WALDO PEIRCE (American, 1844-1970) “ELEPHANTS AT TUCSON”.

Oil on canvas Housed in a Heydenryk carved wood frame with linen liner Initialed and dated lower right “WP ’69”, signed, dated and inscribed “Elephants at Tucson/belongs to Ellen Peirce/WPeirce ’69” SIZE: 20″ x 24″. Overall 27-1/4″ x 31-1/2″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Minor surface grime, good 49283-4 (2,500-4,000) – Lot 1000

WALDO PEIRCE (American, 1884-1970) CIRCUS.

Oil on canvas Housed in a Heydenryk carved wood frame with linen liner Initialed and dated lower right “WP ’69”, signed, dated and inscribed on verso “Happy Birthday to Ellen ’69/1 December/WPierce” SIZE: 16″ x 20″. Overall 22-1/2″ x 26-1/2″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Minor surface grime and canvas buckle 49283-3 (2,500-4,000) – Lot 1001

WALDO PEIRCE (American, 1884-1970) “THE MORTLAND DAIRY FARM”.

Oil on canvas Housed in a silver gilt frame with linen liner Inscribed, initialed & dated lower right “For Karen WP. Nob 65” Signed, dated & titled on verso, inscribed “Belongs to Karen Peirce Searsport Farm” SIZE: 22″ x 30″. Overall: 26-1/2″ 34-1/2″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-24 (5,000-7,000) – Lot 1002

WALDO PEIRCE (American, 1884-1970) “THREE MAINE HOLSTEINS”.

Oil on canvas Housed in a Heydenryk carved giltwood frame Initialed and dated “WP ’68”, titled, dated and inscribed “3 cows/August 68/WPeirce”, titled on Nicoll Fine Art Gallery label affixed to frame verso SIZE: 20″ x 24″. Overall 26-1/4″ x 30-1/2″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Good 49283-6 (1,500-2,500) – Lot 1003

WALDO PEIRCE (American, 1844-1970) “FIELD FLOWERS BY THE SEA”.

Oil on canvas Housed in a rustic wood frame with linen liner Initialed and dated lower right “WP.57”, signed, dated and inscribed on verso “WPeirce 57/Field Flowers By The Sea”, bears Midtown Galleries Label on frame and a “Mary Washington Annual” exhibition label fragment on stretcher SIZE: 36″ x 22″. Overall 41-1/2″ x 27-3/4″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Good, minor surface grime, staining to verso canvas 49283-17 (3,000-5,000) – Lot 1004

WALDO PEIRCE (American, 1884-1970) STILL LIFE WITH DECOY.

Oil on canvas Unframed Signed and dated on lower right “WP ’62” SIZE: 22″ x 30″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Surface grime and abrasions 49283-7 (1,500-2,500) – Lot 1005

WALDO PEIRCE (American, 1884-1970) “MAINE HOMESTEAD, SEARSPORT”.

Oil on canvas Housed in a slat wood frame Initialed lower right “WP.” signed, dated and inscribed on verso “Maine Homestead/Searport ’51/Waldo Peirce” SIZE: 23″ x 36″. Overall 23-1/2″ x 36-1/2″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Minor surface abrasions, good 49283-19 (3,000-5,000) – Lot 1006

WALDO PEIRCE (American, 1884-1970) “NUDE IN CLOSET”.

Oil on canvas Unsigned Initialed & dated lower right “WP 53″ Signed & titled on verso SIZE: 30″ x 24-1/4” PROVENANCE: Directly from the artist, descending through the family CONDITION: Minor canvas buckle upper right with surface grime, otherwise good 49283-25 (3,000-5,000) – Lot 1007

WALDO PEIRCE (American, 1884-1970) “BROOK BATHERS”.

Oil on canvas Housed in a green painted wood frame with linen liner Initialed lower left “WP” and signed, dated and titled on verso “Brook Bathers, WPeirce ’46”, bears Midtown Galleries, New York label affixed to stretcher SIZE: 16″ x 20″. Overall 23″ x 27-1/4″. CONDITION: Very good. 49283-16 (1,500-2,500) – Lot 1008

BERNARD KARFIOL (American, 1886-1952) “NUDE ON RED COUCH”.

Oil on canvas Housed in its original wide carved gray painted wood frame with white wood liner Attached to the stretcher is a Downtown Gallery NY exhibition label with title and artist Signed lower left “B Karfiol NA” NOTE: A very similar painting is titled “Hilda 1929” and is in the collection of the Whitney Museum of American Art and is illustrated in their American Artist Series “Bernard Karfiol” by Jean Slusser, 1931. SIZE: 30″ x 40″. Overall 40″ x 50″ CONDITION: Very good, with one small patch to verso with some inpainting 1012-1 (3,000-5,000) – Lot 1009

BERNARD KARFIOL (American, 1886-1952) PAIR OF PORTRAITS (POSSIBLY SON AND DAUGHTER).

Oil on canvas Unframed Unsigned (the boy having “Karfiol” verso of stretcher) SIZE: 25″ x 20″ & 24″ x 18″ CONDITION: Slight chipping to girl and light chipping with small hole bottom right and in hair of boy 48803-1 (1,000-2,000) – Lot 1010

BERNARD LANGLAIS (1923-1977) “NUDE IN ROOM”.

Watercolor and graphite on paper Housed in a gilt wood frame with double mat behind glass On verso are two Vincent Price Collection labels Signed lower left in pencil “Bernard Langlais ’51” SIZE: Sight 10-3/4″ x 9-1/2″. Overall 19-1/2″ x 17-1/4″ CONDITION: Very good 48800-1 (2,000-4,000) – Lot 1011

DAHLOV IPCAR (American, b. 1917) “TIGER POOL”.

Oil on linen Housed in a wood frame Signed lower right “Dahlov Ipcar 1995”, titled on artists label on verso NOTE: Accompanied by an artist signed letter that reads “Merry Christmas to my dear friend Christel… with love, Dahlov Ipcar” SIZE: 24″ x 36″. Overall 25-1/4″ x 37″. PROVENANCE: From a fine Maine home CONDITION: Very good. 49277-1 (4,000-6,000) – Lot 1012

DAHLOV IPCAR (American, b. 1917) HORSES IN CORRAL.

Oil on canvas Housed in a wood frame Signed and dated lower left “Dahlov Ipcar 1958″ SIZE: 16″ x 20″. Overall 16-1/4″ x 20-1/4”. PROVENANCE: From a fine Maine home. CONDITION: Minor surface grime, very good. 49277-2 (1,500-3,000) – Lot 1013

PHILIP BARTER (American, b. 1936) BURNING THE FIELD, EASTBROOK MAINE.

Oil on canvas Housed in a contemporary frame Signed lower right “Philip” SIZE: 38″ x 44″. Overall: 43-1/2″ x 50″ CONDITION: Very good 49238-1 (1,000-2,000) – Lot 1014

DANIEL HODERMARSKY (American, 1924-1999) COLORFUL ROCKS ON SHORELINE – DEER ISLE?.

Watercolor on paper Presently matted Signed lower right “D. Hodermarsky 1979″ in pencil Reference: There is very little listed on this artist. There are three 1-man shows, two on Deer Isle, ME and one in Deerfield, MA. A listing of many other shows is provided with the lot. Daniel was employed as an art instructor at Deerfield Academy from 1969-1989 SIZE: Image: 7″ x 8-3/4” CONDITION: Very good 49186-3 (300-900) – Lot 1015

ATTRIBUTED TO JOHN MARIN (American, 1879-1953) SAILBOAT.

Watercolor on paper Housed in a period carved giltwood frame matted under plexiglass Signed and dated lower right “Marin 27″ SIZE: Sight 18″ x 25″. Overall 34″ x 42”. CONDITION: Good, small crease lower right, not examined out of frame 1125-6 (5,000-10,000) – Lot 1016

SUSAN MILLER CHASE (American, 20th century) THREE GIRLS ON A BEACH.

Oil on board Unframed Signed lower right “Susan Miller Chase” also stamped on reverse SIZE: 10″ h x 7-1/4″ w. CONDITION: Very good, yellowed varnish layer. 49042-19 (1,000-1,500) – Lot 1017

CHARLES H WOODBURY (American, 1864-1940) “OGUNQUIT BEACH”.

Oil on board Housed in a period gilt wood frame Signed lower left “Charles H. Woodbury”, bears fragment from a Duxbury Art Association label with title, also bears Marshall Field and Company label on frame SIZE: 8-1/8″ x 10″. Overall: 17-1/4″ x 19″ CONDITION: Several incised lines (in the making) upper left, very good 1125-2 (4,000-6,000) – Lot 1018

CADWALLADER WASHBURN (American, 1866-1965) HARBOR VIEW, BOOTHBAY.

Oil on canvas Housed in a period carved gilt wood frame Signed lower right “Cadwallader Washburn” Label on verso reads “Mrs. C. Washburne, Livermore, Maine” SIZE: 24″ x 30″. Overall: 31″ x 38″ CONDITION: Very good 49321-4 (6,000-8,000) – Lot 1019

ABBOTT FULLER GRAVES (American, 1859-1936) “DOORWAY IN GLOUCESTER MASS”.

Oil on canvas Housed in its original period gilt wood frame Signed lower right “-Abbott Graves-“, titled on verso frame and on canvas wrapped to back of stretcher, bears owners label inscribed “From: Mother and Daddy May 25th 1944, To: Mary Eddy Wisham” SIZE: 30″ x 25″. Overall: 34-1/2″ x 29-1/2″ PROVENANCE: Acquired directly from the artist by Mr. & Mrs. Clarence Herbert Wisham, Wellesley Mass; by descent to current owner. CONDITION: Yellowed varnish, areas of retouch, otherwise very good 49233-1 (20,000-40,000) – Lot 1020

WALDO PEIRCE (American, 1884-1970) “THE DANCING BOATS”.

Oil on canvas Unframed Initialed and dated lower right “WP Sep 65”, titled and inscribed on verso “WPierce/Sep 1 Searsport/for Karen/from papa” SIZE: 24″ x 30″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-2 (4,000-6,000) – Lot 1021

WALDO PEIRCE (American, 1884-1970) “NEWBURYPORT GARDEN IN FALL”.

Oil on canvas Unframed Initialed lower right “WP 62″ Signed, titled & dated on verso Bears Midtown Gallery, NY label on stretcher SIZE: 26″ x 36” PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-21 (3,000-5,000) – Lot 1022

WALDO PEIRCE (American, 1884-1970) “YOUNG BATHERS BY WATERFALL”.

Oil on canvas Housed in a paint decorated wood frame with linen liner Initialed lower right “WP”, titled on Midtown Galleries label on verso SIZE: 20″ x 24″. Overall 27″ x 31″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Overall good 49283-15 (1,500-2,500) – Lot 1023

WALDO PEIRCE (American, 1884-1970) “ASTERS & GOLDENROD”.

Oil on canvas Unframed Initialed & dated lower right “WP ’61” Bears Midtown Gallery label on verso with title & exhibition label SIZE: 36″ x 22-1/4″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-22 (3,000-5,000) – Lot 1024

WALDO PEIRCE (American, 1884-1970) PORTRAIT OF A WOMAN.

Oil on canvas Unframed Initialed lower right “WP.”, signed, dated and inscribed on verso “Notre Delimine Cagnes/1926/Belongs to Ellen Peirce” SIZE: 25″ x 30″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Surface grime and scratches, craquelure 49283-14 (800-1,200) – Lot 1025

WALDO PEIRCE (American, 1884-1970) “FEEDING THE CHICKENS”.

Oil on canvas Housed in a modern silvered wood frame with linen liner Initialed, dated and inscribed lower right “For Karin/June ’65/WP.” and signed, dated and inscribed on verso “WPeirce/For Karin/June ’65/From Papa” SIZE: 24″ x 30″. Overall 30-1/2″ x 37″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Minor surface grime, good 49283-18 (5,000-7,000) – Lot 1026

WALDO PEIRCE (American, 1884-1970) “TINKER MACKERELL”.

Oil on canvas Unframed Initialed and dated on lower left “W.P. 47”, signed, titled and dated on verso, inscribed “Belongs to K. Peirce Long” SIZE: 10″ x 14″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Good, with surface grime, flake losses along edges 49283-11 (800-1,200) – Lot 1027

WALDO PIERCE (American 1887-1970) GOOSE POND.

Watercolor and pencil on paper Housed in a painted wood frame with linen mat Dated and inscribed “26 Aug 67 Searsport”, initialed, dated and inscribed lower right “26 Aug 67 Searsport W P” SIZE: Sight 13-1/4″ x 16″. Overall: 21-1/2″ x 24-1/4″ CONDITION: Not examined out of frame, very good 1090-1 (1,500-2,500) – Lot 1028

PAUL STRISIK (American, 1918-1998) “BAYBERRY COVE”.

Oil on canvas Housed in a gilt wood frame with linen liner (stains) Signed lower right “P Strisik” also retaining his gallery label on verso SIZE: 20″ x 30″. Overall 28-1/4″ x 38-1/4″ CONDITION: Very good 48946-1 (4,000-6,000) – Lot 1029

PAUL STRISIK (American, 1918-1998) “DOWN EAST HARBOR”.

Oil on canvas Housed in its original partial gilt frame with linen liner Signed lower left “P Strisik”, also having Paul Strisik label with title and artist stamps on verso SIZE: 12″ x 16″. Overall 20-1/2″ x 24-1/2″ CONDITION: Very good 49383-2 (1,500-2,000) – Lot 1030

JOSEF ARENTZ (American, 1903-1969) PORTLAND HEAD LIGHTHOUSE.

Oil on canvas Housed in a painted carved wood frame Signed lower left “Josef M. Arentz” Copyright reserved by Joseph Arentz, Kennebunk, Maine SIZE: 24″ x 36″. Overall: 29-1/2″ x 41-1/2″ CONDITION: Good, with craquelure and stretcher marks 49321-3 (800-1,200) – Lot 1031

GEORGE M HATHAWAY (American, 1852-1903) PORTLAND LIGHTHOUSE.

Oil on artist board Housed in its original gesso decorated gilt frame (with losses) Signed faintly & partially lower left SIZE: 6″ x 11″. Overall: 9-3/4″ x 14-3/4″ CONDITION: Craquelure, otherwise very good 49339-4 (1,000-1,500) – Lot 1032

HARRISON B. BROWN (American, 1831-1915) COASTAL LANDSCAPE OF PORTLAND LIGHT.

Oil on canvas, circa 1865 Housed in a modern carved giltwood frame Initialed lower right “HBB” SIZE: 13″ x 24″. Overall 20-1/2″ x 31-1/4″. CONDITION: Good, with old restoration in sky and craquelure 49321-7 (3,000-5,000) – Lot 1033

PAUL RITTER (German/American, 1829-1907) “THE ANDROSCOGGIN VALLEY, MAINE/NEW HAMPSHIRE”.

Oil on canvas Housed in a period molded giltwood frame Initialed lower right “P.R.” SIZE: 22″ x 36″. Overall 31″ x 45″. CONDITION: Good, lined, craquelure 49207-3 (2,500-4,000) – Lot 1034

PAUL BERNARD KING (American, 1867-1947) BEACH SCENE WITH TWO FIGURES.

Oil on board Housed in a modern gilt frame Signed lower left “Paul King” SIZE: Sight 8-1/2″ x 11-1/2″. Overall 13-3/4″ x 16-3/4″ CONDITION: Very good 1009-1 (2,000-4,000) – Lot 1035

JOHN PRENTISS BENSON (American, 1865-1947) “KITTERY HARBOR, WINTER 1936-1937”.

Oil on wood panel Housed in a modern molded wood frame with linen liner Signed lower left “John P Benson” SIZE: 14″ x 20″ CONDITION: Lifting paint at very edge of frame (reframing would solve), otherwise good 49444-3 (1,500-2,500) – Lot 1036

JOSEPH MCGURL (American, 1958-) “LIGHT EFFECT MAINE”.

Oil on panel Housed in an ebonized carved wood frame Signed lower right “Joseph McGurl”, signed on verso “Joseph McGurl 1102″ SIZE: 9″ x 12″. Overall 16-1/2″ x 19-1/2”. CONDITION: Very good to excellent 49407-1 (2,000-4,000) – Lot 1037

JOSEPH MCGURL (American, 1958-) “PLEIN AIR STUDY OF A FRIENDSHIP SLOOP”.

Oil on Masonite Housed in a modern carved giltwood frame Signed lower right “Joseph McGurl”, signed and titled on verso SIZE: 8-3/4″ x 11-3/4″. Overall 16-1/4″ x 19-1/4″. CONDITION: Very good to excellent with possible artist minor retouch 49407-2 (1,500-2,500) – Lot 1038

KENNETH J. KNOWLES (American, 1968-) “CHRISTMAS COVE”, MAINE.

Oil on Masonite Housed in a modern giltwood frame Signed lower right “Ken Knowles”, signed, dated and titled on verso “Christmas Cove, ME/Ken Knowles ’11” SIZE: 19-3/4″ x 24″. Overall 25-1/2″ x 29-3/4″ CONDITION: Very good 49191-8 (2,000-3,000) – Lot 1039

HENRY MARTIN GASSER (American, 1909-1981) MONHEGAN HARBOR.

Watercolor on paper Housed in a contemporary decorative frame with ivory mat Signed & inscribed lower right “To Ray Armellino H Gasser demonstration 64″ SIZE: Sight: 21-3/4″ x 30-1/4”. Overall: 30-3/4″ x 38-3/4″ CONDITION: Very good 49363-3 (2,000-4,000) – Lot 1040

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WALDO PEIRCE (American, 1884-1970) “MASTERPIECES AT WILDENSTEINS”.

Oil on canvas Unframed Initialed and dated lower right “WP 61”, titled, dated and inscribed on verso “Lone Exhibition/Masterpieces at Wildensteins/April 6-to May 7 1961″ SIZE: 22″ x 30”. PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-8 (1,500-2,500) – Lot 1041

WALDO PEIRCE (American, 1884-1970) “SIRENS OF SEARSPORT”.

Oil on canvas Housed in a flat wood frame Initialed & dated lower right “WP 66” Signed, dated & titled on verso & inscribed “For Karen Peirce from Papa” SIZE: 22″ x 36″. Overall: 22-1/2″ x 36-1/2″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-23 (4,000-6,000) – Lot 1042

WALDO PEIRCE (American, 1884-1970) TWO FLORAL STILL LIFES.

Two oils on canvas One housed in a white wood frame the other is unframed 1) Still life of daisies on red chair, signed, dated and inscribed “For Ellen 5 Nov 98/WP”, signed, dated and inscribed on verso “That Homo Crapieus Nixon Has Been Elected/Belongs to Ellen Peirce” 2) Flowers in a vase, initialed lower right “WP.”, signed, dated and inscribed on verso “March 1945 Flowers” SIZE: 1) 24″ x 16″. Overall 25-3/4″ x 17-1/2″. 2) 18″ x 24″. PROVENANCE: Directly from the artist, descending through the family CONDITION: 1) Very good 2) Surface grime and scratches 49283-9 (1,500-2,500) – Lot 1043

WALDO PEIRCE (American, 1884-1970) “BULL IN SPRINGTIME”.

Oil on canvas Housed in a Carl Sandelin carved and painted wood frame Initialed & dated lower left “WP 52″ Signed, dated & titled on verso Bears Midtown Gallery label on frame Also bears John W Peirce Gallery label on stretcher SIZE: 31″ x 43”. Overall: 39″ x 51″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Surface grime with minor scratches, very good 49283-20 (3,000-5,000) – Lot 1044

WALDO PEIRCE (American, 1844-1970) “THE LITTLE BRIDGE WITH BATHERS”.

Oil on canvas Housed in a Heydenryk carved and painted wood frame with linen liner Initialed and dated lower right “WP ’67”, signed, dated and inscribed “WPeirce ’67 Searsport/The Little Bridge with Bathers”, bears Midtown Galleries New York label on cardboard backing SIZE: 36″ x 18″. Overall 43″ x 25″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-5 (2,500-4,000) – Lot 1045

WALDO PEIRCE (American, 1884-1970) WOMAN KNITTING.

Oil on canvas Housed in a modern silver painted wood frame Initialed lower left “WP.” SIZE: 20″ x 16″. Overall 25″ x 20-1/4″. CONDITION: Very good 49349-2 (1,000-2,000) – Lot 1046

WALDO PEIRCE (American, 1884-1970) “BATHER BY THE SEA” AND “HORSES BY THE SEA”.

Two oils on canvas Unframed 1) “Horses” initialed and dated lower left “WP. 24 Sept ’68”, signed, dated and titled on verso 2) “Nude” initialed and dated lower left “WP. ’64”, signed, dated and titled on verso, bears Midtown Gallery on stretcher SIZE: 1) 16″ x 20″. 2) 16″ x 12″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-10 (1,500-2,500) – Lot 1047

WALDO PEIRCE (American, 1884-1970) “OXEN, SPAIN” AND “SPANISH SHEPHERDS”.

Two oils on canvas Unframed Initialed lower right “WP”, titled and dated on verso “1956” SIZE: 1) “Oxen” 18″ x 30″. 2) “Shepherds” 18″ x 24″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 49283-12 (800-1,200) – Lot 1048

WALDO PEIRCE (American, 1884-1970) “RAMS SKULL BY THE SEA”.

Oil on canvas Housed in a slat wood frame Initialed and dated lower right “WP ’53”, signed, dated and titled “For Ellen/WPierce/Rams Skull by the sea/1953” on verso, stretcher bears exhibition label fragment from “Galerie Georges Giroux, Brussels” SIZE: 18″ x 36″. Overall 18-3/4″ x 36-3/4″. PROVENANCE: Directly from the artist, descending through the family CONDITION: Canvas buckle upper left, small pin holes, otherwise good 49283-13 (500-1,000) – Lot 1049

AIDEN LASSELL RIPLEY (American, 1896-1969) ALONG THE MAINE COAST.

Watercolor on paper Housed in a silver gilt molded wood frame with two mats Signed lower left “A Lassell Ripley A.N.A.” SIZE: Sight: 18-1/4″ x 29″. Overall: 27-3/4″ x 38-1/2″ CONDITION: Very good 49356-14 (3,000-5,000) – Lot 1050

ATTRIBUTED TO ABRAHAM BOGDANOVE (American, 1887-1946) TWO SIDED: ROCK STUDY, MONHEGAN AND SUNSET.

Oil on board Housed in a modern giltwood frame Unsigned, Rock study on front with a sunset and cloud study on the reverse SIZE: 11″ x 14″. Overall 12-1/2″ x 15-3/4″. CONDITION: Good with minor chips and losses along the right edge 49385-1 (400-600) – Lot 1051

JOHN WYETH (American, 1894-1980) “WHITE POPLARS AT EPISKOPI”.

Oil on canvas Housed in a French paint decorated carved wood frame Signed lower left “Wyeth”, bears exhibition label on verso with title, artist, and owners name Exhibited: “Survey of American Paintings,” Carnegie Institute, Pittsburgh, PA. October 24th to December 15th, 1940 SIZE: 29″ x 36″. Overall: 38-1/2″ x 48″ PROVENANCE: Frank K.M. Rehn, New York CONDITION: Area of restoration in building, craquelure in sky, otherwise good 49117-1 (800-1,200) – Lot 1052

ANN WYETH MCCOY (American, 1915-2005) & MAUDE ROBIN MCCOY (American, 20th Century) TWO INTERIOR WATERCOLORS.

1) Ann McCoy: “FILTERED LIGHT”, Watercolor on paper, matted and framed under glass in contemporary frame. Signed lower left “Ann Wyeth McCoy” 2) Maude McCoy: INTERIOR VIEW WITH WINDOW, Watercolor on paper, matted and framed under glass in contemporary frame. Signed lower right “Maude Robin McCoy” SIZE: 1) 23-3/4″ x 17-3/4″. Overall: 33-1/2″ x 27-1/2″ 2) 19-1/4″ x 12-1/2″. Overall: 26-1/4″ x 22″ CONDITION: Very good, not examined out of frames 49044-1 (2,000-4,000) – Lot 1053

TWO FRAMED AMERICAN INTAGLIO PRINTS (20th century).

Including: Stow Wengenroth (American, 1906 – 1978) “Boothbay Harbor, Maine”, Edition of 75, c. 1937, lithograph signed lower right “Stow Wengenroth”; and Luigi Lucioni (American, 1900 – 1988) “Two Silos”, signed lower right “Luigi Lucioni” etching. Both matted and framed under glass SIZE: Lithograph 11-1/4″ x 15-3/4″. Etching 8″ x 12-1/2″. Overall largest 19-1/2″ x 23-1/4″ CONDITION: Very good, not examined out of frame 49111-17 (500-800) – Lot 1054

GEORGE ANDERSON (Canadian, 1931-) “HAULING THE SKIFF”.

Oil on canvas Housed in a modern white painted wood frame Signed, dated and titled on verso “Hauling The Skiff/George Anderson 2002”, numbered “428” SIZE: 19″ x 22″. Overall 24-1/2″ x 27-3/4″ CONDITION: Very good 49321-2 (800-1,200) – Lot 1055

LEONARD LANE (American, 1910-1978) “SOFTLY INTO NIGHT”.

Oil on canvas Housed in a modern carved wood frame with white liner Signed lower left “Leonard C. Lane” SIZE: 20″ x 26″. Overall 29-1/2″ x 35-1/2″. CONDITION: Very good. 49341-6 (1,500-2,000) – Lot 1056

ROBERT GRUPPE (American, 1944-) “REED’S WHARF”.

Oil on canvas Housed in a painted wood frame with linen liner Signed lower right “Robert C. Gruppe”, titled on verso stretcher SIZE: 30″ x 36″. Overall: 36″ x 42″ CONDITION: Very good 48980-1 (2,000-4,000) – Lot 1057

WAYNE MORRELL (American, 1923-2013) “SEASIDE RESIDENCE”.

Oil on board Housed in a carved giltwood frame Signed lower right “Wayne Morrell”, signed, titled and dated on verso “Seaside Residence – Rockport – July – 2001 by Wayne Morrell” SIZE: 24″ x 30″. Overall 33″ x 39″. CONDITION: Very good, board slightly warped 49405-1 (1,500-2,500) – Lot 1058

WAYNE MORRELL (American, 1923-2013) FRONT BEACH, ROCKPORT.

Oil on Masonite Housed in a modern gilt wood frame Signed lower left “Wayne Morrell” SIZE: 9″ X 12″. Overall: 16″ x 19″ CONDITION: Very good 1065-5 (800-1,200) – Lot 1059

WAYNE MORRELL (American, 1923-2013) “THE RED BARN”.

Oil on canvas board Housed in a modern carved giltwood frame Signed and inscribed lower right “Wayne Morrell/Bucks County Barn,” titled, dated and signed on verso “The Red Barn/Bucks County PA by Wayne Morrell/1987″ SIZE: 23-3/4″ x 29-3/4″. Overall 34″ x 39-1/2”. CONDITION: Very good 49191-60 (5,000-7,000) – Lot 1060

EMILE A GRUPPE (American, 1896-1978) “HAZY DAY GLOUCESTER”.

Oil on canvas Housed in its original carved giltwood frame Signed lower right “Emile A. Gruppe”, also titled verso canvas SIZE: 25″ h x 30″ w. Overall 29-1/2″ h x 34-1/2″ w. CONDITION: Very good. 49356-12 (8,000-12,000) – Lot 1061

EMILE A GRUPPE (American, 1896-1978) BOATS IN HARBOR.

Oil on canvas Housed in a carved giltwood frame Signed lower right “Emile A. Gruppe” SIZE: 24″ x 20″. Overall 27-1/2″ x 23-1/2″. CONDITION: Very good. 49356-5 (6,000-8,000) – Lot 1062

EMILE A. GRUPPE (American, 1896-1978) “SURF CASTING”.

Oil on canvas Housed in a carved wood naturalistic frame with white liner Signed lower right “Emile A. Gruppe”, also titled and signed on stretcher SIZE: 25″ h x 30″ w. Overall 33-1/2″ h x 38-1/2″ w CONDITION: Very good 49356-11 (7,000-9,000) – Lot 1063

WILLIAM JAMES GLACKENS (American, 1870-1938) “ROCKPORT, MASS 1936 NO. 3”.

Oil on board Pencil signed and titled on verso Two Adams Davidson Galleries labels affixed to verso, one indicating a title “Bathers at Rockport, 1936” and being exhibited in the “Washington Collects Exhibition February 19-April 7 1981” and illustrated as figure 32 in the catalog. The other label, which appears to be newer indicated title “Beach at Rockport”. Housed in a fine replacement gold gesso decorated frame Accompanying this painting is a signed letter from Ira Glackens dated October 1978 to Anne Denton Blair on his stationary “Dear Annie – This little study of a beach, measuring 12″ x 16″, was painted by father at Rockport, Mass, in 1936. I remember the water as frigid, having visited Pa & Ma for a few days there, & this place was better for painting than bathing! There exists several studies of this place, but feel lucky you do not have to go in that icy water! yours affectionately, Ira Glackens”. Also two receipts from Adams Davidson Gallery dated December 3rd, 1980 and February 12th 1981 REFERENCE: William Glackens and The Eight by Ira Glackens, page 255-256 “W.& E. Sailed for New York on July, 22nd, as planned… they fled to Rockport Massachusetts…and W. produced a few studies of the beach…” SIZE: 11-1/2” x 15-1/4”. PROVENANCE: Descended in the Blair family; Sold James D. Julia auction 8/24/2005; Private Collection CONDITION: Very good 49288-1 (175,000-250,000) – Lot 1064

ALDRO THOMPSON HIBBARD (American, 1886-1972) ROCKY COASTLINE VIEW WITH SAILBOAT.

Oil on Masonite Housed in a painted wood frame with white liner Signed lower right “A.T. Hibbard” SIZE: 18″ x 24″. Overall 23″ x 28-1/4″. CONDITION: Good, minor surface grime, large vertical cracks to paint surface 49321-5 (4,000-6,000) – Lot 1065

ANTHONY THIEME (American, 1888-1954) THE BLUE BOAT HOUSE, AUTUMN.

Oil on canvas Housed in a modern giltwood frame Signed lower left “A. Thieme” SIZE: 30″ x 36″. Overall 35-1/2″ x 41-3/4″. PROVENANCE: By descent, acquired directly from the artist by our consignor’s parents CONDITION: Very good, minor inpaint 49310-1 (8,000-10,000) – Lot 1066

MAX KUEHNE (American, 1880-1968) BOATS OFF ROCKPORT.

Oil on board Housed in a giltwood frame Signed lower right “Kuehne” SIZE: 26″ x 28-1/2″. Overall 32-1/2″ x 35-1/2″ PROVENANCE: The Crane Estate, Ipswich, Massachusetts. Private collection, acquired from the above. Christie’s, New York, June 18th, 2013, lot 184. CONDITION: Good condition, with restoration 49356-13 (7,000-10,000) – Lot 1067

STANLEY W WOODWARD (American, 1890-1970) CRASHING WAVES.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Stanley W. Woodward,” bears label fragment on frame verso SIZE: 30″ x 36″. Overall 35-1/2″ x 41-1/2″. CONDITION: Good, lined, restretched, scattered inpaint 49191-61 (5,000-7,000) – Lot 1068

MORRIS HALL PANCOAST (American, 1877-1963) “AN ARTISTS’ TOWN” (ROCKPORT).

Oil on canvas Housed in its original gilt carved wood frame Signed lower right “Morris Hall Pancoast” NOTE: Two letters and envelope accompany this lot. The first a letter from Minnie Pancoast, hand written, indicating to a Mrs. Acker that she should buy this painting which was being shown at the National Academy Exhibit and mentions the title of this painting. The second letter is from Morris Pancoast to Mrs. Finley Acker dated May 22, 1929 thanking her for purchasing the painting and adding it to her fine collection. The letter is signed by the artist. SIZE: 28″ x 32″. Overall 32-1/2″ x 36-1/2″ CONDITION: Very good original condition 49424-1 (4,000-6,000) – Lot 1069

UNSIGNED (American, first half of 20th century) GLOUCESTER MIRROR WITH FOUR GOOD HARBOR BEACH GLOUCESTER SCENES.

Oil on panel Housed in a very decorative 6-part over the mantel mirror Unsigned SIZE: Paintings: two are 17-3/4″ x 12″. Two are 4″ x 12″. Overall: 26-1/2″ x 60″ CONDITION: Paintings very good with discolored varnish and dirt. Mirror has some silver loss, generally good 49237-5 (1,000-2,000) – Lot 1070

EMILLE A GRUPPE (American, 1896-1978) “CLOUDS OVER VERMONT”.

Oil on canvas Housed in period gilt wood frame Signed lower left “Emile A. Gruppe”, titled and signed on stretcher “Autumn Landscape, Emile A. Gruppe”, alternately titled “Clouds Over Vermont” on label affixed to backing SIZE: 20-1/2″ x 24″. Overall: 23-1/4″ x 27-1/4″ CONDITION: Very good 49216-1 (8,000-12,000) – Lot 1071

EMILE A. GRUPPE (American, 1896-1978) “THE MOUNTAIN OVERLOOK”.

Oil on board Housed in a period carved giltwood frame Signed lower right “Emile A. Gruppe” SIZE: 12″ x 16″. Overall 20″ x 24″. CONDITION: Very good 49356-8 (5,000-7,000) – Lot 1072

EMILE A GRUPPE (American, 1896-1978) ASPENS IN FALL.

Oil on canvas Housed in a contemporary silvered frame Signed lower left “Emile A. Gruppe” SIZE: 25″ x 30″. Overall: 28-1/2″ x 33-1/2″ CONDITION: Very good 46010-2 (4,500-6,500) – Lot 1073

EMILE A GRUPPE (American, 1896-1978) “BEECHES IN WINTER”.

Oil on canvas Housed in a carved giltwood frame Signed lower right “Emile A. Gruppe,” titled on verso stretcher SIZE: 24″ x 20″. Overall 31-1/2″ x 27″. CONDITION: Very good. 49356-2 (7,000-10,000) – Lot 1074

CHARLES P GRUPPE (American, 1860-1940) “PASTURE IN DUMA, HOLLAND”.

Oil on canvas Housed in a gilt wood frame Signed lower left “Chs. P. Gruppe” SIZE: 14″ x 20″. Overall: 21-1/2″ x 27-1/2″ CONDITION: Good restored condition, lined, several small areas of retouch in sky, 2 inch restoration upper right in trees, minor scattered retouch on edges. 1055-1 (8,000-12,000) – Lot 1075

CHARLES P GRUPPE (American, 1860-1940) SHEEP AT EDGE OF WOOD.

Oil on canvas Housed in a giltwood frame (with gilt loss) Signed lower left “Chas P. Gruppe” SIZE: 24″ x 19-1/2″. Overall 29″ x 24″. CONDITION: Very good, lined, frame 49356-6 (2,500-3,500) – Lot 1076

HARRY AIKEN VINCENT (American, 1864-1931) GROVE OF TREES IN AUTUMN.

Oil on board Housed in a modern gilt wood frame Signed lower right “H.A. Vincent”, inscribed on verso, “Harry Aiken Vincent, A.N.A. 1864 – 1931”, also bears Frederick Loeser and Co. Art Gallery label with owner listed as “Miss E.C. Bannister” on verso SIZE: 9-3/4″ x 7-7/8″. Overall: 17-3/4″ x 15-3/4″ PROVENANCE: Based on the label affixed to the reverse, this painting may have been in the collection of noted Brooklyn Portrait painter Eleanor C. Bannister who passed away in 1939 in her 109 Cambridge Place Residence. CONDITION: Overall good, minor touch up 1072-2 (2,000-4,000) – Lot 1077

WILLIAM LESTER STEVENS (American, 1888-1969) “AFTER THE STORM”.

Oil on canvas Housed in a carved giltwood frame Signed lower right “W.Lester Stevens. N.A.” SIZE: 30″ x 36″. Overall 39″ x 45-1/4″ CONDITION: Very good 49340-5 (8,000-12,000) – Lot 1078

WILLIAM LESTER STEVENS (American, 1888-1969) STREAM IN WINTER.

Oil on canvas Housed in original wood frame with gilt highlights Signed lower right “W. LESTER STEVENS”, dated on verso “June 14, 1941″ SIZE: 22″ x 26”. Overall: 25-3/4″ x 29-3/4″ CONDITION: Yellowed varnish and surface grime, minor craquelure, thin paint in water area 1105-3 (1,500-2,500) – Lot 1079

ALDRO THOMPSON HIBBARD (American, 1886-1972) “MOUNT MANSFIELD, JEFFERSON VERMONT”.

Oil on board Housed in modern gilt wood frame Signed lower right “A.T. Hibbard” SIZE: 17-3/4″ X 23-3/4″. Overall: 24-1/2″ x 30-1/2″ CONDITION: Yellowed varnish, some scattered inpainting in mountain and sky, otherwise very good 1065-2 (5,000-7,000) – Lot 1080

ALDRO THOMPSON HIBBARD (American, 1886-1972) “SUGAR HOUSE NEAR JAMAICA VT”.

Oil on canvas Housed in a modern gilt molded wood frame with linen and gilt liner Signed lower right “AT Hibbard C.W.” also estate stamped on reverse with title SIZE: 18″ h x 24″ w. Overall 25″ h x 31″ w. PROVENANCE: Private collection Charlottesville, VA. Purchased directly from the artist. CONDITION: Very good. 49205-10 (5,000-7,000) – Lot 1081

ALDRO THOMPSON HIBBARD (American, 1886-1972) “THE COVERED BRIDGE SWIFTWATER N.H.”.

Oil on canvasboard Housed in a fine gilt frame with gilt liner with gilt artist and title plaque Signed lower right “AT Hibbard” also pencil identified on back “Painted in the 1940’s, last of Feb” SIZE: 18″ h x 24″ w. Overall 25″ h x 31″ w. PROVENANCE: Sotheby’s Arcade New York, 09/22/1987. From a fine Maryland home. CONDITION: Very good. 49460-1 (7,000-9,000) – Lot 1082

EMILE A. GRUPPE (American, 1896-1970) “GLOUCESTER IN WINTER”.

Oil on board Housed in a Guido giltwood frame Signed lower right “Emile A. Gruppe,” titled on verso SIZE: 12″ x 16″. Overall 16″ x 20″. PROVENANCE: The John F. Gale Collection, Cambridge, Massachusetts. CONDITION: Very good 49356-4 (6,000-8,000) – Lot 1083

EMILE A GRUPPE (American, 1896-1975) NYMPH.

Oil on board Housed in a carved wood frame with white liner Signed lower right “Emile A. Gruppe” titled on verso “‘Nymph’ by Emile A. Gruppe” SIZE: 20″ x 16″. Overall 26″ x 22″. CONDITION: Very good 49356-9 (7,500-10,000) – Lot 1084

EMILE A. GRUPPE (American, 1896-1978) “NORTH EASTER”.

Oil on canvas Housed in its original decorative wood frame Signed lower right “Emile A. Gruppe” SIZE: 30″ h x 36″ w. Overall 36″ h x 42″ w CONDITION: Very good 49356-10 (5,000-7,000) – Lot 1085

EMILE A GRUPPE (American, 1896-1978) “THE OLD IPSWICH CHURCH”.

Oil on canvas Housed in a gilt wood frame Signed lower right “Emile A. Gruppe”, titled on verso SIZE: 30″ x 36″. Overall 34-1/2″ x 40-1/2″. CONDITION: Minor surface grime and craquelure. 49298-1 (4,000-6,000) – Lot 1086

EMILE ALBERT GRUPPE (American, 1896-1978) MRS. LORENZO, STRAITSMOUTH LIGHT, ROCKPORT MASS.

Oil on canvas Housed in a carved gilt replacement frame Signed lower right “Emile A Gruppe” Identified on verso of stretcher, also indicating this painting is from the Dorothy R Gruppe Estate SIZE: 24″ x 20″. Overall 31-3/4″ x 27-1/2″ CONDITION: Very good 49400-12 (3,500-5,500) – Lot 1087

JANE PETERSON (American, 1876-1965) MOTIF #1, ROCKPORT.

Gouache on paper Housed in a contemporary giltwood frame, matted under glass Signed lower right “Jane Peterson.” SIZE: 13-1/2″ x 11″. Overall 20-1/2″ x 18″. CONDITION: Full sheet visible, very good 49191-59 (5,000-8,000) – Lot 1088

HENRY ELLIS MATTSON (Swedish-American, 1887-1971) SUNLIT SAILS, ROCKPORT MASS.

Oil on canvas Housed in a carved wood frame Signed lower right “-Mattson” SIZE: 30″ x 40″. Overall: 36-1/2″ x 47″ CONDITION: Minor surface grime, minor craquelure and stretcher mark right edge, yellowed varnish, inpainting to upper right corner, otherwise very good 49111-16 (1,000-1,500) – Lot 1089

WILLIAM MALHERBE (American, 1884-1951) “GLOUCESTER”.

Oil on board Housed in a modern giltwood frame Signed and dated lower right “William Malherbe. 1940.” signed, titled and dated on verso SIZE: 15″ x 18″. Overall 19-3/4″ x 22-3/4″. CONDITION: Very good 49410-1 (1,500-2,500) – Lot 1090

DON STONE (American, 1929-2015) “ROCKY NECK RAILWAYS” GLOUCESTER.

Oil on canvas board Housed in modern gilt wood frame Signed lower right “Don Stone”, Inscribed on verso “Rocky Neck Railways, By Don Stone” SIZE: 11″ x 14″. Overall: 15-1/2″ x 18-3/4″ CONDITION: Very good 1065-3 (2,000-3,000) – Lot 1091

THOMAS M NICHOLAS (American, 1963-) BOATYARD IN WINTER.

Oil on board Housed in a giltwood frame Signed lower left “T.M. Nicholas” SIZE: 9″ x 12″. Overall 15-7/8″ x 18-7/8″ CONDITION: Very good 49371-10 (1,500-3,000) – Lot 1092

PAUL STRISIK (American, 1918-1998) “THE INLET WEST GLOUCESTER OCT 1964”.

Oil on masonite Housed in its original gilt wood frame with canvas and white painted wood liner Signed lower right “P. Strisik” On verso of board artist label with title, also location label SIZE: 16″ x 24. Overall 23″ x 31″ CONDITION: Very good 48742-1 (1,000-1,500) – Lot 1093

PAUL STRISIK (American, 1918-1998) “MOUNTAIN RANCH”.

Oil on panel Housed in a modern gilt frame with linen liner Signed lower left “P. Strisik”, bears artist’s label and labels from The Rockport Art Association exhibition for their major Strisik Retrospective, and The Jones Gallery, on verso SIZE: 8″ x 10″. Overall: 15-1/4″ x 17-1/4″ CONDITION: Very good 1065-1 (1,500-2,500) – Lot 1094

PAUL STRISIK (American, 1918-1998) “QUIET MEADOWS”.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “Paul Strisik” Also having on verso artist label with title SIZE: 12″ x 16″. Overall 14-1/2″ x 18-1/2″ CONDITION: Very good 49383-1 (1,000-2,000) – Lot 1095

PETER L. TYSVER (American, 1948-) “STUDY FOR EQUINOX BASS ROCKS, GLOUCESTER”.

Oil on canvas Housed in a contemporary carved gilt wood frame Signed lower left “P. Tysver” Signed, titled & dated “2004” on verso SIZE: 14″ x 20″. Overall: 21-1/2″ x 27-1/2″ CONDITION: Very good to excellent 47890-10 (300-500) – Lot 1096

JOHN TERELAK (American, 1942-) BOSTON PUBLIC GARDEN SWAN BOATS.

Oil on canvas Housed in a modern gilt wood frame Signed and dated lower right “J.C. Terelak (c) 91″ SIZE: 16″ x 20”. Overall: 25-1/4″ x 29-1/4″ CONDITION: Very good 1065-4 (3,000-5,000) – Lot 1097

CHARLES FRANCIS BROWNE (American, 1859-1920) A NATICK LANDSCAPE.

Oil on canvas Housed in a replacement gilt gesso decorated frame behind glass Signed lower left “C F Browne” SIZE: 16″ x 24″. Overall: 22-1/4″ x 30-1/4″ CONDITION: Inpainting to sky with corresponding patch on verso, otherwise very good 49368-8 (2,000-3,000) – Lot 1098

FRANK SHAPLEIGH (American, 1842-1906) “OLD BOATS AT COHASSET”.

Oil on board Housed in a modern carved gilt wood frame Signed and dated lower right “F.H. Shapleigh, 1862”, titled and inscribed on verso “Old boats at Cohasset, by F.H. Shapleigh” SIZE: 12-3/8″ x 7-3/8″. Overall: 17-1/4″ x 12-1/4″ PROVENANCE: Private Collection, Naples, FL CONDITION: Board slightly warped, scattered retouch around edges where board has suffered moisture damage 49205-2 (1,500-2,500) – Lot 1099

FRANK HENRY SHAPLEIGH (American, 1842-1906) “GREEN HILL, COHASSET”.

Oil on board Housed in a Hastings & Davenport gilt wood frame Signed lower left & dated “F.H. Shapleigh 1880″ Titled & signed on verso SIZE: 7-1/4″ x 12-1/2″. Overall: 15-1/4″ x 20-1/4”. CONDITION: Good with restoration upper right and 1/2″ area of in-paint in sky, frame has minor losses 47890-8 (2,000-3,000) – Lot 1100

CHARLES E GREEN (American, 1844-1915) COASTAL LANDSCAPE.

Oil on canvas Housed in a period gilt wood frame Signed lower right “C.E.L. Green” SIZE: 10″ x 14″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Craquelure, stretcher marks and yellowed varnish, otherwise very good, frame has chips to gilding 49019-1 (1,500-2,500) – Lot 1101

CHARLES E GREEN (American, 1844-1915) “AWAITING THE RETURN”.

Oil on canvas Housed in a period gilt wood frame Signed lower right “C.E.L. Green” SIZE: 10″ x 8″. Overall: 19-3/4″ x 17-3/4″ CONDITION: Craquelure, minor restoration in sky, otherwise very good 49054-3 (1,500-2,500) – Lot 1102

PAUL MANSHIP (American, 1885-1966) “ADJUTANT STORK”.

Bronze on stone base Signed on top of bronze base “PM 1932 AC” also signed on edge of base “Preissman Bauer & Co, Munich Bavaria” SIZE: Bronze only 14-1/4″ h. With base 15-1/2″ h. PROVENANCE: Copy of a Geraci Galleries, Rockport, Mass., exhibition label accompanies lot. From a fine Boston area home. CONDITION: Very good brown bronze colored patina with underneath scattered green spots. 49425-1 (30,000-50,000) – Lot 1103

KAHLIL GEORGE GIBRAN (American, 1922-2008) HANGING MAN.

Bronze plaque Signed lower left “K Gibran” SIZE: 15-1/4″ x 7-1/4″ CONDITION: Uneven finish with some pitting 1061-1 (800-1,200) – Lot 1104

JOHN TERKEN (American, 1912-1993) “LYRICA”.

Bronze Marked on the base “Lyrica”, John Terken Sc., Roman Bronze Works SIZE: 27″ h CONDITION: Very good with fine patina. 47520-1 (2,500-3,500) – Lot 1105

JANET SCUDDER (American, 1873-1940) “FROG BABY”.

Bronze Signed on base “Janet Scudder” Also “Roman Bronze Works, NY” SIZE: 12-1/4″ h. CONDITION: Nice verdigris patina, very good 49161-3 (4,000-8,000) – Lot 1106

JACOB EPSTEIN (Israel, 1921-2003) BRONZE BUST OF A MAN.

Bronze Signed on back “Epstein” SIZE: 17″ h x 20″ w x 11-1/2″ d. CONDITION: All over green patina, some unevenness with rubs and black spots. 49237-1 (2,000-4,000) – Lot 1107

THOMAS C. LINDSAY (American, 1839-1907) A VIEW OF MOUNT WASHINGTON IN MORNING LIGHT.

Oil on canvas Housed in a period gilt wood frame Signed lower left “T.C. Lindsay” SIZE: 9″ x 12″. Overall: 13″ x 16″ CONDITION: Craquelure, minor flake loss, tiny pin hole in center 49042-37 (3,000-5,000) – Lot 1108

WILLIAM R DAVIS (American, 1952-) “OPEN SKY, WHITE MOUNTAINS, NH”.

Oil on board Housed in a modern giltwood frame Signed lower left “W. Davis” signed and titled on verso SIZE: 6-1/2″ x 12-1/2″. Overall 12-3/4″ x 18-3/4″. CONDITION: Very good 49408-2 (2,000-4,000) – Lot 1109

JOHN JOSEPH ENNEKING (American, 1841-1916) “THE FOOT BRIDGE, TWILIGHT”.

Oil on canvas Housed in a modern giltwood frame Signed lower right “Enneking 01” Pierce Catalogue Raisonne label affixed to verso with title and registration number “IV-D-250.5″ SIZE: 18″ x 24″. Overall 25″ x 31”. CONDITION: Very good, lined, minor retouch 49356-1 (5,000-8,000) – Lot 1110

JOHN JOSEPH ENNEKING (American,1841-1916) SUNSET BEHIND WOODS AND STONEWALL.

Oil on canvas Housed in a replacement gilt frame with linen liner (with stains) Signed lower right “JJ Enneking” SIZE: 30-1/2″ h x 39-1/2″ w. Overall 35-1/2″ h x 44-3/4″ w. CONDITION: Lined, some inpainting, very good. 49368-6 (4,500-5,500) – Lot 1111

Revised: 8/14/2015

Please note: Great news, we have been contacted by Hyde Park, Massachusetts Historical Society and The Friends of the Hyde Park Library who are currently researching Enneking to memorialize him. They have advised us that this lot was executed Plein Air at Fowl Meadow in Hyde Park, MA. The elevation in the background is Great Blue Hill.

JOHN JOSEPH ENNEKING (American, 1841-1916) FIGURES CANOEING DOWN RIVER.

Oil on canvas board Housed in an ornate period gilt wood frame Signed and dated indistinctly lower right “Enneking 7…” SIZE: 8″ x 12″. Overall: 18-1/4″ x 22-1/4″ PROVENANCE: Acquired through the family of a Marblehead Massachusetts sculptor. CONDITION: Very minor paint loss lower right and scattered retouch in foreground and in hill, otherwise very good 49015-1 (4,000-6,000) – Lot 1112

JAMES (COLONEL) FAIRMAN (American, 1826-1904) “HUDSON RIVER LANDSCAPE”.

Oil on canvas Housed in a fine reproduction antique style gesso decorated gilt frame signed “A.P.F. Master Framemakers” Arader Galleries label on verso indicates a provenance of John Denver Exhibition label on verso “__ County Museum of Art, Los Angeles” with title and date “1864 Lent by John Denver” Signed lower right with partial signature remaining SIZE: 31-1/4″ x 52″. Overall: 40″ x 61″ CONDITION: Restored with inpainting, craquelure, otherwise very good 49207-2 (8,000-12,000) – Lot 1113

ROBERT SALMON (British/American, 1775-1848) “VIEW OF GREENOCK,” SCOTLAND.

Oil on panel Housed in a modern giltwood frame Unsigned SIZE: 7-3/4″ x 10-1/8″. Overall 14″ x 16″. PROVENANCE: The painting was on a double sided painting on panel. One side being this painting, the other being a nautical scene with several ships. The boards were separated and sold separately by Vose Gallery. This painting is accompanied by a 1977 appraisal done by marine Arts Gallery, MA. Also included are 7 35mm slides showing the separation process. CONDITION: Verso board has been reinforced, tiny craquelure, minor touchup 49165-2 (3,000-5,000) – Lot 1114

CHARLES EATON (American, 1857-1937) SUN SETTING BEHIND THE FOREST GLADE.

Oil on canvas Housed in a Newcomb Macklin gilt wood frame Signed lower right “CHAS. WARREN EATON” SIZE: 22″ x 16″. Overall: 28-1/2″ x 22-3/4″ CONDITION: Paint surface has horizontal craquelure stabilized by lining, vertical 2 inch restoration in tree upper right, and part of signature enhanced, frame has loss to gilding in several spots 1125-3 (5,000-7,000) – Lot 1115

CARL RUDOLPH KRAFFT (American, 1884-1938) “HAYSTACKS ON VILLAGE LAWN”.

Oil on canvas Housed in a ebonized wood frame with linen liner Signed lower left “Carl R. Krafft” bears photocopy of a Wally Findlay Galleries label on verso SIZE: 30″ x 36″. Overall 33″ x 39″. CONDITION: Surface grime, discoloration to liner, restoration lower right 49191-5 (5,000-7,000) – Lot 1116

BRUCE CRANE (American, 1857-1937) FALL LANDSCAPE.

Oil on canvas Housed in modern gilt wood frame Signed lower right “Bruce Crane” SIZE: 14″ x 20″. Overall: 20″ x 26-1/4″ CONDITION: Very good with 2 inch horizontal restoration upper right corresponding to patch on verso 1072-1 (4,000-6,000) – Lot 1117

JOSEPH FOXCROFT COLE (America, 1837-1892) PASTORAL LANDSCAPE WITH COWS.

Oil on canvas Housed in a period carved and molded gilt wood frame Signed lower right “J. Foxcroft Cole” Bears a museum exhibition label fragment bearing artists name on verso SIZE: 14-1/4″ x 20″. 24″ x 30″ overall CONDITION: Good, lined, minor retouch 49126-2 (1,500-2,500) – Lot 1118

WORTHINGTON WHITTREDGE (American 1820 – 1910) “PINE TREES, MINERVA”.

c. 1866-8. Oil on canvas Housed in a period carved gilt wood frame Signed lower right (obscured by frame) Literature: Janson, Anthony F. “Worthington Whittredge: Cambridge Monographs of American Artists,” Cambridge,1990, illustrated page 104. SIZE: 36″ x 14″. Overall: 43-1/4″ x 22″ CONDITION: Lined, very good. This lot is accompanied by photocopies of Anthony Jansons Monograph 49111-1 (8,000-12,000) – Lot 1119

ERIC SLOANE (American, 1905-1985) “SUMMER, CORNWALL BRIDGE, CONN”.

Oil on masonite Housed in its original white washed rustic wood frame Signed lower left “Summer-Sloane” Also signed & titled on verso along with an Abercrombie & Fitch Co. New York label SIZE: 24″ x 36″. Overall: 28-1/2″ x 40-1/2″ CONDITION: Very good 46466-1 (15,000-25,000) – Lot 1120

GUY CARLETON WIGGINS (American, 1883-1962) “CONN. WINTER-CORNWALL COVERED BRIDGE”.

Oil on canvas Housed in what appears to be its original carved gilt wood frame with wide carved gilt liner Titled and signed on verso of canvas Also signed lower left “Guy Wiggins NA” SIZE: 16″ x 20″. Overall 24-1/2″ x 28-3/4″ PROVENANCE: Louisiana Auction Exchange, INC. Dec 10th 1994 cover lot 65. Joseph’s Gallery March 29th 2003 lot 235. (Both auction catalogs accompany lot) CONDITION: Very good, discolored varnish layer, signature may have been strengthened at one time. 48604-1 (3,000-5,000) – Lot 1121

CHARLES GORDON HARRIS (American, 1891-1963) HOMESTEAD ON SPRINGTIME HILLSIDE.

Oil on canvas Housed in its original white painted molded wood frame Signed lower right “C Gordon Harris” SIZE: 25″ x 30″. Overall 30″ x 35″ CONDITION: Very good 48720-1 (1,000-2,000) – Lot 1122

WALTER EMERSON BAUM (American, 1884-1956) “CITY HOTEL”.

Oil on Masonite Housed in a modern giltwood frame Signed lower right “W.E. Baum ’49” also having on verso two exhibition labels, one from “The Ohio Valley Oil And Water Color Show, 1951”, the other “American Water Color Society, 1950″, written on verso is a list of four locations that it was exhibited including Pennsylvania Academy of Fine Arts SIZE: 24″ h x 30″ w. Overall 31-1/2″ h x 37-1/2” w. PROVENANCE: Property from the collection of Robert Dickerman, New York, NY. CONDITION: Very good. 49205-11 (6,000-9,000) – Lot 1123

WALTER EMERSON BAUM (American, 1884-1956) SELLERSVILLE WINTER.

Oil on canvas Housed in a carved giltwood frame Signed and dated lower right “W.E. Baum 1925″, titled , dated and artist inscribed on verso stretcher SIZE: 16″ x 20″. Overall 19-3/4″ x 23-3/4”. CONDITION: Good, craquelure, surface grime, and small patch verso 49134-1 (3,000-5,000) – Lot 1124

FERN ISABEL KUNS COPPEDGE (American, 1883-1951) SUNLIT COLONIAL.

Oil on wood panel Housed in a modern gilt molded wood frame Signed lower right “Fern I Coppedge” Label on verso indicates from the Vincent Price Collection SIZE: Sight: 19″ x 17-3/4″. Overall: 23-3/4″ x 22-1/2″ CONDITION: Very good 49446-3 (5,000-8,000) – Lot 1125

JOHN FALTER (American, 1910-1982) THE LOG CABIN.

Oil on board Housed in a giltwood frame with linen liner Initialed lower left “JF”, label on verso states “This was painted by John Falter. Mother got it from him” SIZE: 13-3/4″ x 18″. Overall 20-1/4″ x 24″. CONDITION: Very good. 49247-4 (1,000-1,500) – Lot 1126

GUY WIGGINS (American, 1883-1962) “ST PATRICKS”.

Oil on canvas Housed in a silver gilt frame Signed lower left “Guy Wiggins”, titled, signed and dated on verso “1935/St Patricks/Guy Wiggins” NOTE: Accompanying the painting is a handwritten letter from Guy Wiggins dated June 15, 2015, indicating that the work is by his father Guy C. Wiggins. SIZE: 24″ x 20″. Overall: 30-1/2″ x 26-3/4″ CONDITION: Overall good with craquelure in white pigment in foreground 48550-1 (10,000-15,000) – Lot 1127

GEORGE GARDNER SYMONS (American, 1863-1930) THE STONE MILL IN WINTER, BRONX, NEW YORK.

Oil on board Housed in a giltwood frame Signed lower left “Gardner Symons”, inscribed on verso “Irene Trevekkow(?), Bronxville NY #23″ NOTE: The Lorillard Snuff Mill (currently known as the Lillian and Amy Goldman Stone Mill) is located on the grounds of the New York Botanical Gardens in the Bronx, New York. The mill was built in 1840 along the Bronx River by the Lorillard family and is the oldest existing tobacco manufacturing building in the United States. It was designated a National Historic Landmark in 1976/77 SIZE: 21-3/4″ x 17-1/2”. Overall 29-1/4″ x 25-1/2″ CONDITION: Very good, with scattered retouch 49340-1 (8,000-12,000) – Lot 1128

ERNEST LAWSON (American, 1873-1939) CENTRAL PARK, NEW YORK.

Oil on board Housed in a wood frame with linen liner Signed lower left “E. Lawson” SIZE: 10″ x 8″. Overall 18-1/4″ x 16-1/4″. CONDITION: Craquelure, minor paint loss, inpaint. 49247-1 (2,000-3,000) – Lot 1129

ERNEST LAWSON (American, 1873-1939) LANDSCAPE WITH TREES, HOUSES AND FIGURES.

Oil on board Housed in a good gesso decorated gilt frame Stamped M.Q.F.C. Signed lower right “E. Lawson” NOTE: Acompanying painting is a certificate of appraisal & authentication dated July 02, 2007 from Richard Carta, Jr. SIZE: 8″ x 10″. Overall 14″ x 16″ CONDITION: Surface dirt, otherwise very good 48604-5 (4,000-6,000) – Lot 1130

PAUL CORNOYER (American, 1864-1923) “RIVERSIDE”.

Oil on canvasboard Housed in a reproduction antique style frame with linen liner Signed lower right “Paul Cornoyer” Also titled on typed label on reverse SIZE: 10″ x 14″. Overall 17″ x 21″ CONDITION: Very good 48604-4 (5,000-8,000) – Lot 1131

UNSIGNED (American School, Mid 19th Century) TERRAPIN TOWER, HORSESHOE FALLS.

Oil on chamfered wood panel Housed in a black and gold painted molded wood frame Unsigned NOTE: Terrapin Tower was owned by the Porter brothers from 1816 to 1885. They set up a toll gate on a bridge to Goat island and on a group of rocks they erected a viewing tower with a 300 foot long plank walkway from Goat island to 10 feet beyond the crest line of Horseshoe Falls. They collected 25 cents from each person crossing the bridge. It was in 1829 the tower was built. Admission was an additional 10 cents. In 1872 the tower was blown up with plans for a new tower which were never executed. SIZE: 17-1/2″ x 24″. Ocerall 20-1/4″ x 26-1/2″ PROVENANCE: From a Downeast Maine Home CONDITION: Very good with some digs and blemishes to surface. Sliver of top left corner edge missing. On verso of panel it has been whitewashed which obscures some writing and under black light the date “1856” is seen. 48842-12 (1,200-1,800) – Lot 1132

MANNER OF ALVIN FISHER (American, 1792-1863) HUDSON RIVER SCHOOL VIEW OF NIAGARA FALLS.

Oil on canvas Housed in a period carved gilt wood frame Unsigned SIZE: 20-3/4″ x 34″. Overall: 29″ x 42-1/2″ CONDITION: Lined, craquelure, some restoration in sky and scattered retouch 49054-4 (800-1,200) – Lot 1133

ATTRIBUTED TO THOMAS CHAMBERS (Anglo-American, 1808-1866) CASTLES ON A RIVER.

Oil on canvas Housed in a period gilt gesso and wood frame Unsigned NOTE: Kathleen A. Foster notes in the Catalog for the Chamber’s exhibition, Thomas Chambers: American Marine and Landscape Painter, 1808-1869 that “at least a dozen paintings…combine the exotic appeal of the East and the legendary beauty of the Rhine Valley into the most fantastic landscapes in Chambers’ repertory.” She also notes that these were often produced in pairs. The frame also appears to be original as it is an extremely close match to several of those know to have been used by Chambers and further discussed by Ms Foster in the catalog. Additionally the dimensions of 22” x 30” are common for his works and this series in particular. SIZE: 22″ x 30”. Overall: 28″ x 36″ CONDITION: Lined, tack edge reinforced with a linen strip-lining 49088-1 (3,000-5,000) – Lot 1134

MANNER OF ERASTUS SALISBURY FIELD (American, 1805-1900) ALLEGORICAL LANDSCAPE WITH TAJ MAHAL.

Oil on canvas Unframed Unsigned SIZE: 29″ x 42″ CONDITION: Frame abrasions along edges including gilt residue, minor scattered retouch in sky 49088-2 (1,500-2,500) – Lot 1135

ATTRIBUTED TO WILLIAM MATTHEW PRIOR (American, 1806-1873) MOONLIT LANDSCAPE.

Oil on canvas Housed in a giltwood frame Unsigned SIZE: 24″ x 20″. Overall 27-1/2″ x 31-1/2″. CONDITION: Lined, surface grime, large vertical restored crack upper left, old restoration, canvas buckle, frame over painted with losses 49369-16 (1,500-2,500) – Lot 1136

ATTRIBUTED TO ARTHUR FITZWILLIAM TAIT (American, 1819-1905) TAKING AIM.

Oil on canvas Housed in an elaborately carved oak leaf giltwood frame Unsigned SIZE: 26″ x 36″. Overall 34-1/4″ x 44-1/4″. CONDITION: Good, restored condition, lined, inpaint, minor chips to frame 49246-4 (5,000-8,000) – Lot 1137

ARTHUR FITZWILLIAM TAIT (American, 1819-1905) SMALL GROUP OF DEER INCLUDING AN ALBINO STAG.

Oil on canvas Housed in its original fine gesso decorated gilt frame with gilt liner Signed lower right “AF Tait” Reference: In Cadbury/Marches Checklist of Tait’s work there are several possible “group of deer” paintings of this size listed (53.11; 58.7; 59.21; 60.27; 72.17 amongst others) SIZE: 9-1/3″ x 11″. Overall 15″ x 16-3/4″ CONDITION: Inpainting, very good. 49400-3 (4,000-6,000) – Lot 1138

JOSEPH FOXCROFT COLE (American 1837-1892) “PASTORAL LANDSCAPE WITH COWS.

Oil on canvas Housed in a period molded giltwood frame Signed and dated lower left “J Foxcroft Cole 1878″ SIZE: 24-1/2″ x 34″. Overall 32″ x 41-1/2”. CONDITION: Very good, wax lining, restoration along edges 49126-1 (2,000-4,000) – Lot 1139

JAMES MCDOUGAL HART (American, 1828-1901) LANDSCAPE WITH COWS AND FARMSTEAD.

Oil on canvas Housed in an outstanding original deep gesso decorated frame with gilt lining Initialed lower right “JMH” SIZE: 4-3/4″ h x 8-1/4″ w. Overall 14-1/4″ h x 17-3/4″ w. CONDITION: Very good. 49321-6 (2,000-3,000) – Lot 1140

DAVID JOHNSON (American, 1827-1908) BARBAZON STYLE LANDSCAPE.

Oil on wood panel Housed in its original fancy gilt frame Signed with initials and dated “DJ 75” also signed on reverse “David Johnson 1875″ SIZE: 5″ h x 7-1/2″ w. Overall 8″ h x 10-1/2” w. CONDITION: Very good, recently cleaned. 49363-6 (3,000-5,000) – Lot 1141

JOHN JOSEPH ENNEKING (American, 1841-1916) LANDSCAPE WITH COWS & SHEEP UNDER STORMY SKY.

Oil on canvas Housed in a replacement gilt wood frame Signed lower right “Enneking ’05” SIZE: 22-1/4″ x 30-1/4″. Overall 26-1/2″ x 34-1/4″ CONDITION: Lined, some inpainting, very good. 49400-6 (4,000-6,000) – Lot 1142

WILLIAM HENRY HOWE (American, 1844-1929) COWS GRAZING.

Oil on canvas Housed in a carved gilt wood frame Signed and dated lower left “H. Howe N.A. 1904″ SIZE: 24″ x 30”. Overall 28″ x 34-1/2″ CONDITION: Good, restored condition 49349-1 (1,500-2,500) – Lot 1143

UNSIGNED (19th Century) COWS IN A STORMY LANDSCAPE.

Oil on canvas Housed in a period gesso decorated frame with gilt liner with loss to gesso on bottom edge Unsigned SIZE: 18″ x 30″. Overall 27-1/2″ x 39-1/4″ CONDITION: Lined, restored with inpainting, good. 48842-8 (700-900) – Lot 1144

EDWARD LAMSON HENRY (American, 1841-1919) AT THE WATERING TROUGH.

Oil on board Housed in a fine antique gesso decorated gilt frame with linen liner Signed lower left SIZE: 10″ x 14″. Overall 17-1/2″ x 21-1/2″ CONDITION: Very good with minor touch up 48811-1 (5,000-7,000) – Lot 1145

Revised: 8/21/2015

Please note: Great news, we have learned that this painting is listed in Chase’s own log book and was titled “Fishing Village, Denmark”. It was also part of a special auction which included forty works by Chase sold in St. Louis auction November 21, 1876 to a Mr. Benjamin Harmon Brownell, a noted collector in that region. A photocopy of the 1876 newspaper covering the auction will be included in this lot.

HARRY (HENRY) CHASE (American, 1853 – 1889) PANORAMIC COASTAL SCENE WITH BOATS, HOUSES AND FIGURES.

Oil on canvas Housed in its original magnificent gilt frame with minor losses Signed lower left “H Chase ’76” SIZE: 22-1/2″ x 40″. Overall 35″ x 52″ CONDITION: Three patches on reverse, some inpainting mostly in sky, very good. 49400-8 (8,000-10,000) – Lot 1146

EDWARD H POTTHAST (American, 1857-1927) STUDY OF CLOUDS.

Oil on board Housed under glass in a carved gilt wood frame Signed and inscribed lower left “With complements of E. Potthast” SIZE: 9-1/4″ x 12-1/4″. Overall: 16-3/4″ x 19-3/4″ CONDITION: Craquelure, touch up along edges, signature flouresces possibly due to pigment or enhancing 48791-1 (5,000-8,000) – Lot 1147

ALBERT PINKHAM RYDER (American, 1847-1917) “TOILERS OF THE SEA”.

Oil on canvas Housed in a period gilt wood frame Signed lower left “A P Ryder” SIZE: 10″ x 12″. Overall: 16-1/2″ x 18-1/2″ PROVENANCE: Estate of Elissa Nassy New York city, New York CONDITION: Yellowed varnish, large craquelure, surface grime 49111-2 (10,000-20,000) – Lot 1148

JACK L. GRAY (Canadian/American, 1927-1981) “SNUG HARBOR”.

Oil on board Housed in a modern giltwood frame Signed lower right “Jack. L. Gray.” titled and dated on verso “GB4049/E-8231/Snug Harbor 1955 /All Repro Rgts Sold” SIZE: 22″ x 30″. Overall 27″ x 35″. CONDITION: Paint thin in places, minor flaking of paint surface 49237-3 (5,000-10,000) – Lot 1149

AIDEN LASSELL RIPLEY (American, 1897-1969) “SCRUBBING THE HULL”.

Watercolor on paper Housed in a modern ebonized frame Signed and dated upper right “A.L. Ripley 28″ SIZE: 15-3/4″ x 19-1/2″. Overall 23-1/2″ x 27”. PROVENANCE: Private Massachusetts Collection. CONDITION: Very good. 49356-15 (4,000-6,000) – Lot 1150

GORDON GRANT (American, 1875-1962) THREE SHIPS IN OPEN SEAS.

Oil on canvas Housed in a molded giltwood frame Signed lower right “Gordon Grant” SIZE: 14″ x 18″. Overall 19-1/2″ x 23-1/2″. CONDITION: Very good 49388-1 (2,000-4,000) – Lot 1151

JEROME HOWES (American, 1955-) SCHOONERS AT REST.

Oil on Masonite Housed in a molded gilt wood frame Signed lower right “Jerome Howes” SIZE: 26-1/2″ h x 38-1/2″ w. Overall 32-1/2″ h x 44-1/2″ w CONDITION: Very good 49341-2 (1,500-2,000) – Lot 1152

STEPHEN MIRICH (American, 1954-) THE BARK TIDAL WAVE, AN EVENING CALM.

Oil on canvas Housed in a modern decorative wood frame with linen and blue edge liner Signed lower right “Stephen Mirich”, also signed and titled verso of canvas SIZE: 24″ h x 30″ w. Overall 29-1/2″ h x 35-1/2″ w CONDITION: Very good to excellent 49341-3 (1,500-2,000) – Lot 1153

WILLIAM R DAVIS (American, 1952-) “TRANQUIL HARBOR SUNSET”.

Oil on panel Housed in a ebonized wood frame with gilt liner Signed lower left “W. Davis”, signed and titled on verso SIZE: 5-1/8″ x 7″. Overall 12-3/4″ x 14-3/4″ CONDITION: Very good 49408-3 (1,000-1,500) – Lot 1154

ALFRED THOMPSON BRICHER (American, 1837-1908) COASTAL ROCKS WITH BEACH AND BOATS.

Watercolor Housed in a gilt wood frame with watercolor highlighted mat. With some nicks behind glass Signed lower left “AT Bricher” SIZE: 19-1/4″ x 13-1/4″. Overall 27-1/4″ x 21″ CONDITION: Discoloration on right corner otherwise good 49400-1 (3,500-5,500) – Lot 1155

WILLIAM M. HART (American, 1823-1894) COASTAL CLIFFS.

Oil on canvas Housed in a good reproduction gilt molded wood frame Signed lower right “Wm. Hart 1881″ SIZE: 16″ x 24”. Overall 20-1/2″ x 28-1/2″ CONDITION: Two patches on verso, inpainting, very good. 42780-1 (2,500-4,000) – Lot 1156

JOHN JOSEPH ENNEKING (American, 1841-1916) “ADRIATIC SUNSET”.

Oil on canvas board Housed in a Carrig-Rohane carved giltwood frame with presentation plaque Signed and dated lower right “Enneking 1874”, titled and inscribed on verso “By John J. Enneking”, and frame Signed and dated “R.C. Vose, Boston./1924/#3667″ SIZE: 9-1/2″ X 12-3/4″. Overall 16-1/4″ x 19-1/4”. CONDITION: Very good 49356-7 (2,500-3,500) – Lot 1157

THOMAS CURTIN (American, 1899-1977) COASTAL WAVES ON ROCKY SHORELINE.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “Thos. R. Curtin” SIZE: 24″ h x 30″ w. Overall 29-1/2″ h x 35-1/2″ W. CONDITION: Very good, some inpainting. 49368-9 (1,500-2,000) – Lot 1158

FRANK WILLIAM CUPRIEN (American, 1871-1948) THREE WORKS AND PHOTOGRAPH AND ARTIST’S LITERATURE.

1) Oil on canvas 2 & 3) Watercolors All housed in wood frames 1) Signed lower right “F.W. Cuprien” 2) Signed lower left “FWC” 3) Signed lower left “F.W. Cuprien” NOTE: Accompanying the three paintings is a small lot of ephemera relating to the artist including a photograph signed portrait postcard with note from artist, newspaper clippings and two handwritten letters from the artist dated 1933. SIZE: 1) 27″ x 39″. Overall 32″ x 43-3/4″. 2) Sight 4-1/4″ x 6-1/2″. Overall 8-1/4″ x 10-1/2″. 3) Sight 4″ x 6-1/2″. Overall 6″ x 8-1/2″. PROVENANCE: Acquired from a NY collector who had ties to the artist. CONDITION: 1) Some flecking in bottom right waves, surface dirt, good. 2 & 3) Good 1021-1 (2,000-4,000) – Lot 1159

ALEXANDER FRANCOIS LOEMANS (Canadian-American, 1816-1898) “THE GREAT FALLS”.

Oil on canvas laid down on Masonite Housed in a modern carved gilt wood frame, bears presentation plaque Incised lower right “A.F. Loemans” SIZE: 31″ x 47″. Overall: 38″ x 52″ CONDITION: Very good restored condition with in painting 49111-3 (8,000-12,000) – Lot 1160

EDGAR ALWIN PAYNE (American, 1883-1947) “GLACIER,” SIERRA MOUNTAINS.

Oil on canvas Housed in a modern carved giltwood frame Signed lower right “Edgar Payne” inscribed on verso “6 Glacier” SIZE: 24-1/4″ x 28″. Overall 31″ x 35″. CONDITION: Very good, lined, scattered retouch 49205-9 (20,000-40,000) – Lot 1161

CARL CLEMENS MORITZ RUNGIUS (American, 1869-1959) BIG HORN SHEEP.

Bronze Signed on base “C. Rungius” SIZE: 16-1/2″ h. x 17″ w PROVENANCE: From a fine Downeast Maine home. NOTE: Accompanying the bronze are hand-written and typed letters between the artist Carl Rungius and the buyer, dated 1929/30. One letter dated September 15, 1930, discloses the price of $450.00 that was being paid. Also a letter from the General Bronze Corporation indicating shipment of the bronze in 1930. CONDITION: Very good with a wonderful bronze/green patina 1074-1 (125,000-175,000) – Lot 1162

ATTRIBUTED TO PHILIP RUSSELL GOODWIN (American, 1882-1935) MOOSE IN MAINE LANDSCAPE.

Unsigned Oil on Canvas Housed in a period gold gesso decorated frame SIZE: 24” x 38” CONDITION: A couple of small damages, most notably in the upper left corner in the forest 49421-57 (3,000-5,000) – Lot 1163

CRAIG MITCHELL (American, 20th-21st century) “SUMMIT LAKE VISTA”.

Oil on canvas Housed in a modern giltwood frame Signed lower left “Craig Mitchell”, signed, titled and dated on verso “Summit Lake Vista/Craig Mitchell 2000/’01” SIZE: 23-1/2″ x 20″. Overall 30-1/4″ x 26-1/2″. PROVENANCE: Pogan Gallery “Pack Trip” Show, 2001. CONDITION: Very good 49341-4 (1,500-2,000) – Lot 1164

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good to excellent. 45505-4 (300-500) – Lot 1164A

UNSIGNED (19th Century) INDIANS IN A WESTERN LANDSCAPE.

Oil on canvas Unsigned Housed in a replacement contemporary oak frame with gold surface San Francisco manufacturer stamp on verso of canvas SIZE: 28-1/2″ x 12″. Overall: 32″ x 16″ CONDITION: Generally very good 49421-96 (750-1,250) – Lot 1164B

JUD HARTMANN (American, 1948- ) “MATOAKA (AKA POCKAHONTAS)”.

Bronze on round wood base Signed “Hartmann 1996 2/20″ SIZE: 20-1/4″ h, with base 22” h CONDITION: Very good 48842-14 (700-900) – Lot 1165

JUD HARTMANN (American, 1948-) “MINAVIVANA LE GRAND SAUTEUR”.

Bronze Mounted to a natural stained wood plinth which rests atop a tall presentation stand made of painted white wood Signed on shoulder “Hartmann A/P 2003”. Also marked “Tallix” From an edition of 20 SIZE: Bronze: 21″ h; 28-1/4″ h (without white stand); 83″ h on pedestal CONDITION: Very good to excellent 49373-1 (2,500-4,000) – Lot 1166

GRANVILLE REDMOND (American, 1871-1935) LANDSCAPE WITH SNOW CAPPED MOUNTAIN.

Oil on board Housed in a gilt wood frame Signed lower right “Granville Redmond” SIZE: 6-1/8″ x 8-1/8″. Overall: 7-3/4″ x 9-3/4″ CONDITION: Good with minor surface grime 48791-6 (4,000-6,000) – Lot 1167

GRANVILLE REDMOND (American, 1871-1935) FULL MOON RISING OVER THE SEA, CALIFORNIA.

Oil on board Housed in a period gilt wood frame Signed lower left “Granville Redmond” SIZE: 13″ x 18″. Overall: 19″ x 24″ CONDITION: Very good 1125-4 (6,000-9,000) – Lot 1168

WILLIAM WENDT (American, 1865-1966) LANDSCAPE WITH DAPPLED SUNLIGHT.

Oil on canvas Housed in painted wood frame Signed lower left “Wm. Wendt” SIZE: 12″ x 16″. Overall: 16-3/4″ x 20-1/2″ CONDITION: Surface grime, stretcher lines visible, restored with inpainting having heightened signature 48791-4 (10,000-20,000) – Lot 1169

RUPERT SCOTT LOVEJOY (American, 1885-1975) CALIFORNIA FALL LANDSCAPE.

Oil on Masonite Housed in a modern giltwood frame under glass Signed lower left “-Rupert Lovejoy-” dated and inscribed on verso “-October-1937-/-Rupert Scott Lovejoy-” SIZE: 14″ x 16″. Overall 21-1/8″ x 23-1/4″. CONDITION: Very good 49385-2 (500-700) – Lot 1170

FERRARO (American, 19th/20th century) “GRAND CANYON”.

Oil on canvas Housed in a carved giltwood frame with presentation plaque Signed “…Jou. Ferraro”, bears date and inscription “Arizona 1891″ lower left SIZE: 23-1/4″ x 31-1/2″. Overall 32″ x 39-3/4”. CONDITION: Yellowed varnish, surface grime, surface scratch, canvas buckle, chips and losses to frame 49405-4 (1,000-1,500) – Lot 1171

UNSIGNED (American, circa 1878) A PORTRAIT OF DR. B. ROSEN MD, OAKLAND, CALIFORNIA, JUNE 1878.

Oil on canvas Housed in a painted black molded wood wide frame Unsigned, titled on the open book in front of figure with oil lamp NOTE: This fabulous painting depicts Dr. Rosen seated at his desk surrounded by allegorical themes and objects, including his dog, family portrait, scientific books, microscope, he is holding a round glass slide of mined gold dust, bottles of chemicals, test tube with burner, globe, skulls, father time and more. SIZE: 25-3/4″ h x 34-1/4″ w. Overall 34-3/4″ h x 43″ w. CONDITION: Lined, inpainting, with restoration, very good. 49371-11 (1,000-3,000) – Lot 1172

JOSEPH AMADEUS FLECK (American, 1892-1977) MOTHER AND DAUGHTER IN TAOS.

Oil on board Housed in a period carved gilt frame with some finish loss Signed lower left “J. Fleck” SIZE: 8-1/2″ x 7-3/4″. Overall 11″ x 10.5″ CONDITION: Very good, surface dirt, one pencil point loss in sky 1066-1 (6,000-8,000) – Lot 1173

FERNAND ALKAN-LEVY (American, 19th/20th century) “THE FAMILY READING LESSON”.

Oil on canvas Housed in its original decorative frame which is “as found” with losses Frame having a plaque reading “The Family Reading Lesson Alkan Levy Honorable mention 1909 Silver medal Amiens 1906 bronze medal 1909 gift of M.H. deYoung. Signed lower left “Alkan Levy” and dated “190_” Note: The de Young Museum originated as the Fine Arts Building, which was constructed in Golden Gate Park for the California Midwinter International Exposition in 1894. The chair of the exposition organizing committee was Michael H. de Young, co-founder of the San Francisco Chronicle. Following the exposition, the building was designated as a museum for the people of San Francisco. Over the years, the de Young has grown to the foremost museum in the Western United States concentrating on American art and other arts. SIZE: 60″ w x 80″ h. Overall: 72″ w x 92″ h PROVENANCE: This painting was owned by William Henry de Young and gifted to the former owner CONDITION: All over craquelure. Lined. Some inpainting, but restoration needed 49321-1 (10,000-15,000) – Lot 1174

EDWARD WILBUR DEAN HAMILTON (American, 1862-1943) PORTRAIT OF A BOSTON LADY WITH DAUGHTER.

Oil on canvas Unframed Signed and dated “Wilber Dean Hamilton 1914″ on a strip of canvas on affixed to verso stretcher SIZE: 45″ x 36”. PROVENANCE: Private Massachusetts Collection CONDITION: Very good, with minor touchup 49191-2 (4,000-6,000) – Lot 1175

THOMAS SULLY (American, 1783-1872) “PORTRAIT OF HELEN SULLIVAN”.

Oil on canvas laid down on panel Housed in a period giltwood frame Monogrammed and dated lower right “TS 1837″ bears typed label on verso identifying the sitter and date SIZE: 11-3/4″ x 9-3/4″. Overall 16-1/2″ x 15”. CONDITION: Discolored varnish, tack holes visible along bottom edge, canvas laid down on wood panel, old restoration covered by masking varnish 49286-1 (4,000-6,000) – Lot 1176

ROBERT LEWIS REID (American, 1862-1929) PORTRAIT OF A SOCIALITE.

Oil on canvas mounted on Masonite Housed in a carved gilt frame Signed lower left “Robert Reid” SIZE: 22-3/4″ h x 23-1/4″ w. Overall 27″ h x 25-1/2″ w. CONDITION: Very good with some craquelure. 1125-10 (4,000-6,000) – Lot 1177

HENRY OLIVER WALKER (American, 1843-1929) “ROSALIND”.

Oil on canvas Housed in a Stanford White style gilt wood frame Signed lower left “Henry Oliver Walker 1890″ titled in pencil on verso of stretcher SIZE: 32-1/2″ x 24”. Overall 48″ x 39-1/4″ CONDITION: Lined, very good, some inpainting 49424-3 (4,000-6,000) – Lot 1178

REYNOLDS BEAL (American, 1866-1951) PATIO SETTING WITH FLOWERS AND WICKER.

Oil on canvas Housed in a modern carved gold frame Signed bottom middle right SIZE: 20″ x 24-1/4″. Overall 25-1/4″ x 29-1/4″ CONDITION: Cleaned and restored in 2003, very good, restoration report included in the lot. Lined. 48604-7 (5,000-8,000) – Lot 1179

HARRY ROSELAND (American, 1866/68-1950) “THE PALMIST”.

Oil on canvas Housed in a period possibly original gilt decorated frame with gilt liner Signed and inscribed on reverse “Title “The Palmist” copyright 1909 by Harry Roseland” SIZE: 12″ h x 16″ w. Overall 20″ h x 24″ w CONDITION: Two spots of inpainting corresponding to patches, very good. 49405-2 (3,000-5,000) – Lot 1180

F LUIS MORA (American, 1874-1940) “CHILDRENS PANTOMIME”.

Oil on canvas Housed in an early 20th century carved gilt wood frame Signed lower right “F. Luis Mora”, inscribed on verso “F. Luis Mora. N.A./Title. Childrens Pantomime” SIZE: 36″ x 48″. Overall: 41-1/2″ x 53-1/2″ CONDITION: Minor craquelure in boys pants, minor surface grime, otherwise very good 49111-8 (7,000-9,000) – Lot 1181

GEORGE TAGGART (American, 1865-1924) TOILING IN THE FIELDS.

Oil on canvas Housed in a period ornately carved gilt wood and gesso frame, with presentation plaque Signed, dated and inscribed lower right “Geo. Taggart. Etaples France 1891″ SIZE: 48″ x 38”. Overall: 60″ x 50″ CONDITION: Surface grime, canvas buckle, one inch tear upper left with paint loss 49086-1 (2,000-4,000) – Lot 1182

MELBOURNE H. HARDWICK (American, 1857-1916) DUTCH WOMAN AND CAT IN INTERIOR.

Oil on canvas Housed in a period carved giltwood frame Signed lower left “Melbourne H. Hardwick” SIZE: 27″ x 23″. Overall 33″ x 28-1/2″. CONDITION: Very good, surface grime, yellowed varnish 49233-2 (2,000-4,000) – Lot 1183

JOHN GRABACH (American, 1886-1981) “ARTIST AND MODEL”.

Oil on canvas Housed in a carved regilt frame Signed lower right “John Grabach ANA” SIZE: 16″ x 20″. Overall: CONDITION: Some inpainting with uneven varnish layer, good 49446-4 (2,000-4,000) – Lot 1184

ATTRIBUTED TO JMW TURNER (English, 1775-1851) “NEAR SHOREHAM 1847”.

Watercolor on paper Housed in a modern gilt frame with watercolor highlighted mat Unsigned, titled and dated on reverse in pen SIZE: Actual 5″ h x 8-1/3″ w. Overall 13-1/2″ h x 16-1/2″ w. PROVENANCE: From a coastal Maine collection. Accompanying the lot is a copy of a Gimbel Brothers, New York, typed letter concerning the purchase and the enclosing of a certificate issued by Hammer Galleries and a copy of this letter is accompanying the lot. The Hammer Galleries letter indicates that the piece is from the JMW Turner collection of the late John Anderson Jr. Author of “The Unknown Turner” founder of the Anderson Galleries dated 1941. CONDITION: Some toning, upper right corner with repair, good. 49361-1 (15,000-25,000) – Lot 1185

ANTHONY COPLEY FIELDING (English, 1787-1855) “THE MOUTH OF THE YARE”.

Oil on panel Housed in a period molded giltwood frame Signed lower left “Copley Fielding,” titled on label affixed on verso SIZE: 10″ x 14″. Overall 17-1/4″ x 21-1/4″. CONDITION: Panel has horizontal split, yellowed varnish, surface grime, minor retouch 49191-55 (3,000-5,000) – Lot 1187

THOMAS BAKER (English, 1809-1864) “MILL ON THE AVON”.

Oil on canvas Housed in a what appears to be its original gilt gesso decorated frame with gilt liner, having title and artist, with small losses Signed lower left “T. Baker” SIZE: 16-1/2″ h x 24″ w. Overall 27-3/4″ h x 35-1/2″ w. CONDITION: Very good, minor inpainting. 49453-1 (1,500-2,500) – Lot 1188

G FULLER (English School, 19th century) PASTORAL LANDSCAPE WITH SHEEP AND DUCKS.

Oil on canvas Housed in a carved and molded giltwood frame Bears signature lower right “G. Fuller.”, verso canvas bears stencil “H. Flack. Artists Colors Borough” SIZE: 10-1/8″ x 14″. Overall 16-1/2″ x 20-1/2″. CONDITION: Good, minor surface grime, large vertical craquelure 49191-6 (3,000-5,000) – Lot 1189

WILHELM TJARDA VAN STARKENBORGH (Dutch, 1823-1885) LANDSCAPE WITH DONKEY AND SHEEP.

Oil on canvas Housed in a period molded giltwood frame Signed lower left “W.T.Starkenborgh” SIZE: 16-3/4″ x 24″. Overall 31-1/2″ x 24-1/4″. CONDITION: Lined, losses in sky with retouch, craquelure, frame has molding and gilt loss 49341-1 (1,500-2,000) – Lot 1190

MANNER OF JOHN BOULTBEE (English, 1745-1812) “MY HUNTING DOGS”.

Oil on canvas Housed in a molded giltwood frame with presentation plaque Signed lower center “Boultbee”, bears label on verso frame that reads “No. 13./John Boultbee/”My Hunting Dogs” Brit. 1830./B.&G.” SIZE: 25″ x 30″. Overall 31″ x 37″ CONDITION: Lined, yellowed varnish, minor flake losses, surface scratches 49246-2 (3,000-5,000) – Lot 1191

M KRAUSE (German, 20th century) SETTERS ON THE SCENT.

Oil on canvas Housed in a molded giltwood frame Signed lower left “M Krause” SIZE: 20″ x 34″. Overall 25″ x 39″ CONDITION: Surface grime, craquelure, discolored varnish 49246-1 (1,000-2,000) – Lot 1192

CARL ETHAN AKELEY (American, 1864-1926) LION AND BUFFALO.

Bronze Signed lower left base “Carl E. Akeley (c) 1914″ SIZE: 12″ h x 23-1/2″ l x 7” d PROVENANCE: From a fine Downeast Maine home. NOTE: Accompanying this lot are letters between Mrs. Carl Akeley and the buyer also a letter from Mrs. Akeley telling the buyer that the bronze foundry will ship the bronze “today”. The letter is dated 1928, and indicating a purchase price of $425.00. CONDITION: Very good with a dark brown bronze patina 1074-2 (8,000-10,000) – Lot 1193

P. BERJEAN (French, circa 1930) CHASSE AU LION.

Bronze on marble base signed at base on rock plinth SIZE: 14-1/2″ h x 34-1/2″ l. CONDITION: Very good with nice even patina with rubbing, man needs tightening to base. 49363-1 (4,000-6,000) – Lot 1194

PIERRE JULES MENE (French, 1810–1879) “L’ACCOLADE”.

Bronze (later casting) On two color marble base Signed “PJ Mane” SIZE: Without base: 15-1/4″ h x 26″ l. With base: 17-3/4″ h x 27-1/2″ l CONDITION: Very good 48716-2 (2,000-3,000) – Lot 1195

WILLIAM HENRY MIDWOOD (British, 19th Century) YOUNG COUPLE IN ROOM SETTING.

Oil on canvas mounted to masonite Housed in a good fancy gesso decorated gilt frame Signed lower left “Midwood 1874″ SIZE: Sight 27-1/2″ x 35-1/4”. Overall 35″ x 43″ CONDITION: Two small chips on bottom frame edge, some minor touch up otherwise very good 1042-1 (2,000-4,000) – Lot 1196

ALEXANDER HOHENLOHE BURR (British, 1837-1899) TWO CHILDREN WITH THEIR DOG.

Oil on canvas Housed in a good ornate gilt frame Signed lower left “AH Burr” SIZE: 18″ x 14″. Overall 22-3/4″ x 19″ CONDITION: Very good 1042-2 (1,500-2,500) – Lot 1197

GEORGE SHERIDAN KNOWLES (English, 1863-1931) “PORTRAIT OF JOYCE HURCHCLIFFE”.

Oil on canvas Housed in a white polychromed carved wood frame Signed lower right “G. Sheridan Knowles”, inscribed on verso stretcher “M.A.F.A. Jubilee Ex. 1909 case 3″, bears two Manchester Academy of Fine Arts Jubilee Exhibition, 1909 labels on verso frame, titled on exhibition label, also bears W.Wear Gilder and Picture Frame Maker, Huddersfield label SIZE: 21-1/2″ x 15-1/2”. Overall: 31″ x 25″ CONDITION: Minor craquelure, patch on verso corresponding to small area restoration in center, otherwise very good 49087-10 (1,000-1,500) – Lot 1198

TITO CONTI (Italian, 1842-1924) MAIDEN WITH BUTTERFLY.

Oil on canvas Housed in a gold molded wood frame with some losses to finish. Also a Portland Society of Art Loan label affixed to verso of stretcher and dated 1922 Signed middle right “Tito Conti” SIZE: 20-3/4″ x 16-1/2″. Overall 25-1/4″ x 21″ CONDITION: A few small dimples with slight breaks, some small paint loss flecks, dirty, otherwise good 1066-2 (6,000-8,000) – Lot 1199

GIUSEPPE CASTIGLIONE (Italian, 1829-1908) PORTRAIT OF TWO YOUNG MAIDENS.

Oil on canvas Housed in a carved gilt wood frame Signed lower right “G. Castiglione” SIZE: 14-1/2″ x 18-3/4″. Overall: 23″ x 27-3/4″ CONDITION: Two small patches along top edge on verso, scattered retouch 49087-13 (2,000-4,000) – Lot 1200

JEAN FREDERIC SCHALL (French, 1752-1825) TWO WOMEN AT A DRESSING TABLE.

Oil on panel Housed in a period giltwood frame with artist’s presentation plaque Unsigned, bears collectors label from “Marie Therese C.tsse de la Beraudiere Mystere” on verso NOTE: The Countess Beraudiere’s collection was sold by Anderson Galleries, New York in 1930, the same collection as the Schall painting we sold in Feb. 2015 SIZE: 10-3/4″ x 9″. Overall 13-1/4″ x 11-1/8″. CONDITION: Discolored varnish, frame abrasion, minor retouch 49371-1 (2,500-5,000) – Lot 1201

JEAN-LOUIS FORAIN (French, 1852-1931) “THE VIOLIN LESSON”.

Oil on canvas Housed in a carved giltwood frame Signed lower right “forain” SIZE: 14″ x 18″. Overall 20″ x 24″. CONDITION: Restored tear with corresponding patch on verso, small hole lower left, spotty varnish. 49247-2 (2,000-3,000) – Lot 1202

AFTER WILLIAM ADOLPHE BOUGUEREAU (French, 1825-1905) “COLLECTING HAZELNUTS”.

Oil on canvas Housed in a period gilt wood frame Unsigned SIZE: 40″ x 28″. Overall: 46″ x 33-1/2″ CONDITION: Tiny craquelure and frame abrasion, small area of paint loss in seated girls dress, otherwise very good 49086-2 (1,000-2,000) – Lot 1203

ANDRE CROCHEPIERRE (French, 1860-1937) CHILD READING NEXT TO GRANDMOTHER SPINNING WOOL.

Oil on canvas Housed in a carved giltwood frame Signed lower left “Andre Crochepierre 1900″ SIZE: 36″ h x 30″ w. Overall 39″ h x 33” w. CONDITION: Craquelure, some inpainting, good. 49339-1 (1,000-2,000) – Lot 1204

EDGAR DEGAS (French, 1834-1917) “DANSEUSE AGRAFANT L’EPAULETTE DE SON CORSAGE”.

Bronze Signed on flat base “Degas” also numbered “64/D”, also having in the corner “Cire Perdue A.A. Hebrard”, on underside of the base are six stickers 1) a location sticker, 2) a tape piece written “Than” 3) Three small stickers on a larger sticker. SIZE: 13-3/4″ h. Base 4″ d x 6-1/4″ w. PROVENANCE: A.A. HEBRARD ET CIE, 1920-1922 (Foundry); WALTER HALVORSEN, London (Purchased a complete set (edition “D”); JUSTIN THANNHAUSER, New York and Berlin (purchased from above the complete set of dancers (edition “D)) on August 12, 1929; KATHE LEVI(Y) THANNHAUSER, New York (Wife of Justin Thannhauser); ELSE LEVI(Y), (Believed to be cousin of Kathe Thannhauser and Mother of our consignor); OUR CONSIGNOR, Tampa, Florida. *NOTE* The history of Degas bronzes is well documented. At Degas death in 1917 more than 150 examples of sculpture were found in his studio, most were wax, clay or plaster. In 1918 the heirs authorized a series of additions of bronzes to be made from 72 of the small figures. They were cast and executed by the Paris foundry of A.A. Hebrard Et Cie. The casts were numbered 1-73, and lettered a-t indicating a limited edition of 20 pieces with the “A” being the first cast. The first series of bronzes was available for exhibition in Paris in May of 1921. That first series was bought by Louisine Havemeyer and exhibited in New York in 1922. The fourth set (D) was purchased as a complete set by Walter Halvorsen in London prior to 1929. Walter Halvorsen was a Norwegian art dealer with offices in London and New York city. Halvorsen’s complete set (edition D) is purchased by Justin Thannhauser of New York and Berlin. Justin K. Thannhauser (1892-1976) was the son of Heinrich Thannhauser (1859-1935). Justin opened galleries in Munich, Lucerne and Berlin and then moved to New York in 1940. In 1918 Justin married Kathe Levi(Y)(1894-1960), she later tragically died and he remarried his second wife Hilde in 1962. In 1963 Justin gave a significant portion of his art collection to the Guggenheim Foundation. It was in 1976 upon his death that the collection became part of the Guggenheim’s holdings as before then it was on long term loan. Ten additional works were received after Hilde’s death in 1991. Other bronze castings with the addition “D” can be found in the Guggenheim’s collection. This bronze has descended from Justin’s first wife through her family to our present consignor. CONDITION: Nice dark bronze patina with some light rubs at midsection, base has slight curve. 48922-1 (150,000-250,000) – Lot 1205

GEORG KOLBE (German, 1877-1947) “SITZENDE”.

Bronze Signed on base with initials “GK” also foundry H. Noack, Berlin Literature: Rudolf G. Binding, Vom Leben der Plastik, Inhalt und Schönheit des Werkes von Georg Kolbe, Berlin, 1933, illustration of another cast p. 40; Ursel Berger, Georg Kolbe – Leben und Werk, Berlin, 1990, no. 91, illustration of another cast p. 293. Ursel Berger, Georg Kolbe, Munich, 1997, no. 56, color illustration of another cast p. 57. “Georg Kolbe was the leading German figure sculptor of his generation, in a vigorous, modern, simplified classical style similar to Aristide Maillol of France. Many of Kolbe’s 1000 sculptures were destroyed by confiscation, bombing and melting for war purposes. His sculptures are in many museum collections in Europe, USA and Russia, among them the Museum of Modern Art New York, and the Moderna Museet, Stockholm.” SIZE: 11″ h x 9-1/4″ w CONDITION: Very good with black finish with uneven green verdigris spots 49377-1 (20,000-40,000) – Lot 1206

HENRI LE SIDANER (French, 1862-1939) “GERBEROY SURROUNDINGS”.

Oil on canvas Housed in a period gilt wood frame Signed lower right “Le Sidaner” SIZE: 15″ x 21-1/2″. Overall: 22″ x 29-1/2″ CONDITION: Spotty varnish, otherwise very good, frame has cracks and chips 49222-2 (10,000-15,000) – Lot 1207

CHARLES KUWASSEG (French, 1838-1904) FRENCH FISHING PORT.

Oil on canvas Housed in a period ornately carved and gilt wood frame Signed lower left “C. Kuwasseg” SIZE: 21-2/4″ x 31-3/4″. Overall: 33″ x 44-1/2″ CONDITION: Canvas buckle, several small holes, surface grime, in untouched condition in need of restoration 49007-2 (4,000-6,000) – Lot 1208

EMMANUEL VICTOR AUGUSTE MARIE DE LA VILLEON (French, 1858-1944) PAIR OF IMPRESSIONISTIC LANDSCAPES.

Oil on board Housed in identical gilt frames with linen liners Signed lower right “E. De La Villeon” SIZE: 4″ x 6″. Overall 8″ x 10″. CONDITION: Very good. 49481-1 (1,000-1,500) – Lot 1209

ALEXANDRE DEFAUX (French, 1826-1900) “ELEVE DE COROT.

Oil on board Housed in a good carved and gilt wood frame Signed lower right and possibly titled below, inscribed in French on reverse in period writing SIZE: 9-1/2″ x 12-1/2″. Overall 17-1/2″ x 21″. CONDITION: Very good, surface dirt. 49481-2 (1,000-1,500) – Lot 1210

ANDRE GISSON (French-American, 1921-2003) SUMMER LANDSCAPE WITH FIGURES BY A POND.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “Gisson” SIZE: 12″ x 16″. Overall: 18″ x 22″ CONDITION: Very good 49087-4 (2,000-4,000) – Lot 1211

ANDRE GISSON (French-American, 1921-2003) CHILDREN IN A SUMMER LANDSCAPE.

Oil on canvas Housed in a modern gilt wood frame with linen liner Signed lower right “A. Gisson” SIZE: 9″ x 12″. Overall: 15-3/4″ x 18-3/4″ CONDITION: Minor stretcher marks with light craquelure, otherwise very good 49087-3 (1,500-2,500) – Lot 1212

ANDRE GISSON (French-American, 1921-2003) PARIS STREET SCENE.

Oil on canvas Housed in a carved painted and wood frame Signed lower right “A. Gisson” SIZE: 12-1/4″ x 16″. Overall: 17″ x 21″ CONDITION: Good, restored with inpainting 49087-7 (1,000-1,500) – Lot 1213

ANDRE GISSON (French-American 1921-2003) CARRIAGE RIDE CENTRAL PARK NEW YORK.

Oil on canvas Housed in a contemporary gilt wood frame with linen liner Signed lower right “Gisson” SIZE: 24″ x 30″. Overall: 30-1/2″ x 36-1/2″ CONDITION: Very good 49087-9 (1,000-2,000) – Lot 1214

GERARD JOZEF PORTIELJE (Belgium, 1856-1929) THE WEEKEND VISITORS.

Oil on panel Housed in a period molded giltwood frame Signed and dated lower right “GJPortielje 1877″ SIZE: 14″ x 18-1/2″. Overall 19″ x 22-1/2”. CONDITION: Good, minor frame abrasion and surface grime, wax seal on verso (illegible) 49191-52 (4,000-6,000) – Lot 1215

LUDWIG BLUME-SEIBERT (German/American, 1853-1929) THE VISITATION.

Oil on canvas Housed in a modern gilt wood frame Signed and dated indistinctly lower right “L. BLUME 18..” SIZE: 34″ x 43″. Overall: 44″ x 53″ CONDITION: Craquelure has been arrested by lining and new varnish, old and new restoration predominately along edges, with scattered retouch throughout 49087-5 (3,000-5,000) – Lot 1216

EMILE EISMEN-SEMENOWSKY (Polish/French, 1857-1911) GYPSY WOMAN.

Oil on panel Housed in a period carved giltwood frame Signed and dated lower left “Eisman-Semenowsky Paris 1886,” SIZE: 14-1/4″ x 10-1/2″. Overall 24-1/2″ x 21″. CONDITION: Good, minor touchup, frame abrasions. 49363-4 (6,000-9,000) – Lot 1217

CORNEILLE PETIT (Belgian, 19th century) “LE CHAPPEAU A DIMANCHE”.

Oil on beveled mahogany panel Housed in a modern gilt wood frame Signed lower right “Corneille Petit”, bears label on verso certifying authenticity signed by artist including title SIZE: 14″ x 10-1/2″. Overall: 17-1/2″ x 20-1/2″ CONDITION: Minor surface grime, abrasion along edges with minor losses, otherwise very good 49087-1 (1,500-2,500) – Lot 1218

MANNER OF NICOLAS LANCRET (French, 1690-1743) THE SWING.

Oil on cradled panel Housed in a 19th century gilt wood frame Unsigned SIZE: 13-1/2″ x 10-1/2″. Overall: 17-3/4″ x 14-3/4″ CONDITION: Spotty varnish and scattered retouch 49053-1 (2,000-4,000) – Lot 1219

PAUL JEAN CLAYS (Belgian, 1819-1900) FISHING BOATS ON STILL WATER.

Oil on mahogany wood panel Housed in a period gilt frame with artist plaque Signed lower right “PJ Clays” SIZE: 29″ x 23″. Overall 34-3/4″ 28-1/2″ PROVENANCE: Acquired from a Bridgeton, Maine estate auction 35 years ago. CONDITION: Very good, some surface dirt 48823-1 (6,000-9,000) – Lot 1220

ARNOLD GORTER (Dutch, 1866-1933) WOMAN DRIVING THE COWS HOME.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “A. Gorter” SIZE: 15″ x 19-1/2″. Overall: 21″ x 25-1/2″ CONDITION: Minor stretcher marks, otherwise very good 49087-14 (4,000-6,000) – Lot 1221

HERMANUS WILHEM KOEKKOEK (Dutch, 1867-1929) “OLD CASTLE ON THE VECHT”.

Oil on board Housed in a period carved gilt wood frame Initialed lower right “H W K”, gilt liner inscribed with title and artist name SIZE: 7-1/2″ x 12″. Overall: 14-1/2″ x 18-1/2″ CONDITION: Very good 49087-6 (3,000-5,000) – Lot 1222

NICOLAAS MARTINUS WIJDOOGEN (Dutch, 1814-1888) OUTFITTING THE BOAT AT LOW TIDE.

Oil on canvas Housed in a fine gesso decorated wide gilt frame Signed lower right “NM Wijdoogen” SIZE: 14-1/4″ x 19-3/4″. Overall 25″ x 30-1/4″ CONDITION: Some surface dirt, two patches to reverse covering small splits in canvas 49422-1 (1,500-3,000) – Lot 1223

HENDRICK SCHAEP (Dutch, 1826-1870) MARINE SCENE FIGURES IN A ROW BOAT.

Oil on beveled mahogany panel Housed in a period gilt wood frame Signed and dated lower right “Schaep 1866”, bears fragment of the owners label inscribed “W Cox 1/9/83”, stenciled on verso “2691” SIZE: 7″ x 8-1/2″. Overall: 14-3/4″ x 15″ CONDITION: Very good 49087-2 (1,500-2,500) – Lot 1224

FRIEDRICH WILHELM KUHNERT (German/Swiss, 1865-1926) DER MENSCHEN FROSSER (THE MAN EATER).

Oil on canvas Housed in an outstanding carved and gilt frame Signed lower left “Wilh. Kuhnert and inscribed on reverse of canvas “Wilhelm Khunert, Berlin, DerMenschen Frosser” NOTE: This painting was referenced in the archives amassed by Hans Jorg Werner, Wilhelm Kuhnert’s grandson and he was familiar with the story surrounding the painting. While Kuhnert was in Africa and a black-mane lion had attacked and killed a postman while the postman was covering his rounds on a bicycle. Kuhnert was probably the only white man in the area and certainly the only one with a rifle. He was asked by the local leaders to kill the lion. The locals showed him the way and the scene Kuhnert painted was what he saw just before he killed the lion with one shot to the head. Kuhnert used oversize canvases for works only he considered important. This is the only known example of his work that included a confirmed man-eater & a historical scene as depleted. One can only imagine what went through the mind of Wilhelm Kuhnert when he came upon the lion and transformed from artist to hunter in order to save himself and the villagers from this villain. SIZE: 45″ x 85″. Overall 56-1/2″ x 96-1/2″ PROVENANCE: An Italian gentleman to Russel Fink Gallery, VA to Michael Coleman, to present consignor. CONDITION: Very good. A condition report from Cumberland Art Conservation of Nashville TN accompanies the painting. At one time the painting was folded at the right edge of the lion’s paw vertically. It was conserved to its original width and the canvas was strip lined and mounted onto a custom built seven member expansion bolt stretcher. Inpainting was performed to the folded area and presently is in very good condition. 49375-1 (150,000-200,000) – Lot 1225

BOOK: BIG GAME HUNTING IN THE ROCKIES & ON THE GREAT PLAINS BY THEODORE ROOSEVELT 646/1000.

1899 G P Putnam’s Sons, The Knickerbocker Press Signed by Theodore Roosevelt in pen under the frontice piece illustration The first edition is replete with 55 outstanding illustrations by Remington, Frost, Beard, Gifford, Sanford & other well known artists. A tight, desirable copy in cream cloth with bright gold stamped panels, spine & front board. SIZE: 11-1/2″ X 9″ CONDITION: Good with some soiling to cover 49430-28 (800-1,200) – Lot 1225A

Please Note: Portfolio is complete with all 50 plates

ALEXANDRE EVGENIEVICH IACOVLEFF (Russian, 1877-1938) “DESSINS ET PEINTURES D’AFRIQUE” (Drawings & Paintings from Africa) AFRICA EXPÉDITION CITROËN CENTRE-AFRIQUE.

Individual colored plates Housed in its original portfolio binding Accompanied by the original text book The book numbered 447 dated 1st Mai 1927 SIZE: Each 15″ x 11″ CONDITION: Prints are very good, portfolio shows some wear but intact 1099-1 (2,500-4,000) – Lot 1226

JACQUES GABRIEL HUQUIER (French, 1695-1772) “LIVRE des DIFFERENTES ESPECES d’OISEAUX de la CHINE TIRES du CABINET du ROY GRAVE par HARQUIER”.

18th century, France NOTE: Published 1737-1738. Large book containing 60 watercolored etchings by Huquier vibrantly depicting birds, flowers, plants and trophies of China. Spine marked “OISEAUXE DE LA CHINE”. Page 1 titled LIVRE/des differentes especes/d’OISEAUX de la CHINE/Tires du Cabinet du Roy/Grave par Huquier Pages 16, 31 and 46 titled LIVRE/de differentes especes/d’OISEAUX, FLEURS, PLANTES/et TROPHES de la CHINE/Tires du Cabinet du Roy/Graves par Huquier. Some pages marked “huquier Sculp et ex C.P.R. a Paris rue St Jacques pres les Mathurias”. With black leather binding. Book plate of “James Wadmore” (English art collector, 1782-1853) inside front cover. SIZE: Etchings: 13-1/2″ w x 21-3/4″ h CONDITION: Toning to edges of pages, binding and cover loose and worn, some pages restored. Etchings very good 49226-7 (4,000-6,000) – Lot 1227

GIOVANNI BATTISTA PIRANESI (Italian, 1720-1778) FOUR VIEWS OF ROME.

Four unframed engravings on wove paper, Edition Firmin-Didot, Paris, circa 1835-1837 Including 1) “Obelisco Egizio,” c. 1759, F.800/H.53, state V, signed in plate lower right “Piranesi Architetto fec.” 2) “Veduta della Basilica di S. Paolo Fuori le Mura,” c. 1948, F. 723/H.6, state VI, signed in plate lower right “Piranesi f.” 3) “Veduta della Basilica di St. Maria Maggiorre,” c. 1749, H. 9, state VI signed in plate lower right “Piranesi del Scol.” 4) “Veduta della Piazza di S. Giovanni Laterano,” c. 1775, F. 725/H. 117, signed in plate lower left “Cavalier Piranesi F.” SIZE: 1-3) Plate 15-3/4″ x 24″. Sheet 21-1/2″ x 30-1/2″.4) Plate 19″ x 28″. Sheet 30 1/2 x 38 1/2 ” CONDITION: All four have spotting in margins and discoloration to edges. 4) Vertical fold in center. 49386-1 (1,200-1,800) – Lot 1232

SPANISH COLONIAL (19th, century) MADONNA.

Oil and gilt on canvas Housed in a period carved and giltwood frame Unsigned SIZE: 32-1/4″ x 22″. Overall 38″ x 28″. CONDITION: Lined, surface grime and losses to edges, frame has losses to gilt, old craquelure 49369-17 (2,000-3,000) – Lot 1233

AFTER REMBRANDT VAN RIJN (European, early 19th century or earlier) DESCENT FROM THE CROSS.

Oil on canvas Housed in a partial gilt wood frame Unsigned, the stretcher having three wax seals, one of the seals marked “Gemlalde Gal? Rolout?” The previous owner had research done by Dr. H. Zimmermann of the Museum in Berlin Accompanied by a printed 2-page illustrated brochure from Dr. H. Zimmermann of the Berlin Museum illustrating this painting and another with text in German referring to the possibility of the painting being by Christoph Paudiss (1618-1666) SIZE: 35″ h x 25-3/4″ w. Overall 40-3/4″ h x 32-1/4″ w. CONDITION: Lined, craquelure, consolidated varnish layer, several breaks in original canvas that have separated from lining 49339-2 (1,000-2,000) – Lot 1234

ITALIAN SCHOOL (17th/18th, century) ADORATION OF THE MAGI.

Oil on canvas Housed in a 19th century carved giltwood frame The previous owner had research done by Dr. H. Zimmermann of the Museum in Berlin Accompanied by a copy of a printed 2-page illustrated brochure from Dr. H. Zimmermann of the Berlin Museum illustrating this painting and another with text in German referring to the possibility that this painting is by Dieterici or Zick SIZE: 19-3/4″ x 25″. Overall 25″ x 30″. PROVENANCE: From a fine Swampscott, MA home CONDITION: Lined, old discolored varnish, craquelure and paint losses, old restoration masked with varnish 49339-3 (1,000-2,000) – Lot 1235

UNSIGNED (European, 19th century or earlier) SAINT JOHN OF CAPISTRANO DURING THE BATTLE OF BELGRADE.

Oil on copper Housed in a partial gilt frame with oval window, with losses Unsigned SIZE: Oval size 15-1/2″ h x 12-1/4″ w. CONDITION: Very good. 49339-6 (500-1,000) – Lot 1236

Revised: 8/21/2015

Please note: Painting is on very early canvas which at one time long, long ago was laid on panel.

UNSIGNED (Florentine School, 18th/19th century) DEATH OF THE VIRGIN.

Oil on wood panel Housed in a fine gilt frame with gilt liner behind glass Unsigned, having a label on reverse from the John Grosvenor Laing’s Collection with title, also a framing label of T.R. Smith, Nottingham SIZE: 12-3/4″ h x 26-1/2″ w. Overall 20″ h x 33-1/4″w. CONDITION: Back of panel has some evidence of insect damage not affecting the front, very good. 49226-8 (5,000-7,000) – Lot 1237

AFTER RAPHAEL (Italian, 1483-1520) MADONNA DELLA SEGGIOLA.

Oil on canvas mounted to wood panel Housed in a 19th century large gilt wood frame with liner having round window and having a plaque “Presented by the Weimer family 1858″ Unsigned probably 19th century SIZE: Out of frame square canvas 28″ x 28-1/2”. Within window 27″ dia. Overall 39″ x 39″ PROVENANCE: Provenance sheet on verso indicates that the painting originally belonged to Mrs. Lucian E. Weimer. Then to Mrs. Clarence R. Weimer. Then to the home for widows and single women of Lebanon county. Paper dated 1858. CONDITION: Recently restored with inpainting, very good 48766-2 (800-1,200) – Lot 1238

JEAN RAOUX AND STUDIO (Monpelier, 1677-1734 Paris) THE SACRED FIRE: TWO VESTAL VIRGINS TENDING THE HEARTH.

Oil on canvas Housed in a large gilt wood frame with gilt liner Unsigned SIZE: Sight 28″ x 33-3-4″. Overall 39″ x 44-1/2″ PROVENANCE: Christie’s Sale 1090 lot 53, June 7, 2002 CONDITION: Stabilized craquelure, lined, restored with inpainting. 48932-1 (3,000-5,000) – Lot 1239

UNSIGNED (European, 19th century) PAIR OF OVAL OLD MASTER STYLE PAINTINGS.

Oil on wood panel Housed in identical carved gilt wood frames Unsigned SIZE: 11″ x 9″. Overall 13″ x 11″ CONDITION: Light scratch and nicks, some consolidated varnish, slight warp to panels otherwise very good 49343-2 (800-1,200) – Lot 1240

MANNER OF GEORGES DE LATOUR (European, 19th century or earlier) FIGURES PLAYING CARDS UNDER CANDLELIGHT.

Oil on canvas Housed in a black and gold painted modern wood frame Unsigned SIZE: 31″ h x 43″ w. Overall 35″ h x 47-1/2″ w. CONDITION: Old lining, restored with inpainting, very good. 49339-7 (800-1,000) – Lot 1241

AFTER FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828) PAIR OF PANORAMIC CITY SCENES.

Oil on paper mounted to wood panel Housed in antique molded edge gilt frame, with gilt losses Unsigned, each having a old label on reverse “F.Goya Spanish Fete Days With Numerous Figures With a Pair on Panel” SIZE: 9-3/4″ h x 25-3/4″ w. Overall 13-1/2″ h x 29-1/2″ w. PROVENANCE: From the personal estate collection of John W. Armiger Jr. CONDITION: Surface dirt, very good, slight warp to panels. 49055-168 (700-900) – Lot 1242

ATTRIBUTED TO CORNELIS VAN POELENBURGH (Dutch, 1586-1667) “THE BATHERS”.

Oil on mahogany panel Housed in an octagonal mahogany frame with presentation plaque Inscribed on verso “C.V. Poelenburgh 1586 – 1667″ SIZE: 10-1/2: dia. Overall: 17-5/8″ x 17-5/8″ CONDITION: Attribution is based on inscription and presentation plaque. Paint surface stable, minor retouch lower 1/2” of panel and restored crack 49117-2 (4,000-6,000) – Lot 1243

AFTER JUSTUS SUSTERMANS (European, 19th century) PORTRAIT OF PRINCE VLADEMAR OF DENMARK.

Oil on canvas Housed in its fancy gold antique frame Unsigned SIZE: 28″ h x 21″ w. Overall 38″ h x 30-3/4″ w. CONDITION: Very good. 49339-5 (1,000-1,500) – Lot 1244

AFTER JEAN BAPTISTE-CAMILLE COROT (French, 19th century) “MORNING-THE NYMPHS DANCE”.

Oil on canvas Housed in a period carved giltwood frame Bears inscription “Corot” lower left Old hang tag with “Property of Ralph Earle” SIZE: 20″ x 27-1/2″. Overall 28″ x 35-1/2″. CONDITION: Minor flake losses and spotty varnish around edges. 49247-3 (1,500-2,500) – Lot 1245

ATTRIBUTED TO RICHARD WILSON (English, 1713-1782) LANDSCAPE WITH THREE FIGURES FISHING FROM THE BANK.

Oil on mahogany panel Housed in a period gilt wood frame Signed lower left “R. Wilson. RA PINX”, frame liner incised with artists name SIZE: 5-3/8″ x 6-1/2″. Overall: 12-1/2″ x 13-1/2″ CONDITION: Horizontal restored crack radiating from right edge through river, scattered retouch in sky 49204-2 (2,000-3,000) – Lot 1246

ALFRED AUGUSTUS GLENDENING (English, 1840-1910) “A REST BY THE WAY-HARVEST TIME”.

Oil on canvas Housed in a period carved giltwood frame Signed and dated lower right “A.A. Glendening 1868”, titled on “F.R.” label, with registration number “4682” affixed to stretcher SIZE: 20″ x 26″. Overall 25-1/2″ x 31″. CONDITION: Small flake loss, craquelure, yellow varnish, restoration upper right and scattered retouch. 49405-3 (2,000-4,000) – Lot 1247

ANDRE HAMBOURG (French, 1909-1999) PLACE DE LA CONCORDE.

Oil on canvas Housed in a silver gilt wood frame Signed lower right “a. hambourg” SIZE: 15″ x 22″. Overall: 22-3/4″ x 30″ PROVENANCE: Acquired from the artist in Paris 1950. CONDITION: Surface grime and yellowed varnish, paint loss upper left, and several restored areas of paint loss 49021-9 (3,000-5,000) – Lot 1248

ANDRE HAMBOURG (French, 1909-1999) “LES FIAVRIS DU ROND PONT”.

Pastel and ink on paper Housed in a carved and painted wood frame with linen lining Signed lower right “a. hambourg” and titled lower left SIZE: 18-1/4″ x 23-1/2″. Overall: 28″ x 33″ PROVENANCE: Acquired from the artist in Paris 1950. CONDITION: Very good, not examined out of frame, mat discoloration 49021-10 (2,000-4,000) – Lot 1249

ANDRE HAMBOURG (French, 1909-1999) “PARIS OU DE LA SORBONNE”.

Watercolor and ink on paper Housed in a carved and painted wood frame Signed lower right “a. hambourg”, titled and dated lower left “1951” SIZE: 16-1/2″ x 22-1/2″. Overall: 27″ x 32-1/2″ PROVENANCE: Acquired from the artist in Paris 1950. CONDITION: Very good, not examined out of frame 49021-11 (2,000-4,000) – Lot 1250

ANDRE HAMBOURG (French, 1909-1999) BOUQUET DES FLEURS.

Pastel and gouache on paper Housed in a period gilt wood frame Signed lower right “a. hambourg” SIZE: 15″ x 12″. Overall: 23″ x 19-3/4″ PROVENANCE: Acquired from the artist in Paris in 1950 CONDITION: Minor discoloration along edges, spotting in background upper center, mat has discoloration, not examined out of frame, frame has chips and losses to gilding 49021-12 (2,000-4,000) – Lot 1251

PIERRE JEANNIOT (French, 1848-1934) LADIES ARRANGING FLOWERS AROUND THE TABLE.

Oil on canvas Housed in a fine French style pierced fancy frame with linen and gold liner Signed lower left “Jeannoit 1901″ SIZE: 21-1/2″ h x 32″ w. Overall 31″ h x 42” w. CONDITION: Very good. 49446-2 (4,000-6,000) – Lot 1252

DOMINIQUE HUBERT ROZIER (French, 1840-1901) NATURE MORTE AUX POISSONS.

Oil on canvas Housed in a modern carved gilt wood frame bearing a presentation plaque Signed lower left “Dominique Rozier” Verso canvas stamped “Tasset & Lote, Paris” SIZE: 24″ x 20. Overall 31-1/2″ x 27-1.4 CONDITION: Minor canvas buckle, craquelure, flake losses along bottom, otherwise good 49191-7 (2,000-3,000) – Lot 1253

JEAN-FRANCOIS THEODORE GECHTER (French, 1796-1844) NAPOLEONIC ERA “OLD GUARD”.

Bronze Signed “T.Gechter” at base of foot SIZE: 16-1/2″ h. Base 8″ x 9-1/2″ CONDITION: Very good, dark brown patina with some rubs 49070-4 (800-1,200) – Lot 1254

AFTER PAUL FRANCOIS-CHOPPIN (French, 1856-1937) “CALL TO ARMS” CA 1886.

Bronze Signed “P. Choppin” on base Ref pg 1199, figure 4838 Bronzes Sculptors and Founders 1800-1930 Vol. 4, by Harold Berman SIZE: 23-1/2″ h CONDITION: Good untouched patina 49331-16 (1,000-1,500) – Lot 1255

BRYANT BAKER (American, 1881-1970) THESEUS WITH THE MINOTAUR’S HEAD.

Bronze on marble base Signed “Bryant Baker, 1957″ SIZE: 28-1/2″ h. x 20″ w. Without base 26-1/2” h CONDITION: Very good, nice greenish brown patina 49237-4 (4,000-6,000) – Lot 1256

AFTER CLAUDE-MICHEL CLODION (French, 1738-1814) TWO FIGURES OF BACCHANTE.

Bronze Each is signed “Clodion” on base SIZE: 20-1/2″ overall CONDITION: Dark brown patinated surface. One figure with seam separation or split on upper proper left arm 49331-27 (2,000-3,000) – Lot 1257

ANTOINE BOFILL (Spanish, 1875-After 1925) BOY WITH BIRD ON ARM.

Bronze Signed on base “Bofill” SIZE: 15-1/2″ h CONDITION: Nice brown bronze finish, the metal rod in his hand is bent, otherwise very good 49161-5 (800-1,200) – Lot 1258

C. LIARDET (European, 20th century) BALLOONS OVER OCEAN BEACH.

Oil on canvas laid on panel Housed in a modern gilt wood frame Signed lower left “C. Liardet” SIZE: 28-3/4″ h x 46-3/4″ w. Overall 33-1/4″ h x 51-1/4″ w. CONDITION: Good, yellowed varnish layer. 1064-8 (2,500-3,500) – Lot 1259

DMITRI ANFIMOVICH SHERBINOVSKIJ (Russian, 1867-1926) MOTHER AND DAUGHTER AT MAILBOX.

Oil on board Housed in a gilt gesso decorated frame Signed lower right in Cyrillic Dimitry Sherbinovsky/Chtcherbinovski was an important Russian post-impressionist, born in Petrovsk. His name is spelled variously in translation (as “Chtcherbinovksi”). An 1891 graduate of the State University at Moscow, he subsequently entered the Russian Academy of Fine Arts & there was a favorite student of Pavel Tchistiakov and of Ilya Repine. Afterward (1898) he painted & studied in Paris at the Academie Julian under Tony Tober-Fleury, one of the few Russians to do so. he returned to Russia in 1900 and taught at St. Petersburg in the State Academy of Art & Industry. After 1915, he was a member of the “Ambulants” movement, at whose exhibitions his work was represented. His work is in the collection of several Russian museums. SIZE: 12-1/2″ x 7-1/2″. Overall 17-1/2″ x 12-1/2″ CONDITION: Surface dirt, small touch up in dress, very good. 49422-2 (2,000-4,000) – Lot 1260

JAMES RANALPH JACKSON (1882-1975) “EVENING BERRYS BAY (AUSTRALIA)”.

Oil on Board Housed in its original painted wood with gold liner Signed lower left “James R Jackson” also titled and signed on verso of board SIZE: 15″ x 18″. Overall 22-1/4″ x 25-1/4″ CONDITION: Very good 48772-1 (4,000-6,000) – Lot 1261

THEO SMITH (American, mid 20th century) MAN CARRYING BANANAS IN TROPICAL LANDSCAPE (POSSIBLY HAWAII).

Oil on Masonite Housed in a modern gilt wood frame Signed lower left “Theo Smith” SIZE: 12″ h x 16″ w. Overall 17-1/4″ h x 21-1/2″ w. CONDITION: Very good. 49242-9 (1,000-2,000) – Lot 1262

AFTER FERNANDO BOTERO (Colombian b. 1932) EL RAPTO DE EUROPA.

Bronze Signed at base of leg “F. Botero 1992, 5/6″ NOTE: There is no foundry mark, we have not been able to find this particular edition. Unknown casting date. SIZE: 13-1/4″ h x 11” l. PROVENANCE: From the personal estate collection of Michael Urioste of Gadsden Alabama. CONDITION: Very good, some minor casting flaws. 49354-19 (1,500-2,500) – Lot 1264

ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA (Spanish, 1863–1923) FIGURES ON A BEACH UNDER A TENT/CANOPY.

Oil on wood panel Unframed Inscribed with five words in Portuguese and signed “J. Sorolla 1915″ NOTE: Sorolla spent the summers month and a half in Valencia, Spain, where he worked on the beach. SIZE: 6-1/2″ h x 8-1/4” l. PROVENANCE: From a fine Boston area home. CONDITION: Very good. 49425-2 (8,000-12,000) – Lot 1265

Revised: 8/14/2015

Please note: This is described as “DAMASCUS GATE, JERUSALEM” and images on Google depict a similar scene. However, one individual has contacted us with his opinion that this is not Damascus Gate. At this point and time, we don’t want to risk misrepresentation and therefore, will change the title to “Looks like or similar to Damascus Gate in Jerusalem”.

CHARLES-THEODORE FRERE (French, 1814-1888) ORIENTALIST ENCAMPMENT, DAMASCUS GATE, JERUSALEM.

Oil on board Housed in a modern giltwood frame Signed lower right “Th. Frere” inscribed on verso “Theodore Frere” SIZE: 9″ X 14-1/2″ Overall 11-1/4″ x 17″. CONDITION: Good, frame abrasion, discolored varnish, minor retouch along edges 49286-2 (3,000-5,000) – Lot 1266

ARTIST MONOGRAM CYPHER (AFRS 1889) (19th Century) ORIENTALIST STREET SCENE.

Oil on canvas Housed in a gilt molded wood frame Signed with artist monogram and date 1889 bottom right SIZE: 19-3/4″ x 14″. Overall 23-1/4″ x 17-1/2″ CONDITION: Surface dirt, stretcher lines evident, very good 48772-3 (800-1,200) – Lot 1267

VITTORIO RIPPINI (Italian, 1877-1939) ORIENTALIST INTERIOR SCENE.

Watercolor Housed in its wonderful original fancy gilt frame with gilt liner Signed lower right SIZE: Sight: 20-1/4″ x 14-1/2″. Overall: 27-1/2″ x 21-1/2″ CONDITION: Very good 49251-1 (1,500-2,500) – Lot 1268

GEORGES-PIERRE GUINEGAULT (French, b. 1893) TWO MOROCCAN VIEWS.

Two oils on panel Housed in modern giltwood frames One signed and inscribed lower right “A Monsieur Cave Hasd (?) En souvenir A “Ariana” Vous Vous/G-P. Guinegault/1920″ SIZE: 13″ x 9-1/4″. Overall 16-3/4″ x 13-1/4″. CONDITION: Both have minor surface grime, unsigned has vertical crack down center of panel 49242-7 (2,000-3,000) – Lot 1269

MANNER OF ADOLPH SCHREYER (German, 1828-1899) ARABS ON HORSEBACK.

Oil on canvas Housed in a modern carved and painted frame with linen and gilt liner Unsigned SIZE: 16″ x 20″. Overall 23-1/2″ x 27-1/2″. PROVENANCE: From a fine Swampscott, MA home CONDITION: Surface grime and discolored varnish, shrinkage cracks and stretcher marks 49339-8 (600-900) – Lot 1270

ANTON CHOTKA (Austrian, 1881-1955) LARGE LAMP WITH TWO ARABS IN TENT.

Cold-painted polychromed bronze on marble base Signed “Chotka” on rug Reference: Pg 205 Antique Vienna Bronzes by Joseph Zobel. SIZE: 16″ h x 9-1/2″ w x 8-1/4″ d base. 11″ d overall CONDITION: Very good 49191-94 (8,000-12,000) – Lot 1271

ALFRED DUBUCAND (French, 1828-1894) CAVALIER ET FEMME ARABE A LA FONTAINE.

Bronze Signed “Dubucand” SIZE: 26″ h x 20-1/2″ l x 11″ w PROVENANCE: From a fine Scranton, PA home CONDITION: With brown to light brown patina. Couple of drip marks on hind quarter. Tip of gun barrel needs to be reattached. Reins absent 48871-1 (5,000-8,000) – Lot 1272

UNSIGNED (19th/20th Century) ARAB RIDER ON HORSE.

Bronze Unsigned SIZE: 16-1/2″ h x 17-1/2″ l. CONDITION: Loss to part of one rein, otherwise good with undisturbed patina 49331-14 (1,000-1,500) – Lot 1273

MARTHA WALTER (American, 1875-1976) DOUBLE SIDED VIEW OF ALGIERS.

Oil on board Housed in a modern giltwood frame Signed lower right “Martha Walter”, depicting several men waiting to enter the Mosque with a similar scene on verso SIZE: 14-1/2″ x 17-1/2″. Overall 23-1/4″ x 26-1/4″ CONDITION: Good, minor surface grime 49190-4 (6,000-8,000) – Lot 1274

MARTHA WALTER (American, 1875-1976) A GATHERING OF MEN, ALGIERS.

Oil on board Housed in a modern giltwood frame Unsigned SIZE: 14-3/4″ x 18″. Overall 22-3/4″ x 25-3/4″ CONDITION: Very good 49190-1 (3,000-5,000) – Lot 1275

MARTHA WALTER (American, 1875-1976) ALGIERS GATHERING OF MEN.

Watercolor on paper Housed in a good gilt wood frame behind glass Signed lower right in pencil “Martha Walter” SIZE: Sight: 7″ x 8-1/4″. Overall: 11-1/2″ x 12-3/4″. CONDITION: Very good 49190-2 (1,200-1,600) – Lot 1276

MARTHA WALTER (American, 1875-1976) ALGIERS FAMILY.

Watercolor Housed in a fine carved & gilt wood frame Watercolor affixed to pink board Signed lower right in pencil “Martha Walter” SIZE: 6″ x 7-1/2″. Overall: 12-1/4″ x 14-1/4″ CONDITION: Very good 49190-3 (750-1,250) – Lot 1277

HENRY NAPPENBACH (American, 1862-1931) EUROPEAN STREET SCENE.

Oil on canvas laid down on panel Housed in a period ornately carved gilt wood frame Signed and dated lower right “Henry Nappen 1895″ SIZE: 22″ x 26-1/2”. Overall: 34″ x 38″ CONDITION: Surface grime, scattered retouch, otherwise very good 49117-4 (4,000-6,000) – Lot 1278

ROMEO VILLALVA TABUENA (American/Mexican/Phillipino, 1921 – ) MEN WITH CARABAOS (WATER BUFFALO).

Oil on canvas Housed in a carved oak stained frame Signed lower right “Romeo V. Tabuena ’53” SIZE: 36″ x 24″. Overall 40″ x 28″ CONDITION: Very good. 48489-1 (1,500-2,500) – Lot 1279

REYNOLDS BEAL (American, 1866-1951) “DORADO, PUERTO RICO” AND “CHURCH AT CAROLINA, PORTO RICO”.

Two Conte Crayon and pencil drawings Housed in modern giltwood frames under glass 1) “Dorado” initialed, dated and inscribed lower right, “R.B. Dorado. Ap. 19. 1921” 2) “Church” initialed lower right “R.B.”, inscribed upper left “Church at Carolina, Porto Rico/ mar. 20. 1921. R.B.”, both bear Michal Wigley Galleries label on verso SIZE: 1) Sight 9″ x 13-1/2″. Overall 17″ x 21-1/4″. 2) Sight 9-1/2″ X 13″. Overall 17-1/2″ x 20-1/2″. CONDITION: Both have minor discoloration, not examined out of frame 49293-1 (1,500-2,500) – Lot 1280

FRANCIS HOPKINSON SMITH (American, 1838-1915) “A VENETIAN CANAL”.

Watercolors on paper Housed in carved giltwood frame under glass Signed lower right “F. Hopkinson Smith”, bears M. Knoedler & Co., label on verso SIZE: Sight 23-1/2″ x 17″. Overall 27″ x 21″ CONDITION: Very good, not examined out of frame 49299-1 (1,500-2,000) – Lot 1281

GEORGE LOFTUS NOYES (American, 1864-1954) PARIS LANDSCAPE.

Oil on panel Housed in a modern gilt wood frame Signed and dated lower left “G.L. Noyes. 91”, with a French countryside landscape on the verso George Loftus Noyes, born in Ontario came to the United States as a child with his family and settled in Massachusetts, where he became a highly sought after New England landscape painter. His artistic career began in 1885 as an artist for the New England Glass company in Cambridge. In 1890 he traveled to Paris to study under Gustave Courtois and Paul-Louis DeLance. The painting Paris landscape, is dated 1891,a pivotal year in the artist’s developement. Noyes began painting “En Plein Air”, and within a year his work was accepted into the French Salon. In 1892 he returned to Boston and established his first professional artists studio. Noyes was a member of the Boston Art Club and the Boston Society of Watercolor Painters. Tragically, towards the end of his career, a fire in his New Hampshire barn destroyed much of his life’s work. SIZE: 9-1/4″ x 12-3/4″. Overall: 14-1/4″ x 18″ PROVENANCE: Private Collection, Naples, FL CONDITION: Very good restored with in painting 49205-1 (1,000-2,000) – Lot 1282

AMERICAN SCHOOL (19th century) STILL LIFE OF FRUIT.

Oil on canvas Housed in a period gilt wood frame Unsigned SIZE: 17″ x 21″. Overall: 22-1/4″ x 26-1/4″ CONDITION: Small patch on verso, paint surface cracking left edge, with several areas of touchup 49204-3 (2,000-3,000) – Lot 1283

FRANK FINETTI (Italian/American, 19th/20th century) STILL LIFE WITH ROSES.

Oil on canvas Housed in an elaborately carved and gilt decorated period frame with liner Signed lower right “F. Finetti” SIZE: 27″ x 14″. Overall 35″ x 22″ CONDITION: Surface grime and discolored varnish, minor craquelure 49171-4 (1,000-1,500) – Lot 1284

EDWARD C. LEAVITT (American, 1842-1904) STILL LIFE WITH BASKET OF CURRANTS.

Oil on canvas Housed in a Foster Bros. giltwood frame Signed and dated lower left “E.C. Leavitt 1899″ bears a Charles G. Calder label on verso stretcher, and a Foster Bros. label on frame SIZE: 20″ x 30″. Overall 24-1/4″ x 34”. CONDITION: Surface grime, craquelure, frame with minor losses 49171-5 (1,000-1,500) – Lot 1285

ADELE LEMM (American, 1904-1977) STILL LIFE OF VASES OF FLOWERS.

Oil on canvas Housed in a carved gilt wood frame with painted gray wood liner Signed lower left “Adele Lemm” SIZE: 30″ x 25″. Overall 35-1/5″ x 30-1/2″ CONDITION: Very good 48842-10 (800-1,200) – Lot 1286

JANE PETERSON (American, 1876-1965) STUDY OF PANSIES.

Watercolor on board Housed in a wood frame Signed lower left “Jane Peterson” SIZE: 11-3/4″ x 16″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Surface scratches, water spotting lower left (not framed under glass) 1059-1 (1,000-2,000) – Lot 1287

ATTRIBUTED TO JANE PETERSON (American, 1876-1965) POT OF FLOWERS.

Oil on board Housed in modern gilt wood frame with linen liner Bears signature lower right “Jane Peterson” SIZE: 18″ x 14″. Overall: 23-1/4″ x 19-1/2″ CONDITION: Very good, signature may have been added at a later time 1059-2 (2,500-4,000) – Lot 1287A

MAURICE BRAUN (American, 1877-1941) THE SUMMER PANORAMIC LANDSCAPE.

Oil on canvas mounted to panel Housed in a carved gilt frame Signed lower right “Maurice Braun” SIZE: 18-1/4″ h x 27-1/4″ w. Overall 24-3/4″ h x 33-1/2″ w. CONDITION: Minor touch up, very good. 1125-9 (7,000-9,000) – Lot 1288

ROBERT WILLIAM WOOD (American, 1889-1979) MOUNTAINSIDE LAKE.

Oil on canvas Housed in its original gesso decorated gilt frame Signed lower right “Robt Wood” SIZE: 24″ x 30″. Overall: 29-1/2″ x 35-1/2″ CONDITION: Craquelure, significant small flaking across top third of painting 49463-1 (1,500-2,500) – Lot 1289

WILLARD METCALF (American, 1858-1925) RIVER WITH BRIDGE AND BARGE.

Pastel Housed in a fine gesso decorated gilt frame with white mat & glass Signed lower left “W L Metcalf 1885 SIZE: Sight: 9-3/4″ x 10-1/4”. Overall: 16-1/2″ x 20-1/2″ CONDITION: Very good 49400-2 (6,000-8,000) – Lot 1290

ALBERT BELLOWS (American, 1829-1883) FISHERMAN APPROACHING A SMALL POND.

Oil on canvas Housed in its original gesso decorated gilt frame Signed and dated lower right “AF Bellows 1869″ SIZE: 20-3/4″ h x 12-1/2″ w. Overall 32-1/4″ h x 24” w. CONDITION: Very good. 1125-8 (1,500-3,000) – Lot 1291

WILLIAM M. HART (American, 1823-1894) MILL IN LANDSCAPE.

Oil on canvas Housed in a fine reproduction antique style Signed lower right “WM Hart 51″ SIZE: 12″ h x 10″ w. Overall 18″ h x 16” w. CONDITION: Thin paint layer, lined, scattered retouch, very good. 49400-4 (2,500-3,500) – Lot 1292

CHARLES HAROLD DAVIS (American, 1856-1933) “WHEN EVENING SHADOWS FALL APACE”.

Oil on canvas Housed in a period gilt wood frame with presentation plaque Unsigned SIZE: 12″ x 18″. Overall: 15-1/2″ x 21-1/2″ CONDITION: Very good restored condition, lined, inpainting on bush to right 49111-4 (2,500-4,000) – Lot 1293

HAYLEY LEVER (American, 1876-1958) IMPRESSIONISTIC LANDSCAPE.

Oil on canvasboard Housed in a modern gilt fancy frame Signed lower right “Hayley Lever” SIZE: 10″ x 8″. Overall: 18-1/4″ x 16-1/4″ CONDITION: Very good 49441-1 (2,000-4,000) – Lot 1294

HAYLEY LEVER (American, 1876-1958) “AUTUMN TREE”.

Oil on artist board Housed in a paint decorated frame with linen and wood liner Signed lower right “Hayley Lever” SIZE: 20″ h x 24″ w. Overall 28-1/4″ h x 32-1/4″ w. CONDITION: Very good with some inpainting. 49446-1 (2,000-4,000) – Lot 1295

Revised: 8/14/2015

Please note: The description is correct. The photo in the printed catalog is NOT that of Lot No. 1296 (Please see online catalog for correct image).

ROBERT WILLIAM VONNOH (American, 1858-1933) SUMMER LANDSCAPE.

Oil on canvasboard Housed in a fine carved & gilt wood frame Signed lower right “Vonnoh” SIZE: 13″ x 18″. Overall: 18″ x 23″ CONDITION: Very good 1125-7 (2,000-4,000) – Lot 1296

CHARLES RUSS (American, 1825-1920) PANORAMIC TOWN SCENE WITH FIGURES AND TRAIN.

Oil on canvas Housed in its original gilt gesso decorated frame with gilt liner Signed lower right CB Russ SIZE: 10″ x 15″. Overall 17″ x 22″ CONDITION: Very good with two patches on reverse and corresponding inpainting 49400-5 (2,500-3,500) – Lot 1297

WILLIAM E BALDWIN (American, 20th century) BUCK IN WINTER FOREST.

Oil on Masonite Housed in a modern silver giltwood frame Signed and dated lower center “Wm. Baldwin 1999″ SIZE: 30″ x 24″. Overall 35″ x 29-1/2”. CONDITION: Very good 49191-4 (4,000-6,000) – Lot 1298

WILLIAM E BALDWIN (American, 20th century) “RIVER IN WINTER-JACKSON”.

Oil on Masonite Housed in a modern giltwood frame with linen liner Signed and dated lower left “Wm Baldwin 1998″ SIZE: 20″ x 31-1/2″. Overall 29″ x 39”. CONDITION: Very good 49191-3 (4,000-6,000) – Lot 1299

JOSEPH REBOLI (American, 1945-2004) “WINTER OAK”.

Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower right “Reboli 78″ SIZE: 30″ x 40”. Overall 35″ x 45-1/2″ CONDITION: Very good 49292-2 (2,500-4,000) – Lot 1300

WILLIAM R DAVIS (American, B. 1952) “WARM WINTER LIGHT”.

Oil on panel Housed in a modern giltwood frame Signed lower right “W. Davis”, titled and signed on verso SIZE: 10″ x 8″. Overall 15″ x 13″. CONDITION: Very good 49408-1 (1,500-2,500) – Lot 1301

WALTER KOENIGER (American, 1881-1943) STREAM IN WINTER.

Oil on canvas board Housed in a period carved gilt wood frame Stamped faintly lower left “W. Koeniger” SIZE: 12″ x 16″. Overall: 19-1/2″ x 23-1/2″ CONDITION: Signature is barely legible, possibly lost during previous cleaning, otherwise very good 49111-11 (1,500-2,500) – Lot 1302

ERNEST H BARNES (American, 1873-1955) WINTER LANDSCAPE.

Oil on canvas Housed in a modern carved giltwood frame Signed lower left “E.H. Barnes” SIZE: 24″ x 30″. Overall 28-1/2″ x 34-1/2″. CONDITION: Minor surface grime and craquelure along top, several tiny losses, otherwise good 49341-5 (1,500-2,000) – Lot 1303

FRANK REED WHITESIDE (American, 1866-1929) “A JANUARY EVENING” 1906.

Oil on canvas Housed in its original carved and gilt frame Unsigned front, titled and signed on reverse “A January Evening, Frank Reed Whiteside 1906″ SIZE: 14″ h x 20″ w. Overall 18″ h x 24” w. CONDITION: Surface dirt, original condition, very good. 49424-2 (1,000-2,000) – Lot 1304

JOHN JAMES AUDUBON (American, 1786-1851) “LOUISIANA HAWK”.

(Plate 79) Hand colored engraving R Havell edition, 1837 Housed in gilt wood frame (no glass) SIZE: Plate: 21-1/2″ x 25-3/4″. Overall: 32-1/2″ x 38-1/4″ CONDITION: Full margins: 26″ x 35-1/4″, bears “J. Whatman 1837” watermark, sheet is loose, discoloration and staining in margins, tack holes along top edge, tiny tears to edges 49046-1 (4,000-6,000) – Lot 1305

LOIS J. LESTER (American, First Half 20th Century) THE GREAT AMERICAN COCK AFTER JOHN J. AUDUBON PLATE NO. 1.

Watercolor on board Housed in a modern gilt wood frame Signed, inscribed and titled in bottom margin “John J. Audubon’s The Great American Cock copy by Lois J. Lester from plate No. 1 of the Elephant Edition of 1827-38″ SIZE: Size of board out of frame 39-1/4″ x 28-1/2”. Overall 45-1/2″ x 35-1/2″ CONDITION: Age toned background, colors are bold and vibrant. Scratch showing white in ground, otherwise very good. 48842-11 (2,000-3,000) – Lot 1306

FRANK VINING SMITH (American, 1879-1967) “MALLARDS RISING”.

Oil on masonite Housed in a wood frame Signed lower right “Frank Vining Smith”, titled and dated “1957” on verso SIZE: 12″ x 16″. Overall 17″ x 21″. CONDITION: Good with scattered inpaint 49246-3 (1,500-2,500) – Lot 1307

GRANT HACKING (American, 1964-) “RHYTHM OF WINGS”.

Oil on canvas laid down on panel Housed in a contemporary giltwood frame Signed lower left “Grant Hacking”, titled and dated “2011” on verso SIZE: 18″ x 24″. Overall 24-1/2″ x 30-1/2″ CONDITION: Very good 49341-7 (1,500-2,000) – Lot 1308

BARBARA H HERRICK (American, 20th century) THE FLIGHT NORTH.

Watercolor on paper Housed in a modern wood frame under glass with linen mat Signed in lower left “Barbara H. Herrick” SIZE: Sight 14-1/4″ x 20-3/4″. Overall 24-3/4″ x 31-3/8″. CONDITION: Very good, not examined out of frame 49246-5 (400-600) – Lot 1309

C S MARSHALL (American, 19th/20th century) STRIPE BASS AND BLUE FISH.

Oil on canvas Housed in a burl wood frame with beaded gilt highlights Signed and dated lower right “C.S. Marshall 97″ SIZE: 24″ x 13″. Overall 29″ x 18”. CONDITION: Very good, small area of restoration upper right 49242-6 (500-1,000) – Lot 1310

ATTRIBUTED TO PHILIP GOODWIN (American, 1881-1935) SCOUTS NEGOTIATING THE RAPIDS.

Oil on canvas Housed in a period gilt wood frame Bears inscription on verso frame “Philip R. Goodwin” SIZE: 19″ x 15″. Overall: 23″ x 19-3/4″ CONDITION: Lined, very good, restored with inpainting 1065-6 (3,000-5,000) – Lot 1311

UNSIGNED (American, late 19th century) “TO THE WORLDS FAIR”.

Oil on canvas Housed in a modern ripple edge frame Unsigned Reference: see James D. Julia’s auction August 2011, a painting by G. Robitser (American, 19th/20th Century) The Owl Club, showing the same type of use of the large head SIZE: 20″ x 16″. Overall: 22-3/4″ x 18-3/4 CONDITION: Stretcher lines and surface dirt, otherwise very good 48484-1 (2,000-4,000) – Lot 1312

HAMILTON GREENE (American, 1904-1966) THREE WORLD WAR II ILLUSTRATIONS.

Oil on board, mixed media and charcoal One is housed in a decorative wood frame with white liner the other two are matted Oil is pencil signed on verso, one of the others has a publication label for Blue Book Magazine with the title and artist, other is unsigned SIZE: Oil 21-3/4″ h x 27-1/2″ w. Overall 25-3/4″ h x 31-1/2″ w. Sight 16″ h x 24″ w. And 13″ h x 19″ w. Overall 20″ h x 30″ w. CONDITION: Oil has a light scratch line otherwise very good. Matted examples have some adhesive marks, one has evidence of a tape mark on left hand side. 49165-1 (1,000-2,000) – Lot 1313

DIMITRI HADZI (American, 1921-2006) STUDIES FOR BRONZE.

Pen and ink on paper Housed in an oak frame with linen mat having gold edge Signed and titled lower right “Studies For Bronze, Dimitri Hadzi Spring ’59 Roma”, also having two exhibit labels on reverse one from Stephen Radich Gallery, N.Y. and Rental Gallery Baltimore Museum of Art. SIZE: Sight 18″ h x 25″ w. Overall 24″ h x 31″ w. CONDITION: Very good. 49368-2 (400-600) – Lot 1314

KIM KORI (American, 20th century) ISLAND BEAUTY.

Bronze Mounted to a revolving walnut base Signed in bronze “Kim Kori 1992″ SIZE: Bronze: 24-1/2″ h. With base: 27” h CONDITION: Very good 48716-1 (1,200-1,800) – Lot 1315

JUAN CLARA (American,/Spanish, circa 1905) WATCHING SOMETHING.

Bronze Signed “Juan Clara” on plinth Founders mark of “Goldscheir” and “ALE 76/140” limited edition on proper right end of bench Ref pg 249, Figure 834 Bronzes Sculptors and Founders 1800-1930, Vol 2 by Harold Berman SIZE: 8-1/2″ h x 11-1/2″ l x 7-1/2″ d. CONDITION: Very good with even patina 49331-28 (1,200-1,800) – Lot 1316

AFTER JUAN CLARA (American/Spanish, 1875-1958) GIRL STANDING ON CHAIR.

Bronze Signed “Juan Clara” on seat of stool SIZE: 12-7/8″ h. CONDITION: Very good with all of patina 49331-11 (600-800) – Lot 1317

AFTER FRIEDRICH GORNIK (Austrian, 1877-1943) SCULPTURE OF BOAR.

Bronze Signed on tree stump. Mark of “AUST REICH” Foundry impressed on rear of stump SIZE: 4-1/2″ h x 7-1/2″ l x 5-1/2″ w. CONDITION: Nicely patinated olive brown surface. 49331-15 (300-500) – Lot 1318

UNSIGNED (European, 20th Century) BRONZE FIGURE OF A BOAR.

Unsigned SIZE: 7-1/2″ h x 13″ l. CONDITION: Good patination, brown surface 49331-18 (400-600) – Lot 1319

ANN FROMAN (American, 1942-) SCHEHERAZADE SCULPTURE.

Bronze sculpture Set on a cast bronze platform with gold patina Marked on the back side “71/175 Fine Art Acquisitions Copyright 1987″ SIZE: 16-1/2″ h x 15″ x 21” base CONDITION: Missing plumage on headdress and several rhinestone jewels are missing, otherwise very good 1039-2 (1,000-2,000) – Lot 1320

ATTRIBUTED TO MAXFIELD PARRISH (American, 1870-1966) HOMESTEAD IN WINTER.

Oil on canvas Housed in a modern giltwood frame Unsigned, Attribution base on label affixed to verso stretcher inscribed “Maxfield Parrish 1963″ SIZE: 16″ x 20”. Overall 21-1/4″ x 25-1/4″ PROVENANCE: Estate of John Newlin, Dover Plains, New York. NOTE: John Newlin is purported to have been a friend of Parrish. CONDITION: Tiny craquelure throughout the surface, yellow varnish, tiny pin holes, surface scratch lower left 49321-9 (3,000-5,000) – Lot 1321

ROBERT EMMETT OWEN (American, 1878-1957) GOLDEN HAYSTACKS.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “R. Emmett Owen” SIZE: 26″ x 30″. Overall: 28-3/4″ x 32-1/2″ CONDITION: Yellowed varnish, some inpainting otherwise very good 49111-13 (2,000-3,000) – Lot 1322

CHARLES COURTNEY CURRAN (American, 1861-1942) “CLOUDS FORMING BEFORE SHOWER”.

Oil on board Housed in a reproduction gilt carved wood frame Signed lower right “Charles C. Curran 1930″ Titled in pencil on verso SIZE: 14″ x 11”. Overall 19-3/4″ x 16-3/4″ PROVENANCE: Christie’s New York: Tuesday, July 10, 2007 Lot 325 CONDITION: Very good 48604-3 (2,000-3,000) – Lot 1323

ARTHUR PARTON (American, 1842-1914) FISHERMAN AND COWS UNDER SUNSET LANDSCAPE.

Oil on board Housed an its original fancy gilt frame Signed lower left “Arthur Parton” SIZE: 9-1/2″ h x 14-3/4″ w. Overall 13-1/2″ h x 19″ w. CONDITION: Very good. 49363-7 (2,000-4,000) – Lot 1324

FREDERICK S CHURCH (American, 1842-1924) MAIDEN WITH RABBITS IN A MEADOW.

Oil on canvas Housed in period carved gilt wood frame Signed and dated lower right “F.S. CHURCH N.Y. 87″ SIZE: 13-1/2″ x 23-1/4”. Overall: 17-1/4″ x 27-1/4″ CONDITION: Craquelure, minor surface grime, minor restoration along upper left edge 49111-7 (3,000-5,000) – Lot 1325

FREDERICK STUART CHURCH (American, 1842-1924) “THE SONG”.

Oil on canvas Housed in a good modern gilt carved wood frame with gilt liner signed and inscribed bottom right “‘The Song’ a sketch- to Mrs. Madeleine O’Brien from F.S. Church NY 1914″ SIZE: 16″ x 22”. Overall 21-1/2″ x 27-1/2″ CONDITION: Very good 48604-2 (2,000-4,000) – Lot 1326

FRANK HECTOR TOMPKINS (American, 1847-1942) “HESTER PRYNNE”.

Oil on canvas Housed in a period gilt wood frame Signed “F.H. Tompkins” SIZE: 36-1/4″ x 28″. Overall: 47″ x 40″ CONDITION: Craquelure, and surface grime, scattered areas of retouch, otherwise very good 49111-5 (3,000-5,000) – Lot 1327

RICHARD E. MILLER (American, 1875-1943) PORTRAIT OF A WOMAN WITH SHAWL.

Oil on board Housed in a carved giltwood frame Signed lower center “Miller” SIZE: 24″ x 20″. Overall 27″ x 23″. CONDITION: Board is warped, minor flake losses 49368-7 (2,500-3,500) – Lot 1328

LYDIA FIELD EMMET (American, 1866-1952) PORTRAIT OF A SEATED YOUNG WOMAN IN BLACK DRESS WITH PEARLS.

Oil on canvas Housed in a period carved and painted gilt wood frame Signed upper right “Lydia Field Emmet” SIZE: 47″ x 34″. Overall: 53″ x 40″ CONDITION: Surface grime, craquelure, verso canvas stained, several areas inpainting and touchup 1125-1 (2,000-4,000) – Lot 1329

JOHN ATHERTON (American, 1900-1952) COLORFUL ABSTRACT CAT FACE IN TREES.

Oil on canvas Unframed Signed lower left “Atherton” SIZE: 39″ h x 60″ w. CONDITION: Fine shrinkage lines which show white in the green areas, otherwise very good. 49191-1 (8,000-12,000) – Lot 1330

HANS REICHEL (French, 1892-1958) ABSTRACT COMPOSITION.

Watercolor Housed in what appears to be its original wood decorated frame Watercolor is mounted to white backboard which is slightly toned Signed lower right “R 1947″ SIZE: 7″ x 11”. Overall: 12-1/2″ x 15-1/2″ CONDITION: Very good 49439-1 (3,000-5,000) – Lot 1331

ROLPH SCARLETT (American, 1889-1984) ABSTRACT LANDSCAPE WITH TREES.

Oil on paper Housed in a painted wood frame behind glass Signed lower left “Scarlett” SIZE: Sight: 14″ x 19-3/4″. Overall 19-3/4″ x 25-1/4″ CONDITION: Very good 49400-13 (1,500-2,500) – Lot 1332

LEONARDO NIERMAN (American, 1932-) “FUEGO MAGICO”.

Acrylic on Masonite Housed in a modern stepped gilt wood frame with linen liner Signed lower left “Nierman” SIZE: 13-3/4″ x 15-3/4″. Overall: 17-1/4″ x 21″ PROVENANCE: Private Collection; Estate of Francois Herman, Boston, MA CONDITION: Surface grime (spotty varnish), otherwise very good 49205-8 (1,000-1,500) – Lot 1333

BENJAMIN BRITT (American, 1923-) JAZZ.

Oil on Masonite Housed in a wood frame with linen and gilt liner Signed lower right “B. Britt” SIZE: 24″ x 18″. Overall 31″ x 25″ CONDITION: Good 49343-1 (800-1,200) – Lot 1334

BERNARD CHAET (American, 1924-2012) “COW”.

Oil on canvas Housed in a simple black painted wood frame unsigned front, signed on stretcher and verso of canvas, also having a Stable Gallery, NY label with painting’s information SIZE: 20″ x 25″. Overall 20-3/4″ x 25-1/2″ CONDITION: Very good 49400-11 (500-700) – Lot 1335

ROBERT STRIMLAN? (Mid 20th century) ABSTRACT FIGURE.

Oil on board Housed in a wood frame (as found) Signed lower left Robert Trimlan SIZE: 17″ x 14″. Overall 24-1/4″ x 21-1/2″ CONDITION: Some stains and chips. 49400-9 (500-700) – Lot 1336

ROLPH SCARLETT (American, 1889-1984) ABSTRACT.

Oil on Masonite Unframed Signed lower right “Scarlett” SIZE: 16-1/4″ h x 5-1/2″ w CONDITION: Good, one light scratch 1059-3 (400-600) – Lot 1337

BUTLER (American School, 20th Century) “MID DAY. EAST RIVER”.

Oil on canvas Housed in a carved gilt wood frame Signed lower right “Butler”, signed dated and titled on verso “Mid Day. East River Copyright Butler ’28” SIZE: 14″ x 18″. Overall 18-1/2″ x 22-1/2″ CONDITION: Good with surface grime 49237-7 (800-1,200) – Lot 1337A

Revised: 8/18/2015

Please note: We have been contacted by one individual who stated this is not by Caro. This piece had been in Lee Trott’s warehouse for many years. Trott was a close friend of Caro. It is certainly in the style of Caro’s work.

ATTRIBUTED TO SIR ANTHONY CARO (British, 1924–2013) UNTITLED.

Large bronze sculpture Unsigned SIZE: 81-1/2″ h x 35″ w x 21″ d PROVENANCE: Recently discovered in a New York City storage warehouse amongst other belongings CONDITION: Rust, structurally good 49162-1 (3,000-5,000) – Lot 1338

PABLO PICASSO (Spanish, 1881-1973) & PAUL P. LEMAGNY (French, 1905-1977) PORTRAIT OF PICASSO WITH REMARK.

Etching & drypoint Housed in a fine modern gilt frame with linen mat edged in silver liner Signed in pencil by Lemagny & Picasso lower right SIZE: Sight: 18″ x 12″. Overall: 27″ x 20-1/2″ CONDITION: Small foxing spot in background, otherwise very good 49264-1 (3,000-5,000) – Lot 1339

SALVADOR DALI (Spanish, 1904-1989) “MY AMBITION”.

Marker & typing on paper Housed in a black molded edge frame with double mat Signed bottom center “Dali” SIZE: Sight: 12-1/2″ x 9″. Overall: 20-1/4″ x 16-3/4″ PROVENANCE: Remember When Auctions, 1999; Private Collection CONDITION: Very good 49264-2 (1,000-2,000) – Lot 1340

MAN RAY (American, 1890-1976) RED APPLES.

Lithograph Housed in a fine double frame in gilt wood white mat & inner gilt wood with mat Signed with initials lower right and “58/120″ lower left SIZE: Sight: 20-1/2″ x 14-1/2”. Overall: 30″ x 24″ CONDITION: Very good, not examined out of frame 49337-1 (1,000-1,500) – Lot 1341

JOAN MIRO (Spanish, 1893-1983) BLACK ABSTRACT FIGURES.

Serigraph on paper Housed in a black frame with double mat Signed within the print “Miro” SIZE: Sight: 7″ x 8-3/4″. Overall: 14-1/2″ x 16-1/2″ CONDITION: Very good 49263-1 (300-500) – Lot 1342

SALVADOR DALI (Spanish, 1904-1989) ANGEL WITH CROSS.

Lithograph Housed in a modern metal brass colored frame with double mats Pencil signed lower right, numbered “EA” SIZE: Sight 24″ h x 17″ w. Overall 30-1/4″ h x 23″ w. PROVENANCE: From the personal estate collection of Michael Urioste of Gadsden Alabama. CONDITION: Very good. 49354-18 (200-300) – Lot 1343

ADOLPHE ROBERT DANIEL JONES (Belgian, 1806-1874) SHEEP AND HORSE IN HIGHLAND LANDSCAPE.

Oil on canvas Housed in a gesso decorated gilt antique frame Signed lower right “AR Jones” SIZE: 13″ h x 18″ w. Overall 23-1/2″ h x 28-1/2″ w. CONDITION: Craquelure, two patches on verso with corresponding inpainting, otherwise very good. 49400-7 (1,500-2,500) – Lot 1344

FRENCH SCHOOL (19th century) LANDSCAPE WITH SHEEP.

Oil on canvas laid down on Masonite Unframed Signed lower right “Montpleau” SIZE: 9-1/4″ x 25-1/4″ CONDITION: Crease visable, surface grime, restoration along edges and scattered retouch 49042-25 (600-900) – Lot 1345

JULES BAHIEU (Belgian, 1860-1895) SHEEP AND CHICKENS IN BARN.

Oil on canvas Housed in a period gilt wood frame Signed lower left “J. Bahieu” SIZE: 10-1/2″ x 15″. Overall: 13″ x 18″ CONDITION: Surface grime and yellowed varnish, otherwise very good 49042-24 (600-900) – Lot 1346

PIETER LODEWIJK FRANCISCO KLUYVER (Dutch, 1816-1900) LANDSCAPE WITH WATER, FIGURE AND HOUSES.

Oil on wood panel Housed in a period gilt frame liner Signed lower right “Kluyver” SIZE: 6″ x 8″. Overall 10″ x 12″ CONDITION: Very good 48772-2 (1,200-1,800) – Lot 1347

EUGENE GALIEN-LALOU (French, 1854–1941) WATERWAY WITH FIGURE.

Oil on wood panel Housed in a good gilt gesso decorated period frame Signed lower right with one of his pseudonyms “L. Dupuy” SIZE: 7″ x 14-1/4″. Overall: 13-3/4″ x 20-3/4″ CONDITION: Very good with some minor touch-up 49087-12 (1,000-2,000) – Lot 1348

LEON L’HERMITTE (French, 1844 – 1925) A WOODED LANDSCAPE.

Pastel on paper laid down on board Housed in a period gilt wood frame with presentation plaque, under glass Signed lower right “L. L’Hermitte” SIZE: 9-1/2″ x 12-1/4″. Overall: 13-3/4″ x 16-3/4″ CONDITION: Minor discoloration lower left and right to paper, not examined out of frame 49222-1 (1,500-2,500) – Lot 1349

ALFRED MONTAGUE (English, 1832 – 1883) DUTCH FISHING VILLAGE.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “A Montague” SIZE: 16″ x 13″. Overall: 22″ x 18-1/2″ CONDITION: Lined in 1956 by Pettersons, London, small area of restoration lower left, minor surface grime 49087-8 (800-1,200) – Lot 1350

ETIENNE JOANNON (French, 1857-1910) THREE NEAPOLITAN GIRLS.

Oil on panel Housed in a period carved and giltwood frame Signed lower right “Joannon” SIZE: 18-1/2″ x 14-1/2″. Overall 29″ x 25-1/2″. CONDITION: Surface grime, shrinkage cracks, discoloration to sky 49191-38 (1,500-2,500) – Lot 1351

CAMILLE CABAILLOT (France, 1839-) MOTHER NURSING CHILD.

Oil on canvas Housed in a period gesso decorated gilt frame Signed lower right “C. Cabaillot-Lassalle” Camille-Leopold was born in Paris, son of Louis Lassalle, painted & pupil of his father & of Pierre Edouard Frere. He first painted under the name Camille Lassalle, and as such exhibited at the Paris Salons of 1864 & 1865; afterward he exhibited under the name Camille-Leopold Cabaillot-Lassalle (Paris Salons of 1868 & 1869, most of the 1870’s and 1880-1882, 1886 and also the Philadelphia Exposition of 1876. SIZE: 9-1/2″ x 7-3/4″. Overall: 16-1/2″ x 14-1/2″ CONDITION: Very good with craquelure and inpainting 49422-4 (1,000-1,500) – Lot 1352

FRENCH SCHOOL (Early 20th century) COUPLE STROLLING ON A COUNTRY LANE.

Oil on panel over print Housed in a period gilt wood frame Signed lower left “Tobert”, and dated indistinctly, inscribed on verso “-Tolbert-/585-22-4956/B751891-” SIZE: 7-3/4″ x 10″. Overall: 11-1/4″ x 13-1/4″ CONDITION: Minor surface grime, scattered retouch, otherwise very good 49161-2 (800-1,200) – Lot 1353

ALBERTO LA MONACA (Italian, 1862-1936) WOMAN IN ITALIAN LANDSCAPE.

Watercolor on paper Housed in a gilt frame Signed lower right A. La-Monaca SIZE: Sight 12-3/4″ x 6-3/4″. Overall 21″ x 15″ CONDITION: Toning to paper otherwise very good 49422-3 (800-1,200) – Lot 1354

JULES HERVE (French, 1887-1981) “LE SOUPER”.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “Jules R. Herve”, signed on verso “Jules R. Herve” SIZE: 8-3/4″ x 10-3/4″. Overall: 14-1/4″ x 16-1/4″ PROVENANCE: Private Collection of Main Line, PA CONDITION: Very good 49205-5 (1,500-2,500) – Lot 1355

MORITZ CALISCH (Dutch, 1819-1870) TWO WOMEN IN CANDLELIT ROOM.

Oil on canvas Housed in a magnificent gesso decorated period frame with fancy gilt liner with minor losses Signed lower right “Moritz Calisch” SIZE: 21-3/4″ x 18-3/4″. Overall 35″ x 31″ CONDITION: Very good 48598-3 (1,000-1,500) – Lot 1356

WATSON? (British School, 19th Century) PORTRAIT OF A GIRL WITH RED SCARF.

Oil on canvas Housed in a fine gesso decorated period frame with gilt liner having title “Watson” (losses to gesso) Having a Pratt & Polak London framing label on verso of frame Unsigned SIZE: 21″ x 17″. Overall 33-1/2″ x 29-1/2″ CONDITION: Original canvas, craquelure and alligator type consolidation to varnish. In need of restoration 1060-1 (500-1,000) – Lot 1357

CHARLES KUWASSEG (French, 1838-1904) STORMY FRENCH HARBOR.

Oil on canvas laid down on board Housed in a period ornately carved gilt wood frame Signed lower left “C. Kuwasseg” SIZE: 20-1/2″ x 32″. Overall: 33″ x 44-1/2″ CONDITION: Surface grime, large tears, paint loss, canvas has been glued to cardboard, frame has chips and gilt losses to floral decoration 49007-3 (1,000-1,500) – Lot 1358

PIETER D DIK (Netherlands, 1943-1984) “GRAUWE GANZEN BOVEN DE BRANDING”.

Oil on canvas Housed in a contemporary frame Signed lower right “Pieter Dik”, titled on Roelofs Art Gallery, Amsterdam label affixed to stretcher SIZE: 31-1/2″ x 39″. Overall 37″ x 44-1/2″. CONDITION: Minor retouch, very good. 49292-1 (1,000-2,000) – Lot 1359

CONTINENTAL SCHOOL (19th century) LOW TIDE AT SUNSET.

Oil on panel Housed in an impressive ornately carved period gilt and gesso wood frame Signed lower right “Jy. W…dt” SIZE: 31″ x 41″. Overall: 44″ x 55″ CONDITION: Paint surface has horizontal cracking, frame abrasion along edges, frame has break to bottom two corners, otherwise normal wear for its age, some inpainting to craquelure boat 49054-13 (500-1,000) – Lot 1360

MANNER OF ANDRE DERAIN (French, 1880-1954) FAUVIST VIEW OF LONDON.

Oil on board Housed in modern gilt wood frame Bears partial signature lower right, verso board stamped “Birchmore Board/George Rowney & Co./London England” SIZE: 10″ x 14″. Overall: 15-1/2″ X 19-1/2″ CONDITION: Board slightly warped and has damp staining on verso, paint loss lower right with touch up 49238-2 (800-1,200) – Lot 1361

ANDRE HAMBOURG (French, 1909-1999) SAILBOATS PREPARING FOR THE REGATTA.

Color lithograph Housed in a silver gilt wood frame Signed lower left “a. hambourg” and numbered “109/150″ SIZE: 11-1/2″ x 19”. Overall: 18-3/4″ x 25-1/2″ PROVENANCE: Acquired from the artist in Paris in 1950 CONDITION: Paper is rippling, discoloration and mat burn along edges in margins, print is slightly faded, not examined out of frame 49021-13 (500-700) – Lot 1362

JAN VAN DELDEN (Dutch, 20th century) STEAM SHIP IN PORT.

Oil on canvas Housed in gilt wood frame Signed lower right “J v DELDEN” SIZE: 10″ x 17-3/4″. Overall: 16-1/2″ x 24″ CONDITION: Small hole lower left, surface grime, otherwise very good 49161-4 (800-1,200) – Lot 1363

CONSTANTIN OR CARL STOITZNER (Austrian, 1863/1866-1934/1943) TWO FISHERMEN CATCHING UP ON THE DAILY NEWS.

Oil on canvas Housed in a Foster Bros. carved giltwood frame Signed lower left “C. Stoitzner.” SIZE: 23″ x 14-1/4″. Overall 29″ x 20-1/4″. CONDITION: Good, with surface grime, discolored varnish, minor craquelure 49171-7 (800-1,200) – Lot 1364

ADRIANO SPILIMBERGO (Italian, 1908-1975) BRIDGE OF SIGHS, VENICE.

Oil on board Housed in a modern wood frame with gold liner Signed lower left “Spilimbergo”, identified on reverse and dated “Nov. 29, 1974″ SIZE: 15-3/4″ x 24”. Overall 20″ x 28-1/4″ CONDITION: Good 1021-2 (1,500-2,500) – Lot 1365

FRITZ MULLER (German, 1913-1972) PORTRAIT OF A BEARDED MAN SMOKING A PIPE.

Oil on Masonite Housed in a modern wood frame Signed upper left “Fritz Muller/Munchen” This lot is accompanied by the original receipt from Reichert Fine Arts, dated “1980” SIZE: 9-1/2″ x 7″. Overall: 13-1/2″ x 11″ PROVENANCE: Mr. & Mrs. Martin, Stuttgart, Germany CONDITION: Very good, minor surface grime 49161-1 (400-600) – Lot 1366

ALBERT J ROWLEY (English, d. 1944) “THE WILLOWS”.

Exotic wood relief panel Housed in artist carved wood frame Signed lower left “Albert J Rowely”, incised lower right “ROWLEY”, and titled on Rowley Gallery, Kensington label affixed to verso SIZE: 6″ x 6″. Overall: 13-1/4″ x 13-1/4″ CONDITION: Very good 49042-26 (200-400) – Lot 1367

UNSIGNED (European School, 19th Century) THE HOLY FAMILY.

Oil on canvas Housed in a magnificent carved wood scallop, scroll and flower decorated gilt frame Unsigned SIZE: 23-1/4″ x 17″. Overall 33″ x 27″ CONDITION: Lined, stabilized craquelure, very good. 48598-2 (500-700) – Lot 1368

ROBERT CHAILLOUX (French, 1913-2005) STILL LIFE OF FRUIT WITH BRASS PAN AND EARTHENWARE JUG.

Oil on canvas Housed in a contemporary gilt wood frame, with presentation plaque Signed lower left “Robert Chailloux” SIZE: 18″ x 21-3/4″. Overall: 25″ x 29″ CONDITION: Very good 49087-11 (400-600) – Lot 1369

ANTOINE BERJON (French, 1754-1843) STILL LIFE WITH GRAPES.

Red chalk and charcoal on paper Housed under glass in a gilt wood frame Signed and dated lower right “Berjon, 1833″ SIZE: 8-3/4″ x 11-1/2”. Overall: 14-3/4″ x 17-1/2″ PROVENANCE: Private Collection of Main Line, PA CONDITION: A 1-1/4″ paper border has been added to drawing by mounting along edge of original drawing. Original drawing is not fully laid down and retains its full image area including original dekle edge, 1-3/4″ crease lower right 49205-4 (400-600) – Lot 1370

W. KATO (Japanese, 1st Half 20th Century) FIGURES BESIDE WATER AT THE FOOT OF MT. FUJI.

Watercolor on paper Housed in a bamboo style gilt wood frame with mat under glass, mat with stains Signed lower right “W Kato” SIZE: Sight 12″ x 19″. Overall 18″ x 24-1/2″ CONDITION: Good 40555-38 (200-300) – Lot 1371

SIGNED (Japanese, Early 20th Century) TWO WORKS: MT FUJI AND HOUSES IN A LANDSCAPE.

Watercolors Housed in identical bamboo style gilt frames with mats, mats with stains On signed indistinctly bottom left, the other unsigned SIZE: Sight 8-3/4″ x 12. Overall 14-3/4″ x 17-1/2″ CONDITION: Very good. 40555-39 (200-300) – Lot 1372

UNSIGNED (British School, 19th Century) PORTRAIT OF A TERRIER DOG.

Oil on board Housed in a period square gilt frame with gilt wood mat with round window and some minor losses Unsigned SIZE: Sight 11″ dia. Overall 18″ x 18″ CONDITION: Two paint flecks in ear, otherwise very good. 48601-1 (700-900) – Lot 1373

BERNARD COREY (American, 1914-2000) LATE SUMMER LANDSCAPE.

Oil on canvas board Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” with fall landscape on verso SIZE: 9″ x 14″. Overall 14-1/4″ x 19-1/4″. PROVENANCE: Purchased directly from the artist CONDITION: Very good 49340-3 (800-1,200) – Lot 1374

BERNARD COREY (American, 1914-2000) “COLRAIN FARM”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Bernard Corey”, signed and titled on verso SIZE: 10″ x 16″. Overall 15-1/4″ x 21-1/4″. PROVENANCE: Purchased directly from the artist CONDITION: Very good. 49340-4 (800-1,200) – Lot 1375

BERNARD COREY (American, 1914-2000) SPRING LANDSCAPE.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” SIZE: 10″ x 14″. Overall 15-1/4″ x 19-1/2″. PROVENANCE: Purchased directly from the artist CONDITION: Very good. 49340-2 (600-900) – Lot 1376

BERNARD COREY (American, 1914-2000) “THE FOOTBRIDGE”.

Oil on board Housed in a contemporary gilt wood frame (some minor chips) Signed lower left “Bernard Corey” SIZE: 8-1/4″ x 11-3/4″. Overall” 15-1/4″ x 18-3/4″ PROVENANCE: Purchased directly from the artist CONDITION: Overall very good 47890-3 (500-800) – Lot 1377

ESTELLE BRAY HENRY (American, 1879-1980) FOUR WORKS: OLD ANDOVER CHURCH, BOAT IN TIDAL MARSH, HARVESTING MARSH HAY AND BOY IN SPRING LANDSCAPE.

Three oil on board, one oil on canvas All housed in period frames Three signed “EB Henry”, one unsigned SIZE: 1) 24″ x 20″. Overall 27-3/4″ x 23-3/4. 2) 7-1/2″ X 11-1/2″. Overall 10″ x 14″. 3) 9-1/4″ X 12. Overall 13″ x 15-1/2″. 4) 9-1/2″ x 12″. Overall 13″ x 16″ CONDITION: Very good, 1) with small hole. 48601-2 (800-1,200) – Lot 1378

STEVE MOTYKA (American, 20th/21st century) “BOSTON COMMON”.

Oil on canvas Housed in a modern frame Signed and dated lower left “S. Motyka ’88” SIZE: 22″ x 24″. Overall 24-1/2″ x 26-1/2″. CONDITION: Very good 49242-10 (800-1,200) – Lot 1379

CONSTANTIN A. PESTZOFF (American, First Half 20th Century) “NANTUCKET-SURF SIDE”.

Watercolor on paper mounted to board Housed in a simple wood frame with mat without glass Signed lower right “Constantin A. Pestzoff 1930” Also signed and titled on verso with address “70 Hammond St Cambridge” NOTE: We have been unable to find an artist of this name and other spelling variations may have been used. SIZE: Sight 23-3/4″ x 19-1/2″. Overall 33-1/4″ x 28-1/4″ CONDITION: Good, one scraped area on mat edge. 48601-3 (500-700) – Lot 1380

JON CORBINO (American, 1905-1964) SEATED DANCER.

Oil on board Housed in a fancy painted frame with linen and gilt liner Signed lower left “Jon Corbino” SIZE: 10″ x 8″. Overall 15-1/2″ x 13-1/2″ CONDITION: Very good 1047-1 (1,500-2,000) – Lot 1381

PAL FRIED (American, 1893-1976) “WILLING TO LEARN”.

Oil on canvas Housed in a partial gilt carved wood frame with painted liner Signed lower left “Fried Pal” SIZE: 30″ x 24″. Overall 37-1/2″ x 31-1/2″ CONDITION: Very good 1022-2 (1,000-2,000) – Lot 1382

LOUIS KRONBERG (American, 1872-1965) “DANCER IN WHITE”.

Oil on canvas Housed in a modern gilt frame Signed in upper right “L. KRONBERG”, inscribed and dated on verso “Paris June 1954″ SIZE: 24″ X 18”. Overall: 30″ x 24″ PROVENANCE: Private Collection; From the Estate of Claire Rosen & Samuel Eds, Chicago, IL CONDITION: Minor staining on verso, minor scattered retouch, very good 49205-7 (1,000-1,500) – Lot 1383

SUSAN MILLER CHASE (American, 20th century) MOTHER AND DAUGHTER RELAXING IN THE GARDEN.

Oil on board Housed in a period guilt wood frame Signed lower left “Susan Miller Chase” SIZE: 7-3/4″ x 10″. Overall: 12″ x 14″ CONDITION: Surface grime and spotty varnish 49042-20 (800-1,200) – Lot 1384

AUGUST BENZIGER (American, 1867-1955) YOUNG GIRL SEATED BY A WELL.

Watercolor on paper Housed in a carved wood frame with linen liner Signed lower left “A. Benziger” SIZE: 10″ x 6-1/2″. Overall: 16″ x 12-1/2″ PROVENANCE: By decent from the family of the artist August Benziger CONDITION: Surface scratches, faded, not examined out of frame 49079-2 (800-1,200) – Lot 1385

WILLIAM HENRY HOLMES (American, 1846-1933) TEA TIME WITH GRANDMOTHER / THE LETTER.

1) Oil on canvas, housed in a period carved gilt wood frame, signed lower left indistinctly, inscribed on verso “To: M.W./From: W.H.H/1903” 2) Watercolor on paper, housed in a modern gilt wood frame with period gilt mat, signed lower left “W.H.HOLMES” SIZE: 1) 20″ x 16″. Overall: 28″ x 24″ 2) 21″ x 14″. Overall: 36″ x 29″ CONDITION: 1) Surface grime, craquelure, patch on verso corresponds with minor touchup, very good. 2) very good, not examined out of frame 49111-9 (1,000-2,000) – Lot 1386

HENRY STRATER (American, 1896-1987) “RUSSIAN DANCER”.

Oil on canvas Housed in a modern carved giltwood frame Signed lower right “Strater” titled on verso SIZE: 25″ x 20″. Overall 31-1/2″ x 26-1/2″ CONDITION: Minor surface grime, 1/2″ tear and 2 small punctures 49237-2 (800-1,200) – Lot 1387

EDWARD DUFNER (American, 1872-1957) “MOTHER” WOMAN SEWING.

Oil on board Housed in a contemporary giltwood and ebonized frame, bearing plaque on verso Signed upper left “Edward Dufner”, titled and dated “1915” on Milwaukee Art Institute permanent collection label affixed to verso SIZE: 9-1/2″ x 7-1/4″. Overall 13″ x 15″. PROVENANCE: Christie’s New York, October 2nd, 2013, lot 8. CONDITION: Good restored condition. 49368-5 (1,000-1,500) – Lot 1388

WALLACE L DEWOLF (American, 1854-1930) OLD BALDY.

Oil on canvas board Housed in an arts and craft period carved gilt wood frame with presentation plate behind glass Signed lower right “W.L. DEWOLF. ’16”, inscribed on verso “Mt. St. Antonio Southern California ‘Old Baldy’ sometimes called” SIZE: 13-1/2″ x 15-1/2″. Overall: 17-1/2″ x 19-3/4″ CONDITION: Very good 49115-9 (800-1,200) – Lot 1389

CHARLES WARREN EATON (American, 1857-1937) PINE TREES IN MORNING LIGHT.

Oil on board Housed in a period carved giltwood frame Signed lower right “Chas. Warren. Eaton” SIZE: 8″ x 10″. Overall 17-3/4″ x 15-3/4″ CONDITION: Surface grime, yellowed varnish, 3 chips to board with paint loss 49171-2 (800-1,200) – Lot 1390

AMERICAN SCHOOL (20th century) SUNLIT FIELD.

Pastel on board Housed in a carved giltwood frame Signed indistinctly lower left SIZE: Sight 15-1/4″ x 19-1/2″. Overall 19″ x 23-1/4″. CONDITION: Good, not examined out of frame 49186-4 (500-1,000) – Lot 1391

ERNEST MEYER (American, 1863-1952) AUTUMN LANDSCAPE.

Oil on board Housed in a modern gilt wood frame with artist plaque Estate stamped lower left “E. Meyer”, bears “Ernest Frederick Meyer Estate” stamp numbered “21” on verso SIZE: 11-3/4″ x 16″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Yellowed varnish, restoration in sky, otherwise very good 49042-23 (500-800) – Lot 1392

JOHN W MANSFIELD (American, 1849-1933) HAYSTACKS BENEATH A STORMY SKY.

Oil on canvas Housed in a modern gilt wood frame Bears John Worthington Mansfield estate stamp on verso numbered “LJ107″, and signed by estate representative SIZE: 16″ x 22”. Overall: 19-3/4″ x 25″ CONDITION: Lined, very good restored with inpainting 1105-2 (600-900) – Lot 1393

WILLIAM PASKELL (American, 1866-1951) SUNDAPPLED LANDSCAPE.

Oil on canvas Housed in a carved giltwood frame Signed lower right “WM. Paskell.” SIZE: 16″ x 20″. Overall 21-3/4″ x 25-3/4″. CONDITION: Surface grime, minor stretcher marks, and a 1″ wax residue on verso 49171-3 (800-1,200) – Lot 1394

WILLIAM FREDERICK PASKELL (American, 1866-1951) SUNSET LANDSCAPE WITH HOUSE WATER AND MOUNTAIN.

Watercolor on paper Housed in an antique Ogee mahogany frame with gilt liner behind glass (some finish loss) Signed bottom right “Wm. Paskell 96″ SIZE: Sight 14-3/4″ x 22-1/2”. Overall 21-3/4″ x 29-1/2″ CONDITION: Very good 48811-3 (400-600) – Lot 1395

WILLIAM FREDERICK PASKELL (American, 1866-1951) SUNSET LANDSCAPE.

Watercolor on paper Housed in a period carved wood gilt frame with double mats behind glass Signed lower left “Wm. Paskell” SIZE: Sight 9-1/2″ x 13-1/2″. Overall 16-1/2″ x 23-1/2″ CONDITION: Very good 48811-4 (400-600) – Lot 1396

CARLOS CHEVILLY (American, 20th century) STILL LIFE WITH APPLES.

Oil on canvas Housed in a carved wood frame Signed and dated upper right “Carlos Chevilly, 1947″, inscribed indistinctly on verso SIZE: 13″ x 16”. Overall: 19-1/2″ x 23″ CONDITION: Surface abrasions and scratches, otherwise good 49019-2 (800-1,200) – Lot 1397

UNSIGNED (19th Century) STILL LIFE FRUIT.

Oil on canvas Unsigned Housed in a gilt oak frame SIZE: 21” wide x 17-3/4” high: painting only. 26-1/2” wide x 22” high including frame. CONDITION: A couple of very old patches on the reverse of the painting and all over craquelure. Very nicely done 49421-94 (800-1,200) – Lot 1397A

AUGUST LAUX (German/American, 1847-1921) STILL LIFE WITH APPLES AND GRAPES.

Oil on canvas Housed in a period gilt wood frame Signed lower right “A. Laux” SIZE: 10-1/4″ x 12″. Overall: 15-3/4″ x 17-1/2″ CONDITION: Craquelure, surface grime, lined, restored with inpainting 49111-6 (800-1,200) – Lot 1398

AUGUST LAUX (German/American, 1847-1921) STILL LIFE WITH CHERRIES.

Oil on canvas Housed in a modern gilt wood frame Signed lower right “A. Laux” SIZE: 10″ x 14″. Overall: 13-1/4″ x 17-1/4″ PROVENANCE: Private Collection, Naples, FL CONDITION: In very good restored condition, lined 49205-3 (300-500) – Lot 1399

CONGER METCALF (American, 1914-1998) “SUMMER BOUQUET”.

Oil and graphite on clay coated paper Housed in a modern giltwood frame under glass with linen liner Signed lower left “Metcalf” bears inscription on verso with artist, title and date “Summer of 1995″ SIZE: Sight 11″ x 8-3/4″. Overall 16-3/4″ x 14-5/8”. CONDITION: Spotty varnish, paper buckling 49135-1 (800-1,200) – Lot 1400

A. CONNELLY (American, early 20th century) PAIR OF FLORAL STILL LIFES.

Two watercolors with gouache Housed in matching gilt wood frames with gold mats Both signed and dated “A. Connelly, 1912″ SIZE: Both, 21″ x 11”. Overall: 28″ x 18″ CONDITION: Both appear to be in overall good condition, however not examined out of frame, signature on chrysanthemums is faded 49042-27 (500-800) – Lot 1401

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) MARTIQUE FRANCE.

Oil on paperboard laid down by artist on rigid board Housed in a modern gilt wood frame Signed lower right “Geo. Turland” SIZE: 12″ x 16″. Overall: 17-1/4″ X 21-1/4″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-3 (800-1,000) – Lot 1402

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) MARTIQUE FRANCE.

Oil on canvas board Housed in a modern gilt frame Signed lower right “Geo. Turland”, titled “Martique France” on verso SIZE: 16″ x 12″. Overall: 22-3/4″ x 18-3/4″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-4 (800-1,000) – Lot 1403

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) MARTIQUE FRANCE.

Oil on paperboard Housed in a modern gilt wood frame Signed lower left “Geo. Turland”, titled “Martique France” on verso SIZE: 12″ x 16″. Overall: 17-1/4″ x 21″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-1 (800-1,000) – Lot 1404

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) CORNWALL ENGLAND.

Oil on fiberboard Housed in a modern gilt wood frame Signed lower left “Geo. Turland” SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-2 (800-1,000) – Lot 1405

FRANK SPRADLING (American, 1885-1972) “MCLOON DOCKS”.

Oil on canvas Housed in a wood frame with linen liner Signed lower left “Frank Spradling”, bears artists exhibition label titled and dated “1972”, inscribed on verso canvas “Frank Spradling #29″ SIZE: 16″ x 20″. Overall” 20-3/4″ x 24-3/4″ CONDITION: Small area of tape residue on paint surface lower right, otherwise good 1105-5 (800-1,200) – Lot 1406

ADELE LEMM (American, 1904-1977) SAILBOATS ON A SUMMER DAY.

Oil on canvas Housed in a carved gilt wood frame with painted and gilt liner having paint loss Signed lower left “Adele Lemm” SIZE: 24″ x 30″. Overall 31-1/2″ x 37″ CONDITION: Very good 48842-9 (800-1,200) – Lot 1407

STEPHAN CHIZMARIK (American, 1898-1962) HARBOR BOATYARD.

Oil on canvas board Housed in a modern gilt frame with painted liner Signed lower right “S. Ch.” Stephen Chizmarik was an American artist who lived in Detroit but summered in New England and painted Gloucester & coastal Maine scenes, for which he is best known. His name is often misspelled and his papers are held by the Archives of American Art. SIZE: 12″ h x 16″ w. Overall 18″ h x 22″ w. CONDITION: Very good. 49422-5 (800-1,200) – Lot 1408

NANCY WHORF (American, 1930-2009) LAUNCHING THE DORY.

Oil on masonite Housed in a modern giltwood frame with linen liner Signed lower left “N.Whorf” SIZE: 20″ x 23-1/4″. Overall 26-3/4″ x 31″. CONDITION: Very good. 49356-3 (800-1,200) – Lot 1409

JOHN W MANSFIELD (American, 1849-1943) “VIEW OF EGG ROCK NAHANT”.

Oil on canvas Housed in a modern gilt wood frame Bears faint signature lower right “J Mansfield 1905″ SIZE: 30″ x 44-1/4”. Overall: 33″ x 47″ CONDITION: Paint surface is thin with canvas buckle along top edge, two small patches on verso that correspond with retouch on front 1105-1 (800-1,200) – Lot 1410

C S WILTSHEK (American, 1876-1944) PORTRAIT OF A LADY WITH FAN.

Oil on canvas Housed in a Newcomb-Macklin Co. gilt wood frame Signed lower left “C.S. Wiltsheck” Portrait is possibly a member of the Duke Family SIZE: 36″ x 28″. Overall: 41″ x 32-1/2″ CONDITION: Craquelure, surface grime, inpainting, otherwise good 1065-7 (800-1,200) – Lot 1411

THOMAS SULLY (American, 1783-1872) PORTRAIT OF GIRL WITH BLACK HAT.

Graphite and wash on paper Housed in a fine modern carved gilt wood frame behind glass with a black mat Signed with initials “TS” SIZE: Sight: 7″ x 5-1/2″. Overall 18″ x 16″ CONDITION: Very good 49324-1 (1,500-2,500) – Lot 1412

ROBERT PHILLIPS (American, 1946-) PORTRAIT OF A WOMAN WITH RED COAT.

Oil on canvas Housed in a modern gilt wood frame Signed indistinctly upper right SIZE: 17-1/4″ x 13-1/4″. Overall: 25″ x 21″ CONDITION: Very good 49111-18 (800-1,200) – Lot 1413

GORDON MACDONALD (American, 20th century) COLONIAL HOMESTEAD.

Oil on board Housed in a silver gilt wood frame Signed lower left “GORDON MACDONALD” SIZE: 24″ x 34″. Overall: 31″ x 41″ CONDITION: Frame with silver gilt losses, otherwise very good 1105-4 (800-1,200) – Lot 1414

CHARLES HENRY RICHERT (American, 1880-1974) THREE FRAMED LANDSCAPE WATERCOLORS.

Including: “Haystacks” signed lower right, “Cascading Stream” signed lower left, and “Landscape with trees”, estate stamped lower left All three matted and framed under glass SIZE: Sight of largest 9-3/4″ x 13-3/4″. Overall 15-1/2″ x 18-1/2″ CONDITION: Not examined out of frames, very good 49111-14 (1,000-1,500) – Lot 1415

HENRIETTA S. QUINCY (American, 1842-1908) TWO WORKS: LANDSCAPE WITH WATER AND UNSIGNED WATERFALL.

Oil on canvas and oil on board Both housed in fine period gilt gesso decorated frames Signed lower right, “HS Quincy Aug 1878″ and unsigned (these came from the same house with similar frames but we are unsure as to the artist of the unsigned work). SIZE: 13″ x 26″. Overall 18-1/2″ x 32″. 18″x 10”. Overall 23″ x 15″ CONDITION: Very good. 1040-1, 1040-2 (1,500-2,500) – Lot 1416

FRANCIS HOPKINSON SMITH (American, 1838-1915) “LAZY AFTERNOON”.

Watercolors on paper Housed in carved giltwood frame under glass Signed and dated lower left “F.Hopkinson Smith-82″ SIZE: Sight: 11-3/4″ x 15-1/4”. Overall: 21″ x 24-1/2″ CONDITION: Very good 49299-2 (1,500-2,000) – Lot 1417

WESLEY ELBRIDGE WEBBER (American, 1841-1914) SUMMER LANDSCAPE WITH TREES, MEADOW AND LIVESTOCK.

Oil on canvas Housed in its antique wide gold frame with gold liner Signed lower right “Wesley Webber” SIZE: 26″ h x 36-1/4″ w. Overall 38″ h x 48″ w. CONDITION: Lined, restored, very good 49349-3 (1,000-2,000) – Lot 1418

GEORGE LOFTUS NOYES (American, 1864-1954) LANDSCAPE WITH HOUSE AND FIGURE.

Oil on board Housed in a gilt gesso decorated frame with gilt and painted liner Signed lower left “GL Noyes” SIZE: 8″ x 10″. Overall 13″ x 15″ CONDITION: Good, some surface grime 42780-2 (1,000-1,500) – Lot 1419

HENRY GASSER (American, 1909-1981) “MOUNTAIN COUNTRY”.

Oil on canvas board Housed in a gilt wood frame Signed and titled on verso “H. Gasser” SIZE: 15-3/4″ x 20″. Overall: 19-1/2″ x 23-3/4″ CONDITION: Canvas is rippling, minor surface drying, minor scattered retouch with three inch inpainted area right center 49111-12 (1,000-1,500) – Lot 1420

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) IN THE JUNGLE CEYLON 1935.

Oil on paperboard Housed in a modern gilt wood frame Signed lower right “Geo. Turland”, inscribed on verso “In the jungle ceylon 1935″ SIZE: 12″ x 16”. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-7 (800-1,200) – Lot 1421

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) CEYLON 1935 POINSETTIA.

Oil on paperboard Housed in a modern gilt wood frame Signed lower right “Geo. Turland”, inscribed on verso “Ceylon 1935 poinsettia” SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-8 (800-1,200) – Lot 1422

GEORGE TURLAND (GOOSEY) (British-American, 1877 – 1947) CEYLON INDIA 1935.

Oil on paperboard laid down by artist on rigid artist board Housed in a modern gilt wood frame Signed lower right “Geo. Turland”, inscribed on verso “In the jungle ceylon 1935″ SIZE: 12″ x 16”. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the estate of George Turland CONDITION: Very good 49115-6 (800-1,200) – Lot 1423

MAX FINKELSTEIN (American, 1915) TWO WORKS: COMPLEX #3 AND UNTITLED SQUARES.

Both aluminum sculptures Unsigned SIZE: 20-1/2″ x 9″ and 3″ x 3″ PROVENANCE: Acquired from the artist in California by the consignor’s family CONDITION: Very good 49325-1 (400-600) – Lot 1424

L. LUMETTA (American, 20/21st century) “HOLD THAT LINE”.

Bronze Mounted to a revolving conforming wood base with name plaque Signed on edge “Lumetta” SIZE: Bronze: 15-1/2″ x 15″ w. With base: 17″ h CONDITION: Very good. 49384-2 (1,500-2,500) – Lot 1425

L. LUMETTA (American, 20/21st century) QUARTERBACK.

Bronze Mounted to wood conforming base Signed “L Lumetta” SIZE: Bronze: 13-1/2″. With base: 14-1/2″ h CONDITION: Very good with nice green patina 49384-3 (800-1,200) – Lot 1426

L. C. LUMETTA (American, 20th/21st century) PUNTER.

Composition sculpture Signed on edge “L. C. Lumetta” SIZE: 15-1/2″ h. CONDITION: Very good 49384-4 (700-900) – Lot 1427

FOLK ART ANTIQUE OAK DISPLAY EASEL.

The standard form all in oak with decorative carved ball accents at top and bottom. SIZE: 61″ h x 36″ w. CONDITION: Very good, some minor stains, original finish. 49186-5 (200-300) – Lot 1428

AUGUST BENZIGER (American 1867-1935) FULL LENGTH PORTRAIT OF A LADY IN A WHITE GOWN.

Oil on mahogany panel Unframed Unsigned, attribution based on handwritten note affixed to verso dated “2003” August Benziger was born in Switzerland and moved to New York city in 1852. He studied under William Bouguereau and Leon Bonnat at the Ecole Des Beaux Arts in Paris. Upon his return to the United States, Benziger became a sought after portrait painter of notable subjects including presidents, political figures, and financial tycoons. This portrait is executed in a novel style similar to that of American portrait painter Charles Naegele. Naegele was the first artist to leave the background of his mahogany panels in their natural state, forcing the artist to concentrate on keying up their flesh tones. Although this work is unsigned, it is possible that Benziger was influenced by Naegele’s exhibition at the Salmagundi Club in New York, or he acquired this work from Naegele and it was simply in his artist studio upon his death. SIZE: 20-1/2″ x 13″ PROVENANCE: By decent within the family of the artist August Benziger CONDITION: Surface grime, several minor surface scratches, otherwise very good 49079-1 (1,000-1,500) – Lot 1429

WILLIAM HENRY LIPPINCOTT (American, 1849-1920) PORTRAIT OF A LADY WITH PLUMED HAT.

Watercolor and gouache on paper Housed in a modern gilt wood frame Monogrammed and dated lower right “1882”, Signed on mat lower right “Wm H. Lippincott”, and inscribed and dated lower left “XMas. 1882″ SIZE: Sheet 12″ x 9”. Overall: 25″ x 19″ CONDITION: Watercolor is mounted at corners to backing, water stain to bottom edge, otherwise good 49111-10 (1,000-1,500) – Lot 1430

ARNOLD HURLEY (American, 1944-) “SELF PORTRAIT”.

Oil on canvas Unframed Signed and dated lower right “Arnold Hurley ’63”, titled and dated on stretcher “Self Portrait/Arnold Hurley 1964″ SIZE: 24″ x 18” CONDITION: Surface grime, spotty varnish, paint residue, craquelure 49171-1 (800-1,200) – Lot 1431

H.W. MCAFEE (American, 19th/20th Century) PORTRAIT OF A BLACK BOY.

Charcoal on paper Housed in a Victorian carved walnut frame with gilt liner behind original glass Signed left middle bottom “H.W. McAfee 1900″ SIZE: Sight 31-3/4″ x 19-1/2”. Overall 35-1/4″ x 23-1/2″ CONDITION: Water stain to bottom, also three tears on bottom area, age toning to paper. 48713-1 (800-1,200) – Lot 1432

AUGUST BENZIGER (American, 1867-1955) PAIR OF PORTRAIT DRAWINGS.

1) Praying Native American, charcoal on paper, initialed and dated lower right “AB ’86” 2) Portrait of a Gentleman in profile, charcoal on paper, initialed lower right “AB ’89” Both housed in modern frames under glass SIZE: 1) 17-1/2″ x 15″. Overall: 26-1/2″ x 20″ 2) 21-1/2″ x 15-1/2″. Overall: 26-1/2″ x 20″ CONDITION: Both drawings have chip losses, creases and spotting, not examined out of frame 49079-3 (800-1,200) – Lot 1433