WALDO PEIRCE (American, 1884-1970) “THE STARFISH”.

Oil on canvas Housed in a period gold rustic Cove frame with linen liner (with losses) Initialed & dated lower left “WP 1848″ Identified on canvas on verso with title & artist signature. Also two Midtown Gallery exhibition labels & Hobe Sound Galleries North SIZE: 25″ x 30”. Overall: 31″ x 36″ PROVENANCE: Directly from the artist descending through the family CONDITION: Very good 9-93192 (6,000-9,000) – Lot 1000

WALDO PEIRCE (American, 1884-1970) “COAST GUARD AT THE “SILVER SLIPPER”, KEY WEST”.

Oil on canvas Unframed Signed lower left “WP ’65” Also signed, dated & titled on verso of canvas Also “Collection Ellen Peirce” SIZE: 30″ x 36″ PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93460 (4,000-6,000) – Lot 1001

WALDO PEIRCE (American, 1884-1970) “DON ERNESTO CON UNA BONITA” KEY WEST ’27.

Signed with initials and dated ’66 bottom right also inscribed “To Karen 1 April 66” Signed, inscribed, titled and dedicated on verso Unframed A longtime friend of Ernest Hemingway, of whom he painted the cover picture for Time magazine in 1937, Peirce was once called “the Ernest Hemingway of American painters.” To which he replied, “They’ll never call Ernest Hemingway the Waldo Peirce of American writers” Of his death, Time wrote: “Waldo Peirce, 85, American Impressionist painter, a bewhiskered giant of a man noted as much for his exuberant lifestyle as for his bold, spontaneous art…Peirce lived with all the verse and gusto of his lifelong friend and traveling companion Ernest Hemingway. SIZE: 24″ x 20” PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93107 (2,000-4,000) – Lot 1002

WALDO PEIRCE (American, 1884 – 1970) COVER FOR BOOK “UNSER KENT” BY WALDO PEIRCE.

Watercolor Unframed but hinge mounted with mat Signed in pencil along side “Rockwell Kent by Waldo Peirce” and titled at bottom Back of mat, in pencil with title (Rockwell Kent) and signed, also with “W-294” in a circle NOTE: This is an original watercolor for the book cover that Waldo Peirce wrote titled “Unser Kent”. The family copy of this book is being sold as the following lot SIZE: 12-3/4″ x 11-1/4″. PROVENANCE: Directly from artist, descending through the family. CONDITION: Very good with some toning 9-93457 (800-1,200) – Lot 1002a

WALDO PEIRCE (American, 1884 – 1970) ORIGINAL ILLUSTRATED COPY OF THE BOOK “UNSER KENT” (FAMILY COPY).

Watercolor pages and printed pages Signed on the first page and inscribed “For Eliena & her Max Merry Xmas 1933 from WP” Please Note: This book has 30 full page watercolors annotated with Waldo Peirce’s writings and poetry. The book, rare in itself, contains the pencil signed Rockwell Kent print of Waldo Peirce. The book was privately printed in 1930 SIZE: 13″ x 10″ PROVENANCE: Directly from artist, descending through the family CONDITION: Cover has extensive wear, front watercolor that affixed to cover is missing 9-93456 (4,000-6,000) – Lot 1003

ROCKWELL KENT (American, 1882-1971) “GOD SPEED”.

Wood engraving Unframed but hinge mounted with mat Pencil signed lower right “Rockwell Kent” On mat, in pencil is written “Rockwell Kent Go Speed Original Wood Engraving Ed: 150 Proofs Block Destroyed 1932″ in what appears to be the artist’s hand Cat. Rais. 84, Burne-Jones SIZE: 5-1/4″ x 6-3/4” PROVENANCE: Descending through the family of Waldo Peirce. CONDITION: Very good 9-93459 (800-1,200) – Lot 1003a

ROCKWELL KENT (American, 1882-1971) “COMMUNING WITH NATURE”.

Lithograph Unframed but hinge mounted with mat Pencil signed lower right “Rockwell Kent” and titled in pencil on verso Also in pencil on front of mat read “Rockwell Kent – Communing with Nature Original Lithograph” in what appears to be the artist’s hand Cat Rais: 106, Burne-Jones SIZE: Image: 8-1/2″ x 13-1/2″. Overall: 11-1/4″ x 16″. PROVENANCE: Descending through the family of Waldo Peirce. CONDITION: Very good 9-93458 (800-1,200) – Lot 1003b

WALDO PEIRCE (American, 1884 – 1970) TRIPTYCH – HEMINGWAY AMONG THE SHARKS.

Watercolor on paper Housed in free mount with mat Unsigned but all in Waldo Peirce’s handwriting and his artwork Please Note: The three pages, which are separate works on their own, have a story and illustrated watercolor with each. It starts with a title “Hemingway Among the Sharks” dated May 10, 1928 and describes Waldo’s adventure with Ernesto Hemingway, Bill Smith and himself. The text is an ongoing conversation during this hunt and capture SIZE: 19-1/2″ x 14-1/4″ each Mat: 26″ x 20″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Fragile, time toned, losses at corners, edges and one with quarter size hole 9-93114 (4,000-6,000) – Lot 1004

WALDO PEIRCE (American 1884-1970) THE GEORGE E KLINK AT WHARF.

Oil on canvas Housed in contemporary wood and gilt frame with linen line Initialed and dated lower right SIZE: 29-1/2″ x 39″ Overall: 44″ x 35-1/2″ CONDITION: Very good 9-93113 (2,000-4,000) – Lot 1005

WALDO PEIRCE (American, 1884-1970) “S.S. CHRISTOFOR COLUMBO ’56”.

Oil on canvas Unframed Initialed lower right and dated “’56” also signed, titled, dated and inscribed “for Karen” on verso of canvas SIZE: 18″ x 24″ PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93197 (1,500-2,500) – Lot 1006

WALDO PEIRCE (American, 1884 – 1970) COUNTY FAIR HORSE RACING.

Watercolor on paper, mounted to cardboard Unframed, matted Unsigned but titled and dated in Waldo’s hand SIZE: 16-3/4″ x 21-3/4″ Outside of mat: 20″ x 26″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Time toned, missing small section bottom right 9-93112 (1,500-2,500) – Lot 1007

WALDO PEIRCE (American, 1884-1970) CIRCUS PERFORMERS.

Oil on canvas Unframed Unsigned, inscribed on verso of canvas “For Karen 1970″ SIZE: 16″ 20” PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93193 (1,000-2,000) – Lot 1008

WALDO PEIRCE (American, 1884-1970) “GOOSE POOL”.

Oil on canvas signed with initials and inscribed lower left Unframed Note: Inscribed on reverse “Goose Pool 23 Sept 69″ and signed by the artist SIZE: 20″ x 24” PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93198 (1,500-2,500) – Lot 1009

WALDO PEIRCE (American, 1884-1970) “LITTLE GOOSE GIRL”.

Oil on canvas Unframed Signed with initials lower right and dated ’67 Inscribed on canvas verso with signature, title and “Searsport ’67” SIZE: 22″ x 30″ PROVENANCE: Directly from the artist descending through the family CONDITION: Very good 9-93108 (1,000-2,000) – Lot 1010

WALDO PEIRCE (American 1884 – 1970) “IL FAUT CULTIVER NOTRE JARDIN”.

Oil on canvas Unframed Unsigned; inscribed on verso of canvas “Johnnie’s 5th birthday 2 Sept 1951” with title and inscription “for Ellen” SIZE: 16″ x 12″ PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93196 (1,000-2,000) – Lot 1011

WALDO PEIRCE (American, 1884 – 1970) THE FLY FISHERMAN.

Watercolor on paper Unframed, mounted in hinged mat Signed lower left “W Pierce” SIZE: Actual: 15″ x 11″ Outside mat: 20″ x 18-1/2″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 9-93111 (800-1,200) – Lot 1012

WALDO PEIRCE (American, 1884 – 1970) INTERIOR NUDE.

Oil on canvas Unframed Initial lower left and inscribed “For Ellen” SIZE: 12″ x 9″ PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 9-93110 (800-1,200) – Lot 1013

WALDO PEIRCE (American, 1884-1970) “WASHING HAIR”.

Oil on canvas Unframed Signed with initials and dated “’68” bottom right, also signed, titled and dated on verso of canvas PROVENANCE: Directly from the artist, descending through the family CONDITION: Very good 9-93109 (800-1,200) – Lot 1014

WALDO PEIRCE (American, 1884-1970) STILL LIFE OF FLOWERS.

Oil on canvas Inscribed on front and dated Signed on verso of canvas and dated 6 May 54 and inscribed “For Ellen” Unframed SIZE: 14″ x 18″ PROVENANCE: Directly from the artist descending through the family. CONDITION: Very good 9-93194 (1,000-2,000) – Lot 1015

WALDO PEIRCE (American, 1884-1970) COPENHAGEN FISH MARKET.

Oil on canvas Housed in a simple wood edge frame Signed on verso of canvas with inscription, title “Copenhagen” and dated “26 April 56” Inscribed on front “For Ellen ’56” SIZE: 14″ x 18″. Overall: 14-1/2″ x 18-3/4″ PROVENANCE: Directly from the artist descending through the family CONDITION: Very good 9-93195 (1,000-2,000) – Lot 1016

PERCY A. SANBORN (American, 1849 – 1929) CAT ON A VICTORIAN CHAIR.

Oil on canvas Housed in its original gilt frame with velvet and gilt liner Signed lower left “Sanborn” SIZE: 20″ x 16″ Overall: 27″ x 22-3/4″ PROVENANCE: From a fine Castine, Maine home. CONDITION: Very good 9-94364 (3,000-5,000) – Lot 1017

HENRY H. STRATER (American, 1896 – 1987) ISLAND LILIES.

Oil on canvas Housed in an original painted molded wood frame with linen lining On verso is Museum of Art of Ogunquit loan label, also title and date of “1966” on verso Signed bottom right “Strater” and dated lower left “1966” SIZE: Sight: 60″ x 40″ Overall: 68″ x 48″ CONDITION: Very good 9-94214 (4,000-6,000) – Lot 1018

STEPHEN MORGAN ETNIER (American, 1903-1984) “TIDE MILL COVE”.

Oil on canvas Housed in its original weathered wood frame with wide linen & gilt liner Signed lower left “Stephen Etnier 65” Titled, signed & dated on verso. Also labeled “The Milch Galleries, American Art” on stretcher SIZE: 16″ x 36″. Overall: 25-1/4″ x 45-1/4″ CONDITION: Minor inpainting, very good. 9-93535 (5,000-7,000) – Lot 1019

XANTHUS RUSSELL SMITH (American, 1839 – 1929) “LOOKING OFF BAILEY ISLAND, MAINE”.

Oil on canvas Housed in a fine decorated gilt wood modern frame Signed lower right “Xanthus Smith 1905″, also titled and signed on verso of canvas Painting depicts view near Xanthus Smith’s house SIZE: 18″ x 14″ Overall: 25-1/2″ x 21-1/2” PROVENANCE: Pook & Pook, 10/23/09, Lot 91 CONDITION: Very good 9-94262 (3,000-5,000) – Lot 1020

XANTHUS RUSSELL SMITH (American, 1839-1929) ROCK LEDGES, MAINE.

Oil on canvas Housed in a fine modern decorated gilt frame On verso of lining is signature copied from the original canvas “Painted by Xanthus Smith” Painting depicts view near Xanthus Smith’s house SIZE: 16″ x 22-3/4″. Overall: 23-1/2″ x 30″ PROVENANCE: Pook & Pook, 10/23/09, Lot 89 CONDITION: Lined, very good 9-94261 (3,000-5,000) – Lot 1021

WILLIAM R. DAVIS (American, 1952 – ) “VIEW TOWARDS PORCUPINES ISLAND, MT. DESERT, ME”.

Oil on wood panel Housed in a fine modern gilt wood frame Signed lower left “W Davis”, also signed, dated, titled and indicating it is a plein air painting from Oct 2012 SIZE: 8″ x 10″ Overall: 13″ x 15″ CONDITION: Very good to excellent 9-94254 (2,000-2,500) – Lot 1022

WILLIAM R. DAVIS (American, 1952 – ) “MORNING AT CADILLAC MOUNTAIN, ACADIA NATIONAL PARK”.

Oil on Masonite Housed in a modern gilt ribbed frame Signed lower left “W Davis”, also signed, titled, and stated “Plein air Oct 2012″ on verso SIZE: 9″ x 12″ Overall: 14″ x 17” CONDITION: Very good to excellent 9-94253 (2,250-3,250) – Lot 1023

WILLIAM R. DAVIS (American, 1952 – ) “MT. DESERT – VIEWPOINT NEAR SANDY BEACH”.

Oil on Masonite Housed in a modern gilt ribbed frame Signed bottom right “W Davis”, also signed, titled and stated “Plein air Oct 2012″ SIZE: 10″ x 8″ Overall: 15″ x 13” CONDITION: Very good to excellent 9-94251 (2,000-2,500) – Lot 1024

WILLIAM R. DAVIS (American, 1952 – ) “AUTUMN TRAIL”.

Oil on Masonite Housed in an antique style modern gilt frame Signed lower left “W Davis”, also signed, titled and stated “Plein air Oct 2012″ SIZE: 9″ x 7″ Overall: 13″ x 11” CONDITION: Very good to excellent 9-94252 (1,750-2,250) – Lot 1025

ALFRED RUSSEL FULLER (American, 1899 – 1980) “HERRING BOATS MONHEGAN, MAINE”.

Oil on canvas Housed in its original distressed wood frame Signed lower left “Alfred Fuller”, also signed and titled on verso of stretcher SIZE: 12″ x 16″ Overall: 15″ x 19″ CONDITION: Very good 9-94053 (1,500-2,500) – Lot 1026

JAY HALL CONNAWAY (American, 1893-1970) THE APPROACHING STORM.

Oil on canvas Housed in a period carved and gilt frame Signed lower right “Connaway” SIZE: 26″ x 36″ Overall: 35-1/2″ x 45-1/2″ CONDITION: Top stretcher line, lined, very good 9-94429 (8,000-12,000) – Lot 1027

CHARLES HERBERT WOODBURY (American, 1864-1940) “SUMAC, OGUNQUIT-1920”.

Oil on canvas Signed lower left Charles H. Woodbury Housed in a fine carved gilt modern frame with wide carved gilt liner On verso is an exhibit label from the Lynne Museum & Historical Society, 2006 Titled on stretcher SIZE: 17″ x 21″. Overall: 25″ x 29″ CONDITION: Very good 9-94124 (4,000-6,000) – Lot 1028

CHARLES HERBERT WOODBURY (American, 1864-1940) SUMMER LANDSCAPE WITH VIEW.

Oil on canvas Housed in a modern gilt molded wood frame Signed lower left “Chas H Woodbury June 25 ’11” SIZE: 20″ x 27″. Overall: 25-3/4″ x 32-3/4″ CONDITION: Very good 9-92099 (2,500-4,000) – Lot 1029

CHARLES HERBERT WOODBURY (American, 1864 – 1940) OGUNQUIT COAST.

Oil on canvas Housed in a fine modern gilt frame by Guido Frame Studio Unsigned SIZE: 20″ x 27″ Overall: 25-3/4″ x 32-3/4″ CONDITION: Lined, inpainting, very good 9-94125 (5,000-7,000) – Lot 1030

CHARLES HERBERT WOODBURY (American, 1864-1940) “THE CHAPERONE”.

Watercolor & pencil Housed in a fine reproduction gilt frame with linen & gilt liner, behind glass Unsigned Vose Gallery labels to verso, one indicating this is 1 of 40 watercolors discovered in the Spring of 1981 in the attic of the artist’s son in Ogunquit, Maine SIZE: 12-1/2″ x 22″. Overall: 22-1/4″ x 32″ CONDITION: Very good 9-92100 (1,500-2,500) – Lot 1031

LINDA ZEHLER (American, 20th Century) “WISCASSET BEFORE FOOTBRIDGE TO ISLAND ON HILL AT HOUSE ON CORNER”.

Oil on wood panel Housed in a gilt mid-20th Century frame Signed lower left “Linda J. Zehler” Titled on back of board SIZE: 22″ x 27″. Overall: 26-1/2″ x 31-1/2″ PROVENANCE: Commissioned by consignors mother, descended through family CONDITION: Very good 9-94264 (400-800) – Lot 1032

VIVIAN MILNER AKERS (American, 1886 – 1966) MAINE AUTUMN LANDSCAPE.

Oil on canvas Housed in its original gilt molded wood frame Signed lower right with initials “VA” and dated “1924” SIZE: 14″ x 17″ Overall: 18-1/2″ x 21-1/2″ CONDITION: Craquelure, otherwise very good 9-93581 (1,000-2,000) – Lot 1033

MARGUERITE THOMPSON ZORACH (American, 1887-1968) WATERFALL WITH TREES.

Oil on canvasboard Housed in a period gilt decorated frame with line & gold liner with minor gilt loss Signed lower left “Marguerite Zorach” SIZE: 24″ x 20″. Overall: 29-1/2″ x 25-1/2″ PROVENANCE: From a Portland, Maine Collection CONDITION: Very good 9-93576 (10,000-15,000) – Lot 1034

MARGUERITE THOMPSON ZORACH (American, 1887 – 1968) NUDE STUDY.

Graphite on paper Housed in a simple black frame with white mat Signed lower right “Marguerite Zorach” SIZE: Sight: 19-1/2″ x 14″ Overall: 27-1/4″ x 21-1/4″ CONDITION: Very good 9-93577 (2,000-4,000) – Lot 1035

ROBERT COLBURN (American, 20th/21st Century) “GRINDLE POINT LIGHT, ISLESBORO”.

Acrylic on panel Housed in a modern gilt wood frame Signed lower right “Colburn” SIZE: 30″ x 40″. Overall: 33-1/2″ x 43-1/2″ CONDITION: Very good to excellent 9-93442 (1,000-2,000) – Lot 1036

ROBERT COLBURN (American, 20th/21st Century) “MONHEGAN LIGHT”.

Acrylic on masonite Housed in a modern gilt rope edge frame Signed lower right “Colburn” SIZE: 30″ x 40″. Overall: 35″ x 45″ CONDITION: Very good to excellent 9-93441 (1,000-2,000) – Lot 1037

TOM HENNESSEY (American, 20th – 21st century) “OFF SEASON – 1970”.

Oil on canvas Housed in a oak molded wood frame Signed lower right “Tom Hennessey” SIZE: 34″ X 28″ Overall: 38-3/4″ X 32-3/4″ PROVENANCE: From a fine Castine, Maine home CONDITION: Very good 9-94365 (500-1,000) – Lot 1038

HANK (HENRY) A. WALKER (American, 1919 – 1995) TWO WORKS: WINDJAMMERS CAMDEN, MAINE AND TENANTS HARBOR, MAINE.

Pen and ink with watercolor and pen and ink Housed in white painted distressed wood frames with glass and white mats Both signed on mat and titled, first signed in watercolor “Hank Walker 76″ SIZE: Sight: 11-1/4″ x 7″ and 9-1/2″ x 13-1/2″ Overall: 19″ x 15″ and 18″ x 22” CONDITION: Very good 9-93451 (700-900) – Lot 1039

HANK (HENRY) A. WALKER (American, 1919-1995) TWO WORKS: WINDJAMMER WEST CAMDEN, MAINE AND ROCKPORT HARBOR IN WINTER.

Pen and ink and watercolor and pen and ink Housed in similar white painted frames with white mats Signed on mat and bottom right on watercolor “Hank Walker”, the other signed bottom right “Hank Walker 79″ SIZE: Sight: 10-1/4″ x 8″ and 10-1/4″ x 13-1/4″ Overall: 18″ x 16″ and 18″ x 22” CONDITION: Very good 9-93450 (700-900) – Lot 1040

MARY PREBLE (American, 20th Century) SPRING AND FALL (STILL LIFE).

Watercolor and ink Housed in a natural wood frame with white mat behind glass Signed lower right “Mary Preble” NOTE: On Jan. 11-12 1975 a retrospective memorial exhibit of paintings and drawings of the late Mary Preble of Augusta occurred. She was one of the earliest exhibiting artists and longtime member of the Executive Committee of the Maine Art Gallery. She was a graduate of Boston University and received her M.F.A. degree from Iowa State University. A copy of a Maine newspaper article is attached to the reverse with this information. SIZE: Sight: 16-1/2″ x 29-1/2″ Overall: 23-1/4″ x 36″ CONDITION: Very good 9-94448 (1,000-2,000) – Lot 1041

CARL SPRINCHORN (American, 1887-1971) STILL LIFE OF FLOWERS.

Two sided watercolor Housed in a modern gilt frame with mat behind glass Signed lower left “Carl Sprinchorn” SIZE: Sight: 17″ x 23″; Actual: 18″ x 24″; Overall: 28″ x 33-3/4″ CONDITION: Light toning from a previous frame, good 9-94263 (1,500-2,500) – Lot 1042

Revised: 8/11/2014

Artist is NOT James Herbert Fitzgerald (1910-1973). Artist should be Scott Fitzgerald (American, 20th century).

SCOTT FITZGERALD (American, 1910 – 1973) TO EVERY THING THERE IS A SEASON.

Bronze and wood sculpture Signed on reverse “FG 63″ SIZE: 11-1/4″ x 24-1/2” CONDITION: Very good 9-93949 (800-1,200) – Lot 1043

ANDREW NEWELL WYETH (American, 1917-2009) COVER ILLUSTRATION FOR BEN AMES WILLIAMS’S BOOK “FRATERNITY VILLAGE”.

Print on cardstock Housed in a pine carved wood frame behind glass Signed in the print lower left Also titled below image “Painting by Andrew Wyeth for Ben Ames Williams’ New Book “Fraternity Village”” (“Fraternity Village” has been cut off the matte) On verso of cardstock was fitted with attached cardboard easel stand (missing) which was presumably to be used to promote the book in a bookstore NOTE: It is our understanding that this is the only known print of a Wyeth painting that does not fall under the Estates rights of reproduction thus a very rare find SIZE: Overall print: 14-3/4″ x 20-3/4″. Overall: 20-1/2″ x 26-1/4″ PROVENANCE: This work was purchased at an Estate sale on the central Maine coast. The consignor brought it to Andrew Wyeth and Wyeth recognized the work but was not aware that it had actually ever been produced. He told the consignor that it was probably one of a kind and he was extremely lucky to have acquired it. CONDITION: There are adhesive stains to border and into print, some wrinkling and light scuffs. Bottom margin has been trimmed 9-93930 (4,000-8,000) – Lot 1044

WALDO PEIRCE (American 1884-1970) IVY IN FANCY GYPSY COSTUME.

Life-size oil on canvas Housed in its original frame, which is as found, damaged Signed lower left “W Pierce” NOTE: A vintage 7″ x 9″ photo of Waldo Pierce’s Paris apartment shows this painting prominently featured on the dining room wall. SIZE: 37-1/2″ x 77″ Overall: 41-3/4″ x 82″ PROVENANCE: Descending through the family of the artist. CONDITION: Surface dirt, otherwise very good 9-94302 (5,000-10,000) – Lot 1045

WALDO PEIRCE (American, 1884-1970) PORTRAIT OF IVY PEIRCE.

Oil on canvas Housed in a gilt carved wood frame with liner (fame as is with damage) Signed lower right “WP 1940″, also signed, titled and dated on verso SIZE: 50″ x 40″ Overall: 58″ x 48” CONDITION: Very dirty, needs tightening on stretcher 9-94304 (3,000-5,000) – Lot 1046

WALDO PEIRCE (American, 1884 – 1970) TWO WOMEN WITH CITY VIEW.

Oil on canvas Unframed and Unstretched Signed lower right “WP 25″ SIZE: 50″ x 35” PROVENANCE: Acquired directly from the artist’s family CONDITION: Painting is rolled with some scratches, in need of stretching and cleaning 9-94303 (3,000-5,000) – Lot 1047

WALDO PEIRCE (American, 1884-1970) TURKISH DRUMMERS.

Oil on canvas Unframed Signed lower right “WP” SIZE: 71″ x 46-1/2″ CONDITION: 7″ tear with losses, other scattered losses across painting and holes, in need of restoration 9-94306 (2,000-4,000) – Lot 1048

WALDO PEIRCE (American, 1884 – 1970) PORTRAIT OF A WOMAN WITH FLOWERS.

Oil on canvas Unframed, Unstretched Unsigned SIZE: 39″ x 32″ PROVENANCE: Acquired directly from the artist’s family CONDITION: Rolled with scratches and small losses. 9-94309 (2,000-4,000) – Lot 1049

WALDO PEIRCE (American, 1884 – 1970) TWO PORTRAITS OF HIS WIFE IVY.

Oil on canvas unframed, unstretched Unsigned One dated “Feb 19/21” The other identified lower left “25” SIZE: 26″ x 21″ & 25″ x 21″ PROVENANCE: Acquired directly from the artist’s family CONDITION: Both rolled with some scrape losses, generally good 9-94307, 9-94310 (1,000-2,000) – Lot 1050

WALDO PEIRCE (American, 1884 – 1970) IVY SLEEPING IN A BOAT.

Oil on canvas Unframed, unstretched Unsigned SIZE: 19-1/2″ x 25″ PROVENANCE: Acquired directly from the artist’s family CONDITION: 1″ hole, scrapes with losses 9-94312 (400-800) – Lot 1051

ATTRIBUTED TO WALDO PEIRCE (American, 1884-1970) PORTRAIT OF A WOMAN AGAINST PARIS LANDSCAPE AND ANOTHER.

Both oil on canvas Both unframed Both unsigned SIZE: 38″ x 29″ 25-1/2″ x 19-3/4″ CONDITION: Craquelure, surface dirt, otherwise very good 9-94317, 9-94318 (500-1,000) – Lot 1052

WALDO PEIRCE (American, 1884 – 1970) SELF PORTRAIT.

Oil on canvas Unframed Unsigned SIZE: 21-3/4″ x 18″ PROVENANCE: Acquired directly from the artist’s family CONDITION: In need of restoration with losses, rips, holes and tears 9-94305 (300-500) – Lot 1053

WALDO PEIRCE (American, 1884 – 1970) TWO PORTRAITS OF MEN.

Oil on canvas Unframed, unstretched One signed lower left “WP 24″ the other unsigned SIZE: 36″ x 23-1/2″ & 24″ x 19-1/2” PROVENANCE: Acquired directly from the artist’s family CONDITION: Both in need of restoration with crease losses, scrapes and sections missing paint. 9-94308, 9-94311 (100-300) – Lot 1054

IVY TROUTMAN (PEIRCE) (American, 20th Century) THREE ISLAND WORKS.

Watercolors Housed in modern frames (as is) Signed lower left “Ivy Troutman” in pencil SIZE: Two 19″ x 15-1/4″ One 15-1/4″ x 19″ Overall: 29″ x 25″ PROVENANCE: Acquired directly from the artist’s family CONDITION: In need of cleaning and re-framing 9-94315 (400-800) – Lot 1055

IVY AND WALDO PEIRCE (American, Mid 20th Century) LARGE LOT OF UNSIGNED AND SIGNED WATERCOLORS, SKETCHES AND OILS.

Six 13″ x 9-1/2″ oil on boards One 13-3/2″ x 10-1/2″ oil on canvas signed “Waldo Peirce” Twelve various pencil sketches 75 watercolors varying between 11-1/2″ to 24″ tall several of them two sided (mostly Ivy’s work) Unframed For the most part unsigned Ivy’s work SIZE: As listed above PROVENANCE: Acquired directly from the artist’s family CONDITION: Generally good, intact 9-94313, 9-94314 (300-500) – Lot 1056

LOT OF IVY TROUTMAN PHOTOGRAPHS ALONG WITH OTHER MISCELLANEOUS PHOTOGRAPHS OF PARIS CULTURE, THE THEATER AND A FEW OF WALDO PEIRCE.

Photographs Unframed Unsigned SIZE: Largest 16″ x 12″ PROVENANCE: Acquired directly from the artist’s family CONDITION: Generally good 9-94316 (300-500) – Lot 1057

ATTRIBUTED TO MARY BLOOD MELLEN (American, 1817 – 1882) “THE ANNISQUAM RIVER LOOKING TOWARDS IPSWICH BAY, 1848″.

Oil on canvas Housed in its original deep walnut frame with gold liner Unsigned having a “M.J. Whipple’s Artist Supply 35 Cornhill, Boston” circa 1850-1868 canvas stamp to verso NOTE: This painting is an exact period copy of Fitz Henry Lane’s (American, 1804-1865) painting of the same title. It is the joint opinion of Sam Holdsworth and John Wilmerding who are collaborating on the catalogue raisonne of Fitz Henry Lane that this painting should be attributed to Mary Blood Mellen and that it is the opinion of Mr. Holdsworth that this is an early work most likely executed with access to the original. We would like to thank Sam Holdsworth and the Cape Ann Museum located in Gloucester Massachusetts for their help in cataloging this item. Mary Blood Mellen was a student of Fitz Henry Lane’s during the 1850’s. She is known to have expertly copied a number of Lane’s works as well as some in collaboration. SIZE: 20″ x 27″. Overall: 26″ x 33″ PROVENANCE: This painting was found recently in a fishing camp that was started in 1911 by Arthur Fred Alden. CONDITION: As found with craquelure, paint loss to center right and right edge, surface dirt in need of restoration 9-28847 (5,000-10,000) – Lot 1058

MAX KUEHNE (American, 1880-1968) “ROCKPORT HARBOR”.

Oil on wood panel Housed in its original Max Kuehne paint decorated wood frame (with loss to paint decoration which has been collected in attached bag) Signed lower left “Kuehne” Signed & titled on verso, also partial typed label with artist & title NOTE: Max Kuehne designed & crafted this frame with incised decoration & silver gilding. A similar process to his friend & protege Charles Prendergast. REFERENCE: Antique American Frames by Eli Wilner, page 159 SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-3/4″ PROVENANCE: A gift from the artist for services rendered & descending through the Allen Family of Rockport, Massachusetts CONDITION: Original surfaces, in need of cleaning. Very good. 9-93286 (5,000-10,000) – Lot 1059

MAX KUEHNE (American, 1880-1968) “VILLAGE STORE”.

Oil on masonite Housed in a Max Kuehne decorated frame with white liner having a title & artist plaque Signed lower right “Kuehne” R.H. Love Galleries Chicago on verso Note: For frame reference, page 159 in Antique American Frames by Eli Wilner SIZE: 18″ x 23″. Overall: 26″ x 30″ CONDITION: Very good 9-94111 (3,000-5,000) – Lot 1060

EMILE ALBERT GRUPPE (American, 1896-1978) MORNING SMITH COVE GLOUCESTER.

Oil on canvas Housed in a modern gilt wood frame with linen liner Signed lower right “Emile A Gruppe” Title on verso of stretcher SIZE: 25″ x 30″ Overall: 33″ x 38″ CONDITION: Very good 9-94113 (10,000-15,000) – Lot 1061

EMILE ALBERT GRUPPE (American, 1896-1978) “ON FISH”.

Oil on canvas Housed in period rustic wood frame Signed lower right Title on stretcher SIZE: 30″ x 36″ Overall: 38″ x 44″ CONDITION: Very good 7-70403 (9,000-12,000) – Lot 1062

EMILE ALBERT GRUPPE (American, 1896-1978) FISHING SCHOONERS AT DOCK.

Oil on canvas Housed in a fine modern gilt frame Signed lower right “Emile A Gruppe” SIZE: 30″ x 25″ Overall: 36-1/2″ x 31-1/2″ CONDITION: Very good 9-94110 (9,000-12,000) – Lot 1063

ANTHONY THIEME (American, 1888 – 1954) ROCKPORT .

Oil on canvas Housed in a fine carved and gilt modern frame Rockport Art Association Exhibit label on verso Signed lower right “A Thieme” SIZE: 25″ x 30″ Overall: 30-1/4″ x 35-1/4″ CONDITION: Light craquelure, some inpainting, very good 9-94106 (12,500-17,500) – Lot 1064

ANTHONY THIEME (American, 1888 – 1954) “MORNING LIGHT GLOUCESTER”.

Oil on canvas Housed in a fine carved and gilt modern frame Signed lower left “A Thieme” and titled on verso of stretcher SIZE: 25″ x 30″ Overall: 34-1/2″ x 40″ CONDITION: Restored, with inpainting 9-94451 (4,000-8,000) – Lot 1065

ALDRO THOMPSON HIBBARD (American, 1886 – 1972) NORTHERN COUNTRY.

Oil on board Housed in a good gray painted frame with gilt, linen and white liners Signed lower right “AT Hibbard” Title on verso of board SIZE: 17-3/4″ x 23-3/4″ Overall: 25-1/2″ x 31-1/2″ CONDITION: Very good 9-94109 (7,000-10,000) – Lot 1066

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT RIVER IN WINTER.

Oil on canvas Housed in a gilt modern frame with linen liner Signed lower right “AT Hibbard” Also Estate stamped on verso SIZE: 28″ x 36″ Overall: 32-3/4″ x 40-1/2″ CONDITION: Very good, surface dirt 9-94112 (9,000-12,000) – Lot 1067

ALDRO THOMPSON HIBBARD (American, 1886 – 1972) “VINEYARD SOUND-1915”.

Oil on board Housed in a fine carved and gilt modern frame Signed lower left “AT Hibbard ’15” Partial Hayden Studio Belmont Mass label on verso with title & artist name Probably a view from Martha’s Vineyard from the perspective of East Falmouth where Hibbard lived before later moving to Rockport SIZE: 8″ X 9-3/4″ Overall: 14-1/4″ x 15-3/4″ CONDITION: Very good 9-93589 (5,000-7,000) – Lot 1068

WILLIAM LESTER STEVENS (American, 1888 – 1969) TOWERING TREES (ASHFIELD TOWN HALL) .

Oil on canvas Housed in a good carved and gilt modern frame with title and artist plaque Signed lower right “W. Lester Stevens N.A.” On verso is a Rockport Art Exhibit label, 2003 Retrospective Ref. Illustrated in a color full page, pg 33, of W. Lester Stevens, N.A. Rockport Art Association by Judith Curtis SIZE: 36″ x 30″ Overall: 43-1/2″ x 37-1/4″ CONDITION: Very good 9-94094 (12,000-14,000) – Lot 1069

WILLIAM LESTER STEVENS (American, 1888-1969) ROCKPORT HARBOR – MOTIF #1.

Oil on canvas Housed in a fine carved gilt frame with wide gilt liner, having artist plaque Signed lower right “W Lester Stevens” SIZE: 25″ x 30″ Overall: 34″ x 39-1/4″ CONDITION: Craquelure, stretcher line, minor touch up, very good 9-94096 (6,500-8,000) – Lot 1070

WILLIAM LESTER STEVENS (American, 1888-1969) “OCEAN POINT, MAINE”.

Oil on canvas Housed in a fine ribbed gilt modern frame with gilt and carved liner Signed lower right “W. Lester Stevens N.A.” SIZE: 25″ x 30″. Overall: 33-1/2″ x 38-1/4″. CONDITION: Very good, minor touch-up 9-29496 (4,000-8,000) – Lot 1071

WILLIAM LESTER STEVENS (American, 1888-1969) FALL LANDSCAPE WITH CORN SHOCKS, WAGON & COWS.

Oil on canvas Housed in a molded wood frame with canvas, gilt & white wood liner Signed lower left “W Lester Stevens N.A.” NOTE: We believe this to be the Whately Road/ Cricket Hill area of Conway, MA where the artist lived Accompanied by an exhibition flyer for the Gallery Amherst Stevens Show SIZE: 24″ x 36″. Overall: 29-3/4″ x 41-3/4″. PROVENANCE: Purchased directly from artist in the 1960’s from his Conway, MA house/studio; Descended thru family. CONDITION: Very good 9-93486 (2,500-3,500) – Lot 1072

EMILE ALBERT GRUPPE (American, 1896 – 1978) RED BARN IN AUTUMN.

Oil on canvas Housed in its original carved and gilt wood frame Signed lower right “Emile A Gruppe” SIZE: 18″ X 20″. Overall: 21-1/2″ x 23-1/2″ CONDITION: Very good 7-70700 (7,000-9,000) – Lot 1073

EMILE ALBERT GRUPPE (American, 1896-1978) “NEW HAMPSHIRE-WINTER”.

Oil on canvas Housed in a contemporary gilt wood frame Signed lower left “Emile A. Gruppe” Identified on period “Schwartz Galleries, New York” label on verso SIZE: Sight: 17-1/2″ x 19-1/2″ Overall: 21-1/2″ x 23-1/4″ CONDITION: Very good, reinforced signature 9-94107 (4,000-6,000) – Lot 1074

EMILE ALBERT GRUPPE (American, 1896-1978) “FISHING BOATS AT DUSK”.

Oil on canvas Housed in a fine modern gilt frame with gilt liner Signed lower right “Emile A Gruppe”, additionally signed and titled verso by the artist SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 9-94211 (5,000-8,000) – Lot 1075

EMILE ALBERT GRUPPE (American, 1896-1978) “SWORDFISHERMAN”.

Oil on canvas Housed in a wide modern gilt wood frame Signed lower right “Emile A. Gruppe” SIZE: 24″ x 20″. Overall: 33-1/2″ x 29-1/2″. CONDITION: Very good. 9-29586 (4,000-6,000) – Lot 1076

EMILE ALBERT GRUPPE (American, 1896 – 1978) “CLAM DIGGER”.

Oil on canvas Housed in a modern gilt frame Signed lower right “Emile A Gruppe” SIZE: 24″ x 20″ Overall: 28-1/2″ x 24″ CONDITION: Very good 7-70772 (3,000-5,000) – Lot 1077

ANTHONY THIEME (American, 1888-1954) “LASHWIND”.

Oil on canvas board Housed in a contemporary carved gilt frame Signed lower right “A Thieme” Titled on verso SIZE: 12″ X 16″ Overall: 18-1/4″ X 22-1/4″ CONDITION: Very good 9-94108 (7,000-9,000) – Lot 1078

ANTHONY THIEME (American, 1888-1954) “STILL WATER”.

Oil on board Housed in its fine & original double-style frame with glass front and carved and gilt frame Signed lower right “A Thieme” SIZE: 8″ x 10″ Overall: 14-1/2″ x 16-1/2″ CONDITION: Very good 9-94258 (3,000-5,000) – Lot 1079

ANTHONY THIEME (American, 1888 – 1954) “VENICE”.

Oil on board Housed in an antique gilt frame Signed lower right “A Thieme”, also stamped with artist stamp and titled in pencil on verso SIZE: 15-1/2″ x 11-1/2″ Overall: 19″ x 15″ CONDITION: very good 9-93227 (3,000-5,000) – Lot 1080

CHARLES PAUL GRUPPE (American, 1860 – 1940) MAN WITH CART IN SUNSET LANDSCAPE.

Oil on wood panel Housed in a gilt gesso decorated frame Signed lower left “CP Gruppe” SIZE: 10-1/2″ x 7″ Overall: 17-1/2″ x 14″ CONDITION: Craquelure along wood grain lines, otherwise very good 7-70735 (1,200-1,800) – Lot 1081

TOM NICHOLAS (American, 1934 – ) WINTER SUNLIGHT, VT.

Oil on board Housed in a carved gilt wood frame with losses and having an artist label on reverse Signed lower left “Tom Nicholas NA” SIZE: 8-1/2″ x 11-1/2″ Overall: 15-3/4″ x 18-3/4″ CONDITION: Minor touch up, very good 9-94135 (3,000-4,000) – Lot 1082

KENNETH J. (KEN) KNOWLES (American, 1968 – ) JEFFERSONVILLE VERMONT.

Oil on Masonite Housed in a gilt modern wood frame Signed lower left “Ken Knowles”, titled on verso SIZE: 24″ X 30″ Overall: 31-1/2″ X 37-1/4″ CONDITION: Very good to excellent 9-94150 (2,000-3,000) – Lot 1083

MICHAEL GRAVES (American, 1952 – ) WINTER LANDSCAPE WITH HOUSES AND MOUNTAINS.

Oil on canvas Housed in a gold carved wood frame Signed lower right “Mike Graves” SIZE: 16″ x 20″ Overall: 22″ x 26″ CONDITION: Very good 9-94137 (800-1,200) – Lot 1084

MICHAEL GRAVES (America, 1952 – ) STREAM IN WINTER.

Oil on canvas Housed in a silver gilt carved modern frame Signed lower left “Mike Graves” SIZE: 16″ x 20″ Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good to excellent 9-94138 (800-1,200) – Lot 1085

KENNETH J. (KEN) KNOWLES (American, 1968 – ) WINTER MARSHES, HOG ISLAND.

Oil on Masonite Housed in a carved wood gilt frame Signed lower right “K Knowles”, titled on verso SIZE: 16″ x 20″ Overall: 24″ x 28″ CONDITION: Very good to excellent 9-94149 (1,200-1,500) – Lot 1086

KENNETH J. (KEN) KNOWLES (American, 1968 – ) “LAST LIGHT ON HARBOR SLOOP, GLOUCESTER, MA”.

Oil on Masonite Housed in a gilt wood frame with gilt liner Signed lower right “Ken Knowles”, titled on verso SIZE: 24″ x 30″ Overall: 30″ x 36″ CONDITION: Very good 9-94043 (4,000-6,000) – Lot 1087

BOB BLUE (American, 1924-2008) “SUMMER DAY – GLOUCESTER”.

Oil on canvas Housed in a gilt wood frame with linen liner Signed “Bob Blue”, lower right Note: Bob Blue lived in Rockport, MA and was a friend of Emile Gruppe and worked alongside him for many years SIZE: 20″ x 24″. Overall: 26-1/4″ x 30-1/4″ CONDITION: Very good 9-29779 (1,000-2,000) – Lot 1088

BOB BLUE (American, 1924-2008) “FALL BIRCHES”.

Oil on canvas Housed in a carved wood gilt frame Signed bottom right “Bob Blue” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/2″. CONDITION: Very good. 9-29780 (1,000-2,000) – Lot 1089

ROBERT CHARLES GRUPPE (American, 1944-) GLOUCESTER HARBOR VIEW.

Oil on canvas Housed in a contemporary gilt wood frame Signed lower right “Robert C Gruppe” Discussed on numerous gallery publications on verso SIZE: 24-1/2″ x 36″. Overall: 30″ x 43″ CONDITION: Very good to excellent 9-93206 (2,000-3,000) – Lot 1090

PAUL STRISIK (American, 1918-1998) “COOKS COVE”.

Watercolor on paper Housed in a contemporary silver and gold frame with double mat Signed lower left “P Strisik” Identified on fragmentary Paul Strisik Gallery label on verso SIZE: Sight: 11″ x 17″ Overall: 18″ x 24″ CONDITION: Good, time toning. 9-94072 (1,200-1,800) – Lot 1091

T. M. NICHOLAS (American, 1963 – ) ESSEX MORNING.

Oil on board Housed in a good carved gilt frame Signed lower left “TM Nicholas” SIZE: Sight: 7-1/2″ x 7-1/2″ Overall: 14-3/4″ x 14-3/4″ CONDITION: Very good 9-94136 (2,000-3,000) – Lot 1092

WAYNE BEAM MORRELL (American, 1923 – 2013) HILLS OF HAVERHILL FROM IPSWICH, MA.

Oil on Masonite Housed in a modern gilt frame with linen liner Signed lower left “Wayne Morrell” SIZE: 18″ x 24″ Overall: 25″ x 31″ CONDITION: Very good 9-94142 (2,000-2,500) – Lot 1093

WAYNE BEAM MORRELL (American, 1923 – 2013) #33 APPROACHING STORM 1984.

Oil on canvas board Housed in a contemporary gilt wood frame with linen liner Signed lower left “Wayne Morrell” and identified on verso SIZE: 12″ X 16″ Overall: 19-1/4″ X 23-1/4″ CONDITION: Very good 9-94141 (800-1,200) – Lot 1094

WAYNE BEAM MORRELL (American, 1923 – 2013) “NOVEMBER MARSHES 1986”.

Oil on masonite Housed in a contemporary gilt wood frame with linen liner Signed lower right “Wayne Morrell” SIZE: 12″ X 16″ Overall: 19-1/4″ X 23″ CONDITION: Very good. 9-94140 (800-1,200) – Lot 1095

KEN GORE (American, 1911 – 1990) “AUTUMN AT THE MARSH”.

Oil on canvas laid to board Housed in its original weathered white washed wood frame with linen liner and gilt edge Signed lower right “Ken Gore” SIZE: 20″ x 24″ Overall: 28-1/2″ x 32-1/2″ CONDITION: Very good 9-94145 (1,000-1,500) – Lot 1096

BERNARD COREY (American, 1916-2000) “LATE SPRING”.

Oil on canvas board Housed in a signed “Goodnow” gilt and carved wood frame Estate stamped “Bernard Corey” lower left Identified on numerous labels and estate stamp on verso SIZE: 10″ X 15-1/2″ Overall: 16-3/4″ X 22-1/4″ CONDITION: Very good, with minor retouch 9-94143 (1,000-1,500) – Lot 1097

BERNARD COREY (American 1916-2000) “WINTER MARSH”.

Oil on canvas affixed to wood panel Housed in a contemporary carved gilt wood frame Estate stamped lower left “Bernard Corey” Identified on labels and Estate stamps on verso SIZE: 10″ X 14″ Overall: 15″ X 19″ CONDITION: Very good 9-94152 (1,000-1,500) – Lot 1098

BERNARD COREY (American, 1914 – 2000) BRIDGE IN COUNTRY LANDSCAPE.

Oil on wood panel Housed in a gilt modern frame Signed with artist stamp, also having several Estate stamps and labels to verso SIZE: 10″ x 14″ Overall: 14-3/4″ x 18-3/4″ CONDITION: Very good 9-94151 (1,000-1,500) – Lot 1099

GIFFORD BEAL (American, 1879-1956) WALK THROUGH THE PARK.

Watercolor Housed in a modern gilt wood frame with multiple mats Signed lower right “G Beal” SIZE: 9-3/4″ x 7-3/4″ Overall: 17-1/2″ x 15-1/2″ CONDITION: Very good 7-70761 (500-700) – Lot 1100

JONATHAN HOTZ (American, 20/21st Century) BOSTON GARDEN.

Oil on canvas Housed in a carved gilt wood frame with small finish loss Signed lower right “Hotz” SIZE: 14″ x 20″ Overall: 22-1/4″ x 28-1/4″ CONDITION: Very good 9-94144 (1,000-1,500) – Lot 1101

CHARLES PETER DEMETROPOULOS (American, 1912-1976) FROG POND, BOSTON COMMON.

Watercolor on paper Housed in a mahogany frame with white matte and glass Signed lower left “Charles Demetropoulos” SIZE: 20-1/2″ x 27″. Overall: 29-1/2″ x 35-1/2″. CONDITION: Very good. 9-29785 (800-1,200) – Lot 1102

CHARLES PETER DEMETROPOULOS (American, 1912-1976) VICTORIAN HOME.

Watercolor on paper Housed in a gilt modern frame with white matte Unsigned, dated lower right June 16, 1953 and numbered 72 SIZE: Sight: 20″ x 28-1/2″. Overall: 29-3/4″ x 37-1/2″. CONDITION: Very good, not examined out of frame. 9-29786 (800-1,200) – Lot 1103

BRUCE BACKMAN TURNER (American 1941 – ) “GOOD HARBOR REFLECTIONS”.

Oil on Masonite Housed in a contemporary gold wood frame with linen liner Signed lower left “Bruce Turner” and titled, signed and dated “85” on verso SIZE: 9″ X 12″ Overall: 14″ X 17″ CONDITION: Very good 9-94139 (400-600) – Lot 1104

FREDERICK W. SMITH (American, 1885 – ) TUCKER’S LANDING, MARBLEHEAD, MASSACHUSETTS.

Oil on board Housed in a painted wood frame Signed lower left with initials “FWS” SIZE: Sight: 12″ x 18″ Overall: 16-3/4″ x 22-3/4″ CONDITION: Surface dirt, otherwise very good 9-93215 (600-800) – Lot 1105

FREDERICK W. SMITH (1885 – ) “BOSTON LIGHT- LITTLE BREWSTER ISLAND”.

Oil on board Housed in a painted wood frame Signed lower left “F.W. Smith” SIZE: Sight: 12″ x 18″. Overall: 17″ x 23″ CONDITION: Very good 9-93216 (600-800) – Lot 1106

UNSIGNED (American School 19th Century) NORTH SHORE SURF FISHERMAN.

Watercolor on paper Housed in a contemporary maple veneered wood frame Unsigned SIZE: Sight: 10″ X 13″ Overall: 18″ X 21″ CONDITION: Good, time toning and stain to left margin. Not examined out of frame. 9-94127 (750-1,250) – Lot 1107

BERNARD COREY (American, 1916-2000) “UXBRIDE(sic)MA. 1988”.

Oil on canvas affixed to board Housed in a contemporary carved gilt wood frame Signed lower right “Bernard Corey” Identified on period tag on verso SIZE: 10 X 14″ Overall: 15″ X 19″ CONDITION: Very good 9-94146 (800-1,200) – Lot 1108

BERNARD COREY (American, 1916-2000) MOUNTAIN VIEW.

Oil on canvas mounted to wood panel Housed in a modern gilt frame Artist stamped bottom right and having several Estate stamps and labels to verso SIZE: 10″ x 16″ Overall: 15″ x 21″ CONDITION: Very good 9-94153 (800-1,200) – Lot 1109

CHARLES EDWIN LEWIS GREEN (American, 1844 – 1915) SAUGUS MARSH HAYSTACKS.

Oil on canvas Housed in a fine gesso decorated gilt frame Signed lower right “CEL Green” SIZE: Sight: 9-1/2″ x 13″ Overall: 17″ x 21″ CONDITION: Very good 9-94128 (4,000-6,000) – Lot 1110

RALPH EUGENE CAHOON JR. (American, 1910 – 1982) “SUSANNAH & THE ELDERS”.

Oil on board Housed in a modern gilt octagon frame Signed lower right “R Cahoon”, also having a Cahoon Museum of American Art exhibition label SIZE: 24″ x 24″ Overall: 28-3/4″ x 28-3/4″ CONDITION: Very good 9-93979 (10,000-15,000) – Lot 1111

RALPH EUGENE CAHOON JR. (American, 1910 – 1982) “SEASIDE SPARRING”.

Oil on board Housed in decorative partial gilt frame Signed lower right “R Cahoon” SIZE: 16″ x 20″ Overall: 19-1/4″ x 23-1/4″ CONDITION: Very good 9-93977 (8,000-12,000) – Lot 1112

RALPH EUGENE CAHOON JR. (American, 1910 – 1982) “KARATE-DO”.

Oil on board Housed in a modern gilt frame Signed lower right “R Cahoon” SIZE: 14″ x 17-3/4″ Overall: 18″ x 22″ CONDITION: Very good 9-93978 (6,000-9,000) – Lot 1113

DORIS LEE (American, 1905-1983) PRIMITIVE ISLAND LANDSCAPE.

Gouache Housed in its original molded wood frame having a “Heydenryk NY” frame label Signed lower right “Doris Lee” Lee is best known for her unique style which combines American Scene Realism and Modernism. This combination is no doubt due to her Midwestern upbringing as well as her studies with Ernest Lawson at the Kansas City Art Institute, and with Cubist Andre L’Hote in Paris. Lee, with artist husband Arnold Blanch, moved to Woodstock, New York in 1931 and became an important figure in the workings of that important art colony. Her work is included in numerous public collections, including the Whitney Museum, the Metropolitan Museum and the Pennsylvania Academy of Art among others. SIZE: Sight: 9-1/2″x 12-1/4″. Overall: 14″ x 17″ CONDITION: Very good 7-74754 (800-1,200) – Lot 1114

BEN FOSTER (American, 1852-1926 ) “SUMMER SAILING”.

Oil on canvas Housed in a fine carved wood frame with gilt carved liner having gilt title & artist plaque (some finish loss) Signed lower left “Ben Foster” Two labels on verso, “The Crane Collection, Boston, MA” and “Jim’s Antiques, Lambertville, N.J.” Ben Foster, best known for his Connecticut Tonalist scenes, was born in North Anson, Maine. He first trained at the Art Students League, studying privately with Abbott Thayer, and then traveled on to Paris, with fellow artists Leonard Ochtman and Charles Warren Eaton. His mature painting style, contemplative scenes in a muted palette, also references his time and study in Barbizon. Foster’s paintings can be seen in the Metropolitan Museum of Art, the National Gallery of Art and the Musee d’Orsay. SIZE: 24″ x 30″. Overall: 32-3/4″ x 38-3/4″ PROVENANCE: From a fine private Long Island, NY collection. CONDITION: Lined, inpainting, very good 9-93347 (3,000-5,000) – Lot 1115

BEN (BENJAMIN) FOSTER (American, 1852 – 1926) SHORELINE WITH DISTANCE HILL TOPS (POSSIBLY THE CONNECTICUT COAST).

Oil on canvas Housed in a modern gilt frame with gilt liner Signed lower right “Ben Foster” SIZE: 36″ x 41″ Overall: 44″ x 49″ CONDITION: Lined, with some restoration 9-93513 (3,500-5,000) – Lot 1116

ERIC SLOANE (American, 1905-1985) “SUMMER, CORNWALL BRIDGE, CONN”.

Oil on masonite Housed in its original white washed rustic wood frame Signed lower left “Summer-Sloane” Also signed & titled on verso along with an Abercrombie & Fitch Co. New York label SIZE: 24″ x 36″. Overall: 28-1/2″ x 40-1/2″ CONDITION: Very good 9-94250 (15,000-25,000) – Lot 1117

JOHN WILLIAM BENTLEY (American, 1880-1951) WINTER LANDSCAPE WITH SUNLIT STREAM.

Oil on canvas Housed in a fine carved & gilt wide frame Signed lower right “John W Bentley” SIZE: 25″ x 30″. Overall: 33-3/4″ x 38-3/4″ CONDITION: Very good 9-91692 (4,000-8,000) – Lot 1118

LEON FOSTER JONES (American, 1871-1940) LATE AUTUMN, NEW HAMPSHIRE, POSSIBLY THE BANKS OF THE SUNCOOK RIVER.

Oil on canvas Housed in a magnificent fancy gilt period frame with gilt liners Signed lower right “Leon Foster Jones 1912″ SIZE: 26″ x 25″ Overall: 37″ x 36” CONDITION: Very good 9-94026 (10,000-15,000) – Lot 1119

WILLIAM HENRY HILLIARD (American, 1836-1905) FRACONIA NOTCH, NEW HAMPSHIRE.

Oil on canvas Housed in a replacement carved gilt & ebony frame having original gilt liner with artist plaque Signed lower left “W H Hilliard” SIZE: 30″ x 24″. Overall: 37-1/2″ x 31-1/2″. PROVENANCE: From a private Maine collection CONDITION: Lined, restretched on new stretcher, small area of craquelure lower left, some inpainting, very good. 9-93554 (4,000-6,000) – Lot 1120

SAMUEL LANCASTER GERRY (American, 1813 – 1891) MT WASHINGTON NEW HAMPSHIRE.

Oil on board Housed in its original gesso decorated gilt frame Signed lower right SIZE: 9″ x 14-1/2″. Overall: 16″ x 21-1/2″ CONDITION: Very Good, some spot touch up 9-93579 (3,000-5,000) – Lot 1121

BENJAMIN CHAMPNEY (American, 1817 – 1907) “OLD MILL, CONWAY, MOUNT WASHINGTON”.

Oil on canvas Housed in its original fancy gilt gesso decorated frame, missing one decorative section Signed lower right “B Champney”, also titled on stretcher SIZE: Sight: 10″ x 14″ Overall: 18-3/4″ x 23″ CONDITION: Surface dirt, otherwise very good 9-94401 (2,500-3,500) – Lot 1122

BENJAMIN CHAMPNEY (American, 1817-1907) ROSES.

Oil on canvas Housed in a fabulous carved, flower decorated gilt frame signed by “Phillips Yates Maker” Signed lower left “B Champney” and having a 5th Annual Exhibition Poland Spring Gallery label to verso SIZE: 24″ x 16″ Overall: 28-1/4″ x 20-1/2″ CONDITION: Lined, very good 9-94216 (6,000-8,000) – Lot 1123

GIDEON ELDEN BRADBURY (American, 1833 – 1904) “VIEW ON LAKE WINNIPESAUKEE- NEAR RED HILL”.

Oil on canvas Housed in its original gesso decorated gold frame Titled, signed and dated 1883 in artist’s hand on verso of canvas SIZE: 8″ x 13-1/2″. Overall: 12-3/4″ x 18″ CONDITION: Light craquelure, surface dirt, some inpainting, otherwise very good 9-93582 (1,000-2,000) – Lot 1124

RUSSELL CHENEY (American, 1881-1945) “NEIGHBORS, NEWCASTLE, NH”.

Oil on wood panel Housed in a period rusticated wood frame Signed lower left “Russell Cheney” Titled in pencil on verso SIZE: 15″ X 18″ Overall: 18″ X 20-3/4″ CONDITION: Good, with light scuffs 9-93955 (1,500-2,500) – Lot 1125

RUSSELL CHENEY (AMERICAN, 1881-1945) STILL LIFE OVERLOOKING THE BAY.

Oil on Masonite Housed in a natural wood molded frame Signed bottom right “Russell Cheney 42″ SIZE: 24″ x 39-1/2″ Overall: 27″ x 43” CONDITION: Surface dirt, there is a vertical line to the right of the statue that may or may not be part of the composition, otherwise very good 9-93958 (1,000-2,000) – Lot 1126

RUSSELL CHENEY (American, 1881-1945) TWO WORKS: KITTENS IN ARTS AND CRAFTS INTERIOR & STILL LIFE WITH PEONIES.

Both oil on canvas Both housed in period natural wood frames First is signed lower right “Russell Cheney” and still life is unsigned SIZE: First: 21-1/4″ X 25-1/2″ Overall: 25″ X 28″ Second: 30″ X 20″ Overall: 32-1/4″ X 22-3/4″ CONDITION: First is very good and second has minor losses, good 9-93957 (1,000-2,000) – Lot 1127

RUSSELL CHENEY (American, 1881-1945) TWO WORKS: SEASHELLS AND SUCCULENTS & NATURE STILL LIFE WITH IRIS.

1) Oil on canvas 2) Oil on Masonite Both housed in natural wood frames 1) Signed lower right “R. Cheney” 2) Unsigned SIZE: 1)21-1/2″ X 26-1/2″ Overall: 24-1/4″ X 29″ 2) 26″ X 21″ Overall: 28-1/2″ X 23-1/2″ CONDITION: 1) Good, minor puncture lower center; 2) Very good 9-93956 (1,000-2,000) – Lot 1128

RUSSELL CHENEY (American, 1881-1945) TWO WORKS: STILL LIFE WITH CITY VIEW BEYOND & STILL LIFE WITH IRIS AND GERANIUM.

Both oil on Masonite Both framed in natural wood frame Both unsigned SIZE: 1) 20″ x 26″ Overall: 23″ x 28-1/2″ 2) 26″ x 21″ Overall: 28″ x 23-1/4″ CONDITION: Very good 9-93959 (1,000-2,000) – Lot 1129

UNSIGNED (American 19th century) FISHERMAN’S GEAR AND TROUT WITH LANDSCAPE.

Oil on canvas Housed in a period deep walnut frame with gold liner SIZE: 20″ x 27″. Overall: 24-1/2″ x 31-1/2″ CONDITION: Two old patches to reverse with corresponding inpainting, otherwise very good 9-93530 (2,000-3,000) – Lot 1130

_ WATSON (American/British, Late 19th Century) RECENT CATCH.

Oil on canvas Housed in a fine modern gilt decorated frame Signed on verso of canvas and dated “1883” SIZE: 22″ x 27″. Overall: 27-3/4″ x 32-3/4″. CONDITION: Three patches to reverse with corresponding inpainting & restoration, craquelure 9-93469 (1,000-1,500) – Lot 1131

FRED DAVIS (American, 19th-20th Century) BROOK TROUT.

Oil on academy board Housed in antique gilt frame Signed lower left “Fred Davis” SIZE: 24-1/2″ x 14″ Overall: 26-1/4″ x 15-1/2″ CONDITION: Very good 9-93477 (600-800) – Lot 1132

NELSON A. MOORE (American, 1824-1902) TWO WORKS: “STUDY IN PLANTSWELLS STREAM, PEARL POND” & “LAKE GEORGE”.

Oil on canvas and oil on board Canvas housed in a fine gilt modern frame; the other unframed Signed lower right “NA Moore” and lower left “NA Moore”, both titled on reverse SIZE: 15″ x 22″ Overall: 19-1/2″ x 26-1/2″ & 9-3/4″ x 12-3/4″ PROVENANCE: Descended through family of the artist. CONDITION: Minor touch up, craquelure, very good / loss to corner and scrapes 9-93454 (800-1,200) – Lot 1133

UNSIGNED (American Hudson River School, Mid-19th Century) OVERLOOKING COWS IN LANDSCAPE TOWARDS WINDING RIVER.

Oil on canvas Housed in its original gilt period frame Unsigned SIZE: 23″ x 32″ Overall: 25-1/2″ x 34-1/4″ PROVENANCE: From an Estate on the Hudson River to our consignor CONDITION: One patch to reverse, surface dirt, some inpainting, good 9-94169 (2,500-4,500) – Lot 1134

VICTOR DE GRAILLY (American/French, 1804-1889) MOUNT VERNON.

Oil on canvas Housed in its original gesso decorated frame having a “Cary & Kenny Newark, NJ” framing label Unsigned SIZE: 20″ x 24″. Overall: 24″ x 28″ CONDITION: Very good, 3 patches on verso, inpainting 7-74892 (3,000-5,000) – Lot 1135

LILLIE LIPMAN (American, late 19th Century) VIEW FARM, JULIUSTOWN, N.J.

Oil on academy board Housed in a leaf decorated antique frame Signed lower right “Lillie Lipman 1886” Also inscribed on verso “?____ View Farm, Juliustown, N.J. Painted by Lillie Lipman Oct. 1886″ SIZE: 8-1/4″ x 18-1/2″ Overall: 10″ x 20” CONDITION: Inpainting, repair to vertical crack in board 7-70663 (1,500-2,500) – Lot 1136

GEORGE WASHINGTON NICHOLSON (American, 1832 – 1912) A FAMILY FARM.

Oil on canvas Housed in an antique gesso decorated gilt frame Signed lower right “GW Nicholson” SIZE: 30″ x 40″ Overall: 40″ x 50″ CONDITION: Lined, restored with inpainting, good 9-94099 (4,000-6,000) – Lot 1137

ALEXANDER HELWIG WYANT (American, 1836 – 1892) PANORAMIC VIEW OF VALLEY WITH MILL.

Oval oil on wood panel Housed in its original gilt molded wood frame with cut-out gilt wood mat with glass having artist plaque Signed lower right in water “AH Wyant” SIZE: 7″ x 8-1/2″ Overall: 12″ x 13-1/2″ PROVENANCE: From a private New York collection CONDITION: Very good 9-93188 (1,500-2,500) – Lot 1138

SAMUEL S. CARR (American, 1837-1908) “SUMMER IN THE COUNTRY”.

Oil on canvas Housed in a fabulous modern antique-style gilt frame Signed lower right “SS Carr” SIZE: 30″ x 46″ Overall: 37-1/2″ x 53-1/2″ CONDITION: Lined on new stretcher, some inpainting, very good 9-94098 (10,000-14,000) – Lot 1139

WILLIAM TROST RICHARDS (American, 1833-1905) ADIRONDACKS LAKE-1869.

Oil on canvas Housed in a fine replacement gilt & ebony wood frame with title & artist plaque Signed lower left “W T Richards 69″ SIZE: 13-1/4″ x 24-1/4”. Overall: 19″ x 30″ PROVENANCE: From a fine private Long Island, NY collection. Doyle NY auction and appraisal. CONDITION: Lined, some inpainting, light craquelure, very good 9-93350 (10,000-20,000) – Lot 1140

Revised: 8/18/2014

Painting has been relined.

CORNELIUS DAVID KRIEGHOFF (Canadian, 1812 – 1872) DEPARTING THE FAMILY.

Oil on canvas Housed in a fine partial gilt fancy frame with linen liner Signed lower left “C Krieghoff” SIZE: 12″ x 16″ Overall: 18-3/4″ x 22-1/2″ PROVENANCE: Prominent Toronto, Ontario collector who purchased in the 1960’s; descended through the family. CONDITION: Very good 9-94492 (30,000-50,000) – Lot 1141

CORNELIUS DAVID KRIEGHOFF (Canadian, 1812 – 1872) “ST. LAWRENCE FROM QUEBEC XMAS 1847”.

Oil on canvas Housed in a period gilt frame having artist plaque Signed lower left above boat “C Krieghoff” SIZE: 8-3/4″ x 13-1/2″ Overall: 17-1/4″ x 12-1/2″ PROVENANCE: Prominent Toronto, Ontario collector who purchased in the 1960’s; descended through the family. CONDITION: Lined, very good 9-94491 (15,000-25,000) – Lot 1142

ATTRIBUTED TO LAWREN STEWART HARRIS (Canada, 1885-1970) TREES ABOVE LAKE SUPERIOR.

Oil on canvas Housed in a natural carved wood frame Signed lower left “Lawren Harris 22″ SIZE: 19″ x 26″. Overall: 24″ x 31”. CONDITION: Craquelure, surface grime with discolored varnish. Otherwise very good. 9-93550 (5,000-10,000) – Lot 1143

JOHANN BERTHELSEN (American, 1883-1972) THE LITTLE CHURCH AROUND THE CORNER, NYC.

Oil on canvasboard Housed in its original gesso decorated frame Signed lower right “Johann Berthelsen” SIZE: 12″ x 16″ Overall: 17-1/2″ x 21-1/2″ CONDITION: Very good 9-94203 (4,000-6,000) – Lot 1144

PAUL CORNOYER (AMERICAN, 1864-1923) STUDY FOR “RAINY DAY, COLUMBUS CIRCLE”.

Oil on panel Housed in a period ornately carved gilt wood frame with gilt liner Signed lower right “Paul Cornoyer” SIZE: 12″ X 16″ Overall: 19-1/2″ X 23-3/4″ CONDITION: Very good 9-94437 (8,000-12,000) – Lot 1145

WILLIAM GUY WALL (American/ Irish 1792-1864) NEW YORK FROM GOVERNORS ISLAND.

Watercolor on paper mounted to a newer more rigid paper Housed in a veneered antique frame with glass having a “Max Williams, NY” label Unsigned Note: This image was used as the basis for No.20 from “The Hudson River Portfolio” of hand-colored engravings by John Hill circa 1825 SIZE: With margins” 15-1/2″ x 22″. Image: 14-1/4″ x 20-1/2″. Overall: 23-1/2″ x 29″ CONDITION: Examined out of frame laid down with repaired tears at margin and into image. 9-93522 (2,500-4,000) – Lot 1146

ELDRED CLARK JOHNSON (American, 1926) TALL SHIPS IN NEW YORK HARBOR.

Oil on canvas Housed in a modern wood frame Signed lower right “Eldred Clark Johnson” SIZE: Sight: 36″ x 48 Overall: 38″ x 50″ CONDITION: Very good to excellent 9-94488 (2,000-4,000) – Lot 1147

GUY CARLETON WIGGINS (American, 1883-1962) WINTER SKETCH WITH HOUSES.

Oil on canvas Housed in a modern hardwood frame with linen liner Signed lower left “Guy Wiggins” SIZE: 8″ x 9-1/2″ Overall: 15″ x 17″ CONDITION: Unstretched canvas mounted to foam board, left corner crease with loss of paint 9-93563 (400-600) – Lot 1148

CHARLES EPHRAIM BURCHFIELD (American,1893 – 1967) TREE IN WINTER LANDSCAPE, 1915.

Watercolor Housed in a silver gilt wood frame having a “Heydenrych NY” frame label with a linen deep mat behind glass Signed lower right “Chas. Burchfield 1915″ Note: Kennedy Galleries N.Y. label on verso with Artist, title etc. SIZE: Sight: 7″ x 6-1/2”. Overall: 14-3/4″x 14″ CONDITION: Very good, not examined out of frame 7-74751 (3,000-5,000) – Lot 1149

CHARLES EPHRAIM BURCHFIELD (American, 1893 – 1967) STUDY FOR “THE THREE TREES, 1913”.

Pencil on paper Housed in a wood frame with linen mat having a “Heydenrych NY” label Note: Kennedy Galleries NY label on Verso with Artist, title, etc. The finished work “The Three Trees” 36″ x 60″, watercolor is housed in the Salem public library SIZE: Sight: 7″ x 10-1/4″. Overall: 12-1/2″ x 15-3/4″ CONDITION: Age toning to mat edge, otherwise light toning. Not examined out of frame 7-74751-1 (800-1,200) – Lot 1150

Revised: 8/18/2014

We have been notified by Greacen’s great grandson that the woman in the painting is not Theodore Butler’s wife, but it depicts the artist’s wife, Ethol Greacen, and this was painted in front of their Givery house, which was named “Maison en face de la gare” (house that faced the train station). This house was a block from Claude Monet’s home. He also expressed his excitement to see this painting again.

EDMUND WILLIAM GREACEN (American, 1877 – 1949) “IN A GIVERNY GARDEN, 1909”.

Oil on canvas Housed in a fine carved gilt frame with artist and title plaque Signed lower right “Edmund Greacen 09″, also penned label to medial stretcher verso, also Owen Galley New York on verso The painting is a wonderful example of Greacen’s work in Giverny. NOTE: Greacen gave this painting to his good friend and fellow artist Theodore Earl Butler who was Monet’s son-in-law. The woman in the painting is most likely Marthe, Butler’s wife and Monet’s daughter SIZE: 24″ x 28″ Overall: 33-3/4″ x 39” CONDITION: Very good, minor touch up 9-94500 (30,000-50,000) – Lot 1151

JANE PETERSON (American, 1876-1965) “PINK FLAMINGOS”.

Oil on board Housed in a fine gilt & carved wood frame with gilt liner having title & artist plaque Signed lower right “Jane Peterson” SIZE: Sight: 15-1/2″ x 11-1/2″. Overall: 22-3/4″ x 18-3/4″ PROVENANCE: From a fine Long Island, New York Collection CONDITION: Very good with minor spot touch up 9-93354 (6,000-9,000) – Lot 1152

JANE PETERSON (American, 1876 – 1965) EUROPEAN STREET SCENE.

Oil on canvas board Housed in a modern gilt frame with linen and gilt liner Signed bottom right “Jane Peterson”” SIZE: 9″ x 11-3/4″. Overall: 15-3/4″ x 18-3/4″ CONDITION: Very good 9-91830 (4,000-8,000) – Lot 1153

Revised: 8/19/2014

We cannot guarantee the authorship of this painting.

JANE PETERSON (American, 1876-1965) SUNLIGHT AND SHADOWS IN MIDDLE EASTERN SCENE.

Oil on Masonite Housed in a period stained wood frame Signed lower right “Jane Peterson” SIZE: 15-1/2″ X 20″ Overall: 25-1/2″ X 30-1/4″ CONDITION: Very good 9-94434 (6,000-9,000) – Lot 1154

CHARLES COURTNEY CURRAN (American, 1861-1942) “PLAYING WITH MOTHER, 1909”.

Oil on canvas Housed in a fine period deep gesso decorated gilt frame with multiple liners having artist & title plaque (probably original) Signed lower right “Chas. C. Curran, N.A. 1909″ Curran studied at the National Academy of Design and the Art Students League in New York. He also studied (1889-1891) at the Academie Julian in Paris. His Impressionistic style had been greatly influenced by his time in France, both in terms of his subject matter (young woman in lush plein air landscapes) and the bright, broken brushstroke of his palette. Curran first came to Cragsmoor, New York, a well-known art colony in the Hudson River Valley in 1903. He established a studio there, and for the next thirty years divided his time between Cragsmoor and New York City SIZE: 29″ x 24”. Overall: 42-1/2″ x 37-1/2″ PROVENANCE: From a fine private Long Island, NY collection. CONDITION: Lined, inpainting, very good 9-93351 (8,000-12,000) – Lot 1155

ATTRIBUTED TO WILLIAM MERRITT CHASE (American, 1849 – 1916) YOUNG GIRL.

Oil on canvas Housed in a fine fancy leaf and flower decorated gilt frame Unsigned Two labels on reverse, one of Frederick Kappel & Co. and the other type written “Property of Mrs. William Leverett Chase” SIZE: 12-3/4″ x 11″ Overall: 24″ x 22-1/4″ CONDITION: Craquelure, background has consolidated surface, otherwise good 9-94410 (5,000-7,000) – Lot 1156

GEORGE FORSTER (American, 1817-1896) STILL LIFE OF FRUIT AND BIRD’S NEST.

Oil on canvas Housed in a fine period gilt frame Signed with initial monogram lower right and dated “78” SIZE: 8″ x 10″ Overall: 14″ x 16″ CONDITION: Very good 9-94215 (6,000-8,000) – Lot 1157

THOMAS MOTT SHAW (American, 20th Century) ORIENTALIST STILL LIFE .

Oil on canvas Housed in its original black and gold molded wood frame, having a Fogg Museum of Art loan label to reverse Signed lower right “TM Shaw” SIZE: 36″ x 28″ Overall: 41-1/2″ x 33-1/2″ CONDITION: Minor spot inpainting, very good 9-94221 (3,000-5,000) – Lot 1158

THOMAS MOTT SHAW (American, 20th Century) CHINESE ANCESTRAL PORTRAIT .

Oil on Masonite Housed in a silver gilt modern frame Identified on verso of Masonite with artist and address SIZE: 39-1/4″ x 32-1/4″ Overall: 41-3/4″ x 35″ CONDITION: Very good 9-94220 (3,000-5,000) – Lot 1159

ISABEL PARKE BRANSON CARTWRIGHT (American, 1885-1966) “SPRING FLOWERS”.

Oil on canvas Housed in its original gilt wood frame Signed lower left Isabel Branson Cartwright SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Light surface dirt, very good 9-90233 (2,500-4,000) – Lot 1160

HARVEY OTIS YOUNG (American, 1840 – 1901) LANDSCAPE WITH CHILDREN FISHING.

Oil on canvas Housed in its original wide large gilt gesso decorated frame, with artist plaque Signed lower left with initials “HOY” SIZE: 30″ x 48″ Overall: 41″ x 59″ CONDITION: Two small slits in sky, surface dirt, craquelure, otherwise good 9-94030 (3,500-5,500) – Lot 1161

JOHN APPLETON BROWN (American, 1844-1902) “A COUNTRY ROAD”.

Oil on canvas Housed in a gilt wood liner Signed lower right “J. Appleton Brown” Identified on period exhibition label on verso SIZE: 20″ x 27″ Overall: 22″ x 29″ CONDITION: Very good, scattered retouch 7-70775 (3,000-5,000) – Lot 1162

JOHN APPLETON BROWN (American, 1844 – 1902) “LANDSCAPE”.

Pastel Housed in its original flat gilt wide ribbed edged frame with some losses Signed lower left “J Appleton Brown” SIZE: Sight: 16-3/4″ x 20-1/2″ Overall: 27-1/4″ x 31-1/4″ CONDITION: Very good 9-94101 (1,500-2,500) – Lot 1163

UNSIGNED (19th Century) CASCADING RIVER WITH VINE COVERED TREE.

Oil on canvas Housed in a magnificent period deep gesso decorated gilt frame with gilt liner Unsigned SIZE: 27″ x 18″ Overall: 38-1/2″ x 29-3/4″ CONDITION: Very good 9-94037 (3,000-5,000) – Lot 1164

WILLIAM MERRITT POST (American, 1856 – 1935) EARLY FALL LANDSCAPE WITH RIVER AND HOUSE.

Oil on canvas Housed in a fine gesso decorated frame with small corner loss Signed lower right “W Merritt Post” SIZE: 25″ x 30″ Overall: 33″ x 38″ CONDITION: Very good 9-94100 (3,000-5,000) – Lot 1165

WESLEY ELBRIDGE WEBBER (American, 1841 – 1914) ROCKY WATERFALL.

Oil on canvas Housed in a gesso decorated gilt frame Signed lower left “Wesley Webber” SIZE: 30″ x 25″ Overall: 37-1/2″ x 33″ CONDITION: Some inpainting, otherwise very good 9-94102 (3,000-5,000) – Lot 1166

ERNEST FIENE (American, 1894-1965) “VARIATIONS ON A THEME, “THE WRECK” NO IV.”.

Oil on canvas Housed in a wide weathered wood frame with gilt and white painted liner Signed lower right “E. Fiene 48”, Museum of Art of Ogunquit label on reverse, titled, signed, and dated 1948 on verso. Reference: Illustrated on p. 123 of “Complete Guide to Oil Painting” by Ernest Fiene. Note: The artist, in chapter 8 of his book, explains that on a trip to Maine he sketched the wreck of a little fishing boat. “I painted a series of experimental casein sketches, transforming the wreck structure and debris into larger designs, under different conditions and from different angles. From many casein studies, I selected the most significant ones and developed them into a series of paintings.”. This sketch resulted in the finished painting “The Wreck at Turbot’s Creek” and upon completion of the painting realized that the painting could have several different variations using the same theme. This painting is variation #4 and the artist explains that “No longer the victim of a raging storm, the wreck now reveals a rhythmical, undulating movement, as opposed to the abrupt, linear effects of the last version. Notice how the remnants of the old ship are silhouetted against the white breakers of the ocean, an effect that reinforces the sweeping design”. Also noted is that Variation 2 was owned by the Metropolitan Museum of Fine Arts, NY and Variation 3 was owned by Nelson Rockefeller, in the Rockefeller Collection. A copy of the book accompanies the lot. Ernest Fiene was born in Germany and came to the United States in 1912. Well trained, he studied at the National Academy of Design, the Beaux-Arts Institute of Design, the Art Students League and the Academie de la Grand Chaumiere in Paris. The seriousness of his purpose is well illustrated in the iconic Modernist painting. SIZE: 28-1/2″ x 47-1/2″. Overall: 39-1/2″ x 58-1/2″. CONDITION: Very good. 9-29781 (6,000-9,000) – Lot 1167

ALFRED GUNNAR BJAREBY (American, 1899-1967) “UP FOR REPAIRS”.

Oil on canvas Housed in a fine reproduction gilt wide frame with two gilt liners Signed lower left “Gunnar Bjareby 1953” Two exhibition labels on verso “North Shore Arts Exhibition of Gloucester, 1953” and “The Art Center, Ogunquit, Maine” SIZE: 30″ x 36″. Overall” 42-1/2″ x 48-1/2″ CONDITION: Very good 9-91690 (6,000-9,000) – Lot 1168

WILSON HENRY IRVINE (American, 1869-1936) COASTAL INLET WITH BOATS.

Oil on canvas mounted to masonite Housed in a wonderful carved wood and gilt modern frame with wide gilt liner Signed lower left “Irvine ’08” SIZE: 17-3/4″ x 24″. Overall: 26-1/2″ x 32-1/2″ CONDITION: Some inpainting, very good 9-94403 (4,000-6,000) – Lot 1169

JAMES CRAWFORD THOM (American 1835-1898) UNLOADING THE SCHOONER.

Oil on wood panel Housed in a fine period gesso decorated gilt frame with gilt liner Signed lower right “J.C. Thom” James Crawford Thom was born in New York City in 1835. He studied there at the National Academy of Design and later, in Paris, with Camille Corot. While in Paris he also studied with Pierre Edouard Frere. Frere, who specialized in bucolic genre scenes with children and peasants, had a profound influence on Thom who came to exchange scenes of the French countryside with those of the Hudson River Valley. SIZE: 12-1/2″ X 18-1/2″. Overall: 22″ X 28″ CONDITION: Very good, minor spot touch up. 9-93537 (3,000-5,000) – Lot 1170

JAMES CRAWFORD THOM (American, 1835 – 1898) ESCORTING THE SCHOONER TO DOCK.

Oil on board Housed in a wonderful gesso decorated gilt fancy antique frame with gilt liners and artist plaque Unsigned SIZE: Sight: 23-1/2″ x 17-1/2″ Overall: 34-1/2″ x 28-1/2″ CONDITION: Inpainting, very good 9-94257 (1,000-2,000) – Lot 1171

WILLIAM TROST RICHARDS (American, 1833-1905) “NEAR ROCKAWAY BEACH, 1889″.

Watercolor Housed in a fine deep gesso decorated period frame with gold liner and inner linen matte with gold inner liner, behind glass Signed lower right “Wm. T. Richards 1889″ Title and “Wm. T. Richards, 1889″ on verso SIZE: Sight: 16″ x 26-1/4″. Overall: 29″ x 39″ CONDITION: Faint foxing, generally very good. 9-93514 (10,000-15,000) – Lot 1172

JAMES GALE TYLER (American, 1855-1931) ROCKY SHORE AT LOW TIDE.

Oil on canvas Housed in a period ornate gilt wood frame Signed “James G. Tyler” lower left SIZE: 9″ X 18″ Overall: 19-1/2″ X 27-1/2″ CONDITION: Good, wax lined, scattered retouch 9-94093 (3,000-3,500) – Lot 1173

SCHOOL OF GEORGE HENRY DURRIE (American, 1820 – 1863) WINTER FARMYARD.

Oil on canvas Housed in a fine lemon gold antique frame Unsigned SIZE: 18″ x 24″. Overall: 23″ x 28-3/4″ CONDITION: Very good, lined, inpainting mostly to sky, light craquelure 9-93532 (3,500-5,000) – Lot 1174

HAROLD C. DUNBAR (American, 1882-1953) “THE SUGAR HOUSE IN WINTER”.

Oil on canvas Housed in a modern gilt frame with two gilt liners Signed lower right “Harold C Dunbar 1922″ SIZE: 25″ x 37”. Overall: 34″ x 46″ CONDITION: Lined, some inpainting, very good 9-91691 (3,000-6,000) – Lot 1175

HOBART NICHOLS JR (American, 1869-1962) “THE OLD ROAD, WINTER”.

Oil on canvas Housed in a very fine carved & gilt frame of the period which may be by the Newcomb-Macklin Frame Co. Signed lower left “Hobart Nichols” On verso is attached a letter from the artist to the first owner regarding the painting SIZE: 30″ x 26″. Overall: 35-1/2″ x 31-1/2″ CONDITION: Very good 9-94440 (3,000-5,000) – Lot 1176

ALICIA STONEBREAKER (American, 1925 – 1976) SLEDDING LOGS FROM THE WINTER FOREST.

Oil on wood panel Housed in a natural wood frame Signed lower left “Alicia Stonebreaker” SIZE: 23-1/2″ x 35-1/2″ Overall: 28-1/4″ x 40-1/4″ CONDITION: Surface dirt, very good 9-94331 (2,000-3,000) – Lot 1177

WILLIAM E BALDWIN (American, 20th Century) “WINTER HILLSIDE-BROOKS”.

Oil on masonite Housed Signed lower right “Wm Baldwin 1976″ Typed label with artist, title, & date on verso SIZE: 16-1/2″ x 36-1/2″ Overall: 21-1/2″ x 41-1/2” CONDITION: Very good to excellent 9-93256 (1,500-2,500) – Lot 1178

E “BILL” MAXWELL ALBERT (American, 1890-1955) “THE MILL IN WINTER”.

Oil on canvas Housed in a modern carved & gilt frame with some edge losses Signed lower right “E Maxwell Albert 1940″ Titled on verso of stretcher SIZE: 20″ x 24”. Overall: 28-1/4″ x 32-1/4″ CONDITION: Very good with minor spot touch up 9-94131 (1,500-2,500) – Lot 1179

JAMES EMERY GREER (American, 1948 – 1990) WINTER COASTLINE WITH COLONIAL HOMESTEAD.

Oil on canvasboard Housed in a painted old wood frame with linen and gold liner Signed bottom right “James Emery Greer” SIZE: 16″ x 20″ Overall: 22″ x 26″ CONDITION: Very good 9-94148 (800-1,200) – Lot 1179a

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good. 8-87112 (300-400) – Lot 1180

ARCHIVE OF PHOTOGRAPHS, PAPERS, PATENT IDEAS & DOCUMENTS OF JOSEPH B. WALKER ASC.

Joseph B. Walker is best known as a cinematographer who worked on 145 films during a career that spanned thirty-three years and the inventor of television’s RCA Electra-Zoom lens. He held twenty patents on various camera related inventions. He collaborated with Director Frank Capra on 20 films including “It’s a Wonderful Life”, 1946. At Joseph’s wedding to Juanita Pollard, Frank Capra was his best man. This lot includes: 1) Photograph album of 100+ photographs of the 1982 54th Oscar ceremony where Joseph B. Walker won the first issued “Gordon E. Sawyer” aware which recognized exceptional long-term accomplishments by an individual who has made substantial contributions toward the advancement of the science or technology of the motion picture. Photographs include Walker with presenters Lloyd Bridges & Frank Capra as well as a host of other celebrities. 2) Scrap book of 1930’s New York shows, wedding telegrams & New York City photos. 3) Walker’s 1962 passport. 4) Photos by Walker & Associates of Los Angeles, CA. 5) “A Voice With Wings” script by Juanita Walker. 6) 1926 Actor’s Directory & stage manual. 7) 1929 “The Standard”. 8) Several stage plays & short story manuscripts by Howard G. Chase. 9) Eighteen hand drawn & penned invention and patent ideas notarized by the State of California including: 1921 auto light signal; Six 1925 multiplier double exposure; 1924 radio receiving circuit; 1923 carburetor lubricator; 1929 electrical sign; 1929 synchronizing sounds effects; Several camera design, range finder & stereoscopic film system ideas. Also included is his Luftwaffe copy wristwatch. SIZE: Varies. PROVENANCE: This interesting archive was acquired from the Walker home. CONDITION: Generally very good, some photography paper & documents show wear & use. 9-93189 (4,000-6,000) – Lot 1180a

ANSEL EASTON ADAMS (American, 1902-1984) “MOONRISE, HERNANDEZ, NEW MEXICO 1942”.

Gelatin silver print Signed lower right in pencil on the mount Titled & dated on verso of mount in ink with artist’s Carmel Studio stamp Unframed, matted, behind Plexiglas SIZE: Image: 15-1/2″ x 19-1/4″. Mount: 22″ x 28″ CONDITION: Very good with three very small droplet spots and a few tiny smudge marks 9-94510 (25,000-35,000) – Lot 1181

HAROLD HALIDAY COSTAIN (American, 1897-1994) 3 MATTED/MOUNTED COTY GIRLS PHOTOGRAPHS.

Unframed, 2 signed on mount, 1 signed on image. 3 photographs of models for the “Coty Extravaganza”, Coty Perfume advertisements for “Beauty is a Joy Forever”. 2 with artist stamp & titled on verso “La Rose” & “Emeraud”. Titles: “La Rose”; “Emeraude”, SIZE: Image size range from 13-1/4″ x 10-1/2″ to 23-1/4″ x 14-1/4″. CONDITION: Very good with some toning to mounts. 9-93070 (800-1,200) – Lot 1182

HAROLD HALIDAY COSTAIN (American, 1897-1994) 6 MATTED/MOUNTED MISCELLANEOUS PHOTOGRAPHS.

Unframed, 5 mounted & signed, 1 unsigned. 1) Untitled art photo looking skyward past a statue, at a skyscraper. 2) Portrait of Liverpool Hazzard titled “The Last of the Butler Island Slaves, 107 years old, 1937, Darien, GA. 3) “Frost Crystals on a Window Sill, Portland, ME 1920”. 4) “Avery Island Salt Mine”. 5) Untitled Fireworks. 6) Untitled portrait of Mr. Hazzard, 107 years old. 5 with artist stamp on verso. 3 titled on verso. SIZE: Image: 2 are 13-1/4″ x 10-1/2″; 1 is 9-1/4″ x 7-1/2″. CONDITION: Mat on fireworks photo severely damaged, others with minor nicks and wear with toning. Photos very good. 9-93074 (600-800) – Lot 1183

HAROLD HALIDAY COSTAIN (American, 1897-1994) 2 SIGNED/MOUNTED CHLORO-BROMIDE PHOTOGRAPHS OF A FIRE CHIEF.

1) Titled “Fire Chief Chet Dobbs, Scarsdale” for Texaco Gasoline Account 1934 with artist stamp. 2) Close up portrait of Fire Chief Chet Dobbs for Texaco Gasoline Account for Ed Wynn TV show, 1934 with 3 exhibition labels: Cape of Good Hope International 1936; Bruxelles 1935; and Western International Photographic Salon, Bristol, England 1935. Both with artist stamp on verso. SIZE: Image: 13-3/4″ x 10-3/4″ each. CONDITION: Images both very good, 1 with sizable loss to edge of mounting, and mountings with toning. 9-93056 (400-600) – Lot 1184

HAROLD HALIDAY COSTAIN (American, 1897-1994) 11 PHOTOGRAPHS OF AUTOMOBILE AND FASHION.

Unframed/unmounted, unsigned, 6 with artist stamp on verso. 7-1/2″ x 9-1/2″ prints for advertising for fashion and automobile companies. 1 identified as “Hattie Carnegie Costume” and 1 identified for the Ford Auto Show. SIZE: Image: 7-1/2″ x 9-1/2″ & 9-1/2″ x 7-1/2″. CONDITION: Very good. 9-93082 (300-400) – Lot 1185

HAROLD HALIDAY COSTAIN (American, 1897-1994) 10 MATTED/MOUNTED INTERIOR & ARCHITECTURAL PHOTOGRAPHS.

Unframed, 8 signed on mount, 2 unsigned. 1) Harper’s Bazaar 1939 “Lucite Bedroom”. 2) “A. Conger Goodyear Estate”, Westerly, Long Island. 3) Philip Goodwin, Architect, “Penthouse on 5th Avenue”. 4) Town & Country Magazine “Penthouse 5th Avenue”. 5) Town & Country Magazine 1949 “George Washington Never Slept Here”, A. Conger Goodyear Estate. 6) “A. Conger Goodyear Estate”. 7) “Lilly Dache Residence, Madison Avenue” for Town & Country Magazine. 8) Town & Country Magazine 1938 “Dining Room Feature by Raoul Dufy, Artist. 9 & 10) Untitled interiors. All with artist stamp on verso. 8 titled on verso. SIZE: Image: Ranging from 8-3/4″ x 7-1/2″ to 13-1/4″ x 10-1/2”. CONDITION: Photos very good, mats with very minor chips and toning. 9-93063 (2,000-3,000) – Lot 1186

HAROLD HALIDAY COSTAIN (American, 1897-1994) 24 MATTED/MOUNTED & UNMOUNTED PHOTOGRAPHS OF STAIRCASES.

Unframed, 8 artist signed on mat, 16 unsigned, 9 with artist stamps on verso. 7 titled on verso. 1) “Fox Meadow”. 2) “Residence of Mrs. Acqulia Giles, NYC” Town & Country Magazine 1947. 3) “Cheekwood” Harpeth Hills, Nashville, TN 1934. 4) “Dijon France” Town & Country assignment. 5) Chloro-bromide “Architectural Fantasy”, Estate of Ike Harris. 6) Town & Country “Second Floor Apartment, NYC”. 7) “Estate of Mrs. Robert Woodruff, Coca-Cola Tycoon”, Town & Country. Remainder are untitled. SIZE: Image: 11 mounted/matted & 9 unmounted 13-1/4″ x 10-1/2″; 4 unmounted 9-1/2″ x 7-3/4″. CONDITION: Very good, toning to mats. Minor losses and cracks to mats/mounting, with toning. 9-93061 (3,000-4,000) – Lot 1187

HAROLD HALIDAY COSTAIN (American, 1897-1994) 38 MATTED/MOUNTED ARCHITECTURAL PHOTOGRAPHS.

Unframed, 37 signed on mat, 1 unsigned. Mostly featuring Southern mansions and fine homes around the New York area. 38 with artist stamp on verso. 27 titled on verso. SIZE: Image: Most 13-1/4″ x 10-1/2″. CONDITION: 1 mounting badly damaged, some edge & corner losses & toning. 9-93062 (5,000-6,000) – Lot 1188

HAROLD HALIDAY COSTAIN (American, 1897-1994) 28 MATTED/MOUNTED CLASSICAL & COLONIAL INTERIOR PHOTOGRAPHS.

Unframed, 25 signed on mat, 3 unsigned. Showing interior scenes and table settings, some for silver flatware promotion. All with artist stamp on verso. 21 titled on verso: “Location: “Bird & Battle Inn””; “An Early Colonial Interior”; Two of “Belgium Embassy, Long Island, NY”; “Crest of the Wave”; “Old Master”; “The Hunt Breakfast”l; “Harold E. Talbott’s New York Duplex”; “A Conger Goodyear Estate”; “Belgium Embassy Morning Room”; “Richard Rogers Piano!”; “Boxwood House, Atlanta, Georgia”; Town & Country “Mrs Acqualis Giles (Julia Hoyt)”; “Dr. Dam—osche’s Daughters Meeting Spot in atrium Combined Living Quarters”; “Plantation Melrose 1845 Natches Miss”; “Armour Estate Peapack New Jersey”; “Silver “Guddhall” by Reed & Barton”. SIZE: Image: Most 13-3/4″ x 11″ & 11″ x 13-3/4″ & 13-3/4″ x 11″; 1 is 11″ x 14″. CONDITION: Images very good, very minor losses and folds on some mounting, and toning. 9-93060 (4,000-5,000) – Lot 1189

HAROLD HALIDAY COSTAIN (American, 1897-1994) 25 MATTED/MOUNTED EXTERIOR & INTERIOR PHOTOGRAPHS.

Unframed, 22 signed in mat, 3 unsigned. Mostly showing garden views. 22 having artist stamp on verso, 3 without. Most titled on verso: Two of “Res. Agnes Grew”; Two of “Franklin P. Hammond Fox Meadow Estates”; “Rockledge”; “Mrs. James Baird Grand Central Palace”; “Garden Tool House”; “Oak Lawn Mannor”; “Scarsdale 948”; “Bellingrath Gardens”; “Corner Rustic Garden House Terrace”; “Well Garden”; “Pool Blackhole”; “Terrace view looking east over tidal basin and Fowl rivers”; “Patio fountain & pool”; & “Garden Detail bu Stumpp & Walter”. SIZE: Image: Most 13-3/4″ x 11″; 1 is 11″ x 14″. CONDITION: Images are very good, some mountings & mats with corner & edge losses, mats with overall toning. 9-93066 (2,000-2,400) – Lot 1190

HAROLD HALIDAY COSTAIN (American, 1897-1994) FIVE MATTED/MOUNTED “CARBRO COLORED PHOTOGRAPHS”.

All signed on mat & unframed. 1) Titled “Bringing Up Father” on verso, also “Dickie Simon Star in Radio, 1938”. Scene shows child holding birch logs. Multiple artist stamps on reverse. 2) Titled “New Williamsburg Inn 1937″ showing an interior view of a Colonial home. Multiple artist stamps on verso. 3-5) Untitled, architectural interior & exterior photographs. Two with artist stamp on verso. SIZE: Image size range from 12″ x 8-3/4″ to 13-1/4″ x 10-1/2”. CONDITION: Images are very good, mats show time toning and light wear. 9-93086 (2,000-3,000) – Lot 1191

HAROLD HALIDAY COSTAIN (American, 1897-1994) 5 MOUNTED/TITLED PHOTOGRAPHS WITH EXHIBITION STICKERS.

1) Chloro-Bromide titled “The Gargoyle 1934” with 2 exhibition labels: Cape of Good Hope Salon of Photography 1936; and 1935 Bruxelles. 2) Chloro-Bromide titled “The Gargoyle 1934” with 3 exhibition stickers: 1933 Antwerpen, SFZ XI Salon Internacional, and Fotoklub Y.M.C.A. Krakowie, Polska 1933. 3) Chloro-Bromide titled “Roof Design 1932” for Weather Best Stained Shingle Co. with 4 exhibition stickers: Special Invitation, Greenwich Village Photographic Society; 1932 Fiera Di Milano; Pictorial Photographers of America, 1937 NY; and Brunswick Camera Club, Greenwich, CT. 4) 1934 “Gulf of Mexico” with 2 exhibition stickers: Maywood, NJ Camera Club 1935; and Brunswick Camera Club, Greenwich, CT. 5) “Architectural Interior, Colonial” Bedford Hills, NY with 3 exhibition stickers: Maywood NJ Camera Club 1935; Brunswick Camera Club, Greenwich, CT; and Greenwich Photo Society, Greenwich, CT. All signed on mat or mounting and unframed. SIZE: Images: approx 13-3/4″ x 11″. CONDITION: Images very good; 1 with very light scratches. Minor losses and toning to mountings. 9-93059 (1,000-1,200) – Lot 1192

HAROLD HALIDAY COSTAIN (American, 1897-1994) 12 MATTED/MOUNTED EXTERIOR & STILL LIFE PHOTOGRAPHS.

Unframed, all signed on mat, most titled on verso. All with artist stamp on verso. 1) “Architect W. Stanwood Phillips, Scarsdale, NY” with 2 exhibition labels: Brunswick Camera Club, Greenwich, CT; and Maywood, NJ Camera Club 1935. 2) Untitled Colonial Exterior with 2 exhibition labels: Brunswick Camera Club, Greenwich, CT; and Maywood, NJ Camera Club 1935. 3) Untitled Doorway with Trellis with 2 exhibition labels: Brunswick Camera Club, Greenwich, CT; and Maywood, NJ Camera Club 1935. 4) “Colonel Twachtman Estate, Greenwich, CT 1932” with 5 exhibition labels: Brunswick Camera Club, Greenwich, CT; Maywood, NJ Camera Club 1935; Pictorial Photographers of America, NY 1937; Camera Club, Brooklyn Union Gas Club; and Special Invitation Greenwich Photographic Society. 5) Chloro-bromide titled “Riverside Cathedral, NYC” with 2 exhibition stickers: Brunswick Camera Club, Greenwich, CT; Maywood, NJ Camera Club 1935; Special Invitation Greenwich Photographic Society; Award of Merit, Professional Photographers Society of NY; and Trainer & Parsons Gallery 1936. 6) “Hunt Breakfast Table Setting” with exhibition label Camera Club, Brooklyn Union Gas Club. 7) “Symphony in Crystal and Black 1932” advertising photography for Ovingtons, NYC with 3 exhibition labels: Special Invitation Greenwich Photographic Society; Pictorial Photographers of America, NY 1937; and Fiera Di Milano. 8) Chloro-bromide titled “The Singing Tower 1929, Lake Wales, Florida with exhibition label Special Invitation Greenwich Photographic Society. 9) “Country Life Assignment 1935” with exhibition label Special Invitation Greenwich Photographic Society. 10) Chloro-bromide titled “Entrance Detail 1934” ad photo for Weather Best Stain Shingle Co. with 2 exhibition labels: Second Detroit International Salon, Detroit Institute of Art; and Blue Ribbon 1934, First Exhibition of Professional Photography, Rochester, NY. 11) “Advertising Photography for the Connecticut Fieldstone Corporation” with 5 exhibition labels: Brunswick Camera Club, Greenwich, CT; Maywood, NJ Camera Club 1935; Pictorial Photographers of America, NY 1937; Camera Club, Brooklyn Union Gas Club; and Special Invitation Greenwich Photographic Society. 12) “Assignment Town & Country Magazine, Gloria Vanderbilt Home, South Hampton” with exhibition label Special Invitation Greenwich Photographic Society. SIZE: Image: Most 13-1/4″ x 10-1/2″. CONDITION: Images very good, some toning, wear, and losses, and breaks to mounting edges. 9-93055 (3,000-3,500) – Lot 1193

HAROLD HALIDAY COSTAIN (American, 1897-1994) 15 MATTED/MOUNTED PHOTOGRAPHS OF NORMAN ROCKWELL.

Unframed, 2 signed on mat, 13 unsigned. These photos were used as illustrations for “The Ladies Home Journal”, Packard Automobile advertising, and other publications. 11 with artist stamp on verso. 4 unmounted, 2 with artist stamp. 11 titled on verso. Accompanied by exhibition catalogs. SIZE: Image: approx 10″ x 8″. CONDITION: Photos very good, mats/mounts with some edge roughness, losses, & toning. 9-93051 (3,000-4,000) – Lot 1194

HAROLD HALIDAY COSTAIN (American, 1897-1994) A LARGE LOT OF PHOTOGRAPHS OF THE DUKE & DUCHESS OF WINDSOR AND RELATED EPHEMERA.

Large lot of photographs & ephemera from & related to a 1940 magazine shoot for Town & Country of the Duke & Duchess of Windsor and their Nassau Bahamas home “Government House”. “After being contacted…by a number of publications…it would be far better to arrange to give this exclusively to one of the better known journals…the Duchess is very desirous that there should be some color photographs…and in this connection a photographer by the name of Costain was mentioned…” from a letter from the office of the Duchess. Lot consists of 19 signed & mounted photographs with artist stamp & title; 14 versions mounted & unsigned with artist stamp & title; 2 mounted, unstamped & untitled; 18 unmounted photographs, most with artist stamp; together with color transparencies & negatives, 4 copies of the “Town & Country” magazines where these photos appeared, along with correspondence and souvenirs. All are unframed, 33 are titled on verso. SIZE: Mounted image ranges from 8-1/2″ x 8″ to 13-1/4″ x 10-1/2″. Loose range from 9-3/4″ x 8″ to 13-1/4″ x 10-1/2″. CONDITION: All very good, 1 mounting with edge loss, overall toning to mats. 9-93050 (12,000-15,000) – Lot 1195

HAROLD HALIDAY COSTAIN (American, 1897-1994) 6 MATTED/MOUNTED BOTANICAL PHOTOGRAPHS.

Unframed, all signed in mat. 1) Chloro-Bromide print titled “Mother of Pearl Iris, Copyright 1934” having 3 exhibition stickers on verso including Gold Medal Award, Antwerpen; Silver Medal Award 1934 The Victorian Australian; and Acceptance 1936 Cape of Good Hope International. 2) Also Chloro-bromide print, “Glorious Gladiolus” with 4 exhibition stickers, Fiera di Milano, Preston Scientific Society 1934; “Gardens on Parade, Worlds Fair 1940”; and Special Invitation, Greenwich Photographic Society. 3) Chloro-Bromide titled “Oriental Poppy 1936” with exhibition label Pictorial Photographers of America, NY 1937. 4) Chloro-Bromide titled “Mother of Pearl Iris” with 7 exhibition labels: Port Elizabeth 1936; South African Salon 1935; Rhodesia Photographic Society; 44th Toronto Salon of Photography; City Art Gallery, Durban, South Africa 1936; Pretoria Photographic Society 1935; and Maywood, NJ Camera Club. 5) Titled “Dorothy Perkins Roses on a Split Rail Fence 1939” with exhibition label “Gardens on Parade, Worlds Fair, NY 1940”. 6) “Madonna Lilies Cascade”, House & Garden assignment 1939 with exhibition label Gardens on “Parade Worlds Fair 1940”. All with artist’s stamps. SIZE: Image: Approx 13-3/4″ x 11″ each. CONDITION: Images: 5 very good, 1 with some wear. Mountings with minor folds and losses to edge, and toning. 9-93053 (2,500-3,000) – Lot 1196

HAROLD HALIDAY COSTAIN (American, 1897-1994) 4 MATTED/MOUNTED BOTANICAL & GARDEN PHOTOGRAPHS.

Unframed, 1 signed on mat, 3 unsigned. 2 dated 1937 & 1938. 2 photographs showing gardens with tulips and roses. A third having hyacinths, and the fourth a close up of orchids. 3 with artist stamp on verso. All are untitled. SIZE: Image: 3 are 13-1/4″ x 10-1/2″; 1 is 10-1/2″ x 13-1/4″. CONDITION: Photographs in very good condition, all with unfinished mounting. 9-93085 (2,000-2,500) – Lot 1197

HAROLD HALIDAY COSTAIN (American, 1897-1994) 18 MATTED/MOUNTED BOTANICAL & GARDEN PHOTOGRAPHS.

Unframed, 15 signed on mat, 3 unsigned. Mostly photos of specific specimens with identification. 17 with artist stamp on verso. 13 titled on verso: “Lilium Regale”; “Hillardi Planting (Narcissus)”; “Odontoglossom Grande’ (The Baby Orchid)”; “Brasso Lela Cat. Zena (Sewell Orchids, New Rochelle, N.Y.)”; Two of “Magic Lily Blooms in August” one dated 1933; Two of “Grant Lunia Group”; “Pink Red Rose, Paul Scarlett”; “Assignment House Beautiful Gardens of K.P. Morgan, New Cove, N.Y.”; “Red roses in foreground: White house shingle roof in background”; “Baionicum Caucasicum”; “Fall Show Architectural Society Museum Nat. Hist.”; & “The Open Gage”, Estate of Captain Herbert Shark, Scarsdale, N.Y.. SIZE: Image: Most 13-1/4″ x 10-1/2″; 1 is 9-1/2″ x 7-1/2″. CONDITION: Losses to edge and corners, and toning. 9-93067 (1,500-1,800) – Lot 1198

HAROLD HALIDAY COSTAIN (American, 1897-1994) 5 BOTANICAL PHOTOGRAPHS.

Framed. 1 with signed mat & dated 1933, titled “Great Zinnia”. The remainder unsigned & untitled. The second having 3 photographs of lilies arranged vertically. The final 3 similarly framed, 2 with orchids and 1 with irises. Not examined out of frames. SIZE: Lily overall: 37-1/2″ x 14″; Lily images: 9″ x 7″ each; Zinnia overall: 21-1/4″ x 16-3/4″; Zinnia image: 13″ x 10″; Remaining 3 overall: 20-5/8″ x 18-5/8″; Remaining images: 13-1/4″ x 10-1/2″ each. CONDITION: All very good. 9-93088 (600-700) – Lot 1199

HAROLD HALIDAY COSTAIN (American, 1897-1994) 5 MATTED/MOUNTED CARBRO PHOTOGRAPHS OF VEGETABLES.

Unframed, unsigned. 4 showing tomatoes on the vine in various stages of ripeness. 1 showing shelves of pumpkins & apples at a vegetable stand. 1 with artist stamp on verso. None are titled. 2 matted & 1 unmatted. SIZE: Image: 13-1/4″ x 10-1/2″ each. CONDITION: Very good. 9-93084 (2,000-3,000) – Lot 1200

HAROLD HALIDAY COSTAIN (American, 1897-1994) 13 MATTED/MOUNTED HARVEST & RUSTIC PHOTOGRAPHS.

Unframed, 11 signed on mounting, 2 unsigned. Showing scenes of rural life. 12 with artist stamp on verso. Most titled on verso. “Encounter on Lake Mahopac, NY”; “Old Man River Looking South” Natchez Bluff, Mississippi”; Three of “The Old Oaken Bucket”; Two of the “Tomato Picking Time” of the Tomato Ser. No. 2; “Wayside Stand” Dutchess County, N.Y.”; “The Last of the Arcadian Weavers” Country Life, Nov. 1935; “Lake House”, Thomaston, GA; “After Milking Time”; Two untitled. SIZE: Image: Most approx 13-1/4″ x 10-1/2″ & 10-1/2 x 13/1/4″. CONDITION: Minor losses and cracks to mats/mounting, with toning. 9-93065 (2,000-2,400) – Lot 1201

HAROLD HALIDAY COSTAIN (American, 1897-1994) 5 MATTED/MOUNTED EXTERIOR PHOTOGRAPHS.

Unframed, all signed on mat. All with artist stamp and titled on verso. 1) Chloro-bromide titled “The Hunting Season Opens”, Fairfield, CT, 1934 with 4 exhibition labels: Maywood, NJ Camera Club 1935; Brunswick Camera Club, Greenwich, CT; Special Invitation Greenwich Photographic Society; and Pictorial Photographers of America, NY 1937. 2) Also titled “The Hunting Season Opens”, famous Fairfield and Westchester hounds, with 3 exhibition labels: Special Invitation Greenwich Photographic Society; Pictorial Photographers of America, NY 1937; and Monthly Competition of the Westchester Section Professional Photographers Society of NY. 3) “White Sails” with 3 exhibition labels: First Fall Salon of Photography Larchmont Cinema Club 1934; Maywood, NJ Camera Club 1935; and Brunswick Camera Club, Greenwich, CT. 4) “Rising Mists” harvesting dated 1916 (from Costain notebook, made with early box camera, reputably his first commercial image) with 8 exhibition labels: Award of Merit, Photographers Society of NY 1935; Special Invitation Greenwich Photographic Society; Photographic Society of San Francisco 1935-6; Trainer & Parsons Gallery 1936; Fourth Irish Salon of Photography, Dublin 1933; Brunswick Camera Club, Greenwich, CT; and Maywood, NJ Camera Club 1935. 5) “Rising Mists” chloro-bromide 1934 harvesting scene with exhibition label Sopron 1934. SIZE: Image: approx 13-3/4″ x 11 & 11″ x 13-3/4″. CONDITION: Images very good, 1 mounting with badly broken corner, otherwise very minor losses and toning. 9-93057 (2,200-2,800) – Lot 1202

HAROLD HALIDAY COSTAIN (American, 1897-1994) 19 MILITARY & AIRCRAFT PHOTOGRAPHS.

Unframed, 5 mounted/matted, 4 with signature on mat, 15 unsigned. Showing military figures and promotional photos for Republic Aviation Corp. 1941 featuring a signed portrait of Col. Szaniawski. 1 titled on verso “Aviations Greatest Test Pilots, Republican Aviation Corp Ad Photo”. A 6 with artist stamp on verso. SIZE: Image size range from 13-1/4″ x 10-1/2″ to 16″ x 20″. CONDITION: Very good, a few mats with nicks & wear. 9-93072 (800-1,200) – Lot 1203

HAROLD HALIDAY COSTAIN (American, 1897-1994) 8 MATTED/MOUNTED ANIMAL PHOTOGRAPHS.

Unframed, 5 signed on mounting, 3 unsigned. 1) 1936 Untitled Hunting Dog. 2) 1935 chloro-bromide “Champion, Schwarz Peltz” German Shepard, also pencil signed lower right in photograph. 3) 1936 untitled Portrait of a Cat. 4) 1925 untitled Portrait of a Collie; 5) Unsigned Portrait of a Collie, identified on back “Champion, King Hector IV, Welcome Arch Kennels, Denver, CO”. 6) 1935 chloro-bromide “Champion, Schwarz Peltz” German Shepard, also pencil signed lower right in photograph with exhibition label Bruxelles 1936. 7) Unsigned and untitled Portrait of a Spaniel. 8) Unsigned Swan. SIZE: Image: 13-1/4″ x 10-1/2″ each. CONDITION: Minor losses and cracks to mats/mounting, with toning. 9-93064 (1,500-2,000) – Lot 1204

HAROLD HALIDAY COSTAIN (American, 1897-1994) 10 MATTED/MOUNTED NATURE, ANIMAL, & EXTERIOR PHOTOGRAPHS.

Unframed, 8 signed on mat/mount, 2 unsigned. All with exhibition labels and artist stamp on verso. 9 titled on verso. 1) Untitled Stone House with Fence, with 5 exhibition labels: Maywood, NJ Camera Club 1935; Brunswick Camera Club, Greenwich, CT; Special Invitation Greenwich Photographic Society; Pictorial Photographers of America, NY 1937; and Gardens on Parade, Worlds Fair 1940, NY. 2) Chloro-bromide “Autumn Tranquility 1934” with 2 exhibition labels: Camera Club, Brooklyn Union Gas Club; and Los Angeles Museum 1936. 3) “The Nuptial Greeting, Snowy Egret 1934” chloro-bromide with 3 exhibition labels: Pittsburgh Salon 1935; Mardi Gras Exhibition, New Orleans, 1936; and The Fifth Irish Salon, Dublin, 1935. 4) “The Swan Pauses to Reflect 1916” (printed 1932) with exhibition label Fiera Di Milano 1932. 5) Chloro-bromide “Christmas Eve 1936” with 4 exhibition labels: Special Invitation Greenwich Photographic Society; Pictorial Photographers of America, 1936; Professional Photographers Society of NY, Award of Merit, 1935; and Bruxelles 1936. 6) “The Apple Spray 1934” with 6 exhibition labels: Special Invitation Greenwich Photographic Society; Trainer & Parsons Gallery, San Franciso, 1936; Bruxelles Photographie et de Cinematographie; 11th Salon International, Belgique; 8th Annual Exhibition of Photographs, Bell Telephone Laboratories, 1934; and Photographic Society of San Francisco. 7) Fox Meadow Estate, “The First Snowfall 1934” with 2 exhibition labels: Special Invitation Greenwich Photographic Society; and Pictorial Photographers of America, NY 1937. 8) “Torpedos of the Sea 1934” chloro-bromide with 6 exhibition labels: Fiera Di Milano 1932; Barry Camera Club, Wales 1934; Detroit Institute of Arts; Barcelona 1933; Fifth Irish Salon, Dublin 1935; and Antwerpen 1933. 9) “Torpedos of the Sea 1934” chloro-bromide with 5 exhibition labels: Special Invitation Greenwich Photographic Society; Photographic Society of San Francisco 1935; Bruxelles 1936; Trainer & Parsons, San Fransisco 1936; and Professional Photographers Society of NY. 10) “Torpedos of the Sea 1935″ chloro-bromide with 1 exhibition label: Fourth International Salon of Photography, NY 1937. SIZE: Image: 13-1/4″ x 10-1/2” each. CONDITION: Minor losses and cracks to mats/mounting, with toning. 9-93054 (3,000-4,000) – Lot 1205

HAROLD HALIDAY COSTAIN (American, 1897-1994) MATTED/MOUNTED “MORNING MIST” PHOTOGRAPH.

Framed, signed on lower left and dated 1912. Photo of a lakeside misty morning, reputably his earliest commercial photograph with 4 exhibition labels: Special Invitation Greenwich Photographic Society; Pictorial Photographers of America, NY 1937; Brunswick Camera Club, Greenwich, CT; and Photographic Society of San Francisco 1935. Artist stamp on verso. SIZE: Overall: 16-1/2″ x 18-1/4″. Image: 10-1/2″ x 13-1/4″. CONDITION: Very good. 9-93083 (300-500) – Lot 1206

HAROLD HALIDAY COSTAIN (American, 1897-1994) 2 FRAMED OROTONE PHOTOGRAPHS.

Unsigned. The first a photo of palm trees and dunes with cloudy sky. The second a portrait of 5 members of the Costain family. Not examined out of frame. SIZE: Overall: approx 14-1/4″ x 16″ each. Image: 7-1/4″ x 9-1/4″ each. CONDITION: Very good. 9-93077 (400-600) – Lot 1207

HAROLD HALIDAY COSTAIN (American, 1897-1994) 14 HARRY S. TRUMAN PHOTOGRAPHS.

Unframed, unmatted, & unsigned. Photographs taken by Costain at a presentation ceremony, 10 are of Harry S. Truman & 4 are of surrounding activity. 9 with artist stamp on verso. SIZE: Image: 8″ x 10″ or 10″ x 8″. CONDITION: Very good. 9-93075 (200-300) – Lot 1208

HAROLD HALIDAY COSTAIN (American, 1897-1994) PHOTOS & EPHEMERA RELATING TO HIS WWI TOUR ABOARD USS LEVIATHAN.

Costain served aboard the Leviathan during WWI and when it was discovered that he had his Kodak 3A Postcard camera, he was given the task of photographing activity aboard the ship. Lot consists of 8 large photos of the ship by Costain & other photographers, a photo of Costain in the band, a signed photo “Six Inch Long Range”, a hand drawn poster of the 25th reunion by Costain, an oil on board painted shipboard by Costain, a photo titled “C Deck, Port Side Life Boat Drill for Returning Troops, March 1919, USS Leviathan, at Sea” and another titled “The Skipper on the Bridge, May 1919, Capt USN Edward H. Durell, USS Leviathan”, approx 40 postcard size photos, several other unsigned photos, and miscellaneous ephemera. The lot also includes commemorative photograph with inscription from Felix Count Luckner having freehand artwork on mat, dated 1932 and signed by Costain. Several photos have artist stamp on verso. SIZE: Image sizes range from postcard size to 18″ x 23″. CONDITION: Losses to mats and photo edges consistent with age, toning. 9-93052 (3,000-4,000) – Lot 1209

HAROLD HALIDAY COSTAIN (American, 1897-1994) LOT OF SILENT MOVIE PHOTOGRAPHS.

Unframed, 3 signed on mat/mount, 20 unsigned. Consisting of 5 self portraits of Costain with camera, a movie still of The Four Graces identified on reverse “Town & Country Films”, 10 movie stills, 4 head shots of Maude, and 4 other travel photos. Together with movie scripts, playbills, stage employee membership cards, and business cards. Two of the self portraits are signed on mounts with artist stamp, and 1 sepia tone self portrait with self-framing mat and artist signed. SIZE: Image size range from postcard size to 13-1/4″ x 10-1/2″. CONDITION: Very good, minor damage to mounts. 9-93078 (1,000-1,200) – Lot 1210

HAROLD HALIDAY COSTAIN (American, 1897-1994) 4 MATTED/MOUNTED PHOTOGRAPHS OF THE VIOLINIST, GEORGE BENNETT.

Unframed, all signed on mats. All are chloro-bromide prints titled “George Bennett, Violinist, 1935″. All with artist stamp on verso. All titled on verso. SIZE: Image: 1 is 13-1/4″ x 10-1/2″; other is 10-1/2″ x 13-1/4”. CONDITION: Minor losses to mats, with toning. 9-93068 (600-800) – Lot 1211

HAROLD HALIDAY COSTAIN (American, 1897-1994) 7 FASHION & DESIGN PHOTOGRAPHS.

Unframed, 4 signed & matted, 3 unsigned. Consisting of 2 unmounted photos of mannequin design & construction, unmounted interior photo of Baroque clock, matted photo of mannequin design, 2 mounted photos for footwear advertisements, and 1 mounted photo with 2 female models. 4 with artist stamp on verso. SIZE: Image: 13-1/4″ x 10-1/2″ each. CONDITION: Photos very good, mats with chips & losses, with toning. 9-93089 (500-700) – Lot 1212

HAROLD HALIDAY COSTAIN (American, 1897-1994) 2 MATTED/MOUNTED ROSE TONED PHOTOGRAPHS.

Unframed, both signed on mat/mount, 1 with artist stamp, both titled, 1 with exhibition stickers. 1) “Stanhopea Tigrana Orchids 1924” with exhibition labels: Special Invitation Greenwich Photographic Society; Pictorial Photographers of America, NY 1937; and Award Merit, Hamilton, NY. 2) Terrace Eugene Lang, Architect, “Tapan Zee on the Hudson River”. SIZE: Image: 13-1/4″ x 10-1/2″ each. CONDITION: Mats & photos very good, toning. 9-93069 (300-400) – Lot 1213

HAROLD HALIDAY COSTAIN (American, 1897-1994) LARGE LOT OF MISCELLANEOUS PHOTOGRAPHS & EPHEMERA.

Approximately 170 photographs unframed, unmatted & unsigned. A large variety of mostly silver gelatin prints with exteriors, still lifes, portraits, interiors, architectural, garden, fashion, advertising, botanical, sailing vessels, salt mines, Coty Girl, equestrian, military, factory interior, and avant:guarde. Together with an ephemera lot consisting of business cards, greeting cards, exhibition cards & catalogs, handwritten developing formulas, business card print plate, camera-related ephemera, speech notes & magazines with examples of Costain photography. Also including an 8″X10″ color negative of an interior SIZE: Image: 9-1/2″ x 8″ & 8″ x 9-1/2″. CONDITION: Most in very good condition. 9-93073 (400-600) – Lot 1214

HAROLD HALIDAY COSTAIN (American, 1897-1994) PHOTOGRAPH OF THE SHIP “REX”.

Unframed, signed on mat. Chloro-bromide print 1934, titled on verso “Rex, View Hudson River Dockage, NYC”. Artist stamp on verso. SIZE: Image: 13-1/4″ x 10-1/2″. CONDITION: Photo very good, mat with losses toning. 9-93071 (200-300) – Lot 1215

HAROLD HALIDAY COSTAIN (American, 1897-1994) 2 MATTED CARBRO PHOTOGRAPHS.

Framed, unsigned. The first a photo taken from outside looking inward at a collection of antique glass and the second a photo looking across a river with azaleas. Not examined out of frame. SIZE: Overall: 24″ x 20-1/4″ & 19-3/4″ x 16-3/4″. Image: approx 13-1/4″ x 10-1/2″ each. CONDITION: Very good. 9-93087 (1,000-1,200) – Lot 1216

HAROLD HALIDAY COSTAIN (American, 1897-1994) 7 SELF PORTRAITS.

Unframed, mounted/self-matted sepia tone self portraits, all with signatures on mat or photograph. 3 dated 1923. SIZE: Image size range from 9-1/2″ x 6-1/2″ to 13-1/2″ x 10-1/2″. CONDITION: Very good. 9-93081 (800-1,200) – Lot 1217

HAROLD HALIDAY COSTAIN (American, 1897-1994) OROTONE SELF PORTRAIT.

Unframed, unmatted, and unsigned self portrait of Costain with inscription in pencil on verso “This paper 35 years old, print made July 25th, 1937, Hal H. Costain, Palatka Country Club Pool on the St. John River, Florida.” SIZE: 10″ x 8″. CONDITION: Very good. 9-93079 (200-300) – Lot 1218

HAROLD HALIDAY COSTAIN (American, 1897-1994) 3 OROTONE PHOTOGRAPHS OF THE ARTIST’S WIFE.

Unframed, unmatted, & unsigned . 3 orotone photos taken by Costain of his silent movie actress wife Maude Allison Price Costain in costume, taken while on the set of a silent movie in the early 1920s. SIZE: Image: 10″ x 8″. CONDITION: Very good. 9-93076 (800-1,200) – Lot 1219

HAROLD HALIDAY COSTAIN (American, 1897-1994) FRAMED CARBRO PHOTOGRAPH OF MAUDE COSTAIN.

Framed & matted color carbro photograph of artist’s wife wearing a fur coat surrounded by fall foliage. Not examined out of frame. SIZE: Overall: 21″ x 17-1/2″; Image: 13-1/4″ x 10-1/2″ CONDITION: Very good. 9-93058 (600-800) – Lot 1220

HAROLD HALIDAY COSTAIN (American, 1897-1994) 9 SEPIA TONE PHOTOGRAPHS OF ARTIST’S WIFE.

Unframed, 7 signed on mat or photo, 2 unsigned. Featuring 3 1920s movie stills of silent movie actress Maude Allison Price Costain in costume together with 6 other portraits. 1 with artist stamp on verso titled “Maude Allison Price, Miss New Orleans 1922″. SIZE: Range from 7-1/2″ x 9-1/2″ to 11″ x 14”. CONDITION: 8 very good, 1 with fold & edge damage. 9-93080 (500-800) – Lot 1221

HAROLD HALIDAY COSTAIN (American, 1897-1994) ARTIST’S WIFE BATHING BEAUTY TROPHY 1924.

2-handled Art Nouveau silver plated loving cup engraved “BATHING BEAUTY REVIEW / JULY 14-24 / WON BY / MAUDE ALLISON PRICE”. Made by Meriden Silver Co., CT. SIZE: 11-1/2″ t. CONDITION: Good overall, normal wear & tarnishing, minor dents, 1″ x 1-1/2″ abraded area under engraved legend. 9-93090 (100-200) – Lot 1222

EDOUARD LEON CORTES (French, 1882-1969) “PLACE BASTILLE”.

Oil on canvas Housed in its original partial gilt frame Signed lower left “Edouard Cortes” SIZE: 13″ x 18″ Overall: 20″ x 25″ PROVENANCE: The Artist, Herbert Arnot Gallery, New York, NY, (INV. #14334). Private Mid-West Collection to present owner. Also, painting will be included in the forthcoming Catalog Raisonne, Volume III by Nicole Verdier. CONDITION: Very good 9-94210 (20,000-30,000) – Lot 1223

EUGENE GALIEN-LALOUE (French, 1854-1941) “LE GRAND BOULEVARD”.

Gouache Housed in a good gilt fancy frame with white and gold mat Signed lower left “E.Galien.Laloue” SIZE: Sight: 7-1/4″ x 12″ Overall: 14″ x 19-1/2″ PROVENANCE: This painting is included in Noe Willer’s latest edition of the Laloue Catalog Raisonne. CONDITION: Very good 9-94201 (15,000-25,000) – Lot 1224

EUGENE GALIEN-LALOUE (French, 1854 – 1941) “LE BOULEVARD STRASBOURG, PARIS”.

Gouache Housed in a gilt wood frame with linen mat, Hazlitt Gallery, London label attached to verso Signed lower left “E. Galien-Laloue” SIZE: Sight: 7-1/4″ x 12-1/4″ Overall: 14″ x 19″ CONDITION: Very good 7-74747 (5,000-7,000) – Lot 1225

ANTOINE BLANCHARD (French, 1910 – 1988) FRENCH BOULEVARD IN THE EVENING.

Oil on canvas Housed in a carved gilt wood frame with gilt liner Signed lower left “Antoine Blanchard” SIZE: 20″ x 24″ Overall: 28″ x 32″ CONDITION: Very good having craquelure primarily in the sky 9-94207 (3,000-5,000) – Lot 1226

EUGENE GALIEN-LALOUE (French, 1854 – 1941) AMONGST THE TOWERING TREES.

Oil on canvas Housed in its original gilt frame (as found with losses) Signed lower left “L Dupuy” being the acknowledged pseudonym of Eugene Galien-Laloue SIZE: 36-1/4″ x 28-1/2″ Overall: 46-1/4″ x 38-3/4″ CONDITION: Very good 9-94480 (3,000-5,000) – Lot 1228

PAUL TROUILLEBERT (French 1829-1900) LANDSCAPE SCENE WITH MAN IN PUNT.

Oil on canvas Housed in carved and gilt 19th century frame with gilt liner Signed lower right “Trouillebert” SIZE: 11-1/2″ x 16″ Overall: 17″ x 21″ CONDITION: Good Patch to verso Very minor scattered retouch 9-93106 (4,000-6,000) – Lot 1229

STANISLAS LEPINE (French, 1835-1892) ALONG THE SEINE RIVER IN SUMMER.

Oil on canvas Housed in an ornate gilt wood and composite 18th century style frame Signed lower right “S. Lepine” SIZE: 21″ x 25-3/4″. Overall: CONDITION: Very good, lined with retouch 9-92848 (10,000-15,000) – Lot 1230

HENRI ALEXIS SCHAEFFER (French, 1900 – 1975) PARIS STREET SCENE .

Oil on canvas Housed in a modern gilt wood frame with linen and gilt liner Signed lower right “H Scheaffer” SIZE: 18″ x 21-1/2″ Overall: 24″ x 27″ CONDITION: One patch to verso, some inpainting, very good 9-94206 (300-500) – Lot 1230a

J SULTAN ALI (Indian, 1920-1990) “MURIA MYTH”.

Oil on canvas Housed in a simple wood frame Signed lower left and dated “1967” Also signed on reverse with title and date SIZE: 33″ x 36″. Overall: 34″ x 37″ CONDITION: Very good 7-72630 (15,000-20,000) – Lot 1230b

AUGUSTIN UBEDA (Spanish, 1925 – 2007) “EL SEDUCTOR”.

Oil on canvas Housed in a modern black and gold frame with losses Signed lower right “A. Ubeda”, also signed and titled on verso of stretcher SIZE: 28-3/4″ x 23-3/4″ Overall: 29-3/4″ x 24-1/2″ CONDITION: Very good 9-93946 (1,500-2,500) – Lot 1231

GONZALO ARIZA (Colombian, 1912) CALIMA, COLUMBIA.

Oil on canvas laid to panel Housed in a gilt frame with velvet, canvas and gilt liners Having a Newman Galleries Phil. label on verso Signed lower right “Gonzalo Ariza” SIZE: 27-1/2″ X 43-1/4″ Overall: 34-3/4″ x 50-1/2″ CONDITION: Very good 9-94219 (4,000-6,000) – Lot 1232

FERNANDO CUETO AMORSOLO (Philippines, 1892-1972) “SUNDAY MORNING, 1959”.

Oil on canvas Housed in a fine gilt wood frame with title & artist plaque Signed lower right “F Amorsolo 1959″ Butterfield & Butterfield label on verso SIZE: 20-1/4″ x 26-1/4”. Overall: 27″ x 33″ PROVENANCE: From a fine private Long Island, NY collection. CONDITION: Very good 9-93348 (50,000-80,000) – Lot 1233

FERNANDO CUETO AMORSOLO (Philippines, 1892-1972) “PANTING RICE-MAYON VOLCANO 1950”.

Oil on canvas mounted to wood panel Housed in a fine carved & gilt frame with gilt liner having gilt title & artist plaque Signed lower right “F Amorsolo 1950″ SIZE: Sight: 27″ x 39”. Overall: 35-1/4″ x 47-1/4″ PROVENANCE: From a fine private Long Island, NY collection. San Rafael Auction Gakkery Inc, San Rafael, CA 94901 May 20, 2000 Lot 425. CONDITION: Craquelure to upper right quadrant, otherwise very good 9-93349 (50,000-80,000) – Lot 1234

EUGENIO ZAMPIGHI (Italian, 1859-1944) GYPSY GIRL WITH DAISY.

Oil on canvas Housed in a fine Florentine style gilt pierced work frame with one leaf loss Signed upper right “E Zampighi”, also on verso “G.E.K. Florence May 3d 1907″ SIZE: Sight: 19″ x 15″ Overall: 26-1/2″ x 22” CONDITION: Very good 9-94224 (4,500-6,500) – Lot 1235

FILIPPO INDONI (Italian, Born Circa 1842-1908) GIRL IN FRONT OF CASTLE BY A RIVER.

Watercolor Housed in a fine period fancy frame with matching liner behind glass having artist plaque Signed lower left “Indoni” SIZE: Sight: 21″ x 14″. Overall: 31-1/2″ x 24-1/4″ CONDITION: Very good with overall light fading but still retaining strong colors 9-92977 (500-1,000) – Lot 1235a

SCHOOL OF PIETRO LONGHI (Italian, 18th Century) IN THE ARTIST STUDIO.

Oil on canvas Housed in a gilt wood frame Unsigned SIZE: Sight: 18″ x 14″ Overall: 24-1/2″ x 20″ CONDITION: Lined on new stretcher, inpainting, good 9-94405 (2,000-3,000) – Lot 1236

CESARE AUGUSTE DETTI (Italian, 1847-1914) LEAVING THE VILLA.

Oil on canvas Housed in a fine gilt replacement frame with antique gilt liner having name plaque Signed lower right “C Detti Paris” SIZE: 17″ x 21″. Overall: 23-3/4″ x 27-3/4″ CONDITION: Lined on replacement stretcher, very good 9-90641 (10,000-15,000) – Lot 1237

OENE ROMKES DE JONGH (Dutch, 1812-1896) AMSTERDAM STREET SCENE.

Oil on canvas Housed in a carved wood gilt frame Signed lower left “O. R. De Jongh” SIZE: 26-3/4″ x 21-1/4″ Overall: 34″ x 29″ CONDITION: Two patches to verso with corresponding inpainting, craquelure 9-94209 (3,000-5,000) – Lot 1238

JOHANNES HERMANUS KOEKKOEK (Netherlands, 1778 – 1851) COMING TO SHORE.

Oil on wood panel Housed in a fine pierced carved gilt frame with name plaque Signed with initials lower right “JHK” SIZE: Sight: 11″ x 15″ Overall: 17″ x 21-1/2″ CONDITION: Craquelure, some inpainting, very good 9-94204 (4,000-6,000) – Lot 1239

Revised: 8/18/2014

We believe the painting looks to be by Koekkoek but that we do not guarantee the painting.

MARIANUS ADRIANUS KOEKKOEK (Netherlands, 1807-1870) MEETING OUTSIDE OF TOWN.

Oil on wood panel Housed in its original fancy gesso decorated frame with gilt liner Signed lower left “M A Koekkoek 1870″ SIZE: 14″ x 17-1/2”. Overall: 20-1/2″ x 24″ CONDITION: Very good with some touch up 9-92852 (6,000-9,000) – Lot 1239a

FRANZ RICHARD UNTERBERGER (Belgian/Austrian, 1838 – 1902) VENICE UNDER SUNSET .

Oil on wood panel Dominated by the basilica Santa Maria Della Salute in the background, showing the gondolas moored in St. Mark’s Basin on the Grand Canal with elegantly dressed Venetians promenading in the foregound Housed in a fancy Pierce carved gilt frame Signed lower right “FR Unterberger” SIZE: 10-1/2″ x 20″ Overall: 15-1/2″ x 24-1/2″ CONDITION: Very good with small spot inpainting. Conservation Report from South Coast Fine Art Conservative Center, Inc., Santa Barbara, CA. accompanies the painting. 9-94202 (15,000-25,000) – Lot 1240

…SCHUMACHER (German, 19th century) “CONVENT SAN GIORGIO VENICE EARLY MORNING”.

Oil on canvas Housed in period carved and gilt cove frame Signed lower left and dated 1877 Identified in period hand on verso SIZE: 14″ x 10″ Overall: 20″ x 15-1/2″ PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. CONDITION: Good original condition, surface grime 9-93132 (1,000-1,500) – Lot 1241

AUGUSTUS JOHN (British, 1878-1961) A DOUBLE SIDED WORK OF ART “GROUP OF FIGURES IN A LANDSCAPE” GRAPHITE DRAWING OF TWO NUDES ON VERSO.

Watercolor in brown ink on paper with graphite grid, verso in graphite Signed lower right “John” Identified on period, “Exhibition of works label at the Leicester Galleries, Leicester Square, London March 1956, Pictures from Garsington the collection of Lady Ottoline Morrell (1873-1938) No. 49″ Fragmentary label from The Leicester Galleries affixed to frame on verso John is widely considered to be one of Britain’s leading portrait painters, his drawings became known for their fluid interpretation of not only the sitter’s demeanor, but of their idiosyncrasies as well. Lady Ottoline Morrell was an intimate of the artist, as well as a renowned society hostess. Among her circle were included the Bloomsbury set as well as luminaries including W.B.Yeats, Bertrand Russell, D.H.Lawrence and T.S. Eliot. Garsington was her Jacobean mansion in Oxfordshire. Probably cataloged as Eastern European School. Portrait of Saint Johannes Nepomuk (Czech, 1345-1393) Patron Saint of the Czech Republic SIZE: 11″ x 15″ (sheet size) Overall 21-1/2″ x 23” CONDITION: Very good. Tape to backing board at top 7-74809 (1,500-3,000) – Lot 1242

UNSIGNED (British School, 19th Century) BOYS PLAYING WITH BOWLS (CRICKET).

Oil on canvas Housed in a period wide gilt fancy frame having a “Hirschl & Adler Galleries NY” label Unsigned SIZE: 46″ x 32-1/2″ Overall: 57-1/4″ x 43-1/2″ CONDITION: Inpainting, lined, generally very good 9-94029 (4,000-6,000) – Lot 1243

GUSTAV LAEVERENZ (German, 1851 – 1909) CHILD READING TO GRANDMOTHER.

Oil on wood panel Housed in a early 20th Century gilt frame Signed lower left “G Laeverenz Munchen 1876″ SIZE: 13-1/2″ x 9-1/2″ Overall: 16″ x 12” CONDITION: Very good 9-94200 (2,000-4,000) – Lot 1244

HENRY JEAN JULES GEOFFROY (French, 1853-1924) “L’HUILE DE RICIN”.

Oil on canvas Housed in its original gilt gesso decorated frame with gilt liner having artist & title plaque Signed lower left “Geo 94” Canvas stamp to verso “P. Contet, Paris”. Also label on frame verso “P. Hombert, Paris” SIZE: 24″ x 18″. Overall: 33-1/4″ x 27-1/4″ PROVENANCE: From a fine private Long Island, NY collection. CONDITION: Very good 9-93353 (5,000-8,000) – Lot 1245

NARCISSE VIRGILE DIAZ DE LA PENA (French, 1808-1876) GIRLS WITH PARROT IN LANDSCAPE.

Oil on canvas Housed in a carved wood gilt frame Signed lower left “N. Diaz/61″ SIZE: 23-1/2″ x 19″ Overall: 26″ x 21-1/2” CONDITION: Some old restoration, inpainting, lined 9-94404 (2,000-3,000) – Lot 1246

PS (European, 19th Century) NIGHTTIME DINNER ON STREET OF CITY.

Oil on canvas Housed in a gesso decorated period frame Signed with initials “PS” lower left – Note: the work similar in composition to paintings of Johann Mongels Culverhouse SIZE: 24″ x 18-3/4″ Overall: 30-1/4″ x 25-1/4″ CONDITION: Lined, some inpainting, very good 9-93526 (2,500-4,000) – Lot 1247

ADOLPHE JOSEPH THOMAS MONTICELLI (French, 1824-1886) DINING OUTSIDE OF THE CAFE.

Oil on wood panel Housed in a gilt replacement frame Signed lower left “Monticelli” SIZE: 11-1/2″ x 8-1/4″. Overall: 15-1/4″ x 12″ CONDITION: Very good with some touch up 9-92975 (2,000-4,000) – Lot 1247a

AFTER GERRIT DOU (Dutch, 1613 – 1675) TWO WORKS: VIOLINIST.

1. Oil on wood panel, housed in a good gilt molded wood frame with “Frost & Reed London” label on verso, unsigned 2. Engraving on paper, housed in a black gold edge frame with shaped cutout mat, published 1810 SIZE: 1. 15-1/2″ x 13″. Overall: 21″ x 18-1/4″ 2. Sight: 14-3/4″ x 9″. Overall: 20″ x 14-1/2″ CONDITION: 1. Horizontal losses along grain lines 2. Very good, not examined out of frame 9-93118 (800-1,200) – Lot 1248

IN THE MANNER OF PAUL DE VOS (Flemish, 1595-1678) DOGS ATTACKING DEER.

Oil on canvas Housed in a gilt wood frame Unsigned SIZE: 13-3/4″ x 21-1/4″ Overall: 17″ x 24-1/2″ PROVENANCE: Acquired by consignors great grandmother, Bertha Leonard, married to Harry Leonard (family founders of Valvoline Oil). Descended through the family. CONDITION: Lined, very good, some inpainting 9-93976 (2,500-5,500) – Lot 1249

SCHOOL OF WOUWERMAN (Dutch, 17th/18th century) TWO WORKS: FALCONRY WITH FIGURES, HORSES IN LANDSCAPE.

Oil on canvas Housed in matching black wood frames with gilt liners having “Marshall Field & Co. Picture Department” label on verso Unsigned SIZE: 12-3/4″ x 15″. Overall: 18″ x 20-1/2″ CONDITION: lined, craquelure, minor touch up 9-93515 (5,000-10,000) – Lot 1250

ATTRIBUTED TO BARTHOLOMEUS BREENBERGH (Netherlands, 1599 – c. 1657) FLIGHT INTO EGYPT.

Oil on wood panel Housed in a wonderful burl decorated ebonized antique frame Signed center bottom with artist monogram SIZE: Sight: 9″ x 11″ Overall: 20-3/4″ x 23″ CONDITION: Slight bow to panel, inpainting, very good 9-94199 (5,000-7,000) – Lot 1251

GEORGE ARNALD (United Kingdom, 1763-1841) ABBEY RUINS.

Oil on canvas Housed in a fine gilt decorated frame Signed center bottom on stone capitol “G Arnald 1807″ A note on reverse indicates the belief that this is Drybury Abbey (Dryburgh) SIZE: 28″ x 36-1/2”. Overall: 34″ x 42″ CONDITION: Minor inpainting, lined, very good 9-93860 (1,000-2,000) – Lot 1252

Revised: 8/11/2014

Title should be “After Claude Lorrain”

AFTER CLAUDE LORRAIN (French, 1600-1682) ARCADIAN SCENE WITH RUINS AND GODS.

Oil on canvas Unsigned Identified on fragmentary period labels on stretcher and frame verso Framed in 19th century elaborately carved and gilt frame, some losses SIZE: 20″ x 24″ Overall: 25″ x 37-1/4″ PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. Purchased from Kaja Veilleux, Newcastle, ME 9.23.95 CONDITION: Good 9-93135 (1,000-1,500) – Lot 1253

FOLLOWER OF CONSTANT TROYON (French, 1810-1865) “BRINGING IN THE HERD”.

Oil on canvas Framed in contemporary Louis XVI style gilt frame Signed lower right SIZE: 26″ x 39″ Overall: 37″ x 49″ PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. Purchased from Dixon & Dixon of Royal, New Orleans, LA 5.24.94 CONDITION: Good, lined, scattered retouch 9-93136 (3,000-5,000) – Lot 1254

WILFRID CONSTANT BEAUQUESNE (French, 1840-1913) THE ADVANCE UNIT.

Oil on canvas Housed in period oak frame with gold liner with artist plaque Signed and dated lower right “1884” Accompanying the painting is a conservator’s report from Anthony Moore Painting Conservator dated 2012 In the late 19th century battle scenes were extremely popular in France, especially those which portrayed the bravery and valor of the French, and the unflattering behavior of their counterparts. Beauquesne was well known and respected for his dramatic depictions of war craft, in particular battles from the Franco-Prussian War of 1870. Beauquesne studied at the Ecole des Beaux Arts in Paris with acclaimed military artists Horace Vernet and Vernet-Lecomte and regularly exhibited at the annual Paris Salon as well as in exhibitions throughout Europe. SIZE: 25-3/4″ x 32″ Overall: 32″ x 39″ CONDITION: Very good, lined, retouched primarily to background 9-93119 (1,500-2,500) – Lot 1255

AFTER PAUL EMILE BOUTIGNY (French, 1854 – 1929) AFTER THE BATTLE.

Oil on canvas Housed in an antique gilt decorated frame Signed in lower right “E. Boutigny” SIZE: 23-1/2″ x 28-1/2″. Overall: 27″ x 32-1/4″ CONDITION: Craquelure, surface dirt and small losses. Good 8-85512 (1,000-1,500) – Lot 1256

AFTER VASCLAW BERNARD SZCZEBLEWSKI (Polish, 1888-) FRENCH BRONZE FIGURE “WHISTLING BOY” .

Bronze Figure stands on a naturalistic rock base Titled and signed on front “MOUSSE SIFFLEUR, V. SZCZEBLEWSKI” Foundry mark “BRONZE GARANTI AU TITRE L.V. DEPOSEE”. SIZE: 22″ h CONDITION: Very good, multi-toned patina with very high spot wear 9-93552 (1,200-1,800) – Lot 1257

AFTER FRANCOIS RAOULS LARCHE (French, 1860-1912) ART NOUVEAU STYLE FIGURAL LAMP DEPICTING DANCER LOIE FULLER.

Bronze Signed on bottom of dress Fuller, considered a pioneer of both modern dance & theatrical lighting techniques, was an American who lived in Paris and performed at the Follies Bergere SIZE: 16″ h CONDITION: Very good 9-93264 (1,000-1,500) – Lot 1258

TWO VICTORIAN LIBRARY STATUES.

1) Antonio Frilli (Italian, -1892) Marble Mounted to marble plinth Signed on plinth “A. Frilli, Florence, Made in Italy” 2) Unsigned Bronze Polished slate base. SIZE: 20″ h & 14″ h. PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. Purchased from Trifles, Bath, Maine. CONDITION: 1) Very good. 2) Very good with toning & wear to bronze surface 9-93130 (400-800) – Lot 1259

E. VILLENIS (Continental, Late 19th Century) BUST OF PHRYNE BY VILLENIS.

Bronze On sculpted base Signed “E. Villenis” on left side of plinth SIZE: 24″ tall. PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. CONDITION: Very good, retaining a beautiful even patina 9-93166 (800-1,200) – Lot 1260

ALBERT ZAVARO (Turkish, 1925-) “PORT DE MARSAILLES”.

Oil on canvas Housed in its original decorative wood frame with linen liner Signed lower right International Galleries Chicago label on verso with title & artist Accompanied by an Exhibition catalog SIZE: 23-3/4″ x 28-3/4″. Overall: 31-1/2″ x 36-1/2″ CONDITION: Very good 7-70632 (400-600) – Lot 1260a

LEON KROLL (American, 1884 – 1974) NUDE STUDY.

Pastel on paper Housed in a modern oak frame with mat and plexi-glass Signed lower left “Leon Kroll” SIZE: Sight: 21-1/2″ x 12-3/4″. Overall: 29-3/4″ x 20″ CONDITION: Very good 9-93578 (3,000-5,000) – Lot 1261

JOHN MELVILLE KELLY (American, 1879–1962) “KANANI, HAWAII”.

Etching Unframed Signed lower right “John Kelly”, also titled lower left and “No 26″ SIZE: 17-3/4″ x 14-1/4” CONDITION: Very good to excellent 9-94222 (3,000-5,000) – Lot 1262

MARIE LAURENCIN (French, 1885 – 1956) WOMAN WITH GUITAR.

Pastel and graphite on cardstock Housed in a simple gilt frame with losses Signed upper right “Marie Laurencin” SIZE: Actual: 14″ x 10-1/4″ Overall: 18-1/2″ x 15″ CONDITION: Examined out of frame, hinge mounted to mat, light foxing, otherwise very good 9-94449 (2,000-3,000) – Lot 1263

MARY L. GOW (United Kingdom, 1851 – 1929) DRUMMER BOY.

Watercolor Housed in a magnificent architectural carved gilt frame Signed lower right “Mary Gow 1912″ SIZE: Sight: 29-1/2″ x 20-1/2″ Overall: 38-1/2″ x 30” CONDITION: Foxing spots, otherwise very good 9-94027 (4,000-6,000) – Lot 1264

EDWARD LAMSON HENRY (American, 1841 – 1919) MOUNTAIN VALLEY WITH HOUSES AND BRIDGE.

Oil on wood panel Unframed Signed lower left “EL Henry” SIZE: 9″ x 11-1/2″ CONDITION: Surface dirt, very good 9-93952 (1,000-2,000) – Lot 1265

UNSIGNED (American School, 19th Century) PANORAMIC WESTERN LANDSCAPE.

Oil on canvas Housed in a fine gilt molded wood frame with gilt liner Unsigned SIZE: 17-3/4″ x 30″ Overall: 24-1/2″ x 36-1/2″ CONDITION: Surface dirt, two small spot repairs, otherwise very good 9-94055 (2,000-3,000) – Lot 1266

JOHN FABIAN CARLSON (American, 1874 – 1945) SPRING SKETCH.

Oil on canvas mounted to board Housed in a good gilt frame with gilt liner and glass by Guido Frame Studio, Boston Unsigned but having a Vose Galleries of Boston picture authentication stamp from the estate SIZE: 12″ x 15-3/4″ Overall: 18-3/4″ x 22-3/4″ CONDITION: Very good 7-70773 (2,000-4,000) – Lot 1267

Revised: 8/8/2014

The artist is Bertram George Bruestle (American 1906-1968), NOT George Matthew Bruestle (American, 1871-1939)

BERTRAM GEORGE BRUESTLE (American, 1906-1968) SUMMER FARM.

Oil on board Housed in a partial gilt carved wood frame with linen liner Signed lower left with conjoined initials and last name SIZE: 16″ x 20″ Overall: 22-3/4″ x 26-3/4″ CONDITION: Very good 9-94400 (1,500-2,500) – Lot 1268

GEORGE EDWARD CANDEE (American, 1837-1907) “POOL IN WYOMING VALLEY; WILKESBARRE, PA”.

Oil on canvas Housed in a fine gilt gesso decorated frame stamped “H.P.F. Co.” and having a Munson Gallery, New Haven, CT frame label on verso Signed on verso of canvas “G E Candee” SIZE: 22″ x 30″. Overall: 27-3/4″ x 26-3/4″ CONDITION: Very good 9-93858 (1,000-2,000) – Lot 1269

LEVI WELLS PRENTICE (American, 1851 – 1935) LANDSCAPE WITH RIVER AND FLOWER BANKS.

Oil on wood panel Housed in a carved wood frame Signed lower left “LW Prentice” SIZE: 7″ x 4″ Overall: 10″ x 7″ CONDITION: Surface dirt, light scratches, very good 9-94168 (1,000-2,000) – Lot 1270

HENRY PEMBER SMITH (American, 1854-1907) “THE MILL POND, MID-SUMMER”.

Oil on canvas Housed in its original gilt carved wood frame Signed lower right “Henry P Smith” Title on old label on verso 2009 Restoration report attached SIZE: 20″ x 28″. Overall: 25-3/4″ x 23-3/4″ CONDITION: Patch to reverse with corresponding inpainting. 9-93260 (1,000-1,500) – Lot 1271

CHARLES CHASE EMERSON (American 1874-1922) “TROUT LAKE”.

Oil on artist board Housed in a period gilt oak frame Signed lower left “Chase Emerson” Identified by Vose Galleries of Boston on verso SIZE: 8″ X 10″ Overall: 16″ X 17-1/2″ CONDITION: Very good 9-94095 (2,500-3,000) – Lot 1272

ROBERT EMMETT OWEN (American, 1878-1957) SUNSET THROUGH THE TREES.

Oil on canvas Housed in its original gray painted wood frame with some finish loss Signed lower right “R Emmett Owen” SIZE: 30-1/4″ x 40-1/2″. Overall: 36″ x 45″ CONDITION: Craquelure, surface dirt, inpainting 9-93523 (1,000-2,000) – Lot 1273

FRANK P. CORSO (American, 1952 – ) SAILBOAT AT REST.

Oil on canvas Housed in a fine carved wood gilt frame with gilt liner Signed bottom right “Corso” SIZE: 18″ x 24″ Overall: 26-1/2″ x 32-1/2″ CONDITION: Very good to excellent, 9-94147 (1,500-2,000) – Lot 1274

ARTHUR PARTON (American, 1842-1914) SUNLIGHT REFLECTING ON THE COASTAL WATER.

Oil on canvas Housed in its original baroque style regilt frame with gilt liner & artist plaque Signed lower left “Arthur Parton” SIZE: 24″ x 18″. Overall: 34-1/4″ x 28-1/4″. PROVENANCE: From a fine Virginia Beach, VA home. CONDITION: Minor craquelure touchup, very good. 9-93259 (1,000-1,500) – Lot 1275

ATTRIBUTED TO WILLIAM TROST RICHARDS (American, 1833 – 1905) COASTLINE LIGHTHOUSE.

Oil on canvas Housed in its original gesso gilt frame Signed with initials lower right “WTR” SIZE: 5″ x 9″ Overall: 9-1/4″ x 13″ CONDITION: Very good 9-94408 (1,500-2,500) – Lot 1276

REGINALD CLEVELAND COXE (American, 1855-1927) A LINE OF SCHOONERS.

Oil on canvas Housed in its original gilt decorated frame with gilt liners Signed lower left “R Cleveland Coxe” SIZE: 18″ x 30″. Overall: 31″ x 43″ CONDITION: Small area of paint loss in water, light scuff to lower left, otherwise very good 9-93844 (1,500-2,500) – Lot 1277

WESLEY ELBRIDGE WEBBER (American, 1841 – 1914) BUSY HARBOR UNDER MORNING MIST.

Oil on canvas Housed in a modern gilt decorated frame Signed lower right “W. Webber/77″ SIZE: 13″ x 24″ Overall: 16-1/4″ x 27” CONDITION: Very good 9-93580 (1,500-2,500) – Lot 1278

GEORGE TURLAND (GOOSEY) (American/British, 1877-1947) “CALIFORNIA MOUNTAIN STREAM”.

Oil on masonite Housed in a modern gilt frame Signed lower right “Geo Turland” SIZE: 24″ x 30″ Overall: 29-1/2″ x 35-1/2″ CONDITION: Very good 9-94300 (1,000-1,500) – Lot 1279

GEORGE TURLAND (GOOSEY) (American/British, 1877-1947) “GLOUCESTER, MASS USA”.

Oil on masonite Housed in a carved wood frame with linen liner Signed lower left “Geo Turland” Titled on verso SIZE: 20″ x 24″. Overall: 28-1/2″ x 32-1/2″ CONDITION: Very good 9-94301 (1,000-1,500) – Lot 1280

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) “MARTIQUE, FRANCE”.

Oil on paperboard Housed in a gilt modern wood frame Signed lower left “Geo Turland” SIZE: 12″ x 16″ Overall: 17-1/2″ x 21-1/2″ CONDITION: Very good 9-94297 (1,000-1,200) – Lot 1281

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) ISLE OF CAPRI.

Oil on paperboard back with Masonite Housed in a gilt modern wood frame Signed lower right “Geo Turland” SIZE: 12″ x 16″ Overall: 17-1/4″ x 21-1/4″ CONDITION: Very good 9-94294 (900-1,200) – Lot 1282

EDMUND DARCH LEWIS (American, 1835 – 1910) STORM WAVES.

Watercolor Housed in a modern gilt frame with wide linen mat and inside glass Signed lower left “Edmund D Lewis 1907″ SIZE: Sight: 21″ x 32-1/2″ Overall: 31-1/4″ x 42-1/2” CONDITION: Very good 7-70760 (1,500-2,500) – Lot 1283

ROY HARVARD STAPLES (American, 1905 – 1958) COASTAL WATER.

Oil on canvas Housed in modern partial gilt frame Signed lower right “RH Staples 27″ SIZE: 19″ x 25″ Overall: 22-1/2″ x 28” CONDITION: Surface dirt, otherwise good 9-94042 (1,200-1,800) – Lot 1284

GEORGE HOWELL GAY (American, 1858 – 1931) BEACH SCENE WITH CRASHING WAVES.

Watercolor Housed in a wood frame with gray mat Signed lower right “Geo. Howard Gay” SIZE: Sight: 9-1/4″ x 19-1/4″ Overall: 13-1/4″ x 23-1/2″ CONDITION: Very good 9-93788 (1,200-1,400) – Lot 1285

FRANK HENRY (HECTOR) L. TOMPKINS (American, 1847 – 1922) AT THE BEACH.

Oil on board Housed in a gesso decorated frame with losses, having a Foster Brothers label Signed lower left “FH Thompkins” SIZE: 7-3/4″ x 9-3/4″ Overall: 15″ x 17″ CONDITION: Very good 9-93931 (1,500-2,500) – Lot 1286

HENRY ORNE RYDER (American, 1860-1943) GIRL WITH HER DOLL IN LANDSCAPE.

Oil on canvas, mounted on board Mounted in a fine leaf decorated gilt frame Signed lower right “H.O. Ryder 1880″ SIZE: Sight: 15-1/2″ x 10-1/4″ Overall: 19-1/2″ x 14” CONDITION: Craquelure, bottom left corner with canvas loss, small chip on right margin, otherwise good. 9-93299 (1,500-2,000) – Lot 1287

ALBERT PELS (American 1910-1998) FAMILY PICNIC IN THE PARK.

Oil on wood panel Housed in a contemporary carved silver gilt frame with artist plaque Signed lower right “Pels” SIZE: 18″ x 22″ Overall: 25″ X 29″ CONDITION: Very good 9-94104 (1,500-2,000) – Lot 1288

UNSIGNED AMERICAN SCHOOL (19th Century) DOG PEERING THROUGH OPENING.

Oil on academy board Housed in an antique gilt frame Unsigned SIZE: 14-1/2″ x 12″ Overall: 18-1/2″ 16-1/4″ CONDITION: Very good 9-93208 (400-600) – Lot 1289

RUDOLPH PHILIPP (R.L.) LAUBENHEIMER (American/German, 1833 – 1905) HUNTING DOG (ROVER) ON POINT.

Oil on canvas Housed in a modern gilt wood frame Signed on stretch verso and dated “1885” SIZE: 30″ X 46″ Overall: 32-1/4″ x 48-1/4″ CONDITION: Several old patches on verso of canvas, inpainting, light craquelure, very good 9-94431 (4,000-6,000) – Lot 1290

HENRY SCHOUTEN (Belgian, 1864/1867 – 1927) IN PURSUIT OF THE DEER.

Oil on canvas Housed in a gesso decorated period gilt frame Signed lower right “Hen Schouten” SIZE: 19-3/4″ x 39-1/2″ Overall: 29″ x 49″ CONDITION: Lined, restored with inpainting 9-94105 (3,000-5,000) – Lot 1291

JOHN FERY (American/Austrian, 1859-1934) “SHEEP IN CENTRAL OREGON”.

Oil on canvas, affixed to board Housed in a period carved gilt wood frame with donation plaque Signed lower right “J. Fery” Identified twice in period hand on verso SIZE: 14″ X 24″ Overall: 21″ X 30-3/4″ CONDITION: Very good, surface grime 9-94092 (10,000-20,000) – Lot 1292

WILLIAM HENRY HOWE (American, 1844 – 1929) COWS GRAZING UNDER LOW SUN.

Oil on canvas Housed in its original gilt gesso decorated frame Signed lower right “William H. Howe 87″ SIZE: 24″ x 32-1/2″ Overall: 27-3/4″ x 48-1/2” CONDITION: Surface dirt, otherwise very good 9-94256 (3,000-5,000) – Lot 1293

GEORGE ARTHUR HAYS (American, 1854-1945) TILLING THE FIELDS.

Oil on canvas Housed in a gilt modern wood frame Signed lower left “GA Hays 1902″ SIZE: 18″ x 24″ Overall: 23″ x 29” CONDITION: Lined, some inpainting, very good 7-70774 (800-1,200) – Lot 1294

ALPHONSE PALUMBO (American, 1890-1947) BACK FROM FISHING.

Oil on canvas Housed in a modern gilt rope decorated frame Unsigned front, Estate stamp on stretcher verso SIZE: 29″ x 35″. Overall: 36-1/2″ x 42-1/2″ PROVENANCE: From a Santa Fe, NM Collection; James D. Julia 5/13/06 CONDITION: Very good 9-91802 (1,000-1,500) – Lot 1295

MONOGRAMMED TB (POSSIBLY THOMAS BARNETT (American, 1870-1929) WESTERN MOUNTAINS.

Oil on wood panel Housed in a gold wood frame with linen and gold liner Signed with artist monogram bottom right SIZE: 8″ x 10″. Overall: 12-3/4″ x 14-3/4″ CONDITION: Very good 7-74831 (200-300) – Lot 1296

PERSIS CLAYTON RADCLIFF (American, 20th Century) LASSOING THE WILD STALLION.

Oil on Masonite Housed in a partial gilt modern frame Signed lower right “Persis Clayton Radcliff”, artist business card attached to verso SIZE: 16″ x 20″ Overall: 19-3/4″ x 24″ PROVENANCE: From a fine Castine, Maine home. CONDITION: Very good 9-94366 (300-500) – Lot 1297

WILLIAM LEE HILL (American, 1922-2009) MIDNIGHT ARRIVAL.

Oil on canvas Housed in a painted carved wood frame Signed lower left “Bill L Hill” SIZE: 20″ x 30″ Overall: 27-1/2″ x 37-1/2″ CONDITION: Very good 9-93948 (800-1,200) – Lot 1298

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861 – 1909) “OLD RAMON”.

Chromolithograph Housed in a black stained oak frame behind glass Signed in print “Frederic Remington”, also “Copyright 1901 by Robert Howard Russell” SIZE: Sight: 19″ x 14-1/2″ Overall: 21″ x 16-1/2″ CONDITION: Very good 9-94503 (1,500-2,500) – Lot 1299

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861 – 1909) “CHEYENNE BUCK”.

Chromolithographic Housed in a black stained oak frame behind glass Signed in print “Frederic Remington 1901”, also “Copyright 1901 by Robert Howard Russell” SIZE: Sight: 19″ x 14-1/2″ Overall: 21″ x 16-1/2″ CONDITION: Foxing spot above head, crease in lower left corner, some other minor imperfections, generally good 9-94502 (2,000-4,000) – Lot 1300

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861 – 1909) “THE HALF-BREED”.

Chromolithograph Housed in an antique stained oak frame behind glass Signed and titled in the print bottom right SIZE: Sight: 16-3/4″ x 11-1/4″ Overall: 23″ x 17-1/2″ CONDITION: Very good 9-94501 (2,000-4,000) – Lot 1301

CHARLES (OR CARL) SCHREYVOGEL (American, 1861 – 1912) “DISPATCH BEARERS”.

Lithograph Housed in a black frame with shadowbox type glass front Signed in the print “Cha’s Schreyvogel” bottom right, also “Copyright 1900″ bottom left SIZE: Sight: 19″ x 13-3/4″ Overall: 24″ x 18-1/2” CONDITION: Time toned, otherwise very good 9-94504 (1,500-2,500) – Lot 1302

CHARLES (OR CARL) SCHREYVOGEL (American, 1861-1912) WAR WHOOP .

Lithograph Housed in a fine wood frame with gold liner, watercolor highlighted mat Signed lower right in the print “Copyright 1900 by Chas Schreyvogel” and lower left an embossed artist copyright stamp SIZE: Sight: 19″ x 13-3/4″ Overall: 30-1/2″ x 24-1/2″ CONDITION: Generally very good, some minor imperfections 9-94505 (1,500-2,500) – Lot 1303

UNSIGNED (American, 19th/20th Century) PORTRAIT OF A NATIVE AMERICAN.

Oil on canvas Housed in a very fine carved black walnut deep frame with gold liner, the edge with carved simulated twig motif Unsigned SIZE: 30″ x 16″. Overall: 37-1/4″ x 23-1/2″ CONDITION: Lined, inpainting, very good 9-93521 (800-1,200) – Lot 1304

GEORGE STANLEY (American, 20th Century) NATIVE AMERICAN.

Oil on canvas board Housed in an attractive hand-made wooden frame carved and painted to simulate birch trees Signed, “GEO. STANLEY” in lower right SIZE: 13” x 9”. Overall: 16-3/4″ x 13″. CONDITION: Very good 8-86032 (300-500) – Lot 1305

DAVE MCGARY (American, 1958-2013) “A MATTER OF HONOR”.

Polychrome bronze with maquette finish Square base bronze mounted to a stepped walnut wood plinth with title “A Matter of Honor, Crow King-June 1876 Dave McGary” Signed on base of bronze and edition “30/30″ NOTE: This is the second bronze sculpture in the trilogy of Crow King. Crow King, a Hunkpapa Sioux Chief, commanded the Mountain Warriors at the Battle of Little Big Horn in 1876 and was instrumental in preventing Custer’s troops from reaching the river. SIZE: Bronze: 38-1/2″ h x 29-1/2″ w. Total: 45-1/2”. Base: 23-1/2″ w x 14″ d PROVENANCE: From a fine private Long Island, NY collection. CONDITION: Very good to excellent. 9-93429 (5,000-10,000) – Lot 1306

AFTER CARL KAUBA (American, 1965-1922) WAR & PEACE.

Finely modeled and poly-chrome painted bronzes Mounted on stone bases Signed C Kauba SIZE: 32″ tall. CONDITION: Very good with high spot wear 9-93564 (1,000-2,000) – Lot 1307

AFTER FREDERIC REMINGTON (American, 1861-1909) “THE SARGENT”.

Bronze Mounted on black marble plinth Inscribed on reverse “copyright by Frederic Remington.” Stamped “Remington Bronze Works NY 115” also bearing the artists signature on left side “Frederic Remington” SIZE: 12″ H. CONDITION: Slight high spot wear to patina 7-70725 (2,500-3,500) – Lot 1308

FRANZ XAVER BERGMAN (Austrian, 1861-1936) COLD PAINTED BRONZE TABLE LAMP “THE CARPET SELLER”.

Large bronze in form of a table lamp Marked on reverse with Bergman impressed vase mark SIZE: 19-1/2″ t. PROVENANCE: New London, Connecticut home. CONDITION: Very good, normal wear to painted surfaces, losses to paint on palm fronds, loss to 1 palm frond 9-93104 (7,000-10,000) – Lot 1309

SIGNED (Second half of the 20th Century) SCULPTURE WITH CROW ON DRIFTWOOD.

Bronze Mounted atop a long bronze Signed indistinctly under tail with “2/8″ SIZE: 104″ l X 32” t. CONDITION: Very good with great dark patina 9-93220 (8,000-12,000) – Lot 1310

T.J. PAIRPOINT ZINC GARDEN STATUE.

Late 19th/Early 20th century, Boston. This rare example features a large elk standing on a rocky ledge Signed near base “T.J. Pairpoint Sc.” SIZE: 31-1/2″ H CONDITION: Very good polychrome paint, old if not original 9-93793 (1,600-1,800) – Lot 1311

ANTON CHOTKA (Austrian, 1875-1925) PAIR OF REARING ELEPHANT BOOKENDS.

Patinated bronze Natural design bronze bases Signed “Chotka, Austria” on bases SIZE: Each is 8-1/4″ t. CONDITION: Very good, very light high spot wear, loss to end of 1 tusk 9-93174 (1,500-2,500) – Lot 1312

SIGNED “MILO” (20th Century) RHINOCEROS.

Bronze Mounted on a black marble plinth Signed “Milo” SIZE: Overall 7″ H, Rhino 6 1/2″ L CONDITION: Very good condition, minor chip on marble plinth. 9-94416 (500-700) – Lot 1313

PHIL VANDERLEI (American, 20th century) BRONZE STANDING EAGLE.

Limited edition bronze No. 127 of an edition of 200 M Mounted on a walnut base Accompanying this lot is a collector’s certificate from the Vanderlei collection SIZE: 15″ t. PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. CONDITION: Very good 9-93127 (500-700) – Lot 1314

MICHAEL L. GRESSEL (American 1902-2000) “COURAGEOUS IN WORD AND DEED”.

Carved marble relief depicting Charles Lindbergh Mounted to a rectangular slate slab Signed “M. Gressel” at base of neck SIZE: 12″ x 9″. Overall: 13″ x 10″ CONDITION: Very good 9-94419 (400-600) – Lot 1315

AFTER GASTON LACHAISE (American/French, 1882-1935) FIGURE OF AN ACROBAT.

Bronze Bearing mark “ALVA 12.7.2″ Mounted on stepped bronze base SIZE: 16 3/4” H CONDITION: Condition very good with light high spot wear 9-93567 (1,500-2,500) – Lot 1316

CHAIM GROSS (American/Austrian, 1904-1991) FIGURE OF A NUDE.

Painted plaster Tapering plaster pedestal Signed on reverse “Chaim Gross” SIZE: 7″ H, 13 1/2″ W, 4″ D CONDITION: Plaster in very good condition with flake losses to surface paint 9-93565 (800-1,200) – Lot 1317

ATTRIBUTED TO ALEXANDREW KELETY (French, 1874-1940) PAIR OF FRENCH ART DECO FIGURAL BRONZE BOOKENDS.

Bronze Both mounted on green marble bases marked “Made in France” Both marked “24” SIZE: Each is approx 8-1/2″ t. CONDITION: Each in very good condition with remnants of original silvered surface. 9-93205 (2,000-3,000) – Lot 1318

PAIR OF BRONZE BOOKENDS WITH SCHOOL OF FISH.

First half 20th century, probably made by Gorham Foundry Co., unmarked. Pair of heavy bronze bookends featuring a stylized ocean wave with a school of fish. Numbered “0551” on edge. Nice detail & patina. SIZE: Each is 6″ h x 4-1/2″ w x 2″ d. CONDITION: Very good, normal high spot wear, minor tarnish, having nice green background patina toned to brassy & bronzy highlights. 9-93191 (800-1,200) – Lot 1319

JAMES RIZZI (American, 1950 – 2011) VARIED LOT OF PRINTS AND PAINTINGS .

1) Two people kissing Original gouache on paper Housed in a white frame with glass Signed bottom right “Jimmy Rizzi 1997” 2) Smiling cactus Original oil on canvas Unframed Signed bottom left “Rizzi 98”, also inscribed and signed on reverse 3) Marker sketch of girl Black marker on paper Unframed Signed lower right “Rizzi 97” 4) Flower pothead 3-D color serigraph Housed in a Rizzi frame with applied flowers and shadowbox presentation Signed lower left “Rizzi” and “170-350”, also having inscription “To Jenny” on verso 5) Two 3″ x 4″ serigraphs – Johnny on the Pony and Stick-em Up 6) Also included are a number of commercial prints and flat items. A jacketed book titled “Rizzi” with decoupaged inside cover and signed marker sketch dated “97” SIZE: 1) 8″ x 10-1/4″ Overall: 10″ x 13″ 2) 7″ x 5″ 3) 11-1/2″ x 7-1/2″ 4) 5″ x 3-1/2″ Overall: 13-1/2″ x 12″ PROVENANCE: Directly from the family of his assistant, Jenny. CONDITION: Generally very good 9-94496 (2,000-4,000) – Lot 1320

IAN GAGE (American, 1990 -) RELEVANCE PARADOX II.

Oil on canvas Unframed Signed on verso with title and date of 2014 SIZE: 24″ x 24″ CONDITION: Very good to excellent 9-93865 (500-1,000) – Lot 1321

RALSTON CRAWFORD (American, 1906 – 1978) CHURCH ABSTRACT.

Watercolor Housed in a thin gilt frame with glass and two mats Signed lower right “Ralston Crawford” and inscribed lower left “Wells” SIZE: Sight: 6-1/2″ x 9-1/2″ Overall: 15″ x 19-1/2″ CONDITION: Very good 7-70758 (3,000-5,000) – Lot 1322

WILLIAM HORACE LITTLEFIELD (American, 1902 – 1969) AND ELENA JOHN CLOUGH (American, Mid-20th Century) OCTOBER IN JUNE AND ABSTRACT.

Watercolors Housed in a decorative wood frame with glass Signed lower left “WC” and dated “6/16/62” and signed lower right “Elena John Clough ’62” SIZE: Sight: 12 x 7-1/2″ and 7-1/2″ x 10-1/2″ Overall: 21″ x 17″ and 13-1/2″ x 15-3/4″ CONDITION: Very good 7-70717 (500-700) – Lot 1323

RAI (Asian, Mid-20th Century) “#32” ABSTRACT.

Oil on canvas Housed in a simple white painted wood frame Signed lower left with Japanese block chop signature also “RAI-62″ SIZE: 22″ x 14-1/2″ Overall: 22-3/4″ x 15-1/4” CONDITION: Very good, one small push in top right 7-70716 (400-600) – Lot 1324

DAVID HARE (American, 1917-1992) “HEAD”.

Oil on masonite Housed in a simple wood frame edging Signed on verso “Hare – 1966″ and title SIZE: Sight: 54-1/2″ x 40”. Overall: 56″ x 40-1/2″ CONDITION: Good 9-94407 (1,000-1,500) – Lot 1325

CYNTHIA PACKARD (American, 1957 – ) “STRIPES”.

Oil and pencil on paper Housed in a modern metal frame – free mounted with white backing Signed lower right “Cynthia Packard 88″ SIZE: 29″ x 23″ Overall: 30″ x 24” CONDITION: Very good 9-93093 (500-700) – Lot 1326

WILLIAM MEYEROWITZ (American, 1887-1981) DANCERS.

Etching Housed in a modern frame with double mat Signed in pencil lower right, also “4/5″ lower left SIZE: Sight: 13″ x 9-1/4″ Plate Size: 12-1/4″ x 8-1/2″ Overall: 21-1/2″ x 18-3/4” CONDITION: Not examined out of frame, small tear at margins, otherwise very good 9-93213 (300-500) – Lot 1327

GARY WOO (American, 1925 – 2006) CITY SKYLINE.

Oil on canvas Housed in a simple slat frame Signed upper right “Gary Woo”, also signed on verso and dated “5/7/1957″ SIZE: 8″ x 25″ Overall: 8-3/4″ x 25-1/2” CONDITION: Very good 9-94197 (800-1,200) – Lot 1328

BENNY CARTER (American, 1943 – ) FREEDOM FOR ALL, NYC.

Oil on wood panel Housed in its artist rendered flat wood frame with painted design Signed with initial lower right “BTC” SIZE: Sight: 43″ x 26-1/2″ Overall: 51″ x 33″ CONDITION: Very good 7-75055 (800-1,000) – Lot 1329

ALBERT ADAMS (American, 20th Century) “HARBOR APPLIQUE”.

Gouache Housed in its original white painted frame with glass Unsigned front, signed & titled on verso along with two other exhibition labels including CT Watercolor Society Annual Exhibition SIZE: 24″ x 30″. Overall: 27-1/4″ x 33-1/4″ CONDITION: Very good 7-70764 (700-900) – Lot 1330

LAWRENCE A LEBDUSKA (American, 1894-1966) ON THE OUTSKIRTS OF TOWN.

Watercolor on paper Housed in a contemporary gilt wood frame Signed lower right “Lebduska” SIZE: 12-1/2″ X 9″ Overall: 17-3/4″ x 14-1/4″ CONDITION: Very good 7-70726 (600-800) – Lot 1331

PAUL BOUGH TRAVIS (American, 1891-1975) TIGER IN LUSH SETTING.

Gouache Housed in a modern walnut wood frame with white matte Signed lower right “Paul Travis #5 1956″ Paul Travis was a well respected painter, print maker and teacher. Usually referenced as an Ohio painter, he also traveled and taught in Europe, and in 1927 traveled extensively in Africa; his experiences there can be seen in much of his later work. Widely exhibited, venues include the Museum of Modern Art, the Art Institute of Chicago, the Brooklyn Museum and the Corcoran Gallery Biennials, among others. SIZE: Sight: 19″ x 26-3/4”. Overall: 28″ x 35-1/2″ CONDITION: Very good to excellent, not examined out of frame 7-70658 (1,200-1,600) – Lot 1332

AFTER PABLO PICASSO (Spanish, 1881-1973) “DOVE OF PEACE”.

Color offset lithograph Housed in a contemporary gold frame Signed in the plate. Also signed in graphite lower right “Picasso” Numbered 4/30 lower left SIZE: 19-1/2″ x 25-1/2″ Overall: 20-3/4″ x 26-3/4″ CONDITION: Good, time toning and stain to lower left 9-93950 (1,000-2,000) – Lot 1333

AFTER PABLO PICASSO (Spanish, 1881-1973) “POUR ROBIE”.

Etching Housed in gold metal and wood frame Signed at lower center in plate Not examined out of frame SIZE: 9-1/2″ x 7″ Overall: 15″ x 12″ CONDITION: Time toning. Not examined out of frame 9-93094 (300-500) – Lot 1334

Revised: 8/18/2014

Pencil signed “Marc Chagall” and “19/50”, (not “19/15”).

MARC CHAGALL (FRENCH/RUSSIAN, 1887-1985) “LE REPOS”.

Lithograph Housed in a modern gilt frame with white mat having a gold edge behind glass Pencil signed lower right “Marc Chagall” and “19/15″ lower left SIZE: Sight: 14-1/2″ x 20-1/4”. Overall: 24″ x 30″ CONDITION: Not examined out of frame, very good 7-70662 (4,500-5,500) – Lot 1335

ALEXANDRA NECHITA (American/Russian, 1985-) “CHEERFUL NEW FRIEND”.

Lithograph on paper Housed in a modern gilt frame with linen matte having gold beaded edge behind glass Pencil signed “Nechita 99” Also “A.P. 31/50″ over the embossed Mourlot, Paris seal A color photograph of the artist with our consignor’s father with this artwork hanging on the wall accompanies the painting along with three newspaper clippings about the artist, a 10″ x 8” printed quote by the artist titled “Cheerful New Friend Portfolio V 1 of 2”; and a Duven Fine Art reception card titled “New Friends-New Lessons” 2001. SIZE: Sight: 28″ x 19-1/4″. Image: 26″ x 17-1/2″ Overall: 41″ x 32″ CONDITION: Very good to excellent, not examined out of frame 7-70657 (1,000-1,500) – Lot 1336

SIMKA SIMKHOVITCH (American/Russian, 1893 – 1949) FLOWERS IN A PITCHER.

Oil on academy board Housed in a decorated ripple edge frame with glass Unsigned SIZE: 21-1/2″ x 18″ Overall: 25-3/4″ x 22-1/4″ CONDITION: Small losses, good 9-94217 (1,500-2,000) – Lot 1337

FILIP MALYAVIN (RUSSIAN, 1869-1940) SHOULDER PORTRAIT OF A WOMAN.

Oak on canvas Housed in a modern gold frame with linen liner Unsigned SIZE: Sight: 16″ x 20″ Overall: 22″ x 26″ CONDITION: Lined on new stretcher, craquelure, some inpainting 9-94402 (2,000-3,000) – Lot 1338

NICOLAI S. (NICOLA) CIKOVSKY (American/Russian Federation, 1894 – 1984) WOMAN WITH LUTE.

Oil on board Housed in a carved wood frame with linen and gilt liner Signed lower right “N. Cikovsky” SIZE: Sight: 17-1/2″ x 13-1/4″ Overall: 23-3/4″ x 19-1/2″ CONDITION: Very good, some inpainting mainly to bottom edge 9-94244 (500-1,000) – Lot 1339

UNSIGNED (Eastern European 19th century or earlier) SAINT VERONICA HOLDING THE VEIL OF VERONICA.

Oil on leather Self framed with molded wood edge on wood panel Note: According to Roman Catholic tradition, Veronica was moved with pity when she saw Jesus carrying his cross to Golgotha and gave him her veil that he might wipe his forehead. Jesus accepted the offering, held it to his face, and then handed it back to her—the image of his face miraculously impressed upon it. This piece of cloth became known as the Veil of Veronica. SIZE: 14-1/4″ x 11″. Overall: 16-1/4″ x 13-1/2″ PROVENANCE: From a coastal Maine collection CONDITION: Leather has curled at edges and some damage in upper left corner, surface dirt 9-93199 (500-1,000) – Lot 1340

P.V. (Russian, late 18thCentury) SAINT GEORGE SLAYING THE DRAGON.

Tempera on wood panel Written at top in Old Russian “Holy Magnificent Benefactor” Signed on reverse with Cyrillic initials, also with other writing in Old Russian on verso SIZE: 14″ x 12″ CONDITION: Bow to panel which is not a fault to the condition of the icon but the way the board was constructed to give more prominence to the piece and create an additional 3 dimensional view for the onlooker, light grain chips. 9-94487 (1,500-2,000) – Lot 1341

UNSIGNED (European, 19th century or earlier) RELIGIOUS ICON.

Oil on wood panel Unframed Unsigned SIZE: 18″ x 13″ PROVENANCE: From a coastal Maine collection CONDITION: Insect damage to panel, large losses at corners, several chips and some inpainting. Generally intact 9-93599 (300-500) – Lot 1342

UNSIGNED (19TH Century) GUARDIAN ANGEL.

Oil on canvas Housed in an antique gesso decorated frame with gilt liner Unsigned SIZE: 27″ x 21-1/2″ Overall: 34-1/2″ x 30-1/2″ CONDITION: Craquelure, surface dirt, some chipping to bottom section 9-94040 (2,000-3,000) – Lot 1343

UNSIGNED (Eastern European, 19th Century or earlier) PORTRAIT OF JOANNES NEPOMUCE (JOHN OF NEPOMUK, NATIONAL SAINT OF THE CZECH REPUBLIC).

Oil on canvas Unframed Unsigned SIZE: 33″ x 27″ CONDITION: Lined, some inpainting 9-93117 (1,000-1,500) – Lot 1344

UNSIGNED (Venetian School, 18th century style) “NEPTUNE AND HIS ATTENDANTS.

Out of canvas Oval format Unframed Unsigned SIZE: 20″ x 14″ Overall CONDITION: Good Lined 7-74826 (400-600) – Lot 1345

PIERRE JOSEPH REDOUTE (French, 1759-1840) “ELABORATE NATURE STILL LIFE WITH SUMMER FLOWERS”.

Mixed media including watercolor, pencil, body color, gum Arabic and black chalk on vellum Framed in elaborate Louis XIV style Labeled Heydenryk frame Signed lower right “P.J. Redoute 1839″ Known as the “Raphael of flowers”, Pierre Joseph Redoute was the official court painter of Marie Antoinette at Versailles, and later of Josephine Bonaparte’s at Malmaison. While the Belgian painter and botanist was primarily self taught (within a family of artists), ultimately he was guided into the much respected field of botanical illustration. Under the direction of several acclaimed instructors he came to catalog and dissect flora in various collections and participate in several botanical expeditions. SIZE: 14″ x 11″ Overall: 21-1/2″ x 18-1/2” PROVENANCE: Private New England collection CONDITION: Good, tear repair with tape to left margin, slight inclusion into black image. Ripples in vellum & minor loses and toning 7-74752 (3,000-5,000) – Lot 1346

AFTER PIERRE JOSEPH REDOUTE (French, 1759-1840) “BANANIER CULTIVE/MUSA PARADISIACA”.

Colored engraving No 444 Engraved by De Goury Housed in a gilt modern frame with watercolor lined mat & glass SIZE: Sight: 20″ x 14-1/4″ Overall: 31″ x 23″ CONDITION: Foxing, small tear in top edge. Not examined out of frame, otherwise very good 7-74810 (200-300) – Lot 1347

AFTER PIERRE ANTOINE POITEAU (French 1766 – 1854) AND JOHANN WILHELMM WEINMANN (German/Polish) 6 BOTANICAL ENGRAVINGS.

Colored engravings Housed in modern decorative frames with watercolor highlighted mats 2 signed “Poiteau” in prints The 4 Weinmann unsigned Note: titles for the 2 Poiteau: “Abricote de Holland” and “Albergier Franc.” Weinmann: “N.675,” “N. 431,” “N.945,” “N.976.” SIZE: Poiteau: sight size 13″ x 10″. Overall: 24″ x 17-1/4″ Weinmann: 13-1/2″ x 9″. Overall: 20-1/4″ x 15-1/2″ CONDITION: Not examined out of frame, Poiteau: age toning and spot foxing, Winmann: Very good 7-74750 (300-500) – Lot 1348

ALFRED RENAUDIN (French, 1866-1944) “LA BUTE IN 1916”.

Oil on canvas Housed in a fine gilt fancy frame with linen & gilt liner Signed lower right “A Renaudin” and titled below SIZE: 20″ x 28″. Overall: 29″ x 37″ CONDITION: Very good with minor touch up 9-94208 (2,000-4,000) – Lot 1350

PAUL PLACE-CANTON (French, 1862 – 1908) BOATS ALONG THE WATER.

Oil on wood panel Housed in a modern gilt frame Signed on reverse with oval stamp SIZE: 15″ x 22″ Overall: 18-1/2″ x 25-3/4″ CONDITION: Very good 7-70762 (1,500-2,500) – Lot 1351

JULES DESPRES (French, 19th Century) FIGHTING THE STORM.

Watercolor Housed in original gilt frame with linen mat in gilt liner behind glass with corner losses Signed lower left “Jules Despres” SIZE: Sight: 13″ x 9-1/2″ Overall: 22-1/4″ x 18-1/2″ CONDITION: Very good 9-93848 (700-900) – Lot 1352

LEONARD C. LANE (American, 1910 – 1978) “SOFTLY INTO NIGHT”.

Oil on canvas Housed in a carved and partial gilt wood frame with white liner, with artist and title plaque, having a Grand Central Art Galleries New York label verso Signed lower left “Leonard C Lane” SIZE: 20″ x 26″ Overall: 29-1/2″ x 35-1/4″ CONDITION: Very good 9-94157 (2,000-3,000) – Lot 1353

JOHN CUTHBERT HARE (American, 1908-1978) COASTAL LIGHTHOUSE.

Oil on canvas Housed in it original painted wood frame Signed lower right “John Hare” SIZE: 20″ x 16″ Overall: 25-3/4″ x 21-3/4″ CONDITION: Very good 9-94332 (1,500-2,500) – Lot 1354

GEORGE MCCONNELL (American, 1852 – 1929) NUBBLE LIGHTHOUSE, CAPE NEDDICK, MAINE.

Oil on board Housed in an antique gilt frame Signed lower left “Geo McConnell 1908″ SIZE: Sight: 6″ x 15”. Overall: 8″ x 17″ CONDITION: Very good 7-70659 (800-1,200) – Lot 1355

ANSEL B. STERLING (American, 20th Century) COASTAL MAINE LIGHTHOUSE.

Oil on canvas Unframed Signed middle right “Ansel B. Sterling ’73” SIZE: 26″ x 36-1/2″ CONDITION: Craquelure with chipping, fair 9-94319 (500-800) – Lot 1356

GEORGE TURLAND (GOOSEY) (American/British, 1877-1947) CORNISH SEACOAST.

Oil on wood panel Housed in a modern gilt frame Signed lower right “Geo Turland” SIZE: 20″ x 24″ Overall: 25-1/2″ x 29-1/2″ CONDITION: Very good, light scuff in ocean 9-94291 (800-1,200) – Lot 1357

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) FISHING BOATS, VENICE, ITALY.

Oil on loose canvas backed with Masonite Housed in a modern gilt frame Signed lower right “Geo Turland” SIZE: 12″ x 16″ Overall: 17-1/4″ x 21-1/4″ CONDITION: Some inpainting, very good 9-94292 (800-1,200) – Lot 1358

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) SHIPS AT HARBOR.

Oil on paperboard Housed in a gilt modern frame Signed lower right “Geo Turland” SIZE: 12″ x 16″ Overall: 17-1/4″ x 21-1/4″ CONDITION: Very good 9-94296 (800-1,000) – Lot 1359

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) DOCKED SAILING VESSEL.

Oil on paperboard back with Masonite Housed in a gilt modern wood frame Signed lower right “Geo Turland” SIZE: 16″ x 12″ Overall: 21-1/2″ x 17-1/2″ CONDITION: Very good 9-94293 (600-800) – Lot 1360

JANE PETERSON (American, 1876 – 1965) GREEN SCHOONER AT DOCK.

Oil on board Housed in a gilt molded wood modern frame Signed lower right “Jane Peterson” SIZE: 20″ x 23″. Overall: 25-3/4″ x 28-1/2″ CONDITION: Very good with inpainting 9-28551 (4,000-6,000) – Lot 1361

ATTRIBUTED TO JANE PETERSON (American, 1876 – 1965) STROLLING ON THE DOCK WITH SAILBOATS.

Watercolor/gouache Housed in a fine ribbed modern gilt frame with linen/gold liner in glass Signed lower right “Jane Peterson” SIZE: Sight: 13-1/4″ x 21-3/4″. Overall: 24-1/2″ x 32-3/4″ CONDITION: Very good 9-29399 (3,000-5,000) – Lot 1362

MEL BOLDEN (American, 1919-2000) 1950’s ILLUSTRATION.

Gouache/watercolor Housed in a modern wood frame with double mats & glass Signed lower right “Mel Bolden” SIZE: Sight: 16-1/2″ x 27″. Overall: 24″ x 34-1/4″ CONDITION: Very good to excellent, not examined out of frame 7-70715 (500-700) – Lot 1363

LYNN BOGUE HUNT (American, 1878-1960) TWO WORKS: MOURNING DOVES AND BAND-TAILED PIGEONS.

Gouache on board Housed in identical painted wood frames, several identification labels on versa Signed lower left and right “Lynn Bogue Hunt” From a simple line drawing for a the magazine “Sports Afield” in 1897, to an elaborate cover for “Field and Stream” in 1951, Lynn Hunt has come to be seen as one of the most important American wildlife artists. Hunt worked the Golden Age of magazine illustration, and was undoubtedly one of the stars that made the decades around the turn of the century so memorable. With over 100 covers for “Field and Stream” alone, other publications to which he contributed include “Collier’s” and the “Saturday Evening Post” among others. Hunt is known for creating one of the earliest duck stamp illustrations, as well as illustrating more than 40 books. SIZE: 9-1/2″ x 13-3/4″ and 10″ x 14-1/2″ Overall: 11-1/4″ x 15-1/2″ and 12″ x 16-1/2″ CONDITION: Very good 9-93846 (3,000-5,000) – Lot 1365

Revised: 8/18/2014

Artist is American/Romanian, not American/Russian.

STOW WENGENROTH (American, 1906 – 1978) A BALTIMORE ORIOLE STILL LIFE.

Watercolor Housed in a gilt molded wood frame with linen mat Signed lower left “Stow Wengenroth” SIZE: Sight: 16″ x 11-1/2″ Overall: 25-1/2″ x 20-1/2″ CONDITION: Very good 7-70767 (1,000-1,500) – Lot 1366

LEANDER ALLEN PLUMMER II (American, 1857 – 1914) TWO WORKS: CANVASBACK DUCKS.

Oil on canvas Housed in identical black painted wood frames One signed “L.A. Plummer” lower right, the other unsigned SIZE: 18″ x 24″ Overall: 20″ x 26″ CONDITION: Very good 9-93517 (1,500-2,500) – Lot 1367

WILLIAM P. TYNER (American, 1935-1987) WOODCOCK IN FLIGHT.

Watercolor on paper Housed in a period oak frame with gilt liner Signed lower right “WM P. Tyner” SIZE: 17-3/4″ X 28-3/4″ Overall: 24-1/4″ X 35-1/4″ CONDITION: Good, not examined out of frame 9-94118 (800-1,200) – Lot 1368

HANK (HENRY) A. WALKER (American, 1919 – 1995) DUCK HUNTERS.

Watercolor Housed in its original weathered white painted wood frame Signed lower left “Hank Walker” SIZE: Sight: 10-1/4″ x 14-1/4″ Overall: 20″ x 24″ CONDITION: Very good 9-93449 (800-1,200) – Lot 1368a

ALFRED AUGUSTUS GLENDENNING SR (United Kingdom, 1840-1910) COWS & SHEEP WITH MOUNTAIN LAKE.

Oil on canvas Housed in a period gesso decorated gilt frame Signed lower left with initial monogram and dated “1876” SIZE: 15″ x 30″. Overall: 23″ x 38″ CONDITION: Some inpainting, craquelure with chips 9-92856 (600-900) – Lot 1369

FRANZ KARGL (Austrian, 1834) PAIR OF LANDSCAPES WITH HUNTER AND SHEEP.

Oil on wood panel Housed in magnificent original gesso decorated gilt frames with gilt fancy liners Signed lower left “F.Th. Kragl” SIZE: 14-1/2″ x 23″ Overall: 26″ X 34-1/2″ CONDITION: Some scuffing at frame edges 9-94255 (1,500-2,500) – Lot 1370

JOSEF WILLROIDER (Austrian, 1838-1915) POLING THE RIVER; A WESTERN LANDSCAPE.

Oil on canvas Housed in a period gilt wood frame Signed lower right “J.Wilroider…’76” SIZE: 13″ x 21-1/2″ Overall: 17″ x 25-1/2″ CONDITION: Very good, lined, scattered retouch and repair 9-94205 (1,500-2,500) – Lot 1371

C. CARLO (KARL KAUFMANN) (Austrian, 1843-1902) A VIEW IN HAARLEM NETHERLANDS.

Oil on canvas board Housed in a period gilt wood frame Signed lower right “C.Carlo” SIZE: 15″ X 23″ Overall: 18-1/4″ X 26-1/4″ CONDITION: Very good 9-94191 (1,000-2,000) – Lot 1372

ANTHONORE CHRISTENSEN (Denmark, 1849-1926) ALPINE FLOWERS.

Oil on canvas Housed in a good gilt carved wood frame Signed lower left with initials, date “190?” and “Schwiez” Penned label on verso with artist & title in Danish SIZE: 23-3/4″ x 33-1/2″. Overall: 31″ x 41″ CONDITION: Very good 7-70692 (1,500-3,000) – Lot 1373

AFTER FRITS THAULOW (Norwegian/French, 1847 – 1906) COTTAGE BY THE RIVER.

Oil on canvas Housed in a gilt and ebonized frame Signed lower right “Frits Thaulow” SIZE: 17-3/4″ X 24-1/2″. Overall: 22-1/4″ X 28-1/4″ CONDITION: Very good with surface dirt and stretcher lines evident. 9-94406 (800-1,200) – Lot 1374

HELENE MASS (Austrian, 1871-?) YELLOW TREE.

Woodcut on tissue paper Unframed but matted Signed lower right “H Mass” SIZE: Sight: 4-1/4″ x 4-1/4″ Actual: 6-3/4″ x 5-1/2″ CONDITION: Time toned 7-74840 (200-300) – Lot 1375

ALFRED FREDERICK WILLIAM HAYWARD (American/United Kingdom, 1856 – 1939) ROSE STILL LIFE.

Oil on canvas Housed in its original gilt and green painted frame Signed lower left “AFW Hayward”, also titled and signed on verso SIZE: 13-3/4″ x 10-3/4″ Overall: 16″ x 13″ CONDITION: Very good 7-70765 (1,500-2,500) – Lot 1376

N. D. ELTING (American, fl c.1890) ALCOVE STILL LIFE.

Oil on canvas Housed in its original gilt shell decorated frame Signed lower right “ND Elting” SIZE: 15″ x 20″ Overall: 21″ x 25-3/4″ CONDITION: Two patches to reverse with corresponding inpainting, craquelure, otherwise good 9-94330 (1,500-2,500) – Lot 1377

J. MARC (19th/20th Century) BASKET OF PANSIES.

Oil on canvas Housed in a fancy gilt frame Signed middle right “J Marc” SIZE: 18″ x 21-1/2″ Overall: 23-1/2″ x 27″ CONDITION: Very good 7-70763 (1,000-1,500) – Lot 1378

OSCAR C. GIEBERICH (American, 1886-) “THE VILLAGE SHORE”.

Oil on board Housed in a fine original carved wood gilt frame Signed lower left “Oscar Gieberich” The Casson Galleries, Boston label to verso While Gieberich studied at the Art Students League in New York, he most often associated with the Provincetown art colony. Initially he came to Provincetown to study with Charles W. Hawthorne, once there however his involvement in the community grew. He played a major role in the organization of the Provincetown Art Association—he was a member of its first committee, which also included artists Edwin Dickinson, Gerrit Beneker and Oliver Chaffee, and was also a member of the Beachcombers. SIZE: 20-1/2″ x 23-1/2″. Overall: 28″ x 31″ CONDITION: Very good 7-74830 (800-1,200) – Lot 1379

MARSHALL JOHNSON JR (American, 1850-1921) MARINE SCENE.

Oil on canvas Housed in a period gilt wood frame Signed lower left “Marshall Johnson” SIZE: 10″ x 14″. Overall: 13-1/2″ x 17-1/2″ CONDITION: Original condition with surface grime 9-93211 (800-1,200) – Lot 1380

MORRIS HALL PANCOAST (American, 1877 – 1963) WINDY HARBOR.

Oil on canvas Housed in a gilt period frame Signed lower left “Morris Hall Pancoast” SIZE: 13-1/2″ x 13-3/4″ Overall: 15″ x 15-1/2″ CONDITION: Lined, heightened signature, inpainting, good 9-94446 (800-1,200) – Lot 1381

WILLIAM (WILHELM) FREDERICK RITSCHEL (American, 1864 – 1949) PREPARING THE BOAT AT LOW TIDE.

Watercolor Housed in its original gilt frame behind glass Signed lower right “Wm Ritschel 1902” and inscribed “To my friend F. Russell Grecil” SIZE: Sight: 13″ x 9-3/4″ Overall: 16-1/2″ x 13-1/2″ CONDITION: Very good 9-94090 (800-1,200) – Lot 1382

ALFRED THOMPSON BRICHER (American, 1837 – 1908) COASTAL VIEW.

Watercolor Housed in what appears its original gilt frame with gilt liner having major edge losses Signed lower right with conjoined initials “A T Bricher” SIZE: Sight: 20-3/4″ x 14-3/4″ Overall: 29-1/4″ x 23″ CONDITION: Foxing with some light fading 9-93528 (800-1,200) – Lot 1383

GEORGE TURLAND (GOOSEY) (American, 1877 – 1947) CEYLON 1935.

Oil on paperboard backed with Masonite Housed in a gilt modern frame Signed lower right “Geo Turland” SIZE: 12″ x 16″ Overall: 17-1/4″ x 21-1/4″ CONDITION: Very good 9-94295 (700-1,000) – Lot 1384

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) CHAPEL AND FISHERMAN’S COVE.

Oil on paperboard Housed in a gilt modern frame Signed lower right “Geo Turland” SIZE: 12″ x 16″ Overall: 17-1/4″ x 21-1/4″ CONDITION: Very good, some small chips 9-94299 (700-900) – Lot 1385

GEORGE TURLAND (GOOSEY) (American/British, 1877 – 1947) ENGLISH COAST, ISLE OF WIGHT.

Oil on paperboard backed with Masonite Housed in a gilt modern wood frame Signed lower right “Geo Turland” SIZE: 12″ x 16″ Overall: 14-1/4″ x 18-1/4″ CONDITION: Very good 9-94298 (600-800) – Lot 1386

SIGNED (British School, 19th Century) THATCHED COTTAGE IN THE COUNTRY.

Oil on board Housed in a fine period gesso decorated frame with gilt liner Signed lower right indistinctly, possibly C T Metachel SIZE: 12-1/2″ x 21″ Overall: 22-1/4″ x 30-1/2″ PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard. Purchased from Kaja Veilleux, 11.5.96. CONDITION: Very good 9-93131 (800-1,200) – Lot 1387

AFTER JOHN CONSTABLE (British, 1776 – 1837) ENGLISH LANDSCAPE.

Watercolor Housed in a modern gilt frame with water highlighted mats Signed lower right “JC” Several partial but original labels on reverse, including Raydon Gallery NY SIZE: Sight: 8-3/4″ x 12-3/4″ Overall: 20″ x 24-1/2″ CONDITION: Very good 9-94259 (2,000-4,000) – Lot 1388

AFTER JOHN CONSTABLE (British, 1776-1837) PLOUGHING.

Lead pencil on paper Housed in a gold frame with highlighted matte having some losses to gilt Unsigned SIZE: Sight: 4″ x 7-3/4″. Overall: 11-1/4″ x 14-1/2″. CONDITION: Very good. 7-73532 (200-300) – Lot 1389

GEORGE HAVELL (British, 19th Century) PORTRAIT OF A TERRIER IN LANDSCAPE.

Oil on canvas Signed lower right “G Havell 1832″ Housed in a gilt decorated wood frame NOTE: Information written on verso paper indicates that this dog was owned by Thomas Pearson of Kendal & Queens College, Oxford. In the background are the Spires of Oxford and the view is from Hinksey on Boar’s Hill. Along with some previous history SIZE: 23″ x 30-1/4”. Overall: 27-3/4″ x 35-1/4″ PROVENANCE: From a Santa Fe, NM collection; Bonham’s 2/12/08 CONDITION: Relined, restored with inpainting, very good 9-91799 (1,000-1,500) – Lot 1390

GEORGE WILLIAM HORLOR (United Kingdom, 1823-1895) THE PLAYFUL PUPPY.

Oil on board Housed in an antique gilt wood frame with gilt liner Unsigned SIZE: 8-1/4″ x 12-1/2″. Overall: 16″ x 20″ PROVENANCE: From a Santa Fe, NM collection; Christies 11/28/07 CONDITION: Very good with minor touch up 9-91823 (1,000-2,000) – Lot 1391

C ELLIS? (European, 19th Century) TWO SPANIELS ON A TABLE.

Oil on canvas Housed in a good gilt gesso decorated frame Signed lower right “C Ellis” SIZE: 10″ x 12″ Overall: 18-1/2″ x 20-1/2″ PROVENANCE: From a private New Jersey Collection CONDITION: Light scuff on bottom margin otherwise very good 9-90618 (800-1,200) – Lot 1392

AFTER HENDRIK VAN DE SANDE BAKHUYZEN (German/American, 1795-1860) IN THE BARN WITH MEN, DOG AND COWS.

Oil on canvas Housed in an antique gesso decorated frame with losses Signed lower right “H S Bakhuyzen 1840″ SIZE: 18″ x 24″ Overall: 23″ x 29-1/4” CONDITION: Craquelure, edge scuffing, lined 8-83922 (400-800) – Lot 1393

T. TEMPLE (British, Circa 1863) CHESTNUT STALLION WITH GROOM.

Oil on canvas Housed in a antique replacement mahogany frame with gold liner Signed lower left “T Temple 1863″ SIZE: 14″ x 18”. Overall: 18″ x 22″ PROVENANCE: From a Santa Fe, NM collection; Sotheby’s 6/21/06 CONDITION: Craquelure, some inpainting, otherwise very good 9-91813 (1,000-1,500) – Lot 1394

CARLE VERNET (ANTOINE CHARLES VERNET)(French 1758-1835) “ETALON ARABE”.

Charcoal on paper Housed in a modern gilt frame with a white mat behind glass Signed lower right “Carle Vernet” Note: typed paper on verso with title also “Collection: W.S. Unsworth, Antwerp” SIZE: Sight: 12″ x 18-3/4″. Overall: 16-1/2″ x 22-1/2″ CONDITION: Some light spot foxing, not examined out of frame 9-93190 (1,000-1,500) – Lot 1395

WAINWRIGHT (British, Mid 19th Century) SHEEP IN LANDSCAPE.

Oil on canvas Housed in a period gold frame with gold liners & artist plaque “T G Wainwright” Signed lower left “Wainwright” Old Plaza Art Gallery label on verso SIZE: 18″ x 24″. Overall: 32″ x 37″ CONDITION: Lined, inpainting, good 9-93257 (800-1,200) – Lot 1396

ANDRE DERAIN(French, 1880 – 1954) PAYSAGE.

Watercolor on paper Housed in a silver wood frame with white mat Identified on verso “Derain Paysage” SIZE: Sight: 6-3/4″ x 15″ Overall: 14-1/4″ x 21-3/4″ CONDITION: Age toning, otherwise very good 7-70699 (1,500-2,500) – Lot 1397

GIOACCHINO LA PIRA (Italian, 1839 – 1870) FISHING IN NAPLES HARBOR.

Gouache Unframed, having a hinged mat Signed lower right “La Pira” SIZE: Sight: 16-1/4″ x 24-3/4″ Overall: 16-1/2″ x 25″ Mat: 24-1/2″ x 34″ CONDITION: Very good, affixed to backing board 7-75053 (1,000-1,500) – Lot 1398

SIGNED (Italian, 19th/20th Century) WOMAN RETURNING FROM THE FIELDS.

Oil on light board Housed in a period gesso decorated frame with losses & repairs Signed lower left SIZE: 15″ x 11-3/4″. Overall: 23-3/4″ x 20-1/2″ CONDITION: Very good, some losses to edges and left corner repair. 9-92978 (300-500) – Lot 1398a

GUISEPPE CARELLI (Italian, 1858 – 1921) TWO WORKS: PORTRAITS OF MAN AND WOMAN.

Oil on canvas Housed in identical gilt and ebonized frames Signed lower right “G Carelli” SIZE: 13-1/2″ x 9-1/4″ Overall: 17-1/4″ x 13″ CONDITION: Some yellowing to varnish layer, very good 7-70732 (800-1,200) – Lot 1399

E. ROVELLO (Italian, 19th Century) DUTCH GIRL WITH FLOWERS.

Oil on canvas Housed in a period fancy gilt frame with gilt liners, frame with one corner break Signed lower left “E Rovello” SIZE: 31-1/4″ x 16-1/2″. Overall: 44″ x 29-1/2″ CONDITION: Surface dirt, inpainting, otherwise good 9-87750 (400-600) – Lot 1400

LEON GIRARDET (French, 1857-1895) MAID IN STORM WITH UMBRELLA.

Watercolor on paper Housed in a gesso decorated gilt frame with double gilt lined mattes Signed in lower right, “Amon ami Edwmond Wickham / Leon Girardet” SIZE: 12″ x 8-1/2″. Overall: 20-3/4″ X 16-3/4. CONDITION: Generally very good 8-87351 (800-1,200) – Lot 1401

ATTRIBUTED TO NORBERT GOENEUTTE (French 1854-1894) A LA TOILETTE.

Pastel Housed in a French-style gilt frame with linen mat, with minor losses Unsigned SIZE: Sight: 10-3/4″ x 6-1/2″ Overall: 9″ x 15″ CONDITION: Very good 9-94198 (800-1,200) – Lot 1402

PERCY BUCKMAN (United Kingdom, 1865 – ) GLANCING AT THE MIRROR.

Watercolor Housed in its original gilt frame with gilt liner, having gilt name plaque Signed lower left “Percy Buckman” SIZE: 10″ x 7″ Overall: 17″ x 14″ CONDITION: Very good 9-94245 (500-1,000) – Lot 1403

EDWIN AUGUSTUS MOORE (American, 1858 – 1925) FOUR WORKS, THREE LANDSCAPES AND ONE HEAD SKETCH.

Three watercolors and pencil sketch All housed in wood frames Note: the double sketch has a National Academy of Design label on verso One watercolor signed “E.M. 02”, the other two watercolors unsigned, the double sketch signed “EAM” SIZE: Sight: 12″ x 17″, 13-1/4″ x 18-3/4″, 11-1/2″ x 15″ and double sketch 8-1/4″ x 5-1/2″ and 7″ x 4-1/2″ Overall: 19-1/4″ x 24, 22-1/2″ x 27-1/2″, 22-3/4″ x 25″, and 11-1/4″ x 13-1/4″ PROVENANCE: Descended through family of the artist. CONDITION: Some foxing, generally good 9-93455 (600-800) – Lot 1404

HEINRICH LANG (German, 1838-1891) TWELVE HORSE SKETCHES.

Pencil on paper Each mounted to colored cardstock Unframed Signed in drawing, also below on mounting Dated between ’78 and ’88 SIZE: Actual: from 4-1/4″ wide to 7″ wide; from 3-1/2″ high to 4-1/2″ high Cardstock: 9-1/4″ x 12-1/2″ CONDITION: Very good, light toning and foxing 9-93092 (300-500) – Lot 1404a

Revised: 8/18/2014

There is a repaired tear with some inpainting.

GEORGE MCCONNELL (American, 1852-1929) NEW ENGLAND AUTUMN LANDSCAPE.

Oil on canvas on board Housed in a period gold decorated frame Signed lower right “Geo McConnell 1913″ SIZE: 17-1/2″ x 26”. Overall: 23″ x 31″ CONDITION: Very good 9-93258 (800-1,200) – Lot 1405

MADELINE YALE WYNNE (American 1847 – 1918) “MEMORITER”.

Oil on canvas Housed in a period gilt double liner Signed lower left “Wynne” Note: This panting has been recorded in the Smithsonian’s inventory of American Paintings. SIZE: 12″ x 18″. Overall: 17-3/4″ x 23-3/4″ CONDITION: Light craquelure. minor spot touch up, lined 9-93845 (800-1,200) – Lot 1406

ELIZABETH MILLER LOBINGIER (American 1889 – 1973) MOUNTAIN VIEW.

Oil on canvas board Housed in a signed “Goodnow” gilt carved wood frame Signed lower left “Elizabeth M. Lobingier 1927″ SIZE: 9-1/4″ x 12″ Overall: 14″ X 16-1/2” CONDITION: Very good 9-94097 (500-1,000) – Lot 1407

GARDNER ARNOLD RECKARD (American, 1858 – 1908) “SCENE NEAR ROCKLAND LAKE”.

Oil on canvas Housed in a modern gilt frame with linen and gilt liner Signed lower left “Reckard”, also signed and titled on verso of canvas SIZE: Sight: 12″ x 16″ Overall: 17″ x 21″ CONDITION: Surface dirt, light craquelure, otherwise very good 9-94246 (500-1,000) – Lot 1408

HEINRICH HERMAN R. PFEIFFER (American, 1874-1960) THE GREEN DORY .

Oil on board Housed in a contemporary carved gilt wood frame Signed lower left “Harry Pfeiffer” SIZE: 8″ x 9-3/4″ Overall: 16″ x 18″ CONDITION: Good, craquelure, scattered retouch 9-94435 (400-600) – Lot 1409

WALTER KARL PLEUTHNER (American, 1885 – 1970) OCEANLINER AT DOCK.

Pastel Housed in a modern gilt frame with white mat Unsigned front but having a stamp “This is a certified Walter Pleuthner painting 1885-1970 (#47)” SIZE: Sight: 14″ x 24″ Overall: 19″ x 29″ CONDITION: Very good 9-94333 (1,200-1,600) – Lot 1410

CESARE A. RICCIARDI (American, 1892-1973) BUSY HARBOR SCENE.

Oil on board Housed in a gilt frame with linen liner Signed lower left “Ricciardi” SIZE: Sight: 11-1/2″ x 15-1/2″. Overall: 18″ x 22″ PROVENANCE: From a fine private Long Island, NY collection. CONDITION: Very good 9-93407 (500-800) – Lot 1411

FRANK HENRY TOMKINS (American 1847-1922) “TIBER NEAR ROME”.

Oil on board Housed in period gilt wood frame Signed lower right “F.H. Tompkins” Identified in period hand on verso SIZE: 6″ x 9-3/4″ Overall: 12″ x 15″. CONDITION: Very good original condition 9-93214 (400-600) – Lot 1412

D. FRENCH (American School, 19th/20th Century) VENETIAN CANAL SCENE.

Oil on paper board Housed in contemporary wood frame Signed in lower right D. French SIZE: 11″ X 13-1/2″ Overall: 14-1/2″ x 19″. PROVENANCE: The Estate of Anthony M. Kurland Jr of Maine. Archaeologist with degree from Yale and PhD from Harvard.. CONDITION: Very good 9-93134 (400-800) – Lot 1413

UNSIGNED (Dutch, 19th/20th Century) DUTCH HARBOR SCENE.

Oil on wood panel Housed in its original gilt mottled frame with small losses Unsigned SIZE: 19-3/4″ x 27-1/2″. Overall: 25-3/4″ x 33-3/4″ PROVENANCE: From a fine Kentucky Estate. CONDITION: Surface dirt, good 9-92326 (300-500) – Lot 1414

ROBERT YAN (French, 1904-1994) THREE BRITTANY SCENES.

Watercolors Housed in identical wood frames with mat Signed lower right “Yan” SIZE: Sight: 8-1/2″ x 11″ Overall: 13-3/4″ x 16″ CONDITION: Very good 9-93452 (400-600) – Lot 1415

H. SCHAEFFER (European, 19th Century) TWO WORKS: “MALINES, BELGIUM” AND “BRUNSWICK, GERMANY”.

Oil on board Housed in identical French style gilt frames with title and artist plaque Signed lower left with initial monogram and dated “1887” Also titled and signed on verso SIZE: 10″ x 7″ Overall: 13″ x 10-1/2″ CONDITION: Very good 7-75051 (800-1,200) – Lot 1416

FRANKLIN DULLIN BRISCOE (American, 1844 – 1903) ABANDONING THE SHIP.

Oil on board Housed in antique gilt frame with gold liner Signed lower right “F D Briscoe” SIZE: 12″ x 19″ Overall: 17″ x 24″ CONDITION: Very good 9-93519 (500-800) – Lot 1417

T. BAILEY (American, 19th/20th Century) COASTAL ROCKS WITH WAVES.

Oil on canvas Housed in a period gilt carved wood frame Signed lower right “T Bailey” SIZE: 25″ x 30″. Overall: 28-3/4″ x 33-3/4″ CONDITION: Very good 9-93210 (300-500) – Lot 1418

WILLIAM BOLESLAW PRESNAL (American, 1910 – ) PAIR OF COASTAL SEASCAPES.

Oil on board Housed in matching rustic wood frames with gold liners One signed bottom right, the other unsigned SIZE: 12-1/2″ x 14-3/4″. Overall: 16-1/4″ x 18-1/4″ CONDITION: Very good with surface dirt 7-74832 (200-300) – Lot 1419

IRVING R. HEITKAMP (American, 1892 – 1917) INDUSTRIAL LANDSCAPE WITH TRAIN.

Oil on canvas laid on board Housed in its original gilt ribbed frame Signed lower right “Irving Heitkamp”, also presented and signed by artist and dated “1916” on verso of frame SIZE: 14″ x 11″ Overall: 19-3/4″ x 16-1/2″ CONDITION: Surface dirt, very good 7-70714 (600-800) – Lot 1420

GEORGE HAUSMANN (American, 20th Century) “DEWOLF’S BARN”.

Oil on canvas board Housed in a contemporary blue and white wood frame Signed lower right “George Hausmann” Title on verso SIZE: 16″ x 20″ Overall: 19-1/4″ x 23-1/4″ CONDITION: Very good 9-94158 (300-500) – Lot 1421