: Very good 9-27857 (1,200-1,600)

J. WINTHROP ANDREWS (1879-1964) “WAVES- OGUNQUIT, ME”. Oil on artist’s board Housed under glass in a contemporary gold Stanford White style frame Signed “J.W. Andrews”, lower right Identified on Yonkers Art Association label (titled “Ebbing”) and on backboard SIZE: 8″ x 10″. Overall: 16″ x 18″. CONDITION: Very good. 9-28163 (500-700)

MICHAEL B. KARAS (American, 1954-) “OPEN SEA”. Oil on canvas Housed in a good silver gilt molded wood frame with linen liner Signed lower right and dated “79” Pencil titled on back stretcher SIZE: 24″ x 36″. CONDITION: Very good to excellent 9-26179 (2,000-3,000)

MICHAEL B. KARAS (American, 1954-) BREAKING WAVES. Oil on canvas Housed in its original gilt molded wood frame with linen liner Signed lower left SIZE: 30″ x 36″. CONDITION: Very good to excellent 9-24789 (2,000-3,000)

Revised: 2/14/2013

Correction: The description is correct as stands, the estimate however should read $7,000-$9,000 and the image in the printed catalog is not correct. To see the correct image go to Lot #1193 depicting boats in the harbor.

PAUL BERNARD KING (American, 1867-1947) “FISHING BOATS CAMDEN, MAINE 1919”. Oil on canvas Housed in a period carved and gilt frame which has a carved maker’s mark “F.X. Ferg. Phila PA” Signed “Paul King 1919″, lower right SIZE: 12″ x 16″. Overall: 20-3/4″ x 24-3/4”. CONDITION: Craquelure, some inpainting. 9-27405 (7,000-9,000)

WALDO PEIRCE (American, 1884-1970) “HAYING ON THE PENOBSCOT”. Oil on canvas Housed in an original period frame Initialed “W.P.” and dated “66”, lower right Identified on verso in the artist’s hand, and on 2 period exhibition labels from the University of Maine Art Collection SIZE: 24″ x 29″. Overall: 32-1/4″ x 37-1/4″. PROVENANCE: From the artist to a private New England collection. CONDITION: Very good. 9-27877 (2,000-4,000)

WILLIAM THON (American, 1906-2000) “MAINE WILDERNESS #221”. Oil on masonite Housed in a modern gilt frame, with linen and gilt liners Signed “Thon”, lower left Two Midtown Gallery labels and titled on verso SIZE: 36″ x 22″. Overall: 45″ x 31″. CONDITION: Very good. 9-27248 (800-1,200)

WILLIAM THON (American, 1906-2000) “LIGHT MIST”. Watercolor on paper Housed in a modern gilt frame with gilt and linen liners behind glass Signed “Thon”, lower right Midtown Galleries label on verso SIZE: 20″ x 26-1/4″. Overall: 27″ x 33-1/4″. CONDITION: Very good. 9-27249 (600-900)

JACK JONES (American, 1940-2011) “SUMMER CLOUDS”. Watercolor Housed in a fine modern gilt frame with double matte & glass Signed lower right “Jack Jones ISMP” To be sold to benefit the South Amherst Congregational Church SIZE: 12″ x 16″. Overall: 22-3/4″ x 26-3/4″. PROVENANCE: To be sold to benefit the South Amherst, MA Congregational Church. CONDITION: Very good 9-27860 (150-300)

SETH W. STEWARD (American, 1844 -1927) TODAY’S CATCH. Oil on canvas Housed in a simple painted wood frame Signed “S.W. Steward 1900″, lower left SIZE: 26″ x 15″. Overall: 27″ 15-3/4”. CONDITION: Relined, with areas of old repair, in need of some restoration, otherwise good. 9-27193 (2,000-4,000)

ALFRED GUNNAR BJAREBY (American, 1899-1967) BACKWOODS FISHING, MAINE. Oil on panel Housed in a fine modern carved & gilt wood frame with plaque Signed lower left SIZE: 11-1/2″ x 15-1/4″. Overall: 17-3/4″ x 21-1/2″. CONDITION: Very good 9-28396 (1,000-1,500)

DAVID A. FOOTER (American, b. 1931) “THE TAKE” MINIPI, LABRADOR. Oil on canvas Housed in a contemporary gold carved frame Signed and dated “David A. Footer ’02”, lower right Identified as number “428” on artist’s label on verso SIZE: 18″ x 24″. Overall: 25″ x 31″. CONDITION: Very good. 9-28191 (2,000-4,000)

CHARLES CHASE EMERSON (American, 1874-1922) “TROUT LAKE”. Oil on artist’s board Housed in a gold painted oak period Foster Brothers frame Signed “Chase Emerson”, lower left Identified on Vose Galleries, Boston, label on verso Fragmentary Foster Brothers frame label also on verso SIZE: 9″ x 11″. Overall: 16″ x 17-3/4″. CONDITION: Very good. 9-28190 (1,500-2,500)

WESLEY ELBRIDGE WEBBER (American, 1841-1914) FISHERMAN IN BOAT WITH ONCOMING VESSELS. Oil on canvas Housed in a magnificent original wide gesso decorated gilt frame with multiple liners Signed lower right “W Webber” Frame having a Hastings & Davenport, Boston frame label verso SIZE: 24″ x 44″. Overall: 38″ x 58″. CONDITION: Very good 9-28195 (6,000-8,000)

WESLEY ELBRIDGE WEBBER (American, 1841-1914) MOONLIT SAIL OFF LIGHTHOUSE. Oil on canvas Housed in its original gesso decorated gilt frame Signed lower left “Wesley Webber” SIZE: 26″ x 36″. Overall: 33-1/2″ x 43-1/2″. CONDITION: Surface with thick discolored varnish layer, untouched. 9-27694 (1,000-2,000)

WESLEY WEBBER, (American, 1841-1914) SHIP UNDER FULL SAIL IN HIGH SEAS. Oil on canvas Housed in period gilt frame Signed “Wesley Webber”, lower left SIZE: 20″ x 30″. Overall: 24-1/2″ x 35″. CONDITION: Good, two patches to verso, with inpaint 9-27714 (800-1,200)

JAMES GAYLE TYLER (American, 1855-1931) NIGHTTIME CAMPING. Oil on canvas Housed in an antique gilt carved wood frame with plaque with wear Signed lower left “James G Tyler” SIZE: 18″ x 30″. Overall: 24-1/2″ x 36-1/4″. CONDITION: Relined, inpainting 9-27691 (2,000-3,000)

FRANKLIN DULLIN BRISCOE (American, 1844 – 1903) ANIMATED MARINE SCENE WITH NUMEROUS FIGURES AND VESSELS. Oil on canvas Housed in an ornate period carved and composite frame, burnished with gold highlights with some losses Signed “F.D. Briscoe”, lower right SIZE: 37″ x 36″. Overall: 54″ x 52″. CONDITION: Very good, lined. 9-27832 (3,000-4,000)

OTIS S WEBER (American, 19th/20th Century) SAILING UNDER A FULL MOON. Oil on canvas Housed in its original gesso decorated gilt frame with losses Signed lower right “O.S. Weber” SIZE: 14″ x 11″. Overall: 22″ x 19″. CONDITION: Surface dirt, light craquelure, relined 9-28124 (1,000-1,500)

UNSIGNED (American, 19th/20th Century) SCHOONERS IN HARBOR UNDER MORNING MIST. Oil on canvas Housed in an antique stained oak frame with gilt liner SIZE: 20″ x 28″. Overall: 24-3/4″ x 32-1/2″. CONDITION: Very good 9-27745 (1,000-2,000)

ANDREW GEORGE WINTER (American, 1893-1958) BARQUE “PARMA RUNNING EASTING DOWN”. Oil on board Housed in a period gilt carved frame Signed lower right “A Winter” The Parma was built in Scotland in 1902 and christened the Arrow. Between 1902 and 1912 it made voyages between the Northeast U.S. and Kobe, Shanghai and Manila hauling exports from the United states. It was the fastest ship in the world at the time and set many records for the shortest time between these far east ports and the United states. In 1912 it was sold to a German company and renamed the Parma, it sailed between Europe and Chile and Peru. During the First World War it remained in Chile. After the war it was given to the United Kingdom as war reparations after the treaty signing. It then hauled timber from Finland to the United Kingdom and made several runs to Australia, once again establishing speed records. In 1936 it was involved in an accident,hitting a pier,and was scrapped. In its day it was famous for its speed and delivery of goods to the fore-mentioned countries. SIZE: 14-1/4″ x 21-1/2″. Overall: 19″ x 26-1/2″. CONDITION: Very good 9-28397 (2,000-4,000)

JEAN LAURENT (American, Last half of the 20th Century) PORTRAIT OF A SAILING YACHT. Oil on canvas Housed in a good modern frame with artist plaque Signed lower right SIZE: 30″ x 30″. Overall: 36″ x 36″. CONDITION: Very good. 9-25496 (2,000-3,000)

EDWARD BURRILL JR (American, 1835-1913) ONCOMING SAILBOAT. Oil on canvas Unframed Signed lower left “E Burrill” SIZE: 18-1/4″ x 14-1/4″. CONDITION: Inpainting and light craquelure, very good 9-27695 (800-1,200)

ALEXANDER BOWER (American, 1875-1952) LOOKING ACROSS THE WATER TO A CITY IN WINTER. Oil on canvas Housed in a mid 20th Century painted wood frame Signed lower right “Alexander Bower 1910″ SIZE: 27″ x 33″. Overall: 31-1/2″ x 37-1/2”. CONDITION: Very good 7-70282 (2,000-3,000)

GEORGE W. DREW (American, 1875-1968) COASTAL ROCKS & BOATS. Oil on canvas Housed in a period wood frame Signed lower right “George W. Drew” SIZE: 12″ x 16″. Overall: 19-1/2″ x 23-1/2″. CONDITION: Very good 9-27233 (500-1,000)

HENRY HAMMOND AHL (American, 1869-1953) CRASHING WAVES ON SUNLIT ROCKS, SHIPS IN DISTANCE. Oil on canvas board Housed under glass in a contemporary gold Stanford White style frame Signed “Ahl”, lower right SIZE: 8″ x 10″. Overall: 16″ x 18″. CONDITION: Very good. 9-28162 (500-700)

CONRAD FREITAG (American, 1802-1894) SHIPPING ON THE HIGH SEAS. Watercolor en grissaille on paper Housed in an antique wood frame, with double matte and glass Signed “Conrad Freitag Nov. 69(?)”, lower left SIZE: 11-1/4″ x 16-3/4″. Overall: 23-1/2″ x 29″. CONDITION: Very good. 9-27234 (800-1,200)

FREDERIC SCHILLER COZZENS (American, 1846-1928) WAITING FOR THE COOK AS WELL AS A BREEZE, 1913. Watercolor on artist board Housed in a modern gilt wood frame with double matte behind glass Signed lower left “Fred S. Cozzens. 13″ SIZE: Sight: 17″ x 13″. Overall: 26″ x 22”. CONDITION: Very good 9-27231 (400-600)

WILLIAM FREDERICK DE HAAS (American, 1830-1880) THE RESCUE- AN ANIMATED MARINE SCENE. Oil on canvas Housed in an ornate period gold frame Indistinctly signed, lower left SIZE: 10″ x 18″. Overall: 23-1/2″ x 31″. CONDITION: Good, lined, repaired tear and scattered retouch. 9-28170 (6,000-8,000)

MABLE MAY WOODWARD (American, 1877-1945) “FLOWER MARKET – ROME”. Oil on canvasboard Housed in its original gilt carved wood frame with a Tilden-Thurber Co. frame label on verso Signed lower left Titled on label on verso SIZE: 10″ x 13-1/4″. Overall: 17-3/4″ x 21-1/4″. PROVENANCE: From a Waterville, Maine Estate CONDITION: Surface dirt, otherwise very good 9-27221 (5,000-10,000)

THOMAS EAKINS (American, 1844-1916) “PORTRAIT OF MAYBELLE SCHLICHTER”. Oil on canvas Housed in a contemporary frame Unsigned, labels from The Baltimore Museum of Art and Babcock Galleries, New York, on the reverse SIZE: 10-1/2″ x 8-1/2″. PROVENANCE: Through the estate of Mrs. Eakins to Babcock Galleries, 1939; to the present owners, c. 1945. Exhibitions: Rembrandt to Rivers, The Baltimore Museum of Art, October-December, 1971. N.B. While Eakins was born in Philadelphia and studied in Paris, his portrait style drew heavily upon the unflinching physicality of the Spanish and Dutch painters of the 17th century. This particular portrait is a sketch of Maybelle Schlichter, a friend of Eakins, and the wife of the referee in Eakins’ famous painting “Taking the Count.” The sketch of Maybelle, number 308 in Lloyd Goodrich’s catalog of works by Eakins, is a sketch for a larger portrait which is listed as number 307 in Goodrich’s catalog. The larger oil painting hung in a 1998 Director’s Choice exhibit at the Frye Art Museum in Seattle, Washington. Dating from around 1898, the sketch represents Eakins’ method of painting his larger works from smaller renderings. CONDITION: Cut down, mounted, with retouch. 9-27922 (15,000-25,000)

THOMAS SULLY (American, 1783-1872) PREPARING TO BATHE. Oil on canvas Housed in a gilt wood antique frame having a gilt wood artist’s and title plaque Purportedly signed with monogram & dated “1864” lower left The canvas having a “Theo. Kelley Phil.” canvas stamp. SIZE: 20″ x 17″. Overall: 22″ x 18-1/2″. PROVENANCE: In the catalog raisonne, with picture; also mentioning it is signed and dated lower left. The subject is Fannie Rundle (1806-1828), daughter of Philadelphia friend George Rundle. He used her likeness for the remainder of his life after her untimely death at the age of 22 CONDITION: Craquelure, minor touch-up, very good. 9-25487 (4,000-6,000)

GASPARD DE LATOIX (British, 1858-1918) “OMUXISTOAN SARCEE INDIAN”. Oil on canvas Unframed Signed “G. Latoix”, lower left Note: Born in England, Latoix came to New York in the mid 1880’s. Later he traveled with his wife, also an artist, to the Southwest where they painted the Pueblo Indians of New Mexico. The sitter, Omuxistoan, is also seen in different clothing in an 1891 albumen print by Calgary photographers Boorne and May, currently in the collection of the George Eastman House, Rochester, New York. A reproduction of the photos is included with the lot. Omuxsitoan was a member of the Tsuu T’ina or Sarcee, tribe of the Athapaskan or Dene Nation; This reserve adjoins the southwestern city limits of Calgary. According to legend, the Sarcee split from a northern Nation, probably the Beaver, and moved to the plains, where they have maintained close contact with the Blackfoort, Cree, and Stoney. SIZE: 15-3/8″ 13-1/16″. CONDITION: Cut down, unstretched, surface grime and scattered losses. 9-27924 (7,000-9,000)

ENOCH WOOD PERRY JR (American, 1831-1915) DANCING CHILDREN. Oil on canvas Housed in a partial gilt modern frame Signed lower left “E Wood Perry N.A.” and dated illegibly Born in Boston, Enoch Wood Perry is known for his evocative mid-century genre scenes. While these scenes appear to be classically American, Perry actually studied in Germany, France and Italy. Upon his return to the United States his travels continued, this time taking him on painting expeditions to the American West with fellow artist Albert Bierstadt. Perry was a member of the American Watercolor Society and the National Academy of Design. His paintings are included in numerous private and public collections including New York’s Metropolitan Museum of Art. SIZE: 23″ x 33″. Overall: 28″ x 38″. PROVENANCE: Inherited by descent, from the family who bought the house and contents belonging to Nathan Clifford (US Supreme Court Justice; Atty Gen. of US Ambassador to Mexico). CONDITION: Light craquelure, some touch up, very good. 9-27764 (8,000-12,000)

CHRISTIAN J. WALTER (American, 1872-1938) PEACEFUL VALLEY. Oil on canvas Housed in a molded wood gilt frame having title & artist plaque Signed lower left SIZE: 30″ x 40-1/4″ CONDITION: Very good, relined with minor inpainting 9-25592 (10,000-15,000)

EDWARD AUGUST BELL (American, 1862-1953) LONGING FOR THE ARRIVAL. Oil on wood panel Housed in a fine gilt gesso decorated Stanford White conserved frame Signed lower left “ED A Bell” SIZE: 24″ x 18″. CONDITION: Minor touch up, very good 9-25593 (7,000-9,000)

DAVID JOHNSON (American, 1827-1908) SKYROCKETS. Oil on board Housed in a period gesso decorated gilt frame Signed with monogram lower left and dated “78” Titled with presentation “To L.A. Lanthier with Compliments of the Artist” & signed by the artist “David Johnson 1878″ on verso SIZE: 10-1/2″ x 15”. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good 9-28169 (12,000-16,000)

PAUL CORNOYER (American, 1864-1923) ALONG THE GRAND CANAL – VENICE. Oil on artist board Housed in a modern gilt frame with liner Signed lower left “Paul Cornoyer” SIZE: 8″ x 10″. Overall: 16-1/4″ x 18-1/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Inpainting, very good 7-70262 (4,000-6,000)

PAUL STARRETT SAMPLE (American, 1896-1974) “CATHEDRAL ENCAMPMENT AT PALO-LAYTE”. Oil on canvas Housed in a carved & gilt frame with wear Signed lower right Paul Sample artist label on verso SIZE: 22″ x 30″ Overall: 25-1/2″ x 33-1/2″. CONDITION: Very good, relined. 9-27690 (8,000-12,000)

BENJAMIN FRANKLIN DE HAVEN (1856-1934) FOREST INTERIOR IN AUTUMN. Oil on board Ornate carved & gilt frame Signed “F. De Haven”, dated “1916”, and dedicated on verso SIZE: 12″ x 8″. Overall: 18″ x 14-1/2″. CONDITION: Good, scattered retouch and/or pigment florescence. 9-28168 (1,400-1,800)

ROBERT ATKINSON FOX (1860-1935) A LOT OF TWO PAINTINGS: MESAS THROUGH THE MIST & RUINS AND CYPRESS. Oil on canvas Unframed Mesa: unsigned. Ruins: Signed “R. Atkinson Fox”, lower right SIZE: Mesa: 30″ x 19″. Ruins: 26″ x 20″. CONDITION: Mesa: minor retouch with pigment florescence. Ruins: Scattered retouch and loss. 9-28171 (1,400-1,800)

CHARLES EDWIN LEWIS GREEN (American, 1844-1915) THE OLD MILL. Fine oil on canvas Housed in its original gesso decorated gilt frame with gilt liner Signed “CEL Green”, lower right SIZE: 10″ x 14″. Overall: 17″ x 21″. CONDITION: Minor touch-up. Very good. 9-25488 (2,500-4,000)

CHARLES WARREN EATON (American, 1857-1937) DUTCH LANDSCAPE WITH WINDMILL. Oil on canvas Housed in gilt molded wood 1920’s frame Signed “Chas Warren Eaton”, lower left SIZE: 16″ x 12″. Overall” 18-1/2″ x 14-3/4″. CONDITION: Good. 9-27226 (2,000-4,000)

CHARLES COURTNEY CURRAN (American, 1861-1942) REVERIE. Oil on canvas Housed in a contemporary gold Stanford White frame Signed “Chas C. Curran”, lower right SIZE: 14-1/2″ x 18″. Overall: 24″ x 27″. CONDITION: Lined, retouch throughout. 9-28165 (4,000-6,000)

Revised: 1/29/2013

The description is correct as stands, the estimate however should read $1,000-$2,000 and the image in the printed catalog is not correct. To see the correct image go to Lot #1156 depicting a bridge

ANTONIO PIETRO MARTINO (American, 1902-1988) DOUBLE ARCHED BRIDGE WITH TOWN. Oil on canvas Housed in a modern gilt frame with liner Signed “Antonio P. Martino”, lower right SIZE: 9″ x 15″. Overall: 12-1/2″ x 18-1/2″. CONDITION: Very good. 9-27400 (1,000-2,000)

JOHANN BERTHELSEN (American, 1883-1972) BROOKLYN BRIDGE IN SNOW STORM. Oil on artist board Housed in a modern gilt frame with liner and glass Signed lower right “Johann Berthelsen” SIZE: 16″ x 22″. Overall: 23-3/4″ x 19-3/4″. CONDITION: Very good 9-28159 (3,000-5,000)

JOHN APPLETON BROWN (American, 1844-1902) “LANDSCAPE”. Pastel Housed in its original wide gilt carved wood frame behind glass Signed lower left “J Appleton Brown” University Club of Boston Exhibition label on verso SIZE: 17″ x 21″. Overall: 27-1/4″ x 31-1/4″. CONDITION: Very good. 9-27687 (2,000-3,000)

ATTRIBUTED TO JAMES HOPE (American, 1818-1892) VIEW OF LAKE CHAMPLAIN FROM ROUSES POINT N.Y. Oil on canvas Housed in a modern gilt wood frame with some wear Unsigned SIZE: 12″ x 20″. Overall: 15-3/4″ x 24″. CONDITION: Craquelure, inpainting, good 9-27879 (2,000-5,000)

VICTOR DE GRAILLY (French/American, 1804 -1889) PANORAMIC VIEW OF WEST POINT. Oil on canvas Housed in a period carved and composition frame, with losses throughout Unsigned Period stamp of art supplier on verso SIZE: 17″ x 24″. Overall: 25″ x 32″. CONDITION: Original condition with craquelure, punctures, losses and retouch. 9-28173 (3,500-5,000)

LEVI WELLS PRENTICE (American, 1851-1935) RIVER IN LANDSCAPE. Oil on canvas Housed in a fine museum quality reproduction gilt frame Signed “L.W. Prentice 1874″ SIZE: 26-1/4″ x 48-1/4″. Overall: 34″ x 56”. CONDITION: Very good, inpainting, relined. 9-27244 (1,000-2,000)

FRANK HOUGHTON (Canadian, late 19th Century) THE PROSPEROUS FARM. Oil on canvas Housed in a magnificent period gesso decorated gilt deep frame with gilt fancy liner having minor losses Signed lower right SIZE: 26″ x 44″. Overall: 60″ x 40-1/2″. CONDITION: One small patch to reverse, some inpainting. Very good. 9-25494 (3,000-5,000)

PETER ROOS (American, 1850-1920) NIAGARA FALLS. Watercolor Housed in a 20th century gilt frame, with liner and glass Signed “P. Roos”, lower right SIZE: 19-1/2″ x 44″. Overall” 26″ x 50″. CONDITION: Very good. 9-27245 (800-1,200)

ROBERT WARD VAN BOSKERCK(AMERICAN, 1855-1932) ALONG THE RIVER. Oil on canvas Housed in a decorative gilt frame with liner, Signed “R.W. Van Boskerck”, lower right SIZE: 16-1/2″ x 24″. Overall: 22-1/4″ x 30-1/4″. CONDITION: Very good. 9-27230 (1,000-2,000)

W. BILS (American school, 20th century) LOT OF TWO NEW JERSEY SCENES: SPRING LANDSCAPE SCENE & ALONG THE RIVERBEND. Oil on board Housed in a matching black and gold frames Both signed “W. Bils”, on verso SIZE: 15″ x 10″. Overall: 15″ x 19-1/2″. CONDITION: Good, thick impasto, minor craquelure, surface grime. 9-28174-1 (2,000-3,000)

W. BILS (American school, 20th century) LOT OF TWO NEW JERSEY SCENES: “BRIDGE OVER HORSE PATH” & “PROSPECT PARK”. Oil on board Housed in matching black & gold frames Signed “W. Bils”, and identified on verso, second is signed and dated “1927” on verso SIZE: 15″ x 10″. Overall: 15″ x 19-1/2″. CONDITION: Good, thick impasto, minor craquelure, surface grime. 9-28174 (2,000-3,000)

W. BILS (American school, 20th century) LOT OF THREE NEW JERSEY LANDSCAPE SCENES. Oil on board Housed in matching contemporary black & gold frames Two of the three are identified on verso SIZE: 15″ x 10″. Overall: 15″ x 19-1/2″. CONDITION: Good, thick impasto, minor craquelure, surface grime. One with board loss, lower left. 9-28175 (2,250-2,750)

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) “THE ROAD TO ART- THE AWAKENING”. Oil on artist board Housed in a period painted wood frame, with wear and losses Signed “1945 Burliuk”, lower left Inscribed with title in pencil on verso SIZE: 14″ x 10″. Overall: 20-3/4″ x 16-3/4″. PROVENANCE: Private New England collection, acquired in 1945. CONDITION: Surface dirt. 9-27923 (8,000-12,000)

LEE GATCH, JR. (American 1902-1968) “THE CHILDREN’S TAPESTRY”. Mixed media, linen and oil on wood abstract scene shows a figure, a rooster, a jumping deer, a yellow half moon, orange and blue sun and other shapes. Signed lower right “Gatch/63″. On reverse is the original artist title. Also a clipped title from an exhibition. Housed in a gilt edge simple frame with black lining. Born near Baltimore, Gatch studied at the Maryland Institute of Fontainebleau and Academic Modern in Paris. Gatch’s teachers included John Sloan, Moise Kisling and Andrew Lhote. While in Paris he was influenced by Vuillard and Bonnard, his mature style is identifiably a vey American interpretation of Post-Impressionism, Cubism and Surrealism SIZE: 16″ x 22”. CONDITION: Very good. 9-26624 (2,500-3,000)

WILLIAM CHARLES PALMER (American, 1906-1987) “FISH STORY”. Oil on canvas Housed in a gilt decorated frame Frame with an Encyclopedia Brittanica Collection of American Painting label on verso Unsigned SIZE: 30-1/4″ x 36-1/4″. Overall: 39-3/4″ x 45-3/4″. CONDITION: Relined, some inpainting, very good. 9-27243 (2,000-4,000)

CHAIM GROSS (American, 1904-1991) FOUR WORKS: FIGURES AND LANDSCAPES. Two watercolors & two pen and ink Identically housed in simple silver wood frame with mats and glass (mattes as is) Watercolor signed “Chaim Gross”, lower right. Drawings signed “Chaim”, lower left SIZE: Watercolors: 5″ x 7″. Drawings: 4-3/4″ x 7-3/4″. CONDITION: Light foxing and toned, not examined out of frame 9-27235 (800-1,600)

EZIO MARTINELLI (American, 1913-1980) TWO ABSTRACT WORKS. Oil on canvas Unframed One unsigned; one signed “E. Martinelli 46″, lower right Ezio Martinelli studied at the Academy of Fine Arts in Bologna, Italy and at the National Academy of Design in New York from 1932-1936. Stylistically, Martinelli was part of the first generation of “New York School” abstract artists. Not unlike his contemporaries, including Willem DeKooning and Jackson Pollack, Martinelli was greatly influenced by the artistic and psychological theories currently in vogue. Surrealism, mythology, and the working of the subconscious were incorporated into a style that while being dynamic was clearly grounded in an ordered composition. SIZE: 50″ x 36″. Overall: 48″ x 36”. CONDITION: Very good. 9-27238 (600-1,000)

PRATT (American, Mid 20th Century) THE RED MOON. Oil on board Housed in a modern, metal frame Signed “Pratt”, lower right SIZE: 28″ x 23-1/2″. Overall: 29-1/4″ x 25-1/2″. CONDITION: Some roughness to frame edges, some inpainting, some top layer chips at left corners. 9-24330 (500-800)

LOUIS MICHEL EILHEMIUS (American, 1864-1941) MOONLIGHT- FIGURE IN BOAT. Oil on artist board Unframed Signed “Eilshemius”, lower left SIZE: 20-3/4″ x 40-1/2″. CONDITION: Very good. 9-27254 (500-1,000)

LOWELL BLAIR NESBIT (American, 1933-1993) VEGETABLE DYPTYCH -I -79. Oil on canvas Unframed Signed on verso with title Note: A large black and white photograph from 1981 showing Polly in front of paintings accompanies lot. SIZE: 75″ x 100″ ea. Total: 75″ x 200″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. Purchased directly from the artist. CONDITION: Very good. 7-70155 (15,000-20,000)

JOSEPH WOLINS (American, 1915-1999) TWO WORKS: “INDUSTRIAL NIGHT” AND “KING DAVID AND THE CONCUBINES”. Oil on masonite Housed in painted molded wood frames 1) Signed lower right “Wolins 1951” 2) Signed lower left “Wolins” SIZE: 1) 12″ x 16″. Overall: 19-3/4″ x 23-3/4″. 2) 16″ x 20″. Overall: 24-1/2″ x 28-1/2″. CONDITION: Very good 9-27253 (800-1,200)

JOHN WENGER (American, 1887-1976) TWO WORKS: CITY VIEWS. Oil on board Housed in identical gilt modern frames Signed lower right “Wenger” and “John Wenger” SIZE: Both: 16″ x 20″. Overall: 20-1/2″ x 24-1/2″. CONDITION: Very good 9-27252 (800-1,200)

JENNE MAGAFAN (American, 1916-1952) TWO WORKS: “THE BROKEN WINDOW” AND “BARN WITH POSTER”. Oil on masonite 1) Housed in a modern gilt frame with liner 2) Housed in a wood frame with liner Both signed lower right “Jenne Magafan” Both titled on verso SIZE: 1) 11-1/2″ x 8-1/2″ Overall: 17″ x 14″. 2) 9″ x 13-1/2″ Overall: 16″ x 20″. CONDITION: Very good 9-27237 (1,200-1,800)

SIGNED (American School, 20th century) A BOSTON SCHOOL STYLE PORTRAIT OF A YOUNG GIRL. Oil on canvas Housed in a Stanford White style gold frame Illegibly signed, lower left SIZE: 25″ x 18-1/2″. Overall: 33″ x 26-1/2″. CONDITION: Good, very minor retouch. 9-28177 (1,750-2,250)

SIGNED ILLEGIBLY (American, 19th/20th Century) PORTRAIT OF A GIRL WITH HER DOG. Oil on canvas Housed in its original wide gilt frame with damage Signed upper left illegibly SIZE: 34″ x 26″. Overall: 45-1/2″ x 37-1/2″. CONDITION: Surface dirt, good 7-73184 (400-600)

LOUIS RITMAN (American, 1889-1963) WOMAN WITH VEIL IN RED. Oil on board Housed in a modern gilt wood frame Signed lower right “L. Ritman” SIZE: Sight: 23″ x 17-1/2″. Overall: 25-3/4″ x 20-1/4″. CONDITION: Very good 9-27926 (2,000-2,500)

LOUIS KRONBERG (American, 1872-1965) BALLERINA IN BLUE. Oil on board Housed in a mid 20th Century painted wood frame Signed “L.K.” lower right SIZE: 20″ x 14-3/4″. Overall: 23″ x 18″. CONDITION: Very good 9-27845 (2,000-4,000)

LAURA COOMBS HILLS (American, 1859-1952) TULIP STILL LIFE. Pastel Housed in a fine modern gilt frame with liner behind glass with some gold losses Signed lower right “Laura Hills” SIZE: Sight: 28″ x 22″. Overall: 36″ x 31″. CONDITION: Very good 7-70194 (8,000-12,000)

AUBREY DALE GREER (American, 1904-1998) STILL LIFE OF PINK & WHITE FLOWERS. Oil on canvas Housed in a gesso decorated gilt frame with liner with corner losses Signed upper left “A D Greer” SIZE: 20″ x 24″. Overall: 27-1/4″ x 31-1/4″. CONDITION: Craquelure, very good. 9-27689 (2,000-3,000)

AUBREY DALE GREER (American, 1904-1998) ORIENTALIST STILL LIFE WITH FLOWERS. Oil on canvas Housed in a partial gilt carved wood frame with linen and matching liner Signed upper right “A D Greer” SIZE: 20″ x 16″. Overall: 27-1/4″ x 23-1/4″ CONDITION: Very good 9-27570 (800-1,200)

MINNA WALKER SMITH (American, 1883-1960) STILL LIFE OF ROSES. Watercolor on paper Housed in its original painted & gilt carved wood frame with glass Signed lower right “M Walker Smith” SIZE: Sight: 19-1/2″ x 15-1/2″. Overall: 25-1/2″ x 21-1/2″. PROVENANCE: Inherited by descent, from the family who bought the house and contents belonging to Nathan Clifford (US Supreme Court Justice; Atty Gen. of US Ambassador to Mexico). CONDITION: Very good. 9-27765 (400-800)

STANLEY GRANT MIDDLETON (American, 1852-1942) STILL LIFE WITH ORIENTAL VASE. Oil on canvas Housed in a copper type gilt fancy frame Signed lower left SIZE: 24″ x 20″. CONDITION: Very good 9-22804 (1,000-2,000)

FREDERICK M. FENETTY (Italian/American, 1854-1915) CANTON BOWL WITH PANSIES. Oil on canvas Housed in a re-gilt original wood frame with liner Signed lower right “F Fenetti” SIZE: 16″ x 30″. Overall: 23-1/2″ x 37-1/2″. CONDITION: Very good with some inpainting. 9-27742 (2,000-3,000)

MAURICE BRAUN (American, 1877-1941) ROLLING HILLS, CALIFORNIA. Oil on canvas Housed in a period frame, regilded Singed “Maurice Braun”, lower left SIZE: 20″ x 24″. Overall: 27″ x 31″. CONDITION: Good, lined, repaired tear, and scattered retouch 9-27846 (8,000-12,000)

MARION KAVANAUGH WACHTEL (American, 1870-1954) CALIFORNIA THROUGH THE TREES. Oil on canvas board Housed in a contemporary gold frame Signed “Marion Kavanagh Wachtel”, lower right SIZE: 13-1/2″ x 17-1/2″. Overall: 20″ x 24″. CONDITION: Very good to excellent 9-28388 (5,000-8,000)

MARTIN JACOB JACKSON (American, 1871-1955) “THE PATIO”/A SOUTHERN CALIFORNIA SCENE. Oil on board Housed in a period gold oak frame Signed “M.J. Jackson” Identified on verso, including exhibition label from the Oakland Art Gallery, Oakland, California SIZE: 11-1/2″ x 15″. Overall: 15″ x 19″. CONDITION: Very good, scattered craquelure. 9-27684 (1,500-2,500)

EVERETT LONGLEY WARNER (American, 1877-1963) WESTERN MOUNTAIN LANDSCAPE. Oil on artist board Housed in a period carved wood frame Signed lower left “Everett Warner” SIZE: 12-1/2″ x 16″. Overall: 13-3/4″ x 17-1/4″. CONDITION: Inpainting with restoration, good 9-27685 (2,000-3,000)

WALTER KOENIGER (American, 1881-1943) WINTER LANDSCAPE WITH COLORFUL MOUNTAINS. Oil on artist board Housed in a fine modern gilt frame with liner Signed lower right “W Koeniger” SIZE: 14″ x 18″. Overall: 19″ x 23″. CONDITION: Very good 7-70283 (1,500-2,500)

WALTER KOENIGER (American, 1881-1943) RIVER MARSH IN THE EVENING LIGHT. Oil on artist board Housed in a modern gilt frame with liner having edge losses Signed lower right “W Koeniger” SIZE: 14″ x 18″. Overall: 19″ x 23″. CONDITION: Some minor touch up, very good 7-70284 (1,500-2,500)

LEONARD C. LANE (American/Canada, 1910-1978) “CRYSTAL SEA”. Oil on canvas Housed in a modern fancy gilt pierced frame Signed lower left “Leonard C Lane” SIZE: 20″ x 26″. Overall: 27-1/4″ x 33-1/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70260 (1,200-1,800)

LEONARD C. LANE (American, Canada, 1910-1978) AFTER RAIN. Oil on canvas Housed in a modern gilt frame with wide liner Signed lower left “Leonard C Lane” SIZE: 20″ x 26″. Overall: 28-3/4″ x 34-3/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70261 (1,200-1,800)

MARY LOUISE FAIRCHILD (LOW) (American, 1858-1946) AUTUMN COLORS WITH ROAD & WATER. Oil on canvas Housed in a modern gilt carved wood frame Signed lower right “Mary Fairchild Low” SIZE: 18″ x 12″. Overall: 25-1/2″ x 19-1/2″. CONDITION: Very good 9-27929 (2,000-3,000)

F. O. WILLIAMS (American, 19th/20th Century) BARN WITH TREES AND FIELDS. Oil on canvas Housed in a period gilt frame with liner Signed lower right “F.O. Williams” SIZE: 12-1/2″ x 18-1/2″. Overall: 18″ x 24″. CONDITION: Relined with some restoration 9-27256 (400-600)

JAN MATUKLA (American/Czech 1890-1972) TWO SIDED WORK: HOUSES AND TELEPHONE POLES & SAILBOAT IN LANDSCAPE. Gouache watercolor and pencil; The back side black crayon drawing Housed in a good gilt modern frame with linen and gilt liner, back having glass with matte to view painting Signed lower left Accompanying the lot is a handwritten receipt from Robert Simpson of St. Davids, Pennsylvania to the Reverend Beatrice Blair SIZE: Sight: 14-1/2″ x 21-1/4″. CONDITION: Very good 9-26626 (2,000-2,500)

RICHARD EDWARD “EMIL” MILLER (American/French, 1875-1943) LOOKING THROUGH THE POPLARS. Oil on wood panel Housed in a ribbed gilt frame with wide double gilt liner Signed lower right “Miller” Inscribed on reverse in pencil to “Mr. Phil Fonk” and “Miller”. Also, “Easter Sunday, April 23, 1916″ SIZE: 10″ x 11”. CONDITION: Very good 9-24745 (3,000-4,000)

ARTHUR VIDAL DIEHL (American, 1870-1929) SUMMER IN PROVINCETOWN. Oil on artist’s board Housed in a period gold frame Signed “Arthur V. Diehl”, lower right SIZE: 12″ x 8″. Overall: 15″ x 10-1/2″. CONDITION: Very good, surface grime. 9-28196 (1,500-2,500)

RACHEL V. HARTLEY (American, 1884-1955) UNDER THE PALMS/A TROPICAL BEACH SCENE. Oil on canvas board Housed in a contemporary gold carved frame Signed “Rachel Hartley”, lower right SIZE: 19″ x 15″. Overall: 27″ x 23″. CONDITION: Good, minor retouch to rabbet edge. 9-28164 (1,200-1,800)

HARRY HERMAN ROSELAND (American, 1866-1950) PORTRAIT OF A SOUTHERN BELLE. Oil on canvas Housed in a period frame Signed “Harry Roseland”, lower right Fragmentary period label from Marshall Field & Company on verso SIZE: 16″ x 12″. Overall 21″ x 17″. CONDITION: Good, losses to lower rabbet edge, scattered retouch. 9-28194 (500-700)

SUSAN MILLER CHASE (American, 20th century) UNDER THE BEACH UMBRELLA. Oil on artist’s board Housed in a contemporary period style frame Signed “Susan Miller Chase”, lower right Stamped with artist’s inventory information on verso SIZE: 8″ x 10″. Overall: 16″ x 17-1/2″. CONDITION: Very good. 9-27556 (1,200-1,800)

GABRIEL SPAT (American, 1890-1967) BEACH SCENE. Oil on canvas Housed in gold period frame Signed “Spat”, lower right, possible estate stamped SIZE: 18″ x 34″. Overall: 22″ x 37″. CONDITION: Very good. 9-27854 (3,000-5,000)

GABRIEL SPAT (American, 1890-1967) “LA PLAGE A ONIVAL”. Oil on artist’s board Housed in period frame Signed “Gabriel Spat”, lower left Identified on plaque and on labels, including Janet Fleisher Gallery, on verso SIZE: 7-1/2″ x 10-1/2″. Overall: 13″ x 15-1/2″. CONDITION: Very good, surface grime. 9-27433 (1,500-2,500)

GABRIEL SPAT (American, 1890-1967) “ST. JEAN DE LUZ”. Oil on artist’s board Housed in period frame Signed “Gabriel Spat”, lower left Identified on Janet Fleisher The Little Gallery label stamped on verso SIZE: 9″ x 14″. Overall: 12″ x 17-1/4″. CONDITION: Very good, surface grime. 9-27434 (1,000-1,500)

HARRISON CADY (American, 1877-1970) ON THE ROAD IN ITALY. Watercolor on paper Housed in contemporary gold frame Signed “Harrison Cady”, lower left Identified on catalog entry affixed to verso SIZE: 18″ x 23″. Overall: 28-1/2″ x 33″. CONDITION: Very good, not examined out of frame. 9-27847 (2,000-4,000)

ATTRIBUTED TO WILLIAM LAMB PICKNELL (American, 1853-1897) “LE DE VIEL, MORET”. Watercolor on paper Housed in a 1930’s frame with mat behind glass with some wear Unsigned, inscribed with title, lower right SIZE: 19-1/4″ x 14″. Overall: 27″ x 21″. CONDITION: Good. 7-70117 (3,000-5,000)

FREDERICK GARRISON HALL (American, 1879-1946) “STILL LIFE- NORSE FISHERMAN”. Oil on canvas Housed in a 1927 Thulin signed, carved, and partially gilt frame, with some wear Signed “Hall”, lower right The frame, having seven labels on verso, including “Third Annual National Exhibition of American Art, 1938, New York City”; “The Pennsylvania Academy of the Fine Arts 129th Annual Exhibition 1934”; “National Academy of design”; “Museum of Fine Arts, Boston”; “The Guild of Boston Artists”; and “Museum of Fine Arts Special Loan Edition of Works of Frederick G. Hall.” SIZE: 30″ x 25″. Overall: 38-1/2″ x 33-1/2″. CONDITION: Very good. 7-70192 (400-600)

EDWARD DUFNER (American, 1872-1957) “SPRINGTIME TAORMINA-SICILY”. Oil on artist’s board Unframed Signed “E. Dufner”, lower left Identified on verso and on period label SIZE: 8-1/2″ x 9-1/4″. CONDITION: In original condition, surface grime. 9-27849 (1,500-2,500)

E.L. KINLOCH (American/European, 19th Century) ROMAN TRAGEDY. Oil on canvas Housed in a gilt gesso decorated frame, with some restoration Signed “E.L. Kinloch”, lower left SIZE: 30″ x 60″. Overall: 35″ x 64-1/2″. CONDITION: Some inpainting, very good. 9-25493 (1,500-2,500)

BRYANT CHAPIN (1859-1927) SPILLED STRAWBERRIES. Oil on canvas Housed in a period gilt molded oak frame with wear Signed lower left “Bryant Chapin 1909″ SIZE: 13″ x 17″. Overall: 17-3/4″ x 21-3/4”. CONDITION: Craquelure, very good 9-27688 (3,000-4,000)

CARDUCIUS PLANTAGENET REAM (American, 1837-1917) PLUMS. Oil on canvas Housed in a period gilt gesso decorated frame Signed lower right “C P Ream” SIZE: 14″ x 20″. Overall: 21″ x 27″. CONDITION: Minor touch up, very good 9-27738 (2,000-3,000)

AUGUST LAUX (American, 1847-1921) STILL LIFE WITH RASPBERRIES. Oil on canvas Housed under glass in period carved wood and composite frame, with losses Signed “A. Laux”, lower right SIZE: 10″ x 14″. Overall: 18″ x 20-1/2″. CONDITION: Very good. 9-28121 (1,500-2,000)

P. KEARNEY (American, 19th century) OPULENT STILL LIFE WITH SUMMER FRUITS. Oil on canvas Housed in a period gold frame Signed “Kearney”, center lower right SIZE: 27″ x 22″. Overall: 38″ x 33″. CONDITION: Very good, repaired punctures to verso, minor scattered retouch. 9-28181 (3,500-5,000)

P. ZEIGLER (American School, 19th century) STILL LIFE WITH PEACH. Oil on board Housed in modern gold frame Signed “P. Zeigler”, lower center SIZE: 6-3/4″ x 8″. Overall: 9-1/2″ x 11″. CONDITION: Good. 9-27561 (300-500)

RAOUL MAUCHERAT DE LONGPRE (French, 1855-1911) STILL LIFE WITH PINK ROSES AND WHITE LILAC. Mixed media including watercolor and gouache on paper Housed in a period gold painted frame Signed “Raoul M. de Longpre fils”, lower right SIZE: 26″ x 19″. Overall: 37″ x 29-3/4″. CONDITION: Good, not examined out of frame. 9-28167 (4,000-6,000)

RAOUL MAUCHERAT DE LONGPRE (French, 1855-1911) STILL LIFE OF PINK ROSES & WHITE LILACS. Gouache on board Housed in a gesso decorated gilt period frame with glass Signed center bottom “R M De Longpre. Fils” SIZE: Sight: 23-1/2″ x 19-1/2″. Overall: 28-1/2″ x 24-1/2″. CONDITION: Very good 9-27733 (2,000-3,000)

VICTOR GABRIEL GILBERT (French, 1847-1933) PARISIAN STREET SCENE WITH FLOWER VENDOR. Oil on board Housed in contemporary frame Signed “Victor Gilbert”, lower left Period inventory label affixed to reverse Victor Gilbert was born in Paris in 1847. While the artist was primarily self-taught, and only later in life received formal training, in both form and subject Gilbert speaks to the height of the Belle Epoque style. Widely collected during his life, Gilbert was known for his atmospheric Parisian scenes populated with haggling fruit vendors, demure flower sellers and elegant Parisians beautifully turned out in the most current fashion of the day. As seen in the above painting, Gilbert’s scenes are at one time gossamer plein air compositions very purposefully grounded in exacting detail. SIZE: 15″ x 18″. Overall: 17-1/2″ x 20-3/4″. CONDITION: Very good. 9-27722 (8,000-12,000)

CLAUDE VENARD (French, 1913-1999) “SAUVETAGE”. Oil on canvas Housed in contemporary gold and black frame Signed “C. Venard”, lower right Identified on Kodner Gallery label on verso Claude was a well known and aggressively collected French Mid-20th Century post-Cubist artist. His international reputation was promoted by numerous solo exhibitions in New York, Paris, London, Geneva, Tokyo & Buenos Aires. Included in both public and private collection, Venard’s paintings can be seen in London’s Tate Gallery and the Metropolitan Museum in New York among others SIZE: 20″ x 26″. Overall: 29″ x 35″. CONDITION: Very good, very minor scattered retouch. 9-27848 (4,000-6,000)

FRANCOIS GALL (French, 1912-1987) STREET SCENE/MONTMARTRE. Oil on canvas Housed in a reproduction Louis XIII style frame Signed “F. Gall”, and identified “Paris”, lower right SIZE: 16″ x 12″. Overall: 23″ x 9″. CONDITION: Good. 9-28197 (2,500-3,500)

ALFRED GUILLOU (France, 1844-1926) FISHING IN THE INLET. Oil on canvas Housed in an ornate period gold frame, with losses Signed “Alfred Guillou”, lower left, and an indistinct inscription, lower right Paris art supplier’s stamp on verso SIZE: 22-1/2″ x 19″. Overall: 31″ x 26″. CONDITION: Scattered retouch 9-28122 (1,500-2,000)

CHARLES FRANCOIS DAUBIGNY (French, 1817-1878) BARBIZON LANDSCAPE SCENE. Oil on canvas Housed in an ornate gold period frame Signed “Daubigny”, lower left SIZE: 14″ x 8″. Overall: 22-1/2″ x 16-1/2″. CONDITION: Craquelure and surface grime. 9-28172 (2,800-3,200)

BARBIZON SCHOOL (French, 19th/20th Century) “JOU DE FETE PONTRIEUX”. Oil on canvas laid on board Housed in gilt molded wood replacement frame SIZE: 26-1/2″ x 48″. CONDITION: Very good 9-25452 (3,500-4,500)

NARCISSE-VIRGIL DIAZ DE LA PENA (French 1807-1876) MOTHER AND CHILD. Oil on wood panel Housed in a magnificent, possibly original, pierce decorated fancy frame with gilt liner and glass having only minor losses Signed lower left “N.Diaz” SIZE: 15″ x 11-3/4″. Overall: 25-1/4″ x 22-1/2″. CONDITION: Light craquelure, very good, minor touch-up. 9-25870 (6,000-9,000)

JOHAN BARTHOLD JONGKIND (Netherlands/French, 1819-1891) SUNSET OVER THE CANAL. Oil on canvas Housed in an outstanding gesso decorated gilt period frame with gilt liner Signed center bottom “Jongkind 73?” SIZE: 18″ x 21-3/4″. Overall: 31-1/2″ x 35″. CONDITION: Very good. 9-25486 (15,000-20,000)

ANDRE BOURRIE (French 1936-) “FONTFROIDE”. Large oil on canvas Housed in a large gilt gesso decorated frame, with liner Signed “A. Bourrie”, lower right, titled on reverse SIZE: 58″ x 45″. Overall: 66″ x 53″. CONDITION: Very good. 9-26573 (1,000-1,500)

PAUL E. HARNEY JR. (American, 1850-1915) WOMAN AT THE WELL. Oil on canvas Housed in a regilt antique gesso decorated frame Signed lower left “Paul E Harney 1889″ Kamp Gallery labels on verso SIZE: 12″ x 18″. Overall: 17-1/2″ x 23-1/4”. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70264 (1,200-1,800)

GEORGES CHARLES ROBIN (French,1873-1943) WINTER LANDSCAPE WITH MILL, BOAT, & FIGURES. Oil on canvas Housed in a decorated French style frame with liner Signed lower right “Georges Robin” SIZE: 22″ x 18″. Overall: 29″ x 25-1/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70263 (1,200-1,800)

CHARLES DESIRE HUE (French, 1825-1883) AN INTRODUCTION AT COURT. Oil on canvas Housed in a gold liner Signed “Charles Hue” and dated “1874”, lower right SIZE: 25″ x 40″. Overall: 27″ x 42″. PROVENANCE: Private New England collection. CONDITION: Good, original condition with surface grime. 9-28391 (3,000-5,000)

HORST HOBI BILLSTEIN (French, 1939-1998) “CHINOISERIES”. Oil on canvas Original wood frame with liner Signed lower right “Hobi” SIZE: 24″ x 19-3/4″. Overall: 28″ x 23-1/2″. CONDITION: Very good 9-27928 (1,500-2,500)

EDOUARD LEON LOUIS EDY-LEGRAND (French, 1982-1970) ALGERIAN WOMAN. Watercolor on paper Housed in 20th century frame Signed “Edy-Lagrand”, inscribed “alger” and dated “1924”, lower right Identified on plaque affixed to framed SIZE: 18″ x 13″. Overall: 25-1/4″ x 20-1/4″. CONDITION: Very good, not examined out of frame. 9-27406 (20,000-30,000)

JEAN JACQUES HENNER (French, 1829-1905) RECLINING NUDE IN LANDSCAPE. Oil on canvas Housed in a gilt French style frame Signed “J.J. Henner”, bottom left SIZE: 12-1/2″ x 18-1/4″. Overall: 19-1/4″ x 25″. CONDITION: Relined, inpainting, uneven varnish layer, good. 9-27259 (3,000-5,000)

JEAN JACQUES HENNER (French, 1829-1905) GIRL IN BLUE. Oil on board Housed in an antique gesso frame, with losses Signed “Henner”, upper right Several Paris labels on verso SIZE: 11-1/4″ x 7-1/2″. Overall: 23-1/2″ x 20″. CONDITION: Very good. 9-27262 (3,000-5,000)

JEAN JACQUES HENNER (French, 1829-1905) PORTRAIT OF A GIRL WITH BLUE HEAD SCARF. Oil on canvas Housed in a 20th century gilt frame, with liner and name plaque Signed “J.J. Henner”, center left SIZE: 21-1/4″ x 16″. Overall: 29″ x 24″. CONDITION: Relined, inpainting, light scratches to edges, otherwise very good. 9-27258 (2,000-3,000)

JEAN JACQUES HENNER (French, 1829-1905) RED HAIRED GIRL READING. Oil on board Housed in period frame Signed “J.J. Henner”, upper right SIZE: 7-1/2″ x 5-1/2″. Overall: 9-1/2″ x 6-1/2″. CONDITION: Very good. 9-27260 (1,500-2,500)

ALDO LUONGO (Argentinian 20th/21st Century) GOUCHO. Oil on masonite Housed in a contemporary carved & gilt wood frame Signed lower left “Aldo” SIZE: 27-1/2″ x 19-3/4″ Overall: 31-3/4″ x 23-3/4″. CONDITION: Very good 9-27853 (2,000-4,000)

J SULTAN ALI (Indian, 1920-1990) “MURIA MYTH”. Oil on canvas Housed in a simple wood frame Signed lower left and dated “1967” Also signed on reverse with title and date SIZE: 33″ x 36″. CONDITION: Very good 7-72630 (25,000-30,000)

BIREN DE (Indian, 1926-2011) THE MUSICIAN-1. Oil on canvas Housed in a period wood and gold frame Signed “Birend De” and dated “57”, upper left Identified on verso SIZE: 30″ x 21-3/4″. Overall: 34-1/2″ x 26″. CONDITION: Good, minor flaking and craquelure. 7-73458 (4,500-5,500)

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT. This lot consists of twelve past Julia auction firearm catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the 15% buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good. 8-87112 (300-400)

JATIN DAS (India, 1941- ) “FIGURE IN ORANGE LINE”. Oil on canvas Housed in a simple wood frame Signed lower left and dated “70” Title, dated, signed with address “N. Delhi-13 India” SIZE: 52″ x 40″. CONDITION: There is a 3″ x 19″ canvas patch to reverse. The front showing a stitched repair through the central green area. Under blacklight it does not show inpainting. This may be original to the painting 7-72631 (3,000-5,000)

JATIN DAS (Indian, 1941-) NUDE. Line drawing Housed in a modern metal frame Pencil signed and dated “73” Also with presentation inscription and with what appears to be “Artishi Print 1967″ in pencil SIZE: Sight: 34-1/2″ x 22”. CONDITION: Very good, some light wrinkling, tight 2″ tear in top margin 7-72632 (800-1,200)

VIJAY SHINDE (Indian, 20th century) TWO WORKS: ABSTRACTS. 1) Oil on canvas Unframed Signed upper left and dated 94 & signed on reverse of canvas and dated 93-94 2) Oil on canvas Unframed Signed upper left and dated 94 & signed and dated on reverse SIZE: 1) 32-2/3″ x 24″. 2) 33″ x 24″. CONDITION: Very good 9-26488, 9-26490 (1,000-2,000)

G.D. PAULRAJ (India 1914-1979) WASHING AT THE RIVER. Watercolor Housed in a partial gilt wood frame with double matte and glass, frame having a “Newcomb-Macklin Co. label Signed lower left SIZE: Sight: 14-1/4″ x 18-3/4” CONDITION: Very good 9-25724 (200-400)

ATTRIBUTED TO SIDNEY RICHARD PERCY (British 1821-1886) CASTLE RUINS IN LANDSCAPE. Oil on canvas Housed in a magnificent gesso decorated gilt frame with gilt liner Unsigned SIZE: 25″ x 33″. CONDITION: Restretched on slightly smaller stretcher, inpainting, very good 9-26638 (2,000-4,000)

PATRICK HENNESSY (Irish, 1915-1980) STILL LIFE WITH BROCADE AND APPLES. Oil on canvas Housed in period frame Signed “Hennessy”, lower right Fragmentary label fixed on verso Widely considered one of Ireland’s finest realist painters, Hennessey was born in Cork and raised and initially trained (on Scholarships at the Dundee College of Art) in Scotland. Other scholarships allowed his to study in Paris and Rome as well. His work was exhibited at the Royal Scottish Academy and was extensively featured in exhibitions at the Royal Hibernian Academy. His paintings are included in numerous public and private collections including the Irish Museum of Modern Art in Dublin. SIZE: 32″ x 23″. Overall: 43″ x 35″. CONDITION: Very good. 9-27568 (4,000-6,000)

PATRICK HENNESSY (Irish, 1915-1980) “ROSE AND BUTTERFLY”. Oil on canvas board Housed in original frame and liner Signed “Hennessy”, lower left Identified on Guildhall Galleries Limited Chicago, on verso Widely considered one of Ireland’s finest realist painters, Hennessey was born in Cork and raised and initially trained (on Scholarships at the Dundee College of Art) in Scotland. Other scholarships allowed his to study in Paris and Rome as well. His work was exhibited at the Royal Scottish Academy and was extensively featured in exhibitions at the Royal Hibernian Academy. His paintings are included in numerous public and private collections including the Irish Museum of Modern Art in Dublin. SIZE: 9-1/2″ x 6-1/2″. Overall 12″ x 8-1/2″. CONDITION: Very good. 9-27569 (800-1,200)

ATTRIBUTED TO WILLIAM WATSON (United Kingdom, 1831 -1921) HIGHLAND CATTLE. Oil on canvas Housed in a period gesso decorated gilt frame with plaque Signed “W.R. Watson”, lower right SIZE: 24″ x 36″. Overall: 30-3/4″ x 42-3/4″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Craquelure, very good. 7-70171 (2,000-3,000)

JAMES HAY DAVIES (British 1844-1930) MEETING OUTSIDE THE GATE. Oil on canvas Housed in a fine re-gilt gesso decorated period frame with gilt liner Signed lower left SIZE: 25-1/2″ x 28-1/4″. CONDITION: Relined, scattered inpainting, very good 9-26641 (1,000-1,500)

RONALD SEARLE (British, 1920-2011) A LOT OF FOUR WORKS ON PAPER: THREE ILLUSTRATIONS & ONE CARICATURE. Graphite and ink on paper Unframed Three signed “Ronald Searle” lower left and dated “1945”, lower right, the Caricature signed “Ronald Searle 1944″, lower right Illustrations titled in margin SIZE: Illustrations: 8-1/2″ x 7″. Caricature: 4″ x 3”. PROVENANCE: Through the family of Ron Wait. Note: Searle & Wait were in a prisoner of war camp in Singapore. In copies of correspondence which accompanies lot, Searle discusses their relationship. CONDITION: Damage and loss to margins, time toning. 9-27395 (1,000-1,500)

CHARLES STANFIELD (United Kingdom, 19th/20th Century) MOUNTAINS WITH CASCADING RIVER. Oil on canvas Antique gilt frame with wear & losses Signed lower right “C. Stanfield” SIZE: 24″ x 16″. Overall: 27-3/4″ x 19-1/2″. CONDITION: Craquelure, some inpainting, otherwise good 7-70271 (600-800)

AFTER JOHN FREDERICK HERRING, JR. (United Kingdom, 1815 -1907) LANDSCAPE WITH FARM AND LIVESTOCK. Oil on canvas Housed in a fine reproduction gesso decorated gilt frame Unsigned SIZE: 30″ x 44-1/2″. Overall: 35-1/2″ x 50″. CONDITION: Very good, inpainting, relined. 9-27236 (500-1,000)

JACOB EPSTEIN (Israel, 1921-2003) BARBARA. Bronze Mounted on a swivel top wood stand Unsigned Born on New York City’s Lower East Side, Jacob Epstein moved to London and became a British citizen in 1907. Epstein first studied at the Art Students League and later in Paris at the Academie Julien and the Ecole des Beaux-Arts with Rodin. During this period he became friends with artists including Modigliani, Picasso and Brancusi, and in 1913 became a founding member of the London Group of Artists; in that year as well, he exhibited at the history making Armory Show in New York City. Arguably one of the most important sculptors of the 20th century Epstein’s highly expressive style was often seen as controversial-not unlike that of his teacher, Rodin. Intrigued by the physical idiosyncrasies of both the man on the street as well as world leaders and luminaries, Epstein sculpted many of the major figures of the 20th century including Albert Einstein, Winston Churchill, Nehru and George Bernard Shaw. The subject of several books and creator of numerous public art commissions throughout Europe and the United Kingdom, Epstein was granted knighthood in 1950, five years before his death. SIZE: Bronze: 21″ h. Overall: 61″ h. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. Purchased by Polly in 1962 at a Los Angeles art gallery that was handling the artist’s works. CONDITION: Very good 7-70154 (15,000-20,000)

HENRY LINDER (American 1854-1910) BOY AND GIRL ANDIRONS. Important art nouveau style bronze andirons Signed on reverse “H.L.” Both marked “Roman Bronze Works N.Y.” SIZE: Andirons: 25″ h. – 8″ square bases – Dogs: 25″ l. CONDITION: Fabulous patina, very good 9-25711 (4,000-6,000)

CHARLES SYKES (American/British, 1875-1950) SPIRIT OF ECSTASY. Bronze sculpture, later casting Mounted to a double green marble disc Inscribed on base “Charles Sykes No. 28″ SIZE: Bronze: 20-1/2″ h. Total: 22-1/4” h CONDITION: Very good 9-27567 (3,000-5,000)

UNSIGNED (Probably 19th/20th Century) BUST OF A MILITARY OFFICE, POSSIBLY ADMIRAL HORATIO NELSON. Bronze Hollow cast which slips on a base of slate & wood SIZE: Bronze: 8-3/4″ h. Total: 16-3/4″. PROVENANCE: From a Montclair, NJ home CONDITION: Very good 9-28251 (800-1,200)

VICTOR JOSEPH JEAN AMBROISE SEGOFFIN (French, 1867-1925) BUST OF A WOMAN. Marble Signed on back of shoulder SIZE: 22″ h x 14″ w. PROVENANCE: From a Montclair, NJ home CONDITION: Surface dirt, very good 9-28266 (700-900)

UNSIGNED (Italian, 19th/20th Century) THE SPINARIO. Marble After a Greek bronze SIZE: 15-1/4″ h PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Nice patina, some rubs, minor dings to base rim, very good 7-70160 (500-700)

H.R. ANEZ (Late 19th Century) “MANDRIL”. Bronze Inscribed on neck with what appears to read “Mandril April 95 H.R. Anez PrS” SIZE: 21″ h. x 15″ at widest. CONDITION: Very good 9-25712 (3,200-3,600)

UNSIGNED (Possibly Greek or Roman, Unknown Age) DOUBLE HEAD. Marble SIZE: Carving: 8″ h. Base: 17″ h. CONDITION: Very good 9-25203 (1,500-2,500)

CELESTE ANATOLE CALMELS (French, 1822-1906) THE DANCER. Bronze & ivory Signed on marble base “A. Calmels” Mounted to a stepped marble base SIZE: 14″ h CONDITION: Very good with expected darkened age lines in ivory 9-27504 (500-800)

LOUIS HOTTOT (French, 1834-1905) GIRL WITH BINOCULARS. Patinated bronze Signed in the casting “L Hottot” Bronze mounted to a green marble base with name plaque SIZE: Bronze: 24″ h. With base: 25-1/2″ CONDITION: Very good 9-24727 (1,000-1,500)

UNSIGNED (19th/20th Century) RECUMBENT LION. Bronze SIZE: 6-3/4″ h x 11-1/2″ w. PROVENANCE: From a Montclair, NJ home CONDITION: Very good 9-28250 (800-1,200)

TWO BRONZES (19th Century) TWO WORKS: BEARS PLAYING & CHERUB. Bronze Both mounted to marble plinths SIZE: Bears: 6-1/2″. Cherub: 7-1/2″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Bears have major loss to patina, cherub is very good 7-70163 (300-500)

HENRI ALFRED-MARIE JACQUEMART (French, 1824-1896) PAIR OF HOUNDS WITH PUPPY. Bronze Signed on base “A Jacquemart” SIZE: 9″ h x 12-3/4″ w. CONDITION: Very good 7-73214 (4,000-6,000)

AGATHON LEONARD (French 1841-1923) ELIMINATING THE RATS. Bronze Signed on the ground “A. Leonard” SIZE: 5″ h x 8″ w x 4″ d. CONDITION: Very good 9-26020 (500-700)

ALBERT MORITZ WOLFF (Russian, 1854-1923) COSSACK & HIS SWEETHEART ON HORSEBACK. Bronze, unknown edition Signed lightly in Cyrillic SIZE: 12″ h. CONDITION: Very good 9-28372 (5,000-7,000)

BERTALAN DE KARLOVSKY (Hungarian, 1858-1938) HUNGARIAN FARM SCENE WITH NUMEROUS FIGURES. Oil on board Housed in period gold liner Signed “B. de Karlovsky Paris”, lower left SIZE: 21-1/2″ x 17-1/2″. Overall: 28″ x 24″. PROVENANCE: Private New England Collection. CONDITION: Good, original condition, scattered craquelure. 9-28390 (3,000-5,000)

ATTRIBUTED TO ANDREI NIKOLAEVICH SHILDER (Russian, 1861-1919) SUNLIT FOREST POOL. Oil on canvas Housed in a black and brown decorated frame Signed lower left and dated “1892” SIZE: 27″ x 41-1/2″. Overall: 34-3/4″ x 49-3/4″. CONDITION: Very good 9-25691 (12,000-15,000)

M. WALZICKA (Northern European School 19th Century) YOUNG GIRL IN INTERIOR. Oil on canvas Housed in period gold frame with green/gray liner Signed lower right SIZE: 32″ X 31 1/2″ PROVENANCE: From the “Harp House” of Camden, Maine. CONDITION: Very good. Minor puncture, patch to upper right corner, inpaint 9-26905 (300-500)

SIGNED ILLEGIBLY (European, 19th Century) INTERIOR NUDE STUDY OF MAN & WOMAN. Oil on canvas Housed in a painted wood frame with liner Signed lower right “A B___”? SIZE: 20-1/2″ x 30″. Overall: 30-1/4″ x 37-3/4″. CONDITION: Some inpainting, craquelure. 9-27416 (4,000-8,000)

UNSIGNED (European, 19th Century) TWO SAINTS HOLDING A CAMPANILE BELL TOWER. Oil on canvas Unframed SIZE: 15-3/4″ x 10-1/4″. CONDITION: Fine craquelure, very light abrasions, good 7-73220 (300-500)

UNSIGNED (European, 18th Century) TWO OLD MASTER WORKS. Sepia watercolor on paper Housed in reproductions frames with mattes, behind glass Smaller example identified on back “Daphne-Guereino (1590-1666)” Larger example with a “FAR Gallery, New York” label SIZE: 9-1/2″ x 12-1/4″. Overall: 16-1/2″ x 18-1/2″. 5-1/2″ x 6″. Overall: 9-1/4″ x 10″. CONDITION: Very good, some light foxing 9-28316, 9-28317 (500-1,000)

MANNER OF FRANS HALS THE ELDER (Dutch, 1580-1666) STUDY OF A CHILD. Oil on board Housed in a period style wood and gold frame Unsigned SIZE: 14″ x 10″. Overall: 19″ x 14″. CONDITION: Stable, retouched. 9-28341 (1,000-2,000)

ATTRIBUTED TO PHILIPP PETER ROOS (German/Italian, 1655/57 -1706) SHEPHERD, HIS FLOCK AND SHEEP DOG. Oil on canvas Housed in a large wide gilt wood frame, with losses Unsigned SIZE: 52-1/2″ x 75″. Overall: 64″ x 85″. PROVENANCE: From the “Harp House” of Camden, Maine. CONDITION: Relined as found, appears to be an unfinished canvas 9-26960 (1,000-2,000)

UNSIGNED (European, 19th century) THE CARD SHARPS. Oil on canvas Housed in a modern gesso decorated frame with liner Note: After the “Card Sharps” by Carravaggio SIZE: 30″ x 43-1/2″. Overall: 37″ x 50-1/2″. CONDITION: Restored, inpainted, good. 9-27408 (800-1,200)

B. ENGELS (European, 19th century) TAVERN SCENE WITH FIGURES. Oil on canvas Housed in a 20th century gilt frame, with minor losses Signed “B. Engels”, lower left Jack Partridge Antiques tag on verso SIZE: 25″ x 32-1/4″. Overall: 32″ x 39-1/2″. CONDITION: Relined, inpainting, very good 9-27407 (800-1,200)

UNSIGNED (European, 19th Century) INTERIOR WITH MOTHER & CHILD. Oil on wood panel Unframed Unsigned SIZE: 17-1/4″ x 14″. CONDITION: Very good with some inpainting 9-27251 (500-1,000)

UNSIGNED (European, 19th Century) PAIR OF INTERIOR SCENES WITH FAMILY. Oil on canvas Housed in identical modern antique style gesso decorated frames SIZE: 18″ x 15-3/4″. Overall: 22-1/2″ x 20″. CONDITION: Very good 9-27676 (2,000-3,000)

PAUL RITTER (German, 1829-1907) EXPANSIVE AUTUMN LANDSCAPE SCENE WITH COWS. Oil on canvas Housed in period liner Signed “Paul Ritter”, lower right SIZE: 29″ x 49″. Overall: 34-1/4″ x 53″. CONDITION: In original condition, craquelure throughout. 9-27457 (3,000-5,000)

LUDWIG BEMELMANS (Austrian, 1898-1962) SKETCH FOR MARINAR. Watercolor on paper Housed in a simple stained wood frame Signed “Bemelmans”, and inscribed with title, lower left Accompanied the work is a note by the artist’s daughter, Barbara Bemelmans, stating that this work was done by her father SIZE: 13″ x 19-3/4″. Overall: 20″ x 27″. PROVENANCE: The personal property of award winning American actress Polly Bergen. CONDITION: Very good. 7-70142 (4,000-6,000)

PHILLIPE (European 19th Century) ADVICE FOR A MOTHER AND CHILD. Oil on canvas Housed in a scrolling leaf motif antique frame Signed bottom left “Phillipe” and dated “18_ _” SIZE: 36″ x 28″. CONDITION: Relined, scattered inpainting, very good 9-26639 (1,500-2,000)

AUGUST XAVER CARL “KARL” VON PETTENKOFFEN (Austrian, 1822-1889) WINTER SCENE WITH HORSES & DRIVERS. Oil on board Housed in a period cove and acanthus leaf gold frame, with losses Signed “Pettenkoffen” and dated “1871”, lower right Collector’s stamps on verso SIZE: 29″ x 45″. Overall: 37″ x 53″. CONDITION: Good. 9-27836 (2,000-4,000)

JOHANNES FRANCISCUS CHRIST (Dutch, 1790-1845) CASTLE IN LANDSCAPE. Oil on panel Housed in a gesso decorated gilt frame, in good condition, with some minor losses Signed “J.F. Christ”, lower right SIZE: 6-3/4″ x 11-1/4″. Overall: 11″ x 15-1/2″. CONDITION: some light scratches to surface, minor inpainting, otherwise very good. 9-27734 (2,000-4,000)

FRANS PIETER TER MEULEN (Dutch 1843-1927) “SHEPHERD AND SHEEP”. Watercolor Housed in its original gilt frame with gilt matte behind glass Signed bottom right “Ter Meulen” A “Doll & Richards Boston” label on verso. Also a penned label “For the Boston Museum of Fine Arts from Mary and Fannie Kar _ _ _ (?) Shepherd & Sheep Ter Meulen” SIZE: Sight: 15-3/4″ x 12″. CONDITION: Very good. 9-25294 (800-1,200)

JOHN PHILIP HULTBERG (American, 1922-2005) “GULLIVER, 1958”. Oil on canvas Unframed Unsigned Four labels on verso, including: 1) “Instituto Nacional De Bellas Artes Museo Nacional de Artes Plasticas-Segunda Bienal Interamericana Mexico” with title, artist, etc. 2) Martha Jackson Gallery, New York label. 3) Anderson Gallery, Buffalo, New York label. 4) Anderson Charitable trust. SIZE: 42″ x 68″. PROVENANCE: Estate of David K. Anderson, son of Martha Jackson. CONDITION: Very good. 9-24594 (2,500-3,000)

WILLEM ALEXANDER KNIP (Dutch, 1883-1967) CANAL WITH HOUSES. Oil on board Housed in period style frame Signed “W.A. Knip”, lower left SIZE: 10″ x 15″. Overall: 19-1/2″ x 24″. CONDITION: Very good. 9-27571 (1,000-1,500)

LEENDERT DIJK (Dutch 1939-) EAISAGEM DE PETROPOLIS. Oil on canvas Housed in a fine carved wood frame with linen liner, frame having a title and artist plaque Signed on reverse of canvas also SIZE: 25-1/2″ x 31-1/2″. CONDITION: Very good 9-26041 (1,000-1,500)

SIGNED (Dutch school, 19th century) WINTER SCENE WITH WINDMILL. Oil on board Housed in period gold frame Indistinctly signed, lower right SIZE: 7-1/2″ x 5-1/2″. Overall: 14-1/2″ x 13″. CONDITION: Good. 7-70274 (400-600)

CURT FRANKENSTEIN (German, 1920-2009) “FLIGHT FROM TIME AND SPACE” 1964. Oil on board Housed in period frame Signed “Curt Frankenstein”, lower left SIZE: 26″ x 20″. Overall: 33-1/2″ x 28″. CONDITION: Very good, surface grime 9-27572 (400-800)

EUGENE VERBOECKHOVEN (Belgian, 1799-1881) LANDSCAPE SCENE WITH DONKEY. Oil on board Housed in period frame Signed “Eugene Verboeckhoven” lower left, and monogrammed SIZE: 6″ x 8″. Overall: 8-1/2″ x 10-1/4″. CONDITION: Very good, minor retouch. 9-27250 (800-1,200)

HENRY CHARLES FOX (United Kingdom 1860-1925) “HAYMAKING NEAR STRATFORD ON AVON”. Watercolor Housed in a find period carved gilt wood frame, having artist and title plaque Signed lower right and dated 1923 SIZE: 14-1/4″ x 21-1/4″. CONDITION: Very good 9-26484 (300-500)

MAURICE GROSMAN (French, 20th Century) SPRING LANDSCAPE SCENE IN THE FAUVE STYLE. Oil on canvas Housed in a Louis XIII style white painted frame Signed “M. Grosman”, lower right SIZE: 21″ x 34″. Overall: 28″ x 41″. CONDITION: Craquelure, scattered losses. 7-73521 (300-500)

ARTHUR VIDAL DIEHL (American, 1870-1929) BATTLESHIPS WITH APPROACHING LAUNCH. Gouache on board Housed in a fine modern gilt frame with liner & glass Signed lower right “Arthur V. Diehl 1923″ SIZE: 11″ x 11-1/2″. Overall: 18-1/2″ x 18”. CONDITION: Very good 9-28160 (1,250-1,750)

AIDEN LASSELL RIPLEY (American, 1896-1969) THE WARTIME LOOKOUT. Watercolor Housed in a fine carved and gilt frame with white matte Signed lower right “A Lassell Ripley 1942″ SIZE: Sight: 20-1/2″ x 29”. CONDITION: Very good 9-24600 (3,000-3,500)

MILTON JAMES BURNS (American, 1853-1933) WEATHERING THE GALE. Gouache Housed in a gilt wood frame with white matte Signed lower left “Burns” SIZE: Sight: 16-3/4″ x 14-3/4″. PROVENANCE: From a fine New Jersey home. CONDITION: Very good with some light stains to bottom caption area 9-24609 (400-800)

WILLIAM THOMAS SMEDLEY (American, 1858-1920) THE INTRODUCTIONS IN A LANDSCAPE. Gouache on paper Housed in a modern carved wood & gilt double frame with glass with some edge wear Signed lower left “W T Smedley 1896″ SIZE: Sight: 10-1/4″ x 13″. Overall: 18-1/2″ x 21-1/4”. CONDITION: Very good 9-27737 (800-1,200)

ANDERSON TYLER (American, 20th Century) BUSY CITY DOCK. Watercolor & graphite on board Housed in an antique gesso decorated gilt frame with white matte Signed lower right “Anderson Tyler 36″ SIZE: Sight: 15-1/2″ x 21″. Overall: 22″ x 27-1/4”. CONDITION: Very good. 9-27736 (800-1,200)

WILLIAM ROBINSON LEIGH (American, 1866-1955) “RAFTING”. Mixed media en grisaille on paper Housed in a modern gold frame Signed “W.R. Leigh” and dated “1900”, lower right Identified on plaque SIZE: 5-1/2″ x 12-1/2″. Overall: 13″ x 20″. CONDITION: Very good, not examined out of frame. 9-27735 (1,000-2,000)

ARTHUR BURDETT FROST (American, 1851-1928) FISHERMAN WITH FISH ON. Gouache Housed in a carved & gilt modern frames with matte behind glass having A.P.F. Inc label on verso Signed “A.B. Frost” lower right SIZE: 14-3/4″ x 11″. Overall: 22-1/2″ x 19″ CONDITION: Very good 9-27255 (600-900)

SIGNED (American school, 20th century) DETAIL AFTER THE PERIOD ILLUSTRATION “CANOE”. Oil on canvas Housed in a wooden period frame, perhaps designed by artist Signed “A. Staba” and date “1924”, lower left SIZE: 25″ x 17-1/2″. Overall: 30″ x 22″. CONDITION: Good. 9-28182 (400-600)

ANDY WARHOL (American, 1928-1987) “TORSOS” POSTER. Housed in a lucite frame Inscribed to “Polly” and signed “Andy Warhol” bottom right SIZE: 59-1/4″ x 39-3/4″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen CONDITION: Very good 7-70170 (800-1,200)

FREDERIC REMINGTON (American 1861-1909) “THE SCOUT”. Chromolithograph Housed in a walnut frame with white matte Signed in the plate “Copyright 1902 Charles Scribners Sons N.Y.” and also “The Brignard Litho Co. N.Y.” SIZE: Sight: 16-3/4″ x 11-1/2″. CONDITION: Very good, not examined out of frame 9-25457 (1,000-1,500)

NORMAN ROCKWELL (American, 1894-1978) “WINTER”. Lithograph printed in 1974 on Velin d’Arches paper Housed in a period metal frame with double matte under glass Pencil signed and marked “A/P” (for artist proof) Published by Circle Gallery, Chicago and pulled at the American Atelier, New York, New York Dec 1974 Bears a Circle Gallery embossing in the lower left corner SIZE: Sight: 14-3/4″ x 14-1/4″. Image: 13-1/2″ x 13-1/4″. PROVENANCE: Private Collection, New York City. CONDITION: Very good 9-25825 (800-1,200)

JAMES BROOKS (American, 1906-1992) “EASTERN”. Colored lithograph Housed in a black frame with white matte and glass Pencil signed, titled, dated 1982 and numbered “8/150″ in pencil on lower margin SIZE: Sight: 30″ x 22”. CONDITION: Very good 9-26623 (600-900)

ALEXANDRA NECHITA (American, 1985- ) “VICTORIOUS SPIRIT”. Colored lithograph Housed in a modern gilt frame, with minor loss, having gold edge mat and glass Signed “Alexandra Nichita ’96”, lower right, and numbered 694/2500, lower left SIZE: Sight: 28″ x 21″. Image: 26-1/2″ x 19-1/4″. Overall: 41″ x 33-1/2″. CONDITION: Very good. 7-73183 (300-500)

DARRELL AUSTIN (American, 1907-1994) “YOUNG BEAST IN A MARSH”. Oil on canvas Housed in a period wood frame Signed “Darrel Austin” and dated “’68”, lower left Identified on labels including label from the Edwin A. Ulrich Museum of Art, Wichita, Kansas on verso SIZE: 12″ x 16″. Overall: 18″ x 24″. CONDITION: Very good, craquelure. 9-27693 (800-1,200)

MAX BOHM (American, 1868-1923) ALONG THE WATERFRONT. Oil on canvas Housed in a contemporary carved silver gilt frame Signed “Max Bohm”, lower right SIZE: 16″ x 20″. Overall: 24″ x 28. CONDITION: Lined, scattered retouch. 9-28166 (1,000-1,500)

GEORGE W. DREW (American, 1875-1968) THE OLD HOMESTEAD IN SUMMER. Oil on board Housed in a period black painted frame Signed “George W. Drew”, lower left SIZE: 10″ x 6″. Overall: 14-1/4″ X 9-1/4″. CONDITION: Very good, craquelure and surface grime. 9-28178 (700-900)

RICHARD KIMBALL (American, 1865-1942) “ARCH OF VICTORY”. Oil on artist’s board Housed in contemporary gold frame Signed “Richard M. Kimball”, lower right Identified on verso and on Elliot Galleries label SIZE: 8″ x 10″. Overall: 14″ x 16″. CONDITION: Very good. 9-27692 (800-1,200)

WESLEY ELBRIDGE WEBBER (American, 1841-1914) PARADE OF GEESE. Oil on canvas Housed in its original gilt liner Signed lower left “W. Webber” SIZE: 16″ x 26″. Overall: 18″ x 28″. CONDITION: 1″ hole in canvas, chips, light craquelure, surface dirt with some inpainting 9-27715 (400-600)

HENRY DAVENPORT (American, 1882-) “OLD HOUSES, PORT NAVALO”. Oil on canvas Housed in its original carved & painted wood frame Signed lower right “Henry Davenport” SIZE: 15″ x 21-3/4″. Overall: 19-1/2″ x 26″. CONDITION: Very good with light craquelure with some inpainting 9-27840 (800-1,200)

HENRY DAVENPORT (American, 1882-) FOUR WORKS: NEW ENGLAND SCENES. Two oil on boards, one pastel and one pencil All housed in wood frames Three signed lower right “Henry Davenport” SIZE: Two Oils: 10-1/2″ x 13-1/2″ Overall: 13″ x 16″; Pastel: 11″ x 12″ Overall: 18″ x 18-1/2″; Pencil: 4-1/2″ x 3″ Overall: 7-1/2″ x 5-1/2″. CONDITION: Generally very good 9-27839 (800-1,200)

LINDSTROM (First half of the 20th Century) IMPRESSIONISTIC LANDSCAPE. Oil on board Housed in a modern partial gilt wood frame Signed lower right “E? Lindstrom” SIZE: 20″ x 16″. Overall: 26″ x 22″. CONDITION: Very good 9-27747 (200-400)

UNSIGNED (American, 19th Century) FIGURES ON BRIDGE OVER WATERFALL. Double sided oil on board Housed in a carved gilt wood replacement frame SIZE: 12-1/2″ x 9-1/4″. Overall: 19-1/2″ x 16-1/4″. CONDITION: Very good 9-27763 (400-600)

JOHN ALBERT THORN (Mid 20th Century) TREE LINED RIVERBANK. Oil on canvas Summer scene shows a river bend lined with tall trees. Signed lower right. Housed in original gilt frame. SIZE: 20″ x 24″. CONDITION: Very good. 9-26481 (300-500)

JOSEPH DE MARTINI (American, 1896-1984) “MADISON SQUARE GARDEN PIETA”. Oil on canvas Housed in a stained wood frame with liner Signed “Joseph De Martini”, lower right Also signed and titled on verso SIZE: 25-1/4″ x 38-1/4″. Overall: 33-1/4″ x 46″. CONDITION: Very good. 9-27240 (600-900)

JOSEPH DE MARTINI (American, 1896-1984) SELF PORTRAIT IN MIRROR. Oil on canvas Housed in a modern silver frame with liner Unsigned SIZE: 28″ x 22″. Overall: 30-1/2″ x 24-1/2″. CONDITION: Very good 9-27242 (400-600)

WILLIAM AUERBACH-LEVY (American, 1889-1964) VIEW THROUGH THE WINDOW. Oil on canvas Housed in a modern gilt wood frame Unsigned but Estate signed on canvas verso SIZE: 30″ x 25″. Overall: 34″ x 29″. CONDITION: Very good, inpainting. 9-27732 (500-800)

JOHN SWAN (American, 1948-) TREE AT THE EDGE. Oil on board Housed in a gilt molded wood frame Signed lower left “John Swan 76″ SIZE: 11″ x 14”. CONDITION: Very good 9-24603 (600-900)

PAUL MONTGOMERY (American, Mid 20th Century) THREE WORKS. All matted but unframed. 1) Shows a town scene with tall double spired cathedral with hills and blue sky background. Signed “Paul Montgomery 54”. 2) Tropical villa with arched entryway with tropical trees and vegetation. Signed “Paul Montgomery 52″. 3) Unsigned showing houses with a figure in a doorway. SIZE: 1) 20″ x 16″. 2) 15″ x 20″. 3) 16″ x 20”. CONDITION: Very good. 9-98750 (400-600)

SIGNED (American School, 19th century) LANDSCAPE SCENE WITH STONE BRIDGE. Oil on canvas Housed in period frame Indistinctly signed, lower left SIZE: 16″ x 36″. Overall: 23-1/2″ x 43-1/2″. CONDITION: Scattered retouch, and surface grime 9-27562 (400-600)

THREE WORKS. 1. MIKE TROVATO (American, 20th century) AT THE DOCK Oil on canvas. Housed in modern gilt frame Signed “Trovato”, lower right 2. JOHN A. COOK (American 1870-1936) GLOUCESTER PIER Watercolor on paper Housed in a painted molded wood frame, with matte behind glass Signed “J.A. Cook”, lower right 3. UNSIGNED, 20th century TWO FIGURES ON PARK BENCH Watercolor on paper Housed in a modern gilt frame with matte behind glass SIZE: 1. 8″ x 10″. Overall: 10-1/4″ x 12-1/4″. 2. 13-1/4″ x 6-1/2″. Overall: 20-1/4″ x 13″. 3. 6-1/2″ x 4-1/2″. Overall: 15″ x 13″. CONDITION: Very good. 7-70193 (300-500)

UNSIGNED (18th/19th Century) RELIGIOUS FIGURES. Oil on copper Housed in an antique gilt frame SIZE: 5-1/2″ x 8-1/2″. Overall: 9-1/4″ x 12-1/4″ CONDITION: Some losses with chips, fair 7-70273 (300-500)

TWO EARLY ENGRAVINGS. 1) Possibly by Rembrandt Housed in a matte 2) Unsigned engraving of woman with a sword Housed in a decorative gilt frame with liners and glass SIZE: 1) 4-1/4″ x 6″. 2) Sight: 5″ x 3-1/4″. Overall: 9″ x 7″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28247-1 (200-400)

JOHN JAMES AUDUBON (American, 1785-1851) BROAD-WINGED HAWK, PLATE 91. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J. Whatman 1830″, R. Havell London, 1830 Hinge mounted & matted with frame Examined out of frame SIZE: 38-1/2″ x 26”. PROVENANCE: Private Montclair, NJ home; with a label from The Old Print Shop, NYC on verso of frame CONDITION: Strong colors, very good, no tears 9-28276 (5,000-10,000)

JOHN JAMES AUDUBON (American, 1785-1851) VIRGINIA RAIL, PLATE CCV. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1833 R. Havell, London 1834 Hinge mounted & matted with frame Examined out of frame SIZE: 20-1/4″ x 25-3/4” PROVENANCE: Private Montclair, NJ home with a label from The Old Print Shop, NYC on verso of frame CONDITION: No tears, time toned with light foxing 9-28286 (2,000-3,000)

JOHN JAMES AUDUBON (American, 1785-1851) GREAT EQUIMAUX CURLEW, PLATE CCXXXVII. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman Turkey Mill 1834″, R. Havell London 1835 Unframed SIZE: 25″ x 37-3/4” PROVENANCE: Private Montclair, NJ home CONDITION: A few foxing spots; Right hand margin with minor wrinkling & light edge stain, colors bright & strong 9-28285 (2,000-3,000)

JOHN JAMES AUDUBON (American, 1785-1851) MEADOW LARK, PLATE CXXXVI. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1833″, R. Havell London 1832 Unframed SIZE: 38″ x 25-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Paper is time toned; Bottom 1-1/2” is water stained, corners have small loss colors are strong & bold 9-28282 (2,000-3,000)

JOHN JAMES AUDUBON (American, 1785-1851) LAPLAND LONG-SPUR. Handcolored engraving, R. Havell, 1837 Edition Watermarked “J. Whatman 1837″ Housed in a stained wood frame with glass Identified in the plate SIZE: 24-3/4″ x 28″. Overall: 26-1/2″ x 39-1/2”. CONDITION: Examined out of frame. Very good, light toning 7-73520 (200-300)

JOHN JAMES AUDUBON (American, 1785-1851) LE PETIT CAPORAL, PLATE LXXV. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1833″, R. Havell London Hinge mounted and matted with frame Examined out of frame SIZE: 29-3/4″ x 21-1/2″ PROVENANCE: Private Montclair, NJ home; with a label from The Old Print Shop, NYC on verso of frame CONDITION: 5″ square area of restoration in upper right of plate which has discolored time toning, 2” repaired tear on bottom margin 9-28279 (1,000-2,000)

JOHN JAMES AUDUBON (American, 1785-1851) WARBLING FLYCATCHER, PLATE CXVIII. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1831″, R. Havell London Unframed SIZE: 38-3/4″ x 25-3/4” PROVENANCE: Private Montclair, NJ home CONDITION: Very good, no tears 9-28281 (1,500-2,500)

JOHN JAMES AUDUBON (American, 1785-1851) YELLOW BELLIED WOODPECKER, PLATE CXC. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1836″, R. Havell London 1834 Unframed SIZE: 38″ x 25-1/4” PROVENANCE: Private Montclair, NJ home CONDITION: Two tape repairs to bottom & top margins, very good 9-28283 (1,000-2,000)

JOHN JAMES AUDUBON (American, 1785-1851) BACHMANS FINCH, PLATE CLXV. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1833″, R. Havell London 1833 Unframed SIZE: 38-3/4″ x 25-3/4” PROVENANCE: Private Montclair, NJ home CONDITION: One small nick loss to bottom margin, very good 9-28284 (1,500-2,500)

JOHN JAMES AUDUBON (American, 1785-1851) BLACK-POLL WARBLER, PLATE CXXXIII. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman 1832″ Hinge mounted & matted with frame Examined out of frame SIZE: 38-3/4″ x 25-3/4” PROVENANCE: Private Montclair, NJ home with a label from The Old Print Shop, NYC on verso of frame CONDITION: No tears, very good 9-28277 (1,500-2,500)

JOHN JAMES AUDUBON (American, 1785-1851) SHARP-TIALED FINCH PLATE CXLIX. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked “J Whatman Turkey Hill 1832″ Hinge mounted & matted with frame Examined out of frame SIZE: 39″ x 26” PROVENANCE: Private Montclair, NJ home with a label from The Old Print Shop, NYC on verso of frame CONDITION: No tears, very good 9-28280 (1,000-2,000)

JOHN JAMES AUDUBON (American, 1785-1851) CERULEAN WARBLER PLATE 48. Hand colored lithographed plate from the double elephant folio edition of The Birds of America Watermarked trimmed off (not present) R. Havell London 1828 Hinge mounted & matted with frame Examined out of frame SIZE: 19-3/4″ x 12-1/2″ PROVENANCE: Private Montclair, NJ home having a label from The Old Print Shop, NYC on verso of frame CONDITION: Print is glued down on light board & hinge mounted in matte. Examined out of frame 9-28278 (1,000-2,000)

JOHN JAMES AUDUBON (American, 1785-1851) “WHITE FRONTED GOOSE”. Chromolithograph, J. Bien, NY 1860 Housed in a bird’s-eye maple frame Identified in the plate Examined out of frame SIZE: 39-3/4″ x 26-3/4″ CONDITION: Toned and foxed, Edges glued down on cardboard 9-27843 (1,500-2,500)

JOHN JAMES AUDUBON (American, 1785-1851) MARYLAND MARMOT WOODCHUCK AND GROUNDHOG FROM THE VIVIPAROUS QUADRUPEDS OF NORTH AMERICA. Handcolored lithograph Housed in a modern frame Identified in plate, Philadelphia: Bowen, 1842 SIZE: 19-1/2″ x 25″. Overall: 32-1/2″ x 37″. CONDITION: Good, minor foxing and creasing. Not examined out of frame. 9-27844 (800-1,200)

JOHN GOULD & H.C. RICHTER (British, 19th Century) EIGHT HAND COLORED LITHOGRAPHS: “FRATERCULA ARCTICA”; “URIA GRYLLE”; “LARUS CANUS”; “ALCA IMPENNIS”; TWO “NUMENIUS PHAEOPUS”; “HIMANTOPUS CANDIDUS”; “STERCORARIUS CATARRACTES”. All housed in identical modern wood frames with glass All inscribed Walter, Imp. SIZE: SIZE: Sight: 13-3/4″ x 20-3/4″. Overall: 16-3/4″ x 23-3/4″. CONDITION: Not examined out of frames, some foxing, no rips or tears 9-28326-2 (1,000-2,000)

Revised: 2/7/2013

Correction: It is a lot of 8; not a lot of 7 as cataloged.

JOHN GOULD & H.C. RICHTER (British, 19th Century) SEVEN HAND COLORED LITHOGRAPHS: “AMMOPERDIX HEYI”; “STREPSILAS INTERPRES”; “THALASSIDROMA PELAGICA”; “SQUATAROLA HELVETICA”; “TOTANUS CALIDRIS”; “PELIDNA CINCLUS”; “LIMNOCINCLUS PECTORALIS”. All identically housed in modern wood frames with glass (1 glass with crack) Six inscribed “Walter Imp”, one inscribed “Hullmandel & Walton Imp” SIZE: Sight: 13-3/4″ x 20-3/4″. Overall: 16-3/4″ x 23-3/4″. CONDITION: Not examined out of the frame, some foxing, no tears, otherwise good 9-28326-1 (1,000-2,000)

JOHN GOULD & H.C. RICHTER (British, 19th Century) SEVEN HAND COLORED LITHOGRAPHS: “GALERITA CRISTATA”; “ANTHUS CAMPESTRIS”; “OEDICNEMUS CREPITANS”; “HYDROCHELIDON LEUCOPTERA”; “BOTAURUS STELLARIS”; “OTIS TETRAX”; “CREX PRATENSIS”. All housed in identical modern wood frames with glass Four inscribed Walter, Imp., three inscribed Walter & Cohn, Imp SIZE: Sight: 13-3/4″ x 20-3/4″. Overall: 16-3/4″ x 23-1/2″. CONDITION: Not examined out of frame, some foxing, no tears, otherwise good 9-28326 (1,000-2,000)

JOHN GOULD (British, 19th Century) SEVEN HAND COLORED LITHOGRAPHS: “DIOMEDEA CAUTA”; “DIOMEDEA CULMINATA”; “BLACK WINGED GULL”; “LONG LEGGED PLOVER”; “COMMON WILD DUCK”; “RED BREASTED MERGANSER”; “HISTRIONICUS TORQUATUS”. All housed in modern wood frames with glass All inscribed SIZE: Sight: 14″ X 21″. Overall: 23″ X 29-1/2″. Sight: 14″ X 21″. Overall: 23″ X 29-1/2″. Sight: 20-1/2″ x 13-1/2″. Overall: 22″ x 15″. Sight: 20-1/2″ x 13-1/2″. Overall: 22″ x 15″. Sight: 14″ x 20-1/2″. Overall: 17″ x 24″. Sight: 14″ x 20-1/2″. Overall: 17″ x 24″. Sight: 13-3/4″ x 20-1/2″. Overall: 16-3/4″ x 23-3/4″. CONDITION: Not examined out of frames, some foxing, no rips or tears 9-28326-3 (1,000-2,000)

CHARLES HART, PRINTER (American 19th Century) THOMAS KELLY, PUBLISHER “THE FOX FANCIERS”. Handcolored lithograph shows three terriers in a landscape scene aim their sights on a red fox. Signed and titled in the plate, bottom margin. Framed in contemporary black and gold frame. SIZE: Image size: 17 3/4″ X 24 1/4″. Overall: 21 1/4″ X 27 1/2″. PROVENANCE: From the “Harp House” of Camden, Maine. CONDITION: Good. Hinged at upper margin. Minor time toning. 9-26887 (150-300)

LOT OF TWO 18TH/19TH CENTURY EQUESTRIAN ENGRAVINGS. 1) After George Townley Stubbs (British, 1756-1815) Portrait of a gentleman (Sir Frederck Evelyn?) riding with a hound Colored Engravings, London 1793 Unframed, Matted 2) After B. Marshall (British, 18th/19th Century) Muly Moloch Monochrome engraving, London 1805 Unframed, matted Having a Graham Arader label to verso SIZE: 1) 18-3/4″ x 22-3/4″. 2) 21″ x 26″ CONDITION: 1) Some repairs & tears to bottom margin, otherwise good 2) Time toned, very good 9-28302-1 (1,000-2,000)

SIX 19TH CENTURY ENGLISH HORSE RACING COLORED ENGRAVINGS. 1) “Velocipede” After a painting by J. Ferneley Engraved by E. Duncan & J. Webb London, Published 1831 by R. Ackermann 2) “Matilda” After a painting by J F Herring Engraved by R.G. Reeve 3) “Tarrare” After a painting by Herring Engraved by G Reeve 4) “Baronet” After a painting by George Stubbs London, 1794 5) “Hack” After a painting by S Alken Engraved by T. Sutherland London, 1821 Published by J. Hudson 6) “Racing” After a painting by H. Alken Engraved by I Clark London, Published by T. McLean, 1820 SIZE: 1) Sight: 15″ x 18″. Overall: 23-1/2″ x 26-1/4″ 2) Sight: 14″ x 16-1/2″ Overall: 22-1/2″ x 25″ 3) Sight: 14-1/4″ x 17-1/2″ Overall: 21-3/4″ x 24-3/4″ 4) Sight: 8-1/4″ x 10-1/2″ Overall: 15″ x 16-3/4″ 5) Sight: 9-1/2″ x 11″ Overall: 16-1/2″ x 17-1/2″ 6) Sight: 9″ x 12″ Overall: 16″ x 19″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28302 (1,000-1,500)

FIVE EQUESTRIAN ENGRAVINGS. 1) “Sharke” After a painting by George Stubbs London, Published 1817 by Edward Orme Framed 2) “FILHO DA PUTA” After a painting by Herring Engraved by Sutherland Published by W. Sheardown & Son 3) “Ebore” After a painting by Herring Engraved by Sutherland Published by W. Sheardown & Son 4) “Queen of Trumps” After a painting by C. Hancock Engraved by E. Duncan London, Published 1835 by R. Ackermann 5) “Warren Hastings’ Arabian” After a painting by George Stubbs London, 1798 SIZE: 1) Sight: 16″ x 19-1/2″ Overall: 20-1/2″ x 24″ 2) 16-3/4″ x 20-1/2″ 3) 16-3/4″ x 20-1/2″ 4) 16-3/4″ x 22-1/2″ 5) 11-1/4″ x 14″ PROVENANCE: Private Montclair, NJ home CONDITION: All have toning and some foxing, #2 & 3 are dirty with some damage (as is) 9-28309 (500-800)

THREE COLORED HUNTING PRINTS. 1) “Pheasant Shooting” After a painting by George Morland Etched by Thomas Rowlandson Published 1791 by J. Harris 2) “Pheasant Shooting” After a painting by H. Alken Engraved by I. Clark London, Published by T. McLean, 1820 3) “Coursing” Engraved by I. Clark London, Published by T. McLean, 1820 SIZE: 1) Sight: 18-1/4″ x 23″. Overall: 20-1/4″ x 25-1/4″. 2) Sight: 15-1/2″ x 18-1/2″. Overall: 17-1/2″ x 20-1/2″. 3) Sight: 12″ X 14-1/4″. Overall: 14″ X 16″ PROVENANCE: Private Montclair, NJ home CONDITION: Some age toning to #1, otherwise very good 9-28301-1 (300-500)

FIVE 18TH/19TH CENTURY FRAMED COLORED ENGRAVINGS OF DOGS. 1) “The Spanish Pointer” After a painting by George Stubbs Engraved by N. Woollett Published by T. Bradford, 1768 2) “Celebrated Pointer (Sancho)” After a painting by Benjamin Marshall Engraved by C. Turner, London Published 1808 by C. Random Accompanied by a copy of a 1978 receipt from The Old Print Shop, NYC 3) “Carlo and Shandy” After a painting by A. Cooper Engraved by Thomas Fairland London, Published by Ackermann & Co. 4) “Setters” After a painting by H. Alken Engraved by I. Clark London, Published by T. McLean, 1820 5) “Stag Hounds” After a painting by H. Alken Engraved by I Clark London, Published by T. McLean, 1820 SIZE: 1) Sight: 16-3/4″ x 20-1/2″. Overall: 23″ x 27″. 2) Sight: 13-3/4″ x 19-1/2″. Overall: 20-1/2″ x 28″. 3) Sight” 13-1/4″ x 14-3/4″. Overall: 21-1/4″ x 22-1/4″. 4) Sight: 9″ x 13″. Overall: 15-1/4″ x 18-3/4″. 5) Sight: 9″ x 12-1/2″. Overall: 15″ x 20″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28301-2 (1,000-1,500)

FIVE FRAMED COLORED STAGECOACH ENGRAVINGS. 1) “Quick Silver Royal Mail” After a painting by J. Pollard Engraved by C. Hunt Published 1835 by Ackermann & Co. 2) “Opposition Coaches at Speed” After a painting by C. Newhouse Engraved by F. Rosenberg, London Published by Jonathan Watson 3) “Stagecoach” Later print after a painting by J. Pollard Engraved by Dubourg, 1822 London Published by Jonathan Watson 4) “Mail Coach” After a painting by J. Pollard Engraved by F. Rosenberg, London Published 1829 by J. Watson 5) Untitled Coach Scene SIZE: 1) Sight: 15″ x 16″. Overall: 23″ x 25-1/2″. 2) Sight: 13-1/2″ x 18-1/2″. Overall: 19″ x 23-1/2″. 3) Sight: 13-1/2″ x 18-1/4″. Overall: 19″ x 23-1/2″. 4) Sight: 9-1/2″ x 13-1/4″. Overall: 15-1/4″ x 18-3/4″. 5) Sight: 9-1/2″ x 13-1/2″. Overall: 16-1/2″ x 20-1/2″. PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28303 (500-800)

SIX ENGLISH HUNTING & HORSE RELATED ENGRAVINGS. 1) “The Reading Telegraph Coaches, Meeting Near Salt Hill” London, Published 1835 by Robert Havell 2) “Fox Hunting, Digging Out” After a painting by H. Alken Engraved by I Clark 3) “Coursing” London, Published 1791 by T. Simpson 4) “Pheasant Shooting II, La Chasse Aux Faisans” Published 1807 by Edward Orme After a painting by Samuel Howitt Engraved by W.M. Craig & H. Merke 5) “Bulldogs & Badger” After a painting by Town Engraved by Earlom 6) “The Chase” Published 1787 by I. Harris SIZE: 1) 15-1/4″ x 22″ 2) 12″ x 17-1/2″ 3) 12-1/2″ x 15″ 4) 14″ x 18″ 5) 21-1/2″ x 25-1/2″ 6) 18″ x 21″ PROVENANCE: Private Montclair, NJ home CONDITION: #5 with foxing line & margin tears, #6 with all over toning. Otherwise good 9-28301 (1,000-1,500)

THREE LARGE FRAMED HUNTING PRINTS. 1) “Francis Duckenfield Asley Esq. & His Harriers” After a painting by B Marshall Engraved by R Woodman Published 1810 by W D Jones 2) “Hunters at Cover Side” After a painting by S Alkens Engraved by J Pollard 3) Whipper Into The Pytchely on his Favorite Hunter Traverser” After a painting by B Marshall Engraved by J Ward SIZE: 1) Sight: 21″ x 25″ Overall: 29″ x 32-1/2″ 2) Sight: 19″ x 23″ Overall: 26-1/2″ x 30-1/2″ 3) Sight: 18″ x 24″ Overall” 26-1/2″ x 32″ PROVENANCE: Private Montclair, NJ home CONDITION: Some foxing, prints are intact, good 9-28294 (800-1,200)

TWO LARGE FRAMED COLORED ENGRAVINGS. 1) Untitled, 18th Century (crowd at theater) 2) “Noblemans & Gentleman’s Trains of Running Horses with the Grooms and Horses in their full liveries taking their exercise up the Warren Hill, east of the town of Newmarket After a painting by F.F. Burney Engraved by J Collyer SIZE: 1) Sight: 18-1/2″ x 28″ Overall: 28″ x 36″ 2) Sight: 17-3/4″ x 26-1/4″ Overall: 25″ x 33-1/2” PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28313 (600-900)

SEVEN NAUTICAL COLORED ENGRAVINGS. 1) “A Brisk Gale, Bay of New York” Engraved and painted by W. J. Bennett, 1867 2) “The Java and The Constitution” Published 1814 by Boydell & Co., London Engraved by R. & D. Havell 3) “Hinchinbrook Engaged with The Grand Turk” After a painting by W I Pocock Engraved by Baily, 1819 The Old Print Shop label on verso 4) “Capture of La Vengance-Aug 21st 1800” Published 1816 by J. Jenkins 5) “Sir Richard Strachan’s Action, Nov. 4th 1805” Published 1816 by J. Jenkins 6) “Capture & Destruction of Four Spanish Frigates, Oct. 5th 1804” Published 1817 by J. Jenkins 7) “Capture of La Nereide Dec. 21st 1797 London, Published 1816 by j. Jenkins SIZE: 1) Sight: 17-1/2″ x 23″. Overall: 25″ x 30-1/2″ 2) Sight: 16-1/2″ x 20″. Overall: 25″ x 28″. 3) Sight: 14-1/2″ x 18-1/2″. Overall: 22-3/4″ x 26″. 4) Sight: 8″ x 11″. Overall: 14-3/4″ x 17-1/4″. 5) Sight: 8″ x 11″. Overall: 14-3/4″ x 17-1/4″. 6) Sight: 8″ x 11″. Overall: 14-3/4″ x 17-1/4″. 7) Sight: 8-1/4″ x 11-1/2″. Overall: 15-1/2″ x 18-3/4”. PROVENANCE: Private Montclair, NJ home CONDITION: Some time toning, #3 has toning over most of the print 9-28292 (1,500-3,000)

TWO 19TH CENTURY COLORED ENGRAVINGS. 1) “The Cutting Out of the Corvette La Chevrette from the Bay of Camaret on the Night of July 21, 1801″ Published 1824 by J. Fittler, London After a painting by P J De Loutherbourg Accompanied by a copy of the receipt from The Parker Gallery, London 2) Untitled Engraved by I.R. Smith Unframed SIZE: 1) 20″ x 24-1/2″. 2) 25-1/2″ x 19”. PROVENANCE: Private Montclair, NJ home CONDITION: 1) Very good 2) Some restoration 9-28290 (500-700)

AFTER HENRY SINGLETON (British, 1766-1839) “WAR AND PEACE”. Colored engraving London, 1805 Published by John P. Thompson Engraved by J. Whefsell Both housed in identical gilt wood frames with colored mattes SIZE: Sight: 24-1/2″ x 18-3/4″. Overall: 33″ x 27-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good with some light toning 9-28312-1 (500-800)

Revised: 1/28/2013

Correction: One of the images are duplicated in the printed catalog, there are actually 3 separate images

THOMAS ROWLANDSON (British, 1756-1827) THREE COLORED PRINTS. 1) “The Disappointed Epicures” London, 1790 Published by William Holland 2) Untitled Dated in the plate 1787 3) Untitled Dated in the plate 1787 SIZE: 1) Sight: 13″ x 19″. Overall: 22-12″ x 29″. 2) Sight: 12-1/2″ x 19″. Overall: 20-1/2″ x 27-1/2″. 3) Sight: 6-1/4″ x 9-1/4″. Overall: 13″ x 16″. PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28311 (400-600)

THOMAS ROWLANDSON (British, 1756-1827) FIVE UNFRAMED COLORED ENGRAVINGS. 1) “The Margate Hoy” Published 1795 by S.W. Fores 2) “Grog on Board” 3) “Housed Breakers” Dated 1788, Aquatinta by T. Malton 4) “Bartholomew Fair” 5) “By Authority-Persons and Property Protected” Unframed SIZE: 1) 14″ x 20″. 2) 14-1/2″ x 18-1/2″. 3) 10-3/4″ x 13-1/2″. 4) 11″ x 18-1/2″. 5) 9-1/2″ x 13-1/2″. PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28310 (800-1,200)

SEVEN FRAMED LANDSCAPE COLORED ENGRAVINGS. 1) “The Inside View of Melross Abbey” After a painting by C Catton Engraved by F. Jukes Published by Jukes & Sarjent 2) “Caversham Bridge, Near Reading” After a painting by William Havell Engraved by R. Havell London, Published 1818 by Thomas McLean 3) “View of the Admiralty” London, Published 1818 by R Ackermann Engraved by J C Stadler 4) “The Town of Perth” After a painting by L. Clark London, Published by Smith & Elder, 1824 5) “Kings Weston, Near Bristol” Engraved by R. Havell & Son, 1816 6) “Pillory, Charing Cross” Rowlandson & Pugin, Published 1809 by R Ackermann 7) “Trim Castle, East Meath” SIZE: 1) Sight: 17-1/2″ x 23-1/2″. Overall: 27″ x 32-3/4″. 2) Sight: 16″ x 20-1/2″. Overall: 23-3/4″ x 28-1/4″. 3) Sight: 15-1/4″ x 19-1/2″. Overall: 22″ x 26-1/2″. 4) Sight: 18-3/4″ x 24-3/4″. Overall: 21″ x 27″. 5) Sight: 10-1/2″ x 13-1/2″. Overall: 17-1/2″ x 20-1/2″. 6) Sight: 9″ x 10-3/4″. Overall: 15″ x 16-1/2″. 7) Sight: 6″ x 7-1/2″. Overall: 12-3/4″ x 14-1/4″. PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good with some light time toning 9-28299 (800-1,200)

FIVE FRAMED ENGRAVINGS OF DUBLIN. 1) “Powerscourt – House, Dublin” London, Published, 1795 by James Malton 2) “Custom House, Dublin” London, Published 1792 by James Malton & G. Cowen 3) “Rotunda & New Rooms, Dublin” London, Published 1795 by James Malton 4) “St. Stephen’s Green, Dublin” Published London, 1796 by J. Malton 5) “View of Dublin from the Magazine, Phoenix-Park” London, Published 1795 by James Malton SIZE: 1) Sight: 12″ x 16″. Overall: 20-1/4″ x 25″. 2) Sight: 11-1/2″ x 16-1/4″ Overall: 20-1/2″ x 25″ 3) Sight: 11-3/4″ x 16″ Overall: 18-1/2″ x 23″ 4) Sight: 11-1/2″ x 16″. Overall: 18-1/2″ x 23″. 5) Sight: 10″ x 17″ Overall: 16-1/2″ x 23-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Some foxing & age toning, generally good 9-28306 (1,000-2,000)

LOT OF TWO 19TH CENTURY TOPOGRAPHICAL PRINTS. 1) After Henry Salt (British, 1780-1827) “The Vale Calaat” Color engraving by D. Havell; No. XXII, London, 1809 Published by William Miller Framed Copy of the 1984 receipt for this work from The Old Print Shop, NYC 2) After Pietro Favris (Italian, 1740-1791) “Castello Dell Ovo At Naples” Monotone engraving, 1778 Engraved by P. Sandby Published 1778 Unframed, hinge mounted in matte SIZE: 1) Sight: 18-1/4″ x 24-1/2″. Overall: 26″ x 32″. 2) 18-1/2″ x 25″. CONDITION: 1) Very good, not examined out of frame 2) Very good 9-28291 (400-600)

FIFTEEN MATTED TOPOGRAPHICAL & LANDSCAPE ENGRAVINGS. 1) Untitled Mezzotint by Richard Earlom From a painting of Claude Lorrain 2) “The Adelphi Terrace” 1795 by T. Malton 3) “Common Council Chamber, Guildhall” Rowlandson & Pugin, 1808 4) “View of Windsor from Clewer” Painting by J. Farington Engraved by J C Stadler 5) “Alban Hall” F. Mackenzie – J Hill London, 1813 6) “Charter House From the Square” After a painting by W. Westall Engraved by JC Stadler, London 1816 R. Ackermann 7) “Trinity Church” A Pugin – D Havell London, 1815 8) “North Parade” J.C. Nattes-I Hill London, 1804 by William Miller 9) “The Clarendon Printing House” Published 1802 by T. Malton 10) “Snowdon” 11) “A General View of Bath from the Claverton Road” J C Nattes-I Hill London, Published 1804 by William Miller 12) “St. Aldate’s From Carfax” A Pugin-J Hill London, 1813 13) “North West View of Friar Bacon’s Study & C” 14) “Merton College & Chapel from the First Quadrangle” M.A. Rooker 15) “View of Bloomsbury Square” After a painting by E Days Engraved by R. Pollard & F Jukes London, 1787 SIZE: 1) Sight: 8″ x 10″ 2) 16″ x 11-1/2″ 3) 13″ x 10-1/4″ 4) 11-3/4″ x 16″ 5) 9″ x 11″ 6) 10-3/4″ x 13″ 7) 10-1/2″ x 13″ 8) 12-1/2″ x 16-1/2″ 9) 10-1/2″ x 12-1/2″ 10) 12-1/2″ x 17-1/2″ 11) 11-1/2″ x 15-3/4″ 12) 13″ x 10-1/2″ 13) 13″ x 18-1/4″ 14) 12-1/4″ x 17-3/4″ 15) 18-3/4″ x 24″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good, only minor foxing or age toning 9-28300 (600-900)

THREE 18TH CENTURY FRAMED COLORED ENGRAVINGS. 1) Untitled – Family Group 2) “Scarcity in India” After a painting by H Singleton Engraved by C. Knight Published 1794, London 3) “British Plenty” After a painting by H Singleton Engraved by C. Knight London, 1794 SIZE: 1) Sight: 20-1/2″ x 16″ Overall: 28-1/2″ x 24″ 2) Sight: 22″ x 16-1/2″ Overall: 30-1/2″ 24-1/2″ 3) Sight: 22″ x 16″ Overall: 30-1/2″ x 24-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28295 (800-1,200)

FIVE NAUTICAL RELATED MATTED COLORED ENGRAVINGS. 1) “Part of the Bridge at Black Friars as it was in July 1766” Engraved by Edmond Rooker, 1766 2) “Ramsgate in a High Gale” After a painting by P.J. De Loutherbourg Engraved by T. Hill Published 1908, I. & W. MacGavin, London 3) “Marine School, Dublin Looking Up the Liffey” James Malton, London 1796 4) “Capture of La Minerve June 24th, 1795” After a painting by T. Whitcomb Engraved by T. Sutherland Published 1816 by J. Jenkins 5) “The Needles Isle of Wight” Published 1805 by R. Bowyer SIZE: 1) 15-3/4″ x 21-1/2″ 2) 15″ x 21-1/2″ 3) 14-1/4″ x 19-1/2″ 4) 11-1/2″ x 14″ 5) 13″ x 18″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28292-1 (500-800)

WILLIAM GUY WALL (American, 1792-1864) “HUDSON – NO. 13 OF THE HUDSON RIVER PORT FOLIO”. Published by Henry I. Megarey, NY Engraved by I. Hill Housed in a nice black & gold frame with highlighted matte SIZE: Sight: 17-1/4″ x 23″. Overall: 25-1/2″ x 31-1/4″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good, not examined out of frame 9-28297 (1,500-3,000)

SEVEN AMERICAN LANDSCAPE & SEASCAPE ENGRAVINGS & ANOTHER. 1) “Broadway-Gatan Och Radhuseti New York” Klinckowstrom-Akrell 2) “Broad Way from the Bowling Green” Painted & engraved by William I. Bennett Published by Henry I Megarey, NY 3) “Spirit Creek; Near Augusta, Georgia” After a painting by J. Shaw Engraved by J. Hill Published my M. Carey & Son, Phila 4) “View Above the Falls of Schuylkill” After a painting by J. Shaw Engraved by J. Hill Published my M. Carey & Son, Phila 5) “Entry to the Bay of New York” London, Published by Ackermann & Co 6) “New York from Brooklyn Heights” Unframed 1834, After a painting by T.K. Wharton Engraved by A.W. Graham 7) “The Equinoctial off Sandy Hook” Engraved by W. J. Bennett 8) “The Constitution and Guerriere” After a painting by G. White Engraved by J. G. McRae SIZE: 1) Sight: 10-1/4″ x 17″ Overall: 19-1/2″ x 26″ 2) Sight: 12″ x 15-3/4″ Overall: 19-1/2″ x 23″ 3) Sight: 13-1/4″ x 17″ Overall: 15″ x 18-1/2″ 4) Sight: 13-1/4″ x 17″ Overall: 15″ x 18-1/2″ 5) Sight: 9-1/2″ x 13″ Overall: 14″ x 19″ 6) 10″ x 13-1/2″ 7) Sight: 6″ x 8″. Overall: 10-3/4″ x 12-3/4″ 8) Sight: 6″ x 7-1/2″ Overall: 11″ x 12-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good, #3 & 4 have time toning across print 9-28306-1 (800-1,200)

FOUR ENGRAVINGS OF IMPORTANT AMERICAN MEN. 1) “Geo. Washington Esq” After a painting by Stuart Engraved by W. Nutter London, Published 1798 by R Cribb 2) “Benjamin Franklin” Dated 1777, French Engraving 3) “William Bainbridge Esq.” Published by P.R. Smith, Boston 1813 4) “Charles Stewart Esq” Engraved by Goodman Published by M. Thomas All having The Old Print Shop labels to verso SIZE: 1) Sight: 12″ x 8″ Overall: 17-1/2″ x 13-1/2″ 2) Sight: 9″ x 6-1/2″ Overall: 15-1/2″ x 13″ 3) Sight: 8-1/2″ x 5″ Overall: 16-1/2″ x 12-1/2″ 4) Sight: 7″ x 5″ Overall: 12″ x 9-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28298-2 (200-400)

SIX ENGRAVINGS OF FAMOUS ENGLISH PEOPLE. 1) “Samuel Johnson, L.L.D.” After a painting by Sir Joshua Reynolds Engraved by William Doughty London, Published 1779 2) “Lady Caroline Price” After a painting by Sir Joshua Reynolds Engraved by John Jones Published 1788 3) “James Boswell of Auchinbeck, Esq.” After a painting by Sir Joshua Reynolds Engraved by John Jones London, Published, 1786 4) “Charles, Duke of Richmond C. 1778” After a painting by G. Romney Published 1778 5) “Warren Hastings Esq.” After a painting by George Stubbs Published 1795, London 6) “Joshua Wedgwood” After a painting by George Stubbs All have The Old Print Shop labels on verso SIZE: 1) Sight: 18″ x 13-1/4″ Overall: 26″ x 21″ 2) Sight: 15-1/4″ x 11-1/4″ Overall: 22-1/2″ x 18-1/2″ 3) Sight: 16″ x 12″ Overall: 18-1/2″ x 14-1/2″ 4) Sight: 15-3/4″ x 11-3/4″ Overall: 18″ x 14″ 5) Sight: 14″ x 11-1/2″ Overall: 15-1/2″ x 13″ 6) 7-1/2″ x 5-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28298 (800-1,200)

NINE FRAMED ENGRAVINGS OF PEOPLE. 1-4) Unidentified Housed in gilt frames with fine mattes 5) Sir William Beechey 6) James Lawrence Esq. Engraved by Edwin 7) William Beekman June 1805 Louis Lemet 8) Unidentified Memin & Valdenuit, NY 9) Unidentified Man SIZE: 1-4) Sight: 3-1/2″ x 3″ Overall: 8-1/2″ x 8-1/2″ 5) Sight: 7″ x 5-1/4″ Overall: 8″ x 6-1/2″ 6) Sight: 7″ x 5″ Overall: 8-1/4″ x 6-1/2″ 7) Sight: 3″ x 2-1/4″ Overall: 7″ x 6″ 8) Sight: 3″ x 3″ Overall: 7″ x 7″ 9) Sight: 4-1/2″ x 4″ Overall: 9″ x 8-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28247 (800-1,200)

COLORED ENGRAVING. “Christie’s Auction Room” Rowlandson & Pugin London, 1808 by R. Ackermann Plate No. 6 SIZE: Sight: 9-1/2″ x 11-1/4″. Overall: 15-1/2″ x 17″ PROVENANCE: Private Montclair, NJ home CONDITION: Slight toning at matte edge, very good 9-28314 (300-500)

TWO EARLY BOTANICAL PRINTS. 1) Group of carnations Published 1803 by Doctor Thornton After a painting by Henderson Engraved by Caldwall 2) Tulips Published 1798 by Dr. Thornton After a painting by Reinagle Engraved by Earlom Both housed in modern gilt frames with watercolored matte Both with labels from The Old Print Shop, NYC SIZE: 1) Sight: 21″ x 16″. Overall: 28-1/2″ x 23-1/2″. 2) Sight: 19-1/4″ x 14-3/4″. Overall: 26-3/4″ x 22-1/4″. PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good, not examined out of frames 9-28304-1 (800-1,200)

FIVE FRAMED BOTANICAL PRINTS. 1) “Group of Carnations” Published by Dr. Thornton, 1812 After a painting by Henderson Engraved by Maddox 2) Group of Auriculas” Published by Dr. Thornton, 1812 After a painting by Reinagle Engraved by Stadler 3) “Arum Maculatum” Published by John Churchill, London 1827 Engraved by W Clark 4) Untitled Published by T Curtis, 1806 Engraved by E Sanson? No. 936 5) “Cheiranthus Cheiri Geroflee Violier” All housed in gilt wood frames Three having The Old Print Shop labels on verso SIZE: 1) Sight: 12″ x 7-1/4″. Overall: 20″ x 16-1/2″. 2) Sight: 13″ x 9″. Overall: 20″ x 16-1/4″. 3) Sight: 9″ x 10-1/2″. Overall: 15-1/4″ x 16-1/4″. 4) Sight: 8-1/2″ x 9-3/4″. Overall: 14-1/4″ x 15-1/2″. 5) Sight: 12″ x 8-1/2″. Overall: 18″ x 14-1/4″. PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28304 (300-500)

ELEVEN FRAMED & MATTED FLOWER & FRUIT ENGRAVINGS. 1) “Tubereuse-Tuberosa” P.J. Redoute-Chapuy 2) “Amaryllis Belladonna” After a painting by E. Bury Engraved by R. Havell 3) “Pourpree Tardive” After a painting by Turpin Engraved by Bocourt 4) “The Loquat” London, 1819 William Hooker 5) “Cattleya Guttata” Drake-Barclay 6) “Potentilla Nipatensis” Engraved by R Havell 7) “Rose Renoncule & Oillet” Paris, F. Sinnette 8) “Panier de Fruits” Paris, Engraved by P.F. Legrand Framed 9) “Abricot Commun” After a painting by Poiteau Engraved by Bocourt Published by Langlois Framed 10) Reprint of flowers Framed 11) “Reinette Blanche Hative” Langlois SIZE: 1) 13″ x 9-1/2″ 2) Sight: 16″ x 9-1/2″ 3) 16-1/2″ x 11-1/2″ 4) 15-1/4″ x 11″ 5) 15-1/2″ x 11″ 6) 11-1/2″ x 9″ 7) 10″ x 13″ 8) Sight: 12-1/4″ x 13-1/4″ Overall: 19-1/2″ x 24-1/2″ 9) Sight: 12-3/4″ x 10″ Overall: 20-1/2″ x 17-1/4″ 10) Sight: 13-1/3″ x 10-1/2″ Overall: 17-1/2″ x 14-1/2″ 11) 17″ x 12″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28307 (800-1,200)

EIGHT FRENCH FASHION PRINTS. Each nicely framed & matted Two men, four women & two groups All 18th or 19th Century SIZE: Range from: Sight: 7″ x 4″ to 12-1/2″ x 14″ Overall: 11″ x 8″ to 20″ x 21-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Very good 9-28296 (600-900)

SIX FRAMED ENGRAVINGS & ANOTHER. 1) “The Fruit-Barrow” After a painting by H. Walton Engraved by J.R. Smith London, Published 1780 2) Same as above, unframed 3) “Le Choix du Poisson” After a painting by Joseph Vernet Engraved by Legouaz?, Paris 4) “La Belle Cuisiniere” After a painting by F. Boucher Engraved by P. Aveline 5) “The Water-Cress Girl” After a painting by J. Toffany Engraved by J R Smith, London 1780 6) “La Pourvoieuse” After a painting by J. B. Simeon Chardin Engraved by Lepicie, 1742 7) “Catherine II” Published St. Petersburg 1785 Engraved by J. Walker SIZE: 1) Sight: 20-1/2″ x 14-1/2″. Overall: 28-1/4″ x 22″. 2) 21-1/2″ x 16″ 3) Sight: 14-1/2″ x 18-3/4″ Overall: 20-3/4″ x 25″ 4) Sight: 18″ x 13-3/4″ Overall: 24-1/2″ x 20-1/4″ 5) Sight: 15-3/4″ x 11-1/2″ Overall: 23″ x 19″ 6) Sight: 14-1/2″ x 10-1/4″ Overall: 19-1/2″ x 15″ 7) Sight: 10″ x 8″ Overall: 15″ x 12-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally good, some edge time tone 9-28298-1 (800-1,200)

SIXTEEN ENGRAVED PORTRAITS OF MEN & WOMEN. 1) “L’Oeconome” After a painting by Chardin Engraved by J. Ph. Lebas Paris, 1754 2) “Sergeant Major Patrick Gould” After a painting by George Watson Engraved by John Young, 1794 3) “His Royal Highness Frederick Duke of York & of Albany” After a painting by Sir William Beechey Engraved by William Skelton 4) “Hudson Gunney Esq.” Drawn & etched by Richard Dighton, 1820 5) “Miss Stephens” After a painting by G.H. Harlow Engraved by W. Say London, Published 1816 by E. Orme 6) “Buffon” Garnercy-P.M. Alix 7) “La Gouvernante” After a painting by Chardin, 1739 8) “Chateaubriand” 1769 9) “Lafayette” After a painting by Scheffer 1824, Engraved by Annin & Smith 10) “Mr. James Gillray” London, 1819 11) “William Pitt” Paris 12) “Incroyable” French 13) “A View from Baxter’s Livery Stables, Cambridge” Dated 1810, Published by Dighton 14) “Sir John Eardley Wilmot” Published 1811 by T. Cadell & W. Davies 15) “Capture of General Paget, 1812” After a painting by Atkinson Engraved by Dubourg 16) “Diderot” After a painting by L.M. Vanloo SIZE: 1) 23″ x 17″ 2) 21-1/2″ x 14-1/2″ 3) 15-1/4″ x 11-1/2″ 4) 13″ x 9-1/4″ 5) Sight: 14-1/2″ x 10-1/2″ 6) 13-3/4″ x 11″ 7) 15″ x 11-1/4″ 8) 19″ x 12″ 9) 13″ x 8″ 10) 12-1/2″ x 8-3/4″ 11) 15″ x 10″ 12) 16-1/2″ x 11-1/2″ 13) 13″ x 9″ 14) 14-1/2″ x 10″ 15) 11-1/4″ x 13-1/2″ 16) 11-1/2″ x 9-1/4″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good with some small repairs and age toning 9-28318 (500-1,000)

EIGHT ANIMAL & SPORTING RELATED COLORED ENGRAVINGS. 1) “Royal Cock Pit” Rowandson & Pugin London, Published 1808 by R. Ackermann 2) Untitled Engraved by R. & D Havell Published by Robinson & Son, 1814 3) “Fishing in a Punt” After a painting by H. Alken Engraved by I. Clark London, Published by T. McLean, 1820 4) Untitled Dated 1785, Published by H. Brookes 5) “Spaniels” After a painting by H. Alken Engraved by I. Clark London, Published by T. McLean, 1820 6) “Bull Baiting” After a painting by H. Alken Engraved by I. Clark London, Published by T. McLean, 1820 7) “Bull Baiting” After a painting by H. Alken Engraved by I. Clark London, Published by T. McLean, 1820 8) Untitled Published by Robinson & Son, 1818 Engraved by R.D. Havell SIZE: 1) Sight: 9-1/2″ x 11-1/2″. Overall: 15-1/2″ x 17″ 2) Sight: 8-1/2″ x 12-1/2″ Overall: 14-1/2″ x 18-1/2″ 3) Sight: 10″ x 13-1/2″ Overall: 15-1/2″ x 19″ 4) Sight: 9-1/2″ x 13-1/2″ Overall: 16″ x 20″ 5) 12″ x 19″ 6) 9-3/4″ x 13″ 7) 10″ x 13″ 8) 12-1/4″ x 18-1/2″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good with only minor imperfections 9-28313-1 (800-1,200)

SIX FRAMED PIECES. 1) “Fox Colored Finch” Audubon, J.T. Bowen 2) “Black Billed Cuckoo” Audubon, J.T. Bowen 3) “Homervs” 4) “Trajan’s Column” 1820, Engraved by M. Dubourg 5) “E Musceo Dni Ricardi Houlditch” 1735 6) Untitled 18th Century drawing of a student SIZE: 1) Sight: 6″ x 8″ Overall: 10-1/2″ x 12-1/2″ 2) Sight: 6″ x 9″ Overall: 12-1/2″ x 15-1/4″ 3) Sight: 8-1/2″ x 6″ Overall: 15-1/2″ x 13-1/2″ 4) Sight: 14-1/2″ x 11″ Overall: 20-3/4″ x 15-3/4″ 5) Sight: 8-1/2″ x 10-1/2″ Overall 12-1/2″ x 14″ 6) Sight: 10″ x 8″ Overall: 16-1/2″ x 14″ PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28308-1 (250-400)

MISCELLANEOUS LOT OF SIXTEEN LOOSE ENGRAVINGS & PRINTS. 1) “Sparrow Hawk, Male” P Selby, 1820 Plate XIII 2) Harper’s Weekly Page “Dad’s Coming” By Winslow Homer 3) “Great Footed Hawk” After a painting by A Wilson Engraved by A Lawson 4) “Temple of Vesta” Engraved by M. Dubourg 5) “Temple of Jupiter Tonans” London, 1820 Engraved by M. Dubourg Plus assorted other miscellaneous prints SIZE: 1) 20″ x 25″ 2) 11″ x 16″ 3) Sight: 10-1/4″ x 13-1/4″ 4) Sight: 10-3/4″ x 13-1/4″ 5) 12-1/2″ x 15-3/4″ 6) PROVENANCE: Private Montclair, NJ home CONDITION: Generally very good 9-28308 (300-500)

SIX 18TH CENTURY FRENCH ENGRAVINGS. 1) “Les Plaisirs de L’hiver” After a painting by Jean Baptiste Pillement (French, 1728-1808) London, 1759 2) “L’Hiver” Colored engraving after a painting by N. Lancret Engraved by Delarmessin 3) “Atala et Chactas” Engraved by J.C. Simon 4) “L’Hiver” After a painting by L. Lancret Engraved by J.P. Le Bas 5) “Expectation” Engraved by J R Smith London, 1784 6) “Fons e Conspectv Principis Portae Villae Pamphyliae” Engraved by Io. Bapt Falda All unframed SIZE: 1) 17-1/4″ x 20-1/2″. 2) 13-1/4″ x 15″. 3) 13-3/4″ x 16″. 4) 16-3/4″ x 13-1/2″. 5) 15-3/4″ x 14-1/4″. 6) 16-1/2″ x 11″. PROVENANCE: Private Montclair, NJ home CONDITION: Very good, some time toning 9-28312 (1,000-3,000)

LOT OF 200 MORGAN SILVER DOLLARS. Lot includes: 1878 (7); 1879 (25); 1879o (1); 1880 (6); 1880o (1); 1881 (13); 1881o (3); 1882 (10); 1882o (4); 1882s (1); 1883 (18); 1884 (39); 1884o (3); 1885 (17); 1885o (4); 1886 (12); 1886o (15); 1887 (1); 1887o (20). CONDITION: Ungraded, circulated. 7-70196 (3,000-5,000)

LOT OF 200 MORGAN SILVER DOLLARS. Lot includes: 1887o (5); 1888 (13); 1888o (7); 1889 (27); 1889o (43); 1890 (7); 1890o (8); 1891 (22); 1891o (6); 1892 (2); 1896 (1); 1896o (17); 1897 (20); 1897o (13); 1898o (1); 1899 (5); 1899o (2); 1900o (1). CONDITION: Ungraded, circulated. 7-70196-1 (3,000-5,000)

LOT OF 44 PEACE & MORGAN SILVER DOLLARS. Lot includes: 1893o; 1892cc; (4) 1878 cc; 1898s; 1899s; 1904s; 1891s; (13) 1922; (2) 1922d; (11) 1923; (1) 1923s; (6) 1924; (1) 1935s. CONDITION: Ungraded. 7-70196-2 (1,000-1,500)

LOT OF MISCELLANEOUS US SILVER COINS. Lot includes: (71 total)$1: (22) 1900o; (16) 1901o; (13) 1902; (3) 1902o; (1) 1903; (7) 1904; (3) 1921; (3) 1921D; (3) 1921s; $1/2: (21) (124 (50 cent) total) 1964 Kennedy; (20) Mixed Franklin; (104) Mixed Walking Liberty; (307) total 25 Cent: 294 Mixed Washington; 13 Mixed Standing Liberties; (352) total 10 Cent: 98 Mixed Roosevelt; 264 Mixed Mercury. $245.45 total face value. CONDITION: 7-70197 (2,000-4,000)

LOT OF U.S. COINS. Includes: Partial Whitman Folder of: 3 Liberty Halves (56 total); 1 Franklin Halves (31 total); 3 Lincoln Cents; 2 Buffalo Nickels; 3 Jefferson Nickels. Also 28 Wartime Jefferson nickels; 2-1/2 rolls of Buffalo nickels; 1/2 roll of Lincoln Cents; Small lot of Canadian & world coins. Proof Sets include 1985-1999 and 1977-1983. CONDITION: Not graded. 7-70198 (300-500)

1882 U.S. GOLD 10 DOLLAR EAGLE. Set in a 14k yellow gold pendant frame with gold filled necklace attached. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Ungraded. 7-70136 (800-1,200)

TWO US GOLD COINS & EIGHT US SILVER DOLLARS. Lot includes a 1906s gold $10 eagle; 1899s gold $5 half eagle and eight Morgan Silver dollars ((2) 1878s; 1879s; 1883; (2) 1885; 1887, 1921). CONDITION: Ungraded. 7-70174 (1,000-1,200)

1947 MEXICO GOLD 50 PESOS. Set in a 14k yellow gold pendant frame, possibly a restrike. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Ungraded. 7-70135 (800-1,200)

Revised: 1/28/2013

Please Note: Title includes a typo graphical error it should read 5 Pahlavi

1353 IRAN GOLD 6 PAHLAUI. Set in an unmarked gold pendant frame. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Ungraded. 7-70138 (800-1,200)

1907 FRANCE GOLD 10 FRANCS. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Ungraded. 7-70152 (200-400)

TWO 1979 SOUTH AFRICA GOLD 1 KRUGERRANDS. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Ungraded 7-70139 (800-1,200)

Revised: 1/28/2013

Correction: This watch in fact has a gold filled case and is neither 18k or 14k.

18K GOLD POCKET WATCH BY AURORA WATCH COMPANY. Heavy case marked “Dueber Champion 14K”, serial number 2966769. The dial marked “Aurora Watch Company”. The movement marked “Aurora Watch Co. Aurora Ills 15 Jewels”, serial number 75947 (1885/86). Weight: Case without movement 56 grams (1.8 troy ounces). SIZE: Case: 2-1/8″ W. PROVENANCE: To be sold to benefit the South Amherst, MA Congregational Church. CONDITION: Two hands missing, cracks in dial, unknown working order, inside lid with some wear and small dent. 9-27861 (1,000-1,500)

OUTSTANDING GOLD, MOSS AGATE PANELED OVAL HINGED BOX WITH INSET AFRICAN PROFILE CAMEO. The hinged lid in yellow gold having a 1-1/4″ x 1″ cameo of a black woman’s profile. She wears a ruby earring and diamond necklace having nine mine cut diamonds. She is flanked by two rectangular moss agate planchettes and having horizontal bars above & below the moss agate. The base of the box is moss agate and the sides have 24 oval 1/2″ moss agate cabochons. Probably 19th Century, possibly French or British Colony. One of the most magnificent stone & gold boxes we have encountered. SIZE: 1″ h x 3-1/2″ x 2-3/4″. CONDITION: There are 3 small rubbed areas on the cover and one or all may have held touchmarks, some of the agate pieces have age lines/cracks. 7-73221 (1,500-2,500)

RUSSIAN ORTHODOX SILVER, GOLD & GEMSTONE MONSTRANCE. The mark located at the back of the base is rubbed and hard to read, possibly “DA” in Cyrillic, Dmitri Andreev, active St. Petersberg, 1835-1860. Sunburst frame set with old mine cut sapphires, diamonds, emeralds, and rubies. Later lapis lazuli stepped base. WEIGHT: Without lapis base but including the mounting screw & plate which are not gold: 128 grams. SIZE: 5-1/2″ h total: 4″ without lapis base. 1-1/4″ Eucharist. CONDITION: Very good. Over the years these monstrances were fitted with different accessories including bases and it is possible that the bottom 1″ base is an appropriate associated base. 9-27760 (12,000-14,000)

PAIR OF FRAMED STERLING SILVER ROYAL FIGURES. The 5″ h cast figures are hallmarked with various English marks including rampant lion, leopard head, script “G”, “F” with maker’s mark “BM”. One shows a standing Queen on plinth, the other shows a King on plinth. The silver pieces are housed in oval 19th Century frames with a reverse painted landscape glass background and front glass. SIZE: Overall: 9″ x 7-1/2″. CONDITION: Front glass of King has crack to side, back glass of Queen has horizontal crack. Otherwise very good. 9-28180 (700-900)

Revised: 1/28/2013

Additional Information: We have been notified that the marks are from Hanau and that this is a 19th Century solid silver copy of an 18th Century box.

OUTSTANDING FRENCH LOUIS XVI HAND CHASED SOLID SILVER JEWELRY CASKET. This outstanding box with French hallmarks on base indicating the Paris Charge Mark for either 1768-74 or 1780-91 and two other hallmarks which are unidentifiable. Cover having opposing medallions of what appears to be Louis XV and Louis XVI, having a spread winged eagle above and crossed arrows and drum below, with a garland of flowers through center. Corners have relief rams heads leading to hoofed feet. The ends with oval medallions surrounded by flower garlands and torches. The front and back with ribbon topped columns, garland of flowers and central oval unmonogrammed area. Original key is present. We believe this to be a commemorative box for the transition of Louis XV to Louis XVI. Accompanying the box is a 1908 receipt from John Fenning Antiques, New York City. Weight: 23.6 troy ounces. SIZE: 4″ H x 7-1/2″ W x 5-1/2″ D. CONDITION: Very good. 9-28392 (1,500-2,500)

TWO SILVER & BALEEN LONG HANDLED DIPPERS. 1) Having an oval bowl set with a 1836 1 Schilling coin, baleen handle having a twist decoration ending in a silver tip. 2) Having a round bowl set with a 1755 2 Reales Mexican silver coin, baleen handle having decoration twist to the top. SIZE: 14″ l. CONDITION: One handle missing silver tip, generally good. 9-27202 (400-600)

FINE LOT OF SIXTEEN WOOD-CASED BUTTON CARDS. This fabulous lot includes a card with twelve copper art nouveau zodiac buttons with nude maidens. A card with six brass-decorated MOP buttons with animals; eight cards with a fabulous assortment of metal picture buttons, including people, mythology, flowers, cherubs, groups, and more; fine card of cameo profiles, another card of profiles; fine cloisonne, enamel; a card with paperweights and more. SIZE: Overall: 12-3/4″ x 9-3/4″. CONDITION: Very good. 9-27863 (2,000-4,000)

FINE STEINWAY MODEL “M” BABY GRAND PIANO. Circa 1888-1889, New York. Serial number 64426. The grand piano with ebonized finish of typical form raised on reeded cylindrical legs headed by incised and carved floral decoration, raised on suppressed ball feet with casters. The keyboard cover marked “Steinway & Sons./Patent Grand./New York./London./Hamburg.” Serial number is impressed behind the key slip, and also stenciled in the iron frame. Together with an American ebonized piano chair with swivel seat, glass ball, and chrome claw feet. SIZE: Overall piano: 38-1/2″ h x 72-1/2″ l x 54-1/2″ w. Length of soundboard: 5’7″. CONDITION: Ebonized surfaces remain intact, but would need professional re-polishing to return it to restored condition. Until recently, the piano was tuned and utilized on a yearly basis. Soundboard remains intact with minimal and minor hairline seam cracks. Piano in good working order. 9-27559 (3,000-5,000)

STEINWAY BABY GRAND PIANO. Circa 1907. New York. Steinway & Sons Model A II Square-Tail Baby Grand Piano in mahogany case, serial number 126494. Of typical form, each cheek with scrolled molded detail, the case raised on square tapering molded legs terminating in Marlborough feet raised on brass casters. Piano is accompanied by a mahogany piano bench with details similar to piano. SIZE: 72″ Case l, 56″ w. CONDITION: Piano retains good action and has remained in the same family for several years with periodic maintenance and tuning, sound board has hairline cracks but retains good tone, case with alligator finish. Right cheek facing with veneer damage in need of restoration. Otherwise, generally good. 9-25596 (4,000-6,000)

UNIQUE AND MAGNIFICENT EMBROIDERED SILK WORK OF THE TAJ MAHAL. Mid 20th century, India. An exceptionally detailed 3-dimensional (rising up to 3/4″) rendering of the Taj Mahal and its formal gardens and reflecting pool. Wrought against a night sky. The mausoleum rendered in 3-dimensional detail includes a faithful rendition of the main spandrel depicting the polychrome floral scrolling vinery. Bordering the spandrel, the calligraphy on the pishtaq of the main portal has been carefully reproduced in metallic thread. Extending forward is the reflecting pool wrought in shades of blues and grays. The reflective image of the front of the mausoleum can be clearly seen. The windows woven in gold thread, the balustrades and friezes decorated with polychrome thread mimicking floral vinery. The gilded finial of the central dome is beautifully represented in gold thread. Framing the Taj Mahal the rendition of the four outer minarets places an added dimension to the whole. The formal gardens in the foreground bordered by 3-dimensional cypress shrubs representing the changes to the garden under British rule. Framing this tableau is a wide border of midnight blue velvet arabesques, the larger of which contain a 3-dimensional bejeweled flowering plant alternating with smaller arabesques, each with a single jeweled bloom. Further framed by a secondary border of single jeweled blooms above scrolling latticework. Jeweled flowers encompass approximately 1760 cabochons of which 10 appear to be sapphires, 680 appear to be emeralds, and 1070 appear to be rubies. Because of the variations of color in some of the stones we are approximating the proportion of sapphires to rubies. The floral borders represent the shrubbery found within the formal gardens. The whole within a beige velvet frame. Now mounted in a contemporary gold gilt frame behind plexiglass. This extraordinary work is the product of a 10 year endeavor by a father and son during which time the large embroidery of the Sacred Peacock was created. These two important works descended through the family until they were acquired by the current owner. They were first on public display in the Ivory Palace, a commercial outlet in Dehli, India. Subsequently, at the personal request of Indira Ghandi, the works were placed in the Pavilion of India during the 1967 International Exposition in Montreal Canada. At the conclusion of the exposition the ownership of the tapestries transferred to the current owner. SIZE: Sight: 67″ h x 92-1/2″ w. Frame: 80″ h x 105″ w. CONDITION: The floral border with strong, vibrant color accentuating the more subdued colors of the central panel. All of which remain as was originally intended. Therefore, in very fine condition overall. All jewels appear to be present. Two surface scratches to interior of plexiglass proper left side. Additionally a 1″ diagonal hairline crack in plexiglass proper upper left corner. 9-26419 (50,000-70,000)

UNIQUE AND IMPORTANT RELIEF TAPESTRY OF A SACRED WHITE PEACOCK OF INDIA. Mid 20th century, India. The product of a private commission, this silk work tapestry heightened with gold and silver threads depicts a 3-dimensional image of a white peacock perched on the branch of a tree with emerald green variegated foliage within a water landscape. The peacock is posed with its head in profile. Set against a black sky within an arabesque floral border in shades of lavender of repeating blooms accented with gold thread within a velvet wine red frame, the center of each flower mounted with alternating ruby (40 total) and opal (39 total) cabochons. The magnificent tail plumage, the focal point, encompassing the bottom half of the tapestry, set with 72 large emerald cabochons of varying sizes and coloration, totaling approximately 3000 carats. Housed in a contemporary gold gilt frame behind plexiglass. This extraordinary work is the product of a 10 year endeavor by a father and son during which time the large embroidery of the Taj Mahal was created. These two important works descended through the family until they were acquired by the current owner. They were first on public display in the Ivory Palace, a commercial outlet in Dehli, India. Subsequently, at the personal request of Indira Ghandi, the works were placed in the Pavilion of India during the 1967 International Exposition in Montreal Canada. At the conclusion of the exposition the ownership of the tapestries transferred to the current owner. SIZE: Sight: 63″ x 26-1/2″. Frame: 73″ x 38″. CONDITION: Cotton, silk and metallic threads in very fine condition. Colors strong and vibrant. One opal cabochon right side facing is missing. Otherwise all stones present. 9-26420 (20,000-30,000)

UNIQUE AESTHETIC MOVEMENT EAGLE CARVED STAND. Last quarter 19th century, New England. The square molded top above the conforming frieze pierce carved with vinery, joined to four spiral twist legs, joined by a vine carved gallery above the lower shelf on which is mounted a nicely carved displayed eagle on a turned ball top pedestal. The stand raised on four carved legs simulating the legs and hairy claw feet of an animal. All in cream paint. SIZE: 34-1/2″ h. Top: 14″ x 14″. CONDITION: Painted surfaces with soiling and losses, two feet with losses to claws, generally in need of restoration, but otherwise structurally good. 9-27456 (1,000-1,500)

GROUP OF FIVE NANTUCKET LIGHTSHIP BASKETS. Mid 20th century, Nantucket, Massachusetts. The first a signed handbag with lid branded by the maker, “Jose Formosa Reyes”. The second a large oval open basket with bentwood swing handle. The third a shallow round basket with swing handle. The fourth a similar deep example. The fifth a miniature round swing basket with handle. SIZE: 1) 6-3/4″ h x 9″ l x 7-1/2″ w. 2) 7″ h x 15-1/2″ l x 12″ w. 3) 4″ h x 8-1/2″ dia. 4) 7″ h x 9-3/4″ dia. 5) 3″ h x 3-1/4″ dia. CONDITION: Generally very good. 1) With very worn brand on bottom. 3) With losses to wrapping of rim by handle. 9-27217 (800-1,200)

Revised: 1/28/2013

Additional Information: This is a “Portsmouth” model made as a copy of a Bellamy Eagle, made by Artistic Carving Co and was illustrated in their catalog on page 2. Mid 20th Century.

CARVED EAGLE PLAQUE BY JOHN HALEY BELLAMY. John Haley Bellamy (1836-1914), Kittery, Maine. Carving of a displayed eagle with great seal of the United States. The proper right wing affixed with pole from which a banner reading, “DON’T GIVE UP THE SHIP”. Banner and shield each painted in red, white and blue enamel paint. The body of the eagle retains traces of gilding and green paint. For similar examples, see pages 66-67 in “John Haley Bellamy Carver of Eagles” book, by Yvonne Brault Smith. SIZE: 28″ l x 9-3/4″ h x 4-1/2″ d. PROVENANCE: From a fine Westerly, Rhode Island estate. CONDITION: Although structurally very good, the carving shows evidence of an attempt to remove gilded and painted surfaces, resulting in the remnants of heavy residue within all of the grooves of the carving and subsequent losses of much the gilded and painted surfaces. 9-28342 (2,000-4,000)

UNIQUE FOLK ART CARVED PANEL OF A WHALE HUNT. Second half 19th century, New England. This dramatic carving of a whale hunt. The central figure in foreground of a sperm whale rolling in the water, a large whaling ship in the background. Additional whaling boats with harpooners engaging whales in the background. All rendered on a pine plank, possibly a hatch cover. SIZE: 23-1/2″ h x 60-1/2″ l. PROVENANCE: From a fine coastal Westerly, Rhode Island estate. CONDITION: Generally very good. Decorated and carved surfaces intact. 9-28338 (3,000-5,000)

FINE SCRIMSHAW TUSK. Circa 1880, Western Pacific. Scrimmed with figure of a lady in fashion gown beneath crossed harpoons and anchor. The reverse scrimmed with clipper ship flying an American flag, beneath a displayed eagle clutching the great seal of the United States. Together with a cluster of arrows. A banner reading “FREE TRADE” in its beak. SIZE: 8-3/4″ l. Greatest cir: 7″. PROVENANCE: The Lahaina Whaling Museum, Maui, Hawaii. CONDITION: Very good with fine age cracks and with rich patina. Old surfaces nicks and scratches. 7-70275 (2,500-3,500)

WHALES TOOTH PAPERWEIGHT. Mid 19th century, Western Pacific. The tooth fitted with turned handle. SIZE: 2-3/4″ h x 6-1/4″ l. PROVENANCE: Formerly on display at the Lahama (Lahaina), Maui Whaling Museum, Hawaii. CONDITION: Fine polished surfaces with color and patina. 7-70277 (800-1,200)

FIJIAN WHALE’S TOOTH “TABUA”. First half 19th century, island of Fiji. In modern frame. A sperm whale’s tooth, mounted and hung from a braided cord traditionally of coir sinnet. This traditional form of necklace was considered an heirloom within the family of the owner. This lot is accompanied by a Hearst Gallery catalog and additional document describing these tabuas. SIZE: 6-1/4″ l of tooth. Frame size: 20-1/4″ h x 16″ w. CONDITION: Very good. 7-73332 (800-1,200)

ATTRIBUTED TO ROBERT SALMON (American, 1775-aft. 1845) SALVAGING THE WRECK. Small unsigned oil on wood panel scene shows a large sailing vessel wrecked in shallow water with figures atop and beside. A group of people, one on horseback, watches from the beach side and a mother & child can be seen atop a fenced cliff. Housed in a gilt wood frame with velvet liner. NOTE: From the “Catalogue of Robert Salmon’s Pictures 1828-1840” there are three works which may reference the above painting. Of similar size and dating from the mid-1830’s, the views all describe scenes with wrecks and figures (#840 and #842). Catalog #864 is however more specific: “8 x 5-1/2″ 1 Day Calm with a wreck, rocks and figuars (sic) man on horseback”. SIZE: 5-3/4″ x 8-1/4″. Overall: 10-3/4″ x 13″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Craquelure, in need of restoration. 7-70173-1 (3,000-5,000)

UNSIGNED (English School, 19th Century) PORTRAIT OF THE SHIP “”TOM HENRY” OF NEW QUAY-CAPT J. CLEMENS”. Gouache and watercolor portrait shows the black-hulled schooner sailing right to left with full sails. A blue & white ship’s pennant from back mast and flying British flag. The name emblazoned on the bow and six crew members are seen on deck. Two other sailboats are seen with white crested blue waves. On left is seen a green peninsula with double lighthouses and building. Bottom legend with title in black cursive writing. Housed in an antique birdseye maple ogee frame with gold liner and modern brown matte behind glass. SIZE: Sight: 21-1/2″ x 30″. PROVENANCE: From a fine New Jersey home. CONDITION: Very good. 9-24612 (800-1,200)

VERY FINE SCRIMSHAW TUSK OF THE CLIPPER SHIP TAEPING. Third quarter 19th century, Western Pacific. Part of the China tea trade legacy, this large scrimshawed piece taken from the tip of a tusk depicts the junk foo chow in Peking. The reverse a scrimmed portrait of the ship Taeping, beneath which in a banner is scrimmed “HOMEWARD BOUND FROM CHINA”. The carving mounted on an ebonized socle. SIZE: 8-1/2″ h of tusk. 13-1/2″ cir base. 11″ h overall. PROVENANCE: Formerly on display at the Lahama (Lahaina), Maui Whaling Museum, Hawaii. The piece is accompanied by an identification tag reading the following: “Very large scrimshawed elephant tusk depicting the clipper “Taeping”. The Taeping was a China Tea Clipper, launched in December 1863. She sailed from Shanghai to London laden with 1,099,900 lbs of tea. This crossing took 102 days and was one of the fastest. On September 22, 1871 she was wrecked on Ladd’s Reef, China Sea. CONDITION: Very good, with undisturbed surfaces. Normal and expected shrinkage cracks throughout. Very good. 7-70276 (2,500-3,500)

LEATHER & STERLING TROPHY MUG BY GORHAM SILVER CO. The top rim marked with the Gorham hallmark, “AY 455” and “Sterling”. The mug shaped form having a strap handle and centered shield in silver with triple monogram. SIZE: 9-1/2″ x 5″ dia. at rim. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Some age cracking and splits to stitches, otherwise good. 7-70137 (500-700)

IMPORTANT HAWAIIAN KOA DEEP BOWL. A fine and rare Hawaiian bowl fashioned from koa wood, of hollowed circular form, and tapering to the rim. The bowl exhibits a number of old indigenous repairs including a panel secured with old dowels and hardwood “stitching” around the border. The side with two butterfly repairs securing an old shrinkage crack; fine aged patina on the interior and warm reddish brown on the exterior. NOTE: A similar example, part of the Captain James Cook collection, sold in the rooms at Sotheby’s, New York, on November 16th, 2001, lot 248. In addition, a similar royal Hawaiian bowl was appraised on The Antiques Roadshow, August 21st, 2004. SIZE: 8-3/4″h x 12″ dia. PROVENANCE: Purportedly acquired by the consignor’s father, a member of the Hathaway-Howland Family with extensive land and business interests in Honolulu and Hilo in the 19th and early 20th centuries. Included is the Walker & Howland Civil Engineering firm of whom J.H. Howland was a principal (circa 1899). The bowl is acquired from a sale of several items belonging to Queen Lili ‘uokalani (1838-1917). The current owner and consignor, a direct descendant within the family, remembers this bowl and others in her family home, then located on Waikiki Beach. CONDITION: As stated. 9-24563 (5,000-15,000)

FINE CARVED PRISONER OF WAR SHIP MODEL. Early 19th century, England. The small and well detailed model of the British ship of the line, “LION” carved in bone and ivory with planked deck and hull, rendered with 64 guns. Mounted in a glass and walnut case. SIZE: Model: 12-1/2″ h 16-1/2″ l. Case: 17″ h x 20-1/2″ l x 8-1/2″ w. CONDITION: Very good overall, no repairs or restoration noted. 9-27471 (10,000-15,000)

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF THE PILOT BOAT “FANNIE”. Large oil on canvas portrait of the two-mast New York Harbor Pilot boat “Fannie” sailing right to left in full sail with seven men aboard. U.S. flag flies along with ship’s pennant, along with a large “17” on back sail. A large three-mast tall ship is seen off the bow and two-stack steamer off stern. Seven other boats can be seen on the horizon. Light & dark blue sea with white wave tips. Signed lower right “Antonio Jacobsen 1896” and inscribed “31 Palisade Av. West Hoboken, NJ”. Housed in its original gesso decorated gilt frame which has losses. REFERENCE: Page 120 & 121, No. 15 in Antonio Jacobsen, The Checklist. One of the finest examples of Jacobsen’s work that we have seen. SIZE: 24″ x 42″. PROVENANCE: From a private Maryland collection. CONDITION: Original, untouched condition, small paint chip above date, light craquelure, very good. 9-27830 (15,000-20,000)

LOUIS DODD (United Kingdom, 1943-2006) “THE RIVER THAMES AT GREENWICH SHOWING THE AMERICAN FRIGATE ST. LAWRENCE BRINGING EXHIBITS FOR LONDON’S GREAT EXHIBITION OF 1851”. Outstanding oil on panel shows a broadside view looking across the river at the Royal Naval Hospital at Greenwich and beyond is seen Queen’s House, The Royal Observatory, through which the Greenwich Mean Time line passes. The central three-mast ship having partial sails and several crew members with guns at the ready. Flying American flag at stern. Several other ships are seen including a steam sailor sailing right to left in foreground. All under a blue & white cloud sky. Signed lower right. Housed in its original decorative partial gilt frame which has the title legend at bottom. NOTE: In addition there is a framed painting of a British ship which shows the painting technique through eight stages of Louis Dodd. Also accompanying the lot is the book “The Confederate Raiders” by Thomas J. Coughlin illustrated by Louis Dodd. Four of his works can be found in the boardroom of Federal Express and General Motors has two. He was sold and represented by the finest marine arts galleries in the country. This is a rare opportunity to purchase an outstanding example from one of the finest marine topographical artists of our time. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-27428 (20,000-25,000)

JAMES GARDINER BABBIDGE (American, 1844-1919) PORTRAIT OF THE COASTAL SCHOONER “COMMERCE”. Outstanding oil on canvas Maine ship portrait of the coastal two-mast black-hulled schooner “Commerce”. It sails left to right approaching Rockland Harbor with Owls Head Lighthouse off the bow. It is shown in full sail with four men on deck, the name by the stern. Several other sailboats are seen, all on a white tipped greenish ocean. This schooner was a Lime Hauling boat for the Rockland, Maine Perry Bros. Company. Signed with initials lower left in a barrel buoy with flag “JGB”. Dated “1896” below frame edge. Housed in a period, and probably original, gesso decorated gilt frame. SIZE: 22″ x 34″. PROVENANCE: Hung in the office of Perry Bros. Co. in Rockland, Maine. Descended through the family of the owners. CONDITION: Scattered retouch, cleaned & conserved by the Peabody Essex Museum in Salem, MA. 9-24839 (5,000-7,000)

HANUMANN (20th Century) SIX SHIP WATERCOLORS. Each watercolor housed in a hinged plexiglass holder. 1) Depicts a three-mast English schooner sailing left to right in rough seas with other ships. 2) Depicts two tall ships entering a port with three other smaller vessels. 3) Depicts a three-mast gunboat following a small steamship “Rambler” with two other boats. 4) Depicts a three-mast galleon with intricate rigging sailing left to right. 5) Depicts a three-mast vessel with American flag and partial sails up sailing left to right. 6) Depicts a galleon in full sail outside of a Spanish port with man in the water and a man on horse on the beach. Five are signed “Hanumann”. SIZE: 13″ x 17″. Overall: 13-1/2″ x 17-1/2″. CONDITION: Very good to excellent. 9-28062 (600-1,200)

FINE ROSEWOOD STICK BAROMETER ON GIMBAL. Mid 19th century, English. The ivory barometric scale marked “JOHN POOLE/57. FENCHURCH STREET/LONDON” all within a molded tombstone arch aperture. Stick fitted with a gimbaled attachment. Above the thermometer tombstone aperture fitted with an ivory scale marked in centigrade and Fahrenheit. Terminating in a cylindrical turned brass canister base. SIZE: 35-1/2″ h. CONDITION: Generally very good. Tubes intact. Operable. Mounting bracket absent. 9-25557 (1,500-2,500)

A. LANGE & SOHNE SHIP’S CHRONOMETER. Second quarter 20th century, Germany. The instrument mounted on gimbal within original mahogany case with hinged lid. The silvered dial with Roman numeral chapter ring, and with subsidiary dials, marked “A. LANGE &SOHNE/GLASHUTTE B/DRESDON 1297. SIZE: Dial: 4-1/2″ dia. Case: 7″ x 7″ x 7”. PROVENANCE: Paper label attached to case reads: “Captured from the Germans at the fall of Brest, France, by Lt. Col. Carleton E. Fisher”. CONDITION: Not examined out of case. Beveled glass cover above dial with small chip and multiple flea bites on edge. Otherwise appears very good. 9-27704 (2,500-3,500)

BROCKBANKS & ATKINS MAHOGANY CASED EIGHT DAY NUMBER 993 CHRONOMETER. Second quarter 19th century, England. The chronometer on original brass gimbal, and marked “Brockbanks & Atkins/London No. 993”. The case inset with an ivory disc engraved “993”. Affixed to the front lid is a name plaque “J.W. Noel/Down Green/Wheathamptstead”. Case fitted with carrying handles. SIZE: Dial dia: 4-3/8″. Case: 7-1/2″ x 7-1/2″. CONDITION: Chronometer not inspected out of case. Instruments needs some balancing within gimbal, top lid of case absent. Secondary lid with glass panel intact. 7-70252 (1,800-2,400)

UNSIGNED (American School, 19th century) PORTRAIT OF A GENTLEMEN PURPORTED TO BE JOHN PAUL JONES. Oil on canvas half portrait of a man wearing a dark coat with gold buttons, gold vest, and white shirt. He wears what appears to be a Tri-Corner hat against a dark brown background. Housed in period style frame. SIZE: 37″ x 23-1/2″. Overall: 37-1/2″ x 32″. CONDITION: Very good. Lined, scattered retouch. 9-27472 (3,000-5,000)

FINE FEDERAL INLAID MAHOGANY SIDEBOARD. First quarter 19th century, probably New England. The rectangular top with shaped front above the conforming case fitted with a long drawer above a pair of cupboard doors flanked by small doors further flanked by curved doors. All with contrasting inlaid spandrels. The whole raised on square tapered legs with inlaid husks. SIZE: 42″ h x 81″ l x 24″ d. CONDITION: Professionally restored and re-polished. Note: Outer front corners of top canted. Brass handles later replacements. Generally good. 9-27663 (6,000-9,000)

FINE FEDERAL MAHOGANY AND SATINWOOD CARD TABLE. Circa 1810, Boston or North Shore, Massachusetts. The rectangular hinged top with half serpentine ends, ovolo corners, and serpentine front. The edges with lunette inlays in the manner of the Seymour shop, above a conforming frieze with satinwood inlaid figural panels. The corners with engaged half round ring-turned colonnettes continuing to ring-turned tapering reeded cylindrical legs with ring-turned swelled cuffs, continuing to tapered feet. SIZE: 28-1/4″ h x 36-1/2″ l x 17-1/2″ d. CONDITION: Professionally re-polished with restoration at rear corners of top at hinges, and with cosmetic restoration of legs at juncture of apron. Otherwise very good. 9-27678 (4,500-6,500)

FULL BODIED COPPER STAG WEATHERVANE. Attributed to J.W. Fiske, New York. Standing deer modeled with zinc antlers and with verdigris surfaces joined to a rod. Offered with a museum stand. SIZE: 29″ h x 22-1/2″ l. CONDITION: Generally very good. 9-27645 (8,000-10,000)

NEW JERSEY FEDERAL INLAID CHERRY LINEN PRESS. Circa 1800, probably Bergen County. In two parts, the upper case with cove molded cornice above the molded frieze carved with aligned diamonds above a pair of cupboard doors, each with central inlaid urn within a patera. The interior fitted with two fixed shelves, fitted to the lower case within a molded frame. The case with two aligned short drawers, over three graduated long drawers, all with incised edges, raised on simple bracket feet. The shaped apron with central crescent. SIZE: 77-1/2″ h x 47″ w overall x 20-1/2″ d. CONDITION: Professionally re-polished. Hardware original. Proper left side of lower case with shrinkage crack, proper right rear foot replaced. Otherwise good. 9-27546 (3,000-4,000)

FINE FULL BODIED COPPER CODFISH WEATHERVANE. Possibly Cushing & White. The gilt and verdigris surfaces on a nicely fashioned weathervane with sheet copper fins, offered on a museum stand. SIZE: 13-1/4″ h x 32-3/4″ l. CONDITION: Generally very good. Possible late soldering repairs to seam in front of dorsal fin. 9-27646 (7,000-9,000)

MASSACHUSETTS HEPPLEWHITE PAINT DECORATED POLE SCREEN. Circa 1800, mahogany, Salem or North Shore. The shield form screen decorated with floral sprigs within a delicate painted border of leaf tips on a mustard ground. The screen mounted on a slender, tapering urn-turned shaft surmounted by original brass urn form finial. Raised on a spider leg tripod base, terminating in spade feet. SIZE: 51-1/2″ h. CONDITION: All surfaces original, very good overall condition, screen mounts have been repositioned and with losses of paint on rear of shield. For a similar example, see Dean A. Fales, “American Painted Furniture” page 100, plate 166. 9-27767 (2,000-3,000)

FINE WATERCOLOR PORTRAIT OF A YOUNG LADY. Circa 1819, New Jersey. Portrait of Mary Henrietta D’Anterroche finely rendered depicting the then 18 year old girl in fancy empire lace collared dress. Her hair in ringlets before a drapery background. Housed in a period lemon gold frame. SIZE: Sight: 11-1/2″ x 9-3/4″. Overall: 17″ x 14-3/4″. PROVENANCE: On the back of the work taped to cardboard is the following: “This is a portrait of Mary Henrietta D’Anterroche at eighteen years of age. She was born September 24, 1791 and died January 8, 1873 in her 82nd year. Her mother was Mary Vanderpool of Chatham, New Jersey, and her father was Count Louis D’Anterroche, one of the French settlers here after the revolution in France, whose mother and… On May 25, 1817, she married Joseph Lyon who was born in London, England in 1780 and was a Colonel in the British army. He came to this country in 1816 and established himself in the shipping business in New York with his two brothers under the name of Lyon. She had two sons… and John F. Lyon, and one daughter Mary… Lyon.” CONDITION: Generally very good. No restorations noted. 9-27797 (1,200-1,500)

RARE SMALL BEEHIVE TURNED BOWL. Mid 18th century, New England. This deeply carved small footed example, retaining strong original red painted surfaces. The dark nutty interior with old chop-mark abrasions. SIZE: 3″ h x 8-1/2″ d. CONDITION: Very fine untouched condition, without splits or cracks of any sort. 9-27814 (800-1,200)

SILAS PARSONS FEDERAL TALL CASE CLOCK. First quarter 19th century, Swanset, New Hampshire. The bonnet with arched concave molded cornice surmounted by brass ball and spire finials. The centermost with cast brass displayed eagle flanked by freestanding fluted colonnettes with brass capitals and bases. The arched door opening to painted iron dial with floral spandrels and classical urn in the arch, signed “Silas Parsons” in script beneath calendar aperture. With eight day weight driven brass movement, time and striking on a bell. The throat with arched molded door, flanked by engaged fluted quarter columns on cove-molded box base with molded plinth. Offered with pendulum and weights. SIZE: 82-1/2″ h. Throat width: 13-1/2″. 8″ d. CONDITION: Case with old surfaces, bracket feet absent, horizontal crack in front panel of base. Brass movement appears complete. Generally good overall. 9-27506 (2,500-3,500)

IMPORTANT ABEL HUTCHINS FEDERAL TALL CASE CLOCK. Circa 1810, Concord, New Hampshire. The birch case with arched molded cornice surmounted by pierced fretwork centering three brass ball and spire finials. The hood with freestanding colonnettes with brass capitals and plinths centering an arched door opening to an iron dial with Arabic chapter rings centering a sweep seconds subsidiary dial above calendar, time and strike apertures above the name in script “Abel Hutchins/Concord” within gold spandrels, each with a persimmon rondel and gold flower head. The arch on the dial painted with a floral spray flanked by scrolling feathers and leaf tips. The brass 8 day time and strike movement striking on a bell. The throat with molded rectangular door joined to a cove molded box base with shaped apron continuing to short feet. Accompanied by a pair of weights, pendulum, door key, winder and finials. SIZE: 86-12″ h x 14-1/4″ w of throat x 10″ d. PROVENANCE: On interior of door is affixed the following document: “This clock was made by Abel Hutchins, of Concord, N.H. It was first owned by Mr. Tilly Brockway, grandfather of Leonice Brockway Morse. He brought the clock with him in a hay cart (carrying his household effects) when he moved from New Hampshire to Lancaster, Mass in ___. Grandmother Morse remembers seeing the clock at her grandfather’s house from the time she was a child. She and her family went to the grandparents house each Sunday for dinner from their home in Sterling, Mass.” By descent to Horace Gray Morse and to family. CONDITION: Case with old polished surfaces. Nice patina. Finials old if not original. Fretwork may be early replacement. Feet have been shortened. Dial appears original with overall craquelure. Top and lower pillars have all caused paint loss on dial corresponding to their location. Movement appears cleaned and operable. Calendar dial in need of reconnection. Generally good. 9-25597 (4,000-6,000)

RARE FULL BODIED COPPER HORSE & JOCKEY WEATHERVANE. Circa 1895, possibly J. W. Fiske & Co., New York. This version of a galloping rider, modeled with the Jockey leaning forward. Horses head and jockey of zinc. With old painted surfaces. Offered with copper and cast-iron directionals, pole, and copper mid-molded ball. Offered without stand. SIZE: 15″ h x 32″. CONDITION: Old painted surfaces have been mostly artificially removed. Multiple dents on hind quarters, tail creased and twisted slightly to the left, front legs bent slightly to crossed position. Jockey’s hat with some damages to peaked brim, and to skull of cap. Otherwise fair, but restorable. 9-24699 (6,000-8,000)

SET OF SIX DEEP AMETHYST GLASS BOWLS. Polished pontil bases with nice bottom wear, 19th Century. SIZE: 3-3/4″ h x 4-1/2″ dia. at rim. CONDITION: Very good. 9-27939 (600-900)

ASSEMBLED SET OF TWELVE CLEAR WINE RINSERS. Almost identical, the clear rinsers with a rim having two rim spouts. The sides having cut and polished half flutes. Polished pontil bases. SIZE: 4″ h x 5″ dia. CONDITION: One with spout chip, others are very good. 9-27938 (1,000-2,000)

FEDERAL CHAUNCY IVES PILLAR & SCROLL SHELF CLOCK. First quarter 19th century, Bristol, Connecticut. The swan’s neck pediment crest fitted with three brass urn and spire finials above the rectangular case with conforming door. The eglomise tablet painted with an American ship in a marine landscape within a gold gilt foliate border. The wooden dial with scrolling gilt foliate spandrels centering an Arabic numeral chapter ring with time and strike apertures and thirty hour weight driven movement. The case flanked with freestanding colonnettes raised on slender pointed feet with shaped returns and apron. Clock is offered with winder, pendulum, pair of weights, and door key. Case retains original Chauncy Ives paper label on back. SIZE: 31″ h x 16-1/2″ w. CONDITION: Repair to proper left swan’s neck pediment, with small loss to veneer, proper left side gallery. Eglomise panel original but with extensive paint loss, otherwise very good. 9-27700 (800-1,200)

Revised: 1/28/2013

Correction: There is a typo in size. The length should be 15-3/4″ NOT 50-3/4″.

FULL BODIED COPPER PIG WEATHERVANE. Late 19th- early 20th century, probably E.G. Washburne & Company, New York. This nice example with tightly curved tail and upturned snout with gilded surfaces. For a nearly identical example, reference “Copper Weathervanes”, manufactured by E.G. Washburne & Company, see page 19 in illustrated catalog of same. Also see the book “Weathervanes” by Charles Klamkin, page 118. Now offered on a museum stand. SIZE: 15-3/4″ h x 29-1/2″ l. CONDITION: Small, tight crease top of proper right hind quarter. Otherwise very good. 9-28183 (6,000-8,000)

WONDERFUL MINIATURE WATERCOLOR ON IVORY BY ADRIANNA TUTTLE. The oval half portrait shows a young girl with curly long hair smiling wearing a yellow lace collared dress, beaded necklace and ribbon in hair. Signed “A. Tuttle 1918”. Housed in a wonderful brass oval frame with hanging loop. The miniature is held in its original easel folding case which is “as is”. SIZE: Miniature: 3-3/4″ x 3″. Case: 6-3/4″ x 5″. CONDITION: Very good. 9-27672 (1,500-2,500)

SEMI-ANTIQUE SAROUK CARPET. First quarter 20th century, Central Persia. With large floral sprays throughout on a pink ground within a dark indigo main border of lotus blossoms and vinery. SIZE: 9′ 2″ x 12′ 5″. CONDITION: Good overall with loss to fringes. 9-27662 (2,500-4,500)

CHI CHI ORIENTAL RUG. First quarter 20th century, East Caucasus. Woven with two rows of lozenges with serrated edges alternating with three rows of lesser lozenges. Signed and dated at end of central panel. All within an ivory main border of polychrome geometric devices within indigo and black crenelated guard borders. SIZE: 4′ 1″ x 5′ 10″. CONDITION: Ends with some losses. With overall wear to some areas of foundation. Generally good. 9-27228 (1,500-2,000)

BALTIMORE FEDERAL INLAID MAHOGANY ARMCHAIR. The heart shaped back with central banister pierced splat, inlaid with a shell patera, flanked by curved incised splats, joined to a fan at the base. The curved arms continuing to out turned handrests on curved supports centering a trapezoidal overupholstered seat frame with serpentine front rail. Raised on canted trapezoidal frontal tapered legs and backswpet rear legs, joined by a recessed box stretcher. Note: Related examples plates 101 and 102, pages 150-151 in “American Furniture The Federal Period”, by Charles F. Montgomery. SIZE: 36-1/2 back h. 17″ seat h. 21-1/2″ overall w. CONDITION: The chair with scrubbed old surfaces, seat cover absent, generally good. 9-27446 (700-900)

FEDERAL PINE SUGAR CHEST ON STAND. Early 19th century, mid-Atlantic region. The small dovetailed box with hinged lid with a single drawer at the base. Fitted to a conforming stand with molded edge and scalloped apron raised on chamfered square legs joined by an X-form stretcher. SIZE: 33-1/2″ h x 17″ w 12-3/4″ d. CONDITION: Retains original brass knobs. Slight shrinkage crack on lid. Normal and expected wear and abrasions commensurate with age. 9-27827 (1,000-1,500)

Revised: 1/11/2013

ADDITIONAL INFORMATION: Condition: One chair with break at upper left side of crest rail, above splat, proper right front leg with plug at rear of leg, otherwise chairs with old professional repairs. Generally good.

FINE PAIR OF BALTIMORE INLAID MAHOGANY SIDE CHAIRS. Circa 1810, Maryland. The oval molded back centering three slats, the outermost headed with carved water leaves over carrot shaped cutouts, centering a fan shaped central splat with bellflower inlay above a carrot shaped cutout, all above a pierced fan. The elliptic over upholstered seat above the curved frontal seat rail, with contrasting checkerboard stepped inlays raised on square tapered frontal legs with Marlboro feet. The rear legs backswept, joined by a recess box stretcher. Note: For a related example with similar elements, see plate 104, page 152 in “American Furniture The Federal Period”, by Charles F. Montgomery. SIZE: 37-1/2″ h of back. 18″ h of seat. CONDITION: Chairs with original untouched surfaces, some minor losses to string inlays in seat rails. In need of repolishing, otherwise very good. 9-27447 (2,000-3,000)

NEW ENGLAND FEDERAL INLAID MAHOGANY PEMBROKE TABLE. First quarter 19th century, possibly Connecticut. The rectangular single board top with bowed edges joined to hinged demilune leaves, all edges string inlaid above the conforming frieze. Fitted with a single drawer opposing a simulated drawer, raised on square tapered legs headed by oval inlaid patera, continuing to pendant bellflower inlays, crossbanded at the angles. SIZE: 28″ h x 20″ w x 33″ d. Open: 40″ l x 33″ w. CONDITION: Very good overall, professionally re-polished, and with professional restoration at hinges. 9-27665 (3,000-5,000)

UNUSUAL SHERATON CHERRY TWO PART DINING TABLE. Circa 1840, possibly Connecticut. Comprising two sections, each with D-form top with blocked end centering the wide apron of figured mahogany with cockbeaded edges. Each section with rectangular hinged leaf at the rear, raised on five swelled reeded cylindrical ring turned legs. The fifth leg pivoting to support the leaf. SIZE: 30-1/2″ h x 78″ l overall x 47-1/2″ w. CONDITION: Repolished with mellow honey brown color. 9-27740 (1,000-1,500)