ALDRO THOMPSON HIBBARD (American, 1886-1972) SPAIN: NET MENDER

Oil on canvas board
Housed in a good carved and gilt modern frame
Unsigned (accompanied by an authentication letter by Hillary Turley Hibbard) SIZE: 10″ h x 11-3/4″ w. Overall 17″ h x 19″ w. CONDITION: Very good. 52736-4 (2,000-3,000) – Lot 1075

PAUL STRISIK (American, 1918-1998) “CASCADE MTN. BANFF, ALBERTA”

Oil on canvas
Housed in a contemporary gold carved frame
signed and dated lower left “P Strisik ’79”
Identified on label verso SIZE: 16″ x 24″. Overall: 23-1/2″ x 31-1/4″ CONDITION: Very good 52899-7 (2,000-3,000) – Lot 1076

THOMAS R. CURTIN (American, 1899-1977) “MANSFIELD FROM POINT NEAR FLETCHER STATION

Oil on canvas
Housed in a gilt modern wood frame having an artist and title plaque with alternate title “Mount Mansfield from Northeast” also having an original penned artist label on verso, with linen liner
Singed lower right “Thos. R. Curtin” SIZE: 20″ h x 25″ w. Overall 25″ h x 29″ w CONDITION: Very good 52990-1 (4,000-6,000) – Lot 1077

THOMAS R. CURTIN (American, 1899-1977) FLETCHER GRANGE

Oil on Masonite
Housed in a modern molded wood gilt frame
Signed lower right “Thos. R. Curtin” SIZE: 24″ h x 32″ w. Overall 30″ h x 38″ w CONDITION: Very good 52990-2 (4,000-6,000) – Lot 1078

THOMAS R. CURTIN (American, 1899-1977) WINTER EVENING

Oil on board
Housed in a silver gilt molded wood frame
Signed lower right “Thos. R. Curtin” SIZE: 13-1/2″ x 16-1/2″. Overall 17-1/4″ x 20-1/4″ PROVENANCE: From the collection of Wilfred Glenn, founding member of the musical group The Revelers CONDITION: Some flecking to left side, otherwise very good 52985-1 (2,000-4,000) – Lot 1079

THOMAS R. CURTIN (American, 1899-1977) WINTER SCENE

Oil on Masonite
Housed in a modern gold leaf frame
Signed lower right “Thos. R. Curtin” SIZE: 10″ x 12″. Overall: 13″ x 15-1/4″ CONDITION: Very good. Surface grime. 52858-2 (1,000-1,500) – Lot 1080

THOMAS R. CURTIN (American, 1899-1977) NEW ENGLAND LANDSCAPE WITH SAILBOAT ON A LAKE

Oil on canvas
Housed in a brown painted wood frame
Signed lower right “Thos R. Curtin” SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Very good 52829-28 (3,000-5,000) – Lot 1081

BERNARD COREY (American, 1914-2000) “WATERS FARM – DECEMBER”

Oil on panel
Housed in a contemporary giltwood frame
Signed lower right “Bernard Corey” SIZE: 8″ x 11″. Overall: 13″ x 16″ PROVENANCE: Purchased directly from the artist CONDITION: Very good 52796-7 (700-900) – Lot 1082

BERNARD COREY (American, 1914-2000) “HILLTOP FARM”

Oil on board
Housed in a contemporary giltwood frame
Signed lower left “Bernard Corey” SIZE: 10″ x 15″. Overall: 15″ x 20″ PROVENANCE: Purchased directly from the artist CONDITION: Very good to excellent 52796-5 (1,000-1,500) – Lot 1083

BERNARD COREY (American, 1914-2000) MEADOW VIEW

Oil on board
Housed in a modern giltwood frame with presentation plaque
Signed lower left “Bernard Corey”, stamped on verso “Royka’s, from the Estate of Bernard Corey, Estate No R.290″ SIZE: 9″ x 12”. Overall: 15-1/4″ x 18-1/4″ CONDITION: Very good 52798-3 (1,200-1,500) – Lot 1084

Revised: 1/30/2018

Please Note: Size should be: 29″ x 39″. Overall: 38″ x 48″.

ERIC SLOANE (American, 1905-1985) “SUN AND BARNWOOD”

Oil on Masonite
Housed in a barn board-style frame
Signed and titled lower left “Eric Sloane NA Sun and Barnwood”
Accompanying the painting is a 2001 appraisal by Brady Galleries, Inc SIZE: 29″ x 59″. Overall: 38″ x 48″ CONDITION: Very good to excellent 52622-1 (15,000-25,000) – Lot 1085

ERIC SLOANE (American, 1905-1985) “SUMMER IN VERMONT”

Oil on Masonite
Housed in a barn board frame
Signed lower right “Eric Sloane”, titled lower left
Note: Covered bridges were one of Eric Sloane’s favorite subjects. These structures from a bygone era are, without doubt, romantic and picturesque. The rustic covered bridge complete with “Walk Your Horses!” sign, greenery of a summer day, barefoot boys with fishing poles, dog, and you have a story of a very old bridge as it experiences a single, lovely summer moment in its seemingly timeless life. SIZE: 24″ x 28″. Overall: 32″ x 35-3/4″ CONDITION: Good 52895-10 (10,000-20,000) – Lot 1086

JAMES MCDOUGAL HART (American, 1828-1901) SUMMER REST

Oil on canvas
Housed in a restored antique gold gesso decorated frame with gold liner having artist plaque
Signed lower left “James M. Hart 1883″ SIZE: 39″ x 30”. Overall: 53″ x 44″ CONDITION: Lined, some inpainting, very good 53038-6 (4,000-6,000) – Lot 1087

WILLIAM R. DAVIS (American, 1952-) “BEND ON THE SACO RIVER – NEAR NORTH CONWAY N.H.”

Oil on Masonite
Housed in a good gilt molded wood frame
Signed lower left “W. Davis”, also signed and dated on reverse, October 2007 SIZE: 8″ h x 10″ w. Overall 13″ h x 15″ w CONDITION: Very good to excellent 52736-7 (1,500-2,000) – Lot 1088

WILLIAM R. DAVIS (American, 1952-) “MOUNTAIN LAKE LIGHT”

Oil on panel
Housed in contemporary wood frame
Signed lower left “W.Davis”, signed and titled on verso “William R. Davis Mountain Lake Light” SIZE: 8″ x 6″. Overall: 10″ x 8″ CONDITION: Very good to excellent 52899-10 (1,500-2,500) – Lot 1089

WILLIAM R. DAVIS (American, 1952-) “OLD STONE BRIDGE”

Oil on board
Housed in a contemporary giltwood frame
Signed lower left “W. Davis”, signed and titled on verso “William R. Davis Old Stone Bridge” SIZE: 10″ x 8″. Overall: 16″ x 14-1/2″ CONDITION: Very good to excellent 52962-1 (800-1,200) – Lot 1090

WILLIAM PASKELL (American, 1866-1951) 19TH CENTURY BOSTON CITY VIEW

Oil on canvas
Housed in a modern silver painted wood frame
Signed lower left “Wm Paskell”
Note: The church and square depicted bears significant resemblance to the church formerly located at the corner of Summer and Bedford streets in Boston. Founders of the New South Church first met around 1714 at the Old Bull Tavern, with original members including Samuel Adams, Samuel Greenleaf and Thomas Peck. The church was first built in 1719, however, in 1814, Charles Bullfinch built a new church on the same spot. The church was demolished in 1868, shortly before William Paskell arrived in Boston as a young boy. It is possible this painting was created as a commemorative work by the artist in the early 20th century SIZE: 26″ x 28″. Overall: 27-1/2″ x 29-1/4″ CONDITION: Very good with minor varnish discoloration 52738-26 (1,500-2,500) – Lot 1091

KEN KNOWLES (American, 1968-) “COMMONWEALTH AVE FROM THE GARDENS”

Oil on canvas
Housed in a modern giltwood frame
Signed lower left “Ken Knowles”, titled and dated on verso “Commonwealth Ave from the Gardens Ken Knowles ’08” SIZE: 20″ x 24″. Overall: 26-1/2″ x 30-1/2″ CONDITION: Very good to excellent 52386-3 (1,000-1,500) – Lot 1092

JOHN WHORF (American, 1903-1959) RAILROAD YARD

Watercolor
Housed in an ebonized wood frame, matted under glass
Signed lower right “John Whorf.” SIZE: 15-1/2″ x 22″. Overall: 27-1/2″ x 34″ CONDITION: Good, paper discoloration and fading, not examined out of frame 52970-2 (2,500-3,500) – Lot 1093

JOHN WHORF (American, 1903-1959) SEPTEMBER AFTERNOON

Watercolor
Housed in a contemporary giltwood frame matted under glass
Signed lower right “John Whorf.” SIZE: 14-1/2″ x 21-3/4″. Overall: 23-1/2″ x 31-1/2″ CONDITION: Very good, not examined out of frame 52970-1 (2,500-3,500) – Lot 1094

JOHN JOSEPH ENNEKING (American, 1841-1916) “MILTON LOWER MILLS”

Oil on board
Housed in a gilt frame with linen mat
Unsigned, identified on reverse with title, artist and owner SIZE: 5-1/2″ x 5-1/2″. Overall 11″ x 11″ CONDITION: Some surface chipping, in need of restoration, otherwise good 52987-2 (1,000-1,500) – Lot 1095

JOSEPH ELIOT ENNEKING (American, 1881-1942) FLOATING DOCK, EAST GLOUCESTER MASS

Oil on canvas laid down on board
Housed in a contemporary giltwood frame
Signed lower right “J. Eliot Enneking”, inscribed on verso “…Float East Gloucester Mass” SIZE: 10″ x 12″. Overall: 17-1/2″ x 19-1/2″ CONDITION: Good, discolored varnish 52907-2 (1,500-2,500) – Lot 1096

Revised: 1/30/2018

Please Note: Title should read “PROVINCETOWN HARBOR”.

ARTHUR MORRIS COHEN (American, 1928-2012) TWO WORKS: “TOWN WHARF” AND “PROVIDENCE TOWN HARBOR”

Oil on panels
Simple shadow box type wood frames
Initialed lower right, also signed and titled on verso SIZE: 4″ h x 8″ w, 5″ h x 8″ w. Overall 4-1/2″ h x 8-3/4″ w, 5-1/2″ h x 8-1/2″ w CONDITION: Very good 52987-16 (1,800-2,200) – Lot 1097

JOHN JOSEPH ENNEKING (American, 1841-1916) AUTUMN LANDSCAPE

Oil on paper board
Housed in a modern gold frame with linen liner
Titled and signed on verso in light pencil in what appears to be the artist’s hand “November sunset – Enneking” SIZE: 7-1/2″ x 12″. Overall: 13-1/2″ x 17-1/4″ CONDITION: Good, retouched lower left 52895-3 (800-1,200) – Lot 1098

DALE PHILIP BESSIRE (American, 1892-1974) “GOLDEN MORNING”

Oil on Masonite
Housed in a vintage giltwood frame
Signed lower left “Dale Bessire”
Original purchase receipt accompanies lot SIZE: 24″ x 30″. Overall: 28″ x 33″ PROVENANCE: Eckert Fine Art Galleries, Indianapolis, IN; acquired from above by current owner in 2004 CONDITION: Very good with minor surface grime, work does not quite fit frame 52622-3 (2,000-4,000) – Lot 1099