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Lot |
Price | Description |
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1252
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$847.00 |
JEAN BAPTISTE ANTOINE GUILLEMET (French, 1843-1918) LANDSCAPE WITH WINDMILL
Oil on panel Housed in a modern giltwood frame Signed lower left “A. Guillemet” SIZE: 6-3/4″ x 10-1/4″. Overall: 14-1/2″ x 17-3/4″ CONDITION: Minor surface dirt, otherwise very good 52851-3 (2,000-4,000) – Lot 1252
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1253
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$968.00 |
PAUL EMILE PISSARRO (French, 1884-1972) “LE BAIN DE SUERE MONTAGNE”
Pencil on paper Housed in a modern giltwood frame matted under glass Signed lower left “Paulemile-Pissarro”, titled on Alon Gallery label taped to verso SIZE: 7-1/2″ x 10″. Overall: 19″ x 23″ CONDITION: Several small spots of discoloration, otherwise good, not examined out of frame 52851-2 (800-1,200) – Lot 1253
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1254
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$1,452.00 |
PAUL LUCIEN MAZE (French, 1887-1979) PICNIC IN THE PARK
Pastel on paper Identically housed in partial gilt and painted frames behind glass and decorative mat Signed lower left and right SIZE: 21-1/2″ x 14-1/2″. Overall 29-3/4″ x 23″ CONDITION: Good, frames with some losses 52987-12 (1,000-1,500) – Lot 1254
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1255
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$1,815.00 |
NICOLAI LOUIS CABAT (French, 1812-1893) BARBIZON LANDSCAPE WITH FIGURES BY A RIVER
Oil on canvas Housed in an elaborate gilt gesso period frame Signed lower left “N. Cabat” SIZE: 20″ x 28″. Overall: 33-1/2″ x 41-1/4″ CONDITION: Good restored condition, minor scattered re-touch, lined, frame has losses to moldings 52929-1 (1,500-2,500) – Lot 1255
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1256
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$1,210.00 |
JAQUETTES (French School, 19th century) SHEEP ON A SHORELINE PASTURE
Oil on canvas Housed in its original gilt frame liner Signed lower left in script “Jaquettes”, also on verso stretcher is a partial label, which is illegible SIZE: 25-3/4″ x 36-1/2″. Overall 27-1/2″ x 38″ CONDITION: “L” shaped small tear in path, light scuffing, surface discoloration and grime, light craquelure, otherwise good 52987-8 (1,000-1,500) – Lot 1256
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1257
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$1,815.00 |
FREDERICK ARTHUR BRIDGMAN (American, 1847-1928) “THE MEETING PLACE”
Oil on canvas Housed in a period giltwood frame Signed and dated lower left “F A Bridgman 1872”, titled on The Edwards Galleries, Scotland label affixed to verso frame, canvas stenciled “G & C 6245″ SIZE: 15″ x 18-1/2”. Overall: 26″ x 30″ CONDITION: Very good. great frame 52399-10 (2,500-4,000) – Lot 1257
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1258
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$242.00 |
ENGLISH SCHOOL (19th century) PASTORAL LANDSCAPE WITH COWS
Oil on canvas Housed in a curly maple frame Illegible remnants of old signature lower left SIZE: 16″ x 22″. Overall: 20″ x 26″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Restored, lined with scattered restoration and discolored varnish 52806-112 (300-500) – Lot 1258
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1259
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$0.00 |
WILLEM ROELOFS (Dutch, 1822-1897) FIGURES IN A SUNLIT LANDSCAPE
Watercolor Housed in a giltwood frame matted under glass Signed and dated lower left “W Roelofs 1880″ SIZE: 13″ x 19”. Overall: 21″ x 26-3/4″ CONDITION: Good with minor foxing in sky and surface scratches, not examined out of frame 52796-2 (3,000-5,000) – Lot 1259
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1260
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$1,089.00 |
KEN KNOWLES (American, 1968-) “THE WHITE BRIDGE”, VENICE ITALY
Oil on canvas Housed in a modern giltwood frame Signed lower left “Ken Knowles”, titled, signed and dated on verso “The White Bridge”, Venice Italy Ken Knowles 07″ SIZE: 20″ x 24″. Overall: 27″ x 30-1/2″ CONDITION: Very good to excellent 52386-1 (1,000-1,500) – Lot 1260
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1261
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$6,050.00 |
GUY ARTHUR WIGGINS (American, 1920-) “SUMMER AT THE METROPOLITAN MUSEUM”
Oil on canvas Housed in a decorative wood frame Signed lower right “Guy A. Wiggins” also titled and signed on verso of canvas, attached to verso is a 2015 spring auction tag of the Salamagundi Club, New York City SIZE: 16″ x 20″. Overall 21″ x 25″ CONDITION: Very good 53015-1 (4,000-6,000) – Lot 1261
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1262
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$605.00 |
GEORGIE READ BARTON (American, 1902-1994) WINTER LANDSCAPE
Oil on canvas Housed in a vintage giltwood frame Signed lower right “Georgie Read Barton” SIZE: 24″ x 30″. Overall: 28-1/2″ x 34-1/2″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good with minor varnish discoloration, frame has gilt losses and over-paint. 52806-149 (500-800) – Lot 1262
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1263
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$3,327.50 |
RONAL PARLIN (American, 20th Century) “WHERE HARD AND SOFT MEET”
Oil on panel Housed in a contemporary giltwood frame Signed lower left “Ronal Parlin”, signed, titled and dated on verso “Where Hard and Soft Meet oil Ronal Parlin (c) 2000” with inscription “This was painted on location out behind our house on the snowmobile trail. The stonewall separates the hard and soft wood roads.” SIZE: 24″ x 36″. Overall: 32″ x 44″ CONDITION: Very good to excellent 52899-3 (2,500-3,500) – Lot 1263
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1264
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$0.00 |
EARLE A. TITUS (American, 1895-1962) “WINTER FANTASY”
Oil on canvas laid down on Masonite Housed in a gold painted carved wood frame Signed lower right “E. A. Titus”, inscribed, signed and dated on verso “Waite River, VT ‘Winter Fantasy’ Earle A. Titus 1951″ SIZE: 24″ x 32”. Overall: 29-1/2″ x 37-1/2″ CONDITION: Discolored varnish 52829-19 (2,000-3,000) – Lot 1264
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1265
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$242.00 |
GENE PELHAM (American, 1909-2004) “WINTER BEAUTY”
Oil on board Housed in a white washed wood frame Signed lower right “Gene Pelham”, titled on label from Mary Bryan Memorial Art Gallery, Vermont Artists Show, 1988 exhibition label SIZE: 20″ x 30″. Overall: 25-1/2″ x 35-1/2″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Discolored varnish overall, and minor surface grime 52806-154 (500-1,000) – Lot 1265
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1266
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$3,630.00 |
EDMUND TSCHAGGENY (Belgian, 1818-1873) MILKMAID ENTERING A FIELD WITH COWS AND SHEEP
Oil on canvas Housed in a substantial period giltwood frame with molded acorn and leaf decoration (missing rear molding upper left & areas of overpaint Signed and dated lower left “Edmond Tschuggeny 1869″ SIZE: 30″ x 43-1/2”. Overall: 45″ x 59″ CONDITION: Overall very good, craquelure throughout sky, minor canvas buckle upper right and upper left corners 53040-1 (3,000-4,000) – Lot 1266
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1267
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$0.00 |
WILLIAM WALTON (American, 1843-1915) COWS AT WATERING HOLE IN A MOUNTAINOUS LANDSCAPE
Oil on canvas Housed in a contemporary giltwood frame Signed lower right “W Walton” SIZE: 30″ x 48″. Overall: 34″ x 52-1/2″ CONDITION: Good, several patches on verso, discolored varnish, minor surface grime, shrinkage cracks lower right, some touch-up/inpainting in sky 52933-1 (2,000-4,000) – Lot 1267
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1268
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$1,815.00 |
MANNER OF WILLIAM H. DAVIS (English, 19th century) THE PRIZE BULL
Oil on canvas Housed in a curly maple frame with gilt liner Signed with initials lower right “WJS”, stenciled on verso “Geo Rowney & Co”, London, circa 1868-1883 SIZE: 17″ x 22″. Overall: 21-1/2″ x 27″ PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good with craquelure and tiny pinholes, minor restoration in sky 52806-148 (800-1,200) – Lot 1268
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1269
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$0.00 |
AFTER ANTOINE-LOUIS BARYE (French, 1795-1875) TAUREAU
Bronze Signed “Barye” SIZE: 12″ h x 16″ l PROVENANCE: From a coastal Maine collection CONDITION: Good, dark brown patina with minor rubbing in places 52553-7 (5,000-8,000) – Lot 1269
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1270
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$363.00 |
JULES MOIGNIEZ (French, 1835-1894) TWO WORKS: “POULE DE HOUDAN” AND ANOTHER CHICKEN
Bronze Both signed “J Moigniez” SIZE: 11-1/2″ h CONDITION: Very good, brown patina 53035-1 (500-1,000) – Lot 1270
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1271
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$12,100.00 |
HOWARD TERPNING (American, 1927-) “FACE OF MANY WINTERS”
Charcoal on paper Housed in a modern frame matted under glass Signed and dated lower left “Terpning 1984”, signed, titled and inscribed on verso “All reproduction rights to this drawing are retained by the artist”, bears Altermann & Morris Gallery label on verso SIZE: 19-1/2″ x 15-1/2″. Overall: 32-1/2″ x 28″ PROVENANCE: Coeur D’Alene Art Auction, July 30, 2005, Lot 160 CONDITION: Very good to excellent, not examined out of frame 52474-4 (15,000-25,000) – Lot 1271
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1272
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$0.00 |
HARRY BROWN BAKER (American, 1868-1941) THE HARMONICA PLAYER
Watercolor and gouache on artist illustration board Housed in a carved wood frame under glass Unsigned SIZE: 20″ x 13-1/2″. Overall: 25″ x 19-1/2″ PROVENANCE: This came from a large collection bequeathed from the artist to his New Jersey landlord CONDITION: Staining in margin lower center, not examined out of frame 52884-2 (3,000-5,000) – Lot 1272
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1273
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$0.00 |
HARRY BROWN BAKER (American, 1868-1941) THE LOOKOUT
Gouache on illustration board Housed in a contemporary wood frame matted under glass Unsigned Note: At age 15, Virginia native Harry Baker traveled West and settled in Shawnee, Kansas. Influenced by the success of Frederick Remington, Baker moved to Oklahoma City in the heart of Indian Territory. His work eventually caught the attention of Eastern publishing companies and his career as an illustrator began. After seeking formal art training in Paris, Baker returned in 1906 and became a full-time artist and illustrator of books and magazines. He studied at the New York School of Fine Art as a protege of Frank Parsons. Baker taught life drawing at the New York School, which later became known as the Parsons School of Design, until his death in 1941. Childless, the contents of his studio were bequeathed to his landlord. SIZE: 21-1/2″ x 14-1/2″. Overall: 32″ x 25″ PROVENANCE: This came from a large collection bequeathed from the artist to his New Jersey landlord CONDITION: Very good, not examined out of frame 52884-1 (4,000-6,000) – Lot 1273
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1274
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$1,573.00 |
ATTRIBUTED TO ELIZA ROSANNA LAMB BARCHUS (American, 1857-1959) NATIVE AMERICAN ENCAMPMENT WITH MT. RAINIER
Oil on canvas Housed in a period giltwood frame Unsigned SIZE: 16″ x 20″. Overall: 21-1/2″ x 25-3/4″ PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good with craquelure throughout sky, one small chip in water 52806-176 (1,000-2,000) – Lot 1274
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1275
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$4,840.00 |
MERRILL MAHAFFEY (American, 1937-) “MORNING IN MARBLE CANYON”
Acrylic on canvas Unframed Signed lower right “Merrill Mahaffey”, titled, dated and inscribed on verso “Merrill Mahaffey ‘Morning in Marble Canyon’ acrylics 1997” Note: Illustrated on cover of the Mesa Southwest Museum exhibition catalog included with this lot Exhibited: Mesa Southwest Museum, “Merrill Mahaffey – Water, Grandeur and the American Landscape”, February 7-March 29, 1998 SIZE: 32″ x 54″ CONDITION: Very good to excellent 52622-2 (1,500-2,500) – Lot 1275
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1276
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$1,936.00 |
SHEILA COTTRELL (American, 20th Century) “SCOUTS”
Oil on board Housed in a modern giltwood frame Signed lower right “Cottrell” SIZE: 9″ x 12″. Overall: 16-1/4″ x 19-1/4″ PROVENANCE: Trailside Galleries, Jackson, WY, 2007 CONDITION: Very good to excellent 52474-3 (1,500-2,500) – Lot 1276
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