1899S LIBERTY HEAD $20 GOLD PIECE. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162 (1,500-2,500)

FIVE LIBERTY HEAD $5 GOLD PIECES. 1879; 1880; 1881; 1881; and 1882. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-2 (2,000-3,000)

FIVE LIBERTY HEAD $5 GOLD PIECES. 1884; 1885; 1886S; 1901S; and 1907. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-3 (2,000-3,000)

FIVE INDIAN HEAD $5 GOLD PIECES. 1909D; 1909; 1910; 1910; and 1915. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-1 (2,000-3,000)

1857 INDIAN HEAD $3 GOLD PIECE. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-4 (800-1,200)

SEVEN $2-1/2 GOLD PIECES. Three Liberty Head (1900; 1902; 1905); four Indian Heads (1912; 1912; 1915; 1927) PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-5 (1,500-2,500)

1798 DRAPED BUST WITH HERALDIC EAGLE REVERSE SILVER DOLLAR. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-7 (300-500)

Revised: 8/26/2010

Additional Information: We’ve been told that the California gold is questionable as to the genuineness, therefore we do not guarantee it. We believe everything to be gold, but we don’t guarantee that either.

TEN UNITED STATES GOLD COINS. 1852 California Gold 1/2; 1853 $1 Liberty Head; 1853, 1855, 1856, 1857 & 1859 California Gold; 1854 1/4 California; 1874 $1 Indian Head; 1876 1/4 California. PROVENANCE: From a Maine Estate. CONDITION: Ungraded. 9-99162-6 (600-1,000)

THREE PIECES OF COIN JEWELRY. 1) 1901 Liberty Head $10 gold piece mounted within a fabulous frame which is set with alternating blue and red stones in a wheel motif. The pendant attached to a 30″ 14k gold linked chain. WEIGHT: Gold chain: 22gr. 2 & 3) 1851 and 1849 $1 Liberty Head gold pieces mounted as pierced earrings. PROVENANCE: From an Eagle River, WI Estate. CONDITION: Very good, earrings are worn and show use. 9-98668 (1,000-1,500)

OUTSTANDING ESTATE COLLECTION OF CARDED BUTTONS. A majority of the best buttons are put on 11″ x 9″ cards. The 80 cards include large pictorial, small pictorial, jet, glass, mother of pearl and abalone, metal, inlaid, plastic, paperweight, uniform and more. Also including 44 pie plate cards, 13 miscellaneous sized cards, 4 books, very small lot of loose buttons. Note: upon request we will provide a digital email file of all cards in this lot. SIZE: Varies. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. 9-99076 (3,000-5,000)

18 LARGE ONION SKIN AND SWIRL MARBLES. The lot consisting of five onion skin and fifteen swirl marbles. SIZE: Range from 1″ d to 2″ d. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. There may be a few flea bites. 9-99166 (800-1,200)

15 VARIOUS SIZED SULPHIDE MARBLES. 2″ lion, 1-3/4″ “1”, 2″ dog?, 1-3/4″ sheep, 1-3/4″ sheep, 2 1-1/2″ cat?, 1-1/4″ rabbit, 1-1/4″ eagle, 6 other animals and birds. SIZE: As noted above. PROVENANCE: From a Maine Estate. CONDITION: Most show use with chips, dings and roughness. 9-99166-3 (300-500)

LARGE LOT OF ANTIQUE SWIRL AND ONION SKIN MARBLES. Lot includes 11 onion skins ranging in size from 3/4″ to 2″. The remainder are swirls ranging in size from 1/2″ to 2-1/2″, approximately 275 including ribbon and solid core, latticino core, divided core, spirals and others. SIZE: As noted above. PROVENANCE: From a Maine Estate. CONDITION: All show use with various dings or roughness. Personal viewing of this lot is recommended for condition specificity. 9-99166-7 (1,000-2,000)

10 WOOD MARBLE GAMES WITH MARBLES. All round. One with slide out tray with a variety of marbles including swirl, Bennington and purple agate. SIZE: Range from 7″ to 9-1/2″. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. 9-99166-4 (300-500)

10 WOOD BOARD MARBLE GAMES WITH MARBLES. The boards include 4 square, 4 round, 1 rectangular and 1 octagonal. All with marbles including pottery, cat’s eye, swirl and others. SIZE: 7″ d to 13″ x 10″. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. 9-99166-5 (300-500)

LARGE LOT OF BENNINGTON, CHINESE AND POTTERY MARBLES. Approximately 500+, some with nice glazing including blue, brown and green. SIZE: Varies from 1/2″ to 1-1/4″. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. 9-99166-6 (400-600)

10 SULPHIDE NUMBER MARBLES. Modern reproduction set of 0-9 with white numbers in clear marble along with an extra blank. SIZE: 2″ d. PROVENANCE: From a Maine Estate. CONDITION: Very good. 9-99166-2 (200-400)

LOT OF ORIGINAL PACKAGED MARBLES. Lot includes 12 red and white boxes marked “10 cent marbles”, 2 boxes with Popeye on the cover containing 15 marbles and printed Popeye marble bag, 3 small boxes of Acro Agates (5 marbles), slightly larger box of Acro Agates, 2 advertising 5 marbles boxes for Weather Bird Shoes, 21 bags of marbles including Marble King, Champion Agates and others. SIZE: Varies. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. 9-99166-1 (200-400)

LARGE LOT OF 20TH CENTURY MARBLES. Several thousand marbles contained in 7 tins, 4 boxes, 3 rolling pins and 5 boards. The bulk between 1930 and 1970. SIZE: Varies. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. 9-99166-8 (300-500)

ANTIQUE TIN WIND-UP POOL PLAYER’S TOY. The toy has a wind-up mechanism that moves the player’s arm with pool cue to shoot a marble down the pool table to different holes with scoring numbers. SIZE: 6″ w x 9″ l. PROVENANCE: From a Maine Estate. CONDITION: Original paint has some chips. Appears to be intact. 9-99721 (300-500)

THREE MARBLE GAMES. 1) 14″ square “Strike 3″ baseball game by Tone Products Corporation in original box. The tin ball field having a felt field and holes for players. The bat on a spring which shoots the marble hopeful into one of the holes. 2) 14″ l tin wind-up marble pool game. The pool table in colored tin having two pool shooters with movable arms and wind-up action. 3) 13-1/2” l tin pool table with green felt top and spring action pool cues. SIZE: As noted above. PROVENANCE: From a Maine Estate. CONDITION: Shows some use. Generally very good. 9-99718 (200-400)

THREE PILE DRIVER AND TRIP HAMMER MARBLE GAMES. All made by the Wolverine Supply and Manufacturing Company. Lot includes 2 tin “PANAMA” pile driver toys and one “BIZZY ANDY” trip hammer toy. SIZE: Pile drivers 16″ h. Trip hammer 10-1/2″ h. PROVENANCE: From a Maine Estate. CONDITION: One pile driver appears to be missing a part, otherwise very good, shows some use. 9-99715 (200-400)

LOT OF FOUR TIN SAND TOYS. Lots includes two see-saw sand toys, one with girls, the other with boys. Both by J. Chein & Co. Two sand loaders by J. Chein & Co. One in red and green paint, the other in original paint with Chein logo. Each shows a rail dump cart and a chain driven filling tower. SIZE: See-saws 7-1/4″ h. Sand loaders 11″ h. PROVENANCE: From a Maine Estate. CONDITION: All show use, appear to have all parts, some rust and loss to paint. Good. 9-99716 (200-400)

FIVE MARBLE SHOOTING CANNONS. Lot includes: 1& 2) pair of 14″ l red and green cannons with adjustable height and direction marked B&B Manufacturing Company. 3) 11″ l red and black cannon on wood tripod legs. 4) 5″ l modern multi colored cannon. 5) 27″ marble marksman toy with two removable cannons in original paint by Wolverine Supply and Mfg Co. SIZE: As noted above. PROVENANCE: From a Maine Estate. CONDITION: Generally very good. Some show use. 9-99714 (250-400)

LOT OF WOODEN MARBLE AND BALL GAMES. Lot includes two 27″ l table top zigzag marble falls, circa 1920s, 14-1/2″ h x 12″ w marble zigzag, 29″ l marble shooting arcade game with dog targets and spring directional shooter, 7″ h two sets of painted wood bowling pins with balls. SIZE: As noted above. PROVENANCE: From a Maine Estate. CONDITION: Shows use with loss of some paint, but generally very good. 9-99713 (200-400)

FOUR TIN MARBLE GAMES. Lot includes two “SPOT SHOT” games, one in blue, one in red. A “Wild West” Lindstrom Tool and Toy Co. flat game. A green flat skee-ball type game. SIZE: Spot-Shot 14″ l. Others 15″ l. PROVENANCE: From a Maine Estate. CONDITION: Show use, but generally very good. 9-99717 (150-250)

LOT OF FOUR TIN TOYS. Lot includes an 8″ h wind-up boy on tricycle “Kiddy Cyclist” by Unique Art Mfg Co, 9″ h wind-up acrobat toy by Wyandotte, 4″ h wind-up man pushing block toy, 8″ l climbing monkey toy. SIZE: As noted above. PROVENANCE: From a Maine Estate. CONDITION: Show use. Good. 9-99719 (150-250)

NINE TIN TOYS. Lot includes checkered car wind-up toy, clucking chicken on nest by Baldwin Mfg Co, wind-up tank, wind-up turtle, wind-up steam roller by Marx, 4 part wind-up train marked “Union Pacific Overland”, wind-up round miniature train toy, Shoot-A-Loop by Wolverine Supply & Co and a wood and tin tower alphabet game. SIZE: Varies. PROVENANCE: From a Maine Estate. CONDITION: Shows use. Generally good. 9-99720 (200-400)

UNMARKED STEIFF ARTICULATED BEAR. Early 20th century. The bear has lost it’s ear tag. With shoe button “eyes” and stitched nose. SIZE: l. 13-1/4″ CONDITION: Showing the effects of much love with overall fur loss. The eyes are probably replacements. In overall “as-found” original condition. 9-20117 (700-900)

MARGARET BOURKE-WHITE (American, 1904-1971) DAHLONEGA, GEORGIA-FAMILY PORTRAIT. Important and rare vintage photograph depicting a mother and her four children. She sits in the center surrounded by her four children. A poignant snapshot of southern poverty. The actual photograph is unmounted and has a thin black border. On reverse is a purple stamp “A Margaret Bourke-White photograph”. Also inscribed in pencil “605”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping is the front cover photograph of this book. SIZE: 9″ x 13-1/4″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Upper left border with a 1/2″ tear, right top corner with bend creases, bottom left corner with bend crease. Image is clear with wonderful warm toning. 9-99874 (10,000-15,000)

MARGARET BOURKE-WHITE (American, 1904-1971) INTERIOR FAMILY VIEW. Vintage, unmounted, black border photograph, circa 1936, shows a man, woman and infant seated in the corner of a room with make-do table and hanging pictures. Reverse with black “A Margaret Bourke-White Photograph” stamp. Also inscribed “25”. Also “75%…E.C. (Erskine Caldwell?) Possible”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping in a slightly different pose was used as the front cover of this book. We have been unable to find another image of this photograph published. SIZE: Photograph: 10-1/4″ x 13-1/2″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Two vertical creases on left side, otherwise very good. 9-99875 (3,000-5,000)

MARGARET BOURKE-WHITE (American, 1904-1971) SUNDAY SERMON-COLLEGE GROVE, TENNESSEE. Black bordered, vintage photograph, circa 1936, shows a man standing beside a pulpit on a small stage with small picket fence. Several men and women of the parish are seated on the back and to the side of him. A pot belly stove is in the foreground. Back having inscribed in pencil “R 96”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping in a slightly different pose was used as the front cover of this book. We have been unable to find another image of this photograph published. NOTE: Other photographs from this series are contained in “You Have Seen Their Faces” by Caldwell & Bourke-White. SIZE: Photograph: 7″ x 9″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: One small closed puncture bottom right, otherwise very good. 9-99883 (2,000-3,000)

MARGARET BOURKE-WHITE (American, 1904-1971) THE POT BELLY STOVE. Vintage photograph, circa 1936, shows a man and woman in a corner of a room with a cast iron pot belly stove. A dog is laying on the floor beside the stove. The photograph has a black border and is mounted to a light cardboard back which has a purple “A Margaret Bourke-White Photograph” stamp. Also inscribed in pencil “536”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. We have been unable to find another image of this photograph published. SIZE: Photograph: 13-1/4″ x 10″. Total: 21-1/4″ x 15″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Photograph is very good, mount has break in upper right corner with losses. 9-99878 (3,000-5,000)

MARGARET BOURKE-WHITE (American, 1904-1971) LOOKING AHEAD. Unmounted vintage photograph, circa 1936, shows a chest high view of a young man wearing a hat against a barn board background. Back having a black “A Margaret Bourke-White Photograph” stamp. Also pencil inscribed “306”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping in a slightly different pose was used as the front cover of this book. We have been unable to find another image of this photograph published. SIZE: Photograph: 9-3/4″ x 7-1/2″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Very good. 9-99882 (2,000-3,000)

MARGARET BOURKE-WHITE (American, 1904-1971) GAZE OF AN OLD MAN. Vintage unmounted photograph, circa 1936, shows a close up of an old man with large white beard gazing off into the distance. The lens has captured him from below and the cloudy sky is the backdrop. The image has a black border. Back is unmarked. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping in a slightly different pose was used as the front cover of this book. We have been unable to find another image of this photograph published. SIZE: 14″ x 11″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Slight imperfections to edges, generally very good. 9-99880 (2,000-4,000)

MARGARET BOURKE-WHITE (American, 1904-1971) DAILY CHORES. Vintage black edged photograph, circa 1936, shows a woman making a bed in a rustic cabin with three-drawer chest and double bed. The photograph is mounted to a light cardboard backing which has a purple “A Margaret Bourke-White Photograph” stamp. Also inscribed in pencil “538”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. We have been unable to find another image of this photograph published. SIZE: Photograph: 10″ x 13-1/4″. Total: 15″ x 22″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Photograph is very good, mount has stains and creases. 9-99876 (2,000-4,000)

MARGARET BOURKE-WHITE (American, 1904-1971) PLOWING THE FIELDS. Vintage unmounted, black border photograph, circa 1936, shows two teams of mules pulling hand held plows in a large field. Unmarked back having pencil inscription “R7 vertical”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping in a slightly different pose was used as the front cover of this book. We have been unable to find another image of this photograph published. SIZE: Photograph: 13″ x 9-3/4″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Horizontal crease marks, more noticeable on the back than the front. Some wear to the black border. Image is crisp and clear. 9-99881 (3,000-5,000)

MARGARET BOURKE-WHITE (American, 1904-1971) TWO GENERATIONS. Vintage, unmouted, black bordered photograph, circa 1936, shows a man in bib jeans holding an infant in his arms. Unmarked back. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. This family grouping in a slightly different pose was used as the front cover of this book. We have been unable to find another image of this photograph published. SIZE: Photograph: 14″ x 11″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Some creases in top right and bottom left corner. Otherwise very good. 99879 (3,000-5,000)

MARGARET BOURKE-WHITE (American, 1904-1971) SHARECROPPERS CABIN. Vintage photograph, circa 1936, mounted photograph having a black edge border showing a woman putting out sheets and quilts to dry using the picket fence and make-do drying rack. A young boy stands next to the fence. Back of the mount having a purple “A Margaret Bourke-White Photograph” stamp. Also, pencil inscription “514”. At this time Margaret was in Georgia with Erskine Caldwell gathering photographs for their book “You Have Seen Their Faces”. We have been unable to find another image of this photograph published. SIZE: Photograph: 10″ x 13-1/4″. Total: 15″ x 20″. PROVENANCE: Erskine Caldwell’s wife (Mt. Vernon, Maine); to our consignor’s father through descent. CONDITION: Slight stain to upper left, otherwise very good. 9-99877 (3,000-5,000)

ELEANOR PARKE CUSTIS (American, 1896-1983) “DECORATIVE FRIEZE”. Bromide photographic print depicts a nude woman on sand dune holding a large white sheet over her head which blows in the wind. Pencil signed and titled on matte. Housed in a modern black frame with wide black liner. The back having a number of labels including exhibition label from the Smithsonian Institute (April, 1947); Boston Camera Club (1937); First Rhode Island International Salon of Photography (1937) and a YMCA Camera Club of Des Moines, Iowa (1937). Original artist label on reverse. SIZE: Sight: 19-1/2″ x 15-1/2″. CONDITION: Very good. 9-20187 (2,250-2,750)

ELEANOR PARKE CUSTIS (American, 1896-1983) “DUNELAND”. Bromide photographic print shows a nude woman seated in the shadows of a small tree on the edge of a grass and sand dune. Pencil signed and titled on matte. Housed in a modern black frame with wide black liner. The back having 9 exhibit labels including 1940 Boston Camera Club; 1937 Omaha Camera Club; 1937 Windlesham Camera Club; 1937 South Shields; and others. Original artist label on reverse. SIZE: Sight: 9-1/4″ x 12-1/2″. CONDITION: Very good. 9-20186 (2,250-2,750)

ELEANOR PARKE CUSTIS (American, 1896-1983) “SETTING SUN”. Bromide photographic print shows an evening scene in a harbor with different boats under a setting sun sky. Pencil signed and titled on matte. Housed in a modern black frame with wide black liner. The back having 18 exhibit labels including 1939 Youngstown Camera Club; International Focus Foto Salon, Amsterdam, 1936; Bournemouth Camera Club, 1938; Barry Camera Club, 1936 and other American, English and French exhibits. Original artist label on reverse. SIZE: Sight: 13-1/2″ x 10-1/4″. CONDITION: Very good. 9-20184 (1,000-1,500)

ELEANOR PARKE CUSTIS (American, 1896-1983) “PENGUINS THREE”. Bromide photographic print shows three penguins on a simulated ice flow with water. Pencil signed and titled on matte. Housed in a modern black frame with wide black liner. Exhibition stamp on reverse from the Ozark Salon of Photography. Original artist label on reverse. SIZE: Sight: 16-1/2″ x 13-1/2″. CONDITION: Very good. 9-20185 (2,250-2,750)

PAUL JACOULET (French, 1902-1960) THREE WOODBLOCK PRINTS. All housed in gilt wood frames with ivory mattes. 1) “Sawara Fisherman. Japan”, published January 15, 1936. Mandarin duck seal, having a Maeda/Honda carver and printer stamp. Pencil signed, number 33 illustrated in the “Prints of Paul Jacoulet”, page 50. 2) “Waiting. Celebes Menad”, published September 15, 1947. Sparrow seal, having a Maeda/Uchikawa carver and printer stamp. Pencil signed, number 86 illustrated in the “Prints of Paul Jacoulet”, page 66. 3) “The Young Chief Saragan and his Slave, Forum. Tomil, Yap”, published March 10, 1949. Peach seal, having a Maeda/Onodera carver and printer stamp. Pencil signed, number 104 illustrated in the “Prints of Paul Jacoulet”, page 70. SIZE: Sight size within matte: 1) 16-3/4″ x 13″. 2) 16-1/2″ x 13″. 3) 16-1/2″ x 13″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frame. Colors are strong, light toning 9-99327 (4,000-6,000)

PAUL JACOULET (French, 1902-1960) THREE WOODBLOCK PRINTS. All housed in bamboo style frames with white mattes. 1) “The Bridegroom. Seoul, Korea”, published November, 1950. Owl seal, having a Maeda/Onodera carver and printer stamp. Pencil signed, number 110 illustrated in the “Prints of Paul Jacoulet”, page 72. 2) “The Old Writings. Seoul, Korea”, published November 3, 1948. Ivy seal, having a Maeda/Uchikawa carver and printer stamp. Pencil signed, number 99 illustrated in the “Prints of Paul Jacoulet”, page 69. 3) “Snowy Night. Korea”, published June 3, 1939. Boat seal, having a Maeda/Uchikawa carver and printer stamp. Pencil signed, number 57 illustrated in the “Prints of Paul Jacoulet”, page 56. SIZE: Sight size withing matte: 16-1/2″ x 12-3/4″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frame. Colors are strong, light toning. 9-99305-1 (1,000-2,000)

PAUL JACOULET (French, 1902-1960) THREE WOODBLOCK PRINTS. All housed in bamboo style frames with white mattes. 1) “The Sport of Princes. Mongolia”, published September, 1956. Peony seal, having a Maeda/Honda carver and printer stamp. Pencil signed, number 147 illustrated in the “Prints of Paul Jacoulet”, page 82. NOTE: Inscribed and signed in pen in French in bottom margin, dated 1957 to Monsieur Bonsal. A copy of four typed letters from Paul Jacoulet to Mr. Bonsal are included. 2) “The Son Who Just Lost His Father. Seoul, Korea”, published October 22, 1958. Ivy seal, having a Maeda/Ogawa carver and printer stamp. Pencil signed, number 98 illustrated in the “Prints of Paul Jacoulet”, page 69. 3) “The Tokobuei Sculptor. South Seas”, published May, 1954. Peony seal, having a Maeda/Onodera carver and printer stamp. Pencil signed, number 136 illustrated in the “Prints of Paul Jacoulet”, page 79. NOTE: Inscribed and signed in pen to Mr. Frederick Bonsal and dated 1957. SIZE: Sight size withing matte: 1) 17-1/2″ x 13-1/4″. 2) 15-1/2″ x 11-3/4″. 3) 13-1/2″ x 16-3/4″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frame. Colors are strong, light toning. 9-99305-2 (1,000-2,000)

PAUL JACOULET (French, 1902-1960) THREE WOODBLOCK PRINTS. 1) Matted, unframed. “Portrait of Chamorro Woman-Yellow”, published November 30, 1934. Baren seal, having an unknown carver and printer stamp. Pencil signed, number 9 illustrated in the “Prints of Paul Jacoulet”, page 44. 2) Housed in a black and gilt wood frame. “The Pearls. Manchuria”, published December 28, 1950. Peach seal, having a Maeda/Honda carver and printer stamp . Pencil signed, number 113 illustrated in the “Prints of Paul Jacoulet”, page 73. 3) Housed in a bamboo style frame with matte. “Sorrows of Love. Kusaie, East Carolines”, published October 26, 1940. Butterfly seal, having a Maeda/Honda carver and printer stamp. Pencil signed, number 70 illustrated in the “Prints of Paul Jacoulet”, page 60. SIZE: Sight size: 1) 16-3/4″ x 11-1/4″. 2) 15-1/2″ x 12″. 3) 16-1/2″ x 12-3/4″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frames. 1) Faded with some light foxing. 2) Appears to have clipped margins. 3) Light edge toning. 9-99344 (1,000-2,000)

PAUL JACOULET (French, 1902-1960) THREE WOODBLOCK PRINTS. All housed in bamboo style frames with white mattes. 1) “Shepherds of the High Mountains, Korea”, published April 20, 1941. Sparrow seal, having a Maeda/Onodera carver and printer stamp. Pencil signed, number 75 illustrated in the “Prints of Paul Jacoulet”, page 61. 2) “The Bride. Seoul, Korea”, published February 2, 1948. Owl seal, having a Maeda/Honda carver and printer stamp. Pencil signed, number 91 illustrated in the “Prints of Paul Jacoulet”, page 67. 3) “The Laundress. Korea”. Published April, 1955. Peony seal, having a Maeda/Onodera carver and printer stamp. Pencil signed, number 138 illustrated in the “Prints of Paul Jacoulet”, page 80. SIZE: Sight size within matte: 16-1/2″ x 12-3/4″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frame. Colors are strong, light toning. 9-99305 (1,000-2,000)

PAUL JACOULET (French, 1902-1960) THREE WOODBLOCK PRINTS. Housed in decorative wood frames. 1) “Sawara Fisherman. Japan”, published January 15, 1936. Mandarin duck seal, missing carver and printer stamp (clipped border). Pencil signed, number 33 illustrated in the “Prints of Paul Jacoulet”, page 50. 2) “The Basket of Medlar Fruit. Chinese”, published May 23, 1950. Fan motif seal, carver and printer stamp under matte. Pencil signed, number 107 illustrated in the “Prints of Paul Jacoulet”, page 51. 3) “The Betel Nut Boy, Yap”, published March 27, 1940. Boat seal, carver and printer stamp under matte. Pencil signed, number 64 illustrated in the “Prints of Paul Jacoulet”, page 58. SIZE: Sight size: 1) 15″ x 11-1/2″. 2) 15-1/4″ x 11-3/4″. 3) 15″ x 11-1/2″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frame. All are framed with no margins showing. #1 with visible toning, others are good. 9-99327-1, 9-99349 (800-1,200)

PAUL JACOULET (French, 1902-1960) TWO WOODBLOCK PRINTS. Both housed in bamboo style frames. 1) “Mikioto Lighthouse. Shimoda Izu”, published February 1954. Peony seal, having a Maeda/Onodera carver and printer stamp. Pencil signed, number 134 illustrated in the “Prints of Paul Jacoulet”, page 78. 2) “The Nautilus Shell. Yap”, published April 1958. Peony seal, having a Maeda/Honda carver and printer stamp. Pencil signed, number 153 illustrated in the “Prints of Paul Jacoulet”, page 83. SIZE: Sight size within matte. 1) 16-1/2″ x 12-3/4″. 2) 16-1/2″ x 12-3/4″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not examined out of frame. Colors are strong, light toning 9-99312 (800-1,200)

Revised: 8/26/2010

Additional Information: There are three tight hairlines; one on the front which is 4″ long and two on the reverse; the left is approx. 8″ long and the right is 4″ long.

CLASSICAL SIX-STRING GUITAR BY IGNACIO FLETA E HIJOS. Interior label numbered “354” dated “1965” and marked “Calle de Los Angeles 4 Enlo 22 Barcelona-Espana”. This fabulous guitar having a rosewood back and sides, spruce soundboard, ebony neck with mother of pearl style keys. Considered one of the finest makers of Classical and Flamenco guitars. Accompanied by a black leather lined case. SIZE: 39-3/4″ l x 14-1/4″ at widest. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98992 (5,000-10,000)

CLASSICAL SIX-STRING GUITAR BY JOSE RAMIREZ, MADRID. Interior paper label “Constructor de Guitarras Jose Ramirez Concepcion Jeronima No 2 1882 Madrid 1965″ (the 65 added to the label designating the year of manufacture of this guitar). The guitar made of the finest hard woods including rosewood keys, ebony neck and fine inlays. Accompanied by a black leather lined case. SIZE: 39-1/2″ l x 14-3/4” at widest. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98994 (3,000-5,000)

CLASSICAL SIX-STRING GUITAR BY MANOUK PAPAZIAN, NEW YORK CITY. The guitar having a printed, dated and hand signed label to interior, dated “1963”, having a rosewood back, fine inlays and spruce soundboard. Accompanied by a leather crushed velour lined case. SIZE: 38-3/4″ l x 14-1/4″ at widest. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Two horizontal cracks up from the bottom to inlaid ring. Back and sides appear to be undamaged. Neck straight and all keys and hardware present. 9-98993 (500-1,000)

LOUIS VUITTON LADY’S MAKE-UP CASE. Hard sided small example covered overall with the “LV” trademark covering. Interior fitted with a single sliding miniature case with latches and handle. The outer case retains the original Louis Vuitton paper label with the Ave. Marceau address, serial number 876253. Lid is mounted with the original leather carrying handle impressed “L. VUITTON”. Lock #120914 with two original brass keys. SIZE: 10″ h x 14″ l x 8-1/4″ d. CONDITION: Overall in very fine condition with some minor light surface abrasions commensurate with normal usage. Handle and all hardware original and functional. 9-20446 (600-900)

NICE LOUIS VUITTON TRUNK. This example of a medium size steamer trunk opening to a fabric lined interior fitted with an original lattice work deep tray and a shallow tray with dividers. Each fitted with original fabric tie-downs. A large paper label with the Champs-Elyesees address, serial number 773913. The brass lockplate with serial #060696 (no key available). Each end fitted with an original leather carrying handle. Both ends with a yellow painted panel; one marked with the initials of the owner “R.H.J.”. SIZE: 13-1/2″ h x 36″ l x 20-1/2″ d. CONDITION: The corners with abrasion, surface scratches and abrasions overall from normal expected wear. Leather handles and brass fittings are intact and functional. Interior fabric intact, but in need of reattaching in some areas. Fabric tie-down in shallow tray needs reattaching. Two divider panels are absent. Otherwise, good. 9-20447 (2,000-3,000)

LOUIS VUITTON HARD SIDE ATTACHE CASE. This rare example with the “LV” signature covering. Interior covered in beige leather, with no paper label. The lockplate stamped “Louis Vuitton” on the left and “MADE IN FRANCE” on the right. Lock serial #118276 and with two original brass keys. SIZE: 4-1/2″ h x 17″ l x 13-1/2″ d. CONDITION: Overall very good with some losses to leather borders at base from wear. Leather handle and brass fittings are original and still intact. Interior leather document tie-down is original and present; one end unattached. 9-20448 (800-1,200)

LOUIS VUITTON SMALL WARDROBE TRUNK. This example with original hardwood strapping and signature “LV” cover. Hinged lid opening to a leather lined interior fitted with a full complement of wooden garment hangers and with original fabric tie-down. Affixed with paper label with the Champs-Elysees address and serial number 806125, the brass lockplate with serial #051066. The front additionally marked with the painted initials of the owner “E.C.G.”. SIZE: 10-1/4″ h x 34″ l x 21-3/4″ d. CONDITION: Covering of the trunk has darkened and has craquelure resulting from the aging of the varnish finish. The leather carrying handle at the end is present but in need of restoration. Carrying handle at the front, the lockplate and the clasps are all intact and functional. Interior fittings are all intact; one leather tie-down is missing buckle end. Otherwise good. 9-20449 (1,200-1,800)

TWO LOUIS VUITTON SUITCASES. Each hard sided case covered overall with signature “LV” covering, additionally painted with the monogram of the owner and identification green and white double stripe. 1) Monogrammed “J.P.R.” with a paper label of the Ave. Marceau address, serial number 870967 and with the lock #115103 and accompanied by two original brass keys. 2) Monogrammed “P.L.R.” with paper label of Champs-Elysees address, the serial number 833675 and with lock #071279 (no key available). SIZE: 1) 7″ h x 24″ l x 17″ d. 2) 8″ h x 24″ l x 16″ d. CONDITION: 1) With normal expected abrasions and fading from overall use. Leather handle a possible custom replacement. Hardware and latches are original. Interior retains original tie-downs, each marked with the company name. 2) With normal expected abrasions and wear, remnants of shipping labels. Losses to identification striping. Interior retains original company tie-downs. Paper labels somewhat faded and marred. Interior fabric with some staining. Good overall. 9-20450 (1,200-1,800)

LOUIS VUITTON RARE SQUARE SUITCASE. This unusual example with the Louis Vuitton paper label of the Champs-Elysees location. Serial number 833676. Covered overall with signature “LV” covering. Additionally marked with the green and cream painted initials of the owner and in addition painted with the green and white identification striping applied by the company for the owner. The lock #071279 and accompanied by one original key together with a leather key case embossed “LOUIS VUITTON”. SIZE: 9-1/4″ h x 18″ l x 18″ w. CONDITION: With normal and expected abrasions from use. Remnants of old shipping labels on exterior. Original hardware and carrying handle intact and functional. Very good overall. 9-20451 (800-1,200)

1951 INDIAN BLACKHAWK CHIEF MOTORCYCLE. 500cc, 2 cylinder, engine serial number C-2395. Engine and frame numbers match. Last registered 2009 in New York State. Motorcycle present with key and does start. Brown repaint. Motorcycle has gone through some modification with modified fenders and instrument mix. Seat and luggage rack are not original. Odometer reading 30513. CONDITION: We have started it up, but cannot guarantee the functioning of the bike. 9-20355 (12,000-16,000)

LARGE POLYCHROME DECORATED ACOMA JAR. The jar decorated with red and black geometric designs. Top rim having a pinched edge and nice bright decoration. 19th Century. SIZE: 10-1/2″ h x 11-1/2″ dia. CONDITION: The rim with very minor chips, no cracks visible. Very good. 9-98999 (2,500-3,500)

LARGE 19TH CENTURY ZUNI POLYCHROME DECORATED OLLA. The neck section is decorated with six panels of Zuni stylized birds. The center having two bands with unusual step and hatch geometric design. SIZE: 11″ h x 13″ dia. CONDITION: The rim missing a 1″ x 2″ section with some old restoration to cracks and damaged rim section. One of the cracks extends into the center of the jar. 8-76280 (6,000-8,000)

FINE & RARE SOUTHERN PLAINS BEADED HIDE BOW CASE AND QUIVER. Second half 19th century. Possibly Kiowa. Yellow died hide case, quiver and shoulder strap with geometric morning star designs on both ends in blue, white-heart red and ochre beads. Fringed at the strap ends and at the ends of both cases. SIZE: Bow case 40″ l. Quiver 24″ l. CONDITION: Structurally very good. The skin somewhat dried with areas of discoloration stitching sound and intact. 9-99617 (4,500-5,500)

PLAINS PIPE TOMAHAWK. Last quarter 19th century. This fine example with a one piece iron head, and turned pipe bowl; the blade inset with polished brass studs, fitted to a figured maple handle, the shaft with four brass studs, the handle carved and pierced with a sling bracket, the base of the handle fitted with a turned brass mouth piece. SIZE: 19-3/4″l. 6-3/4″ l. of blade CONDITION: Very fine condition with very good patina. 9-99616 (1,000-2,000)

ANTIQUE GREAT LAKES NATIVE AMERICAN BEADED BANDOLIER BAG. The loom beaded floral and geometric design bag having an 8-1/4″ square panel with white ground and light blue, dark blue, red and pink designs. The bag having bottom beaded fringe and side white bead border decoration. The long strap having a similar design. Last quarter of the 19th Century. SIZE: Total: 38″ x 10-3/4″. CONDITION: Binding threads between bag and strap need reinforcing, the bag missing threads and beads and restoration needed to missing or broken bead fringe tabs, also some bead loss the edge separation. Otherwise good. 9-99998 (800-1,200)

NATIVE AMERICAN DECORATED BUFFALO ROBE. Late 19th century. Possibly Sioux. This full size buffalo hide is extensively decorated with painted human and animal figures, dwellings, lance, crescent moon, implements, and other symbolic signs. The overall design is in the form of a circle. Each corner pierced for hanging and also appears to have been painted or dyed in some fashion. SIZE: 80″ x 75″ approx. (does not include tail) CONDITION: Both sides of the hide are in remarkably good condition, there are small other repairs throughout. Hide remains supple. Very good overall. 9-99615 (1,000-2,000)

PAIR OF INDIAN BEADED MOCCASINS. Circa 1900-1925. The bead work mainly in red, white and blue. Red material edges to the heel and tin cone ends to the tongue. Rawhide soles. SIZE: 10-1/2″ l. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very minor bead loss. Wear to soles. Generally good. 9-99186 (400-600)

SILVER COIN INDIAN NECKLACE. Mid 20th century. The necklace made up of round silver beads, having eight walking liberty half dollar drops and a center horse shoe surrounded half dollar with a turquoise framed stone above. Housed in a modern display case. SIZE: 27″ l. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99172 (400-600)

J B CLEMENS (American, 20th Century) INDIAN CHIEF. Pencil drawing of an elderly Indian Chief bust with ceremonial buffalo headdress. Pencil signed and dated “1982”. Housed in a wood frame with double matte. SIZE: Sight: 10-1/2″ x 7″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good to excellent. 9-98956 (100-200)

EDWARD SHERIFF CURTIS (American, 1868-1952) “LONE CHIEF – OTO”. Framed photogravure of a Native American chief wearing a headdress. Plate #676, photogravure Suffolk, Eng. Co. Cambridge, Mass. 1927. Housed in a modern stained frame with tan matte. SIZE: Sight: 18″ x 14-1/4″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98980 (200-400)

FINE BIDJAR CARPET NORTHWEST PERSIA. 20th century. Bidjars are known as the iron rugs of the East. The central field of this fine example exhibits dense floral lattice work in blues and pink, centering a poled floral medallion on a midnight blue ground, further centering an ivory square center medallion with rich indigo floral sprays, all within arabesque floral spandrels with ivory accents. The blue-black main border with scrolling variegated pink flower heads. SIZE: 10′ 2 ” x 5′ 4″. PROVENANCE: From a Bangor Maine home. CONDITION: Very good with overall full pile (one end slightly low). 9-20430 (2,000-3,000)

AMERICAN CLASSICAL REVIVAL CARVED MAHOGANY PARTNER’S DESK. 1st half 20th century. This example with rectangular top above the conforming case fitted with a central drawer flanked by banks of two short drawers, the opposing side identically fitted, raised on square fluted legs joined by large H-form molded stretcher. The whole raised on large claw feet. SIZE: 30″ h. x 72″ l. x 40″ w. CONDITION: Very good overall, with original surfaces and hardware. 9-99233 (2,500-4,000)

UNSIGNED VICTORIAN BRASS DOUBLE STUDENT LAMP. Second half 19th century. The arm fitted with two brass fluid lamps centering brass reservoir and fitted with matching ribbed green case glass shades adjusting on a central pole capped with a ringed handle on circular footed plinth. The adjustable wicks marked duplex. SIZE: h. of standard 24-1/2″ overall w. 25″. CONDITION: The lamp in original working condition. Not electrified, the shades probable replacements. 9-99139 (800-1,200)

ANTIQUE HEAVY BRASS CAST HARVARD STUDENT LAMP. Signed twice on base “W & W 1373″ (Wild & Wessel & Inc.). In the form of a genie lamp. It has been electrified and includes its original case glass green and white shade. SIZE: 21-1/2″ h; 7-1/2” shade dia. CONDITION: Very good. 9-98776 (1,000-1,500)

RENAISSANCE REVIVAL MARBLE TOP CARVED WALNUT TABLE. 3rd quarter 19th century. The white turtle-top form marble with beveled edge above a conforming apron carved with scrolling leaftips centering chevrons, the corners with pendant finials, on a swelled hexagonal standard raised on four scrolling legs headed by carved dolphin heads, terminating in rolled feet of scrolling leaftips and volutes. SIZE: 29″ h. x 39″ l. x 27-1/4″ w. CONDITION: Professionally cleaned and repolished, retaining original marble top, in very good condition overall. 9-99041 (1,200-1,800)

FINE CARVED ALABASTER FEMALE BUST. “Belle Epoque” period, probably Massachusetts. Modeled with long wavy hair fashioned in a ribbon-tied chignon, attired in a short sleeved, high collared dress, a Victorian choker with brooch fastener, all with crimped ribbon adornments. SIZE: 21-1/2″ h x 16-1/2″ w. PROVENANCE: Found in a Beacon Hill Brownstone. CONDITION: Very fine, good surfaces, no pitting, stains or weathering. Some minor chips to ribbon at front of bodice. 9-99896 (800-1,200)

EXCEPTIONAL RENAISSANCE REVIVAL OAK TALL CASE CLOCK WITH J.C. JENNENS & SON MOVEMENT. Last third 19th century. England. The exquisitely carved quarter sawn oak case with arched molded cornice carved with anthemion leaves. The frieze carved with a central rosette containing the busts of a renaissance page and maiden. Both with period trappings. The arched bonnet door with guilloche-carved moldings flanked by carved pedestals, each mounted with a bust figure. The molded waist fitted with an arched molded door with beveled glass panel, again flanked by carved busts on square tapering columns. The box base with central fielded panel, carved guilloches, and with a central oval patera within leave-tip spandrels carved with the bust of a long haired young boy flanked by engaged tapered columns. The stepped molded base raised on frontal claw feet. The case houses a movement labeled “J.C. JENNENS & SON/ GT. SUTTON STREET LONDON” The time, strike, and musical movement with nine hammers with eight bells. The silvered Arabic numeral chapter ring, with black enameled numerals, each painted on a scrolled brass cartouche all set within the chased brass dial engraved overall with scrolling leaf tips, mounted with a circular sweep seconds dial, a chime/silent dial, and a subsidiary dial marked “CHIME ON EIGHT BELLS/ WEST MINSTER CHIMES”. All beneath an arched calendar dial within which is set a painted moon phase. SIZE: 9’ 1 1/2” h. x throat w. 18” x overall d. 19”. CONDITION: The case in very fine original condition with minor and minimal losses to the hair and nose of the figure on proper left side of box base. Otherwise very good with original surfaces and fine patina. The movement with craquelure in moon phase dial, and with minor losses in enameled numerals. Large striking hammer need restoration. 9-99888 (3,000-6,000)

BESSIE POTTER VONNOH (American, 1872 – 1955) “WATER LILIES”. This important and outstanding bronze figural fountain depicts a nude forest nymph with arms extended out, one hand holding a flower bloom with holes for water spray. The nymph stands atop a stepped naturalistic rock plinth which is signed “Bessie Potter Vonnoh SC.”. Also impress marked “Gorham Co. Founders QA0Y”. Wonderful light green verdigris patina. An outstanding example of this artists work. NOTE: A custom cut granite rock base accompanies the bronze which is a fabulous addition for its display. SIZE: Bronze: 29″ h x 16″ at widest. PROVENANCE: From an important Maine collection. CONDITION: Very good. The water lily bloom in left hand is missing the stem. REFERENCE: Bessie Potter Vonnoh, Sculpture of Woman by Julie Aronson, page 164 (illustrated on page 165). 9-99554 (25,000-35,000)

RARE AESTHETIC MOVEMENT CARVED MAHOGANY CENTER TABLE ATTRIBUTED TO KIMBEL & CABUS. Circa 1875-80. New York City. The rectangular top with modified ovolo corners, the borders with stylistic incised floral carvings. The conforming apron with pierced fretwork in the orientalist style, centering detailed owl masks, raised on stylistic angular shaped legs surmounted by fierce open mouthed griffins, the molded X-form stretchers joined to, and centering on, an open lattice work central shelf. SIZE: h. 29″ x l. 48″ x w. 35″ CONDITION: Now with a fine French polish finish structurally very good with rich color. 9-20388 (7,500-10,000)

IMPORTANT AESTHETIC MOVEMENT WALNUT SLANT LID SECRETARY ATTRIBUTED TO KIMBEL & CABUS. Circa 1870-80. New York City. This rare and diminutive example in figured walnut designed with two shells beneath a spool-turned gallery above a sloping lid fitted with ornate brass strap hinges, the large central maple or satin wood panel with a beautiful pen and ink tableau featuring a fanciful forest landscape with deer and a putti centering an interior scene depicting a family sharing a meal at the table surrounded by family pets and other animals, above a long drawer over a pair of cupboard drawers each with pen and ink romantic scenes, also fitted with elaborate strap hinges in the manor of Kimbel & Cabus. The whole with overall incised gilt-heightened decoration. It should be noted the drawings are of distinct Germanic influence. SIZE: h. 58-3/4″ x w. 25″ x d. 16-1/2″ CONDITION: Fine original condition with good color and patina. Some crazing in finish. 9-20389 (4,000-6,000)

LARGE BERLIN KPM PORCELAIN PORTRAIT PLAQUE. Late 19th Century. Finely painted full length portrait of a young woman descending a staircase in a classical setting dressed in a pink formal gown with ivory lace overall. Signed “Merkel-HeineWiesbaden” on the bottom of the stairwell beneath the wrought iron railing. Back of the plaque impressed “KPM” mark beneath a scepter and above “H”. Also affixed with the paper label of Merkel-Heine. Now mounted in a modern gold gilt frame. SIZE: Sight: 20-3/4″ x 15-1/2″. Overall 25-1/2″ x 20-1/4″. CONDITION: Very good overall. 9-20124 (5,000-8,000)

SEMI-ANTIQUE HERIZ CARPET NORTHWEST PERSIA. Densely decorated overall with large latch hook decorations and with stylized geometric flower heads all on an ivory field and within a deep indigo main border of geometric floral trellis work SIZE: 11’2″ x 8′ 4″. CONDITION: Generally with good pile. Colors remain strong and vibrant some slight discoloration through center otherwise very good. 9-99971 (3,000-5,000)

Revised: 8/23/2010

Additional Information: Table missing two side garlands.

ORNATE CONTINENTAL RENAISSANCE REVIVAL CARVED WALNUT CENTER TABLE. Last quarter 19th century. Probably Italian. The rectangular top with wide carved border of scrolling leaf tips and gadrooned edges above the notched frieze, the apron of pierced C-scrolls alternating with carved fruit, the center of each carved with a female mask above pendant sprays, the legs of caryatids with scrolling volute bases terminating in claw feet. The central finial of carved putti joined by scrolled stretchers. SIZE: 36-1/2″h. x 45-1/2″l. x 27-1/4″w. CONDITION: Table retains original surfaces in need of repolishing. Two draped garlands in need of re-attachment. Otherwise minor cosmetic repairs and touch ups needed. Very good overall. 9-20052 (3,000-5,000)

PAIRPOINT PUFFY BOUDOIR LAMP. Signed base and shade. The puffy shade reverse painted with rose blossoms and a yellow swallow tail butterfly with blue highlights amongst foliage. The shade stamped “patented July 9, 1907”. The tapered base stamped with company logo, Pairpoint 3047 1/2, made in U.S.A. SIZE: h. of shade 5-3/4″ x overall shade d. 9-1/4″ overall h. of lamp including finial 15″ CONDITION: The shade with flea bites on top rim beneath finial, the base rim with minor flecks. Otherwise very good. The base with lacquered brass finish showing minor pitting. 9-20314 (2,500-3,500)

REVERSE PAINTED SCENIC TABLE LAMP. First quarter 20th century. Attributed to the Pittsburgh brass and glass company. The square shade with rounded sides and “ice chipped” corners painted with lake scenes and swimming geese. Mounted on a cast bronze base with square standard and with corners conforming to shade. SIZE: h. of shade 5-1/4″ x w. 11-1/2″ Overall h. 19-1/2″ CONDITION: The upper rim of shade with tiny flea bites. Overall very good base retains original surfaces now with dark patina. 9-20313 (900-1,200)

PAIR OF CONTINENTAL PAINT DECORATED MOON VASES. Second half of the 19th Century. Each example with flared rim flanked by elliptical handles and raised on a flared footed base with scalloped apron. Each paint decorated front and back. One depicting a painted landscape in which is seen three naked putti by a stream. Applied with a soft paste putti in flight. The second depicting a scene of three putti on a wooded lake shore applied with a soft paste putti in flight capturing a butterfly with a net.. The reverse of each paint decorated with a polychrome floral spray. Each marked beneath the base with indecipherable underglaze white mark. SIZE: 12-1/4″ h x 9-1/4″ w. CONDITION: Very good overall, no imperfections or restorations noted. 9-98920 (800-1,200)

CONTINENTAL ROSEWOOD TANTALUS. Mid 19th- century. The rectangular hinged lid with serpentine front opening to an interior fitted with the original rosewood three tier serving tray headed with a brass finial cast with child seated within a wreath. The case front and sides all hinged, with satin wood and kingwood string inlays overall. Retaining 15 small stem cordials and a pair of gilt-decorated decanters SIZE: 10″h. x 12-1/4″w. x 10″d. CONDITION: Structurally very good with early surfaces. Inlay, fittings, decanters, and eleven glasses appear original. Four cordials later replacements. Very fine overall. 9-20075 (300-600)

REGENCY SILVER-MOUNTED TORTOISESHELL TEA CADDY. First quarter 19th- century. English. Of rectangular form, the hinged lid with silver inlays centering a rectangular silver plate. The conforming box with paper lined interior, fitted with a silver escutcheon, and raised on silvered ball feet. SIZE: 4-1/2″h. x 6-1/4″l x 3-1/4″w. CONDITION: With old filled repairs on lid corners, and with small damages to box corners. Otherwise good. 9-99915 (400-600)

FABULOUS 18K WHITE GOLD DIAMOND NECKLACE. The piece marked “18k” with what appears to be a maker’s hallmark. The custom cast and hand crafted necklace having a tapering articulated triple swag accented with bows and diamond clusters (an interpretation of an early Georgian design). The necklace fastened with a box clasp having two safeties. The necklace containing 470 bead and bezel set round brilliant cut diamonds totaling 6.28 ct. Clarity (I-1; I-2) Color J-L. Total Weight: Necklace 44 gr. Comes with an AIG appraisal dated 2003. SIZE: 16″ l. CONDITION: Very good. 9-20432 (4,500-6,500)

DIAMOND & 14K YELLOW GOLD RING. Wide band gold ring having a center stone of .62cts surrounded by twelve smaller stones for a total weight of 2.0 cts (VS1; G). The piece is stamped “14K” and bears the mark of Jewelers Service Company Inc. of Minneapolis, MN. Total Weight is 9.5dwt. Accompanied by a GIA jewelers appraisal. SIZE: 8-1/2. PROVENANCE: From an Eagle River, WI Estate. CONDITION: Very good. 9-98669 (1,000-1,500)

EMERALD, DIAMOND PLATINUM LADY’S RING. The center 1.3ct emerald clarity (eye clean) Color (bG 4.5/4) flanked with two diamonds totaling 1.75 ct. European cut SI1, SI2; G-H. Total Weight 2.7 dwt. Unmarked but testing platinum. Accompanied by a GIA appraisal. SIZE: 7-1/2. PROVENANCE: From an Eagle River, WI Estate. CONDITION: Very good. 9-98667 (2,000-3,000)

PLATINUM AND CHRYSOBERYL CATS EYE RING. A solitaire 2.75ct chrysoberyl cats eye color (gY 3/2) and having two triangular cut diamonds totaling .5cts (VS1; G-H). The setting marked “Platinum” and having a total gross weight of 10.2 dwt. Accompanied by a GIA appraisal. SIZE: 9. PROVENANCE: From an Eagle River, WI Estate. CONDITION: Very good. 9-98670 (800-1,200)

OUTSTANDING DIAMOND, RUBY AND YELLOW GOLD HEART LOCKET. The locket is unmarked but testing 16k. The front having a .66ct European oval cut diamond (VS1;I-J) and two old mine cut diamonds totaling .25 cts (VS2, I1; G-H). Also set with six cushion cut rubies totaling 1.25 cts. Clarity (Eye Clean), Color (R 5/5). The gemstones surrounded by a black enameled background with gold dots and the back in a basket weave decoration. Accompanied by a GIA appraisal. SIZE: 1″ x 1″. CONDITION: Very good. 9-20410 (1,000-2,000)

18K YELLOW GOLD AND DIAMOND LADY’S RING. The ring has a center pear shaped diamond weighing .75 cts. (SI-2; I). Surrounded by 22 round brilliant cut cubic zirconia and two round brilliant cut diamonds. Accompanied by a Gemological Appraisers of America appraisal. SIZE: 7-1/4. CONDITION: Very good. 9-98753 (1,000-2,000)

HIGHLY CARVED PAIR OF FRENCH RENAISSANCE REVIVAL OAK BOOKCASE CABINETS. Last quarter 19th century. Each quartersawn cabinet in two parts, the foliate carved molded cornice and frieze above a pair of glass paneled doors centering a carved medieval knight standing on a corbel with sword and shield, the doors opening to an interior fitted with two adjustable shelves, the doors flanked by three-quarter engaged acanthus-carved colonnettes, the cabinet sides with fielded panels, stepped back and joined to the lower case having outset corners, the edges carved with guilloches above a scrolling foliate frieze fitted with a concealed drawer above a pair of cupboard doors with triangular and diamond floral carved panels opening to an interior with a single adjustable shelf, the doors flanked by fully carved male and female figures, raised on a multi-level molded foliate carved plinth, terminating in suppressed ball feet. SIZE: Each 7′ h. x 49″ w. x 20-1/2″ d. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Cabinets retain original fumed oak finish with rich dark patina. Most moldings are intact and in place. It may be that we discover minor losses as yet undetected. 9-99296 (3,000-5,000)

W. FORRESTER (English, Publisher, 19th Century) “GRAND MATCH OF THE ROYAL CALEDONIAN CURLING CLUB AT LINLITHGOM”. Colored engraving after a painting by C. Lees and engraved by John le Conte. Published by W. Forrester, 56 Hanover St. Edinburgh, February 1, 1858. The legend “Grand Match of the Royal Caledonian Curling Club at Linlithgom between the north and south sides of the fort. Respectfully dedicated to the office bearers and members of the Associated Clubs forming the Royal Caledonian Curling Club. Be their obedient and very humble servant W. Forrester. Housed in a fine modern gilt frame with watercolor and gilt highlighted white matte. The scene shows a large crowd and a curling event happening outside on an ice covered pond with castle/fort behind. SIZE: Sight: 25″ x 37-1/2″. Image: 22-1/2″ x 37-1/4”. PROVENANCE: W. Graham Arader III, King of Prussia, PA. CONDITION: Colors are strong. There are a few small repaired tears in edges and one in left corner just into the image. 9-99657 (3,000-4,000)

LOT OF SIX FRAMED CURLING COLORED PRINTS. All hand colored and taken from newspapers. All nicely framed with fine mattes. They include “Curling Match at Montreal”; “Curling Match on Van Cortlandt Lake-Scotland Against America”; “Curling”; 3 untitled showing curling matches. SIZE: Sight sizes range from: 5-1/2″ x 9″ to 14-1/4″ x 10″. CONDITION: Very good. 9-99661 (500-1,000)

FINE MAHOGANY GRANDFATHER CLOCK BY THE HERSCHEDE HALL CLOCK CO. Serial Number 7930 (year 1919). The clock features a five-tube chiming mechanism with brass works which are signed “Herschede Cincinnati Pat’d Jan. 12-09 7930”. The moon phase dial having ship and castle scene, separate seconds dial and black enamel numerals on an engraved dial plate. The mahogany case having inlaid decoration with oval urn in base. The hood with banded inlay, carved rosettes and broken scroll top. All supported on a bracket base. Central rectangular door having beveled edge glass with original key. Pendulum, key, tubes and two weights are present. Case stencil marked “II46”. Appears to be in original dark crazed surface. Clock repair tag indicates complete overhaul in 1984. SIZE: 87-1/2″ h x 20-1/4″ at widest x 14″ at deepest. PROVENANCE: From a Washington, Maine Estate. CONDITION: Case, works and dial in very good condition. Unknown working order. 9-95781 (500-1,000)

THREE WEDGWOOD CLASSICAL WALL PLAQUES. Second half 19th century. Each green Jasperware example applied with ivory floral swags headed with ribbon tied lion masks. Each impressed “WEDGWOOD”, and designed as a border on a wall such as a chair rail, and so numbered on the back of each in pencil i.e. “dinning room no 11′ SIZE: Each 6-1/2″ x 18-1/2” CONDITION: Structure is very good, each with surface chips around edges. 9-20125 (1,000-2,000)

RARE J&W RIDGWAY BLUE WILLOW EGG CADDY. Second half 19th century, English. Molded in the form of a rectangular tray with inset edges raised on a conforming footed base. the tray with six circular cut outs each fitted with a small chalice form eggcup, the center mounted with a deep rectangular dish. Decorated overall in a blue willow oriental motif and edged with gold gilding. SIZE: 4″h. x 9-1/4″l x 7″ w. CONDITION: Slight wear to gilding on edge of center bowl, retains strong color. Two egg cups with repair at bases. Otherwise very good. 9-99905 (300-500)

12 ADDERLEYS LIMITED ENGLISH SERVICE PLATES. Early 20th century. Lincoln pattern. Each 10-1/2″ dia. plate with gilt gold rim, polychrome decorated with a border of urn filled floral vinery on an ivory ground. Each plate marked on the reverse with a black overglaze “ADDERLEYS” mark. SIZE: 10-1/2″ dia. CONDITION: Very good overall with no chips noted. 9-97799 (400-800)

FINE AESTHETIC MOVEMENT BIRCH AND MAPLE PEDESTAL ATTRIBUTED TO HERTER BROS. Third quarter 19th century, New York. This fine bulbous example with exceptional wide banded floral carving, a well known feature of Herter Bros.’ work, ring-turned overall, the footed base with incised carvings of stylized vinery. SIZE: 38-1/2″ h x 15-1/2″ d. CONDITION: Professionally repolished with deep rich color. Very good overall. 9-20390 (3,000-4,000)

AFTER PIERRE JULES (P.J.) MENE (French, 1810-1879) HUNTER WITH BLOODHOUND (VALET de LIMIER). The brown patina bronze mounted to an oval black marble base. The sculpture depicting a well dressed hunter with sword at side holding the leash of his bloodhound. Signed “PJ Mene”. SIZE: 18-3/4″ total h x 14-1/2″ w. Bronze 17-1/4″ h. CONDITION: Very good. 9-99723 (4,000-6,000)

UNIQUE & RARE VICTORIAN ARCHITECT’S TABLETOP CABINET. Second half 19th century, American. This rare example is an architect’s rendering of a fine 19th century home with mansard roof, the front painted with first and second floor windows decorated with sheers and red drapery. The double front doors with trompe l’oeil columns, portigo and front stoop, and fitted with a pair of cabinet doors opening to the interior fitted with a two tier shelf, the uppermost divided into pigeon holes for documents. The interior also fitted with an oilcloth floor covering. The walls with remnants of original wallpaper coverings. The cabinet doors fitted with the original lock and pewter “door handle”. The cabinet sides are fitted with cast iron carrying handles. The flat roof fitted with two chimneys and hinged, opening to a storage space within the roof. SIZE: 36″ h x 30″ w x 24″ d. CONDITION: Structurally retains all original elements and original painted surfaces. The whole showing wear from extensive use, especially around edges of roof and front edges of hinged doors. The underside of base of this table cabinet appears to have had feet or casters at one time. 9-20341 (8,000-10,000)

UNSIGNED (19th/20th Century) ARCHITECTURAL BUILDING FACADE. Watercolor and pencil drawing of the side of a granite building with doorway, windows and balconies. Each stone is numbered with size with pencil inscription. Housed in an antique frame and having a Philadelphia made board to reverse. Possibly a rendering of a Philadelphia building. SIZE: Sight: 39-1/4″ x 26″. CONDITION: Corners have some staining, some minor losses and foxing. Good. 9-99954 (500-800)

SET OF FOUR ARCHITECTURAL DOORWAY ENGRAVINGS. 18th/19th Century. Identically housed in modern gilt frames with watercolor highlighted mattes. Titled “A Door of the Ionic Order”; “A Door of the Doric Order”; “A Door of the Corinthian Order”; and “A Door of the Composite Order”. SIZE: Sight: 12″ x 8-1/2″. Total: 22-1/2″ x 18-1/2″. CONDITION: Some light toning, otherwise very good. 9-99020 (1,000-1,500)

JEAN FRANCOIS DE NEUFFORGE (FRENCH, 1714-1791) SET OF FIVE FRENCH ARCHITECTURAL BUILDING PRINTS. Each identically housed in gilt modern frames with watercolor, fancy mattes. Each engraving having a description in French, Plate No. and depiction of the front facade of a multi-story building with room layout. SIZE: Sight: 14-3/4″ x 9-1/4″. Overall: 24″ x 18-1/4″. CONDITION: Very good. 9-99021 (1,000-1,500)

KERMAN ORIENTAL CARPET. SOUTHEAST PERSIA. Second quarter of the 20th Century. With dense arabesque floral design in shades of red, blue, and green on an ivory field within a large rose-red main border of dense polychrome floral vinery flanked by guard borders of similar design, all within a beige border. SIZE: 17′ x 11′ 10″. CONDITION: A superior grade Kerman with full pile. 9-99964 (6,000-9,000)

AMERICAN VICTORIAN CHERRY S-ROLLTOP DESK. Last quarter 19th century. This fine raised-panel example in two parts. The upper case fitted with S-form slat roll with central leaf-carved hand grip, opening to an interior fitted with an arrangement of pigeonholes and compartments and with two pencil drawers and two document drawers, set back and above a tooled leather writing surface with embossed gilt border. The lower case of two banks of four drawers centering a frontal divider with shaped returns and a solid modesty board, each bank headed by pull-out writing slide with tooled leather insert, all with leaf-carved handles, the lowermost of nut and leaf design, on molded plinths. Desk is designed with an automatic locking device controlled by the action of the rolltop, such that the drawers lock when the roll is pulled shut and unlock when the roll is fully open. SIZE: 49-1/2″ h. x 54″ w. x 34″ d. CONDITION: Professionally restored and repolished, now a medium reddish-brown. Canvas backing to roll somewhat dry. Lock and lockplate on roll and writing surface absent. Otherwise very good. 9-99276 (800-1,200)

BENCHMADE MAHOGANY CHART TABLE. The rectangular five board top with breadboard ends projecting above the conforming frieze, raised on square tapered legs, the side fitted with a long drawer with diamond escutcheon. SIZE: h. 30” x l. 90” w. 35” CONDITION: Very good overall. 9-20232 (1,200-1,500)

FLOW BLUE PITCHER AND BOWL IN THE “RHONE” PATTERN BY T F & CO. Decoration showing a multi-story building on a lake with sailboats flanked by trees. SIZE: Bowl: 13-1/2″ dia. Pitcher: 10-1/2″ h. CONDITION: Professionally restored, very good. 9-98881 (800-1,000)

OUTSTANDING ANTIQUE TWO-PIECE WASH SET. Lot consists of a large two-handled foot bath and a large two handled water pitcher. Both identically decorated with panels of exotic bird and flowering tree in colors of rust, cobalt blue, light green and pink all with gold highlights. Pieces are unmarked. SIZE: Foot bath: 9″ h x 21″ w (incl handles) x 13″. Pitcher: 14″ h. CONDITION: Very good. 9-98872 (1,000-2,000)

FINE DEEP BLUE STAFFORDSHIRE PLATTER “AMERICAN VILLA”. Unmarked scene shows a large three-story building with two side wings, church steeple, woman and man with donkey having mountain background. Flower and fruit border. SIZE: 18-1/2″ x 13-1/2″. CONDITION: Very good, no chips or cracks. 9-98882 (600-800)

FOUR SCENIC STAFFORDSHIRE PLATTERS. 1) Light blue transfer in an Oriental scenic pattern with floral border, unmarked. 2) Brown transfer in the Grecian pattern, marked “W R” (William Ridgeway). Scene shows Classical buildings amongst mountains, water and trees. Floral border. 3) Green transfer in the Grecian pattern marked “W R” (William Ridgeway). Scene shows Classical buildings with water and figures, floral border. 4) Brown transfer platter in an unmarked scene with Oriental scene with man fishing, buildings and mountains. SIZE: 1) 16-1/2″ x 14″. 2) 18-1/2″ x 15″. 3) 14-1/2″ x 17″. 4) 14″ x 17″. CONDITION: 1) One rim chip restored, very good. 2) Very good. 3) Very good. 4) Restored crack, very good. 9-98886 (800-1,200)

CHIPPENDALE STYLE ARCHITECTURAL MAHOGANY AND GILTWOOD LOOKING GLASS. Late 19th, early 20th century. The molded cornice with swan’s neck pediment terminating in floral rosette emanating scrolling leaf tips centering a displayed eagle above the figured mahogany frieze bisected with a giltwood molding. The rectangular mirror plate within a gilt slip, cast with leaf tips further bordered by moldings cast with leaf tips flanked by foliate filets above the scrolling apron. SIZE: 63″ h x 30″ w overall. CONDITION: Some losses to gilding in crest, proper right wingtip of eagle with small losses to gesso, both filets with gesso losses. Other minor molding losses throughout. Mirror frame retains original surfaces. Gilding darkened with age. Mirror plate original. Very good overall. 9-20230 (1,000-1,500)

RARE ENGINEER’S DRAWING OF A DOUBLE AHRENS ENGINE. This polychrome painted engineer’s drawing by James Fanning and Frank Elder, October, 1895 done for the Ahrens Manufacturing Company of Cincinnati, OH. Mounted on a canvas backing of the period, now in a later burl walnut frame. SIZE: Image: 27″ x 39″. Sight: 29-1/4″ x 41-1/4″. CONDITION: Very good, original condition with minor and scattered blemishes in lower right quarter of drawing. 9-99004 (3,000-5,000)

EXQUISITE PRESENTATION CANE TO THE HON. WILLIAM DICKEY. Circa 1891, Fort Kent, Maine. This beautifully executed example with deeply carved 14kt gold handle done in the aesthetic style, carved overall with flower heads and leaftips. The collar with four tombstone arched facets joined to an ebony shaft capped with a silver ferrule. Inscribed on top of handle “HON. WILLIAM DICKEY / FORT KENT, / MAINE / Presented by friends / of the legislature / of 1891“. Although not marked, the handle tested for 14kt gold. SIZE: 37” l. CONDITION: Handle is very good with crisp design. Ebony shaft with normal wear marks, small splinters at joint to ferrule from compression wear. Silver ferrule split. 9-99928 (1,500-2,000)

WILLIAM EDGAR MARSHALL (American, 1837-1906) PORTRAIT OF HENRY W. LONGFELLOW. The large steel engraving depicts an oval bust portrait of Longfellow surrounded by small vignettes of his works. Pencil signed at bottom center by Longfellow himself and pencil signed by Marshall lower right. Housed in a modern gilt molded wood frame with wonderful decorated wide white matte. Accompanying the lot is a newspaper article regarding the death of Francis O’Brien who was instrumental in reviving Portland, Maine’s interest in their most famous native son, Henry W. Longfellow. O’Brien rescued the last few surviving examples of the autographed engravings and placed some in important Portland landmarks. This was one of the few to get into private hands. SIZE: Image: 26″ x 20″. Sight: (within matte) 31-1/2″ x 24″. Overall: 50″ x 39″. CONDITION: Very good. 9-99543 (1,500-2,500)

AUTOGRAPH, THOMAS CLAYTON WOLFE (American, 1900-1938). First quarter 20th century. Written on a small piece of paper in pencil script “Her life was like a great wave breaking in the lonely sea – Oh, the wonder, the magic and the loss! Thomas Wolfe“. Quoted in Patricia Neal, An Unquiet Life by Stephen Michael Shearer and Grayson Hall: A Hard Act to Follow by R. J. Jamison. The original quote “O, the wonder, the magic and the loss! His life was like a great wave breaking in the lonely sea;” from Look Homeward, Angel by Thomas Wolfe, published in 1929. This example is being offered with the original book in which it was discovered Ballads and Miscellanies Vol XIII from The Works of William Makepeace Thackery published in 1899. One could surmise that this particular volume was possibly owned by Mr. Thomas Wolfe. SIZE: 4″ h x 5-1/2″ w. CONDITION: Paper yellowed with age but retaining clarity of verse and signature. Note the corresponding discoloration within the pages of the book (pages 622-623). 9-99690 (400-600)

RUSSIAN ICON OF ST. NICHOLAS. The half figure in black and red robe holding an open book. Two other figures are opposite his head with writing above. The background in gilt and gold with incised decoration. Probably 19th Century. SIZE: 12-1/4″ x 10-1/2″. PROVENANCE: From a prominent Boston, MA collection. CONDITION: Very good. 9-98851 (1,000-2,000)

RUSSIAN SILVER AND ENAMELED FRAMED ICON. The wood painted icon of Madonna and child encased in a silver fancy frame having an enameled halo, Russian writing and colored rhinestones. The frame marked “H.A 1861 MIII”. Probably 20th Century. SIZE: 12-1/2″ x 10-1/2″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Craquelure to painting, otherwise very good. 9-99350 (500-1,000)

LARGE PLASTER AND WOOD TRIPTYCH ICON. The central shadowbox type scene shows two women, one with two children, one holding golden ball and the other in prayer, the other is holding a child which holds a bird. Hinged side panels, one showing a crowned figure with sword, the other a crowned woman with book. The figures are painted plaster and they have a reddish/brown background with gold halos. The wood shadowbox is dovetailed and painted. 19th Century. SIZE: 39-1/2″ h x 27″ (closed); 54″ (open). PROVENANCE: From a large Boston, MA area Estate. CONDITION: The plaster figures have some damage but generally intact. 9-99285 (1,000-1,500)

14K YELLOW GOLD CULTURED PEARL, DIAMOND AND BLUE SAPPHIRE BRACELET. The art deco style bracelet set with a 7.5mm cultured pearl surrounded by four 5mm cultured pearls, four 4mm round salon blue sapphires and two .08ct round diamonds of European cut. All set in buttercup 6-prong heads. Sides mounted with 78 graduated seed pearls in a split style, bangle style bracelet. The piece marked 14K with no makers mark. Accompanied by a jewelry store appraisal. SIZE: 2-1/2″ w x 2-1/4″ h. CONDITION: Very good. 9-98677 (1,250-1,650)

FINE 18K YELLOW GOLD DIAMOND AND GEMSTONE BROOCH WITH SCENIC PLAQUE. The brooch marked “702AL 750″. A 1″ x 3/4″ oval hand painted scene of a house in landscape in brown and ivory. surrounded by a thin border of diamond chips having a pierced frame with leafy vine set with eight cabochon amethysts and accented with twelve light green stones. All set in yellow gold. SIZE: 1-1/2″ x 2”. CONDITION: Very good. 9-20435 (700-1,000)

TURQUOISE, DIAMOND 14K GOLD RING & EARRING SET. The ring, robin egg blue turquoise cabochon framed with sixteen diamond melees (2.0ct tw) (VS2 to I1; G-H). Mounted in a hand fabricated yellow gold setting. The piece is hallmarked with a European hallmark. 9.1 dwt. Along with a pair of clip on earrings having a center cabochon robin’s egg blue turquoise circled with fifteen diamond melees (2.0cts tw) (VS2 to SI2; G-H). Having a European hallmark and testing 14k. 9.5 dwt. Accompanied by a GIA appraisal. SIZE: Ring: 6-1/2. PROVENANCE: From an Eagle River, WI Estate. CONDITION: Very good. 9-98666 (2,000-3,000)

14K WHITE GOLD DIAMOND AND TURQUOISE LADY’S RING. Single cabochon light blue turquoise surrounded by small diamonds. All set into a high three-tier setting. SIZE: 6-1/2. CONDITION: Very good. 9-20437 (400-600)

18K WHITE GOLD DIAMOND AND AQUA MARINE LADY’S RING. The single 9.53 ct aquamarine set into a setting with strap-type prongs with small diamonds. Approximate diamond weight is .33ct. SIZE: 7. CONDITION: Very good. 9-20364 (1,000-1,500)

14K THREE-COLOR GOLD EAGLE BROOCH. The eagle in a landing stance having a white gold head with red sapphire eye and yellow beak and tongue. The wings in yellow and the legs and talons in rose. The tail in white. WEIGHT: 36gr. SIZE: 4″ x 3-3/4″. CONDITION: Very good. 9-20365 (1,000-1,500)

PLATINUM DIAMOND AND NATURAL PINK SAPPHIRE LADY’S RING. The center oval cut pastel pink sapphire weighing 2.51cts. Having seven diamonds on each side with total weight .31cts. The setting marked “PT 950”. Accompanied by a GRS appraisal of the pink sapphire. SIZE: 7. CONDITION: Very good. 9-20363 (1,500-2,000)

14K YELLOW GOLD AND BAROQUE PEARL ART NOUVEAU BROOCH. The brooch having four small baroque pearls interspersed between five maple leaves in a simple shaped gold frame marked 14k. This would be ideal for fastening a scarf or corsage. SIZE: 3-1/4″ l. CONDITION: Very good. 9-20436 (400-600)

GOTHIC REVIVAL EBONIZED SLANT LID DESK ATTRIBUTED TO KIMBEL & CABUS. 1870-1880. New York City. The stepped upper section with central cupboard flanked by shelves above two short drawers, all with incised floral carvings, each section with turned gallery’s and joined to the lower case, having a hinged sloping lid, further opening to a well of polished cherry over hanging a pair of cupboard doors centering an open shelf, raised on a spool-turned trestle base. All elements with similar incised carvings, the doors all with elaborate polished brass strap hinges typical of the work of Kimbel & Cabus. SIZE: h. 64-3/4″ x w. 38-3/4″ x d. 21″ CONDITION: All original with slight roughness along front edge of desk lid due to use and wear. Two moldings absent right side facing and upper section. Two ebonized returns absent beneath lower cabinet doors otherwise very good. 9-20386 (2,500-4,500)

FINE LARGE AMERICAN PANEL LAMP. The dome shade with eight slag glass caramel panels with Art Nouveau style filigree work the bottom rim with eight green slag glass panels mounted behind filigree urns, the shade mounted to a base in the form of a bulbous urn cast with leaf tips with a slate green finish. Shade and base unmarked. SIZE: h. of shade 8″ x l. 18-1/2″ overall d. 20″ h. of base including finial 24-1/2″ CONDITION: Last panels very good shade with original green/black finish the cast metal base also with original and conforming finish. Heat shield missing. 9-20315 (1,000-1,500)

FINE 18K YELLOW GOLD & GREEN ENAMEL 3-FROG BROOCH BY DAVID WEBB. The bar pin having three seated green frogs having black eyes, green bodies and yellow gold legs. The piece marked “David Webb 18k”. WEIGHT: Gross wt. of 9.3 dwt. Accompanied by a GIA appraisal. SIZE: 1-3/4″ l x 1/2″ w. CONDITION: Very good. 9-20409 (1,500-2,500)

18K YELLOW GOLD NECKLACE BY CARTIER OF PARIS. The necklace having three rows of 1/2″ oval links marked “750 Cartier B93799”. The necklace comes with its original gold decorated red presentation box and its original presentation authentication paper with date of purchase and serial number. WEIGHT: 52 gr. SIZE: 15″ l x 1/2″ w. CONDITION: Very good. 9-98800 (1,500-2,500)

18K GOLD BRACELET BY CARTIER OF PARIS. The bracelet having three rows of 1/2″ oval links. Marked “750 Cartier C68531″. Accompanying the bracelet is its original presentation box in gold decorated box. Also having its original certificate of authenticity with date of purchase and serial number. WEIGHT: 28 gr.’. SIZE: 7-1/2”. CONDITION: Very good. 9-98801 (800-1,200)

SUNKEN TREASURE ROSARY. On July 24, 1715 a fleet of eleven Spanish ships and one French ship departed Havana Harbor bound for Cadiz, Spain. On July 31, 1715 the entire Spanish fleet was struck by a hurricane and perished along Florida’s east coast. This outstanding gold and coral rosary is an authentic artifact recovered from wreckage of the Spanish fleet. The wreckage was discovered by the Mel Fisher Company, Treasure Salvors, Inc. The rosary consists of coral and gold beads along a yellow gold chain ending in a yellow gold crucifix with a skull and crossbones etched below the feet of Christ. A similar example was offered by Christie’s New York on June 14, 1988. SIZE: Chain is 24″ l. Crucifix is 1-3/4″ x 1-1/8″. PROVENANCE: Our consignor was an original investor with Mel Fisher and Treasure Salvors, Inc. and this was part of his take. Accompanied by a signed Certificate of Authenticity. CONDITION: Very good to excellent with a few small barnacles still attached to coral beads. 9-20356 (20,000-30,000)

PAUL CADMUS (AMERICAN, 1904 – 1999) “TWO BOYS ON A BEACH NO. 2”. Unframed etching housed in a white matte. Edition of 151 for the Print Club of Albany, New York. Pencil signed lower right. The scene shows two young men, one nude seated on log, the other semi-nude lying next to the log. SIZE: Overall size: 9-1/4″ x 12-1/2″. Image: 6″ x 8-1/2″. CONDITION: Very good. 9-20408 (8,000-12,000)

THOMAS HART BENTON (AMERICAN, 1889 – 1975) “NIGHT FIRING”. Unframed lithograph housed in a white matte. From an edition of 250. Pencil signed “BENTON” bottom right. The scene showing a man putting a long pole into kiln under a night sky. SIZE: Overall size: 10-3/4″ x 15-1/4. Image: 8-3/4″ x 13-1/4″. CONDITION: Very good. 9-20402 (2,000-2,500)

REGINALD MARSH (AMERICAN, 1898 – 1954) “THEATER PALAIS ROYAL, PARIS”. Unframed and housed in a white matte. From an edition of 30. The lithograph shows an opera balcony seat with six people. The fancy facade has two semi-nude women holding baskets on head. Pencil signed. SIZE: Overall size: 10″ x 11-1/4″. Image: 7-1/2″ x 9-1/4″. CONDITION: Light toning, otherwise very good. 9-20407 (3,500-4,000)

RAPHAEL SOYER (American, 1899-1987) “THE SEAMSTRESS”. From an edition of 250. Unframed lithograph housed in a white matte. Pencil signed. The scene showing a woman at a sewing machine with fabric. SIZE: Overall size: 12-1/4″ x 16-1/4″. Image: 9-3/4″ x 11-3/4″. CONDITION: Very good. 9-20403 (1,200-1,500)

RAPHAEL SOYER (AMERICAN, 1899 – 1987) “MY STUDIO”. Unframed lithograph housed in a white mat. From an edition of 250. Pencil signed and titled. The interior scene shows a model dressing behind dressing screen with artist at easel. SIZE: Overall size: 14″ x 11-1/2″. Image: 12-1/4″ x 9-1/2″. CONDITION: Very light toning, otherwise very good. 9-20404 (1,200-1,500)

BENTON MURDOCK SPRUANCE (AMERICAN, 1904 – 1967) TWO WORKS: “DEATH OF THE MINOTAUR”; ECCLESIASTES, ESSAY II”. Both lithographs housed in decorated wooden frames with mats. Each signed, titled and numbered. Both being lithographs #1 being in color from an edition of 30 and #2 in black and white from an edition of 30. SIZE: 1. Sight size: 20″ x 15-1/2″. Image: 19″ x 14-1/2″. 2. Sight size: 19-1/2″ x 14″. Image: 18″ x 13″. CONDITION: Not examined out of frame. Very good. 9-20405 (800-1,200)

MARY CASSATT (American, 1844-1926) MARGOT WEARING A BONNET. Drypoint etching shows a sketched view of a young girl smiling wearing a large bonnet. Housed in a fancy gilt gesso decorated frame with white matte and gold liner. Gilt artist plaque with title. SIZE: Sight: 11-1/4″ x 8-1/4″. CONDITION: Not examined out of frame, some light wrinkles, all over spot foxing. 9-99252 (400-600)

HENRI MATISSE (French, 1869-1954) EIGHT PERIOD LITHOGRAPHS. All identically housed in black metal frames with white edged black mattes. Six female nudes in seated and standing positions and two faces. All line drawing interpretations. All signed in the print “H Matisse”, circa 1946-1952. SIZE: Sight: 16″ x 12″. Total: 16-3/4″ x 12-1/4″. CONDITION: One examined out of frame; tape top hinge mount. Evidence of two prior frames with glue marks in corner and tape marks at edges. All over toned. Otherwise very good. 9-20132 (4,000-8,000)

BIDJAR ORIENTAL RUG, NORTHWEST PERSIA. Mid-20th century. The poled central “lantern” rose red medallion enclosing a smaller pale blue medallion woven with a waterleaf spray in pinks and reds, all on an ivory field within rose red spandrels, all with rows of dense polychrome flowerheads, the wine red main border of scrolling saz leaves alternating with floral cartouches. SIZE: 12’4″ x 9′. CONDITION: Very good with full pile. 9-99153 (1,500-2,500)

FINE AESTHETIC MOVEMENT CARVED MAHOGANY BED ATTRIBUTED TO ALLEN & BROTHER. Circa 1875-80, Philadelphia. This fine example with figured mahogany carved in the orientalist taste. The paneled headboard with pagoda roof form cresting accompanied by a conforming foot board and side rails. SIZE: Overall 66″ h x 62″ w x 99″ l. Interior 94″ l x 56-1/2″ w. CONDITION: Very fine original untouched condition. 9-20387 (1,500-2,500)

RENAISSANCE REVIVAL CARVED WALNUT ARMOIRE. Last quarter 19th century. The arched crest carved with a floral foliate spray above the frieze carved with flowerheads within a diamond latticework, all above the rectangular arched beveled mirrorplate, the door applied with floral rosettes at the corners, flanked by engaged half columns, the base fitted with a drawer. SIZE: 7’11” h. x 47″ w. x 26-1/2″ d. CONDITION: Very good overall. 9-99074 (1,800-2,500)

DERRY MFG. COMPANY PRESENTATION BANJO CLOCK. Circa 1910. Retailed by the Bigelow-Kennard & Company, of Boston Massachusetts. The mahogany and gilt-wood case a reproduction of a Willard presentation banjo clock. With a cast brass eagle finial above the enameled dial with roman numeral chapter ring, time only aperture beneath a convex glass door above the throat with eglomise panel decorated with a burgundy tablet within a gilt border of leaf tips above a floral filled basket. Flanked by cast brass filets above the box base with eglomise panel similarly decorated all within gilt wood rope twist borders. Beneath the box base is a gilt-wood pendent apron applied with spherules and acorn finial. The brass eight day time piece with original lead weight and recoil escapement. SIZE: Overall h. 40″. PROVENANCE: This item is accompanied by a pamphlet describing this specific clock including provenance of the owner supplied by the national association of watch and clock collectors. CONDITION: Is very fine original condition overall. A minor loss of border paint on eglomise panel in box base. 9-20424 (2,000-4,000)

OUTSTANDING ROOKWOOD VELLUM PLAQUE BY EDWARD TIMOTHY HURLEY. The blue toned plaque showing a mountain peak beyond the lake surrounded by evergreens. The foreground with a stand of white birches. The lake reflects the shadows of the trees under a dark blue to light blue sky. Inscribed initials lower right “E T H”. Housed in its original white painted and blue highlighted wood frame. Marked with the Rookwood impressed stamp “XLII” (1942). Hurley worked at Rookwood from 1896-1948. SIZE: 11-3/4″ x 8-3/4″. Sight: 11-1/2″ x 8-1/2″. CONDITION: Very good. 9-20338 (6,000-9,000)

LARGE BULBOUS MOORCROFT VASE. Circa 1941, England. Overall with deep indigo glaze with a midband of peonies. Beneath the base is the incised mark “MADE IN ENGLAND”, the ink stamped signature “W Moorcroft” above the incised mark “POTTER TO / HM THE QUEEN”. In addition is an underglaze blue signature, indecipherable, and what appears to be the date “1941”. SIZE: 13″ h. CONDITION: Very good overall with deep rich colors. Slight craquelure within the floral petals. 9-99585 (1,000-1,500)

NEWCOMB COLLEGE OVOID VASE. 1917. The carved vase with live oak trees and Spanish moss in moon light and shades of blue and green. Incised mark “NC/209/IP49”. SIZE: 7-1/4″h. CONDITION: Large U-form repair beginning and ending at upper rim the U shape break continuing 3″ into body of vase. 9-99160 (300-500)

EIGHT PIECES OF DEDHAM POTTERY. All rabbit decorated in blue and white glazes. Lot consists of: Four 6″ saucers; three 4″ dia. handled cups; 5-1/2″ h covered teapot. The teapot dated 1932, all others have blue mark except for one cup. CONDITION: Very good with no cracks or chips. 9-99133 (500-800)

DEDHAM POTTERY ‘TURTLES’ PATTERN PLATE. Painted in dark blue, the border with five pair of turtles. Stamped “DEDHAM POTTERY” rabbit mark. SIZE: 8-3/8″ dia. PROVENANCE: Richard Paine Estate, Seal Cove, ME. CONDITION: Very good, with 1/8-inch rim imperfection under glaze, small area of craquelure on underside of plate base. 9-92505 (100-200)

FINE BIGELOW, KENNARD & CO. 6 PIECE STERLING SILVER & SILVER-PLATE TEA SET IN THE JAPANESE TASTE. Circa 1882. Comprising a square teapot on stand with handle, a square teapot a creamer, sugar bowl, and waste bowl together with a rectangular tray believed to be silver plated. All of hammered silver applied with a frog and insects, decorated overall with flowering branches. The base of each piece engraved “H. A. Ames/Dec. 25, 1882″. Total weighable: 62 Troy oz. SIZE: Tray 17-1/2″ x 13-1/3”. Teapot on stand 9″ h. Square teapot 4-3/4″ h. Creamer 3″ h. Waste bowl 3″ h. Sugar bowl 2-1/4″ h. CONDITION: Creamer with several small dents and creases, square teapot with small dents, teapot on stand with small dents, waste bowl and sugar bowl each with dents. 9-99038 (5,000-7,000)

GORHAM STERLING SILVER CHILDREN’S 3 PIECE PORRIDGE SET. Last Quarter 19th Century. Decorated with wide bands of repousse featuring Elizabethian musicians with dancing couples all within scrolling vinery. Each item is monogrammed with “FDR”. There is undocumented conjecture that this set may have belonged to Franklin Delano Roosevelt. Plate is model #285, footed bowl is model #285 and mug is model #3965. Total weight 718gr. SIZE: Plate is 7-1/2″ dia. Bowl is 4-3/4″ dia. Mug is 3-1/2″ h. CONDITION: Small dent in plate, bowl with dents and small creases, mug is out of round with rim having small dents. 9-99039 (1,800-2,200)

18K EMERALD AND YELLOW GOLD RING. 1.9 ct emerald solitaire mounted in a square yellow gold basket head and having a wide fluted yellow gold band. Marked “18K”. The square cut emerald Clarity (Moderately included); Color (G-5/3). GW: 5.7 dwt. Accompanied by a GIA appraisal. SIZE: 7. CONDITION: Very good. 9-98802-1 (800-1,200)

Revised: 8/26/2010

Please Note: There is no safety pin with this lot.

5.2CTS EMERALD AND YELLOW GOLD PENDANT. A large square cut emerald of 5.2 cts. Clarity (slightly included). Color (bG 5/5). The emerald set in a frame with cut corners and marked “18k”. GWT: 10.6 dwt. Also included is an 18k 1″ safety pin. Accompanied by a GIA appraisal. SIZE: 1″ square. CONDITION: Very good. 9-98802 (3,000-5,000)

CARVED IVORY 18K GOLD AND GEMSTONE BROOCH. An interesting brooch having a 1-3/4″ x 1-1/2″ signed carved ivory Noh Devil mask netsuke set into a frame of 18k yellow gold in naturalistic form. The mask having emerald eyes, diamond nostrils and a round cabochon red stone. The gold marked “18K”. SIZE: 2-1/4″ x 2″. CONDITION: Very good. 9-20434 (600-900)

VICTORIAN GOLD DIAMOND AND PEARL NECKLACE. The 14″ necklace having a silver chain attached to a T-shaped pendant with small diamonds approximately totaling .75 ct leading to a single pearl. All set in yellow and white gold which is unmarked. CONDITION: Very good. 9-20366 (500-1,000)

LOT OF MISCELLANEOUS ESTATE JEWELRY. Lot includes: 7″ l Titus Geneve lady’s watch in 18k yellow gold with hinged cover and gold band marked 18k; 14k heavy wedding band; three other gold rings. Three pairs of gold fill earrings; anchor pin; bar pin; three stick pins; 16″ l gold bead necklace; 7″ turquoise and silver bracelet; small glass & gold cross; small locket and more. PROVENANCE: From an Eagle River, WI Estate. CONDITION: Show use, good. 9-98672 (1,000-1,500)

CRAFTSMAN WORKSHOP GUSTAV STICKLEY LABELED OAK MAGAZINE CABINET. 1912-1916, New York. The rectangular book shelf with four fixed shelves, pierces hand grips above and arched apron below. Retains original Craftsman Workshop label beneath the bottom shelf. Illustrated in the Collected Works of Gustav Stickley edited by Stephen Gray and Robert Edwards, copyright 1981 on pages 97 and 134. Originally pictured in the 1904 furniture catalog as model No. 79. SIZE: 40″ h x 13-1/2″ w x 10″ d. CONDITION: Structurally very good. Original surfaces have been overly cleaned. Paper label remains intact and readable. 9-99869 (1,000-2,000)

L&JG STICKLEY SIDE CHAIR. This labeled example of a three slat ladderback affixed with a red hand screw label (circa 1906-1912) on rear of seat rail. The original trapezoidal set cushion professionally recovered in leather with rigid frame raised on square legs, joined by a double slat box stretcher. Of pegged construction. SIZE: 36″ h of back. CONDITION: The chair retains cleaned original finish. Seat professionally recovered. Very good overall. 9-97104 (250-350)

MAHOGANY AND RED LEATHER FLAT TOP DESK WITH MATCHING SWIVEL CHAIR. Desk by “Sligh & Lowry Holland, Michigan”. Three inset gold edge leather top panels, two banks of drawers with a center drawer. Open kneehole on both sides. Chair with red leather with brass stud decoration on wood fronted arms. Wood base with large caster feet. SIZE: Desk is 30” h x 48” x 23”. Chair is 32-1/2” h x 18” seat h x 22-1/2” across arms. PROVENANCE: Ex-J. Hollis Wyman Estate, Milbridge, Maine (State Senator and Wild Blueberry King). CONDITION: Very good. 9-98917 (300-500)

Revised: 7/30/2010

Lot Added:

FINE CRYSTAL TWO TIER FIVE LIGHT CHANDELIER. 20th century. In the Regency style, the vasiform cut crystal shaft with everted scalloped dome mount emitting beaded swags and chains, joined to 10 S-scrolled clear glass arms, the five largest with candle lights, the five smaller upper tier arms terminating in cut glass obelisks, all with pendant prism and teardrop chains. SIZE: Approx 42″ h x approx 36″ d. CONDITION: Very good overall. 9-98043 (1,000-1,200)

Revised: 7/30/2010

Lot Added:

WATERFORD SIX LIGHT CRYSTAL CHANDELIER. Second half 20th century. The vasiform crystal shaft with dome base emitting six S-scrolled clear glass arms above a pendant ball marked “WATERFORD”. The arms joined by crystal chains, all fitted with prisms. SIZE: 31″ h x 29″ d. CONDITION: Very good overall with no damages or losses noted. 9-98042 (800-900)

NORTHWEST PERSIAN ORIENTAL CARPET. First half 20th century. The ivory poled medallion within a blue/black field, guarded by rose red spandrels, the whole with dense polychrome floral vinery. The blue/black guard border with rose red pink and indigo floral latticework, the outer black and cranberry border of turretwork. SIZE: 12′ x 8′ 8″. CONDITION: Strong vibrant colors with slight wear at one corner. Loss to end fringes and minor damage to selvage. 9-98467 (1,200-1,400)

EDWARD JAMES FRAUGHTON (American, 1939-) “THE SPIRIT OF WYOMING”. Bronze action sculpture shows a cowboy riding a bucking bronco, one hand on the reins, the other on his lasso. Inscribed on top of bronze base “Wyoming Centennial 1890-1990”. On side “Edward J. Fraughton 1990 10/60”. The bronze mounted to a green polished marble base inset into a walnut wood box base. SIZE: Bronze: 18″ h x 19″ w. Incl. Base: 21″ h x 23″ at widest. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98989 (3,000-5,000)

CLOVIS EDMOND MASSON (French, 1838-1913) BUCK AND DOE. Outstanding bronze depicting a buck and doe running across forest floor leaping over a stump. Signed “C Masson” and having a round founders seal “Susse Freres Editeurs Paris”. SIZE: 13″ h x 17″ l x 8″ w. CONDITION: Very good. 9-98870 (2,000-3,000)

OLYMPIO BRINDESI (American, 1897-1965) INDIAN BRAVE BRONZE. Indian Brave, bronze sculpture with reddish dark brown patina. Signed with artist’s name and inscribed “May 28, 1920, NY”. SIZE: h. of statue 17″ overall h. 20-1/2″ x overall l. 17-1/2″ x d. 8-1/2″. CONDITION: Good condition. 9-20137 (1,000-1,500)

DUCHOISELLE (FRENCH 19TH CENTURY) NATIVE AMERICAN HUNTER. This fine casting, a depiction of a Native American warrior with feather headdress and bow, lying amongst reeds awaiting game. Signed on the proper right plinth “Duchoiselle”. SIZE: 6-3/4″ h. x 17-3/4″ l. x 5-3/4″ w. CONDITION: Very good original surfaces with nice patina. 9-20141 (500-800)

HOWARD TERPNING (American, 1927-) THREE WESTERN LIMITED EDITION PRINTS. 1) “The Shield of her Husband”. Pencil signed and numbered “7/1000”. Depicts a Native American woman in traditional dress. Housed in a molded wood frame with beige matte. 2) “The Spectators”. Pencil signed and numbered “4/1000”. Black and white scene shows three Indian Braves seated. Housed in a gilt wood frame with beige matte. 3) “The Victors”. Pencil signed and numbered “457/1000″. Shows two Braves on horseback in western landscape. Housed in a molded wood frame with double mattes. SIZE: Sight: 1) 22-1/2″ x 17″. 2) 16″ x 28-3/4″. 3) 21-1/4″ x 26-3/4”. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98970, 9-98971; 9-98972 (500-1,000)

THREE LIMITED EDITION WESTERN PRINTS. 1) Don V. Crowley(American, 1926-) “THE STARQUILT”. From an edition of 1000, this numbered “949/1000” and pencil signed. Attached to reverse is the artist biography with paperwork for this print from the Greenwich Workshop Gallery, Fairfield, CT. Scene shows a Native American girl wrapped in a brightly decorated star pattern quilt. Housed in a modern frame with double mattes. 2) D. Michael McCarthy (American, 1951-) “MOUNTAIN OF THE HOLY CROSS”. Pencil signed and numbered “285/500”. Scene shows a mountain with a cross shaped snow glacier leading to a cascading waterfall. Housed in a gilt modern frame with white matte. 3) Hank Lawshe (American, 1935-1993) INDIAN TRAPPER. Pencil signed and numbered “#4 Artist Proof”. Inscribed in pencil “Friend Blue Here’s to the Winter Camp of 83-Long Live the Free Trappers Hank”. Scene shows an Indian Brave with gun in snow. Housed in a painted wood frame with gray matte. SIZE: Sight: 1) 22″ x 15-1/4″. 2) 25-1/2″ x 19-1/2″. 3) 27″ x 17-3/4″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good to excellent. 9-98987, 9-98973;9- 98979 (300-500)

FOUR PAIR BEADED INDIAN MOCCASINS. Circa 1920. 1. The 10″ moccasins have beads in white and orange with designs in blue, red and green. 2. The 9-1/2″ moccasins have blue background bead with large red, pink and white flower. A note in the moccasins dated 01/20/85 indicates they were made by the Shoshoni from the Sula Store, Sula, Montana. 3. The 10-1/4″ moccasins have a blue bead round with yellow, orange, red and black designs. 4. The 11-1/2″ partially beaded moccasins with red, blue and yellow design. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: The soles of #1, with wear and breaks, minor bead loss on the group. Generally in very good condition. 9-99185 (400-800)

LOT OF FOUR BEADED INDIAN BAGS. Circa mid-20th Century. 1. 10-1/2′ X 8-1/2″ pink background with yellow, white and black flower. Attached is a Four Winds Trading Post authentication tag. 2. 14″ x 11″ silver/brown background with four red and blue trees with a yellow horse in the center. 3. 11″ x 9-1/2″ blue background bag with red and orange lilies. 4. 10″ x 8″ bag with turquoise background with red, blue, yellow and gray flowers. SIZE: As indicated. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good overall. 9-99190 (400-600)

INDIAN BEADED VEST. First half of the 20th Century. The woodlands vest having translucent turquoise bead ground with colorful floral panels in white, red, orange and blue. Printed fabric interior edged with buckskin. The vest back having a three blossom red flower in bead work. SIZE: 24″ h x 20″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Bead work very good, rawhide edging with damage and losses. 9-99187 (400-600)

INDIAN BEADED VEST. Last half of the 20th century. The white ground beaded vest has colorful flower in yellow, black, red and other color blossoms. SIZE: 24″ h. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99188 (400-600)

KASHAN ORIENTAL CARPET, CENTRAL PERSIA. 1st half 20th century. The central ivory medallion within a midnight blue field, with ivory spandrels, all with dense polychrome floral vinery. The rose main border flanked by ivory guard borders, all with dense polychrome flowerheads. SIZE: 11’7″ x 8’11”. CONDITION: Very good overall. 9-98927 (1,200-1,800)

TWO SIMILAR CARVED TEAK FERN STANDS. Chinese, Late 19th Century. The tallest round stand with molded edge and conforming circular rose marble insert above a carved scrolling apron raised on cabriole legs terminating in claw feet. The second example with shaped round top and undulating beaded apron centering a conforming rose marble insert above the apron of pierce carved scrolling vinery. Raised on molded cabriole legs headed by carved flowerheads and terminating in stylized ball and claw feet. SIZE: 21″ h x 15-3/4″ dia. 15″ h x 18″ dia. CONDITION: Both with original surfaces, in very good condition overall. The second example with small chips in apron and old restoration to one foot. 9-98901 (700-900)

CHINESE CARVED ELM SIDEBOARD. 19th century. The rectangular paneled top applied with rolled ends above the conforming paneled and mortised case fitted with three aligned drawers above a central pair of cabinet doors, the cabinet ends fitted with flanges or “wings”, each nicely foliate carved. SIZE: 36″ overall h. x 33-3/4″ h. of working surface x 86″ overall l. x 19-3/4″ d. CONDITION: Cabinet retains all original surfaces and hardware, with dark patina and craquelure. Top working surface with losses to finish, in need of cleaning and repolishing, some shrinkage cracks noted. Ends of feet with some deterioration due to old moisture damage. 9-99277 (1,500-2,500)

LARGE ORIENTAL FISHBOWL ON BRASS AND IRON NEO-CLASSICAL STAND. The blue and white bowl decorated overall in a mosaic style with daisies and flower filled urns, alternating with landscape reserves mounted in a Neo-classical iron three legged stand headed by cast brass displayed swans, the legs terminating in ball and claw feet. SIZE: h. 55” bowl d. 21”. CONDITION: Very good. 9-20226 (800-1,200)

TEN SMALL FRAMED ORIENTAL SHIP PAINTINGS. All identically housed in simple walnut frames which are all attached to a double rail. Each is gouache on pith paper and show different Chinese boats. SIZE: Each 4-1/4″ x 5-1/2″ outside frame size; total is 4-1/4″ h x 62″ l. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Generally good. Some with corner edges missing. 9-99292 (600-900)

IMARI POLYCHROME DECORATED BOTTLE VASE. Second half 19th century. This delicate example in shades of indigo and cinnabar depicting a fanciful sea serpent encircling the vase amongst shells and plant life, the neck decorated with flowerheads, overall gilt-heightened. SIZE: h. 10″ CONDITION: Overall very good. 9-99151 (250-400)

CHINESE GILT DECORATED LACQUERED DRESSING BOX. Second half 19th century. This nice example lacquered in a faux tortoise shell finish, gilt decorated with a bucolic Oriental landscape within a scrolling foliate border. The hinged lid opening to an interior fitted with multiple lidded compartments, a pewter inkwell, a pewter container for blotting powder, a cylindrical pin holder, etc. The lid fitted with a mirror plate within a lacquered surround. SIZE: 3″ h x 13″ l x 8-1/4″ d. CONDITION: Overall very nice original condition with minor craquelure. Shrinkage crack in bottom. 9-99159 (250-400)

FINE ORIENTAL SHAPED CHINESE HARDWOOD FERN STAND. Second half 19th century. The square top with floral carved apron and in curved beaded edges; the corners canted, centering a conforming pink marble insert. the conforming frieze pierce-carved with flower heads and with gadrooned edges raised on four shaped legs headed by, and carved with, bird heads. Joined to a medial shelf terminating in bold claw feet. The table ebonized. SIZE: h. 32” x 21-1/2” sq. CONDITION: The ebonized surfaces dried and with losses to paint. Structurally very good. 9-20376 (600-900)

CARVED CHINESE HARDWOOD BENCH. This ornate example with paneled back and rectangular box bench seat carved overall with dragons and Foo dogs. The pierced scrolling crest and arms are similarly carved. The hinged seat opening to a storage well. SIZE: Back is 58-1/2″ h. Overall 81″ l. CONDITION: Structurally good. The black lacquer surface peeling to reveal red base coat. Lacquer on seat is peeling to bare wood. 9-99707 (1,750-2,250)

DIMINUTIVE FEDERAL INLAID MAHOGANY WRITING TABLE. This fine example, probably mid-19th -century New York. The rectangular crossbanded top above a conforming case fitted with a long drawer above an arched opening and flanked by two banks of two short drawers opposing conforming simulated drawers, all with cockbeaded edges raised on a trestle-base joined by a ring-turned cylindrical stretcher, the whole raised on downswept saber legs fitted with brass ferrules and casters. The crossbanded and drawer fronts of figured maple veneers. SIZE: 31-1/4″ h x 35-1/4″ w x 20″ d. CONDITION: Professionally repolished with good rich color. 9-20073 (1,500-2,500)

EARLY AMERICAN STYLE TIN 6-LIGHT CHANDELIER. Late 20th century. The central cylindrical tin shaft pierced with punched S-scroll design mounted with six scrolled wire arms, each supporting a candle light. Also mounted with six convex tin reflectors. SIZE: 14″ h. x 24″ dia. CONDITION: Very good overall original condition. 9-99649 (200-300)

CENTENNIAL CARVED MAHOGANY CHIPPENDALE MIRROR. The rectangular mirror plate within a molded surround with scrolled cresting and ears, the pendent apron also shaped and scrolled. SIZE: 30-3/4″ x 17″. CONDITION: Structurally very good. Dry and spotted finish in need of re polishing. 9-20229 (300-500)

DIMINUTIVE FEDERAL STYLE TIGER MAPLE CHEST OF DRAWERS. 20th century, American. This benchmade example with rectangular top above the conforming case fitted with four graduated long drawers with contrasting inlaid diamond escutcheons, the case sides with brass carrying handles, raised on delicate tapered French feet with deeply scalloped apron. SIZE: 30-1/2″ h x 25-1/4″ w x 14″ d. CONDITION: Very good with original surfaces. 9-99960 (2,500-4,500)

SET OF FOUR BOSTON HEPPLEWHITE CENTENNIAL SIDE CHAIRS. Early 20th- century. Attributed to the Beacon Hill Collection by Kaplan Furniture. The arched reeded crest rail with tablet crest of figured maple above three V & Diamond-form splats, the reeded styles continuing to the over upholstered trapezoidal seat raised on molded tapering frontal legs and backswept rear legs, all joined by a recessed box stretcher. The chairs covered in a pale green silk brocade. SIZE: h. of back 35-1/2″x seat w. 20-1/2 CONDITION: very good overall, retaining original surfaces. 9-20096 (800-1,200)

ADAMS STYLE INLAID MAHOGANY SETTEE. American, Circa 1900. The curved crest rail profusely inlaid overall with ribbon tied floral garlands above the rectangular padded back flanked by curved molded arms raised on multiple square supports and centering the kidney shaped padded seat with incurved seat rail inlaid with a central floral rondel flanked by stylized arrowhead inlays. Raised on square tapering legs inlaid with contrasting bellflowers. SIZE: 34″ h x 44-3/4″/ CONDITION: Structurally very good. The surfaces along the crest rail faded and in need of repolishing. 9-98922 (500-700)

ORNATE STERLING SILVER CENTER BOWL & UNDERPLATE, ROGER WILLIAMS SILVER CO. Circa 1901-1903 Roger Williams Silver Company, Providence, Rhode Island. This fine example decorated overall with pierced scrolling vinery and floral sprays bordered by “C” scrolls and pierced geometric cartouches. Footed center bowl with rolled everted rim, body pierced with scrolling leaf tips above floral garlands. Foot rim is pierce carved. Bowl is fitted with a silver plate liner. Center bowl is marked on the underside with the maker’s hallmark “WR”, the mark of the retailer “Bigelow Kennard & Co.”, the model number “7198” and “Sterling”. Underplate is similarly marked with the model number “87S”. Weight is 2,024gr total. SIZE: Center bowl is 8″ h x 11″ w. Underplate is 11-3/4″ dia. CONDITION: Center bowl with some minor and minimal creasing to pierce work on sides of bowl. Underplate with light surface scratches within brightwork at center of plate. Upper rim of plate interior with nicks and dents. Bottom of liner with 1″ deep scratch. 9-99009 (2,000-3,000)

OUTSTANDING SET OF TWELVE STERLING ROOSTER MOTIF WINE GOBLETS. The matched set marked “Reed & Barton Sterling X55”. Having a horseshoe date mark to 1948. Gold wash bowls. Stems decorated with a cast rooster. No monogram. WEIGHT: 47 tr. oz. SIZE: 4-1/2″ h. PROVENANCE: Bought at Greenleaf Crosby, Lincoln Rd. Miami Beach, FL in the 1950’s. CONDITION: Very good. 9-98758 (750-1,000)

FIVE PIECE STERLING TEA & COFFEE SERVICE BY FRANK M. WHITING & CO. Set consists of: 1) 12″ h coffee pot marked “7185 34 3-1/2 pints”; 2) 10-1/2″ h teapot marked “7185 23 3-3/4 Pints” 3) 8″ h covered sugar marked “7185”. 4) 7″ creamer marked “7185”. 5) 5-1/2″ waste bowl marked “7185”. No monogram. Weight: 102 tr. oz. CONDITION: Very good. 9-99145 (1,500-2,500)

STERLING SILVER THREE-PIECE MINIATURE TEA SET BY WILLIAM. B. MEYERS CO. Meyers was known for fine quality, well designed, and excellent craftsmanship of their miniature pieces. Set consists of: 5″ h (without handle) tea kettle on stand; 3″ h teapot and a 1-3/4″ h open sugar bowl. Each piece has triple initial monogram and marked “Sterling” with maker’s mark. Queen Anne style. Weight: 17 tr. oz. CONDITION: Very good. 9-99168 (200-400)

ANGELIS RUNNER, NORTHWEST PERSIA. 2nd quarter 20th century. Woven with eight aligned scrolling pink and blue medallions on a blue-black field within a pink main border of diagonal leaftips. SIZE: 12’2″ x 2’9″. CONDITION: Good overall. 9-99122 (400-600)

EMPIRE STYLE THREE PIECE MARBLE AND ORMOLU CLOCK SET. Circa 1900. The enamel floral decorated dial with Arabic numeral chapter ring decorated with floral swags marked beneath the numeral twelve “J.E. CALDWELL & Co.”. The brass eight day time and strike movement marked “JUST” within an incised circle above “MADE IN FRANCE”, #41244.6. The clock, “a Napoleon hat” form, flanked by corbels mounted with cast gilt metal leaf tips, also mounted with floral sprays and ribbon-tied foliate sprays. The clock is accompanied by a matching pair of urns with cast gilt metal handles and conforming cast metal sprays. All three on a stepped plinth raised on cast-metal bun feet. SIZE: clock: 10″h. x 15″l. urn: 7-1/2h. CONDITION: Offered with key and original pendulum, the movement appears untouched, the dial very good. The rear plinth of clock missing a tablet size piece of marble. One urn missing cast metal bowtied spray (see photo) Otherwise very good. 9-20085 (500-800)

LOUIS PHILLIPE MARBLE AND PATINATED MANTEL CLOCK. Late 19th century. French. The dark green breschia marble stepped and molded base raised on ornate scrolling claw feet housing an enamel dial, paint-decorated with a floral spray behind a beveled glass door with cast-brass bezel, with an eight day French brass movement. The clock surmounted by a patinated metal casting of an allegorical scene of two maidens with up-stretched arms flanking a seated putti holding an hour glass. SIZE: 27-3/4″ h x 14″ w x 9-1/4″ d. CONDITION: With damage to enamel dial and to arms of maidens. Marble case needs reassembly. “Marble not damaged”. 9-20373 (800-1,200)

NOEL FOMBE (South African, 20th Century) BEAUTIFUL CARVED VERDITE FEMALE AFRICAN HEAD. Carved from verdite, this three-quarter bust of a woman of the Matabele Tribe. Her hair in small braid-like rows joined in a large ponytail wearing earrings and a large beaded necklace. Signed by the artist on the side of bust. SIZE: 11-1/2″ h x 6-3/4″ w x 4-1/2″ d. PROVENANCE: This example carved by Noel who was one of three brothers, all sculptors, who are part of the Barnabas Sculptors of the Shona Tribe, working and living in Mandela Village, South Africa. CONDITION: Very fine condition, a very small surface scratch can be found on right proper cheekbone. 9-99008 (3,000-5,000)

BARNABAS FOMBE (South African, 20th Century) BEAUTIFUL CARVED VERDITE MALE AFRICAN WARRIOR HEAD. Verdite carving shows a three-quarter bust of a warrior with a pensive expression wearing a simple rope and tooth headdress and a necklace, a single earring in his left ear. Signed on the proper right shoulder. SIZE: 13-1/4″ h x 7-1/2″ w x 7-1/2″ d. PROVENANCE: This example carved by Barnabas who was one of three brothers, all sculptors, who are part of the Barnabas Sculptors of the Shona Tribe, working and living in Mandela Village, South Africa. CONDITION: Very fine, original condition, the polished surfaces with no imperfections noted. 9-99007 (3,000-5,000)

FRANZ BERGMAN (AUSTRIAN 1898-1963) DESERT CARAVAN. Cold-painted bronze depicting two Arabs with camels amidst ruins beneath palm trees. All polychrome paint decorated, the right rear flank of each camel with Bergman’s classic “B” mark, the plinth of the statue also with incised mark. SIZE: 4″ h x 5-3/4″ l x 3-3/4″ d. CONDITION: Retains original surfaces in need of slight cleaning. Otherwise very good. 9-99013 (4,000-5,000)

PATINATED BRONZE SCULPTURE OF MAIDEN KNITTING AFTER J. BERTHOZ. 20th century. Depicting a barefoot young girl with cap leaning against a tree trunk, knitting. Back of tree trunk with incised signature “J. Berthoz” above an impressed foundry mark above the impressed serial number “7124” on a circular plinth. SIZE: 13-3/4″ h. CONDITION: Surfaces untouched with nice patina. 9-99596 (700-1,200)

BRONZE SCULPTURE OF ALEJANDRO VOLTA. Circa 1927. This sculpture is a reproduction of the statue of Alejandro Volta, inventor of the electric battery. The original casting by Valmore Gemignani (Italian, 20th Century) is at the University of Buenos Aires. Item is being sold together with a pine pedestal in blue-green paint with gilt-decorated borders. SIZE: Statue is 19″ h. Overall including plinth is 21″ h. Pedestal is 39-1/2″ h. Top is 11″ sq. CONDITION: Bronze is in very good condition with original surfaces and mellow brown patina. 9-20149 (900-1,200)

EDWARDIAN CARVED WALNUT DOUBLE DOOR WARDROBE. Circa 1900, English. In three parts, the convex molded cornice fitted to the central cabinet having a pair of raised panel doors carved with fanciful serpents mounted with shaped rectangular beveled mirror plates opening to a divided interior each side fitted with a pole. All mounted on a conforming base fitted with a single deep drawer on a molded plinth. SIZE: 76″ h x 47″ w x 19″ d. CONDITION: Very good structural condition with original mirror plates and hardware. Professionally repolished with nice honey brown color. 9-20231 (600-900)

ENGLISH VICTORIAN MAHOGANY TWO TIER DRESSING STAND. Mid 19th century. The round mirror plate within a conforming molded surround joined to a tilting bracket fitted within the central standard, adjustable with a set screw, above two dish-top shelves, the topmost rotating on the central shaft, the whole ring-turned and carved, raised on a tripod cabriole leg base, the legs with scrolling volutes, all on bulbous pad feet. SIZE: 53″ h x 17″ greatest d. CONDITION: Very good overall. The mirror molding with stress cracks. The set screw missing handle. Otherwise very good. 9-20219 (800-1,200)

AMERICAN REVERSE PAINTED BRASS DESK LAMP. Early 20th century. The molded shade with a reverse painting of a rocky stream amidst a forest at dusk mounted on its original Art Nouveau style cast brass base. Shade and base unmarked. SIZE: h. of shade 3-1/4″ x l. 9″ x d 5-1/4″ h. of base 9″. CONDITION: The shade with small flecks in area of attachment to base and also around front rim of shade. Painting in good condition. Base contains original lacquered surface. 9-99870 (300-500)

PAIR OF ART NOUVEAU PAINT-DECORATED WROUGHT IRON FLOOR LAMPS. American. First quarter 20th- century. Each two light example with scrolling socles hung with polychrome prisms, raised on a spiral turned standard applied with leaftips on a round plinth. SIZE: 62-1/2″h. CONDITION: Retains original painted surfaces. 9-20081 (300-600)

LOT OF SIX BRILLIANT CUT GLASS BOWLS. All bowls unsigned but with fine cutting including hobstar, sheaf of wheat and fans. SIZE: 1) 4″ h x 9-1/2″ w; 2) 5″ h x 10″ w; 3) 4″ h x 8″ w; 4) 4″ h x 8″ w; 5) 3-1/2″ h x 8″ w; 6) 2-1/2″ h x 9″ w. CONDITION: 1) One rim tooth chip. Remainder are in very good condition with only slight flecks, chips or nicks on rims. 9-99154 (500-800)

LOT OF FIVE-PIECES OF ANTIQUE GLASSWARE. Lot consists of: 1) 9″ h diamond point style cut glass cheese dome; 2) 6″ h (with stopper) heart shaped cut glass perfume bottle; 3) 7″ h (with stopper) amberina coin spot style cruet; 4) 10-1/4″ h cranberry to clear Bohemian style cut glass vase; 5) 8″ cobalt blue bottle with stopper having raised ribs and enameled and gilt grapevine, with pontil. CONDITION: 2) Ground under rim edge; 3) Cruet with stuck stopper; Otherwise lot with no chips or cracks. 9-99161 (250-400)

PAIR OF BRILLIANT CUT CRYSTAL LIQUEUR BOTTLES T/W A PAIR OF MOLDED BAR BOTTLES. 19th- century. The first pair with conforming square stoppers. The second pair with thumb-molded tapering square stoppers. The bases octagonal. SIZE: 9-1/4″ h. of first pair; 13-3/8″h. of second pair and 13-3/4″h. respectively. CONDITION: The square cut crystal pair with minor and minimal “fleabites” otherwise very good. The molded examples with no visible imperfections. All four bottles with clear glass. There is a 3/8″ difference in overall height between these two decanters. 9-20094 (200-400)

TWO BLUE AND WHITE CHESTNUT BASKETS WITH UNDERLINERS. The first a Leeds example with reticulated lace border, Blue Willow scene. The basket with pierce cutouts in oval form with two handles. Unmarked. 19th Century. The second, Staffordshire example with pierced lace band on underliner. Matching basket with diamond shaped cutout band, both in Blue Willow decoration, unmarked. SIZE: 1) Underliner: 10-1/4″ x 8″. Basket is 9-3/4″ x 6″. 2) Underliner: 9-1/2″ x 7-1/4″. Basket is 9-3/4″ x 6-1/4″. CONDITION: Very good. 9-98876 (800-1,200)

TWO STAFFORDSHIRE BLUE & WHITE WASH SETS. Each having a pitcher and bowl. 1) Baronial Halls pattern by T J & J. Mayer, Longport. Scene showing a small group of people, some on horses, leaving a stately manor with bridge and cows. 2) Agricultural Vase pattern by R. W. M. & Co. Scene shows a large trophy vase in front of a landscape with figures, buildings and water. SIZE: 1) Bowl: 4-1/2″ h x 14-1/2″ dia. Pitcher: 14″ h. 2) Bowl: 4-1/2″ h x 14-1/4″ dia. Pitcher: 11-1/2″ h. CONDITION: 1) Very good. 2) Small restoration on bowl, otherwise very good. 9-98884 (700-1,000)

THREE EARLY STAFFORDSHIRE BOWLS. 1) Wash bowl in the Village Church pattern showing two men at a gate with sheep, buildings and church. Having a floral border, unmarked. 2) Unmarked blue and white floral decorated wash bowl. 3) Blue and white Oriental motif footed center bowl. Blue Willow variant. SIZE: 1) 5″ h x 11-3/4″ dia. 2) 5″ h x 11-1/2″ dia. 3) 4-1/2″ h x 10″ w. CONDITION: 1) Professional restoration to a hairline and chip at rim. 2) Some small professional restoration to rim. 3) Very good. 9-98880 (750-1,000)

OUTSTANDING 41-PIECE CHILD’S WHITE IRONSTONE WITH BLACK ROPE DECORATION DINNER SERVICE. Unusual to find such a complete set. Lot consists of: Six 4-1/2″ plates; Six 4-1/2″ bowls; Six 3-3/4″ plates; six 3″ plates; Two 4-1/2″ l gravy boats; Two 5″ covered vegetable dishes; Two 5″ open vegetable dishes; Two 4-1/2″ small tureens with underliners and covers (one with ladle); Large 6″ soup tureen with undertray, no cover and broken ladle; Six platters ranging from 8″ to 5″; Two shaped 3″ serving dishes. CONDITION: As noted, otherwise very good. 9-98871 (800-1,200)

FOUR-PART HISTORIC STAFFORDSHIRE SAUCE TUREEN. Part of the Select Views series by R. Hall in the “Luscombe, Devonshire” pattern. Fruit and flower border with images of a castle and surrounding land. A nice deep blue color. Lot includes: Undertray, tureen, cover and ladle. SIZE: Total: 6″ h x 9″ x 6-1/4″. CONDITION: Tight hairline in cover, ladle has been restored, some very minor roughness to glaze on tureen. Otherwise very good. 9-98883 (600-800)

SEMI-ANTIQUE HERIZ. NORTHWEST PERSIA. The large Arabesque poled medallion with dense polychrome geometric figures all in a rose-red field within ivory spandrels similarly decorated the blue black main border with geometric polychrome latticework. SIZE: 11′ 5″ x 7′ 10″ CONDITION: Carpet retains full pile overall. Small but distinct area of moth damage at outer corners of central medallion and in one corner of guard border. See photo. 9-99959 (1,200-1,800)

CLASSICAL REVIVAL MAHOGANY LIBRARY TABLE. Circa 1900. The benchmade example with rectangular top above the conforming convex sloping frieze fitted with a pair of aligned drawers, the case corners foliate-carved, raised on square legs continuing to flared feet, the legs joined by a medial shelf. SIZE: 28-3/4″ h. x 54″ l. x 34″ w. CONDITION: Writing table retains original surfaces and hardware, minimal surface scratches. Small damage to corners of two feet, each with triangular chip missing. Otherwise very good. 9-99275 (300-500)

FINE NEW YORK SHERATON CARVED MAHOGANY ARMCHAIR. Third quarter 19th Century attributed to the shop of Ernest Hagen, New York City. Of classical form, the reeded and turned crest rail carved with water leaves joined to square reeded backswept leaf-carved stiles continuing to shaped reeded arms on tapered cylindrical supports; the X-form splat centered with a flowerhead. The trapezoidal over upholstered seat in a brocade fabric raised on frontal tapering reeded and turned cylindrical legs, the rear legs backswept. SIZE: 33-1/2 h x 22-1/2 w overall. CONDITION: Retaining original surfaces and finish, proper left arm with some chaffing. Otherwise very good. 9-20072 (800-1,200)

AMERICAN CARVED MAHOGANY TWO DOOR BOOKCASE. First quarter 20th century. The rectangular case fitted with a pair of glass paneled doors fitted with four adjustable shelves flanked by pilasters carved with leaf tips and with ionic capitals, raised on claw feet. SIZE: 60-1/2″ h x 52″ w x 15″ d. CONDITION: Structurally good. Refinished. 9-20144 (600-800)

SCENIC PAINTED THREE-FOLD ROOM SCREEN. The canvas covered panels trimmed in round tack edge depict a classical French landscape with flowering trees, men and women, palatial Estate and panoramic views. The back side is painted black. Unsigned. SIZE: 67-1/2″ h x 54″ w extended. CONDITION: Panels are very good with some discolored surface varnish. The back with only a few minor scrapes. Edges with just a few breaks and minor losses. 9-98774 (1,000-1,500)

TWO REGENCY STYLE INLAID TEA CADDIES. 20th century. Each square tea caddy with canted corners. The first mahogany example with eight pointed star of contrasting inlays, the sides alternating diamond and arrow head shaped inlays. the interior fitted with a lid inlaid with an oval patera. The second example of burr walnut, the hinged lid with four pointed star of contrasting inlays the interior fitted with lid. SIZE: First 5-1/3″ x 5-1/2″ h square.Second 4-1/2″ x 5″ h square. CONDITION: Very good. 9-20234-1 (200-300)

PAIR OF NEO-CLASSICAL MAHOGANY CUTLERY URNS & MAHOGANY LAZY SUSAN. Last quarter 19th century and early 20th century. Each urn, a turned benchmade example with acorn finials in two parts. Each on a stepped turned base further resting on a hexagonal plinth raised on ogee bracket feet. Together with a figured mahogany lazy susan, the top with molded edge fitted to and swiveling on a circular concave molded base. SIZE: Each urn: 27-3/4″ h. x 10-3/4″ dia. Lazy susan: 4-3/4″ h. x 12-3/4″ dia. CONDITION: Urns with open interiors, each retaining original finish with good patina, surfaces somewhat dry with minor shrinkage cracks. Damages and losses to base of each finial. Lazy susan with original finish, good patina and no noted damages or restorations. 9-99129 (400-600)

FEDERAL STYLE FIGURED MAPLE INLAID BOX. Early 20th Century, Probably New York. This nice example with hinged lid inlaid with a central urn within a mahogany patera and rayed spandrels opening to an interior fitted with pleated silk panels, each side inlaid with varying contrasting inlaid panels on a molded plinth raised on suppressed ball feet. SIZE: 5-1/2″ h x 10″ l x 6-3/4″ d. CONDITION: Very good. 9-98921 (200-300)

116-PC STERLING FLATWARE SERVICE BY NEWBURYPORT SILVER COMPANY. In a pointed antique type pattern. Monogrammed with a large “W”. Set consists of (24) 7-1/2″ forks, (12) 7″ spoons, (12) 5-1/2″ soup spoons, (24) 5-1/2 teaspoons, (12) 6″ solid butter knives, (12) 10″ knives, (12) 8-3/4″ knives, (6) 8″ table spoons, (1) 5-3/4″ sugar spoon, (1) 6-3/4″ master butter knife. 103 troy oz. Accompanying the set is an antique one drawer lift top walnut silver chest. SIZE: Chest 11″ h x 22″ w x 14-1/2″ d. CONDITION: Silver: shows light use. Generally very good. Chest: finish loss, some minor scrapes, otherwise good. 9-99150 (1,000-2,000)

77-PIECE STERLING FLATWARE SET BY TOWLE IN THE “OLD NEWBURY” PATTERN. Set consists of: Twelve 9-1/2″ knives; twelve 8-3/4″ knives; nine 5-1/2″ solid handled butter knives; twelve 7-1/4″ forks; eight 5-3/4″ salad forks; twelve 7″ spoons; twelve 5-1/4″ teaspoons. All with monogram. Weight: 64 tr. oz. of weighable silver. Also accompanied by a lined mahogany silver box. PROVENANCE: From a fine Maine home. CONDITION: Shows some use, generally very good. 9-98754 (600-800)

MISCELLANEOUS LOT OF 52-PIECE STERLING SILVER FLATWARE AND SERVING PIECES. Lot consists of: Twenty-four pieces (twelve 6″ forks; twelve 5-1/2″ soup spoons) by Lunt Silversmiths, in the “Windsor” pattern; Six Gorham 5-1/2″ hors d’ourves forks “Strasbourg” pattern (monogrammed); Six Whiting hors d’ourves forks in the “Louis XV” pattern; 5-3/4″ hors d’ourves fork by Wallace in the “Irian” pattern; 14″ punch ladle by Wood & Hughes; 8-1/2″ tablespoon by Gorham in the “St. Cloud” pattern; 7-1/2″ flat pierced server by Gorham in the “Strasbourg” pattern; 8-1/2″ serving spoon by Gorham in the “Cambridge” pattern; 9-1/4″ serving spoon by Gorham possibly in the “King George” pattern. WEIGHT: 52 tr. oz. CONDITION: Generally very good, shows use. 9-98755 (600-800)

68 MISCELLANEOUS PIECES OF STERLING SERVING PIECES. Lot includes: eight sugar tongs; seven large serving spoons; ten serving forks; twenty-three various spoons; five Continental pieces and fifteen other miscellaneous pieces. WEIGHT: 50 tr. oz. CONDITION: Very good, some show use. 9-99150-1 (800-1,200)

NINE PIECES OF STERLING FLATWARE. Lot includes: Tiffany & Co. 7-1/4″ ladle in the “Colonial” pattern, no monogram; Tiffany & Co. 8-1/2″ spoon in the “Wave Edge” pattern, monogram; S. Kirk & Son 6″ letter opener and fork in a reposse pattern, no monogram; George Jensen (Denmark) “Acorn” pattern 6″ ladle and 3-3/4″ tongs, no monogram; Three pieces by James B. Hamlin of North Bridgeton, Maine. WEIGHT: 11 tr. oz. CONDITION: Very good. 9-99150-2 (250-400)

73-PIECES OF MISCELLANEOUS STERLING SILVER FLATWARE. Lot consists of: 18 pieces of Towle flatware in the “Chippendale” pattern having no monogram including six 6-1/2″ soup spoons, six 7-1/4″ forks, 6-1/2″ fork, five 8-3/4″ knives; 26 pieces of sterling flatware by Dominick & Haff in the “Old English Antique” pattern with no monogram consisting of six 6″ teaspoons, four 6″ soup spoons, four 5-3/4″ butter knives, four 6″ forks, three 7″ forks, four 8-1/2″ knives (one dented), 10″ pie server; Six 7-1/2″ unmarked straw/spoons; Twelve 6-1/2″ soup spoons by Towle in the “Lafayette” pattern, monogrammed; two 8-1/2″ table spoons by Alvin in the “Maryland” pattern, monogrammed; Six 7-1/2″ forks monogrammed; three 5-3/4″ butter knives. WEIGHT: 62 tr. oz. CONDITION: Generally very good showing use, as noted above. 9-99150-4 (600-1,000)

LOT OF 52-PIECES OF MISCELLANEOUS STERLING FLATWARE. Lot consists of: 18 pieces of Gorham flatware in the “Marguerite” pattern. Monogrammed, consisting of twelve 5-3/4″ teaspoons and six 5-3/4″ forks; 16 pieces of International flatware in the “Spring Glory” pattern. No monogram, consisting of eight 6-1/2″ forks and eight 6″ teaspoons; Six 4″ Newburyport Silver Co. spoons; Six 5-1/4″ spoons by the Paye & Baker Mfg. Co. having fancy gold wash bowls, not monogrammed; six 4-1/2″ early English hallmarked spoons, monogrammed. WEIGHT: 36 tr. oz. CONDITION: Very good. 9-99150-5 (400-800)

SWEDISH ROCOCO SILVER COVERED TALL SAUCE TUREEN. Late 19th Century. Lid with floral knopped finial and joined to the lid with leaf tips. Lid is slotted for serving spoon. Container with scrolled handles, applied gadrooned scalloped edge, and raised on a fluted shaft with floral decoration and with Art-Nouveau influenced tendril decorations on a footed base. Weight 788gr. SIZE: 14-1/2″ h. CONDITION: Very good. 9-99680 (900-1,200)

NORWEGIAN SILVER STEIN. Marked “Norsk Filicr. Fabr. 830 S”. Hallmarked with a shield and rampant lion. Cylinder tankard having a 3″ decorative band with shield and monogrammed “B”. Inscribed “1890 1889 October 1914 1940”, also “Norman M.L. Bergh”. The tankard has three angular ball shaped feet with decorative handle and thumb lift. The cover with a bearded man toasting finial. Weight: 27 tr. oz. SIZE: 10″ h. CONDITION: The lid with several small dents, one foot slightly pushed in, otherwise generally very good. 9-99152 (250-400)

Revised: 9/10/2010

Additional Information: The small brown trunk section (immediately below the watch holder) has had some restoration.

STAFFORDSHIRE FIGURAL WATCH HUTCH. 19th century. Modeled with a male and female beneath a flowering wreath-form tree with song birds centering a watch hutch. All on a marbleized stepped plinth. SIZE: h. 10″. CONDITION: One hand missing on each figure and with damages to floral buds. With roughness to blue enamel within rim of hutch. 9-99685 (500-800)

STAFFORDSHIRE OBADIAH SHERRATT FIGURE OF A HORSE AND RIDER. 19th century. Depicting a horse ridden by a gentleman in top hat with turquoise jacket and yellow riding pants. A serpent form riding crop in his right hand. The horse appears to be leaping over a tree stump. Mounted on a rectangular polychrome decorated platform raised on stylized turquoise claw feet. SIZE: h. 9-1/2″ CONDITION: Good, some restoration to black paint and also with enhancement. 9-99684 (800-1,200)

UNUSUAL PARQUETRY “FRIENDSHIP” BOX. Second half 19th- century. This nice mahogany example with stepped hinged lid opening to an interior lined with red velvet, the lid interior fitted with mirror plate, the box on a stepped molded plinth inlaid overall in various geometric contrasting string inlays, the central panel on the box lid inlaid with a symbol of friendship illustrated by two hands clasped in a handshake. SIZE: h. 5-1/2″ x l. 10-1/4″ x d. 7-1/4″ CONDITION: Box retains original surfaces with good patina. Inlaid escutcheon now absent. Originally fitted with a small tray, now absent. 9-99893 (400-600)

DITTY BOX WITH DECOUPAGE DECORATION. Second half 19th century. The rectangular pine box with overall decoupage, featuring American political figures, animals, state buildings flowers and other figures. On the lid above the keyhole is the name “MARTHA” within a spray (assumed to be the maker’s name). SIZE: 4-1/3″ h x 11″ l x 8″ d. CONDITION: With original surfaces, normal and expected surface scratches. Otherwise very good. 9-99898 (300-500)

SEMI ANTIQUE BAKHTIARI. SOUTHWEST PERSIA. The central arabesque ivory medallion centering a stylized square indigo medallion on a variegated field with dense polychrome geometric and stylized floral design within wine red spandrels. The ivory main border with floral polychrome lattice work. SIZE: 10′ 4″ x 6′ 11″ CONDITION: The carpet with areas of slight discoloration including small professional reweaving, primarily two feet into one end (not visible from top). Good condition overall. 9-20428 (800-1,200)

CLASSICAL CARVED MAHOGANY ROUND CENTER TABLE. The circular top with molded edge above the conforming frieze above a bulbous reeded center pedestal with a gadrooned base joined to a tripartite plinth, raised on large carved feet. SIZE: h. 30″ x d. 42″. CONDITION: With original faded surfaces the center of the top drilled to accommodate an electrical cord. the claw feet scuffed. 9-99974 (1,500-2,500)

PAIR OF JACOBEAN STYLE CARVED WALNUT ARMCHAIRS. Last quarter 19th century, English. Each oversized chair with scrolling crestrail carved with leaftips and birds above the rectangular back panel, carved with scrolling garlands and flanked by floral rosettes joined to the downswept molded arms with rolled grips and scrolled volutes centering a trapezoidal plank seat fitted with an upholstered cushion, raised on blocked tapering square legs terminating in ball feet, joined by an H-form stretcher. SIZE: 58-3/4″ h of back x 27″ overall w. CONDITION: These benchmade examples in need of tightening but retain original surfaces. 9-20145 (400-600)

HENRI II CARVED WALNUT MARBLE TOP BUFFET. Last quarter 19th century, possibly Liege, France. The arched mirror with floral carved cresting above the molded surround with conforming French bevel mirror plate, flanked by free standing fluted columns with acanthus carved capitals, further flanked by shaped wing supports carved with scrolling leaf tips, joined to a pair of glove boxes, each fitted with a molded drawer. The rectangular case with outset corners fitted with a blue/green marble top above a long hinged drawer; the front opening to a leather lined writing surface and fitted with three aligned interior drawers, over a pair of cupboard doors opening to an interior fitted with three linen drawers over a single long drawer. The case flanked with free standing columns, the case front decorated overall with carved floral swags and clusters of ribbon tied musical instruments. SIZE: 87″ h overall, 40″ h of working surface, 53″ w x 22-1/2″ d. CONDITION: The piece retains original beveled mirror, finish, and cast brass hardware. 9-98130 (1,250-1,750)

TWO DOOR CARVED EDWARDIAN OAK HALL TABLE. The overhanging top having a frieze with two doors, each carved with round medallion profiles and fitted with round knobs. The open base having a low shelf supported by trestle type feet and having four carved columned legs. Each side having a carved panel and the back with an uncarved panel but presentable from the back side. SIZE: 33″ h x 54″ w x 21″ d. PROVENANCE: From a Washington, Maine Estate. CONDITION: Original finish, very good with light water stain to top left. 9-95782 (500-1,000)

PAIR OF MAHOGANY VITRINE TABLES. Second quarter 20th century. The clear glass rectangular tops with molded edges above the conforming frieze comprising a velvet lined shadow box interior of opposing drawers, raised on tapering cylindrical fluted legs joined by a shaped H-form stretcher. Each end drawer mounted with a cylinder lock which is currently locked with no available key. SIZE: h. 29-1/2″ x l 59″ x w. 23-1/2″. CONDITION: Very good original condition. Note that drawers are locked. 9-20146 (800-1,200)

LUIGI KASIMIR (AMERICAN, 1881 – 1962) “FULTON MARKET, NEW YORK”. The soft ground etching and aquatint colored scene shows a busy fish market near fishing boats with the New York skyline as the backdrop. Pencil signed, unframed and housed in a white matte. SIZE: Overall size: 23″ x 17-1/2″. Image: 16-1/2″ x 11-1/2″. CONDITION: Very good. 9-20396 (1,500-2,000)

LUIGI KASIMIR (AMERICAN, 1881 – 1962) TWO WORKS: “VIENNA, STEPHEN’S”; “OESTRICH IM RHEINGAU”. Both soft ground color etchings and aquatints unframed, housed in a white matte and pencil signed and in color. 1) Scene shows a tall steepled church is a city center. 2) Shows a castle. SIZE: 1. Overall size: 17-1/2″ x 13″. Image: 15-1/2″ x 10-1/4″. 2. Overall size: 14-1/4″ x 13″. Image: 11-1/4″ x 10-1/4″. CONDITION: Both very good. 9-20399 (1,500-1,800)

LUIGI KASIMIR (AMERICAN, 1881 – 1962) TWO WORKS: “WILDEGG, AUSTRIA”; “THE DANUBE, NEAR VIENNA”. Both soft ground color etchings and aquatints unframed, housed in a white matte. Both pencil signed and in color. 1) Scene shows a castle in woods. 2) Shows a landscape with water, mountain and trees. SIZE: 1) Overall size: 15-3/4″ x 14″. Image: 11-3/4″ x 11″. 2) Overall size: 16-1/2″ x 14-1/2″. Image: 9-1/2″ x 9-1/4″. CONDITION: Very good for both. 9-20398 (1,200-1,500)

LUIGI KASIMIR (AMERICAN, 1881 – 1962) TWO WORKS: “FREDERICKSBURG CASTLES IN THE SNOW”; “ARCHWAY TO CITY HALL, MUNICH”. Both unframed, pencil signed and matted. 1) Etching shows an oval scene of a castle beyond trees in snow. 2) Etching shows an archway with road to city center. SIZE: 1) Overall size: 11-3/4″ x 9-1/4″. Image: 7-1/4″ x 5″. 2) Overall size: 11-1/2″ x 9-1/2″. Image: 6-1/2″ x 5-1/2″. CONDITION: 1) Has toning, otherwise very good. 2) Very good. 9-20397 (500-700)

ARMIN LANDECK (AMERICAN, 1905 – 1984) “COLOSSEUM”, ROME. Unframed and housed in a white mat. From an edition of 20. First state. The copper engraving showing a modern scene with streetlight with the Colosseum. Pencil signed and inscribed, “FOR ALBERT”. SIZE: Overall size: 23-1/2″: x 18-1/2″. Image: 18-1/2″ x 13-1/2″. CONDITION: Very good. 9-20400 (1,200-1,500)

ARMIN LANDECK (AMERICAN, 1905 – 1984) “CHARTRES, FRANCE CATHEDRAL”. Unframed copper engraving housed in a white matte. Edition of 50. The scene shows a modern view of a cathedral with buildings in front. Pencil signed, dated “1955”. Also “ED 100″. SIZE: Overall size: 23-1/4″ x 15-3/4″. Image: 19-1/4″ x 12”. CONDITION: Very good. 9-20401 (900-1,200)

FRENCH INLAID MAHOGANY DRESSING TABLE. First half of the 20th Century. Bench made in the Directoire style. The rectangular shaped beveled mirror beneath a large oval inlaid patera surmounted by a molded arched cornice and flanked by scrolling gilt metal candle arms. Joined to a raised inlaid glove box fitted with a pair of aligned short drawers further joined to the kidney shaped base with swelled sides centering a single drawer raised on four tapering cylindrical legs joined at the base by curule shaped stretchers. The whole inlaid with rosewood and mahogany cross banding. SIZE: 76″ h x 53″ w x 20″ d. CONDITION: Very good overall retaining original, cleaned surfaces, original hardware, and sconces. 9-98674 (800-1,200)

LOUIS XVI STYLE CARVED BEECH CANAPE. 2nd quarter 20th century. The curved back with arched crest rail continuing to down-sloping conforming arms, terminating in scrolled acanthus-carved scrolled hand grips on incurved foliate carved supports, the seat rail with central bow-tied ribbon flanked by scrolling leaftips, raised on molded cabriole legs terminating in snail feet. The frame overupholstered in red velvet, additionally with a red velvet seat cushion. SIZE: 32″ h. of back x 54″ l. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Very good overall. 9-99302 (600-900)

LOUIS ICART (French, 1888-1950) “LES BRACELETS”. Framed pencil signed oval scene shows a lovely young woman wearing fancy dress and arranging her six blue bracelets on her left arm as she looks toward viewer. Pencil inscribed “75”. Also with “Copyright 1924″ and printers information at top edge. Housed in a gilt frame with period matte. The back having a Schwartz Gallery, New York label. SIZE: Image: 17-1/2″ x 13”. CONDITION: Very good. 9-99036 (800-1,200)

LOUIS ICART (French, 1888-1950) “UN PEU DE ROUGE”. Framed pencil signed oval scene shows a lovely young woman wearing fancy dress having her large wide brim, grape decorated hat over her arm as she applies red lipstick using a compact mirror. Pencil inscribed “75”. Also with “Copyright 1924″ and printers information at top edge. Housed in a gilt frame with period matte. The back having a Schwartz Gallery, New York label. SIZE: Image: 17-1/2″ x 13”. CONDITION: Very good. 9-99035 (800-1,200)

AFTER NICHOLAS COUSTOU (French, 1658-1733) FIGURE WITH A MARLEY HORSE. The 19th/20th Century French bronze shows a rearing horse being held by the reins by a nude man. Signed “Coustou” and script “France”. SIZE: 15″ h x 12″ l x 5″ w. PROVENANCE: From a private Maine collection. CONDITION: Very good, his left hand probably held a whip which is missing. 9-98926 (800-1,200)

TWO FINE CLASSICAL BRONZE FIGURES TITLED “GAULOIS” AND “SARRAZIN”. Second half 19th century. These nice unsigned examples depicting soldiers preparing for battle. One with helmet drawing sword. The second wrapped in a cloak carrying a halberd. Both modeled on a round plinth. SIZE: Sarrazin 24-1/4″ h. Gaulois 20″ h. CONDITION: Both statues with very nice patina and original surfaces. The Halberd, cast in two sections, and appears original. Each titled on the edge of plinth. 9-20151 (3,000-4,000)

PATINATED BRONZE FIGURE OF “DYING GAUL”. Late 19th century. Cast bronze figure of warrior on top of shield with sword and battle trumpet spread on the ground, on oval base. SIZE: h. 12-3/4″ x l. 25-3/8″. CONDITION: With original surfaces and nice patination. The oval base with some shape irregularities and surface scratches. Otherwise very good. 9-20147 (2,200-2,600)

OUTSTANDING STAFFORDSHIRE COVERED TUREEN IN THE “GRECIAN SCENERY” PATTERN. This pattern has been attributed to Enoch Woods & Sons. The scene is in a light red transfer showing scenes of Classical times with ships, people and cities. The large base has two floral decorated handles and four shaped feet. The matching cover with a decorative central handle and ladle slot. SIZE: 11″ h x 16″ l x 10″ w. CONDITION: Very good. 9-98875 (600-900)

TEN PIECES OF MULBERRY STAFFORDSHIRE. Lot consists of: 16″ x 12″ cut corner platter in “Corea” pattern (restored back); 7-1/2″ h octagon paneled pitcher (reattached handle); 5-1/2″ octagon creamer in the “Cyprus” pattern; 6″ dia. waste bowl in “Medina” pattern; 5″ waste bowl in “Jeddo” pattern; 7-1/2″ h covered octagon sugar in the “Cyprus” pattern; 5-1/2″ h x 8″ l covered sauce tureen in the “Jeddo” pattern; (small cracks); 8″ h three-part sauce tureen in the “Jeddo” pattern including undertray, tureen and cover (restored); 7-1/2″ h x 9″ dia. covered vegetable; 10″ h octagon covered teapot in the “Cyprus” pattern (small restoration). CONDITION: As noted above, otherwise generally good. 9-98873 (800-1,200)

PAIR OF STAFFORDSHIRE SPANIELS. Left and right facing white glazed figures of a seated dog in white with painted facial features. Specks of gold highlighting present. Late 19th Century. SIZE: 13-1/4″ h x 11″ w. CONDITION: Gold highlighting missing in most areas, otherwise good. 9-99831 (250-400)

FINE SCENIC STAFFORDSHIRE WELL AND TREE PLATTER IN THE “VENICE” PATTERN. The platter in a medium green transfer marked on reverse with a green mark, pattern name from the Venetian Series. Marked on back with cartouche “WR”, probably for William Ridgeway. SIZE: 21″ x 17″. CONDITION: Professional restoration to 3″ hairline, invisible repair. Very good. 9-98885 (400-700)

FOUR COLLECTIBLE ANTIQUE PITCHERS. 1) 7″ h pitcher with transfer hunting scene on each side in bands of cream, blue and pink lustre. 2) 6″ h yellowware pitcher with transfer scenes of castle on each side, face spout with blueberry painted border. 3) 7″ pitcher with relief decorated tree with birds and hunter. 4) 7″ figural bust pitcher of a woman. CONDITION: 1) Restoration to spout. 2) Restored spout. 3) Good. 4) Good. 9-98879 (500-800)

FINE LOT OF FIVE EARLY STAFFORDSHIRE SERVING DISHES IN THE “BLUE WILLOW” PATTERN. 1 & 2) Two 9″ x 7-1/2″ scallop edge square dishes having molded floral handles. Illegible impress mark on base. 3 & 4) Pair of 7-1/2″ square matching shaped quatrefoil dishes in an Oriental motif. 5) 11″ x 8-1/2″ shaped oval serving dish, unmarked. CONDITION: 1 & 2) Very good. 3 & 4) Minor restoration to edge. 5) Minor edge restoration. 9-98878 (600-900)

FINE CUSTOM LEADED GLASS SCENIC WINDOW. Circa 1980. Commissioned for Benjamin’s Restaurant, Bangor, Maine. This fine example within a custom-made hinged oak frame and mounted in a lighted portable wall section, the window depicts a fish leaping out of the water within a densely wooded tropical landscape. SIZE: Frame: 34-1/2″ x 46-1/2″. Inner frame w/window: 30″ x 42″. Wall section: 89-1/2″ h. x 49″ w. x 7″ d. CONDITION: Very fine original condition, with one hairline crack in a section of green glass at 12:00. 9-99230 (3,500-5,500)

THEATER BACKDROP REMOVED FROM A BURLINGTON VERMONT THEATER. Second quarter 20th century. Designed overall with a city landscape dominated with the figure of a medieval soldier astride a unicorn. The landscape is covered in advertising placards and with an advertising dirigible in the sky above. SIZE: 18′ x 15′ 7″. CONDITION: With overall general wear to the dried painted surfaces resulting in color loss throughout but back drop retains good color. 9-20431 (300-500)

FINE AND RARE ENGLISH SABRETACHE OF MAJOR GEORGE HALL McLAUGHLIN (1859-1914). Last quarter 19th century. Stitched and quilted in gold thread, and of typical form, the leather pouch with three gold carrying rings to which were attached leather straps. The embroidery work features the Royal Coat of Arms above the scrolling motto and silver and gold thread “DIEU ET MON DROIT” The motto refers to the divine right of the monarch to govern, first adopted as the Royal Motto for England by King Henry IV. Beneath this is an additional motto on a burgundy ground “UBIQUE” above a spray of leaves beneath which is a piece of field artillery above a scrolling banner with the motto “QUO FAS ET GLORIA DUCUNT”, also on a burgundy ground. The whole within a gold stitched border. Now professionally mounted in a black shadowbox frame with museum glass. LITERATURE: For additional background information on the sabretache see: http://www.harrymclaughlin.com/MajorGeorgeMclaughlin.htm SIZE: sabretache: 13-1/4″h. x 11-1/2″w frame size 19xh. 17″w. CONDITION: Very original condition. Colors remain strong. 9-99609 (2,000-4,000)

BRITISH ROYAL NAVY MILITARY MEMBERSHIP PLAQUES. Last half of the 20th Century. The first example carved in mahogany and gilt paint decorated listing the Superintendents and Officer’s in charge of the Royal Navy Torpedo Factory “Alexandria”. From the time period of 1909 through its closing, January 4th, 1971. The second mahogany plaque listing the Flag Officer’s in command of Carrier Squadrons in both the home water and Mediterranean fleets for the period 1919 through 1958. The third mahogany plaque listing the Naval Flag Officer’s of all Royal Navy Aircraft Carrier’s from the various fleets for the time period of 1942 through April 4th, 1992. SIZE: 1) 39″ h x 37-1/2″ w. 2) 60-1/2″ h x 18″ w. 3) 60″ h x 18″ w. CONDITION: Each plaque in very good, original condition with only minor surface scratches present. Lettering and gilding intact. 9-98909 (800-1,200)

ANATOLE JEAN GUILLOT (French, 1865-1911) FRENCH INFANTRYMAN. Late 19th century. Depicting a French infantryman with backpack and bolt action firearm on a circular molded socle with the artist’s name “J. Guillot” engraved on the surface, in turn, joined to a stepped onyx plinth. Being sold together with a 20th century onyx pedestal with pressed brass capital and base. SIZE: Statue 19-1/2″ h. Pedestal 43-1/2″ h x 12″ x 12″. CONDITION: Statue retains original patination with wear marks. Appears to have been polished over time. Otherwise good. Base with old original surfaces, the column with polished filler used in the final production, the base with visible seams. Underside of top with stone imperfection. 9-97188, 9-20183 (1,750-2,250)

WALTHER SCHMARJE (GERMAN 1872- 1971) A STATUE OF A DRUMMER BOY. Depicting a drummer boy in a military tunic with high collar in the act of drumming while marching. On a rectangular bronze stepped plinth in which is incised the artist’s signature. SIZE: h. 22″ x l. 12″ x w. 4-1/2″ CONDITION: With old surfaces and good dark patina, the left drumstick slightly bent and with nicks. Otherwise very good. 9-99037 (1,000-1,500)

HARVARD VS YALE 1948 RACING SCULL CROSS SECTION NOW MOUNTED AS COFFEE TABLE. This cut and finished scull section originally from the Harvard/Yale races June 25, 1948 in New London, CT. Used in the 4 miles downstream race which set a course record of 19 minutes, 21.4 seconds, and so described on the surface of the table. The stepped section now fitted with glass tops mounted within brass corner brackets and raised on a scrolled trestle form base. SIZE: 17-3/4″ h x 63-1/2″ l x 22″ overall w. CONDITION: Very good overall. 9-98913 (800-1,200)

AMERICAN EMPIRE ROUND MAHOGANY CENTER TABLE. Mid 19th Century. The circular top with rounded edge above the figured frieze raised on three in-curved legs headed by acanthus carved scrolled volutes and terminating in elongated claw feet and scrolled lappets, joined to a tripartite shelf. SIZE: 29-1/2″ h x 34-1/2″ dia. CONDITION: Overall good with original surfaces. Small losses to applied molding on apron. 9-99944 (1,000-1,500)

CUSTOM CHIPPENDALE STYLE INLAID MAHOGANY CORNER CABINET. First half 20th century, American. The molded swan’s neck pediment terminating in floral rosettes centering a flame finial. The frieze inlaid with a classical urn above a pair of astragal glazed doors fitted with three adjustable shelves above a medial drawer inlaid with an urn and flanked by floral filled urns above a pair of cupboard doors, the panels inlaid with classical urns. Raised on shaped feet centering a scalloped apron. SIZE: 80″ h x 37-1/2″ overall w x 26″ d. CONDITION: Overall very good original condition. 9-20218 (600-900)

WALLACE NUTTING FAN-BACK WINDSOR, HIGH DESK CHAIR. Circa 1930. This branded example of Nutting’s model #41 high brace-back Windsor chair, item # 326 in the Wallace Nutting supreme edition general catalog p. 85. Beneath the chair seat is the original paper label affixed above the brand. The arched crestrail with scrolling ears joined to eight swelled swindles continuing the shaped saddle seat raised on elongated splayed baluster-turned legs all joined by a conforming H-form stretcher. SIZE: Back 45″ h, seat 21-1/2″ h. CONDITION: Structurally very good with original surfaces, paper label legible but showing wear. A small splice out of center of crestrail. 9-20063 (500-750)

AESTHETIC MOVEMENT CARVED WALNUT DOUBLE DOOR BOOKCASE. The rectangular case fitted with a three-quarter backsplash carved with scrolling leaf-tips, the sides pierce-carved. The case fitted with a pair of glass panel doors flanked by engaged reeded half columns above a pair of aligned drawers on a molded base. SIZE: h. 66-3/4” x w. 47” x d. 15” CONDITION: Structurally very good retaining original surfaces with good patina. 9-99976 (2,500-3,500)

2 VICTORIAN OAK SPOOL CABINETS. Late 19th century. The first and largest is a “KELSEY & CO/MERIDEN CONN USA” example, the cabinet fitted with eleven specimen drawers, ten of which are compartmentalized. The second, a 6-drawer example, five of which have glass fronts, the sixth drawer with gilt lettering “RICHARDSON SILK CO.” applied on a solid drawer front, the cabinet with molded top and plinth. SIZE: 1st: 26-3/4″ h. x 27″ w. x 18″ d. 2nd: 14-3/4″ h. x 23″ w. x 16″ d. CONDITION: Both retain old original surfaces. All intact but showing signs of extensive wear, including discoloration to wood surfaces. 9-99128 (400-600)

TWO BRONZE LIGHTHOUSE TABLE LAMPS. Second quarter 20th century. Each depicting a cast bronze cylindrical lighthouse. The smaller, silver or chrome plated. Both mounted on a rocky base cast with steps. Each further joined to a wooden base. The larger with six lenses. SIZE: Larger 19-1/2″ h. Smaller 17″ h. CONDITION: The larger lighthouse with one broken lens, but with original surfaces and good patina. The second with some wear to plating on roof and with some damage to wire guardrail. Otherwise very good. Both retain original wiring. 9-20150 (900-1,200)

BRASS BOUILOTTE LAMP WITH TOLE SHADE. 20th century. This large brass four light example with original adjustable black round tole shade. With hardstone finial mounted on a pole standard. The four S-scrolled candle arms joined to a baluster-turned standard on a square tray within a molded frame on stepped feet. Electrified with a double light fixture above the candelabrum. SIZE: Overall 33″ h. CONDITION: Very good overall with normal and expected tarnishing. Shade is original. 9-20235 (100-200)

IMPORTANT GEORGE JONES WATER LILY AND BASKET WEAVE CENTERPIECE. Circa 1872. Fine Majolica centerpiece depicting pond lilies within a double ring of basket weave. This example is illustrated in Antique Majolica Around the House by Jeffrey B. Snyder, p. 192. SIZE: 2″ h. x 14-1/4″ dia. CONDITION: Very fine original condition, with minor wear and surface scratching on underside of base, tiny fleck on edge of one divider, small losses to glaze at tips of flower petals 9-99686 (1,000-1,200)

MAJOLICA COVERED CHEESE DISH. Late 19th century. This unmarked example in two parts the round cover with a turquoise ground encircled with flowering vinery and centering a recumbent cow, fitted to the conforming tray, of similar ground and vinery, the interior of the color mauve. SIZE: h. 9″ x d. 10-1/4″. CONDITION: The lid with damage to cow’s horn. the base with fine craquelure. Otherwise very good with vibrant colors. 9-99688 (600-800)

PAIR OF MAJOLICA FIGURES. These unmarked caricatures depicting a young man with cap removing a coin from a purse. The second of a young woman in lace cap, a basket on her left arm. Both modeled on a circular molded socle. SIZE: Tallest 18″ t. CONDITION: Very good overall. 9-99689 (800-1,200)

PAIR OF MAJOLICA POLYCHROME DECORATED SPILL VASES. Mid 19th Century. Each vase in the form of a truncated tree against which leans a maiden on one, and gentleman with cup on second. Sequentially numbered with an underglaze incised mark 2401 and 2402. SIZE: h. 12-1/4″. CONDITION: the vase with female figure has large repair at upper rim of tree trunk. Second vase appears very good overall. 9-99687 (400-600)

QUM ORIENTAL CARPET. CENTRAL PERSIA. Mid to 20th century. With a small soft turquoise central medallion in a cream ground, filled with lacy floral vinery in shades of indigo, the main border of scrolling flower heads flanked by indigo guard borders of floral trellis work. SIZE: 12′ 2″ x 9′ 6″. PROVENANCE: From a Southern collection. CONDITION: The carpet with overall full pile (one end slightly low). 9-20429 (500-1,000)

KURDISH ORIENTAL RUG, NORTHERN PERSIA. 1st half 20th century. Woven overall with diamond latticework of polychrome caned rods within an iron-brown field, within multiple guard borders, centering an ivory main border of zigzag geometrics within flowerheads. SIZE: 8’4″ x 4’4″. CONDITION: With even wear overall and losses to selvages. 9-99155 (500-700)

ORIENTAL CARVED TEAK PLANT STAND. Chinese, Late 19th Century. Square top with molded edge fitted with a rose marble insert above the conforming frieze carved with scrolling vinery above a pierce carved apron raised on square legs joined by a medial shelf and terminating in stylized ball and claw feet. SIZE: 32-1/4″ h x 16-1/2″ sq. top. CONDITION: Very good with original surfaces and good patina. 9-98902 (400-600)

LARGE CHINESE BLUE & WHITE PORCELAIN FIGURE ON THRONE. Mid 20th century. Depicting a gentleman with cap attired in a long robe with cape decorated overall with fanciful blue dragons and cloud bands, seated on an ornate throne. The arms wrapped with fanciful serpents. The throne raised on humanoid bare feet beneath a leopard mask on a conforming straight sided plinth. No markings of any sort observed. SIZE: 25″ h x 16″ w x 13-3/4″ d. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Very good with normal casting cracks. 9-99303 (1,000-2,000)

CHINESE CARVED TEAK MARBLE TOP FERN STAND. 2nd half 19th century. The circular top with a border carved with scrolling vinery and beaded edge centering an insert rose marble above the frieze pierce-carved with grapevines, raised on four angular cabriole legs headed by carved mythical foo dogs, the knees floral-carved continuing to stylized ball-and-claw feet, the legs joined to a circular medial shelf. SIZE: 26-1/2″ h. x 23″ overall dia. CONDITION: Structurally good, with original surfaces now worn from extensive use. Marble circumference exhibiting roughness to edges. 9-99132 (300-500)

FOUR CHINESE BRONZE WARRIORS. 20th century. Each cast wearing a crown and chain mail, mounted on a cloud form base. SIZE: Tallest 12″ h. Shortest 9-1/2″ h. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Very good overall with original surfaces. Two with unidentified rubbed mark on back. Each drilled for probable mounting on additional plinth, now absent. 9-99297 (800-1,200)

FINE CHINESE EXPORT WATER BOTTLE TABLE LAMP. Decoration with panels of Mandarin and Famile Rose. Accompanying the lamp is a modern shade. SIZE: Bottle: 13″ h. Overall: 26-1/2″. CONDITION: Needs rewiring, bottle is very good. 9-98794 (900-1,200)

CHINESE EXPORT TEA CADDY, HELMET FORM PITCHER, AND AN ENGLISH TRANSFERWARE TEA CADDY. The floral decorated tea caddy missing lid, the helmet form creamer with large repair near handle, the transfer tea caddy decorated on opposing sides with bucolic scenes with chip to lid. SIZE: h. of first 4-1/3″ h. of second 5″ h. of third 5-1/3″ CONDITION: 9-99157 (400-600)

CHINESE EXPORT BALUSTER VASE. Second quarter 19th century. Chinese. Decorated with displayed eagles on opposing sides alternating with floral sprays, the shoulder area with grape clusters. SIZE: 9-1/2″h. CONDITION: Very good with some wear to gilding. 9-99914 (100-200)

MASSIVE CHINESE EXPORT CHARGER. A central round scene of warriors on horses in battle. The outside border with flowers and dragons with an inner border having eight small cartouches. The back with a circular blue character mark and decoration. SIZE: 21″ dia. CONDITION: Very good. 9-98771 (500-1,000)

COLLECTION OF 30 JAPANESE NETSUKES. Late 19th early 20th century. Most carved of bone and of ivory with two hardstone examples and one bronze mask. These figures include monkeys, turtles, a double fish figure, and several human figures. Several examples are signed. SIZE: h. of smallest 1″ h. of tallest 1-3/4″ CONDITION: Most appear to be in very good original condition. No major defects noted. The collection is sold together with a compartmented display tray. 9-99590 (2,000-3,000)

CHINESE DOUBLE PORTRAIT. Watercolor on paper double portrait shows a woman in a red robe seated in green chair beside her husband who wears a blue and green robe. Each have a needlework panel of exotic birds on their robe fronts. Unsigned, 20th Century. Housed in a stained wood molded frame with wood backing. SIZE: Sight: 47-1/2″ x 38″. CONDITION: Wrinkling to paper, otherwise very good. 9-98675 (250-400)

ORIENTAL PORCELAIN AND WOOD TABLE SCREEN. 20th Century. The removable wood framed porcelain panel having 18 Oriental figures in a landscape with dragon and tree. Chinese writing on top right. The stand having two inset panels highlighted in gold with relief carving. SIZE: 23-3/4″ h x 25″ w. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Very good. 9-99304 (800-1,200)

UNUSUAL FAR EASTERN BRASS AND COPPER LOTUS BLOSSOM INCENSE BURNER. 19th century. This exceptional table top example in the likeness of a Lotus blossom mounted upon a shallow urn joined to a stepped circular plinth supported on the back of a fanciful turtle on a carpet with stepped and inset corners. Upon turning the lotus blossom within the urn, it elevates on a spiral twist shaft allowing the blossom to open exposing a bowl form censer in which incense is burned. This example, nicely hammered, etched, and decorated is made of copper and brass elements artfully combined. SIZE: h. closed 7″ CONDITION: Structurally in very good condition with original surfaces and very nice patina. 9-99164 (200-300)

SET OF SIX SIGNED WOODBLOCK PRINTS. The prints mounted on silk panels attached to wood with glass fronts and simple wood frame. Each colored woodblock is signed illegibly and dated 1902-1906. Scenes depict three men moving a rock; fisherman; rock on beach; bridge with horse and rider in winter; people in large grove of trees; and crashing wave. SIZE: Range from 8″ x 10″ to 9″ x 12-1/2″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Some spotting, generally good. 9-99332 (400-600)

PATINATED METAL FIGURE LAMP JEAN D’ARC. First third 20th Century. Depicting a figure standing with banner in medieval armor looking skyward on a red breschia marble plinth. The statue in white paint. After the original by A.Carrier. The plinth incised with the name A. Carrier. SIZE: Overall h. 44″. CONDITION: Structurally good with loss to paint on surfaces. 9-20224 (800-1,200)

“SECOURS”, PATINATED METAL STATUE AFTER WAAGEN. Late 19th century. Depicting a young sailor on the bow of a small craft in windswept stormy seas in the act of throwing a life line to an unseen victim. The rear of the statue marked “Waagen Sept” front of plinth with the title “SECOURS”. SIZE: h. 28″ h. of stand 27″. CONDITION: Very good overall. Brown patinated metal with original surfaces. The woven “Rope” may not be original. This item is being sold together with a square pine stand with molded edges and splayed legs. 9-20148 (600-800)

AESTHETIC MOVEMENT INLAID WALNUT SIDE TABLE. Circa 1880. The round top with rosewood, ebony, and walnut marquetry inlay in the form of a central cartouche with scrolling edges inter-spaced with fleur-de-lis all within a dishtop surround raised on a four legged carved and inlaid center pedestal with four out swept legs. SIZE: 21-1/2″ overall h x 22-1/4″ d. CONDITION: The table is now coffee table height with some losses to inlays, notable in center area of top restored and re polished. 9-20090 (300-500)

3 FEDERAL STYLE INLAID MAHOGANY CARD TABLES. Mid-20th century. The first, a benchmade example of a Massachusetts card table, inlaid with conch shells centering an oval fan inlaid patera, the legs with string inlay, both rear legs hinged, the top edges with contrasting diamond string inlays (30-3/4″ h. x 36″ w. x 18″ d.). The second example with a central urn inlay, barber pole stringing and piano hinges (30″ h. x 36″ w. x 17-3/4″ d.). The third example inlaid with a displayed eagle and incurved corners, the front legs headed by an inlaid urn, with piano hinges and having a swivel top with fixed legs (30″ h. x 36-3/4″ w. x 18-1/2″ d.). SIZE: As noted above. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Each table in original good condition with no noted restorations. Third example with a small veneer chip proper left front corner of top. 9-99299 (1,000-1,500)

CLASSICAL REVIVAL PAINT-DECORATED PEDESTAL. 2nd half 19th century. The circular top joined to a fluted column, all marbleized, on a molded base joined to a circular plinth, raised on outset feet. The column in green simulated marble, the capital and base in gold, the platform top and plinth ebonized. SIZE: 36″ h. x 14″ dia. CONDITION: Structurally very good, with minor losses on bottom of feet, minor losses overall to painted surfaces. Otherwise very good. 9-99377 (200-300)

CHIPPENDALE STYLE CUSTOM MAHOGANY MIRROR. Late 20th century. Made by Kindel Furniture Company, marked with the “Oxford” pattern. The rectangular mirrorplate within a molded gilt slip within the molded conforming frame, the scrolled crest applied with a central gold-gilt ribbon-tied wreath with scrolled ears above a scrolled apron. SIZE: 47″ x 24-3/4″ overall w. CONDITION: Very good overall, all original. 9-99648 (300-400)

TIM WHITWORTH (American, Late 20th Century) “SPRING RUN”. Limited edition bronze depicts a large bear knee deep in flowing river grabbing a jumping salmon in his mouth. Titled, signed, dated “81” and numbered “2/20″. Bronze mounted on a polished walnut shaped base with artist plaque. SIZE: Bronze: 21″ x 9″ x 8″. Incl. base: 22″ l x 9″ x 10-1/2”. PROVENANCE: Wilcox Gallery, Jackson, WY. Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good to excellent. 9-98990 (500-1,000)

AFTER PIERRE JULES MENE (French, 1810-1879) TWO ELK FIGHTING. Recast bronze numbered “32/85″ showing two elk head to head in a challenge duel. Nice verdigris brown patina. Signed in casting along with the edition number. The oval base mounted with larger molded edge oval granite base. SIZE: Bronze: 21-1/2″ l x 11″ w x 10-1/2″ h. Incl Base: 24-1/2″ l x 14″ w x 12″ h. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: As cast with a visible 3” crack in ground surface. 9-98988 (400-600)

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “THE NORTHER”. Bronze recast showing a cowboy atop a horse bracing against a stiff, cold wind. Dark patina. SIZE: 20-1/2″ h x 18″ l total. PROVENANCE: From a large Boston, MA area Estate. CONDITION: One rein with piece of bridle detached but present. 9-99280 (600-900)

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “THE NORTHER”. Recast bronze after the original by the Roman Western Bronze Works. Inscribed on edge of base “Roman Western Bronze Works Inc. #90”. The classic bronze shows a man atop a horse with lowered head standing in a cold water stream buffeted by the wind. Mounted to a green and black marble rectangular base atop a molded wood plinth. SIZE: Bronze: 21″ h x 18″ l x 7″ d. Incl. Base: 18″ x 10″ x 23″ h. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good, one rein with break. 9-98991 (1,000-2,000)

LOT OF 8 CATLINITE PIPES. All 20th century. Four with wood stems, having Catlinite bowls, the others all Catlinite. One with Beaver and tree, another spear design, one with axe design with bird decoration and one bowl having pewter inlay. SIZE: Range up to 30″l. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Generally very good. 9-99169 (800-1,200)

FIVE INDIAN-STYLE BEADED WAR CLUBS. Four having stone club ends and all having colorful bead work wrapped handles, all last half of the 20th century. SIZE: Sizes range from 15″ to 28″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Generally very good. 9-99171 (400-600)

FOUR ANTIQUE NATIVE AMERICAN BASKETS. 1. A 14-1/2″ diameter Papago basket with large 5-petal flower design. 2. A 8-1/2″ diameter Paiute basked with a zig-zag shoulder decoration highlighted in white beads. 3. A 12″ high x 11″ wide coil basket of probably Eskimo make. 4. A 9″ diameter by 5″ high California tribal basket with black triangular designs. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Some breaks in baskets at rim with some losses. The last example being misshapen. 9-99182 (600-800)

LOT OF POWDER HORNS AND TWO OTHER PIECES. Sixteen undecorated powder horns ranging in size from 5″ to 11″. Along with a 14″ elk horn scraper and a 13-1/2″ ivory and bead piece. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Shows use, all generally intact. Otherwise good. 9-99173 (200-400)

FOUR INDIAN SILVER AND TURQUOISE BUCKLES. 1. 2″ x 3″ sterling buckle having an oval turquoise stone and rayed design. Marked “T K W”. 2. A 2-1/4″ x 3-3/4″ buckle with oval blue turquoise having a relief carved design. 3. A 2″ x 3″ buckle open design having a center round green turquoise stone with bunched arrows and bows. Marked “DTB”. 4. A 3″ x 4″ oval buckle with inlaid blue turquoise and silver design. Marked “K” with a broken arrow. SIZE: As noted above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99175 (300-500)

TWO PARFLECHES. 1. A 10″ x 13″ bag with small flap, marked “OGLALA DAKOTA”. Bell and bead corners, colorful geometric pattern in green, yellow and red. 2. A large decorated piece of 14″ x 27″ with colorful geometric pattern. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Some loss to decoration. Otherwise good. 9-99183 (300-500)

TWO INDIAN AND ANOTHER CONCHO BELTS. 1. A 44″ long belt having nine 3″ oval medallions with turquoise inset stones. The belt having an added decorative buckle. 2. A 38″ long belt having eight 2-1/” medallions with blue turquoise stones. Having a slightly bigger buckle marked “STERLING IHMJ”. 3. A 25″ long modern Indian-style eight medallion imported belt. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99174 (800-1,200)

FOUR INDIAN CORAL AND TURQUOISE NECKLACES. 1. A 16-strand red coral necklace. 2. A circular bead turquoise necklace. 3 & 4. Two raw turquoise necklaces having cut circular bead drops. SIZE: Sizes range from 26″ to 40″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99179 (500-800)

KIRMAN ORIENTAL RUG, SOUTHEAST PERSIA. Second half 20th century. Woven with a central arabesque medallion within spandrels and with a pink main border, all conforming. Done in dense pinks, blues and beiges, the floral design on an ivory ground. SIZE: 7′ 7″ x 3′ 9″. CONDITION: Overall very good with good pile. 9-97864 (150-300)

SEMI ANTIQUE MELAYER RUG CENTRAL PERSIA. Last quarter 19th century. With dense floral lattice work in a blue-black field within ivory floral filled spandrels. The midnight blue main border with polychrome floral blossoms within scrolling lattice work, the guard borders with blue and pink rows of miniature poled details. SIZE: 6’5″ x 4’5″. CONDITION: With general wear overall and slight oxidation. 9-20378 (800-1,200)

CONTINENTAL PINE DOUBLE DOOR ARMOIRE. Mid 19th century, probably Belgian. In one piece, the arched molded cornice above the conforming case fitted with a pair of arched molded doors with deeply recessed panels opening to an interior fitted with three fixed shelves raised on molded feet. SIZE: 75″ h x 47″ w x 24″ d. CONDITION: As is the norm, the cabinet has stripped and waxed surfaces with natural pine color, but retains original hinges and latches. Very good overall. 9-20225 (300-500)

NEW YORK SHERATON DROP-LEAF TABLE IN APPLE GREEN PAINT. Mid-19th century. Rectangular top fitted with hinged D-form leaves projecting above the straight frieze raised on ring-turned swelled cylindrical legs. SIZE: 28-1/2″ h. x 48″ l. x 26″ w. closed x 38-1/2″ w. open. CONDITION: Blue green earlier painted surfaces over an original red wash. Showing extensive wear from usage and scrubbing. Top with shrinkage crack along seam. Structurally good. 9-99047 (400-600)

AMERICAN VICTORIAN OAK & MAPLE PAINT-DECORATED GAMES TABLE. 3rd quarter 19th century. The octagonal hinged top with applied molded frieze, decorated with a central checkerboard, framed within a paint-decorated border, further framed by scrolling leaftips, raised on accentuated ring-turned standard on a tripod base. SIZE: 27-1/4″ h. Top: 23-1/2″ x 23-1/2″. CONDITION: Structurally very good, with original painted and decorated surfaces, the top with some areas of wear. 9-99050 (800-1,200)

PAIR OF PAINT DECORATED ARROWBACK SIDE CHAIRS. Mid 19th- century. Possibly Pennsylvania dutch. The rectangular crest rail with floral paint decoration above four arrowback slats flanked by cylindrical styles joined to a shaped plank seat with rolled seat rail on cylindrical simulated bamboo legs joined by a conforming box stretcher. Each decorated on a green ground, faux-grained, and with yellow trim outline. SIZE: 33-1/2″h. of back. CONDITION: Structurally very good, retaining original pained and decorated surfaces showing overall wear. 9-20086 (200-400)

NEW ENGLAND PINE & MAPLE DEACON’S BENCH. Late 19th century. Of typical form with rectangular crest rail, downswept rolled arms, 22-spindle back and shaped plank seat, raised on eight cylindrical legs joined by a box stretcher. SIZE: 7′ l. CONDITION: Has been refinished, maintains mellow color. Surface scratches on seat, otherwise very good. 9-99675 (300-500)

VICTORIAN PINE COMMODE, PINE WASHSTAND, SPOOL-FORM WASHSTAND, MARTHA WASHINGTON SEWING TABLE & A MIRROR. Late 19th through mid-20th centuries. The Victorian commode fitted with a backsplash and long drawer above a pair of cupboard doors. The first washstand with splash guard, turned towel rails, and a single drawer above an open shelf. The second washstand with spool-turned towel rails and legs, fitted with a single drawer. The sewing stand of typical form with hinged lid compartments centering three case drawers. The maple mirror with shaped crest. SIZE: Commode: 28″ h. x 30″ w. x 15″ d. 1st washstand: 33″ overall h. x 26″ w. x 15-1/2″ d. 2nd washstand: 33″ h. x 27-3/4″ w. x 18-1/2″ d. Sewing table: 29″ h. x 28-1/2″ l. x 14″ d. Mirror: 31-1/2″ x 20-1/2″. CONDITION: All refinished, generally in good condition. 9-99673 (100-200)

WOODMAN DRUG COMPANY ADVERTISING SIGN. Late 19th early 20th century. The tin sign, painted in yellow letters on a black ground, advertising “FOLLOW THE HAND/ WOODMAN DRUG CO./ BEST ICE CREAM SODA.” In the center of the sign is painted a hand with pointed finger the words “TO LITTLETON.” Mounted in an ebonized molded frame. SIZE: overall h. 19″ x overall w. 37″ CONDITION: The sign with wear and oxidation the molding with overall damage from wear and usage. 9-99924 (800-1,000)

PAINTED SHOE-SHINE SIGN. 1st quarter 20th century. The painted vertical sign reading “F.CARPINO & SON. BOOT BLACK IN SIDE. ALL SHINES: 5¢”, all beneath a painted hand with pointing finger. Sign is painted on a single board in brown paint, yellow lettering with black highlights, and brick red backing. SIZE: 42″ x 12″. CONDITION: Very good overall. 9-99394 (600-900)

AMERICAN ARCHED BAPTIST CHURCH SIGN. Circa 1900. The arched sign in three parts lettered “CORNERSTONE BAPTIST CHURCH” in gold gilt lettering on a black ground, an exterior sign designed to be mounted above an entryway. SIZE: 9’3″ x 4’9″. Board w. 10″. CONDITION: Sign with appropriate weathering, retaining all original painted surfaces. 9-99361 (300-500)

“THE SELL BRAND” ADVERTISING SIGN. Late 19th Century, Canton, Ohio. The unique folding sign in red paint stencil decorated “THE SELL BRAND HORSE BOOTS & RACING SPECIALTIES MADE BY THE SELL HORSE GOODS CO. CANTON, OHIO”. Mounted with 8 hand wrought hooks alternating with 8 cup hooks. SIZE: 6″ h x 38″ l (open). CONDITION: Retains original painted and stencil surfaces, original hardware and with holes drilled for wall mounting. One end molding damaged. 9-98923 (400-600)

DOUBLE-SIDED ADVERTISING SIGN FOR CIGARS. Circa 1920. This hanging sign with the word “CIGARS” in red paint on a bright yellow ground. SIZE: 5-3/4″ h. x 44″ l. CONDITION: Structurally very good, paint remains vivid with normal and expected weathering. 9-99395 (200-300)

FOLK ART GAMEBOARD ON BARREL LID. Last quarter 19th century. This American checkerboard painted red on a dark mustard ground in completely original condition. SIZE: 19″ dia. CONDITION: Crackled painted surfaces with appropriate age and good patina, structurally sound with no warping or cracks. Very good overall. 9-99358 (500-700)

JACK DANIEL’S LABELED DISTILLERY BARREL. 20th century. This large oak distillery barrel branded on the side “JACK DANIEL’S/LYNCHBURG TENNESSEE”. The end cap stamped with distillery information. SIZE: 35″ h. x 24″ overall dia. CONDITION: Very good overall. 9-99671 (200-300)

EARLY AMERICAN STYLE FIREBOARD. 19th/20th Century. Pine plank fireboard covered in wallpaper depicting a central panel of a Swiss mountain landscape within a turquoise fruit and floral garland border. SIZE: 34″ h x 51″ w. CONDITION: Good overall. 9-20143 (250-400)

PAINTED CAST IRON GEORGE WASHINGTON DOOR STOP. Unmarked doorstop depicting George Washington standing in uniform. SIZE: 16″ h. CONDITION: Structurally good. Repainted. 9-99936 (200-400)

J.E. STEVENS CUPOLA CAST-IRON STILL BANK. Last quarter 19th century. Made by the J.E. Stevens Co. of Cromwell, Connecticut. Cast in the form of a building with mansard roof and central cupola. SIZE: 3-1/4″ h. x 2-1/4″ x 2-1/2″. CONDITION: Bank retains original painted surfaces, with paint chips notably around edges and coin slot. Otherwise good. 9-99402 (400-600)

INTERESTING ESTATE LOT OF SEWING NOTIONS. Lot includes: Nine needle cases, Three tape measures, Ten + shuttles, bodkins, 20+ ivory bodkins, other items include scissors, thread holders, rulers, pin cushions, and various neat items. Included is also a 10kt thimble, collectible carved vegatine pieces, and a half dozen other collectibles and much more. CONDITION: Generally very good, lot shows use. 9-99158 (500-1,000)

FINE LARGE ANTIQUE BRASS TURKISH BRAZIER. The four part brazier having a 37″ dia. brass over wood base with scalloped edge and foot holes for the brazier stand. The brazier stand in cast brass having a similar wide top edge as base supported by four scroll legs with applied leaf decoration. The tapered center held at a lower hub with drop finial. A two-handled round copper insert with brass crown form edge supports a pierce decorated domed cover with round handled top. Two sets of skewers accompany brazier, one with eight 13″ skewers having decorative brass top with crescent and star decoration. The other set with four 19″ skewers with crescent and star decoration. SIZE: Approximately 36″ h. PROVENANCE: From a Washington, Maine Estate. CONDITION: Very good. 9-95777 (600-1,200)

PAIR OF CAST-IRON DRAGON ANDIRONS. 20th century. Cast in the form of a fanciful Norse dragon, the sides with lightning bolts, supported on stylized human legs with bent knee on bare feet. The back of each shaft mounted with a plaque of the maker’s name “S.O. Brown” all in black paint. SIZE: 24-1/2″ h x 22″ working depth, 28″ overall depth. CONDITION: Very good overall. 9-99931 (200-400)

PAIR OF CAST BRASS CHENETS. Late 19th- century French. In the Louie XIVth style overall with leaftips and volutes. SIZE: 16″h. CONDITION: Very good. 9-20095 (300-500)

TWO OVAL COPPER ROASTING PANS WITH LIDS. Each hand hammered example applied with brass handles, the bodies of dovetailed construction. SIZE: Larger: 8″ h x 23-1/2″ l. Smaller 7-1/2″ h. x 19″ l. CONDITION: Good overall. 9-20079 (200-400)

COPPER CANDY KETTLE & 3 COPPER PANS. 2nd half 19th century. Large candy kettle of dovetailed and seamed construction with wrought iron swing handle. Three copper pans each with forged iron handle, the largest impressed “D. H. & M. CO./N.Y./WOOSTER”. SIZE: Kettle: 17-1/2″ h. 24-1/2″ dia. Largest copper pan: 10-1/4″ dia. CONDITION: Candy kettle with normal and expected denting throughout. Copper pans structurally good with some surface scratches. 9-99651 (200-300)

WIRE EGG BASKET, COPPER COAL HOD, COPPER POT, BRASS BUCKET. 20th century. Spherical wire basket with handle, copper coal hod of helmet form, small copper pot with handle, and brass pail with molded handles. SIZE: Basket: 17″ h. Coal hod: 15-1/2″ h. Pot: 7-1/2″ h. Brass pail: 11-1/2″ h. CONDITION: Good overall. 9-99650 (100-200)

PAIR OF FLORAL SILK EMBROIDERIES AND GILT FRAMES. 19th- century. Each embroidery of a floral spray within a gilt decorated black ground eglomise panel mounted within a gilt-wood frame. SIZE: Frame size: 10″ h x 9-1/3″. CONDITION: Overall very good with rubbing losses to gilding. Slight discoloration to silk ground. 9-20083 (300-600)

NEEDLEWORK AND EMBROIDERY SAMPLER. Early 20th century. A pictorial “Sampler” demonstrating various needlepoint and petti-point examples of embroidery demonstrated in the depiction of several animals interspersed with examples of floral lattice work, also with a wide polychrome floral garland. Now in a modern box frame. SIZE: Sight size 22-1/2″ x 21-1/2″ CONDITION: With small areas of insect damage and with slight discoloration to linen foundation. 9-99588 (300-500)

CAST IRON HITCHING POST. Post style painted gray with attached chain. SIZE: 60-1/2″. CONDITION: 7″ section of side missing which does not effect its use and is not seen because it is below the ground. 9-99832 (200-400)

THREE-PIECE FIREPLACE SET. Lot includes a pair of 20th Century swan form andirons finished in gold paint. Along with a hinge sided wrought iron fireplace screen with gold highlighting and central Oriental figure. SIZE: Andirons: 13-1/2″ h x 19″ l. Screen: 33″ h x 54″ w (when opened). PROVENANCE: From a large Boston, MA area Estate. CONDITION: Generally very good, one leaf tip on screen is bent. 9-99298 (300-500)

ASSEMBLED THREE-PIECE FIREPLACE SET. Lot includes a pair of 21-1/2″ h heavy brass fireplace andirons with scroll legs and large turned posts having a large central ball. Accompanied by a hand wrought arts & crafts style iron fire screen. SIZE: Andirons are 29″ l x 12″ w. Screen is 27-3/4″ h x 25-3/4″ w. PROVENANCE: From a Washington, Maine Estate. CONDITION: Very good. 9-95785, 9-95786 (150-200)

FRAMED GOLD AND COPPER MINING COMPANY STOCK CERTIFICATES AND TYPED LETTER. Framed composition has two orange printed stock certificates, one for 1000 shares, numbered “427”, the other for 1,500 shares, numbered “428”. Made out to John T. Clarke and the company name is “Philadelphia Searchlight Gold & Copper Mining Co.”. Dated “July 3, 1908” and signed by its president John C. Groome. Along with a two-paged typed letter dated “April 6, 1908″ outlining their yearlong progress and state of the company. Housed in a metal frame with double decorative mattes having four cutout windows. SIZE: Overall: 25-3/4″ x 27-1/4”. CONDITION: Very good. 9-99667 (200-500)

LOT OF ORIENTAL ART & ANTIQUE REFERENCE BOOKS. Lot includes: 5 section set of selected works of 100 Modern Korean Painters & Sculptors, 47 present; Four volume set of Pictorial Encyclopedia of the Oriental Arts by Shoten; Oriental Ceramic Art by Bushell; Chinese painting from the Arthur M. Sackler by Fu; and Chinese Ivory Sculpture by Cox. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Generally good. 9-99354 (300-500)

BOOK: TWO VOLUME SET “PICTURESQUE CALIFORNIA”. Edited by John Muir, 1888. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Bindings are damaged, interior of Volume 2 is very good, interior of Volume 1 has water stain at bottom and damage to beginning pages. 9-99353 (400-800)

BOOK: LOT OF 10 LARGE LEATHER COVERED ART BOOKS. Lot includes two volumes “The Masterpieces of German Art” by J. Eugene Reed, Vol. 1 & 2; Two volumes of “Masterpieces of Modern German Art” by Fred H. Allen, Vol. 1 & 2; Two volumes “The Gallery of Contemporary Art” by Armand Silvester, Vol. 1 & 2; Two volumes “The Masterpieces of French Art” by Louis Viardot, Vol. 1 & 2; Chefs-D’oeuvre D’Art of the International Exhibition” by Edward Strahan; and “Art Treasures of Germany” by A. Gorling & B. Meyer. PROVENANCE: From a large Boston, MA area Estate. CONDITION: All show use, binding damage, interior generally intact. 9-99352 (400-600)

BOOK: SMALL LOT OF 10 AMERICAN ART BOOKS. Lot includes: The Gibson Book, I & II; Two Volumes of 300 Years of American Art by Zellman; M & M Karolik Collection of American Paintings, Museum of Fine Arts, 1949 with a selection booklet; Classified Directory of Art Signatures by Kaplan; Two paperback books “The Prints & Watercolors of Paul Jacoulet”; and “The Boston Anthenauem Art Exhibition Index” by Perkins & Gavin. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Generally very good. Gibson books show use. 9-99351 (300-500)

LEROY NEIMAN (American, 1921-) “INNSBRUCK”. Colored serigraph is pencil signed and marked “AP” (artist proof). Scene shows a downhill skier shushing through slalom gates. Housed in a red frame between glass. Published in 1973 with a limited edition of 300. SIZE: 21-1/4″ x 16″. CONDITION: Very good. 9-99093 (300-500)

EDWARD MCKNIGHT KAUFFER (American, 1890-1954) POSTER: “LUCHAMOS POR LA LIBERTAD DE TODOS”. Framed poster in Spanish, circa 1942 showing a Liberty head with American flag. In Spanish translated to Fight for the Freedom of All. Bottom printed “Publicado por el Coordinador de Asuntos Interamericanos, Washington, E.U.A.”. Housed in a modern silver gilt wood frame with white matte, floating mount. SIZE: 20″ x 14-1/4″. CONDITION: Pencil written on left edge “USA 20”, closed tear to bottom and top edges, roughness to edges, toning and foxing. 9-20165 (400-600)

ORIGINAL JULES CHERET POSTER: PARIS COURSES-HIPPODROME. The framed poster showing a fancy dressed woman atop a horse galloping toward the finish line. SIZE: Sight: 21-3/4″ x 15-1/2″. PROVENANCE: From a large Boston, MA area Estate. CONDITION: Not laid down, not examined out of frame with center crease and light staining to bottom. Otherwise very good. 9-99313 (500-1,000)

CHARLES KIFFER (French 1902-1992) MAURICE CHEVALIER, ALHAMBRA. Linen backed paper poster showing a stylized Maurice Chevalier head with yellow and black hat. Signed in the print below neckline, but also hand signed by the artist and inscribed. Bottom marked “Lithographie Originale Reproduction Interdite”. Also, “Imp. BEDOS & Cie 14, AD. Felix Faure, Paris”. SIZE: 62-1/2″ l x 42″ w. CONDITION: The bottom 8″ are damaged. The rest is in bright coloring and in very good condition. 9-99259 (400-600)

LOT OF FOUR ENGLISH FOX HUNTING PRINTS. Lot consists of a set of four (“The Leap”; “Going to Cover”; “Full Cry” and “The Death”). The colored engravings after paintings by H. Alken and engraved by C. Bentley, published in London, October 1, 1828 by S & J Fuller. Along with a French fox hunting print titled “La Chafse au Renard Fox Hunters No. 5″. After a painting by C. Vernet and engraved by Levacher. Not dated, 19th Century. All housed in similar black painted frames with gilt trim and water highlighted mattes. SIZE: Sight: 1-4) 14″ x 18-1/2″. 5) 15″ x 18-1/2”. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Not examined out of frames. Some light toning, one with water stains, some foxing. 9-98982 (250-400)

AFTER J. F. HERRING (British, 19th Century) TWO RACE HORSE PRINTS. Both identically housed in decorative burl wood frames. Both engraved by Charles Hunt and titled “Charles X11TH” and “Dangerous”. SIZE: Sight: 14-3/4″ x 18″. CONDITION: Very good. 9-99669 (200-400)

ANTIQUE LITHOGRAPH OF NIAGARA FALLS. The period color lithograph shows the Canadian side of Niagara Falls with spectators and small steamship. “PAINTED BY J. HAMILTON FROM A SKETCH BY T. TAYLOR”. Engraved “J. M. BUTLERS ESTABLISHMENT, 242 CHESTNUT ST., PHILAD.”. Housed in its original walnut Victorian frame with gold liner. SIZE: Sight size: 14″ x 28″. CONDITION: Not examined out of frame. Foxing, otherwise fair to good. 9-99955 (300-500)

AFTER ALEXANDER POPE JR. (American, 1849-1924) PAIR OF DUCK CHROMOLITHOGRAPHS. Identically housed in period oak and ebonized frames with replaced white mattes. The chromolithographs after paintings by Pope, one showing a dead duck on riverbank with another flying away. The other shows male and female ducks on water. SIZE: Sight: 13″ x 19-1/4″. CONDITION: Generally very good with some light water stains. 9-20128 (300-500)

TWO CAROUSEL HORSE WATERCOLORS. 1) Joyce Marks (American, 20th Century) Lead Horse, Hershey Park Carousel Museum. Watercolor of a white fancy decorated horse against a yellow flower, leaf and sky background. Signed bottom right “Marks”. Housed in a fine gilt frame with double matte. 2) Nancy H. Strailey (American, 20th Century). Large watercolor of four carousel horses. Signed lower right and dated “1982”. Housed in a fine gilt wood frame with linen liner and glass. SIZE: Sight: 1) 19-1/4″ x 27-1/4″. 2) 32-1/2″ x 44″. CONDITION: Very good. 9-99658 WAG (500-600)

FIVE ANTIQUE STAFFORDSHIRE FLOWER DECORATED PITCHERS. Mid 19th Century. Each having a colorful flower decoration. All unmarked. SIZE: Range from 7″ to 9″ h. CONDITION: Two with restoration, otherwise very good. 9-98874 (700-900)

THREE EARLY STAFFORDSHIRE COVERED COFFEE POTS. 1) Blue Willow pattern, Pearlware domed cover with a round knop. 2) Red & white covered pot in a pattern showing a woman watering a plant in a lush garden setting. Domed lid has a beehive knop. Base marked “Opaque China”. 3) Blue & white Blue Willow type design, unmarked Pearlware. Domed lid having a flattened knop. SIZE: 1) 11-1/2″ h. 2) 10-1/2″ h. 3) 10-1/2″ h. CONDITION: 1) Cover has rim restoration, very good. 2) Professional repair to end of spout, very good. 3) Very good. 9-98877 (600-900)

ENGLISH SILVER PLATED KETTLE ON STAND. Kettle marked “EPNS Made in England” in a Chippendale style with scroll and wood handle, hinged lid and fancy stand with burner. Engraved with design and monogram. SIZE: 11-1/2″ h without handle. CONDITION: Good, loss to silver plating. The burner has a break in hinged cover. 9-98907 (100-200)

LOT OF MISCELLANEOUS SILVER FLATWARE. Lot consists of 19 pieces of sterling spoons (twelve 6″ teaspoons monogrammed by Frank W. Smith, six 5-1/4″ spoons by Towle in the “Old Newbury” pattern, and a 6″ sugar spoon); two 6″ coin silver spoons by Lowell & Senter; and 25 miscellaneous pieces of silver plate. Sterling Weight: 13 tr. oz. CONDITION: Generally good. 9-98903 (100-200)

JAMES E. BAMA (American, 1926-) THREE LIMITED EDITION NATIVE AMERICAN PRINTS. All nicely housed in modern framed with mattes and having Greenwich Workshop attached paperwork. 1) A young Plains Indian, pencil signed and numbered “900/1500”. 2) “Shoshone Chief”, pencil signed and numbered “937/1000”. 3) “Contemporary Sioux Indian”, pencil signed and numbered “82/1000″. SIZE: Sight: 1) 22-1/2″ x 22-1/4″. 2) 22-1/2″ x 17″. 3) 19-3/4″ x 29-3/4”. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98976, 9-98977; 9-98978 (300-600)

FRANK C. MACCARTHY (American, 1924-2002) TWO LIMITED EDITION NATIVE AMERICAN PRINTS. 1) Shows a Native American Brave atop rocks with horse below. Pencil signed and numbered “612/1000”. Housed in a wood frame with white matte. 2) Shows a Brave with horse on desert floor, pencil signed and numbered “948/1000″. Housed in a wood frame with tan matte. SIZE: Sight: 1) 22″ x 16-3/4″. 2) 16-1/2″ x 22-1/2”. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98974, 9-98975 (200-400)

CLARENCE HAILEY (British, Late 19th Century) PAIR OF THOROUGHBRED HORSE PORTRAITS. Both photographic prints are paper laid on canvas housed in black painted thin molded wood frames. Both are pencil signed and titled “St. Simon” and “1Sunglass”. St. Simon (1881 – April 2, 1908) was an undefeated British Thoroughbred racehorse and one of the most successful sires in the history of the Thoroughbred. The other a British racing thoroughbred. SIZE: Sight: 15-1/2″ x 21-1/2″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: One without glass front, both have toning, foxing and stains. 9-98981 (100-200)

J B CLEMENS (American, 20th Century) TWO WESTERN THEMED PRINTS. 1) “The Mystical Shield” No. 29/150, pencil signed, showing a Native American with tomahawk pipe holding a colorful decorated shield. Housed in a modern wood frame with matte. 2) Pencil signed and dated “82” western scene showing a Frontiersman on horse leading two pack horses down a trail with western landscape. Housed in a gilt wood frame with gray matte. SIZE: Sight: 1) 17-1/2″ x 14-1/2″. 2) 11-1/2″ x 17″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98985, 9-98984 (100-200)

19 STONE IMPLEMENTS. The lot includes axe forms, pestles, a double pointed pick, and hoes. Also included is a Nootka stone mall. SIZE: Sizes range from 3″ to 13″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Generally good. 9-99170 (500-800)

INTERESTING LOT OF LARGE ARROWHEAD AND STONE TOOLS. Included is a framed 20″ spear point of unknown age. All pieces have some descriptions which may or may not be accurate. Mostly in the 4″ to 6″ class. Stone implements include a brown stone gorget, spud, ax, etc. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Generally very good. 9-99193-4 (500-1,000)

SIX DISPLAYS OF ARROWHEADS. The decorative displays, two in frames and four in display boxes, show a wide range of small arrowhead and bird points. Approximately 100 total. SIZE: Range: 1/2″ to 4″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Generally very good. 9-99193 (300-500)

LOT OF ARROWHEADS, RELICS AND ARTIFACTS. Lot consisting of four display cases, one displaying arrowheads and arrows with sharpening stone, etc. Another displaying small points, fish hooks, and carvings. One with stone drills and another with nails and artifacts from Fort Union, North Dakota. Also some bullets and metal parts dug from battlefields. SIZE: Vary. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: As found, good. 9-99193-1 (100-300)

LOT OF 15 ARROWHEADS. Housed in 10 display boxes. SIZE: Range: 1″ to 9-1/2″. CONDITION: Very good. 9-99193-2 (300-500)

A BEADED RAWHIDE DRESS AND BEADED TUNIC. The tunic being adult sized in golden brown rawhide having two strips of blue, gold, black and green bead work. The dress nicely fashioned with colorful beaded decorations, long fringe and white rawhide. SIZE: Adult sized. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99184 (200-400)

INDIAN-STYLE RAWHIDE PANTS, FANCY LONG JACKET, MOCCASIN BOOTS AND VALUABLES BAG. The outfit for an adult has long rawhide fringe, a golden-brown finish, the moccasins of a plain rawhide yellow brown finish, and the bag is a fold-over design with shoulder strap. SIZE: Adult. Good shows some use. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99191 (200-400)

LOT OF INDIAN BEAD WORK ITEMS. Lot includes 1. A pair of 16″ x 9″ bead decorated gloves with colorful red flower on blue background. 2. A 42″ pipe bag with red and blue beaded edge and turquoise ground, black yellow and red beaded panel. Porcupine wrapped end with red, white and yellow design. 3. A pair of 14″ x 15″ blue ground with colorful star leggings. 4. An 8″ beaded knife sheath in blue and white. 5. A 9″ the bead decorated awl case having stripes in white, red, yellow and blue. 6. A small 5″ x 4″ antique pouch with colorful bead decoration. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Generally very good. 9-99194 (300-500)

INDIAN SILVER GORGET-STYLE NECKLACE AND SILVER PEACE MEDAL. The 26″ necklace having red and white case glass beads and smaller gold beads on a rawhide string ending in a gorget miniature form engraved with a beaver. The 4″ x 3″ silver peace medal engraved on each side with spread winged eagle having a banner,”TREATY OF GREENVILLE, 3RD AUGUST, 1795″ (unknown age). SIZE: As noted above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99176 (500-800)

TWO TURQUOISE BEAD NECKLACES. 1. A 34″ four strand, beaded necklace with small white/brown beads interspersed with small natural turquoise stones. The end having a double strand turquoise drop. 2. A 30″ three strand necklace with large raw turquoise pieces interspersed between thin white/brown beads. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99178 (400-600)

TWO INDIAN SILVER BEAD NECKLACES. 1. A 25″ gradated necklace made of 47 squashed round beads having a star design. 2. A 21″ silver disk necklace having a 1-3/4″ rectangular silver bead accent set off center. SIZE: As indicated. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99177 (200-400)

LARGE LOT OF INDIAN TRADE BEADS INCLUDING CHEVRONS, AFRICAN, VENETIAN, ETC. 29 necklaces. SIZE: Varies from 6″ to 30″ CONDITION: Very good. 9-99180 (400-600)

EIGHT SOUTHWEST POTTERY BOWLS/VESSELS. The lot includes a 5″ h bird formed pot; 5-1/2″ h black on black design pot; 7-1/2″ h round bottom pot decorated with birds and geometric patterns; 5″ h double gourd type pot; three other that are antique but have been repaired and/or cracked. A small 2″ pitcher along with a damaged large bowl. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: As noted above. 9-99181 (400-600)

INTERESTING LOT OF INDIAN AND INDIAN-STYLE BEAD WORK. Mostly last half of the 20th century. 1. 9″ x 10″ beaded bag panel with white ground, green, yellow, rose and blue beads. 2. 30″ x 3″ bead strip with white ground and five colorful medallions. 3. 17″ x 2″ beaded split strip with white ground and flower decoration. 4. 13-1/2″ x 2″ beaded strip with white ground and colorful flowers. 5. Two 4-1/2″ x 3″ beaded buckles. 6. One 4″ beaded disk. 7. 61″ x 5-1/2″ beaded blanket strip with turquoise bead ground with four circles in red, yellow and dark blue design. 8. 74″ x 4-1/2″ bead and red wool blanket sleeve for either gun or bow. SIZE: As indicated above. PROVENANCE: Estate of Henry A. Rudkin, Jr (family of the founders of Pepperidge Farm). CONDITION: Generally very good. 9-99189 (200-400)

SMALL NAVAJO RUG. Circa 1930. Having a red border, gray field and double medallions in black and white. SIZE: 46″ x 34″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-99192 (200-400)

LOT OF MISCELLANEOUS INDIAN AND INDIAN-STYLE ITEMS. Lot includes a fabric poncho; a leather bag; a pair of leather leggings; a bone and brass choker and two staffs of unknown origin. SIZE: Staffs 78″ l. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 99192-1 (25-50)

TWO LIMITED EDITION WILDLIFE PRINTS. 1) Owen J. Gromme (American, -1991). Pencil signed and numbered “355/580”. Published in 1975 by Wild Wings Inc. The colored lithograph shows three pheasant flying over a winter cornfield. Housed in a fine gilt frame with double matte. 2) Maynard Reece (American, 1920-) “Partners With The Land”. Pencil signed and numbered “554/1250″. Colored lithograph showing a flock of mallard ducks landing in a pond surrounded by fields of grass. There is harvesting going on and a Latham Seed Truck is driving across a dirt road. Housed in an oak molded frame with double mattes. SIZE: Sight: 1) 17-1/2″ x 25″. 2) 17-1/4″ x 24-3/4”. CONDITION: Very good to excellent. 9-99670 (200-400)

SANDERS (American, Mid to late 20th Century) THE BOUNTIFUL TABLE. Oil on canvas still life scene shows a tabletop setting with compote of fruit, glass sugar bowl, teacup and saucer, pilsner glass and other fruit. All atop a white linen table cover. Signed bottom right “Sanders”. Housed in a fancy gesso decorated gilt frame with gilt liner. Along with a print on canvas of Calais Pier: An English Packet Arriving by William Turner. A Limited Edition print on canvas by the Artagraph Reproduction Technology Inc. Housed in a decorative gilt frame with linen liner. Accompanied by its Certificate of Authenticity. SIZE: 24″ x 20″. Print is 25-1/2″ x 35-1/2″. PROVENANCE: Estate of Henry A. Rudkin Jr, (family of the founders of Pepperidge Farm). CONDITION: Very good. 9-98963, 9-98983 (200-400)

WAYNE BEAM MOREELL (American, 1923-) “FAMILY AT THE BEACH”. Signed print showing Front Beach with many beach goers, some with umbrellas. Sailboats in the water and the beach is lined with buildings. Signed bottom right. Housed in a modern gilt frame with beige matte. SIZE: Sight: 19″ x 29″. CONDITION: Very good. 9-94229 (200-500)

THREE DECORATIVE BIRD PRINTS AND PASTEL. 1 & 2) Nicely framed duck prints. One titled “Anas Bahamensis” and the other “Anas Minor”. 3) Pastel of a ringneck pheasant. Housed in a gilt frame with double matte. 4) Framed duck print taken from the 1895 book titled “The Little Artist, Drawing & Painting Book”. SIZE: Sight: 1& 2) 11″ x 15-1/2″. 3) 6-1/2″ x 10-1/2″. 4) 8-1/4″ x 5-3/4″. CONDITION: Very good. 9-99647 (100-200)

FIVE GOLFING PRINTS. 1) “The Putting Green” after a painting by Douglas Adams; Published 1894 by Henry Graves & Co. Housed in a fine partial gilt wood frame with nice matte. 2, 3 & 4) Four framed prints from Norman Orr’s Classic Golf Print Series III. All identically housed in green decorative frames with green mattes. Scenes include “A Birdie”; “Natural Hazard”; “A Delicate Touch”; “Not Another Albatross”. SIZE: Sight: 1) 17-1/4″ x 25-1/2″ 2-4) 9-1/2″ x 6-1/2″. CONDITION: Very good. 9-99854 (200-300)

CAST BRONZE REVOLUTIONARY WAR HESSIAN SOLDIER. Modeled depicting the soldier standing, musket in left hand overall in brick red paint. SIZE: 23-1/3″ h. x 11-1/2″ w. overall CONDITION: In very good structural condition with substantial wear to paint without. 9-99926 (100-200)

F. GRAUMANN (GERMAN, EARLY 20TH CENTURY) GOING TO THE FIELDS. Unframed and housed in a white mat. The etching showing a mother, father and daughter going to the fields for a day of work. Pencil signed, titled and numbered 33/100. SIZE: Overall size: 18-1/2″ x 20. IM age: 11-1/2″ x 13-1/2″. CONDITION: Light toning, otherwise very good. 9-20406 (200-300)

INTERESTING LOT OF ROUND OBJECTS. Collected by a marble collector to represent other marble-like items in the world. Lot includes carpet balls, cue balls, metal bearings, rock balls, and others including wood, metal, rubber, etc. Also included are a number of marble bags, small marble games and one glass cane rod. SIZE: Varies. PROVENANCE: From a Maine Estate. CONDITION: Some show use. Good. 9-99166-9 (50-100)

TWO ADAM’S STYLE MIRROR ORNAMENTS. Circa 1900. The first an inverted urn with leaf tips emitting a spray for gesso flower heads and wheat stalks. the second example, in the form of a flower filled urn. SIZE: First 8″ h. Second 7-5/8″ h. CONDITION: Both examples have been stripped of their original finishes. One with gesso loss to leaf tip. Otherwise good. 9-99899 (75-100)

LEE MARVIN’S REVISED FINAL DRAFT SCRIPT FOR “CAT BALLOU”. The script having a white cover page inscribed “Lee Marvin” in his hand. The script dated Sept. 11, 1964. Production No. 8701. Screenplay by Walter Newman and Frank Pierson. The movie depicts a woman seeking revenge for her murdered father and hires a famous gunman who turns out to be different from what she expects. Starring Lee Marvin as Kid Shelleen. Other stars included Jane Fonda, Dwayne Hickman, Nat King Cole, Stubby Kaye amongst others. Lee Marvin won an Oscar for his performance and the movie won ten awards and twelve nominations. The script is clean with no annotations. SIZE: 11-1/4″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good. 9-99520 (1,000-2,000)

HOLLYWOOD FOREIGN PRESS ASSOCIATION “GOLDEN GLOBE” AWARD FOR LEE MARVIN AS “BEST ACTOR IN A COMEDY OR MUSICAL ‘CAT BALLOU’ 1965”. One of the most prestigious awards an actor can achieve. The award is dated “January 31st, 1966” and numbered “2091”. It consists of a gold colored globe with filmstrip ribbon on an onyx plinth with gold colored presentation plaque. SIZE: Overall 9″ h. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99487 (6,000-10,000)

SOCIETY OF FILM AND TELEVISION ARTS BRITISH FILM ACADEMY AWARD FOR BEST FOREIGN ACTOR, LEE MARVIN, IN “CAT BALLOU”, 1965. The award is an 8-1/2″ dia. blue & white Jasperware Wedgwood plaque incorporating the traditional Wedgwood figure of Apollo, God of Light and the Arts, designed by Josiah Wedgwood & Sons. The plaque has been mounted in a shadow box, framed in gilt wood with black felt background. It is accompanied by its original red leather presentation box. This award is equivalence to America’s Oscar.” PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good, box has some light wear. 9-99483 (3,000-5,000)

XV INTERNATIONAL BERLIN FILM FESTIVAL AWARD, BEST ACTOR TO LEE MARVIN FOR “CAT BALLOU, 1965”. This two part award having a statue depicting a standing bear on stone plinth with brass engraved plaque. Also a presentation hard paper folding certificate signed and inscribed with the award in German. Also included in the folder is a cutout page from Variety advertising “Cat Ballou” indicating winning this award and exclaiming that Lee Marvin will be awarded with Oscar for “Cat Ballou”. SIZE: Overall: 9-1/4″ Folder is 15″ x 11″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99491 (600-1,000)

AMERICA CINEMA EDITORS “EDDIE” AWARD TO LEE MARVIN “BEST ACTOR IN A FEATURE MOTION PICTURE, 1965 ‘CAT BALLOU'”. This was the first year that the Eddie award winners received a statue trophy as opposed to the plaque which was started in 1951. The 16″ silvered statue stands atop a walnut wood square plinth with attached presentation plaque. The bottom having a California Trophy Co. label. SIZE: Overall 20-1/2″ h. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Some finish loss, otherwise very good. 9-99486 (1,000-2,000)

MOTION PICTURE COSTUMERS “ADAM ‘N EVE” AWARD TO LEE MARVIN FOR MOTION PICTURE ACTOR OF THE YEAR, 1965. The statue having a 9″ figure of Eve with upstretched arms. Mounted to an onyx round plinth having a brass engraved presentation plaque. SIZE: Overall: 12″ h. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Some finish loss, plaque is loose from plinth, otherwise very good. 9-99488 (800-1,200)

LEE MARVIN’S ANNOTATED SCRIPT FOR “PAINT YOUR WAGON”. The loose script bound in a black three ring binder with taped paper in Lee’s hand “Marvin”. The script title page indicating it is the final draft of the spring series; May 16, 1968. It includes a three page cast of principle characters and musical synopsis. Lee has written on the back side of some of the pages his thoughts on changes and comments also can be found next to the typed script his thoughts and line annotations. This 1969 musical starred Lee Marvin as Ben Rumson and Clint Eastward as Jean Seberg amongst others. The film revolves around two unlikely prospector partners who share the same wife in a California gold rush mining town. It was nominated for an Oscar and Lee Marvin was nominated for a Golden Globe for Best Motion Picture Actor for Music/Comedy. He also won the Fotogramas de Plata for Best Foreign Performer. Lee Marvin was awarded a Golden Record and No. 1 Chart Award for the song “Wandrin Star” from the Soundtrack album for this movie. SIZE: 11-1/2″ x 10-1/4″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Binder shows heavy use. Script shows production use. 9-99521 (1,000-2,000)

FRAMED HOLLYWOOD FOREIGN PRESS ASSOCIATION CERTIFICATE OF THE NOMINATION OF LEE MARVIN FOR A GOLDEN GLOBE AWARD FOR BEST MOTION PICTURE ACTOR-MUSICAL OR COMEDY-“PAINT YOUR WAGON”, 1969. The certificate signed by both the President and Secretary of the Association and housed in a modern black metal frame. Marvin went on to win this award, one of his crowning achievements. SIZE: 11″ x 8-1/2″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99470 (1,000-2,000)

1970 SPANISH “SILVER FRAMES” AWARD THE BEST INTERPRETATION OF FOREIGN FILMS TO LEE MARVIN IN “PAINT YOUR WAGON” (CITY WITH NO NAME). The award is an interesting sculpture of a 1″ sq. silver cube mounted atop a 2″ x 2-3/4″ square cube which fits into a two-part silver 4″ sq. block which on the bottom side is inscribed “Robert Llimos, Zavier Corbero, Juli Guasch”. The inside of the top block with presentation plaque. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99492 (1,000-2,000)

“WANDERIN STAR” BY LEE MARVIN-GOLD RECORD; NO. 1 CHART AWARD CERTIFICATE AND 45 RECORD WITH JACKET. The movie “Paint Your Wagon” presented Lee Marvin an opportunity to play a role far from the “tough guy” image portrayed in many of his movies. This role change was never so apparent as the popularity of his record from the movie as it shot to no. 1 on the British Music Charts. This extraordinary lot includes: a framed 45rpm gold record with presentation plaque “Presented to Lee Marvin in recognition of his first hit record”. Along with the certificate from the Record Retailer & Music Industry News of London for “No. 1 Chart Award to Lee Marvin for Wanderin Star”. “RR Top 50 March 7, 1970”. Together with an actual 45rpm of the song taken from the Soundtrack Album of the Paramount Picture “Paint Your Wagon Orchestra conducted by Nelson Riddle”. The record jacket has the top 22 hits of that week of which this record is circled and listed No. 1. SIZE: 11-1/2″ x 9″; 12-1/4″ x 9-1/2″; 7″ x 7″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: All very good, record jacket has some wear. 9-99473, 9-99480 (1,000-2,000)

PRESENTATION COPY OF THE GORKY PARK SCRIPT PERSONALIZED TO LEE MARVIN. The red leather cover tooled in gold with “Gorky Park” Lee Marvin. Title page “Revised 3rd Draft 2 May 1983”. Accompanying the script is a letter dated July 8, 1983 to Lee Marvin “Dear Lee: Please accept this gift as a memento of the time we all spent together on Gorky Park”. Signed by Michael Apted; Howard W. Koch, Jr. and Gene Kirkwood. The letter is on Gorky Park letterhead. Also included in the lot is a folded card with envelope “Welcome to Moscow! We’re glad you are here! Best Howard & Michael”. Screen play by Dennis Potter based on the novel by Martin Kruz Smith, directed by Michael Apted released in 1983. A cold war plot following an investigator on the Moscow police force relentlessly pursuing the solution to a triple homicide which occurred in Moscow’s Gorky Park. The movie starred Lee Marvin as Jack Osborne along with William Hurt. This movie was nominated for a Golden Globe in 1984 as well as winning the Edgar Award for Best Motion Picture and nominated for a BAFTA Film Award for Best Supporting Actor Michael Elphick in 1985. SIZE: 11″ x 8-3/4″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good to excellent. 9-99522 (1,000-1,500)

TWO SCRIPTS FOR “GORKY PARK”. 1) A clean copy revised 3rd draft, 20 December 1982. Only a few pencil single word changes and revisions are seen through the script. 2) Having the cover annotated in Lee’s writing with the seven other stars. It is missing its title page and does not have any annotations. Screen play by Dennis Potter based on the novel by Martin Kruz Smith, directed by Michael Apted released in 1983. A cold war plot following an investigator on the Moscow police force relentlessly pursuing the solution to a triple homicide which occurred in Moscow’s Gorky Park. The movie starred Lee Marvin as Jack Osborne along with William Hurt. This movie was nominated for a Golden Globe in 1984 as well as winning the Edgar Award for Best Motion Picture and nominated for a BAFTA Film Award for Best Supporting Actor Michael Elphick in 1985. SIZE: 11-1/4″ x 8-1/2″ PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: One copy is clean with a light stain on cover. The other with detached front cover showing use. 9-99524 (500-1,000)

SABLE COLLARED LONG WOOL COAT WORN BY LEE MARVIN IN “GORKY PARK”. The interior pocket having a label from “Henry Stewart, London/New York”, with pen inscription “Mr. Lee Marvin, Feb 1983”. The double-breasted, camel-colored wool coat with matching satin liner having detachable fur collar. Lee Marvin played as Jack Osborne in this suspenseful 1980s Cold War thriller. SIZE: Custom tailored. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99455 (2,000-4,000)

LEATHER AND LAMBS WOOL JACKET AND LEATHER BOOTS WORN BY LEE MARVIN IN “GORKY PARK”. The jacket having a label “S. style Aitoa Nahkaa”. The Finnish jacket probably purchased by the Production Company in Finland. The movie depicted a Moscow location but actually was filmed in Finland. A pair of lace-top high leather boots, folded over with tooled leather decoration. Lee Marvin played as Jack Osborne in this suspenseful 1980s Cold War thriller. SIZE: Coat 54. Boots, 18″ high (folded over),sole 12-3/4″ long. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Coat, very light wear. Boots show some use, generally very good. 9-99456 (2,500-4,000)

TWO-PIECE STRIPED GRAY WOOL SUIT WORN BY LEE MARVIN IN “GORKY PARK”. The pants having a “Henry Stewart, London/New York” label, inscribed in blue pen, “Mr. Lee Marvin, Jan 1983”. The coat having a lapel pin identification marker used in the film. The costume includes a double-breasted coat and pants. Lee Marvin played as Jack Osborne in this suspenseful 1980s Cold War thriller. SIZE: Custom tailored. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99452 (2,000-4,000)

THREE-PIECE BLUE SUIT WORN BY LEE MARVIN IN “GORKY PARK”. The pants having a label from “Henry Stewart, London/New York”, pen inscribed “Lee Marvin, Esq., Jan 1983”. The coat having a lapel pin which was an identification marker in the movie. The three pieces include pants, vest and coat. Lee Marvin played as Jack Osborne in this suspenseful 1980s Cold War thriller. SIZE: Custom tailored. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99453 (2,000-4,000)

PAIR OF STEUBEN GLASS AND 14KT GOLD CUFF LINKS WORN BY LEE MARVIN IN THE MOVIE “GORKY PARK”. The glass spiral air twist tube set into yellow gold caps having a marked “14k” shank. The cuff links held in their custom Steuben glass, gold decorated, red leatherette box. SIZE: 1″ x 1″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99457 (300-500)

RED LEATHER SCRIPT BINDER FOR THE “DIRTY DOZEN”. The binder cover tooled in gold “The Dirty Dozen” Lee Marvin as ‘Reisman’. Screenplay by Nunnally, Johnson and Lucas Heller, directed by Robert Aldrich. This 1967 film starred Lee Marvin as Major Reisman, also Ernest Borgnine, Charles Bronson, Jim Brown, George Kennedy, Telly Savalas, Clint Walker, Donald Sutherland and other notables. It was awarded the Oscar with five other wins and six nominations. In 1968 Lee Marvin won a Golden Laurel Award for Action Performance. SIZE: 11-1/2″ x 9-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Generally very good. Front cover right corner shows wear. 9-99518 (400-800)

LEE MARVIN’S ANNOTATED SCRIPT FOR “THE DIRTY DOZEN: NEXT MISSION”. The television film script has a white cover with cut-out window displaying the title. Lee has inscribed “Marvin” at the top. The title page marked “Final Draft Sept. 21, 1984”. The script has line blocked annotations with some revisions in black marker and comments. On the title page Lee has written the cast and crew. Also included is a five page cast list. This 1985 movie starred Lee Marvin as Major John Reisman and Ernest Borgnine as General Worden. Based upon the original “Dirty Dozen”; this film has Major Reisman involuntarily leading another mission using convicted army soldiers. SIZE: 11-1/4″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Shows use. Generally good. 9-99526 (400-600)

MOTION PICTURE EXHIBITOR GOLDEN LAUREL AWARD TO LEE MARVIN FOR NO. 1 ACTION STAR OF 1968 FOR “THE DIRTY DOZEN”. The plaque having a metal award emblem with presentation brass plaque below mounted to a wood backplate. Along with a 10″ x 14″ 1968 Laurel Award certificate for “Top 15 Best Stars”. SIZE: 12″ x 8″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99466 (800-1,200)

GREEN TWO-PIECE SUIT WORN BY LEE MARVIN IN THE MOVIE “POINT BLANK”. The custom-tailored suit includes pants and jacket. Lee Marvin played as Walker in this 1960s action crime drama. SIZE: Custom tailored. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99454 (1,500-2,500)

TV GUIDE MOTORCYCLE TV ACTORS ANNUAL AWARD TO LEE MARVIN, 1958. The multi-level trophy has a 4″ man on motorcycle figure atop a square plinth with gold color presentation plaque atop a rectangular base supporting two spread-wing eagles. SIZE: Total: 11-3/4″ h. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Some deterioration to finish, otherwise very good. 9-99496 (600-900)

NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES EMMY NOMINATION CERTIFICATE TO LEE MARVIN FOR “PEOPLE NEED PEOPLE” AN ABC ALCOA PREMIER FOR OUTSTANDING SINGLE PERFORMANCE BY AN ACTOR IN A LEADING ROLE APRIL 1961-APRIL 1962. Presented in a wood plaque. SIZE: 10-3/4″ x 9″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99468 (1,500-2,500)

FOUR MOTION PICTURE HERALD ACHIEVEMENT AWARDS PRESENTED TO LEE MARVIN FOR TOP MONEY-MAKING STAR OF 1968, 1969, 1970 & 1971. The certificates each presented in January of the following year, two having the gold embossed label with blue and orange ribbon, 1970 & 1971 do not. Three are unframed, 1969 is framed. SIZE: 12″ x 9″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99469 (1,000-2,000)

TWO 1964 AWARDS TO LEE MARVIN. 1) Stuntman’s Association of Motion Pictures Certificate to Lee Marvin “In Appreciation of your Unselfish Contribution of Time and Talent to our Annual Dinner Dances, and a great friendship between you and stuntmen”. Signed by the President of the Association and dated “6/20/64”. The certificate mounted to a wood plaque. 2) Public Service Award to Lee Marvin for the television series “Lee Marvin Presents: Lawbreakers”. The award is made on behalf of the National Police Officers Association of America. Signed by the officers and dated “January 15, 1964″. Housed in a wood frame with glass. SIZE: 1) 14-1/2″ x 11-1/2″. 2) Total: 12″ x 9-1/2”. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99467, 9-99479 (800-1,000)

NATIONAL ASSOCIATION OF THEATER OWNERS “STAR OF THE YEAR” AWARD TO LEE MARVIN, 1972. The metal inscribed plaque mounted to a decorative wood backboard presented February 1st, 1972 at the Fairmont Hotel in Dallas, TX. SIZE: Overall: 14″ x 10″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good with some light scratch marks. 9-99474 (800-1,200)

TWO EXHIBITOR MAGAZINE LAURAL AWARDS TO LEE MARVIN. 1) 1965 Top Five Action Performance for “The Killers”. 2) 1969 Top Ten Star. The awards consist of two brass inscribed plates mounted to wood backboards. One in dark finish, one in light. SIZE: 9″ x 6-1/2″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99476, 9-99477 (800-1,200)

NATIONAL COWBOY HALL OF FAME AND WESTERN HERITAGE CENTER “WESTERN HERITAGE AWARD” FOR “THE MAN WHO SHOT LIBERTY VALANCE” FOR OUTSTANDING WESTERN MOTION PICTURE OF 1962 TO LEE MARVIN. The award having a copper patina statue of a cowboy on horseback mounted to a trapezoidal wood plinth with copper colored presentation plaque. SIZE: Overall: 10-3/4″ h. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Generally very good, some spot tarnish to presentation plaque. 9-99495 (800-1,200)

FIVE PRESENTATION AWARDS TO LEE MARVIN. 1) Award plaque from the Oroville Area, Chamber of Commerce to Lee Marvin for “The Klansman, 1974”. The wood backed plaque having flag emblazoned motif with large engraved brass presentation expressing the appreciation to Lee Marvin for Oroville’s most exciting 60 days since the gold rush of a century ago. 2) The City of Oroville, California tile plaque for Lee Marvin Actor-Gentleman “The Klansman, 1974″. Included is the original box with label. 3) Presentation certificate by the Governor, Tom McCall, Governor of Oregon to Lee Marvin the title of Honorary Orgeonian, 1972. Housed in its original presentation folder. 4) Small presentation plaque to Lee Marvin in appreciation as guest speaker at the University of Southern California, 1965. The presentation is a wood backed copper colored inscribed plaque. 5) March of Dimes service award to Lee Marvin, January, 1961. The wood backed plaque with a Roosevelt dime style medallion with metal inscribed plaque. SIZE: 1) 16″ x 12″. 2) 10″ square. 3) Certificate is 11″ x 8-1/2″. 4) 5″ x 4″. 5) 9-1/2″ x 7-1/2”. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: 1) Very good. 2) Very good, box shows some use. 3) Very good. 4) Good. 5) Very good. 9-99482, 9-99481; 9-99471; 9-99475; 9-99478 (300-500)

MOVIE SCRIPT FROM “THE BIG RED ONE” STARRING LEE MARVIN. This script having line annotation and the cover inscribed “Lee Marvin” in Lee’s hand. With the script comes a partial shooting schedule involving the 49th through 55th day; August 22 through August 29, 1978. Also a four page cast list dated June 8, 1978 and a two page Israeli crew list dated June 19, 1978. SIZE: 11″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Shows production use. Good. 9-99523 (1,000-2,000)

LEE MARVIN’S ANNOTATED SCRIPT FOR “THE DELTA FORCE” & A SCRIPT FOR “DELTA FORCE II”. The Delta Force script missing its front cover including a five page cast and crew list, the title page marked “Revised Sept. 15, 1985”. The script with line annotations and some brief written comments or changes. Also included is call sheet #14, #16 and #56. The movie starred Lee Marvin as Col. Nick Alexander also included Chuck Norris, Joey Bishop, George Kennedy, Robert Vaughn, Shelley Winters amongst others. The 1986 film involving a 707 aircraft jetliner on its way from Athens to Rome to New York City is hijacked by Lebanese terrorists. Accompanying this lot is a Cannon Films script for Delta Force II dated May 15, 1986, revised 2nd draft. SIZE: 11-1/2″ x 8-1/2″ each. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: One shows production use without cover, the other is very good. 9-99527, 9-99531 (500-1,000)

PRESENTATION COPY OF “DEATH HUNT” SCRIPT PERSONALIZED TO LEE MARVIN. The red leather cover tooled in gold with “Death Hunt” “Lee Marvin”. Title page “Final Draft February 4, 1980”. Pen inscription on beginning blank page “Lee: Thank you for the first of hopefully many! Al Ruddy” (Executive Producer of film). Screen play by Michael Grais and Mark Victor. The movie starred Lee Marvin as Sgt. Edgar Millen, R.C.M.P. also starring Charles Bronson, Carl Weathers and Angie Dickinson. The movie set in Canada in 1931 follows an unsociable trapper who lives for himself in the Canadian wilderness. He causes a problem with some men which leads to a massive man hunt by the Royal Canadian Mounted Police which Marvin is in charge. SIZE: 11″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good to excellent. 9-99529 (800-1,200)

TWO MOVIE SCRIPTS FOR “ICE MAN COMETH” STARRING LEE MARVIN. 1) 207 page unused script with light blue binding. 2) Lee’s personal script which shows some annotation through numbering and brief comments. The title page numbered in pencil “script 13”. The cover having a taped on penned cast members list. Housed in a brown three ring binder with title “Changing Scene” inscribed “Lee Marvin”. SIZE: 11″ x 8-1/2″ and 11-1/2″ x 10-1/4″ respectively. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: 1) Very good. 2) Showing production use. 9-99517, 9-99525 (800-1,200)

ANNOTATED SCRIPT FROM “ARCTIC RAMPAGE” AKA “DEATH HUNT” MOVIE. The black binder cover having a label affixed which Lee Marvin has written his name and character. The binding includes six page crew list and a five page crew list. Also includes call sheet 24 location map and call sheet 54, also a newspaper clipping with Lee Marvin photo. The script has line block annotation with some comments and changes. Screen play by Michael Grais and Mark Victor. The movie starred Lee Marvin as Sgt. Edgar Millen, R.C.M.P. also starring Charles Bronson, Carl Weathers and Angie Dickinson. The movie set in Canada in 1931 follows an unsociable trapper who lives for himself in the Canadian wilderness. He causes a problem with some men which leads to a massive man hunt by the Royal Canadian Mounted Police which Marvin is in charge. SIZE: 11-1/2″ x 9″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Shows use. Generally good. 9-99528 (800-1,200)

SCRIPT FROM THE MOVIE “POCKET MONEY”. The script having some line annotations with only a few pencil comments. The 1972 movie after a J.P.S. Brown novel and screenplay by Terrence Malick starred Lee Marvin as Leonard and Paul Newman as Jim Kane. The movie follows a broke and in debt honest cowboy who gets mixed up in some shady dealings with a crooked rancher. SIZE: 11″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Shows use, clipped front cover. Otherwise good. 9-99530 (600-900)

LEE MARVIN’S SCRIPT FROM “SHOUT AT THE DEVIL”. The script having a yellow cover with front cut-out revealing the title. Inscribed in Lee Marvin’s hand twice “Lee Marvin”. The interior blocked with red annotated lines also includes a two page Malta schedule dated June 10, 1975. The script dated December, 1974, screenplay by Stanley Price, Wilbur Smith and Alastair Reid. Based upon the book by Wilbur Smith. 1976 movie starring Lee Marvin as Col. Flynn O’Flynn along with Roger Moore, Barbara Parkins amongst others. This WWI movie depicts an American adventurer, an English poacher and his daughter setting out to destroy a German battle cruiser which is awaiting repairs in an inlet just off Zanzibar. SIZE: 11″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Shows use. Good. 9-99532 (400-600)

LEATHER SCRIPT BINDING: TOOLED “LEE MARVIN”. Heavy natural leather binder with an attached front pocket having tooled “Lee Marvin” above. The edges with decorative stitching and metal expansion post to accommodate different size scripts. SIZE: 12-3/4″ x 10-1/4″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good. Shows light use. 9-99519 (600-900)

THREE LEE MARVIN US PASSPORTS. Issue dates of Oct. 10, 1973; Jan. 6, 1978 and Sept. 20, 1982. All include photographs, signatures and destinations. SIZE: 6″ x 3-3/4″ and two are 5″ x 3-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good. 9-99485 (500-1,500)

CONTRACT BETWEEN LEE MARVIN AND 20TH CENTURY FOX FOR “U.S.S. TEAKETTLE”. The pink document dated October 20th, 1950 is Lee Marvin’s first film contract. The salary of $175 per week. Signed by Lee Marvin and Joseph Waskaintz. Also with a typed slip indicating transportation, lodging and meals to be provided. SIZE: 17-1/2″ x 8-1/2″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99462 (1,000-2,000)

LOT OF 21 MOVIE POSTERS STARRING LEE MARVIN. Five 18″ x 26-3/4″ glossy movie posters for “Prime Cut”, starring Lee Marvin as Nick Devlin. One 41″ x 27″ poster for “The Spikes Gang”, starring Lee Marvin as Harry Spikes. One 41″ x 28″ poster for “Raintree County”, starring Lee Marvin as Orville ‘Flash’ Perkins. One 22″ x 28″ poster for “Cat Ballou” starring Lee Marvin as Kid Shelleen / Tim Strawn. One 41″ x 27″ poster for Cat Ballou”. One 22″ x 26-1/2″ poster for “Hangman’s Knot”, starring Lee Marvin as Rolph Bainter. One 41″ x 27″ poster of “Hell in the Pacific”, starring Lee Marvin as the American pilot. One 41″ x 27″ poster from”Seven Men from Now”, starring Lee Marvin as Bill Masters. One 22″ x 28″ poster from “Bad Day at Black Rock”, starring Lee Marvin as Hector David. One 41″ x 27″ poster from “Donovan’s Reef”, starring Lee Marvin as Thomas Aloysius ‘Boats’ Gilhooley. One 36″ x 14″ poster from “Ship of Fools”, starring Lee Marvin as Tenny. One 36″ x 14″ poster from”Attack”, starring Lee Marvin as Lt. Col. Clyde Bartlett. One 41″ x 27″ poster from “Pillars of the Sky”, starring Lee Marvin as Sgt. Lloyd Carracart. One 41″ x 27″ poster from”Violent Saturday”, starring Lee Marvin as Dill, the bank robber. Three 41″ x 27″ posters from “Point Blank”, starring Lee Marvin as Walker. One 62″ x 45″ poster French portrait, “Dual Dans Le Pacific” (“Hell in the Pacific”) starring Lee Marvin as the American pilot. Along with three other promotional posters. SIZE: As noted. PROVENANCE: THe Estate of Lee Marvin through Pamela Marvin. CONDITION: All posters are folded and unmounted. They show some use with damages at creases, generally all intact. 9-99459 (1,500-3,000)

THREE MOVIE POSTERS STARRING LEE MARVIN. 1. 36″ x 14″ “The Missouri Traveler” on light board, starring Lee Marvin as Tobias Brown. 2. 36″ x 14″ “Seven Men from Now”, starring Lee Marvin as Bill Masters. 3. 40-1/2″ x 26-1/2″ “Violent Saturday, starring Lee Marvin as Dill the Bank Robber. SIZE: As noted. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Fair to good with staining and corner losses. 9-99516 (300-500)

LOT OF 20 MOVIE LOBBY CARDS FOR LEE MARVIN FILMS. The lot includes four 11″ x 14″ “Shack Out On 101”. The movie starring Lee Marvin as Mr. Gregory. Four 11″ x 14″ “Violent Saturday”. Starring Lee Marvin as Dill the bank robber. One 11″ x 14″ “Raintree County”. Starring Lee Marvin as Orville “Flash” Perkins. One 11 x 14″ “The Dirty Dozen”. Starring Lee Marvin as Major John Reisman. One 11″ x 14″ “Donovan’s Reef”. Starring Lee Marvin as Thomas Aloysius ‘Boats’ Gilhooley. One 11″ x 14″ for “Prime Cut”. Starring Lee Marvin as Nick Devlin. One 11″ x 14″ “Bad Day at Black Rock”, starring Lee Marvin as Hector David. One 8″ x 10″ “Donovan’s Reef”, starring as Thomas Aloysius ‘Boats’ Gilhooley. Two 8″ x 10″ “The Clansmen”, as Sheriff Track Bascomb. One 17-1/2″ x 14″ “Bad Day at Black Rock”, starring Lee Marvin as Hector David (with fold). One 17″ x 11″ “Time of the Hanging”, starring Lee Marvin as Mannon Tate. One 11-1/2″ x 33″ four-fold for “The Dirty Dozen” starring Lee Marvin as Major John Reisman. One 12″ 18-1/2″ one fold, “The Professionals”, starring Lee Marvin as Henry “Rico” Fardan. SIZE: As noted above. PROVENANCE: Lee Marvin Estate, through Pamela Marvin. CONDITION: Generally good. Tape marks at corners with tack holes and some minor losses. 9-99458 (300-500)

THREE PRESENTATION JOHN WAYNE COFFEE MUGS TO LEE MARVIN. These customary souvenirs were given by John Wayne to cast and crew of films that he worked on. On these three mugs, he personalized them with an inscription on each “Lee from Duke”. All are ceramic coffee mugs with gold handles and marked underneath “Wallace China, California, USA”. 1) “Donovan’s Reef” depicting John Ford in his director’s chair with three characters, one with caption “No Watah Boss…”. 2) “The Man Who Shot Liberty Valance” showing a burning log cabin with tree. 3) “Comancheros” showing two men on horseback with mountain backdrop. SIZE: 4″ h. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99494 (1,500-3,000)

PERSONAL GIFT FROM JOHN DENVER TO LEE MARVIN. The gift is a silver and ivory necklace. The 1/2″ pendant having a scrimshaw ship in calm seas in a sterling mount marked “ASI Sterling” (Alaskan Silver & Ivory Co.). Attached to an 18″ sterling chain and presented in a blue jewelry box. It comes with a gift card from Delmano Gallery & Studio, Pasadena, CA inscribed “Lee – Thank you for being with me in Australia. J.D.”. The necklace also comes with a registration booklet indicating gift from John Denver and registration number “35C”. Accompanying the gift is a vintage color photograph showing Lee Marvin and John Denver on a fishing boat with an unidentified director and film crew. In 1977 John Denver went to Australia for his second concert tour in Australia. In that special, he included a segment with he and Lee Marvin fishing. On the Barrier Reef. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99498 (200-400)

STERLING SILVER MUG BY PORTER BLANCHARD FROM THE YACHT “ARANER”. The Araner was owned by motion picture director John Ford and was thus named in honor of the Aran Islands where his wife’s family had come from. In the 1930s the yacht served as a place where Ford could escape the bustle of Hollywood in the company of friends. It was later given to the US Navy and was placed in service in 1942 with the designation USS Araner (IX-57). Delivered back to Mrs. John Ford in 1944 where she sold it in 1971 and went through several name changes and owners. The silver mug having a “c” shaped handle and applied “Araner” to bottom edge of mug. Signed on the base. Accompanying the mug is an envelope inscribed “Lee” and a folded note inscribed “From him, to me, to you-Love Always Barb” (Barbara Ford). Porter Blanchard Silversmiths were known for their hand wrought sterling pieces and were based in Calabasas, California. SIZE: 4-1/2″ h. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good. Note with some staining. 9-99493 (500-1,000)

THIRTEEN CORRESPONDENCE & JAPANESE DAGGER GIFT FROM TOSHIRO MIFUNE. During the filming of the 1968 movie Hell in the Pacific, the two characters in the movie; Lee Marvin as the American pilot and Toshiro Mifune as Captain Tsuruhiko Kuroda became close friends and kept in touch years after the movie. Toshiro presented Lee with this ceremonial 16″ decorative dagger and sheath (handle with break). The lot of correspondence include five holiday cards without envelopes, eight envelopes with various dates in the 70s and 80s including six holiday cards, one announcement of his UCLA medal, a typed letter dated April 5, 1984 thanking Lee for chairing the Japan movie week held in New York. Two of the pieces are hand signed. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: As noted above, otherwise good. 9-99463, 9-99499 (150-250)

CONGRATULATORY WESTERN UNION TELEGRAMS TO LEE MARVIN. Lot includes twenty-eight telegrams from various people including Samantha Eggar, Richard Burton & Elizabeth Taylor, Frank Sinatra & Dean Martin, the San Diego Chargers, Barbara & Jackie Cooper, Jack Palance and others. SIZE: 5-1/2″ x 8-1/2″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Very good. 9-99465 (400-600)

TEN CORRESPONDENCE WITH LEE MARVIN. Lot includes a postcard from Yves Martan, invitation card from Ambassador Samuel Winfield Lewis, a handwritten card from Barbara Ford dated 1977, a folded card with penned letter signed Jack, a card from Mary & Barbara Ford, Presidential invitation to Mr. Lee Marvin for dinner at the White House of the visit of the Chancellor of Germany dated 1967, Presidential invitation at the White House honoring the tenth anniversary of the American Film Institute dated 1977, a signed letter from Charlton Heston dated June 1987 typed letter inviting Lee to be a guest at a NRA weekend gathering, a letter signed Jimmy Breslin of Daily News fame. Also included is a note and envelope dated April 24, 1966 from the Duke & Dutchess of Argyll. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Generally good. 9-99464 (300-500)

MOVIE PROP: “SHIP OF FOOLS” VIVIEN LEIGH-LEE MARVIN. The foam replica of a high heeled shoe used by Lee Marvin to hit Vivien Leigh over the head in the 1965 movie “Ship of Fools” staring Vivien Leigh, Simone Signoret, Jose Ferrer and Lee Marvin. The shoe is painted pink with a white top which is inscribed in black magic marker “Lots of love Lee Vivien”. Lee Marvin played “Tenny”. SIZE: 10″ l. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Shows age and heel spike shows signs of impact. 9-99484 (2,000-4,000)

LOT OF LEE MARVIN-RELATED MEMORABILIA. The lot includes a signed record album cover with record “The Stereos” inscribed “to Lee Marvin, our pal, the Stereos”. Two other albums “The Music from M Squad”, starring Lee Marvin. Three other albums. A safety spot recording for the Automobile Club of Southern California with tracks by Lee Marvin. One 15″ x 10-1/2″ certificate “Honorary Citizen of Metropolitan Nashville”. An inscribed photo of Lee Marvin in “The Dirty Dozen” from George Kennedy. A pencil-signed “Paul Naylor” “Kid Cheleen” depiction of Lee Marvin as character. Along with four movie still promotional photos from “Violent Saturday”. SIZE: As noted. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Generally good. 9-99460 (300-500)

25 PIECES OF STERLING SILVER FROM THE LEE MARVIN FAMILY. This silver descending through the family of Lee Marvin includes a 12″ pie server and 9-1/2″ serving spoon by Gorham in the Medallion pattern; a 10″ ladle marked “STERLING”; a 9″ spoon hallmarked “W.A. WILLIAMS” in a shell and scroll motif; 5 assorted salt spoons; a pair of open salts by Frank W. Smith along with a pair of 5″ shakers by Frank W. Smith; 6 9-1/2″ knives and 6 9-1/2″ knives marked “KIRK AND SONS”. SIZE: As noted. Weight 27 tr. oz. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Knives show rust on blades and some damage at handle/blade. Monograms and generally shows use. 9-99511 (500-800)

PAIR OF BINOCULARS & FISH SCALE BELONGING TO LEE MARVIN AND USED ON HIS FISHING BOAT “BLUE HAWAII”. 1) 15″ long brass fish scale measuring up to 60lbs. and inscribed “Chatillon-N.Y. Inst-t”. 2) Binoculars with black leather case are Leitz manufactured, 7x42b. The end eye piece inscribed “Koror-Palau” and “Ngerengchol” (boat used at the time of filming “Hell on the Pacific” on the island of Palau). SIZE: Binoculars open 7″ x 5″. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Both show use, intact and usable. 9-99507, 9-99510 (200-400)

THREE ITEMS RELATING TO LEE MARVIN. 1) 5″ high pewter glass bottom mug inscribed “Variety Club Tent No. 1 To Lee Marvin Pittsburg PA Feb. 13, 1962”. 2) 10″ x 4-1/2″ Kodak camera belonging to Lee Marvin’s father who worked for Eastman Kodak. 3) 3″ diameter coin and lucite paperweight commemorating the inaugural flight of the Continental 747 between Los Angeles and Honolulu. The coin encased in lucite is an 1883 one dala which appears to be gold plated over silver. SIZE: As noted. PROVENANCE: The Estate of Lee through Pamela Marvin. CONDITION: Generally good. 9-99490, 9-99497, 9-99501 (200-400)

ROYAL WORCESTER PITCHER BELONGING TO LEE MARVIN. This small pitcher having decorations of flowers and butterflies. A green Worcester mark to base. SIZE: 7″ high. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Very good. 9-99512 (100-200)

THREE PALAU ISLAND ITEMS. Palau officially the Republic of Palau is an island nation in the Pacific Ocean, some 500 miles east of the Philippines and 2,000 miles south of Tokyo. It comprises between 250-300 islands and are for the most part uninhabited. It was the scene of the shooting of the movie Hell in the Pacific starring Lee Marvin and Toshiro Mifune. These three items in this lot were collected by Lee at that time. 1) 35″ x 14″ stick and shell depiction of the islands and their corresponding water currents. 2) 10″ long shell scoop or brush. 3) 3″ x 2-1/2″ basketry container having a shell fish hook with line. SIZE: As noted. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Generally good. 9-99500, 9-99513 (200-400)

LARGE WORLD-CLASS FISHING REEL BY FIN-NOR. This reel used on Lee Marvin’s boat “Blue Hawaii”. This reel marked with label, “PAM MARVIN”. Serial number 9 A 45. SIZE: 2-3/4″ inside of spool. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Appears to be complete. Shows some use with light scratches. 9-99506 (500-800)

LARGE WORLD-CLASS FISHING REEL BY FIN-NOR. This reel used on Lee Marvin’s boat “Blue Hawaii”. This reel marked with label, “PAM MARVIN”. Serial number 9 A 15. SIZE: Inner spool size 2-3/4″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Appears to be complete. Shows some use with light scratches. 9-99503 (400-600)

FIVE PIECE LEE MARVIN LOT. All related to fishing. 1) 12″ high sailfish trophy inscribed on plaque “Ultra Lt. Tackle Sailfish Nazatlan 1963”. Bottom with an old tape label “Lee Marvin”. 2) 12-1/4″ unmarked fish trophy. 3) 8″ high unmarked fish trophy. 4) 9″ x 11-1/2″ award plaque to Lee Marvin for catching a black marlin dated 2-64. 5) 16-1/4″ polished marlin bill fid. SIZE: As noted. PROVENANCE: Lee Marvin Estate from Pamela Marvin. CONDITION: Trophies show some finish and minor losses. 9-99472, 9-99489, 9-99508 (300-500)

FIN-NOR BRASS REEL USED ON LEE MARVIN’S YACHT, “BLUE HAWAII”. Serial number 6 320, inscribed “BLUE HAWAII YACHT, KONA”. SIZE: 2″ inner spool width. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Shows use with scratches. Appears to be complete. 9-99504 (250-400)

LEE MARVIN’S CUSTOM MADE 130# CLASS ROD WITH FIN-NOR REEL. The one-piece, handcrafted rod having a detachable curved metal butt section. The rod is made by “ERSKINE E. FITCH, CUSTOM TACKLE MAKER, CAIRNS”. Custom inscribed “FOR LEE MARVIN”. Having a serial number 253/2-74. The curved butt section being a requirement of Lee’s. The reel having a serial number 12 657 and believed to be 130 class. The reel appears to be complete. Custom inscribed “BLUE HAWAII, KONA”. Blue Hawaii was the yacht owned by Lee Marvin. SIZE: Rod (w/o butt)74″, butt section 27″, 101″ overall. Reel (inside spool width) 4″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Rod very good. Reel appears to be complete, shows some use with light scratches, otherwise very good. The butt section in very good condition but appearing not to attach to rod section. 9-99509, 99502 (1,000-1,500)

LEE MARVIN’S CUSTOM MADE 130# CLASS ROD WITH FIN-NOR REEL. The one-piece, handcrafted rod having a detachable curved metal butt section. The rod is made by “ERSKINE E. FITCH, CUSTOM TACKLE MAKER, CAIRNS”. Custom inscribed “FOR LEE MARVIN”. Having a serial number 254/2-74. The curved butt section being a requirement of Lee’s. The reel having a serial number 12 671 and being of 130 class. The reel appears to be complete. The reel inscribed “NGERENGCHOL KOROR” (fishing yacht). SIZE: Rod (w/o butt)74″, butt section 27″, 101″ overall. Reel (inside spool width) 4″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Rod very good. Reel appears to be complete, shows some use with light scratches, otherwise very good. The butt section in very good condition but appearing not to attach to rod section. 9-99515 (1,000-1,500)

LOT OF FOUR RODS AND TWO REELS USED BY LEE MARVIN. Lot includes 1) an 81″ two-piece rod with Fin-Nor brass reel, inscribed “BLUE HAWAII YACHT, KONA”.Serial number 4A 100. 2) a 66″ long bait casting rod and reel by HEDDON “PAL”. 3) a 95″ two-piece fly rod marked “SILO-FLEX MAGNUM PT-200”. 4) An 85″ one-piece rod marked “SILO-FLEX MAGNUM MODEL PT 60”. SIZE: As note. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: All show use, one guide detached from PT 60 and butt section of trolling rod loose. 9-99505, 99514 (250-400)

LEE MARVIN’S PRESENTATION BLACK MARLIN BILL TROPHY. The base plaque fitted to the bottom of the bill is inscribed, “BLACK MARLIN CAUGHT BY LEE MARVIN WT. 1060, LENGTH 14 FT. 2 IN. SHORT 11 FT. 8 IN, GIRTH 6 FT. 4 IN. ST. CRISPIN’S REEF AUSTRALIA NOVEMBER 4, 1973.” SIZE: 35-1/2″ x 10-1/2″. PROVENANCE: The Estate of Lee Marvin through Pamela Marvin. CONDITION: Plaque is loose. Generally good. 9-99461 (300-500)