Annual Winter Antiques & Fine Art Auction
Totals Over $2.4 Million!

Auction: February 2nd-4th, 2007

Preview: February 1, 2007

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
1

WILLIAM LESTER STEVENS (American, 1888-1969) ALONG THE MAINE COAST. Watercolor scene shows the Maine coastline, possibly Vinalhaven with a view of several islands, a two-mast sailboat, lobster boat in cove and a connected farmhouse in foreground. Signed lower right “W Lester Stevens NA”. Housed in a silver gilt frame with double matte. SIGHT SIZE: 8” x 10-3/4”. CONDITION: Very good. 9-72597 (1,000-1,500)

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2

FREDERICK JULIAN ILSLEY (American, 1855-1933) GRAY DAY ON THE MAINE COAST. Oil on board coastal scene shows a large rock shoreline being hit by large wave. Sea is in gray and white under gray sky. Signed lower right “F. J. Ilsley” and dated “Mch. 24 1918”. Housed in what appears to be its original carved wood gold frame with glass front. Ilsley was part of the Brushians Group of Maine and was nicknamed “The Politician”. SIGHT SIZE: 16-1/2” x 23-1/2”. CONDITION: Very good. 9-72575 (800-1,200)

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3
Revised: 2/16/2007

LAURENCE PHILLIP SISSON (American, 1928-) “SEPTEMBER SONG”. Oil on board scene shows golden grass covered dunes in tidal area with ocean beyond. A New England connected farmhouse is seen on bluff with trees. Signed bottom right “L Sisson”. SIGHT SIZE: 23-1/4” x 29/14”. CONDITION: Very good. 9-73037 (900-1,200)

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4

LAURENCE PHILIP SISSON (American, 1928-) EVENING AT THE MAINE COAST. Large oil on board scene shows a full moon and dark sky over a large inlet which has half filled during the tide. A dory is seen on the right side and several fishing shacks above it. Signed lower right “L. Sisson”. Housed in a shadowbox type silver gilt frame. SIZE: 36-1/2” x 44”. CONDITION: Very good. 9-70585 (1,500-2,500)

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5

WALDO PEIRCE (American, 1884-1970) MAINE COAST. Watercolor scene shows an inlet with large dock surrounded by a tree lined shoreline with houses in the foreground. Signed lower left in pencil “W Peirce 16 May 50”. Housed in a fine modern gilt flat frame with double white matte. SIGHT SIZE: 10-1/2” x 13-1/2”. CONDITION: Very good. 9-72590 (1,000-2,000)

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6

GEORGE MCCONNELL (American, 1852-1929) COASTAL SEASCAPE. Oil on board scene shows coastal rocks with small waves and two sails in the distance. Signed lower right Geo McConnell 1907. SIGHT SIZE: 4 3/4” x 11 1/4”. CONDITION: Very good. 9-72594 (800-1,200)

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7

PAUL MONTGOMERY (American, Mid 20th Century) “ HOMES WITH A VIEW”. Fine Monhegan Island watercolor scene shows home on harbor inlet on grass and field hillside. Two small houses are seen on opposite rocky shoreline. Signed lower right “Paul Montgomery A.W.S.”. Label affixed to reverse from the Sarasota Art Association with artist name, title and show name Members Open Show. Housed in a molded wood stained frame with white matte. SIGHT SIZE: 21” x 28-3/4”. CONDITION: Very good. 9-72898 (800-1,200)

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8

O. VICTOR HUMANN (American, 1874-1951) “MONHEGAN ISLAND, MAINE”. Oil on board scene shows Monhegan’s rugged coastline with waves on seaweed covered rock. Unsigned on front. Titled and signed on back of board. Housed in a deep fancy gesso decorated partial gilt frame with beaded liner. SIZE: 16” x 20”. CONDITION: Good. 9-72893 (600-800)

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9

EDMUND FRANKLIN WARD (American, 1892-1991) MONHEGAN HARBOR. Oil on artist board scene shows a dock with a gas pump and small fishing hut with grass covered rock area. Estate stamped on back. Housed in a gesso decorated painted frame. SIZE: 20” x 24”. CONDITION: Very good. 9-72894 (700-1,000)

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10

ALICE KENT STODDARD (American 1884-1976) MONHEGAN LEDGES. Oil on canvas board shows a seaweed covered rock with gray-green water. Signed lower right. Housed in a gilt wood modern frame with Hackman Frames stamp. SIZE: 16” x 20”. CONDITION: Very good. 9-73039 (2,000-3,000)

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11

CHARLES E. MARTIN (American, 1910-1995) “MEADOW MONHEGAN”. Watercolor scene shows colorful meadows under blue and light green sky. Housed in a gray painted thin frame with white matte. Signed lower right and having a Ruth White Galleries, New York label. Also a Katonah Gallery label. SIGHT SIZE: 13-1/2” x 19-1/2”. CONDITION: Good. 9-71716 (2,000-3,000)

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12

JOHN MARIN (American, 1870-1953) MAINE LANDSCAPE. Watercolor scene shows a small lake surrounded by green hills. Foreground with a sand and grass covered field lined with trees. Signed lower right “Marin 42”. Housed in a simple molded wood frame with large matte having watercolor highlights. SIZE: 11” x 12-1/4”. CONDITION: Very good. 9-72940 (6,000-8,000)

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13

ROSAMOND CHENEY (American, 20th Century) LOBSTER COVE, MONHEGAN. Oil on masonite coastal scene shows waves against large rocks. Signed lower left “R Rockwell Cheney”and “Rosamond” lower right. Housed in a modern gilt molded wood frame with Hackman Frame stamp. Title and artist’s label on reverse. SIZE: 18” x 23”. CONDITION: Inpainting, good. 9-73048 (600-800)

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14

STANLEY WINGATE WOODWARD (American, 1890-1970) “BATH, MAINE COAST”. Large oil on canvas scene shows coastal rocky cliffs with grass tops and waves crashing on rocks and small beach area. Colorful early evening sky. Housed in a wonderful period stained gray and partial gilt arts & crafts frame which is signed “Newcomb-Macklin Co”. A fine example of this Rockport/Gloucester artist with an unusual Maine scene. SIZE: 27” x 40”. CONDITION: Very good. 9-72777 (5,000-8,000)

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15

UNSIGNED (American, First half of the 20th Century) THE MAINE COAST. Fine unsigned oil on canvas scene of a rocky coastline dotted with Evergreen trees. A small cove is seen in foreground and a larger bay with land beyond or island is seen in background. All under a blue and white cloud sky. Very nicely done. Housed in what may be its original molded wood frame which has a Falcor framing label from New York City. SIZE: 25” x 34”. CONDITION: Surface dirt, craquelure, one old patch to reverse with corresponding inpainting. Small puncture and chip in sky. 9-72232 (2,000-2,500)

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16

CHARLES B FULLER (American, 1821-1893) “ATLANTIC HOUSE, WELLS BEACH”. Drawing on gray paper with china white highlights shows several houses at point of land with beach and sailboats. Signed lower left in pencil “CB Fuller Jan 1860” and titled on right side. Housed in a fine gold leaf replacement molded wood frame with white matte with a Guido Frame Studio label. SIGHT SIZE: 4-1/4” x 7-1/4”. CONDITION: Very good. 9-72146 (900-1,200)

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17

ANNE CARY BRADLEY (American, 1884-1956) “MAPLE AND SUMAC”. Oil on board fall scene shows a white Colonial home with white fence picket surrounded by colorful maples and a red sumac tree. Signed lower left “AC Bradley”. Titled on reverse. Housed in an antique gesso decorated gilt frame. SIZE: 20” x 24”. CONDITION: Very good with some touch up. 9-72010 (1,000-2,000)

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18

JAMES EVERETT STUART (American, 1852-1941) BATCHELDER’S GROVE, ABOUT ONE MILE NORTH OF EXETER MAINE”. Oil on canvas landscape scene shows woods at edge of low hillside. Signed lower left. Dated “September 1st 1906” and numbered “1303”. Housed in its original decorated molded wood frame having inscription on reverse. SIZE: 18” x 30”. CONDITION: Very good. 9-29825 (1,000-2,000)

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19

VIVIAN MILNER AKERS (American, 1886-1966) THE OPEN WINDOW. Fine early oil on canvas landscape shows the front of a house with an open window looking onto two trees, one holding a birdhouse/feeder. A brick walkway with green lawn and rock wall beyond. Signed and dated “1910” bottom right. Housed in a period carved wood frame. A nice early example of Akers work. SIZE: 16” x 20”. CONDITION: Some minor touch up, very good. 9-72239 (1,800-2,200)

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20

STEPHEN ETNIER (American, 1903-1984) THE CARIBBEAN, 1946. Oil on masonite scene shows a series of small houses on a curving road with ocean in background and a porch setting in foreground. Signed lower right S.E. For J.W.P. 1946. (Stephen Etnier for Jane Walton Pearce, Etnier’s third wife.) Housed in gilt carved frame. SIZE: 18” x 24”. CONDITION: Very good, minor inpainting. 9-73024 (1,500-3,000)

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21

BLAIKIE HINES (American, 20th Century) “THOMASTON HARBOR, MAINE”. Fine oil on canvas scene shows the Thomaston Harbor in the late 19th Century. A large three-mast schooner is moored next to buildings and is purported to be a rendering of the schooner Charles F. Hayer. Several people are on a large dock area with barrels and wagon. A nighttime scene with bright full moon reflects on the water and clouds and lights can be seen in the windows and on the ship. Housed in a fine replacement gilt molded wood frame. Signed lower left. SIZE: 20” x 30”. CONDITION: Some inpainting, probably retouched by the artist. Very good. 9-72101 (1,000-2,000)

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22

DELBERT DANA COOMBS (American, 1850-1938) “MT WASHINGTON FROM BETHEL, MAINE”. Oil on board landscape scene shows tall mountain range in background with smaller hills and fields below. A nice summer scene of Mt. Washington. Back of board in pencil “Mrs. Parker Smith Androscoggin Valley Near Bethel, Maine”. Housed in a fine reproduction antique style gilt frame with gilt liner. SIZE: 9-3/4” x 14-1/2”. CONDITION: Very good, cleaned with some inpainting. 9-72799 (3,000-4,000)

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23

BENJAMIN TUPPER NEWMAN (American, 1858-1940) “THE MOUNTAINS FROM ALBERT STEARN’S PLACE, LOVELL CENTER, MAINE”. Oil on board scene shows blue hills and mountains beyond a tree and grass lined lake. All under a cloud and blue sky. Signed lower left “BT Newman 1947”. Housed in a period gesso decorated frame. Back board with the original label of the artist with title. Also biographical information attached to back. SIZE: 16” x 20”. CONDITION: Very good with some wear along the frame edge. 9-72800 (1,000-2,000)

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24

GEORGE WESLEY BELLOWS (American, 1882-1925) “MONHEGAN 1913”. Oil on canvas scene shows rocky shoreline with tidal pools, ocean beyond and some sky. Painting with broad-brush strokes. Signed on back of canvas with title and date. There are two labels on reverse, one an address label “John Kendrick Bangs, Cape Neddick, ME” the other “P.B. Cutts 11 19”. Research has indicated Bellows was in Monhegan in 1913. Housed in a fine gesso decorated replacement gilt frame. Reference page 142, 109 of Monhegan the Artist Island by Curtis Liberman. SIZE: 18” h x 20”. CONDITION: Very good. 9-71024 (10,000-20,000)

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25

ANTHONY CIRINO (American, 1889-1983) CAPE ANN HARBOR SCENE. Fine oil on board scene shows several lobster boats moored in small harbor with dock and buildings on level rock area. Blue hills are seen beyond an expanse of water. Signed lower right “A. Cirino”. The board with artist name and “26-Cirino”. Housed in a decorated gilt frame with tan linen matte and gilt liner. SIZE: 10” x 12”. CONDITION: Very good. 9-29824 (5,000-7,000)

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26

J. J. ENWRIGHT (HJALMAR “CAPPY” AMUNDSEN) (American, 1911-2001) BOATS AT DOCK. According to Askart Hjalmar Amundsen is better known by his pseudonym J.J. Enwright. This painting is signed lower left “ h. Amundsen”. Oil on board scene shows a two-mast fishing boat drying its nets between the masts. A man in a rowboat is working beside. Dock with buildings, gas pump and boat are beside. In foreground there is a dock with bucket and net with small fishing shack. Housed in a painted wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-72235 (1,500-2,500)

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27

JOE RIMINI (American, 20th Century) GLOUCESTER HARBOR. Oil on canvas Gloucester Harbor scene shows fishing boats along its docks with a church steeple and houses beyond. A man is fishing on right rocks and a seagull flies over small rowboat. Signed lower left “Rimini”. Housed in a good gilt carved wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-72882 (1,500-2,500)

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28

JOE RIMINI (American, 20th Century) ROCKPORT STREET SCENE. Oil on canvas street scene shows two people conversing across a white picket fence in front of a gabled small white house under tall trees. Signed lower left “Rimini”. Housed in a fine gilt wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-72883 (800-1,000)

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29

EMILE A GRUPPE (American, 1896-1978) “ROCKPORT HARBOR”. Outstanding oil on canvas Rockport Harbor scene shows a green and red hulled schooner moored alongside two smaller boats. The backdrop being Bearskin Neck with the artist’s studios lining the harbor. One figure works outside of one building. Signed lower left. Housed in a fine gilt carved wood arts and crafts style frame. Back of the canvas has artist name and title in black. SIZE: 25” x 30”. CONDITION: Very minor scattered retouch. Very good to excellent. 9-72088 (30,000-50,000)

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30

EMILE ALBERT GRUPPE (American, 1896-1978) “VERMONT COVERED BRIDGE”. Large oil on canvas winter scene shows a covered bridge crossing a small river. Snow and forest covered hills are seen beyond with a fence lined road. Signed lower right “Emile A. Gruppe”. Housed in a fine carved and gilt wood frame with title and artist plaque. Titled and signed in black marker on back stretcher. A nice New England winter scene by this Rockport/Gloucester School artist. PROVENANCE: A private Pennsylvania Collection. SIZE: 30” x 36”. CONDITION: Very good to excellent. 9-72656 (15,000-20,000)

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31

EMILE ALBERT GRUPPE (American, 1896-1978) “SILVERY DAY GLOUCESTER”. Fine oil on canvas Gloucester Harbor scene shows two green and red hulled single mast boats in dry dock being worked on by one man. A road in front of the boats leads to a wharf with buildings. A boat with drying nets is seen beside. A tall two-mast schooner is seen in harbor with other buildings and wharf. A lightened gray sky. Signed lower right “Emile A. Gruppe”. Housed in its original silvered gilt carved wood frame. Pencil inscription on back of frame and title. PROVENANCE: A private Pennsylvania Collection. SIZE: 18” x 20”. CONDITION: Very good to excellent. 9-72654 (8,000-10,000)

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32

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING AT GLOUCESTER”. Fine oil on canvas Gloucester Harbor scene shows a two-mast schooner moored to wharf with building. A smaller boat is beside with two men working. Signed lower right “Emile A. Gruppe”. Housed in its original silver gilt carved wood frame which is marked on the back “Purchased from artist A. Gruppe at East Gloucester July 1941” and “Morning at Gloucester”. PROVENANCE: A private Pennsylvania Collection. SIZE: 20” x 24”. CONDITION: Very good to excellent. 9-72655 (9,000-12,000)

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33

EMILE ALBERT GRUPPE (American, 1896-1978) “EARLY MORNING, BASS ROCKS”. Oil on canvas scene shows rocky shoreline with calm ocean and light reflecting off water and clouds. The scene is of an area along Atlantic Avenue in Gloucester, Mass. Signed lower right “Emile A. Gruppe”. A good early work of this artist. Titled on back of canvas. Housed in what is probably its original period frame which has been gold painted. SIZE: 25” x 30”. CONDITION: Very good. 9-72653 (7,000-10,000)

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34

WAYNE BEAM MORRELL (American, 1923-) SUNLIT CLEARING. Outstanding oil on masonite scene shows a small grass clearing seen through a number of large trees which is strongly lit by an overhead sun. A blue hillside can be seen beyond the clearing. Heavy impasto use. Signed lower right “Wayne Morrell”. Housed in a fine reproduction reeded gilt frame. SIZE: 26” x 34”. CONDITION: Very good. 9-70909 (2,500-4,500)

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35

WAYNE BEAM MORRELL (American, 1923-) SCENIC PAINTED LAMP SHADE. Oval lamp shade in brass has two sides which are painted with a winter scene and the other with a summer scene. Both are signed “Wayne Morrell”. Winter scene shows a hilly landscape with river and snow covered ground. Two figures are walking with a dog. The summer landscape shows a pond with fisherman and boat, large lawn area with trees and houses. The lamp shade sits atop a floor lamp with two oval wood tiers, the top holding two light bulb fixtures. All supported by three snake feet. The shade fits on a brass top shaft which adjusts up and down. An interesting and unusual piece for a favorite Cape Ann artist. SIZE: Shade is 5” h x 13” w x 9-1/4”. CONDITION: Painting is in very good condition. Shade is slightly bent. 9-72152 (1,750-2,500)

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36

ELEANOR BROCKENBROUGH (American, 1880-1938) HOUSES ALONG THE POND. Outstanding oil on board scene shows several colorful houses at the edge of water. Their colors are reflected in the water. Interesting short brush technique reminiscent of Hugh Breckenridge’s work who she worked under. Signed lower right “ h. Brockenbrough”. On the reverse is a 3/4 length portrait of a woman in blue dress. SIZE: 13-1/2” x 12”. CONDITION: Very good. 9-72936 (4,000-6,000)

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37

CHAUNCEY FOSTER RYDER (American, 1868-1949) “BEACH DAY”. Oil on board colorful beach scene shows many beach goers in colorful suits, some with beach umbrellas. A curving beach with dunes is seen under blue skies. Signed lower right “Chauncey F. Ryder”. Housed in a fine reproduction arts & craft carved gilt frame. SIZE: 9-1/4” x 12-1/4”. CONDITION: Minor inpainting, very good. 9-70915 (12,500-17,500)

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38

ANTHONY THIEME (American, 1888-1954) “Motif #1”. Oil on canvas Rockport Harbor scene shows a number of boats moored alongside a dock with connected red building and number of people, both on the boats and on the dock. There are two fishing schooners side by side and two smaller boats side by side. Signed lower left “A. Thieme” Housed in what appears to be its original carved gilt frame. PROVENANCE: From a fine Boston home. SIZE 20” x 24”. CONDITION: Very good. 9-73074 (20,000-30,000)

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39

ANTHONY THIEME (American, 1888-1954) “PUNTA JORGE, LAGUNA DE ATITLAN GUATEMALA 1948”. Large oil on canvas scene shows panoramic view looking out over the top of a white church and red roofed houses onto a sunlit body of water scene surrounded by mountains. Wonderful strong colors in a pleasing scene. Signed with etched signature “A. Thieme”. Housed in a spectacular carved wood and gilt replacement frame with linen liner. Stenciled framing label “America West Frames, Cottonwood, AZ”. Identified and dated on back of canvas. SIZE: 25” x 30”. CONDITION: Very good to excellent. Cleaned with very minor inpainting and three very small chips. 9-71150 (8,000-12,000)

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40

ANTHONY THIEME (American, 1888-1954) TREES BY A RIVER. Oil on masonite landscape scene shows a small river with grassy banks having trees in background. Unsigned front but having an attached note from Lillian B. Thieme. The note is notarized and states “I, Lillian B. Thieme, guarantee this to be an original, painted by Anthony Thieme”. Housed in a fancy pierce decorated gilt frame with linen liner. SIZE: 8” x 10”. CONDITION: Very good. 9-72912 (4,000-5,000)

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41

UNSIGNED (19th Century) THE GARDEN VERANDA. Nice oil on canvas scene shows the back of a large house/hotel with large porch having flower garden edges and lawns. Two women in fine dress and hats are seen with a man on bench reading. A flowery trestle is seen on right side. A sloped mountainside reminiscent of a New Hampshire, White Mountain scene with palatial hotel. Housed in what may be its original fancy deep gesso decorated gilt frame. SIZE: 18” x 24”. CONDITION: Very good. 9-73196 (2,000-4,000)

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42

JAMES CRAWFORD THOM (American, 1835-1898) LANDSCAPE WITH DUCKS AND FIGURES. Summer landscape shows two figures crossing a field with houses in the distance. Several ducks are nestled under flowering bushes and grass. Blue and cloud sky. Housed in a replacement gesso decorated modern frame. Signed lower left “J C Thom”. SIZE: 10-3/4” x 19”. CONDITION: Light craquelure, spot inpainting. Very good. 9-72682 (3,500-5,000)

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43

BA MARTIN (American, 20th Century) SUMMER LANDSCAPE. Oil on canvas scene shows a pond edge with large trees and field with dark hillside beyond. Flowers are seen under the trees and in the foreground. Signed bottom right “B A .Martin”. Housed in its original gesso decorated gilt frame. SIZE: 22” x 34”. CONDITION: Very Good. 9-72308 (1,000-2,000)

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44

CHARLES CRAIG (American, 1836-1931) SUMMER LANDSCAPE. Oil on canvas scene shows trees and field below a large mountain under blue and cloud sky. Signed lower right “Chas. Craig”. Housed in a modern Arts and Crafts-style gilt frame. SIZE: 12” x 16”. CONDITION: Very good. 9-73205 (1,000-2,000)

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45

JOHN FABIAN CARLSON (American, 1874-1945) THE ROCKY HILLSIDE. Oil on board scene shows a grass dirt and rocky hillside with several trees in a summer landscape. Signature in red lower right “Carlson 96”. Also on the back in red is written “John Fabian Carlson HG289”. Also in black crayon “Carlson 82”. Housed in a fine deep antique gesso decorated frame with gilt liner. SIZE: 8” x 10”. CONDITION: Slight cupping to board. Signature may be a later addition. 9-72104 (2,000-4,000)

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46

JOSEPH H. GREENWOOD (American 1857-1927) GRAFTON HILLSIDE. Oil on board, summer scene shows a landscaped valley with farms and houses in a summer/spring setting. Signed and titled on reverse. Housed in a good, gilt period frame with metal tag “To The Fellowship Club From President Chandler Bullock” SIZE: 10 1/2” x 15” CONDITION: Very good. 9-72698 (2,000-3,000)

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47

FRANCIS STILLWELL DIXON (American, 1879-1967) “GREEN SPRING”. Oil on masonite scene shows a fisherman in small stream in late spring. Signed lower right “Francis Dixon”. Housed in a carved wood gilt frame. SIZE: 8” x 10”. CONDITION: Very good. 9-73190 (400-600)

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48

C.U. BOIZARD (American, 20th Century) LANDSCAPE WITH HOUSES. Oil on board summer scene shows gray houses nestled in a field and wood area under a blue and white cloud sky. Signed lower right “C. U. Boizard”. Housed in an antique gold painted gesso decorated frame. SIZE: 13-3/4” x 19-1/2”. CONDITION: Uneven varnish, very good. 9-72681 (4,000-5,000)

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49

ALDRO THOMPSON HIBBARD (American, 1886-1972) SPRING SHOWERS. Oil on canvas scene shows a ridge of blue mountains in the background under passing rain showers. Foreground shows field dotted hillsides with tree borders. Signed lower left “AT Hibbard”. Housed in a fine carved wood gilt modern custom frame with glass front. SIZE: 16” x 20”. CONDITION: Very good, relined. Very minor spot touch up. 9-72884 (10,000-15,000)

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50

CHILDE HASSAM (American, 1859-1935) MOTHER AND CHILD IN GARDEN. Outstanding and important oil on board scene shows a woman (Annie Magill Doan) standing in a garden dressed in a white blouse and long blue skirt. She holds an infant (Calvin B. Doan) dressed in a blue sailor’s smock and striped blue and white undergarment. She stands on a brick walkway and beside her on the walkway is a large ceramic flowerpot and metal watering can. A wooden box is seen behind her which resembles a mulching bin. A small brick building is seen on the left side with a large wheel attached which may provide water for the large garden area. The right side has a profusion of brightly colored flowers while at the tree lines in the distant landscape are outlines of several buildings all under a blue sky. Signed lower left “Childe Hassam” Housed in a carved re-gilt period arts and crafts style frame. The back of the board in period writing “DOAN BOSTON MASS.” PROVENANCE: Descended through the Doan family to present consignor. SIZE: 12” x 16-1/8”. CONDITION: Very good. Recently lightly cleaned by Simon Parkes Art Conservation, Inc. His written condition report is available upon request. 9-72867 (500,000-800,000)

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51

CHILDE HASSAM (American, 1859-1935) FIGURE IN A LANDSCAPE. Small watercolor scene shows a figure walking through a field with a central ravine with tall trees bordering. Blue spots of sky amongst mostly clouds. Signed lower left “Childe Hassam”. There is an area on the bottom left which has added pastel coloring. Housed in a simple wood frame with painted white matte. SIGHT SIZE: 8” x 9-1/4”. CONDITION: Very good. 9-72951 (6,000-8,000)

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52

BRUCE CRANE (American, 1857-1937) “EVENTIDE”. Outstanding oil on canvas, evening scene showing a small inlet of water with house on the right side and a wonderful turquoise to deep red sky having a crescent moon. Signed bottom right “Bruce Crane” Housed in what appears to be its original, wide, gilt, carved wood frame, behind glass. The frame includes a pencil notation of the artist and the title. PROVENANCE: From a fine Bangor, Maine estate. SIZE: 18” x 16”. CONDITION: Very good. 9-72721 (5,000-10,000)

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53

BRUCE CRANE ( American, 1857-1937) AUTUMN SUNSET. A fine oil on canvas sunset scene showing a bright yellow to orange sunset reflecting in foreground water. Wisps of trees with fall foliage can be seen beyond the water. Signed lower right “Bruce Crane N.A.” Housed in a flat, black painted oak frame. SIZE: 16” x 20”. CONDITION: Very good. 9-72722 (4,000-8,000)

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54

THOMAS F. O’NEIL (American, 1852–1922) HAYING THE FIELD. Large oil on canvas scene showing several men stacking hay in a late summer landscape. Several stacks of hay are seen, one in foreground with jacket, hat, jug beside. Signed, lower left and date “91”. Gathering dark clouds are seen amongst white and blue sky. Housed in its original gilt, gesso decorated frame with a Portland, Maine label. O’Neil was a member of Brushians and he received the nickname “The Policeman”. SIZE: 22” x 36”. CONDITION: Small, canvas patch to the reverse. Minor inpainting. Very good. 9-72592 (800-1,200)

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55

EVERETT LONGLEY WARNER (American 1877-1963) “THE BRIDGE”. Oil on board autumn scene shows a small river cascading under an interesting shaped red bridge. Trees in fall foliage under blue sky. Signed bottom right “Everett Warner”. Housed in a partial gilt molded wood period frame. SIZE: 20” x 26”. CONDITION: Very good. 9-72998 (4,000-6,000)

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56

LOUIS EUGENE WORTHEN (American, Early 20th Century) SUNLIT FALL WOODS. Large oil on canvas fall scene shows a clearing in thick woods with sunlight cascading on colorful foliage. A small blue woodland pool is seen in foreground. Signed lower left and dated “1907”. Housed in a good gilt wood frame. SIZE: 27” x 32”. CONDITION: Very good with minor spot inpainting. 9-72879 (800-1,200)

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57

LAWRENCE CARMICHAEL EARLE (American, 1845-1921) HILLSIDE STREAM. Oil on board late fall scene shows a hillside dotted with trees and sun shining through cloudy skies on hillside grass. A stream is at base of hill. Signed lower right “L. C. Earle”. Housed in an outstanding period and possibly original gesso decorated frame with gold liner having a glass front. A Louis Katz Art Gallery label affixed to back. SIZE: 8-1/2” x 12”. CONDITION: Very good. 9-72702 (1,500-2,000)

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57A

WILLIAM L. SONNTAG (American, 1822-1900) PANORAMIC VALLEY VIEW (POSSIBLY NEW HAMPSHIRE?). Spectacular oil on canvas. Recently discovered. A panoramic scene shows a wide, expansive valley with mountain background all under light blue and cloud sky. The flat valley has several small villages each with a church with steeple rising above the tree line. The towns are surrounded by tree lined meadows, and farms dot the landscape. In the foreground a farmer with harrow is behind two oxen in a cleared field having a wood surrounding fence. A dirt road is seen with a four wheel wagon and oxen. Two travelers are seated next to fence resting. Signed lower left “WL Sonntag” Housed in its original wide magnificent gesso decorated gilt frame with gilt liner. A label on the back of the frame from “WM.Clauser New York”. SIZE: 28” x 39-3/4” CONDITION: Restored with wax relining on new stretcher, also in need of current restoration. 9-73260 (47,500-67,500)

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58

J ALDEN WEIR (American, 1852-1919) APPROACHING SHOWER. Fine oil on canvas scene shows a woman and child walking up a hill with grass and trees. The young girl looks back at an approaching dark storm cloud which is seen coming from the right and replacing blue and white cloud sky. An interesting and dramatic scene by this fine artist. Signed lower left “J A Weir”. Housed in a fine carved wood and partial gilt frame with linen liner. SIZE: 24” x 30”. CONDITION: Relined, minor inpainting. Very good. 9-72086 (40,000-60,000)

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59

J ALDEN WEIR (American, 1852-1919) FRESH BLANKET. Large oil on canvas winter scene shows a road with high snow bank having fresh tire tracks. The trees that line are void of leaves and show wind swept snow. Signed lower right “J. Alden Weir 09”. Housed in a carved and gilt wood antique frame. SIZE: 26” x 34”. CONDITION: Three small tears , surface dirt. Otherwise good with some inpainting. 9-72935 (3,000-5,000)

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60

JERVIS MCENTEE (American, 1828-1891) SKATING PARTY IN WINTER. Oil on canvas winter scene shows a village with mountain backdrop bordering water which has frozen and people are enjoying skating and sledding. Nineteen people are seen in small groups beneath a cloud and lightening sky. Conjoined initial monogram lower left. Housed in a gilt gesso decorated modern frame. SIZE: 12” x 18-1/2”. CONDITION: Relined, having restoration with inpainting, good. 9-73254 (7,000-10,000)

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61

ORRIN DRAVER (American, 1895-1964) “FIRST SNOW”. Oil on canvas scene shows a clearing through woods with water and snow covered ground. Late fall foliage is seen remaining on some trees. Signed lower left “O. Draver” Title on back of stretcher, housed in a fine, arts and crafts style, gilt, replacement frame. SIZE 16” x 24”. CONDITION: Minor inpainting, some craquelure, very good. 9-72832 (800-1,200)

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62

EVERETT LONGLEY WARNER (American, 1877-1963) WINTER RIVER. Oil on canvasboard winter landscape shows a river with snowy banks and trees. Signed lower right. Housed in a good carved wood silver gilt frame. SIZE: 14” x 18”. CONDITION: Very good. 9-72941 (2,000-3,000)

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63

BLAIKIE HINES (American, 20th Century) OUT FOR A WINTER STROLL. Oil on masonite winter scene shows a man with his two dogs on a snow covered path leading from Colonial New England home. A bridge is nearby which crosses a small stream which reflects the orange and yellow sunset. The path winds along a wooded area with two large trees. Signed lower left. Housed in a fine gesso decorated gilt frame. SIZE: 21” x 31”. CONDITION: Very good to excellent. 9-72100 (1,000-2,000)

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64

JOHN JOSEPH ENNEKING (American, 1841-1916) SNOW COVERED BRIDGE. Oil on canvas early winter scene shows a small bridge covered with the first snow. A stream winds through woods with snow covered ground. Some leaves are still remaining on trees. Signed lower right “Enneking”. Housed in what appears to be its original gilt decorated frame. SIZE: 16” x 20”. CONDITION: Craquelure, should brighten with a cleaning. 9-72787 (3,000-5,000)

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65

CECIL VEZIN GRANT (American, 1880-1953) “SPRING WOODS”. Oil on canvas scene shows a rock lined brook with remnants of the winter snow. Trees in the brook with blue sky above. Signed lower left “CV Grant”. A shipping label attached to back from Robert Hull Flemming Museum, University of Vermont, with address of artist. Housed in a period gilt, molded wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-72831 (400-800)

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66

EDWARD LOYAL FIELD (American, 1856-1914) SUMMER LANDSCAPE. Nice oil on canvas landscape has field with water lined by trees and bushes with a house on the right side under a tall tree and houses in the distance. The sun is reflecting yellow off the clouds in a peaceful days ending. Signed lower right “E. Loyal Field”. Housed in what may be its original gilt carved wood frame. SIZE: 20” x 30”. CONDITION: Light craquelure, small area of paint chips in trees and minor inpainting. Otherwise very good. 9-72164 (1,000-2,000)

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67

ALFRED THOMPSON BRICHER (American, 1837-1908) WOODLAND STREAM. Oil on canvas laid on board scene shows a stream winding around large tree with some roots exposed. Green foliage with light shining through trees underwater. Signed bottom right with conjoined “AT Bricher”. Housed In a partial gilt white washed frame with white liner. SIZE: 16” x 20”. CONDITION: Very good. 9-72952 (5,000-7,000)

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68

GEORGE INNESS (American, 1824-1894) “SPRING LAKE, NEW JERSEY”. Oil on canvas scene shows two figures walking along dirt road next to a lake with sailboat lined with trees. Signed lower right “G. Inness 1883”. In pencil on canvas and stretcher is title. Housed in an antique gesso decorated gilt frame with title plaque. SIZE: 10” x 20”. CONDITION: There is a thin canvas patch to reverse which corresponds to a small inpainted area on tree. Thin craquelure in wooded area which appears as white fine craquelure. Framed behind glass. 9-72678 (15,000-20,000)

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69

GEORGE INNESS (American, 1825-1894) SUNDOWN-CATTLE DRINKING. Oil on canvas landscape scene shows seven cattle in shallow water drinking. A man in small rowboat is beside in a low summer landscape with green trees under a post sunset sky. Signed lower right “G Inness” and dated “1868”. Housed in a fine gesso decorated gilt frame with gilt liner. REFERENCE: George Inness, Leroy Ireland, University of Texas, 1965 No 423. Ex-collection: The artist to a private collection to Mr. Buck, East Hampton, New York to Ainslie Gallery, New York to a private collection to Grand Central Galleries, NY (Inventory No. B3871) to a private collection, CT until 2002 to a private collection. SIZE: 16” x 24”. CONDITION: Relined, restored with inpainting. Good. 9-71120 (60,000-80,000)

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70

JOHN N HESS (American, Late 19th Century) THE RED LION INN. Oil on canvas scene shows a four horse led stagecoach with three people in front seat. They make the turn onto a dirt road in front of a Colonial Inn with large front porch and tall sign “Red Lion”. The host and hostess are out on the porch and the man waves the hat at the oncoming coach. A well pump and trough are seen in front to water the horses. A two-wheel carriage is seen on grass and other buildings amongst the trees. All under a blue and cloud sky. Signed lower right “J. N. Hess” and dated “76”. Housed in an outstanding gesso decorated deep 19th Century frame. SIZE: 17” x 26”. CONDITION: Relined, spot inpainting. Very good. 9-72905 (3,000-5,000)

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71

CHARLES F. BLAUVELT (American, 1824-1900) THE COOKS HELPER. Nice oil on canvas interior scene shows a young girl cutting bread from a loaf and stacking it on a plate. The linen covered table is beside her with kitchen items. She wears a red dress with blue apron. Signed lower left “C H Blauvelt”. Housed in an antique deep gilt and green painted frame with gold liner. SIZE: 12” x 9”. CONDITION: Very good. 9-72911 (4,000-5,000)

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72

DONATUS BUONGIORNO (American, 1865-) THE CELLO PLAYER. Oil on canvas interior scene shows an older man seated in front of a window wearing a green coat and black top hat. He reads from an open music score and his cello rests against a chair beside. Signed lower right “D. Buongiorno”. Housed in its original gesso decorated gilt frame liner. SIZE: 15-1/2” x 11-3/4”. CONDITION: Very good. 9-72255 (2,000-3,000)

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73

EDWARD HENRY POTTHAST (American, 1857-1927) THE WAY HOME. Large oil on canvas scene shows a herd of cows being led from behind down a dirt road through large trees having a grass and flower covered gully beside. Signed lower right “E. Potthast”. Housed in a fine regilt fancy gesso decorated period frame. SIZE: 24” x 30”. CONDITION: Relined on new stretcher, very good. 9-72865 (20,000-30,000)

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74

EDWARD B. GAY (American, 1837-1928) SPRINGTIME IN THE ORCHARD. Oil on canvas springtime scene shows six sheep and two cattle resting under blossoming apple trees. Grass covered ground with dirt path through center. All under a light blue and white sky. Signed lower left “Edward Gay”. Housed in what appears to be its original gesso decorated frame with liner that has been painted gold. SIZE: 24” x 18”. CONDITION: Craquelure, minor inpainting, signature appears to be enhanced under blacklight. 9-72890 (3,000-5,000)

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75

GEORGE G. ADOMEIT (American, 1879-1967) FARM IN SPRING 1940. Oil on artist board scene shows two large trees at edge of field with wood fence and rolling fields beyond with a farmhouse and hills. Housed in a modern replacement gilt molded wood frame with liner. SIZE : 20” x 16”. CONDITION: Very good. 9-73015 (1,000-1,500)

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76

WILLIAM STAPLES DROWN (American, 1856-1915) “FORT SAN MARCO, SEA WALL ST. AUGUSTINE, FLA”. Oil on board scene shows a tranquil ocean next to a sea wall with two mast boat and dingy moored. The fort with its rounded tower is seen beyond. Signed lower left “W. Staples Drown”. Titled and signed on back with date “1893”. Housed in a gilt oak frame with beaded liner having a Charles J. Edmands Boston framing label. SIZE: 12” x 16”. CONDITION: Dirty, craquelure with some alligatoring to varnish. 9-72808 (2,000-4,000)

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77

AFTER WILLIAM AIKEN WALKER (American, 19th/20th Century) BACK FROM THE COTTON FIELDS. Oil on board scene shows a black man with basket of cotton on head walking towards small boat next to large grasses and water. A fence is seen along the edge and in background. Bears signature “W A Walker”. Housed in what appears to be its original gold gesso decorated frame with painted artist name and date “1892”. SIZE: 9-1/4” x 18-3/4”. CONDITION: Dirty, one small spot on left side just above trees. Otherwise very good. 9-27919 (1,500-2,000)

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78

LAURA COOMBS HILLS (American, 1859-1952) BLUE LARKSPUR. Pastel on board bright colorful scene shows dark and light blue flowers with green stems against a bright yellow background. Signed upper left “L Hills”. Housed in a period gilt wood frame. SIZE: 19” x 15”. CONDITION: Very good. 9-73253 (4,000-6,000)

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79

NAN GREACEN (American, 1908-1999) ROSES IN A GLASS VASE. Oil on board table top still life scene shows a footed glass vase holding yellow, pink and red roses with green leaves. Signed lower left “Nan Greacen N.A.”. Housed in a fine gold and silver molded wood frame with linen liner. Nan Greacen was daughter of Edmund Greacen who participated in the New Movement of Impressionistic Paintings. PROVENANCE: From a Maryland Collection; Acquired directly from the artist. SIZE: 16” x 20”. CONDITION: Very good. 9-29620 (2,000-3,000)

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80

CARL SPRINCHORN (American, 1887-1971) STILL LIFE OF FLOWERS. Watercolor/gouache shows a blue vase standing on a round table with large leaf flower, orange and blue angular background. Housed in a silver modern wood frame with white matte. Signed in center bottom “Sprinchorn, Maine”. SIGHT SIZE: 23-1/2” x 18”. CONDITION: Very good. 9-72243 (5,000-9,000)

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81

MARTHA C. WALTER (American, 1875-1976) “STILL LIFE OF FLOWERS”. Oil on canvas board still life scene shows a footed handled pitcher with a group of colorful flowers. Pitcher sits on brown table top. Signed lower left. Housed in a modern gilt frame. SIZE: 14” x 10”. CONDITION: Very good. 9-73249 (1,500-2,000)

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82

WILLIAM T. ROBINSON (American, 1852-1934) COLORFUL ZINNIAS. Fine oil on canvas still life scene shows a blue pitcher holding a colorful zinnia bouquet. The pitcher half sits on a white tablecloth. Signed lower right “W T Robinson”. Housed in a fine period and possibly original gesso decorated deep frame which bears a label from LE Murphy, Boston, MA. SIZE: 16” x 24”. CONDITION: Small old patch to reverse with corresponding inpainting. Very good. 9-70929 (1,500-2,000)

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83

GERALD VIVIAN DAVIS (American, 1899-1987) “PEONIES WITH UKULELE”. Large oil on canvas flower still life setting with several vases of colorful flowers. Central vase having large pink, red and white peonies. A ukulele is resting next to the vases on a tabletop. Curtain background with glimpses of the room interior. Signed lower right and dated “77”. Also titled and signed on back. Housed in a simple gold painted frame. SIZE: 42” x 54”. CONDITION: Very good. 9-72868 (4,000-8,000)

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84

FREDERICK STANTON PERKINS (American, 1832-1899) FLORAL STILL LIFE. Outstanding oil on canvas large floral still life scene shows an arrangement of flowers in a naturalistic setting. Flowers include lilac, morning glory, pond lily, poppy, roses, etc. Signed lower right “F S Perkins 1877”. Housed in a magnificent bronze finished gesso decorated wide frame with double liner. SIGHT SIZE: 24” x 33-1/2”. CONDITION: Very good with masking varnish. 9-72906 (3,500-5,000)

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85

EDWARD R. SITZMAN (American, 1874-1949) PAIR OF OVAL STILL LIFES. Outstanding pair of pastel table top still lifes. Both identically framed in quarter oak flat frames in oval form with applied gesso decorated edge having a gold trim liner. One shows the tabletop with white table cover having a clear large fruit bowl filled with fruit and having other fruit beside. Other has similar grouping but with glass compote. Fruit includes pineapple, green, purple and red grapes, peaches and apples. Signed lower left “Sitzman”. SIZE: Overall is 27” x 49”. Sight size is 17-1/2” x 39-1/2”. CONDITION: Generally very good. One has rub to area around bottom grapes. 9-72658 (2,000-3,000)

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86

LILIAN J. WHISH (American, -1934) GLADIOLAS. Oil on canvas still life tabletop scene shows a dark vase holding gladiolas and other flowers. A vase and plate are beside with a dark background. Signed lower left. Housed in a period arts & crafts type carved frame. SIZE: 24” x 20-1/4”. CONDITION: Very good. 9-72895 (900-1,200)

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87

JANE PETERSON (American, 1876-1965) THE PROCESSION. Oil on canvas scene shows a procession of people in fancy dress walking down a large stairway from a large building with columned front and archways. Signed lower right. Housed in a modern Arts and Crafts-style gilt wood frame. SIZE: 24” x 18”. CONDITION: Very good, inpainting. 9-73252. (8,000-10,000)

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88

JANE PETERSON (American, 1876-1965) CAPE ANN HOUSES. Oil on board scene shows several houses with porches in the fall with a gully lined with rocks and sandy beach with rocks in the foreground. Signed lower left “Jane Peterson”. SIZE: 14” x 16”. CONDITION: Very good. 9-72937 (4,000-6,000)

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89

IVAN FEDOROVICH CHOULTSE (Russian, 1877-1932) “SOIR D’ HIVER (FINLANDE)”. Outstanding oil on canvas winter sunset scene shows a house with connected buildings on a hillside with two Evergreens. At the top of the hill is a line of tall Evergreens all under a bright sunset which is reflected on puffy clouds in colors of yellow, orange and purple. A small area of blue sky is seen over home. The hill, trees and house are covered with a recent thick blanket of snow. A cascading stream flows down the hill to the foreground. Signed lower right. Housed in what appears to be its original gilt molded wood frame. Title on center stretcher. PROVENANCE: Woolworth Collection, Monmouth, Maine (FW Woolworth, Dept. Store). SIZE: 25-3/4” x 32”. CONDITION: A 1” slit in upper center sky, a small singed area at bottom center which needs touchup. Otherwise very good. 9-72624 (30,000-50,000)

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90

IVAN FEDOROVICH CHOULTSE (Russian, 1877-1932) “JOUR D’ HIVER PRES DE DAVOS (ENGADINE?)”. Outstanding oil on canvas winter scene shows a church on hilltop under blue and light cloud sky. A heavy recent snow has covered the ground and a stream cascades down the side of the hill toward the foreground dotted with small leafless bushes. Snow covered mountain background. Signed lower left. Housed in what appears to be its original gilt molded wood frame. Title on center stretcher. PROVENANCE: Woolworth Collection, Monmouth, Maine (FW Woolworth, Dept. Store). SIZE: 25-3/4” x 32”. CONDITION: Very good. 9-72623 (20,000-30,000)

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91

JACQUES CHAPIRO (Russian, 1887-1972) “LE JARDIN 1941”. Oil on wood panel scene shows a man bent over working in a garden with hill landscape dotted with homes. Signed lower right “Jacques Chapiro 1941”. Also signed “Jacques Chapiro Ceret Le Jardin 1941 5 Rue Barrault, Paris No. 1” on back of panel. Housed in a good molded wood gilt replacement frame. SIZE: 25-1/2” x 32”. CONDITION: Very good with some minor surface chips. 9-72948 (4,000-6,000)

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92

DAVID DAVIDOVICH BURLIUK (American, 1882-1967) TABLETOP STILL LIFE. Oil on board scene shows a red tablecloth covered table having a basket of fruit and wine bottle amongst other items atop. The wall backdrop has several paintings. Signed lower left “Burliuk”. Housed in a period molded wood painted frame. Heavy use of impasto adds a dimension to the painting. SIZE: 12” x 16”. CONDITION: Very good. 9-71705 (3,000-5,000)

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93

ALEKSANDR AVERIN (Russian, 1952) STROLLING THROUGH THE GARDEN. Oil on canvas scene shows a young woman in white dress with orange parasol walking down a path through bright colored garden. Signed lower right in Cyrillic. Also signed on back. SIZE: 25-1/2” x 21-1/4”. CONDITION: Very good. 9-72942 (600-800)

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94

ALEXANDER GOULAIEV (Russian, Last half of the 20th Century) “ATYASIERS 1973”. Oil on canvas landscape scene shows trees and valley floor with water in a panoramic landscape. Unsigned front but signed and titled on canvas in Cyrillic. Housed in a fine gesso decorated metal leaf frame. SIZE: 25” x 39-1/2”. CONDITION: Very good. 9-70881 (1,500-2,500)

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95

VASSILI YACOVLEVITCH GRACHEV (Russian, 1831-1905). COSSACK ON HORSE. Nice small bronze shows a Cossack in traditional garb with fur hat, robe and rifle. He sits atop a horse which is stepping up a rock incline. Signed in Cyrillic. SIZE: 9-1/2” h, 6”l and 3-1/4”w. CONDITION: Reins missing. Horse has bent ear, otherwise very good. 9-73213 (3,000-4,000)

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96

SIGNED ILLEGIBLY (Russian?, 19th/20th Century) OFFICER ON HORSEBACK. Large bronze of man on horseback wearing a hat and overcoat. The horse stands on a naturalistic base. The bronze is signed on the base behind the horse’s rear hoof. Dark brown patina. SIZE: 16-3/4” h x 16-1/2”l. CONDITION: Generally very good. 9-73223 (2,500-4,000)

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97

UNSIGNED (Austrian, 19th Century) THE HUNTER. Fine small bronze depicts a hunter waving hat with a selection of different kills, including deer, duck, and wild fowl at his feet. He has a double barrel shotgun over his back and is mounted to a marble plinth. The bronze is in two colors: gold and a reddish brown. SIZE: 10” h , 11-1/2” overall. CONDITION: Very good. 9-73217 (800-1,200)

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98

JOSEF MUHR (Austrian, 1873-1912) “EDWARD VII”. Bronze bust of a man with mustache and beard wearing a military uniform laden with military medals. It sits atop a black marble base with name in gilt and fits onto a removable ebonized stepped wood base. The bronze is signed “J Muhr 1908” and stamped“kunsterzgiesserei th.th.srpek wien x. a.j.selzer ”. Edward VII was son of Queen Victoria, Prince of Wales, and reigned as King Of England from 1901-1910. SIZE: 11-1/2” h , total height 18-1/2”. CONDITION: Small corner chip off slate, otherwise very good. 9-73218 (1,500-2,500)

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99

ALBERT ERNEST CARRIER-BELLUSE (French, 1824-1887) “FISHERMAN AND HUNTRESS”. Both signed on base“L.C.Tiffany”. Both period bronzes are in dark brown patina, one shows a boy holding up dead ducks and other hand holding up spears with leaf vine. The other is a girl holding up a string of fish and having a net draped over her back and her other arm is holding rope and a boat hook with cattails. Both are signed “Carrier-Belluse”. REFERENCE: Full page illustration 3662-3 in Volume IV, “Bronzes” by Harlod Berman. SIZE:19-1/2” h. CONDITION: Very good. 9-73221 (3,000-5,000)

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100
Revised: 1/24/2007

ANDREW O’CONNOR JR. (American, 1874-1941) VICTORY. A rare and important bronze by this American sculptor. Bronze figure holds shield in right arm behind body and large feather in other arm. Helmet and draped robe. The helmet with the word “Patria” inscribed. Foundry stamp of “A.A. Hebrard, cire Perdue, Paris”. Base marked “(5)”. SIZE: 24” h. CONDITION: Very good. 9-73220 (5,000-10,000)

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101

HARRIET WHITNEY FRISHMUTH (American, 1880-1980) GIRL WITH FROG. Bronze ashtray has a seated nude woman with arm extended pointing at a small frog on the rim of the wide dish. Nice brown bronze patina. Signed on edge “Copyright 1910 Harriet W. Frishmuth #60”. A blurred foundry mark which looks like Gorham Oer? Bottom is filled with cement. SIZE: 5-3/4” h x 6-3/4” w x 5-3/4” d. CONDITION: Very good. Foundry mark has scratches. 9-72968 (3,000-5,000)

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102

JULES MOIGNIEZ (French, 1835-1894). TWO DOGS AND A RABBIT. Gilt bronze figural group shows two hunting dogs at point with a rabbit nestled beyond a rock in leaves. One dog is a long haired setter type, the other a short hair type. Signed “J.Moigniez”. The oval shaped bronze is mounted to an oval wood base. SIZE: 7-3/4” h x 14-3/4”l. CONDITION: End part of tail to short hair is cracked and bent. Finish shows some wear and some uneven spotting. Otherwise very good. 5-63770 (3,000-4,000)

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103

PIERRE JULES MENE (French, 1810-1879) ON POINT. Fine bronze of a hunting dog in pointing stance with tail straight out and front right paw up with head level and cocked to the right. Dark brown patina. Dog stands on a naturalistic base which is signed “PJ Meme”. No foundry mark present. Unknown edition. SIZE: 6” h x 12-1/2” l x 4-1/2” w. CONDITION: Very good. 9-72123 (2,000-3,000)

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104

UNSIGNED (American 19th/ 20th Century). HUNTING IN A CONNECTICUT MEADOW. Oil on canvas scene shows a hunter firing off a shotgun at a recently flushed group of quail. Two are falling victims of the shot while five fly away. Two bird dogs at point. A late afternoon landscape with fields and houses in the background. Housed in its original gilt molded wood frame. Back of frame is written “Mr. Dupper Bridgeport CT”. SIZE: 18” x 24”. CONDITION: Surface dirt and imperfection in canvas around dead quail, otherwise very good. 9-73209 (800-1,200)

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105

UNSIGNED (American, 19th/20th Century) “DUCK HUNTING DOWN JERSEY”. Large oil on canvas scene shows two hunters with guns ready watching two ducks in flight over a marshy area. Several kills lie at the hunters feet. Housed in a gesso decorated gilt frame with old brass title plaque indicating it is from the Collection of Jack E. Boucher. SIZE: 22” x 36”. CONDITION: Wax relining, minor inpainting. Good. Re-stretched on new turn-buckle type stretcher. 9-72671 (4,250-4,750)

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106

ATTRIBUTED TO ARTHUR FITZWILLIAM TAIT (American, 1819-1905) TAKING AIM. Fine large oil on canvas landscape hunting scene shows two hunters with two dogs, one taking aim at a startled buck with doe. The scene is next to a small stream with mountain and hillside background. Unsigned. Housed in a fine period gesso decorated leaf and flower motif antique frame. SIZE: 26” x 36”. CONDITION: Relined, inpainting with some restoration. Very good. 9-29851 (9,000-12,000)

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107

ATTRIBUTED TO FRANK WESTON BENSON (American, 1862-1951) IN THE BLIND. Watercolor scene shows a V-formed flight of ducks flying over a marshy area with cloud and blue sky. Signed lower right “F W Benson”. Housed in white painted carved wood frame. SIZE: 10-3/4” x 14”. CONDITION: Good. 9-71725 (600-800)

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108

SIGNED (19th/20th Century) PAIR OF A HUNTERS HANGING BIRD TROPHIES. Both pastels and identically housed in molded oak frames with silver linings and mattes (mattes damaged). One shows a hanging red headed duck, the other shows two hanging quail. Both signed with what appears to be “Laurie”. SIGHT SIZE: 22-1/2” x 11-1/2”. CONDITION: Some foxing, fair to good. 9-72125 (500-1,000)

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112

D. CROSBY BROWN (American, 20th Century) UP FROM THE FIELDS. Large oil on masonite. Panoramic scene showing a male and female ringneck pheasants walking up from a hillside field which overlooks a valley dotted with other fields. A nice detailed landscape. Signed lower right and dated 1977. Housed in a weathered, molded wood painted frame. SIZE 25” x 36”. CONDITION: Very good. 9-72566 (1,500-2,500)

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113

AFTER ARTHUR F. TAIT (American, 1819-1905) HANGING WOOD DUCKS. Lithograph print after a painting by A.F.Tait shows two hanging ducks with shadows cast on back. Oval, with no publishers line or date. Mounted on grey backing paper, and housed in decorated, partial gilt frame. SIZE: 16 1/4” x 13 1/4”. CONDITION: Foxing, some creases and edge roughness. Fair to good. 9-72026 (150-300)

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115

SIGNED (19th/20th Century) PORTRAIT OF A RACE HORSE. Oil on canvas scene shows a large brown race horse with black tail standing with hay at its feet and jockey’s uniform and saddle on ground beside open drawer. A white blanket is seen with initials “TRS” and the painting is signed lower left illegibly. Housed in a large wide black ogee frame with gilt liner. SIZE: 25” 31-1/2”. CONDITION: Relined, inpainting. Good. 9-71633 (3,000-5,000)

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116

PAUL BERNARD KING (American, 1867-1947) “ HOLLAND”. Oil on canvas Holland scene shows a group of houses with thatched roofs next to large windmill. Garden and grass is seen in foreground with a fence. Signed lower right “Paul King – Holland”. Housed in a fine gesso decorated gilt frame. PROVENANCE: From a fine Southern Maine home. SIZE: 16” x 24”. CONDITION: Appears to be in untouched condition. In need of cleaning with discolored varnish and dirt. 9-72294 (3,000-5,000)

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117

HAYLEY LEVER (American, 1876-1958) “COAST OF BRITTANY – 1908”. Oil on canvas scene shows a rocky coastline with green covered bluffs. A single steamship is seen off point under dark skies. Signed lower left. Housed in a good carved wood and gilt replacement frame. SIZE: 6-1/2” x 9-1/2”. CONDITION: Very good, relined and restretched. 9-72869 (1,500-2,500)

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118

HAYLEY LEVER (American, 1876-1958) “THE BEACH-CORNWALL, ENGLAND, 1908”. Oil on canvas scene shows a beach with sand, rocks and crashing waves. Signed lower right. Housed in a good carved wood and gilt replacement frame. SIZE: 6-1/2” x 9-1/2”. CONDITION: Very good, relined and restretched. 9-72870 (1,500-2,500)

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119

WILLIAM JURIAN KAULA (American, 1871-1953) PAIR OF PAINTINGS OF THE SIENE RIVER, PARIS. Two unsigned paintings on academy board show the Siene River with tour boats, bridges, people and cars. The tree lined waterway is seen with several different boats and bridges. Both identically housed in partial gilt frames with linen and wood liners. Both boards have label of Frost & Adams, Boston. Accompanying the paintings is a letter from Frank D’Angelo, Inc. Antiques Rowley, Mass indicating that the two paintings were purchased from the person who bought them from the Kaula Estate. SIZE: 9-1/4” x 13”. CONDITION: Very good, 9-72926 (3,000-5,000)

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120

CHARLES WARREN EATON (American, 1857-1937) “THE ROAD TO BRUGES, BELGIUM”. Oil on canvas evening sunset scene shows a dirt road leading to tall trees and windmill. The road passing a thatched roof home shaded by three tall trees. All under a colorful sunset sky. Signed lower right “Chas Warren Eaton” and dated “1901” or “1907”. Original penned paper label on back of stretcher with title and artist name. Also a pencil number of canvas “1252”. Housed in what appears to be its original fancy frame which has a penned label with a different title but having the artist’s name and address. Frame has been repainted gold. SIZE: 20” x 30”. CONDITION: As found with two large tears, several smaller tears and areas of missing paint, dirty. Needs to be restored. 9-72318 (1,000-2,000)

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121

JOHN FERGUSON WEIR (American, 1841-1926) IN THE FRENCH COUNTRYSIDE. Oil on canvas summer scene shows a pond with horse and rider, bridge and large red barns surrounded by tall trees under a light blue and white sky. Signed lower left. Housed in a good reproduction French-style ornate frame. SIZE: 10” x 14”. CONDITION: Relined restored with inpainting, very good. 9-73045 (1,000-2,000)

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122

HENRY MUHRMAN (American, 1854-1916) HAMPSTEAD HEATH. Pastel landscape shows green field with trees under a white and blue sky. Signed lower left H. Muhrman and dated 91. Housed in a gilt gesso decorated period frame. Pencil titled and signed on reverse. SIZE: 8 1/2” x 10 3/4”. CONDITION: Very good. 9-72689 (600-800)

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123

HENRY MUHRMAN (American, 1854-1916) “VIEW OF HIGHGATE 1899”. Pastel scene shows a landscape viewed through two large trees with buildings and grass lawn. Signed lower left “ h Muhrman 1899”. Housed in a gilt molded wood frame with white matte. There are three labels on reverse including Raydon Gallery, New York and Weatherspoon Annual Exhibition. SIGHT SIZE: 10-1/2” x 8”. CONDITION: Very good. 9-72687 (400-600)

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124

HILDEGARD HUME HAMILTON (American, 1898-1970) “EN ROYONS, FRENCH ALPS”. Oil on artists board shows several buildings along a river with stone arch bridge. A summer scene showing green trees and flowers with blue mountain background. Signed lower left. Signed and titled on back of board. Housed in an antique gold, gesso decorated frame. SIZE: 8 1/2” x 10 1/2”. CONDITION: Surface dirt, very good. 9-72166 (500-1,000)

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125

FRANK TOWNSEND HUTCHENS (American, 1869-1937) “PEASANT’S HOME IN PICARDY”. Oil on board scene shows a connected country farmhouse. A man with overalls walks down a path toward the front door. Signed lower left. Housed in its original gesso decorated frame with gilt liner. A Salmagundi Club auction sale label affixed to reverse with title and artist. SIZE: 12” x 16”. CONDITION: Minor inpainting, very good. 9-71699 (3,000-5,000)

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126

W C KENT (American, Early 20th Century) “ HARBOR TOWN”. Oil on canvas Mediterranean harbor scene shows several sailboats in tranquil harbor with buildings. Signed lower right “WC Kent”. Housed in its original gesso decorated gilt frame with title plaque. SIZE: 24” x 30”. CONDITION: Very good. 9-72186 (400-800)

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127

BURR H NICHOLS (American, 1848-1915) DOORWAY IN VENICE. Oil on board scene shows a green doorway with arch next to grill top window with potted flowers. Threes stairs lead to water which reflect the colorful façade. Housed in a beveled, pine frame with brass artist tag. Signed lower right. SIZE: 7 3/4” x 6”. CONDITION: Very good. 9-72705 (800-1,000)

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128

ADDISON THOMAS MILLAR (American, 1860-1913) EUROPEAN CANAL SCENE. Oil on board scene shows a canal lined with houses. A bridge is seen across the canal under cloud and blue sky. Unframed. SIZE: 9-1/4” x 6-1/4”. CONDITION: Good with some roughness to edges. 9-72915 (1,250-1,750)

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129

MARCH AVERY (American, 20th Century) “BRITTANY COAST”. Large oil on canvas scene shows a coastline with beach, cliffs and water. Bright green sky. Signed lower left and dated “77”. Housed in a simple silver wood frame. Back having a Summit Gallery LTD New York Exhibition label indicating title, artist, date, etc. March Avery is Milton Avery’s daughter who trained under her father. SIZE: 32” x 50”. CONDITION: Very good. 9-71718 (6,000-8,000)

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130

JULES ANDRE SMITH (American, 1880-1959) “FRENCH PAINTING #23”. Oil on masonite French town scene shows a cobblestone street lined with sidewalks with various vendors. A café is seen on the right side with two customers at table. A large cross monument is seen at end of street with colorful buildings, large tree and blue sky. Signed lower right “Andre Smith”. Housed in a fine gilt molded wood replacement frame. Titled label on back. SIZE: 24” x 24”. CONDITION: Very good. 9-70914 (2,000-3,000)

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131

ATTRIBUTED TO MILLARD OWEN SHEETS (American, 1907-1989) TENDING ISLAND FIELDS. Fine watercolor of a tropical island scene shows two figures in a rice paddy field with palm trees and large mountain backdrop. Signed lower left “Millard Sheets”. Housed in a fine silver gilt wood frame with marbled paper matte with inner liner. SIZE: 9” x 12-3/4”. CONDITION: Very good. 9-73207 (500-1,000)

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132

PIETRO VALERIO (American, Mid 20th Century) LEOPOLD GODOWSKY AND HIS CHATTERING MONKEYS. Important large oil on canvas scene depicting Leopold Godowsky at his piano. Ghost like images of seven monkeys are seen standing on and near the piano, two of which are on two sheets of music. The background of the painting is a tropical marshland with hanging vines, trees, water, pond lilies and monkeys. Undoubtedly artist Valerio was depicting Godowsky in the midst of composing his famous work titled “Chattering Monkeys at the Sacred Lake of Wendit”. Signed lower right “Pietro Valerio”. Housed in what appears to be its original period wide gesso decorated gilt frame. PROVENANCE: From a fine southern Maine home before which it was owned by a significant New York advertising executive. REFERENCE NOTE: Leopold Godowsky (1870-1938) is considered one of the 20th Centuries greatest pianists and an accomplished composer. Godowsky was born in Lithuania in 1870. He is self taught and in 1884 he came to the United States. He became head of the Piano Department at the Chicago Conservatory in 1893. In 1909 he became Director of the Piano School on the Imperial Academy of Music in Vienna. An unprecedented accomplishment for a Jewish man to hold this prestigious post. He moved back to the United States at the onset of WWI and resided in New York City. He did in 1938. SIZE: 40” x 44”. CONDITION: Surface dirt, small chip in cheek, otherwise very good. Accompanying lot is a signed framed photograph of Leopold Godowsky inscribed “To Bill and Rose, With Love and Devotion, Leopold June 6th, 1921 NY City”. Photograph copyrighted by Matzene, Chicago. Housed in a period table top standing frame. 9-72290; 9-72300 (5,000-10,000)

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133

GEORGE BENJAMIN LUKS (American, 1867-1933) “THE TENTH ROUND”. Oil on canvas half portrait of a boxer. The man is seen with arms across his bare chest, one boxing glove is showing. His head is held up in triumphant mode and a winning smile is on his face. A wonderful expression. A greenish black background. Signed lower right “George Luks 1902”. Housed in an ebonized wide carved wood frame with thin gold liner which has a title and artist plaque attached. NOTE: We have been told by the consignor that prior to lining the painting was signed and dated on reverse. It is possible that this is a self portrait. Luks was known to fabricate tales of his boxing career as “Chicago Whitey”. SIZE: 27” x 21”. CONDITION: Relined with some inpainting and restoration. 9-72120 (25,000-50,000)

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134

WILLARD LEROY METCALF (American, 1858-1925) PORTRAIT OF A GENTLEMAN. Oil on canvas portrait shows a half view of a man with gray mustache, black hair and sporting a grey suit with black tie and white shirt. Signed upper right “Willard L Metcalf ‘93”. Housed in a fine, reproduction gilt, molded wood frame. This painting will be included in the upcoming catalog raisonne. SIZE: 28” x 23”. CONDITION: Two patches to the reverse with some inpainting. Very good. 9-72670 (10,000-15,000)

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135

WILLIAM MERRITT CHASE (American, 1849-1916) GIRL IN RED CAP. Unframed oil on canvas portrait of a young girl with brown hair wearing a red cap. She wears a light olive shirt against a dark background. She looks directly at viewer. The back of the canvas has pencil signature. NOTE: This painting was in private hands and found in a closet and was unavailable and is not in the Catalog Raisonne. SIZE: 18” x 14”. CONDITION: Patch to reverse, small slit in upper right, a few areas of minor paint loss, otherwise very good. 9-73255 (5,000-7,000)

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136

JOHANN BERTHELSEN (American, 1883-1972) “MISTY NIGHT, MANHATTAN”. Large pastel shows the New York skyline looking at the Empire State Building with the Ziegfield Theater in the foreground. A nighttime scene with light shining, a colorful impressionistic view. SIZE: 24” x 18”. CONDITION: Very good. 9-72683 (8,000-10,000)

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137

JOHANN BERTHELSEN (American, 1883-1972) “CITY LIGHTS IN LAKE, CENTRAL PARK”. Pastel scene shows an impressionistic view of tall buildings at nighttime with lights reflecting in foreground water. Green trees are beyond the water. Signed lower right in pencil ‘Johann Berthelsen”. Information on back of frame indicates that it is from the Estate of the artist and is a view from Central Park of 59th St and 5th Ave. Housed in a partial gilt frame with ivory matte. SIGHT SIZE: 16” x 12”. CONDITION: Very good. 9-72684 (8,000-10,000)

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138

JOHANN BERTHELSEN (American, 1883-1969) “NEW YORK IN WINTER”. Oil on canvas board scene shows New York buildings and pedestrians in heavy snow. American flag flies off building on right. Housed in a good gilt modern frame. Signed lower right. SIZE: 16” x 12”. CONDITION: Very good. 9-73248 (4,000-6,000)

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139

WALTER EMERSON BAUM (American, 1884-1956) PENNSYLVANIA INDUSTRY. Oil on board landscape shows a tree and bush lined river in foreground with several long industrial warehouse buildings and central water tower. Mountainside scene in background. Signed lower right “W E Baum”. Housed in a gesso decorated partial gilt frame. SIZE: 20” x 24”. CONDITION: Very good. 9-72669 (7,000-10,000)

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140

FRANKLIN EDWARD MORRIS (American, 1938-) PITTSBURGH MILLS ALONG THE OHIO RIVER. Large oil on canvas nighttime scene shows large mills on the far bank of a curving river. Bright colored smoke billows from factory and reflects in water. A barge is traveling the river. Hills in the distance with stars above. Signed lower right “F E Morris” and titled on reverse. Housed in a fine old gilt molded wood frame. PROVENANCE: Acquired through Morris’s son James thru Dave Terry Fine Art. SIZE: 24” x 30”. CONDITION: Very good. 9-72974 (2,000-4,000)

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141

VADIM CHERNOFF (American, 1888-1954) CITY CIRCUS. Oil on canvas nighttime scene shows a circus set up in an inner city block. There is a big top, Ferris wheel and rides. Bright flashing lights reflect on the buildings next door. Possibly a scene of Coney Island, New York. Signed lower right “C Chernoff 34”. Housed in a fine gilt carved wood frame. SIZE: 23” x 24”. CONDITION: Very good with inpainting. 9-72954 (3,000-5,000)

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142

NILES SPENCER (American, 1893-1952) URBAN STREET SCENE. Oil on canvas evening scene shows a street corner with three and four story buildings having lights in the windows. Several people are seen on sidewalk. Painting is done in bright colors which streak together. Signed lower left “Niles Spencer”. Housed in a fine period gilt molded wood frame. Probably a New York street scene. SIZE: 22” x 30”. CONDITION: Needs cleaning, heavy varnish lines at stretcher marks. Otherwise very good. 9-72957 (3,000-5,000)

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143
Revised: 1/24/2007

RHODA CARLETON HOLMES NICHOLLS (American, 1854-1930) CITY PARK. Fine oil on board scene shows a gazebo at the edge of a pond with arched bridge and church steeple beyond. Green lawns with flowers and trees. Probably Boston Gardens. Signed lower right. Back having a small portrait sketch. Housed in a fine modern gilt molded wood frame. SIZE: 12” x 18-1/4”. CONDITION: 9-72891 (4,000-6,000)

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144

ATTRIBUTED TO ALLAN ROHAN CRITE “STREET MUSICIANS”. Watercolor urban street scene shows musicians playing under a decorative red and white tent on a street filled with people. Unsigned. Unframed, taped to a hard cardboard. SIGHT SIZE: 14-1/4” x 10-1/4”. CONDITION: Very good. 9-73247 (800-1,200)

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145

JOHN FRENCH SLOAN (American, 1871-1951) WINTER FUN IN THE CITY. Large oil on canvas scene shows a boy throwing snowballs on crayon target on side of brick building. A little girl in the window watches on with a cat in another window. A street is seen lined with wood fences and houses are up against the fence. A clothesline is seen from the second story window filled with colorful clothes. Signed lower left “John Sloan”. SIZE: 24” x 36”. CONDITION: Relined, repaired area above trash cans with inpainting. Otherwise very good. 9-72945 (5,000-10,000)

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146

FAIRFIELD PORTER (American, 1907-1975) MIAMI BEACH. Oil on canvas scene shows Miami Beach hotels with busy street and parked cars. Palm trees line the street and the tall white stucco buildings with the McAllister Hotel at corner. Signed lower left “Fairfield Porter 54”. Housed in a white oak frame with white linen liner. SIZE: 20” x 24”. CONDITION: Very good. 9-72966 (8,000-12,000)

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147

R. WENTWORTH (American, 19th Century) PICNICKING ON THE HUDSON. Oil on canvas scene shows a large body of water surrounded by tall mountains. A river sidewheeler and several sails are seen on tranquil water. Foreground has three figures looking out over view. Signed lower left “R. Wentworth 1874”. Housed in its original gilt liner. SIZE: 18” x 30”. CONDITION: Very good having two old patches to reverse with corresponding inpainting and spot inpainting. 9-72674 (10,000-15,000)

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148

G. G. H. (American, 19th Century) HUDSON RIVER LANDSCAPE. Large oil on canvas scene shows two figures on a hillside clearing overlooking a valley with river, mountains and level river valley. Signed on a fallen tree bottom right with initial “G. G. H.”. Possibly George Gunther Hartwick (American, – 1899). Housed in a good gesso decorated gold frame with gold liner. SIZE: 22” x 36”. CONDITION: Relined with inpainting. Very good. 9-72673 (7,000-10,000)

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149

M. LOIS MURPHY (American 1901-1962) NEW YORK COUNTRYSIDE. Pastel landscape scene shows several buildings on grass hillside with other hills. Signed lower left. Housed in a modern gilt wood frame with wide white matt. SIGHT SIZE: 15 x 19-3/4. CONDITION: Very good. 9-73032 (600-800)

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150

ROBERT EMMETT OWEN (American, 1878-1957) THOMAS PAINE COTTAGE, NEW ROCHELLE, NY. Oil on canvas house portrait shows a Colonial saltbox type house with connected section having a columned porch. American flag flies next to doorway in a snowy landscape. Signed lower right “R. Emmett Owen”. Housed in a gilt gesso decorated modern frame. Accompanying painting is a cardboard broadside of the Thomas Paine cottage. SIZE: 20” x 32”. CONDITION: Good with inpainting. 9-72956 (4,000-6,000)

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151

FRANKLIN DULLIN BRISCOE (American, 1844-1903) MORNING LIGHT. Fine oil on canvas scene shows a harbor with sailboats and two boats having men and nets with sails down. A building is seen with men working around and seagulls fly above. A colorful sky is seen with bright yellow to pink horizon. Housed in a fancy gesso decorated period frame which appears to be its original having a recent artist tag “Frank D. Briscoe”. Stretcher has a “S. Johnston, Boston” label. Unsigned. SIZE: 18” x 26”. CONDITION: Very good, craquelure. 9-72676 (8,000-10,000)

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152

WILLIAM MERRITT POST (American, 1856-1935) CALM WATERS. Watercolor scene shows a single mast sailboat moored along a grassy bank coastline with small dock. Signed lower right “W. Merritt Post”. Housed in a partial gilt frame with double mattes. SIGHT SIZE: 8” x 11-3/4”. CONDITION: Very good. 9-72866 (800-1,200)

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153

WARREN W SHEPPARD (American, 1858-1937) EVENING SAIL. Oil on masonite coastal scene shows a two-mast schooner under a rising full moon with misty horizon. Coastal rocks are seen with waves splashing onto rocks. Signed lower left “Warren Sheppard”. Housed in a fine gilt gesso decorated frame with gilt liner. SIZE: 19” x 29”. CONDITION: Some inpainting, very good. 9-72571 (4,000-6,000)

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154

WINKWORTH ALLAN GAY (American, 1821-1910) HARBOR LIGHTHOUSE. Oil on canvas harbor scene, possibly Scituate Harbor, Mass. Shows a large, square building on a wharf with figures beside. In back is seen a white lighthouse with angled sides. Signed lower left “WA Gay 1876”. Housed in an antique, Birdseye maple, ogee frame with gold lining. SIZE: 10-1/4” x 13”. CONDITION: Relined, good. 9-72930 (2,000-3,000)

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155

CECIL CHICHESTER (American, 1891-1963) SAILING DAYS. Oil on canvas laid on masonite late fall scene shows two single mast sailboats on blue water with hillside background and green grass banks and birch trees in foreground. Signed lower right. This artist was a member of the Woodstock Art Association. SIZE: 24” x 30”. CONDITION: Very good, some inpainting. 9-72928 (1,000-1,500)

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156

ATTRIBUTED TO CLEMENT DREW (American, 1806-1889) WAVES ON ROCKY SHORELINE. Oil on board dark stormy scene shows a two-mast sailboat in white capped sea off a coastline with large rock cliff with birds flying above and waves crashing onto rocks. Unsigned. Housed in a fine antique gesso decorated gilt frame with gold liner. SIZE: 6” x 9”. CONDITION: Very good. 9-72885 (1,000-1,500)

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157

FREDERICK JUDD WAUGH (American, 1861-1940) “A BIT OF THE CAPE”. Oil on board scene shows a cresting wave about to hit flat rock shore with grass in foreground. Two figures are seated up on the rocks watching the wave, one wearing a white hat. Signed lower right “Waugh”. Back with title and signed “FJW”. Housed in a silver gilt molded wood frame old frame. SIZE: 16” x 20”. CONDITION: Very good. 9-72953 (4,000-6,000)

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158

BIRGE LOVELL HARRISON (American, 1854-1929) HARBOR UNDER FULL MOON. Oil on wood panel scene shows a ship in dark harbor with a full moon casting light on dark water. Signed bottom left. Housed in an antique gesso decorated frame. SIZE: 9-1/4” x 13”. CONDITION: Very good. 9-72929 (3,000-5,000)

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159

ERNEST LAWSON (American, 1873-1939) THE RED ROOFS. Oil on thin board backed by a heavier board shows a landscape scene with what appears to be a river winding through a field with houses in the background having red roofs. White and blue sky. Signed bottom left “E. Lawson”. Housed in an Eastlake antique decorated frame. SIZE: 8” x 10”. CONDITION: Very good. 9-72927 (6,000-8,000)

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160

JOHN M. KAVANAGH (Irish, 1856-1918) MADONNA AND CHILD. Oil on canvas portrait of a young woman wearing a white shawl and head scarf seated against a red and yellow/green background. She sits holding a young infant with a halo. Signed lower right “J.M.Kavanagh”. Housed in a period decorated frame. SIZE: 24” x 20”. CONDITION: Very good, light scratch by foot. 9-73270 (500-1,000)

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160A
Revised: 1/24/2007

SACHA MOLDOVAN (Russian/American, 1901-1982) TWO TREES. Oil on board scene shows two people seated between two black trees under a blue sky. Housed in a modern gilt fancy frame with linen and gold liner. Signed on back. PROVENANCE: This painting was acquired directly from the artist at his studio in Peekskill, NY in the early 1960’s then acquired by our consignor. SIZE: 9” x 12”. CONDITION: 9-70574 (1,000-2,000)

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161

HUGO KAUFFMAN (German, 1844-1915) “THE CONVERSATION”. Oil on wood panel depicting a craftsperson talking to a caped old man; a cat watches attentively at their feet. Painting is signed, “ h. K.” in the upper left on the door panel and also appears to be dated “’69”. Framed in a beautiful original, carved, gold gesso frame. An old paper label is affixed to the reverse of the panel. SIZE: 6-1/2”w x 8-3/4” h. CONDITION: Very good to excellent. 9-73280 (5,000-8,000)

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162

DIAZ (19th – 20th Century). Impressionist oil on panel scene of a Barbizon School landscape. A very nice Barbizon look. Signed lower right with an initial and then last name, “DIAZ”. First initial is unclear, possibly an “N”. Framed in an old (probably original) gilt gesso frame. SIZE: 12”w x 7-1/2” h. CONDITION: Generally very good. 9-73278 (1,500-2,500)

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163

TADEUSZ RYBKOWSKI (Polish, 1848-1926) CRIMEAN SCENE OF TWO SOLDIERS WITH TROYKA. Very nicely rendered oil on panel, depicting a wounded Crimean soldier in a straw-lined litter drawn by a horse with Troyka, another soldier tends to him in the snow. Signed lower left, “TAD. RYBKOWSKI, 1877”. In original Eastlake-style frame with lovely gilt gesso design and black and gilt decorated liner. Retains old paper label on reverse. SIZE: 6-1/2”w x 4-1/2” h. CONDITION: Very good. 9-73279 (2,750-3,750)

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164

MAURICE BLUM (European, 19th Century), “THE ART CONNOISSEUR”. Oil on wood panel depicts a viewing of art. A dealer/seller attends to a client who is looking attentively at a potential acquisition. Signed in lower left and housed in a carved, gold gilt frame (appears to be the original). SIZE: 14-1/4” x 10-1/2”. CONDITION: Frame has some minor wear, otherwise generally very good condition. 9-71884 (2,000-4,000)

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165

INITIALED (Danish?, 19th Century) FARM IN LANDSCAPE. Oil on wood panel depicting figures and animals in a landscaped scene with cottage in the background. Signed with initials lower left, and also titled and signed on back—undecipherable. In original gold gesso frame. SIZE: Sight 6-1/2” w, 13-12” t. CONDITION: Generally excellent. 9-73294 (300-500)

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165A

GEORGE WRIGHT (British, 1860-1942) THE START. A monochromatic oil on canvas depicts six horses with mounted jockeys about to start the race. A man in the foreground in derby hat, perhaps the starter. The painting is signed, “G. WRIGHT” in lower right in modern antiqued gesso frame. SIZE: 12” x 18”. CONDITION: Generally very good. A couple of teeny paint rubs in lower left. 9-73293 (3,800-4,800)

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165B

C. H. BURLEIGH (19th/Early 20th Century). Oil on canvas scene depicting a European street scene with numerous figures. In gold frame. SIZE: 24” x 20”. CONDITION: Very good. 9-71896 (750-1,000)

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165C

FRANCIS GARAT (French, born 1870) A SCENE IN PARIS. Watercolor on paper depicting a large monument with winged runner atop. Numerous old Parisian stone buildings in the background and a busy thoroughfare with innumerable people and horse-drawn carriages. Signed lower right. Framed in contemporary ornate, gilt gold frame. SIZE: 10-1/4” x 14-1/4”. CONDITION: Generally very good. 9-71891 (2,750-3,750)

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165D

EMMANUEL LISIEUX (Late 19th-20th Century), PARISIAN STREET SCENE. Oil in canvas painting of an early to mid-20th century Parisian street scene. Square with fountain at center. Framed in original black and gold frame. SIZE: 16” x 10”. CONDITION: Generally very good. 9-73292 (600-900)

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165E

G. VIVIAN (19th Century) VENETIAN SCENE. Oil on canvas depicting Venetian buildings and gondoliers. In what appears to be original gold gesso frames. Signed lower right, “G. VIVIAN” (possibly George Vivian?). SIZE: 10”w x 14” h. CONDITION: Generally good. 9-73290 (1,200-1,750)

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166

JESSIE GARY BRADLEY (American, 20th Century), ROCKPORT HARBOR VIEW. Oil on canvas board scene depicts fisherman, boat and fish house with dock. Painting signed lower right. Nice contemporary replacement gilt frame. SIZE: 20” x 24”. CONDITION: Very good, minor inpainting. 9-71888 (1,750-2,750)

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166A

JAMES P. MICHAEL (American, 20th Century) LOW TIDE MALDON. Oil on board depicting sailing vessels at low tide. Signed lower right. The reverse with original old paper label, “James Michael/11 Wellingford(?)/Chelmsford”. SIZE: 8-3/4” x 11-1/2”. CONDITION: Generally very good to excellent. 9-71890 (1,000-2,000)

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166B

JOHN ROGERS (American, mid-20th Century), “JOHNSTONS YARD”. Scene depicts a shipyard with figures at work. Signed in lower left. Retains original label on reverse from the Salmagundi Club titled, “John Rogers, Johnstons Yard”. This label was from an annual Salmagundi auction sale and exhibition. SIZE: (sight) 20-3/4”w x 15” h. CONDITION: Generally very good. 9-73289 (800-1,200)

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166C

ALFRED P. SMITH (American 19th/20th Century) “CATSKILL CREEK AT CATSKILL”. Large oil on canvas board depicting Catskill Creek Bridge in Catskill, New York, building in background. Signed in lower left, “Alfred P. Smith” and titled on reverse, “Catskill Creek At Catskill”/(9 W Bridge) By Alfred P. Smith/South Cairo, New York/Not For Sale”. Frame (probably original) with antiqued and distressed finish. SIZE: 18” x 24”. CONDITION: Small repair near bridge truss. 9-71897 (500-800)

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166D

RICHARD G. SIGAFOOS (American, 20th Century), CHURCH IN THE HILLS. Oil on panel depicting village street with church. Signed in lower left, “Richard G. Sigafoos”. With sticker on reverse titled, “Church In The Hills”. Frame marked in pencil, “ head Tide, Maine, 1968”. Sigafoos was from Rockport. Frame is original antiqued pine. SIZE: 9” x 12”. CONDITION: Very good. 9-73281 (450-650)

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167

M. H. GODFREY (?) (1914). Oil on canvas depicts ducks swimming on pond with foliage in background. Signed and dated lower left. In old (probably original) gold gesso frame. SIZE: 19”w x 13” h. CONDITION: Generally good. 9-73307 (800-1,200)

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167A

ATTRIBUTED TO WILLIAM TROST RICHARDS (American, 1833-1905) SUNLIT COASTAL SCENE. Watercolor depicting a bright coastal scene with vast colored boulders strewn hill which drops into the ocean. Streams of light shining down from the clouds above. Signed lower right, “WM. T. RICHARDS”. In natural reproduction antiqued wood frame. SIZE: (sight) 10” x 14”. CONDITION: Good. 9-71865 (1,000-2,000)

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167B

MONOGRAMMED (Early 19th century) STILL LIFE WITH FRUIT AND OYSTERS. Oil on board depicts a vase of roses, a bowl of peaches and a plate of oysters. Monogrammed with what appears to be “VL”, in lower left, dated “1908”. Housed in nice gilt frame with glass. SIZE: (sight) 11-1/4” x 15-3/4”. CONDITION: Tight separation or crack running down through the mid top. Inpainting, otherwise very good. 9-71871 (700-900)

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167C

ANONYMOUS (American, late 19th/early 20th Century) A SEASIDE COTTAGE, “ELMWOOD”. This delightful architectural rendering of a cottage with flag pole in dooryard flying a banner, “Elmwood”. House surrounded by white picket fence and figures in dooryard and doorways. Ocean or lake in background. Unsigned. Housed in an old gilt molded frame. SIZE: (watercolor only) 12-3/4”w x 8” h. CONDITION: The mat on which the watercolor is mounted has some water stains; the watercolor itself is in generally good condition. 9-73291 (350-650)

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168

LOT OF MAGAZINE ART BY BEATRICE ANDERSON (American, First Quarter 20th Century). A group of 21 pieces, many with very stylish art deco look include a Vogue magazine cover, Luyna Paris cover, numerous small “child life”, “junior home”, etc. Most appear to be done with gouache. Many dated between 1923-1926. Beatrice Anderson was a west coast artist and a label carries the following information: “BEATRICE ANDERSON, ARTIST AND ELLIOT, 8900, 922 SEABOARD BUILDING, SEATTLE”. SIZE: (largest; Vogue) 18-1/4” h x 14”w. CONDITION: Generally good. 9-73277 (600-1,200)

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169

FRANK STELLA, AMERICAN (1936- ) RELIEF GEOMETRIC PAPER SCULPTURE. Sella was one of the leading abstract expressionist in New York in the 50’s and 60’s. He began with a minimalist movement, and later began to incorporate sculpture in his artwork. He is influenced by J. Pollack, F. Kline, and B. Newman. Original M. Knoeler and Co., New York paper label on reverse. Titled “Frank Stella Kzangrodek (II-19) 1975 paper relief.” SIZE: 25-1/2” x 21-1/2” x 1-3/4”. The work in its original plexiglass framed case. 9-72997 (4,500-8,500)

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170

SIGNED BRONZE FIGURE (Japanese, 20th century) ATTACKING THE ELEPHANT. Each of the tigers with glass eyes. The elephant mounted with ivory tusks. All displayed on a natural wood base. Elephant signed on underside with Japanese characters. SIZE: (sculpture) 17”l x 15” h. CONDITION: Generally good. 9-73273 (1,000-1,500)

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171

LEON KROLL (American, 1884-1974) AFTERNOON NAP. Oil on canvas unframed scene shows a woman under a white blanket on a fancy Victorian sofa. She lies under an open window which looks out over a landscape. Signed lower right. Written on back of canvas “painted 1969 by my father Leon Kroll 21-1/2 x 32 inches unframed Marie K. Rose? Daughter of artist 3/6/89” SIZE: 21-1/2 x 31-3/4”. CONDITION: Generally very good, there are small spots by fruit. 9-73256 (5,000-7,000)

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172

MORRIS HALL PANCOAST (American, 1877-1963) SUMMER LANDSCAPE. Oil on canvas summer scene shows rolling hills with fields. In foreground is a house with trees and cultivated field. Signed lower right. Housed in a gilt carved wood period frame. Stretcher with artist name and a “ henry M. Taws” artist supply label. SIZE: 16” x 20”. CONDITION: Relined with inpainting. Very good. 9-71707 (4,000-6,000)

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173

CARL WILLIAM PETERS (American, 1897-1980) “STAR ISLAND”. Oil on canvas scene shows a fishing shack with lobster buoys and traps outside. A man with pipe and hat walks in front of the building. Unsigned front. Signed and titled on back. Also with a typed label indicating 1980. Housed in a gilt wood thin frame with wide linen matte and inner white liner. SIZE: 16” x 20”. CONDITION: Very good. 9-71715 (3,000-5,000)

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174

MABEL MAY WOODWARD (American, 1877-1945) BEACH SCENE. Oil on canvas scene shows a small beach area with several groups of bathers with two in the water. Signed lower left “M Woodward”. Back of stretcher bearing an ACA American Heritage Gallery label and a label from JA Cooling & Sons, London. Housed in a modern gilt molded wood frame. SIZE: 16” x 20-1/4”. CONDITION: Large areas of inpainting. There is a very thick layer of shellac which has been partially removed around the signature. 9-71746 (6,000-8,000)

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175

GEORGE LOFTUS NOYES (American, 1864-1951) ROCKY HILLSIDE. Oil on board scene shows rock strewn hillside with treed valley beyond. Signed lower right “G. L. Noyes”. Housed in a carved wood gold frame. SIZE: 8” h x 10” w. CONDITION: Very good. 8-87170 (3,250-3,750)

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176

FRANKLIN EDWARD MORRIS (American, 1938-) “MAINE COUNTRY ROAD”. Oil on masonite scene shows two figures on a road lined with trees walking toward a farmhouse. Unsigned but written on the back Painted by my Father Franklin E. Morris J. M. Maine Country Road”. Housed in a decorative gilt molded wood frame. PROVENANCE: Acquired through Morris’s son James thru Dave Terry Fine Art. SIZE: 8” x 10”. CONDITION: Very good. 9-72978 (500-1,000)

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177

FRANKLIN EDWARD MORRIS (American, 1938-) SUMMER IN GLOUCESTER HARBOR. Bright oil on wood scene overlooking Gloucester Harbor with several sailboats on a blue calm water. A town is seen on far bank with long dock and houses on hillside in foreground. Unsigned, written on back of panel “Painted by my Father Franklin E. Morris J. M”. Also “Painted with EG at Glouc. Harbor”. Housed in decorative silvered gilt modern frame. PROVENANCE: Acquired through Morris’s son James thru Dave Terry Fine Art. SIZE: 10” x 8”. CONDITION: Very good. 9-72977 (1,500-2,500)

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178

JOSEPH ANTONIO HEKKING (American, 1830-1903) STROLL BY THE STREAM. Oil on wood panel landscape scene shows a woman walking along a small brook with a thatched roof house in the background. Several tall trees line the grassy banks and a small footbridge is seen. Signed bottom center “J A Hekking”. Housed in a fine gesso decorated period gilt frame. SIZE: 8-3/4” x 6”. CONDITION: Hairline crack on left edge of panel, otherwise very good. 9-72172 (800-1,200)

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179

WILLIAM WALLACE GILCHRIST (American, 1879-1926) EARLY AUTUMN. Oil on canvas scene shows a winding river in late summer or early fall with trees starting to change color under blue and white cloud sky. Signed on the back “W. W. Gilchrist”. Housed in its original gesso decorated gilt frame. SIZE: 22” x 32”. CONDITION: Very good with some surface dirt. 9-71560 (2,000-4,000)

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180

UNSIGNED (American Luminist School, 19th Century) THE SIREN. Oil on canvas scene shows a nude woman seated on a white cloth with ocean and sky background in a nighttime type scene. Over her shoulder is a figure playing a violin. Housed in a modern gilt carved wood wide frame. SIZE: 25” x 19”. CONDITION: Craquelure, minor inpainting, very good. 9-73043 (1,000-1,500)

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181
Revised: 1/24/2007

CARL G. NELSON (American, Early 20th Century) MOONLIT DANCE. Oil on canvas scene shows five women dancing around a small fire in a woodland setting under a bright moon. Signed lower left and dated “94”. Housed in a fine pressed carved mahogany frame with decorative liner. Miller Frame Galleries New York label to reverse. SIZE: 24” x 16”. CONDITION: Very good with inpainting. 9-72892 (1,500-2,500)

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182

GARDINER SYMONS (American, 1863-1930) ESSEX JUNCTION. Oil on Masonite shows winter scene of intersection of two roads with a red farmhouse on one side and stop sign on the other. Signed lower left “Gardner Symons”. Sketched scene showing some underlying pencil strokes. Housed in a gilt, gesso decorated wood frame. SIZE: 18-1/2” x 15”. CONDITION: Fair to good. 9-72932 (3,000-5,000)

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183

HERMAN T. SCHLARDERMUNDT (American, First half of the 20th Century) THE SKETCHING TRIP. Unsigned oil on canvas scene shows man and woman seated beside tree in landscape. They are being sketched by a woman seated with easel and pallet. The back of the stretcher is inscribed with artist’s name. Also there is an old piece of masking tape “This painting was done in Eastford, CT Esther Harmon, Lucie Harmon and Peter Schlardermundt in picture”. Front left of painting inscribed “To Esther From Peter 1934”. Housed in a gilt molded wood frame. SIZE: 13” x 17”. CONDITION: Very good. 9-26762 (1,000-2,000)

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184

F.S.MEDAIRY (American, 19th Century) PATH ALONG THE SHORE. Watercolor fall scene shows a woman with basket walking along a road which parallels water with larger body of water in distance. Signed lower right “FS Medairy”. Housed in an outstanding period gesso decorated oak frame with gilt matte. SIGHT SIZE: 11-1/2” x 18-1/4”. CONDITION: Very good. 9-73028 (500-1,000)

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185

ANTOINETTE CLARK INGLIS (American, 1880-) “GRAY DAY”. Oil on board scene shows seagulls flying over rocks with small beach, ocean and land beyond. Signed lower right “Inglis”. Attached to back is a Gloucester Society of Artists, Inc., Second Exhibition 1928 label with artist name and title. SIZE: 8” x 10”. CONDITION: Some surface dirt, very good. 9-72237 (300-500)

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186

MAX STAEGEMANN-KAMBACH (American 19th Century) SHIPS AT SEA. Oil on canvas coastal scene shows a two-mast schooner sailing right to left along rocky coastline. Waves are breaking in foreground and other sails are seen on the horizon. Light and dark clouds with sun shining through. Signed lower left. Housed in an antique gesso decorated gold frame. SIZE: 14” x 20”. CONDITION: Very good. 9-73038 (900-1,200)

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187

ROBERT HENRY LOGAN (American, 1875-1942) BEACH WITH FIGURES. Oil on panel scene shows several people seen on beach and rocks with small waves. An island is seen off shore under a cloud and blue sky. Signed lower left “R. Logan”. Housed in a painted black molded wood frame. SIZE: 6-1/4” x 7-1/2”. CONDITION: Very good. 9-72701 (800-1,200)

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188

SAMUEL W GRIGGS (American, 1827-1898) NEW ENGLAND COAST. Oil on canvasboard coastal scene shows rocky shore with waves and small island. Several sails are seen on horizon with a two-stack coastal sidewheeler. A man in small lobster boat is seen close to shore. Signed bottom right “SW Griggs”. Housed in a fine period flower decorated gesso gilt frame. SIZE: 14” x 22”. CONDITION: Minor touch up, very good. 9-72896 (1,000-1,400)

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189

HENDRICKS A. HALLETT (American, 1847-1921) LOW TIDE. Watercolor scene shows a two-mast sailboat at mooring during low tide in a harbor setting. Another ship is seen close by with light shining. An early evening scene with light shining through a colorful sky. Signed lower right “ h A Hallett”. Housed in a 19th Century deep gesso decorated gilt frame. SIGHT SIZE: 8-1/2” x 11-1/2”. CONDITION: Very good. 9-72887 (500-1,000)

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190

ANSON KENT CROSS (American, 1862-1944) FIGURES ON A BEACH. Oil on board beach scene shows three figures walking past small rowboat. A city is seen in background with green to blue ocean. Signed lower left and dated “14”. Housed in a gilt molded wood frame. SIGHT SIZE: 6-1/2” x 9-1/2”. CONDITION: Very good. 9-72920 (1,250-1,750)

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191

HORACE P. GILES (American, 1850-) COASTAL STORM. Oil on canvas scene shows a rocky coastline being hit by rough seas. Dark storm clouds are above with a nice rendition of a stormy sea. Signed lower left “ h P Giles”. Also signed on reverse of canvas. Housed in its original gilt pebble surface liner. SIZE: 15” x 25”. CONDITION: Some chipping to lower edge. Otherwise good. 9-72596 (800-1,200)

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192

PAUL DOGHERTY (American, 1877-1947) INCOMING TIDE. Oil on canvas coastline scene shows water cascading over large coastal rocks with a foam topped inlet. Signed “Dougherty” bottom center. Housed in a gesso decorated gold frame. SIZE: 20” x 24”. CONDITION: Some inpainting, signature fluoresces under blacklight. Very good. 9-71714 (2,000-3,000)

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193

EDMUND DARCH LEWIS (American, 1835-1910) SAILING ALONG THE COAST. Watercolor scene shows small waves, coastal rocks and a single mast sailboat with other sails in the distance. Housed in a mahogany molded wood frame with white matte. Signed lower right “Edmund D. Lewis 1897”. SIGHT SIZE: 9-1/4” x 20-1/4”. CONDITION: Matte and watercolor have brown toning. Generally good. 9-72657 (1,500-2,000)

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194

CONSTANTIN ALEXANDROVITCH WESTCHILOFF (American, 1877-1945) ROCKY BEACH. Oil on cardboard scene shows small waves coming onto beach with rocks at end all under a colorful blue, yellow and pink sky. Signed lower right “C Westchiloff”. Housed in a reproduction carved and wood gilt frame. SIZE: 8” x 16”. CONDITION: Warp to cardboard, otherwise good. 9-71775 (4,000-8,000)

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195

BESSIE K. HOWARD (American, 1872-1960) SUMMER ON THE TIDAL FLATS. Oil on canvas scene shows a roadway leading to a bridge with a small boat and men fishing. Two cows lie on the grassy banks and low hills with grass and small trees. Signed lower right “B K Howard”. Housed in a good replacement gilt molded wood frame. It appears that the canvas was relined with another painting. That painting shows on the back side of the stretcher and is a summer landscape with cows, unsigned. SIZE: 26” x 34”. CONDITION: Restored with inpainting, very good. 9-72011 (1,000-2,000)

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196

J.M. ROGERS (American, 20th Century) “QUIET COVE”. Watercolor scene shows a wharf with colorful fishing shacks, beach and sailboat. Signed lower left “JM Rogers”. Housed in a gray painted wood frame with white matte. An artist certificate on reverse with title and date “1974”. SIGHT SIZE: 14-1/2” x 21-1/2”. CONDITION: Good. 9-29556 (400-800)

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197

SAMUEL ROSCOE CHAFFEE (American, 1850-) LOW TIDE. Fine watercolor scene shows a series of buildings along a reinforced harbor edge. A dry beach is seen in foreground and a two-mast boat is seen in back of houses. Signed lower left “S. Roscoe Chaffee”. Housed in a decorated wood frame with light tan matte. SIGHT SIZE: 11-1/4” x 16-1/4”. CONDITION: Some light foxing otherwise very good. 9-72148 (500-800)

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197A

CHARLES BAYLEY COOK (American, 1865-1948) “LOW TIDE”. Oil on canvas scene shows several dockside buildings with dock next to water. The water has receded in low tide. Housed in background are nestled under green trees. Signed lower right “Cook”. Titled and signed “Low Tide” “CB Cook” on back of canvas. Housed in a period gold frame with long leaf decorated corners. SIZE: 12” x 16”. CONDITION: Minor spot inpainting, very good. 9-72593 (800-1,200)

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198

AVERY FISCHER JOHNSON (American, 1906-1990) “EARLY BREAKFAST”. Good watercolor shows a two-mast sailboat in calm water having a man hand line fishing off the back, a person with a cooking pot and smoke rising on back. Another is standing at edge of boat and another in a small white skiff. Nice colorful sky. Signed lower right “Avery Johnson”. Titled on reverse on label. Also “American Art League 1940”. Housed in a paint decorated thin molded frame with white matte. SIGHT SIZE: 9-1/2” x 13-1/2”. CONDITION: Very good. 9-72316 (400-600)

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199

NELSON AUGUSTUS MOORE (American, 1824-1902) SUNSET OVER CITYSCAPE. Colorful oil on canvas scene shows a bright sunset in yellow, gold, pink and blue over a silhouetted cityscape. Signed lower right. Pencil signed and titled on back with Studio stamp. Housed in a decorative gilt modern frame. SIZE: 6-1/2” x 8”. CONDITION: Very good. 9-29838 (2,000-3,000)

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199A

NELSON AUGUSTUS MOORE (American, 1824-1902) FALL LANDSCAPE. Small oil on canvas scene shows a large tree in colorful gold and orange foliage looking out over colorful lowlands. Signed “NA Moore”. Titled on back and dated “1886” and stamped “NA Moore Studio”. Housed in a modern gilt decorated frame. SIZE: 7” x 9-1/2”. CONDITION: Wax relining, inpainting, very good. 9-29837 (2,000-3,000)

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199B

NELSON AUGUSTUS MOORE (American, 1824-1902) THE RESTFUL COWS. Oil on canvas shows to two resting under a large tree in a colorful landscape. Unsigned front but signed on back “N. A. Moore”. Housed in a modern silvered gilt gesso decorated wood frame. SIZE: 10-1/2” x 14”. CONDITION: Very good. 9-70908 (800-1,200)

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200

SIR ALFRED JAMES MUNNINGS (British, 1878-1959) “STUDIES OF HAPPY LAUGHTER”. Outstanding and large oil on wood panel study of the racehorse “ happy Laughter”. Various angles of the horse are seen with two full profiles standing on green pasture against a blue and white cloud sky. Four other horse sketches are seen in foreground. In right corner is written “Studies of Happy Laughter at Hadrian Stud, Newmarket October 1953 42”. Back of panel with a Royal Academy of Arts Diploma Gallery label. Also a label from James Bourlet & Sons, LTD. Unsigned. Housed in a fine gesso decorated gilt frame behind glass. PROVENANCE: Woolworth Collection, Monmouth, Maine (FW Woolworth Dept. Store). SIZE: 20” x 30-1/4”. CONDITION: Very good. 9-72621 (100,000-150,000)

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201

SIR ALFRED JAMES MUNNINGS (British, 1878-1959) “STUDY OF ‘NEWMARKET LAD’”. Oil on wood panel study shows a standing man wearing brown boots, gray coat and gray cap. The sketch is on the left hand side and an inscription is written on the right side with the dabs of paint used in the painting. It states: “Study Newmarket Lad Who Looked After ‘Diadem’ Newmarket 1921” and signed lower left. Back having a label from the Norwich Castle Museum, Munning’s Exhibition 1928 with title and owner being “A. J. Munnings”. Housed in a partial gilt wood frame. PROVENANCE: Woolworth Collection, Monmouth, Maine. (FW Woolworth Store). SIGHT SIZE: 9-3/4” x 11-1/2”. CONDITION: Very good. 9-72622 (20,000-30,000)

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202

JAMES JACKSON CURNOCK (British 1839-1891) SPRING. Outstanding large oil on canvas landscape scene shows a tranquil pond inlet with white pond lilies and flower covered banks. Sunlight is showing through a stand of birch trees and large trees hang over the opposing side. Light sky with white wispy clouds. Nice detail including dragonflies above the pond. Signed lower left “J Jackson Carnock 1889”. Housed in a magnificent original gesso decorated frame with wide gold liner. Winsor & Newton, London canvas stamp to back. One of the finest works by this artist to come to auction. SIZE: 36” x 52”. CONDITION: Very good with two minute chips in pond. 9-72233 (12,000-18,000)

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203

EDWARD WILKINS WAITE (British, 1854-1924) THE FLOWERING COTTAGE. Outstanding oil on canvas English landscape shows a woman in doorway of red cottage with large chimney. A dirt path winds through garden area with colorful flowers. A make-do clothesline has clothes drying with a large red rose bush behind. A flowering tree is seen nestled up against the house. Beyond the house is a field with tree line. All under a blue and white cloud sky. Signed lower right “E W Waite”. Housed in a good gilt molded wood frame with gilt liner. A nice example of this artist’s work. SIZE: 12” x 18”. CONDITION: Very good. 9-72696 (7,000-10,000)

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204

JOHN ATKINSON GRIMSHAW (British, 1836-1893) MOONLIGHT STROLL. Oil on canvas moonlit scene shows a woman walking along cobblestone sidewalk under streetlight with a walled gate and fine houses beyond. A full moon with bluish sky and spot clouds. Signed lower left “Atkinson Grimshaw”. Housed in a gesso decorated antique frame with modern white linen liner. The canvas having a Windsor & Newton’s, London canvas stamp. SIZE: 12” x 8”. CONDITION: Very good. Back of canvas shows a water stain which is not reflected in front. 9-72677 (10,000-15,000)

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205

JOHN BRANDON SMITH (British 1848-1884) “PANDY MILL, NORTH WALES”. Outstanding oil on canvas landscape scene shows a stone mill building with a wooden sluice with a gush of water coming out the end. A fisherman with long fishing pole sits on rocks at edge of pool formed by the mill. A stone arch bridge is seen up the river in a dense wooded landscape. Light and dark blue sky with white to gray clouds. Signed lower left “J B Smith 1869”. Back of canvas with title, artist name and date. Housed in a fine gesso decorated gilt frame with name and title plaque. SIZE: 24” x 20”. CONDITION: Very good. 9-72568 (6,000-10,000)

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206

STEPHEN LEWIN (British, -1910) “STRIKING A BARGAIN”. Outstanding oil on canvas interior scene shows a well dressed gentleman seated next to a table with a painting resting against its leg. Another painting is seen behind the gentleman and the room is seen with other paintings, glass front bookcase and chair. An older gentleman with glasses and Oriental style robe is looking down at the patron. Signed lower right. Housed in its magnificent gesso decorated gilt frame with gold liner having artist name “Stephen Lewin, R.I.” and title “Striking a Bargain”. Several labels are affixed to back stretcher and frame. One from the Classic Fine Art Gallery and others indicating the artist has exhibited in the Royal Institute and Academy. SIZE: 26-1/2” x 32-1/4”. CONDITION: Very good, some inpainting. 9-72567 (9,000-12,000)

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207

CHARLES HUNT (British, 1803-1877) THE KITE FLYERS. Fine oil on canvas scene shows a young boy and girl making a tail for a kite that is propped up against a chicken coop. Several chickens are seen outside on a grassy area which is lined with a fence and trees. Signed lower right “C. Hunt 1862”. Housed in an antique gesso decorated partial gilt frame. SIZE: 20-1/4” x 24-1/4”. CONDITION: Craquelure, very good. 9-72675 (6,500-8,500)

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208

OCTAVIOUS T. CLARK (British, 1850-1921) ENGLISH COUNTRY FARM. Fine oil on canvas scene shows a farmhouse with barns nestled amongst tall trees with fields, dirt road and stone bridge over a stream. A woman is seen with ducks walking along road. All under a white cloud and blue sky. Signed lower left “O T Clark”. Housed in an antique gesso decorated period frame. SIZE: 20” x 30”. CONDITION: Relined, restored with inpainting. 9-70918 (5,000-7,000)

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209

ALFRED FONTVILLE DE BREANSKI (1877-1955) GORING CHURCH. Outstanding watercolor scene shows a large church beyond a four arch stone bridge over a wide river. Several fishing boats and many people are around the bridge. Two swans are in the tranquil waters and large trees dot the edge. Signed lower left “A F de Breanski”. Back with label as being one of a pair, the other titled “Richmond Surrey”. Housed in a fine silver gilt molded wood frame with line highlighted matte and inner white matte. SIZE: 14-1/2” x 20-1/2”. CONDITION: Very good. 9-70922 (1,800-2,200)

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210

HAROLD GOLDTHWAIT (British, – 1922) COTTAGE BY THE RIVER. Oil on canvas scene shows a thatched roof cottage beside river with small boat and two figures. The grass covered banks have several large trees under white cloud and blue sky. Housed in its original gilt gesso decorated frame with glass. The back having a Marshall Field & Co label. SIGHT SIZE: 11-1/2” x 19-1/2”. CONDITION: Very good. 9-70891 (1,500-2,500)

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211

HENRY MARK ANTHONY (British, 1817-1886) “CHINGFORD CHURCH-EPPING FOREST”. Oil on canvas scene shows an stone church overgrown with vines and trees. A figure stands out amongst the littered courtyard under a cloud sky. Signed middle bottom “M. Anthony”. Housed in a period gesso decorated gilt frame with gilt liner which is probably original. SIZE: 8” x 15-1/4”. CONDITION: Good. 9-72697 (800-1,000)

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212

GARDEN WILLIAM FRASER (British, 1856-1921) ENGLISH LANDSCAPE WITH RIVER AND LOCKE. Fine watercolor landscape shows a river leading to a locke with gate. Grassy banks with a field abut the river. The background shows a church spire with woods under a lightening sky with birds. Housed in a partial gilt, molded wood frame with matte. SIGHT SIZE: 10-14” x 14-3/4”. CONDITION: Minor spot foxing, generally very good. 9-72693 (1,250-1,750)

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213

DANIEL SHERRIN (British, 1868-1940) RIVERSIDE FARM. Panoramic oil on canvas scene shows a large river with tree lined banks at the base of a mountain with green hills below. A connected farmhouse with other out buildings is seen nestled in a hollow. Smoke rises from the chimney. Signed bottom center “D. Sherrin”. Housed in a nice gilt wood modern frame. SIGHT SIZE: 18-3/4” x 29-1/2”. CONDITION: Very good with inpainting. 9-72664 (1,000-1,500)

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214

THOMAS WEBSTER (British, 1800-1886) “A BIRTHDAY SURPRISE”. Oil on wood panel interior scene shows a young boy in a doorway in front of a woman in black dress. The woman reads a note that the boy has just handed her and at his feet is a basket of flowers. The interior walls are lined with paintings and there is a red drape on the left hand side. Appears to be housed in its original frame with title and artist plaque. Charles Roberson & Comp., London label on reverse with artist name and dated “1872”. Unsigned front. SIZE: 12” x 9”. CONDITION: Panel is warped, some light chipping in curtain. Good. 9-72240 (800-1,200)

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215

ATTRIBUTED TO JOSEPH MALLARD WILLIAM TURNER (British, 1775-1851) BUSY SHIPPING LANE. Watercolor on paper mounted on light board marine scene shows a rowboat, single mast fishing boat and several sails in distance. All under a lightening yellow to blue sky. Unsigned. Backboard has an early attached paper with 19th Century writing “Original water color by JMW Turner R.A. from the Collection of R. E. Lee, Esq. Sold May 28th 1884”. Housed in a fine gesso decorated fancy frame with inner gold liner. SIZE: 4-1/4” x 6-1/4”. CONDITION: Very good. 9-72170 (1,500-2,500)

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216

JOSEPH M.W. TURNER (British, 1775-1851) “LAUGTON GREEN 1824”. Sketch on light gray paper shows a house in landscape with figures. Housed in a painted white wood frame with double matte. The back has an attached sheet of paper from Hammer Galleries, New York with title and the following: “From the JMW Turner Collection of the late John Anderson, Jr. Author of The Unknown Turner Founder of the Anderson Galleries Mr. James R. Gilliam Jr.”. PROVENANCE: Found in a northern Connecticut collection. SIGHT SIZE: 4-1/4” x 8-3/4”. CONDITION: Very good. 9-26704 (2,000-4,000)

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217

ARCHIBALD DAVID REID (Scottish, 1844-1908) “AUTUMN”. Watercolor landscape scene shows a small herd of cows on top of a high rock and grass waterside bank. Several large trees are framing a sky view with white clouds. Signed lower right “AD Reid” . Housed in its original gesso decorated frame with two gilt liners. Two original labels on reverse with title and artist and owner’s name. SIZE: 12-1/2” x 10-1/2”. CONDITION: Very Good. 9-73035 (500-700)

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218

INDISTINCTLY SIGNED (American/British 19th Century) HEADING TO SEA. Oil on canvas coastal scene shows a large white stone lighthouse next to water with five men launching a large rowboat. A large sailing vessel in seen under darkening clouds. Signed lower left “TH. SP_____?”. Housed in a period gesso decorated gilt frame. SIZE: 14” x 20-3/4”. CONDITION: Very good, some spot inpainting. 9-73025 (1,500-2,000)

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219

CHARLES JAMES LEWIS (British, 1830-1892) SUMMER FIELD. Fine oil on wood panel landscape scene shows a split rail fence with gate leading to a field of wheat and wild flowers. On the edge of the field is a large barn nestled around tall trees. A figure is standing at edge of barn. All under a light blue and white cloud sky. Signed lower left “C J Lewis 1872”?. Unframed. A Rowley Gallery Kensington label on reverse. A nice detailed landscape. SIZE: 9-1/2” x 12-3/4”. CONDITION: Very good with inpainting. 9-72913 (2,000-3,000)

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220

MARGARET CAMPBELL MACPHERSON (British, -1904) DUTCH CHURCH YARD. Unframed oil on wood panel scene shows a young woman with white bonnet and white shoulder scarf wearing wood shoes walking from what appears to be a church through a gate and down a dirt road. Bright sunlight is shown in background against trees and wall. Signed lower left “M. C. Macpherson” and “Concernian”. SIZE: 10-1/4” x 14”. CONDITION: Slight bend to panel, very good. 9-72919 (2,000-3,000)

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221

ATTRIBUTED TO BENJAMIN WILLIAMS LEADER (British, 1831-1923) FISHING ON THE LOCH. Oil on board scene shows a fisherman walking along a rocky shoreline with a section of a lake. Tall mountains are seen in background with grass covered hills. Signed lower right “B.W. Leader”. Housed in a gilt wood frame with glass front. SIZE: 6” x 14”. CONDITION: Very good. 9-72704 (500-700)

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222

W.W.GILL (British, 19th Century) FIGURES IN A MOUNTAINOUS LANDSCAPE. Oil on wood panel landscape scene shows two figures walking down a dirt path with a mountainous valley vista behind, Housed in a modern, partial gilt frame. SIZE: 6” x 12 1/4”. CONDITION: Very Good. 9-72706 (500-700)

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223

BERGSMA (Flemish, Early 20th Century) THE WOODEN BRIDGE. Oil on canvas scene shows a small brook running under a wood bridge. The banks lined with tall trees in colorful foliage. Signed lower left. Housed in a good reproduction gesso decorated frame. SIZE: 24” x 36”. CONDITION: Very good. 9-72184 (400-800)

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224

TERRY DAWSON (British, 20th Century) THE ONCOMING SHIP. Oil on canvas seascape scene shows a large three-mast tall ship in full sail apparently running from an oncoming ship. Dark blue ocean with white crests under a blue and white cloud sky. Signed lower left “Terry Dawson”. Housed in a fine gilt molded wood replacement frame. SIGHT SIZE: 24” x 36”. CONDITION: Very good. 9-72188 (500-1,000)

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225

CLAUDE JOSEPH VERNET (French, 1714-1789) SHIP WRECKED. Oil on canvas scene shows a coastline with storm clouds and rough seas. A floundering ship is seen wrecking against rocks while people on shore are looking on and assisting. There is a ship aground and another ship heading toward shore. A dock area has two figures and several other people braving the storm. There is a hole in the gray skies which sheds light on the scene. Housed in a deep gesso decorated gold painted antique frame. SIZE: 18” x 24”. CONDITION: Relined, masking varnish does not allow to determine restoration or inpainting. There is a crack just above the blue sky. Otherwise good. 9-72588 (20,000-30,000)

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226

THEODORE ROUSSEAU (French, 1812-1867) EVENING LANDSCAPE. Oil on thin mahogany panel scene shows water with hills beyond, trees and rocks under a sunset landscape. Signed bottom right “Th. R”. Housed in a fine 19th Century deep gilt gesso decorated frame. Back of the panel has a label with stamp, also another black stamp which is illegible. This corresponds to a stamp on the frame which is round and “Celni Grad Praha”. A letter is affixed to the back from the “Kleinova Gallerie of Praha, Grand Hotel Sroubek” dated July 22, 1931. The hand written letter as follows: “I, Oscar Klein, proprietor of Kleinova Gallerie Praha, Grand Hotel Sroubek-do hereby guarantee that the oil-painting, sold by him this day-is a genuine canvass oil-painting by Theodore Rousseau at the price of $75…Signed in the presence of witnesses”. With witness signature the Klein’s signature. Also what appears to be a 20 Kolek stamp dated “1919”. PROVENANCE: From a fine Bangor, Maine Estate. SIZE: 4-1/2” x 14”. CONDITION: Very good. 9-72724 (3,000-5,000)

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227

KARL PIERRE DAUBIGNY (French, 1846-1886) LANDSCAPE WITH HOUSE. Oil on wood panel shows a house nestled amongst trees under white cloud and blue sky. Housed in a fancy period gesso decorated frame with brass artist tag. Painting is quite dirty and we do not see a signature. There is a letter on the back written to the consignor’s distant family member, dated “1931”. This is on “J. F. Millet” letterhead. Titled letterhead states: “Atelier de J. F. Millet, Barbizon, Foret de Fontainebleau”. The letter in pen script in French as follows: “Recu je monseau le Reverend Ashley A. Smith. D. D. la ? je Treize cents francs (1300) pour un tableau je Karl Daubigny-paysage Barbizon le 1 aout 1931” and signed “P. Dankin” with a signature. Also a French stamp which is signed and dated. Back of the panel has an old label with artist name and possibly a title. PROVENANCE: From a fine Bangor, Maine Estate. SIZE: 5-1/4” x 12-1/2”. CONDITION: Very good. 9-72725 (2,000-4,000)

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228

EUGENE COURTEILLE (French, 20th Century) “A CHAT BY THE WAYSIDE”. Oil on canvas sunset landscape scene shows two women and young girl gathering sticks at edge of forest. One woman sits on filled sled while a woman and child stand beside in conversation. Snow covered ground leads across water to a village which is seen under a sunset sky with bright colors of blue to orange. Signed lower right “Eug. Courteille”. Housed in its original frame liner having an old exhibit label with artist name, title and No. 87. SIZE: 16” x 24”. CONDITION: Relined with spot inpainting. Otherwise very good. 9-72680 (4,500-6,500)

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229

JOSEPH C. BAIL (French, 1862-1921) POLISHING THE KETTLE. Oil on canvas, interior scene shows a young kitchen boy wearing a white cap and apron, sitting on the ground polishing a large brass kettle. Signed lower left “Bail, Joseph”. Housed in what appears to be its original liner, placed in a replacement gilt frame. SIZE: 9 3/4” x 11 1/2”. CONDITION: Craquelure, some inpainting, good. 9-72694 (2,500-3,500)

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230

GERMAINE THEODORE RIBOT (French, 1845-1893) STILL LIFE WITH JUG AND BOWL. Oil on board, shows a brown stoneware jug with a small rolled lip bowl beside, against a dark-brown patina background. Signed lower right “T. Ribot 1861” Housed in a period, gilt gesso decorated deep frame. SIZE: 4-1/2” h x 4”w. CONDITION: Very good. 9-72695 (800-1,000)

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231

PAUL DESIRE TROUILOLEBERT (French, 1829-1900) “TWO’S COMPANY WHILE ONE’S NOT”. Oil on canvas shows a well dressed woman in summer outfit seated on a stone wall resting her head on her hand looking down at a dog. A large tree shades the scene. A small brook with bridge is seen on the right side and wild flowers dot the ground. Signed lower left. Housed in a gold painted gesso decorated antique frame. SIZE: 16” x 22”. CONDITION: Craquelure, patch to reverse with inpainting with heavy varnish layer. Good. 9-72923 (6,000-8,000)

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232

BLANCHE HOSCHEDE-MONET (French, 1865-1947) SUMMER WALK. Unsigned oil on board summer scene shows a woman walking toward a small cape type house with green trees and bushes. Back of cardboard backing signed “B. Hoschede-Monet”. Blanche is the step-daughter of Claude Monet. Housed in a small gilt molded wood frame. SIZE: 4-1/2” x 6-3/4”. CONDITION: Very good. 9-72947 (2,500-3,500)

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233

JULES ADOLPHE GOUPIL (French, 1839-1883) GIRL WITH RED RIBBON. Oil on wood panel shows a shoulder length portrait of a young woman with long curly red hair wearing a red bowtie ribbon in her hair. She wears a fur coat. Portrait is a side view with nice details. Signed middle right “Jules Goupil”. Housed in a modern gilt flat frame. SIZE: 12-1/2” x 9-1/2”. CONDITION: Very good. 9-72921 (3,500-5,000)

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234

MICHAEL CAIC (French, 19th Century) THE FISHING POND. Oil on panel depicting tree-lined pond with fishermen approaching the pond. Signed in lower right. Caic is a listed artist. Framed, matted with purple burgundy velvet and on a nice Victorian-styled gesso gilt frame which appears to be the original. There is an old framing label of reverse of frame. “ havard-Freres, 123 Bol Montparnasse”, .etc. SIZE: 6-1/2” h x 9” w. CONDITION: Very good. 8-87345 (2,250-3,250)

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235

EUGENE MARIOTON (French, 1854-1925) ON THE LOOKOUT. Fine bronze sculpture of a standing woman with hand at forehead looking out to the distance. She holds a rolled net with her left hand and she wears a French country outfit and she stands on a round base. Signed “Eug. Marioton”. Also stamped “E. Colin & Cie, Paris”. Dark brown patina. SIZE: 25-1/4” h. CONDITION: Very good. 9-71623 (1,500-2,000)

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236

BRONZE FIGURAL LIGHT AFTER ROUSSEAU. The figural scene shows a shirtless blacksmith at his bellows with a hammer and anvil on stump. His hand is moving a bellows which fans the fire below. A light hangs from the top hood. All mounted on a shaped marble base. There is a plaque on the edge “La Veillee Du Forgeron Par Rousseau (Sculptr)”. Bronze is electrified with a cord and switch. Light bulb is present but does not work. SIZE: 18-1/2” h x 9” w x 7” d. CONDITION: Very good, one side of marble base is missing outer trim edge. 9-71618 (1,500-2,500)

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237

AFTER PIERRE JULES MENE (French, 1810-1879) WHIPPET. Fine bronze of a standing dog with one paw up and head looking down. Naturalistic base with signature “PJ Mene”. Mounted to a purple and white marble base. SIZE: Bronze is 7-1/2” h x 9-1/4” l x 3-1/4” d. CONDITION: Very good. 9-71180 (2,000-3,000)

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238

PIERRE DE LEFAGUAYS (French, 1892-) THE CONQUISTADOR. Period bronze shows a standing man in military outfit with helmet. Base having his shield and attached oak leaves and acorns. Shaped base having six round feet. Signed on back base “P. Le Lefaguays”. SIZE: 14-1/2” h x 9” w x 5-1/2” d. CONDITION: At one time his right hand held a sword of staff which is not present. Otherwise very good. 9-71672 (2,000-3,000)

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239

AFTER DIEGO GAICOMETTI (Swiss, 1902-1985) CHAT MAITRE D’HOTEL. Bronze sculpture of a cat standing on its tiptoes and balanced by its tail holding an oval dish. Rectangular based signed “Diego”. Light brown patina. Unknown casting date. SIZE: 12” h x base 6-3/4” x 3-1/4”. CONDITION: Very good. 9-71970 (3,000-5,000)

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240

THOMAS FRANCOIS CARTIER (French, 1879-1943) A CROUCHING LIONESS. A fine bronze of a crouching lioness standing on an uneven, naturalistic ground. The ground has a dark, greenish brown patina. The lion is in a golden, brown type finish. Signed “T Cartier”. SIZE: 10-3/4” h x 21”l. CONDITION: Very good. 9-72121 (2,000-4,000)

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241

THOMAS FRANCOIS CARTIER (French, 1879-1943) LION. Fine bronze of a standing lion with open mouth and outstretched tail. Standing on an uneven, naturalistic base. Signed “T Cartier”. Nice brown patina. SIZE: 11-1/2” h x 18”l. CONDITION: Very good. 5-63771 (1,700-2,200)

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242

ISIDORE JULES BONHEUR (French, 1827-1901) “LIONNE A L’AFFUT”. Bronze figure of a lioness in stalking position with right paw up, tail out and head down. Lioness is in a blackish bronze patina. Sloping base in naturalistic form is in brown patina and signed “I. Bonheur”. Base still has some plaster casting remnants. Unknown edition and issue date. SIZE: 7-1/2” h x 16” l x 4” w. CONDITION: Very good. 9-72958 (3,000-5,000)

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243

AFTER CLAIRE JEANNE ROBERTINE COLINET (French, 1910-1940) DANCER. Late 20th Century edition bronze depicts a nude dancer with one leg extended and both arms to one side. Mounted on a turned black marble base. Signed on bronze round base “Cl. JR. Colinet”. Also “_ _ rre Le Faguay”. SIZE: 18-1/4” h. Bronze is 14-1/4” h. CONDITION: Very good. 9-72959 (1,000-1,500)

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244

JEAN BAPTISTE CLESINGER (French, 1814-1883. “THE DEATH OF CLEOPATRA”. Bronze figure of a recumbent Cleopatra holding a snake in one hand and with other arm extended. She wears a sheer robe and looks upward. Signed “J.Clesinger Rome 1861” and “F.Barbedienne Fondeur” and with a medallion “Reduction Mecanique a.collas brevette:” Wonderful, dark brown patina. SIZE: 6-1/4” h x 12-1/2”l x 4-1/4”d. CONDITION: Very good. 9-72122 (2,000-4,000)

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245

EMANUEL VILLANIS (French, 1880-1920) “SAPHO”. The bronze sculpture depicts Sapho as a young woman playing a lyre. She is dressed in a decorated robe which falls down on the naturalistic rock base that she stands upon. Title on the edge and signed. Also includes a stamp “Societe des Bronzes de Paris”. Nice brown bronze patina. SIZE: 28-1/2” h x 9” x 7” base. CONDITION: Very good. 9-71065 (3,000-5,000)

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246

BERNARDUS JOHANNES BLOMMERS (Dutch, 1845-1914) CHILDREN AT THE BEACH. Oil on wood panel beach scene shows several children playing on the beach. Three boys are seen with toy boats on a tidal pool. A young girl stands beside. Other beachgoers are seen along a large sandy beach under blue sky. Signed lower right “Blommers”. Housed in a silver gilt molded wood frame with silver lining. SIZE: 9” x 13-3/4”. CONDITION: Generally very good, one small ding to left edge. 9-72955 (4,000-6,000)

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247

ANDRIANUS CORNELIUS VAN NOORT (ARIE VAN NOORT) (Dutch, 1914-) FUN AT THE BEACH. Oil on plywood beach scene shows several children playing in the sand in shallow surf. Background shows sand dunes and grassy knolls with town in backdrop. Signed lower right “Van Noort”. Housed in a fancy gold colored frame. SIZE: 11-3/4” x 15-3/4”. CONDITION: Very good. 9-72187 (1,000-2,000)

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248

PIETER CORNELIUS DUMMERSEN (Dutch, 1834-1908) “ HOORN ON THE ZUIDERZEE, HOLLAND”. Small oil on mahogany panel coastal scene shows a boat unloading and women carrying away the catch. A tall tower building is seen at the edge of town. Other boats are seen under a blue and scattered white cloud sky. Titled on reverse. Also with a red wax seal. Signed lower left and dated “1892”. Housed in a gold molded wood frame. SIZE: 6” x 8”. CONDITION: Some surface dirt, very good. 9-72157 (2,250-2,750)

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249

ROELOF DOZEMAN (Dutch, 1924) DUTCH HARBOR SCENE. Oil on canvas harbor scene shows several boats moored and docked alongside large buildings in a cityscape. Light reflects on water. Signed lower right. Housed in a gilt molded wood frame. SIZE: 24” x 36”. CONDITION: Thin paint, fair to good. 9-70331 (400-800)

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250

THEOPHILE DE BOCK (Dutch, 1851-1904) LANDSCAPE WITH FIGURES. Oil on wood panel shows two figures walking along a dirt road at edge of woods and field. Birds fly over field under a cloud and blue sky. Housed in a fine carved wood and gilt frame with a label and brand of the Paul Gehring Frame Shop. Frame is numbered 6069. SIZE: 9-1/2” x 7”. CONDITION: Very good, some touch up. 9-72692 (1,750-2,250)

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251

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE (Dutch, 1610-1685) THE VIOLIN BOY. Oil on heavy tin plate shows a young boy playing a violin next to a man with tattered clothes and hat with three other children beside. They stand in an alcove, presumably a tavern, and playing for money. A landscape scene is seen beyond. Unsigned. Housed in a 19th Century frame liner. SIZE: 15-1/4” x 12-3/4”. CONDITION: Some signs of restoration in center, some inpainting. Fair to good. 9-72973 (700-1,000)

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252

JAN WILLEM VAN BORSELEN (Dutch, 1825-1892) DEEP WOODS. Oil on canvas laid on wood panel. Forest scene shows a gully lined with trees in green foliage. Signed lower right “F.W. v Borselen”. Housed in a gilt, molded wood frame. SIZE:7 3/4” x 5” CONDITION: Very Good. 9-72699 (500-700)

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253

MARIE HENRIE MACKENZIE (Dutch, 1878-1961) ALONG THE WINDMILLS. Oil on board scene shows several boats in a waterway having buildings and two large windmills behind. A steeple is seen in distance. Signed in lower right “ M.H. Mackenzie”. Housed in a modern, partial gilt, molded wood frame. SIZE: 4 3/4” x 71/2”: CONDITION: Varnish drip, very good. 9-72703 (600-800)

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254

WILHELM KLEIN (German, 1821-1897) PORTRAIT OF A GENTLEMAN WITH PIPE. Oil on wood panel portrait of a gentleman with a hat and a pipe. Signed “W. Klein” bottom right and housed in a fine, gilt gesso decorated frame. SIZE: 6 1/4” x 4 1/2”. CONDITION: Very good. 9-72660 (1,000-2,000)

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255

WILHELM KLEIN (German, 1821-1897) PORTRAIT OF A MAN WITH MUSTACHE AND PIPE. Oil on wood panel portrait shows a mustached gentleman with hat and pipe. Signed “W. Klein” bottom right and housed in a fine, gilt gesso decorated frame. SIZE: 6 1/4” x 4 1/2”. CONDITION: Very good. 9-72659 (1,000-2,000)

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256

ALFRED SEIFERT (Czechoslovakian, 1850-1901) PORTRAIT OF A GIRL. Outstanding oil on mahogany panel shows a shoulder length portrait of a girl with long brown hair with light cascading from the right side. Wonderful detail in an elegant portrait. Signed “A Seifert”. Housed in a nice period gesso decorated gilt frame. SIZE: 8-1/4” x 6-1/4”. CONDITION: Very good. 9-71000 (4,000-6,000)

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257

WILHELM FRIEDRICH KUHNERT (German 1865-1926) “KUDU”. Fine oil on canvas African scene showing a kudu running from right to left through a rock and grass hillside. He runs under a tree with bright red foliage. Signed lower right “Wilh. Kuhnert”. Housed in a modern, gilt wood frame with linen liner and title and artist plaque. The frame has a label from J. N. Bartfield Galleries, NY with artist and title on back. SIZE: 13-1/2” x 11”. CONDITION: Relined, very good. 9-72993 (5,000-8,000)

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258

WILHELM FRIEDRICH KUHNERT (German 1865-1926) “LANDSCAPE, RUHUDJI”. Oil on board, African scene shows the grass covered savannah with mountains and hills in background. White cloud sky with some blue. Signed, lower left “Wihl. Kuhnert 6.9.11 Ruhudji”. Back of board Tryon Gallery LTD, London label with artist and title Housed in a gilt, molded wood frame. SIZE 15’ x 25-1/2”. CONDITION Very good with minor scattered retouch. 9-72991 (5,000-8,000)

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259

CLAUS AUGUST EDUARD NIKOLAUS MEYER (German, 1896-1919) MAN IN TAVERN. Oil on wood panel, interior scene shows a man seated in a ladder-back chair smoking a long, clay pipe. He is drinking from a large glass and wearing a red jacket and broad rimmed hat with a sword at his side. Signed “Claus Meyer” under windowsill. SIZE: 7” x 5-1/4”. CONDITION: Very good. 9-72700 (1,000-1,500)

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260

PAUL LEHMANN-BRAUNS (German, 1885-1970) CROSSING THE CANAL. Oil on canvas scene shows a bridge over a waterway with small rowboat summer landscape and glimpses of houses. Two people cross the bridge and are reflected in water. Signed lower left “Lehman-Brauns”. Housed in a gold molded wood frame. SIZE: 23” x 31-1/2”. CONDITION: Inpainting, very good. 9-73026 (1,000-2,000)

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261

ATTRIBUTED TO ERNST LUDWIG KIRCHNER (German, 1880-1938) THE YELLOW SHIRT. Oil on canvas half portrait of a seated woman wearing a yellow shirt with a bluish/white scarf. Hands clasped in lap. Signed upper right “E L Kirchner”. Housed in a modern gilt frame. SIZE: 31-3/4” x 23-1/2”. CONDITION: Restored with inpainting. 9-72946 (1,000-1,500)

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262

SIGNED (German, 19th Century) SKETCH OF A CHILD. Oil on wood panel sketch of an infant standing on edge of stairs. The child looks over the edge with hands on hip wearing a white outfit with white cap. Signed lower right which appears to be “ h. Kahlbach”. Housed in a fine mahogany molded wood frame with inset beaded edge and gilt liner. Back of panel is stamped “Gebruder Oberndorfer Munchen”. SIZE: 10-3/4” x 8-1/2”. CONDITION: Good. 9-72975 (400-800)

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263

WILHELM LOWITH (German, 1861-1932) A GENTLEMAN READING. Oil on panel interior scene shows a man in red suit and coat seated in a green upholstered wood frame chair and reading from a leather bound book. The corner room setting shows part of a painting and wood walls. Signed lower left. Housed in a gilt molded wood modern frame. Back of the panel in old pen script has artist name, date of 1861 and has a passage in German. SIGHT SIZE: 5-3/4” x 4-3/4”. CONDITION: Very good. 9-72916 (4,000-6,000)

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264

CHRISTIAN WILHELM ERNST DIETRICH (German, 1712-1774) THE VISITOR. Oil on wood panel interior scene shows a family seated around a fire, an open window reveals a visiting traveler holding a walking stick. The man of the house lights his pipe with ember tongs while the mother sits next to a child and another woman looks out at stranger. Unsigned. Panel has an old wood cross-hatched cradle where it holds two old cracks together. Housed in a 19th Century gesso decorated frame with old name tag of artist. SIZE: 17” x 13-1/4”. CONDITION: Alligatored varnish layer, some inpainting with masking varnish. Good. 9-72900 (5,000-8,000)

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265

J BRUNNER (Austrian, Early 20th Century) SUMMER LANDSCAPE. Oil on canvas mounted on wood panel scene shows slight hillside going to small pond with large trees in background and half cloudy sky. Signed lower right “J Brunner, Wien 1924”. Probably Josef Brunner (1884-1962). Housed in a gesso decorated wide fancy frame which is painted in gilt, as is. SIZE: 25” x 38”. CONDITION: Craquelure, dirty. Good. 9-25616 (500-1,000)

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266

ATTRIBUTED TO HANS DAHL (Norwegian, 19th Century) SPRINGTIME FLOWER GATHERERS. Wonderful oil on mahogany panel scene shows springtime Norwegian fjord with a young woman barefoot on sandy path carrying a bundle of wild flowers. Another woman is seen at rowboat which is filled with bundles of flowers. A young man is seen resting on grassy bank smoking a clay pipe. Wooded lake side with mountains in the background. The mahogany panel has an inscription on reverse “Dahl”. Housed in a good gesso decorated period gold frame. SIZE: 16” x 25”. CONDITION: Very good with inpainting. 9-72236 (3,500-4,500)

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267

JEAN-BAPTISTE ROBIE (Belgian, 1821-1910) STILL LIFE WITH FRUIT AND WINE. Oil on canvas table top still life shows a German pewter lid stein, filled wine glass, yellow and purple grapes, peaches and a walnut. All set on a black and white pattern tablecloth. Signed lower right “J Robie”. Housed in a fine gesso decorated partial gilt frame. SIZE: 24” x 19-1/2”. CONDITION Very good with scattered retouch. 9-72679 (15,000-20,000)

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268

JEAN GUILLAUME ROSIER (Belgian, 1858-1931) “SWISS HOME IN LANDSCAPE”. Oil on wood panel shows a Swiss type house with balconies having two figures working in yard. Fences and small outbuilding present. Signed lower left, housed in a Victorian, walnut frame with incised decoration and inner, gold painted liner. SIZE: 8-1/4” x 10-1/4”. CONDITION: Surface dirt. Very Good. 9-72572 (800-1,200)

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269

AGNES LUNN (Danish 1850-1941) “EN FAGGESHALD”. Oil on canvas Dutch scene shows a long thatched roof stucco barn with small pond having wildflower edge with rocks and groups of chickens feeding. Tall trees under a blue and white cloud sky. Signed bottom right “AG Lunn 1904” also signed and dated on stretcher and titled and signed on label. Housed in an ebonized molded wood frame with gold liner. SIZE: 27” x 19-1/4”. CONDITION: Minor inpainting very good. 9-73027 (1,000-1,500)

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270

JENS SINDING CHRISTIANSEN (Danish, 1888-1957) BOATS AT DOCK. Oil on wood panel shows a harbor scene with a variety of boats docked along wharfs with buildings. Monogrammed and dated “23” in the bottom right. SIZE: 10” x 13-1/2”. CONDITION: Some inpainting, very good. 9-73019 (700-900)

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271

AFTER FREDERIC REMINGTON (American, 1861-1909) BRONCO BUSTER. Fine bronze casting after the famous Remington bronze depicting a rearing horse with a cowboy atop. Fine detail and a wonderful green/black patina. Signed “Frederic Remington” Unknown age. SIZE: 21-3/4” h x 17”l x 12”w at widest. CONDITION: Very good. 9-72238 (800-1,200)

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272

ROBERT (BOB) MACFIE SCRIVER (American, 1914-1999) THEODORE ROOSEVELT RIDING. Outstanding bronze showing Theodore Roosevelt in Western attire, broad rimmed hat and binoculars, astride horse and fancy saddle with stirrups and a rifle in scabbard. The horse is standing on a sloping, naturalistic base. Mounted on a cut corner, mottled, pink marble base. Signed “Bob Scriver 1988” Numbered “10/250”. Also having a circular mark “ Boonland Crockett Club” Wonderful green/bronze patina. SIZE: 15” h x 13”l; 16” h with base. CONDITION: Very good. 9-72984 (1,000-2,000)

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273

JOHN S. SCHEELER (American, 20th Century) PRAIRIE FALCON AND DOVE. Outstanding, contemporary bronze sculpture depicts a falcon perched on a rock outcropping with cactus. The falcon stands over a recently attacked dove. Signed “John S. Scheeler” and numbered “2/15”. A wonderful bronzed patina. SIZE: 13-3/4” h x 16”w x 17-1/2”d. CONDITION: Very good to excellent. 9-72985 (500-1,000)

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274

DONALD SIBLE (American, 20th Century) EAGLE HEAD. Outstanding bronze showing an eagle head facing right with great detail. The back, hollow design, is signed “D.Sible”, copyrighted “1988, and numbered ” 7/85. Mounted to a molded edge mahogany block which has the sculptor’s card taped to the bottom. The sculptor works out of San Gabriel, CA.Dark brown patina SIZE: 10” h , Over all 13”. CONDITION: Very good to excellent. 9-72987 (500-1,000)

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275

DENNIS P. ANDERSON (American, 1940-2005) LION HEAD. Bronze head of a male lion. The back is in hollow style and inscribed “For Guy Coheleach; Anderson. AP/35”. The bronze is mounted to a black, marble like slab, which is fitted into a oak base. Brown, bronze patina. SIZE: 13” h x 13”l, Overall 15” h. CONDITION: Very good. 9-72990 (500-1,000)

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276

DAVID SCHAEFER (American, 20th Century) ELEPHANT. Small, bronze elephant in standing position with head up and trunk down. He stands on a bronze ground and is mounted to an oval, molded walnut base. Signed, “D .Schaefer” and numbered “71/6500” and “1985 All Things Creative Inc”. Dark brown patina. SIZE: 6-1/2” h x 10”l. CONDITION: Very good. 9-72988 (500-1,000)

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277

DENNIS P. ANDERSON (American, 1940-2005) WATER BUFFALO HEAD. Large bronze bust of a Cape Buffalo with big horns. Signed on back “For Guy Coheleach; Anderson. AC/35” Mounted on a tapered square fluted edge teak base. Nice, mottled brown and green patina. SIZE: 14” h x 18”w, 23-1/2” h with base. CONDITION: Very good. 9-72989 (500-1,000)

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278

GERALD BALCIAR (American, 1942) WALRUS. Outstanding bronze of a walrus with head raised on a naturalistic shaped base, which is mounted on a molded edge, shaped wood base. Signed “G. Balciar, 1976” and numbered “12/25”. Bronze patina. Accompanying the bronze is an issue of Wildlife Art with artist as cover and containing a 5 page cover story. SIZE: 12-1/2” h x 20”w x 13-1/2”d. Base1-3/4” h. CONDITION: Very good. 9-72986 (500-1,000)

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278A

LAURA GILPIN (American, 1891-1980) “SOUTH PARK, COLORADO”. Gelatin silver print photograph shows panoramic view of mountains and snow covered hills. White matte with pencil signature “Laura Gilpin 1940”. Housed in a simple molded wood frame. PROVENANCE: Donald & Madeline Gilpin Estate, Mt. Desert Island, Maine. SIZE: Photograph is 11” x 14”. CONDITION: Very good. There are a couple of back indent scratches but a nice strong image. 9-72807 (1,000-2,000)

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278B

LAURA GILPIN (American, 1891-1980) “THE PUEBLOS A CAMERA CHRONICLE”. Book: The Pueblos A Camera Chronicle, Hastings House Publishers, New York, Copyright 1941, pen signed :”Laura Gilpin” on preface page. The book filled with black and white photographs of Pueblo Indian life. Blue binding. PROVENANCE: SIZE: 9-1/2” x 7”. CONDITION: Binding shows use, fading interior. Very good. 9-72806 (100-200)

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278C
Revised: 1/24/2007

A SCRAPBOOK AND DIARY COLLECTION PERTAINING TO THE LAURA GILPIN FAMILY AMASSED BY MADELAINE GILPIN. Seven large photographic and scrap albums and eighteen diaries covering the years from the 1920’s to the 1940’s. A fascinating history of the family’s travels, homes, and acquaintances as seen by Madelaine Gilpin, with help provided by her very close friend Sophie B. Norris. The Maine Gilpin family home was located on Mt. Desert Island. Another home was located in the Western United States. The albums contain a number of signed and unsigned Laura Gilpin photographs. They also contain letters and photographs of other artists including Anna Coleman Ladd. Album 1: 1920’s clippings and early photographs, including signed “Gabrielle Enthoven”, “AB Canfield”; letters from A.C Ladd, Archibald McLeish and more. Album 2: Scrap album with letter signed “Angna Enters, brochure of the Bar Harbor fire, some photographs, Christmas and greeting cards, possibly some unsigned Laura Gilpin photographs (one of snow covered mountains, the other of a barn at dusk). Album 3: Photographs, including signed by Arthur Rush, Neilson Edwards, Stowkowski, and others. Two signed Laura Gilpin photographs of Madelaine Gilpin. Newspaper clippings, autographed inscribed photograph of Helen Hayes at piano, signed poem (Conselo?), signed photographs of Hildreth Meiere. Album 4: Seven Georgia O’Keefe photographs, signed Laura Gilpin photos, five signed Laura Gilpin photos of a stage play, other photographs including two of barns, probably by Laura Gilpin. Album 5: Photographic album of family trip out west including photos in Utah, postcard photos of Oregon, Alfred Greenough’s house in Mt. Desert, Maine, and other houses, boats and people of Mt. Desert. Album 6: Photographs of the American Southwest in the 1940’s, Mt. Desert and other parts of Maine, and some Native American Indians. Album 7: America’s Cup yacht photos, sailboats, Maine coast including Mt. Desert, Archibald McLeish, large photographs of the West and one of New York City. Loose items include Angna Enters signed and dry point print, ten photographs by Laura Gilpin of a palatial home out West (possibly Kragmore, Colorado Springs), a box containing eighteen small diaries form the 1930’s and 1940’s which correspond to the timelines of the scrapbooks. NOTE: An interesting grouped family archive involving a famous American photographer. CONDITION: Most photos good, albums have wear and tear. 9-72805 (2,000-4,000)

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279

THE ROBERT D. SMITH COLLECTION OF ORIGINAL, EDITORIAL/POLITICAL CARTOONS FROM THE 1940s. This fabulous collection was amassed during the war years by Mr. Robert D. Smith of Bangor, Maine. He would write a particular artist requesting an example of their original work and in many cases Mr. Smith would receive a letter accompanied by an original work. Some are inscribed to Mr. Smith, and some are accompanied by the original letter, or the newspaper in which the artwork was published. Artists include: G.Brown, Edmund Gale, Charles Werner, Vaughn Richard Shoemaker(2), Cy Hungerford, Reg. Manning, Bruce Russell (2), Cecil Jensen, Harry Bressler, Bill Warren, Paul Garmack, R.A. Lewis, Fred O. Scibel (2), S.J.Ray, Bill Geagan, TH. Burbank, Vic Runtz, Ed Marcus (2), Will B. Johnstone, Daniel Bishop, Loring Brown (2), Gene Elderman, Fitzpatrick and more. PROVENANCE: From a Bangor, Maine estate. SIZE: Sizes vary with largest measuring 20” x 17”. CONDITION: Generally very good. 9-72742 (2,000-4,000)

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280

DAN ANDREWS (American, mid-20th Century) COLLECTION OF ORIGINAL ILLUSTRATION ART. Twenty-two assorted works including: a framed self portrait; advertising layout for a Planter’s Peanut Butter ad; Goodrich Silvertown Tire; clothing ads; watercolor of cowboy; charcoal of Wild Bill Hickok on horse; and more as well as one signed “ h S Dobie”. All are unframed. SIZE: Sized vary. CONDITION: Varies, with some needing restoration. 9-72159 (1,000-1,500)

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281

DANIEL RALPH CELENTANO (American, 1902-1980) SUBWAY RIDERS. Black and white illustration oil on light cardboard scene shows a crowded subway with men, women and children. Many are passing the time reading the daily paper. It is crowded with all seats taken and many people standing. Various colors of gray, black and white. Estate stamped lower left. IMAGE SIZE: 12-1/2” x 13-1/2”. CONDITION: Very good. 9-72924 (4,000-6,000)

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282

NEWELL CONVERS WYETH (American, 1882-1945) WOMAN RIDER WITH WHIP. Oil on canvas portrait of a young woman with long red hair wearing a tall black hat, red coat, turquoise vest and tan riding pants. She is seated with cross leg holding whip. Signed upper left “N C Wyeth”. Housed in a period carved wood and gilt frame. Etched number in stretcher and frame “V0119352”. SIZE: 30” x 22-1/2”. CONDITION: Very good. 9-72922 (6,000-8,000)

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283

FREDERICK COFFAY YOHN (American, 1875-1933) ILLUSTRATION FROM SCRIBNER’S MAGAZINE. Scribner’s Magazine label on reverse indicating that this was from the article “A Knight of the Cumbeland” “Mart’s a Gittin’ Ready for a Tournament”. Black and white gouache scene shows a young lady sitting side saddle on her horse while another woman is behind on another horse and they are passing a horse with father and son. Signed lower left “FC Yohn”. Housed in a silver gilt molded wood frame with linen matte and silver lining. SIGHT SIZE: 20-3/4” x 14”. CONDITION: Very good. 9-72099 (1,500-2,500)

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284

BILL WENTZELL (Wenzel) (American, 1918) THE ANGRY GATOR. Watercolor illustration shows a man defending himself against an oncoming large alligator in a swamp setting. Signed lower right “Bill Wentzell”. Housed in a simple black frame with white matte. We believe this to be the same illustrator that is indicated in Who’s Who under William Michael Wenzel who was an illustrator and cartoonist. IMAGE SIZE: 16” x 12”/ CONDITION: Very good. 9-72158 (400-600)

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285

ORIGINAL WALT DISNEY CELL FROM SNOW WHITE AND THE SEVEN DWARFS. Disney cell housed in its original frame with backing paper and having the labels from Walt Disney Enterprises, Copyrighted 1937 and having a Carl Bredemeier Gallery, Buffalo, New York label. Titled in front “Grumpy”. Housed in a painted wood frame with off color white matte. Matte with an impressed “W.D.E.” in bottom right corner. SIGHT SIZE: 5-1/2” x 5-1/4”. CONDITION: Good. 9-71241-3 (3,000-5,000)

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286

REYNOLD BROWN (American, 1917-1991) “TAINTED DOVE”. Illustration oil on paper/board shows a nude woman reclining on a large brass bed. Pencil sketch lines are seen outside of oil. Signed lower right “Reynold Brown”. Housed in a fancy gilt gesso decorated frame with title and name tag. SIGHT SIZE: 10-1/2” x 13-3/4”. CONDITION: Very good. 9-71973 (500-1,000)

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287

ALFRED OWLES (American, 1894-1978) “NO. 1 NAVAL SQUADRON DOES BATTLE WITH ALBATROSS”. Fine watercolor WWI aerial combat scene shows three bi-planes and two three-wing planes. One is trailing smoke and the others are in dogfight. Signed lower right and identified on back. Housed in a gray painted molded wood frame with a double matte. SIGHT SIZE: 20 x 27-1/2”. CONDITION: Very good. 9-72149 (750-1,000)

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288

ALAN HODGSON (20th Century) “THE BRITISH R 100 MOORED AT MONTREAL AFTER THE TRANSATLANTIC CROSSING, 1930”. Acrylic on masonite scene shows a large airship tethered to a tower with several groups of people holding tether lines. Several buildings are seen, one enclosing another airship, one enclosing a three-propeller airplane, trucks and other cars. Signed lower left. Titled on back of masonite. Housed in a wood frame with linen and wood liner. SIZE: 24” x 36”. CONDITION: Very good. 9-72672 (3,000-5,000)

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289

FRANZ A. BISCHOFF (American, 1864-1929). CALIFORNIA COAST. Oil on board coastal scene shows a group of wind swept trees on grass overlooking rocky shoreline. Signed lower left. Housed in a modern carved gilt wood frame. SIZE: 9” x 12”. CONDITION: Very good. 9-73200 (4,000-6,000)

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290

FRANZ ARTHUR BISCHOFF (American, 1864-1929) MONTEREY COASTLINE. Oil on canvas coastal scene shows a large wave crashing against rocks. Blue and cloud sky. Signed lower right. Also indicated at top of stretcher number mark “37 Bischoff” and titled and signed on bottom of stretcher. Housed in an antique gesso decorated frame. SIZE: 20” x 16-1/4”. CONDITION: Very good, minor inpainting, evidence of stretcher marks. 9-71709 (2,000-3,000)

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291

WILLIAM FREDERICK JACKSON (American 1850-1936). FLOWERING MEADOW. Oil on board summer scene shows a California landscape with fields and hillsides covered with colorful flowers. Blue lupine are spotted in a yellow-orange blanket of flowers. Large trees and hillsides are seen in background under cloud and blue sky. Signed lower right “WF Jackson”. Housed in a period carved wood gilt frame. SIZE: 11-3/4” x 15-3/4”. CONDITION: Generally very good. 9-73202 (4,000-6,000)

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292

BERTHA ELIZABETH STRINGER LEE (American, 1869-1937) A REST IN THE SHADE. Oil on board California coastal scene shows a woman seated on grassy hillside under the shade of a tree. Her wide brimmed white hat is beside her and the ocean and coastline is beyond a group of trees. Signed lower right “BS Lee” housed in a good gilt Arts and Crafts-style modern frame. SIZE: 9-3/4” x 8”. CONDITION: Very good. 9-73204 (1,200-1,800)

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293

WILLIAM ALEXANDER GAW (American, 1891-1973) CALIFORNIA COASTLINE. Watercolor pointillist scene shows the California coast with high cliffs and mountains with colorful ocean. Signed with estate stamp lower left “Wm A.Gaw”. Housed in a gilt carved wood frame with linen matte and inner gold liner. SIGHT SIZE: 10-1/4” x 13-1/4”. CONDITION: Very good. 9-73212 (1,000-2,000)

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294

JOSEPHINE MARY CULBERTSON (American, 1852-1939) CALIFORNIA HILLSIDE. Oil on board western scene shows several dwarf trees on a flower topped hillside. Mountain is seen on left side. All under cloud and blue sky. Signed lower right “J. Culbertson”. Back of board is title which is illegible. Housed in a carved and gilt wood frame in the arts & crafts style. Branded “Freelance Gilding Carmel, CA”. SIZE: 11” x 17”. CONDITION: Very good. 9-72688 (800-1,200)

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295

ALBERT LEROY GROLL (American, 1866-1952) “ARIZONA DESERT SCENE”. Oil on board scene shows several scrub bushes on a grass and sand covered desert floor, one with bright yellow blossoms. Housed in an oak molded wood frame. Signed on reverse and bearing a label from Kennedy Galleries, New York with artist name and title. SIZE: 12” x 16”. CONDITION: Very good. 9-72903 (750-1,000)

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296

JOHN WILLIAM HILTON (American, 1904-1983) “SILVER TREES, GOLD SAND”. Fine oil on masonite western scene shows tall mountains and sandy desert floor with silver trees. Signed in script lower right. Titled on reverse and dated “63-4-15”. Housed in a fine carved gilt frame with wide liner. SIZE: 12” x 16”. CONDITION: Very good. 9-72888 (1,500-2,500)

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297

HENRY CURTIS AHL (American, 1905-1996) “A VIEW FROM GAVISTA PASS, CALIFORNIA”. Oil on artist board western scene shows a partition valley with field bordered by trees and farms. Blue mountain background under blue sky. Signed bottom right “Ahl Jr.”. Titled and signed on back of board. Housed in a gilt molded wood frame. SIZE: 12” x 16”. CONDITION: Very good. 9-72880 (500-1,000)

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298

HENRY CURTIS AHL (American, 1905-1996) “LAKE SANTA MARGUERITA, CALIFORNIA”. Oil on artist board summer scene shows the end of a lake with another lake beyond. Green trees are seen in front of rocky ledges. Signed lower left “ h Curtis Ahl”. Housed in a gilt molded wood frame. Title and artist name on back of board. SIZE: 12” x 16”. CONDITION: Very good. 9-72881 (500-1,000)

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299

HENRY HAMMOND AHL (American, 1869-1953) “ON MILES RIVER, HAMILTON”. Oil on board fall scene shows a small river winding through field lined with colorful large trees. Signed bottom right. Titled and signed on reverse. Housed in a gold molded wood frame. SIZE: 8” x 10”. CONDITION: Surface dirt, very good. 9-72875 (300-500)

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300

ALBERT LEROY GROLL (American, 1866-1952) THREE WESTERN SKETCHES. Postcard size pen and ink drawings, all mounted on the same white board. 1) Titled “La Yolla Caves Cal. July 26th 07.”. Signed “A L Groll”. Shows three arches caves is a rounded cliff side with water. SIZE: 3-1/4” x 5-1/2”. 2) Unsigned tree forest. SIZE: 5-1/4” x 3-1/4”. 3) Titled “The Geysers Yelerstone Park-Montana”. “Cordial greetings from A. L. Groll Aug 4th 07.”. Shows two spraying geysers with birds and landscape. SIZE: 3-1/4” x 5-1/2”. TOTAL SIZE: 15-1/2” x 8-1/2”. CONDITION: All over brown toned with lightened frame edge. 9-28488 (200-400)

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301
Revised: 1/24/2007

BILL WARDEN (American, 1927-1991) WESTERN TRAIL. Oil on canvas western scene shows two cowboys on horseback with laden pack horses. They follow a dirt trail through scrub brush and rocks. Mountains are in background under blue sky. Signed bottom middle. Housed in a weathered stained wood frame with linen and wood liner. SIZE: 25” x 30”. CONDITION: Small touchup to bottom edge, otherwise very good. 9-71972 (1,000-2,000)

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302

MILTON CLARK AVERY (American, 1885-1965) “COLOR TREATMENT”. We are not sure if this is an oil or a silkscreen process. Layers of a thick color applied over each other and it is hand signed bottom left “Milton Avery 1961”. On thick fiberboard in bright colors and depicts a large farm with colorful fields blocked off and having large trees with white spot tops that are reminiscent of candelabras. Back has a Karl Mann Associates label with artist and title. Housed in a gilt wood frame with linen liner. SIGHT SIZE: 23-1/4” x 29-1/4”. CONDITION: One small scrape in center, otherwise very good. 9-72950 (3,000-4,000)

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303

SAMUEL GEORGE PHILLIPS (American, 1890-1965) AFTERNOON REST. Oil on canvas garden scene shows a mother and infant seated in a chair in garden setting. They sit under a colorful tree and the mother wears a yellow hat. Unsigned front. Signed on the back “Phillips”. There are two names in pen on stretcher “Miss Stewart” and “Miss ?”. SIZE: 18” x 15”. CONDITION: Very good. 9-72938 (5,000-7,000)

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304

ISABEL PARKE BRANSON CARTWRIGHT (American, 1885-1966) “YOUNG MOTHER”. Oil on canvas interior scene shows a mother with infant in arms seated in a director’s type chair in front of a full length window with shear curtain. Signed lower left “Isabel Branson Cartwright”. Appears to be housed in its original flat painted frame. SIZE: 30” x 25”. CONDITION: Very good with spot inpainting in background. 9-72241 (6,000-9,000)

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305

ARMANDO SOZIO (American, 1897-1966) THE GATHERING. Large oil on canvas outdoor scene shows a number a colorful figures gathered under large trees with colorful blossoms. Signed lower right “Sozio”. Housed in a carved wood painted frame with painted liner. SIZE: 24” x 36”. CONDITION: Very good. 9-70880 (1,000-2,000)

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306

LEO BRESLAU (American, 20th Century) GARDEN GETAWAY. Large oil on canvas scene shows a colorful garden/lawn setting with round table set with fruit, vase of flowers and bottle surrounded by three wicker chairs. Placed in front of a garden lined white picket fence with gate having trellis top. A house is seen beyond under trees. A fine pastel pallet. Signed lower right “Leo Breslau”. SIZE: 36” x 48”. CONDITION: Very good. 9-72949 (600-800)

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307

STYLE OF JULIUS LEBLANC (American 1855-1919) AFTERNOON IN THE PARK. Watercolor scene shows a man and woman on thick grass with small boat behind. She is seated with yellow dress and picking petals off a flower. A man in red cap lies beside her on white blanket. Unsigned. Housed in a decorated oak period frame. SIGHT SIZE: 9-3/4 x 17-3/4. CONDITION: Very good. 9-73040 (600-800)

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308

FREDERIC ARTHUR BRIDGMAN. (American, 19th/20th Century) “COWS IN A WOODED PASTURE”. Oil on canvas depicting two cattle in a wooded pasture with large boulder in the forefront. Signed lower left “F. A. Bridgman”. Framed in an old gilt gesso frame. SIZE: 11-3/4” h x 16” w. CONDITION: Very good. Frame has minor imperfections. 8-87344 (6,000-9,000)

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309

ATTRIBUTED TO FREDERIC ARTHUR BRIDGMAN (American, 1847-1928) CROSSING THE OASIS. Oil on canvas desert scene shows several groups of camels and people proceeding through and stopping at a water oasis. Large colorful mountains are seen beyond the desert. Signed lower left “F. A. Bridgman 1919”. SIZE: 13” x 19-1/4”. CONDITION: Very good with some surface dirt. 9-72686 (2,000-3,000)

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310

M. BARRINGER? (19th/20th Century) “EGYPT”. Oil on wood panel landscape scene shows a large Mosque type building with outer stone wall having several doors and windows. Surrounded by palm trees and several people are outside on grassy area. A camel caravan approaches from the left and water with sailboats are seen in the distance. Signed lower right and titled “Egypt”. Signature is somewhat obscured and is hard to read. An extremely well done detailed painting. On back is a Deforge Paris stamp. Housed in its original gilt wood frame. SIZE: 13” x 18”. CONDITION: Very good with surface dirt. 9-72772 (400-800)

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311

CHARLES PIERRON (French, fl. 1830-40’s) STREET LIFE, CAIRO, 1837. Two watercolors housed in a fine carved and partial-gilt modern frame with two cut-outs in a watercolor highlighted heavy matt. The first watercolor shows a slave trader bargaining a sale with a woman in front of him and other men. The other watercolor shows two men smoking pipe with a variety of merchandise on street. One watercolor signed Pierron, Caive 1837. SIZE: 3-1/2” x 8” and 5” x 4-3/4”. CONDITION: Very good. 9-73034 (1,000-2,000)

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312

EMMANUEL MEURIS (Italian, 1894-1969) FISHING IN NAPLES HARBOR. Fine colorful gouache scene shows a harbor setting with two small boats having fishing nets out and men aboard. Several small and large sails are seen on a tranquil harbor with a steam and sail schooner. Mountains are seen in the distance under a colorful under a pink, yellow and blue sky. Signed lower right. Housed in a good gilt wood frame with linen matte. SIGHT SIZE: 16-3/4” h x 24-1/2” w. CONDITION: Very good. 9-72147 (2,750-3,250)

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313

MANNER OF CANALETTO (Italian, 19th Century) VENICE. Signed oval oil on board scene showing a gondola in front of a large group of buildings and tall tower, under a blue sky, Wonderful colors in sky and water. On the back of the board is pencil titled “Venice” and “Original sketch by A. Sricker?” A label on the reverse of Philpot & Jackson, Florence. The framing backboard has Christie’s catalogue number tag “77 29 Mar 1990”. Also, a Rowley Gallery London label. Housed in a modern, gesso decorated frame with gilt matt. SIZE: 8 1/2” x 10 1/2” CONDITION: Inpainting around edges. Very good. 9-72589 (1,000-2,000)

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314

UNSIGNED (Italian, 19th/20th Century) NAPLES HARBOR. Gouache harbor scene shows boats and ships throughout the harbor with a large city nestled between two hilltops with forts. Volcano is seen on the right side. Housed in a painted white wood frame with large matte. SIGHT SIZE: 9-3/4” x 20-1/2”. CONDITION: Very good. 9-72755 (400-800)

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315

ROMANO (Italian 19th/20th Century) PAIR OF ITALIAN SCENES. Both identically housed in a Eastlake type wood frames with linen mattes and gold binders. Each is a large gouache. One is signed lower left “Romano” and shows a harbor view with a volcano in the distance, with a horse drawn carriage and a person on road in the foreground. The other signed bottom right “Romano” shows a man, woman and child in a hay wagon pulled by oxen. They are in a pool of water with classical ruins in the background, under a sunset sky. SIGHT SIZE: 16-3/4” x 21-1/2”. CONDITION: Very good. 9-72781 (1,500-2,500)

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316

MATTEO LOVATTI (Italian, 1861) THE CHANCE MEETING. Large watercolor scene shows two young ladies in colorful formal dress with matching hat meeting a Monk in brown robe with large umbrella. They meet in a town square with large monument, building with broadsides and posters. Signed lower right “M Lovatti 1877”. Housed in its original frame liner which has an inner gilt pebble surface matte. SIGHT SIZE: 27” x 19”. CONDITION: Very good. 9-72723 (500-1,000)

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317

ARNALDO CASELLA TAMBURINI JR (Italian/American, 1885-1936) SPANISH FIESTA. Oil on board scene shows a man and woman dancing amongst a group of musicians with other people at tables. Signed middle bottom left “A Tamberini Jr”. Tamberini was Court painter to the Italian king and was of noble birth. Housed in a gilt molded wood replacement frame. PROVENANCE: Accompanying lot is a copy of an Exhibition of Paintings by Tamberini, Boston, Mass 1966 indicating that this was #18 in that exhibition. Also an appraisal from Arvest Galleries, Boston, Mass. SIZE: 30” x 23”. CONDITION: Small chip to central hat, otherwise very good. 9-70142 (2,000-3,000)

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318

ITALO CLEMENTE (Italian, 20th Century) TORSO OF A WOMAN. Surrealistic pastel scene shows a woman’s torso with long hair against a diamond and square colorful background with blue. Signed lower right and dated “83”. Housed in a wide beaded edge molded wood frame with wide white matte. SIGHT SIZE: 16-1/2” x 13-1/2”. CONDITION: Some areas of pastel loss, creases, fair to good. 9-73021 (600-800)

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319

ITALO CLEMENTE (Italian, 20th Century) FACE OF A MAN, 1972. Watercolor shows a shoulder bust of a head against a blue mottled background. Housed in a silver and black molded wood frame with white matte. “Omnia Gallery New York, New York” label affixed to back. SIZE: 8-1/2” x 11-1/4”. CONDITION: Appears to be affixed to board and shows wrinkling. 9-73020 (400-600)

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320

TOSHIMITSU IMAI (Japanese, 1928-2002) DRIP ABSTRACT. Oil on canvas scene has a mottled colored background with a black drip pattern. Signed on reverse “Imai 66”. Also with a partial Drouant Paris label. SIZE: 32” x 25-1/2”. CONDITION: A small patch to reverse, some inpainting. Very good. 9-72963 (1,000-1,500)

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321

CLAUDIO CIARDI (Italian, 1962-) “PORTEFINO”. Large oil on canvas scene shows the Italian Mediterranean town of Portefino with building lined water and hill beyond. Three sailing yachts are seen moored on tranquil water. All under a blue and white cloud sky. Signed lower left. Titled and signed on reverse. SIZE: 39-1/4” x 59-1/4”. CONDITION: Very good. 9-71966 (2,000-4,000)

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322

ATRRIBUTED TO EDOUARD LEON CORTES (French, 1882-1969) PARISIAN STREET SCENE. Oil on canvas early evening Pairs street scene shows many pedestrians and a three horse carriage coming toward viewer with large buildings and bright sunset. Flower vendors are seen on right side. Signed lower left “Edouard Cortes”. Housed in a carved wood gilt frame with linen liner. SIZE: 16” x 20”. CONDITION: Very good. 9-73023 (2,000-4,000)

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323

LE ROUX (20th Century) PARISIAN STREET SCENE. This lovely oil on panel is nearly similar, and perhaps almost identical to the works of Edouard Cortes. Depicts a late 19th or early 20th century Parisian street scene with numerous figures, apartments, store fronts, and a horse-drawn carriage. Signed in lower right, framed in an old gesso gold frame. SIZE: 16” h x 24” w. CONDITION: Very good. Frame with minor imperfections. 8-87340 (5,500-8,500)

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324

CHARLES BLONDIN (French, 1824-1897) FRENCH STREET SCENE. Oil on canvas summer scene shows a curving street with wall and trees on one side. The other side is lined with multi-story buildings leading to a building with two tall domes. Signed lower left. Housed in its original partial gilt fancy gesso decorated frame. SIZE: 13” x 18”. CONDITION: Very good. 9-72661 (500-1,000)

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325

CHARLES BLONDIN (French, 1824-1897) EUROPEAN FLOWER MARKET. Oil on canvas scene shows several flower vendors under canopy with large arrangements of potted and cut flowers. Several strollers are seen on sidewalk. All against a backdrop with city buildings and large pillared façade. Housed in its original partial gilt gesso decorated frame. Signed bottom left. SIZE: 30” x 18”. CONDITION: Very good. 9-72662 (500-1,000)

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326

CHARLES BLONDIN (French, 1824-1897) PARIS PARK SCENE. Oil on canvas summer scene shows a fountain with small toy boats with kids and parents. The central avenue is dotted with large monuments and trees leading to the Arch De Triomphe. Signed lower left. Housed in its original partial gilt gesso decorated frame with painted liner. SIZE: 14” x 18”. CONDITION: Very good. 9-72663 (500-1,000)

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327

ANTOINE BLANCHARD (French, 20th Century) PAIR OF PARIS SCENES. Oil on canvas board scenes. One showing the Eifel Tower with river bridge and buildings. Other shows a dome building with people and streetlight. Identically housed in silver gilt molded wood frames with linen liners. SIZE: 9” sq. CONDITION: Very good. 9-70933 (2,000-3,000)

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328

PIERRE BOUDET (French, 1925-) “PARIS-QUAI DES ORFEVRES”. Oil on masonite Paris scene shows a river with riverboats, bridge and large cathedral in distance. Strollers and a horse and carriage are seen alongside. Signed lower right “P. Boudet”. Titled and signed on reverse. Housed in a very nice gilt gesso decorated frame with linen and gold liner. SIZE: 11” x 14”. CONDITION: Very good. 9-70932 (2-2,000)

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329

JEAN PIERRE ALAUX (French, 1925-1982) SURREAL DREAM. Oil on masonite surrealistic scene shows a portrait of a young woman with long golden hair. A grey donkey is to her left. All is floating amongst a mottled brown and green background landscape with yellow splashed blue sky. Housed in a good gilt frame molded wood frame with Hackman Frames stamp. SIZE: 16-1/4” x 13”. CONDITION: Minor spot inpainting, very good. 9-73016 (1,000-2,000)

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330

SUZANNE ROGER (French, 1899-1986) SURREAL LANDSCAPE. Colorful oil on canvas scene shows wiry trees with vineyard and grassy area. Multi-colored background is signed upper right “Suzanne Roger”. Housed in a gilt wood frame with linen liner and inner gold matte (discolored). SIZE: 13” x 22”. CONDITION: Very good. 9-29407 (1,000-1,500)

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331

CHARLES EDMOND RENAULT (French, 1829-1905) IMPRESSIONISTIC LANDSCAPE WITH COWS. Oil on canvas scene shows a tree lined pasture with a small pool of water and cows grazing under blue and cloud sky. Signed lower left. Housed in a gilt molded wood frame. Back of canvas having a Paris canvas stamp and a label from Adolph de Jong Art, NYC. SIZE: 10-3/4” x 16-1/4”. CONDITION: Dime size chip to bottom, otherwise good. 9-70905 (1,500-2,500)

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332

JEAN EVE (French, 1900-1968) “LA TERRE AU MOMENT DU LABOUR”. Oil on canvas surrealistic scene shows a bare tree at the end of a cultivated field under a cloud and blue sky. Signed lower right “Jean Eve 1930”. Titled on back of stretcher. Housed in a period textured gilt molded wood frame. SIZE: 29” 21-1/4”. CONDITION: Half dollar size tear and missing paint to upper left. Otherwise very good. 9-70113 (2,000-3,000)

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333

HENRI FRANCOIS PERRET (FRENCH 1825-?) LAZY RIVER WITH FIGURES. Nicely executed oil on canvas depicting a large tree-lined river with a stone bridge. In the foreground two boats; one with a figure in it. Signed lower right “Perret”. Framed in an antique gold gesso frame. SIZE: 8-3/4” x 16”. CONDITION: Oil on canvas, very nice. Frame slight imperfections. 8-87349 (4,500-6,500)

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334

FREDERICK LOUIS LEVÉ (FRENCH, PARIS 1877-?) “A VILLAGE STREAM”. Oil on canvas signed in lower right F. Levé, a listed artist, depicts a bridge-covered stream flowing through a village with stone buildings on either side. Framed in an antique gold gesso frame. SIZE: 13” h x 16” w. CONDITION: Painting very good, frame with some imperfections and old repairs. 8-87346 (2,000-3,000)

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335

JESSIE LEACH FRANCE (American, 1862-1926) FRENCH RIVER BRIDGE. Oil on board shows a two arch stone bridge with vehicles atop. Below is a large single mast barge type boat being loaded by a crane. Signed lower right “J L, France”. Other side has a painting of sheep in landscape, unsigned. Housed in an antique grain painted molded wood frame with gilt liner. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5-1/2” x 8”. CONDITION: Good. 9-70713 (1,000-2,000)

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336

ATTRIBUTED TO JESSIE LEACH FRANCE (American, 1862-1926) MOONLIT FRENCH HARBOR SCENE. Unsigned oil on academy board scene shows a fishing boat moored to edge of land with family gathering. Appears to be a winter scene with snow covered ground. Housed in a tiger motif decorated frame. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 10” x 17-1/4”. CONDITION: Good. 9-70714 (500-1,000)

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337

ALEXIS de BROCA (French, 1868) “COTE DE BRETAGNE”. Watercolor scene shows a figure along beach and rocky ledge coastline. Signed lower left. Also signed and titled on back including “Catalog No. 23 Gallerie George Petit Exhibition 1911”. Housed in a fine gesso decorated modern frame with wide white matte and inner gold liner. SIGHT SIZE: 9” x 7”. CONDITION: Remnant of an adhesive backing at top of paper, otherwise good. 9-70894 (1,500-2,500)

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338

CAMILLE BOMBOIS (French, 1883-1970) THE RED CORVETTE. Oil on canvas Paris street scene shows a street leading to a gold dome building. The street is lined with sidewalks, people and storefronts. A red American corvette is in foreground. Signed bottom right “Bombois”. SIZE: 12-1/4” x 13”. CONDITION: One puncture in right corner, some inpainting. Otherwise good. 9-72925 (3,000-5,000)

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339

BERNARD BUFFET (French, 1928-1999) “VILLAGE AU BORD DE L’EAU 61”. Oil on board scene shows white stucco buildings in front of a canal under light blue and white sky. Signed upper right “Bernard Buffet 61” and titled on reverse. Housed in a mahogany and gesso decorated frame. SIZE: 15” x 23”. CONDITION: Very good. 9-72933 (3,000-5,000)

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340

LUCIEN PISSARO (French, 1863-1944) SUMMER FIELDS. Watercolor landscape shows tall grassy field with trees and walkway. Monogrammed “LP” in a circle and dated “1930” in lower right. Housed in a modern wood frame with linen and wood matte. SIGHT SIZE: 4-1/2” x 6-1/2”. CONDITION: Very good. 9-72939 (2,000-3,000)

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341

MARCEL DUCHAMP (French, 1887-1968) ABSTRACT. Mixed media abstract scene with geometric design with colors of red, yellow, blues and grays. Signed lower right “Marcel DuChamp”. Housed in a modern gray frame with triple matte. SIGHT SIZE: 21-3/4” x 12-3/4”. CONDITION: Very good. 9-72943 (1,000-1,500)

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342

PAUL LUDWIG KOWALCZEWSKI (German, 1865-1910) ANCIENT WARRIOR. Bronze sculpture of a man holding arrowhead tipped spear and looking skyward with hand outreached. He wears a loincloth with knife and scabbard. He stands barefoot on rock outcropping which is signed “P. Kowalczewski”. The bronze mounted on a turned green and black marble base. SIZE: Bronze: 15-1/2” h. Overall 20-1/4” h. CONDITION: Very good. 5-64648 (2,000-3,000)

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343

R. H_____? (Early 20th Century) THE BLACKSMITH. Bronze figure of a man wearing a blacksmith’s apron holding a large hammer in one hand and a chain in the other. A plow is on one side of him and horses