WALDO PEIRCE (American, 1884-1970) “MUSSELS”.

Oil on canvas Unframed Initialed lower left “WP.”, signed, dated, titled and inscribed on verso “WPeirce ’48/Mussels/belongs to Karen Peirce SIZE: 20″ x 24” PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-5 (3,000-5,000) – Lot 1000

WALDO PEIRCE (American, 1884-1970) SEA URCHINS.

Oil on canvas Unframed Initialed and dated lower right “WP.53″ SIZE: 13″ x 22” PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-7 (1,000-1,500) – Lot 1001

WALDO PEIRCE (American, 1884-1970) “CONVERSATION PIECE, COPENHAGEN”.

Oil on canvas Housed in a slat wood frame Initialed and dated lower right “WP 56”, signed, titled and inscribed on verso “WPeirce /Conversation Piece, Copenhagen 56/for ellen/belongs to Ellen Pierce” SIZE: 25″ x 30″. Overall: 26″ x 31″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-18 (3,000-5,000) – Lot 1002

WALDO PEIRCE (American, 1884-1970) “MOSES”.

Oil on canvas Unframed Initialed lower right “WP.”, signed, dated and titled on verso “WPeirce 53 /Moses/#431″ SIZE: 14″ x 18” PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor canvas buckle. 50645-8 (1,500-2,500) – Lot 1003

WALDO PEIRCE (American, 1884-1970) “AUTUMN LEAVES WITH KITTENS”.

Oil on canvas Housed in a rustic frame with linen liner Initialed and dated lower right “WP 41″, titled on a Midtown Galleries, New York label affixed to cardboard backing SIZE: 43 x 31-1/4”. Overall: 52-1/2″ x 40″ PROVENANCE: By descent within the family of the artist. CONDITION: Overall very good condition, with minor shrinkage cracks to thick impasto. 50645-23 (8,000-12,000) – Lot 1004

WALDO PEIRCE (American, 1884-1970) “AUTUMN LEAVES AND ASTERS”.

Oil on canvas Housed in a contemporary frame with linen liner Initialed and dated lower right “WP Sept 68”, signed, titled and dated on verso “WPeirce Sept. ’68/ Autumn leaves + asters”, titled on Midtown Galleries, New York label affixed to stretcher SIZE: 36″ x 29″. Overall: 39-1/2″ x 32″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-25 (2,000-4,000) – Lot 1005

WALDO PEIRCE (American, 1884-1970) THE CONCERT.

Oil on canvas Unframed Unsigned, inscribed on verso “belongs to Karen Peirce Long” SIZE: 31″ x 43″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt. 50645-2 (2,000-4,000) – Lot 1006

WALDO PEIRCE (American, 1884-1970) “THE DREAM OF ST. JOHN”.

Oil on canvas Unframed Signed and dated lower left “WPeirce ’45”, inscribed on verso “El sueno de San Juan / WPeirce 45/ (the dream of Saint John)”, bears Midtown Galleries label on stretcher identifying the figures depicted SIZE: 31″ x 43″ PROVENANCE: By descent within the family of the artist. CONDITION: Overall good, with minor surface dirt. 50645-1 (4,000-8,000) – Lot 1007

WALDO PEIRCE (American, 1884-1970) “CIRCUS TIGER”.

Oil on canvas, 1962 Housed in a white painted slat wood frame Initialed and dated lower left “WP 62”, signed, dated and titled on verso “Circus Tiger/ WPeirce ’62” Exhibited: “Waldo Peirce- a New Assessment” University of Maine at Orono, November 16, 1984-January 25, 1985. SIZE: 20″ x 36″. Overall: 20-1/2″ x 36-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-11 (2,000-4,000) – Lot 1008

WALDO PEIRCE (American, 1884-1970) CIRCUS ELEPHANTS.

Oil on canvas Unframed Initialed and dated lower right “WP 70”, signed, dated and inscribed on verso “10 feb ’70/WPeirce/for Ellen WP.” SIZE: 16″ x 20-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-10 (1,000-2,000) – Lot 1009

WALDO PEIRCE (American, 1884-1970) “GABRIELLE IN A CAP”.

Oil on canvas Housed in a giltwood frame inscribed on stretcher “Gabrielle with cap, Paris/W. Peirce 1917/ For Wendell Hadlock, with best wishes” Note: Gabrielle Lavoisier was Waldo Peirce’s lover in Paris during World War I. She was the hostess at his apartment at 77 rue de Lille. Peirce planned on marrying Gabrielle, however she died from influenza in 1917. He memorialized his feelings for her by naming his daughter Anna Gabrielle. Peirce gifted the painting to his friend Wendell Hadlock, the director of the Farnsworth Museum. SIZE: 28″ x 22″. Overall: 31-1/2″ x 25″ CONDITION: Lined, with shrinkage cracks upper left and old restoration along edges with creases to canvas. 50437-1 (4,000-6,000) – Lot 1010

ALZIRA BOEHM PEIRCE (American, 1908-2010) “FAMILY GROUP, DODGES PT.”.

Oil on canvas Unframed Signed lower right “Alzira”, signed, titled and dated on verso “Alzira Peirce, Bangor ME/1933, Family Group, Dodges Pt.” Note: The family group consists of Alzira’s husband, artist Waldo Peirce, and their twin boys, Michael and Bill. The boys are playing with the family pets while enjoying a lunch while their father paints and mother looks on SIZE: 29″ x 39-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Very good, with only minor abrasions and surface dirt 50294-1 (1,500-2,500) – Lot 1011

ALZIRA BOEHM PEIRCE (American, 1908-2010) “ARTIST SKETCHING”, KEY WEST.

Oil on canvas Unframed Signed lower right “Alzira”, signed, titled, and dated on the verso “Alzira Peirce/Artist Sketching/ May 1936″ Note: The artist is Waldo Peirce, Alzira’s artist husband. The artist sits sketching a Key West landscape with a local man watching over his shoulder SIZE: 43″ x 31” PROVENANCE: By descent within the family of the artist CONDITION: Very good, with minor surface dirt and abrasions 50294-2 (2,000-4,000) – Lot 1012

ALZIRA BOEHM PEIRCE (American, 1908-2010) “RING NECKED LADY”.

Oil on canvas Unframed Signed lower right “A. Peirce”, signed, titled and dated on verso “Alzira Peirce/Ring Necked Lady/Fall of 1935″ SIZE: 31″ x 43” PROVENANCE: By descent within the family of the artist CONDITION: The canvas has water staining visible on the back, with several flake losses and pinholes 50294-5 (1,000-2,000) – Lot 1013

ATTRIBUTED TO ALZIRA BOEHM PEIRCE (American, 1908-2010) HEAD OF A MAN, POSSIBLY WALDO PEIRCE’S FATHER.

Bronze with dark green patina Unsigned, stamped “T.F. McGann & Sons Co., Boston, MA” Note: Waldo Peirce was the son of Bangor Maine lumber baron, Mellen Chamberlain Peirce. The studio of Alzira Peirce contained several plaster casts, leading to the attribution of this work to Alzira, however, it is also possible that Waldo was the creator. T.F. McGann & Sons, was an ornamental bronze work foundry in Boston SIZE: 14″ h x 8-1/2″ w x 10-1/2″ d. PROVENANCE: By descent within the family of the artist CONDITION: Good 50294-4 (800-1,200) – Lot 1014

ANDREW NEWELL WYETH (American, 1917-2009) “RIVER GREYS”.

Watercolor Housed in a fine gilt edge wood frame with double mat with gold edge behind glass Signed lower right “Andrew Wyeth” An M. Knoedler & Co, Inc. New York Artist and title label to verso SIZE: sight 14-1/4″ x 20-1/4″. Overall 23″ x 28-1/2″ PROVENANCE: Private Maine/Texas Collector. CONDITION: There are two nickel size discolorations and adhesive bleed through at upper left, good. 50012-59 (20,000-40,000) – Lot 1015

ANDREW NEWELL WYETH (American, 1917-2009) “BY THE LOWER DAM, 1967”.

Watercolor Housed in a fine Silvered gilt molded wood modern frame with linen mat and gilt liner with title and artist’s plaque Signed lower right “Andrew Wyeth” SIZE: Sight 14″ x 21″. Overall 29″ x 36″ PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-58 (20,000-40,000) – Lot 1016

ANDREW WYETH (American, 1917-2009) THREE CHRISTMAS CARDS & A WATERCOLOR.

The watercolor being a landscape scene in winter with two skiers over painted with “Greetings Betsy & Andy”. Along with three Christmas cards signed “The Wyeth’s” or “Betsy & Andy” SIZE: Watercolor: 3-1/2″ x 6-1/4″ CONDITION: Very good 50720-1 (3,000-5,000) – Lot 1017

ANDREW WYETH (American, 1917-2009) LOT OF ITEMS PERTAINING TO ANDREW WYETH.

1) Portfolio “Four Seasons Twelve Reproductions of Andrew Wyeth’s Work” 8 present, 2 black & white and 6 in color, with introductory page & outside portfolio cover 2) Book “Wondrous Strange, the Wyeth Tradition” inscribed on title page and signed “Jamie Wyeth Sept 26th 1998”. 3) Bronze medallion “Andrew Wyeth” dated 1988. 4) Small brochure from Macbeth Gallery, 1945 exhibit of Andrew Wyeth. 5) Letter involving an Andrew Wyeth painting being submitted by the catalog raisonne. 6) Pencil drawing of a boy fishing, possibly signed lower right “AW” with a date. The drawing is on letterhead belonging to Mrs. George C Sparks of Media, PA. Along with an envelope containing 3 sporting prints & a New Orleans print. CONDITION: Generally very good; Portfolio having some damage to cover, prints are very good 50720-2 (3,000-5,000) – Lot 1018

ABBOTT FULLER GRAVES (American, 1859-1936) “A HOT SHOE”.

oil on canvas Housed in a period carved giltwood frame with gilt liner. Signed and inscribed lower right “Abbott Graves of Kennebunkport, ME”. Attached to back is a conservation report from Yoder Conservation, Cleveland, Ohio dated 2002. SIZE: 32″ x 46″. Overall: 42″ x 56-1/2″ CONDITION: Very good, restored condition. Lined with some minor touch up (mostly in white horse) 50494-2 (20,000-40,000) – Lot 1019

BERNARD KARFIOL (American, 1886-1952) “CIRCUS SCENE”.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “B Karfiol” Note: The Downtown Gallery, NY label on verso dated 1960 indicating the work is circa 1938. Also has Forum Gallery, NY label to verso SIZE: 36″ x 46″. Overall: 39-1/2″ x 49-1/2″ CONDITION: Very good. 50796-1 (10,000-20,000) – Lot 1020

BERNARD KARFIOL (American, 1886-1952) VASE OF FLOWERS ON CHAIR.

Oil on canvas Housed in a modern gilt frame with linen liner Signed lower left “B Karfiol” SIZE: 28″ x 20″. Overall: 35″ x 27″ CONDITION: Some inpainting, very good 50796-5 (1,500-2,500) – Lot 1021

ANNA ELIZA HARDY (American, 1839-1934) BLUE BOWL WITH APPLE BLOSSOMS.

Oil on board Housed in a giltwood frame Signed lower right “A E Hardy” SIZE: 7-1/2″ x 10-1/2″. Overall: 10″ x 13″ CONDITION: Craquelure lower right with scattered losses lower right and lower left, frame has minor chips. 50277-1 (1,500-3,000) – Lot 1022

ANNA ELIZA HARDY (American, 1839-1934) TWO WORKS: FLOWERS IN A YELLOW VASE & FLOWERS IN A ROUND VASE.

Oil on canvas and one on board Housed in their original gilt frames Signed with initials “AEH” lower left SIZE: Board is 9″ x 12-1/2″. Overall: 14-1/2″ x 18″. Canvas is 12″ x 16″. Overall: 14-1/2″ x 18-1/2″ PROVENANCE: From a local Maine home CONDITION: Very good 50930-1 (1,500-2,500) – Lot 1023

ANNA ELIZA HARDY (American, 1839-1934) ROSES WITH GLASS BOWL & VASE.

Oil on board Housed in its original flat mahogany gold edge wood frame Signed lower right “A E Hardy” SIZE: Sight: 10″ x 14-1/2″. Overall: 16″ x 20″ PROVENANCE: From a local Maine home CONDITION: Surface dirt, slight line separation at bottom of painting, otherwise very good 50930-2 (1,000-1,500) – Lot 1024

VIVIAN MILNER AKERS (American, 1886-1966) “BIRD BROOK WINTER”.

Oil on panel Housed in a custom frame signed and dated by the artist “Akers 1952” Signed and dated lower right “Vivian Milner Akers 1952”, signed, titled, dated and inscribed on verso “Bird Brook Winter/Decoration for over the fireplace in home of Tom Ryan, Norway, Maine/ Vivian Milner Akers.May 1952″ NOTE: This is the largest Akers that we have had the pleasure of selling SIZE: 21″ x 64-3/4”. Overall: 25-1/2″ x 69-1/4″ CONDITION: Very good 50797-1 (8,000-12,000) – Lot 1025

VIVIAN MILNER AKERS (American, 1886-1966) “TURKEY RIDGE, NORWAY, MAINE”.

Oil on paper mounted to board Housed in a contemporary frame Signed and dated lower right “Vivan Milner Akers 1930”, titled and inscribed on verso “Turkey Ridge, Norway, Maine/To Robert Easton – With all good wishes /Aunt Amy Marin/Aug. 23rd 1980/57th year anniversary married to .(?)” SIZE: 8″ x 8″. Overall: 10-1/2″ x 10-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Paper is buckling in places, left edge where paper ends can be seen as part of image (vertical seam). 50749-14 (600-900) – Lot 1026

LOUIS ASTON KNIGHT (American, 1873-1948) “MOSS BROOK, BIDDEFORD POOL, MAINE”.

Oil on canvas Housed in a magnificent carved & gilt modern replacement frame with wide gilt liner Signed lower left “Aston Knight Paris” Also inscribed on verso center stretcher “Moss Brook/Biddeford Pool/August-September 1916/Aston Knight” SIZE: 35-1/4″ X 46″. Overall: 44-1/2″ x 55-1/4″ CONDITION: Very good 50805-2 (15,000-25,000) – Lot 1027

CARROLL SARGENT TYSON JR (American, 1877-1956) WATER AND LANDSCAPE, PROBABLY MT. DESERT, MAINE.

Oil on canvas Housed in a fine, carved gilt wood frame Signed lower left “Carroll S Tyson” SIZE: 25″ x 30″. Overall: 34-1/4″ x 39-1/4″ CONDITION: Lined, craquelure, very good. 50753-3 (5,000-7,000) – Lot 1028

ANDREW W WARREN (American, -1873) MT. DESERT ISLAND.

Oil on canvas Housed in a good period deep gesso decorated frame Signed lower right with initials “AW 1866″ SIZE: 10″ x 12”. Overall: 17″ x 21″ CONDITION: Very good 50811-2 (2,000-3,000) – Lot 1029

ATTRIBUTED TO CHARLES CODMAN (American, 1800-1842) “MT. WASHINGTON FROM SEBAGO”.

Oil on wood panel Housed in a gilt wood frame Unsigned Title written on back of panel, also identified as “C Codman” SIZE: 12″ x 16″. Overall: 17-1/2″ x 21-1/2″ CONDITION: Some minor spot inpainting, very good 50753-12 (4,000-6,000) – Lot 1030

JUD HARTMANN (American, 1948-) “SUSQUEHANNOCK”.

Monumental bronze Signed “Hartmann C 1986 AP” Edition of 5 Accompanied by a low walnut base From The Voyages of CAPTAIN JOHN SMITH (of Jamestown, Va.) during the Years 1607-9: “. . . 60 of those Susquehannocks came to us . . . such great and well proportioned men are seldome seene, for they seemed like giants to the English . . .these are the strangest people of all those countries both in language and attire; for their language it may well beseeme their proportions, sounding from them as a voice in a vault. Their attire is the skinnes of beares and woolves, some have cassocks made of beares heades and skinnes . . . The halfe sleeves coming to the elbows were the heades of beares and the arms through the open mouth . . . one had the heade of a woolf hanging from a chain for a jewell . . . with a club suitable to his greatness sufficient to beat out ones brains. Five of their chiefe wereowances came aboard us . . . (of) the greatest of them his hayre, the one side was long and the other shorn close with a ridge over his crowne like a cocks combe . . . The calfe of whose leg was ¾ of a yard around and all the rest of his limbes so answerable to that proportion that he seemed the goodliest man we ever beheld!” SIZE: 48″ h x 24″ across PROVENANCE: Private Maine/Texas Collector CONDITION: Very good with some slight discoloration to patina in spots 50012-79 (10,000-20,000) – Lot 1031

JUD HARTMANN (American 1948- ) “KIOSAETON, CHIEF OF THE IROQUOIS”.

Bronze Mounted to a wood plinth Signed in Bronze “Hartmann 1994 11/20” “Argos” SIZE: 26″ h. Overall 33″ h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-123 (1,000-2,000) – Lot 1032

JUD HARTMANN (American 1948- ) “GARAKONTIE, IROQUOIS DIPLOMAT”.

Bronze Signed in bronze “Hartmann 1999 14/20″ SIZE: 27” h PROVENANCE: Private Maine/Texas Collector. CONDITION: Some Minor rust, otherwise very good 50012-115 (1,500-2,000) – Lot 1033

JUD HARTMANN (American, 1948- ) “WARHAWK”.

Bronze Mounted on a square wood plinth Signed in bronze “Hartmann 2010 4/20″ SIZE: 25″ h. Overall 32” h with base PROVENANCE: Private Maine/Texas Collector. CONDITION: Wood base has some finish loss 50012-112 (1,500-2,000) – Lot 1034

JUD HARTMANN (American, 1948- ) “THE MOHEGAN” (CHINGACHGOOK, LE CROS SERPENT”.

Bronze Signed in bronze “Hartmann AP 1/2 1983″ SIZE: 28” h. PROVENANCE: Private Maine/Texas Collector. CONDITION: Some loss and uneveness to finish, otherwise good 50012-116 (1,000-2,000) – Lot 1035

JUD HARTMANN (American, 1948- ) “ATOTARHO” (FIRST AMONG EQUALS, CHIEF OF THE ONONDAGAS).

Bronze Mounted on marble and wood plinth Signed in bronze “Hartmann 1990 3/9″ SIZE: 16-3/4″ h. Overall 21-1/4” h with stand PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-114 (1,000-2,000) – Lot 1036

CADWALLADER WASHBURN (American, 1866-1965) “FROM THE VERANDA” EAST BOOTHBAY, MAINE.

Oil on canvas Housed in a fine carved giltwood frame Signed lower right “Cadwallader Washburn” SIZE: 24″ x 36″. Overall: 31-3/4″ x 31-1/2″ CONDITION: Very good, canvas has been re-lined. 50761-1 (8,000-12,000) – Lot 1037

FLORENCE WHITE WILLIAMS (American, 1888-1953) “THE OLD WHARF, BOOTHBAY HARBOR”.

Oil on canvasboard Housed in a fine, possibly original carved & gilt wood frame having artist plaque with title Signed lower right “Florence White Williams” Original exhibition label “Members Exhibition Feb 22-March 3 Massachusetts State Federation of Women’s Clubs” SIZE: 22″ x 26″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 50847-3 (2,000-3,000) – Lot 1038

BOB BLUE (American, 1924-2008) “NOVEMBER MORNING, MAINE”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Bob Blue”, titled on stretcher SIZE: 24″ x 30″. Overall: 30-1/2″ x 36-1/4″ CONDITION: Very good to excellent 50516-2 (1,000-2,000) – Lot 1039

ANDREW WINTER (American, 1893-1958) MONHEGAN ISLAND.

Oil on canvas board Housed in a gilt painted wood frame (loss to some paint) Signed lower right “A Winter”, bears an inscribed note on verso describing the view and a Christmas card inscribed “A much appreciated Christmas gift/December 25, 1952 AKE” SIZE: 18″ x 26″. Overall: 22-1/4″ x 32″ CONDITION: Good, inconsistent varnish layer which makes a blacklight examination inconclusive, Crease to very edge of canvas upper left corner 50753-2 (5,000-7,000) – Lot 1040

WILLIAM CHADWICK (American, 1879-1962) “THE HARBOR, MONHEGAN”.

Oil on board Housed in a fine gilt carved wood modern frame Signed lower right “W Chadwick” Titled in pencil on verso & retaining a Monhegan Historical & Cultural Museum Exhibition Label from 2004 SIZE: 14″ x 18″. Condition: 20″ x 24″ CONDITION: Very good 50778-13 (3,000-5,000) – Lot 1041

ABRAHAM BOGDANOVE (American, 1887-1946) FIGURES ON A BEACH, MONHEGAN HARBOR.

Oil on board Housed in a modern giltwood frame Signed lower right “A.J. Bogdanove”, board stamped “N. Rabinowitz Artist’s Materials” SIZE: 12″ x 16″. Overall: 18″ x 22″ CONDITION: Very good. 50336-11 (3,000-5,000) – Lot 1042

JAMES PERRY WILSON (American, 1889-1976) TWO WORKS: CLIFFS & SHORELINE OF MONHEGAN ISLAND, MAINE.

Oil on board Housed in identical silver gilt & carved modern frames with linen liners Signed lower left & lower right “J P Wilson 1928″ SIZE: Sight: 9-1/2″ x 7-1/2″ Overall: 15-3/4″ x 13-3/4″. Sight: 7-1/2″ x 9-1/2”. Overall: 13-3/4″ x 15-3/4″ PROVENANCE: From a private Maine Collection CONDITION: Very good with minor touch up to one 50913-1 (2,000-3,000) – Lot 1043

DON STONE (American, 1929-2015) “EIDERS OFF MONHEGAN”.

Oil on canvas Housed in a barn board frame Signed lower left “Don Stone ANA” SIZE: 12″ x 24″. Overall: 18-1/2″ x 31″ CONDITION: Very good to excellent 50519-2 (2,000-4,000) – Lot 1044

REUBEN TAM (American, 1916-1991) MONHEGAN ISLAND, MAINE.

Watercolor Housed in a silver gilt modern frame with white mat Signed lower right “Tam” SIZE: Sight: 12-1/2″ x 15-1/2″. Overall: 20″ x 23″ CONDITION: Very good, not examined out of frame 50613-2 (1,500-2,500) – Lot 1045

ROGER DEERING (American, 1904-1980) MAINE DOCKS.

Oil on canvas Housed in a modern paint decorated frame Signed lower left “Roger Deering” Accompanying this painting is a postcard showing this building as one of the many subject painted by the Roger Deering Outdoor Painting Class, Kennebunkport, Maine SIZE: 14″ x 18″. Overall: 21″ x 25″ CONDITION: Very good. 50652-15 (500-800) – Lot 1046

WALDO PEIRCE (American, 1884-1970) “PEPPERPOT TRIO”.

Oil on canvas Unframed Initaled lower right “WP”, signed, titled and inscribed on verso “WPeirce/”Pepperpot Trio”/for Ellen Peirce” SIZE: 18″ x 24″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-14 (1,000-1,500) – Lot 1048

WALDO PEIRCE (American, 1884-1970) “READING”.

Oil on canvas Housed in a slat wood frame Signed, dated and titled on verso “WPeirce 51/Reading” SIZE: 40″ x 30″. Overall: 40-1/2″ x 30-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt. 50645-24 (2,000-4,000) – Lot 1049

WALDO PEIRCE (American, 1884-1970) “THE DUCHESS OF ALBA”, AFTER GOYA.

Oil on canvas Housed in an early 19th century French carved giltwood frame Unsigned, inscribed lower left “Goya” and “Alba” on her ring Note: Francisco Goya painted The Black Duchess in 1797. The painting depicts María Cayetana de Silva, the 13th Duchess of Alba at the age of thirty-five years. Waldo Peirce was known to have copied other famous European paintings during his travels. SIZE: 61″ x 40″. Overall: 68-1/2″ x 47-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Good, lined, with flake losses, surface dirt and minor restoration, including her face. Frame has gilt losses and worm holes. 50645-29 (2,000-4,000) – Lot 1050

WALDO PEIRCE (American, 1884-1970) “AN ARAB FRIEND”.

Oil on canvas Housed in slat wood frame Signed, dated, titled and inscribed on verso “An Arab Friend/ for Ellen 1921 / WPeirce / Hammamet, Tunisia” SIZE: 24″ x 29″. Overall: 24-1/2″ x 29-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Good, with surface dirt, and abrasions. 50645-4 (300-500) – Lot 1051

WALDO PEIRCE (American, 1884-1970) STILL LIFE WITH BLACK EYED SUSANS.

Oil on canvas Housed in a white frame Initialed lower right “WP”, inscribed lower left “for Ellen”, dated on verso “1948”, signed on stretcher “WPeirce” SIZE: 13″ x 9″. Overall: 17-1/2″ x 13-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Good, with surface dirt. 50645-17 (800-1,200) – Lot 1052

WALDO PEIRCE (American, 1884-1970) STILL LIFE WITH PIPE.

Oil on Masonite Housed in a wood frame Signed, dated and dedicated lower right “WPeirce ’60 for Ellen”, signed, dated and inscribed on verso “WPeirce 1 May 60 Arizona” SIZE: 14″ x 10″. Overall” 17-1/4″ x 13-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt. 50645-21 (500-1,000) – Lot 1053

WALDO PEIRCE (American, 1884-1970) “JOHNNY AND DODO”.

Oil on canvas Housed in a slat wood frame Dated lower right “Sept ’47”, signed, dated, titled and inscribed on verso “Johnny & Dodo Sept 47/WPeirce/(Ellen Peirce’s)” SIZE: 24″ x 20″. Overall: 24-1/2″ x 20-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Good with minor surface dirt, hairline cracking and canvas buckle. 50645-6 (800-1,200) – Lot 1054

WALDO PEIRCE (American, 1884-1970) “BATHING GIRL”.

Oil on canvas Housed in a gilt wood frame Initialed lower right “WP.”, signed, dated and titled on verso “WPeirce/bathing girl/1943″, titled on Midtown Galleries, New York label affixed to stretcher SIZE: 16″ x 20”. Overall: 28-1/2″ x 24-1/2″ CONDITION: Very good 50488-6 (1,000-1,500) – Lot 1055

WALDO PEIRCE (American, 1884-1970) “BLACK DUCK”.

Oil on canvas Housed in distressed wood frame with gilt highlights Initialed lower right “WP”, signed, titled and inscribed on verso “Black Duck/Waldo Peirce Searsport” NOTE: A unique work by Peirce showing both the still life with the ducks together with the Penobscot Bay in the background SIZE: 32″ x 46″. Overall: 39-1/2″ x 54″ PROVENANCE: By descent within the family of the artist. CONDITION: Surface dirt, large craquelure and water staining to verso canvas. 50688-3 (2,000-4,000) – Lot 1056

WALDO PEIRCE (American, 1888-1970) RUFFED GROUSE.

Oil on canvas Housed in a paint decorated wood frame Initialed and dated lower right “WP 30”, signed and dated “WPeirce Oct 18 28/to Bill from WP” SIZE: 27″ x 22″. Overall: 31-1/2″ X 25-1/2″ PROVENANCE: By Descent within the family of the artist. CONDITION: Good, with surface dirt and minor impressions to canvas (loose). 50688-2 (1,000-2,000) – Lot 1057

CHARLES WOODBURY (American, 1864-1940) OGUNQUIT LANDSCAPE.

Oil on canvas Housed in a modern giltwood frame Light signature visible lower left and appears to be dated, stretcher stamped “Gallery 17, Carmel, CA” SIZE: 17″ x 21″. Overall: 22″ x 26″ CONDITION: Good 50336-6 (2,000-3,000) – Lot 1058

JOHN WHORF (American, 1903-1959) POLING UP RIVER.

Watercolor Housed in a fine modern decorative frame with black mat Signed lower right “John Whorf” SIZE: Sight: 20-1/2″ x 28-1/4″. Overall: 32″ x 39″ CONDITION: Very good, not examined out of frame 50719-10 (7,000-10,000) – Lot 1059

JOHN MEADE (American, Late 19th Century) PORTRAIT OF A SALMON AT KEZAR FALLS, MAINE.

Oil on canvas Housed in a period painted & gilt frame Our consignor indicates that there is evidence of a faint signature lower right. We have examined this area closely and can discern a few letters. NOTE: John Mead was an artist that is known for his fish paintings. He worked in the North Bridgton, Maine area and there are three paintings of his represented in the Bridgton Academy SIZE: 15″ x 22″. Overall: 19-1/2″ x 26-1/2″ CONDITION: Relined, some restoration with inpainting, stable craquelure, otherwise very good 50912-2 (4,000-6,000) – Lot 1060

WINSLOW HOMER (American 1836-1910) COLLAGE WITH HANDWRITTEN LETTER.

Housed in a modern black gold edged frame with linen mat, having 5 cut-outs The framed collage incorporating the following items: a hand penned letter dated Oct 5th 1901 to a Mr. James B. Townsend signed “Winslow Homer.” The letter refers to items exhibited at the Pan-American. Also, there is an engraving of a sharpshooter in tree along with a colored print of the same and a first day issue Winslow Homer envelope cover with 4 stamps dated Dec. 15 1962. SIZE: Overall: 27-1/4″ x 20-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good. Letter has adhesive bleeding. 50749-5 (800-1,200) – Lot 1061

MARGUERITE ZORACH (American, 1887-1968) FLOWERS.

Color silkscreen, ca. 1940-42 Housed under glass in modern wood frame with white mat Signed in plate lower right “Marguerite Zorach” Note: Illustrated in American Screenprints by Dave and Reba Williams, New York: National Academy of Design, 1987. SIZE: 16-1/4″ x 12-5/8″. Overall: 23-1/2″ x 19-1/2″ CONDITION: Discoloration and fading, with glue residue in upper right and left corners (not examined out of frame) 50554-1 (300-500) – Lot 1062

ROCKWELL KENT (American, 1882-1971) “BRINGING HOME THE CHRISTMAS TREE”.

Lithograph, 1928 Housed under glass in a black frame with white mat Signed in pencil lower right “Rockwell Kent.” SIZE: Plate: 12″ x 8-1/4″. Overall: 20-3/4″ x 16-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good (not examined out of frame). 50749-2 (1,500-2,500) – Lot 1063

ROCKWELL KENT (American, 1882-1971) FOUR PRINTS AND TWO BOOKS.

1) “Books Make the Home” Lithograph on paper pencil signed lower right “Rockwell Kent” Housed in a modern black frame with white mat 2) Collage of 3 including “Starlight” woodblock on paper, 2 bookplates; one for Harold & Esther Davis, unsigned and a bookplate for George Henry Corey, pencil signed “Rockwell Kent” 3) Book: Rockwell Kent An Anthology of His Work, 1981 4) Book: It’s Me O Lord The Autobiography of Rockwell Kent, 1st Edition 1955 SIZE: 1) Sight size: 14″ x 12″. Overall: 23″ x 20″. 2) Sight size” 5-3/4″ x 7-1/4″; 3″ x 2″; 3-1/4″ x 2-1/4″. Overall: 21″ x 17″. PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: 1) Very good, not examined out of frame. 2) Very good. 3) Very good. 4) Jacket has losses and tears, otherwise very good. 50749-3 (1,000-1,500) – Lot 1064

CHARLES HERBERT WOODBURY (American, 1864-1940) LANDSCAPE.

Oil on canvas Housed in a Foster Bros. giltwood frame Signed lower right “Chas Herbert Woodbury” SIZE: 9″ x 13″. Overall: 13-1/4″ x 17″ CONDITION: Very good, with minor surface dirt and craquelure 50574-3 (800-1,200) – Lot 1065

EDMOND JAMES FITZGERALD (American, 1912-1989) “OGUNQUIT MUSEUM”.

Oil on masonite Housed in a painted molded wood frame with linen liner Signed lower right “E J Fitzgerald” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good 50806-4 (1,000-2,000) – Lot 1066

FREDERICK ILSLEY (American, 1855-1933) WINTER LANDSCAPE, PORTLAND.

Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “F. J. Ilsley Jan. 1`6. 1916″, inscribed with indiscernable title and artist name on verso SIZE: 17″ x 22”. Overall: 24″ x 29″ CONDITION: Very good. 50336-12 (1,500-2,000) – Lot 1067

STAPELTON KEARNS (American, 1952-) “SWANSVILLE, MAINE”.

Oil on canvas Housed in a modern gilt molded wood frame Signed lower left “Stapleton Kearns 1999″ SIZE: 26″ x 29”. Overall: 32″ x 35″ CONDITION: Very good to excellent 50732-4 (2,000-3,000) – Lot 1068

EMILY MUIR (American, 1904-2003) SEAGULLS.

Oil on Masonite Housed in a simple wood frame Signed lower right “Emily Muir” SIZE: Sight: 23-1/4″ x 45-1/2″. Overall: 25″ x 47″ CONDITION: Very good to excellent 50753-4 (4,000-6,000) – Lot 1069

AMERICAN SCHOOL (20th century) “LOW TIDE, MAINE”.

Oil on linen Housed in a simple giltwood frame Unsigned, inscribed, dated and titled on verso “Bernard 2009/Low Tide” SIZE: 30″ x 36″. Overall: 30-1/2″ x 36-1/2″ CONDITION: Very good to excellent 50270-67 (400-600) – Lot 1070

FRANK KNOX MORTON REHN (American, 1848-1914) SUNSET ON THE COAST OF MAINE.

Watercolor Housed under glass in a modern giltwood frame with linen liner Signed and dated lower left “F.K.M.Rehn 92″ SIZE: Sight: 13-1/2″ x 19”. Overall: 23″ x 28-1/2″ CONDITION: Very good, minor fading, not examined out of frame 50336-13 (1,200-1,500) – Lot 1071

WILLIAM R. DAVIS (American, 1952-) “MOON RISE OVER BAILEY ISLAND ME”.

Oil on board Housed in a gesso decorated gilt frame Signed lower right “W Davis” Signed & titled on verso SIZE: 7-1/4″ x 9-1/2″. Overall: 11-1/2″ x 13-1/2″ CONDITION: Very good to excellent 50868-4 (1,200-1,800) – Lot 1072

ATTRIBUTED TO CARL SPRINCHORN (American, 1887-1971) UNTITLED LANDSCAPE.

Oil on canvas Unframed Unsigned SIZE: 21″ x 29″ CONDITION: Significant losses and cracks to paint surface. 50645-22 (800-1,200) – Lot 1073

CARRIE EASTMAN RICHARDSON (American, 19th/20th century) FRENCH LANDSCAPE and MAINE LANDSCAPE.

Including: 1) “Woman in a Landscape, Moigny, France”, oil on canvas, housed in a period giltwood frame, inscribed on verso “Painted in Moigny France 1894 by Carrie Eastman Richardson” 2) “View of Long Lake, Bridgton, ME”, oil on panel, housed in a simple giltwood frame, unsigned, inscribed in pencil on verso “Painted by Carrie Eastman Richardson/Bridgton, ME 1898″ SIZE: 1) 18″ x 22″. Overall: 24″ x 27-1/2″. 2) 10″ x 17”. Overall: 12″ x 19″ CONDITION: 1) Discolored varnish, canvas buckle and surface scratch in sky. 2) Horizontal band of cellophane tape along top visible, surface scratch in sky. Frame has gilt loss, tape residue, and nail holes. 50339-6 (800-1,200) – Lot 1074

WALDO PEIRCE (American, 1884-1970) “CEDAR STREET HOME”.

Oil on canvas Housed in a slat wood frame Unsigned, inscribed on verso “belongs to Karen Peirce”, inscribed on stretcher “AHP-Cedar St house by Waldo Peirce 1920’s” Exhibited: “Waldo Peirce – A New Assessment”, University of Maine Art Collection at Orono, November 16, 1984-January 25, 1985 SIZE: 15″ x 20″. Overall: 15-1/2″ x 20-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good, with minor surface dirt and surface scratch lower left 50645-9 (800-1,200) – Lot 1075

WALDO PEIRCE (American, 1884-1970) “LE CHATEAU CARVER, SEARSPORT”.

Oil on canvas Unframed Initialed and inscribed lower right “1947 for Phil..and Cliff/WP”, titled, signed and dated on verso “Le Chateau Carver Searsport le Maine/WPeirce 1947″ SIZE: 24″ x 20” CONDITION: Very good 50336-14 (1,000-1,500) – Lot 1076

WALDO PEIRCE (American, 1884-1970) “THE OLD MANURIAL HALL”.

Oil on canvas Housed in slat wood frame Signed, titled, dated and inscribed on verso “WPeirce/ 214 Cedar St. Bangor Maine/The Old Manurial Hall for Karen/ born too late to live in the original – papa” SIZE: 28″ x 36″. Overall: 28-1/2″ x 36-1/2″ PROVENANCE: By descent within the family of the artist CONDITION: Good, with minor stretcher marks and discolored varnish. 50645-27 (1,500-2,500) – Lot 1077

WALDO PIERCE (American, 1884-1970) “MCP RIDING”.

Oil on canvas Unframed Inscribed on verso “Waldo Peirce circa 1930 MCP riding” SIZE: 18″ x 24″ CONDITION: Good, with surface dirt and thin paint coverage 50645-3 (300-500) – Lot 1078

WALDO PIERCE (American, 1884-1970) “SOLLEROD CEMETARY, DENMARK”.

Oil on canvas Unframed Initialed and dated lower right “WP.56”, signed, titled and dated on verso “WPeirce/Sollerod Cemetary, Denmark 56″ SIZE: 18″ x 24” PROVENANCE: By descent within the family of the artist. CONDITION: Very good. 50645-13 (600-900) – Lot 1079

WALDO PEIRCE (American, 1884-1970) TWO WORKS: “SAN XAVIER MISSION, TUCSON AZ” & “BAR HARBOR, MAINE”.

Watercolors on paper Both unframed One inscribed “Happy Birthday to you Micky, Waldo, San Xavier, 5 Jan., 1954” and the other “W Peirce” Midtown Galleries, NY title label to verso of Bar Harbor. Also pencil titled & dated 1937 on back of mat board SIZE: San Xavier: 14-1/4″ x 18-3/4″; Bar Harbor: 14-1/2″ x 19-1/2″ CONDITION: Some toning to paper, adhesive marks to edges, otherwise good 50688-1 (1,500-2,500) – Lot 1080

WILLIAM R. DAVIS (American, b. 1952) “OCEAN POINT, BOOTH BAY, ME”.

Oil on panel Housed in a contemporary black frame with gilt accent Signed lower left “W. Davis”, and signed, titled and dated on verso “William R. Davis/Ocean Point, Boothbay, ME/Plein Aire 2007″ SIZE: 8″ x 10”. Overall 13-1/2″ x 15-1/2″ CONDITION: Very good to excellent 50298-3 (2,000-4,000) – Lot 1081

MOUNTFORT COOLIDGE (American, 1888-1954) FOUR UNTITLED LANDSCAPES.

Oils on board Each housed in a contemporary giltwood frame Each with estate stamp on verso “From the Estate of Mountfort Coolidge” SIZE: 8″ x 10″ each. Overall: 10-1/2″ x 12-1/2″ each CONDITION: One with loss to board in lower right corner, minor abrasions, otherwise good. 50336-8 (1,000-1,500) – Lot 1082

GLENNIS LLOYD (American, 20th century) “BOWDOIN PINES”.

Oil on copper Housed in a simple black painted wood frame Signed lower right “Glennis Lloyd” Also having the title and artist and dated 1979 on a copper strip on verso Lloyd lived and worked in the Brunswick, Maine area SIZE: 48″ x 30″. Overall 49-1/2″ x 31-1/4″ PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-145 (300-500) – Lot 1083

THEOPHILE SCHNEIDER (American, 1876-1960) “GUARDIAN OF THE VALLEY”.

Oil on canvas Housed in a mid 20th century carved and giltwood frame Signed lower left “Theo. Schneider” and titled on gallery and exhibition label fragments affixed to verso frame, one reads “…Pennsylvania …One Hundred and Fif….” SIZE: 40″ x 30″. Overall: 45″ x 34-1/2″ CONDITION: Very good, restored condition. Several pinholes, several small areas of in-paint. 50336-1 (1,500-2,500) – Lot 1084

M.H. JACOBS (American, 20th Century) “DICE HEAD LIGHT, CASTINE, ME”.

Watercolor Housed in a fine decorative wood frame with double mats Signed lower right “M H Jacobs” Also, inscribed on verso with title & date November 2002 SIZE: Sight: 10-3/4″ x 14-3/4″. Overall: 19″ x 22-1/2″ CONDITION: Very good to excellent 50896-1 (200-400) – Lot 1085

WINIFRED C LONG (American, 1920-2009) MONHEGAN ISLAND.

Watercolor on paper Housed in a decorative wood frame with double mat Unsigned front but having a paper biography of the artist on reverse SIZE: Sight 24″ x 39-1/2″. Overall 34″ x 49″. PROVENANCE: Private Maine/Texas Collector CONDITION: Very good, some light foxing spots, ripple to inside mat. 50012-144 (300-500) – Lot 1086

JOHN A NEFF (American, 1926- ) SIX WORKS: “BACK COVE” (2), “PEMAQUID POINT LIGHT”, “LOBSTER FLOAT”, “MORNING CHAT”, “LOW TIDE”.

Watercolors on paper Four in identical silver metal frames, the double in a decorative wood frame All signed lower right “J.A. Neff, WPA” A WPA (Whisky Painters of America) label to reverse of each with title and artist SIZE: Sight 4″ x 5″ each. Overall: four 10-+1/4″ X 12-1/4″, one 14-1/2″ x 20-3/4″. PROVENANCE: Private Maine/Texas Collector CONDITION: Very good. 50012-150 (500-1,000) – Lot 1087

KATHARINE STEELE RENNINGER (American, 1925-2004) “YANKEE CLIPPERS” and “COURT INN”.

Two oils on Masonite Housed in matching wood frames Both signed lower left “Katharine Steele Renninger”, titled and inscribed on verso “Renninger Newtown PA” SIZE: 1) Yankee Clippers: 28″ x 28″. Overall: 30″ x 30″. Court Inn: 19-3/4″ x 30″. Overall: 21-1/2″ x 31-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-9 (1,500-2,500) – Lot 1088

KATHARINE STEELE RENNINGER (American, 1925-2004) “COFFEE CAN”.

Oil on Masonite Housed in wood frame with white liner Signed lower left “Katharine Steele Renninger”, titled and inscribed on verso “Renninger, Newtown PA/Coffee Can” SIZE: 22″ x 13-1/2″. Overall: 24″ x 15-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-10 (800-1,200) – Lot 1089

KATHARINE STEELE RENNINGER (American, 1925-2004) “PLEASANT RETREAT” AND “ELDEST SISTER”.

Two oils on Masonite Housed in wood frames Both signed lower left “Katharine Steele Renninger” and titled and inscribed on verso “Renninger, Newtown PA” SIZE: 1) Pleasant Retreat: 29″ x 23″. Overall: 30″ x 24″ 2) Eldest Sister: 20″ x 10-1/2″. Overall: 21-1/2″ x 12″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-8 (1,000-1,500) – Lot 1090

ELLEN BROWN (American, 20th Century) “SEA WITCH”.

Driftwood carving Sculpture mounted to a white painted wood block with paper artist & title plaque Also attached to base is an artist preliminary sketch of the piece SIZE: Carving: 23-1/2″ h x 24″ w x 19″ d. Overall: 36″ h PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-119 (1,000-2,000) – Lot 1091

ATTRIBUTED TO BERNARD LANGLAIS (American, 1923-1977) “BULL”.

Flat wood sculpture Mounted to a linoleum board Unsigned Written on back “Bernard Langlais/Cushing Maine/Wood Drawing/Bull” SIZE: 23″ x 31″ CONDITION: Very good 50511-2 (1,200-1,800) – Lot 1092

WALDO PEIRCE (American, 1884-1970) “FARM HORSES AND APPLE TREES”.

Watercolor Housed in a contemporary frame, under glass with linen mat Unsigned, artist identified and titled on a Midtown Galleries, New York label affixed to verso SIZE: Sight: 17-1/2″ x 23-1/2″. Overall: 27″ x 33-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Good, with minor fading (not examined out of frame). 50645-28 (500-800) – Lot 1093

WALDO PEIRCE (American, 1884-1970) AUTUMN LANDSCAPE.

Oil on canvas Housed in a contemporary wood frame with linen liner Initialed lower right “WP.”, signed and dated on verso “WPeirce 24 Oct 45″ SIZE: 7″ x 10”. Overall: 12″ x 15-1/4″ PROVENANCE: By descent within the family of the artist. CONDITION: Very good 50645-19 (400-600) – Lot 1094

WALDO PEIRCE (American, 1884-1970) “LOVERS LANE NEAR THUNDERHOLE, MT DESERT”.

Oil on canvas Unframed Initialed and dated lower right “WP 65”, signed, titled and dated on verso “WPeirce/Lovers Lane near Thunderhole Mt. Desert Dec. ’65” SIZE: 24″ x 30″ CONDITION: Very good, with impression to canvas, upper right (no loss or puncture). 50645-16 (300-500) – Lot 1095

WALDO PEIRCE (American, 1884-1970) “BULLS AT PAMPLONA”.

Oil on canvas Unframed Initialed, dated and inscribed lower right “For Johnny 58 WP”, signed, titled, dated and inscribed on verso “WPeirce /Bulls at Pamplona/belongs to Jonathan Peirce from his old man/Dec 57″ SIZE: 30″ x 42” PROVENANCE: By descent within the family of the artist. CONDITION: Good, with canvas buckle and surface dirt. 50645-26 (2,000-4,000) – Lot 1096

WALDO PEIRCE (American, 1884-1970) “VILLAGE BULL FIGHT, AFTER GOYA”.

Oil on canvas Housed in a slat wood frame Signed, titled, dated and inscribed on verso “WPeirce Village Bull Fight by Goya-Acad. San Fernando Madrid./NYC ’61 for Ellen” SIZE: 18″ x 30″. Overall: 18-1/2″ x 30-1/2″ CONDITION: Good with minor surface dirt and several impressions to canvas. 50645-12 (1,000-1,500) – Lot 1097

WALDO PEIRCE (American, 1884-1970) “RESTING”.

Oil on canvas Unframed Initialed and dated upper left “WP12 feb 44”, signed and dated on verso “WPeirce 12 feb 44″, titled on Midtown Galleries, New York label affixed to stretcher SIZE: 9″ x 12″ PROVENANCE: By descent within the family of the artist. CONDITION: Discolored varnish and surface dirt, canvas has 3” impression (no puncture or loss). 50645-20 (500-800) – Lot 1098

WALDO PEIRCE (American, 1884-1970) “TWO OLD MEN EATING”, AFTER GOYA.

Oil on canvas Housed in a slat wood frame Unsigned, inscribed on verso “Two old people eating soup, copy of Goya Prado, Madrid/for Johnny from Papa” SIZE: 14″ x 21″. Overall: 14-1/2″ x 21-1/2″ PROVENANCE: By descent within the family of the artist. CONDITION: Canvas loose, abrasions along edges, and water staining to verso. 50645-15 (300-500) – Lot 1099

JACK LORIMER GRAY (American/Canadian 1927-1981) “CHOCKLE CAP, LUNENBURG CO, NOVA SCOTIA”.

Oil on canvas Housed in a molded wood gilt frame with title and artist plaque Signed lower left “Jack L. Gray” SIZE: 26″ X 40″. Overall 32″ x 46″ PROVENANCE: Private Maine/Texas Collector CONDITION: Very good 50012-61 (20,000-30,000) – Lot 1100

JACK LORIMER GRAY (Canadian, 1927-1981) “MAINE LOBSTERMAN”.

Oil on canvasboard Housed in a contemporary giltwood frame Signed lower left “Jack L. Gray” Titled and signed “Jack L. Gray 1960″ on verso SIZE: 22″ x 30”. Overall: 24-1/2″ x 32-1/2″ PROVENANCE: Acquired from the artist; by descent to current owner CONDITION: Very good 50513-1 (15,000-25,000) – Lot 1101

JACK LORIMER GRAY (Canadian, 1927-1981) “CHOPPY SEAS”.

Oil on canvasboard Housed in a contemporary giltwood frame with linen liner Signed lower right “Jack L. Gray-” and inscribed on verso “J.G. #85 Choppy Seas” SIZE: 22″ x 30″. Overall: 25-1/2″ x 33-1/2″ PROVENANCE: Acquired from the artist; by descent to current owner CONDITION: Very good 50513-2 (10,000-20,000) – Lot 1102

JOHN WHORF (American, 1903-1959) “THE WINTRY SEA”.

Watercolor Housed in a gold frame, matted under glass Signed lower right “John Whorf”, bears Milch Galleries label on verso SIZE: Sight: 21″ x 29″. Overall: 32″ x 39-1/2″ CONDITION: Very good, minor fading, not examined out of frame 50625-3 (3,000-5,000) – Lot 1103

TOM THOMSON (Canadian, 1877-1917) “VIEW OF ALGONQUIN PARK”.

Oil on panel Housed in a modern frame Unsigned Dated and titled on a Dr. James MacCallum label affixed to verso, c. 1915 Note: Bonhams catalog entry for May 20th, 2015 lot 68, included a letter & information regarding this painting as follows: When Dr. James Metcalfe MacCallum (1860-1943), an ophthalmologist at the University of Toronto, met Tom Thomson in October 1912, he offered to pay his expenses for a year if he agreed to paint full time. Thomson, then thirty-five, was wary of the offer, since he doubted his own ability to do what was being asked and of giving up his satisfying job as a commercial artist. At Grip Limited, which he had joined in 1909, he met a feisty and ambitious group of artists – J.E.H. MacDonald, Arthur Lismer, Fred Varley, Frank Carmichael, Frank Johnston, all to become members of the Group of Seven in 1920. He had also met A.Y. Jackson. Lawren Harris, who had probably advised MacCallum, saw great potential in Thomson, as did MacDonald. Thomson accepted MacCallum’s offer, and by the end of the year he was addicted to painting. As a commercial artist he was ‘the best letterman in Canada’ according to his colleagues; as a painter of landscape, however, he was an uncertain amateur with a lot to learn. Between 1913 and July 8, 1917, when he drowned in Canoe Lake, Thomson accelerated into a brilliant, original, and highly productive artist, leagues ahead of his friends. He produced over four hundred small oil sketches and a couple of dozen canvases that included enduring images that have defined Canada in the imagination of generations over the past century. Thomson’s achievement, in a span of four and half years, is, as MacCallum liked to say, ‘An Encyclopedia of the North.’ He tried to register as much of the phenomena of Algonquin Park as he could, and once said he wanted to paint a sort of diary of spring one oil sketch every day.He was acknowledged by all to be a great colourist, his palette offering up colours created in his now hyper-active brain. He painted blood-red sunsets, ominous storms, wild flowers, charging rapids, waterfalls, lightening, rainbows, and clouds of every shape and kind. He found his subjects close at hand, while his friends trekked off looking for dramatic cliffs or grand vistas. What was extraordinary about Thomson was his concentrated way of seeing–Wiliam Blake’s kind of vision, which made the ordinary extraordinary.This painting by Thomson has three distinct features. The support (mahogany veneer) I haven’t seen used before. However, Thomson painted his small oil sketches on many different supports–illustration board, wood panels, composite wood-pulp board, canvas-textured paper mounted on wood, plywood, silk, and occasional cigar box lids. Given this range of materials, mahogany isn’t out of place. The label on the verso is also new to me. MacCallum was Thomson’s companion on many canoe trips, a buyer of several dozen paintings, the guardian of his work after he died, and his staunchest supporter; a work associated through a friend of MacCallum’s is a mark in its favour. The size (10 × 13 1/2in) is not Thomson’s most-often-used 8 1/2 × 10 1/2in, but his sizes vary; he used whatever was handy. MacCallum’s date (c. 1915) is comfortable with other paintings done then.The painting has many of the hallmarks of Thomson’s work over his too brief career. What strikes me is the complexity and density packed into this tiny rectangle and the high volume of information in it. The recession and scale in the painting is faultless; the shadows, raking diagonally across the foreground, are a variation of a motif Thomson used in all seasons and in many different lights–early morning, high noon, evening, and at night. His distinct way of depicting the sky seen through the trees, and his treatment of leafy branches can also be seen in paintings like Evening, Canoe Lake or the earlier Big Elm; his clever handling of tree trunks is like his fingerprint or his signature. The painter David Milne wrote his patron, who wanted works dated and signed: “Dates, useful, signatures not of much importance, pictures are supposed to be signatures.” Thomson’s paintings are all ‘signatures’ of his acute vision of the North.David P. Silcox, C.M.Massey College, Toronto”. A copy of this letter does not accompany this painting SIZE: 10″ x 13-3/4″. Overall: 11-1/2″ x 15-1/4″ PROVENANCE: Dr. James M. MacCallum, Canada. Private collection, Canada and Florida. Estate of the above. CONDITION: Very good 50593-9 (75,000-125,000) – Lot 1104

Revised: 8/3/2016

Please Note: Artist’s first name is Dominique, Canadian, 1965-. Also, Galerie NOT Galarie.

DOMINKIQUE GAUCHER (20th/21st Century) “L’ASSAULT DU NEW MUSEUM, 2010” WITH ALTERNATE TITLE “ENTREE AU MUSEE, RIMAYE, 2010”.

Oil on canvas Unframed Unsigned Galarie de Bellefeuille Montreal, Quebec label on verso SIZE: 96″ x 72″ CONDITION: Very good 50750-9 (5,000-10,000) – Lot 1105

WILLIAM LESTER STEVENS (American, 1888-1969) CAPE ELIZABETH, MAINE.

Oil on board Housed in a modern giltwood frame Signed lower left “W. Lester Stevens NA” SIZE: 18″ x 12″. Overall: 24″ x 18″ CONDITION: Very good 50336-5 (2,000-3,000) – Lot 1106

WILLIAM LESTER STEVENS (American, 1888-1969) ROAD WITH DAPPLED SUNLIGHT, CONWAY.

Oil on canvas Housed in a silver giltwood frame Signed lower right “W. Lester Stevens N.A.” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 50652-2 (5,000-7,000) – Lot 1107

WILLIAM LESTER STEVENS (American, 1888-1969) FISHING BOATS AT HARBOR.

Oil on canvas Housed in a good gilt molded wood frame Signed lower left “W. Lester Stevens” (hard to see as it is black on green) SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-1/2″ CONDITION: Lined, inpainting, very good 50844-4 (5,000-7,000) – Lot 1108

WILLIAM LESTER STEVENS (American, 1888-1969) THE RED BARN.

Oil on Masonite Housed in a modern giltwood frame Signed lower left “W. Lester Stevens” SIZE: 18″ x 15″. Overall: 21-3/4″ x 18-3/4″ CONDITION: Good, with minor surface dirt 50488-8 (2,000-3,000) – Lot 1109

EMILE ALBERT GRUPPE (American, 1896-1978) VERMONT FARM.

Oil on canvas Housed in a fine, carved wood and gilt frame Signed lower right “Emile Gruppe”. Title in artist’s hand on verso of stretcher Note: Exhibition label for the Rockport Art Association on verso (10/5/08 to 11/3/08). Also on verso is a Spanierman Gallery label. Similar composition is seen on pg 137, plate 70 of the book Gruppe on Painting. SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-1/2″ CONDITION: Very good. 50748-1 (7,000-9,000) – Lot 1110

EMILE ALBERT GRUPPE (American, 1896-1978) NEW ENGLAND SUGAR HOUSE.

Oil on canvas Housed in a fine, carved wood gilt frame with wide gilt wood liner Signed lower right “Emile Gruppe” SIZE: 20″ x 24″. Overall: 27-3/4″ x 31-3/4″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good. 50749-16 (3,000-5,000) – Lot 1111

REFERENCE: Illustrated on page 50 in “Brushwork for the Oil Painter” by Emile Gruppe edited by Charles Movalli and titled “The Mountain Road”.

EMILE ALBERT GRUPPE (American, 1896-1978) “SMUGGLER’S NOTCH”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Emile A. Gruppe”, verso canvas stamped “Reproduction rights reserved by the artist”, titled in pencil on the stretcher NOTE: This painting was acquired directly from the Gruppe family and was one of the paintings selected to be represented on the family Christmas card and was hanging in the family house when acquired by our consignor Accompanying the painting is a framed Christmas card bearing this image. Housed in a modern gilt frame with white mat SIZE: 30″ x 36″. Overall: 37-1/2″ x 44″. CARD: Overall: 10″ x 11″ CONDITION: Very good 50652-10 (15,000-25,000) – Lot 1112

REFERENCE: Illustrated on page 54-55 in “Brushwork for the Oil Painter” by Emile Gruppe edited by Charles Movalli.

EMILE ALBERT GRUPPE (American, 1896-1978) “MOUNT MANSFIELD”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe” NOTE: This painting was acquired directly from the Gruppe family and was one of the paintings selected to be represented on the family Christmas card and was hanging in the family house when acquired by our consignor Accompanying the painting is a framed Christmas card bearing this image. Housed in a modern gilt frame with white mat. Also accompanying this painting is an unframed copy of the Christmas card portraying this painting SIZE: 25″ x 30″. Overall: 32-1/2″ x 37-1/2″. CARD: Overall: 10″ x 11″ CONDITION: Very good, with scattered flake losses upper right 50652-12 (15,000-25,000) – Lot 1113

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER LANDSCAPE, VERMONT.

Oil on board Housed in a giltwood frame Signed lower right “A.T. Hibbard” SIZE: 8″ x 10″. 13-12″ x 15-1/2″ CONDITION: Very good to excellent 50652-24 (8,000-12,000) – Lot 1114

ALDRO THOMPSON HIBBARD (American, 1886-1972) PANORAMIC VIEW OF VERMONT HILLSIDE FARMS IN WINTER.

Oil on canvas Housed in a barnboard frame with linen liner Signed lower right “A.T. Hibbard.” SIZE: 28″ x 36″. Overall: 30-1/2″ x 40-1/2″ CONDITION: Very good, with 6″ restored surface scratch in sky. 50652-22 (7,500-12,500) – Lot 1115

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT WINTER LANDSCAPE.

Oil on canvas Housed in a partial gilt molded wood frame with linen liner Signed lower right “AT Hibbard” On verso having three Estate stamps SIZE: 28″ x 36″. Overall: 33″ x 40-1/2″ CONDITION: Very good 50719-5 (7,000-10,000) – Lot 1116

ALDRO THOMPSON HIBBARD (American, 1886-1972) “WEST RIVER, JAMAICA, VERMONT”.

Oil on canvas Housed in a Guido giltwood frame Signed lower right “A.T. Hibbard”, titled on stretcher “West River/Jamaica, Vermont”, verso canvas stamped “Reproduction rights reserved” SIZE: 22″ x 30″. Overall: 30″ x 38″ CONDITION: Very good to excellent 50652-3 (6,000-9,000) – Lot 1117

KENNETH KNOWLES (American, b. 1958) “WHITE FARM, TUNBRIDGE, VERMONT”.

Oil on board, 2012 Housed in contemporary giltwood frame Signed lower right “Ken Knowles”, titled, signed and dated on verso “Ken Knowles ’12/White Farm, Tunbridge, Vermont”. Bears label from Bryan Memorial Gallery, Jeffersonville, Vermont. SIZE: 24″ x 30″. Overall: 31″ x 37″ CONDITION: Very good to excellent 50621-15 (2,500-3,500) – Lot 1118

T M NICHOLAS (American, b. 1963) SUGARING AT WINTER’S END.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “T.M. Nicholas” SIZE: 16″ x 20″. Overall: 23″ x 28″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good to excellent 50749-15 (2,500-4,000) – Lot 1119

WILLIAM JAMES GLACKENS (American, 1870-1938) “ROCKPORT, MASS 1936 NO. 3”.

Oil on board Pencil signed and titled on verso Two Adams Davidson Galleries labels affixed to verso, one indicating a title “Bathers at Rockport, 1936” and being exhibited in the “Washington Collects Exhibition February 19-April 7 1981” and illustrated as figure 32 in the catalog. The other label, which appears to be newer indicated title “Beach at Rockport”. Housed in a fine replacement gold gesso decorated frame Accompanying this painting is a signed letter from Ira Glackens dated October 1978 to Anne Denton Blair on his stationary “Dear Annie – This little study of a beach, measuring 12″ x 16″, was painted by father at Rockport, Mass, in 1936. I remember the water as frigid, having visited Pa & Ma for a few days there, & this place was better for painting than bathing! There exists several studies of this place, but feel lucky you do not have to go in that icy water! yours affectionately, Ira Glackens”. Also two receipts from Adams Davidson Gallery dated December 3rd, 1980 and February 12th 1981 REFERENCE: William Glackens and The Eight by Ira Glackens, page 255-256 “W.& E. Sailed for New York on July, 22nd, as planned… they fled to Rockport Massachusetts…and W. produced a few studies of the beach…” SIZE: 11-1/2″ x 15-1/4″ PROVENANCE: Descended in the Blair family; Sold James D. Julia auction 8/24/2005; Private Collection CONDITION: Very good 49288-1 (150,000-200,000) – Lot 1120

This painting was acquired directly from the family of the artist. REFERENCE: Illustrated on page 41, plate 15 in “Gruppe on Painting” by Charles A. Gruppe, Edited by Charles Movalli & John Lavin and titled “Reflections”

EMILE ALBERT GRUPPE (American, 1896-1978) “INDIAN SUMMER, GLOUCESTER”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe”, title inscribed on stretcher SIZE: 25″ x 30″. Overall: 32-1/2″ x 38″ CONDITION: Very good, with minor canvas buck. 50652-14 (12,000-15,000) – Lot 1121

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER SUNLIT COVE-ROCKY NECK”.

Oil on canvas Housed in a replacement gilt molded wood frame Signed lower right “Emile A Gruppe” Verso having an Emile A. Gruppe gallery business card along with a John Gale business card SIZE: 25″ x 30″. Overall: 31-1/2″ x 36-1/2″ PROVENANCE: Ex-John Gale Collection of Cambridge, MA CONDITION: Very good 50719-7 (12,000-16,000) – Lot 1122

EMILE ALBERT GRUPPE (American, 1896-1978) “MENDING THE NETS”.

Oil on canvas Housed in a fine carved & gilt wood frame Signed lower right “Emile A Gruppe” Titled & signed in the artist’s hand on verso of stretcher SIZE: 30″ x 36″. Overall: 39-1/2″ x 45-3/4″ CONDITION: Very good with area in central mast with touch up 50778-8 (12,000-18,000) – Lot 1123

ANTHONY THIEME (American, 1888-1954) “GLOUCESTER FISHERMAN”.

Oil on canvas Housed in a silver painted wood frame Signed lower left “A Thieme”, titled and numbered on verso “Gloucestesr Fisherman 483″ SIZE: 25″ x 30”. Overall: 28-3/4″ x 33-3/4″ CONDITION: Very good, with discolored varnish and scattered touch up 50652-23 (8,000-12,000) – Lot 1124

ANTHONY THIEME (American, 1888-1954) “ROCKPORT”.

Oil on canvas Housed in a modern carved & gilt frame with some finish loss Signed lower right “A Thieme” Frame retaining several labels including Exhibited at the Rockport Art Association Oct. 2-Nov 14, 1999; Christie’s sales label Feb. 27/13 On verso of canvas is a sketch of a similar scene SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Very good, strip line on tack edge, new stretcher, glassine covering of back so sketch is visible 50719-1 (10,000-15,000) – Lot 1125

ANTONIO CIRINO (American, 1889-1893) “BOATS IN THE HARBOR”.

Oil on canvas Housed in a gold painted frame Unsigned, bears estate stamp on verso canvas signed by Ann Fisk, Ex. Director of Rockport Art Association SIZE: 25″ x 30″. Overall: 29″ x 34″ CONDITION: Very good, with minor spotting to verso canvas 50625-2 (8,000-12,000) – Lot 1126

BOB BLUE (American, 1924-2008) “MORNING CHORES”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Bob Blue”, titled on stretcher SIZE: 20″ x 24″. Overall: 24-1/2″ x 28-1/2″ CONDITION: Very good to excellent 50516-3 (1,000-2,000) – Lot 1127

LESTER A. GILLETTE (American, 1855-1940) GLOUCESTER HARBOR.

Oil on board Housed in a giltwood frame with Guido label Signed lower right “L A Gillette”, inscribed on reverse “No. 655″, titled on Comenos Fine Arts label affixed to verso SIZE: 14″ x 16”. Overall: 19″ x 21″ CONDITION: Very good 50278-2 (2,000-4,000) – Lot 1128

CHARLES J. MOVALLI (American, 1945-2016) BOATS AT DOCK.

Oil on canvas Housed in a white painted wood frame Signed lower right “C. Movalli” SIZE: 24″ x 30″. Overall: 27-1/2″ x 34″ CONDITION: Very good, with minor craquelure 50520-3 (1,000-1,500) – Lot 1129

STANLEY WOODWARD (American, 1890-1970) CRASHING WAVES.

Oil on board Housed in a 20th century giltwood frame Signed lower left “Stanley Woodward” SIZE: 24″ x 30″. Overall: 33-3/4″ x 39-3/4″ CONDITION: Very good 50567-30 (4,000-6,000) – Lot 1130

WAYNE BEAM MORRELL (American, 1923-2013) “SUMMER HARBOR BOATS”.

Oil on masonite Housed in a decorative partial gilt wood frame with linen & gilt liner having title plaque Signed lower left “Wayne Morrell” Newman Galleries label on verso of frame with artist & title SIZE: 24″ x 36″. Overall: 32-1/2″ x 44-1/2″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good to excellent 50830-7 (2,000-4,000) – Lot 1131

WAYNE BEAM MORRELL (American, 1923-2013) TWO WORKS: “AUTUMN POND” & STROLL IN THE WOODS.

Oil on board Housed in gilt decorative frames with linen liners Signed lower right “Wayne Morrell” Both having Newman Galleries labels affixed to verso SIZE: Autumn Pond: 9-1/2″ x 13-1/4″. Overall: 17″ x 21″. Stroll: 8-1/2″ x 11-1/2″. Overall: 16″ x 19″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good 50830-10 (1,000-1,500) – Lot 1132

WAYNE BEAM MORRELL (American, 1923-2013) “BACK BEACH, ROCKPORT, MASS”.

Oil on Masonite Housed in contemporary wood frame with linen liner Signed lower right “Wayne Morrell”, inscribed with title and date on verso frame “Back Beach, Rockport, Mass, 1979″ SIZE: 9″ x 12”. Overall: 16-1/2″ x 19-1/2″ CONDITION: Very good 50777-1 (800-1,200) – Lot 1133

WAYNE BEAM MORRELL (American, 1923-2013) “AUTUMN MEADOWS”.

Oil on Masonite Housed in a vintage painted frame with linen liner Signed lower left “Wayne Morrell” and signed and titled on verso “Autumn Meadows by Wayne Morrell” Titled on Newman Galleries label on verso, registration no. 9979-C SIZE: 18″ x 24″; Overall: 26″ x 32″ CONDITION: Very good to excellent, with minor surface scratches in foreground 50297-3 (1,000-1,500) – Lot 1134

EMILE ALBERT GRUPPE (American, 1896-1978) TRAWLERS AT DOCK.

Oil on canvas Housed in a good carved wood & gilt frame with gilt liner Signed lower right “Emile A Gruppe” SIZE: 20″ x 24″. Overall: 27-1/4″ x 31-1/4″ CONDITION: Very good 50440-6 (6,500-8,500) – Lot 1135

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING GLOUCESTER”.

Oil on canvas Housed in gilt silver wood frame Signed lower right “Emile A. Gruppe”, inscribed on stretcher “To Mr. & Mrs. Bob Blue Oct 22 1960 by Emile A. Gruppe” SIZE: 25″ x 30″. Overall: 29″ x 34″ PROVENANCE: Ex-collection Bob Blue, Rockport Association Artist; Acquired directly from Emile Gruppe CONDITION: Very good, with minor craquelure 50516-1 (5,000-8,000) – Lot 1136

EMILE ALBERT GRUPPE (American, 1898-1978) BUSY GLOUCESTER DOCKS.

Oil on canvas Housed in a decorative gold frame Signed lower right “Emile A Gruppe” SIZE: 18″ x 20″. Overall: 24″ x 26″ CONDITION: At the edge where the frame meets the painting there is some chipping which could be hidden by a different frame, craquelure and one chip off craquelure at center. Otherwise very good 50440-7 (6,000-8,000) – Lot 1137

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING GLOUCESTER”.

Oil on canvas Housed in a carved gilt wood modern frame Signed lower right “Emile A Gruppe” Several labels to verso including Exhibited at Rockport Art Association Oct 5 – Nov 23, 2008 Emile Gruppe Retrospective; Cavalier Galleries Inc. Nantucket, MA; Spainerman Gallery label with alternate title “Mending the Nets, Cape Ann” SIZE: 30″ x 36″. Overall: 35-1/2″ x 41-1/2″ CONDITION: Very good 50719-3 (10,000-15,000) – Lot 1138

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER DOCKS”.

Oil on board Housed in an early 20th century giltwood frame Signed and dated lower right “Emile A Gruppe 1935”, signed and titled on verso “Gloucester Days by Emile A. Gruppe” SIZE: 11-3/4″ x 16″. Overall: 16″ x 20-1/2″ CONDITION: Very good. 50652-11 (4,500-6,500) – Lot 1139

This painting was acquired directly from the family of the artist. REFERENCE: Illustrated on page 92-93 in “Brushwork for the Oil Painter” by Emile Gruppe, Edited by Charles Movalli and titled “On the Ways”. Also illustrated on page 134 in “Brushwork” by Emile Gruppe, Edited by Charles Movalli.

EMILE ALBERT GRUPPE (American, 1896-1978) “ROCKY NECK RAILWAYS, GLOUCESTER”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe”, titled and signed on protective backing affixed to stretcher SIZE: 25″ x 30″. Overall: 32-1/2″ x 38″ CONDITION: Very good, with minor canvas buckle. 50652-4 (12,000-15,000) – Lot 1140

FREDERICK JUDD WAUGH (American, 1861-1940) BREAKING WAVES OVER ROCKS.

Oil on board Housed in a fine carved silver gilt wood frame Signed lower right “Waugh” SIZE: Sight: 24-1/2″ x 29-1/2″. Overall: 30″ x 35″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good 50830-5 (8,000-12,000) – Lot 1141

FREDERICK JUDD WAUGH (American, 1861-1940) “ROCKS AND WAVES”.

Oil on Masonite Housed in paint decorated molded frame Signed lower right “Waugh”, titled on Grand Central Galleries, New York Exhibition label affixed to verso “#4268″ SIZE: 25″ x 30”. Overall: 32″ x 37-1/2″ CONDITION: Overall very good, with small area of restoration in rocks. 50573-1 (8,000-12,000) – Lot 1142

FREDERICK JUDD WAUGH (American, 1861-1940) EVENING TIDE.

Oil on canvasboard Housed in a carved gilt wood frame Signed lower right “Waugh”, bears Grand Central Art Galleries, New York label on verso SIZE: 30″ x 40″. Overall: 35″ x 45″ CONDITION: Overall good with minor discolored varnish, upper left 50903-1 (7,000-9,000) – Lot 1143

WILLIAM TROST RICHARDS (American, 1833-1905) CRASHING WAVES.

Oil on board Housed in a modern gilt antique style frame Signed lower right “Wm T. Richards 1887″ SIZE: Sight: 11-1/2″ x 23-1/4”. Overall: 19-1/4″ x 31-1/4″ PROVENANCE: From a fine Acton, Massachusetts home CONDITION: Recently cleaned, very good 50914-1 (10,000-15,000) – Lot 1144

MELBOURNE HAVELOCK HARDWICK (American, 1857-1916) DUNES NEAR CRANE BEACH.

Oil on canvas Unframed Signed lower left “Melbourne H Hardwick 1913″ SIZE: 40″ x 50” CONDITION: Lined with minor spot inpainting, otherwise very good 50301-4 (4,000-6,000) – Lot 1145

HAROLD A STREATOR (American, 1861-1926) TWO VIEWS OF CRANES BEACH, IPSWICH.

Two oils on board Housed in modern giltwood frames One signed lower right “HA. Streator”, the other unsigned SIZE: 13″ x 16″ each. Overall: 20″ x 23″ each CONDITION: Very good 50336-7 (1,500-2,000) – Lot 1146

GAMALIEL WALDO BEAMAN (American, 1852-1937) SINGING BEACH, MANCHESTER BY THE SEA and VIEW OF MOUNT WASHINGTON.

Two oils on canvas Unframed 1) “Singing Beach” incised in wet paint lower left and lower right “GWBO”; 2) “Mt. Washington”, unsigned, titled in pencil on verso canvas, inscribed on stretcher “Geo Knowlton No. 41 Gilt” SIZE: 1) 13″ x 17-1/4″. 2) 13-1/2″ x 17-1/2″ PROVENANCE: By descent through the artist’s family CONDITION: Both have discolored varnish and surface dirt. Mt. Washington has stretcher marks and an area in the lower right corner that appears to have been scratched off. 50484-1 (800-1,200) – Lot 1147

BERNARD COREY (American, 1914-2000) “PIGEON COVE”.

Oil on canvas laid to masonite Housed in gray frame with linen liner Signed lower right “Bernard Corey”, inscribed on verso frame “Bernard Corey/Pigeon Cove” SIZE: 8″ x 12″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Very good 50652-9 (1,200-1,800) – Lot 1148

JEFFREY GRANT (American, 1883-1960) “OUR LADY OF GOOD VOYAGE, GLOUCESTER, MASS”.

Oil on canvasboard Housed in a fine carved wood & gilt frame Signed lower right “J Jeffrey Grant” Accompanying the painting is a Vose Gallery exhibition catalog for the artist SIZE: 16″ x 14″. Overall: 23″ x 21″ CONDITION: Very good 50718-4 (1,200-2,400) – Lot 1149

CHARLES P GRUPPE (American, 1860-1940) “THE RED MILL”.

Oil on canvas Housed in a modern giltwood frame made by Hackman Frames, Ohio Signed lower right “Chas P. Gruppe”, titled inscribed in ink on a label affixed to stretcher “The Red Mill/Catskills” Exhibited: Cahoon Museum of American Art, “A Family of Artists: Gruppe Family”, March 13-April 29, 2012 SIZE: 20″ x 24″. Overall: 28-1/4″ x 32″ CONDITION: Overall very good condition, with scattered retouch (minor) and several tiny pinholes. 50336-15 (2,000-3,000) – Lot 1150

EMILE ALBERT GRUPPE (American, 1896-1978) WINTER IN VERMONT.

Oil on canvas Housed in a fine carved gilt wide frame Signed lower right “Emile A Gruppe” SIZE: 30-1/2″ x 36″. Overall: 39″ x 45″ CONDITION: Very good 50778-10 (12,000-18,000) – Lot 1151

EMILE ALBERT GRUPPE (American, 1896-1978) AFTERNOON WINTER LANDSCAPE.

Oil on canvas Housed in a modern carved & gilt wood frame with artist plaque (some chips) Signed lower right “Emile A Gruppe” SIZE: 18″ x 20″. Overall: 26-1/4″ x 28-1/4″ CONDITION: Very good 50719-4 (4,000-6,000) – Lot 1152

EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT COVERED BRIDGE”.

Oil on canvas Housed in a good carved & gilt replacement frame Signed lower right “Emile A Gruppe” Back retaining several labels including Exhibited Rockport Art Association Oct 5 – Nov 23, 2008 in the Emile Gruppe Retrospective; Spanierman Gallery label; Doyle auction labels On stretcher in artist hand is title and “Serial No. III” on verso of canvas SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Very good 50719-2 (7,000-10,000) – Lot 1153

EMILE ALBERT GRUPPE (American, 1896-1978) PRELUDE TO WINTER.

Oil on canvas Housed in a fine modern carved & gilt wood frame with wide & gilt carved liner Signed lower right “Emile A Gruppe” SIZE: 16″ x 20″. Overall: 25″ x 29″ CONDITION: Very good with minor touch up in sky 50778-9 (4,000-6,000) – Lot 1154

EMILE ALBERT GRUPPE (American, 1896-1978) “AUTUMN IN VERMONT”.

Oil on canvas Housed in a carved and painted wood frame Signed lower right “Emile A. Gruppe”, bears Young Fine Arts sticker on verso stretcher Exhibited: North Shore Arts Association, “Emile Grupe – A Retrospective”, August 2-31, 1997. SIZE: 18″ x 20″. Overall: 23-1/2″ x 25-1/2″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Very good, with minor stretcher mark along top. 50749-17 (3,000-5,000) – Lot 1155

EMILE ALBERT GRUPPE (American, 1896-1978) “CAPE ANN GLOUCESTER”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe”, titled on stretcher Accompanying this painting are three original Emile A. Gruppe gallery receipts for paintings (not associated with this painting) SIZE: 25″ x 30″. Overall: 34″ x 39″ CONDITION: Very good, with vertical craquelure 50652-21 (2,000-4,000) – Lot 1156

EMILE ALBERT GRUPPE (American, 1896-1978) NUDE SEATED ON A ROCK.

Oil on canvasboard Housed in a copper color molded wood frame. Signed lower right “Emile A. Gruppe” SIZE: 6-3/4″ x 4-3/4″. Overall: 17-1/2″ x 15″ CONDITION: Very good to excellent 50298-4 (1,500-2,500) – Lot 1157

ANTHONY THIEME (American, 1888-1954) GLOUCESTER DOCKS.

Oil on canvas board Housed in original carved giltwood frame Signed lower right “A Theime”, inscribed in pencil on paper backing “For Johanna Snyder Oct. 1-89” and “This is the first painting Jim & I bought on a trip to New England [Gloucester Mass 1930]. Mr. Theime kept up correspondence until he died. Mom” SIZE: 7-3/4″ x 9-1/2″. Overall: 12″ x 14″ CONDITION: Tiny craquelure in hull of boat, with minor abrasions along edges, otherwise very good. 50406-1 (1,500-2,000) – Lot 1158

ANTHONY THIEME (American, 1888-1954) NEW ENGLAND HARBOR.

Oil on canvas Housed in a giltwood frame Signed lower left “A Thieme” SIZE: 22″ X 18″. Overall: 29-1/4″ x 25-1/2″ CONDITION: Very good, lined 50187-1 (7,000-9,000) – Lot 1159

ANTHONY THIEME (American, 1888-1854) “MOTHER AND CHILD”.

Oil on board. Housed in a contemporary carved giltwood frame. Stamped on verso “Anthony Thieme, Boston, MASS” SIZE: 12″ x 16″. Overall 18-3/4″ x 22-3/4″ CONDITION: Very good to excellent 50298-5 (4,000-6,000) – Lot 1160

PAUL STRISIK (American, 1918-1998) “THE INLET WEST GLOUCESTER OCT 1964”.

Oil on board Housed in a decorative wood frame Signed lower right “P Strisik” Verso having an original artist tag with title & other information SIZE: 16″ x 24″. Overall: 19-1/2″ x 27-1/2″ CONDITION: Frame line above bottom frame edge, otherwise very good 50732-1 (1,500-2,500) – Lot 1161

PAUL STRISIK (American, 1918-1998) “MARTEL’S BARN”.

Oil on Masonite Housed in contemporary frame with linen liner Signed lower left “P. Strisik”, titled on artist’s label affixed to verso, numbered and dated “Oct. 1970/#0-256″ SIZE: 12″ x 16”. Overall: 19-1/2″ x 23-1/2″ CONDITION: Very good to excellent 50847-7 (1,200-1,800) – Lot 1162

PAUL STRISIK (American, 1918-1998) “STREET IN GALISTEO, NEW MEXICO”.

Oil on linen canvas laid down on panel Housed in a giltwood frame with linen liner Signed lower left “P. Strisik”, titled on artist gallery label affixed to verso SIZE: 8″ x 10″. Overall: 16″ x 18″ CONDITION: Very good to excellent 50847-6 (800-1,200) – Lot 1163

DENNIS POIRIER (American, 20th century) “THE MIMI”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “-Dennis Poirier-“, titled on stretcher “The Mimi” SIZE: 20″ x 24″. Overall: 31″ x 27″ CONDITION: Very good – excellent 50443-4 (1,500-2,500) – Lot 1164

DENNIS POIRIER (American, 20th century) “LOBSTER BOATS AT DOCK, GLOUCESTER”.

Oil on board Housed in a contemporary giltwood frame Signed lower center “Dennis Poirier”, titled in pencil on verso and on North Shore Arts Association Exhibition label as “Lobster Boats, Town Landing”. Exhibited: North Shore Arts Association SIZE: 12″ x 16″. Overall: 23″ x 19″ CONDITION: Very good to excellent 50443-3 (800-1,200) – Lot 1165

DENNIS POIRIER (American, 20th century) FIVE PAINTINGS.

All housed in modern giltwood frames Including: 1) “Annisquam in Winter”, oil on board, signed lower right and titled on verso, 6″ x 8″; 2) “Reflections at Arundel Wharf, Kennebunkport, ME”, oil on panel, signed lower right and titled on verso, 6″ x 8″; 3) “Sunset Rockport Harbor”, oil on board, signed lower left and titled on verso, 6″ x 8″; 4) “Mike Chapman’s Cows”, oil on board, signed lower right and titled on verso, 6″ x 8″; 5) “The Falls at Somerswoth, N.H.”, oil on panel, signed lower right and titled on verso, 8″ x 6″ SIZE: Overall sizes to: 12″ x 10″ CONDITION: All very good 50443-2 (600-800) – Lot 1166

DENNIS POIRIER (American, 20th century) FIVE PAINTINGS.

All housed in modern giltwood frames Including: 1) “Winter Morning at the Bridge, Kittery Maine”, oil on panel, signed lower left and titled on verso, 6″ x 8″; 2) “Summer Evening in Falmouth”, oil on canvas, signed lower left and titled on verso, 8″ x 10″; 3)”Chinese Vase and Fruit”, oil on panel, signed lower right and titled on verso, 8″ x 6″; 4) “Night Scene, Falmouth, ME”, oil on board, signed lower right and titled on verso, 6″ x 7-3/4″; 5) “Dusk at the Boatyard”, oil on panel, signed lower left and titled on verso, 6″ x 7-3/4″ SIZE: Overall size of largest: 12″ x 13-3/4″ CONDITION: All very good 50443-1 (600-800) – Lot 1167

JOHN CAGGIANO (American, b 1949) “SEASIDE”, NANTUCKET.

Oil on Masonite Housed in a silver giltwood frame Signed lower right “John Caggiano”, signed, titled and dated on verso “Seaside oil by John Caggiano C 1998″ SIZE: 10″ x 20”. Overall: 15″ x 25″ CONDITION: Very good to excellent 50298-7 (1,000-1,500) – Lot 1168

STAPELTON KEARNS (American, 1952-) “PIGEON COVE HARBOR”.

Oil on canvas Housed in a gilt frame with linen liner Signed lower left “Stapelton Kearns 1996″ SIZE: 26″ x 29”. Overall: 35″ x 38″ CONDITION: Very good to excellent 50732-3 (2,500-3,000) – Lot 1169

FREDERICK J. HOERTZ (American, 20th Century) SAILING INTO GLOUCESTER HARBOR.

Large oil on canvas Housed in a modern carved and gilt arts & crafts style frame Signed lower right SIZE: 30-1/4″ x 36-1/4 Overall: 37-1/2″ x 43-1/2″ CONDITION: Some craquelure, good 38993-6 (1,000-2,000) – Lot 1170

HARRY CALLAHAN (American, 1912-1999) “PROVINCETOWN BEACH”.

Gelatin Silver Print Unframed Signed in pencil lower right margin “Harry Callahan” SIZE: Image: 9-1/2″ x 9-1/2″. Sheet: 10-7/8″ x 12″ CONDITION: Very good 50547-5 (2,500-3,500) – Lot 1171

ARTHUR QUARTLEY (American, 1839-1896) “OFF CAPE COD”.

Oil on canvas Housed in a fabulous & probably original deep walnut shadowbox frame with inner gilt frame with liner Signed lower right “A Quartley” SIZE: 12″ x 24″. Overall: 22″ x 34″ CONDITION: Lined, some restoration with inpainting 50573-2 (6,000-8,000) – Lot 1172

EDWARD A PAGE (American, 1850-1928) SUMMER SEASIDE SCENE.

Oil on canvas Housed in a fine carved and gilt modern frame with gilt liner Signed lower right “EA Page 22″ SIZE: 14-1/4″ x 20-1/4”. Overall 24-1/2″ x 32-1/2″ CONDITION: Very good, some minor inpainting 50858-5 (5,000-8,000) – Lot 1174

Revised: 8/3/2016

Please Note: The artist’s dates should read 1897-1980.

CARL W PETERS (American, 1897-1980) “STREAM IN WINTER”.

Oil on canvas Housed in a white washed wood frame with linen liner Signed lower right “Carl W. Peters”, titled on label affixed to stretcher SIZE: 20″ x 24″. Overall: 26″ x 30″ CONDITION: Very good 50652-13 (5,000-7,000) – Lot 1175

CARL W PETERS (American, 1897-1980) DRIVING THE OX OVER A BRIDGE.

Oil on canvas Housed in a giltwood frame Signed lower right “Carl W Peters” SIZE: 20″ x 24″ 27-1/2″ x 31-1/2″ CONDITION: Very good to excellent 50652-5 (5,000-8,000) – Lot 1176

JOHN JOSEPH ENNEKING (American, 1841-1916) “WOODLAND POOL”.

Oil on canvas Housed in a period wide gesso decorated flower & leaf motif gilt frame with gilt liner having an artist plaque attached Signed lower right “Enneking” Title and stenciled “Estate John J Enneking, Florence E. Long, Grace E. Ward, J Elliott Enneking Administrators” on verso SIZE: 20″ x 24″. Overall: 32″ x 36″ CONDITION: Very good with some very minor touchup 50278-3 (12,000-15,000) – Lot 1177

JOHN F CARLSON (Swedish/American, 1874/75-1945) “MORNING IN THE BARNYARD”.

Oil on canvas Housed in a contemporary giltwood frame with linen liner Signed lower right “John F. Carlson”, titled in ink on stretcher and on a label affixed to stretcher, dated 1924, stamped on stretcher “Property of Peter W. Carlson 8-4-62″, SIZE: 18″ x 24”. Overall: 25-1/4″ x 31-1/4″ CONDITION: Very good, with scattered touch up and minor craquelure. 50652-1 (12,500-17,500) – Lot 1178

ERNEST LAWSON (American, 1873-1939) WINTER LANDSCAPE, WESTPORT, CONNECTICUT.

Oil on canvas Housed in a period carved giltwood frame with linen liner Signed and dated lower left “E. Lawson 1913″ Accompanied by copies of the original descent/sales letters SIZE: 25″ x 28”. Overall: 32-1/2″ x 36″ PROVENANCE: Wedding gift from the artist to Laura Gardin Fraser in 1913; By descent to Leila Gardin Sawyer, sister of the original owner; Current owner acquired from Elizabeth Ives Bartholet, New York Art consultant in 1968 CONDITION: Very good restored condition. Lined to arrest craquelure and shrinkage cracks with small amount of loss 50159-1 (30,000-50,000) – Lot 1179

EDWARD WILLIS REDFIELD (American, 1869-1965) “RIVER DECORATIONS”.

Oil on canvas Housed in a period gilt molded wood frame retaining a Newman Galleries label on verso Signed lower right “E W Redfield Pencil signed & titled on stretcher SIZE: 26″ x 32-1/4”. Overall: 31-3/4″ x 37-3/4″ PROVENANCE: From a private Philadelphia, PA area home CONDITION: Very good, lined 50923-1 (80,000-120,000) – Lot 1180

Revised: 8/3/2016

Please Note: The painting has been relined.

KENNETH NUNAMAKER (American, 1890-1957) “PLUM BLOSSOMS”.

Oil on canvas Housed in a modern gilt frame with linen & gilt liner Signed lower left “K Nunamaker” Pencil title & signature to verso of stretcher, also an owner tag indicating “A scene of Lou Fillings Farm” Newman Gallery label affixed to frame on verso SIZE: 22″ x 24″. Overall: 30″ x 32″ PROVENANCE: Acquired directly from the artist, through descent of a Philadelphia, PA area home CONDITION: Some touch up to upper edge, very good 50830-4 (20,000-30,000) – Lot 1181

ARTHUR MELTZER (American, 1893-1989) PENNSYLVANIA LANDSCAPE IN SPRINGTIME.

Oil on canvas Housed in a decorated partial gilt wood frame Signed lower left “Arthur Meltzer” and dated indistinctly SIZE: 20″ x 24″. Overall: 26″ x 29-3/4″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-9 (8,000-12,000) – Lot 1182

ARTHUR MELTZER (American, 1893-1989) “ONCE A BARN”.

oil on canvas Housed in a fine decorated wood frame with gilt edge Signed lower left “Arthur Meltzer” Signed artist signed index card with title & descriptive paragraph on verso SIZE: 20″ x 24″. Overall: 27-1/2″ x 32″ PROVENANCE: Acquired directly from the artist, through descent of a Philadelphia, PA area home CONDITION: Very good 50830-1 (8,000-12,000) – Lot 1183

ARTHUR MELTZER (American, 1893-1989) “BRIDGE AT TREXLERS”.

Oil on canvas Housed in a paint decorated & gilt frame with some finish losses Signed lower left “Arthur Meltzer” Retains a partial gallery label to verso; Title on backing board NOTE: The three span stone arch bridge is located near Kempton, PA Berks Country SIZE: 16″ x 20″. Overall: 23-1/2″ x 27-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-3 (6,000-9,000) – Lot 1184

ARTHUR MELTZER (American, 1893-1989) “WOOD CHOPPERS HOME”.

Oil on canvas Housed in a decorated & partial gilt wood frame Signed lower right “Arthur Meltzer” Titled on verso NOTE: This scene is near Bohl’s Mill, Trevose, PA on Trevose Rd SIZE: 20″ x 24″. Overall: 26-3/4″ x 30-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-6 (6,000-9,000) – Lot 1185

ARTHUR MELTZER (American, 1893-1989) “INTERRUPTED STREAM”.

Oil on board Housed in a decorated partial gilt wood frame Signed lower left “Arthur Meltzer” On verso is an index card signed by the artist with title and brief description SIZE: 12″ x 14″. Overall: 19″ x 21″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-5 (6,000-9,000) – Lot 1186

ARTHUR MELTZER (American, 1893-1989) FARM WITH CLOUDY SKY.

Oil on canvas Housed in a paint decorated frame Signed lower left “Arthur Meltzer”, numbered “37” on verso canvas SIZE: 12″ x 14″. Overall: 17-1/2″ x 20″ CONDITION: Very good, with minor craquelure. 50574-4 (2,000-4,000) – Lot 1187

ARTHUR MELTZER (American, 1893-1989) “SCRIBES OF OLD”.

Oil on canvas Housed in a fine decorated wood frame Signed lower right “Arthur Meltzer” Label attached to verso with artist & title SIZE: 20″ x 24″. Overall: 26-3/4″ x 30-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-7 (3,000-5,000) – Lot 1188

ARTHUR METZLER (American, 1893-1989) ITALIAN PICTURE.

Oil on board Housed in a gilt wood frame with linen and gilt liner (foxed). On verso of board has title, artist and stamped date “JAN 21 1922” Signed lower right “Arthur Metzler” SIZE: 9″ x 11″. Overall: 12-1/4″ x 14-1/2″ PROVENANCE: Acquired directly from the artist, through descent of a Philadelphia, PA area home CONDITION: Very good. Very slight warp to the board. 50830-2 (2,000-3,000) – Lot 1189

ARTHUR MELTZER (American, 1893-1989) “THAT’S MAMERE”.

Oil on board Housed in a decorated & gilt wood frame Signed lower right “Arthur Meltzer” Titled on verso SIZE: 12″ x 22″. Overall: 18-3/4″ x 28-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Some paint separation, otherwise very good 50923-8 (3,000-5,000) – Lot 1190

PAULETTE VAN ROEKENS (American, 1896-1988) “PEARS AND PLUMS”.

Oil on canvas Housed in a fine modern gilt frame Signed lower right “P Van Roekens”, also titled, signed and dated (74) on stretcher SIZE: 12″ x 14″. Overall: 20″ x 22″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good 50830-3 (1,500-2,500) – Lot 1191

PAULETTE VAN ROEKENS (American, 1896-1988) “IN THE GARDEN”.

Oil on canvas Housed in a paint decorated & partial gilt wood frame Signed lower left “P Van Roekens” Titled on verso & with a Newman Galleries label SIZE: 12″ x 14″. Overall: 18-1/2″ x 20-1/2″ PROVENANCE: Acquired directly from the artist; From a private Philadelphia, PA area home CONDITION: Very good 50923-4 (500-1,000) – Lot 1192

ADOLF DEHN (American, 1895-1968) “PENNSYLVANIA WINTER”.

Watercolor Housed under glass in a carved and painted wood frame with white mat Signed lower right “Adolf Dehn”, titled in pencil on original paper fragment affixed to verso, bears Milch Galleries label with alternate title “Winter in Pennsylvania” SIZE: Sight: 20″ x 26-1/2″. Overall: 31″ x 37-1/2″ CONDITION: Very good, not examined out of frame. 50488-1 (1,000-2,000) – Lot 1193

ERIC SLOANE (American, 1905-1985) “LINGAUR SLOPES, AUSTRIA”.

Oil on masonite Housed in what appears to be its original frame with white liner and Titled lower left & signed lower right Also signed on verso “Eric Sloane Brookfield, Conn” Verso having a metal plaque inscribed with title, artist and “J.P. HUNT COLLECTION”. Mr. Hunt was a real estate developer from Ft. Lauderdale, Florida SIZE: 24″ x 30″. Overall: 31-1/2″ x 37-1/2″ CONDITION: Very good 50922-5 (6,000-8,000) – Lot 1194

ERIC SLOANE (American, 1905-1985) AFTERNOON SHADOWS ON RED COVERED BRIDGE.

Oil on masonite Housed in a modern decorative frame with gilt liner Signed lower left “Eric Sloane” SIZE: 23-3/4″ x 41-3/4″. Overall: 31″ x 49″ CONDITION: Very good 50805-1 (12,500-17,500) – Lot 1195

ROBERT STRONG WOODWARD (American, 1885-1957) “MONADNOCK FROM FROST’S HILL”.

Pastel Housed under glass in a contemporary giltwood frame with double mat Signed lower left “Robert Strong Woodward” and titled lower left “Monadnock from Frost’s Hill” SIZE: Sight: 21-1/4 ” x 28-1/2″. Overall: 30-1/2″ x 37-1/2″ CONDITION: Very good to excellent 50443-5 (4,000-5,000) – Lot 1196

JONAS LIE (American, 1880-1940) SPRING LANDSCAPE.

Oil on canvas board Housed in a giltwood frame by Lowy, with presentation plaque Unsigned, identified and titled on Spanierman Gallery New York label affixed to verso SIZE: 12″ x 9″. Overall: 19″ x 16″ CONDITION: Very good with some inpainting 50494-1 (4,000-6,000) – Lot 1197

JONAS LIE (American, 1880-1940) “MELTING SNOW”.

Oil on canvas Housed in a good carved & gilt wood frame with title & artist plaque Signed lower right “Jonas Lie” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very minor touch up in sky, very good 50811-11 (2,500-3,500) – Lot 1198

EDWARD LAMSON HENRY (American, 1841-1919) “THE HUCKSTER”.

Oil on canvas Housed in a fine gesso decorated gilt frame with metal title and artist’s plaque Signed lower left “EL Henry 1912″ Retaining a Milch Galleries, NY label to verso SIZE: 15″ x 23-1/2”. Overall 21″ x 29-1/2″ PROVENANCE: Private Maine/Texas Collector. CONDITION: Very good 50012-57 (15,000-25,000) – Lot 1199

JASPER FRANCIS CROPSEY (American, 1823-1900) SUNRISE OVER THE ST. LAWRENCE RIVER.

Watercolor on paper Housed in a gold painted wood frame with presentation plaque Signed and dated lower left “J.F. Cropsey 1884″ Note: Possibly a companion to a similar watercolor offered at Bonham’s, lot 28, November 30, 2010. SIZE: 5″ x 13”. Overall: 13-1/2″ x 21-1/2″ PROVENANCE: Acquired by Mr. & Mrs. Carl Stern of New York, from the Cropsey family; by descent to current owner CONDITION: Overall good. The work is slightly faded and paper is mounted to cardboard. 50608-1 (6,000-9,000) – Lot 1200

BENEDIKT HESS (Swiss/American, 1817-1870) HUDSON RIVER VIEW.

Oil on canvas Housed in a contemporary carved giltwood frame Signed and dated lower center “B. Hess. 1856″ SIZE: 27″ x 31”. Overall: 38-1/4″ x 43″ CONDITION: Good, restored condition. Lined, with minor craquelure, several small areas of restoration and scattered touch up. Chip losses to edge of canvas near frame. 50495-1 (7,000-10,000) – Lot 1201

VICTOR DE GRAILLY (American, 1804-1889) HIGHLANDS GORGE, WEST POINT.

Mid 19th Century oil on canvas Housed in a wonderful deep antique style gilt frame by Guido Frames, South Boston Unsigned Verso of canvas having Paris canvas stamp Ancienne Maison/Valle/Paris SIZE: 17″ x 23-1/2″. Overall: 24″ x 30″ CONDITION: Craquelure, some minor inpainting, very good 50802-8 (8,000-12,000) – Lot 1202

EDMUND DARCH LEWIS (American, 1835-1910) KAATERSKILL FALLS, NEW YORK.

Oil on canvas Housed in a period giltwood frame Signed and dated lower right “Edmund Darch Lewis 1879”, verso canvas stenciled “Earles Galleries, Philadelphia” SIZE: 30″ x 20″. Overall: 41-1/2″ x 31″ CONDITION: Good, with craquelure and minor restoration along bottom and edges. 50589-2 (3,000-5,000) – Lot 1203

Lower stretcher bar on verso with location/title “Catskill Scene”

AMERICAN SCHOOL (19th century) HUDSON RIVER VALLEY VIEW.

Oil on canvas Housed in a period giltwood frame Unsigned SIZE: 15″ x 21″. Overall: 22-1/2″ x 28-1/2″ CONDITION: Lined, restoration throughout, cracking and lifting to paint surface. 50305-2 (3,000-5,000) – Lot 1204

CARL SPRINCHORN (American, 1887-1971) “DIVER AT CONEY ISLAND”.

Pastel on paper Signed lower left “Carl Sprinchorn” Housed in a black & gilt wood frame with linen gold edged mat behind glass SIZE: Sight: 20″ x 13-1/4″. Overall: 32″ x 26″ CONDITION: Very good, not examined out of frame 50796-3 (3,000-5,000) – Lot 1205

ANNA ELKAN MELTZER (American, 1896-1975) “CENTRAL PARK 1940”.

Oil on canvas Housed in a modern wood frame with linen & gilt liner Signed lower left “Anna E Meltzer 40″ SIZE: 20″ x 30”. Overall: 25-1/2″ x 35-1/2″ CONDITION: Small patches to verso with corresponding inpainting, otherwise very good 50847-4 (1,500-2,500) – Lot 1206

MAURICE SIEVAN (American, 1898-1981) “BROOKLYN STREET SCENE”.

Oil on canvas board Housed in a giltwood frame with linen liner Signed lower left “Sievan”, titled and inscribed on verso “Brooklyn Street Scene by Maurice Sievan 1940″ SIZE: 9″ x 12”. Overall: 14-1/4″ x 17-1/4″ CONDITION: Good overall condition, surface dirt 50556-2 (1,000-2,000) – Lot 1207

MAURICE SIEVAN (American, 1898-1981) “SHERIDAN SQUARE”.

Watercolor and ink on paper mounted on board Housed under glass in giltwood frame with linen liner Signed and dated lower right “Sievan 1932″, titled on Gerald Peters Gallery label affixed to verso SIZE: 8-3/4″ x 11 -3/4”. Overall: 15-1/2″ x 18-1/2″ CONDITION: Good, paper has slight discoloration and is attached to back mat at corners 50556-3 (1,000-2,000) – Lot 1208

MAURICE SIEVAN (American, 1898-1981) “LOWER MANHATTAN”.

Oil on canvas board Housed in a Friedman painted wood frame Signed lower right “Sievan”, titled, dated and inscribed on verso ” Lower Manhattan by Maurice Sievan Oil- 20 x 24- 1939 / #224″ SIZE: 20″ x 24″. Overall: 26-1/2″ x 30-1/2″ CONDITION: Good, with minor surface dirt and abrasions 50556-1 (2,000-4,000) – Lot 1209

GEORGE GROSZ (American, 1893-1959) “BRICKDUST ROW” OR QUEENIE THE FAR LADY, CONY ISLAND.

Pencil & charcoal on paper Housed in a flat gilt wood frame with linen and gilt mat free mounted Signed with a signature stamp lower right Verso with Estate stamp and #6-73-4 Note: Accompanying the lot is a letter from Ralph Jentsch dated 1/29/16 indicating the authentication of the drawing and a note indicating that it will be included in forthcoming raisonne of works on paper by George Grosz SIZE: 23″ x 18″. Overall: 39″ x 32-1/2″ PROVENANCE: Studio of the artist, Bayside Long Island, 1935; George Grosz Estate 1959; Collection of Mr. & Mrs. Jonathan P. Rosen; Sotheby’s, NY June 21, 2005 Lot 402; Illustration: Preliminary Drawing of the Watercolor illustrated in O’Henry “The Voice of the City & Other Stories”, illustrated between page 38-39 NOTE: A copy of the book accompanies the lot. CONDITION: Very good, hinge mounted having some adhesive bleed at the top hinge 50796-4 (8,000-12,000) – Lot 1210

ARTHUR L. COPPEDGE (American, 1938-2010) “STREET CORNER (NO LEFT TURN)”, NEW YORK.

Oil on board Housed in a giltwood frame with linen liner Signed lower center “Coppedge”, titled on an ACA Galleries, New York label affixed to backing and inscribed in ink “#12 Street Corner (No left Turn)” SIZE: 6-1/2″ x 10-1/4″. Overall 10-1/2″ x 14-1/2 CONDITION: Very good to excellent 50298-1 (1,500-2,500) – Lot 1211

WALTER STUEMPFIG (American, 1914-1970) CITY PLAYGROUND.

Oil on canvas Housed in a painted carved wood frame with painted liner Signed in pencil on stretcher, possible remnants of a signature lower left SIZE: 11″ x 14″. Overall: 18″ x 21″ CONDITION: Very good 50811-9 (2,000-3,000) – Lot 1212

CLEM (CLEMENT) WEISBECKER (American, 1912-1965) THE WHARVES OF NEW YORK.

Watercolor on paper Housed in a modern carved gilt frame with white linen mat having gold edge behind glass Signed lower right and dated “Clement Weisbecker 46″ SIZE: Sight size: 10-3/4″ x 14-1/2. Overall: 22-1/4″ x 26” CONDITION: Very good. 50810-7 (800-1,200) – Lot 1213

AFTER FREDERIC-AUGUSTE BARTHOLDI (French, 1834-1904) MODEL OF THE STATUE OF LIBERTY.

Cast bronze with green patina Issued by the Musee Bartholdi, Colmar France in an edition of 4000; bears a plaque on verso which reads “Modele original de la statue/ de la liberte par Bartholdi no. 96/ 4000/ musee Bartholdi, Colmar, France c SLCC” Note: A similar bronze was recently sold at Christie’s, New York (Jan. 23, 2015, lot 57) for $8,750. That example was numbered 132 SIZE: 19-3/8″ h x 5-1/4″ w x 5-1/4″ d. CONDITION: Very good 50214-1 (4,000-6,000) – Lot 1214

ABASTENIA ST. LEGER EBERLE (American, 1878-1942) “GIRL WITH ROLLER SKATE” ALSO CALLED “ROLLER SKATING” OR “ROLLER SKATER”.

Bronze Signed on top of base “A.L.S. Eberle”, also signed on side “B. Zoppo Foundry.N.Y.” Brown patina REFERENCE: Full page image of this bronze on page 28 of “Rediscoveries in American Sculpture” by Conner & Rosenkranz NOTE: To our knowledge we have not found this example sold or offered in recent auction history SIZE: 13″ h x 11-1/4″ from finger tip to finger tip CONDITION: Very good, figures right forearm and hand has been professionally replaced and nearly undetectable 50613-1 (10,000-15,000) – Lot 1215

RENEE SINTENIS (American/German, 1888-1965) “AUSSCHLAGENDES FOHLEN”.

Bronze Mounted to a marble rectangular slab Signed “RS” on side of hoof REFERENCE: Illustrated on page 31 of the book “Renee Sintenis” by Hannah Kiel, 1935. A copy of this book accompanies the work SIZE: Bronze: 4-1/4″ h x 6″ l PROVENANCE: Acquired in Germany, by descent to our consignor CONDITION: A wonderful spotted verdigris patina from being on a window sill in St. Martin 50414-2 (6,000-9,000) – Lot 1216

RENEE SINTENIS (American/German, 1888-1965) “SICH LECKENDES FOHLEN 1928”.

Bronze Signed “RS” on side of hoof REFERENCE: Illustrated on page 25 of the book “Renee Sintenis” by Hannah Kiel, 1935. A photocopy of this page accompanies the work SIZE: Bronze: 4″ h x 5″ l PROVENANCE: Acquired in Germany, by descent to our consignor CONDITION: A wonderful spotted verdigris patina from being on a window sill in St. Martin 50414-1 (6,000-9,000) – Lot 1217

LOUIS MCCLELLAN POTTER (American, 1873-1912) PRAYING MONKS BOOKENDS.

Bronze Signed on back “Louis Potter 1911″ SIZE: 10″ h x 6″ d x 5” w CONDITION: Very good 50311-3 (3,000-5,000) – Lot 1218

MABLE VIOLA HARRIS CONKLING (American, 1871-1966) MAIDEN WITH FLOWER FOUNTAIN.

Bronze fountain Fitted on a brass topped onyx plinth Signed and date “1925” on top of base SIZE: Bronze: 33″ h; Overall: 38″ h x 12″ at widest CONDITION: Very good black patina 50810-9 (4,000-6,000) – Lot 1219

ULYSSES ANTHONY RICCI (American, 1888-1960) WOMAN’S BUST.

Bronze Mounted on a stepped square black slate plinth Signed on left side of neck “U.A. Ricci Sc.37” Also on base of bronze “Roman Bronze Works N.Y.” REFERENCE: He is listed in the Dictionary of American Sculptors as born & died in New York, exhibiting at the PA Academy of Fine Arts and the Metropolitan Museum of Art and a member of the National Sculptor Society SIZE: Bronze: 12-1/2″ h. Base: 6-1/4″ sq CONDITION: Very good 50750-14 (2,000-4,000) – Lot 1220

Revised: 8/22/2016

Please Note: Good News! This painting was illustrated on the back cover of Vose Galleries Exhibition “The Boston School Tradition, Truth, Beauty & Timeless Craft” June 6 – July 18, 2015.

WILLIAM MCGREGOR PAXTON (American, 1869-1941) “THE GOLDEN VEIL” (ALTERNATIVE TITLE: “GIRL WITH GOLD DRAPERY”).

Oil on canvas Housed in a carved and gilt wood frame Unsigned, original labels attached to foam core backing board from Hirschl & Adler; Abby M Taylor Fine Art; and two from Vose Galleries of Boston. SIZE: 32″ x 26″. Overall: 40″ x 33″ CONDITION: Lined, some inpainting, very good 50808-1 (30,000-50,000) – Lot 1221

LEON KROLL (American, 1884-1974) “ISABEL AND MARIE CLAUDE”.

Oil on paper Housed in a period carved giltwood frame Unsigned, bears label on verso protective backing with artist biography, title, date c. 1930, and provenance. SIZE: 23″ x 14-1/2″. Overall: 29″ x 22″ PROVENANCE: Sid Deutch Gallery, New York; Owings Dewey Fine Art, Sante Fe; Christie’s, New York, lot 255, Dec. 3, 1996; Private Maine Collection CONDITION: Very good, with spotty varnish. 50488-5 (6,000-9,000) – Lot 1222

WILLIAM DE LEFTWICH DODGE (American/French, 1867-1935) SPRING.

Oil on canvas Housed in a gilt gesso decorated frame with multiple liners Signed lower right “William L Dodge Paris 95″ SIZE: 36-1/4″ x 25-3/4”. Overall: 46-1/2″ x 35-1/4″ CONDITION: Lined, vertical drip streaks which should clean off, one small area of restoration, otherwise good 50824-8 (6,000-8,000) – Lot 1223

AMERICAN SCHOOL (19th century) RECLINING NUDE.

Oil on canvas Housed in a period giltwood frame (with significant losses) Unsigned SIZE: 31″ x 52″. Overall: 60″ x 39″ CONDITION: Painting is in unrestored condition with surface dirt, discolored varnish, flake losses and moisture damage to verso canvas 50750-3 (3,500-5,000) – Lot 1224

CHARLES EDWIN COOKMAN (American, 1856-1915) THE PINK ROBE.

Oil on canvas Housed in a period elaborately molded and giltwood frame Signed lower left “C.E. Cookman” SIZE: 18″ x 10″. Overall: 33-3/4″ x 22-3/4″ CONDITION: Very good, with a small 1″ area of restoration in door 50265-4 (3,000-5,000) – Lot 1225

ALBERT HERTER (American, 1871-1950) WOMAN IN WELL APPOINTED INTERIOR.

Watercolor on paper Housed in a period molded and giltwood frame Signed lower right “Albert Herter” SIZE: 20″ x 28-3/4″. Overall: 28″ x 37″ CONDITION: Very good, with minor fading, and discoloration along upper left edge. 50265-12 (15,000-20,000) – Lot 1226

WILLIAM WORCESTER CHURCHILL (American, 1858-1926) WOMAN AT PIANO.

Oil on canvas Housed in a wonderful, carved and gilt wide frame, carved/signed “W F Scott” (Will Scott). Also carved “C.1980″ Unsigned SIZE: 25″ x 30”. Overall: 33″ x 38″ CONDITION: Very good. Minor inpainting. 50805-5 (3,000-5,000) – Lot 1227

EARL MACPHERSON (American, 1910-1993) “I LOVE YOU” PIN UP.

Pastel and collage on paper Housed under glass in a red frame with red mat Signed lower center “MacPherson” and dated lower right “1952” SIZE: Sight: 21″ x 19-1/4″. Overall: 30″ x 27-1/2″ CONDITION: Good, with small tear upper right 50311-5 (1,500-2,500) – Lot 1228

ROBERT PHILIPP (American, 1895-1981) AFTER THE BATH.

Oil on canvas Housed in a 20th century giltwood frame with linen liner Signed lower right “Philipp” SIZE: 29″ x 35-1/2″. Overall: 37-1/2″ x 43″ CONDITION: Very good, with minor restoration in her arm 50265-7 (1,500-3,000) – Lot 1229

NILS MOLLERBERG (Swedish, 1892-1954) POMONA.

Bronze Signed on base “N Mollerberg” “N12″ SIZE: 14-1/4″ h x 5″ w x 3-3/4” d CONDITION: Very good 50867-7 (1,500-2,500) – Lot 1230

Revised: 8/22/2016

Please Note: Should read: Reverse stamped, marked and numbered “Madoura Plein Feu / Empreinte Orginale De Picasso” and NOT “Madoura Plein Feu / Empreinte Originale De Picasso / I. 115 / Exemplaire Editeur”.

PABLO PICASSO (French, 1881-1973) “VISAGE DANS UN OVALE”.

An oval black ceramic platter with ring and zig-zag borders centering an abstract smiling face Reverse stamped, marked and numbered ‘Madoura Plein Feu / Empreinte Originale De Picasso / l. 115 / Exemplaire Editeur’ Additionally numbered in marker under glaze ‘I 115 83/100’ NOTE: Conceived on April 8th, 1955 and executed in an edition of 100 Literature: Picasso’s Ceramics, by Georges Ramie, see Ref # item 274 for similar example illustrated on pg 141 SIZE: 15-1/2″ l x 12-3/4″ w CONDITION: Very fine untouched condition 50642-1 (7,000-9,000) – Lot 1231

PABLO PICASSO (French, 1881-1973) VASE WITH GOATS.

White pottery vase decorated with running goat looking back at a tree, opposing side with bust of abstract goat, impressed date 6.6.52. beneath a blue rayed sun, all above an abstract row of grass comprised of brown brush strokes Underside stamped and impressed ‘Madoura Plein Feu / Empreinte Originale De Picasso’ Literature: Picasso’s Ceramics, by Georges Ramie, see Ref # item Ramie 167 illustrated on pg 167 SIZE: 7-3/8″ h x 9-1/4″ dia CONDITION: Light faint crazing visible around exterior of vase and also in glazed area within foot, otherwise good 50642-2 (5,000-7,000) – Lot 1232

PABLO PICASSO (French, 1881-1973) “OISEAU A LA HUPPE” ENAMEL WHITE BOWL.

Circa 1952, France White shallow, enameled bowl decorated with abstract bird in black paint Impressed mark of Madoura pottery, second impressed mark “EDITION PICASSO”, additionally signed over in the foot ring in black paint “EDITION PICASSO” SIZE: 1-1/2″ h x 6-1/4″ dia CONDITION: Very good 50574-9 (1,500-2,500) – Lot 1233

SOL LE WITT (American, 1928-2007) VERTICAL LINE ABSTRACT.

Gouache on hand made paper Housed in a modern black easel frame behind glass Signed lower right and dated “96” SIZE: 10″ x 7″. Overall: 13-3/4″ x 10-3/4″ PROVENANCE: Gifted by the artist to the previous owner CONDITION: Very good, not mounted, loose on backing board 50942-1 (6,000-9,000) – Lot 1234

SCHOOL OF MILTON AVERY (American,1885-1965) RED BARN.

oil on canvas Housed in a contemporary gilt molded wood frame Signed with an indecipherable monogram lower left and dated “57” Back retaining a Kulicke Frames Inc. New York label SIZE: 15″ x 21-1/2″. Overall: 20-1/2″ x 27″ CONDITION: Some light touch up, very good 50806-6 (8,000-12,000) – Lot 1235

JOHN ATHERTON (American, 1900-1952) COLORFUL ABSTRACT CAT FACE IN TREES.

Oil on canvas Unframed Signed lower left “Atherton” SIZE: 39″ x 60″ CONDITION: Lined with fine shrinkage lines which show white in the green areas, otherwise very good. 50621-18 (7,000-9,000) – Lot 1236

MARTIN SUMERS (American, 1922-2012) “JUDGEMENT”.

Oil on masonite Housed in a simple gilt edge wood frame Signed upper left “Martin Sumers” On verso of frame are three labels including two from the DeCordova Museum Collection, Lincoln, MA and another from Nordness Galleries, NYC Signed also on verso of masonite & dated “1954” SIZE: 48″ x 36″. Overall: 48-3/4″ x 36-3/4″ CONDITION: Several small minor chips at the edges of impasto, with some inpainting. Otherwise very good. 50806-7 (4,000-6,000) – Lot 1237

BEN JOHNSON (American, 20th Century) THE FLOWER HAT.

Oil on canvas Housed in a molded gilt wood frame Signed lower right “Ben Johnson 62″ SIZE: 41″ x 32”. Overall: 42″ x 32-3/4″ CONDITION: Possible lining with some inpainting, good 50824-5 (3,000-4,000) – Lot 1238

JESUS MARIANNO LEUUS (American/Mexican, 1948-) MOTHER & CHILD WITH WATERMELON.

Oil on masonite Housed in a gilt wood frame Signed lower right “Jesus Leuus Mexico 1966″ SIZE: 36″ x 20-1/2”. Overall: 37-1/2″ x 22″ CONDITION: Very good to excellent 50778-6 (3,000-5,000) – Lot 1239

TIM NGUYEN (American, 20th/21st Century) “SHARING THE CATCH”.

Oil on canvas Housed in a bamboo style modern frame Signed lower right “Nguyen 08″ Verso with title on stretcher SIZE: 36″ x 48”. Overall: 38-1/4″ x 50-1/4″ CONDITION: Very good to excellent 50867-16 (7,000-10,000) – Lot 1240

TIM NGUYEN (American, 20th/21st Century) WOMAN WITH FRUIT.

Oil on canvas Housed in a carved bamboo style frame Signed lower right “Nguyen 06” Also, inscribed on verso “Mahalo! Tim Nguyen” SIZE: 40″ x 30″. Overall: 42″ x 32″ CONDITION: Very good to excellent 50867-15 (2,000-3,000) – Lot 1241

KOLOMAN SOKAL (Slovakian, 1902-2003) SIX WORKS: FIVE PRINTS & ONE WATERCOLOR.

1) Dancer Watercolor on paper Housed in a modern frame Unsigned but having upper left 2.III. with conjoined MT MT and red chop mark lower right Note: Comes with an original photograph of the dancer in the watercolor 2-5) Untitled prints Three housed in lucite frames and two in wood frames All signed within prints SIZE: 1) Sight: 23-1/2″ x 17-1/2″. Overall: 26-1/2″ x 20″. 2-5) Range from: Sight: 8-1/2″ x 14″ to 16″ x 11″. Overall: Largest is 17″ x 21″ PROVENANCE: Gifted from the artist to our consignor’s family CONDITION: Not examined out of frames. 1) As found, foxing, bleed lines & paper folds. 2-5) Laid down on backing boards, generally good 50905-1 (1,000-1,400) – Lot 1242

UNSIGNED (20th/21st Century) STAR LANDSCAPE.

Watercolor/ gouache on paper Unsigned Housed in a modern white frame with white mat behind glass (stamped on verso “PSG Framing, Boston”) SIZE: Sight 34-1/2″ x 34-1/2″. Overall 43-3/4″ x 44″ CONDITION: Very good to excellent 50270-52 (800-1,200) – Lot 1243

JOSEPH WOLINS (American, 1915-1999) TWO WORKS: “INDUSTRIAL NIGHT” AND “KING DAVID AND THE CONCUBINES”.

Oil on masonite Housed in painted molded wood frames 1) Signed lower right “Wolins 1951” 2) Signed lower left “Wolins” SIZE: 1) 12″ x 16″. Overall: 19-3/4″ x 23-3/4″. 2) 16″ x 20″. Overall: 24-1/2″ x 28-1/2″. CONDITION: Very good 50303-2 (400-600) – Lot 1243A

ROBERT R VICKREY (American, 1926-2011) “SETTING FREE THE BIRD STUDY”.

Alkyd oil on Whatman board, mounted on masonite Housed in a fine carved and gilt wood frame with linen gold edged mat behind glass Signed lower right “Robert Vickrey”, also retaining a label on verso from the Harmon Gallery, Naples, Florida NOTE: Work registered at the Robert Vickrey estate Los Angeles, CA (see Vickrey website). SIZE: Sight: 27-1/2″ x 22″. Overall: 39″ x 33-1/2″ CONDITION: Very good 50778-12 (8,000-12,000) – Lot 1244

ALLAN LEHTIS (American, 1932-2006) THREE LANDSCAPES.

Three acrylics on canvas Housed in black and gold frames Each signed lower right “ALLAN LEHTIS” Including 1) Cranes Flying Over Water 2) Arctic Landscape 3) Maine Coast SIZE: Each 40″ x 34″. Overall: 36″ x 41-1/2″ CONDITION: Very good 49577-1 (1,000-1,500) – Lot 1245

PERCY LEASON (American, 1889-1959) “STAPLETON WHARF FROM WARD AVENUE”.

Oil on board Housed in molded giltwood frame Signed lower right “Leason”, inscribed on verso “Stapleton Wharves from Ward Avenue Before Pearl Harbor / Summer Morning/61″ SIZE: 9″ x 12”. 16-1/4″ x 19-1/4″ CONDITION: Very good 50265-24 (1,000-1,500) – Lot 1246

GRANDMA MOSES (American, 1860-1961) “HOME TO GRANDPA’S”.

Tempera on masonite Housed in its original decorated molded wood frame with linen liner having a Hammer Galleries label affixed on verso with artist, title, etc Signed lower left “Moses” Also retaining its original Anna Mary Robertson Moses pictured label on verso indicating that the painting was done November 25, 1944 No. 1044 with the title with a copyright stamp and a James Digeveno Galleries, Los Angeles label SIZE: 6-1/2″ x 7-1/2″. Overall: 12-1/4″ x 13-1/4″ CONDITION: Very good 50652-25 (8,000-12,000) – Lot 1247

HOWARD A. TERPNING (American, 1927-) “SPRING CAME EARLY”.

Oil on canvas Housed in a barn board style frame with plaque Signed and dated lower left “Terpning 75”, title inscribed on verso with dedication “To Norm Flayderman With Best Regards Howard Terpning.” Howard A. Terpning is one of the best known and respected members of the Cowboy Artists of America, and is in fact known as “The Storyteller of the Native American”. Terpning was educated at the Chicago Academy of Fine Arts and the American Academy of Art. Early in his career, as a commercial artist , he produced cover art for publications including “Time”, “Newsweek” and “Field and Stream”. Other clients included TWA and the movie industry, where his posters advertised “The Guns of Navarone” and “Dr. Zhivago” among others. A commission from Winchester Firearms however marked a turning point for the artist. Reigniting an interest in the Old West, in the 1970’s Terpning he left behind his commercial work and moved to Arizona where he began his career as a Western painter. Within three years he was elected to the National Academy of Western Art and the Cowboy Artists of America, (the two major showcases of contemporary western art) since then he has earned many prestigious awards from that organization as well as many others. His book, “The Art of Howard Terpning” won the Wrangler “Outstanding Art Book” award from the National Cowboy Hall of Fame. SIZE: 22″ x 28″. Overall: 30″ x 36″ CONDITION: Very good 49992-1 (75,000-125,000) – Lot 1248

FREDERIC REMINGTON (American, 1861-1909) “TRAIL RIDERS”.

Pen and ink wash on paper,en grisaille Housed in a black frame, matted under glass Signed lower center “Frederic Remington” Note: “On the Trail” is listed in the Frederic Remington Catalogue Raisonne as number 01875 and dated 1894. The work appeared in the October of 1894 edition of The Cosmopolitan, as an illustration for “A Hot Trail” by Powhatan Clarke. The article was about an American cavalry outfit at Fort Thomas Arizona who were sent out to search for Apaches responsible for killing a man a few miles from their post. The artwork was cropped for the magazine. SIZE: Sight: 16″ x 21″. Overall: 23″ x 27-12″ CONDITION: Very good (not examined out of frame) 50574-1 (15,000-25,000) – Lot 1249

EDWARD SHERIFF CURTIS (American, 1868-1952) “CRYING TO THE SPIRITS”.

Sepia tone photogravure Housed under glass in modern frame with white mat Titled lower left and inscribed “From Copyright Photography 1908 by ES Curtis” SIZE: Plate: 8-3/4″ x 6″. Overall: 19-1/2″ x 14-1/2″ CONDITION: Creases and discolored margins. 50554-4 (800-1,200) – Lot 1251

GEORGE BENSELL (American, 1837-1879) WATERFALL, COLORADO ROCKIES.

Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “Geo F. Bensell/April 8, 1878″ SIZE: 50″ x 40”. Overall: 58″ x 48″ CONDITION: Good, restored condition. Lined, large craquelure along top with restoration and flake losses. Heavy varnish over old and new restoration scattered throughout. 50265-28 (15,000-25,000) – Lot 1252

JAY MOORE (American, 1964-) “TROUT LAKE BATHED IN EVENING LIGHT 1996”.

Oil on canvas Housed in a modern gilt molded wood frame with linen liner (some finish loss) Signed lower left “Jay Moore” Also signed on verso of canvas with title, date & artist. Also retaining on stretcher Saks Galleries, Denver, CO label SIZE: 36″ h x 30″ w. Overall: 43-1/2″ x 37-1/2″ CONDITION: Very good to excellent 50732-18 (6,000-9,000) – Lot 1253

RSH (American, 19th Century) MOUNTAIN OF THE HOLY CROSS.

Oil on canvas Housed in a period giltwood frame Initialed lower right “RSH.” After a painting by Thomas Moran (1837-1926) SIZE: 24″ x 16″. Overall: 33-1/2″ x 25-1/2″ CONDITION: Good, with craquelure and surface dirt 50417-3 (2,000-3,000) – Lot 1254

ALEXANDER FRANCIS LOEMANS (Dutch/American, act. 1816-1898) MOONLIT ENCAMPMENT WITH FIGURE and MORNING LIGHT AT THE WATERFALL.

Two oils on board Housed in matching black wood frames with incised decoration Signed lower right “A.F. Loemans” SIZE: 24″ x 9-1/2″ (each). Overall: 25-3/4″ x 11-1/4″ CONDITION: Both good with minor surface dirt, abrasions and minor losses 50306-1 (1,250-1,750) – Lot 1255

Revised: 8/3/2016

Please Note: Great News! We have been contacted by the artist and have been informed the date of birth is 1951. Also, the title of this painting is “Through The Orchard-Black Bear-Mt. Katahdin”. This was the 3rd work in a series of three oils done for the Sportsman’s Alliance of Maine in 1998. It features Mt. Katahdin in Central Maine in the background and not a western mountain.

ADRIANO MANOCCHIA (American, 1950- ) BEARS IN A WESTERN LANDSCAPE.

Oil on canvas Housed in a molded wood frame with linen liner Signed lower right “Adriano Manocchia SAA” also signed and dated 1991 on verso of canvas SIZE: 20″ x 26″. Overall 24-1/2″ x 30-1/2″ PROVENANCE: Private Maine/Texas Collector CONDITION: Very good to excellent 50012-147 (2,000-4,000) – Lot 1256

ROY GRINNELL (American, 20th Century) INDIAN SCOUT PARTY.

Oil on canvas Housed in a weathered wood partial gilt frame with linen liner (stained) Signed lower left “R Grinnell” SIZE: 14″ x 26″. Overall: 24-1/4″ x 36-1/4″ CONDITION: Very good. 50824-6 (2,500-3,500) – Lot 1257

CHARLES WELLINGTON FURLONG (American, 1874-1967) “YAUGAN INDIANS IN A DUGOUT”.

Oil on canvas Housed in regilt wood frame Signed lower left “Charles W Furlong” and dated indistinctly NOTE: Furlong studied the now extinct Yougan’s on a major expedition to Tierra del Fuego, around 1900. The painting is illustrated in an article titled “The Southern Most People of the World” by Charles Wellington Furlong on page 128 of Harper’s Monthly Magazine June 1909 A copy of Harper’s Monthly magazine accompanies the painting SIZE: 24″ x 16″. Overall: 28″ x 20″ CONDITION: One area of inpainting, very good 50824-3 (2,500-3,500) – Lot 1258

SOLON HANNIBAL BORGLUM (American, 1868-1922) SIOUX INDIAN BUFFALO DANCER.

Bronze Signed on base SIZE: 27″ h x 38″ l x 17″ d PROVENANCE: Private Maine/Texas Collector. CONDITION: Bow in hand has old repair, uneven finish, otherwise good 50012-121 (6,000-9,000) – Lot 1259

EXTREMELY RARE LIMITED EDITION OF THE RAMPANT COLT.

Bronze 36 of 100 Mounted on a cast bronze oval base having brass plaque “The Rampant Colt 36 of One Hundred” Note: This very famous Colt trademark of a rearing stallion produced by the late Tommy Haas in 1968. Mr. Haas, the ultimate craftsman and reproduction artist faithfully copied the orig lead casting formally in the Colt archives and, at that time owned by famous Colt researcher, author & publisher R.L. Wilson. These new castings faithfully followed the original and exactly 100 castings were made from the original mold under the supervision of Mr. Haas. The base is somewhat domed with cast foliate and rock patterns with a pair of crossed Paterson revolvers towards the front center. The horse is rearing in the posture representing a war horse holding a spear in it’s mouth and another between it’s front legs as though breaking it. There were only of 100 these bronzes cast in 1968 from the original Cold lead mold pattern of the Rampant Colt that was in the colt factory originally in 1855 SIZE: 21″ h x 10″ d x 21″ w CONDITION: Very good with original finish somewhat dulled over time 50846-1 (4,000-8,000) – Lot 1260

ROBERT MACFIE SCRIVER (American, 1914-1999) “TO RIDE A BRONC”.

Bronze Mounted on a molded edge wood base Signed on bronze base “Bob Scriver 1984 63/100” also signed within an arrowhead “bronze” SIZE: Bronze: 18-3/4″ h x 13″ at widest; Including base: 20-1/2″ h CONDITION: Very good 50512-13 (2,000-4,000) – Lot 1261

CARL KAUBA (American/Austrian, 1865-1922) “FRIEND IN NEED”.

Bronze Mounted onto a rose marble base Signed on side of rock on bronze “Kauba”, also “Geschutzt” SIZE: Bronze: 19″ h x 16″ at widest. Base: 4-1/2″h x 10-1/4″ sq PROVENANCE: Acquired by artist, through descent of family to our consignor CONDITION: Very good, surface dirt 50389-20 (12,000-15,000) – Lot 1262

AFTER CARL KAUBA (American, 1865-1922) “PEACE”.

Patinated bronze Signed on base “C.Kauba” and stamped behind proper right foot on base “23-B” Mounted on a round marble base We are unsure of the casting date of this bronze SIZE: Height: 31″ PROVENANCE: From a Private New York Collector CONDITION: Very good, headdress missing two tassels and most are bent, minor loss to patination 50620-85 (4,000-6,000) – Lot 1263

ALLAN HOUSER (American, 1914-1994) “WATCHING THE DANCE”.

Bronze Copyright “13/20” NOTE: Allan C. Houser was a member of the Apache Tribe. His name derived from the Indian name “Ha-oz-ous” meaning “Pulling Roots”. His father was one of Geronimo’s warriors. In 1936 he was sent to the Indian School in Santa Fe where he studied under Dorothy Dunn. His bronzes of Indian life have dignity, power, & a sense of timeliness SIZE: 17-1/2″ h x 15″ w x 11″ d CONDITION: Very good to excellent 50494-17 (5,000-10,000) – Lot 1264

GLENNA MAXEY GOODACRE (American, 1939-) “WAITING TO DANCE”.

Bronze Mounted to a revolving wood base with an additional round wood pedestal Signed “G Goodacre 2005” and “22/35″ Accompanied by a hand written note from Cavalier Galleries Inc thanking our consignor for the purchase SIZE: Bronze: 34-1/2″ h. Including revolving base: 37″ h. Including pedestal: 69-1/2” h PROVENANCE: From a fine New Jersey home CONDITION: Very good to excellent 50494-4 (4,000-8,000) – Lot 1265

GLENNA MACEY GOODACRE (American, 1939-) BUST OF A GIRL.

Bronze Mounted on a black hardstone pedestal Signed on shoulder “G Goodacre 1999” and “12/35″ SIZE: Bronze: 13-1/2″ h. Overall: 19-1/2” PROVENANCE: From a fine New Jersey home CONDITION: Very good to excellent 50494-5 (1,000-2,000) – Lot 1266

GLENNA GOODACRE (American, b. 1939) WINTER BABE.

Bronze with dark brown patina Mounted on a wood block Signed “G Goodacre” and numbered “7/25″ SIZE: Size of bust: 7-1/2″ x 8″ x 6”. Overall height: 12-1/2″ CONDITION: Very good to excellent 50494-6 (800-1,200) – Lot 1267

GLENNA GOODACRE (American, b. 1939) NATIVE AMERICAN GIRL WITH SHELL JEWELRY.

Oil on canvas Housed in a contemporary wood frame with linen liner Signed lower left “G. Goodacre” SIZE: 16″ x 22″. Overall: 25-1/4″ x 21″ PROVENANCE: From a fine New Jersey home CONDITION: Very good to excellent 50494-7 (400-800) – Lot 1268

AFTER FREDERIC REMINGTON (American, 1861-1909) “CAVALRY OFFICER” and “A TRAPPER”.

Two color chromolithographs Housed under glass in matching wood frames with black mats From “A Bunch of Buckskins”, a portfolio of eight chromolithographs published in 1901 by Robert Howard Russell. Signed in plate lower right “Frederic Remington”, inscribed lower left “Copyright 1901 by Robert Howard Russell” SIZE: Sight: 19-1/2″ x 14-3/4″. Overall: 28″ x 22-3/4″ CONDITION: Very good, with minor toning (not examined out of frames) 50517-1 (3,000-5,000) – Lot 1269

CHARLES CLARENCE CRISTADORO (American, 1881-1967) BUST OF CHARLES M. RUSSELL.

Bronze with dark brown to golden patina Mounted on a wood molded edge block Identified on front “CM Russell”, signed by artist “Cristadoro 1931” and numbered “1/30 “with copyright symbol SIZE: Height: 19”. Overall: 21-1/2″ x 12-1/2″ x 12″ PROVENANCE: From a Private New York Collector CONDITION: Very good 50620-84 (2,000-4,000) – Lot 1270

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good to excellent. 45505-12 (300-500) – Lot 1271

EDOUARD LEON CORTES (French, 1882-1969) PARIS EN HIVER.

Oil on canvas Housed in a good partial gilt carved wood frame Signed lower right “Edouard Cortes” On verso is a Harry F. Marks Galleries New York & Palm Beach label NOTE: An interesting characteristic of Cortes’ painting technique is that he uses the (pinhole) vanishing point perspective. In using this technique all imaginary lines of perspective seem to converge. This creates the perspective of the viewer to be consistent and to be true to the scene. This is evident from the pinhole present just to the right of the front woman’s head and the displayed image of verso. SIZE: 13″ x 18″. Overall: 20″ x 25″ PROVENANCE: Harry F Marks Gallery of New York and Palm Beach; Mrs G.E. Bigelow of CA; By descent through the family; John Moran Gallery, Monrovia CA; Present Owner CONDITION: Very good 50778-11 (20,000-30,000) – Lot 1272

EDOUARD LEON CORTES (French, 1882-1969) FLOWER SELLER ON THE CHAMPS ELYSEES WITH L’ARC DE TRIOMPHE.

Oil on canvas Housed in a substantial carved giltwood frame with linen liner Signed lower right “Edouard Cortes” Verso of canvas “II#9146″ and an old Newman Galleries label affixed to bottom stretcher SIZE: 13-1/2″ x 18”. Overall: 33″ x 38″ CONDITION: Very good to excellent 50265-3 (20,000-30,000) – Lot 1273

SUZANNE VALADON (French, 1865-1938) BOUQUET OF RED POPPIES.

Oil on canvas Housed in a modern fancy gilt frame Signed lower right “Suzanne Valadon 1926″ SIZE: 18-1/4″ x 15-1/2”. Overall: 22″ x 18-3/4″ CONDITION: Very good. 3 pin holes. 50824-1 (15,000-25,000) – Lot 1274

ANDRE GISSON (American/French, 1921-2003) THE BUSY BOULEVARD.

Oil on canvas Housed in a carved wood frame with painted liner (having losses) Signed lower left “A Gisson” SIZE: 24″ x 30″. Overall: 30-1/2″ x 37″ CONDITION: Very good 50810-3 (1,500-2,500) – Lot 1275

ANDRE GISSON (American/French, 1921-2003) ARC DE TRIOMPHE.

Oil on canvas Housed in a fancy gilt frame with linen liner Signed lower left “A Gisson” SIZE: 12″ x 24″. Overall: 16-1/2″ x 28-1/2″ CONDITION: Very good. 50810-2 (1,000-2,000) – Lot 1276

RAOUL MAUCHERAT DE LONGPRE (French, 1859-1911) WHITE LILACS AND ROSES.

Gouache Housed in a painted giltwood frame Signed lower right “Raoul M. de Longpre” SIZE: Sight: 27 x 19-1/2″. Overall: 39-1/2″ x 33-1/2″ CONDITION: Very good 50265-25 (1,000-1,500) – Lot 1277

FRANCOIS NAMUR (French, 1857-1902) SMELLING THE FLOWERS.

Oil on canvas Housed in a modern giltwood frame Signed lower right “F. Namur” SIZE: 17-1/2″ x 14-3/4″. Overall: 28″ x 25-1/2″ CONDITION: Craquelure, shrinkage cracks, small area of touch up, and a tiny pinhole lower left. 50265-20 (2,000-4,000) – Lot 1278

ALEXANDRE LOUIS JACOB (French, 1876-1972) “HIVER, LA SEINE”.

Oil on board Housed in a modern gilt frame with linen and gilt liner Signed lower left “A. Jacob” SIZE: 11″ x 8-1/2″. Overall: 18″ x 15-3/4″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Very good. 50830-6 (2,000-4,000) – Lot 1279

ALEXANDRE LOUIS JACOB (French, 1876-1972) “GIBOULEES DE NEIGE A LA RESERVE”.

Oil on canvas Housed in a partial gilt molded wood frame with linen liner Signed lower right “A. Jacob” Also retaining on verso a Newman Galleries label on the frame & on stretcher with artist & title Also retains an import label with artist & title SIZE: 35″ x 45-1/2″. Overall: 43″ x 53-1/2″ PROVENANCE: From a private Philadelphia, PA area home CONDITION: Very good 50923-2 (5,000-8,000) – Lot 1280

PIERRE EUGENE MONTEZIN (French, 1874-1946) “PECHEURS AT CHIOGGIA”.

Oil on paper laid down on canvas Housed in a carved and painted wood frame Signed lower left “P. Montezin”, inscribed on verso “10 pecheurs a chioggia” (Fishermen at Chioggia, Italy) Note: This lot is accompanied by an email from Cyril Klein-Montezin, the great-great-grandson of the artist, dated September 25, 2014, stating that “I can confirm you this an original work from my great-great grandfather. This painting was not in my archives but I already know a very similar one…” SIZE: 21″ x 29″. Overall: 29″ x 36″ CONDITION: Very good, with minor creases in paper lower and upper right corners, minor touch up 50554-2 (10,000-20,000) – Lot 1281

AUGUSTE BORGET (French, 1808-1877) “OOSTERS STADSGEZICHT MET FIGUREN” (Oriental Cityscape with Figures).

Oil on canvas Housed in a period carved giltwood frame Signed and dated lower right “Aug. Borget 1856”, titled on a Roelofs Kunsthandels, Amsterdam label affixed to stretcher, with red wax collector’s seal “CR” SIZE: 16″ x 13″. Overall: 25-1/2″ x 22-1/2″ CONDITION: Good, restored condition. Lined, with craquelure and restoration throughout sky. Frame has repairs and overpaint. 50265-15 (4,000-6,000) – Lot 1282

GEORGES ROBIN (French, 1873-1943) “CHATEAU DE NEMOURS, NEIGE”.

Oil on canvas Housed in a carved and white painted wood frame Signed lower right “Georges Robin”, titled on “F.R.” label on verso, bears Manhattan Galleries, Pasadena, California label on stretcher SIZE: 24″ x 36-1/2″. Overall: 33″ x 45-1/2″ CONDITION: Very good with only a minor stretcher mark 50493-1 (3,000-5,000) – Lot 1283

TOM WILLIAMS ROBERTS (Australian/English, 1856-1931) A WINDY DAY, DORSET.

Oil on board Housed in a fine carved & silver gilt modern frame with linen liner Signed lower left “Tom Roberts” On verso is an alternate title “Landscape in Dorset, England”. Also in pencil “Property of W.G. Buckle”. Along with a framers label from John Young and an auction label from Deutscher-Menzies, Australia indicating lot#62, March 25, 2009 SIZE: 12″ x 17-1/2″. Overall: 19″ x 24-1/2″ PROVENANCE: From a private Maine Collection CONDITION: Very good 50913-2 (12,000-16,000) – Lot 1284

KUNISHIRO MITSUTANI (Japanese, 1874-1936) WOMEN WITH PARASOL ON BRIDGE OVER FLOWERY MARSH.

Watercolor on paper Housed in a carved gilt wood frame, with gilt carved liner behind glass Signed lower right “K Mitsutani” SIZE: Sight size: 19-1/2″ x 26″. Overall: 27″ x 33-1/2″ CONDITION: Some graphite background sketch visible, otherwise very good. 50806-1 (8,000-12,000) – Lot 1285

MARGARITE ROUSSEAU (Belgium, 1888-1946) BOATING IN THE PARK.

Oil on canvas Housed in a carved wood gilt modern frame by Carrig-Rohnne Shop, Inc for Vose of Boston dated 1927 (carved on verso of frame) Signed lower left “M Rousseau” SIZE: 24″ x 36″. Overall: 28-3/4″ x 40-3/4″ CONDITION: 1-1/4″ square area in sky over white tent has discolored area, otherwise very good. 50750-2 (8,000-10,000) – Lot 1286

GEORG WILHELM RICHARD HERING (Netherlands, 1884-1936) “TWO VOLENDAM FISHERMAN”.

Oil on canvas Housed in a gilt wood frame with some edge loss Signed lower right “G Hering 1930″ Retaining a North Shore Art Exhibition label for the Ninth Annual 1931 with title, artist, etc SIZE: 35-1/2″ x 32”. Overall: 43-1/2″ x 39″ CONDITION: Very good 50459-1 (3,000-5,000) – Lot 1287

ATTRIBUTED TO ONE OF THE LE NAIN BROTHERS (French, 17th Century) FAMILY GROUP AND WHITE HORSE IN BARN ALCOVE.

Oil on canvas Housed in a replacement modern molded wood black frame Unsigned REFERENCE & PROVENANCE: This painting was originally thought to be by Louis Le Nain but current scholarship now believes that the several paintings of this family group and the horse are by Mathieu Le Nain. Referred to and/or illustrated in the following: Burlington Mag., LXV, No. 378 Sept. 1934; Burlington Mag., 1935; Exhibited Paris le Petit Palais, June-Oct 1934 No. 25; London Ontario MacIntosh Memorial Gallery Feb. 14-March 14, 1953; Wichita Art Museum May 9-23, 1954; Pierre Rosenberg, Paris 1993 No. 66C, page 90. SIZE: 28-1/2″ x 36-1/2″. Overall: 32-1/4″ x 40″ CONDITION: Lined, minor restoration & inpaint, very good 50807-4 (8,000-12,000) – Lot 1288

ATTRIBUTED TO JAN WYCK (Dutch, 1640-1700) A STAG HUNT.

Oil on canvas Housed in a replacement modern black & gold molded wood frame Unsigned NOTE: This painting depicts a stag hunt at full cry. The figures are painting in similar costumes to three other paintings which are all a part of a set of four paintings depicting aspects of a stag hunt. This work is thought to have been executed once he arrived in England to do work for the Duke of Lauderdale in Ham House. SIZE: 41″ x 57″. Overall: 45″ x 61-1/2″ CONDITION: Lined, restored with inpainting. Good 50807-14 (8,000-12,000) – Lot 1289

FLEMISH SCHOOL (16/17th Century) REVELERS AT THE VILLAGE FESTIVAL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned SIZE: 15″ x 24-1/4″. Overall: 20″ x 30″ CONDITION: Overall good restored condition. Paint surface has craqeulure arrested by lining. Scattered in-paint throughout with a large patch of lower right corner replaced 49991-1 (3,500-5,000) – Lot 1290

UNSIGNED (English, Early 18th Century) PORTRAIT OF A GREYHOUND AND HER CATCH.

Oil on canvas Housed in a modern replacement black & gold molded wood frame Unsigned NOTE: The composition of the portrait with the dog and her catch separated from the forest by a road is likely intentional. Canute laws had been in effect for hundreds of years & were quite strict as to who could own greyhounds and where they could be used for coursing & hunting. The laws before being repealed, stated that greyhounds could be used for coursing & hunting no closer than 10 miles from a forest. If a greyhound belonging to a freeman was to be found in the forest hunting, that dog along with 10 schillings was forfeited to the King. Throughout English history, the ownership of greyhounds was considered to be a symbol of status. This portrait a testament to the regard that the owner held for this greyhound & her hunting ability. SIZE: 34-1/2″ x 43-1/4″. Overall: 39-1/2″ x 48″ CONDITION: Lined, restored, good 50807-13 (5,000-7,000) – Lot 1291

ATTRIBUTED TO FRANS SNYDERS (Netherlands/Belgian, 1579-1657) HUNTING DOGS.

Oil on canvas Housed in a modern gilt wood frame Unsigned SIZE: 24″ x 29-1/4″. Overall: 28-1/2″ x 34″ CONDITION: Old lining, some inpainting, otherwise good 50807-5 (2,000-4,000) – Lot 1291A

ATTRIBUTED TO GIOVANNI CRIVELLI (Italian, Active 1690-1760) EXOTIC BIRDS AT A FOUNTAIN AMONGST RUINS.

Oil on canvas Housed in an antique gilt frame Unsigned SIZE: 25″ x 29″. Overall: 29″ x 33″ CONDITION: Lined, minor restoration with inpainting, very good 50807-7 (2,000-4,000) – Lot 1292

MANNER OF ROSA DE TIVOLI (German, 1655-1706) ITALIAN LANDSCAPE WITH A SHEPHERD PLAYING FLUTE NEAR A WATERFALL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned Note: Rosa di Tivoli (The Rose of Tivoli) was the nickname given to the German Baroque painter Philipp Peter Roos after he became active painting in and around Tivoli and Rome about 1677 SIZE: 23″ x 32-1/2″. Overall: 28″ x 37-1/2″ CONDITION: Good, restored condition. Canvas has been lined, paint surface is dry and brittle, old restoration (in-paint) in several areas. 49991-7 (1,000-1,500) – Lot 1293

BOLOGNESE SCHOOL (17th Century) MERCURY, ARGUS AND IO.

Oil on canvas/hemp Housed in a contemporary giltwood frame Unsigned Note: The story of Mercury and Argus is found in Ovid’s Metamorphoses and is part of the longer tale of Jupiter and Io, the beautiful young woman whom Jupiter seduced and then transformed into a white heifer in order to hide her from his jealous wife, Juno. When Juno discovered the deception, he sent Argus, her hundred-eyed watchman, to guard Io and prevent her from returning to her family. Jupiter then dispatched Mercury to kill Argus in order to free Io SIZE: 54″ x 46″. Overall: 55″ x 63″ CONDITION: As expected for age. Canvas has been lined, losses along bottom, discolored varnish, craquelure and restoration throughout 49991-3 (2,500-4,000) – Lot 1294

ITALIAN SCHOOL (17th Century) ST. PAUL IN CONTEMPLATION.

Oil on canvas Housed in a contemporary giltwood frame Unsigned SIZE: 56″ x 43″. Overall: 51″ x 64″ CONDITION: As expected for its age. The Canvas is lined, there is spotty discolored varnish, craquelure, and canvas buckle with restoration throughout 49991-6 (1,500-2,500) – Lot 1295

AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (Italian, 1609-1685) “VERGINE ADDOLORATA/VIRGIN IN SORROW”.

Oil on canvas Housed in a 19th century giltwood frame with presentation plaque inscribed “Sassaferrato” Unsigned Note: Also known as “Our Lady of Sorrows”, the original painting by Sassaferrato is in the collection of the Uffizi Gallery, Florence. It has been copied often by various artists since it’s creation in the 17th century. SIZE: 20-3/4″ x 17″. Overall: 27″ x 23-1/2″ CONDITION: Good, restored condition. Canvas has been lined to arrest craquelure, horizontal line of cracking bottom third. In-paint in face and hands, varnish inconsistencies and surface dirt. 49991-5 (1,250-1,750) – Lot 1296

CIRCLE OF LEONARDO COCCORANTE (Italian, 1680-1750) FIGURES IN A COASTAL LANDSCAPE WITH ARCH.

Oil on canvas/hemp Housed in a contemporary frame with linen liner Unsigned, bears “Wilhlem Knoch, Dortmund” label affixed to verso canvas with typed inscription “Abbatini, Guido Ubaldo, 1600-1656″ SIZE: 7″ x 14-1/2”. Overall:13″ x 20-1/2″ CONDITION: Overall good, with craquelure and reinforced canvas. Minor touch up. 49991-2 (1,000-2,000) – Lot 1297

AFTER ANDREW DEL SARTO (Italian, 1486-1530) MADONNA & CHILD.

Oil on cradled wood panel Housed in a contemporary gilt fancy frame Unsigned, probably 18th C or earlier SIZE: 39″ x 28-1/2″. Overall: 44-1/2″ x 34″ PROVENANCE: De-Accessioned by Regis College having a numbered tag on verso CONDITION: Panel has been cradled, restored with inpainting, warp to panel, some separation in areas which have been inpainted but visible, craquelure, dirt & discolored varnsih 50799-2 (3,000-5,000) – Lot 1298

ANTOINE-SEBASTIE FALARDEAU (Canadian, 1822-1889) MADONNA OF THE GOLDFINCH, AFTER RAPHAEL.

Oil on canvas, 1861 Housed in a 19th century giltwood frame Inscribed on verso “Le Chevalier Falardeau, Artiste Peinter, 5. Via L Spirito Florence 1861 – Mitchell” Note: Antoine Falardeau was a Canadian born artist whose talents brought him to Italy to study the Italian masters. Florence became his second home, where he enrolled in the Academy of Fine Arts and exhibited at the Uffizi, where Raphael’s Madonna of the Goldfinch resides to this day. He is best known as a copyist who exhibited and sold his works both in Canada and throughout Europe. SIZE: 43″ x 31″. Overall: 55″ x 43″ CONDITION: Discolored varnish, flake losses, craquelure, canvas buckle and minor old restoration 50750-4 (3,000-5,000) – Lot 1299

RUDOLF WILHELM AUGUSTE LEHMANN (German, 1819-1905) PILGRIMAGE TO ROME.

Oil on canvas Housed in a period giltwood frame Signed, inscribed and dated lower left “Rud.Lehmann/Rome 1854″ SIZE: 34″ x 45-1/2”. Overall: 46-1/2″ x 58″ PROVENANCE: De-accessioned from Regis College having a numbered tag on verso CONDITION: Good, restored condition, lined 50799-1 (5,000-8,000) – Lot 1300

Revised: 8/5/2016

Please Note: Artist’s dates should be 1723-1792.

ATTRIBUTED TO SIR JOSHUA REYNOLDS (British, 1723-1792) PORTRAIT OF GEORGE MORLAND.

Oil on canvas Housed in what may be its original frame handling an oval stretcher Unsigned Verso of frame is inscribed “Master Rawl Sir H Lawrence” and in faint script “George Morland by Joshua” At the top of the oval stretcher is an impressed mark; Back stretcher has stencil “9826” NOTE: Reynolds & the Morland family were close and it makes sense he would have done a portrait at this time SIZE: 19″ x 16″. Overall: 26″ x 23″ CONDITION: Early lining with some inpainting, very good 50807-8 (2,000-4,000) – Lot 1301

MANNER OF DAVID ROBERTS (English, 1796-1864) INTERIOR OF A CATHEDRAL.

Oil on canvas Housed in a modern giltwood frame Signed lower left “David BRoberts” SIZE: 21-1/4″ x 16″. Overall: 25″ x 19-1/2″ CONDITION: Good, restored condition, with scattered retouch along edges, craquelure arrested with varnish. 50621-14 (3,000-5,000) – Lot 1302

FRANCIS PATRICK MARTIN (British, 1883-1966) NATURE’S SIRENS.

Oil on canvas Housed in a magnificent gesso decorated gilt frame Signed lower right “Franc A Martin” NOTE: Martin was born in Anstruther, Scotland, trained at and later president of Glasgow School of Art Works of the artist are in the permanent exhibit at the Glasgow Museum SIZE: 50-1/4″ x 40-1/4″. Overall: 61″ x 51″ CONDITION: Very good 50810-1 (6,000-10,000) – Lot 1303

ATTRIBUTED TO EDWIN HENRY LANDSEER (English, 1802-1873) TWO DOGS IN BARN.

Oil on canvas Housed in a giltwood frame Unsigned SIZE: 21″ x 24-1/4″. Overall: 26″ x 29″ CONDITION: Lined, with old restoration in background, above dogs head. Canvas is rippled along top and spotty varnish throughout. Inscription on new stretcher “Edw.Landseer” in ballpoint 50753-1 (4,000-6,000) – Lot 1304

ADRIENNE LESTER (British, 19th/Early 20th Century) “WE TWO”.

oil on canvas Housed in a fine gilt wood frame with gilt liner Signed lower left “Adrienne Lester” SIZE: 9″ x 13″. Overall: 16-1/4″ x 20-1/4″ CONDITION: Relined, very good with minor touch up 50857-1 (2,000-3,000) – Lot 1305

COLIN GRAEME (English, fl. 1858-1910) SETTER IN A LANDSCAPE.

Oil on canvas Housed in a carved giltwood frame with presentation plaque Signed and dated lower right “C…Graeme 1902″ SIZE: 16″ x 24”. Overall 22-3/4″ x 30-1/2″ PROVENANCE: Christie’s, South Kensington, December 18, 1997, lot 187 (Catalog from this sale accompanies the painting) CONDITION: Good with old restoration scattered in sky and small amount of new touch up in setter’s ear and eye. Signature is faint and hard to discern 50297-5 (1,000-1,500) – Lot 1306

PERCIVAL L ROSSEAU (American, 1869-1937) TWO WORKS: “SETTERS ON HILLTOP NED & BOB” & “POINTERS JIMMIE DE K & PETERS CARROT ON QUAIL”.

Chromolithographs Housed in identical wood frames with watercolor highlighted mats (as found) Signed in pencil lower right “Percival Rosseau”, Also signed in the print and dated “1923” with a printed remark Published 15th Feb. 1925 by Arthur Ackermann & Son, Inc., NYC Note: Percival Rosseau only allowed these two chromolithographs to be made from his paintings. The original oil paintings from which these chromolithographs were made were sold at the James D. Julia Firearms Auction, October of 2014 bringing over $130,000 SIZE: Sight 17-1/2″ x 24″. Overall 24-3/4″ x 31-1/2″ CONDITION: Age toning, not examined out of frames, otherwise very good 50918-5 (2,000-4,000) – Lot 1307

E MORRIS (English, 19th/20th Century) “HIGHLAND SPORTING DOGS”.

Oil on canvas Housed in a wide copper gilt modern frame with gilt liner Signed middle bottom “E Morris” Verso having Newman Galleries label with artist & title SIZE: 20-1/4″ x 30″. Overall: 27-1/2″ x 37-1/2″ PROVENANCE: From a Philadelphia, PA area home CONDITION: Lined, minor inpainting, very good 50830-8 (500-1,000) – Lot 1308

SIGNED ILLEGIBLY (English School, 19th century) TWO HOUNDS IN FOREST.

Oil on canvas Housed in giltwood frame Signed illegibly lower right “W…”, inscribed illegibly lower left “..of Loring-fort…” SIZE: 18″ x 24″. Overall: 22″ x 28″ CONDITION: Good, restored condition. Lined, with minor retouch in dogs coats 50750-12 (800-1,200) – Lot 1309

ROBERT CLEMINSON (English, 1844-1903) TWO DOG PAINTINGS “SETTERS IN A MOORLAND LANDSCAPE”.

Two oils on canvas. Both housed in similar molded and giltwood frames Both signed lower left “R. Cleminson” SIZE: 12″ x 16-1/8″. Overall 17-1/2″ x 21-1/2″ PROVENANCE: Christie’s, South Kensington, July 10, 1997, lot 61 (Catalog from this sale accompanies the painting) CONDITION: Both in good condition. One with minor losses lower left and craquelure, the other with spotty varnish and abrasion lower right corner 50297-4 (1,000-1,500) – Lot 1310

UNSIGNED (English School, 19th Century) GENTLEMAN ON HIS HORSE WITH DOGS.

Oil on canvas Housed in a replacement black & gold wood frame Unsigned SIZE: 25″ x 34″. Overall: 29″ x 38″ CONDITION: Lined, restored with inpainting, otherwise very good 50807-10 (1,000-2,000) – Lot 1311

FRANCOIS VANDEVERDONCK (Belgian, 1848-1975) PRIDE OF THE FAMILY.

Oil on wood panel Housed in its fine original carved & gilt frame with gilt liner Signed center bottom “F Vandeverdonck 1874″ Also on a white painted block is an inscription with artist signature SIZE: 18-1/4″ x 26-3/4”. Overall: 26-1/2″ x 34-3/4″ CONDITION: Some minor inpainting, very good 50810-6 (2,000-3,000) – Lot 1312

PIERRE JULES MENE (French, 1810-1879) WHIPPETS.

Bronze Signed on base “P J Mene” SIZE: 6″ h x 8-1/2″ l x 4-1/2″ w CONDITION: Very good 50389-23 (1,200-1,800) – Lot 1313

AFTER ANTOINE LOUIS BARYE (French, 1795-1875) SEATED DOG.

Bronze Signed on rear leg “Bayre” SIZE: 7-1/4″ h x 8-1/2″ l CONDITION: Very good 50389-22 (800-1,200) – Lot 1314

ATTRIBUTED FRANZ BERGMAN (Austrian, 1861-1936) THE NAUGHTY/EROTIC ALLIGATOR.

Early 20th Century bronze Unsigned but marked “Austria” on underside of tail REFERENCE: Page 284, Fig 1011 in “Bronzes by Berman” Vol II SIZE: 9-1/4″ l CONDITION: Very good 50822-2 (1,500-2,500) – Lot 1315

FRANZ BERGMAN (Austrian, 1861-1936) EROTIC MOVEABLE BRONZE SHEEP/LOVERS.

Early 20th Century polychrome bronze Signed on end “Namgreb” with bottle mark SIZE: 2-1/2″ h x 6-1/2″ l x 3″ d CONDITION: Very good 50822-1 (3,000-5,000) – Lot 1316

AFTER GUILLAUME COUSTOU (French, 1677-1746) A PAIR OF FRENCH BRONZE MARLY HORSES.

Bronze 19th/20th century Unsigned SIZE: 19-1/2″ h x 16″ w x 7″ d PROVENANCE: Private Maine/Texas Collector. CONDITION: Dark patina with losses to finish through rubs and scratches, 1 rein missing attachment screw, good 50012-4 (1,000-2,000) – Lot 1317

AFTER GUILLAUME COUSTOU THE ELDER (19th or 20th Century) PAIR OF MARLEY HORSES.

Bronze Signed “Coustou” on base of bronze SIZE: 19″ h x 16″ l x 7″ w CONDITION: One is missing reins, uneven surface, structurally good 50898-5 (1,500-2,500) – Lot 1318

FRIEDRICH WILHELM KUHNERT (German/Switzerland, 1865-1926) RESTING CIRCUS LION COUPLE.

Oil on canvas Housed in a gilt gesso decorated frame with minor gesso chips Signed lower right “Wilh. Kuhnert” Accompanied by letter of authenticity from Dr. Angelika Grettmann-Werner, the author of the catalogue raisonne of Wilhelm Kuhnert, that includes the statement that the artwork is included in the catalogue raisonne under No. 6460. Also indicating that between 1902 and 1912 Kuhnert was busy depicting “the theme of the animal in the circus” and this example is believed to be in the time period of 1910 SIZE: 20″ x 32″. Overall: 30″ x 42-1/2″ CONDITION: Very good 50924-1 (30,000-50,000) – Lot 1319

A. DE SEVERINUS (19th/20th Century) LAYING IN WAIT.

Oil on canvas Housed in a double gilt frame liner Signed lower left “A. De. Severinus” SIZE: 18-1/4″ x 30″. Overall: 23″ x 35″ CONDITION: Craquelure, surface dirt, as found, unrestored 50806-8 (2,000-3,000) – Lot 1320

ARTHUR RADCLYFFE DUGMORE (American, 1870-1955) “AFRICAN WATER AT DAWN-ELEPHANTS, ORYX, ZEBRA & RHINO”.

Oil on canvas Housed in a fine gilt molded wood wide frame Signed lower left “A.R. Dugmore” On verso of stretcher is an old label with artist, title, etc SIZE: 28″ x 36″. Overall: 35-1/2″ x 43″ CONDITION: Very good 50732-5 (2,000-3,000) – Lot 1321

WILLIAM SKILLING (American/British, 1940-1964) STANDING LEOPARD.

Oil on canvas Housed in a faux marble painted wood frame Signed lower right “Skilling” Note: Skilling was an English born artist who served in World War I before settling in San Francisco where he died on April 8, 1964. Although a portrait and landscape painter, Skilling is best known for his large canvases of exotic animals. He also created copies of work by artists including Edward Hicks, Parson Fisher and Giuseppe Archimboldo SIZE: 48″ x 60″. Overall: 53-1/2″ x 65″ CONDITION: Overall good condition, canvas is lined, minor craquelure upper left, 2″ area of paint loss under Leopard’s belly, and discolored varnish 50297-2 (2,000-4,000) – Lot 1322

GRANT HACKING (American, 1964-) “ON THE VERGE-MOUNTAIN GOATS”.

Oil on canvas Housed in a fine painted distressed frame with gold edge Signed lower left “Grant Hacking” Also titled, inscribed & signed with date “2010” on verso NOTE: Illustrated on page 39 in Grant Hacking – Nature in Oils SIZE: 24″ x 30″. Overall: 31″ x 36-1/2″ CONDITION: Very good to excellent 50732-6 (3,000-5,000) – Lot 1323

P. BERJEAN (French, circa 1930) CHASSE AU LION.

Bronze on marble base signed at base on rock plinth SIZE: 14-1/2″ h x 34-1/2″ l. CONDITION: Very good with nice even patina with rubbing, man needs tightening to base. 49363-1 (3,000-5,000) – Lot 1324

FRANTISEK KUPKA (Czech, 1871-1957) ABSTRACT COMPOSITION.

Watercolor on paper Housed under glass in a narrow gilt frame with linen mat Signed lower center “Kupka” Painting is accompanied by a black & white negative of the work labeled “Franz Kupka 1950″ SIZE: 10″ x 12”. Overall: 16″ x 18″ PROVENANCE: Gribin Collection, with annotated note that this work was acquired from Jules Brassner CONDITION: Two tiny edge tears, one top right edge, the other upper left edge, otherwise very good 50321-1 (15,000-20,000) – Lot 1325

Revised: 8/22/2016

Please Note: Condition Should Read: Very good with some paint chips & loss.

GULAM RASOON SANTOSH (India, 1929-1997) “BOND”.

Oil on canvas Housed in a simple molded wood frame Signed lower right “Santosh” Partial typed label on verso and also title with artist & date of “62” on verso of canvas SIZE: 36″ x 41-1/4″. Overall: 36-1/2″ x 41-1/2″ CONDITION: Very good 50806-2 (20,000-30,000) – Lot 1326

FRANCIS NEWTON SOUZA (American/Indian/English, 1924-2002) COLORFUL ABSTRACT.

Oil on canvas Housed in a decorative partial gilt frame Signed lower right “Souza 56″ SIZE: 20″ x 40”. Overall: 22-1/2″ x 42-1/4″ CONDITION: Some light craquelure, otherwise very good 50806-3 (7,000-9,000) – Lot 1327

ATTRIBUTED TO JOAN MIRO (French/Spanish, 1893-1983) ABSTRACT.

Watercolor/gouache on light board Housed in a modern carved wood decorated frame with linen and gilt wood liner Signed bottom middle “Miro” SIZE: 15 x 20-1/2″. Overall: 25-3/4 X 31-1/2″ CONDITION: Good. Surface dirt and toning. 50750-1 (3,000-5,000) – Lot 1328

ATTRIBUTED TO AUGUSTE RODIN (French, 1840-1917) NUDE STUDY.

Mixed media (watercolor & graphite) on paper Housed in a simple wood frame with linen & gold mat Signed lower right “Aug Rodin” SIZE: Sight: 17″ x 11″. Overall: 24″ x 18″ CONDITION: Some wrinkling and small tears, fair to good 50806-10 (2,000-3,000) – Lot 1329

ALDEMIR MARTINS (Brazilian, 1922-2006) TWO WORKS: CATS.

Watercolor on paper Housed in identical modern silver gilt wood frames with white mats Signed lower right “Aldemir Martins 2001” and lower left “Aldemir Martins 2003″ SIZE: Sight size: 11-1/2″ x 8″. Overall” 16″ x 12-1/2″ CONDITION: Very good. 50841-2 (6,000-9,000) – Lot 1330

CANDIDO PORTINARI (Brazil, 1903-1962) SKETCH OF A WOMAN’S HEAD.

Watercolor on paper Housed in a modern black metal frame with brown mat Signed lower right “Portinari” SIZE: Sight size: 10-3/4″ x 9″. Overall: 13″ x 11-1/4″ CONDITION: Light foxing, otherwise good. 50841-1 (4,000-6,000) – Lot 1331

GILMAR GONCLAVES (Brazilian, 20th century) FOUR WORKS.

Four oils on canvas All four in matching white painted wood frames. Each inscribed with title and date on verso, including: 1) “Menino com Pipa”, signed and dated lower right “Gilmar Gonclaves 2..8” 2) “Menino com Boninhasde Sabao”, signed and dated lower right “Gilmar Gonclaves 2..7” 3) “Bandinha”, signed and dated lower center “Gilmar Gonclaves 2..8” 4) “Pequeno Musico”, signed and dated lower left “Gilmar Gonclaves 2..8″ SIZE: 1) 15-1/2″ x 12″. 2) 15-1/4″ x 11-3/4″. 3) 11-3/4″ x 15-3/4″. 4) 15-1/2″ x 11-3/4”. Overall of each: 18″ x 14″ CONDITION: Very good, with minor surface dirt 50841-6 (3,000-5,000) – Lot 1332

GONZALO ARIZA (American/Columbian, 1912-) “CRISANTEMOS” (CHRYSANTHEMUMS).

Watercolor Housed in a gilt wood frame with white mat, behind glass (age toned mat) Signed lower right “Gonzalo Ariza” Verso retaining a “Galeria Meindl Bogota” label SIZE: Sight: 17″ x 11″. Overall: 24-1/2″ x 18-1/4″ CONDITION: Very good, not examined out of frame 50795-2 (3,000-5,000) – Lot 1333

GONZALO ARIZA (Colombian/American, 1912-) “FLORES DE PITAHAYA”.

Oil on canvas Housed in a molded wood frame Signed lower right “Gonzalo Ariza” SIZE: 27-3/4″ x 20″. Overall: 30″ x 22″ CONDITION: Light surface dirt. Right stretcher line, otherwise very good. 50795-1 (3,000-5,000) – Lot 1334

SILVIO PINTO (Brazilian, 1819-1997) FIGURES ON A BEACH.

Oil on canvas Housed in linen and gold edge frame liner Signed lower left “S. Pinto” SIZE: 8-3/4″ x 14. Overall: 14″ x 18″ CONDITION: Very good. 50841-4 (400-600) – Lot 1335

JOAO BATISTA BORDON (Brazilian, 1882-1917) FISHERMAN BY A RIVER.

Oil on canvas, 1911 Housed in a period molded giltwood frame Signed and dated lower right “J.B. Bordon ..911″ Note: John Batista Bordon was born in Rio de Janeiro in 1882. He studied for several years at the National School of Fine Arts in Enba. In 1915, he was awarded a grant by the National Salon of Fine Arts to study abroad in Madrid, Spain, where, tragically, he died two years later. SIZE: 27-1/4″ x 46”. Overall: 35″ x 54″ CONDITION: Good, restored condition. Lined, with minor scattered restoration. 50265-27 (2,000-4,000) – Lot 1336

EMILIANO DI CAVALCANTI (Brazilian, 1897-1976).

Serigraph Housed in a modern frame behind glass and mat Signed in pen within arm SIZE: Sight size: 5-1/4″ x 9″. Overall: 9-1/2″ x 12-1/2″ CONDITION: Very good. 50841-3 (6,000-9,000) – Lot 1337

CHRISTIAN SELL (German, 1854-1925) PAIR OF MILITARY SCENES.

Two oils on panel Housed in matching period carved giltwood frames Including: 1) “Rainy Day on Patrol”, French soldier on horseback, signed and dated lower right “Chr. Sell 1875” 2) “Fire!”, German soldiers in a snowy landscape, signed and dated lower center “Chr. Sell 1875″ SIZE: Each: 7-5/8″ x 10-3/4”. Overall: 18-1/2″ x 21″ CONDITION: Both in good, restored condition with scattered retouch 50265-22 (5,000-7,000) – Lot 1338

EUGENE DE BARBERIIS (French, 1851-1937) FRENCH SOLDIER IN BATTLE.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Euguene Barberiis” SIZE: 14″ x 11″. Overall: 21″ x 18″ CONDITION: Good, with small patch on verso corresponding to 3″ restoration. 50265-23 (2,000-4,000) – Lot 1339

Revised: 8/15/2016

Please Note: Upon further research and examination we have determined that this work is “Attributed to Lord Frederic Leighton. Accordingly, as an attributed work, we do not guarantee the painting to be by Leighton.

LORD FREDERIC LEIGHTON (British, 1830-1896) MEDITERRANEAN COASTAL SCENE (POSSIBLY CAPRI).

Oil on wood panel Housed in a good fancy gilt frame with gilt liner Signed lower left “Leighton 1890” Also retaining a label on verso from the Continental Galleries of Fine Art, Montreal, Canada Board having an impressed stamp “Giosi/Napoli” in an oval Accompanying this painting is a folded letter signed by Leighton which he may be answering the original owner as to whether it could be included in an upcoming exhibition and is as follows: “I was asked yesterday on behalf of a lady who has very nice pictures and _ _ is our friend whether picture valuable. _ on loan with forthcoming exhibition and he was anxious to lend one of more from her gallery. I said that _ _ certain the idea has been given up for want of space but that i would make final everything in case any _ decision should have been framed – Will you kindly send him a line and answer? _ Your _ Leighton” SIZE: Sight: 5-1/2″ x 8-3/4″. Overall: 11″ x 14-1/4″ CONDITION: Signature & date may have been heightened or added at a later time, some touch up to upper sky area. 50811-12 (8,000-12,000) – Lot 1340

ATTRIBUTED TO WALTER R. SICKERT (English, 1860-1942) “YE GALLANT OLDE PORT OF LONDON”.

Oil on canvas Housed in a giltwood frame with linen liner Signed and inscribed in boat’s hull “Port of London/Sickert” SIZE: 35-1/2″ x 47″. Overall: 45″ x 56-1/2″ CONDITION: Good restored condition. Lined with minor old restoration visible under black light 50792-1 (5,000-10,000) – Lot 1341

THEODORE ALEXANDER WEBER (German, 1838-1907) SEASCAPE.

Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Th Weber” SIZE: 24″ x 39-1/2″. Overall: 31-3/4″ x 47-1/2″ CONDITION: Very good, with craquelure. 50621-11 (10,000-15,000) – Lot 1342

LORENZO DELLEANI (Italian, 1840-1908) COASTAL LANDSCAPE.

Oil on board Housed in a gilt frame with gilt liner having artist plaque Signed lower right “Delleani” and dated SIZE: 13-1/2″ x 18″. Overall: 21″ x 25″ CONDITION: Surface dirt, otherwise very good 50811-10 (1,800-2,400) – Lot 1343

VITALI DAVYDOV (Russian, 20th century) MOONLIT BAY.

Oil on canvas Housed in an early 20th century molded gold painted wood frame with linen liner Signed lower left in Cyrillic “V. Davidoff 1928.” SIZE: 26″ x 24″. Overall: 32″ x 30″ CONDITION: Canvas buckle and spotty varnish 50265-10 (1,500-3,000) – Lot 1344

PAUL JEAN CLAYS (Belgian, 1819-1900) BOATS IN HARBOR.

Oil on canvas Housed in modern giltwood frame Signed lower right “P.J. Clays” SIZE: 25″ x 35″. Overall: 31″ x 42″ CONDITION: Lined, with old restoration, otherwise very good 50265-8 (4,000-6,000) – Lot 1345

JACOB HENDRICUS MARIS (Dutch, 1837-1899) VILLAGE BY THE SEA.

Oil on canvas mounted to board Housed in a molded wood frame Signed lower right “J Maris” SIZE: 12″ x 17″. Overall: 16-1/2″ x 21-1/2″ CONDITION: Some touch up, some craquelure, fair to good 50844-5 (2,000-3,000) – Lot 1346

DUNCAN MCGREGOR WHYTE (Scottish, 1866-1953) BEACH AT TIREE, SCOTLAND.

Oil on canvas Housed in a good carved and gilt modern frame Signed lower right “D McG Whyte” SIZE: 16″ x 24″. Overall: 21-1/2″ x 29-1/2″ CONDITION: Very good. Lined. Some minor inpainting. 50842-5 (2,000-3,000) – Lot 1347

MARIE JOSEPH LEON IWILL (French, 1850-1923) “SOLEIL DE NOVEMBRE”.

Oil on canvas Housed in a fine gesso decorated gilt frame with gilt liner Signed lower right “Iwill” and inscribed lower left & dated indistinctly Verso of canvas is a “Blanchet Paris” canvas stamp, also on verso is the title SIZE: 11-1/2″ x 18″. Overall: 20-1/2″ x 26-1/2″ CONDITION: Some inpainting, stretcher lines evident, otherwise good 50265-30 (1,500-3,000) – Lot 1348

MARIE JOSEPH LEON IWILL (French, 1850-1923) RIVER VIEW, DORDRECHT, NETHERLANDS.

Oil on canvas Housed in a period giltwood frame Signed indistinctly lower right “Iwill”, inscribed and dated lower left “Dordrecht .uai 1906”, stretcher bears ink inscription “Iwill/Brunck Suite Meuse/Dordrecht 1906”, verso canvas stenciled “Blanchet, Paris” SIZE: 13-1/4″ x 18-1/2″. Overall: 25-1/2″ x 31-1/2″ CONDITION: Very good, faint stretcher marks. 50265-21 (1,500-3,000) – Lot 1349

FRANCESCO RAFFAELLO SANTORO (Italian, 1844-1927) “PIAZZA DI BAGNAIA, VITERBO, ITALY”.

Oil on canvas Housed in its original gesso decorated frame with wide gilt liner Signed lower right “F Santoro = Tritone B. Roma 1871” Titled on verso of canvas, also having an old penned label “Old marketplace / Viterbo Italy / Santoro = Tritone / 1871″ SIZE: 24-3/4″ x 19-3/4”. Overall: 37″ x 32″ CONDITION: Very good 50877-1 (4,000-6,000) – Lot 1350

Revised: 8/3/2016

Please Note: The artist’s first name is spelled Romualdo.

ROMUALDO BATTISTA FEDERICO LOCATELLI (Italian, 1905 – 1943) TWO WORKS: CIN! CIN! & ONE LAST ROUND.

Oil on canvas Housed in flat gilt frames with painted linen liners Signed lower left “Romuldao Locatelli” and “R Locatelli” SIZE: 76″ x 37-1/2″; Overall: 79-1/2″ x 41″ PROVENANCE: Purchased from a restaurant in Rome in the 1950s, then by descent in the family. Private Collection. CONDITION: Lined, restored with inpainting, otherwise very good 50553-1 (15,000-25,000) – Lot 1351

THEO MEIER (Swiss/Thai, 1908-1982) TWO RED CHALK PORTRAITS.

including: 1) Self Portrait with Cigarette, signed lower right, housed under glass in gold painted frame with white mat 2) Head of a Woman, signed and dated lower right “Theo Meier 69″, housed in a carved wood frame with Asian motif SIZE: 1) 22″ x 16-1/2″ 2) Sight: 23-3/4″ x 18-1/2”. Overall: 30-1/2″ x 24-1/2″ CONDITION: 1) Some creasing and whitened spots on paper. 2) Creases. (Not examined out of frames) 50554-3 (2,000-3,000) – Lot 1352

EMILIO SALA (Italian, 1864-1920) APPLE PICKING.

Oil on panel Housed in a modern giltwood frame Signed lower left “E. Sala” SIZE: 7-1/2″ x 12″. Overall: 14-1/2 x 18-1/2″ CONDITION: Restored horizontal crack to panel otherwise good 50265-5 (3,500-5,500) – Lot 1353

THEOPHILE EMMANUEL DUVERGER (French, 1821-1886) CLASSROOM ANTICS.

Oil on mahogany wood panel Housed in a wide deep molded wood pine frame Signed lower left “Duverger” SIZE: 14″ x 10-1/2″. Overall: 23-3/4″ x 20-1/4″ CONDITION: Fine craquelure, very good, abrasion line just below the signature which may have been caused by a previous frame 50887-1 (3,000-5,000) – Lot 1354

VINCENT G STIEPEVICH (Russian/American, 1841-1910) GYPSY WOMAN.

Oil on Winsor & Newton millboard Housed in a modern giltwood frame Signed lower left “VG Stiepevich” SIZE: 10″ x 7-1/4″. Overall: 17-1/2″ x 15″ CONDITION: Scattered areas of restoration otherwise very good 50265-17 (2,000-4,000) – Lot 1355

FRANS CHARLET (Belgian, 1862-1928) TEASING THE CAT.

Oil on canvas Housed in a period giltwood frame Signed lower right “Franz Charlet” SIZE: 20-1/2″ x 16″. Overall: 28-1/2″ x 25″ CONDITION: Very good 50265-19 (3,000-5,000) – Lot 1356

ISTVAN (BIAI) FOGLEIN (Hungarian, 1905-1974) OUTSIDE CITY CAFE.

Oil on canvas Housed in a partial gilt wood frame with white liner Signed upper left “Biai” SIZE: 24″ x 36″. Overall: 31″ x 43-1/4″ CONDITION: Very good. 50750-8 (1,500-2,500) – Lot 1357

DIETZ EDZARD (German, 1893 – 1963) PORTRAIT OF A WOMAN WITH FAN.

Oil on canvas Housed in a distressed 19th century carved giltwood frame Signed lower right “D. Edzard” SIZE: 25-1/2″ x 21-1/4″. Overall: 37-1/2″ x 31-1/2″ CONDITION: Good, with several small flake losses and small puncture upper right, minor surface grime. Frame has gilt loss, overpainting and losses to carving 50215-1 (1,500-2,500) – Lot 1358

ROBERT JULIUS BEYSCHLAG (German, 1838-1903) “AFTER THE CHRISTENING”.

Oil on canvas Housed in a carved giltwood frame with presentation plaque Signed lower left “Robert Begschlag”, verso canvas stenciled “Wimmer & Co. Gallery of Fine Arts Munich” SIZE: 36″ x 26″. Overall: 44-1/2″ x 34″ CONDITION: Good, with canvas buckle, discolored varnish and surface dirt 50524-1 (1,500-3,000) – Lot 1359

FRITZ VAN DEN DAELE (Belgium, 1861) TABLETOP STILL LIFE WITH LOBSTER.

Oil on canvas Housed in its original re-gilt frame with losses Signed lower right “F. Van Den Daele” SIZE: 27-1/4″ x 41-3/4″. Overall: 34″ x 41″ PROVENANCE: Collection of Elwyn Dearborn of Portland, ME. CONDITION: Conservators report from Nancy Lee Snow of Falmouth, Maine OCT. 1998 affixed to back. Very good. Minor touch-up. 50749-12 (2,000-4,000) – Lot 1360

MICHELANGELO MEUCCI (Italian, 1840-1909) THREE SONG BIRDS.

Oil on board Housed in a modern stained wood frame with gilt liner Signed lower left “M. Meucci/Firenze” SIZE: 18-1/2″ x 9″. Overall: 24-3/4″ x 15″ CONDITION: Craquelure. Some minor spot inpainting, otherwise very good. 50805-7 (1,000-1,500) – Lot 1361

ATTRIBUTED TO CHARLES SILLEM LIDDERDALE (English, 1831-1895) YOUNG LADY ADMIRING HERSELF IN THE LOOKING GLASS.

Watercolor Housed under glass in a white painted frame with linen mat Pencil artist monogram lower left “CAL” SIZE: 18″ x 11″. Overall: 31″ x 25″ CONDITION: Very good, some very light foxing spots in dress, not examined out of frame 50265-6 (2,000-4,000) – Lot 1362

OTTO HAGBORG (English, 1854-1929) TWO GIRLS AT THE GRINDING WHEEL.

Oil on canvas Housed in an early 20th century giltwood frame Signed lower right “Otto Hagborg” SIZE: 32″ x 25″. Overall: 40″ x 32-1/2″ CONDITION: Very good, with minor surface dirt. 50737-1 (2,500-3,500) – Lot 1363

LOUIS HECTOR LEROUX (French, 1829-1900) “LESBIA” and “TUCCIA”.

Two oils on beveled mahogany panels Housed in matching 19th century giltwood frames “Lesbia” signed lower right “Hector Leroux”; “Tuccia” signed on boat “Hector Leroux” & bears a poem inscribed on verso signed “Valere Maxime” SIZE: Each: 9″ x 4″. Overall: 12″ x 6-1/2″ CONDITION: Very good, restored condition with scattered touch up on both 50750-6 (2,500-3,500) – Lot 1364

ZAO WOU-KI (American/Chinese/French, 1920-2013) PORTRAIT DE FILLETTE.

Lithograph Housed in a book-style mat Pencil signed & dated “49” in pencil, No. 5/10 Watermark BFK On verso is a red stamp “Paul Schuster Art Gallery 24 Palmer St. Cambridge, MASS” SIZE: 16-1/2″ x 12-3/4″ CONDITION: Very good, some adhesion remnants on edges 50842-4 (4,000-6,000) – Lot 1365

ATTRIBUTED TO JEAN-BAPTISTE-CAMILLE COROT (France, 1796 – 1875) FIGURE IN BOAT, WATER AND SHORE LANDSCAPE.

Oil on canvas Housed in a wood frame Signed lower right “Corot” SIZE: 12-1/4″ x 14-1/4″. Overall: 13-1/4 x 16″ CONDITION: Good, surface dirt 50567-1 (1,000-2,000) – Lot 1366

ATTRIBUTED TO GEORGES MICHEL (French, 19th century) “THE OAK LOG”.

Oil on canvas Housed in a giltwood frame Unsigned, bears labels on verso inscribed in ink “Artist: Michel; owner: G. Tapper Francis,” bears Fogg Art Museum Loan Label # 35.1831, Wadsworth Atheneum label and a Museum of Fine Arts label inscribed “Sayles Collection, 56 Comm. Ave;” stretcher incised “Momper A Paris” SIZE: 18″ x 24″. Overall: 25″ x 31″ PROVENANCE: Henry Sayles, Boston; to nephew George Tappan Francis, Boston CONDITION: Lined, restored with inpainting, good 50524-2 (1,500-3,000) – Lot 1367

PAUL DESIRE TROUILLEBERT (French, 1829-1900) GEESE AT THE EDGE OF WATER & WOODS.

Oil on wood panel Housed in a carved wood & gilt frame with gilt oak liner having artist plaque Signed lower right “Trouillebert” SIZE: 10-1/4″ x 14″. Overall: 20″ x 24″ CONDITION: Good 50886-2 (2,000-4,000) – Lot 1368

HENRI-JOSEPH HARPIGNIES (French, 1819-1916) FIGURE SEATED NEXT TO WOODLAND POOL.

Oil on wood panel Housed in a fine, molded wood gilt frame with gilt liners under glass Signed lower left with artists name and “Paris” SIZE: 27″ x 18-1/2″. Overall: 35-1/2″ x 27-1/4″ CONDITION: Very good 50842-1 (2,000-4,000) – Lot 1369

FERDINAND TROUPEAU (French, 19th century) BOAT ON A RIVER.

Oil on panel Housed in a period carved giltwood frame Signed lower right “F. Troupeau” SIZE: 10-1/2″ x 7-3/4″. Overall: 22-1/2″ x 20″ CONDITION: Very good to excellent 50265-18 (2,000-4,000) – Lot 1370

EUGENE MARIOTON (French, 1854-1933) VAINQUEUR.

Bronze with reddish brown patina Signed on side “Eug. Mariotin”, titled on front “Vainqueur”, and numbered 5145 with foundry stamp from “Siot-Decauville Paris” SIZE: 21-1/4″ h CONDITION: Very good to excellent 50275-5 (1,500-2,500) – Lot 1371

FERDINANDO DELUCA (Italian, 20th Century) AFTER HIPPOLYTE MOREAU (French, 1832-1927) & LE COURTIER (French, 1851-1924) HUNTER WITH HOUNDS.

Bronze Signed “F Deluca” also “Moreau-Le Courtier” SIZE: 30″ h x 20″ at widest CONDITION: Very good 50898-6 (1,500-2,000) – Lot 1372

FRANZ IFFLAND (German, 1862-1935) “PERSEUS”.

Patinated bronze Signed “Iffland” on base, with foundry mark on back of base “Bildgiesser, Kraas, Berlin” Note: Iffland was a Germany sculptor best known for his portrait busts of young women and statues of young children. The majority of his work was produced during the art nouveau period from 1880 to 1910, however, late in his career he produced a number of art deco bronzes of nude women and ordinary working people such as blacksmiths and farmers. He presented his work in bronze at the Great Art Exhibition held in Berlin in 1892. He is described as one of the most important German sculptor of the 19th and 20th century. [source: askart.com] SIZE: 33″ h CONDITION: Overall very good, with minor patina loss in a few areas 50275-6 (1,000-1,500) – Lot 1373

ANTONIO FRILLI (Italian, 1860-1920) BUST OF A WOMAN.

White marble Mounted to a green marble base Signed on back “A. Frilli Florence” SIZE: Total: 19″ h x 12″ at widest CONDITION: Very good 50406-3 (1,200-1,800) – Lot 1374

JOAQUIN LUQUE ROSELLO (Spanish, 1866-1932) THE THOUGHTFUL REST.

Oil on panel Housed in a period giltwood frame Signed lower right “Joaquin Luque” SIZE: 7-1/4″ x 11″. Overall: 14″ x 17″ CONDITION: Frame abrasion along bottom and shrinkage cracks 50265-16 (2,000-4,000) – Lot 1375

ANTONIO RIVAS (Italian/Spanish, 1845-1911) INTERIOR ORIENTALIST SCENE.

Watercolor Housed in a modern decorative gold frame Signed upper right “A. Rivas Roma 89″ SIZE: 30″ x 21”. Overall: 31-1/2″ x 22-1/4″ CONDITION: Very good, left top corner missing 50301-2 (4,000-6,000) – Lot 1376

WILLIAM GRAHAM (American, 1841-1910) STREET SCENE IN CAIRO.

Oil on canvas Housed in a period giltwood frame Signed and inscribed lower left “W. Graham/Cairo”, inscribed on verso canvas “Street leading into Hared Madia, Cairo/Spring of 93/painted by W. Graham” SIZE: 18-3/4″ x 10-3/4″. Overall: 26″ x 18″ CONDITION: Very good, with craquelure in sky. 50265-14 (2,000-4,000) – Lot 1377

JOHN SINGER SARGENT (American, 1856-1926) “DONKEYS IN A DESERT, MOROCCO 1880”.

Oil on wood panel Housed in a fine carved & gilt wood frame Unsigned Verso depicting a study of three Venetian gondolas Reference: Sargent Catalog Raisonne, ‘Figures and Landscapes, 1874-1882’, page 298 Please Note: JOHN SINGER SARGENT COMPLETE PAINTINGS; ORMOND/KILMURRAY VOLUME IV:, Page 412 #788 Donkeys In A Moroccan landscape (recto) and Three Boats (verso) Violet Sargent (Mrs. Frances Ormond), 1925; Her son F. Guillaume Ormond, 1955; His heirs, 1971; Coe Kerr Gallery, New York, 1989; Mr. and Mrs. Harry Spiro; Private collection Exhibitions: New York, Coe Kerr Gallery, American Impressionism, 1989 19 May-23 June 1989, No.37, Ill. Cat. N.P. (color) as “Donkeys In The Desert With Squatting Figure” Literature: Mount 1955 p444 (K8034) dated 1880; 1957 Ed., p354 (K8034); 1969 Ed., p461 (K8034); As “Three Donkeys In A Desert With Squatting Figure” SIZE: 10″ x 13-1/4″. Overall: 18″ x 22″ PROVENANCE: Thomaston Auction Galleries, Aug. 2009; Private Maine/Texas Collector CONDITION: Very good 50012-12 (80,000-120,000) – Lot 1378

ATTRIBUTED TO VICTOR DE GRAILLY (American/French, 1804-1889) PAYSAGE MONTAGNEUX A LA RIVIERE AVEC UNE BERGERE ET SON TROUPEAU.

Oil on canvas Housed in an antique gilt frame Unsigned however this painting was sold by Tajan in Paris, 6/18/07 and was sold as a Victor De Grailley and being signed lower right but we are unable to verify the signature SIZE: 21-1/2″ x 28-1/2″. Overall: 25-3/4″ x 33″ CONDITION: Lined, minor inpainting 50807-1 (3,000-5,000) – Lot 1379

WILLIAM MARSHALL BROWN (United Kingdom/Scotland, 1863-1936) MARKET DAY.

Oil on canvas Housed in contemporary paint decorated frame with linen liner Signed lower right “Marshall Brown” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good to excellent 50265-9 (2,500-3,500) – Lot 1380

JOHN J. INGLIS (American/Irish, 1867-1946) “NOR-EASTER IRISH COAST”.

Oil on canvas Housed in a fine carved wide gilt frame Signed lower right “John J Inglis” Title on verso of canvas SIZE: 33″ x 40-1/4″. Overall: 42″ x 49″ CONDITION: Lined, craquelure, scattered retouch 50805-4 (4,000-6,000) – Lot 1381

JOHN LESLIE BRECK (American, 1860-1899) PASTORAL LANDSCAPE, GIVERNY, FRANCE.

Oil on canvas Housed in a contemporary gold painted wood frame. Signed lower left “BRECK” SIZE: 18″ x 22″. Overall: 23″ x 27″ PROVENANCE: John S. Carter & Mary Bolyan (secretary to President John F. Kennedy) CONDITION: Overall very good condition with minor touch up in areas around trees. Recently cleaned 50275-1 (5,000-7,000) – Lot 1382

CHARLES HENRY EBERT (American, 1873-1959) “CHURCH IN A TYROLEAN VALLEY”.

Oil on canvas Housed in a giltwood frame Estate stamped on verso of canvas “Ebert”, titled and dated on an exhibition label affixed to verso cardboard backing, reads: “44. Church in Tyrolean Valley c. 1913/Lyman Allyn Museum” SIZE: 23-1/2″ x 28-1/2″ 25-3/4″ x 31″ CONDITION: Good, with minor surface dirt. 50442-1 (1,500-3,000) – Lot 1383

THOMAS EDWIN MOSTYN (American/United Kingdom, 1864-1930) “A MEDITERRANEAN GARDEN”.

Oil on canvas Housed in an antique carved wood frame with oval window Signed lower right “Schillay & Rehs Inc. New York” label on verso SIZE: Canvas: 28″ x 36″. Oval: 26″ x 32″ (sight); Overall: 35-1/2″ x 41-1/2″ CONDITION: Three chips in sky, craquelure, some inpainting 50289-1 (2,000-4,000) – Lot 1384

GEORGE BENJAMIN LUKS (American, 1867-1933) “DR. SLOP”.

Oil on canvas Housed in a modern fancy gesso decorated frame with linen liner Signed lower right “George Luks” Inscribed on verso of canvas “Dr. Slop/Obidiah/Uncle Toby/Mr.Shanady/George Luks 1907″ Retaining a Maxwell Galleries San Francisco label to verso, also an exhibition label from the California Palace of the Legion of Honor, San Francisco, CA SIZE: 26″ x 18”. Overall: 31-1/2″ x 24-1/2″ CONDITION: Very good 50824-2 (10,000-15,000) – Lot 1385

GEORGE BENJAMIN LUKS (American, 1867-1933) CHINATOWN.

Oil on canvas Housed in a modern carved & gilt frame Signed lower left “George Luks” SIZE: 15″ x 12″. Overall: 21″ x 18″ CONDITION: Very good with very minor spot touch up 50844-3 (4,000-6,000) – Lot 1386

ROBERT SPEAR DUNNING (American, 1829-1905) “PORTERS BRIDGE”.

Oil on paper laid down on wood panel Housed in a period molded and giltwood frame Signed and titled on verso “Porters Bridge/R.S.Dunning” SIZE: 4-1/2″ x 7-1/2″. Overall: 12-1/2″ x 14-1/2″ CONDITION: Small tears restored along edges, bottom and top right corners chipped and restored; several small flake losses with touch up 50275-2 (1,000-1,500) – Lot 1387

EDMUND DARCH LEWIS (American, 1835-1910) HILLSIDE MILL.

Oil on canvas Housed in a period gesso decorated frame Signed lower left “Edmund D Lewis 187_” SIZE: 20″ x 30″. Overall: 32″ x 39-1/2″ CONDITION: Craquelure, two patches to verso with corresponding inpainting, good 50824-9 (3,000-5,000) – Lot 1388

JOHN FRANCIS MURPHY (American, 1853-1921) “ON THE FLATS”.

Oil on canvas Housed in a period molded and giltwood frame Signed lower left “J. Francis Murphy”, titled on label affixed to verso frame, typed note reads “From the Murphy Bale American Art Asso. 11/28/26″ SIZE: 11″ x 16-1/2”. Overall: 17″ x 23″ CONDITION: Canvas buckle, small loss upper left, otherwise good. 50336-10 (2,000-3,000) – Lot 1389

MARION HUSE (American, 1896-1967) “BACKYARD GARDEN”.

Oil on canvas Housed in a giltwood frame Signed lower left “Marion Huse”, titled on verso SIZE: 30″ x 34″. Overall: 37-1/2″ x 41-1/2″ PROVENANCE: Child’s Gallery, Boston CONDITION: Very good, with minor craquelure 50519-1 (1,000-3,000) – Lot 1390

WALTER BIGGS (American, 1886-1968) WELCOMING THE GUESTS.

Oil on canvas Housed in a 20th century giltwood frame Signed upper right “W Briggs” SIZE: 29-1/4″ x 42″. Overall: 35: x 48″ CONDITION: Two large tears and a small hole with losses otherwise good 50564-14 (4,000-6,000) – Lot 1391

PETER POSKAS (American, 1939-) SCOVILL FARM, WEST CORNWALL, CT.

Oil on canvas Housed in a fine silver gilt wood frame with linen & silvered gilt liner Signed upper right “Poskas” SIZE: 27″ x 23″. Overall: 35″ x 31″ CONDITION: Very good to excellent 50794-1 (4,000-6,000) – Lot 1392

FRANCISCO BORES LOPES (American/French/Italian, 1898-1972) “STILL LIFE WITH CUP”.

Oil on canvas Housed in a modern black frame Signed center bottom “Bores 56″ Retains label on verso with title, also Columbus Gallery of Fine Arts sticker label on verso SIZE: 32″ x 39-1/4”. Overall: 34-1/2″ x 42″ PROVENANCE: Matsart Auctioneers & Appraisers, 11/26/14 sale CONDITION: Minor touch up, water stain to back of canvas with corresponding craquelure on bottom section 50811-6 (3,500-4,500) – Lot 1393

FRANCISCO BORES LOPEZ (American/French/Spanish, 1898-1972) “STUDIO TABLE”.

Oil on canvas Housed in a gilt wood frame with losses Signed lower right “Bores 1955” Also retaining “Van Diemen-Lilienfeld Galleries” label on verso of stretcher with title & artist name SIZE: 28-3/4″ x 39-1/2″. Overall: 30″ x 41″ CONDITION: Very good 50811-7 (3,500-4,500) – Lot 1394

SIR JACOB EPSTEIN (American/English, 1880-1959) ROSES IN BLOOM.

Watercolor and gouache Housed in a carved giltwood frame, matted under glass Signed lower right “Epstein” Note: Epstein was best known for his expressionist figurative sculptures. He was born in New York City, however, became an English citizen in 1907 after moving to London in 1905. Epstein married Kathleen Garman in the 1920s and was knighted in 1954 SIZE: Sight: 17″ x 21-3/4″. Overall: 28″ x 33″ PROVENANCE: Acquired in 1950 by descent from the niece of the artist CONDITION: Good overall condition, not examined out of frame. Old acidic mat and cardboard backing indicate this has not been out of it’s frame for some time. Small 1/4″ blemish upper right corner 50390-1 (3,000-5,000) – Lot 1395

JANE PETERSON (American, 1876-1965) “MARIGOLDS”.

Watercolor on Whatman board Housed in a modern gilt frame with line and gilt liner under glass Signed lower left “Jane Peterson” Pencil title on verso SIZE: 30″ x 22″. Overall: 35″ x 27″ CONDITION: Very good 50867-13 (4,000-6,000) – Lot 1396

J BOURNE (English, 19th Century) STILL LIFE WITH FLOWERS & FRUIT.

oil on canvas Housed in a French style modern frame with painted liner Signed lower right “J Bourne 1881″ SIZE: 20″ x 24”. Overall: 26″ x 30″ CONDITION: Patch in center top with corresponding inpainting, otherwise very good 50807-11 (1,500-2,500) – Lot 1397

UNSIGNED (19th Century) STILL LIFE FRUIT.

Oil on canvas Unsigned Housed in a gilt oak frame SIZE: 21″ wide x 17-3/4″ x 21″. Overall: 22″ x 26-1/2″ CONDITION: A couple of very old patches on the reverse of the painting and all over craquelure. Very nicely done 49421-94 (600-900) – Lot 1397A

SPENCER DOUGLASS CROCKWELL (American, 1904-1968) “MISS COOPER’S LAST CLASS”.

Oil on masonite, 1954 Unframed Signed lower left with monogram “Douglass Crockwell”, bears note affixed to verso reads: “For publication in The Saturday Evening Post/”Mrs. Cooper’s Last Class”/Douglas Crockwell/No. P2587, 11/8/54″ SIZE: 22-1/2″ x 22-1/2”. Overall: 29-3/4″ x 24″ CONDITION: Masonite panel mounted to white painted wood frame. Chips to edges of white painted board, spotty varnish and surface grime. 50621-13 (10,000-15,000) – Lot 1398

ROBERT ROBINSON (American, 1886-1952) COLLIER’S COVER ILLUSTRATION OF A BOY WITH DAISIES AND HOUND.

Oil on canvas Housed in a molded wood frame Signed lower right “Robt. Robinson”, inscribed on verso “To Christie Scott Robinson 5/16/81”. Note: Robert Robinson was an American illustrator and originator of the Saturday Evening Post’s “Slice of Life” style cover art that was later popularized by Norman Rockwell. He illustrated regularly for the Hearst Corporation’s monthly Motor Magazine publication. The painting is a striking portrait of a young red haired boy wearing a straw hat and bright checkered shirt with denim overalls. He leans against a stump in a daydream, surrounded by daisies with his hound. This lot includes a framed copy of the original Collier’s cover illustration, dated “May 17, 1919 No. 20.” SIZE: 30-1/4″ x 16″. Overall: 35″ x 20-3/4″ CONDITION: Painting is in overall good condition with craquelure, damp staining to the right edge of the framed cover. 50652-17 (1,000-1,500) – Lot 1399

UNSIGNED (American, 19th Century) TROMP L’OEIL THE CARD PLAYERS.

Watercolor collage Housed in a modern black & gold antique style frame with white mat Unsigned NOTE: This original piece actually has two hand watercolor simulated pieces of currency that overlapped the original mat & in front of the watercolor of the people playing cards. The original mat was painstakingly separated and replaced to conserve the picture. Close examination of both the card players & the currency show a remarkable sense of detail & accuracy. Certainly of the talent of Victor Debreuil or John Haberle SIZE: Sight including mat: 13-3/4″ x 15-1/2″. Overall: 18-1/4″ x 20-1/4″ CONDITION: Watercolor of card player is very good. The front bill has two short tears on left & right corners (most likely a result of the conservation). There is an evident waterstain outline which may be intentional by the artist 50807-12 (2,000-3,000) – Lot 1400

CHARLES SCHULZ (American, 1922-2000) SIGNED HAND COLORED COMIC STRIP A COMMISSION FOR THE COUNTY OF SAN DIEGO BUREAU OF ANIMAL CONTROL (CAMPAIGN FOR BANNING DOGS FROM RIDING IN THE BACK OF PICK UP TRUCKS).

Colored marker on black & white contact sheet Unframed, mounted to a foam board Signed with inscription “Best wishes Charles M Schulz” in black marker SIZE: 17″ x 24″. Overall: 22″ x 28″ CONDITION: Some light foxing spots, generally good 50370-1 (8,000-10,000) – Lot 1401

JOHN H. STRIEBEL (American, 1892-1962) FOUR DIXIE DUGAN ORIGINAL CARTOONS.

Pen and ink on hard stock Housed: One in red metal frame with white mat; another in white mat; two are unframed All are signed “J. H. Striebel” Special Note: This lot is being sold to benefit the St. Jude Children’s Hospital SIZE: 1) 14″ x 16″. Overall: 18″ x 20″. 2) 10-3/4″ x 9-3/4″. Overall: 16-1/2″ x 15-1/4″. 3 & 4) 6-1/2″ x 19″. PROVENANCE: From a Maine home acquired from a family member of the artist CONDITION: Framed example has yellow toning, otherwise very good. 50267-5 (50-100) – Lot 1402

GEORGE HAWLEY HALLOWELL (American, 1871-1926) STUDY FOR THE ALTAR PIECE AT THE ALL SAINTS CHURCH, ASHMONT ST. BOSTON.

Watercolor on paper Housed in a fine gilt wood replacement frame with silk liner behind glass by Guido of Boston Signed in pencil lower left “G.H. Hallowell”, retaining an Exhibit label from the Ogunquit Museum of American Art “New England Visions” 1996, also a label verso indicating Ex Collection of Alfred J. Walker SIZE: Sight size: 10-1/4″ x 7-1/2″ Overall: 14-1/2″ x 11-1/2″ CONDITION: Very good 47941-4 (1,000-2,000) – Lot 1403

CHRIS VAN ALLSBURG (American, b. 1949) TWO ILLUSTRATIONS FROM “THE MISADVENTURES OF SWEETIE PIE”.

1) Pencil sketch on vellum Signed and dated lower right “Chris Van Allsburg ’14” Note: Sketch for the cover illustration of the 2014 book “The Misadventures of Sweetie Pie” by the Caldecott winning author of Jumanji and Polar Express 2) Color print of the book cover Signed lower left “Chris Van Allsburg” Published by Houghton Mifflin. Both housed in a contemporary black wood frames SIZE: 1) Sight: 8-1/2″ x 9-1/2″. Overall: 14″ x 15″ 2) Sight: 16-1/2″ x 15-1/2″. Overall: 17-1/8″ x 18-1/8″ CONDITION: Both are in very good to excellent condition 50217-1 (1,000-1,500) – Lot 1404

JOHN LAVALLE (American, 1896-1971) TWO ILLUSTRATIONS OF BIPLANES IN FLIGHT.

Two watercolor and gouaches Housed in giltwood frames, matted under glass Both signed and dated, one lower right, other signed lower left “John Lavalle 1930″ SIZE: 13″ x 19-1/2”. Overall: 19-12″ x 26″ CONDITION: Very good, with one slightly discolored along edges (not examined out of frames) 50524-3 (600-900) – Lot 1405

ROBERT ALLEN NELSON (American, 1925-) “THE WRONG BARNYARD FOOD”.

Mixed media and collage Housed in a contemporary frame Signed lower right “Nelson, Robt A.”, titled and inscribed along bottom “The Wrong Barnyard Food, Lakeside Oregon, Spring 2004″ SIZE: 30″ x 44”. Overall: 39-1/2″ x 54″ CONDITION: Very good to excellent 50270-66 (300-500) – Lot 1406

Revised: 8/15/2016

Please Note: We have been informed by the gentleman who is writing the Catalog Raisonne on Onderdonk. He has notified us that this painting will not be included in the forthcoming Catalog Raisonne on the artist. Due to this information we are not guaranteeing this painting to be by Julian Onderdonk and the estimate has been reduced to $4,000-$6,000.

JULIAN ONDERDONK (American, 1882-1922) “EARLY MORNING”.

Oil on board Housed in a fine period gesso decorated gilt frame with gilt liner Signed lower left “Julian Onderdonk” Titled on verso SIZE: 11-3/4″ x 15-3/4″. Overall: 20″ x 24″ CONDITION: Very good 50904-3 (20,000-40,000) – Lot 1407

ROBERT REID (American, 1862-1929) APPLE BLOSSOMS.

Oil on canvas Unframed Signed lower right “R. Reid” SIZE: 25″ x 30″ CONDITION: Very good, with minor restoration around edges 50548-1 (10,000-15,000) – Lot 1408

ROBERT REID (American, 1862 – 1929) SPRING LANDSCAPE WITH BROOK.

Oil on canvas Unframed Faint signature lower left SIZE: 25″ x 30″ CONDITION: Very good, lined with new stretcher 50548-2 (8,000-12,000) – Lot 1409

GEORGE LOFTUS NOYES (American, 1864-1954) “A SPRING DAY”.

Oil on board Housed in a good carved & gilt frame with carved & gilt liner Signed lower right “G L Noyes” Verso having two labels; one from Vose Galleries Boston,MA, the other from the Godwin Gallery, Pepperell, MA, both with artist & title SIZE: 12″ x 16″. Overall: 18-1/2″ x 22-1/2″ CONDITION: Very good 50718-3 (3,000-5,000) – Lot 1410

EASTMAN JOHNSON (American, 1824-1906) TALL TREES.

Oil on board Housed in modern giltwood frame Monogramed lower right “E.J.” SIZE: 9″ x 8″. Overall: 14-3/4″ x 13-1/4″ PROVENANCE: By descent to the current owner CONDITION: Very good 50352-1 (10,000-15,000) – Lot 1411

Revised: 8/22/2016

Please Note: Upon further and close examination, we noticed that the painting is lined and has craquelure.

ALEXIS JEAN FOURNIER (American, 1865-1948) FIGURE IN SUMMER LANDSCAPE.

Oil on canvas Housed in a carved and gilt oak frame with wide gilt oak liner Signed lower left very lightly green on green. SIZE: 19″ x 28-1/2″. Overall: 29″ x 38-1/4″ CONDITION: Very good, some minor inpainting. 50811-3 (4,000-6,000) – Lot 1412

GEORGE MATTHEW BRUESTLE (American, 1871-1939).

Oil on canvas Housed in what may be it’s original gesso decorated gilt frame Signed lower left “Geo M Bruestle” On verso of canvas is a block with “E/15/1921″ SIZE: 25″ x 30″. Overall: 34-1/2″ x 39-1/2”. CONDITION: Surface dirt, some spot inpainting, very good 50811-1 (3,000-5,000) – Lot 1413

HUGH BOLTON JONES (American, 1848-1927) AFTERNOON LIGHT.

Oil on academy board Housed in a good gilt wood frame having gilt liner Signed lower left “H Bolton Jones” SIZE: 12-1/4″ x 18-1/2″. Overall: 17-1/2″ x 23-1/2″ CONDITION: Some touch up to top edge, otherwise very good 50886-1 (3,000-5,000) – Lot 1414

UNSIGNED (American, Early 19th Century) RURAL VILLAGE LANDSCAPE.

Oil on canvas Housed in a gilt molded wood frame Unsigned SIZE: 24″ x 36″. Overall: 31″ x 42-3/4″ CONDITION: Lined, restored with inpainting 50807-9 (3,000-5,000) – Lot 1415

JOHN DONAGHY (American, 1838-1931) TWO BOYS ON HILLSIDE CLEARING.

Oil on canvas Housed in a good gesso decorated gilt period frame Signed lower left “Donaghy” SIZE: 20″ x 14″. Overall: 24-1/4″ x 18″ CONDITION: Very good 50589-4 (3,000-5,000) – Lot 1416

HENRY WARD RANGER (American, 1858-1916) MOTHER AND CHILD IN FOREST.

Oil on canvas Housed in giltwood frame Signed lower left “H.W. Ranger”, canvas stenciled “G. Rowney & Co. London” SIZE: 16″ x 22″. Overall: 21-1/2″ x 27-1/2″ CONDITION: Good, with minor touch up 50593-6 (2,000-4,000) – Lot 1417

JOHN F. FOLINSBEE (American, 1892-1972) “SHADOWS”.

Oil on board Housed in a modern Miller giltwood frame with presentation plaque Signed lower right “John F. Folinsbee”, titled and inscribed on verso “John F. Follinsbee Woodstock N.Y. Shadows” SIZE: 8″ x 10″. Overall: 13-1/2″ x 15-3/4″ CONDITION: Very good 50519-4 (3,000-5,000) – Lot 1418

DAVID JOHNSON (American, 1827-1908) BARBAZON STYLE LANDSCAPE.

Oil on wood panel Housed in its original fancy gilt frame Signed with initials and dated “DJ 75” also signed on reverse “David Johnson 1875″ SIZE: 5″ h x 7-1/2″ w. Overall 8″ h x 10-1/2” w. CONDITION: Very good, recently cleaned 49363-6 (2,500-4,500) – Lot 1419

MARION P. HOWARD (American, 1883-1953) BLUE HILL.

Oil on canvas Housed in a fine gilt carved wood frame stamped “N&M Co” (Newcomb Macklin) Signed lower right “Marion Howard” SIZE: 24″ x 30″. Overall: 27-1/2″ x 33-1/2″. CONDITION: Very good 50824-4 (2,500-3,500) – Lot 1420

ORRIN AUGUSTINE WHITE (American, 1883-1969) STREAM THROUGH FARMLAND.

Oil on canvas Housed in a silver gilt frame with gilt liner Signed lower right “Orrin A White” SIZE: 20″ x 24″. Overall: 28-1/2″ x 32-1/2″ CONDITION: Inpainting mostly to sky, very good 50289-2 (3,000-5,000) – Lot 1421

CARL WUERMER (American, 1900-1981) “VALLEY IN SPRING”.

Oil on canvas Housed in contemporary frame with linen liner Signed lower righ “Carl Wuermer”, titled on label affixed to backing board “No. 604/Valley in Spring by Carl Wuermer (of Woodstock, N.Y.)/Painted on linen canvas with Winsor & Newton Oil Colors” SIZE: 18″ x 30″. Overall: 25″ x 37″ CONDITION: Very good 50442-3 (2,000-4,000) – Lot 1422

GEORGE ALBERT THOMPSON (American, 1868-1938) SPRING MORNING.

Oil on board Housed under glass in molded giltwood frame Signed lower left “G.A. Thompson” SIZE: 12″ x 16″. Overall: 16-1/2″ x 20-1/2″ CONDITION: Very good. 50442-2 (1,500-2,500) – Lot 1423

HAL ROBINSON (American, 1867-1933) SPRINGTIME SUNLIT STREAM.

Oil on canvas Housed in a fine gilt & carved wood frame Signed lower right “Hal Robinson” SIZE: 20″ x 16″. Overall: 26-1/2″ x 22-1/2″ CONDITION: Very good 50811-8 (1,500-2,500) – Lot 1424

CHARLES HARRIS DAVIS (American, 1856-1933) AUTUMN LANDSCAPE.

Oil on canvas Housed in giltwood frame Signed lower right “C.H. Davis” SIZE: 15″ x 18-1/2″. Overall: 20-3/4″ x 25″ CONDITION: Very good, with minor loss upper left, paper residue on verso canvas 50593-2 (2,000-4,000) – Lot 1425

STAPELTON KEARNS (American, 1952-) “COVERED BRIDGE IN AUTUMN”.

Oil on canvas Housed in a gilt wood frame with linen liner Signed lower left “Stapelton Kearns 1997″ SIZE: 20″ x 30”. Overall: 29″ x 39″ CONDITION: Very good to excellent 50732-2 (1,500-2,500) – Lot 1426

EDMUND DARCH LEWIS (American, 1835-1910) AUTUMN LANDSCAPE.

Oil on board? Housed in a gold decorated period frame behind glass with new mat Signed lower right “E D Lewis 1877″ SIZE: Sight size: 19-1/2″ x 8-1/2”. Overall: 28-3/4″ x 18″ CONDITION: Very good. 50805-8 (1,000-2,000) – Lot 1427

CAMILLO ADRIANI (American, early 20th century) NEW ENGLAND AUTUMN.

Oil on canvas Housed in a white painted wood frame Signed lower left “C. Adriani”, bears Carl Bredemeier Gallery, Buffalo, New York label on frame SIZE: 25-1/4″ x 30-1/4″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Good, with minor surface dirt and discolored varnish. 50567-29 (800-1,200) – Lot 1428

WILLIAM MERRITT POST (American, 1856-1935) AUTUMN LANDSCAPE AT DUSK.

Oil on canvas Housed in a period giltwood frame Signed lower left “W.Merritt Post” SIZE: 18″ x 24″. Overall 26″ X 32-1/4″ CONDITION: Very good, with stretcher marks and minor craquelure to paint surface. 50462-1 (800-1,200) – Lot 1429

BERNARD COREY (American, 1914-200) “FARM AT HARDWICK”.

Oil on canvas board Housed in a gray frame with linen liner Signed lower right “Bernard Corey”, inscribed on verso frame “Bernard Corey / Farm at Hardwick”, bears Rockport Art Association showroom exhibition label on verso SIZE: 8″ x 12″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Very good to excellent 50652-8 (800-1,200) – Lot 1430

BERNARD COREY (American, 1914-2000) “SUMMER PASTIME”.

Oil on masonite Housed in a modern carved & gilt frame with some finish loss Signed lower right “Bernard Corey” SIZE: 10″ x 14″. Overall: 17″ x 21″ CONDITION: Very good to excellent 50732-17 (1,200-1,800) – Lot 1431

CARL WUERMER (American, 1900-1981) PANORAMIC WINTER LANDSCAPE.

Oil on canvas Housed in a carved wood gilt frame, with gilt liner Signed lower right “Carl Wuermer”. Marked “No. 406″ on verso of stretcher SIZE: 25″ x 30”. Overall: 33″ x 38″ CONDITION: Very good. 50805-3 (3,000-5,000) – Lot 1432