GEORGE M. HATHAWAY (American, 1852-1903) PORTLAND HEADLIGHT. Oil on academy board Housed in its original gesso decorated gilt wood frame Signed lower left “G M Hathaway” SIZE: 9-1/4″ x 12-1/4″. Overall: 13-1/2″ x 16-1/2″ CONDITION: Very good 7-70537 (1,500-3,000)

S THOMAS (American, 19th Century) AMERICAN FARMSTEAD COMPOUND. Oil on canvas Housed in a lemon gold antique frame Signed lower right “S Thomas” SIZE: 22″ x 36″ Overall: 24-1/2″ x 38-1/4″ CONDITION: Very good with some inpainting 9-92822 (600-800)

GIDEON ELDON BRADBURY (American, 1833-1904) THE EMERY HOMESTEAD, BUXTON, MAINE. Oil on canvas Housed in an ebonized and gilt period frame Signed lower left and dated 1879 also signed and dated on verso NOTE: A partial newspaper clipping referring to the painting as a presentation by the school as he was principle. The article describes the event SIZE: 8″ x 12″. Overall: 12-1/2″ x 16-1/2″ PROVENANCE: Consigned by descendant of the Emery family. CONDITION: Small loss in sky, otherwise very good 7-70630 (10,000-15,000)

THOMAS M NICHOLAS (American, 1963-) “HARBOR AT PORT CLYDE, ME”. Outstanding oil on canvas Housed in a fine arts & crafts style carved and gilt frame Signed lower left “TM Nichols” Verso of canvas in the artist’s hand is the title and inscribed “For the collection of Robert C. Slack N.F.S.”; and signed by the artist SIZE: 22″ x 28″ Overall: 30-1/4″ x 36-1/4″ PROVENANCE: Commission by Robert Slack from the artist. Sold as No. 682 in the Estate Sale of Robert C. Slack March 2002. CONDITION: Very good to excellent 9-93010 (6,000-9,000)

THOMAS M. NICHOLAS (American, 1963-) “FISHING PIER, BIRCH HARBOR”. Oil on masonite Housed in a good carved & gilt wood frame Signed lower right “TM Nicholas” Original 2005 sales receipt attached to reverse SIZE: 20″ x 16″. Overall: 26″ x 22″ CONDITION: Very good to excellent 9-91688 (3,000-5,000)

THOMAS NICHOLAS (American, 1963-) A MONHEGAN WINTER. Oil on canvas Housed in a fine carved and gilt wide frame Signed lower right SIZE: 18″ x 20″ Overall: 26″ x 28″ CONDITION: Very good to excellent 9-93017 (4,000-6,000)

THOMAS M. NICHOLAS (AMERICAN, 1963 – ) “CLEARING STORM, ESSEX”. Large oil on canvas Housed in a fine wide, carved and gilt wood frame Signed lower right, “T.M. NICHOLAS” Titled on verso SIZE: 30″ x 40″ Overall: 38-3/4″ x 48-3/4″ CONDITION: Very good to excellent 9-93019 (7,000-10,000)

WILLIAM LESTER STEVENS (American, 1888-1969) OCEAN POINT, MAINE. Oil on canvas Housed in a fine ribbed gilt modern frame with gilt and carved liner Signed lower right “W. Lester Stevens N.A.” SIZE: 25″ x 30″. Overall: 33-1/2″ x 38-1/4″. CONDITION: Very good, minor touch-up 9-29496 (5,000-8,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “SWORDFISHERMAN”. Oil on canvas Housed in a wide modern gilt wood frame Signed lower right “Emile A. Gruppe” SIZE: 24″ x 20″. Overall: 33-1/2″ x 29-1/2″. CONDITION: Very good. 9-29586 (5,000-7,000)

STEPHEN MORGAN ETNIER (American, 1903-1984) FISHING OFF GILBERT HEAD, MAINE. Oil on canvas Housed in a painted white period wood frame Signed lower left “Stephen Etnier 40″ SIZE: 25″ x 30”. Overall: 30-1/2″ x 35-1/2″ PROVENANCE: Given as a gift by the artist’s daughter, by descent. CONDITION: Light dirt layer, otherwise very good 9-90254 (1,000-2,000)

LOUIS DOYLE NORTON (American, 1867-1940) FALL IN KENNEBUNKPORT, MAINE. Watercolor/gouache Housed in a modern partial gilt frame with matte Signed lower right “Louis D Norton Kennebunkport, ME 1910″ SIZE: Sight: 14-1/4″ x 19-1/4”. Overall: 20″ x 25″ CONDITION: Very good 7-70517 (1,000-1,500)

JOSEF (JOSEPH) ARENTZ (American, 1903-1969) MONHEGAN ISLAND. Oil on canvas Housed in its original gilt wood frame with linen liner Signed lower right “Josef M. Arentz” SIZE: 24″ x 36″. Overall: 28-3/4″ x 40-3/4″ CONDITION: Surface dirt, one spot of inpainting, otherwise very good 9-90935 (500-1,000)

FRANK L. SPRADLING (American, 1885-1972) “THE OLD BARTON IN DRY DOCK IN ROCKLAND, MAINE”. Large oil on canvas Housed in a partial gilt & white washed carved wood frame Signed lower left “Frank Spradling” Titled on verso, also indicating that it won the Gloria Layton Prize at Allied Artist’s SIZE: 30″ x 36″. Overall: 34-1/2″ x 40-1/2″ CONDITION: Very good 9-92780 (2,500-3,500)

LOU BONAMARTE (American, 1933-) NINA II AT TENANTS HARBOR. Oil on canvas Housed in a fine gilt modern frame with linen matte & gilt liner Signed lower left “Lou Bonamarte” SIZE: 12″ x 16″ Overall: 20″ x 24″ CONDITION: Very good to excellent 9-91670 (900-1,200)

CHARLES HERBERT WOODBURY (American, 1864-1940) “THE CHAPERONE”. Watercolor & pencil Housed in a fine reproduction gilt frame with linen & gilt liner, behind glass Unsigned Vose Gallery labels to verso, one indicating this is 1 of 40 watercolors discovered in the Spring of 1981 in the attic of the artist’s son in Ogunquit, Maine SIZE: 12-1/2″ x 22″. Overall: 22-1/4″ x 32″ CONDITION: Very good 9-92100 (2,500-4,000)

FAIRFIELD PORTER (1907-1975) “NORTHWEST WIND”. Oil on masonite Housed in a partial gilt carved wood frame with linen liner Signed lower right “Fairfield Porter 66″ NOTE: Northwest Wind depicts the rugged Maine coast of Great Spruce Head Island in Penobscot Bay, where the Porter family home stood SIZE: 14″ x 18”. Overall: 22-3/4″ x 26-3/4″ PROVENANCE: Private Maine Collection; Christies, New York 3/3/11, Lot 2; The Estate of William M. V. Kingsland Provenance The artist. [With]Tibor de Nagy Gallery, New York. CONDITION: The surface that shows white in the painting is actually loss of surface paint most likely caused by the paint not adhering properly to the prepared surface. Otherwise very good. 9-91796 (12,500-17,500)

KEITH OEHMIG (American, 20th Century) “MONHEGAN MORNING”. Large oil on canvas Housed in a fine gilt carved wood frame Signed lower right, titled and signed on verso of stretcher SIZE: 36″ x 48″ Overall: 44″ x 56 CONDITION: Very good to excellent 9-93013 (2,000-4,000)

KEITH OEHMIG (American, 20th/21st Century) LANDSCAPE WITH WATER & FLOWERS. Light oil Housed in a modern carved gilt wood frame Signed lower left SIZE: 12″ x 16″ Overall: 18-3/4″ x 22-3/4″ CONDITION: Very good to excellent 9-91733 (400-600)

THOMAS M. NICHOLAS (American, 1963-) WINTER ON MONHEGAN HARBOR. Large oil on canvas Housed in an outstanding gilt and carved wide wood frame Signed lower left “T.M. Nicholas” SIZE: 36″ x 48″ Overall: 44-3/4″ x 56-3/4″ CONDITION: Very good to excellent 9-93023 (10,000-15,000)

B. MILLER (American, 19th/20th Century) BLACKHEAD MONHEGAN. Oil on canvas Housed in a gilt wood liner Signed lower lower left “B Miller” SIZE: 28″ x 36″. Overall: 30″ x 37″ CONDITION: Craquelure, some minor inpainting, very good 9-92763 (4,000-5,000)

HANS MOLLER (American/German, 1905-2000) SUNDAY MORNING, MONHEGAN. Oil on canvas Housed in a partial silver gilt wood frame with linen liner Signed lower right “Moller 67″ Midtown Galleries label to verso SIZE: 30″ x 40”. Overall: 37-1/2″ x 47-1/2″ CONDITION: Very good 9-90299 (1,500-3,000)

KENNETH KNOWLES (American, 1968-) “CAPE PORPOISE”. Oil on masonite Housed in a fine gilt molded wood frame Signed lower left “Ken Knowles” also titled, signed & dated “11” on verso SIZE: 16″ x 20″ Overall: 21-1/2″ x 25-1/2″ CONDITION: Very good to excellent 9-92013 (2,500-3,500)

GEORGE PEARSE ENNIS (American, 884-1936) EASTPORT BOATYARD. Oil on canvas Housed in an outstanding modern wide gilt molded frame with multiple molding designs having a gilt wood artist plaque Signed lower left “Ennis” SIZE: 24″ x 27″ Overall: 32-1/2″ x 35-1/2″ CONDITION: Relined, some inpainting, very good 9-93006 (3,000-5,000)

STAPLETON KEARNS (American, 1952-) ROCKPORT HARBOR. Oil on canvas Housed in its original painted wood frame with linen & white liner Signed lower right “Stapleton Kearns 1986″ SIZE: 27″ x 30″. Overall” 31-3/4″ x 34-1/2″ CONDITION: Very good to excellent 9-92992 (800-1,200)

NIEK VAN DER PLAS (Netherlands, 1954-) “ROCKPORT”. Oil on wood panel Housed in a fine gesso decorated gilt frame with linen liner Signed lower right Titled & signed on verso SIZE: 12″ x 16-3/4″ Overall: 19-1/2″ x 24-1/2″ CONDITION: Very good to excellent 9-92043 (2,000-4,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) MOTIF #1. Oil on canvasboard Housed in a good gilt wood frame with gilt liner Signed lower right “A.T. Hibbard” SIZE: 9″ x 12″. Overall: 15-1/2″ x 18-1/2″. CONDITION: Very good. 9-29493 (12,000-18,000)

JOHN CHARLES TERELAK (American, 1942-) HARBOR VIEW. Oil on canvas Housed in a fine gilt modern frame with gilt liner Signed lower left “J C Terelak 94″ SIZE: 24″ x 30”. Overall 32-3/4″ x 38-3/4″ CONDITION: Very good to excellent 9-92105 (3,000-5,000)

FREDERICK J. HOERTZ (American, 20th Century) SAILING INTO GLOUCESTER HARBOR. Large oil on canvas Housed in a modern carved and gilt arts & crafts style frame Signed lower right SIZE: 30-1/4” x 36-1/4 Overall: 37-1/2″ x 43-3/8″ CONDITION: Some craquelure, good 9-93004 (2,500-4,000)

JOHN R. GRABACH (American, 1886-1981) GLOUCESTER FISHING BOAT “DIANE”. Large oil on canvas mounted to wood panel Housed in a fabulous period carved & gilt wood frame with some finish losses Singed lower left “John R. Grabach, N.A.” SIZE: 41-1/2″ x 54-1/2″. Overall: 50″ x 63″ PROVENANCE: Christie’s, New York, Sept. 28, 2010, lot 26 (illustrated in color) CONDITION: Very good 9-91797 (8,000-12,000)

ALFRED GUNNAR BJAREBY (American, 1899-1967) “UP FOR REPAIRS”. Oil on canvas Housed in a fine reproduction gilt wide frame with two gilt liners Signed lower left “Gunnar Bjareby 1953” Two exhibition labels on verso “North Shore Arts Exhibition of Gloucester, 1953” and “The Art Center, Ogunquit, Maine” SIZE: 30″ x 36″. Overall” 42-1/2″ x 48-1/2″ CONDITION: Very good 9-91690 (8,000-12,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “BOATS AT DOCK”. Oil on canvas Housed in a fine carved & gilt reproduction frame Signed lower right “Emile A Gruppe” SIZE: 20″ x 30″. Overall: 30″ x 40″ CONDITION: Very good to excellent 9-92837 (6,000-8,000)

ROBERT CHARLES GRUPPE (American, 1944-) “ROSEWAY”. Oil on canvas Housed in a modern partial gilt frame with linen liner Signed “Robert C Gruppe” Titled on back stretcher SIZE: 30″ x 36″. Overall: 36″ x 42″ CONDITION: Very good to excellent 9-91696 (2,000-4,000)

ROBERT CHARLES GRUPPE (American, 1944-) GLOUCESTER FISHING BOATS. Oil on canvas Housed in a modern gesso decorated gilt frame with linen and gold liner Signed lower right SIZE: 24″ x 36″. Overall: 32-1/2″ x 45″ CONDITION: Very good to excellent 9-92153 (1,500-2,000)

ROBERT CHARLES GRUPPE (American, 1944-) “BASS ROCKS”. Large oil on canvas Unframed Signed bottom right “Robert C. Gruppe” and titled on verso of stretcher SIZE: 30″ x 36″ CONDITION: Very good to excellent 9-93001 (1,000-1,500)

STANLEY WINGATE WOODWARD (American, 1890-1970) “STRAIGHTSMOUTH COVE”. Oil on canvas Housed in a modern antique style gilt frame with linen liner Signed lower left “Stanley Woodward” Grand Central Art Gallery label to verso SIZE: 20″ x 24″. Overall: 28″ x 32″ CONDITION: Some inpainting, very good 9-92192 (2,000-3,000)

ANTHONY THIEME (American, 1888-1954) SCHOONER AT MOTIF #1. Watercolor & pencil Housed in a modern molded wood frame with double matte Signed lower right “A Thieme” SIZE: Sight: 12″ x 18″. Overall: 27″ x 32-3/4″ CONDITION: Very good 7-70647 (2,500-3,000)

ANTHONY THIEME (American, 1888-1954) “COLOR SAILS”. Oil on board Housed in a replacement carved & gilt frame by Goodnow Signed lower right “A Thieme” SIZE: 12″ x 16″ Overall: 17″ x 21″ CONDITION: Very good with some minor inpainting 9-92151 (5,000-8,000)

ANTHONY THIEME (American, 1888-1954) “HIS DOG, ROCKPORT, 1927”. Oil on board Housed in a modern wood frame with linen liner Bears signature “A Thieme” bottom right in pencil Signed on back “Anthony Thieme” with title SIZE: Sight: 9-1/2″ x 11-1/2″. Overall: 13-1/4″ x 15-1/4″ CONDITION: Various tack holes, otherwise good 9-90929 (1,000-1,500)

PERCY SANBORN (Maine, 1849-1929) PORTRAIT OF A DOG ON ORIENTAL RUG. Oil on canvas Housed in its original gesso decorated gilt frame Signed lower right “Sanborn” SIZE: 18″ x 24″. Overall: 27-1/4″ x 33-1/4″. CONDITION: Very good 9-90142 (1,000-2,000)

Revised: 1/30/2014

Please Note: There was a typographical error the artist is Harry Aiken Vincent, not Harriet Aiken Vincent.

HARRY AIKEN VINCENT (American, 1864-1931) EARLY MORNING GLOUCESTER, MASS. Oil on canvas Housed in a reproduction gold frame Signed lower left “H.A. Vincent 16″ SIZE: 18″ x 24″ Overall: 24″ x 30” CONDITION: Very good with canvas repair to verso having corresponding inpainting 9-93015 (5,000-8,000)

KENNETH KNOWLES (American, 1968-) “VIEW FROM ROCKY NECK”. Oil on masonite Housed in a good gilt carved wood frame Signed lower right “Ken Knowles” Signed & titled on verso SIZE: 16″ x 20″ Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good to excellent 9-92012 (2,500-3,500)

KENNETH KNOWLES (American, 1968-) “A VIEW OF MAIN ST, NANTUCKET, MA”. Oil on canvas Housed in a gilt carved wood frame with artist plaque Signed lower left Titled & signed on verso with date “2009” SIZE: 20″ x 24″. Overall: 26-1/2″ x 30-1/2″ CONDITION: Very good to excellent 9-90598 (3,000-5,000)

MAURICE COMPRIS (American, 1885-1936) SUMMER SPLENDOR, ROCKPORT. Oil on canvas Housed in a good carved and gilt modern frame with wide gilt liner Signed lower left SIZE: 24″ x 26″ Overall: 32-3/4″ x 34-3/4″ CONDITION: Relined, very good 9-93012 (2,000-3,000)

HENRY J. BILLINGS (American, 1894-) ROCKPORT COAST WITH THATCHER’S ISLAND. Oil on canvas Housed in its original carved and painted silver frame Signed lower left “Billings” SIZE: 25″ x 30″ Overall: 28-1/4″ x 33-1/4″ CONDITION: Some surface dirt, very good 9-93008 (1,500-2,500)

PETER TYSVER (American, 1948-) EASTERN POINT LIGHT FROM STAGE FORT PARK. Oil on canvas Housed in a good carved & gilt wood frame with gilt liner Signed lower right “P L Tysver”, also titled and signed on verso with “2004” SIZE: 14″ x 22″. Overall: 21-1/2″ x 29-1/2″ CONDITION: Very good 9-91689 (1,200-1,800)

VINCENT FRANCIS CASTELLANET (American, 1935-) “PEGGY’S COVE”. Oil on canvas Housed in a stained wood shadowbox type frame Signed lower right “Castellanet 96″ SIZE: 40″ x 30”. Overall: 42-1/2″ x 32-1/2″ CONDITION: Very good to excellent 9-90290 (1,000-1,500)

DENNIS SHEEHAN (American, 1950-) GLOUCESTER BAY SUNSET. Oil on canvas Housed in a fine reproduction antique style gilt frame Unsigned but identified on ARA Gallery label SIZE: 9″ x 12″. Overall: 12-1/2″ x 15-1/2″ CONDITION: Very good 9-92106 (500-600)

REYNOLDS BEAL (American, 1866-1951) “SPRINGTIME IN ROCKPORT”. Crayon, pastel & pencil on blue paper Housed in a decorated gilt wood frame having gold edge matte Unsigned front but bearing two labels on verso “Royal Galleries, NJ” and “Beacon Hill Fine Art” and written “Exhibited M. Knoedler Co. Inc. 1976″ SIZE: Sight: 10-1/2″ x 14-1/2″ Overall: 18″ x 21-1/2” CONDITION: Very good 9-90219 (800-1,200)

WILLIAM LESTER STEVENS (American, 1888-1969) HILLSIDE LANDSCAPE IN FALL. Oil on canvas Housed in its original gilt carved wood frame Signed lower left “W Lester Stevens” SIZE: 20″ x 24″ Overall: 24-1/2″ x 28-1/2″ CONDITION: Very good, signature fluoresces, possibly added or strengthened, some minor inpainting 7-70610 (1,500-2,500)

WILLIAM LESTER STEVENS (American, 1888-1969) “PLUMES IN THE WIND”. Oil on masonite Housed in a replacement gilt wood frame Signed lower right “W Lester Stevens N.A.” Marbella Gallery label on verso SIZE: 30″ x 36″. Overall: 34-3/4″ x 40-3/4″ CONDITION: Very good 9-92803 (4,000-6,000)

WILLIAM LESTER STEVENS (American, 1888-1969) “MY FRONT YARD”. Oil on masonite Housed in a fine reproduction carved & gilt wood frame Signed lower right “W Lester Stevens N.A.” Titled & signed on verso Label on verso from the Rockport Art Association Retrospective (a hard bound catalog of this exhibition is included with the painting. This painting illustrated on page 24) SIZE: 24″ x 30″. Overall: 32″ x 38″ CONDITION: Very good with some touch up 9-91732 (5,000-7,000)

WILLIAM LESTER STEVENS (American 1888-1969) MOUNTAIN ROAD – HAWLEY. Oil on masonite Housed in its original decorated wood frame having an attached card from The Gallery, 16 Main St., Amherst, MA. Signed lower right “W. Lester Stevens N.A.” SIZE: 16″ x 20″ Overall: 21-5/8″ x 25-1/2″ CONDITION: Very good 9-93003 (2,000-4,000)

EMILE ALBERT GRUPPE (American, 1896-1978) “THE OLD SYCAMORE”. Oil on canvas Housed in its original gilt wood frame having a New Haven Paint & Clay Club prize plaque, having some finish loss Signed lower right “Emile A Gruppe” “Arts & Crafts Association” Exhibition label to verso SIZE: 24″ x 20″ Overall: 30-1/2″ x 26-1/2″ CONDITION: Very good 9-92795 (5,000-7,000)

CARL WILLIAM PETERS (American, 1897-1980) WINTER STREAM. Oil on canvas Housed in a decorative gilt frame with wood liner Unsigned Stamped with the Carl Peters signature and signed by Elaine P. Woodbury, daughter of the late Carl W. Peters on verso SIZE: 25″ x 30″ Overall: 34″ x 39″ CONDITION: Very good 9-93011 (4,000-6,000)

CARL WILLIAM PETERS (American, 1897-1980) “WOOD’S END”. Oil on canvas Housed in a fine carved gilt modern frame with gilt liner Signed lower right “Carl W. Peters”, also stenciled verso with artist’s name, title and “No 408″ SIZE: 30″ x 36-1/2″. Overall: 38-3/4″ x 45”. CONDITION: Very good 9-29492 (6,000-9,000)

EMILE ALBERT GRUPPE (American, 1896-1978) MIDWINTER AFTERNOON. Oil on canvas Housed in a fine carved wood gilt frame Signed lower left “Emile A. Gruppe” SIZE: 25″ x 30″. Overall: 33-1/2″ x 38-1/2″. CONDITION: Very good. 9-29490 (8,000-12,000)

WAYNE BEAM MORRELL (American, 1923-) “NEAR JEFFERSONVILLE, VERMONT”. Oil on masonite Housed in a gilt modern frame with linen liner Signed lower left Verso is written by the artist with title, date (April 18, 1980). Also “One of my finest sunlit approaching spring paintings” SIZE: 22″ x 28″ Overall 29″ x 35″ CONDITION: Very good to excellent 9-93021 (1,000-1,500)

THOMAS M. NICHOLAS (American, 1963-) NEW ENGLAND SUGAR SHACK. Large oil on canvas Housed in a fine gilt carved wood frame with gilt liner Signed lower right “T M Nicholas” SIZE: 30″ x 40″ Overall: 38″ x 48″ CONDITION: Very good to excellent 9-93022 (5,000-8,000)

ALDRO THOMPSON HIBBARD (American, 1886-1972) “DISTANT RANGE” (PROBABLY THE PRESIDENTIAL RANGE). Oil on canvas Housed in a partial gilt & white painted wood frame Signed lower right “A T Hibbard” SIZE: 22″ x 32″ Overall: 29″ x 39″ CONDITION: Minor inpainting, very good 9-92842 (5,000-7,000)

CARL E. LAWLESS (American, 1894-1934) BLUE MOUNTAINS. Large oil on canvas Housed in an outstanding gilt frame with corner carving having vine of flowers. Frame also has carved frame maker brand “The Firm of Beed, N.Y.” Signed lower right SIZE: 30″ x 30″ Overall: 34-3/4″ x 35″ CONDITION: Very good, areas of thin paint, possibly what the artist intended 9-93007 (10,000-15,000)

CARL WILLIAM PETERS (American 1897-1980) “WINTER STREAM”. Oil on canvas Housed in a fine carved gilt wide replacement frame Unsigned on front, but titled and signed on top stretcher verso SIZE: 25″ x 30″ Overall: 34″ x 39″ CONDITION: Very good 9-93018 (5,000-7,000)

HAROLD C. DUNBAR (American, 1882-1953) THE SUGAR HOUSE IN WINTER. Oil on canvas Housed in a modern gilt frame with two gilt liners Signed lower right “Harold C Dunbar 1922″ SIZE: 25″ x 37”. Overall: 34″ x 46″ CONDITION: Lined, some inpainting, very good 9-91691 (4,000-8,000)

JOHN WILLIAM BENTLEY (American, 1880-1951) WINTER LANDSCAPE WITH SUNLIT STREAM. Oil on canvas Housed in a fine carved & gilt wide frame Signed lower right “John W Bentley” SIZE: 25″ x 30″. Overall: 33-3/4″ x 38-3/4″ CONDITION: Very good 9-91692 (6,000-9,000)

LAURA WOODWARD (American, 1834-1926) CRASHING WAVES ON COASTAL ROCKS. Oil on canvas Housed in its original gesso decorated gilt frame with small losses Signed lower left “L Woodward” SIZE: 24″ x 40″. Overall: 32-1/2″ x 48-1/2″ CONDITION: Craquelure, surface dirt, otherwise very good 9-90255 (1,000-1,500)

LAURA WOODWARD (American, 1834-1926) BEACH WITH CRASHING WAVES. Oil on canvas Housed in its original gesso decorated gilt frame with small losses Signed lower left “Laura Woodward” While Laura Woodward is currently thought of as one of Florida’s most important women artists of the 19th century, her ties to the northeast are significant. Born in New York State, Woodward early on championed the East coast landscape, with painting expeditions taking her to the Adirondacks, the Catskills and along the Massachusetts and Maine coastlines. Very well thought of and reviewed, she was a member of the Hudson River and White Mountain Schools, and exhibited at the National Academy of Design, the Boston Art Club and the Pennsylvania Academy of Fine Arts, among others. Beginning in the 1880’s Woodward would spend the winters in Saint Augustine, Florida, and by 1889 she joined Martin Johnson Heade and other artists at Flagler’s Ponce de Leon Hotel. Looking for more exotic flora and fauna, Woodward ultimately settled in Palm Beach, which became her home from 1893 until her death in 1926. SIZE: 24″ x 40″. Overall: 32″ x 48-1/2″ CONDITION: Surface dirt otherwise very good 9-90256 (1,000-1,500)

CHARLES HERBERT WOODBURY (American, 1864-1940) WINDSWEPT WAVE. Oil on canvas Housed in its fine original gilt frame with a Newcomb Macklin Co. label Signed lower left “Charles H Woodbury” SIZE: 17″ x 21″ Overall: 23-1/4″ x 27-1/2″ CONDITION: Very good with surface dirt 9-92034 (3,000-5,000)

ARTHUR SARON SARNOFF (American, 1912-2000) “BEATING TO THE WEATHER MARK”. Oil on canvas Housed in a wide partial gilt & black painted wood frame Signed lower right “Arthur Sarnoff” SIZE: 24″ x 30″. Overall: 34-1/2″ x 40-3/4″ CONDITION: Inpainting, very good 9-92483 (3,000-4,000)

ATTRIBUTED TO SAMUEL WALTERS (British, 1811-1882) CLIPPER SHIP “NUNQUAM NORMIO”, OFF GREAT ORME, NO. WALES. Oil on canvas Housed in a fine gesso decorated gilt frame with gilt liner Unsigned NOTE: The ship was built in Bath, Maine in 1864; Home port of New York. Information regarding the ship accompanies the painting SIZE: 24″ x 36″. Overall: 31-1/2″ x 43-1/2″ CONDITION: Very good, craquelure & inpainting 9-92983 (10,000-15,000)

ELISHA TAYLOR BAKER (American, 1827-1890) PACKET SHIP “ELLEN AUSTIN”. Oil on canvas Housed in a fine fancy gilt decorated frame Unsigned NOTE: The ship was built in 1854 in Damariscotta, Maine. Home port of New York, 1856-1881. Information regarding the ship accompanies the painting SIZE: 22″ x 34″. Overall: 27″ x 39″ CONDITION: Lined, inpainting, restored, very good 9-92985 (8,000-12,000)

JOHN A. KNIGHT (American, 1825-) PORTRAIT OF THE SCHOONER “EMILY H. NAYLOR”. Oil on canvas Housed in a wide gilt molded wood frame Signed lower right “Knight 1871″ NOTE: Built in Camden, New Jersey in 1866 with a home port of Philadelphia, PA. Information regarding the ship accompanies the painting SIZE: 24-1/2″ x 35-1/2”. Overall: 32-1/4″ x 43″ CONDITION: Lined, inpainting. Very good 9-92982 (6,000-9,000)

ANTONIO NICOLO GASPARA JACOBSEN (American, 1850-1921) PORTRAIT OF THE STEAMSHIP “COMMONWEALTH”. Oil on canvas Housed in a modern gilt wood frame Signed lower right and dated “1902” with address SIZE: 22″ x 36″. Overall: 25-1/2″ x 39-1/2″ CONDITION: Lined, inpainting, very good 9-90285 (5,000-7,000)

ATTRIBUTED TO EDOUARD ADAM (French, 1847-1929) BARK “EMMA PAYSANT” IN A GALE. Oil on canvas Housed in a fine gesso decorated gilt period frame with minor losses Unsigned SIZE: 24-1/2″ x 36-1/2″. Overall: 32″ x 44″ CONDITION: Lined, inpainting, very good 9-92984 (4,000-6,000)

REGINALD EUGENE NICKERSON (American, 1915-1999) PORTRAIT OF THE SHIP “SACHEM”. Oil on canvas Housed in a fine modern gilt wood frame Signed lower right “R E Nickerson” SIZE: 26″ x 42″. Overall: 29-1/2″ x 45-1/2″ CONDITION: Very good to excellent 9-90287 (2,000-4,000)

SOLON FRANCIS MONTECELLO BADGER (American, 1873-1919) PORTRAIT OF THE SCHOONER “DAISY FARLIN”. Oil on canvas Housed in an antique wood frame Signed lower left “SFM Badger” SIZE: 19″ x 30″ Overall: 22-3/4″ x 33-3/4″ CONDITION: Lined, inpainting mostly to left edge, very good 9-92048 (10,000-15,000)

UNSIGNED (British, Mid 19th Century) “THE GEORGE OF ARUNDEL”. Oil on canvas Housed in a period stained oak wide frame Unsigned Legend at bottom of painting “The George of Arundel, Robert Smith Commander, 1865″ SIZE: 26″ x 33-1/2”. Overall: 35″ x 43″ CONDITION: Scattered inpaint, strip lined on new stretcher, very good 9-92776 (1,750-2,250)

UNSIGNED (Mid 19th Century) PORTRAIT OF A SEA CAPTAIN. Oil on canvas mounted to masonite Housed in a period black & gold painted frame Unsigned SIZE: 19-1/4″ x 16-1/4″. Overall: 23-1/2″ x 20-1/2″. CONDITION: Appears to be relined before mounting, some inpainting, craquelure, very good 7-70648 (3,000-5,000)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF HARRY HERBERT KEITH (1851-1925) FROM NEWTON, MASS. Oil on canvas Housed in a decorated gilt frame Unsigned Accompanying the portrait are two daguerreotypes. One of Harry & his mother dated April 17, 1852 aged 5 months, 2 days. The other shows Harry wearing the dress he wears in the portrait NOTE: Harry H Keith was son of William Ward Keith & Cordelia Bryant Keith – Harry married Louisi Jackson related to Jackson Family among first families in Newton, MA. This couple lived in the Jackson homestead which is now the Newton Historical Society Museum. SIZE: 46″ x 32″ Overall: 50″ x 36-3/4″ PROVENANCE: Cathryn S Keith CONDITION: Three patches to reverse with corresponding inpainting. Very good 9-91664 (4,000-6,000)

UNSIGNED (American, Mid 19th Century) YOUNG BOY IN BLUE/GREY DRESS WITH DOG HOLDING A GARLAND OF FLOWERS. Oil on canvas Housed in a gilt molded wood frame Unsigned SIZE: 38″ x 29″ Overall: 40-3/4″ x 31-1/2″ PROVENANCE: From a private New Jersey Collection; James D. Julia Auctions 8/24-25/00 Lot 400; Southern NH family with lineage in the Alexander Family CONDITION: Craquelure, two patches on reverse, some minor inpainting, very good 9-90616 (25,000-40,000)

JAMES HENRY CAFFERTY (American, 1819-1869) BOY IN BLACK DRESS WITH GREYHOUND DOG. Oil on canvas Housed in a replacement gilt flower decorated frame Signed lower left “J H Cafferty Dec 1859″ SIZE: 50″ x 40″ Overall: 56″ x 46-1/2” PROVENANCE: From a private New Jersey Collection; Purchased from Donny Malone Auction Gallery 8/23/98 CONDITION: Relined, areas around face & neck have been conserved and not inpainted, some inpainting, restored. Very good 9-90619 (30,000-40,000)

UNSIGNED (Mid 19th Century) CHILD IN PINK WITH DOG IN LANDSCAPE. Oil on canvas Housed in a modern gilt carved wood frame Unsigned SIZE: 30″ x 36″. Overall: 35-3/4″ x 41-3/4″ PROVENANCE: From a Santa Fe, NM collection. CONDITION: Craquelure, old restoration having some inpainting 9-91803 (4,000-6,000)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A CHILD IN PLAID DRESS WITH DOG, HAT & FLOWERS. Oil on canvas Housed in a partial gilt replacement frame Unsigned Baltimore & New York canvas stamp to verso SIZE: 36″ x 30″ Overall: 38-3/4″ x 32″ PROVENANCE: From a private New Jersey Collection; Diana H. Bittel Antiques 9/19/99 CONDITION: Lined, inpainting, very good 9-90631 (3,000-6,000)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A CHILD WITH ROTTWEILER SHOWING VIEW OF THE HUDSON RIVER. Oil on canvas Housed in a modern gilt molded wood frame Unsigned SIZE: 25-1/4″ x 22-1/4″ Overall: 28″ x 25-1/4″ PROVENANCE: From a private New Jersey Collection; Doyle Auctions CONDITION: Craquelure, lined, scattered inpainting, otherwise very good 9-90623 (3,000-5,000)

UNSIGNED (19th Century) PORTRAIT OF A YOUNG CHILD WITH RATTLE & DOG. Oil on canvas Housed in a period gilt frame Unsigned Pencil inscription on verso of stretcher and dated “1815” having illegible writing SIZE: 13″ x 10-1/4″. Overall: 15″ x 12-1/4″. PROVENANCE: From a Santa Fe, NM collection CONDITION: Very good, visible stretcher lines 9-91824 (800-1,200)

UNSIGNED (American School, 19th Century) STILL LIFE OF FRUIT. Oil on canvas Housed in a 19th C gilt oak frame Unsigned SIZE: 18″ x 22″ Overall: 22-1/2″ x 26″ CONDITION: Patches to reverse, inpainting, craquelure, good 7-70646 (2,000-4,000)

R.M.T. (19th Century) STILL LIFE WITH FRUIT & DISH OF CANDIES. Oil on canvas Housed in a period gesso decorated gilt frame Signed lower left with initials “R.M.T. 72″ SIZE: 12″ x 10″ Overall: 18-1/4″ x 16-1/2” CONDITION: Strip lined, minor inpainting, very good 9-92786 (2,000-3,000)

UNSIGNED (American School, 19th Century) STILL LIFE WITH FRUIT & BASKET. Oil on canvas laid on masonite Housed in its original rectangular frame with oval gilt matte SIZE: 22″ x 30″. Overall: 26-1/2″ x 34-1/2″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Scrape to upper right, otherwise very good 7-70423 (300-500)

E SCHUTZ (American, Mid 19th Century) FLOWERS IN A GLASS VASE. Oil on canvas Housed in a gilt wood frame with gilt liner Signed lower left “E Schutz N.Y. 1858″ SIZE: 16″ x 11-1/2″ Overall: 23-1/4″ x 19-1/2” PROVENANCE: Christie’s New York: Friday, March 16, 1990 CONDITION: Lined, minor inpainting, very good 9-92793 (1,250-1,750)

J. HEIMBUCHEN (American, Early 20th century) STILL LIFE WITH LOBSTER AND FRUIT. Oil on canvas Housed in a gilt and white painted frame Signed lower right “J. Heimbuchen 1923″ SIZE: 26-1/2″ x 33-1/2″. Overall: 31-1/2″ x 38-1/2”. PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good 9-92863 (500-1,000)

JENNIE ROSENHEIMER (American, 19th/20th Century) CUT WATERMELON. Oil on canvas Housed in an antique birdseye maple frame with gilt liner Signed lower right and dated “1902” SIZE: 16-1/4″ x 24-1/4″. Overall: 21-1/2″ x 29-3/4″ CONDITION: Tight craquelure showing white, minor touch up 9-90288 (500-700)

ATTRIBUTED TO WILLIAM MATHEW PRIOR (American, 1806-1873) PORTRAIT OF A YOUNG MAN. Oil on canvas Housed in a grain painted State of Maine frame Unsigned SIZE: 14″ x 10″. Overall: 16-1/4″ x 12-1/4″. PROVENANCE: From a Santa Fe, NM collection. CONDITION: Relined, very good 9-91826 (4,000-6,000)

ATTRIBUTED TO WILLIAM W KENNEDY (American, 1817-1871) CHILD IN BLUE WITH A CANE. Oil on board laid to masonite Housed in what may be its original antique frame which has black overpaint, as found Unsigned SIZE: 22″ x 18″ Overall: 24″ x 20-1/4″ PROVENANCE: From a private New Jersey Collection; Alex Cooper’s auction flyer cover July 25/6 1999 CONDITION: Some inpainting, very good 9-90624 (8,000-12,000)

UNSIGNED (American, Circa 1825) PAIR OF PORTRAITS OF FRANCES ELIZABETH APPLETON AND HER OLDER SISTER, MARY APPLETON. Oil on canvas Housed in what appears to be their original gilt wood frames. Incised on back of one stretcher “Mary Appleton Aged 9″. Unsigned NOTE: Frances (1817-1861) married Henry Wadsworth Longfellow in 1843. Her father, Nathan Appleton, bought Craigie House, now the Longfellow Historical Site on Brattle St., Cambridge, as a wedding present for the couple SIZE: 23-1/2″ x 19″. Overall: 29-1/2″ x 25-3/4”. PROVENANCE: From a Santa Fe, NM collection; Northeast Auction, 8/2/09. CONDITION: Strip lined around stretcher edge, restored with inpainting 9-91808 (4,000-6,000)

JAMES SHARPLES SR. (American, 1751-1811) PAIR OF THE SWEET FAMILY PORTRAITS. Watercolor paper mounted to panel Both housed in identical antique gilt molded wood frames with original glass Unsigned SIZE: 11-1/2″ x 9″. Overall: 12-3/4″ x 11″. CONDITION: Water stains but colors are vivid. Otherwise generally good. 9-90651 (5,000-8,000)

STAATS COTWORTH (American, 1908-1979) HIGH ABOVE THE PLAYGROUND. Oil on board Housed in a carved wood partial gilt frame with linen liner Signed lower left “Staats Cotsworth” SIZE: 30″ x 38″. Overall: 41″ x 49″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good 9-92323 (500-1,000)

WILLIAM KUMMANN (American, Mid 20th Century) “A RIVER STREET SCENE”. Oil on canvas Housed in a period painted wide wood frame Signed on verso of canvas Retains a Mirror of America Greater Paterson exhibition label with artist & title SIZE: 21″ x 41″. Overall: 30-1/4″ x 50-1/2″ CONDITION: Very good 9-90656 (2,500-4,000)

WALTER ALLEN (American, Mid 20th Century) “HOUSE ON BEAUREGARD STREET MOBILE”. Casein on canvas Housed in in its original painted wood frame Signed lower right “Walter 1963″ Hand written label on verso SIZE: 34″ x 26”. Overall: 42″ x 34-1/2″ CONDITION: Very good 9-92758 (400-600)

BERNARD (HILMAR) BERNTSEN (American, 20th century) THE BIG GAME. Oil on board Housed in a modern gilt wood frame Signed lower right “B Berntsen” and dated “36” SIZE: Sight: 19-1/2″ x 22-1/4″. Overall: 21-1/2″ x 24-1/2″ CONDITION: Very good 7-70536 (400-600)

KYRA (GAITHER) MARKHAM (American, 1891-1967) GIRLS AT A CLUB FUNCTION. Oil on canvas Housed in its original painted wood frame Unsigned SIZE: 30″ x 24″. Overall: 33-1/2″ x 27-1/2″ PROVENANCE: Descended through family of the artist CONDITION: Very good 9-92832 (2,000-3,000)

JOHANN BERTHELSEN (American, 1883-1972) “UPPER 5TH AVE. N.Y.”. Oil on canvasboard Housed in a fine gilt molded wood frame Signed lower right “Johann Berthelsen” Also retaining its original Salmagundi Club 1948 Thumb-box Edition label SIZE: 12″ x 9″ Overall: 18″ x 15″ CONDITION: Very good 9-92417 (4,000-6,000)

GUY A. WIGGINS (American, 1920-) “SNOWSTORM OVER THE FLATIRON BUILDING NEW YORK CITY”. Oil on canvas Housed in a fine wide gilt frame retaining a Joan Whalen Fine Art label Signed bottom right “Guy A Wiggins” Titled & signed on verso SIZE: 30″ x 24″. Overall: 41-1/4″ x 35-3/4″ CONDITION: Very good to excellent 9-90970 (10,000-15,000)

GUY A. WIGGINS (American, 1920-) “SNOWSTORM OVER THE PLAZA NEW YORK CITY”. Oil on canvas Housed in a fine gilt wood gesso frame Signed upper right “Guy A Wiggins” Titled & signed on verso SIZE: 28″ x 22″. Overall: 34-3/4″ x 28-3/4″ CONDITION: Very good to excellent 9-90971 (8,000-12,000)

VLADIMIR LEBEDEV (American, 1910-1991) BUSY NEW YORK STREET. Oil on canvas Housed in a modern gesso decorated gilt frame with gilt liner Signed lower left “V. Lebedev 1952” SIZE: 24″ x 30″ Overall: 28-1/4″ x 34-3/8″ CONDITION: Several patches to reverse with restoration and inpainting, good 9-93002 (2,000-4,000)

GIFFORD BEAL (American, 1879-1956) OLD NEW YORK STREET SCENE. Wash drawing in blue Housed in a fine modern gilt frame with white matte Unsigned front but having a 1996 letter from Kraushaar Galleries, NY veryifying the work is by Beal SIZE: Sight: 13″ x 19″ Overall: 24″ x 28-1/2″ CONDITION: Very good 9-90221 (400-800)

EASTMAN JOHNSON (American, 1824-1906) ON THE ROAD TO MANHATTAN. Pencil on paper Housed in a gilt modern frame by Guido Frames, Boston; Free mounted Signed lower left “EJ 1880”, Identified on top “On the Road to Manhattan, Eastman Johnson” SIZE: 6″ x 8″. Overall: 12-1/2″ x 13-1/2″ CONDITION: Very good 9-92049 (2,000-3,000)

ERIC SLOANE (American, 1905-1985) “VERMONT GRAFTON CHURCH”. Oil on Masonite Housed in a period style rustic natural wood frame with black liner Signed lower right “Sloane”, identified lower left SIZE: 19-3/4″ x 23-3/4″. Overall: 24-1/2″ x 28-3/4″ CONDITION: Very good 9-92482 (8,000-12,000)

ERIC SLOANE (American, 1905-1985) “LAST FLIGHT AT 12,000FT. Oil on canvasboard Housed in a modern silver gilt frame Signed lower right with title and “Eric Sloane” SIZE: 20″ x 24″ Overall: 24-1/2″ x 28-1/2″ CONDITION: Very good 9-92804 (4,000-6,000)

JAMES (COLONEL) FAIRMAN (American, 1826-1904) “MOUNTAINS MADISON & ADAMS AND ANDROSCOGGIN RIVER”. Oil on canvas Housed in what appears to be its original outstanding gesso decorate frame with gilt liner Monogrammed with initials “JF” lower left. Also titled & signed & dated “67” on verso of canvas Fairman came to the United States in 1832 and studied at the NAD in 1842. After serving as a Colonel in the Civil War he opened a studio in NYC. In 1871 he went to Europe where he spent the next 10 years. He exhibited at the NAD and the PAFA. SIZE: 19-1/2″ x 36″. Overall: 28-1/2″ x 45-1/4″ CONDITION: Lined, inpainting to craquelure, otherwise very good 9-92802 (10,000-20,000)

WILLIAM S ROBINSON (American, 1861-1945) “INTERVALE N.H. 1925”. Oil on panel Housed in a period gilt molded wood frame Signed lower left “Wm. S. Robinson” SIZE: 12″ x 16″. Overall: 15-1/2″ x 19-1/2″ CONDITION: Very good 9-92044 (2,500-4,500)

DANIEL J. STRAIN (American, 1847-1925) “VIEW AT PORTSMOUTH, NH”. Oil on canvas Housed in its original gilt wood frame with gilt liner Signed lower left “Daniel Strain” Titled in pencil on stretcher SIZE: 13″ x 17″. Overall: 23-1/2″ x 27-3/4″ CONDITION: Very good, craquelure. 7-70533 (1,000-1,500)

WILLIAM JURIAN KAULA (American, 1871-1953) “NOVEMBER MORNING, NEW IPSWICH, N.H.”. Oil on board Housed in a modern wood stained frame Signed lower left “W J Kaula” Inscribed on verso with title and artist address SIZE: 12″ x 15″. Overall: 14-1/2″ x 17-1/2″ CONDITION: Very good 9-90966 (1,000-1,500)

CHARLES HENRY RICHERT (American, 1880-1974) TWO WORKS: COASTAL VIEW WITH ROWBOAT AND NEW HAMPSHIRE LANDSCAPE. Oil on boards Housed in gilt gesso decorated frames with gilt liners Signed lower right “C H Richert” SIZE: 7-3/4″ x 9-3/4″. Overall: 14″ x 16″ CONDITION: Very good 7-70425 (300-500)

JOSEPH ANTONIO HEKKING (American, 1830-1903) COWS GRAZING IN A SUMMER LANDSCAPE. Oil on canvas Housed in an outstanding reproduction antique frame Signed lower right “J A Hekking” SIZE: 26″ x 40″. Overall: 35″ x 49″ CONDITION: All over craquelure, some minor inpainting, otherwise very good 9-92045 (6,000-9,000)

CHARLES WILSON KNAPP (American, 1823-1900) LANDSCAPE WITH COWS GRAZING BY A STREAM. Oil on canvas Housed in a fine modern gilt carved frame Signed lower right “C W Knapp” and dated “77” SIZE: 15″ x 27″ Overall: 22-1/2″ x 34-1/2″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Lined, inpainting, very good 7-70411 (1,000-1,500)

UNSIGNED (Continental School Style, 18th Century) LANDSCAPE WITH TWO BOYS FISHING. Oil on wood panel Housed in a lemon gold frame Inscribed on reverse with a glued partial label indicating that it was “Painted by Harding, the artist in Boston” SIZE: 18-1/2″ x 22″. Overall: 22″ x 26″ CONDITION: Some spot touch up, very good 9-90880 (3,000-5,000)

FRANK RUSSELL GREEN (American, 1856-1940) MAN PLOWING THE FIELDS. Oil on canvas Housed in a magnificent gesso decorated period frame with two gold liners with minor losses Signed lower left “Frank Russell Green A.N.A” Born in Chicago, Frank Green’s education and reputation went far beyond the mid-west. First training in Paris he later moved to Boston and New York where he worked as an illustrator for Harper’s as well as for other major publishing houses. When not doing commercial work, his style, as seen in the painting on offer has all the elements of American Impressionism, but also references his regional roots in his choice of subject and narrative. SIZE: 20″ x 30″. Overall: 33-1/2″ x 43-1/2″ CONDITION: Very good 9-90253 (4,000-6,000)

MARSDEN (American or British School, Mid 19th Century) PORTRAIT OF A PRIZED STEER IN LANDSCAPE. Oil on canvas Housed in its original gilt frame with some losses Signed lower right “Marsden/68″ SIZE: 27″ x 34”. Overall: 34″ x 41″ PROVENANCE: From a Santa Fe, NM collection CONDITION: Very good, original canvas with light craquelure having some touch up 9-91801 (3,000-5,000)

ROSA MARIE BONHEUR (French, 1822-1899) PORTRAIT OF A STEER HEAD. Oil on canvas Housed in a modern ripple edge wood frame Signed lower right “Rosa Bonheur 1876″ SIZE: 23-1/2″ x 19-3/4”. Overall: 29-1/2″ x 26″ PROVENANCE: From a Santa Fe, NM Collection CONDITION: Relined, very good 9-91806 (3,000-5,000)

HARRIET RANDALL LUMIS (American, 1870-1953) “FOGGY MORNING”. Oil on canvas Housed in a good reproduction gesso decorated frame Signed lower right and titled on back of stretcher SIZE: 21″ x 26″ Overall: 27″ x 32″ CONDITION: Very good 9-93009 (3,000-5,000)

EDMUND WILLIAM GREACEN (American, 1877-1949) WINTER STREAM. Oil on canvas Housed in a period gilt carved wood frame Signed lower left “Edmund Greacen 1922″? Edmund Greacen had the opportunity to study and collaborate with many of the most important American artists at the turn of the century. This roster would include J.H.Twachtman, Childe Hassam, William Merritt Chase, Robert Henri and Irving Wiles among others. It was however in France (1907-1909), near Monet’s home in Giverny, where his lessons would coalesce and his distinctive Impressionist style would be set. Greacen returned to New York in 1910, and perhaps because of fond memories of the Giverny colony, spent summers in Old Lyme, living at the Florence Griswold House. While Greacen exhibited widely, including at the Paris Salon, the National Academy of Design, and the Corcoran Gallery among others, one of his major accomplishments was the founding of an artist’s cooperative in New York. In 1922 along with John Singer Sargent this endeavor became the iconic Grand Central Art Galleries. SIZE: 26″ x 36”. Overall: 35-1/2″ x 45-3/4″ CONDITION: Very good with inpainting 9-92161 (8,000-12,000)

CHARLES FRANCIS BROWNE (American, 1859-1920) SUMMER LANDSCAPE WITH WINDING RIVER. Oil on canvas Housed in its possibly original fancy gilt gesso decorated frame with gilt liner having some minor chips and cracks Signed lower right “C F Browne 1915″ Born in Massachusetts, Browne began his training at the Museum of Fine Art School in Boston, he also studied with Thomas Eakins at the Philadelphia Academy of Fine Arts and later, in Paris, at the Academie Julien. A peripatetic traveler, now most often associated with the Mid-West and West, Browne was an original member of the Eagle’s Nest Art Colony in Illinois, he also was an instructor at the Art Institute of Chicago and president of the Chicago Society of Artists. Among his awards include the painting prize for the Panama Pacific Exposition in 1915. SIZE: 24″ x 29″. Overall: 37-1/2″ x 42”. CONDITION: Small repair in left side, otherwise very good 7-70528 (3,000-5,000)

WALTER FARNDON (American, 1876-1964) FARMHOUSE NEAR POND. Oil on canvas Housed in a decorative wood frame with linen liner Signed center bottom “Walter Farndon NA” SIZE: 20″ x 24″. Overall: 28″ x 32″ CONDITION: Very good 9-92025 (3,500-5,500)

ERNEST LAWSON (American, 1873-1939) TREES AND WATER. Oil on canvas laid on masonite Housed in a period gilt carved wood frame Signed lower right “E Lawson” SIZE: 16″ x 20″ Overall: 19-1/2″ x 23-1/2″ CONDITION: Good 9-93014 (2,000-4,000)

EDWARD WILBUR DEAN HAMILTON (American, 1864-1943) IMPRESSIONISTIC LANDSCAPE. Oil on canvas Housed in its original gilt gesso decorated frame Signed lower right “E. Wilbur D Hamilton” SIZE: 11″ x 15″. Overall: 22-1/4″ x 26-1/4″ CONDITION: Very good 9-92767 (4,000-6,000)

ROBERT SPENCER (American, 1879-1931) MILL IN THE WOODS. Oil on board Housed in a wood frame with white liner Signed lower left “Robert Spencer” SIZE: 8″ x 10″. Overall: 14-1/2″ x 16-1/2″ CONDITION: Very good 9-92026 (4,000-6,000)

CHARLES HERBERT WOODBURY (American, 1864-1940) SUMMER LANDSCAPE WITH VIEW. Oil on canvas Housed in a modern gilt molded wood frame Signed lower left “Chas H Woodbury June 25 ’11” SIZE: 20″ x 27″. Overall: 25-3/4″ x 32-3/4″ CONDITION: Very good 9-92099 (5,000-7,000)

GERRIT ALBERTUS BENEKER (1882-1934) “PROVINCETOWN SAND DUNES”. Oil on board Housed in a silver carved frame Signed lower left “Gerrit A Beneker 1918” Titled & signed on verso, also “Owned by Mrs. Beneker” Gerrit Albertus Beneker, born 1882 in Grand Rapids, MI. died in 1934 in Truro, MA. He studied with John Vanderpoel, Frederick Richardson, F. V. DuMond, Henry Reuterdahl, Charles W. Hawthorne and was a Member of Provincetown Art Association and the Beachcombers Club. Beneker exhibited at the Art Institute of Chicago and the Pennsylvania Academy of Fine Arts, 1913-32 and in Scarab CL, Detroit, 1916 (prize), the Cleveland Museum, 1919 (prize), Corcoran Gallery, 1919,-32, Detroit Institude of Art, 1930. He worked in the following institutions: Provincetown Art Assoc., Butler Art Inst., Youngstown Ohio, Grand Rapids Art Gallery, Victory Liberty loan poster. He also worked as a painter of magazine covers for Leslie’s Weekly, The Reader, Scribners Magazine, The Christian Herald, and Harper’s Weekly. In 1919 he was painter in residence for The Hydraulic Steel Company in Cleveland, Ohio, where for two years he painted the steel workers of America. SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: Purchased from artist’s daughter, Jean (Beneker) Kubik. Purchased between 1979-1982. Jean was our consignor’s next door neighbor & friend. CONDITION: Very good 9-91613 (6,000-12,000)

CHARLES PETER DEMETROPOULOS (American, 1912-1976) BOSTON SKATING. Watercolor Housed in a modern gilt frame with wide matte and glass Estate stamp of back of watercolor SIZE: Sight: 20″ x 27″ Overall: 30″ x 36-1/2″ CONDITION: Very good 7-70604 (1,500-2,000)

JOHN CORDICH (American, 1898-1972) PICNIC BELOW THE DUNES. Oil on canvas Housed in a black painted wood frame Signed lower right “J Cordich” SIZE: 28″ x 36″. Overall: 31″ x 28-3/4″ CONDITION: Very good 9-92774 (900-1,200)

UNSIGNED (Early 20th Century) BATHERS IN THE SURF. Oil on canvas Housed in an antique gesso decorated frame Unsigned SIZE: 13-3/4″ x 17-3/4″. Overall: 18″ x 22″ CONDITION: Very good 9-91683 (2,500-3,500)

HEINRICH HERMAN PFEIFFER (American, 1874-1960) PROVINCETOWN, MASSACHUSETTS STREET SCENE. Oil on canvas Housed in a good gesso decorated gilt frame Signed on top of stretcher, verso along with title “Provincetown, MASS” SIZE: 16″ x 20″. Overall: 23-1/4″ x 27″ PROVENANCE: From a Santa Fe, NM collection CONDITION: Very good 9-91818 (800-1,200)

ALFRED HUTTY (American, 1877-1954) VIEW LOOKING DOWN A CHARLESTON, S.C. STREET TO A STEAMBOAT ON THE COOPER RIVER. Watercolor Housed in a painted wood frame with watercolor highlighted matte Signed lower right “Alfred Hutty” SIZE: 16-1/4″ x 12-1/2″ Overall: 25-1/2″ x 21″ CONDITION: Very good 9-92050 (15,000-20,000)

ROSALIE CHARTRAND CHAPLIN (American, Early 20th Century) SOUTHERN VIEW OF FLOWERING BUSHES & MOSS. Oil on canvas mounted to masonite Housed in a good gilt wood frame with tarnish Signed lower right “R C Chaplin” SIZE: 6-3/4″ x 8-3/4″ Overall: 12″ x 14″ CONDITION: Very good 9-92788 (600-800)

WORTHINGTON (THOMAS) WHITTREDGE (American, 1820-1910) LANDSCAPE WITH WATERFALLS. Oil on canvas Housed in an antique gesso decorated frame with small losses Signed lower right “W.W.” SIZE: 13″ x 10-1/2″. Overall: 17-3/4″ x 15-1/4″ CONDITION: Very good with spot touch up 9-91614 (6,000-9,000)

WILLIAM RICKARBY MILLER (American, 1818 – 1893) WESTERN FALLS. Oil on board Housed in a fine period 19th century gesso decorated frame with gilt liners Signed center bottom “W. R. Miller 1879″ SIZE: 16″ x 12-1/2″. Overall: 26″ x 22-1/4”. CONDITION: Very good. 9-29585 (2,000-4,000)

JERVIS MCENTEE (American 1828-1891) HORSE & CART WITH FIGURE ATOP A MINE SHAFT. Oil on canvas affixed to masonite Housed in a period gilt frame as found Signed lower left with artist initials monogram SIZE: 8-1/4″ x 11-1/2″. Overall: 14″ x 17-1/2″. CONDITION: Very good 9-92999 (3,000-5,000)

SAMUEL COLMAN (American 1832-1920) “COLORADO WHERE THE MOUNTAINS MEET THE DESERT”. Oil on canvas laid to board housed in a period gilt frame Signed center bottom left “S. Colman” Please Note: Kennedy Gallery’s New York label on verso SIZE: 8-3/4″ x 12-1/2″. Overall: 14″ x 17-3/4″. CONDITION: Very good. Thin paint layer to sky. 9-92997 (3,000-5,000)

GRANVILLE REDMOND (American, 1871-1935) SEASIDE DUNES. Pastel Housed in a fine reproduction carved & gilt double frame with wide linen liner behind glass Signed lower left “Granville Redmond 1904″ SIZE: 6″ x 9-1/4”. Overall: 16-1/4″ x 19-1/2″ CONDITION: Very good 9-92481 (3,000-5,000)

MAURICE BRAUN (American, 1877-1941) CALIFORNIA COASTLINE. Watercolor Housed in a modern gilt frame with white matte Signed lower left “Maurice Braun” SIZE: Sight: 8″ x 10″. Overall: 12″ x 14″ CONDITION: Light fading, very good 9-92160 (800-1,200)

MAURICE GEORGE LOGAN (American, 1886-1977) CALIFORNIA ROCKY COAST. Oil on board Housed in a painted gray frame Signed lower right “Maurice Logan” SIZE: 16″ x 20″ Overall: 20-1/2″ x 24-1/2″ CONDITION: Surface dirt, some inpainting, good 9-92835 (800-1,200)

TROY DENTON (American, 20th Century) PASSING THE PEACE PIPE. Oil on canvas Housed in a black painted frame with linen liner Signed lower left “Troy Denton” SIZE: 24″ x 48″. Overall: 30″ x 54″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good 9-92325 (1,000-1,500)

TWO NATIVE AMERICAN PAINTINGS. Each gouache in decorative modern frames with mats 1) William Sampson Jr. (American, 1933-1987) depicting a Native American Chief with his horse 2) Signed WMS (probably William Sampson) 1955 depicting a warrior brave on a rearing stallion. SIZE: 1) Sight: 15-1/2″ x 12-1/2″. Overall: 22″ x 18″. 2) 18″ x 14-1/2″. Overall: 25-1/2″ x 23-1/2″ CONDITION: Not examined out of frames. 1) Very good. 2) With clipped corners, small repaired tear, some creases, generally good. 9-90967 (800-1,000)

ATTRIBUTED TO WILLIAM TYLEE RANNEY (American, 1813-1857) DEER SLAYER. Oil on canvas Housed in a modern gilt frame with linen and gilt liner Unsigned SIZE: 50″ x 40″. Overall: 59″ x 49″ CONDITION: Lined, restored with inpainting, good. 9-90160 (2,000-4,000)

JUD HARTMANN (American, 1948-) SNOWSHOE BRAVE. Bronze Mounted on a walnut molded edge board Signed in snow “Hartman 1998 7/20 A 1999″ SIZE: Bronze: 21-1/2″ h x 33″ l x 11-1/2″ w. Board: 2″ h x 38″ l x 15” w CONDITION: Very good 9-91738 (2,000-4,000)

JUD HARTMANN (American, 1948-) TRAPPER. Bronze Mounted on a shaped wood plinth Signed “Hartman 1/25″ SIZE: Bronze: 13″ h x 18-1/2″ l x 9-1/2″ w Plinth: 2″ h x 15″ l x 11” w CONDITION: Very good 9-91740 (1,000-2,000)

JUD HARTMANN (American, 1948-) WARRIOR BRAVE. Bronze Mounted to a wood stepped plinth Signed on shoulder “Hartman 6/20 TALLIX 1999″ SIZE: Bronze: 27″ h x 17″ w x 10-1/2″ d. Plinth: 6-3/4″ h x 9” sq. CONDITION: Very good 9-91737 (1,000-2,000)

JUD HARTMANN (American, 1948-) NATIVE AMERICAN BRAVE. Bronze Mounted on a stepped wood plinth Signed on shoulder “Hartman 7/20 ARGOS 2004″ SIZE: Bronze: 22″ h x 15″ w x 9-1/2″ d. Plinth: 6-3/4″ x 9″ x 9” CONDITION: Very good 9-91739 (1,000-2,000)

J A FORD (American, 1950-) NATIVE AMERICAN BRAVE. Polychrome bronze Signed “J A Ford 1997 2/25″ SIZE: 33” h PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good to excellent 9-92319 (500-800)

AFTER FREDERIC REMINGTON (American, 1861-1909) THE BRONCO BUSTER. Late 20th century recast bronze Mounted to a conforming marble base SIZE: 22 1/2″h x 19″l. PROVENANCE: Piczon collection. CONDITION: Abrasion to top of hat, marble chipped on back edge, about 2″ 9-91965 (700-900)

FREDERIC SACKRIDER REMINGTON (American, 1861-1909) FOUR ARTIST PROOFS FROM THE PORTFOLIO OF “SIX REMINGTON PAINTINGS IN COLOR”. Chromolithograph Housed in its original portfolio cover Three having original title labels “The Emigrants”; “The Buffalo Runners” & “The Bell Mare”; the other without label “An Argument with the Town Marshall” Published by P.F. Collier & Son SIZE: 17-1/2″ x 23-1/2″. Portfolio: 18-1/4″ x 24″ CONDITION: Images are very good, edges show wear, one with margin tears 9-90257 (800-1,200)

FREDERICK SACKRIDER REMINGTON (American, 1861-1909) THREE CHROMOLITHOGRAPHS. 1) “His First Lesson” Artist proof Signed in print 2) “The Shadows at the Waterhole” Artist proof 3) “Pony Tracks in the Buffalo Trail” All housed in identical modern decorative wood frames with double mattes SIZE: 1 & 2) Sight: 10″ x 15″. Overall: 18″ x 24-1/2″. 3) Sight: 10-1/2″ x 18-1/4″. Overall: 18″ x 25-1/2″ CONDITION: Very good, not examined out of frames 9-91762 (500-1,000)

ATTRIBUTED TO HARRY HALL (British, 1814-1882) NEWMINSTER. Oil on canvas Housed in a modern gilt wood frame Unsigned NOTE: Newminster won The St Leger in 1851 & there is an engraving after the painting by Harry Hall executed by John Harris SIZE: 21-3/4″ x 30″. Overall: 26-3/4″ x 35-1/4″ PROVENANCE: From a Santa Fe, NM Collection CONDITION: Relined, inpainting, very good 9-91798 (4,000-8,000)

T. TEMPLE (British, Circa 1863) CHESTNUT STALLION WITH GROOM. Oil on canvas Housed in a antique replacement mahogany frame with gold liner Signed lower left “T Temple 1863″ SIZE: 14″ x 18”. Overall: 18″ x 22″ PROVENANCE: From a Santa Fe, NM collection; Sotheby’s 6/21/06 CONDITION: Craquelure, some inpainting, otherwise very good 9-91813 (1,500-2,500)

LAWRENCE LEBDUSKA (American/German, 1894-1966) A RIDER & HIS DOG. Oil on canvasboard Housed in a paint decorated modern wood frame Signed lower right “L.H. Lebduska” SIZE: Sight: 19-1/2″ x 15-1/4″. Overall: 26″ x 21-3/4″ PROVENANCE: From a Santa Fe, NM collection; Heritage 5/25/07 CONDITION: Some inpainting, very good 9-91817 (2,500-4,000)

SARAH WATTS C___? (American, Albany, NY 1842) PORTRAIT OF WILLIAM WATTS ON HIS ROCKING HORSE. Oil on canvas Housed in its original gilt carved wood frame NOTE: This painting came out of Erie, PA with a provenance of Mary Cramer Currie of Canton, Ohio. It was in bad condition with missing section in the upper wallpaper area. On the back of the canvas was written what we have put in the title. Sarah’s last name is obscured. REFERENCE: Page 87 of Folk Painters of America by Robert Bishop. This painting illustrated appears to be the same sitter & same rocking horse SIZE: 28″ x 22″ Overall: 34″ x 28″ PROVENANCE: From a private New Jersey Collection; James D. Julia, Aug. 23rd, 2001 CONDITION: The painting has been restored & relined and placed back on its original stretcher and it its original frame. Restorer was Mike Wadnick of St. Paul, MN. Before pictures accompany the lot, very good 9-90620 (5,000-10,000)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A YOUNG BOY HOLDING A CAT. Oil on canvas mounted to masonite Housed in a fine gilt replacement frame Unsigned SIZE: 30″ x 25″ Overall: 34″ x 29-1/2″ PROVENANCE: From a private New Jersey Collection; Jeffrey Tillou Antiques 11/18/99 CONDITION: Some inpainting, very good 9-90629 (8,000-12,000)

UNSIGNED (American, Mid 19th Century) FOLK ART PORTRAIT OF A GIRL & HER CAT. Oil on canvas Housed in a gilt molded wood frame Unsigned Label on stretcher from Scholz & Janentzky, 112 So. 8th St, Phila, PA (at this location between 1861-62) SIZE: 36″ x 29″. Overall: 42″ x 34-1/2″ CONDITION: Inpainting, otherwise very good 7-70645 (4,000-6,000)

UNSIGNED (American, 19th Century) HALF PORTRAIT OF A CHILD IN BLUE DRESS WITH KITTEN. Oil on canvas Housed in a modern gilt & black frame Unsigned SIZE: 17″ x 13″. Overall: 19″ x 15″. PROVENANCE: From a Santa Fe, NM collection. CONDITION: Relined, restored with inpainting 9-91811 (1,000-2,000)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A YOUNG CHILD IN WHITE DRESS SEATED IN A RED CHAIR. Oil on canvas Housed in a partial gilt molded wood frame Unsigned SIZE: 26-1/2″ x 21-1/2″ Overall: 32″ x 27″ PROVENANCE: From a private New Jersey Collection; Alex Cooper Auctions 8/4/00 Lot 562 CONDITION: Relined, restretched on new stretcher, minor inpainting, very good 9-90621 (10,000-15,000)

UNSIGNED (Mid 19th Century) PORTRAIT OF A YOUNG CHILD IN WHITE LACE EDGED DRESS. Oil on wood panel Housed in a modern gilt wood frame with lemon gold edge Unsigned SIZE: 24″ x 20″. Overall: 30″ x 26″ PROVENANCE: From a Santa Fe, NM collection CONDITION: Very good, restored with inpainting 9-91807 (2,000-4,000)

CHARLES V BROWN (American, 1848-1926) CHILD WITH TOYS. Oil on canvas Housed in a replacement gilt frame Signed lower right “Charles V Brown 1872″ SIZE: 37-1/4″ x 30-3/4”. Overall: 41-1/2″ x 35″ CONDITION: Inpainting, very good 9-92004 (2,500-4,500)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A CHILD WITH HORSE PULL TOY. Oil on canvas Housed in a gilt period frame Unsigned SIZE: 14″ x 12″ Overall: 17-3/4″ x 15-3/4″ PROVENANCE: From a private New Jersey Collection; CRN Auctions 5/27/00 #13 CONDITION: Relined, some spot inpainting, very good 9-90625 (2,000-3,000)

JAMES RIZZI (American, 1950-2011) “COOL CATS OUT DRINKING”. Gouache on paper Housed in a gilt molded wood frame behind glass Titled & signed “J. Rizzi 1993″ at bottom SIZE: Sight: 7-1/2″ x 9-1/2″ Overall: 9-1/2″ x 11-1/2” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91835 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) “LOVE IN THE NIGHT”. Acrylic on canvas Housed in a red painted shadowbox type frame Titled & signed “J. Rizzi 94″ below SIZE: 9-3/4″ x 7-1/4″ Overall: 10-1/2″ x 8” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91837 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) TWO CATS TOASTING. Acrylic on canvas Unframed Signed lower right “Rizzi 99″ SIZE: 5″ x 7” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91839 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) “THIS WAY, THAT WAY”. Acrylic on canvas mounted to board Housed in a black painted frame with peach color backing All four sides with title, date & signature The back has penned inscription from Jenny SIZE: 10-1/2″ x 7-3/4″ Overall: 12-3/4″ x 10″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91843 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) CUPID IN THE CLOUDS. Gouache on blue paper Unframed but mounted to dark blue paper Signed lower right “J Rizzi 92″ SIZE: 7-1/2″ x 10-1/2″ Overall: 9″ x 12” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91856 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) “BE MY VALENTINE”. Acrylic on canvas mounted to board Housed in a white painted modern frame behind glass Titled & signed “J. Rizzi 1998″ below SIZE: Sight: 8-3/4″ x 11-3/4″ Overall: 10″ x 13” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91834 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) “FINGER POINTING”. Acrylic on canvas mounted to a pink background board behind glass Housed in a black painted wood frame Titled and signed “Rizzi 98″ bottom Penned inscription on reverse from Jenny SIZE: 10″ x 7-1/2″ Overall: 13″ x 10” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91844 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) “BIRDS AND FLOWERS”. Acrylic on canvas Housed in a yellow painted wood frame Signed lower right “J Rizzi 1994” Inscribed on verso “To Franceska Merry Christmas 1998 from James Rizzi” SIZE: 6-3/4″ x 9-1/4″ Overall: 7-1/2″ x 10″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91846 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) LOVE CATS. Acrylic on canvas Unframed Signed upper right “Rizzi 98″ SIZE: 5″ x 5” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91847 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) “HAPPY V DAY”. Acrylic on canvas Unframed & unmounted Signed in painting upper left “Rizzi 1999″ and titled bottom left in painting SIZE: 9″ x 12” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91855 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) HAPPY HALLOWEEN. Acrylic on canvas Unframed & unmounted Signed lower right “J Rizzi 97″ SIZE: 8″ x 10” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91860 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) THREE WORKS. 1) Cat People Marker on hotel stationary (during the 96′ Olympics, GA) Unframed Signed lower right “J Rizzi 96” 2) “In the Heart of the City” Lithograph on red paper Unframed Signed in the print “J Rizzi 97” 3) “Cast Out Cats” Marker on canvas Unframed & unmounted Signed lower right “J Rizzi 96″ SIZE: 1) 10-1/2″ x 7-1/4″ 2) 9-1/2″ x 10″ 3) 8-1/2″ x 10-3/4” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91857, 9-91858; 9-91861 (700-1,000)

JAMES RIZZI (American, 1950-2011) NUDE. Gouache on blue paper Housed in a black easel type picture frame with glass front Sight lower right “Rizzi 92″ SIZE: 10″ x 7-1/2″ Overall: 11-1/4″ x 8-3/4” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good 9-91838 (500-1,000)

JAMES RIZZI (American, 1950-2011) TWO NUDES SMOKING ON A BENCH. Mixed media on gray paper Unframed Signed lower right “Rizzi 95″ SIZE: 9-1/2″ x 9-1/2” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91862 (500-1,000)

JAMES RIZZI (American, 1950-2011) “LOVE”. Watercolor & marker Unframed Signed bottom right “Rizzi 96″ in pencil SIZE: 7-1/2″ x 5-1/4” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91859 (500-1,000)

JAMES RIZZI (American, 1950-2011) FLIP BOOK & DRAWINGS ON HOTEL PADS. 1) Approximately 100 page flip book Pencil drawing of a shoulder & man’s head making faces Unsigned 2) Radisson Hotel Pad Marker on paper of cat & bird Signed “J Rizzi 98” 3) Howard Johnson Hotel Pad 20 pages ink on paper drawings 18 signed and most dated “2/97″ Various sketches include men, birds, fish, women & couples SIZE: 1) 3″ x 3″ 2) 5-3/4″ x 4″ 3) 4″ x 3” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good 9-91864 (500-1,000)

JAMES RIZZI (American, 1950-2011) “BUY YOUR GAL SOME FLOWERS”. 3-D Color Serigraph Housed in a custom blue painted wood frame with attached flowers & hearts with white mat (1 heart missing, some repair to flowers & scuffs to hearts) Signed bottom left in pencil “Rizzi”, pencil “A/P XLIII/L”, dated 1996 in print SIZE: Sight: 17-1/2″ x 27″ Overall: 28-1/4″ x 40″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91840 (2,000-3,000)

JAMES RIZZI (American, 1950-2011) “JAIL AINT HAPPY”. 3-D Color Serigraph Housed in a gray painted jail motif wood frame with white matte Signed lower left in pencil “Rizzi” Also “A/P” (artist proof) and dated “90” in the print SIZE: Sight: 2-3/4″ x 3-1/2″ Overall: 12-3/4″ x 13-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91831 (500-1,000)

JAMES RIZZI (American, 1950-2011) TWO WORKS: “MARBLES IN YOUR HEAD” AND “FOLLOW THE LEADER”. 3-D Color Serigraphs Unframed Both pencil signed lower left “Rizzi” and pencil “A/P” SIZE: 3″ x 3-3/4″ and 4-1/2″ x 5-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91851, 9-91852 (800-1,200)

JAMES RIZZI (American, 1950-2011) THREE WORKS: “JUMP IN”, “ALL FALL DOWN” & “MY TURN NEXT”. All 3-D Color Serigraph, Limited Edition Unframed All pencil signed lower left “Rizzi”; bottom right two are “A/P”, the other “254/350” and all dated “90” in print SIZE: 4-1/2″ x 5-3/4″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91848, 9-91849; 9-91850 (800-1,200)

JAMES RIZZI (American, 1950-2011) “I’D RATHER BE IN PHILLY”. 3-D Colored Serigraph Housed in a pink painted wood frame with glass & white matte Signed lower left in pencil “Rizzi” “A/P” on bottom right & dated “90” in the print SIZE: Sight: 3-1/4″ x 4-1/4″ Overall: 9-1/2″ x 10-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91836 (500-1,000)

JAMES RIZZI (American, 1950-2001) “LOOKING OUT MY WINDOW”. 3-D Color Serigraph Housed in a modern black frame with white matte Signed “Rizzi” lower left and “A/P” (artist proof) lower right and dated “95” in the print SIZE: Sight: 7-1/2″ x 9-1/4″ Overall: 14″ x 16″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91832 (500-1,000)

JAMES RIZZI (American, 1950-2011) “SOME DAY SHE’LL LOVE ME”. 3-D Color Serigraph Housed in a black modern frame with white matte Signed lower left in pencil “Rizzi” Lower right “A/P 93″ SIZE: Sight: 7-3/4″ x 9″ Overall: 14-1/2″ x 15-1/2” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91833 (500-1,000)

JAMES RIZZI (American, 1950-2011) “HOOKERS”. 3-D Color Serigraph Unframed Signed lower left “Rizzi” Titled in pencil and “A/P 88″ SIZE: 8″ x 10” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91841 (500-1,000)

JAMES RIZZI (American, 1950-2011) “THE APPLE OF MY HEART”. 3-D Color Serigraph Unframed Signed lower right “Rizzi” also “A/P” and dated “97” in print SIZE: 7-1/2″ x 8-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91842 (500-1,000)

JAMES RIZZI (American, 1950-2011) “COUNTRY HOUSE”. Color Serigraph Housed in a white painted wood frame with double rose colored mattes Pencil signed lower left “J Rizzi” also “A/P” and dated “89” in the print Pencil inscription above “For Jenny’s Mom – Franceska – Enjoy!” SIZE: 4-1/2″ x 6-1/2″ Overall: 9″ x 11″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91845 (500-1,000)

JAMES RIZZI (American, 1950-2011) “FLOWERS FOR MY LOVE”. Color serigraph Unframed Signed “J Rizzi” lower left in pencil “A/P” lower right and pencil inscribed above “For my love Sparky” and dated in the print “89” SIZE: 5-1/2″ x 6-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91853 (500-1,000)

JAMES RIZZI (American, 1950-2011) “NO TWO ALIKE”. Color Serigraph Unframed Pencil signed lower left “James Rizzi” “A/P” and dated in the print “89” SIZE: 9-3/4″ x 12-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91854 (500-1,000)

JAMES RIZZI (American, 1950-2011) DECORATED BEVEL GLASS MIRROR. Mirror plate housed in a Rizzi decorated frame Limited edition, “399/999″ SIZE: 23-1/2″ x 31-1/4” PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: A couple of small chips, otherwise very good 9-91867 (500-1,000)

JAMES RIZZI (American, 1950-2011) LOT OF 18 RIZZI DECORATED ZIPPO LIGHTERS. 15 different decorations (3 are duplicates) 6 with Zippo plastic cases 4 with cardboard box SIZE: Lighters: 2-1/4″ x 1-1/2″ PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good 9-91865 (1,000-2,000)

JAMES RIZZI (American, 1950-2011) TWELVE POSTERS. Includes 4 signed. Examples from the 1997 Montreux Jazz Festival and the Centennial Olympic Games SIZE: Vary PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good 9-91868 (2,000-3,000)

JAMES RIZZI (American, 1950-2011) LOT OF RIZZI DECORATED RELATED ITEMS. Lot includes two decorated tins; hand painted clock signed “James Rizzi 1995”; 2 wristwatches with one container; three limited edition porcelain candle holders “258/750”; set of 5 rectangular face buttons in box; 2 Rizzi cd’s; box of greeting cards; three display cards of buttons; 3 magnet cats (1 tail separated but present); cased pen; cased phone cards; book of postcards; small folder inscribed “To Jenny – Rizzi”; 5 books on the artist; Jigsaw puzzle; Rizzi folder with contents including books and notebook having signed design pages PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good 9-91866 (300-600)

JAMES RIZZI (American, 1950-2011) 42 ITEMS. Lot includes: Original cutout marker drawn figure of a nude woman signed “Rizzi”; Three 3″ x 4″ color serigraphs; 38 various artist drawn cards PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good 9-91863 (500-1,000)

HARRISON CADDY (American, 1877-1970) BOISTEROUS DEBATE. Mixed media on paper Unframed Signed lower right, inscribed in pencil on border copyright “1916” SIZE: 14-3/4″ x 19-1/2″ CONDITION: Very good 9-91632 (2,000-4,000)

GRIFFITH (American, Mid 20th Century) FIRE DEPARTMENT TRAINING GROUNDS. Oil on gesso panel Housed in a oak frame Signed lower left “Griffith” SIZE: 22-1/2″ x 28-1/2″. Overall: 26″ x 32″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good 7-70592 (400-600)

REGINALD F. BOLLES (Massachusetts, 1860-1960) THE LAST LETTER. Oil on canvas Housed in a gilt wood antique frame Signed lower left “R. Bolles 22” NOTE: In pencil on verso “Nelson A. Nickerson at Cotuit, Ma; grandfather of Dorothy Nickerson Livingstone” SIZE: 23″ x 23″. Overall: 24-1/2″ x 24-1/2″ CONDITION: Very good. 7-70641 (800-1,200)

VICTOR JOHN ROBERTSON (United Kingdom, fl.1892-1909) PIRATE ILLUSTRATION. Oil on canvas Housed in an antique gesso decorated frame with gilt liner Signed lower right “V. Robertson 90″ SIZE: 12″ x 10”. Overall: 20″ x 18″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good. 9-92288 (400-600)

UNSIGNED (British, 19th Century) PORTRAIT OF A SHIP’S CAPTAIN. Oil on canvas Housed in a gilt wood modern frame Unsigned SIZE: 32″ x 27″. Overall: 37-1/2″ x 32-3/4″ CONDITION: Small patch to reverse, inpainting, good 9-92007 (2,000-4,000)

BARLOW MOORE (British, 1834-1897) BRITISH YACHT RACE. Oil on canvas Housed in a birdseye maple antique frame with gilt liner having finish loss Signed lower right “Barlow Moore” Windsor & Newton’s canvas stamp to verso Note: Working primarily between 1863-1891 Barlow was the marine painter to the Royal Thames Yacht Club, exhibiting 6 paintings at the Royal Academy in 1868 SIZE: 20″ x 30″. Overall: 24″ x 34″ CONDITION: Very good with very minor touch up 9-92981 (2,000-4,000)

ATTRIBUTED TO JAMES WHELDON (United Kingdom, 1830-1895) PORTRAIT OF THE AMERICAN CLIPPER SHIP “THREE-BROTHERS”. Oil on paper laid on board Housed in a fine gilt wood frame with gilt matte Signed lower left “JW” SIZE: Sight: 12″ x 19″ Overall: 24″ x 32″ CONDITION: Very good 9-92152 (2,000-4,000)

J HALL (Canada, 19th Century) CANADA SHIP “OTHERE” OF NEW GLASGOW. Watercolor Housed in a gilt molded wood frame with glass and its original shaped matte Signed lower left “J Hall 1875” NOTE: “Othere” New Glasgow commanded by J.A.C. Green” written across bottom Accompanying the watercolor are two letters: July 31, 1892 and August 21, 1892. One to the Captain’s mother, the other to his grandmother. Each were written at sea while beating his way with a disabled ship (Gazelle) in the South Atlantic. A small notebook inscribed “Lisa Green, Ladies College, Halifax”. 1-1/4″ x 1″ oval tintype of Captain James Adam Green. Also included is a three page single-spaced typed history of Captain Green and his wife. SIZE: Sight: 18-1/2 x 28-1/4″. Overall: 28-1/2″ x 38-1/2″ CONDITION: Light foxing & toning, generally very good. Not examined out of the frame. 9-90539 (1,500-2,000)

AUGUSTE AVRILLAUD (19th/20th century) THE BARK “SAGA” CAP JAS A.C. GREEN 1878. Watercolor on paper Housed in an antique gilt frame Signed lower right with address SIZE: 19-1/4″ x 25″. Overall: 21-1/4″ x 27-1/4″ CONDITION: Some age toning, small areas of scraped surface in sky. Otherwise very good. 9-90540 (1,500-2,000)

LEONARD C. LANE (American, 1910-1978) “MOONLIT BREAKERS”. Oil on canvas Housed in a partial gilt carved wood frame with painted liner Signed lower left “Leonard C Lane” “Cooling Galleries, Ontartio” label on verso SIZE: 20-1/2″ x 26″. Overall: 29-1/4″ x 35-1/4″ CONDITION: Very good 9-91735 (1,500-2,500)

WILLIAM PARTRIDGE BURPEE (American, 1846-1940) THE CRASHING WAVE. Oil on canvas Housed in a gilt wood frame Signed lower left “W P Burpee” SIZE: 14″ x 22″. Overall: 18″ x 25-3/4″ CONDITION: Very good 9-91612 (2,000-4,000)

JOHN HENRY TWACHTMAN (American, 1853-1902) SAILBOAT ENTERING AN INLET. Pastel Housed in a magnificent gilt gesso decorated frame with linen matte having gold edge, behind glass Signed lower right SIZE: Sight: 8″ x 16-1/2″ Overall: 24-3/4″ x 32″ CONDITION: Very good 9-92154 (7,000-9,000)

WARREN W. SHEPPARD (American, 1858-1937) ROUNDING ISLE OF SHOAL LIGHTHOUSE. Oil on canvas Housed in a 19th century gesso decorated frame in gold paint Signed “Warren Sheppard 1866″, lower right SIZE: Sight: 12″ x 20”. Overall: 23-1/2″ x 31-1/2″ CONDITION: Lined, some inpainting, very good 9-29584 (5,000-7,000)

JAMES GAYLE TYLER (American, 1855-1931) SLOOPS-NIGHT RUNNING. Oil on canvas Housed in a decorative gilt gesso decorated frame Signed lower left SIZE: 20-1/4″ x 16-1/4″. Overall: 24-1/2″ x 20-3/4″ PROVENANCE: Ex Private collection, the Robert C. Held Trust San Francisco. CONDITION: Relined, inpainting, otherwise very good 9-90892 (800-1,200)

JOHN BRADLEY HUDSON JR (American, 1832-1903) SHORELINE LANDSCAPE. Watercolor Housed in a modern wood frame with white matte Signed lower right “J B Hudson” SIZE: Sight: 14″ x 9-3/4″. Overall: 25-3/4″ x 19-3/4″ CONDITION: Very good 7-70541 (1,500-3,000)

MARGARET JOHNSON (American, 19th Century) PASSING SHIP. Large oil on canvas Housed in a fine carved gilt wood frame Signed lower left “Margaret Johnson” SIZE: 28″ x 48″. Overall: 36-1/2″ x 56-1/2″ CONDITION: Restored, vertical repair above right ship, otherwise very good 9-90286 (2,000-4,000)

B KREUTZER (German, 19th Century) SAILING UNDER SUNSET. Oil on canvas Housed in a modern gilt frame Signed lower left “B Kreutzer” SIZE: 20″ x 30″ Overall: 23″ x 33-1/4″ CONDITION: One patch to verso, some inpainting, craquelure, very good 9-92419 (1,500-2,500)

HENRY PEMBERTON SMITH (American, 1854-1907) STEAMSHIP IN DISTRESS. Oil on canvas Housed in its original gold frame with gold liner, as found Signed lower right “Henry P Smith 1882″ SIZE: 17″ x 28”. Overall: 31″ x 42″ CONDITION: Lined, restored with inpainting 9-92040 (2,500-4,500)

CHESTER K. VAN NORTWICK (American, 1884-1944) NET FISHERMAN. Oil on masonite Housed in an outstanding modern gilt oak frame with gilt liner Signed lower left “C Van Nortwick” SIZE: 18″ x 24″. Overall: 28-1/2″ x 34-1/2″ CONDITION: Very good to excellent 9-92485 (2,500-4,000)

ANTONIO DE SIMONE (Italian, 1851-1907) PORTRAIT OF THE STEAM YACHT “NARADA”. Gouache Housed in a fine gilt wood frame with double matte Signed lower right “De Simone 98” and titled lower left “S Y Narada” REFERENCE: Built in 1889 by Ramage & Ferguson; Under several different owners including the US Navy during WWI; Other names included “Semiramis” & “Margarita” SIZE: Sight: 16″ x 24-1/2″. Overall: 27″ x 34-3/4″ CONDITION: Restored, very good 9-91657 (2,000-3,000)

ANTONIO DE SIMONE (Italian, 1851-1907) PORTRAIT OF THE STEAM YACHT “LADY TORFRIDA”. Gouache Housed in a modern gilt frame with double mattes Signed lower right “De Simone” & identified lower left REFERENCE: The ship was built in 1888 by Fairfield SB & ENG Co. Various owners including the British Navy in WWII; two other names during its lifetime “Star of India” and “Valfreyia” SIZE: Sight: 16-3/4″ x 25-3/4″. Overall: 28-1/4″ x 36-1/2″ CONDITION: Very good 9-91659 (2,000-3,000)

ANTONIO DE SIMONE (Italian, 1851-1907) TWO PORTRAITS OF THE STEAM YACHT “GOLDEN EAGLE”. Gouache Both in similar stained wood frames with mattes Both signed and dated “1902” lower right & identified lower left “S Y Golden Eagle” SIZE: Sight: 11-1/2″ x 19″ Overall: 21-1/2″ x 29″ CONDITION: Very good 9-91655 (2,000-3,000)

ANTONIO DE SIMONE (Italian, 1851-1907) PORTRAIT OF THE STEAM YACHT “COLUMBIA”. Gouache Housed in a fine modern replacement frame with double matte Signed lower right “De Simone” and identified lower left “SY Columbia” REFERENCE: Accompanying the painting is some information regarding the Columbia. It was built by William Cramp & Sons, launched from Philadelphia, PA. Renamed the USS Wasp for the US Navy in 1898 SIZE: Sight: 16-1/2″ x 26″. Overall: 27″ x 36″ CONDITION: Some crease marks, edges with slight discoloration 9-91656 (2,000-3,000)

ANTONIO DE SIMONE (Italian, 1851-1907) PORTRAIT OF THE STEAM YACHT “XARIFA”. Gouache Housed in a modern gilt frame with white matte and gilt inner liner Signed lower right “De Simone” REFERENCE: Built in 1896 by John S. White & Co. at Isle of Wight, England; Acquired by the Navy for WWI in 1917 SIZE: Sight: 16-3/4″ x 25-3/4″. Overall: 27″ x 35-1/4″ CONDITION: Very good 9-91658 (2,000-3,000)

A T MERRICK (Early 20th Century) PORTRAIT OF THE STEAM YACHT “MERDONIA”. Gouache/watercolor Housed in a modern gilt frame with wide matte having gilt edge Signed lower right and dated “25” SIZE: Sight: 14″ x 26-1/2″. Overall: 25-3/4″ x 38″ CONDITION: Very good 9-91661 (1,000-1,200)

THOMAS H. WILLIS (American, 1850-1925) PORTRAIT OF THE STEAM YACHT “WAKIVA”. Oil & silk on canvas Housed in a modern gilt frame behind glass with name plaque Initial monogram lower right Original Willis card attached to reverse NOTE: The yacht was built for Lamon V. Harkness in Scotland by Ramage & Ferguson, Launched 1907; Requisitioned by the US Navy in WWI and sunk in 1918 SIZE: Sight: 20-1/2″ x 37-1/2″. Overall: 26″ x 43″ CONDITION: Very good 9-91660 (3,000-4,000)

THOMAS H. WILLIS (American, 1850-1925) PORTRAIT OF A STEAM YACHT. Oil & silk on canvas depicts a two-mast center stack yacht flying US flag off stern, eleven people on deck. The yachts name partially seen “Emia” or “Embla”? Signed lower right “T Willis NY 1900″. Housed in its original gesso decorated gilt frame with glass SIZE: Sight: 19-1/2″ x 35-1/2”. Overall: 24-1/2″ x 40-1/2″ CONDITION: Very good 9-92753 (2,000-4,000)

JOHN HAYES (Edward Henry Eugene Fletcher) (United Kingdom, 1857-1945) ANIMATED MARINE SCENE. Oil on canvas Housed in a Louis XVI style gilt wood frame with some losses Signed lower left “J Hayes” SIZE: 24″ x 36″. Overall: 32″ x 43″. CONDITION: Lined with canvas deformation, retouched. 9-92748 (800-1,200)

F W FRITCHE (British School, 19th Century) SHIP IN DISTRESS. Oil on canvas Housed in a modern gilt frame Signed lower right “F W Fritche 1890″ SIZE: 18″ x 27″ Overall: 21-3/4″ x 30-3/4” CONDITION: Very good, some minor touch up 9-92755 (800-1,200)

WILLIAM JOSEPH SHAYER (United Kingdom, 1811-1892) PAIR OF COASTAL SCENES. Watercolors Housed in matching modern wood frames with white mattes Unsigned SIZE: Sight: 8-3/4″ x 12″ Overall: 16-1/4″ x 20″ CONDITION: Very good 9-92752 (2,000-3,000)

EUGENE GALIEN-LALOUE (French, 1854-1941) A BUSY PARIS EVENING. Gouache Housed in a fine gilt frame with gilt liner & glass Signed lower left “E Galien Laloue” SIZE: Sight: 9″ x 12-1/2″ Overall: 15-1/4″ x 18-3/4″ CONDITION: Very good 9-92853 (15,000-25,000)

EUGENE GALIEN LALOUE (French, 1854-1941) PARIS STREET SCENE. Gouache Housed in a gilt carved wood frame with black liner & glass Signed lower left “E. Galien Laloue” SIZE: Sight: 12-1/2″ x 18-1/2″. Overall: 18-1/2″ x 24-1/4″ CONDITION: Very good 9-92970 (17,500-22,500)

ANTOINE BLANCHARD (French, 1910-1988) “CAFE DE LA PAIX-OPERA”. Oil on board Housed in a fine modern gilt frame with painted liner Signed lower left “Antione Blanchard” SIZE: 13-1/2″ x 17-1/2″. Overall: 21-1/2″ x 25-1/2″ PROVENANCE: Accompanied by a Certificate of Authenticity by David Klein. CONDITION: Very good. 9-92854 (4,000-6,000)

STANISLAS LEPINE (French, 1835-1892) ALONG THE SEINE RIVER IN SUMMER. Oil on canvas Housed in an ornate gilt wood and composite 18th century style frame Signed lower right “S. Lepine” SIZE: 21″ x 25-3/4″. Overall: CONDITION: Very good, lined with retouch 9-92848 (15,000-20,000)

CHARLES FRANCOIS DAUBIGNY (American/French, 1817-1878) BARBIZON LANDSCAPE. Oil on wood panel Housed in a period gesso decorated gilt frame Signed lower right SIZE: 9-1/4″ x 12-1/2″. Overall: 19-1/2″ x 22-1/2″ CONDITION: Very good 9-92971 (6,000-9,000)

THEOPHILE EMMANUEL DUVERGER (French, 1821-1886) THE CHILDREN’S PET BIRD. Oil on wood panel Housed in a fine modern gilt ribbed frame with gilt liner Signed lower left “Duverger” SIZE: 18″ x 21-1/2″ Overall: 25-3/4″ x 29-1/2″ CONDITION: Very good 9-92771 (7,000-9,000)

LUIGI LOIR (French, 1856-1916) MEN AT AN OUTSIDE FORGE. Gouache Housed in a modern gilt frame with black liner & glass Signed lower right “Loir Luigi” SIZE: Sight: 9″ x 12-1/2″. Overall: 15-1/2″ x 18-3/4″ CONDITION: Very good 9-92844 (4,000-6,000)

ANDRE DERAIN (French, 1880-1954) “FEMME DANS UN INTERIEUR”. Oil on canvas Housed in a modern silver gilt frame Unsigned having the Adams Gallery, London label with artist & title on verso, also “Ex-Collection Paul Guillaume Painted in 1925″ SIZE: 13-1/2″ x 11-1/2″ Overall: 16″ x 14” CONDITION: Very good, strip lined 9-92787 (4,000-6,000)

HENRI-JOSEPH HARPIGNIES (French, 1819-1916) CLOUDS BUILDING IN A SUMMER LANDSCAPE. Oil on board Housed in a gilt & painted period frame Signed lower right “H J Harpignies 87″ SIZE: 9″ x 18-3/4”. Overall: 14-1/4″ x 24″ CONDITION: Very good 9-92851 (3,000-5,000)

HENRI-JOSEPH HARPIGNIES (French, 1819-1916) HILLSIDE LANDSCAPE WITH TREES. Oil on canvas Housed in an antique gesso decorated gilt frame Signed with initials lower right SIZE: 13-1/2″ x 9-1/2″ Overall: 22″ x 18-1/4″ CONDITION: Very good, inpainting to craquelure, very good 9-92850 (4,000-6,000)

PAUL DESIRE TROUILLEBERT (French, 1829-1900) FISHERMAN IN A MORNING LANDSCAPE. Oil on canvas Housed in a period gesso decorated frame with losses Signed lower left “Trouillebert” SIZE: 12″ x 16″. Overall: 17″ x 21″ CONDITION: Very good with small patch to reverse with corresponding small inpainting, two very small losses below tree 9-92972 (4,000-6,000)

NARCISSE-VIRGIL DIAZ DE LA PENA (French, 1807-1896) WOODLAND POOL WITH FIGURE. Oil on wood panel Housed in a replacement gilt decorated frame with gilt liner Signed lower left “N Diaz” SIZE: 9-1/4″ x 13-3/4″. Overall: 15-1/4″ x 19-1/2″ CONDITION: Very good with some touch up 9-92849 (3,000-5,000)

ATTRIBUTED TO GEORGES SEURAT (French, 1859-1891) STUDY FOR “LA SEINE ET LA GRANDE JATTE”. Oil on canvas Housed in a Louis XVI style gilt wood frame with linen liner with some losses Unsigned, label on verso from a Paris gallery having title, artist, etc SIZE: 21″ x 28″. Overall: 31″ x 37″ CONDITION: Good, lined, scattered retouch 9-92841 (3,000-5,000)

JOHN SAINT-GERMIER (French, 1860-1925) WOMAN WITH PARASOL AND FLOWERS. Oil on wood panel Unframed Signed upper left “J Saint Germier” Stamped on verso “Rey & Perrot Paris” SIZE: 16-1/4″ x 13″ CONDITION: Very good 9-92974 (3,500-5,000)

ADOLPHE JOSEPH THOMAS MONTICELLI (French, 1824-1886) DINING OUTSIDE OF THE CAFE. Oil on wood panel Housed in a gilt replacement frame Signed lower left “Monticelli” SIZE: 11-1/2″ x 8-1/4″. Overall: 15-1/4″ x 12″ CONDITION: Very good with some touch up 9-92975 (3,000-5,000)

UNSIGNED (French, 18th/19th Century) SOLDIER AND WOMEN STROLLING WITH GUNS & SWORDS. Oil on canvas Housed in a modern gilt & painted frame Unsigned SIZE: 25″ x 29-1/2″. Overall: 32″ x 36″ CONDITION: Relined, craquelure, some lifting with chipping, inpainting & restoration, fair to good 9-92489 (2,000-3,000)

ALBERT ANDRE (France, 1869-1954) FLOWERS IN A BLUE VASE. Oil on canvas board Housed in a 19th century gilt frame Signed lower right “Albert Andre” SIZE: Actual: 14″ x 12″. Overall: 18-3/4 x 16″ CONDITION: Very good. 7-70602 (2,000-3,000)

HEIDI MELANO (French, 20th Century) MOSAIC WALL PLAQUE. ‘Femme sur fond gris’, inlaid in stone varieties, initialed in the work lower right “HMH” and inscribed “H. Melano” verso. Heidi Melano’s monumental mosaics decorate the east and west sides of the Fernand Leger National Museum. The mosaics were inspired from Fernand Léger’s master pieces: The Milan Triennale (made in 1951) and decoration of the University of Caracas (made in 1954). SIZE: 23 1/2″ x 25 3/4″. PROVENANCE: Consignor purchased in Biot, France directly from a gallery handling the artists’ work in 1995. CONDITION: Very good original. 7-70642 (8,000-12,000)

MATHURIN MOREAU (French, 1822-1912) THE GLEANERS. Finely cast bronze Sitting atop its original carved marble rotating plinth Signed on base “Math-Moreau” SIZE: 33″ h. CONDITION: Very good having hairline splits in marble plinth. Bronze retains a very fine original patina 9-92189 (8,500-12,000)

PIETRO CHIAPPARELLI (19th/20th century) PAIR OF CLASSICAL PUGILIST FIGURES. Bronze Accompanying each bronze is a marble oval base. These sit atop a faux marble tall painted wood stand. Signed on side of bronze “Po. Chiapparelli Fe. Roma”. NOTE: Accompanying this grouping are two bronze fig leaves to accommodate Victorian tastes. SIZE: Statues: 24″h and 28″h. Marble Plinth: 6″h. Pedestal: 35″h. CONDITION: Very good. Fine patina. Wooden statuary bases with more recent finish. 9-92488 (7,500-15,000)

UNSIGNED (European, 19th Century) TWO CLASSICAL FIGURES. Bronze SIZE: 18-1/2″ h. CONDITION: Very nice verdigris highlighted patina, very good. 9-90048 (800-1,200)

ALEXANDER KRAUMANN (Hungarian, 1870) ART NOUVEAU LOVERS. Bronze plaque Signed lower left “Kravmann 96”, also “Guss V.H. Noack Berlin” SIZE: 15-3/4″ x 10-1/2″ CONDITION: Very good with nice patina 9-92798 (400-600)

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) OOSTPLEIN ROTTERDAM, HOLLAND. Oil on canvas Housed in a fine carved & painted wood frame having painted liner Signed lower left and titled middle & lower right SIZE: 18″ x 15″ Overall: 27″ x 24″ CONDITION: Very good 7-70555 (10,000-15,000)

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) WOMAN IN RED SCARF. Oil on board Housed in a gilt wood frame with painted liner Signed lower left “Burliuk” SIZE: 6-1/4″ x 5-1/2″ Overall: 9-1/4″ x 8-3/4″ CONDITION: Very good 9-92807 (2,000-3,000)

HUGO DARNAUT (Germany/Austria, 1851-1937) THE DUCK POND IN SPRING. Oil on cradled board Housed in a contemporary Louis XVI style gilt wood frame Signed “H. Darnaut SIZE: 25″ x 19”. Overall: 32-1/2″ x 27″ CONDITION: Very good, very minor scattered retouch. 9-92416 (12,000-18,000)

ALEXIS PAUL ARAPOFF (American/Russian, 1904-1948) FIGURES BY THE TRAIN. Mixed media Housed in a gilt gesso decorated frame with small loss & matte behind glass Signed lower left SIZE: Sight: 12-1/2″ x 19″. Overall: 17-1/2″ x 26-3/4″ CONDITION: Good 7-70529 (800-1,200)

SIGNED (Russian?, 19th Century) SAILING UNDER EVENING SKIES. Oil on canvas on board Housed in an antique gesso decorated frame with some losses Signed indistinctly lower right and dated what appears to be “1860” SIZE: 19″ x 15-1/2″. Overall: 26-1/2″ x 22-3/4″ CONDITION: Inpainting, good 9-92778 (600-800)

ALEXEI HARLAMOFF (Russian, 1842-Circa 1920) PORTRAIT OF A YOUNG WOMAN IN YELLOW DRESS. Oil on canvas Housed in a gilt gesso flower decorated frame Signed upper right “A Harmaloff” SIZE: 13-3/4″ X 11-1/4″. Overall: 19″ x 15-1/2″ CONDITION: Inpainting mostly to frame edges with craquelure, otherwise very good 9-92855 (8,000-12,000)

HEDWIG MECHLE-GROSSMANN (German, 1857-1928) YOUNG GIRL WITH HER DOLL. Oil on wood panel Housed in a fine gesso decorated fancy frame with name plaque Signed upper left “Mechle Grossman” SIZE: 16″ x 12″ Overall: 22″ x 18″ CONDITION: Very good having a small area of missing varnish in hair 7-70556 (5,000-7,000)

HANS HASSENTEUFEL (German, 1887-1943) NUDE DANCER IN LANDSCAPE. Larger oil on canvas Housed in a modern gilt molded wood wide frame Signed lower left SIZE: 37-1/2″ x 27-3/4″. Overall: 45-1/2″ x 35-1/2″ CONDITION: Inpainting, very good with craquelure 9-92988 (3,000-5,000)

ANDREAS ACHENBACH (American/German, 1815-1910) VILLAGE AT THE RIVERS EDGE. Oil on canvas Housed in a gilt antique reduced frame Signed lower right “A Achenbach” and dated “1849”? SIZE: 14-1/4″ x 31-1/2″. Overall: 19-1/2″ x 36-3/4″ CONDITION: Lined, restored with inpainting, good 9-92041 (2,500-4,500)

CHARLES KAREL BOOM (Belgian, 1858-1939) PORTRAIT OF TWO WOMEN IN A PARK. Oil on canvas Housed in a fine reproduction wide gilt frame Signed lower right “Ch. Boom 1901″ Reference: Illustrated on the front cover of 2009-2010 edition of Davenport’s Art Reference & Price Guide SIZE: 47-1/2″ x 36-1/2”. Overall: 58-1/4″ x 47″ CONDITION: Scattered retouch, very good 9-28805 (5,000-8,000)

FRANCOIS ADOLPHE GRISON (French, 1845-1914) BACK FROM THE HUNT, AN INTERIOR SCENE. Oil on canvas Housed in a period gesso decorated gilt liner Signed lower right “Grison” SPECIAL NOTE: This painting is being sold to benefit the Currier Museum of Art in Manchester, New Hampshire SIZE: 13″ x 16″ Overall: 18″ x 21-1/4″ CONDITION: Craquelure, some inpainting 9-92191 (3,000-5,000)

MARIANUS ADRIANUS KOEKKOEK (Netherlands, 1807-1870) MEETING OUTSIDE OF TOWN. Oil on wood panel Housed in its original fancy gesso decorated frame with gilt liner Signed lower left “M A Koekkoek 1870″ SIZE: 14″ x 17-1/2”. Overall: 20-1/2″ x 24″ CONDITION: Very good with some touch up 9-92852 (10,000-20,000)

JOHANN ANTOINE DE JONGE (Netherlands, 1864-1927) PAIR OF SUMMER LANDSCAPES. Oil on board Housed in identical gilt French style frames with gilt liners One signed on verso in pencil, the other dated lower left “27/IX 94″ SIZE: 15-1/4″ x 20”. Overall: 22″ x 27″ PROVENANCE: Acquired from the artist’s studio CONDITION: Very good 9-92976 (5,000-8,000)

Revised: 1/30/2014

Please Note: Title should be Mary Magdalene with skull & fire stick, not Maiden.

ARNOUND WYDERVELD (Netherlands, 1823-1888) MAIDEN WITH SKULL AND FIRE STICK. Oil on board Housed in an antique gilt wood frame with gilt liner Signed lower right “A Wydeveld” SIZE: 16″ x 12-3/4″ Overall: 24″ x 21″ CONDITION: Minor touch up, very good 9-92783 (2,000-3,000)

JUAREZ MACHADO (Latin American, 1941-) THE PARIS ENCOUNTER. Oil on canvas Housed in a fine gilt wood frame Signed lower left “Juarez Machado Paris, 1999″ SIZE: 29″ x 39-1/4”. Overall: 33-1/4″ x 44″ CONDITION: Very good to excellent 9-92486 (8,000-12,000)

DIEGO RIVERA (American/Mexican, 1886-1957) WOMAN WITH CHICKENS. Watercolor Housed in a modern carved wood & gilt frame with linen & gilt liner behind glass and two mattes Signed lower left “Diego Rivera” SIZE: Sight: 15″ x 10-1/2″. Overall: 31-3/4″ x 27-3/4″ CONDITION: Very good 9-91907 (4,000-6,000)

EMILIO SANCHEZ PERRIER (Spanish, 1855-1907) COUNTRY VILLA, SEVILLA. Oil on wood panel Housed in a period gesso decorated deep frame with gilt liner Signed lower right “E Sanchez Perrier Sevilla” SIZE: 5-3/4″ x 8-3/4″. Overall: 13″ x 15-3/4″ CONDITION: Very good 9-92412 (8,000-12,000)

EDUARDO ZAMACOIS Y ZABALA (Spanish, 1842-1871) HARLEQUIN PLAYING CARDS. Oil on canvas Housed in a good carved gilt wood frame Signed lower left “Zamacois” SIZE: 12″ x 22″ Overall: 15-1/2″ x 26″ CONDITION: Craquelure, inpainting 7-70554 (2,000-4,000)

HENRY WALKER D’ACOSTA (Spanish, 19th century) IN THE TAVERN KITCHEN. Oil on board Housed in a decorative gilt wood frame with edge losses with a Foster Brothers Boston label Signed lower left “Hy. Valker d’Acosta” SPECIAL NOTE: Proceeds of the sale of this painting go to the Currier Museum in Manchester, New Hampshire SIZE: 14-1/2″ x 18-1/2″. Overall: 18″ x 22″ CONDITION: Very good, minor inpainting. 9-92190 (1,000-1,500)

UNSIGNED (European, 19th Century or earlier) “NASCENDO MORIMUR”. Oil on wood panel Housed in an early style ebonized frame with gilt liner Unsigned SIZE: 12-1/2″ x 17-1/4″ Overall: 17″ x 22″ CONDITION: Fine craquelure, some inpainting, good 7-70553 (4,000-6,000)

UNSIGNED (European, 19th Century) GENRE SCENE OF A MOURNING FAMILY. Oil on canvas Housed in a fine period fancy gilt frame Unsigned SIZE: 21-1/2″ x 18″ Overall: 26″ x 22″ CONDITION: Lined, inpainted, very good 9-92010 (1,200-1,800)

SIGNED (European, Early 20th Century) YOUNG WOMAN WITH FLOWERS & PARASOL. Pastel on canvas Housed in a modern silver gilt frame behind glass Signed “Schaider, 1911″ SIZE: 36″ x 26”. Overall: 40-3/4″ x 30-1/2″ CONDITION: Bottom 3″ with stain, small break below elbow. Otherwise very good 9-92198 (1,000-2,000)

UNSIGNED (Continental, 19th Century) NINE MINIATURE PORTRAITS. Oil on board The nine miniatures affixed to a wood panel with carved lattice and housed in a molded wood 19th C frame Unsigned SIZE: Each miniature: 4″ x 2-3/4″. Overall: 15-1/2″ x 12-1/2″ CONDITION: Fine craquelure surface, otherwise very good 7-70532 (800-1,200)

PHILLIPE (European, 19th Century) ADVICE FOR A MOTHER AND CHILD. Oil on canvas Housed in a scrolling leaf motif antique frame Signed bottom left “Phillipe” and dated “18_ _” SIZE: 36″ x 28″. Overall: 44″ x 35-3/4″. CONDITION: Relined, scattered inpainting, very good. 9-26639 (400-600)

ATTRIBUTED GYSBERT GILLISZ DE HONDECOETER (Dutch, 1604-1653) COLLECTION OF FARMYARD BIRDS. Large oil on canvas Housed in a fancy gesso decorated gilt antique frame with some losses Unsigned SIZE: 35″ x 43″. Overall: 43″ x 51″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Old lining, unknown restoration, good 9-92255 (3,000-5,000)

OLD MASTER (European, 19th Century or earlier) PAIR OF LANDSCAPES WITH HUNTING DOGS, ONE WITH BOAR AND ONE WITH BEAR. Oil on canvas Housed in matching gilt antique frames Unsigned but bearing an illegible name on back of canvas SIZE: 14″ x 19″ Overall: 16-1/2″ x 21-1/2 CONDITION: Lined, inpainting, craquelure, otherwise good 9-90879 (4,000-6,000)

MANNER OF PHILIPP PETER ROOS (ROSA DA TIVOLI) (German/Italian, 1657-1706) PANORAMIC LANDSCAPE WITH COWS. Oil on canvas Housed in an antique gesso decorated frame with losses Unsigned SIZE: 33-1/2″ x 40″. Overall: 40-1/2″ x 47-1/2″ CONDITION: Lined, restored, good 9-92175 (2,000-4,000)

MANNER OF CLAUDE LE LORRAIN (French/Italian, 1600-1682) “PAYSAGE ROMAINE”. Oil on canvas Housed in a good French style gilt frame having artist plaque Unsigned SIZE: 17-1/2″ x 23-1/2″ Overall: 23″ x 29-1/4″ CONDITION: Very good 9-92173 (4,000-6,000)

MANNER OF PETER (PIETER) LELY (Netherlands, 1618-1680) PORTRAIT OF A LADY IN GOLD. Oil on canvas Housed in a modern rectangular frame Unsigned SIZE: 28″ x 22″. Overall: 31-1/2″ x 25-1/2″ CONDITION: Relined, restored with inpainting 9-92174 (1,000-1,500)

OLD MASTER (Continental, 19th Century or earlier) MARY AND ELIZABETH. Oil on wood panel Housed in an antique gilt molded wood frame Unsigned Inscribed on verso “Property of Henry K Goale Ill. 1901″ SIZE: 32-1/4″ x 24-1/2”. Overall: 36-1/2″ x 29-1/4″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Alligatored varnish layer, separations where pieces of the wood make up the panel, inpainting 9-92241 (2,000-4,000)

UNSIGNED (Old Master Style, 19th Century or earlier) THE HOLY FAMILY. Oil on copper Unframed Unsigned SIZE: 12″ x 9″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Some touch up, some losses, fair to good 9-92310 (800-1,200)

CIRCLE OF ANTON RAPHAEL MENGS (German, 1728-1779) CUPID SHARPENING THE ARROW. Oil on canvas Housed in an antique gilt frame Unsigned SIZE: 18″ x 15″ Overall: 20-1/2″ x 17-1/2″ CONDITION: Some touch up, very good 9-92785 (2,000-3,000)

MANNER OF BENJAMIN WEST (Pennsylvania/United Kingdom/England, 1738-1820) ALLEGORICAL SCENE WITH ANGEL. Oil on canvas Housed in a 19th century American composite gilt wood frame with losses Unsigned, fragmentary identification label on verso SIZE: 20-1/2″ x 25″. Overall: 28″ x 33″ CONDITION: Lined, minor retouch, losses 9-92840 (1,000-1,500)

ATTRIBUTED TO JAN BRUEGHEL THE ELDER (Flemish, 1568-1625). Pen and ink with wash on paper Unframed Identified inscription and Christie’s sticker verso View of a port with watch-tower and cannon. SIZE: 9″ x 12 1/2″. CONDITION: Early repair along top border, very good overall. 7-70618 (600-800)

CIRCLE OF ANDRIES D. BOTH (Dutch, 1611-1641). Charcoal drawing on paper Unframed Indistinctly signed lower left, Christie’s sticker verso Figures with dogs. SIZE: 8 1/” x 7 1/2″ Matting: 16″ x 12″ CONDITION: Spotting and stains, small tear lower right. 7-70619 (600-800)

THREE UNSIGNED WORKS (European, 17th thru 19th Century). 1) Landscape Sketch, ink on paper mounted to light stock Contained within a light matte Unsigned 2) Portrait Of A Man’s Head. Red chalk on paper Housed in a hinged matte Unsigned 3) Ships On The Open Ocean. Watercolor on paper Unframed Unsigned SIZE: 1) 4-1/2″ x 8″. Overall: 11-1/4″ x 14-1/4″ 2) 6″ x 7″. Matte size: 10″ x 10-3/4″ 3) : 8-3/4″ x 11-1/4″ PROVENANCE: From a Montclair, NJ estate CONDITION: 1) Some light foxing and toning, good 2) Surface dirt, at center forehead into eye is a back supporting patch – unknown as to whether there is retouching. 3) Very good 9-90297 (200-400)

IN THE MANNER OF CLARA PEETERS (Flemish, 1594-1657) STILL LIFE WITH FISH, CAT, POT. Oil on canvas Unframed Signed lower right “A.V.” SIZE: 19-3/4″ x 24″ CONDITION: Scraped area on right stretcher line, discolored varnish, fair. 9-92797 (400-600)

OLD MASTER DRAWING ATTRIBUTED TO NICOLAS LANCRET (French, 1690-1743) PEG-LEG BEGGER. Red chalk on paper Unframed Artist attribution, Christie’s lot sticker, and inscribed “H. S. Reitlinger Collection”, verso. SIZE: 10-3/4″ x 9-1/2″ CONDITION: Separation repairs 7-70616 (1,000-2,000)

SIGNED & UNSIGNED (European, 18th Century )TWO EARLY FRAMED OLD MASTER STYLE WORKS. 1) Watercolor – Two women in interior Housed in a thin wood frame with highlighted matte Pencil signed illegibly 2) Watercolor – Figure with walking stick Housed in a thin wood frame with highlighted matte Unsigned SIZE: 1) Sight: 6-1/4″ x 6″ Overall: 15-1/2″ x 13-3/4″ 2) 7-1/2″ x 5-3/4″ Overall: 20-1/2″ x 18-1/2″ PROVENANCE: Descended through the family of Augusto Floriano Jaccaci (American, 1856-1930) CONDITION: Not examined out of frames 1) Foxing & laid down, otherwise good 2) Foxing 9-90227 (500-1,000)

OLD MASTER DRAWING GIOVANNI F. BARBIERI, OR GUERCINO (Italian, 1591-1666) LATE HEROD. Pen and brown ink on paper laid down on paper Unframed Stamped lower right T.H., inscribed with “Late herod”, notes as well as: “Thomas Hudson’s Collection, born 1701- died 1779, first sale 1779, Langforth, London, Second sale, 1785 at Christie’s” SIZE: 6″ x 6-1/4″ CONDITION: Very good 7-70628 (4,000-6,000)

REMBRANDT VAN RIJN (Dutch, 1606-1669) ABRAHAM CARESSING ISAAC. Etching Housed in a thin gilt modern frame with matte Signed lightly in plate lower left An added “S” in circle stamped in lower right corner Unknown edition & unknown state Verso bears a typed label indicating “From R. Goldberg Collection” SIZE: Actual: 4-1/2″ x 3-3/4″ Overall: CONDITION: The etching has been mounted to hard paper and then cutout & mounted to a backing board, free mounted in frame. Not examined out of frame 7-70547 (2,000-3,000)

ABRAHAM BLOMMAERT (Netherlands, C. 1626) NEPTUNE & FIGURES. Etching Housed in a thin mahogany frame behind glass & matte Signed in plate lower left “A. Blomart, Del.”; “E” at center and lower right “I.G.Hertel, Exc: A:V:6″ SIZE: Sight: 7-3/4″ x 10”. Overall: 18-1/2″ x 20-3/4″ PROVENANCE: From the family of Augusto F. Jaccaci (American, 1856-1930) CONDITION: Not examined out of frame, light foxing, very good 9-90226 (300-500)

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good. 8-87112-2 (300-400)

HOWARD LOGAN HILDEBRANDT (American, 1872-1958) WOMAN SEATED ON A PARK BENCH. Oil on canvas Housed in a decorative gilt flower decorated frame with gilt & linen liner Label on verso “Comenos Boston, MA” Signed lower right “H L Hildebrant” SIZE: 36″ x 30″. Overall: 44-3/4″ x 38-3/4″ CONDITION: Inpainting, very good 9-90655 (5,000-7,000)

JAMES CARROLL BECKWITH (American, 1852-1917) GIRL IN GREEN. Oil on canvas Housed in a modern ribbed frame with double ribbed liner Signed upper right Carroll Beckwith SIZE: 24-1/4″ x 18-1/4″. Overall: 34″ x 28″ CONDITION: Very good, lined with inpainting 9-90660 (5,000-7,000)

ELISHA KENT KANE WETHERILL (AMERICAN, 1874-1929) “THE SISTERS”. Oil on wood panel Housed in a carved gilt wood Unsigned, inscribed verso “Property of Georgina Wetherill Smith” retaining labels, “Pennsylvania Academy of Fine Arts, 71st Annual Exhibit, 1902″ and Richard York Gallery label SIZE: 21-1/2″ x 18″ Overall: 28-1/4″ x 24-1/2” CONDITION: Minor touch up, very good 7-70631 (2,000-4,000)

JULIAN ALDEN WEIR (American, 1852-1919) YOUNG GIRL IN LANDSCAPE. Pastel Housed in a modern antique style gilt frame with four mattes Signed lower right “J A Weir” SIZE: Sight: 17-1/2″ x 13-1/2″. Overall: 30″ x 26″ CONDITION: Very good 9-91694 (8,000-12,000)

WALT FRANCIS KUHN (American, 1877-1949) PORTRAIT OF A RED HEAD. Oil on canvas Housed in a carved wood silver gilt frame with liner Signed lower left “Walt Kuhn 1942″ SIZE: 25″ x 30”. Overall: 33-1/4″ x 38-1/4″ CONDITION: Very good with light craquelure with minor touch up 9-92158 (9,000-12,000)

ALEXANDER OSCAR LEVY (American, 1881-1947) THE FANS. Large oil on canvas Housed in a decorative painted wood & gesso frame with losses Signed lower right “Alex Levy” SIZE: 35-1/2″ x 42-1/4″. Overall: 39-1/2″ x 46″ CONDITION: Very good with some minor touch up 9-92796 (4,000-6,000)

WILLIAM WALLACE GILCHRIST JR. (American, 1879-1926) PORTRAIT OF THE ARTIST’S MOTHER. Oil on wood panel Unframed Signed lower left “W.W. Gilchrist Jr. May 1905″ NOTE: Probably a painting executed in the family home in Cundy’s Harbor, Maine SIZE: 19-3/4″ x 16” PROVENANCE: Acquired from the artist’s family CONDITION: Some touch up, very good 9-90223 (1,500-3,000)

INDIANA GYBERSON (American, 1879-1928) MODEL WITH RED VASE. Oil on canvas Housed in its original carved & gilt frame Signed lower left “Indiana Gyberson Chicago, 1919″ SIZE: 28″ x 32”. Overall: 33-3/4″ x 37-3/4″ CONDITION: Craquelure with some lifting & chip, needs tightening on stretcher, otherwise good 9-92833 (2,000-3,000)

EMMA EILERS (American, 20th century) HEAVENLY BLUES YOUNG GIRL WITH MORNING GLORIES. Oil on canvas Housed in a period gilt wood frame having some losses Signed lower right “E. Eilers”. One period identification label affixed to frame, and one Burell Syndicate label attached to frame on verso SIZE: 20″ x 30″. Overall” 27-1/2″ x 38″. CONDITION: Very good, very minor scattered inpainting 9-92839 (1,200-1,500)

ATTRIBUTED TO JAMES WELLS CHAMPNEY (American, 1843-1903) A PORTRAIT OF A YOUNG WOMAN IN WHITE DRESS. Pastel on paper Unsigned Housed in its original gesso decorated frame which is damaged with major losses SIZE: Oval size: 31″ x 24-1/2″. Overall: 38″ x 47″. CONDITION: Water drop stains horizontal across face. Otherwise very good. 7-70579 (1,000-2,000)

PAUL A. WILLIAMS (American, 1934- ) “LE BORD DE LA NER” (“AFTERNOON SAIL”). Oil on canvas Housed in a fine gilt fancy frame with linen liner Signed lower right “P. Williams”, also signed and titled verso on stretcher SIZE: 24″ x 36″. Overall: 33″ x 45-1/4″. CONDITION: Very good. 9-29101 (1,000-1,500)

HILDA BELCHER (American, 1881-1963) TWO PORTRAIT WORKS OF ROSA BROOKS. 1) Oil on canvas mounted to cardboard Housed in a simple pine frame Signed lower left “Hilda Belcher” 2) Charcoal Portrait Housed in a simple black frame with glass Signed lower left “HB May 9, 1929″ SIZE: 1) 5″ x 3-1/2″ Overall: 8″ x 6-1-2? 2) Sight: 14-3/4″ x 11″ Overall: 15-1/2″ x 12” CONDITION: 1) Some light scrapes, canvas is cut and mounted to cardboard (not stretcher), otherwise good 2) Very good 9-91727 (1,000-1,500)

HILDA BELCHER (American, 1881-1963) THREE WORKS & THREE PHOTOGRAPHS. 1) Oil on board – Spaniel Signed “Hilda Belcher July 1936” 2) Charcoal – Dog Unsigned 3) Pencil – Self Portrait? Dated “June 1918″ 4-6) Three photographs of the artist All housed in period frames SIZE: 1) 9-1/2″ x 12″ Overall: 11-1/2″ x 14-1/2″ 2) Sight: 10-1/2″ x 8″ Overall: 11-1/4″ x 8-3/4″ 3) Sight: 9-1/2″ x 6-3/4″ Overall: 10-1/2″ x 7-3/4″ 4-6) Smallest: 6″ x 4″ to 7″ x 10-1/2” PROVENANCE: Descended through the Brooks family who were close friends of the artist CONDITION: Generally very good 9-91728 (500-1,000)

WILLIAM HENRY DETHLEF KOERNER (American, 1878-1938) “ELLIE’S TENTH BIRTHDAY”. Oil on board Housed in a gilt wood frame behind glass Signed “W H D Koerner” and dated “03” lower left Well known magazine and book illustrator, Koerner’s training and connections early on marked him for success. First studying at the Art Institute of Chicago he then moved onto the Art Student’s League, where he trained with Norman Rockwell’s teacher, George Bridgman. Early recognition for his illustrations led him to continue his studies in Delaware with Howard Pyle. Timed perfectly, his colleagues there included N.C.Wyeth, Harvey Dunn and several other luminaries in the world of illustration. Book and magazine commissions took him throughout the United States, and he ultimately became associated with his illustrations of Western life. Following the death of the artist, his widow chose to keep his active studio intact. It is now displayed at the Buffalo Bill Historical Center’s Whitney Museum of Western Art in Cody, Wyoming. SIZE: Sight: 25-1/2″ x 13-1/2″. Overall: 29-1/2″ x 17-1/2″ PROVENANCE: Ex-Judith Green Estate, New York CONDITION: Very good 9-90898 (800-1,200)

RUTH MURCHISON (American, 20th Century) PORTRAIT OF A WOMAN WITH SHAWL. Large oil on canvas Housed in its original gilt molded wood frame Signed lower right “Ruth Murchison” SIZE: 46″ x 35″. Overall: 51″ x 39-1/2″ CONDITION: Very good 9-92187 (800-1,200)

GUY HOFF (American, 1889-1962) YOUNG WOMAN IN KIMONO. Pastel on canvas Housed in a period gilt wood frame behind glass Signed lower left “Guy Hoff” SIZE: 36″ x 27″. Overall: 41″ x 32″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good 9-92320 (300-500)

LEON KROLL (American/European, 1884-1974) BATHING IN THE WOODS. Oil on canvas Housed in fine carved & gilt replacement frame Signed and dated “1934” lower right SIZE: 40″ x 30″. Overall: 47″ x 37″ CONDITION: Very good 9-92836 (7,000-10,000)

WILL HOWE FOOTE (American, 1874-1965) SPRINGTIME NUDES. Oil on canvas Unframed Signed lower left “Will Howe Foote” SIZE: 34″ x 29″ CONDITION: Very good with some spot inpainting 9-93020 (3,000-5,000)

SIR JACOB EPSTEIN (American/English, 1880-1959) NUDE WITH GOLD NECKLACE. Graphite & watercolor Housed in a modern gilt frame with double matte (small losses) Signed lower right “Epstein” SIZE: Sight: 16″ x 21-1/2″ Overall: 21-1/2″ x 27-1/4″ PROVENANCE: Ex-private Beverly Hills, CA Collection CONDITION: Some light foxing, otherwise very good 9-90893 (2,000-4,000)

HENRY SIDDONS MOWBRAY (American, 1858-1928) NUDE STUDY-COPY FROM SPANISH GALLERY. Oil on canvas Housed in a good gesso decorated gilt frame with gilt liner Unsigned but having a label with title and artist, also a Foster Bros Boston label SIZE: 8-3/4″ x 8-3/4″ Overall: 15-1/2″ x 15-1/2″ CONDITION: Craquelure, some touch up, very good 9-92784 (2,000-3,000)

LEON KROLL (American, 1884-1974) RECLINING NUDE IN LANDSCAPE. Oil on board Housed in a gilt wood period frame Signed lower right “Leon Kroll” SIZE: 16″ x 19-3/4″. Overall: 17-3/4″ x 21-1/2″ CONDITION: Surface dirt, generally good 9-92195 (1,000-1,500)

ALBERT BABB INSLEY (1842-1937) NUDE IN LANDSCAPE. Oil on canvas Housed in a modern gilt wood frame Unsigned but having attached to verso a letter from Roy Blankenship regarding this painting SIZE: 12″ x 18″ Overall 15″ x 20-3/4″ CONDITION: Lined, inpainted, good 9-92806 (800-1,200)

MOSES SOYER (American, 1899-1974) RESTING NUDE. Conte drawing Housed in a modern stained wood frame with matte Signed middle left with a presentation inscription PROVENANCE: Sight: 24″ x 18-1/4″. Overall: 31-1/2″ x 25-1/4″ CONDITION: Very good 9-92194 (500-800)

JOSEPH RODEFER DE CAMP (American, 1858-1923) ROBERT ARCHEY WOODS “SOUTH END HOUSE FIRST HEAD WORKER”. Oil on canvas Housed in its original gilt wood frame with name & artist plaque Signed upper left “Joseph De Camp 1918″ Background of painting depicts the map of the South End of Boston NOTE: Settlement House Pioneer, Founder of South End House the First Settlement in Boston, Social Reformer, Author and Educator SIZE: 33″ x 29. Overall: 39″ x 35”. CONDITION: One small patch to reverse, minor inpainting, very good 9-92801 (8,000-10,000)

ALFRED HEPWORTH (HEPWOTH) (American, First half of the 20th Century) PORTRAIT OF HIS TEACHER WALTER GRIFFIN. Oil on wood panel Housed in a period gilt frame Signed lower right and dated “1932” NOTE: Alfred Hepworth was a student of the artist Walter Griffin and Griffin, through his letters held at the Archives of American Art encouraged Hepworth to continue his portraiture SIZE: 12″ x 9″ Overall: 13″ x 10″ CONDITION: Tight seam line vertical through center, otherwise very good 9-90932 (800-1,200)

LEON JOSEPH FLORENTIN BONNAT (American/French, 1833-1922) PORTRAIT OF A GENTLEMAN. Large oil on canvas Unframed Signed lower right “L Bonnat 1886″ SIZE: 56-1/4″ x 42-3/4” CONDITION: Craquelure, some touch up & small areas that need touch up 7-70549 (2,000-4,000)

DANA POND (American, 1881-1962) PORTRAIT OF THE REVEREND GLENN TILLEY MORSE (1870-1950). Large oil on canvas Housed in its original gilt frame which is as is with losses Signed lower right and dated “06” Rev. Morse was Rector of All Saints Church, West Newbury, MA SIZE: 66″ x 45″. Overall: 74″ x 53″ CONDITION: Some inpainting and repaired areas, in need of more restoration 9-91631 (800-1,200)

UNSIGNED (American, First half of the 19th Century) PORTRAIT OF A KING CHARLES SPANIEL ON A RED PILLOW. Oil on canvas Housed in a period ripple black frame Unsigned SIZE: 32″ x 40″ Overall: 34″ x 42″ PROVENANCE: From a private New Jersey Collection; W. M. Schwind, Jr. Antiques 9/13/98 CONDITION: Minor touch up, very good 9-90626 (9,000-12,000)

Revised: 1/30/2014

As noted in the catalog the artist appears to be C. Ellis. The subject was copied by a painting by Sir Edwin Henry Landseer (1802-1873).

C ELLIS? (European, 19th Century) TWO SPANIELS ON A TABLE. Oil on canvas Housed in a good gilt gesso decorated frame Signed lower right “C Ellis” SIZE: 10″ x 12″ Overall: 18-1/2″ x 20-1/2″ PROVENANCE: From a private New Jersey Collection CONDITION: Light scuff on bottom margin otherwise very good 9-90618 (1,600-2,200)

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A DOG IN INTERIOR SETTING. Oil on canvas Housed in a decorated gilt modern frame with linen liner Unsigned SIZE: 24″ x 30″ Overall: 30″ x 36-1/2″ PROVENANCE: From a private New Jersey Collection CONDITION: Very good 9-90632 (2,000-4,000)

GEORGE HAVELL (British, 19th Century) PORTRAIT OF A TERRIER IN LANDSCAPE. Oil on canvas Signed lower right “G Havell 1832″ Housed in a gilt decorated wood frame NOTE: Information written on verso paper indicates that this dog was owned by Thomas Pearson of Kendal & Queens College, Oxford. In the background are the Spires of Oxford and the view is from Hinksey on Boar’s Hill. Along with some previous history SIZE: 23″ x 30-1/4”. Overall: 27-3/4″ x 35-1/4″ PROVENANCE: From a Santa Fe, NM collection; Bonham’s 2/12/08 CONDITION: Relined, restored with inpainting, very good 9-91799 (2,000-3,000)

GEORGE WILLIAM HORLOR (United Kingdom, 1823-1895) THE PLAYFUL PUPPY. Oil on board Housed in an antique gilt wood frame with gilt liner Unsigned SIZE: 8-1/4″ x 12-1/2″. Overall: 16″ x 20″ PROVENANCE: From a Santa Fe, NM collection; Christies 11/28/07 CONDITION: Very good with minor touch up 9-91823 (2,000-3,000)

UNSIGNED (American, 19th Century) DOG WITH LACE HANDKERCHIEF. Pastel on paper Housed in a Victorian walnut gilt edge frame with glass Unsigned SIZE: Sight: 13-3/4″ x 17-3/4″. Overall: 17-1/2″ x 21-1/2″. PROVENANCE: From a Santa Fe, NM collection. CONDITION: Very good 9-91814 (800-1,200)

UNSIGNED (American, 19th/20th Century) PORTRAIT OF A BLACK & WHITE CAT. Oil on canvas Housed in a period gilt & black frame Unsigned SIZE: 20″ x 14″ Overall: 26″ x 20-1/4″ CONDITION: Very good 9-91682 (800-1,200)

GEORGE ARMFIELD (United Kingdom, 1808-1893) FOX & DOG IN LANDSCAPE. Oil on canvas Housed in an antique gesso decorated frame (as is) Signed lower left SIZE: 8″ x 11″. Overall: 16″ x 9″ PROVENANCE: From a Santa Fe, NM collection CONDITION: Relined, restored with some inpainting 9-91815 (800-1,200)

B JONES (British, 19th Century) TWO DOGS AND A MOUSE TRAP. Oil on canvas Housed in its original gold gilt gesso decorated frame Signed lower left B Jones? 1859 SIZE: 8″ x 10″. Overall: 14″ x 16″ PROVENANCE: From a Santa Fe, NM collection CONDITION: Light craquelure, small area on lower right having repair. A nicely executed scene 9-91821 (800-1,200)

F H SHAW (American, Late 19th Century) PORTRAIT OF THE COLLIE “NEWINGTON FLOSS”. Oil on canvas Housed in a silvered gilt wood frame Signed lower left & dated 1898 SIZE: 16-1/4″ x 24″ Overall: 18-1/2″ x 26-1/2″ CONDITION: Patch to reverse, inpainting, good 9-92823 (600-800)

UNSIGNED (19th Century) PORTRAIT OF A STANDING DOG. Oil on canvas mounted to board Housed in a modern partial gilt frame Unsigned SIZE: Sight: 15″ x 9-1/4″. Overall: 19-1/2″ x 13-3/4″ PROVENANCE: From a Santa Fe, NM collection CONDITION: Canvas with some restoration, some small areas of canvas showing. Good 9-91812 (300-500)

BRETT JAMES SMITH (American, 1958-) HUNTERS SETTING THE DECOY. Oil on board Housed in a modern wood frame with linen liner Signed lower left “Brett Smith 1988″ SIZE: Sight: 16-1/4″ x 22-1/4″ Overall: 21″ x 27” PROVENANCE: Acquired directly from the artist & descended through the Estate of Ralph Todd CONDITION: Very good to excellent 9-91759 (3,000-5,000)

BRETT JAMES SMITH (American, 1958-) HUNTER POLING INTO POSITION. Oil on board Housed in a modern molded wood frame with linen liner having some finish loss to corner Signed lower left “Brett J Smith 1988″ SIZE: Sight: 14-1/2″ x 19-1/2″ Overall: 19″ x 24” PROVENANCE: Purchased from the artist and descended from the Estate of Ralph Todd CONDITION: Very good to excellent 9-91760 (3,000-5,000)

ARTHUR R EAKIN (American, Mid 20th Century) CANADA GEESE. Oil on canvas Housed in a decorative partial gilt frame with linen liner Signed lower left “Arthur R Eakin” SIZE: 18″ x 24″. Overall: 22-1/2″ x 28-1/2″ CONDITION: Very good 9-91669 (750-1,250)

WILLIAM P TYNER (American, 1935-1987) TWO WORKS: FLOCK OF RED HEADS LANDING AND CANADA GEESE FLYING. Watercolors Housed in modern decorative wood frames and matte One signed bottom right and the other bottom left “Wm P. Tyner” SIZE: Sight: 16″ x 21″. Overall: 24-1/2″ x 29″. Sight: 17-1/2″ x 28″. Overall: 26″ x 36″ CONDITION: Very good 9-91757 (500-1,000)

FELIX OCTAVIUS CARR DARLEY (American 1822-1888) WOODLAND TRAPPERS. Oil on artist board Housed in a fine gesso decorated gilt frame Identified on reverse in light pencil “Sketch by F.O.C. Darley…Darley is in the picture on extreme right” SIZE: 12″ x 18″. Overall: 18″ x 23-3/4″. CONDITION: Minor touch up. Very good. 9-92998 (4,000-6,000)

UNSIGNED (American, 19th Century) SETTERS ON POINT. Oil on canvas Housed in a fine naturalistic motif wide gilt period frame SIZE: 30″ x 50″. Overall: 40-1/2″ X 61″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good condition, surface dirt, original canvas re-attached to slightly smaller period stretcher 9-92238 (1,000-1,500)

ATTRIBUTED TO JESSE TALBOT (American, 1806-1879) DUCK HUNTING IN THE WHITE MOUNTAINS. Oil on canvas Unframed Unsigned Jesse Talbot (1806-1879) exhibited at the National Academy and was elected as an associate member in 1842. Lived in New York for most of his life. SIZE: 19-3/4″ x 24″ CONDITION: Some inpainting, overall good with a few small impact bruises. 9-25017 (900-1,200)

ROY MARTELL MASON (American, 1886-1972) “THE UPPER FALLS”. Watercolor Unframed Signed lower right “Roy M Mason” SIZE: 20-1/2″ x 31-1/2″ CONDITION: Very good 9-29999 (3,000-4,000)

GORDON HOPE GRANT (American, 1875-1962) SURF FISHING. Watercolor Housed in a modern gilt frame with linen liner (foxed) Signed lower left “Gordon Grant” SIZE: Sight: 14″ x 20-1/2″. Overall: 21″ x 27-1/2″. CONDITION: Foxing and some toning. 9-29130 (800-1,200)

GRANT HACKING (American, 1964-) MOUNTAIN LION’S LAIR. Oil on linen on masonite Housed in a Grant Hacking signed silver gilt molded wood frame Signed lower left “Grant Hacking”, also titled & signed on reverse SIZE: 9″ x 16″. Overall: 13-3/4″ x 20-1/2″ CONDITION: Very good to excellent 9-91668 (700-1,000)

CLARK EVERICE BRONSON (American, 1939-) DOWN WINDSWEPT PEAKS. Bronze Mounted to a wood plinth Signed “Clark Bronson NAWA 11/75” and dated “1981” SIZE: Bronze: 11″ h x 14″ l x 11″ w. Plinth: 1-1/2″ h x 15″ x 10-1/2″ CONDITION: Very good 9-91741 (1,500-2,500)

BOB PARKS (American, 1948- ) “SPIRIT OF AMERICA”. Patinated bronze Signed “Bob Parks” and numbered out of an edition of 35 SIZE: Bronze only: 32″ h. Total: 35″. Wingspan: 41-1/2″ w x 35″ d. CONDITION: Very good with wonderful multi-colored patina. 9-90067 (3,000-5,500)

UNSIGNED (Possibly Japanese, 19th Century) EAGLE ON BRANCH. Bronze SIZE: 52-1/2″ h x approx 42″ d. Wingspan: 62″. CONDITION: Repairs to wings, holes in tree trunk, repaired tail, nice verdigris patina. 9-90095 (1,000-2,000)

ARTHUR BURDETT FROST (American, 1851-1928) SET OF 7 FRAMED HUNTING CHROMOLITHOGRAPHS & ANOTHER. Chromolithographs Set of 7 identically housed in fine wood frames with mattes, other in a burl wood frame with matte All signed in the prints “A B Frost” SIZE: Sight: 7 are 12″ x 19-1/4″; 17-3/4″ x 11-1/2″. Overall: 17-1/2″ x 24-1/2″; 25-1/2″ x 19-1/2″ CONDITION: Very good to excellent 7-70393 (800-1,200)

ROY THOMPSEN (American, 1928-) 5 WORKS OF CANADA GEESE. Pen & ink Housed in fine ribbed gilt wood frames with colorful mattes All signed “Roy Thompsen” SIZE: Smallest to largest: Sight: 7-1/2″ x 10-1/2″ to 12″ x 16-1/2″ Overall: 17″ x 19″ to 21″ x 25-1/2″ PROVENANCE: Massachusetts National Fire Protections Association CONDITION: Very good 7-70435 (300-500)

ROY THOMPSEN (American, 1928-) FOUR BIRD STUDIES. Acrylic, Mixed media & Watercolors; Two Swans, Seagull & Chickadee Housed in fine modern gilt frames All signed “Roy Thompsen” SIZE: Smallest to largest: Sight: 9-1/2″ x 14″ to 13-1/2″ x 18-1/2″ Overall: 19″ x 23″ to 21″ x 26″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good 7-70441 (300-500)

ROY THOMPSEN (American, 1928-) THREE WORKS. Blue Heron, Egret & Egret on a Sandy Beach Acrylic Housed in fine gilt wood frames with colorful mattes All signed “Roy Thompsen” SIZE: Sight: 13-1/2″ x 18″ and 18-1/2″ x 13-3/4″. Overall: 24″ x 28-3/4″ and 30-1/4″ x 25-1/2″ CONDITION: Very good to excellent 7-70437 (300-500)

ROY THOMPSEN (American, 1928-) FOUR WORKS OF DUCKS. Two oils & two acrylics Housed in decorative gilt & partial gilt frames All signed “Roy Thompsen” SIZE: Smallest to largest: Sight: 5″ x 7″ to 13-1/2″ x 18″ 0verall: 8-1/2″ x 10-1/2″ to 21″ x 26″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good 7-70438 (300-500)

ROY THOMPSEN (American, 1928-) BALD EAGLE IN FLIGHT. Acrylic Housed in a fine carved & gilt wood frame with decorative matte Signed lower right SIZE: Sight: 19-3/4″ x 28-1/4″. Overall: 30-3/4″ x 39″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good to excellent 7-70442 (300-500)

ROY THOMPSEN (American, 1928-) TWO WORKS: AFRICAN ANIMALS. 1) Herd of Elephants Acrylic Housed in a fine carved & gilt wood frame with decorated matte having gilt edge Signed lower right “Roy Thompsen” Pierce Gallery Label on verso 2) Tiger in Grass Acrylic Housed in a fine carved & gilt wood frame with decorated matte having gilt edge Signed lower right “Roy Thompsen” Pierce Gallery Label on verso SIZE: 1) Sight: 17″ x 28″. Overall: 33″ x 43-1/2″ 2) Sight: 18″ x 28-1/2″. Overall: 30-1/2″ x 40-1/2″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good to excellent 7-70443 (300-500)

FINE LOT OF 37 REFERENCE BOOKS ON FOLK ART, PAINTINGS, PRIMARILY PORTRAITS. Lot includes several hard to find books and approximately 12 auction catalogs. SIZE: Varies. CONDITION: Very good. 9-90645 (300-500)

TOULOUSE-LAUTREC (French, 1864-1901) FRAMED PRINT & FOUR BOOKS. 1) Framed print of Yvette Guilbert 2) Portfolio book “Yvette Guilbert Vue Par Toulouse-Lautrec” Texte de Claude Roger-Marx”; Published by “Au Pont des Arts Paris 1950”, Numbered 268 3) “Toulouse-Lautrec, His Complete Lithographs & Drypoints” by Jean Adhemar 4) Toulouse-Lautrec, 1956, text by Douglas Cooper 5) Lautrec by Edouard Julien SIZE: 1) Sight: 15″ x 10″. Overall: 29-1/4 “x 21-1/2” CONDITION: Print very good, not examined out of frame. 2) Having stained cover. Otherwise remainder is very good. 9-91702 (500-1,000)

BOOK: “NOTEWORTHY PAINTINGS IN AMERICAN PRIVATE COLLECTIONS”. Edited by John La Farge & August F. Jaccaci, Vol. I, Copy “Letter I” (indicated as such on frontice page). Signed by the printer & publisher (the August F. Jaccaci Co.) The large portfolio book dated 1907. This copy has pencil annotations in the contributor section and this book may have been August F. Jaccaci’s personal copy before the production run. SIZE: 20-1/2″ x 15-1/2″ PROVENANCE: Descended through the family of Augusta Floriano Jaccaci (American, 1856-1930) CONDITION: Binding shows wear but intact, interior pages are clean with some very light foxing. 9-90231 (1,000-3,000)

EUGENE DELACROIX (French, 1798-1863) PORTFOLIO: “EUGENE DELACROIX VINGT AQUARELLES ET ONZE DESSINS REPRODUISANT EN FAC-SIMILE L’ALBUM DU MAROC”, PARIS 1928 MAURICE LE GARREC. Portfolio consisting of mounted prints totaling 31 Housed in its original portfolio folder Limited to 300 copies SIZE: Sheet size: 14-3/4″ x 19-1/2″ (prints vary) PROVENANCE: By descent through the family of Augusto Floriano Jaccaci (American, 1856-1930) CONDITION: Prints & mounting sheets are very good, portfolio binder has break in binding 9-90232 (400-800)

BLANCHE (NETTI BLANCHE) LAZZELL (American, 1878-1956) “VIOLET TULIP” (“THE PURPLE TULIP”). Wood block print Housed in a thin period wood frame Signed lower left “Blanche Lazzell 1920” and titled lower right “Violet Tulip” On reverse is a partial exhibition label from the Rhode Island School of Design 1930; also Colony Club, 1931 SIZE: Sight: 9-3/4″ x 8-1/4″. Overall: 15-3/4″ x 13″ CONDITION: Examined out of frame; margins with foxing, darkened spot to right of leaf, no tears. Otherwise very good. 7-70558 (15,000-25,000)

THOMAS HART BENTON (American, 1889-1975) NIGHT FIRING. Lithograph Housed in a gilt wood decorated frame with wide matte Signed in pencil lower right & in print lower left From an edition of 250, un-numbered SIZE: Image: 9-1/4″ x 13-3/4″. Overall: 17-1/2″ x 21-1/2 PROVENANCE: Ex-Robert Dickerman Collection, New York, NY CONDITION: Staining or toning, not examined out of frame 9-90897 (1,000-2,000)

JAMES ABBOTT MCNEIL WHISTLER (American/French, 1834-1903) FUMETTE. Etching Housed in a modern gilt frame with white matte Unknown edition & state Note: This etching was included in Whistlers first published set of etchings SIZE: Sight: 7″ x 5″ Overall: 14-3/4″ x 12″ CONDITION: Very good, not examined out of frame 7-74558 (600-800)

GEORGE WESLEY BELLOWS (American, 1882-1925) “NUDE STUDY, WOMAN KNEELING ON A PILLOW”. 1923 Lithograph print Housed in a modern metal frame with white matte having some waterstains on bottom Signed & titled by Bellows in pencil lower right Signed by the artist’s printer, Bolton Brown lower left SIZE: Sight: 11″ x 7-3/4″ Overall: 20″ x 16″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good with light foxing, not examined out of frame 9-92312 (400-600)

THREE AMERICAN PRINTS (). 1) Alice Standish Buell (American 1892-1964) “Last Load”, framed. Pencil signed and titled. 2) Rockwell Kent (American, 1882-1971) Untitled House, matted. Pencil signed. 3) Stevan Dohanos (American 1907-1994) “Connecticut Yankee”, lithograph, unframed. Pencil signed and titled. SIZE: 1) Sight: 8″ x 10-3/4″. Overall: 14-3/4″ x 18-3/4″. 2) 13-1/4″ x 17″. Overall: 16″ x 20″. 3) 18″ x 13″. CONDITION: Very good overall. 9-29124 (600-800)

ALBERT BIERSTADT (American, 1830-1902) THE ROCKY MOUNTAINS, LANDER’S PEAK. Colored steel engraving, 1866, Engraved by James Smillie Housed in a modern wood frame with double matte Pencil inscribed “To Robert Ogden Esq. Compliments of Albert Bierstadt” lower right This monumental engraving shows a Plains Indian encampment at the foot of the Rocky Mountains where Bierstadt traveled in 1859 on an expedition led by Colonel Frederick W. Lander. Bierstadt created the painting (now at the Metropolitan Museum of Art, New York) that this engraving was based on four years after the expedition, following the Colonel’s death, and named the Peak in honor of his friend. The painting was widely admired, as it aptly captured the mystique and beauty of the American West. It was sold by Bierstadt for the hefty sum of $25,000 in 1865, prompting the artist to commission an engraving after the composition. It took James Smillie, the esteemed engraver and artist, three years to craft and publish the grandiloquent print. Bierstadt closely monitored the design of the print, checking in on its progress sometimes daily and requesting frequent proofs from the engraver. SIZE: Sight: 20-1/2″ x 30-1/2″. Overall: 30″ x 40″ CONDITION: Not examined out of frame, all over foxing & toning 9-92492 (8,000-12,000)

AFTER WINSLOW HOMER (American, 1836-1910) “THE FOG WARNING”. Etching Housed in a carved modern wood frame with gilt liner, glass & double matte Pencil signed lower left “Winslow Homer”, also pencil signed “Hamilton Hamilton” SIZE: Sight: 22-3/4″ x 33-3/4″. Overall: 34-1/2″ x 44-1/4″ CONDITION: Not examine out of frame, very good 7-70538 (3,000-5,000)

PAUL HOWARD MANSHIP (American, 1885-1966) BUST PLAQUE OF AUGUSTO FLORIANO JACCACI. Terracotta plaque Signed below neck “Paul Manship 1930″ SIZE: 8” dia PROVENANCE: By descent through the family of Augusto Floriano Jaccaci (American, 1856-1930) CONDITION: Very good 9-90225 (1,500-3,000)

MAX KALISH (American/French, 1891-1945) BUST OF RUBY RUBENSTEIN. Bronze having brown/bronze patina Signed on collar “M Kalish”, also Roman Bronze Works SIZE: 9-1/2″ h x 7-1/2″ at widest PROVENANCE: Bust was a gift by artist, descended through family to our consignor CONDITION: Very good 9-90263 (700-900)

IRWIN D. HOFFMAN (American, 1901-1989) EIGHT MINING. Etchings on paper Unframed 1) Taking Five Titled and signed in pencil. 2) Drilling in Ore Signed lower left and dated 1936 in plate, pencil titled signed and numbered: 3/50. 3) Rocks & Men Pencil titled signed and numbered: 2/50. 4) Cigarette Underground Pencil titled and signed. 5) Stopping in Ore Signed lower mid-right and dated 1936 in plate, pencil titled and signed. 6) 2000 ft. Level Signed lower center in plate, pencil titled and signed. 7) Cigarette Underground Pencil titled, signed and numbered: 1/50. 8) Miner at Rest Signed lower mid-right and dated 1937 in plate, pencil titled, signed and numbered: 2/50. SIZE: 1) Plate: 13-3/4″ x 10-1/2″ Sheet: 17-1/4″ x 13″. 2) Plate: 13-3/4″ x 10-1/2″ Sheet: 19-3/4″ x 13″. 3) Plate: 13 3/4″ x 10 1/2″ Sheet: 19 3/4″ x 13″. 4) Plate: 10-1/2″ x 8″ Sheet: 13″ x 10″. 5) Plate: 8″ x 10-3/4″ Sheet: 9-1/2″ x 12-1/2″. 6) Plate: 10-3/4″ x 8″ Sheet: 15″ x 11″. 7) Plate: 10-3/4″ x 8″ Sheet: 13-1/4″ x 9-3/4″. 8) Plate: 10-3/4″ x 8″ Sheet: 13-1/4″ x 10″ CONDITION: 1) Very good with finger smudges on sheet. 2) Very good with finger smudges on sheet. 3) Very good. 4) Very good. 5) Very good. 6) Toning, otherwise very good. 7) Very good. 8) Very good, minor smudges on sheet. 7-70651 (1,500-2,500)

IRWIN D. HOFFMAN (American, 1901-1989) GENRE. Etchings on paper Unframed 1) Winter Feeding Signed lower right and dated 1939 in plate, pencil titled and signed. 2) Job 16:18 O Earth Cover thou not my Blood, and let my cry Have no resting place Pencil titled, signed and numbered: 11/50. 3) Holy Man Titled and signed in pencil. 4) Modern Moses Titled and signed in pencil. 5) Dispute Signed lower mid-right and dated 1941 in plate, pencil titled and signed. SIZE: 1) Plate: 8-3/4″ x 11-1/2″ Sheet: 12-1/4″ x 16-3/4″. 2) Plate: 12″ x 8-3/4″ Sheet: 17-1/2″ x 13-3/4″. 3) Plate: 7″ x 5″ Sheet: 12″ x 9-1/2″. 4) Plate: 9″ x 5-3/4″ Sheet: 11″ x 7 1/2″. 5) Plate: 6-1/4″ x 7-3/4″ Sheet: 8-1/2″ x 10-1/2″. CONDITION: All very good. 7-70655 (800-1,200)

IRWIN D. HOFFMAN (American, 1901-1989) 11 MIXED ETHNIC. Etchings on paper Unframed 1) Kids at Camp Pencil signed lower right, dated 1925, titled verso. 2) Lavage – Normandy, France Signed lower left and dated 1931 in plate, pencil signed lower right, titled verso. 3) Portrait of a woman Signed lower left and dated 1934 in plate, pencil signed lower right. 4) Bread & Fruit Signed lower left and dated 33 in plate, pencil titled and signed. 5) El Troubadour Titled and signed in charcoal. 6) Mother & Child – Mexico Signed lower center in plate, pencil titled and signed. 7) Night Market – Mexico Titled and signed in pencil. 8) Hen & Chicks – Mexico Titled and signed in pencil. 9) Little Mexican Pencil signed & dated 1925 lower right, titled verso. 10) Negress – Nude Signed lower left in plate, pencil titled and signed. 11) At the Market/ Mexican ita Pencil signed lower right, titled both front and verso. SIZE: 1) Plate: 3 3/4″ x 7″ Sheet: 6 1/2″ x 10″. 2) Plate: 6 1/4″ x 7 3/4″ Sheet: 8 1/2″ x 10 1/4″. 3) Plate: 6 1/4″ x 4″ Sheet: 7 1/2″ x 5 1/4″. 4) Plate: 7″ x 4 1/2″ Sheet: 9 1/2″ x 6 1/4″. 5) Plate: 7″ x 3 3/4″ Sheet: 11″ x 7 1/2″. 6) Plate: 6 3/4″ x 4 3/4″ Sheet: 9 3/4″ x 6 3/4. 7) Plate: 4 3/4″ x 6 3/4″ Sheet: 5 3/4″ x 11 3/4″. 8) Plate: 4 3/4″ x 8 1/4″ Sheet: 6 1/4″ x 9 1/2″. 9) Plate: 6 3/4″ x 5″ Sheet: 10″ x 6 1/2″. 10) Plate: 6 1/2″ x 3 3/4″ Sheet: 8 1/2″ x 5″. 11) Plate: 4 3/4″ x 3 3/4″ Sheet: 7 1/2″ x 4 1/4″. CONDITION: All very good. 7-70654 (800-1,200)

IRWIN D. HOFFMAN (American, 1901-1989) TEN MIXED ETHNIC. Etchings on paper Unframed 1) African Golfers (hand tinted) Signed in pencil lower lower right. 2) The Cultivators Signed lower right and dated indistinctly in plate, charcoal titled and signed. 3) African Golfers Signed lower right in plate, pencil titled, signed and numbered 3/50. 4) Mexican Madonna Signed lower right and dated 1944 in plate, pencil titled and signed. 5) Puerto Rican Folk Song Titled and signed in pencil. 6) Lace Makers – Puerto Rico Signed lower right and dated 1944 in plate, pencil titled and signed. 7) Night Market – Mexico Titled and signed in pencil. 8) Wash Day – 2nd Slate? Titled and signed in pencil. 9) El Teliafero/ Provincial Rodeo Pencil titled, signed and numbered 6/10. 10) The Lucky Play Pencil titled and signed. SIZE: 1) Plate: 8-3/4″ x 11-3/4″ Sheet: 13-1/4″ x 19-3/4″. 2) Plate: 8″ x 10-3/4″ Sheet: 13-3/4″ x 17-3/4″. 3) Plate: 7-3/4″ x 10-3/4″ Sheet: 13″ x 19-3/4″. 4) Plate: 11-3/4″ x 8-1/2″ Sheet: 20-1/4″ x 13″. 5) Plate: 10-3/4″ x 10-1/2″ Sheet: 13″ x 17-1/4″. 6) Plate: 9-3/4″ x 11-3/4″ Sheet: 12-1/4″ x 16-3/4″. 7) 10-3/4″ x 13-3/4″ Sheet: 12-1/2″ x 16-1/2″. 8) Plate: 11-3/4″ x 10-1/4″ Sheet: 16-3/4″ x 13″. 9) Plate: 6″ x 11-1/4″ Sheet: 9-1/2″ x 12-1/2″. 10) Plate: 6″ x 8-3/4″ Sheet: 9-1/2″ x 12-1/2″ CONDITION: 1) Few stains in sheet, otherwise good. 2) Toned and some spotting on sheet, otherwise good. 3) Very good. 4) Very good with fingerprint smudges on sheet. 5) Very good with fingerprint smudges on sheet. 6) Very good. 7) Very good. 8) Very good. 9) Very good. 10) Very good. 7-70653 (1,000-2,000)

IRWIN D. HOFFMAN (American, 1901-1989) GENRE. Etchings on paper Unframed 1) Budapest String Quartet Pencil titled and signed. 2) The Confessionat Pencil titled and signed. 3) Gethsemane of the Russian Peasant 1929 Pencil titled and signed. 4) Mother & Child – Russian – 1929 – To Ruth Oswald affectionately Pencil titled, presented and signed. 5) On the Volga – Mother & Child – 1929 Pencil titled and signed. 6) Soup Kitchen 1930 Signed lower right and dated 1931 in plate, pencil titled and signed. 7) Russian Peasantry – Volga 1929 Titled and signed in pencil. 8) Russian peasants Untitled, signed in pencil lower right. SIZE: 1) Plate: 10-3/4″ x 13-3/4″ Sheet: 13″ x 19-3/4″. 2) Plate: 7-3/4″ x 4-3/4″ Sheet: 13-3/4″ x 10-3/4″. 3) Plate: 7-3/4″ x 6-1/4″ Sheet: 9-3/4″ x 8-1/2″. 4) Plate: 4″ x 6-1/4″ Sheet: 5-3/4″ x 8-1/2″. 5) Plate: 4″ x 6 1/4″ Sheet: 5″ x 7 1/2″. 6) Plate: 4″ x 6 1/4″ Sheet: 5 1/2″ x 7 1/2″. 7) Plate: 6-1/4″ x 7-3/4″ Sheet: 8″ x 9-1/2″. 8) Plate: 6″ x 8-1/4″ Sheet: 8-1/2″ x 9-1/2″. CONDITION: 1) A few smudges and spot on the sheet, otherwise very good. 2) A smudge and spot on the sheet, otherwise very good. 3) Finger print smudges on corners, otherwise very good. 4) Good overall. 5) Very good. 6) Very good. 7) Very good. 8) Tear at angle lower right, tape residue. 7-70656 (1,000-2,000)

IRWIN D. HOFFMAN (American, 1901-1989) FOURTEEN UNFRAMED CHRISTMAS CARDS. Thirteen etchings on paper, one photolithograph All of self portraits with Hoffman’s wife, Dorothy Images begin in 1935 to 1950, WWII wartime satirical, and various caricature renderings of the couple, five duplicates of year 1949/1950, lot includes an envelope with the artist’s NY address. SIZE: Largest plate size: 4-3/4″ x 3-3/4″. CONDITION: Very good. 7-70638 (500-700)

ATTRIBUTED TO JOSEPH WHITING STOCK (American, 1815-1855) PORTRAIT OF A GIRL WITH A ROLLING HOOP & STICK. Oil on canvas Housed in a modern gilt frame Unsigned but having “Joseph Stock Pinxt” on verso SIZE: 36″ x 29″ Overall: 40-1/2″ x 33-3/4″ PROVENANCE: From a private New Jersey Collection; Doyle Auctions CONDITION: Craquelure, several patches to reverse, some restoration, gloss varnish 9-90617 (3,000-5,000)

UNSIGNED (American, Mid 19th Century) THE SHEPHARD BROTHERS OF SHEPHARD FOUNDRY, BUFFALO, NY. Oil on canvas Housed in a veneered wood frame Unsigned Wayne Pratt Antiques invoice accompanies painting with details SIZE: 31″ x 27″ Overall: 33″ x 28-3/4″ PROVENANCE: From a private New Jersey Collection; Wayne Pratt Antiques, 11/6/99 CONDITION: Three patches to reverse, craquelure, restored with high gloss varnish 9-90630 (4,000-6,000)

ATTRIBUTED TO H.K. GOODMAN (American, Fl. Circa 1825) PORTRAIT OF CHILD IN BLUE DRESS WITH EWE. Oil on canvas Housed in a period gilt wood frame with losses Unsigned SIZE: 34″ x 27-1/2″ Overall: 37″ x 30-1/2″ PROVENANCE: From a private New Jersey Collection; Rex Stark; Skinner, Inc. 3/21/92 CONDITION: Lined, some inpainting, very good 9-90622 (3,000-5,000)

HANNAH BROWN SKEELE (American, 1829-1901) LITTLE DRUMMER GIRL. Outstanding oil on canvas Signed lower left “HB Skeele” Housed in its fine period gesso decorated gilt frame The back stretcher retaining its original Fine Arts Store label of Cyrus F. Davis, Portland, Maine SIZE: 27″ x 22″ Overall: 37-1/4″ x 32-1/4″ PROVENANCE: From a Santa Fe, NM collection; James D. Julia 8/25/09 CONDITION: Very good with minor touch up 9-91800 (2,500-4,000)

UNSIGNED (American, Mid 19th Century) BOY IN BLUE DRESS WITH WHIP HOLDING HAT HAVING LANDSCAPE BACKGROUND. Oil on canvas Housed in a fine wide gilt frame with minor losses Unsigned SIZE: 30″ x 25-1/2″ Overall: 37″ x 32-1/4″ PROVENANCE: From a private New Jersey Collection CONDITION: Craquelure, minor inpainting, otherwise very good 9-90627 (5,000-7,000)

UNSIGNED (American, Mid-19th Century) PORTRAIT OF A YOUNG BOY WITH WHIP. Oil on canvas Housed in its original lemon gold period frame Unsigned SIZE: 14-1/4″ x 12-3/4″ Overall: 18″ x 17″ PROVENANCE: From a private New Jersey Collection CONDITION: Light craquelure, minor inpainting, very good 9-90628 (3,000-5,000)

UNSIGNED (American, 19th Century) PORTRAIT OF YOUNG BOY HOLDING WHIP & REINS. Oil on canvas Housed in a period gilt wood frame with gilt liner having oval window. The square stretcher holding a canvas with a Dechaux, New York canvas stamp Unsigned SIZE: 21″ x 17″. Overall: 30-3/4″ x 26-3/4″. PROVENANCE: From a Santa Fe, NM collection; Skinner 11/8/09. CONDITION: 2″ x 2″ patch to reverse with corresponding inpainting to background, scattered touch up, very good 9-91809 (1,500-2,500)

UNSIGNED (American or British School, Mid 19th Century) PORTRAIT OF A CHILD IN LANDSCAPE. Outstanding oil on canvas Unsigned Housed in a naturalistic decorated gilt frame SIZE: 32″ x 39″. Overall: 36″ x 43″. PROVENANCE: From a Santa Fe, NM collection. CONDITION: Relined, inpainting to craquelure, very good 9-91804 (3,000-5,000)

RUBENS SANTORO (Italian/African, 1859-1942) THE GRAND CANAL. Oil on canvas Housed in its original gilt wood frame Signed lower left “R Santoro” SIZE: 14-1/2″ x 22-1/4″. Overall: 20″ x 28″ CONDITION: Very good 7-70531 (8,000-12,000)

ALLESSANDRO VOLPE (Italy/Denmark, 1820-1887) VIEW OF NAPLES HARBOR. Oil on canvas Housed in a period gesso decorated frame liner Signed lower left “Ala Volpe” SIZE: 20-3/4″ x 41″. Overall: 26-1/2″ x 46″ CONDITION: Lined, restored with inpainting, very good 7-70551 (3,000-5,000)

GIUSEPPE DE NITTIS (Italian, 1846-1884) A DAY IN THE PARK. Oil on canvas Unframed Signed lower left “De Nittis Paris, 1867″ SIZE: 14″ x 24-3/4” CONDITION: Relined, craquelure, some losses to bottom right corner, inpainting 9-92149 (20,000-30,000)

CESARE AUGUSTE DETTI (Italian, 1847-1914) LEAVING THE VILLA. Oil on canvas Housed in a fine gilt replacement frame with antique gilt liner having name plaque Signed lower right “C Detti Paris” SIZE: 17″ x 21″. Overall: 23-3/4″ x 27-3/4″ CONDITION: Lined on replacement stretcher, very good 9-90641 (7,500-12,500)

GUISSEPI GAZZARDI (Italian, 1845-1914) LOVE BIRDS. Oil on canvas Housed in a gilt wood frame Signed lower right “Gazzardi” SIZE: 9″ x 7-1/4″. Overall: 11-1/2″ x 9-3/4″ CONDITION: Relined, inpainting, very good 7-70552 (1,000-2,000)

FILIPPO INDONI (Italian, Born Circa 1842-1908) GIRL IN FRONT OF CASTLE BY A RIVER. Watercolor Housed in a fine period fancy frame with matching liner behind glass having artist plaque Signed lower left “Indoni” SIZE: Sight: 21″ x 14″. Overall: 31-1/2″ x 24-1/4″ CONDITION: Very good with overall light fading but still retaining strong colors 9-92977 (1,000-2,000)

E. ROVELLO (Italian, 19th Century) DUTCH GIRL WITH FLOWERS. Oil on canvas Housed in a period fancy gilt frame with gilt liners, frame with one corner break Signed lower left “E Rovello” SIZE: 31-1/4″ x 16-1/2″. Overall: 44″ x 29-1/2″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Surface dirt, inpainting, otherwise good 9-92866 (800-1,200)

UNSIGNED (Italian, 19th/20th Century) PORTRAIT OF A MAN IN THE MOUNTAINS. Watercolor Housed in a partial gilt antique frame Unsigned SIZE: Sight: 22-1/2″ x 18-1/2″. Overall: 31-1/4″ x 27-1/4″ CONDITION: Very good 7-70530 (600-800)

F. MARCHIS (Italian, 19th/20th Century) TOASTING IN THE TAVERN. Watercolor Housed in a gilt gesso decorated frame Signed center bottom SIZE: Sight: 20″ x 28-1/2″. Overall: 26″ x 34-1/2″. CONDITION: Very good. 9-29479 (200-400)

ADAM STYKA (American/Polish, 1890-1959) ARABS AND CAMELS AT REST. Watercolor Housed in a modern gilt frame with white matte and free float mounted Signed bottom right “Adam Styka” SIZE: 8-1/2″ x 6″. Overall: 20-1/2″ x 17″ CONDITION: Very good 9-92156 (3,000-5,000)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) TUNISIAN GATE. Oil on board Housed in a gilt frame with gilt liner Signed lower left “Geo Turland” SIZE: 10″ x 8″ Overall: 17-1/4″ x 15″ CONDITION: Very good 9-92820 (600-800)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) STREET IN TUNIS. Oil on wood panel Housed in a modern gilt wood frame Signed lower right “Geo. Turland” SIZE: 16″ x 12″. Overall: 18″ x 14″ CONDITION: Very good. 9-92818 (800-1,000)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) MEDITERRANEAN MARKETPLACE. Oil on wood panel Housed in a modern gilt frame Signed lower left “G Turland” SIZE: 20″ x 24″ Overall: 22″ x 26″ CONDITION: Very good 9-92819 (700-900)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) “IMPRESSION OF TUNIS NO. 3”. Oil on wood panel Housed in a decorative gilt frame with gilt liner Signed lower right “G Turland” Label on verso with title & artist SIZE: 16″ x 12″ Overall: 21-1/2″ x 17-1/2″ CONDITION: Very good 9-92816 (800-1,000)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) “A STREET IN HONG KONG”. Oil on canvas Housed in a modern gilt wood frame with gilt liner Signed lower left “Geo Turland” Signed & titled on verso SIZE: 24″ x 20″ Overall: 29-1/2″ x 25-1/2″ CONDITION: Very good 9-92821 (1,500-2,000)

GEORGE TURLAND (GOOSEY) (American, 1877-1947) “RYE, SUSSEX”. Oil on wood panel Housed in a modern gilt frame Signed lower left “Geo Turland” & titled on verso SIZE: 15-3/4″ x 12″ Overall: 21-1/4″ x 17-1/4″ CONDITION: Slight warp to panel, very good 9-92817 (600-800)

YERNAND (Mid 20th Century) PAIR OF ARAB PORTRAITS OF MEN. Watercolors Housed in identical modern wood frames with mattes with scrapes & losses Signed lower right “Yernand Isfahan 1966″ SIZE: Sight: 13-3/4″ x 9-1/2”. Overall: 21-1/2″ x 17″ CONDITION: Good 9-91792 (300-500)

H C HAYS (19th Century) ARAB FIGHTER ON HORSEBACK AFTER A PAINTING BY ADOLF SCHREYER. Oil on canvas Housed in a 19th Century frame liner Signed lower left SIZE: 26″ x 19″ Overall: 30-1/4″ x 23″ CONDITION: Inpainting, good 9-91790 (200-400)

D HENSEL (American, 19th/20th Century) THE ARAB FIGHTER ON HORSEBACK. Oil on canvas Housed in its original gesso decorated gilt frame with finish losses Signed lower right “D Hensel” SIZE: 26-1/2″ x 24-1/2″. Overall: 35-1/4″ x 33-1/2″ CONDITION: Some lifting at bottom edge with chips, otherwise good 9-91789 (800-1,200)

RUSSELL SMITH (American, 1812-1896) “SESTRI, ITALY”. Oil on canvas Housed in a good gilt wood frame Partial signature lower right Signed on verso of canvas “Sestri Russell Smith 1852″ Beginning his career as a commercial artist, designer and illustrator, Smith ultimately is best known for his Arcadian landscape scenes inspired by Hudson River School artists Thomas Cole and Thomas Doughty. Well traveled, as were many artists of the period, Smith would spend his summers on sketching trips throughout the East Coast. In 1851, however, he traveled to Europe and for two years sketched and painted scenes in the United Kingdom, Switzerland, Italy, France and Holland. Smith’s early interest in the work of French artist Claude Lorraine can be seen in the romantic almost allegorical quality seen in the referenced painting. Smith exhibited his work at the Pennsylvania Academy of Fine Arts, the National Academy of Design and the Boston Athenaeum among others. SIZE: 12″ x 18”. Overall: 16-1/2″ x 22-1/2″ CONDITION: Strip lined, inpainting, very good 9-92047 (4,000-6,000)

VINCENT FRANCIS CASTELLANET (American, 1935-) VENICE GONDOLA. Oil on canvas Housed in a fine gilt wood frame with linen liner Signed lower right “Castellanet 99″ SIZE: 36″ x 42”. Overall: 44-1/4″ x 50″ CONDITION: Very good to excellent 9-90291 (1,000-1,500)

FRIDA GUGLER (American, 1874-1966) OLD STREET BELLAGIO ITALY. Watercolor Housed in a gilt wood frame with matte having finish loss Signed lower right “Frida Gugler” SIZE: Sight: 19-1/4″ x 15″. Overall: 27″ x 22-1/2″ CONDITION: Very good 7-70589 (800-1,200)

WILLIAM LESTER STEVENS (American, 1888-1969) ITALIAN STREET SCENE. Watercolor Housed in a modern metal frame with triple matte Signed lower right “W Lester Stevens” SIZE: Sight: 18″ x 15″ Overall: 27-1/4″ x 22-1/4″ CONDITION: Very good 9-92009 (800-1,200)

TABER SEARS (American, 1870-1950) FRENCH COTTAGES. Oil on canvas Housed in a pressed wood period frame Signed lower right “T Sears” SIZE: 11-1/2″ x 13-3/4″. Overall: 17-1/2″ x 19-1/4″ CONDITION: Very good 9-92196 (400-600)

Revised: 1/30/2014

Please Note: The estimate should be $6,000-$9,000.

THERESA FERBER BERNSTEIN (American, 1890-2002) PARISIAN STREET SCENE. Oil on canvas Housed in a modern gilt carved wood frame with linen liner Signed lower right “T Bernstein 28″ SIZE: 30″ x 37-1/4”. Overall: 38″ x 45-1/4″ PROVENANCE: From a Massachusetts Collection; Sotheby’s 9/23/88 CONDITION: Inpainting, lined on new stretcher 9-29116 (6,000-9,000)

THERESA FERBER BERNSTEIN (American, 1890-2002) “PAINTING OUTSIDE”. Oil on canvasboard Housed in a modern decorative frame with linen liner Signed lower right SIZE: 24″ x 20″. Overall: 29″ x 25″ PROVENANCE: Chicago, IL Estate; Wally Findlay Galleries, IL; Rockport Art Association, 2007 CONDITION: Very good 9-90889 (1,500-2,500)

THERESA FERBER BERNSTEIN (American, 1890-2002) “JEWISH WEDDING, JERUSALEM”. Oil on canvasboard Housed in a gilt wood frame with linen & gilt liner Signed lower right “Bernstein” SIZE: 16″ x 20″. Overall: 24-3/4″ x 28-1/2″ PROVENANCE: From a Chicago, IL Estate; Wally Findlay Galleries CONDITION: Good 9-90890 (1,500-2,500)

ALBERT ZAVARO (Turkish, 1925-) “PORT DE MARSAILLES”. Oil on canvas Housed in its original decorative wood frame with linen liner Signed lower right International Galleries Chicago label on verso with title & artist Accompanied by an Exhibition catalog SIZE: 23-3/4″ x 28-3/4″. Overall: 31-1/2″ x 36-1/2″ CONDITION: Very good 7-70632 (800-1,200)

CLIFFORD JACKSON (Canadian, 20th Century) “CANADIAN ROCKIES”. Oil on canvasboard Housed in a carved partial gilt wood frame with linen liner (discolored) Fall 1965 Salmagundi Club Auction Sale & Exhibition label to verso Signed lower right SIZE: 20″ x 16″. Overall: 29″ x 25-1/2″ CONDITION: Very good 9-29091 (1,500-2,500)

ALPHONSE PALUMBO (American, 1890-1947) BACK FROM FISHING. Oil on canvas Housed in a modern gilt rope decorated frame Unsigned front, Estate stamp on stretcher verso SIZE: 29″ x 35″. Overall: 36-1/2″ x 42-1/2″ PROVENANCE: From a Santa Fe, NM Collection; James D. Julia 5/13/06 CONDITION: Very good 9-91802 (1,500-2,500)

EMILY MASON (American, 1932-) “LIGHT AT COLECHESTER REEF”. Oil on canvas Housed in a modern shadowbox type wood frame Signed lower right “Emily Mason” and dated “91” Well known for her abstract paintings, Mason’s work is included in many public and private collections. After graduating from the Cooper Union, she spent the mid-1950’s in Italy on a Fulbright grant for painting; during that time she married the artist Wolf Kahn. A long time painting instructor at Hunter College, her awards include the Ranger Fund Purchase Prize from the National Academy. SIZE: 22″ x 24″. Overall: 23″ x 25″ CONDITION: Craquelure, very good 9-92011 (4,000-5,000)

Revised: 1/30/2014

Please Note: The painting is on thin cardboard, not painted on masonite.

VACLAV VYTACIL (American, 1892-1984) ABSTRACT WITH FIGURES. Oil on masonite Housed in an antique gilt frame Signed lower right & dated “1940” SIZE: 27-1/2″ x 39-1/2″. Overall: 34-1/2″ x 46-1/2″ CONDITION: Very good 9-92762 (3,000-4,000)

JAN MATULKA (American/Czech Republic, 1890-1972) PICNIC BY THE SEA. Watercolor Housed in an antique gilt frame with double mattes & gold liner behind glass Signed lower left “Matulka” SIZE: Sight: 8″ x 11-1/2″ Overall: 18-1/2″ x 22-1/2″ CONDITION: Very good 7-70601 (1,500-2,500)

WILLIAM GEORGENES (American, 1930-) “MOON WITH THE LETTER ‘E'”. Oil on masonite Housed in a modern gilt frame with gilt liner Signed in the painting upper left, also on reverse along with title and date “Jan. 1967″ SIZE: 22″ x 24”. Overall: 26-1/2″ x 28-1/4″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good 7-70597 (400-600)

Revised: 2/4/2014

We have been contacted by one individual who maintains that this is not a genuine Savador Dali product, however researching the internet we find multiple examples of this same tapestry sold by various auction houses (including Christies, some of which have sold between $2,000-$3,000) the information is certainly conflicting so under the circumstances we do not guarantee anything about it.

SALVADOR DALI (French/Spanish, 1904-1989) ASHER, OF THE TRIBES OF ISRAEL. Tapestry Signed lower right SIZE: 70″ x 52″ CONDITION: Very good, missing back label indicating # in the edition of 500 9-90262 (1,200-1,800)

BEN NICHOLSON (American,British, 1894-1982) LINE ABSTRACT. Etching Housed in a Lucite frame with white matte Signed lower right and dated “62” SIZE: Sight: 12-1/2″ x 10″. Overall: 20-1/2″ x 17-1/2″ CONDITION: Very good 9-92989 (1,000-2,000)

JACK SHADBOLT (Canadian, 1909-1998) FIGURE WITH GUITAR AND CLOWN ON HORSE. Pencil on paper Housed in a gilt modern wood frame with white matte Signed lower left “J.Shadbolt 40” Identified, dedicated and dated “1949” on original paper label on verso NOTE: Jack Shadbolt is one of the most important of the mid-century Canadian abstract artists, his work is included in many major public & private collections including the Montreal Museum of Fine Art, the National Gallery of Canada, the Seattle Art Museum, the Tate Gallery, London and the Hirshhorn Collection in Washington. His work has also been included in numerous prestigious international exhibitions including the Sao Paulo Biennale, the Venice Biennale and the Carnegie International. SIZE: 9-1/2″ x 11″. Overall: 18-1/2″ x 19-1/2″ PROVENANCE: Our consignor; Gift from the artist (1949) to his friend, author William Morris Meredith, Jr. (1919-2007); Poet Laureate Consultant in Poetry to the Library of Congress (1878-1980). CONDITION: Very good. 9-92172 (1,000-1,500)

CLEMENT (French, 20th Century) “POURPER ET VIOLET”. Oil on canvas Housed in a gilt carved wood frame Signed & titled lower right SIZE: Sight: 23″ x 28-1/4″. Overall: 26-3/4″ x 32″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Very good, area of spots lower left appears to be method of painting 9-92321 (400-600)

MAUREEN HUDSON NAMPIJINPA (Australian, 1959-) “FIRE DREAMING”. Oil on canvas Unframed Signed & titled on verso SIZE: 44″ x 30″ PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good to excellent 7-70473 (300-500)

DONN P. DEVITA (American, 1931-2010) CRAB. Oil on masonite Housed in a modern gilt molded wood frame Signed lower left SIZE: 15-1/2″ x 19-1/2″ Overall: 21″ x 25″ CONDITION: Very good 9-91673 (300-500)

REA (School of Buffet, Mid 20th Century) STILL LIFE WITH BOTTLES & GLASS. Oil on canvas Housed in a wood frame with linen & gilt liner, as is Signed lower right “REA” SIZE: 20″ x 16″ Overall: 25-1/4″ x 21-1/2″ CONDITION: Very good 9-92760 (300-500)

CARLOS THEBERMAN? (Early 20th Century) “HAPPINESS ALWAYS”. Oil on wood panel Housed in a gilt wood frame Signed & inscribed lower right SIZE: 26″ x 20″ Overall: 30″ x 24″ CONDITION: Good 9-92759 (250-400)

IAN GAGE (American, 1990-) ABSTRACT SEATED FIGURE. Oil on canvas Unframed Signed on reverse and dated “2012” SIZE: 10″ x 8″ CONDITION: Very good to excellent 9-92996 (200-400)

ROMAIN (ERTE) DE TIRTOFF (American/Russian/French, 1892-1990) UNTITLED: WOMAN IN BLACK DRESS. Embossed and foil stamped silkscreen Housed in a stepped silver gilt wood frame with black and gold matte Pencil signed bottom right No. 278/300 SIZE: 23-1/2″ x 29″. Overall: 32-1/2″ x 38-1/4″. CONDITION: Very good, not examined out of frame 9-29105 (800-1,200)

Revised: 1/30/2014

Please Note: The estimate should be $300-$500.

ROMAIN (ERTE) DE TIRTOFF (American/Russian/French, 1892-1990) “LOVE’S CAPTIVE”. Silkscreen in colors Signed in pencil lower right “Erte”, numbered in pencil lower left A.P. 51/60, lower left corner has round embossed stamp Roma Comp Inc. New York SIZE: 33″ x 28″. CONDITION: Very good. 9-29106 (300-500)

BERNARD BUFFET (French, 1928-1999) YELLOW EWER WITH GLASS. Lithograph Housed in a gilt wood frame with white matte behind glass Pencil signed lower right “Bernard Buffet”, also lower left “No 2/300″ SIZE: Sight: 29″ x 20″. Overall: 36-1/2″ x 27-1/2”. CONDITION: Very good. 9-29095 (300-500)

BERNARD BUFFET (French, 1928-1999) TRAPEZE ARTIST. Lithograph on paper Housed in a black metal frame with linen matte Signed lower left “Bernard Buffet” and pencil signed “36/190″? SIZE: Sight: 27-3/4″ x 19-1/4″. Overall: 35-1/4″ x 26-1/2”. CONDITION: Very good. 9-29113 (300-500)

LOT OF THREE PRINTS. 1) Anne Youkeles (Circa 1971) “New Perspective” Silkscreen “47/210” Housed in a modern metal frame 2) Jack Youngman? (20th Century) “Black & White Abstract” Woodbloack Housed in a modern black metal frame, glass with corner break Initialed lower right “JY 66”, also “26/30” 3) P. Chu (20th Century) Two Flowers Silkscreen Housed in a modern metal frame with double matte and glass having break in corner Signed in pencil “P Chu” and numbered “289/500 ed. II” SIZE: 1) Sight: 16-1/2″ x 14-1/2″. Overall: 17-1/4″ x 15-1/4″ 2) Sight: 41″ x 28-1/2″. Overall: 41-1/2″ x 29-1/4″. 3) Sight: 32″ x 23″. Overall: 38-1/4″ x 29-1/4″. PROVENANCE: Massachusetts National Fire Protection Association CONDITION: Very good 7-70598 (400-600)

DAVID LYNCH (American, 1946-) “UNTITLED #25, 1999”. Monoprint on handmade paper Unframed Appears to be unsigned, published by Tandem Press SIZE: 19-3/4″ x 24-1/2″ CONDITION: Some brown showing on print, possibly part of artists intent, otherwise very good 9-90975 (800-1,200)

PAT STEIR (American, 1938- ) “BREADFRUIT”. Lithograph on paper Unframed Pencil signed lower right “Pat Steir ’83”, titled and numbered “72/144″ SIZE: 40-1/4″ x 35”. CONDITION: Very good. 9-29104 (300-500)

BONNIE GREGORY (American, 20th Century) THE “VALIANT LADY” AT DOCK. Oil on canvas Housed in a fine modern carved & gilt wide wood frame Signed lower left “B Gregory” SIZE: 24″ x 36″. Overall: 33″ x 45″ CONDITION: Very good to excellent 9-91671 (1,000-1,500)

NORBERT LENZ (American, 1900-1992) TUG AND SAILBOATS. Oil on wood panel Housed in an open frame with painted background Signed upper left “Norbert Lenz” SIZE: Sight: 14-1/4″ x 19-1/4″. Overall: 20-1/2″ x 25″. CONDITION: Very good. 9-29112 (800-1,200)

SIGNED (Mid 20th Century) COASTLINE WITH BOATS. Oil on canvas Housed in a 19th Century gilt gesso decorated frame with gilt liner Signed lower right indistinctly SIZE: 20″ x 24″. Overall: 30-1/2″ x 34-1/2″ CONDITION: Very good 9-90252 (1,000-1,500)

AMEE DAVIS (American, 1893-1972) FISHING SCHOONERS. Oil on board Housed in an antique carved gilt frame Signed lower right “Amee Davis” SIZE: 24″ x 30″ Overall: 28″ x 34″ CONDITION: Very good 9-92775 (800-1,200)

UNSIGNED (British, 19th Century) PORTRAIT OF A TWO-MAST BRITISH SHIP. Oil on canvas Housed in an antique birdseye maple frame with gilt liner Unsigned SIZE: 19″ x 28″ Overall: 23-1/2″ x 32-1/2″ CONDITION: Re-stretched on newer stretcher, discolored varnish, otherwise good 9-91780 (1,000-1,500)

SOLON FRANCIS MONTECELLO BADGER American, 1873-1919) PORTRAIT OF A TWO-MAST SCHOONER. Oil on academy board Housed in a period gesso decorated gilt frame Signed lower right “SFM Badger 1888″ Also signed & dated on verso SIZE: 12-1/4″ x 18-1/2”. Overall: 16-3/4″ x 22-3/4″ CONDITION: Some minor touch up, good 9-92042 (2,500-3,500)

UNSIGNED (American/British School, 19th Century) PORTRAIT OF THE SHIP “SOOLOO”. Oil on canvas Housed in a period lemon gold frame Unsigned SIZE: 22″ x 36″. Overall: 27″ x 41-1/2″ CONDITION: Lined, craquelure, very good 7-70534 (1,500-2,500)

FREDERICK TORDOFF (American/United Kingdom, 1939-) PORTRAIT OF AN AMERICAN THREE-MAST SHIP. Oil on canvas Housed in a gilt wood frame with bead edge Signed lower left “Frederick Tordoff” SIZE: 24″ x 36″. Overall: 28″ x 40″ CONDITION: Extensive craquelure, surface dirt 9-91781 (1,000-2,000)

UNSIGNED (20th century) SLOOP IN STORMY WEATHER. Oil on wood panel Housed in an Eastlake style black painted frame SIZE: 10-1/4″ x 14″. Overall: 12-1/2″ x 16-1/2″. CONDITION: Very good. 7-70603 (1,000-1,500)

UNSIGNED (British School, 19th/20th Century) SAIL STEAMER IN BRITISH HARBOR. Oil on canvas Housed in a gilt wood frame Unsigned SIZE: 20″ x 24″ Overall: 24″ x 27-3/4″ CONDITION: Relined, discolored varnish layer, very good 9-91779 (800-1,200)

WILLIAM FREDERICK PASKELL (American, 1866-1951) THREE-MAST SHIP OFF LIGHTHOUSE. Oil on canvas Housed in a gilt wood frame Signed lower left “Wm Paskell” SIZE: 15″ x 26-1/4″ Overall: 17-1/2″ x 28-1/2″ CONDITION: Very good with some light surface dirt 9-91791 (800-1,200)

PETER MAZZINGHI (Italian, Fl. 1831-1836) “ELLEN PASSING GIBRALTAR AUG 5TH 1836 WILm P. LARRABEE MASTER”. Watercolor/gouache Housed in a modern gilt frame with reverse painted glass matte Signed lower right “Peter Mazzinghi Fecit Leghorn Sept 1836″ SIZE: Sight: 17″ x 24″ Overall: 24-1/2″ x 31-1/2” CONDITION: As found with losses, repaired tears, generally intact 9-92773 (600-900)

CURRIER & IVES (Publisher, 19th Century) THE GRANDEST PALACE DRAWING ROOM STEAMERS IN THE WORLD “DREW” & “ST. JOHN” OF THE PEOPLES EVENING LINE BETWEEN NEW YORK & ALBANY PASSING ON THE HUDSON. Lithograph Housed in an antique black walnut frame with gold edge & matte SIZE: Sight: 25-1/4″ x 34-3/4″. Overall: 34-1/2″ x 45″ CONDITION: Not examined out of frame, appears to be laid down, all over toning & light foxing, repairs in bottom margin, as found 9-90635 (1,000-1,500)

CURRIER & IVES (Publisher, 19th Century) “THE MINIATURE SHIP RED, WHITE & BLUE”. Lithograph Housed in a modern gilt frame behind glass SIZE: Sight: 12-3/4″ x 17″ Overall: 13-3/4″ x 18″ PROVENANCE: Guthman Collection label to verso CONDITION: Very good with foxing, not examined out of frame 9-90222 (200-300)

EDMUND DARCH LEWIS (American, 1835-1910) SAILING UNDER SUNSET. Watercolor Housed in a modern and carved gilt wood frame Signed lower right Edmund D Lewis SIZE: Sight: 21″ x 33″. Overall: 32″ x 44″ CONDITION: Very good 9-90248 (3,000-5,000)

EDMUND DARCH LEWIS (American, 1835-1910) COLONIAL MILL WITH HOUSE. Watercolor Housed in what appears to be its original gilt oak frame with bead liner & glass Signed lower right “Edmund D Lewis 1904″ Note: Purportedly a scene of Gilbert Stuart’s studio SIZE: Sight: 21-3/4″ x 33-3/4”. Overall: 28-1/2″ x 40-1/2″ CONDITION: Very good 9-90249 (2,000-4,000)

EDMUND DARCH LEWIS (American, 1835-1910) FALL LANDSCAPE WITH WATERFALL. Oil on canvas Housed in a gesso decorated gilt period frame Signed lower left “Edmund D Lewis 1878″ SIZE: 22″ x 12”. Overall: 26″ x 16″ CONDITION: Craquelure, very good 9-92994 (1,500-2,000)

FELIX FRANCOIS GEORGES PHILIBERT ZIEM (French, 1821-1911) MOORED GALLEON WITH ROWBOAT. Oil on wood panel Housed in an antique gesso decorated deep frame Unsigned SIZE: 9″ x 6″ Overall: 15-3/4″ x 13-1/2″ CONDITION: Very good 9-92750 (3,000-5,000)

UNSIGNED (American School, 19th Century) BEACHED SHIP AT SUNSET. Oil on canvas Housed in a fine carved oak period frame Unsigned SIZE: 10″ x 14″. Overall: 17-3/4″ x 21-1/2″ CONDITION: Light craquelure, some touch up, very good 9-92193 (1,000-1,500)

LOUIS DOYLE NORTON (American, 1867-1940) “NEAR THE SEA”. Oil on canvas Housed in a modern gilt wood frame Signed lower right “Louis D Norton” SIZE: 14″ x 23″. Overall: 17″ x 26″ CONDITION: Craquelure, otherwise good 7-70525 (1,200-1,800)

LOUIS DOYLE NORTON (American, 1867-1940) FLOWERS BY THE SEA. pastel Housed in a modern silver gilt frame with green matte Signed lower right “L D Norton” SIZE: Sight: 11-1/2″ x 17-1/2″ Overall: 17-1/4″ x 22-3/4″ CONDITION: Very good 7-70522 (1,000-1,500)

LOUIS DOYLE NORTON (American, 1867-1940) FISH SHACKS. Pastel Housed in a modern gilt frame with green matte Signed lower right “L D Norton 1930″ SIZE: Sight: 11-1/4″ x 17-1/4″ Overall: 17″ x 23” CONDITION: Good 7-70521 (1,000-1,500)

BERNARD CORY (American, 1914-2000) “RED BARN WITH MOUNTAIN VIEW”. Oil on masonite Housed in a fine gilt carved wood frame by Hackman Signed lower left “Bernard Corey” COA from Estate label on verso SIZE: 9″ x 14″. Overall: 15-3/4″ x 20-3/4″ CONDITION: Very good to excellent 9-90597 (1,500-2,500)

BERNARD COREY (American, 1914-2000) ROAD IN LATE FALL. Oil on canvas laid to board Housed in a good gilt wood frame Signed lower right “Bernard Corey” SIZE: 10″ x 16″. Overall: 16″ x 22″ CONDITION: Very good to excellent 9-91685 (1,000-1,500)

BERNARD COREY (American, 1914-2000) LOW TIDE, ESSEX. Oil on canvas laid on wood panel Housed in a fine gilt frame with gilt liner Signed lower right, also penned on reverse “Painted with TM Nicholas” SIZE: 9″ x 12″. Overall: 15-3/4″ x 18-3/4″ CONDITION: Very good to excellent 9-91684 (1,000-1,500)

HAROLD C. DUNBAR (American, 1882-1953) SUMMER LANDSCAPE. Oil on canvas Housed in a modern gilt wood frame Signed lower left “H C Dunbar 1910″ SIZE: 14″ x 11”. Overall: 21″ x 17-3/4″ CONDITION: Very good 9-91686 (1,000-2,000)

AGUSTIN LAZO (Mexico, 1898-1971) FIREMAN RESCUING FALLING GIRL. Gouache Housed in a gesso decorated painted frame with matte Signed lower right “Lazo” SIZE: Sight: 14″ x 9-3/4″ Overall: 22-1/2″ x 18-1/2″ CONDITION: Some minor foxing spots, otherwise very good 9-92008 (4,000-6,000)

HENRY LOUIS DUPRAY (French, 1841-1909) SOLDIERS SKIRMISHING ON HILLSIDE. Oil on panel Housed in a fancy gilt decorated frame Signed lower left “H. Dupray 1882″ SIZE: Sight: 14-1/4″ x 21-1/4”. Overall: 20″ x 27″ PROVENANCE: Florida Estate CONDITION: Very good, some minor inpainting 9-90896 (1,500-2,500)

PAUL EMILE LEON PERBOYRE (French, 1859-1929) CHARGING CAVALRY. Oil on panel Housed in a modern antique style gilt frame with linen & gilt liner Signed lower left “Perboyre” SIZE: Sight: 9″ x 12-1/4″. Overall: 14-1/2″ x 17-3/4″ PROVENANCE: Private Main Line, MA collection CONDITION: Very good with spot inpainting in the sky 9-90894 (1,000-2,000)

UNSIGNED (American, 18th Century) PORTRAIT OF A SEATED GENTLEMAN WITH BOOK “LAWS OF ELECTIONS”. Oil on canvas Housed in a modern gilt frame with velvet & gilt liner Unsigned Dominion Gallery Montreal label on verso SIZE: 30″ x 25″. Overall: 37″ x 32″ CONDITION: Relined, old patch on reverse, craquelure, restored 9-25019 (2,000-3,000)

LOUIS DOYLE NORTON (American, 1867-1940) CAPE PORPOISE FISH SHACKS. Pastel Housed in a modern gilt frame with brown matte & glass Signed lower right “L D Norton 1930″ SIZE: Sight: 11-1/2″ x 17-1/2”. Overall: 17″ x 23″ CONDITION: Sky & buildings with rub, a few small waterstains, fair to good 7-70524 (1,000-1,500)

LOUIS DOYLE NORTON (American, 1867-1940) “CLEAR MORNING OFF CAPE PORPOISE LIGHT”. Pastel Housed in a modern gilt frame with white matte Signed lower right “L D Norton 1932″ SIZE: Sight: 11-1/2″ x 17-1/2”. Overall: 17″ x 22-1/2″ CONDITION: Very good 7-70523 (1,000-1,500)

HUGH HENRY BRECKENRIDGE (American, 1870-1937) “STUDY OF FOLIAGE”. Oil on canvas Housed in its original art nouveau carved gilt frame Unsigned front, verso of canvas has title and what appears to be written “Luke Breckenridge” SIZE: 18-1/4” x 21-1/4” Overall: 21″ x 24″ CONDITION: Surface dirt, some chipping at bottom and right side, tack holes present in corners. Good. 9-93005 (4,000-6,000)

JAMES KING BONNAR (American, 1883-1961) COLORFUL FALL LANDSCAPE. Oil on canvas Housed in a gilt carved wood frame Signed SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 9-92800 (2,500-3,500)

WILLIAM MASON BROWN (American, 1828-1898) FALL LANDSCAPE WITH WATER. Oil on canvas Housed in a period gesso decorated gilt frame with gilt liner Signed lower right “W Brown” SIZE: 13″ x 19″. Overall: 20″ x 26″ CONDITION: Very good 9-92157 (1,000-1,500)

Revised: 1/30/2014

Please Note: The estimate should be $500-$700.

ANTON KAMP (American, 1895-1985) “STUDY OF A BARN”. Oil on canvas Housed in its original partial gilt wood frame Signed lower left “Anton Kamp”, also signed on reverse, titled, and having estate stamp SIZE: 24″ x 32″. Overall: 29-1/2″ x 37-3/4″. CONDITION: Very good. 9-29094 (500-700)

Revised: 1/30/2014

Please Note: The estimate should be $400-$600.

ANTON KAMP (American, 1898-1985) “GLORIOUS OCTOBER”. Oil on canvas Housed in a gold carved wood frame, on verso is title, artist, and estate stamp Signed lower right “Anton Kamp” SIZE: 27″ x 36″. Overall: 32-1/2″ x 41-1/4″. CONDITION: Small touch-up in sky, very good. 9-29110 (400-600)

UNSIGNED (American, 19th Century) FALL LANDSCAPE. Oil on wood panel Housed in a period gesso decorated oval frame Unsigned SIZE: 9-3/4″ x 12″ Overall: 15-1/4″ x 17-1/4″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Good 9-92308 (600-1,200)

HORACE BROWN (American, 1876-1949) WINDING RIVER IN WINTER SNOW. Oil on canvas Housed in its original silver gilt wood frame Signed upper right “Horace Brown” SIZE: 32″ x 40″. Overall: 36″ x 44″ CONDITION: Craquelure, lined, inpainting otherwise very good 9-92036 (2,500-4,500)

JOHN C. HAGEN (American, -1882) “LABORS END, 1847”. Oil on canvas Housed in a fine replacement gilt frame with its original antique liner & artist plaque Signed lower right “J Hagen, 1847″ SIZE: 25″ x 30”. Overall: 31″ x 36″ CONDITION: Lined, some touch up, very good 9-92484 (2,500-4,000)

GEORGE JENSEN (American, 1878-1977) FALL SNOW. Oil on board Housed in a period carved gilt frame with gilt liner having finish losses behind glass Signed lower right ” G Jensen” SIZE: 30-3/4″ x 40″. Overall: 40″ x 49″ CONDITION: Very good 9-92805 (2,500-3,500)

TOM HUGHES (American, 1965-) STONE WALL IN SNOW COVERED FIELD. Oil on canvas Housed in a gilt wood frame with stained & gilt liner Signed lower left “Tom Hughes” SIZE: 28″ x 24″. Overall: 33-1/2″ x 29-1/2″ CONDITION: Very good to excellent 9-91772 (1,000-2,000)

WILLIAM EDWARD NORTON (American, 1843-1916) TALL SHIP UNDER SAIL. Oil on board Housed in a period gesso decorated gilt frame Signed lower left “W E Norton Atelier” SIZE: 17-1/2″ x 21-1/2″. Overall: 24-1/2″ x 28-1/2″ CONDITION: Craquelure showing white, a few small chips, otherwise fair to good 9-92155 (800-1,200)

LOUIS DOYLE NORTON (American, 1867-1940) TIDAL MARSH BOATHOUSES. Pastel Housed in a giltwood frame behind glass Signed lower right “L D Norton 1935″ SIZE: Sight: 11-3/4″ x 17-3/4”. Overall: 14″ x 20″ CONDITION: Very good 7-70519 (800-1,200)

LOUIS DOYLE NORTON (American, 1867-1940) TIDAL MARSH AREA WITH BOATS & BUILDINGS. Pastel Housed in a gilt wood frame with glass Signed lower right “L B Norton 34″ SIZE: Sight: 11-1/2″ x 17-1/2”. Overall: 14″ x 20″ CONDITION: Very good 7-70518 (800-1,200)

HORACE BROWN (American, 1876-1949) “PEACHES”. Oil on canvas Housed in its original painted wood frame Signed lower left “Horace Brown” Verso of canvas has landscape painting with house SIZE: 24″ x 27″. Overall: 29-1/2″ x 32-1/2″ CONDITION: Very good 9-92035 (2,000-3,000)

ISABEL PARKE BRANSON CARTWRIGHT (American, 1885-1966) “SPRING FLOWERS”. Oil on canvas Housed in its original gilt wood frame Signed lower left Isabel Branson Cartwright SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Light surface dirt, very good 9-90233 (4,000-6,000)

C T WILSON (American, 19th Century) STILL LIFE WITH ROSES. Oil on canvas Housed in its original acorn decorated gilt frame with gilt sand finished liner Canvas stamp “Henry Leidel, New York” on verso Signed lower right “C T Wilson N.Y. 87″ SIZE: 12″ x 20″. Overall: 22-1/2″ x 30-1/2”. CONDITION: Craquelure, very good 9-90968 (1,500-3,000)

HOWARD LOGAN HILDEBRANDT (American, 1872-1958) “FLORAL”. Oil on canvas Housed in a modern decorative gilt frame Signed lower right “H L Hildebrandt NA” SIZE: 24″ x 20″. Overall: 27-1/2″ x 23-1/2″ PROVENANCE: Ex-Private collection of Dr. Irving Levitt, MD, Bloomfield Hills, MI; Marbella Gallery, 28 East 72nd St, NY CONDITION: Very good with some minor inpainting 9-90899 (1,000-2,000)

AUGUST LAUX (American, 1847-1921) FRUIT & SILVER. Oil on canvas Housed in a fine gesso decorated gilt period frame Signed lower right “A Laux” SIZE: 12″ x 18″. Overall: 21-3/4″ x 27-3/4″ CONDITION: Very good 9-92995 (1,000-2,000)

GEORGE HENRY TAGGART (American, 1865-1924) IMPRESSIONISTIC LANDSCAPE. Oil on canvas Housed in an outstanding gesso decorated gilt shell motif frame Signed lower right “Geo. H. Taggart” SIZE: 27″ x 21″. Overall: 37-1/2″ x 31″ CONDITION: Very good, some surface dirt 9-92770 (1,250-1,750)

ROY MARTELL MASON (American, 1886-1972) LANDSCAPE RIDDEN BY FIRE. Oil on canvas Housed in a white washed molded wood frame Unsigned SIZE: 25″ x 30″. Overall: 29″ x 34″ CONDITION: Relined with some inpainting 9-92487 (2,000-3,500)

UNSIGNED (American, 20th Century) HOUSE WITH WOODS. Oil on masonite Housed in a modern gilt frame with linen & gilt liner Unsigned SIZE: 9″ x 12″ Overall: 16″ x 19″ CONDITION: Thick varnish layer, otherwise very good 9-90220 (2,000-4,000)

ALBERT JEAN ADOLPHE (American, 1865-1940) GOLDEN LANDSCAPE. Oil on board Housed in a fine gesso decorated gilt frame with gilt liner Signed lower right “Albt. J Adolphe, Paris” SIZE: 7-1/2″ x 11-1/2″ Overall: 15″ x 19″ CONDITION: Very good with surface dirt 9-92792 (1,250-1,750)

HAROLD C. DUNBAR (American, 1882-1953) WILD FLOWERS AT EDGE OF WATER. Oil on canvas Housed in a fine carved & gilt wood frame Signed lower left “H C Dunbar” SIZE: 11″ x 14″. Overall: 17-3/4″ x 20-3/4″ CONDITION: Very good, craquelure, some touch up 9-91687 (1,200-1,800)

WILLIAM P BODFISH (American, Fl. 1865-1894) TWILIGHT MOON. Oil on board Housed in an antique gilt rope edge designed frame Signed lower right and dated SIZE: 19″ x 12-1/2″ Overall: 27″ x 20-1/2″ CONDITION: Very good 9-92789 (1,200-1,500)

WILLIAM P. BODFISH (American, Fl. 1865-1894) LANDSCAPE WITH FLOWERS & SUN. Oil on canvas Housed in a fine gilt oak frame retaining a Foster Bros. Boston label Signed lower right “W P Bodfish, 1910″ SIZE: 20″ x 14″ Overall: 25-1/2″ x 19-1/2” CONDITION: Craquelure, very good 9-92790 (1,200-1,500)

THOMAS BARTHOLOMEW/BAILEY GRIFFIN (American, 1858-1918) RAGING RIVER THROUGH HILLS. Oil on canvas Housed in an antique gesso decorated gilt frame with linen liner Signed lower right “T.B. Griffin” SIZE: 14″ x 20″. Overall: 20″ x 27″ CONDITION: Very good. 9-92751 (1,000-2,000)

HOWARD LOGAN HILDEBRANDT (American 1872-1958) TABLETOP STILL LIFE. Oil on canvas Housed in a silver gilt wood frame Signed lower right “H L Hildebrandt NA” SIZE: 24″ x 20″ Overall: 27-1/2″ x 23-1/2″ CONDITION: Very good 9-27067 (800-1,200)

JAMES KING BONNAR (American, 1883-1961) COLORFUL STILL LIFE. Oil on canvasboard Housed in a gilt frame with gilt liner Signed lower right “Jas K Bonnar” SIZE: 19-1/2″ x 15-1/2″. Overall: 26″ x 22″ CONDITION: Very good 9-90891 (800-1,200)

WILLARD WARREN CUMMINGS (American, 1915-1975) STILL LIFE OF FLOWERS. Oil on canvas Housed in a distressed wood frame Signed lower right SIZE: 25″ x 16″ Overall: 33″ x 24″ CONDITION: Water damage with lifting paint & chips, as found 9-90491 (500-700)

THOMAS MUELLER DIETRICH (American, 1912-1998) STILL LIFE WITH BIRDCAGE. Oil on canvas Housed in a paint decorated carved frame Signed lower right SIZE: 16″ x 20″ Overall: 23″ x 27″ CONDITION: Very good 9-90492 (500-700)

ALISA SKULTE (American, 20th Century) STILL LIFE OF FLOWERS. Oil on canvas Housed in a replacement gilt frame Signed lower right “A Skulte” SIZE: 30″ x 24″. Overall: 33-3/4″ x 27-3/4″ CONDITION: Very good, minor touch up 9-92493 (350-550)

SAMUEL ROSE (American, 1941-2008) STILL LIFE WITH TEN CARNATIONS. Oil on masonite Housed in a decorative gilt frame with linen liner Signed lower right “Samuel Rose” SIZE: 30″ x 24″. Overall: 38-1/2″ x 32-1/2″ PROVENANCE: Massachusetts National Fire Protections Association CONDITION: Very good 7-70429 (300-500)