Preview: February 7, 2018: 9am-5pm and February 8 & 9, 2018: 8am-10am
Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.
ALEXANDER THEOBALD VAN LAER (American, 1857-1920) “AN APRIL DAY”
Oil on canvas Housed in a fine reproduction carved and gilt frame by P.H. Miller (Virginia) Dated 2003 Unsigned front, signed and titled on stretcher, the back retaining a Cooley Gallery label SIZE: 20″ x 27″. Overall: 27″ x 34″ CONDITION: Very good with minor touch up 52949-1 (1,000-2,000) – Lot 1100
PATRICK VINCENT BERRY (American. 1852-1922) PAIR OF LANDSCAPES
Oil on canvases Both housed in wonderful glass front shadow box frames. The paintings have fabulous original gilt gesso decorated frames Each signed lower right “PV Berry” SIZE: 12″ x 10″. Overall: 25″ x 23″ CONDITION: Craquelure, otherwise very good. 53038-1 (1,500-2,500) – Lot 1101
AMERICAN SCHOOL (19th century) NATIVE AMERICANS NAIVE MOUNTAINOUS LANDSCAPE WITH LAKE
Oil on canvas Housed in a giltwood frame Unsigned SIZE: 18″ x 24″. Overall: 24″ x 30″ PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Good restored condition, lined with restoration throughout, large restored tear in center, stretchers replaced 52806-180 (1,000-1,500) – Lot 1102
F. PAULI (European, 19th/20th century) ALPINE VILLAGE WITH STREAM AND MOUNTAINS
Oil on canvas Housed in a modern giltwood frame Signed lower right “F. Pauli” SIZE: 17″ x 24″. Overall: 22″ x 29″ CONDITION: Good restored condition, lined, craquelure, restoration along edges and scattered areas throughout trees 52624-2 (800-1,200) – Lot 1103
DANIEL FRANCOIS SANTRY (American, 1858-1915) HOMESTEAD WITH STONE WALL
Oil on canvas Housed in a gold painted composite frame Signed and dated lower right “D. Santry 92″ SIZE: 22″ x 36”. Overall: 28″ x 42″ PROVENANCE: By descent through the family of Major John Mead Gould CONDITION: Overall discolored varnish, surface grime, craquelure and old restoration 52936-8 (2,000-3,000) – Lot 1104
EDMUND DARCH LEWIS (American, 1835-1910) GOING FISHING IN THE POCONOS
Oil on canvas Housed in a fine reproduction antique gilt decorated gesso frame Signed lower left “Edmund D. Lewis 1868″ SIZE: 31″ x 46”. Overall: 40″ 54-1/2″ CONDITION: Very good, lined 53038-3 (6,000-9,000) – Lot 1105
GEORGE HETZEL (American, 1826-1899) SCALP LEVEL LANDSCAPE, PENNSYLVANIA
Oil on canvas Housed in a period giltwood frame with presentation plaque Signed and dated lower left “Geo. Hetzel 1884″ SIZE: 14″ x 22-3/4”. Overall: 21-1/2″ x 30-1/4″ CONDITION: Very good with large craquelure, minor flake loss in tree, minimal touch-up along right edge and in cracking 52822-1 (4,000-6,000) – Lot 1106
ATTRIBUTED TO ALEXANDER HELWIG WYANT (American, 1836-1892) “MORNING IN THE CATSKILLS”
Oil on canvas Housed in a fine reproduction antique style gesso decorated gilt frame with gilt liner having gilt title and artist plaque Unsigned but having a spurious signature which may be “R. Blakelock”, but is illegible. The painting was submitted to the University of Nebraska for authentication and it was given an inventory number “NB-1-2184-IV” (Tag on verso). Also on verso is an early Blakelock artist label “No 2957 / Owner: Blakelock / Artist: R.A. Blakelock / Date: Feby 7 189_” SIZE: 18″ x 33-1/2″. Overall: 25-1/2″ x 41″ CONDITION: Minor losses along bottom edge, very good with minor touchup 53038-5 (2,000-4,000) – Lot 1107
IDA NASH GORDON (American, 1903-1983) IMPRESSIONIST LANDSCAPE WITH TREES
Oil on canvas Housed in a carved walnut frame Signed lower right “Ida Nash Gordon” SIZE: 30″ x 24″. Overall: 35″ x 29″ CONDITION: Very good 52622-4 (400-600) – Lot 1108
HELEN LUNDEBERG (American, 1908-1999) MOUNTAIN ROAD
Oil on board Housed in a modern silver gilt frame with beveled linen mat Identified on verso with artist and title label SIZE: 10″ x 8″. Overall 16″ x 14″ CONDITION: Very good, one small scratch at bottom margin 52987-14 (3,000-5,000) – Lot 1109
BERNARD COREY (American, 1914-2000) “BREAKING SUN”
Oil on Masonite Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” SIZE: 8-3/4″ x 11-1/2″. Overall: 13-1/2″ x 16-1/2″ PROVENANCE: Purchased directly from the artist CONDITION: Very good 52796-8 (800-1,000) – Lot 1110
Oil on Masonite Housed in a signed Goodnow giltwood frame Signed lower left “Bernard Corey”, titled on label affixed to verso with Certificate of Authenticity signed by Caroline Grimley, also bears a Royka’s Fine Art label with provenance listed as “Estate of Bernard Corey”. SIZE: 10″ x 14″. Overall: 16-1/2″ x 20-1/2″ CONDITION: Very good to excellent 52903-4 (1,000-2,000) – Lot 1111
BERNARD COREY (American, 1914-2000) “A SUMMER DAY”
Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Bernard Corey” SIZE: 10″ x 16″. Overall: 14-3/4″ x 20-3/4″ PROVENANCE: Purchased directly from the artist CONDITION: Very good to excellent 52796-6 (1,000-1,500) – Lot 1112
OGDEN MINTON PLEISSNER (American, 1905-1983) “A BIG ONE HOOKED”
Watercolor on paper Housed in a modern giltwood frame matted under glass Signed lower right “Pleissner”, titled on The Caldwell Gallery label affixed to verso SIZE: 17-3/4″ x 27-3/4″. Overall: 29″ x 39″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT; Ex-Collection Charles Shipman Payson; by descent Mrs. Charles Shipman Payson; Sotheby’s New York, May 25, 1988 CONDITION: Very good to excellent 52806-4 (80,000-120,000) – Lot 1113
Watercolor on paper Housed in a modern giltwood frame housed under glass Signed lower right “Pleissner” SIZE: 19-1/2″ x 23-1/2″. Overall: 31″ x 35″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good to excellent, not examined out of frame 52806-159 (30,000-50,000) – Lot 1114
OGDEN MINTON PLEISSNER (American, 1905-1983) “THE CLIFFS AT BIG SALMON”
Watercolor Housed in a contemporary gilt frame with gilt artist plaque and white mat behind glass Signed lower left “Pleissner”, attached to verso is a label from William Macbeth New York Gallery with title and artist. Also a loan tag from the circulating galley of the Dayton Art Institute SIZE: Sight: 17-1/4″ x 24″. Overall: 28″ x 34″ CONDITION: Very good, some slight mat burn on left edge 53029-1 (20,000-30,000) – Lot 1115
Watercolor Housed in a fine carved and gilt frame with linen mat behind glass Signed lower left “Pleissner”, also having on verso the Milch Galleries NY label with title and artist SIZE: Sight: 17″ x 28″. Overall: 27″ x 38″ CONDITION: Very good, not examined out of frame 53039-1 (4,000-6,000) – Lot 1116
SAMUEL W. GRIGGS (American, 1827-1898) LEAPING BROOK TROUT
Oil on artist board Housed in a vintage giltwood frame liner Signed lower right “S W Griggs” SIZE: 16-1/4″ x 23″. Overall: 20-1/2″ x 27-1/4″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Surface grime, discolored varnish, several small abrasions 52806-129 (1,500-2,500) – Lot 1117
ENGLISH SCHOOL (19th century) STILL LIFE OF FISH IN A LANDSCAPE
Oil on panel Housed in a modern giltwood frame Unsigned SIZE: 16″ x 20-3/4″. Overall: 19-1/2″ x 24-1/4″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Shrinkage cracks throughout, old restoration around edges and surface grime 52806-39 (600-900) – Lot 1118
FRANK STICK (American, 1884-1966) SURPRISE ENCOUNTER
Oil on canvas Housed in a modern carved gilt wide frame Signed lower right “Frank Stick” Note: Frank Stick worked for several outdoor magazines including Field and Stream and Sports Afield. He was an avid fisherman and co-authored and illustrated a book on surf fishing and illustrated several fishing books by Zane Grey and as friends they often fished together SIZE: 38″ x 27″. Overall: 46″ x 35″ CONDITION: Lined, restored with inpainting, very good 53021-2 (6,000-8,000) – Lot 1119
WALTER H. DOWER (American, 1883-1934) FLY FISHING IN AUTUMN
Oil on canvas Housed in a barn board-style frame with linen liner Signed lower left “Walter Dower” SIZE: 20″ x 30″. Overall: 28″ x 38-1/2″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good 52806-153 (1,000-1,500) – Lot 1120
Oil on canvas Housed in a barn board style frame with linen liner Signed lower right “Walter Dower”, titled on stretcher SIZE: 18″ x 24″. Overall: 25-1/2″ x 31-1/2 PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good with minor surface grime 52806-130 (1,000-1,500) – Lot 1121
ARTHUR FITZWILLIAM TAIT (American, 1819-1905) “QUAIL AND YOUNG”
Oil on canvas Housed in a fine period giltwood frame Signed and dated lower left “AF Tait. 59”, bears gallery label from Gerold Wunderlich & Co on verso Reference: Illustrated on page 146 and listed as 59.1 in Arthur Fitzwilliam Tait, a Checklist of His Works by Henry Marsh SIZE: 13-1/4″ x 22″. Overall: 26-1/2″ x 34-1/2″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good restored condition, lined, restoration along top right and scattered re-touch along edges 52806-107 (20,000-40,000) – Lot 1122
ARTHUR FITZWILLIAM TAIT (American, 1819-1905) ROOSTER AND CHICKENS IN BARN INTERIOR
Oil on panel Housed in a vintage gold finish wood frame Signed and dated lower right “A.F.Tait N.A. N.Y. 83″ SIZE: 9-3/4″ x 12-1/4″. Overall” 12-1/2″ x 15″ CONDITION: Beveled panel is warped, tiny craquelure upper left 52931-1 (5,000-7,000) – Lot 1123
GEORGE WILLIAM SCHINZEL (American, 19th-20th century) QUAIL IN A LANDSCAPE
Oil on canvas Housed in a modern gold tone frame Signed lower right “W. Schinzel” Note: According to the “Lain Directory of Brooklyn, George Schinzel is listed as a Brooklyn, New York artist in 1879 SIZE: 20″ x 24”. Overall: 24″ x 28″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: In good restored condition, lined, old restoration masked with varnish 52806-60 (1,000-2,000) – Lot 1124