Spring Antiques & Fine Arts Auction
Low Estimate: $780,000 / Final Sales: $841,126!

Auction: May 13, 2006

Preview: May 12, 2006

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
400

CHARLES GOODHUE (American, 20th Century) MAINE FARM IN WINTER. Nice oil on board winter scene shows a connected farm with multi-colored buildings including a red barn and silo. Colorful sky and snow covered ground. Signed lower left “C. Goodhue”. Housed in a paint decorated frame which may be artist rendered. SIZE: 12” x 16”. CONDITION: Very good. 9-29863 (200-300)

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401

BLANCHE GONZALEZ CAMERO (American, 1894-?) ALONG THE MAINE COAST. Fine watercolor scene shows a house above a rocky shoreline with a figure tending to a garden. An evergreen covered far bank with red house seen in background. Signed lower left “Blanche Camero 1930”. Housed in a simple gilt molded wood frame with wide ivory matte. Newman Galleries, Philadelphia label to back. SIGHT SIZE: 19” x 23-1/2”. CONDITION: Very good. 9-29956 (500-1,000)

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402

LAURENCE PHILIP SISSON (American, 1928-) AT THE EDGE OF THE WOODS. Outstanding oil on masonite scene shows a dead forest with the floor of sand, silt and rocks. Different pools of water reflect the landscape with edges of small pebbles in colorful pinks and grays. Signed lower left “L Sisson”. Housed in a contemporary pine frame. An impressive painting of movement and color by a master of this genre. SIZE: 30” x 48”. CONDITION: Very good. 9-70182 (2,500-3,500)

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403

LAURENCE PHILIP SISSON (American, 1928-) SHELL COLLECTING IN A MAINE COVE. Fine large watercolor scene shows a Maine cove with tidal pools having a lone figure with bucket presumably collecting shells. Abstract scene with rain which appears to have a passing rain shower. Signed lower left “L. Sisson”. Housed in a silver metal frame with double matte. SIGHT SIZE: 21-1/2” x 29-1/2”. CONDITION: Very good. 9-28218 (1,000-2,000)

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404

LAURENCE PHILIP SISSON (American, 1928-) “RANGLEY, MAINE”. Fine large watercolor depicting mountains surrounding Rangley Lake in a fall landscape. Signed lower left “L Sisson”. Housed in a wide white matte, unframed. SIZE: 22” x 30”. CONDITION: Very good. 9-70184 (1,500-2,000)

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405

LAURENCE PHILIP SISSON (American, 1928-) ENCHANTED SUNSET. Large oil on canvas colorful southwestern scene shows a large expanse of sky with building clouds and far off showers. Light is seen beyond a line of hills. Signed lower left “L Sisson”. Housed in a pint contemporary frame. SIZE: 44” x 44”. CONDITION: Very good. 9-70183 (2,500-3,500)

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406

JAMES EDWARD FITZGERALD (American, 1899-1971) “DORYMAN-MONHEGAN”. Watercolor monochromatic scene shows a man rowing in a dory over peaked wave. Attached to back is the original bill of sale from “Edgar F. Hubert” and signed by Edgar and Anne, dated December 3rd, 1975 with title, artist and “This painting was in Mr. Fitzgerald’s studio on Monhegan Island at the time that we took possession under the terms of his will in 1971”. The backboard also has a James Fitzgerald stamp. Housed in a silver frame with white matte. SIGHT SIZE; 25” x 19”. CONDITION: Very good. 9-29939 (4,000-6,000)

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407

REYNOLDS THOMAS (American, 1927-)“MASTHEAD”. Watercolor and dry brush scene shows a sailing mast in foggy bay with dead trees in foreground and evergreens in back. Signed lower right. Housed in a carved decorated frame with white matte and white liner. Attached to the back is a Kennedy Galleries label indicating that the watercolor was done in Tenants Harbor, Maine. SIGHT SIZE: 18-1/4” x 13”. CONDITION: Very good. 9-29957 (400-600)

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408

JAY HALL CONNAWAY (American, 1893-1970) “WATCHING THE SUNSET AT MONHEGAN ISLAND, MAINE”. Oil on board coastal scene shows a wave breaking onto rocky shoreline with ocean and hills beyond. The painting appears to be on a sketchbook cover and is titled and signed on reverse in pencil. Also, signed lower right “Connaway”. Housed in a contemporary gilt molded wood frame. SIZE: 9-1/2” x 13”. CONDITION: Surface paint chip to upper right corner, otherwise very good. 9-29937 (1,000-2,000)

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409

UNSIGNED (American, First quarter of the 20th Century) “ROWING NEAR BOOTHBAY, MAINE. Oil on canvas scene shows two men in rowboat next to shore with colorful clouds and water. Back canvas is marked “Emily” and a title is in pencil on stretcher. Housed in a white painted wood frame. SIZE: 18” x 22”. CONDITION: Thin paint layer, good. 9-70042 (300-500)

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410

JAMES EVERETT STUART (American, 1852-1941) “A BIT OF SUNSHINE THROUGH THE TREES ON MT. DESERT ISLAND, ME. Oil on canvas scene shows woods with clearing and sunlight shining on ground. Signed lower left “J.E. Stuart Aug 5 1906”. Titled, signed and dated on reverse. Also, “No-1255”. Housed in a period bronze colored decorated frame. SIZE: 12” x 18”. CONDITION: Restored with inpainting, very good. 9-29955 (1,000-1,500)

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411

JAMES EVERETT STUART (American, 1852-1941) BATCHELDER’S GROVE, ABOUT ONE MILE NORTH OF EXETER MAINE”. Oil on canvas landscape scene shows woods at edge of low hillside. Signed lower left. Dated “September 1st 1906” and numbered “1303”. Housed in its original decorated molded wood frame having inscription on reverse. SIZE: 18” x 30”. CONDITION: Very good. 9-29825 (1,000-2,000)

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412

LEWIS C. EWER (American, 19th/20th Century) TROPHY BROOK TROUT. Outstanding oil on canvas scene shows a large brook trout against a rock and grass ground under a blue and cloud sky. Signed lower right “Lewis C. Ewer 1877”. Housed in its original magnificent gilt gesso decorated frame with inner gold liner having old name tag and date. SIZE: 18” x 30”. CONDITION: Relined, very good with inpainting. 9-29990 (2,500-4,000)

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413

JOSEPH B. KAHILL (American, 1882-1957) “OFF THE MAINE COAST. Outstanding oil on canvas Maine coastal scene shows a small harbor with moored lobster boats, points of land and hills in background under a cloud and blue sky. A sailboat with two-mast sails on a tranquil blue ocean. Foreground has a rock and tree covered bank. Housed in its fine gilt and carved wood original frame. Signed lower left “Jos B. Kahill 1948”. SIZE: 21” x 30”. CONDITION: Three small chips in water, otherwise very good. 9-29932 (800-1,200)

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414

FLORENCE WHITE WILLIAMS (American, 1900-1953) SCHOONER. Oil and watercolor scene shows a two-mast schooner with sails down moored in a tranquil harbor with house, trees and hills beyond. Probably a Maine coastal scene. Housed in its original white painted molded wood frame have a “J. H. Miller Co. Springfield, Mass” label to reverse. SIGHT SIZE: 9-1/2” x 12-1/2”. CONDITION: Very good. 9-70029 (800-1,200)

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415

FLORENCE WHITE WILLIAMS (American, 1900-1953) HARBOR VIEW. Oil on board colorful harbor scene shows a schooner moored to large dock with building. Other buildings and sailboats are seen in harbor. Signed lower right. Housed in a painted black and gold wood frame. SIZE: 13-1/2” x 18”. CONDITION: Very good with minor inpainting. 9-29547 (500-1,000)

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416

DAHLOV ZORACH IPCAR (American, 1917-) GARDENING. Unframed watercolor scene shows two women and two children tending to a garden under a large tree. Two are with shovels and one with watering can. Signed lower right. SIZE: 18” x 13-3/4”. CONDITION: Very good. 9-29750 (500-1,000)

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417

WALDO PEIRCE (American, 1884-1970) BOOK, LETTER AND ENVELOPE. An interesting lot of three pieces which relate to each other. Book: Waldo Peirce by Margit Varga New York, The Hyperion Press Harper & Brothers 1941. The book includes its original jacket which is as is. The inside cover and first page have a watercolor painting of a lighthouse and buildings on a small island with coastline, boats and seagulls. Points of land are labeled “Campobello – New Brunswick” and another. It is inscribed in upper left corner “A. Dorotea (alias Lieut. …) Waac 1 April 43…”. The title page with pasted on square 6” x 6-1/2” watercolor showing Waldo Peirce kneeling on a beach in front of a woman in military outfit with her Company behind. She or he appears to be presenting this book. Signed “WP April 43”. Accompanying the book is a framed letter and envelope which correspond to the book and is a letter to Dorotea. The letter explains that he is doing the book watercolor for her and explains some of the picture to her. He signs it “Waldo” and it is dated “March 31st, 1943”. The envelope addressed to Dorothy with a small watercolor of a hand with a glass. The letter is in good condition with folds and some browning. Envelope is good and the frame has a Goodspeed’s Book Shop Inc. label affixed to back. PROVENANCE: Goodspeed’s Book Shop to present consignor. SIZE: Book is 13” x 10”. Frame size is 19-3/4” x 12-1/2”. CONDITION: Book shows use with some stains on front watercolor. Otherwise good. 9-29560 (1,000-2,000)

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418

WILLIAM LESTER STEVENS (American, 1888-1969) HARBOR SCENE. Oil on board harbor scene shows a man working in a green and red hulled boat with two-mast sailboat behind with sails up. A long wood dock leads to buildings. Possibly dated “192?”. Housed in a period gilt wood frame. Probably an early Gloucester scene. SIZE: 12” x 14”. CONDITION: Very good. 9-70033 (2,000-3,000)

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419

WILLIAM LESTER STEVENS (American, 1888-1969) “THE MELTING SNOWS”. Oil on board spring scene shows a cascading stream over rocks in a springtime thaw. Patches of snow remain on the forest floor. Signed in red lower left “W. Lester Stevens” and titled on back in pencil. Housed in a decorated wood molded frame with linen lining. SIZE: 23-1/2” x 29-1/2”. CONDITION: Bottom right area has inpainting, some bleeding to signature, varnish discoloration. Otherwise very good. 9-70143 (3,000-5,000)

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420

J. J. ENWRIGHT (American, 1905-) NEW ENGLAND HARBOR SCENE. Oil on canvas scene shows two fishing boats moored side by side next to wharf with several buildings and people. Signed lower right “JJ Enwright”. Housed in its original gilt molded wood frame. SIZE: 20” x 26”. CONDITION: Very good. 9-29849 (3,000-4,000)

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421

ATTRIBUTED TO ANTHONY THIEME (American, 1888-1954) NASSAU, BAHAMAS. Oil on canvas scene shows several islanders at front of a white and red hulled sailboat. A gentleman with a red shirt and yellow hat is seen at back of boat. Palm trees and shanty are seen in the background with two rowboats in foreground. Unsigned. For similar scene see Sotheby’s sale March 1st, 2006, lot 85. Housed in a weathered gray stained frame with gray painted liner. The stretcher is marked “US Art Canvas Co. New York, NY”. Found in a Pennsylvania home. SIZE: 25” x 30”. CONDITION: Very good, dirty. 9-29597 (5,000-10,000)

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422

MICHAEL GRAVES (American, 20th Century) “GOOD HARBOR BEACH, GLOUCESTER”. Oil on canvas scene show grass covered sand dune and wide beach with several people. Thatcher’s Island is seen in background with one of the twin lighthouses. Signed lower left “Mike Graves”. Housed in a chip carved gilt frame with linen and gold liner. SIZE: 9” x 14”. CONDITION: Very good. 9-29719 (1,000-1,500)

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423

GIFFORD BEAL (American, 1879-1956) SAILBOAT SKETCH. Oil and tempera on masonite sketch of sailboats on a blue ocean with blue and white cloud sky. Inscribed in the foreground white paint in pencil “Painted by Gifford Beal to show his tempera method”. Back has a label “1st Coated with oil paint then tempera surface”. There is writing on the back of the masonite and “Reynolds Beal” stamp on back. Housed in a modern gilt decorated frame with white linen liner and gold inner liner. SIZE: 11-3/4” x 16”. CONDITION: Very good. 9-70114 (2,000-3,000)

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424

FREDERICK JOHN MULHAUPT (American, 1871-1938) “GUINEYBOATS GLOUCESTER, MASS”. Outstanding oil on board Gloucester Harbor scene shows several blue hulled sailboats moored side by side at a wharf with figures and buildings. The background has a large two-mast sailing ship next to red and gray buildings under a blue and cloud sky. Signed lower left which is smudged. Housed in a gilt leaf decorated wood frame, which may be original. Back has title in black grease pencil. SIZE: 8” x 10”. CONDITION: Very good. 9-29783 (8,000-12,000)

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425

FREDERICK JOHN MULHAUPT (American, 1871-1938) “FISH AUCTION ON BEACH, ST. IVES, CORNWALL, ENG. Outstanding oil on board harbor scene shows a sandy beach with many people attending a fish auction. A large multi-mast fishing boat with two sails up is seen just off shore with another one beside. Seagulls fly over a light colored water with buildings and wharf behind. Signed lower right “Mulhaupt”. Housed in a gilt leaf decorated wood frame, which may be original. Back has title in black grease pencil. Also a partial label from the Thumb-box Exhibition with title and artist name, believed to be from the Salmagundi Club. SIZE: 8” x 10”. CONDITION: Slight warp to board, very good. 9-29782 (8,000-12,000)

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426

ARTHUR VIDAL DIEHL (American, 1870-1929) DUTCH FARM. Oil on board small scene shows a thatched roof house with light sunset sky with two people walking down dirt road. Signed lower left “AV Diehl”. Housed in a modern molded wood frame with copper finish. SIZE: 4” x 8”. CONDITION: Very good. 9-70334 (1,000-2,000)

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427

ARTHUR VIDAL DIEHL (American, 1870-1929) CRASHING WAVE. Nice oil on board scene shows a light blue wave crashing on shallow water with steamer in background and gulls flying overhead. Housed in a deep Victorian walnut frame. There is a note on the back which indicates that this was a birthday gift in 1916 on Cape Cod. SIZE: 8” x 10”. CONDITION: Very good. 9-70333 (1,000-2,000)

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428

EMILE ALBERT GRUPPE (American, 1896-1978) BIRCH TREES. Miniature oil on board scene shows four birch trees along a river with hillside background and light yellow sky. Signed bottom right. Housed in a fine gilt carved replacement frame with linen liner. SIZE: 3” x 3-3/4”. CONDITION: Very good. 9-29936 (1,500-2,000)

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429

EMILE ALBERT GRUPPE (American, 1896-1978) WINTER SUNSET. Colorful oil on masonite winter scene shows two tall trees on angled snow bank of small brook. Small evergreen trees are seen lining meadows. The light reflects on pink and white clouds against a blue sky. Signed lower right. Housed in a period gilt molded wood frame with gold liner. SIZE: 7-1/2” x 10-1/2”. CONDITION: Some inpainting, very good. 9-29960 (2,000-4,000)

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430

EMILE ALBERT GRUPPE (American, 1896-1978) WINTER LANDSCAPE. Oil on board scene shows a snow covered ground looking down valley with birch trees and evergreens. Signed lower left. Back paper has Bernard Saxton, Brockton, Mass label. Housed in a gesso decorated gold frame. SIZE: 9” x 12”. CONDITION: Very good. 9-70328 (1,000-3,000)

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431

ROBERT CHARLES GRUPPE (American, 1944-) “POMPANO FISHERMAN”. Unframed oil on canvas shows a long beach with two surf fisherman, palm tree studded sandy beach with blue and cloud sky. Signed lower right. Robert is son of Emile Gruppe and grandson to Charles Paul Gruppe. SIZE: 25” x 30”. CONDITION: Very good. 9-29746 (800-1,200)

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432

ROBERT CHARLES GRUPPE (American, 1944-) PALM TREE COVE. Unframed oil on canvas Florida scene shows palm trees and sandy beach with blue water and one sailboat. Signed lower right “Robert C. Gruppe”. Robert is son of Emile Gruppe and grandson to Charles Paul Gruppe. SIZE: 30” x 36”. CONDITION: Very good. 9-29747 (1,000-1,500)

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433

ROBERT CHARLES GRUPPE (American, 1944-) “QUIET SPOT”. Unframed oil on canvas scene shows a Florida beach with sand, small trees and bushes Under a colorful sky. Signed lower right “Robert C. Gruppe”. Titled in pencil on back of stretcher. Robert is son of Emile Gruppe and grandson to Charles Paul Gruppe. SIZE: 30” x 36”. CONDITION: Very good. 9-29745 (800-1,200)

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434

JANE PETERSON (American, 1876-1965) CAPE ANN STREET. Oil on board hillside street scene shows several buildings, dirt road with three figures and large trees with ocean beyond. Signed lower right “J Peterson”. Housed in a gesso decorated gilt frame. SIZE: 14” x 18”. CONDITION: Very good. 9-29941 (3,000-5,000)

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435

JANE PETERSON (American, 1876-1965 ) POPPIES IN A JADE VASE. Watercolor still life scene shows a carved green jade vase with wood base holding a colorful bunch of poppies. Signed lower left “Jane Peterson”. Housed in a gilt and silver lined frame with white matte. SIGHT SIZE: 13-1/4” x 8-3/4”. CONDITION: Very good. 9-70115 (1,500-2,000)

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436

JANE PETERSON (American, 1876-1965) PINK FLOWERS. Large watercolor scene shows two pink flowers having five wide petals and green leaves. Signed lower right. Housed in a bleached burlwood molded frame with rose color matte. SIGHT SIZE: 19” x 25”. CONDITION: Very good. 9-70016 (2,000-3,000)

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437

JANE PETERSON (American, 1876-1955) TROPICAL YELLOW FLOWERS. Oil on board scene shows three five-petal yellow flowers surrounded by green leaves and stems. Signed lower left “Jane Peterson”. Housed in a gold painted gesso decorated frame with white liner. SIZE: 24” x 30”. CONDITION: Very good. 9-70119 (4,000-6,000)

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438

ANNA MARY RICHARDS BREWSTER (American, 1870-1952) FRENCH ABBEY. Oil on canvas French country scene shows a group of stone houses with multiple gable fronts, rock walls and flower gardens. Dirt paths are seen in a lawn area with one figure. Signed lower left “AR Brewster”. Housed in what may be its original gesso decorated gilt frame. Remnants of a label with title on back of stretcher. SIZE: 16” x 20”. CONDITION: Very good. 9-29999 (1,000-2,000)

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439

ANNA MARY RICHARDS BREWSTER (American, 1870-1952) BRIGHTENING SKIES. Oil on board summer landscape scene shows a wide expansive sky with clouds with white and pink edges. The grass covered ground has small flowering bushes. Signed lower right with conjoined capitol “AB”. Housed in a fine modern gilt molded wood frame. SIZE: 16” x 13”. CONDITION: Small pushed up area in sky, otherwise very good. 9-29599 (1,400-1,800)

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440

PAUL BERNARD KING (American, 1867-1947) THE ICEMAN. Outstanding large oil on canvas winter scene shows an ice cutting operation on a lake in the middle of winter. Two large gray work horses pull a double runner sled being filled with large ice blocks by the Iceman. Two figures are seen cutting ice at edge of open area. Signed lower left “Paul King” and dated “1912”. An outstanding example from this fine artist. Signed on back of canvas and dated “1912”. Housed in its original fancy gesso decorated gilt frame. PROVENANCE: Fresh from a Maine home. SIZE: 32” x 40”. CONDITION: Craquelure, surface dirt. Will brighten up considerably with cleaning. Very good. 9-70314 (8,000-12,000)

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441

ATTRIBUTED TO GEORGE GARDNER SYMONS (American, 1861-1930) WINTER STREAM WITH HOUSES. Oil on canvas with board backing scene shows a winding stream with snow covered banks with a yellow house on left and a brownish red house on right all under a blue and yellow sky. Signed bottom left with initials “GS”. Housed in an old decorated wood frame, painting behind glass. SIGHT SIZE: 17-3/4” x 23”. CONDITION: Very good. 9-29785 (1,500-2,500)

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442

WALTER KOENIGER (American, 1881-1943) “GOLDEN LIGHT”. Oil on canvas winter scene shows the edge of a pond with banks of snow covered grass and trees. The sun on left side in orange and red casts a glow over the painting. Housed in a good gesso decorated pierced gilt frame. SIZE: 20” x 16”. CONDITION: Very good. 9-70137 (1,500-2,000)

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443

EDWIN DEAKIN (American, 1838-1923) THE OLD MILL. Oil on board late fall scene shows a wood mill with large wooden waterwheel, stream having rocky banks lined with trees having late fall foliage. Signed lower left “Edwin Deakin”. Housed in a carved wood gilt frame with linen and gold liner. SIZE: 17-1/4” x 13-1/2”. CONDITION: Generally very good, one light scratch in water. 9-29598 (3,000-5,000)

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444

THOMAS MILTON WILDER (American, 1876-) “HILLSIDE ORCHARD”. Small colorful oil on board springtime scene shows budding apple trees on colorful hillside with grass and yellow flowers. All under a blue and puffy white cloud sky. Signed lower right. Housed in its original gilt molded wood frame. SIZE: 10” x 8-1/4”. CONDITION: Very good. 9-29846 (200-400)

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445

CLARA JANKO (American, Mid 20th Century) “SUMMER EVENING”. Oil on canvas scene shows a background of green and black hills with monument having connected farmhouse with trees and grass. Signed lower right “C. Janko”. The back with a 1966 Non Members Annual Exhibition, National Academy of Design label numbered “266”. Housed in what appears to be its original decorated wood frame with white liner. SIZE: 18” x 26”. CONDITION: Light craquelure, very good. 9-70133 (400-600)

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446

WILLIAM TROST RICHARDS (American, 1833-1905) GLACIAL MOUNTAIN LANDSCAPE. Fine oil on canvas scene shows several buildings next to a lake with tall peaked mountain with glacier. Light blue and cloud sky, calm lake water with rocky and grass covered shoreline. Signed lower left “Wm. T. Richards”. Housed in what appears to be its original gilt gesso decorated frame. SIZE: 16-1/2” x 27-1/4”. CONDITION: Craquelure with stretcher line at top, very good. Appears to have minor inpainting with masking varnish present. 9-29964 (8,000-12,000)

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447

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER AT THE SAWMILL. Oil on board Vermont scene shows a working sawmill with man loading the mill and a team of horses bringing logs. Snow covered ground. Signed lower left “AT Hibbard”. Housed in a gilt wood frame. SIZE: 12” x 16”. CONDITION: Very good. 9-70036 (2,000-4,000)

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448

ALDRO THOMPSON HIBBARD (American, 1886-1972) “SPRING IN VERMONT”. Oil on canvas board scene shows a Vermont village with dirt road and two blossoming apple trees. Blue mountain in background and several colorful Colonial homes under large maple trees in green leaves. Signed lower left “AT Hibbard”. Housed in what probably is its original partial gilt carved wood frame with linen liner. SIZE: 18” x 24”. CONDITION: Very good. 9-70043 (3,000-5,000)

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449

HAYLEY LEVER (American, 1876-1958) “THE VIEW”. Oil on canvas scene shows a coastal village from overlook showing many houses, water with boats and land beyond. The foreground has figures walking on a road. Probably a Maine coastal scene, possibly Vinalhaven, Maine. Back of canvas with title, artist name and date “1954”. Unframed. CONDITION: Chipped paint on left side town with other scattered chips, craquelure with some lifting. 9-70124 (2,000-3,000)

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450

HAYLEY LEVER (American, 1876-1958) “FLOWER GARDEN, CALDWELL, N.J. 1938”. Colorful oil on canvas shows a figure amongst a hillside garden with colorful rows of red, orange and purple flowers. A garden shed is seen at end of flower bed. A green hillside is flanked by large trees. Signed lower right “Hayley Lever”. Housed in a modern arts & crafts style gilt and carved frame. SIZE: 6-1/2” x 9-1/2”. CONDITION: Relined on new stretcher with contemporary title on reverse. Very good with very minor inpainting. 9-29935 (2,000-3,000)

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451

HAYLEY LEVER (American, 1876-1958) “NANTUCKET”. Watercolor rooftop scene shows the Universalist Church tower with clock looking out over Nantucket harbor. Signed lower right “Hayley Lever” and titled “Nantucket” lower left. The other side shows a watercolor scene with palm trees, house and dock overlooking water with large building across shore. SIZE: 13-3/4” x 19-3/4”. CONDITION: Rub to top edge, two sides glued to matte. 9-70152 (500-1,000)

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452

BRUCE CRANE (American, 1857-1937) SUMMER LILY POND. Oil on canvas scene shows a small pond with lily pads and grasses with grass covered banks having a grove of trees in back under a white, blue and gray cloud sky. Signed lower left “Bruce Crane”. Housed in a carved wood gilt period frame. SIZE: 16-1/4” x 26”. CONDITION: Relined, restored with some inpainting. Very good. 9-29965 (5,000-10,000)

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453

ROBERT EMMETT OWEN (American, 1878-1957) COLONIAL HOMESTEAD. Nice oil on canvas board New England scene shows a large Colonial home with an attached outbuilding and large porch. A stone wall lines the dirt road with large trees under a blue and cloud sky. Signed lower right “R Emmett Owen”. Housed in a modern gilt wood arts & crafts style replacement frame. The back written in pen “From Robert to Miriam Feb 16, 1938”. SIZE: 14” x 18”. CONDITION: Very good. 9-70181 (1,500-2,500)

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454

ROBERT EMMETT OWEN (American, 1878-1957) “ROAD THROUGH A WOODLAND”. Oil on canvas New England scene shows a dirt road winding through forest with stone walls. A late fall scene with colorful leaves blanketing the forest floor and blue sky. Signed lower left “R Emmett Owen”. Title on back of stretcher. Housed in a fine silver gilt molded wood frame with white linen liner. SIZE: 18” x 20”. CONDITION: Very good. 9-70180 (1,000-2,000)

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455

EDMUND WILLIAM GREACEN (American, 1877-1949) “SOUTHPORT HARBOR”. Oil on board scene shows several boats including a two-mast sailboat moored in a tranquil harbor under a light pink, yellow and blue sky. Signed lower left. Back retains a Salmagundi Club label and also titled on back. Housed in a fine replacement frame in the arts & crafts style. SIZE: 15-3/4” x 12”. CONDITION: Under blacklight the signature appears to be enhanced. Very good. 9-29876 (5,000-7,000)

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456

NAN GREACEN (American, 1908-1999) ROSES IN A GLASS VASE. Oil on board table top still life scene shows a footed glass vase holding yellow, pink and red roses with green leaves. Signed lower left “Nan Greacen N.A.”. Housed in a fine gold and silver molded wood frame with linen liner. Nan Greacen was daughter of Edmund Greacen who participated in the New Movement of Impressionistic Paintings. PROVENANCE: From a Maryland Collection; Acquired directly from the artist. SIZE: 16” x 20”. CONDITION: Very good. 9-29620 (2,000-3,000)

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457

HENRY PEMBER SMITH (American, 1854-1907) THE DUCK POND. Oil on canvas landscape shows a gambrel Colonial home with attached shed beside a small pond with three ducks and tree lined and grass banks. A nice summer scene. Signed lower left “Henry P. Smith”. Housed in a gesso decorated replacement frame with linen liner. SIZE: 14” x 20”. CONDITION: Relined, restored with thinning paint. 9-29834 (800-1,200)

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458

NELSON AUGUSTUS MOORE (American, 1824-1902) SUNSET OVER CITYSCAPE. Colorful oil on canvas scene shows a bright sunset in yellow, gold, pink and blue over a silhouetted cityscape. Signed lower right. Pencil signed and titled on back with Studio stamp. Housed in a decorative gilt modern frame. SIZE: 6-1/2” x 8”. CONDITION: Very good. 9-29838 (2,000-3,000)

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459

NELSON AUGUSTUS MOORE (American, 1824-1902) FALL LANDSCAPE. Small oil on canvas scene shows a large tree in colorful gold and orange foliage looking out over colorful lowlands. Signed “NA Moore”. Titled on back and dated “1886” and stamped “NA Moore Studio”. Housed in a modern gilt decorated frame. SIZE: 7” x 9-1/2”. CONDITION: Wax relining, inpainting, very good. 9-29837 (2,000-3,000)

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460

GEORGE J. MARINKO (American, 1908-1989) COZY HOLLOW. Oil on canvas scene shows a number of colorful buildings in a winter New England landscape. Signed lower right “Marinko”. Housed in its original carved wood frame with linen and gilt liner. SIZE: 16” x 20”. CONDITION: Very good. 9-29842 (2,000-3,000)

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461

ROBERT SALMON (American, 1775-1858) “LUGGER IN A WIND”. Oil on cradled wood panel shows a three-mast vessel with sails up with sixteen crew members and flags flying off back masts. A small boat with sail down and three people is seen in foreground along with a beach, two men, small boat and anchor. Several other boats are seen at each side of lugger all against a backdrop of grass covered cliffs and mountains. Several people are seen atop coastal rocks. Signed and dated lower right “R Salmon 183?”. Old label affixed to back of cradle from the Museum of Fine Arts. The label is typed as follows: “Museum of Fine Arts TL 5390 Unframed Robert Salmon: Lugger in a Wind Lent by Mrs. George T. Francis for Photograph”. Housed in a period gilt gesso decorated frame. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 16-1/2” x 24-1/4”. CONDITION: There is an old horizontal angled crack through bottom 1/3, also consolidated paint cracks throughout with a stabilized crackle finish. 9-29942 (60,000-80,000)

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462

FREDERICK JUDD WAUGH (American, 1861-1940) SWISS ALPINE LANDSCAPE. Magnificent oil on canvas scene shows a rock strewn stream bed with working mill having sluice and waterwheel. House beyond on small clearing surrounded by tall evergreens. The backdrop is large peaked mountains with snow covering and glacier. A waterfall cascades off right mountain and colorful red flowers are in foreground and dot the landscape. Signed in right corner rock with artist monogram “FJWaugh” and dated “1887”. Housed in a fantastic multi-tiered gesso decorated frame with fancy gold liner. Partial Philadelphia, PA gallery label on reverse. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 30” x 25”. CONDITION: Original with surface dirt. Very good. 9-29945 (25,000-35,000)

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463

THEODORE M. WENDEL (American, 1859-1932) THE BLUE WATERWAY. Outstanding impressionistic Italian or French scene shows a small boat moored along a waterway next to blossoming fruit trees. Buildings are seen behind and the upper right has two sailboats with red sails. Signed lower right “Theo Wendel”. Housed in its original gilt molded wood frame which has a framing label affixed to the back by “Frank W. Bayley Boston”. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 17” x 21”. CONDITION: Very good. 9-29943 (25,000-35,000)

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464

CHARLES EDWIN LEWIS GREEN (American, 1844-1915) MARSH HAYSTACKS. Oil on canvas scene shows a grass and dirt marsh area having large haystacks and horses pulling a hay covered wagon. A low bluff of land is in the distance under a light sky. Signed lower right “C E L Green”. Housed in its original outstanding gilt gesso decorated frame. A fine example from this Lynn Beach painter. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 10” x 14”. CONDITION: Very good, surface dirt. 9-29944 (5,000-10,000)

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465

EDWARD LOYAL FIELD (American, 1856-1914) BARBIZON STYLE LANDSCAPE. Oil on canvas scene shows trees, pasture and hillside with water in foreground under darkening skies. Signed lower left “E Loyal Field”. Housed in what appears to be its original gilt deep molded wood frame. Artist initials to back of canvas. Also a partial Boston Art Club Exhibition label to reverse. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 20” x 24”. CONDITION: Craquelure, good. 9-29951 (2,500-4,000)

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466

WILLIAM MARK FISHER (American, 1841-1923) “LANDSCAPE WITH SHEEP”. Oil on wood panel scene shows a flock of twelve sheep on rock, grass and bushy hillside under a blue and cloud sky. Signed lower right. Housed in its original gesso decorated gilt frame bearing two old labels to reverse. One label is a Hendrickson, Doll & Richards, Boston and Museum of Fine Arts indicating artist, subject and owner “Charles Francis Loaned 1886”. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 9-1/2” x 12-3/4”. CONDITION: Very good. 9-29947 (9,000-12,000)

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467

DOUGLAS ARTHUR TEED (American, 1864-1929) FALL LANDSCAPE WITH BROOK. Oil on canvas scene shows a small woodland brook cascading over large rocks with clearing; all with fall foliage. Signed lower right “Arthur Teed, Rome”. Housed in what appears to be its original carved wood gilt frame. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 10” x 13”. CONDITION: Some minor small chips and craquelure, surface dirt. Needs tightening on stretcher. 9-29950 (1,000-1,500)

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468

K.V. (19th/20th Century) LANDSCAPE WITH CHICKENS AND PEOPLE. Oil on canvas scene shows two women walking along a dirt road lined with tall trees and stacked wood. A hedge row is on one side leading to a fence sided bridge with child feeding chickens. Signed lower right “KV”. Housed in a gesso decorated gold frame. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 9-1/4” x 14-1/4”. CONDITION: 9-29948 (1,000-1,500)

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469

UNSIGNED (19th/20th Century) COUNTRY COTTAGE. Oil on canvas landscape scene shows a dirt road winding alongside a thatched roof cottage with trees and grass. Housed in what appears to be its original lemon gold and gesso decorated frame. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 10” x 14”. CONDITION: Surface dirt, otherwise very good. 9-29949 (1,000-1,500)

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470

SIGNED AND UNSIGNED (American, Early 20th Century) PORTRAITS OF MR. & MRS. FRANCIS. 1) Oil on canvas portrait of a woman seated wearing a light colored dress with large rose above waist. She holds a fan and a black shawl on her lap. She wears a diamond ring and large necklace with pendant. Signed upper right which we can not decipher. Probably a Boston School or Philadelphia artist. Housed in a gilt molded wood replacement frame. SIZE 37” x 24”. CONDITION: Some surface dirt, otherwise very good. 2) Oil on canvas laid on masonite half portrait of a standing gentleman wearing a black coat and tan vest. Balding head with glasses and large mustache. Unsigned. Housed in a gold painted and black wide molded wood frame. SIZE: 35” x 24”. CONDITION: Restored with inpainting. Fair to good. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. 9-29946 (8,000-12,000)

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471

ROBERT SALMON (American, 1775-1858) FISHING PARTY-BEACHING A BOAT. Oil on wood panel scene shows four men pulling a boat onto beach. Several men bring large buckets of fish up to clearing in front of rock outcropping with large passageway. Two sails are seen in distance along a rocky shoreline. Sun from right side casts a pink hue on the clouds that are present. Signed on reverse “Painted by R. Salmon 1804”. There are also numbers “No. 37” and “#53”. Faintly signed lower right. Housed in an antique cut down gold frame. PROVENANCE: Richard Bourne Auction 11/29/69 lot #248. SIZE: 12” x 16”. CONDITION: Good. 9-29748 (9,000-12,000)

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472

CLEMENT DREW (American, 1806-1889) “VIEW OF BOSTON LIGHT 1888”. Oil on canvas nighttime scene shows a tall sailing ship rounding a tall white lighthouse with connected buildings. The moon shines through a break in a cloudy sky. Signed lower right “C Drew”. Titled and signed on back of canvas with a Boston stretcher label affixed to stretcher. SIZE: 8” x 12”. CONDITION: Craquelure, very good. 9-29940 (1,500-2,000)

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473

GOVERT VON EMMERIK (Dutch, 1808-1882) COASTAL SEA BATTLE. Oil on canvas scene shows a tall ship in full sail firing upon an oncoming tall ship. Many people aboard. Several rowboats are seen landing ashore. Sails are seen on horizon and a large wharf with figures and buildings are at the bottom of a tall cliff. Signed bottom right. Housed in a modern burl type ripple frame. SIZE: 14” x 28-1/4”. CONDITION: Relined, craquelure, restored with inpainting otherwise very good. 9-29954 (2,500-4,000)

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474

EDWARD SHERIFF CURTIS (American, 1868-1952) “CANYON DEL MUERTO”. Orotone (or goldtone) photograph depicts four men on horseback proceeding through canyon with steep sides and steep cliff backdrop under cloud and clear sky. Signed in gold lower left “Curtis”. Housed in its original bronze colored gesso decorated frame. The original green back paper and label “The price of this Curt-tone is $15 The Curtis Studio”. The goldtone is a glass plate positive photograph with a remarkably luminous quality obtained by printing a reversed image on glass and then backing it with a mixture of powered gold pigment and banana oil. They are then housed in very ornately molded and gilded frames. The process is perfected by the Curtis Studio and given the nickname Curt-Tone. Curtis produces Curt-Tones of some of his most popular Indian images and they soon become a great source of income for the studio. SIZE: Overall is 18-1/2” x 15-1/2”. SIGHT SIZE: 13-1/2” x 10-1/2”. CONDITION: Very good. 9-29596 (10,000-15,000)

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475

EDWARD SHERIFF CURTIS (American, 1868-1952) “CANYON DE CHELLY”. Orotone (or goldtone) photograph depicts seven Indians on horseback with a dog traveling along a flat canyon floor with tall canyon cliffs behind. Clear sky. Signed lower left “Curtis”. Also “Copyright 1904” by his initials. Housed in its original frame. The backing paper is not present but the original label is partially intact. The goldtone is a glass plate positive photograph with a remarkably luminous quality obtained by printing a reversed image on glass and then backing it with a mixture of powered gold pigment and banana oil. They are then housed in very ornately molded and gilded frames. The process is perfected by the Curtis Studio and given the nickname Curt-Tone. Curtis produces Curt-Tones of some of his most popular Indian images and they soon become a great source of income for the studio. SIZE: Overall is 15-3/4” x 18-3/4”. SIGHT SIZE: 10-1/2” x 13-1/2”. CONDITION: Very good. 9-29595 (10,000-15,000)

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476

WILLIAM ROBINSON LEIGH (American, 1866-1955) PORTRAIT OF A HORSE HEAD. Small oil on canvas portrait of a brown horse head with leather bridle. Signed lower right “WR Leigh”. Housed in an old stained molded wood frame. SIZE: 12” x 9”. CONDITION: Untouched, in need to cleaning. 9-29567 (1,000-2,000)

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477

GEAN SMITH (American, 1851-1928) “HOPEFUL”. Oil on canvas portrait of a white race horse “Hopeful” standing in green grass area next to bush and grass sided pond with background having barn, hillside with trees and gove of trees. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-16 (500-1,000)

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478

GEAN SMITH (American, 1851-1928) “SIR MARTIN”. Oil on canvas portrait of the brown race horse “Sir Martin” being led by a gentleman in a green pasture with farm in background under cloud and blue sky. Titled on left and signed lower right and dated 1909. Unframed. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-11 (500-1,000)

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479

GEAN SMITH (American, 1851-1928) “SUBURBAN 1906 (GO BETWEEN 1ST DANDELION 2ND)”. Oil on canvas head portraits of two race horses “Go Between” and “Dandelion” sticking through white canvas tarp. Titled on left and signed lower right. Unframed. SIZE: 12” x 10”. CONDITION: patch to back with repaired slit at left of horses. Otherwise very good. 9-29817-18 (500-1,000)

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480

GEAN SMITH (American, 1851-1928) “HAMBURG BELL”. Oil on canvas head portrait of the race horse “Hamburg Bell” wearing a blanket at neck. A green pasture and blue and white sky in background. Unframed. Titled on left and signed lower right and dated indistinctly. SIZE: 14” x 12”. CONDITION: Very good. 9-29817-12 (500-1,000)

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481

GEAN SMITH (American, 1851-1928) “KINGSTON”. Oil on canvas portrait of the race horse “Kingston” standing in a hillside meadow with pond on right side under blue and white sky. Titled on left and signed lower right. Housed in a modern gilt carved frame. SIZE: 12” x 14”. CONDITION: Very good. 9-29817 (500-1,000)

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482

GEAN SMITH (American, 1851-1928) “MAUD-S”. Oil on canvas portrait of the race horse “Maud-S” standing in green pasture with gray hills beyond. Gray and white cloud sky. Housed in a gilt carved wood frame. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-3 (500-1,000)

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483

GEAN SMITH (American, 1851-1928) “COLIN”. Oil on canvas portrait of the race horse “Colin” standing on a green pasture with farm on right side. Housed in a gilt carved wood frame. Titled on left and signed and dated lower right “1909”. SIZE: 12” x 16”. CONDITION: Very good. 9-29817-4 (500-1,000)

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484

GEAN SMITH (American, 1851-1928) “JOE PATCHEN”. Oil on canvas portrait of the race horse “Joe Patchen” standing in a hillside meadow lined with trees in fall foliage with a large farm and hills in background. Housed in a gilt carved wood frame. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-10 (500-1,000)

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485

GEAN SMITH (American, 1851-1928) “ETHELBERT”. Oil on canvas portrait of the race horse “Ethelbert” standing in a green meadow with water and trees in background under a blue sky with puffy white clouds. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-9 (500-1,000)

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486

GEAN SMITH (American, 1851-1928) “AFRICANDER”. Oil on canvas portrait of the race horse “Africander” standing in a hillside meadow lined with trees and water under a white blue sky. Titled on left and signed lower right. Unframed. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-19 (500-1,000)

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487

GEAN SMITH (American, 1851-1928) “HAMBURG”. Oil on canvas portrait of the race horse “Hamburg” standing in a green pasture under bright blue sky with pink and white clouds. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-2 (500-1,000)

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488

GEAN SMITH (American, 1851-1928) “LOU DILLON”. Oil on canvas portrait of the race horse “Lou Dillon” standing in green pasture with trees under a lightening sky. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-5 (500-1,000)

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489

GEAN SMITH (American, 1851-1928) “DIRECTUM I”. Oil on canvas portrait of the race horse “Directum I” standing in a green and brown pasture with trees and water behind. Unframed. Titled on left and signed lower right with date 1915. SIZE: 12” x 14”. CONDITION: Very good, some surface dirt. 9-29817-8 (500-1,000)

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490

GEAN SMITH (American, 1851-1928) “DIRECTUM”. Oil on canvas portrait of the race horse “Directum” standing in green pasture with pond on left and hillside on right under blue and white sky. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good with stretcher line. 9-29817-7 (500-1,000)

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491

GEAN SMITH (American, 1851-1928) “DANDELION”. Oil on canvas portrait of the race horse “Dandelion” standing in green pasture with water and trees in background under a puffy white cloud and blue sky. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-6 (500-1,000)

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492

GEAN SMITH (American, 1851-1928) “CRESCEUS”. Oil on canvas portrait of the race horse “Cresceus”. Horse stands on a green grass pasture with fence and woods behind and a river on left side under cloud and blue sky. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-1 (500-1,000)

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493

GEAN SMITH (American, 1851-1928) “STAMBOUL”. Oil on canvas portrait of the race horse “Stamboul” standing in a green meadow with pond, trees and farm in background. Titled on left and signed lower right. Unframed. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-15 (500-1,000)

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494

GEAN SMITH (American, 1851-1928) “MAJOR DELMAR”. Oil on canvas portrait of the race horse “Major Delmar” standing in a green and brown pasture with low horizon under a blue sky with scattered clouds. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-17 (500-1,000)

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495

GEAN SMITH (American, 1851-1928) “MARTIMAS”. Oil on canvas portrait of the race horse “Martimas” standing in a green meadow with river, trees and farm in background. Blue and white sky. Titled on left and signed lower right. Unframed. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-13 (500-1,000)

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496

GEAN SMITH (American, 1851-1928) “CLIFFORD”. Oil on canvas portrait of the race horse “Clifford” standing on a hillside with trees in background under a cloud and blue sky. Unframed. Titled on left and signed lower right. SIZE: 12” x 14”. CONDITION: Very good. 9-29817-14 (500-1,000)

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497

PETER MORAN (American, 1841-1914) COW GRAZING. Oil on canvas summer scene shows a large brown and white cow grazing in a green field. A black cow rests nearby and in the background are several other cows amongst some trees. Gray storm clouds gather in the background. Signed lower left “P. Moran”. Housed in an antique gesso decorated frame with a gold liner. SIZE: 20” x 30”. CONDITION: Relined with some inpainting and restoration. Otherwise very good. 9-29602 (4,000-6,000)

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498

CARL PHILLIP WEBBER (American, 1850-1921) COWS IN A PASTURE SETTING. Watercolor summer scene shows four cows in a green pasture next to a stream with a wooden bridge. Signed lower right “Carl Weber”. Housed in a fine period reeded gilt frame. PROVENANCE: From a Maryland Collection. SIGHT SIZE: 13-1/2” x 26-1/4”. CONDITION: Very good. 9-29617 (800-1,200)

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499

W. WALTHER (European, Late 19th/Early 20th Century) SUNSET LANDSCAPE WITH COWS. Oil on canvas scene shows a colorful sunset sky behind large mountains. The foreground scene shows four cows in tranquil pond surrounded by trees and rocks. Signed lower right “W. Walther”. Housed in a gold painted wood frame. PROVENANCE: From a Maryland Collection. SIZE: 22” x 36”. CONDITION: Several patches to reverse and several tears including a large vertical tear on right side. Brittle canvas, in need of restoration but having strong colors. 9-29628 (400-600)

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500

ORSON P. WILLMOTT (American, 19th/20th Century) SUNSET WINTER LANDSCAPE. Large oil on canvas sunset scene shows a boy and a girl with a sled piled with sticks walking along snow covered road. A group of figures are skating on a pond which reflects the colorful sunset. Large trees are in foreground with forest behind the pond. Signed lower left. Housed in a gold molded wood frame with leaf decoration. SIZE: 30” x 50”. CONDITION: Loose on stretcher, needs retightening, otherwise good. 9-70030 (1,500-2,000)

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501

ALEXANDER JOHN DRYSDALE (American, 1870-1934) SUNSET OVER TREES AND POND. Watercolor scene shows large trees and grassy banks being reflected onto water with orange and gold sunset. Signed lower left “A J Drysdale”. Housed in a stained molded wood frame with white matte under anti-glare glass. SIGHT SIZE: 19-1/2” x 29-1/2”. CONDITION: Very good. 9-29880 (2,200-2,800)

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502

AFTER ALBERT BIERSTADT (American, 19th Century) SUNSET LANDSCAPE. Oil on canvas scene shows a river with large cliffs on left side and tree lined rocky bank on other. A bright sunset with yellow, gold and red to blue sky. Housed in a period gesso decorated gilt frame. The back stretcher marked in black pencil “A. Bierstadt”. SIZE: 12” x 16”. CONDITION: Six patches to reverse, 1” slit in sky. Otherwise very good with inpainting. 9-70035 (1,500-2,000)

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503

E. K. (American, 19th Century) “SUNSET IN THE VILLAGE”. Oil on canvas scene shows a man walking towards a small village in an impressionistic landscape. Signed lower left “E. K. 92”. On the back of the stretcher in pencil is “Sunset in the Village by Bruce Crane E. K. _ _ _ ? 1892”. Housed in a gesso decorated period frame. SIZE: 15” x 20”. CONDITION: Very good. 9-26722 (600-1,000)

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504

JOHN F. BERNINGER (American, 1897-1981) FALL LANDSCAPE WITH RIVER. Oil on board scene shows a river cascading over rocks beside a hillside dotted with trees in fall foliage. Signed lower right. Housed in a gold molded wood frame. “Berninger is one of the premier artist’s to come out of the Baum school and is best known for his well-executed landscapes of the Lehigh Valley”. SIZE: 12” x 14”. CONDITION: Very good. 9-29953 (3,000-5,000)

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505

CHARLES AUGUSTUS C. LASAR (American, 1856-1936) THE STONE BRIDGE. Oil on canvas scene shows a double arched stone bridge with a large stone house at one end surrounded by green trees. The foreground has large boulder strewn river. Signed lower right “?. Lasar”. Housed in a wide stepped molded wood modern gilt frame. SIZE: 11″ x 14″. CONDITION: Relined, restored with inpainting, craquelure. Very good. 9-29010 (1,500-3,000)

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506

ALFRED RICHARD MITCHELL (American, 1888-1972) PENNSYLVANIA WINTER TOWN SCENE. Oil on canvas scene shows a river with arched bridge in a town setting having snow covered banks. Most likely a Pennsylvania scene. Signed lower right “Alfred R. Mitchell”. Housed in a gilt molded wood frame. A fine example by this New Hope artist. SIZE: 11-3/4” X 17-1/2”. CONDITION: Relined. The painting has been cleaned and revarnished except for the area around the signature. 9-29962 (8,000-12,000)

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507

ALFRED RICHARD MITCHELL (American, 1888-1972) THE ARCH STONE BRIDGE. Oil on canvas winter scene shows an arched bridge over a small stream with large birches and trees covered with colorful foliage. Blue sky with purple and gray clouds. Signed lower left “Alfred R. Mitchell”. Housed in an old silver gilt molded wood frame with silver lining. Appears to have pencil title on back stretcher which we can not decipher. SIZE: 12” x 16”. CONDITION: Relined, very good with masking varnish. 9-29961 (4,000-6,000)

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508

IN THE MANNER OF GEORGE WILLIAM SOTTER (American, Early 20th Century) “MOONLIGHT NEW HOPE, PA”. Oil on board unsigned scene shows a Colonial house in the evening behind tall trees and picket fence. Housed in a fine silver painted carved wood frame. Pencil title to reverse. SIZE: 20” x 24”. CONDITION: Very good. 9-70041 (1,000-1,500)

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509

WALTER EMERSON BAUM (American, 1884-1956) CITY GIRL. Oil on board half portrait of a young woman wearing a white dress with a city backdrop having a river and tall buildings. On back of board in old script “Painted from life by Walter E. Baum of ? ?”. In pencil it appears to say “Casein on board”. Signed lower left “Baum”. Housed in a gilt molded wood frame. SIZE: 16” x 11-1/2”. CONDITION: Very good. 9-70185 (1,000-2,000)

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510

DANIEL KOTZ (American, 1848-1933) “INDIAN SUMMER”. Oil on canvas fall scene shows a dirt path in bright yellow colored woods with fence and colorful sky. Signed lower right “Daniel Kotz”. Housed in a fine gilt oak molded wood period frame. Title and artist typed label on back. SIZE: 16” x 24”. CONDITION: Relined, minor inpainting to left sky. Very good. 9-29877 (2,000-3,000)

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511

PAUL E. SALING (American, 1876-1936) FALL HILLSIDE. Oil on masonite fall scene shows a clearing with grass surrounded by trees in fall colors. A blue hill is seen in background under white and blue sky. Signed lower right. Housed in a modern antique style wood frame with gold liner. Partial exhibit label on reverse. SIZE: 8” x 10”. CONDITION: Very good with some inpainting. 9-29833 (700-1,000)

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512

HOWARD ATKINSON (American, 20th Century) “LATE SEPTEMBER”. Large oil on canvas early fall scene shows a river lined with trees and sandy bank. Mountains are seen in background under a blue and white sky. Titled on back stretcher. Signed lower left. Housed in its original gilt molded wood frame. SIZE: 24” x 36”. CONDITION: Very good, some surface dirt. 9-29818 (400-600)

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513

HERRMANN OTTOMAR HERZOG (American, 1832-1932) STAG IN MOUNTAIN LANDSCAPE. Oil on canvas mountain landscape shows two large stags atop bluff with large tree overlooking large snow peaked mountains and valley on left side. Housed in a fine gilt wood replacement frame with gilt liner. Signed lower left “H Herzog”. SIZE: 18” x 23-3/4”. CONDITION: Relined, some restoration with inpainting. Very good. 9-29963 (3,000-5,000)

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514

J.M. BOUNDY (American?, Mid 19th Century) BACK FROM HUNTING. Large oil on canvas interior scene shows a man smoking a pipe and sitting in a green Windsor style chair with two hunting dogs beside. One standing, the other is lying down licking his paw. A small stool is seen with stoneware jug and powder horn. A Kentucky type rifle rests against a cupboard which has hanging game attached. Singed lower left “JM Boundy 1867”. Housed in its original gesso decorated frame. We have been unable to find information on this artist but the inclusion of the green Windsor chair and rifle indicates that it might be American. SIZE: 30” x 25”. CONDITION: 1/4” puncture in between dogs in the background, craquelure. Otherwise good. 9-29604 (3,000-4,000)

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515

IN THE MANNER OF ARTHUR FITZWILLIAM TAIT (American, 1819-1905) DEER IN PANORAMIC LANDSCAPE. Large unsigned oil on canvas scene shows a water filled gorge with high rock cliffs and trees. A large buck is seen on the left point of rocks. A large buck with three doe are seen on the right side and a large buck swims across water in center. Tall mountain backdrop with tree lined hillside. Housed in a gilt molded wood replacement frame with 19th Century stretcher and canvas. SIZE: 32” x 54”. CONDITION: 1” T-shaped puncture at top of rocks, small split on left rocks, dirty. Otherwise good. 9-29603 (4,000-6,000)

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516

ALPHONSE PALUMBO (American, 1890-1947) BACK FROM FISHING. Large oil on canvas outdoor scene shows two boys with fishing rod and fish walking along a dirt road with dog conversing with a man on a large white work horse with a brown horse beside. Tree and blue sky background. Unsigned front. Estate stamped on back stretcher and numbered “21 of 44”. Housed in a fine wide gilt rope decorated wood frame. SIZE: 29” x 35”. CONDITION: Very good. 9-29551 (1,000-2,000)

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517

F W PROCTOR (American, 20th Century) “THANKSGIVING DAY ON RIDGE”. Large oil on canvas winter scene shows a family returning to a small cabin. The man holds a gun and the woman leads a cow while other cows follow. Sunset light shines on trees and hillside. Signed lower right “FW Proctor”. Titled on back stretcher and signed on back of canvas. PROVENANCE: From a Maryland Collection. SIZE: 26” x 41”. CONDITION: There are two patches on the reverse, very good. 9-29612 (800-1,200)

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518

ARTHUR E. SCHNEIDER (American, 1866-1932) “THE SNIPE POND”. Oil on canvas scene shows a colorful marsh with four snip stick decoys luring in a snipe which is preparing to land on water. Signed lower left. Housed in its fine period gilt frame. Title in pencil on stretcher. PROVENANCE: Woolworth Collection (FW Woolworth Dept. Stores). SIZE: 24” x 30”. CONDITION: 1” tear in water, surface grime. Otherwise very good. 9-29537 (1,000-2,000)

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519

UNSIGNED (American, 19th Century) CHICKS. Oil on academy board scene shows three small chicks on straw ground. Two are yellow and one is brown and white. Housed in its original gesso decorated gilt frame. SIZE: 12” x 9-1/4”. CONDITION: Very good. 9-70028 (1,000-1,500)

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520

CHARLES PAUL GRUPPE (American, 1860-1940) FEEDING THE CHICKENS. Small watercolor Dutch scene shows a mother and child feeding chickens outside their home with trees beside. Signed lower right “Chas P. Gruppe”. Housed in its original gilt wood wide frame with original Gruppe back biographical label. SIGHT SIZE: 6-1/2” x 4-1/2”. CONDITION: Very good. 9-29938 (1,000-1,500)

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521

HUGO ANTON FISHER (American, 1854-1916) DUTCH LANDSCAPE WITH COWS AND WINDMILL. Large watercolor scene shows two groups of cows in marshy water area with a windmill on horizon. A house is seen next to a grove of trees under a white and gray cloud sky. Signed lower left “Hugo Fisher”. Housed in what appears to be its original gilt wood frame with thick white matte. SIGHT SIZE: 16-3/4” x 27-3/4”. CONDITION: Some light spot foxing but generally very good. 9-29881 (800-1,200)

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522

WILLIAM EDWARD NORTON (American, 1843-1916) SEAWEED HARVESTERS. Watercolor on paper laid on a light board scene shows a man hauling a section of a mast next to a woman with a bag of seaweed over her shoulder. Several other women are seen gathering from a low coastal area. Ocean is seen beyond with two sails under a blue and cloud sky. Signed “William E. Norton” lower left. Unframed. SIZE: 17-1/2” x 23-1/2”. CONDITION: Light spot foxing, good. 9-29886 (500-1,000)

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523

HENK NAN (Dutch, 20th Century) DUTCH VILLAGE WITH CANAL. Oil on canvas scene shows two arched bridges over canal with road and buildings. Signed lower right “H. Nan”. Housed in a gesso decorated fancy frame. SIZE: 30” x 24”. CONDITION: 1” split in upper right corner, dirty. Otherwise very good. 9-26765 (200-400)

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524

EVERETT LLOYD BRYANT (American, 1864-1945) “TURNING THE FIRST MARK, JULY 17, 1920”. Large oil on canvas seascape shows two sailing yachts racing, one turning and the other in pursuit with steam yacht observing. Turquoise blue ocean under a colorful morning sky. Signed lower right. Retaining an original label from “John E. D. Trask New York” with artist name and title. Housed in its original gilt and black painted molded wood frame. SIZE: 25” x 30”. CONDITION: Restored with inpainting. Very good. 9-29958 (2,000-4,000)

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525

THEODORE VICTOR CARL VALENKAMPH (American, 1868-1924) LATE AFTERNOON SAIL. Oil on wood panel coastal scene shows two sailboats close to shore with end of day sun shining on water with low land beyond. Signed lower right. Housed in a gesso decorated gilt frame. SIZE: 7” x 10”. CONDITION: Some inpainting, craquelure, fair to good. 9-70027 (1,500-2,000)

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526

FRANK KNOX MORTON REHN (American, 1848-1914) COASTAL SCENE WITH SAILBOAT AND WHARF. Watercolor coastal scene shows a small sailboat with figure having large white sail at end of an unused wood wharf. Islands and sails are on horizon and a rock strewn sandy beach is in foreground. Signed bottom right. Housed in a replacement gilt molded wood frame with a wide white matte. SIGHT SIZE: 13-1/2” x 19-1/2”. CONDITION: Light water stain to right edge, otherwise very good. 9-29847 (500-1,000)

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527

UNSIGNED (American, 19th/20th Century) TRANQUIL HARBOR. Oil on artist board scene shows several small boats moored next to buildings. Written on back in pencil “To Bob & Terry My Sailing Friends Jane”. Could this possibly be Jane Peterson? Housed in a modern wood frame. SIZE: 6” x 9”. CONDITION: Good. 9-70039 (200-300)

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528

JOSEPH NEWMAN (American, 1890-1979) HARBOR WHARF SCENE. Watercolor scene shows a clam shack with open door on side of wharf with three men awaiting an oncoming sailboat. Several barrels are seen awaiting the catch. Signed lower left “J. Newman”. Housed in a decorative carved wood frame with wide matte. “Estelle Newman Gallery New York, NY” label affixed to back. SIGHT SIZE: 14” x 20”. CONDITION: Very good. 9-29721 (400-600)

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529

STEEN BILLE (Danish, First half of the 20th Century) MOONLIGHT SAIL. Oil on canvas scene shows several sailboats under a full moonlit night. A small cottage with long dock is seen on left side with rowboat and shoreline. Signed lower right “St. B.”. Housed in a period gilt molded wood frame. SIZE: 19-1/2” x 26-1/2”. CONDITION: Very good. 9-70171 (600-800)

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530

NEIL REID MITCHELL (American, 1858-1934) MOONLIT SEASCAPE. Fine watercolor scene shows a bright full moon shining through break in clouds with three sailboats on the horizon. The moon shines off a wavy ocean with a wave crashing onto rocks. Signed lower left. Housed in what may be its original gilt decorated frame having a Venable’s Galleries Washington, DC label. SIZE: 8” x 12”. CONDITION: Very good. 9-29836 (1,000-1,500)

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531

UNSIGNED (American, Late 19th Century) MOONLIT SAIL. Oil on canvas scene shows a two-mast sailboat with sails up coming towards viewer on wavy ocean under bright full moon in partly cloudy sky. One figure is seen at the wheel with running lights. Housed in its original magnificent wide gesso decorated gilt frame with gold liner. SIZE: 27” x 22”. CONDITION: Good with some light abrasion at stretcher line. 9-29829 (800-1,200)

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532

SARAH E. NASH (American, 19th/20th Century) HARVEST MOON. Oil on wood panel scene shows haystacks in a green and golden field with blue hills and large full moon. Signed lower left “Sarah Nash”. Housed in a fine corn flower decorated gilt frame. SIZE: 5-1/2” x 9-1/2”. CONDITION: Slight warp to panel, very good. 9-29822 (800-1,200)

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533

HENRY MARTIN GASSER (American, 1909-1981) PARIS FLOWER MARKET. Outstanding watercolor scene shows thirteen people at an outside flower market showing merchants and buyers including women, children and men. The backdrop is a large building with blue shutters and storefront awnings. A large tree is at center with green leaves and there are colorful flower boxes in the windows. Signed lower left “H Gasser, Paris”. Housed in a fine gilt reeded edge wide frame. SIGHT SIZE: 7-3/4” x 9-3/4”. CONDITION: Very good. 9-29784 (1,500-2,000)

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534

RANSOME GILLETE HOLDREDGE (American, 1836-1899) “ENVIRONS OF GREZ-FRANCE”. Oil on canvas summer scene shows a dirt path lined by grassy fields and tall trees. Two women are resting at the edge in shade with a small cart. A town is seen beyond under blue and small cloud sky. Signed lower left. Titled, signed and dated “1878” on reverse. Housed in a gilt molded wood frame which has a JH Miller Co.” label. PROVENANCE: Ex- Collection of Amherst College, Massachusetts. SIZE: 27” x 22”. CONDITION: Very good, small patch to reverse with some minor inpainting. 9-29553 (1,000-2,000)

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535

RANSOME GILLETE HOLDREDGE (American, 1836-1899) “NEAR FONTANEY, FRANCE”. Oil on canvas summer scene shows a woman walking along a path across field with trees and domed building in distance. Signed lower left. Titled on back stretcher. Housed in a gilt molded wood frame which has a JH Miller Co.” label. PROVENANCE: Ex- Collection of Amherst College, Massachusetts. SIZE: 27” x 22”. CONDITION: Very good, some surface dirt. 9-29552 (1,000-2,000)

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536

ATTRIBUTED TO HENDRIK VAN DE SANDE BAKHUYZEN (Dutch, 1795-1860)) THE LITTLE SHEPPARD”. Oil on wood panel scene shows a young girl tending her small flock of sheep on a dirt road with fence and trees lining each side. Several buildings with red roofs are seen in background. Signed lower right. Unframed. SIZE: 15-3/4” x 11-1/2”. CONDITION: Very good, inpainting. 9-70186 (1,500-2,500)

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537

LEON KROLL (American, 1884-1975) SUN BATHING BEAUTY. Fine oil on canvas beach scene shows a nude young woman seated on sand dune peering out at a calm ocean. She wears a white headband over her blond hair and she wears white china flats on her feet. The scene is against a blue and white cloud sky with tinges of pink. Possibly a Cape Ann beach scene. Signed lower right “L. Kroll”. Housed in a fine and possibly original gilt gesso decorated frame. SIZE: 23-1/2” x 31-1/2”. CONDITION: Very good with some inpainting, mostly on bottom 3” and one spot in sky. 9-70096 (8,000-12,000)

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538

ALBERT VON KELLER (Swiss, 1844-1920) SPRINGTIME NUDE. Oil on wood panel scene shows a nude young woman draped in sheer flowing dress. She holds two wreaths in her hands and walks atop a grassy area with trees in background. Signed upper left “A Keller”. Housed in a period, possibly original, regilt gesso decorated frame. SIZE: 14” x 9-1/4”. CONDITION: Very good, impainting. 9-29830 (2,500-3,500)

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539

GERALD LEAKE (American, 1885-1975) “VOICES BY THE RIVER”. Oil on canvas scene shows four women, one partially nude, two singing and one playing the mandolin. They stand on a grass and rock area with wild flowers against a backdrop of a river and small hills. Title and signature is viewed through relining window. Housed in a decorated wood antique frame. SIZE: 22” x 30”. CONDITION: Relined with some inpainting, good. 9-29840 (1,500-2,500)

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540

BERNARD KARFIOL (American, 1886-1952) PORTRAIT OF A SOCIALITE. Large oil on canvas 3/4 portrait of a woman resting her arm on a green upholstered chair standing wearing a black dress with black sheer cape. Signed lower left “B Karfiol 1936”. Appears to be housed in its original gilt molded wood wide frame bearing a Royal Art Framing Company, New York label. SIZE: 36” x 28”. CONDITION: Craquelure, surface dirt, 1” slit to top edge. Generally very good. 9-70122 (1,000-1,500)

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541

WILLIAM HASKELL COFFIN (American, 1878-1941) PORTRAIT OF KATHERINE KEMPLAND. Oil on canvas full portrait of a young woman in elegant bright blue gown wearing a pearl necklace and holding a small spray of light blue flowers in her lap. She sits on a low red seat and looks straight at viewer. Short brown hair. Signed lower right “Haskell Coffin”. Housed in its original fine gesso decorated gilt frame. Sitters name is written on the back of canvas “Katherine Kempland Born Nov. 9 1909 Painted July 22nd, 1927”. PROVENANCE: Fresh from a Maine home. SIZE: 48” x 36”. CONDITION: Very good. 9-70315 (1,500-2,500)

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542

WALT KUHN (American, 1877-1949) CLOWN WITH FIDDLE. Watercolor scene shows a seated sad face clown with black top hat, red scarf, gold jacket holding a fiddle which he is strumming like a banjo. Signed lower left with initials “WK”. Housed in a fine stained wood molded frame with double ivory and black matte. SIGHT SIZE: 11-1/2” x 8-1/2”. CONDITION: Very good. 9-29931 (2,000-4,000)

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543

WILLIAM GROPPER (American, 1897-1977) FAT CAT. Watercolor caricature study of an older man in red suit and bow tie seated in a chair with letters on the ground. Signed lower left “Gropper”. Housed in a gilt molded wood frame. SIZE: 14-3/4” x 10”. CONDITION: Very good. 9-70151 (800-1,200)

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544

ATTRIBUTED TO GEORGE GROSZ (American, 1893-1959) THE PROSTITUTE. Watercolor of a nude seated woman in a red shawl and shear stockings. Unsigned, possibly initialed “GG” in the bottom right black part of the shawl. Housed in a gilt decorated wood frame having a brown linen matte. SIGHT SIZE: 9-3/4” x 7-1/2”. CONDITION: Very good. 9-70150 (2,000-3,000)

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545

AMERICAN SCHOOL-WPA (American, First half of the 20th Century) THE VICTIM. Large unframed oil on canvas street scene shows a man on a gurney being wheeled through a crowd by a medial attendee ushered through the crowd by a police officer. The back storefronts include “Logan Garage”. SIZE: 40” x 50”. CONDITION: Restored with inpainting, craquelure. Very good. 9-70144 (2,000-3,000)

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546

GLADYS KELLEY FITCH (FITSCH) (American, 1896) “TEA PARTY”. Oil on canvas outdoor scene shows a large group of well dressed people under large trees at small round tables. A nice colorful scene. Unsigned front with pencil name “Gladys Kelley Fitsch” on back of canvas and stretcher with pencil title. This Lyme, Connecticut Art Colony artist captures a festive mood in a colorful subject matter. Housed in a fine gilt molded wood frame. SIZE: 18” x 26”. CONDITION Very good. 9-70141 (1,500-2,500)

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547

BERGERE OSCAR PERRAULT (American, Early 20th Century) COTTAGE WITH FLOWER GARDEN. Oil on canvas summer scene shows Colonial cottage nestled amongst trees next to water. A path leads to the house alongside a large colorful wildflower garden. Signed lower right “B. Oscar Perrault”. Bay State stretcher stamp on back. Unframed. Perrault was an instructor of the New School of Design, Inc. in the mid 1920’s. He designed costumes and worked at the New School of Design with Norman Rockwell. PROVENANCE: From a Maryland Collection. SIZE: 24” x 34”. CONDITION: Some minor inpainting, generally very good. 9-29639 (500-1,000)

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548

BERGERE OSCAR PERRAULT (American, Early 20th Century) “PETITE SALUR”. Art Deco style oil on canvas scene shows a young woman holding a circular glass goldfish bowl which rests on a round stand. Signed lower left. Titled on reverse of frame which also has a Worcester, Mass stretcher stamp. Housed in a carved wood and partial gilt frame. Perrault was an instructor of the New School of Design, Inc. in the mid 1920’s. He designed costumes and worked at the New School of Design with Norman Rockwell. PROVENANCE: From a Maryland Collection. SIZE: 21” x 15”. CONDITION: Light craquelure, otherwise very good. 9-29640 (400-600)

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549

AFTER GEORGE DE FOREST BRUSH (American, 1855-1941) IN THE GARDEN. Oil on board scene shows a parent with two children standing in a grassy area. A modern painting after the titled painting by Brush. Housed in a modern gilt decorated frame. SIZE: 20-1/2” x 9-1/2”. CONDITION: Very good. 9-70135 (200-400)

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550

FRANKLIN EDWARD MORRIS (American, 1938-) “PENNSYLVANIA AVE., WASHINGTON D.C.”. Oil on canvas scene shows a snow covered street with trolley and people leading to US Capital. Signed lower left “FE Morris”. Titled on back of canvas and stretcher. Housed in a modern gesso decorated frame. SIZE: 10” X 8”. CONDITION: Very good. 9-70112 (2,000-3,000)

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551

FRANKLIN EDWARD MORRIS (American, 1938-) “FIFTH AVENUE HOTEL, NEW YORK CITY”. Oil on canvas New York street scene shows a pillar front building with people, horse carriage and street clock. Signed lower left “FE Morris” and titled on reverse. Housed in a fine gilt wood frame. SIZE: 12” x 16”. CONDITION: Very good. 9-70118 (2,500-3,500)

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552

ROBERT WOOD (American, 1889-1979) MORNING SAIL. Oil on canvas scene shows a tranquil coastline with two sailboats having morning sun cascading and reflecting on calm water. Small waves hit rocky shore. Probably a California coastal scene. Housed in a fine gilt shell and pierce decorated frame. SIZE: 24” x 32”. CONDITION: Minor inpainting, cleaned. Very good. 9-70097 (4,000-6,000)

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553

ALPHONSE JOSEPH SHELTON (American, 1905-1996) MAINE ROCKS. Oil on canvas coastal scene shows waves crashing onto rock ledge under a blue and cloud sky. Signed lower right “AJ Shelton”. Housed in what appears to be its original partial gilt carved frame. SIZE: 24” x 26”. CONDITION: Very good. 9-70329 (500-1,000)

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554

LEROY WALTER FLINT (American, 1909-1991) MOONLIGHT OVER DESERT LANDSCAPE. Oil on board nighttime scene shows a full moon with halo against a blue sky with sand and desert bush foreground and distant mountains. Signed lower right “Flint”. Housed in a brown and gold molded wood frame. SIZE: 30” x 24”. CONDITION: Good. 9-70044 (500-800)

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555

DONG MOY CHU KINGMAN (American, 1911-2000) “SAN FRANCISCO”. Watercolor scene of Chinatown showing a street lined with Oriental style buildings and figures walking. Signed lower right “Kingman 46 San Francisco”. Housed in a black painted wood frame. SIZE: 16-1/2” x 23”. CONDITION: Good. 9-70037 (600-800)

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556

FORREST CLEMENGER BESS (American, 1911-1977) COLORFUL LANDSCAPE. Oil on canvas board landscape scene shows a flower covered meadow with a break in trees looking out over low hills and water. Signed lower left “Forrest Bess”. Housed in a partial gilt molded wood frame with linen liner. Probably an early Texas scene. SIZE: 12” x 16”. CONDITION: Very good, some surface dirt. 9-29924 (600-1,000)

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557

FORREST CLEMENGER BESS (American, 1911-1977) SAILBOATS. Oil on board abstract scene shows several sailboats on the horizon line against a yellow and red mottled background. Housed in a gold painted carved wood frame. Signed lower left “F. Bess”. SIZE: 10” x 8”. CONDITION: Good, masking varnish. 9-29925 (600-1,000)

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558

ATTRIBUTED TO MAXFIELD FREDERICK PARRISH (American, 1870-1966) THE TWO COOKS. Oil on silk scene shows two elf type cooks in blue wearing white aprons and red canvas slippers. One holds top to a large copper cauldron, the other lifts a white bag out of the cauldron. The silk is hand sewn around the edges and was mounted to a board. The top is angled. Unsigned but including many of the attributed seen in Parrish’s paintings such as “The Pastry Cooks- Blue Nose”. SIZE: 27” x 20-1/2”. CONDITION: Some staining, good. 9-70026 (2,000-4,000)

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559

LELAND R. GUSTAVSON (American, 1894-1966) BLACK AND WHITE ILLUSTRATION. Ink and China white illustration shows a man holding a frightened lady at side confronting another man with large hat and gun holster at waist. Signed lower right. Housed in a decorative molded wood frame with white matte. SIGHT SIZE: 11-1/4” x 12-1/2”. CONDITION: Very good. 9-26733 (100-200)

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560

ARTHUR SARON SARNOFF (American, 1912-2000) “BREAKING THE TAPE”. Oil on board Track & Field scene shows five runners at end of race crossing the finish line with a large group of spectators. Signed lower left. Housed in its original gray painted carved wood frame with white wood liner. Label affixed to back from the Grand Central Art Galleries, New York. SIZE: 17” x 28”. CONDITION: Very good, some minor inpainting. 9-29933 (1,000-1,500)

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561

BURCHFIELD (Mid 20th Century) SWEET TOOTH. Oil on canvas scene shows a young black boy with large hat stripping a piece of sugar cane with his teeth. Framed by green stocks of sugar cane. Signed lower left “Burchfield 53”. Housed in a stained natural wood frame. SIZE: 22” x 28”. CONDITION: Very good. 9-70128 (800-1,200)

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562

ROBERT KNIGHT RYLAND (American, 1873-1951) “ECHO AND NARCISSUS”. Oil on canvas mounted on board shows the Greek mythological scene shows man in red toga with woman in green toga sitting on grassy mound. Signed lower left and dated “1925”. Housed in a fine gilt carved wood arts and crafts style frame which has title and also “Gift of Emily Abbey Hill”. Title is also on the stretcher. PROVENANCE: From a Maryland Collection. SIZE: 25” x 30”. CONDITION: Very good. 9-29614 (500-800)

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563

PAIR OF WATERCOLOR CEILING PANEL DESIGNS. 1) Titled “Juno and Mercury”. A round design with woman, man and peacock in clouds. SIGHT SIZE: 5-1/2”. 2) Oval with nude goddess and two cherubs. SIGHT SIZE: 5-1/2” x 8”. CONDITION: Very good. 9-29636 (150-250)

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563A

EASTMAN JOHNSON (American, 1824-1906) “THE BLACKSMITH SHOP”. Oil on board scene shows a seated man lighting his pipe with a pair of wrought iron tongs holding an ember. He wears a leather apron, vest and white shirt. Signed lower right “E. J “. Housed in what maybe its original wide gesso decorated frame with old name plaque. The back having an old label which indicates title and artist name. Also a pencil label on back of board. SIZE: 13-1/2” x 10-3/4”. CONDITION: Very good. 9-70327 (10,000-20,000)

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564

THOMAS SULLY (American, 1783-1872) THE SLEEPING CHILD. Oil on canvas interior scene shows a mother in colorful clothing seated with large dog next to a baby sleeping in a cradle with another dog beside. A fire is seen in the fireplace. A settee and other interior decorations are seen throughout the room. A monogram “TS” is seen on the back of the stretcher in black. Also monogrammed on back of canvas and dated “18?”. There is a black painted number “410E” on stretcher. Unframed. SIZE: 20” x 24”. CONDITION: Loose from stretcher with edges torn, craquelure and one abraded 2” tear to upper left. Fair to good. 9-70032 (4,000-6,000)

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565

AFTER JAN MIENSE MOLENAER (Dutch, 19th Century) TAVERN SCENE. Oil on canvas laid on board scene shows two people at a tavern table with another man behind. A pottery stein rests on small stool with muscle shells below. Signed lower right. Housed in a modern gesso decorated frame with artist plaque. SIGHT SIZE: 14-1/2” x 12”. CONDITION: 1” area of lifting canvas with crack, masking varnish. Good. 9-70034 (600-800)

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566

UNSIGNED (European, 19th Century) THE WELCOME REST. Large unframed oil on canvas scene shows a man seated on a wood crate with a dressed up monkey seated beside. The man is pouring wine into a goblet which the monkey holds. A dog with saddle lies nearby, a two-wheel cart and barn is the backdrop. PROVENANCE: From a Maryland Collection. SIZE: 25” x 31-1/4”. CONDITION: Craquelure, in need of significant restoration. The canvas is brittle and has mostly come off the stretcher and there are three tears and some chipping. 9-29618 (100-300)

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567

CONSTANTIN STOILOFF (Russian, 1850-1924) THE TROIKA CONVOY. Outstanding large oil on canvas Russian scene shows several three-horse drawn sleighs with people crossing a snow covered ground with several men on horseback carrying rifles and spears. Two people on horseback in front hold colorful flags. A colorful sunset under purple clouds completes the image. Signed lower left “C Stoiloff”. Housed in a magnificent period gesso decorated gilt frame. SIZE: 29” x 39-1/4”. CONDITION: Relined with masking varnish. Very good. 9-29959 (6,000-8,000)

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568

SARANDIS KARAVOUSIS (European, 1938) VASES AND BOTTLES. Oil on canvas tabletop scene shows various pottery and ceramic bottles and vases in pairs and singles against a grayish background. Signed lower left “Karabouzhe” believed to be signed in Cyrillic. Unframed. SIZE: 18-1/4” x 21-3/4”. CONDITION: Some minor inpainting, very good. 9-29594 (1,000-3,000)

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569

HENDRICK VERSCHUURING (Dutch, 1627-1690) TRAVELERS RESTING BY A TEMPLE. Fine oil on wood panel outdoor scene shows four men on horseback stopping near water and large temple with two Monks on the stairway, a woman with basket of clothes, a dog and several bathers in and around the water. A landscape is seen with classical ruins and mountain in background. Signed lower “H Verschuuring” and “T. A. 1677”. Back of the raised panel has a painted “G.V.K.”, part of a red wax seal and an old numbered label. Housed in an old ebonized frame with gilt liner having name plaque. SIZE: 13-3/4” x 16-1/2”. CONDITION: Very good, masking varnish. 9-29952 (6,500-8,500)

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570

UNSIGNED (18th/Early 19th Century) FLIGHT INTO EGYPT. Oil on wood panel scene shows a woman with child in lap resting in front of a large cliff with passageway/cave. A mule, steer, dog and sheep surround her with shepherd, man with mule and others with what appears to be a small harbor with mountains in the background. Unframed. The panel, which appears to be oak, has a series of old identifying numbers on back. SIZE: 18-1/4” x 25-1/4”. CONDITION: The panel has warp and repaired separation which goes the length of the board, 4” down from the top. In need of cleaning. Otherwise good. 9-29629 (300-500)

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571

UNSIGNED (European, 18th Century or Earlier) PORTRAIT OF A GENTLEMAN. Fine early oil on canvas shoulder length portrait of a man wearing a suit of armor with a lace collar, long flowing blonde hair. There is an old label on the stretcher from “Chambaudet Paris”. Housed in what appears to be an 18th C or earlier frame. Possibly early 18th Century or older. SIZE: 24-1/2” h x 20-3/4” w. CONDITION: Restored, early relining on replaced stretcher. Under blacklight it shows inpainting and possibly other early restorations. 9-29832 (800-1,200)

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572

UNSIGNED (European, 18th Century) OLD MASTER PORTRAIT. Oil on canvas head portrait of an old man with long hair, mustache and goatee. Housed in a heavy gesso decorated frame with impressed mark “Made in Sweden”. PROVENANCE: The Mayer family of Metro-Goldwyn-Mayer Studios. SIZE: 18-1/4” x 14”. CONDITION: Relined, craquelure with some lifting and chips. Under blacklight several layers of restoration can be seen with inpainting. 9-29555 (500-1,000)

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573

GROUP OF SIXTY-SIX WATERCOLORS. Mid 19th Century. All contained in a modern notebook with sleeves, mounted on black paper. One signed “V M Alderson 1906”. Most identified, many signed. SIZE: Ranging from 2” x 2-1/2” to 7” x 9-1/2”. CONDITION: Generally very good. 9-29887 (1,000-2,000)

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574

GROUP OF SIXTY-THREE PENCIL AND WATERCOLOR DRAWINGS. All contained in a modern notebook with sleeves, mounted on black paper. Most are pencil drawings, some signed “JT Pierce” and of English origin. Most scenes in Great Britain, some annotated with location. Most dating to the middle 1800’s. SIZE: Ranging from 1-1/2” x 2-1/2” to 7” x 9”. CONDITION: Generally very good. 9-29888 (1,000-2,000)

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574A

PIERRE JOSEPH TOUSSAINT (Belgian, 1822-1888) SHARING THE PORRIDGE. Oil on mahogany panel scene shows a young child seated on a step holding a bowl of food and a spoon which is being offered to a seated dog. They sit in front of a wood building and is signed lower right and dated “1867”. Housed in a fine reproduction gesso decorated gilt frame. SIZE: CONDITION: Very good. Restored split in panel. 9-70336 (1,000-2,000)

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574B

EMILY LANSINGH MUIR (American, 1904-2003) MEXICAN FLOWER MARKET. Oil on canvas scene shows five women, one with infant. Each having colorful flowers and one with basket of fruit. Signed lower left “Emily”. Housed in a decorative wood molded frame. SIZE: 26” c 24”. CONDITION: Very good. 9-70189 (2,000-3,000)

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574C

ROELOF DOZEMAN (Dutch, 1924) DUTCH HARBOR SCENE. Oil on canvas harbor scene shows several boats moored and docked alongside large buildings in a cityscape. Light reflects on water. Signed lower right. Housed in a gilt molded wood frame. SIZE: 24” x 36”. CONDITION: Thin paint, fair to good. 9-70331 (1,000-2,000)

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574D

ATTRIBUTED TO CLEMENT DREW (American, 1806-1889) SHIP IN HEAVY GAIL. Dramatic oil on canvas scene shows a three-mast sailing ship in half sail in very heavy green and white ocean with large waves. Ship is close to a large rock cliff and listing to one side in the wind. Gray dark clouds with a blue sky opening. Unsigned. Housed in a fabulous gilt antique style replacement frame by Guido of Boston. SIZE: 22” x 30”. CONDITION: Very good, cleaned with minor inpainting. 9-29457 (3,000-5,000)

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574E

BEN FOSTER (American, 1852-1926) CABIN IN THE COUNTRY. Unsigned oil on canvas scene shows a cabin at edge of woods with green bushes and dirt road. Housed in a fine gilt carved wood frame having modern name plaque with title. SIZE: 23-1/4” x 29-3/4”. CONDITION: Relined, on new stretcher. Restored and inpainted. Very good. 9-27742 (900-1,200)

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574F

AFTER GUY CARLETON WIGGINS (American, 1883-1962) LANDSCAPE WITH FARM HOUSE. Oil on board summer scene shows a red barn with wood silo and hay pile. A green grass hillside with trees under a white cloud and blue sky. Signed lower left. On back of board “June 24, 1939”. Housed in a gilt modern replacement frame. SIZE: 6” x 8”. CONDITION: Very good. 9-27726 (1,500-2,000)

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574G

LAWTON SILAS PARKER (American, 1868-1954) CALIFORNIA MISSION. Oil on canvas scene shows a stucco mission with double front tower with flowering vines on right side. Signed lower left “LS Parker” and dated. SIZE: 9-3/4” x 11”. CONDITION: Some minor flecking, otherwise very good. 9-28995 (800-1,200)

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574H

MARY MASON BROOKS (American, 1860-1915) THE BIRCH TREES. Spring watercolor landscape scene shows tall birches amongst low grasses, ferns and brush. Signed lower left “M M Brooks”. Housed in a gesso decorated frame with wide matte. SIGHT SIZE: 16” x 8-3/4”. CONDITION: Matte is discolored, good. 9-28462 (1,000-2,000)

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574I

OLIVER CLARE (American, 1853-1927) STILL LIFE WITH ROBIN’S NEST. Oil on canvas scene shows a Robin’s nest with three eggs next to colorful fruit including apples, peaches and grapes. Signed lower right. Housed in a period gold gesso decorated frame with gold textured liner. SIZE: 10” x 14”. CONDITION: 9-70335 (3,000-5,000)

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574J

HOBART NICHOLS (American, 1869-1962) AUTUMN FOREST. Oil on board scene shows a small stream winding through dense forest with colorful leaves on trees and ground. Signed lower left “Nichols”. Housed in a fine period gilt gesso decorated frame. SIZE: 18-1/2” x 14-1/2’. CONDITION: Very good. 9-70338 (800-1,200)

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574K

GEORGE WHITTAKER (American, 1841-1916) IMPRESSIONISTIC LANDSCAPE. Oil on canvas mounted on panel scene shows tall trees with water and grass looking through opening at distant landscape. Signed lower right “G Whittaker”. The painting is a fine example of his work using heavy impasto. Housed in a good gesso decorated wood frame. SIGHT SIZE: 35-1/4” x 25-1/2’. CONDITION: Very good. 9-70332 (2,000-3,000)

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574L

GARY DUDA (American, 1951-) SUMMER LAKE. Oil on canvas scene shows forested hills with water in the foreground having shores of rock and grass. Signed lower right “G. Duda”. Housed in a modern gesso decorated gilt frame with linen liner. SIZE: 18” x 24”. CONDITION: Very good. 9-70330 (1,000-1,500)

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574M

THOMAS NADEAU (American, 20th Century) NORTH SHORE COASTLINE. Oil on board scene shows waves crashing into inlet in ragged rocks. Signed lower right and dated “47”. Housed in a fine period partial gilt decorated frame. SIGHT SIZE: 19-1/4” x 23-1/4”. CONDITION: Minor inpainting, very good. 9-70190 (900-1,200)

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574N

ATTRIBUTED TO GEORGE WILLOUGHBY MAYNARD (American, 1843-1923) GIRL IN WHITE DRESS. Oil on board scene depicts a young woman in white flowing dress standing in a painted panel with two shades of mottled brown. She holds her dress slightly up in dancing mode. Unsigned but consignor has told us that it was signed on the back of the paper which is now missing. Back decorated in copper and gold leaf which is similar to the edging of the painting. Housed in its original gilt decorated wood frame. SIZE: 19-1/2” x 10-1/2”. CONDITION: Good, some light scrapes. 9-70337 (500-1,000)

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575

JOSEPH THORS (British, 1843-1898) “AT TRING BUCKS”. Oil on wood panel scene shows a landscape with figures and wooded countryside. A farmhouse in the middle distance and a lane winding past a pond in the left foreground towards the right. A boy on a horse is seen traveling the road. Signed lower right “J. Thors”. Housed in a modern gesso decorated gilt frame. An old label on back with alternate title “Landscape with Figures”. Attached to back of frame is what appears to be the original wood artist tag. SIZE: 14” x 21”. CONDITION: Very good with some inpainting, small horizontal crack in left side of panel. 9-27353 (2,000-4,000)

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576

KATE E FOSTER (British, 19th Century) “NEAR WALLINGFORD ON THAMES”. Oil on canvas English country scene shows a small village beyond a winding river with cows in pasture and trees. Signed lower right. Also signed and titled on reverse of canvas. Housed in its original gesso decorated frame with gold liner which is as is. PROVENANCE: From a Belgrade Lakes, Maine home. SIZE: 8” x 16”. CONDITION: Very good. 9-29970 (500-1,000)

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577

UNSIGNED (19th Century) “CHARLESTOWN HARBOR 1839”. Watercolor harbor scene shows several tall ships moored in tranquil harbor. A village with houses and church is seen nestled at edge of hills with large snow covered peaked mountains in background. The original backboard with engraved title in board is mounted on the back of the replacement frame. Housed in a molded birds-eye maple wood frame with linen matte and double gold liners. SIGHT SIZE: 8-1/4” x 12”. CONDITION: Very good. 9-29720 (300-500)

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578

ELIZABETH THOMPSON BUTLER (English, 1846-1933) LONDON CITYSCAPE. Watercolor view looking across the Thames at the city of London. The foreground shows docks with boats and buildings. Signed lower right “E. T. 1-90”. Housed in what appears to be its original reeded frame with gold liner and highlighted tan matte. SIGHT SIZE: 6-1/2” x 10-1/4”. CONDITION: Good. 9-29841 (600-900)

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579

FRANCOIS GEROME (French, 1895-) “L’AV. DES CHAMPS ELYSIES, PARIS”. Large oil on canvas Paris street scene showing flower vendor, horse drawn coaches and fashionably dressed men and women. The setting sun with nice colored sky and lights on in the buildings that surround the avenue. Signed and titled lower right. Housed in a partially gilt carved wood frame with white liner. On back of canvas “Original Fr. Gerome” and stamp “Made in France”. SIZE: 24” x 30”. CONDITION: Very good. 9-29605 (3,000-5,000)

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580

ANDRE GISSON (American, 1821-2003) PARISIAN GIRL IN LANDSCAPE. A pleasant oil on canvas scene shows a shoulder length portrait of a young girl with light brown hair standing in front of trees next to blue water. Signed lower right “Gisson”. Housed in a fancy gilt decorated frame. SIZE: 9” x 12”. CONDITION: Very good. 9-29850 (1,500-2,000)

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581

MARIE GABRIEL BIESSY (French, 1854-1935) “BARTELASSE, AVIGNON”. Unframed oil on canvas French scene of a town under setting sun with tall trees on left and grass and wildflower foreground. Signed lower left and dated “1923”. Also signed and titled on back of canvas. SIZE: 21” x 25”. CONDITION: L-shaped tear in foreground, several other small scrapes and holes. 9-70111 (3,000-5,000)

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582

LEON JOSEPH FLORENTIN BONNAT (French, 1833-1922) PARIS STREET SCENE. Outstanding oil on canvas street scene shows many figures strolling down a wide promenade with carriage and horse at one end. Tall buildings line street under colorful cloud sky with blue opening. Signed lower right “L Bonnat”. Housed in what appears to be its original heavy gesso decorated frame in gold paint which has some repairs and losses. SIZE: 22” x 28”. CONDITION: Very good. 9-29992 (5,000-10,000)

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582A

AUGUSTE RODIN (French, 1840-1917) ORIGINAL PLASTER BUST OF MADAME BENGESCU. Titled and signed on right side of neck “M’ Bengescu Rodin”. Well mottled plaster of a neck up bust of a woman’s head. She wears her hair back and looks straight on. Mounted on a stepped wood block. PROVENANCE: Galerie Henri Benezit Paris. SIZE: 8-1/4” h x 6-1/2” d x 4-3/4” w. CONDITION: Nice patina. One chip replaced on back right with two small flecks missing. Otherwise very good. 9-70325 (10,000-15,000)

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583

L. BREED ? (First half of the 20th Century) PLACE DE LA CONCORDE, PARIS. Oil on canvas Paris scene shows a monument in the central square area with many people and cars. Tall buildings surround the square. Signed lower left which is illegible. A nicely painted Paris scene worthy of some research. Housed in a gilt molded wood frame. SIZE: 16” x 20”. CONDITION: Craquelure, good. 9-70174 (250-400)

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584

JEAN EVE (French, 1900-1968) “LA TERRE AU MOMENT DU LABOUR”. Oil on canvas surrealistic scene shows a bare tree at the end of a cultivated field under a cloud and blue sky. Signed lower right “Jean Eve 1930”. Titled on back of stretcher. Housed in a period textured gilt molded wood frame. SIZE: 29” 21-1/4”. CONDITION: Half dollar size tear and missing paint to upper left. Otherwise very good. 9-70113 (3,000-5,000)

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585

LUCIENNE CAPDEVIELLE (French, 1885-1961) TWO WORKS: “HYERES” AND GIRL IN GARDEN. Both unframed. 1) Small oil on canvas showing a beach with two bathers, sailboats on a colorful ocean and sharp cliffs. Signed lower right “L. Capdevielle” and titled on back. SIZE: 8-1/2” x 10-3/4”. Hyeres is a coastal town in France. 2) Oil on board scene shows a young girl in light blue dress and white garden hat picking flowers. Signed lower right. SIZE: 17-1/2” x 15”. CONDITION: Generally very good. 9-70155 (400-600)

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586

JOCELYN SEGUIN (French, 20th Century) “LES PECHES DU JARDIN”. Oil on canvas summer scene shows two children at table playing in an outdoor porch. Interior set with a basket of peaches and flowering vase. Signed lower right. Housed in a fine partial gilt decorated frame with linen and gold liner. Signed and titled on back of canvas. Also a Fontainebleau Art Gallery card on back. SIZE: 31-3/4” x 23-1/2”. CONDITION: Very good. 9-70109 (600-800)

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587

G. W. (20th Century) PARIS RIVER SCENE. Oil on wood panel scene shows a pair of boats moored to the side in a Paris river with a three-arch bridge in background and tree lined bank. Signed lower right “G.W.”. Housed in a reproduction silvered gilt decorated frame. SIZE: 8-1/2” x 13”. CONDITION: Very good. 9-29831 (300-500)

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588

JEAN SALABET (French, 20th Century) “PLACE DE LA REPUBLIQUE”. Oil on canvas scene shows the large monument outside tall buildings in a park like setting with trees, vendor shacks, people and vehicles. Signed lower right “J. Salabet Paris 1953”. Housed in its original carved wood frame with painted wood liner. PROVENANCE: Woolworth Collection (FW Woolworth Dept. Stores). SIZE: 11” X 14”. CONDITION: Very good. 9-29538 (800-1,200)

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589

JEAN SALABET (French, 20th Century) “NOTRE DAME”. Oil on canvas evening scene shows the plaza outside Notre Dame Cathedral with figures walking on sidewalk and vehicles on the wet road. Signed lower left “J. Salabet Paris 1953”. Housed in its original fancy French style frame with painted liner. PROVENANCE: Woolworth Collection (FW Woolworth Dept. Stores). SIZE: 10” x 13”. CONDITION: Very good. 9-29539 (800-1,200)

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590

JOHANN AKKERINGA (Dutch, 1861-1942) FRENCH VILLA. Watercolor of a summer scene shows a red tile roof stucco house surrounded by trees and cultivated garden. It overlooks a small village with water beyond. A woman is seen on a path. Signed lower left “J. Akkeringa”. Housed in a fine carved wood frame with gold liner, triple colorful highlighted mattes. SIGHT SIZE: 9-3/4” x 13-3/4”. CONDITION: Very good. 9-29559 (800-1,200)

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591

ANDRE DUNOYER DE SEGONZIAC (French, 1884-1974) FLEEING THE FLAMES. Oil on wood panel scene appears to show two figures running from yellow and red flames with black smoke. Signed lower left “AD Segonziac”. Housed in a gesso decorated gold frame. SIZE: 11” x 14-1/2”. CONDITION: Very good. 9-70093 (2,000-4,000)

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592

ATTRIBUTED TO CLAUDE VENARD (French, 1913-1987) MODERN STILL LIFE. Heavy oil on masonite still life scene shows a vase of red flowers with green leaves with other objects including bottle, bowl and fruit. Unsigned front with black painted large signature on back “C. Venard”. Housed in an ebony and gilt decorated frame with gold liner. SIZE: 18” x 26”. CONDITION: Good. 9-70140 (1,000-1,500)

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593

ALEX DE ANDREIS (British/Belgian, 19th/20th Century) THE CAVALIER. Oil on canvas portrait of a young Cavalier decked out in fancy red and white trimmed coat. He has a flag with pole resting on his shoulder and wears fur trimmed gloves and holds a silver sword in right hand. He also wears a wide brim black hat. Signed lower right. Housed in a fine deep carved scroll decorated frame. PROVENANCE: The Mayer family of Metro-Goldwyn-Mayer Studios. SIZE: 32” x 25-1/2”. CONDITION: Very good. 9-29549 (2,000-4,000)

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594

ARNALDO CASELLA TAMBURINI JR (Italian/American, 1885-1936) SPANISH FIESTA. Oil on board scene shows a man and woman dancing amongst a group of musicians with other people at tables. Signed middle bottom left “A Tamberini Jr”. Tamberini was Court painter to the Italian king and was of noble birth. Housed in a gilt molded wood replacement frame. PROVENANCE: Accompanying lot is a copy of an Exhibition of Paintings by Tamberini, Boston, Mass 1966 indicating that this was #18 in that exhibition. Also an appraisal from Arvest Galleries, Boston, Mass. SIZE: 30” x 23”. CONDITION: Small chip to central hat, otherwise very good. 9-70142 (2,000-3,000)

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595

RICARDO OPISSO SALA (Spanish, 1880-1966) NIGHTTIME GATHERING. Large oil on canvas nighttime scene shows a mother with infant in arms surrounded by four children each holding a candle lantern in hands. The glow from the candles reflect on their faces. Signed upper right “S. R. Opisso”. Appears to be titled bottom right. Housed in a partial gilt carved and gesso frame with linen liner. SIZE: 28” x 36”. CONDITION: Two small holes to left figure, overpainted chips in bottom right which do not show under blacklight, craquelure. Otherwise very good. 9-70126 (2,500-3,500)

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596

JOSE ROIG (Spanish, 1898-) GATHERING OF MEN. Small oil on board scene shows five men seated in various style outside chairs and stools in a garden/park setting. Signed lower right “J. Roig”. On back is a newspaper article dated 1968 regarding the artist. Housed in an antique gilt wide molded frame. SIZE: 6-3/4″ x 9-1/2″. CONDITION: Scattered inpainting. Very good. 9-28950 (2,000-3,000)

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597

ATTRIBUTED TO MIGUEL VILLA BASSOLS (Spanish, 1901-1988) SPANISH VILLAGE SCENE. Large oil on canvas scene shows multi-storied houses which are connected with porches having colorful flowers. In the foreground is a oxen cart and large basket. Signed lower right “Villa”. Housed in a modern gilt reeded edge wood frame. SIZE: 31” h x 39” w. CONDITION: Some scrapes and small puncture at bottom margin. Otherwise good. 9-29820 (800-1,200)

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598

ATTRIBUTED TO MIGUEL VILLA BASSOLS (Spanish, 1901-1988) EVENING STROLL IN THE CITY. Oil on canvas scene shows a mother and child walking under a three-light street lamp with tree and flowering bushes. Tall buildings and church are in background. Signed lower right “Villa”. Housed in a modern gilt reeded edge wood frame. SIZE: 25-1/4” x 23-3/4”. CONDITION: Very good. 9-29819 (800-1,200)

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599

RENATA BOCHETTI (20th Century) EUROPEAN VILLA. Oil on board scene shows a walled open multi-building villa set against a low mountain. Figures walk in open area with buildings behind. Signed lower right. Housed in a fine decorated wood frame. SIGHT SIZE: 15-1/2” x 23-1/4”. CONDITION: Very good. 9-70177 (250-400)

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600

L C HEPINEUZE (Late 19th Century) THE JESTER. Watercolor interior scene shows a man in jester outfit playing mandolin. A gray dog howls at his music. A table is set with a carafe and glass of wine and a framed landscape is seen on the wall. Signed lower left and dated “5/94”. Unframed. SIZE: 9-3/4” x 14”. CONDITION: Very good. 9-29637 (100-200)

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601

UNSIGNED (Early 20th Century) “NSTRA SRA DEL CARMEN”. Oil on canvas portrait of a mother and child in colorful dresses with long flowing hair. The title in an oval on the bottom. Sides decorated with a vine of flowers. Housed in a fine gesso gilt and ebonized decorated frame. SIZE: 32” x 20-1/2”. CONDITION: Three patches to reverse, craquelure, very good. 9-70178 (250-400)

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602

G. PASCAL (American, 1832-1903) BEDOUIN OASIS. Oil on canvas scene shows a young Gypsy girl playing a mandolin while seated in a large thrown type chair. She wears a red dress with white sleeves and top. She wears a pink and yellow rose at top of red dress. A pink ribbon is tied to the top of the instrument. Signed middle right “G. Gutgeman” which possibly could be Gustave Gutgeman. Housed in a magnificent gesso decorated gilt original frame. SIZE: 26” x 20”. CONDITION: Very good. 9-70045 (700-1,000)

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603

PAUL JACOULET (French, 1902-1960) “LE REPAS DES MENDIANTS”. Colored woodcut scene shows three men seated eating. Signed upper left and stamped. Also left margin chop block and bottom margin has pasted in title and “Coree = Seoul”. Housed in a modern gilt frame with white matte. SIZE: 14-3/4” x 18-1/4”. IMAGE SIZE: 11-3/4” x 15-1/2”. CONDITION: Very good. 9-70179 (600-900)

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604

PAUL B. PASCAL (American, 1832-1903) BEDOUIN OASIS. Gouache scene shows three men and camel with tall saddle at small water oasis, ruins of a temple are beside. All under a blue to yellow sky. Signed lower right “P. Pascal 1887”. Pascal’s specialty was Oriental scenes. Housed in a fine deep lemon gold antique frame with linen and gold liner. SIGHT SIZE: 3-3/4” x 5-1/2”. CONDITION: Very good, light scratch to sky. 9-28956 (750-1,250)

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605

ISAAC ISRAELS (Dutch, 1865-1934) COMPLETING THE OUTFIT. Oil on canvas interior scene shows a woman in a very colorful fine dress holding a necklace at her chest with head down looking at it. A flower vase is seen on a stand beside her in a room setting. Signed lower left in red “Isaac Israels”. SIZE: 15” x 12”. CONDITION: Relined with masking varnish, possibly some inpainting. Otherwise very good. 9-70125 (3,000-5,000)

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606

ET. AUBRY (French, 19th Century) THE SISTERS. Oil on canvas scene shows a half portrait of two young girls. One girl in a pink with white lace trim top wearing a black and gold necklace/choker and holding a small spray of flowers. The other wears white with blue trim and a pearl necklace. Each with colorful flowers in their hair. Signed middle left “et. Aubry 1876”. Housed in a fine period wide gesso decorated frame. SIZE: 21-1/2” x 19-1/2”. CONDITION: Very good. 9-29550 (500-800)

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607

HENDRICUS ANTHONIUS DIEVENBACH (Dutch, 1872-1946) BOY WITH TEDDY BEAR. Oil on canvas portrait of a young boy holding his white teddy bear in lap. He wears a white and blue sweater, blue shorts and sits in a Colonial armchair. Signed bottom right “HA Dievenbach 1924”. Housed in a fine gilt carved wood frame bearing a Newcomb-Macklin Co. New York label. SIZE: 19-3/4” x 16”. CONDITION: Very good. 9-29823 (3,000-5,000)

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608

FRANK SIMON HERRMANN (American, 1866-1942) “TO MARKET TO MARKET”. Abstract watercolor cityscape shows a mother and daughter carrying hand bags on a sidewalk which lines the street of tall multi-story buildings and churches. On the right side is a park like setting with a fisherman, duck and park bench. Signed lower left and titled. Also signed in pencil “Frank S. Herrmann New York” on back. Housed in a silvered gilt wood frame with tan matte. SIGHT SIZE: 10-3/4” x 13-3/4”. CONDITION: Very good. 9-29827 (1,000-2,000)

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609

FRANK SIMON HERRMANN (American, 1866-1942) “CITY OF JANUS”. Watercolor modern abstract scene shows a cityscape with woman walking with cart and man at corner. Colorful buildings askew under a black, gray and white sky. Titled and signed lower left. Also on black manhole cover “City Chicago”. Label on back with artist and title. Housed in a white painted wood frame. SIGHT SIZE: 13-3/4” x 10-1/2”. CONDITION: Very good. 9-70187 (1,000-1,500)

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610

FRANK SIMON HERRMANN (American, 1866-1942) “THE CROOKED MILE”. Watercolor modern abstract scene shows a street scene with man and automobile parked leading to a hillside with house and long stairway. Signed and titled lower right. Manhole cover “City of Galina”. Label on back with title. Housed in a white painted wood frame. SIGHT SIZE: 13-3/4” x 10-1/2”. CONDITION: Very good. 9-70188 (1,000-1,500)

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611

SEGAL (American, Mid 20th Century) MAN WITH A CHAIR. Oil on board modernist scene shows a standing man holding a broken red ladder-back chair. There is an old typed label which indicates title and artist “Fred Segal”. The painting is signed “Segal” bottom middle. It also has an abstract scene on back of panel. We are not sure of the artist but it is possible that this could be by George Segal. Housed in a heavy wide molded wood frame. PROVENANCE: From a Maryland Collection. SIGHT SIZE: 27-1/2” x 17-1/2”. CONDITION: Generally very good. 9-29626 (300-600)

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612

THOMAS BROWNELL ELDRED (American, 1903-1993) ABSTRACT. Watercolor on paper shows red ovals at the end of black arms against a blue, yellow, red and green block background. Signed bottom right “Eldred 41”. Housed in a modern silver and wood gilt gold frame with matte. Accompanying lot is some biographical information on the artist. SIZE: 12-1/4” x 17”. CONDITION: Very good. 9-70129 (1,500-2,500)

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613

JAMES COWING HOUSER JR (American, 1928-) ABSTRACT DRIP DESIGN. Oil on board in the style of Jackson Pollock shows a drip design in black, red, white and yellow. Signed lower right “James Houser 75”. Housed in a silver and gold gilt molded wood frame with line highlighted matte. SIGHT SIZE: 16” x 12-3/4”. CONDITION: Very good. 9-70134 (800-1,200)

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614

ATTRIBUTED TO JOAN MIRO (Spanish, 1893-1983) ABSTRACT COMPOSITION. Watercolor and pencil scene of two figures under star and moon. Signed in pencil lower right “Miro”. Housed in a black wood frame with double mattes. Consignor has indicated that the piece went from a German collector to Lloyd Beckman Association to Fine Arts of Michigan. SIGHT SIZE: 9-1/2” x 6-3/4”. CONDITION: Good. 9-70149 (3,000-5,000)

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615

WILLIAM BARNETT (American, 1919-) “FOREST”. Pastel crayon on paper abstract scene in colors of black, green, yellow and blue. Signed bottom right in pencil “William Barnett”. Signed and titled on back of cardboard backing. Housed in a partial gilt and stained wood frame with linen liner. SIGHT SIZE: 6-1/2” x 4-3/4”. CONDITION: Good. 9-70110 (500-1,000)

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616

GRACE MARTIN TAYLOR (American, 1903-1995) COLORFUL ABSTRACT. Oil on canvas scene shows a figure in colors of green, red, gold and blue. Scene may depict a golfer. Signed lower left “Taylor”. Housed in a painted simple wood frame original to the painting and probably by the artist. SIZE: 11” x 14”. CONDITION: There is consolidation and craquelure of paint, small abraded hole. Otherwise good. 9-70139 (800-1,200)

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617

AFTER GEORGES VALMIER (French, 1885-1937) ABSTRACT. Watercolor/mixed media on paper abstract scene shows geometric patterns in colors of green, gold, white, red and black. Housed in an old gilt carved wood frame. Signed lower right “Valmier”. SIGHT SIZE; 7-1/4” x 5-1/4”. CONDITION: 9-70123 (600-800)

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618

ALEXANDER MINEWSKI (American, 1917-1979) “YELLOW BEACH”. Oil on canvas modernist abstract scene in colors of yellow, red, blue, white and black. Signed lower right “Minewski” and titled on back of canvas. Housed in a gesso decorated gilt frame. SIZE: 26” x 28”. CONDITION: Very good. 9-70120 (800-1,200)

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619

DONALD DESKEY (American, 1894-1989) ABSTRACT BUILDINGS. Heavy oil on canvas abstract scene in block colors of red, orange, yellow and purples. Signed lower left and numbered “455” on back of canvas. PROVENANCE: A letter dated Feb 28, 2006 from Michael Deskey, son of Donald Deskey, certifying the work as his fathers, executed probably in the 1960’s. SIZE: 24” x 20”. CONDITION: Very good. 9-70117 (1,000-1,500)

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620

JEAN XCERON (American, 1890-1967) ABSTRACT DANCERS. Oil on canvas abstract scene shows two figures dancing amongst abstract group of dancers. Signed lower left. Housed in what appears to be its original linen liner with gold edge. SIZE: 24” x 18”. CONDITION: Craquelure, good. 9-70131 (1,000-1,500)

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621

PIERRE GERARD LANGLOIS (French, 1940-) ABSTRACT STILL LIFE. Oil on heavy canvas abstract scene shows what appears to be a brown mug with circles and squares beside in colors of yellow, red, white, and gray. Signed bottom right “PG Langlois”. Housed in a linen lined metal frame. SIZE: 13” x 8”. CONDITION: Very good. 9-70158 (900-1,200)

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622

ATTRIBUTED TO JULES ANDRE SMITH (American, 1880-1959) ABSTRACT. Oil on board abstract scene shows a spiraling group of lines in white, green and blue with bubbles. Housed in a modern gilt molded wood wide frame. Back of board is written “Banca”. Unsigned. SIZE: 24” x 30”. CONDITION: Good. There are thumb tack holes in top corners. 9-29845 (400-600)

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623

LOUIS ROBERT ARTHUR LATAPIE (French, 1891-1972) TABLETOP STILL LIFE. Oil on board tabletop still life shows a pitcher, compote of fruit and fruit on a round wood table. Signed lower left “Latapie”. Housed in a modern gilt decorated wood frame with white matte. SIGHT SIZE: 8’ x 10”. CONDITION: Very good. 9-70162 (2,000-3,000)

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624

EDWARD CHALMERS LEAVITT (American, 1842-1904) PAIR OF ROUND STILL LIFE’S. Identically housed in round gesso decorated period frames. One shows a blue vase of yellow and red roses next to a spilled basket of cherries with a yellow apple beside. The other shows a clear glass vase of pink and red roses. Each signed lower left “E C Leavitt”. SIZE: 9-3/4” dia. CONDITION: Very good. 9-70094 (3,000-5,000)

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625

CHARLES STORER (American, 1817-1907) PAIR OF FLOWER STILL LIFES. Oil on canvas flower paintings housed in original gilt wide oak frames. One shows spray of morning glories, the other appears to be magnolias. Both set against a green background and signed “Chas. Storer 1901”. SIZE: 15” x 11”. CONDITION: One with craquelure, very good. 9-70132 (1,500-1,800)

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626

SIGNED (French, Late 19th/Early 20th Century) STILL LIFE WITH ROSES. Colorful pastel on paper still life scene shows a bowl with white and pink roses next to a glass vase with pink rose and leaves. All against a very colorful background. Signed lower left illegibly. Housed in a replacement gilt molded wood frame with rose colored matte and inner gold liner. Frame stamped “Larson-Juhl”. Back of the paper has a rectangular stamp from the Expositions Universelles France. SIZE: 16” x 18”. SIGHT SIZE: 15-1/2” x 17-1/2”. CONDITION: Very good. 9-70146 (400-600)

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627

CAMILLE BOMBOIS (French, 1883-1970) STILL LIFE OF FLOWERS. Oil on canvas scene shows a pottery vase with colorful flowers in red, yellow and purple. The vase sits atop a slatted table overlooking an open window looking out over flowered fields. Signed lower right “Bombois Cm”. Housed in an interesting and fine incised flower decorated partial gilt frame. SIZE: 24” x 18”. CONDITION: Some inpainting, eraser size chip in background. Otherwise good. 9-29032 (1,500-2,500)

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628

NELLIE F. PUTNAM (American, 20th Century) “NASTURTIUMS”. Oil on canvas still life scene shows colorful flowers in a round footed blue vase against a gold brown and light blue background. Signed on back stretcher and titled. Also “Provincetown Mass”. Housed in a modern gilt molded wood frame with linen liner. SIZE: 13” x 17”. CONDITION: Very good. 9-29571 (500-1,000)

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629

JOHN CLINTON SPENCER (American, 1861-1919) STILL LIFE WITH FRUIT AND EWER. Oil on canvas scene shows table top still life of a large bunch of purple grapes, pear and plum next to a decorated fancy ewer. A window view overlooking a landscape with water is seen on the left side. Signed on reverse of canvas “JC Spencer”. Housed in its original gilt gesso decorated frame with gold liner. SIZE: 12” x 10”. CONDITION: Craquelure, one small hole at edge of ewer, otherwise very good. 9-70038 (600-800)

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630

BRUNELL DE NEUVILLE (French, 20th Century) PLAYFUL KITTENS. Oil on canvas interior scene shows three different colored kittens. One atop a small stool with red cloth looking down on a white kitten which is playing with a ball of yellow yarn. Another gray kitten sits beside. Signed lower left. Housed in a fine carved wood gilt frame with linen and gold liner. SIZE: 21-3/4” x 15”. CONDITION: Very good with one inpainted area in white kitten. 9-29601 (3,500-5,500)

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631

WILHELM FRIEDRICH KUHNERT (German, 1865-1926) ELEPHANT. Oil on canvas scene shows a straight on view of a large bull elephant. He stands on a dusty trail with grasses and has churned up dust which partially obscures the background trees. Housed in decorated ebonized modern frame. SIZE: 22” x 18”. CONDITION: Some inpainting, recently cleaned, very good. 9-29749 (4,000-6,000)

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632

MILTON HORN (American, 1906-1994) GEORGETTE AND PAUL. Authorized copy of a part of Renoir’s Madame Charpentier and Her Children Paul and Georgette which is part of the collection at the Metropolitan Museum of art. The painting canvas has official Metropolitan stamps to the canvas and stretcher. Also on back of canvas is written “Horn – 9/21/48”. The unsigned oil on canvas scene shows two children in blue and white dresses looking at each other. This scene depicts the left side of the copied painting. Housed in a gesso decorated partial gilt and painted frame. SIZE: 24” x 30”. CONDITION: Small slit in lower arm, surface dirt. Otherwise very good. 9-70121 (800-1,200)

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633

UNSIGNED (19th Century) PORTRAIT OF A YOUNG WOMAN. Outstanding oil on wood panel three quarter portrait of a young woman with curly brown hair. She stands against a fall landscape background with trees in distant sunset. She looks down and to the left and wears a fancy white dress with ruffled collar and sleeves having light blue bow accent ribbons. Draped around both arms and falling along her dress is a very colorful flower decorated shawl. Possibly a New York or New England portrait by a very accomplished artist. Housed with its original gilt matte and having a replacement gilt molded wood frame. The back panel impressed “Brown 163 Hich holborn”. SIZE: 20-1/2” x 14-1/2”. CONDITION: Very good. 9-29781 (400-800)

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634

ATTRIBUTED TO HORACE BUNDY (American, 1814-1883) SLEEPING CHILD. Oil on canvas interior scene shows a young child wrapped in white sheet asleep in a small cushioned bed. Signed lower right in script which appears to be Th. or H. Kien..”. It is possible that the signature is Bundy’s. On the back is written “Horace Bundy C. 1844” on the relining. Housed in a very fine mahogany ogee frame with gilt liner. SIZE: 23-1/4” x 29”. CONDITION: Relined, inpainting, very good. 9-28952 (1,200-1,600)

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635

SEARS GALLAGHER (American, 1869-1955) THE CHILDREN ON THE BEACH. Pencil signed lithograph shows three young children on a sandy beach dressed in beach attire. Signed lower right and also initialed in print. Housed in a white hinged matte. The print is hinge mounted on the back of the white matte. SIGHT SIZE: 7-1/2” x 10”. CONDITION: Very good. 9-29853 (600-800)

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636

SEARS GALLAGHER (American, 1869-1955) MONHEGAN SHORELINE. Pencil signed engraving scene shows crashing wave on rocky coastline. Pencil signed below center of print and initialed in plate. Housed in a white hinged matte with print hinge mounted to the back. IMAGE SIZE: 6” x 8-3/4”. SIGHT SIZE: 7” x 10”. CONDITION: Very good. 9-29852 (600-800)

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637

SEARS GALLAGHER (American, 1869-1955) DRYING THE NETS. Pencil signed engraving shows a harbor scene with scaffolding holding the nets with dories beside. Pencil signed bottom left and signed in the plate. Housed in a fine gilt molded wood frame with two mattes with watercolor lines. IMAGE SIZE: 8-1/2” x 13”. SIGHT SIZE: 9-1/2” x 13-1/2”. CONDITION: Very good. 9-29828 (500-800)

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638

LEWIS SCOTT CROFT (American, 1911-) ABSTRACT SCENE. Oil on artist board scene appears to be an abstract scene of buildings in colors of black, red, orange and white. Unframed. Signed lower right “Croft”. Lewis S. Croft was born in Nova Scotia but worked and lived on the North Shore of Massachusetts and was represented by Christopher Gallery in New York City. SIZE: 12” x 16”. CONDITION: Very good. 9-29927 (400-600)

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639

LEWIS SCOTT CROFT (American, 1911-) ABSTRACT SCENE IN GRAY AND WHITE. Oil on masonite abstract scene might depict a pond in winter with trees and hill. Signed lower right “Croft”. Unframed. Lewis S. Croft was born in Nova Scotia but worked and lived on the North Shore of Massachusetts and was represented by Christopher Gallery in New York City. SIZE: 12” x 16”. CONDITION: Very good. 9-29928 (400-600)

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640

LEWIS SCOTT CROFT (American, 1911-) ABSTRACT SCENE IN LIGHT GRAYS AND WHITE. Oil on masonite abstract scene may depict a snow covered hillside in shades of gray and white. Signed “Croft” lower right. Unframed. Lewis S. Croft was born in Nova Scotia but worked and lived on the North Shore of Massachusetts and was represented by Christopher Gallery in New York City. SIZE: 12” x 16”. CONDITION: Very good. 9-29929 (400-600)

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641

WAYNE BEAM MORRELL (American, 1923-) THE OLD BARN. Unsigned oil on masonite fall scene shows a small barn with path leading to front. It sets amongst a clearing with large trees. Housed in a fine gilt molded wood frame. SIZE: 18” x 24”. CONDITION: Small chip in right corner, otherwise very good. 9-29006 (2,000-3,000)

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642

WAYNE BEAM MORRELL (American, 1923-) “FRONT BEACH, ROCKPORT JULY 1963”. Oil on canvas board shows bathers in a tranquil beach setting. Signed lower right “Wayne Morrell”. Board is also painted on reverse with other bathers on the beach. Titled and signed on back. Unframed. SIZE: 9” x 12”. CONDITION: Tips of corners are worn, otherwise good. 9-70154 (1,200-1,500)

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643

CHARLES HERBERT WOODBURY (American, 1864-1940) WINTER SOLITUDE. Oil on board scene shows a meandering stream with snow covered banks next to hillside with tall evergreens. Signed lower right “CH. W”. Also signed on back board “Charles H. Woodbury”. Housed in a rounded corner gilt gesso decorated frame. Also numbered on frame “273”. SIZE: 19-1/2” x 15”. CONDITION: Inpainted crack in trees, otherwise good. 9-29566 (3,000-5,000)

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644

THEOPHILE SCHNEIDER (American, 1872-1960) “THE GUARDIAN OF THE VALLEY”. Large oil on canvas scene shows large pine trees on a snow covered bluff overlooking a large winding river with low snow covered mountain peaks in background. Signed lower left “Theo. Schneider”. Housed in its original molded wood gilt frame with title and artist plaque. Back frame has two exhibition tags, one from Pennsylvania, the other is unknown. SIZE: 40” x 30”. CONDITION: Generally very good with some professional repairs with inpainting. 9-28947 (2,000-3,000)

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645

MAURICE BRAUN (American, 1877-1941) WINTER LANDSCAPE. Oil on academy board winter scene shows small brook with snow covered banks in small grove of trees with red Colonial farmhouse in background. Signed lower right. Housed in a silver gilt molded wood frame with linen liner. SIZE: 9” x 12”. CONDITION: Very good. 9-70095 (2,000-3,000)

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646

SIGNED (European, 19th Century) WINTER ON THE ICE. Oil on canvas scene shows five people on snow/ice covered ground. A woman appears to be washing clothes, two figures are fishing with three other figures. A house is seen with snow topped roof, surrounded by trees. Light etched signature bottom right illegible. Housed in an old partial gilt and white lined frame. SIZE: 15” x 18”. CONDITION: There are several large patches to the back of the canvas with corresponding inpainting. Good. 9-29848 (400-800)

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647

THOMAS BARTHOLOMEW GRIFFIN (American, 1858-1918) “THE DELAWARE”. Outstanding large oil on canvas landscape shows a river cascading through boulders with rock and tree lined banks. Low hills are seen going into background. All under a darkening approaching rain storm coming from the left and starting to obscure the light white clouds and blue sky. Signed lower right “T B Griffin”. Housed in what appears to be its original fancy decorated gilt frame. Signed and titled on back of canvas. Frame has an Edward Jackson Brooklyn, NY label. SIZE: 25” x 30”. CONDITION: Very good. 9-29007 (3,000-5,000)

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648

H L WELCH (American, Mid 20th Century) CASCADING WATERFALL. Oil on masonite shows a large rush of water cascading through rocky gorge with tall trees. Signed lower left and dated “40”. Munson Gallery new Haven Connecticut affixed to back paper. Housed in a partial gilt molded wood frame. SIZE: 27” x 40”. CONDITION: Very good. 9-29844 (400-800)

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649

JACOB DUTWEILER WAGNER (American, 1852-1898) LANDSCAPE WITH FARMHOUSE. Oil on board impressionistic scene shows a small New England house next to field with trees. A marshy area with pond is seen in foreground with a figure and cows in pasture. Housed in its original gilt carved wood frame. The back with remnants of a Boston, MA gallery label. Signed bottom center “J Wagner”. SIZE: 10” x 14”. CONDITION: Untouched, craquelure with surface dirt. 9-29917 (1,500-2,500)

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650

JOHN FRANCIS MURPHY (American, 1853-1921) LANDSCAPE. Oil on canvas landscape scene shows fields and trees. Signed lower right. Housed in its original gesso decorated frame. SIZE: 23” x 18-1/4”. CONDITION: As found with holes, craquelure and loss of paint. Frame as is. 9-29878 (800-1,200)

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651

C.T. MITCHELL (American, 20th Century) NEW ENGLAND SUMMER LANDSCAPE. Oil on canvas scene shows a winding river with rock and tree lined banks. Signed lower left “CT Mitchell”. Housed in a fine gesso decorated gilt frame with large gilt liner. PROVENANCE: From a Connecticut Estate which has been in storage for 13 years. SIZE: 18” x 40”. CONDITION: Surface dirt, very good. 9-29860 (500-1,000)

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652

UNSIGNED (American, 19th Century) SALT BOX BY THE HILLSIDE. Oil on canvas new England scene shows a marsh area with haystacks and rowboat. At the end of the base of a cleared hillside is a New England salt box house. The remainder of the hillside is forested. Housed in its original fine gilt gesso decorated frame. PROVENANCE: From an eastern Connecticut Estate. SIZE: 15” x 20”. CONDITION: Consolidation of paint, having wide craquelure and surface dirt. 9-29859 (300-500)

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653

ALFRED JANSSON (American, 1863-1931) ROAD THROUGH THE WOODS. Oil on canvas scene shows a wide dirt road through deep forest. A large tree is seen in foreground. Signed lower right and dated “1904”. Housed in a fine gilt wood replacement frame. SIZE: 24” x 28”. CONDITION: Relined, impainting, small nick in tree. Otherwise very good. 9-29826 (1,200-1,800)

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654

ALBERT SHELDON PENNOYER (American, 1888-1957) NEW ENGLAND HOMESTEAD. Pastel on paper scene shows a three story Colonial home with attached “L” nestled on a hillside under trees with stone wall and wood fence. Fall colors under a blue sky. Signed lower left “A. Sheldon Pennoyer”. Housed in a painted molded wood frame with white matte which is discolored. SIGHT SIZE: 14” x 17”. CONDITION: Very good. 9-29786 (600-800)

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655

ELVA WRIGHT (American, 20th Century) “DEEP THOUGHT”. Oil on canvas scene shows a half portrait of a woman in yellow dress with pearl necklace resting in chair with hand holding head up. A pot of flowers is seen on the right side. Signed lower right. Housed in a Victorian silver gilt gesso decorated frame with velvet and gold liner. SIZE: 16” x 20”. CONDITION: Good. 9-70130 (400-600)

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656

GEORGE EDWARD PORTER (American, 1916-) “A FLORIDA MORNING”. Oil on canvas Florida beach scene shows sand dunes and grass with crashing waves. The morning sun rises over a flock of seagulls. Signed lower right and dated. Housed in a simple white wood frame. Titled in pencil on back. SIZE: 30” x 40”. CONDITION: Very good. 9-70031 (500-700)

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657

WILLIAM FRANKLIN DRAPER (American, 1912-2003) PANORAMIC COASTAL SCENE. Oil on board scene shows a small bluff with houses overlooking water with land and hills beyond. A carriage with horse is seen coming up a dirt road. Signed lower right “Wm. F. Draper 63”. Housed in a stained wood frame with white liner. SIZE: 7” x 19-3/4”. CONDITION: Very good. 9-29548 (500-1,000)

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658

J.M. ROGERS (American, 20th Century) “QUIET COVE”. Watercolor scene shows a wharf with colorful fishing shacks, beach and sailboat. Signed lower left “JM Rogers”. Housed in a gray painted wood frame with white matte. An artist certificate on reverse with title and date “1974”. SIGHT SIZE: 14-1/2” x 21-1/2”. CONDITION: Good. 9-29556 (500-1,000)

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659

CLYDE LEON KELLER (American, 1872-1962) “EVENING GLOW, SAUVIE’S ISLAND ON THE GILBERT RIVER”. Oil on board landscape scene shows a calm river winding through grassy and tree lined banks. Nice colorful sky reflecting in trees and water. Signed lower right. Also titled and signed on back of frame and dated “1948”. Also an artist label is affixed to back. Housed in its original decorated molded wood frame. SIZE: 18” x 24”. CONDITION: Very good. 9-29600 (1,000-2,000)

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660

HOFFMAN (American, 20th Century) NEW ENGLAND COASTLINE. Oil on canvas scene shows large waves crashing onto rocky shore. A point of land is seen with white and black lighthouse. Signed lower right “Hoffman”. Housed in a stained oak molded wood frame with linen and gold liner. PROVENANCE: From a Maryland Collection. SIZE: 24” x 30”. CONDITION: Very good. 9-29627 (250-400)

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661

JACOB DUTWEILER WAGNER (American, 1852-1898) “NEPONSET RIVER, HYDE PARK”. Unsigned oil on board impressionistic landscape scene shows three buildings under a large grove of trees with river and marsh grass area in foreground. Title written on back of board. Board is marked “Boston”. Appears not to be signed but this painting came from the same house as the preceding lot which is signed. Housed in its original gilt carved wood frame. SIZE: 10” x 14”. CONDITION: Craquelure, varnish consolidation, surface dirt. Untouched. 9-29918 (1,500-2,500)

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662

GEORGE A. TRAVER (American, 1864-1928) “SHADOW ACROSS THE ROAD, WILLIAMSBURG, MA”. Impressionistic oil on board scene shows several shadows crossing a dirt road looking across to a red barn which is obscured by colorful green and yellow trees. Signed lower right “Geo. A. Traver”. Titled in pencil on back and dated “November 1919”. Housed in its original molded wood frame. SIZE: 9” x 12”. CONDITION: Very good. 9-29835 (1,000-1,500)

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663

ELIZABETH LEE (MRS. ALLAN McKISSOCK) (American, 1906-) CAPE COD BAY. Summer watercolor shows two small sailboats in blue and green ocean with shoreline of sand dunes. Signed lower right “E. Lee. McKissock”. Housed in a silver wood frame with double matte. She was a member of the Provincetown Art Association. SIGHT SIZE: 14-1/2” x 21”. CONDITION: Very good. 9-29714 (150-250)

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664

D C BUNNELL (American, Mid 20th Century) “MCMILLAN WHARF P’TOWN 1951”. Large oil on board harbor scene shows several fishing boats moored to large wharf. A town is seen in the background along the edge of water. Housed in a fine wide gray stained molded wood frame with white liner. Signed lower right “DC Bunnell” and titled, dated and signed on back of board. PROVENANCE: From a Maryland Collection. SIZE: 24” x 30”. CONDITION: Very good. 9-29624 (500-800)

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665

ANNE CARY BRADLEY (American, 1884-1956) SUNSET LANDSCAPE. Colorful oil on board scene shows a setting sun against orange and purple clouds with a landscape having a dirt road with trees. Signed lower left. Housed in a molded wood frame with linen liner. SIGHT SIZE: 9-3/4” x 12-1/2”. CONDITION: Very good. 9-29574 (500-1,000)

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666

ANNE CARY BRADLEY (American, 1884-1956) HOUSE WITH TREE. Unsigned pastel on paper scene shows a rooftop scene with tree and open window. Written on back “Done by Cary Bradley, Bought at auction at New Church”. Housed in a simple black wood frame with textured matte. SIZE: 11-1/4” x 8-1/4”. CONDITION: Very good. 9-29577 (100-300)

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667

ANNE CARY BRADLEY (American, 1884-1956) MOONLIT CHURCH. Pastel on paper moonlit landscape shows bright round moon shining on large church with multi tier steeple and tree beside. Predominantly blues. Signed lower right. Housed in a simple wood frame with double blue matte. SIGHT SIZE: 11-1/2” x 8-1/4”. CONDITION: Very good. 9-29575 (200-400)

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668

ANNE CARY BRADLEY (American, 1884-1956) “ST. DOMINIC SPIRES, PORTLAND, MAINE”. Oil on canvas-board winter scene shows a church with green spires having two trees with snow covered branches. Signed lower left “AC Bradley”. Housed in a modern molded wood frame with linen liner. SIZE: 14” x 11”. CONDITION: Very good. 9-29573 (400-600)

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669

ANNE CARY BRADLEY (American, 1884-1956) “PORTLAND, MAINE FROM HER HOTEL WINDOW”. Pastel cityscape shows colorful buildings. Signed lower left. Housed in a gray molded wood frame with white matte. SIGHT SIZE: 6-1/2” x 7”. CONDITION: Very good. 9-29576 (300-500)

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670

ANNE CARY BRADLEY (American, 1884-1956) “JUDY”. Oil on artist board scene shows a gray and red parrot in a metal cage with wood perch. A potter geranium is beside a window. Unsigned front by bearing the original label from the Country Art Gallery, North Edgecomb Maine listing artist, address and title. Housed in a white and red painted wood frame. SIZE: 11-3/4” x 14”. CONDITION: Very good. 9-29572 (300-500)

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671

CHANDLER (American, 19th/20th Century) STILL LIFE WITH FRUIT, BASKET AND VASE. Pastel scene shows a handled basket holding purple and green grapes and three peaches. A group of cherries is beside with a decorated flower vase. Signed lower right “Chandler”. Housed in a molded oak frame with gold liner. SIGHT SIZE: 13” x 25”. CONDITION: Some rubs and mold spots to edges. 9-29631 (200-400)

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672

CHANDLER, (American, 19th/20th Century) SPILLED BASKET OF APPLES. Pastel scene shows a round handled basket on its side with a number of apples in and around the basket. Signed lower left “Chandler”. Housed in a wood mahogany style frame with gold liner. SIGHT SIZE: 13-3/4” x 27-1/2”. CONDITION: Very good. 9-29630 (150-300)

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673

H.S. (American, First half of the 20th Century) STILL LIFE OF FLOWERS. Large unframed oil on canvas still life of flowers in a large white footed vase. The flowers include Chrysanthemums and colorful lilacs with green leaves. Signed lower right with artists monogram conjoined capital “HS”. PROVENANCE: From a Maryland Collection. SIZE: 28-1/2” x 38”. CONDITION: Some scratches to the left corner, dirty, otherwise very good. 9-29613 (200-300)

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674

DOROTHEA WARREN O’HARA (American, 20th Century) ZINNIAS. Colorful watercolor tabletop scene shows a large bouquet of zinnias in colors of red, white, yellow and pink. They are arranged in a striped round vase and are accented with green leaves. Signed lower left “D W O’Hara”. Housed in a white molded wood frame with green matte. SIGHT SIZE: 17-1/2” x 20-1/2”. CONDITION: Very good. 9-70176 (300-500)

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675

DOROTHEA WARREN O’HARA (American, 20th Century) VASE OF COLORFUL WILD FLOWERS. Watercolor scene shows yellow sunlight cascading through a sheer curtain on a silver vase filled with white and pink flowers. Signed lower right “D W O’Hara”. Framed in a gold painted oak frame with double green and red matte. SIGHT SIZE: 21” x 26-1/2”. CONDITION: Very good. 9-70175 (300-500)

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676

PAUL VALENTINE LANTZ (American, 1908-2000) STILL LIFE WITH WASH SET. Oil on masonite scene shows a blue and white decorated wash set consisting of a pitcher and bowl, covered soap dish and toothbrush holder all set on a light blue cloth backdrop. Alongside are nine white green stemmed flowers. Signed lower right and dated “April 1965”. Housed in a painted carved wood frame. PROVENANCE: From a Belgrade Lakes, Maine home. SIZE: 24” x 35-1/2”. CONDITION: Very good. 9-29966 (400-800)

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677

LYNN BENNER (American, 20th Century) POPPIES IN A BLUE VASE. Oil on canvas still life scene shows a blue vase having large red poppies and blue accent flowers. Two petals have fallen on the tabletop and a blue bowl rests beside the vase. Signed lower right. Housed in a carved wood gilt and white frame. PROVENANCE: From a Maryland Collection. SIZE: 36” x 24”. CONDITION: Good. 9-29615 (200-400)

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677A

ATTRIBUTED TO LOUIS VALTAT (French, 1869-1952) VASE DE FLEURS. Oil on canvas board still life shows a bulbous vase with flaring rim in blue having a variety of dried flowers. Greenish/yellow background and a brown tabletop. Initialed “LV” bottom right and having a Spanierman Gallery label affixed to reverse with artist and title. Housed in a gold molded wood frame. SIZE: 13-3/4” x 9-3/4”. CONDITION: Very good. 9-29405 (1,000-2,000)

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677B

ROLAND KEMPE (1907-1991) COLORFUL COMPOSITION. Large oil on canvas modern abstract shows different forms in blue, white, red and purple against a black background. Back of canvas is written “L Bruce”. Signed lower left. Housed in a simple wood slat frame. SIZE: 35” x 46”. CONDITION: Very good. 9-29414 (600-8,000)

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677C

ALFRED MANESSIER (French, 1911-1993)ABSTRACT COMPOSITION –1949. Mixed media modern abstract has an oil and watercolor scene in colors of blue, red, which wash and green. Signed on the bottom “Manessier 1949”. Back with pencil inscription in French and 1949. Appears to read “Composition Abstra? M Etre Utilise Dans La Galerie 49”. Housed in a modern gilt wood frame with ivory matte and name tag with title. SIGHT SIZE: 8-1/4” x 11-1/4”. CONDITION: Very good. 9-29419 (600-1,200)

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677D

ALFRED S. MIRA (American, 1900-1980) POTTED POINSETTIA. Oil on canvas still life scene shows a red flower with green leaves in a colorful flowerpot with matching bowl beside. Mottled yellow background. Signed lower right “A. Mira”. Housed in a gilt molded wood frame. SIZE: 20” x 16”. CONDITION: Very good. 9-27722 (400-600)

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677E

UNSIGNED (American, Early 20th Century) VASE OF PINK FLOWERS. Oil on board scene shows a large hand painted vase filled with large red and pink flowers against a curtain background. The painting is unsigned but inscribed on reverse with what appears to be “For Ms. Anne Land The Albee House 1915”. Housed in a fine reproduction gesso decorate gilt frame. SIZE: 62” x 22”. CONDITION: Some scrapes and paint drippings. Otherwise good. 9-27732 (200-300)

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677F

AFTER ESTEBAN VINCENTE (American, 1903-) “SOLITAIRE”. Paper collage of single cut up prints which are pasted on a square sheet of white board and may well have come from one single print which has been mixed up and pasted in different layers. Signed and titled bottom right. Housed in a modern flat black frame with white matte having inner artist plaque with title. SIZE: 19-1/2” x 21”. CONDITION: Very good. 9-29420 (500-750)

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678

H. PHILIP RENTZ (20th Century) PORTRAIT OF A WOMAN. Oil on canvas shoulder length portrait of a woman with reddish/brown hair. Background with colors of pink, cream, red, yellow and blue. Signed lower right “H. Philip Rentz”. Housed in a simple stained wood frame. PROVENANCE: From a Belgrade Lakes, Maine home. SIZE: 24” x 18”. CONDITION: Light craquelure, good. 9-29975 (100-300)

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679

UNSIGNED (Early 19th Century) PORTRAIT OF A GENTLEMAN. Oil on paper mounted on canvas half portrait of a gentleman in a green coat with vest and cravat. The middle age man with curly blonde hair against a dark brown background. Appears to be unsigned. Housed in what probably is its original repainted gold gesso decorated frame with gold liner. PROVENANCE: From a Belgrade Lakes, Maine home. SIZE: 29-1/2” x 23-3/4”. CONDITION: In need of cleaning and restoration with some small cracks and excessive dirt. 9-29982 (200-500)

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680

L. RUEL (European, Late 19th/Early 20th C) PORTRAIT OF A YOUNG WOMAN. Oil on wood panel half portrait shows a woman in black dress with a white ruffled neck collar. She has brown curly hair and wears a black tri-corner hat with pink rose. Signed upper left “L Ruel”. Unframed. SIZE: 13-1/2” x 10-1/4”. CONDITION: Good. 9-29926 (300-500)

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681

UNSIGNED (19th Century) PORTRAIT OF A GENTLEMAN. Oil on canvas mounted on masonite shoulder portrait of a man wearing a black coat and white shirt. Housed in a 19th Century gesso decorated gold frame. SIZE: 20” x 16”. CONDITION: Good, inpainting. 9-29722 (300-600)

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682

N. KOHUT (American, 20th Century) SWAN. Unframed oil on canvasboard scene shows a swan in water next to a pebble and rock strewn bank. Nice detail. Signed lower left “N. Kahut”. PROVENANCE: From a Maryland Collection. SIZE: 24” x 36”. CONDITION: Very good. 9-29632 (500-1,000)

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683

E. HALSTROM (Mid 20th Century) THE SWANS. Oil on canvas scene shows two swans swimming toward viewer on a light blue lake with blue hill and sky background. Signed lower right and dated “53”. Housed in a gold and painted wood frame. SIZE: 24-1/2” x 19-1/4”. CONDITION: Good. 9-29554 (200-400)

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684

SIGNED (Mid 20th Century) WILD FOWL IN A LANDSCAPE. Oil on canvas scene shows male and female birds on rocky ledge with trees overlooking a valley with houses and barns in a mid summer landscape. Signed and dated 1953. Housed in its original painted molded wood frame. SIZE: 19” x 25-1/2”. CONDITION: Surface grime, otherwise very good. 9-28531 (75-125)

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685

J. V. TIRING? (Late 20th Century) THE LITERARY KITTENS. Oil on canvas laid on board scene shows two kittens on a desk top with books, inkwell and paper. Signed lower left which is hard to decipher. Housed in a gilt molded wood frame with white liner. SIZE: 19-1/2” x 24”. CONDITION: Very good. 9-70127 (200-400)

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686

EDGAR WHITEFIELD JENNEY (American, 1869-1939) COASTAL LANDSCAPE. Watercolor scene shows houses along a coastline with island and hills beyond. Signed lower right “EW Jenney”. Housed in a gilt wood frame with white matte. In 1927 Jenney retired to Nantucket where he taught art and painted primarily in watercolor with some of his works reproduced in lithographs. SIGHT SIZE: 13-1/2” x 19-1/2”. CONDITION Very good. 9-70138 (200-400)

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687

EDGAR WHITEFIELD JENNEY (American, 1869-1939) THE INLET. Fine watercolor scene shows a rock banked inlet with green trees. Signed lower right “EW Jenney”. Housed in a gilt molded wood frame with wide white matte. Possibly a Nantucket scene. In 1927 Jenney retired to Nantucket where he taught art and painted primarily in watercolor with some of his works reproduced in lithographs. SIGHT SIZE: 17-1/4” x 23-3/4”. CONDITION: Very good. 9-70136 (500-800)

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688

EDGAR WHITEFIELD JENNEY (American, 1869-1939) “THE JENNEY DINING ROOM, NANTUCKET, MASS”. Nice watercolor shows an interior dining room setting with round table set for dinner, four chairs, a sideboard and large hutch adorned with colorful china. Housed in a black wood frame with double matte having watercolor highlights. Unsigned, title on back. In 1927 Jenney retired to Nantucket where he taught art and painted primarily in watercolor with some of his works reproduced in lithographs. SIGHT SIZE: 8-3/4” x 11-1/2”. CONDITION: Very good. 9-70145 (200-300)

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689

EDGAR WHITEFIELD JENNEY (American, 1869-1939) PAIR OF FASHION PORTRAITS. Both similarly housed in gilt oak frames with gilt and watercolor highlighted mattes. One watercolor shows a military officer in full dress standing with sword out. Signed and inscribed inpencil “June 24-1928. General Lieutenant: Comte Fournier Sailovese E. W. Jenney Apres: Antoine Jean Gros”. The second watercolor of a woman with green gown seated in chair with colorful throw. Signed and inscribed “Marie Minnessier Nodier: Edgar W. Jenney April 26-1931-“J Apres Deveria – Epoque Louis Phillipe-1830”. In 1927 Jenney retired to Nantucket where he taught art and painted primarily in watercolor with some of his works reproduced in lithographs. SIGHT SIZE: 16” x 12-1/2”. CONDITION: Some foxing, good. 9-70153 (300-500)

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690

EDGAR WHITEFIELD JENNEY (American, 1869-1939) LARGE LOT OF LITHOGRAPHS OF NANTUCKET. Mostly 1937. Including a quantity of “The Ship Owner’s Lady” and “The Ship Owner”. Some annotated and having color samples for watercoloring the prints. Also a quantity of “A Visit to the Wharf Nantucket”, “Up On the Walk”. CONDITION: Varying states of completion, good. 9-70156 (1,000-2,000)

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691

SETON SHANLEY (American, Mid-20th Century) “LANDSCAPE”. A summer watercolor scene shows several cows along side a river with trees in pastures. Signed lower right “Seton Shanley”. A label on reverse from “Kennedy & Co, New York” with title and artist name. Housed in a black molded wood frame with double mattes. PROVENANCE: Woolworth Collection (FW Woolworth Dept. Stores). SIGHT SIZE: 14-1/4” x 21-1/4”. CONDITION: Mattes have some foxing, otherwise very good. 9-29540 (200-400)

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692

ATTRIBUTED TO MAURICE GEORGE LOGAN (American, 1886-1977) AFTERNOON NAP. Watercolor interior scene shows a purple cat with stripes laying on an open armchair next to balcony overlooking a harbor. Signed lower right “L 1924”. Watercolor is mounted on a white background foam board. Back of white board of frame indicates the attribution. Housed in a gesso decorated frame. SIZE: 25-1/4” x 19-1/2”. CONDITION: Very good. 9-70148 (500-800)

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692A

ATTRIBUTED TO DORIS EMRICK LEE (American, 1905-1983) THE PORCH BARBER. Oil on canvas scene shows a man cutting another man’s hair while seated on a porch. A young girl and boy look on. Appears to be signed lower left. Housed in a fine modern green painted and gilt frame with modern name plaque on frame. SIZE: 29” x 18”. CONDITION: Some areas of thinning surface paint, top layer has some chipping. Fair to good. 9-27718 (300-500)

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692B

ROBERT GALLON (American, 1845-1925) BOY FISHING ON DOCK. Watercolor summer scene shows a young boy with fishing pole at end of dock. Tree lined bank with blue water. Signed lower right “R Gallon”. Housed in an old mahogany type wood frame. SIZE: 14-1/4” x 8-1/2”. CONDITION: Good. 9-27757 (100-200)

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692C

LOUIS JACQUES VIGON (French, 1897-1985) NICE IN THE MORNING. Oil on board morning scene shows the harbor with a yacht; lined with large white hotels and sandy beach. Looking down on a split road with palm tree islands and two figures walking. Signed lower right “Vigon”. Back is written “4M Nice-A.M. Le Vigon Artiste Peintre Provencal”. Housed in a simple white molded wood frame. SIGHT SIZE: 7” x 12”. CONDITION: Very good. 9-29404 (200-300)

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692D

D.S.W. (American, Late 19th/Early 20th Century) SHIPS AT SEA. Oil on canvas shows a four-stack large luxury liner behind a single mast sailboat loaded with hay with other ships in the background. A colorful pink cloud and blue sky. Signed lower right “DSW”. Housed in a gilt molded wood frame. Back bearing a label “F. Weber & Co. Philadelphia”. SIZE: 12” x 20”. CONDITION: Two holes with loss of paint and chips across stretcher line. 9-70308 (200-300)

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692E

SARA G. PETTINELLI (20th Century) “MARGINAL WAY”. Nice Ogunquit School painting shows waves crashing on rocks under lightening skies. Signed lower left “Sara G Pettinelli”. Signed and titled on back. Marginal Way is located on the Ogunquit, Maine Coastline. Unframd. SIZE: 22” x 28”. CONDITION: Very good, some craquelure. 9-70306 (200-300)

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693

UNSIGNED (Late 19th Century) OUT FOR A STROLL. Oil on canvas primitive scene shows a woman with dog walking along dirt road towards connected house and bridge. High mountains are seen in background with water on each side of road. Housed in a gold painted period frame. SIZE: 10-1/4” x 14-1/2”. CONDITION: Good. 112-83935 (75-125)

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694

FROST & REED (Publishers, 20th Century) “THE BRISTOL BULLDOG”. Print after a painting by Gerald Coulson shows a biplane fitted with guns flying over checkered summertime fields with cloud background. A history of the biplane fighter is seen in legend. Dated 1967. Housed in a molded wood painted frame. SIGHT SIZE: With margins is 28” x 33-3/4”. CONDITION: Good. 9-29733 (30-50)

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695

PATRICIA RITZO (American, Late 20th Century) PORTRAIT OF H. KING CUMMINGS- FOUNDER OF SUGARLOAF MOUNTAIN. Pastel portrait shows a man with glasses and gray beard wearing a sweater, tie and white shirt. Signed lower right. Nicely housed in a gray painted frame with white liner and double matte. SIGHT SIZE: 17-1/4” x 13-1/4”. CONDITION: Very good. 9-29016 (150-300)

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696

MODERN SMALL PRINT ON CANVAS NEW YORK SCENE. Scene shows New York skyline from the harbor. Housed in a decorated gilt frame. SIZE: 14” x 11”. CONDITION: Good. 9-70147 (25-50)

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