Spectacular 3 Day Antiques & Fine Art Auction
A Huge Success Totaling Over $4.2 Million!

Auction: August 22nd-24th, 2006

Preview: August 22, 2006

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
1

MIKE GRAVES (American, 20th Century) “GOOD HARBOR BEACH, GLOUCESTER”. Oil on masonite scene shows a sandy beach with several beach goers at low tide. Thatcher’s Island with the twin lighthouses are seen in distance beyond an island and point of land with houses. Signed lower left. Housed in a modern gilt gesso decorated frame. SIZE: 12” x 16”. CONDITION: Very good. 9-29557 (1,000-1,500)

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2

MIKE GRAVES (American, 20th Century) “FRONT BEACH, ROCKPORT”. Oil on canvas beach scene shows family groups of beach goers on a sandy beach in tranquil harbor. Several colorful umbrellas with beach goers are seen in foreground. Rockport’s rocky coastline is seen beyond. Housed in an old gilt carved wood frame. SIZE: 12” x 16”. CONDITION: Very good. 9-29558 (1,500-2,500)

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2a

MIKE GRAVES (American, 20th Century) NEW ENGLAND CAPE. Oil on canvas late winter/early spring scene shows a dirt driveway leading to a Colonial cape style house with barn on the side. Signed lower right “Mike Graves”. Housed in a fine gilt wood frame. SIZE: 10” x 14”. CONDITION: Very good. 9-71835 (1,000-1,500)

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3

WAYNE BEAM MORRELL (American, 1923- ) THE BLUE GATE. Oil on board scene shows a white picket fence having a blue gate and lined with colorful flowers. Beyond is a large pond with sailboat, dock and figures. A Colonial house sits on a flat grassy area and tall trees surround the pond. Signed lower left and housed in a good gilt gesso decorated modern frame with linen liner. SIZE: 22” x 28”. CONDITION: Very good. 9-70084 (3,000-5,000)

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4

WAYNE BEAM MORRELL (American, 1923-) SUNLIT CLEARING. Outstanding oil on masonite scene shows a small grass clearing seen through a number of large trees which is strongly lit by an overhead sun. A blue hillside can be seen beyond the clearing. Heavy impasto use. Signed lower right “Wayne Morrell”. Housed in a fine reproduction reeded gilt frame. SIZE: 26” x 34”. CONDITION: Very good. 9-70909 (3,000-5,000)

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5

MARIA VERONICA LISZT (American, 1902-1992) GLOUCESTER BOATS. Oil on canvas scene shows several fishing boats docked side by side by wooden dock. Another small sailboat is tethered to end of dock. Buildings line the shore at the base of a small hill. Signed lower left “M. Liszt”. Housed in its original gilt carved wood period frame. SIZE: 16” x 20”. CONDITION: Very good. 9-71486 (1,500-2,000)

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6

PAUL STRISIK (American, 1918-1998) “GLOUCESTER HARBOR”. Oil on board scene shows two fishing boats side by side tethered to dock with building. Low hills and other boats beyond. Signed lower right “Strisik”. Housed in a gilt molded wood frame with linen liner. Back paper stamped with his Rockport address with title and dated “July 1963”. SIZE: 12” x 16”. CONDITION: Very good. 9-71488 (3,000-5,000)

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7

MELVILLE F. STARK (American, 1903-1987) CAPE ANN STREET TO THE OCEAN. Oil on canvas board scene shows a road lined with New England homes leading to blue ocean. Two pedestrians are walking along the sidewalk. Signed lower right “M. Stark”. Back with an Estate stamp and also a stamp certifying the painting by his son. Housed in a fine carved wood arts & crafts style replacement frame. SIZE: 16” x 20”. CONDITION: Very good. 9-70857 (3,000-4,000)

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8

ANTHONY CIRINO (American, 1889-1983) CAPE ANN HARBOR SCENE. Fine oil on board scene shows several lobster boats moored in small harbor with dock and buildings on level rock area. Blue hills are seen beyond an expanse of water. Signed lower right “A. Cirino”. The board with artist name and “26-Cirino”. Housed in a decorated gilt frame with tan linen matte and gilt liner. SIZE: 10” x 12”. CONDITION: Very good. 9-29824 (6,000-9,000)

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9

FERN ISABEL COPPEDGE (American, 1883-1951) GLOUCESTER HARBOR. Oil on canvas tranquil harbor scene shows two one-mast sailboats amongst wood docks with a small dory against rocks. Signed “F Coppedge” lower left. Housed in a flat gilt oak frame with molded edge bearing an “E. Schoepflin &Co. Boston” framing label. Written in pencil on stretcher “160 Boylston St”. SIZE: 14” x 17”. CONDITION: Very good. 9-71371 (5,000-7,000)

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10

HARRY RUSSELL BALLINGER (American, 1892-1993) “PIGEON COVE”. Oil on canvas Rockport, Massachusetts scene shows several boats moored in a tranquil cove with granite breakwater. Signed lower right “HR Ballinger”. Titled on back and signed. Housed in its original gray painted carved wood frame with gray wood liner. The frame has an “Loricco-Hall” art gallery label. SIZE: 16” x 24”. CONDITION: Very good. 9-70920 (500-800)

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11

VERA EUGENIA ANDRUS (American, 1896-1979) FITZ HUGH LANE’S HOUSE. Oil on canvas scene shows a three gable front three story house once belonging to Fitz Hugh Lane’s house in Gloucester, Massachusetts. Other buildings are seen beside. Signed lower left. Housed in an old gesso decorated frame with gold liner. SIZE: 17-3/4” x 22”. CONDITION: Good. 9-70678 (500-1,000)

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12

JOE RIMINI (American, 20th Century) GLOUCESTER HARBOR. Good oil on canvas Gloucester Harbor scene shows a two-mast sailboat moored next to red building in foreground, a fishing troller moored on far shore with the city of Gloucester as backdrop. Signed lower left “Rimini”. Housed in a fine gilt molded wood frame. SIZE: 24” x 30”. CONDITION: Very good. 9-70089 (2,000-2,500)

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13

TOD LINDENMUTH (American, 1885-1976) “LOBSTERMAN IN THE FOG”. Oil on masonite scene shows two lobstermen ion a harbor scene. One with a traditional lobster boat and another in a small yellow boat. Seagulls fly overhead and sailboats are seen behind. All under a foggy background. Housed in a weathered molded wood frame with white liner. SIZE: 24” x 32”. CONDITION: Very good. 9-70092 (1,500-2,000)

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14

WILLIAM BRADFORD GREEN SR. (American, 1871-1945) “BASS ROCKS, GLOUCESTER”. Oil on board scene shows a large wave crashing on rocks. Signed lower left “Wm Bradford Green”. Housed in a replacement gilt molded wood frame. Back of the board has title and artist signature. SIZE: 8” x 10”. CONDITION: Very good. 9-71420 (800-1,200)

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15

JOHN FABIAN CARLSON (American, 1875-1947) “THE INTERLUDE”. Oil on board scene shows what appears to be Gloucester Harbor with boats at dock and town beyond. Signed lower left “John F. Carlson”. Titled on back and stamped “Property of Robert F. Carlson 1963”; Babcock Gallery stamp with “C18321”. Housed in a fine replacement gilt wood carved frame. SIZE: 16″ h x 20″ w. CONDITION: Very good. 9-70936 (10,000-15,000)

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16

EMILE ALBERT GRUPPE (American, 1896-1978) “PORTSMOUTH, NH”. Nice oil on canvas street scene shows a dirt street going through several New England Colonial style homes with trees and a telephone pole. This is a scene of the Puddle Dock area of Strawberry Bank in the City of Portsmouth. Signed lower left. Under signature “PPD” (Portsmouth Puddle Dock). Housed in a fine modern ribbed gilt wide frame with a Guido Frame Studio label. SIZE: 24” x 24”. CONDITION: Very good. 9-71341 (15,000-25,000)

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17

EMILE ALBERT GRUPPE (American, 1896-1978) “FISHING DOCKS, NAPLES”. Oil on canvas scene shows several boats moored along dock with buildings. A colorful sky with reflections in water. Signed lower right. Housed in a period carved and gesso decorated gilt frame. Title on back of stretcher and numbered “723”. SIZE: 25” x 30”. CONDITION: Very good with inpainting to edge area. 9-70083 (10,000-12,000)

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18

EMILE ALBERT GRUPPE (American, 1896-1978) “KEY WEST”. Oil on board scene shows two boats tied to a dock with one figure tying up the boat. Seagulls fly over a harbor view. Signed lower right “Emile A. Gruppe”. Back indicating a date of 4/24/74”. Housed in a gesso decorated gilt frame with linen liner. SIZE: 16” x 20”. CONDITION: Very good with minor spot inpainting. 9-71717 (6,000-8,000)

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18a

EMILE ALBERT GRUPPE (American, 1896-1978) SUNLIT WOODS. Oil on canvas scene shows an early fall woodland scene with colorful trees and leaf strewn wood forest floor. Bright sunlight brightens the impressionistic view. Signed lower right. Housed in a fine gilt replacement frame. SIZE: 25” x 30”. CONDITION: Relined, cleaned, remnants of a tear which has not been filled beside tree. Otherwise very good. 9-71967 (7,000-9,000)

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19

EMILE ALBERT GRUPPE (American, 1896-1978) “BUTTONWOOD TREES, MOHAWK TRAIL”. Oil on canvas scene shows several trees with fall foliage on the banks of a river with hills behind. Signed lower right “Emile A. Gruppe”. Titled on stretcher with a partial exhibition label also. The Mohawk Trail is Rte 2 that winds across the Berkshires in Massachusetts. Housed in a fine gilt molded wood replacement frame. SIZE: 24” x 20”. CONDITION: Very good. 9-29730 (5,000-7,000)

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20

EMILE ALBERT GRUPPE (American, 1896-1978) BOATS AT DOCK. Oil on canvas scene shows ten small boats moored side by side in front of green hulled fishing boats in a Cape Ann harbor, probably Gloucester. Signed lower right “Emile A. Gruppe”. Housed in a gilt molded wood replacement frame. SIZE: 20” x 22-1/4”. CONDITION: Very good with minor spot inpainting. 9-71399 (3,500-4,500)

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21

ANTHONY THIEME (American, 1888-1954) “PUNTA JORGE, LAGUNA DE ATITLAN GUATEMALA 1948”. Large oil on canvas scene shows panoramic view looking out over the top of a white church and red roofed houses onto a sunlit body of water scene surrounded by mountains. Wonderful strong colors in a pleasing scene. Signed with etched signature “A. Thieme”. Housed in a spectacular carved wood and gilt replacement frame with linen liner. Stenciled framing label “America West Frames, Cottonwood, AZ”. Identified and dated on back of canvas. SIZE: 25” x 30”. CONDITION: Very good to excellent. Cleaned with very minor inpainting and three very small chips. 9-71150 (8,000-12,000)

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22

ANTHONY THIEME (American, 1888-1954) VERMONT SUMMER LANDSCAPE. Fine oil on canvas summer scene shows a river winding through a river valley with flat pastures, dirt road and rolling hills. Two figures are seen beside road and a house beyond. Inscribed signature to right corner “A. Thieme”. Housed in a good gesso decorated gilt molded wood frame with linen liner. SIZE: 25” x 30”. CONDITION: Very good. 9-71774 (12,000-16,000)

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23

ANTHONY THIEME (American, 1888-1954) TRANQUIL HARBOR. Oil on canvas scene shows several sailboats in a tranquil harbor with the closest two-mast sailboat with figures aboard and two in a small rowboat beside. Everything reflects in the calm water and the sun is poking through the overcast sky. Early work is stamped on back of canvas “Anthony Thieme Boston, Mass”. Appears to be unsigned on the front. Housed in a partial gilt molded wood frame. SIZE: 25” x 30”. CONDITION: There is an unrestored 4” T-shaped tear above right mast and a small tear at right corner. Otherwise good. 9-71711 (8,000-10,000)

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24

ANTHONY THIEME (American, 1888-1954) DOCKSIDE. Small watercolor scene shows a connected building on a dock with several different boats tied to its side. Seagulls fly over a calm harbor that reflects the sunlight. Signed lower right “A Thieme”. Housed in an antique painted wood frame. SIGHT SIZE: 10” x 14-3/4”. CONDITION: Generally good. 9-71724 (600-800)

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25

GIFFORD BEAL (American, 1879-1956) ROCKPORT CHURCH. Unsigned oil on board scene shows a church with other buildings with several figures on the dirt road. Unsigned. PROVENANCE: A letter accompanying the painting indicating this work comes from the Estate lot of unsigned paintings sold by his granddaughter. SIZE: 9” x 12”. CONDITION: Good. 9-71697 (2,500-3,500)

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26

GIFFORD BEAL (American, 1879-1956) INCOMING TIDE. Unsigned oil on wood panel scene shows small waves crashing onto a small beach lined with trees, grass and yellow flowers.. A woman in a white dress with a parasol looks out across the water. Unframed. PROVENANCE: A letter accompanying the painting indicating this work comes from the Estate lot of unsigned paintings sold by his granddaughter. SIZE: 9-3/4” 18-1/2”. CONDITION: Dirty, very slight warp to board. Small nail holes present. Otherwise very good. 9-71723 (800-1,000)

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27

CARL WILLIAM PETERS (American, 1897-1980) “PREPARING THE TRAPS. Oil on canvas scene shows three lobstermen at edge of harbor tending to their lobster traps and boats. Beyond the tranquil small harbor are fishing shacks, boats and low hills. Signed lower left “Carl W Peters”. Housed in a fine reproduction arts and crafts style gilt frame. Reverse has a number of exhibition labels including R. H. Love Galleries, Chicago; Hunter Museum of Art; and Butler Institute of American Art. SIZE: 20” x 24”. CONDITION: Very good. 9-70935 (10,000-15,000)

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28

CARL WILLIAM PETERS (American, 1897-1980) “STAR ISLAND”. Oil on canvas scene shows a fishing shack with lobster buoys and traps outside. A man with pipe and hat walks in front of the building. Unsigned front. Signed and titled on back. Also with a typed label indicating 1980. Housed in a gilt wood thin frame with wide linen matte and inner white liner. SIZE: 16” x 20”. CONDITION: Very good. 9-71715 (3,000-5,000)

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29

CHARLES T. STEPULE (American, Mid 20th Century) VALLEY FARM IN VERMONT. Oil on canvas autumn scene shows a large mountain with hills and a valley below containing several barns. A dirt road descends a small hill with colorful trees in the foreground. Signed lower left “Stepule”. Housed in a modern gilt molded wood frame. SIZE: 18” x 24”. CONDITION: Very good. 9-71411 (800-1,000)

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30

CHARLES T. STEPULE (American, Mid 20th Century) FISHING BOATS, GLOUCESTER HARBOR. Oil on canvas scene shows two docks with fishing boats moored beside. Automobiles and figures on docks. Signed lower right and dated “53”. Housed in its original brown weathered molded wood frame with white liner. SIZE: 24” x 30”. CONDITION: Very good. 9-70673 (700-1,000)

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31

CHARLES STEPULE (American, 20th Century) GLOUCESTER HARBOR. Oil on canvas harbor scene shows several fishing trawlers next to large dock with two-mast schooner. Other boats are in harbor with a hill in background having houses and church. Signed lower right “Stepule 79”. SIZE: 24” x 30”. CONDITION: Very good to excellent. 9-71421 (1,000-1,500)

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32

CHARLES STEPULE (American, 20th Century) TRAWLER AT DOCK. Oil on canvas harbor scene shows a two-mast fishing trawler next to dock with Quonset hut. Signed bottom right “Stepule”. Housed in a molded wood gilt modern frame. SIZE: 24” x 18”. CONDITION: Very good to excellent. 9-71422 (600-800)

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33

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER IN VERMONT. Oil on board scene shows a mountain with hills and New England farmhouse nestled in the valley with snow covered ground and tree lined fields. Signed lower right “A T Hibbard”. Housed in a reproduction gilt arts & crafts frame. SIZE: 12” x 16”. CONDITION: Very good. 9-71598 (14,000-18,000)

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34

ALDRO THOMPSON HIBBARD (American, 1886-1972) SNOW COVERED VALLEY. Oil on board winter scene shows a line of hills with a snow covered valley below with small stream. Signed lower left “AT Hibbard”. Housed in a period carved and partial gilt wood frame bearing a Newman Galleries label. SIZE: 9-3/4” x 12”. CONDITION: Very good. 9-71427 (2,500-3,500)

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35

ALDRO THOMPSON HIBBARD (American, 1886-1972) THE PINK POPPIES. Oil on canvas laid on board still life scene shows large pink blossoming flowers with green leaves in a mottled green background. Signed lower right “AT Hibbard”. Housed in a period gilt carved wood frame. SIZE: 16” x 12”. CONDITION: Very good. 9-71378 (3,000-5,000)

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36

DON STONE (American, 1929-) “TRAPS AT PIGEON COVE”. Fine watercolor scene shows a stacked group of wooden lobster traps and buoys alongside a dock and retaining wall with small cove on right and lightening sky. Signed lower left. Housed in a fine partial gilt molded wood frame with wide linen matte and inner matte. Shore Galleries, Boston label to reverse. PROVENANCE: Shore Galleries, 1972 (Original receipt accompanies lot). SIGHT SIZE: 10-1/4” x 14-1/2”. CONDITION: Very good. 9-70754 (800-1,200)

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37

DON STONE (American, 1929-) “WOOD PILE”. Watercolor and acrylic on paper winter scene shows a tall stacked wood pile alongside a large tree with barns and snow covered ground. Light snow is falling in a mid-day scene. Signed lower right “Don Stone”. Housed in a partial gilt molded wood frame with wide linen matte and inner white matte. Adelson Galleries, Inc. Boston label on reverse. PROVENANCE: Adelson Galleries, 1971 (original receipt accompanies lot). This work was part of a one man exhibition at the Fitchburg Art Museum, No. 3 in the Large Gallery (Catalog accompanies lot). SIGHT SIZE: 10” x 14”. CONDITION: Very good. 9-70753 (800-1,200)

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38

CAESARE A. RICCIARDI (American, 1892-1973) BOATS IN HARBOR. Oil on board scene shows several boats in a tranquil harbor. One is shown with a white sail, another with a red sail. Signed lower left. Housed in a modern gesso decorated gilt frame with partial gilt liner. SIGHT SIZE: 11-1/2” x 15-1/2”. CONDITION: Very good. 9-70598 (1,500-2,500)

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39

BRYAN QUIRK (American, 20th Century) THE LIGHTHOUSE. Oil on canvas board coastal scene shows crashing waves on rocky coastline with a lighthouse on point of land. Signed lower right. Housed in a linen lined wood and gold trimmed frame. SIZE: 16” x 20”. CONDITION: Very good. 9-70608 (400-600)

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40

WILLIAM LESTER STEVENS (American, 1888-1969) THE FISHERMAN’S HOUSE. Large oil on canvas colorful scene shows a house next to water with several boats and docks. Wash is being put out to dry on a clothesline and the man tends to a small skiff. Signed lower left “W Lester Stevens N.A.”. Housed in a fine replacement molded wood gilt frame with a Guido Frame Studio stamp. SIZE: 25” x 30”. CONDITION: Minor inpainting, very good. 9-71394 (3,000-5,000)

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41

WILLIAM LESTER STEVENS (American, 1888-1969) “PLUMES IN THE WIND”. Oil/tempera on masonite winter scene shows a snow drift next to fenced field framed by two large trees. Along the edge are tall dried flower heads. Signed lower right “W Lester Stevens N.A.”. Titled on reverse along with a Marbella Gallery Inc label on reverse. Housed in a good modern gilt molded wood frame. SIZE: 30” x 36”. CONDITION: Very good. 9-70088 (3,000-5,000)

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42

WILLIAM LESTER STEVENS (American, 1888-1969) THE HOMESTEAD. Fine oil on canvas New England scene shows a narrow two story farmhouse with adjacent barn. The buildings are framed with trees having colorful foliage. Probably a scene from the Berkshires. Signed lower right “W Lester Stevens”. Housed in a period gesso decorated painted frame. SIZE: 20” x 24”. CONDITION: Very good. 9-70307 (3,000-4,000)

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43

WILLIAM A HILL (American, Mid 20th Century) “MARSH HAY, HAMPTON”. Oil on canvas board scene shows haystacks in a marshy area lined with trees in the Autumn. Housed in its original gilt molded wood frame. Back of board is title and artist card indicating that he has a studio in Hampton Falls, NH. . SIZE: 16” x 20”. CONDITION: Very good. 9-71366 (800-1,200)

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44

HARRY W. POWERS (American, “CEDARS ON ESSEX MARSH”. Oil on board landscape scene shows two tall cedar trees on a rock ledge overlooking a marshy area. Signed lower right. Housed in a fancy gilt gesso decorated frame. Titled on back. SIZE: 10” x 11-1/2”. CONDITION: Very good. 9-29741 (800-1,200)

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44a

HARRY W. POWERS (American, 20th Century) IMPRESSIONISTIC LANDSCAPE. Unsigned small oil on board scene shows a small house under large trees next to water and low hills. Colorful grasses beside water. Housed in a decorated gilt replacement frame. SIZE: 7” x 10”. CONDITION: Very good. 9-29740 (800-1,200)

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45

GEORGE M. HATHAWAY (American, 1852-1903) FORT POPHAM AT POPHAM BEACH, MAINE. Oil on artist board scene shows a rowboat with barrels and oars on dry beach with small waves. Behind is the fort and coming down the Kennebec River is a coastal steamer. Signed lower left “G H Hathaway”. Housed in a fine period gesso decorated gilt frame. SIZE: 6” x 10-1/2”. CONDITION: Very good. 9-71556 (1,500-2,500)

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46

GEORGE M. HATHAWAY (American, 1852-1903) PASSAMAQUODDY BAY FERRY. Oil on board scene shows an island ferry coming up to a long dock, possibly Peaks Island with houses on the shoreline and large dock. Signed lower right “GM Hathaway”. Housed in a decorated gilt wood frame. SIZE: 6” x 10-1/2”. CONDITION: Very good with very minor inpainting. 9-70681 (1,000-2,000)

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47

GEORGE M. HATHAWAY (American, 1852-1903) COASTAL ROAD. Oil on board scene shows a dirt road with pebble and grass surface winding along water with rock and tree lined sides. Signed “GM Hathaway”. Housed in a period gesso decorated gilt frame. SIZE: 9” x 12”. CONDITION: Very good. 9-70682 (1,000-2,000)

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48

DELBERT DANA COOMBS (American, 1850-1938) WHITE BIRCHES. Oil on canvas woodland scene shows a split rail fence ending at a stand of four birch trees. Signed lower left “D D Coombs 92”. Housed in a fine gesso decorated replacement gilt frame. SIZE: 24” x 14”. CONDITION: Very good with minor scattered retouch. 9-71485 (1,800-2,200)

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49

ANNA ELIZA HARDY (American, 1839-1934) “WHITE ROSES”. Unsigned oil on board shows a still life of white roses in a blue and white decorated vase. Three petals have fallen onto the tabletop surface. Housed in a bead decorated modern gilt frame. A typed card on back indicates that this was “A gift to Ada Stetson Peirce on her 7th birthday at Bangor. She being in Rome, or thereabouts, we, Waldo, Chamberlain, and myself honored the day at home with loving thoughts and gifts.” Signed “Laura Hayford Grandmother”. SIZE: 9” x 12”. CONDITION: Very good. 9-70766 (4,000-6,000)

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50

ABBOTT FULLER GRAVES (American, 1859-1936) VENETIAN WEDDING BOAT. Outstanding oil on canvas Venice harbor scene shows a large multi-tier boat elaborately decorated in festive colors with flags, flowers and other festive trappings. The large boat travels right to left and is preceded by several gondolas with colorful decoration. The line of boats flying flags goes into the distance. The city is seen as the backdrop under blue and cloud sky. Signed and inscribed lower right “To My Friend Sargent Abbott Graves”. Housed in its original gesso decorated fancy frame with gold liner. PROVENANCE: From a Baltimore, Maryland area private collection. SIZE: 16” x 26”. CONDITION: Very good with inpainting. 9-29619 (75,000-125,000)

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51

ABBOTT FULLER GRAVES (American, 1859-1936) THE GARDEN DOORWAY. Outstanding oil on canvas scene shows a Colonial home with a four light open doorway. The white house has two windows with green shutters and is framed by tree branches. There is a picnic type table covered with pots of colorful flowers. A central pathway to the door is lined with colorful flowers gardens on each side. Signed lower right “Abbott Graves”. Housed in its original carved wood flower decorated frame which has been over painted gold. PROVENANCE: From a western Vermont summer home. REFERENCE: Never offered at auction, fresh to the marketplace. SIZE: 16” x 20”. CONDITION: Untouched, original condition. Very good. 9-70977 (30,000-50,000)

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52

ABBOTT FULLER GRAVES (American, 1859-1936) “A HOT SHOE”. Large oil on canvas scene shows a large white horse being shoed by an elderly blacksmith. The blacksmith has one hoof being worked on and stands next to the forge. The interior of the shop is a barn setting with all of his materials on the wall and floor. Signed lower right “Abbott Graves of Kennebunkport, ME”. Housed in probably its original carved gilt frame with gilt liner. SIZE: 32” x 46”. CONDITION: Very good, some minor inpainting. Attached to back is a conservation report from Yoder Conservation, Cleveland, Ohio dated 2002. 9-71604 (20,000-40,000)

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53

ATTRIBUTED TO ABBOTT FULLER GRAVES (American, 1859-1936) “IN AN ENGLISH GARDEN”. Oil on canvas scene shows a seated nude young woman in a forested landscape picking yellow flowers. The painting is unsigned. In pencil on the frame is “In an English Garden by Abbott Graves Gift of ? Abbey?”. Housed in a painted molded wood frame. The family always referred to this painting as being the work of Graves. PROVENANCE: From a Baltimore, Maryland area private collection. SIZE: 24” x 18”. CONDITION: Very good. 9-29622 (3,000-5,000)

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54

BERNARD KARFIOL (American, 1886-1952) “NUDE ON RED COUCH”. Outstanding oil on canvas interior scene shows a young nude woman laying on a red sofa with colorful throws. Signed lower left “B Karfiol N.A.”. Housed in what is probably its original wide carved gray painted wood frame with white wood liner. Attached to the stretcher is a “The Downtown Gallery New York exhibition label with title and artist. Also several other numbers on the frame and stretcher. A very similar painting is titled “Hilda 1929” and is in the collection of the Whitney Museum of American Art and is illustrated in their American Artist Series “Bernard Karfiol” by Jean Slusser, 1931. SIZE: 30” x 40”. CONDITION: Very good with one small patch to back with inpainting. 9-71702 (8,000-10,000)

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55

CHAUNCEY FOSTER RYDER (American, 1868-1949) “BEACH DAY”. Oil on board colorful beach scene shows many beach goers in colorful suits, some with beach umbrellas. A curving beach with dunes is seen under blue skies. Signed lower right “Chauncey F. Ryder”. Housed in a fine reproduction arts & craft carved gilt frame. SIZE: 9-1/4” x 12-1/4”. CONDITION: Minor inpainting, very good. 9-70915 (15,000-25,000)

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56

GEORGE WESLEY BELLOWS (American, 1882-1925) “MONHEGAN 1913”. Oil on canvas scene shows rocky shoreline with tidal pools, ocean beyond and some sky. Painting with broad-brush strokes. Signed on back of canvas with title and date. There are two labels on reverse, one an address label “John Kendrick Bangs, Cape Neddick, ME” the other “P.B. Cutts 11 19”. Research has indicated Bellows was in Monhegan in 1913. Housed in a fine gesso decorated replacement gilt frame. Reference page 142, 109 of Monhegan the Artist Island by Curtis Liberman. SIZE: 18” h x 20”. CONDITION: Very good. 9-71024 (10,000-20,000)

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57

WALDO PEIRCE (American, 1884-1970) BOOK, LETTER AND ENVELOPE. An interesting lot of three pieces which relate to each other. Book: Waldo Peirce by Margit Varga New York, The Hyperion Press Harper & Brothers 1941. The book includes its original jacket which is as is. The inside cover and first page have a watercolor painting of a lighthouse and buildings on a small island with coastline, boats and seagulls. Points of land are labeled “Campobello – New Brunswick” and another. It is inscribed in upper left corner “A. Dorotea (alias Lieut. …) Waac 1 April 43…”. The title page with pasted on square 6” x 6-1/2” watercolor showing Waldo Peirce kneeling on a beach in front of a woman in military outfit with her Company behind. She or he appears to be presenting this book. Signed “WP April 43”. Accompanying the book is a framed letter and envelope which correspond to the book and is a letter to Dorotea. The letter explains that he is doing the book watercolor for her and explains some of the picture to her. He signs it “Waldo” and it is dated “March 31st, 1943”. The envelope addressed to Dorothy with a small watercolor of a hand with a glass. The letter is in good condition with folds and some browning. Envelope is good and the frame has a Goodspeed’s Book Shop Inc. label affixed to back. PROVENANCE: Goodspeed’s Book Shop to present consignor. SIZE: Book is 13” x 10”. Frame size is 19-3/4” x 12-1/2”. CONDITION: Book shows use with some stains on front watercolor. Otherwise good. 9-29560 (1,000-2,000)

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58

VICTOR DE GRAILLY (French/American 1804-1889) “EASTPORT FROM PASSAMAQUODDY BAY”. Fine unsigned oil on canvas scene of the Maine coast showing Passamaquoddy Bay, islands and far away town seen from a shoreline with people picnicking, a man on horseback and a man and woman with parasol. Several ships and smaller boats are seen on calm water. All seen under a blue and cloud sky with rising sun. The painting is housed in a fine gesso decorated gilt frame which may be original. Backing board has a Museum of Fine Arts, Boston label with artist, title and the owner (Child’s Gallery). A label on the frame indicates that it was sold 10/29/82 at Skinners, Bolton, MA. PROVENANCE: From a Downeast, Maine Collection. SIZE: 17-1/4” x 23-1/2”. CONDITION: Very good with light craquelure. 9-70497 (12,000-16,000)

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59

UNSIGNED (19th Century) CASTLE RUINS ALONG THE RIVER. Oil on canvas Hudson River type painting shows a large castle in ruins on large rock cliff next to a large river leading to high mountains. Two figures are seen in the foreground with boats on the waterway. A nice sunset with colors from blue to pink. Unsigned. Housed in a fine reproduction fancy wide gesso decorated gilt frame with gilt liner. PROVENANCE: From a Downeast, Maine Collection. SIZE: 20” x 27-1/4”. CONDITION: Small patch to reverse, minor inpainting. Otherwise very good. 9-70498 (2,500-4,000)

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60

UNSIGNED (American, Mid-19th Century) ALLEGORICAL LANDSCAPE. Oil on canvas panoramic landscape scene shows a river with several arched bridges winding through valley with mountains. In the foreground in seen a classical ruin and on the right side is a man, woman and child with angel kneeling beside. All under a blue and cloud sky. Unframed. SIZE: 18-1/2” x 24”. CONDITION: Relined, craquelure. Otherwise very good. 9-71352 (700-1,000)

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61

JAMES DAVID SMILLE (American, 1833-1909) WINTER BAY. Oil on canvas laid on board coastal scene shows a snow covered road beside a rocky shoreline which has scrub pine. Signed lower right “Smillie”. Housed in a partial gilt molded wood replacement frame. SIZE: 12” x 16”. CONDITION: Inpainting, good. 9-71706 (3,000-5,000)

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62

GEORGE F. SCHULTZ (American, 1869-1934) MONHEGAN SUNSET. Large oil on canvas coastal scene shows a bright sunset in gold and yellows. The coastline being hit by large waves with ships on horizon and seagulls flying overhead. Signed lower right “Geo. F. Schultz”. Housed in a good carved wood gilt frame. SIZE: 24” x 36”. CONDITION: Very good with minor scattered retouch. 9-71484 (2,500-3,500)

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63

ALFRED ADDY (American, 19th/20th Century) MONHEGAN ISLE. Oil on canvas sunset scene shows waves crashing on a coastline with a sailboat on horizon with a setting sun sky. Signed lower left. Housed in what appears to be its original carved gold frame. Pencil title to stretcher. SIZE: 20” x 30-1/4”. CONDITION: Stretcher edge evident, good. 9-29732 (1,000-1,500)

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64

JAY HALL CONNAWAY (American, 1893-1970) “WATCHING THE SUNSET AT MONHEGAN ISLAND, MAINE”. Oil on board coastal scene shows a wave breaking onto rocky shoreline with ocean and hills beyond. The painting appears to be on a sketchbook cover and is titled and signed on reverse in pencil. Also, signed lower right “Connaway”. Housed in a contemporary gilt molded wood frame. SIZE: 9-1/2” x 13”. CONDITION: Surface paint chip to upper right corner, otherwise very good. 9-29937 (1,000-2,000)

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64a

STAPLETON KEARNS (American, 20th Century) “YELLOW HOUSE, VINALHAVEN”. Oil on canvas coastal scene shows a yellow house on a point of land with a long wood dock. A sailboat is moored to the end and a small rowboat is seen in foreground. Signed lower left “Stapleton Kearns”. All under a white cloud and blue sky. Housed in a fine gilt carved wood frame with a Hackmen Frame label. SIZE: 11” x 14”. CONDITION: Very good. 9-71834 (500-800)

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65

CHARLES E. MARTIN (American, 1910-1995) “MEADOW MONHEGAN”. Watercolor scene shows colorful meadows under blue and light green sky. Housed in a gray painted thin frame with white matte. Signed lower right and having a Ruth White Galleries, New York label. Also a Katonah Gallery label. SIGHT SIZE: 13-1/2” x 19-1/2”. CONDITION: Good. 9-71716 (2,000-3,000)

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65a

CHARLES E. MARTIN (American, 1910-1995) “ROCKS ALONG THE SHORE”. Impressionistic watercolor shows round objects in light red and blue colors. Signed lower right. Housed in a gray painted frame with white matte. Exhibit label from the Ruth White Gallery, New York with artist name and title. SIGHT SIZE: 11” x 15”. CONDITION: Good. 9-71726 (2,000-3,000)

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66

DWIGHT CLARK SHEPLER (American, 1905-1974) “ENTRANCE TO BURNT COVE, SWAN’S ISLAND, MAINE”. Large watercolor Maine scene shows a small harbor with lobster boats and building looking out to a point of land with lighthouse and connected building. Signed lower right. Housed in its original weathered molded wood frame with white matte. Doll & Richards, Inc. Boston label affixed to back. SIGHT SIZE; 21” x 29”. CONDITION: Very good. 9-70666 (700-1,000)

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67

JAMES EDWARD FITZGERALD (American, 1899-1971) SQUALL OFF THE COAST OF MAINE. Watercolor scene shows a man in single mast sailboat tending to his sails as an oncoming squall builds to the north. Several seagulls are seen and he has a tethered dory behind. Signed lower right. Housed in a fine gilt molded wood frame with wide white matte. SIGHT SIZE: 14-1/4” x 20-1/2”. CONDITION: Very good. 9-71487 (12,000-14,000)

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68

STEPHEN MORGAN ETNIER (American, 1903-1984) “CLOTHES LINE”. Fine oil on canvas scene shows fishing shack next to gray ocean with green tree shoreline beyond. Foreground has make-do tall clothes line with some clothes attached. Signed lower right “Stephen Etnier 64”. Housed in its original deep shadow box type frame, which comprises a weathered natural wood with wide linen matte having a gold inner lining. The Milch Galleries, New York label with artist and title on reverse. SIZE: 12” x 20”. CONDITION: Very good. 9-70595 (8,000-10,000)

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68a

J ALDEN WEIR (American, 1852-1919) APPROACHING SHOWER. Fine oil on canvas scene shows a woman and child walking up a hill with grass and trees. The young girl looks back at an approaching dark storm cloud which is seen coming from the right and replacing blue and white cloud sky. An interesting and dramatic scene by this fine artist. Signed lower left “J A Weir”. Housed in a fine carved wood and partial gilt frame with linen liner. SIZE: 24” x 30”. CONDITION: Relined, minor inpainting. Very good. 9-72086 (40,000-60,000) (40,000-60,000)

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68b

JOHN HENRY TWACHTMAN (American, 1853-1902) “MAINE LANDSCAPE”. Fine watercolor landscape scene shows a horse drawn hay wagon heaped with a large load of hay crossing a field toward some trees and water. Signed lower right “J. H. Twachtman”. Housed in a fine gilt carved wood frame with white matte and inner gold liner. Back having a Kennedy Galleries’ Inc. New York, New York label indicating it was in the 1971 DWG Show #44. Also having an exhibition label from the American Federation of Arts, New York, New York in the 100 years of American Realism – Watercolors and Pastes from the Paul Magriel Collection. Catalog 73. PROVENANCE: Paul Magriel Collection. SIGHT SIZE: 6-3/4” x 9-3/4”. CONDITION: Very good. 9-72087 (25,000-35,000) (25,000-30,000)

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69

FLORENCE WHITE WILLIAMS (American, 1900-1953) “THE WHITE SPARKLE OF BOOTHBAY HARBOR, MAINE”. Oil on canvas Maine coastal scene shows Boothbay Harbor from a high vantage point looking down over rooftops to the tranquil harbor with boats and buildings. Birch trees frame with scene. Signed lower right “Florence White Williams”. Housed in a period partial gilt molded wood frame. Stretcher has title. Also an artist label. The frame also has two partial artist labels. SIZE: 30” x 36”. CONDITION: Very good. 9-71693 (3,000-5,000)

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70

RAY EGERT (American, 20th Century) “BOOTHBAY HARBOR, MAINE 1925”. Oil on board colorful harbor scene shows two sailboats moored to large wharf with two-story buildings. Two men are seen atop wharf and the harbor is seen in the background. Unsigned front, artist name and title on reverse. Housed in its original blue painted molded wood frame, painting behind glass. SIZE: 20” x 24”. CONDITION: Very good. 9-70620 (800-1,200)

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71

DOUG BREGA (American, 1948-) MAINE COASTAL HOME. Fine watercolor scene shows a detailed rendering of a fine contemporary three-story home with gables and porch nestled amongst rocks and evergreens. Side view depicts the house as it overlooks the bay. Signed lower left “Doug Brega”. Housed in a fine gilt molded wood frame with linen matte. Hammer Galleries, New York label affixed to reverse. SIGHT SIZE: 13-1/2” x 20-1/2”. CONDITION: Very good. 9-71809 (5,000-7,000)

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71

RONALD FRONTIN (American, 1962-) THE OLD TRUNK. Outstanding oil on canvas interior scene shows an old steamer trunk and a fish sculpture having its shadow case from a sunlit window. The scene very much in the Wyeth/Homer style. Frontin was born in Camden, Maine and works near Rockland, Maine. An outstanding example of his work. Signed upper left “Frontin”. Housed in a fine molded carved wood gilt frame with white linen liner. SIGHT SIZE: 17-1/2” x 25-1/2”. CONDITION: Very good. 9-71827 (5,000-7,000)

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71

JAMES BONNER (American, ) “ELDER’S COAT”. Outstanding egg tempera on gessoed board scene shows a man’s Shaker long coat hanging from a hanger that is on a Shaker wall mounted peg hook board. Signed lower right “J. Bonner”. Housed in a gilt molded wood frame with linen liner. Original artist label on reverse and dated “2000”. SIZE: 20” x 13-1/2”. CONDITION: Very good. 9-71833 (5,000-7,000)

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72

GARY AKERS (American, 1951-) PORT CLYDE LIGHTHOUSE. Watercolor scene shows a white clapboard sided building with green roof and attached lighthouse with walkway. Signed lower left “Gary Akers 1987”. Housed in a fine carved molded wood frame with wide linen matte. SIGHT SIZE: 22” x 13”. CONDITION: Very good. 9-29542 (1,500-2,500)

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73

CARROLL SARGENT TYSON JR. (American, 1877-1956)) “SOMES SOUND, MOUNT DESERT”. Fine oil on canvas summer Maine scene shows water, hills and coastline. Signed lower left. Housed in a gold molded wood antique frame. Title on reverse of canvas. SIZE: 20” x 26”. CONDITION: Very good with inpainting. 9-71362 (5,000-7,000)

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74

FRANCES H. MCKAY (American, 1880-) “A VILLAGE IN MAINE”. Oil on canvas scene shows a New England village street lined with houses, trees and white picket fences. Three figures are seen on a dirt road. Signed lower right “FH McKay”. Signed and titled on back stretcher. Housed in a good period gesso decorated gilt frame. SIZE: 28” x 38”. CONDITION: One small patch with corresponding inpainting, very good. 9-71597 (3,000-5,000)

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75

CARLTON PLUMMER (American, 20th Century) “WESTPOINT MAINE”. Watercolor harbor scene shows a man with two buckets walking away from a rowboat at low tide between two buildings on wood stilts. Signed lower right. Also having a Salmagundi 1978 fall auction invoice on back and partial exhibition label. Housed in a decorated wood frame with white matte. SIGHT SIZE: 10-1/2” x 14-1/2”. CONDITION: Very good. 9-70087 (400-600)

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76

ABRAHAM JACOB BOGDANOVE (American, 1887-1946) SUMMER WAVES. Oil on canvas coastal scene shows white capped waves on rocky ledge. The sea in different shades of blue and green under a gray sky. Signed lower right “A J Bogdanove”. Housed in a fine reproduction arts & crafts carved wood gilt frame. SIZE: 16” x 21-1/2”. CONDITION: Very good, relined. 9-71489 (2,500-3,500)

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77

ABRAHAM JACOB BOGDANOVE (American, 1887-1946) LOBSTER COVE, MONHEGAN. Fine oil on canvas board scene shows a rock ledge coastline with small waves and light ocean. Signed lower right “Bogdanove”. Housed in a distressed molded wood modern frame. SIZE: 12” x 16”. CONDITION: Very good. 9-71317 (1,500-2,500)

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78

LAURENCE PHILIP SISSON (American, 1928-) WINTER ON THE MAINE COAST. Oil on masonite scene shows a coastal area with small islands and shorelines having a single dory. Ice covered rocks and small ice sheets on sandy areas. Signed lower right “L Sisson”. Housed in a good gilt molded wood frame bearing the label of the Guido Frame Studio, Boston. SIZE: 30” x 48”. CONDITION: Very good. 9-29541 (3,000-5,000)

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79

LAURENCE PHILIP SISSON (American, 1928-) “STORM WARNING”. Fine watercolor coastal scene shows a lobsterman in lobster boat near shore with oncoming storm clouds with rain. Signed lower left “Laurence Sisson”. Housed in a fine gray speckled molded wood frame with white liner and acid free ivory matte. PROVENANCE: Skinner Auction 7/20/00. SIGHT SIZE: 22” x 28”. CONDITION: Very good. 9-70755 (800-1,200)

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80

LAURENCE PHILIP SISSON (American, 1928-) EVENING AT THE MAINE COAST. Large oil on board scene shows a full moon and dark sky over a large inlet which has half filled during the tide. A dory is seen on the right side and several fishing shacks above it. Signed lower right “L. Sisson”. Housed in a shadowbox type silver gilt frame. SIZE: 36-1/2” x 44”. CONDITION: Very good. 9-70585 (1,500-2,500)

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81

LAURENCE PHILIP SISSON (American, 1928-) “FOOTBRIDGE, BOOTHBAY HARBOR”. Fine watercolor Maine harbor scene shows the footbridge leading to a fishing shack on long stilts in a tranquil harbor with two-mast schooner and other buildings. Two figures are seen on bridge and the foreground shows sand and rocks at low tide. Signed upper right “Laurence Sisson 1951”. Housed in a wood molded frame with acid free gray matting. PROVENANCE: Richard Withington Auction 1/4/92, purchased in 1952 by Guy Cogswell from Robert Vose Galleries, Boston (original bill of sale from Vose and Withington with flyer included). SIGHT SIZE: 19” x 28”. CONDITION: Very good. 9-70756 (800-1,200)

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82

LAURENCE PHILIP SISSON (American, 1928-) MAINE HARBOR. Fine colorful watercolor scene shows several sailboats moored in a harbor with buildings, church and forested hills. In foreground is a dock with small sailboats. Signed lower left “Laurence Sisson”. Housed in a partial gilt molded wood frame with beige matte. SIGHT SIZE: 14-1/4” x 17-1/4”. CONDITION: Very good. 9-70970 (800-1,200)

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83

WILLIAM THON (American, 1906-2000) TREES. Small watercolor of two black trees. Housed in a simple black frame with red matte. Signed bottom right “Thon”. There is a small note attached to back “To Paul & Ray …..From Hellen & Bill”. SIGHT SIZE: 8-1/4” x 3-1/4”. CONDITION: Very good. 9-70597 (200-400)

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84

ATTRIBUTED TO FAIRFIELD PORTER (American, 1907-1975) THE WINDING ROAD. Watercolor summer scene shows a winding dirt road with a bridge having a railing. A sleuth system diverts the water, presumably for a nearby mill. Signed lower left “Fairfield Porter 63”. Housed in a birdseye maple molded wood frame with a green and white matte. SIGHT SIZE: 13-1/4” x 19”. CONDITION: Very good. 9-71710 (1,500-2,000)

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85

HAYLEY LEVER (American, 1876-1958) THE BOATYARD. Unframed oil on loose canvas scene shows what maybe a Maine boatyard with dock, boat and small buildings. Signed on the reverse of canvas. Top glued lightly to a piece of masonite. An early work by this artist. SIZE: 7-1/4” x 8-1/2”. CONDITION: Tack marks to corners, some light scrapes to edges. Good. 9-71375 (1,000-1,500)

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85a

CLAUDIO CIARDI (Italian, 1962-) “PORTEFINO”. Large oil on canvas scene shows the Italian Mediterranean town of Portefino with building lined water and hill beyond. Three sailing yachts are seen moored on tranquil water. All under a blue and white cloud sky. Signed lower left. Titled and signed on reverse. SIZE: 39-1/4” x 59-1/4”. CONDITION: Very good. 9-71966 (2,000-4,000)

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85b

THOMAS A NEWNAM (American, 20th Century) WHITE FLORIDA HOME ON THE COASTAL WATERWAY. Large watercolor scene shows a white stucco split level house nestled amongst palm trees next to a concrete banked waterway with mooring buoy. Signed lower right “T A Newnam”. Housed in a large wide molded wood painted white frame having an inner gold liner with glass. SIGHT SIZE: 39-1/4” x 39-1/4”. CONDITION: Very good. 9-71826 (500-1,000)

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85c

THOMAS A NEWNAM (American, 20th Century) THE PORTICO. Large watercolor scene shows a white stone block porch with open archways and slatted railing. Red flowering bushes are seen amongst tall ferns and large green tree. Signed lower right “T. A. Newnam”. Housed in a large wide molded wood painted white frame having an inner gold liner with glass. SIGHT SIZE: 39-1/4” x 39-1/4”. CONDITION: Very good. 9-71826-1 (500-1,000)

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85d

THOMAS A NEWNAM (American, 20th Century) FLORIDA HOME ON THE COASTAL WATERWAY. Large watercolor shows a pink stucco and white roofed home shaded by tall palm trees under a blue and white cloud sky. A waterway is seen in foreground with a moored motorboat. Signed lower right “T. A. Newnam”. Housed in a large wide molded wood painted white frame having an inner gold liner with glass. SIGHT SIZE: 39-1/4” x 39-1/4”. CONDITION: Very good. 9-71826-2 (500-1,000)

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85e

THOMAS A NEWNAM (American, 20th Century) PINK STUCCO FLORIDA HOME. Large watercolor shows the front of a large pink stucco and white roof home having several windows with twelve over twelve sashes. A garden lined brick path leads to the front double doors. Blue water is seen in distance. Signed lower right “T. A. Newnam”. Housed in a large wide molded wood painted white frame having an inner gold liner with glass. SIGHT SIZE: 39-1/4” x 39-1/4”. CONDITION: Very good. 9-71808 (500-1,000)

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85f

THOMAS A NEWNAM (American, 20th Century) THE BLUE AND WHITE SAILBOAT. Large watercolor Florida scene shows a small boat on dry land next to a green water rock lined area. Boat is tied to the trunk of a large palm tree and a white wood bridge is seen in background. Signed lower right “T. A. Newnam”. Housed in a large wide molded wood painted white frame having an inner gold liner with glass. SIGHT SIZE: 39-1/4” x 39-1/4”. CONDITION: Very good. 9-71808-1 (500-1,000)

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85g

THOMAS A NEWNAM (American, 20th Century) THE YELLOW MORNING GLORIES. A large group of yellow morning glories encase the top of a stone wall with opening looking out to blue ocean with small island under a bright blue sky. Signed lower right “T. A. Newnam”. Housed in a large wide molded wood painted white frame having an inner gold liner with glass. SIGHT SIZE: 39-1/4” x 39-1/4”. CONDITION: Very good. 9-71808-2 (500-1,000)

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86

JOHN MARIN (American, 1870-1953) “STUDY OF SAILBOAT”. Crayon and pencil drawing on tan paper shows a two-mast yellow sailboat up on a beach with an anchor and blue water. The hull and parts of the sail are yellow. Signed lower right “Marin”. Housed in a fine gilt frame with wide white matte. SIGHT SIZE: 6-1/2” x 5”. CONDITION: Very good. 9-71476 (3,000-5,000)

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87

ATTRIBUTED TO ROBERT HENRI (American, 1865-1929) MAINE COAST. Oil on board coastal scene shows large waves crashing on rocky cliffs. Signed lower left with what we believe is “Robert Henri 1911”. Back of board “September 29, 1911”. Housed in a fancy gesso decorated modern frame with linen liner. SIZE: 12” x 16”. CONDITION: Very good. 9-71669 (10,000-20,000)

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88

WALT KUHN (American, 1877-1949) CIRCUS SHOWGIRL. Gouache on paper scene shows a portrait of a woman with white and red feather plumes in her hair wearing a red fringed green leotard type outfit. She stands against a blue mottled background. Signed lower left “Walt Kuhn 1939”. Housed in a simple modern black frame with white matte. SIGHT SIZE: 12-3/4” x 9-1/4”. CONDITION: Very good. 9-71320 (1,750-2,250)

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89

PAIR OF VINTAGE PHOTOGRAPHS OF THE “LITTLE NUGGET CLUB CAR”. This railroad car is part of “The City of Los Angeles” Union Pacific Railroad Streamliner running between Chicago and Los Angeles. It was designed in 1937 by Walt Kuhn. These photographs show elegantly dressed people in the interior of the car, the wall adorned with Walt Kuhn art. Below the photographs is a signature “Del. Long”. Housed in identical wood frames with white cutout mattes. SIZE: Photographs are 13-1/4” x 10-1/4”. CONDITION: Very good. 9-71322 (850-1,000)

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90

THOMAS HART BENTON (American, 1889-1975) “STUDY OF CHICKENS”. Pencil drawing on paper shows two chickens standing, one facing forward and the other facing left. Signed lower right “Benton”. Housed in a modern black frame with wide white matte. SIGHT SIZE: 7” x 10”. CONDITION: Very good. 9-71475 (3,000-5,000)

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91

GEORGE AMES ALDRICH (American, 1872-1941) BRITTANY GIRL. Outstanding oil on canvas scene shows a young French girl with country dress and white bonnet seated at edge of sand dune looking out over a tranquil ocean. Probably a French Brittany scene. Signed lower left “G. Ames Aldrich”. Housed in what appears to be its original gilt gesso decorated pierced wood frame with gold liner. SIZE: 16” x 20”. CONDITION: Some inpainting, very good. 9-29608 (9,000-12,000)

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92

RUSSELL TABER HYDE (American, 1886-1966) FIGURES ON THE BEACH. Oil on canvas beach scene shows several colorful bathers on a sandy beach. Some bathers are in a green and blue ocean. Signed lower right and dated “1916”. Housed in a wonderful gilt molded wood frame with a Guido Frame Studio stamp. Hyde was a member of the Ogunquit Maine School and he proceeded Charles Woodbury’s Summer School and served as teacher and director. SIZE: 20” x 27”. CONDITION: Very good with some minor touch up. 9-71532 (18,000-22,000)

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93

CHARLES HERBERT WOODBURY (American, 1864-1940) “HEADLAND”. Fine oil on canvas coastal scene shows the Ogunquit shore with rocks and water. Signed lower left “Charles H. Woodbury”. Housed in a fine carved and gilt molded wood frame having a Guido Frame Studio label. Also signed on reverse of canvas and titled on stretcher. SIZE: 17” x 21”. CONDITION: Very good with very minor spot inpainting. 9-71388 (6,000-9,000)

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94

CHARLES HERBERT WOODBURY (American, 1864-1940) “AUTUMN COLOR (? HOUSE IN DISTANCE 1907)”. Unframed oil on canvas scene shows a coastal view with several inlets with a house on one end. Very colorful foliage under a blue and purple sky. Unsigned front. Numbered “128” and titled on reverse. Also “D.O.W.” (Donald Woodbury) and signed presumably by Donald “Charles H. Woodbury”. Also signed on the edge on the canvas “1907 CHW”. SIZE: 20” x 27”. CONDITION: Needs cleaning with surface dirt, otherwise very good. 9-71730 (5,000-7,000)

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95

MABLE MAY WOODWARD (American, 1877-1945) BEACH SCENE. Oil on canvas scene shows a small beach area with several groups of bathers with two in the water. Signed lower left “M Woodward”. Back of stretcher bearing an ACA American Heritage Gallery label and a label from JA Cooling & Sons, London. Housed in a modern gilt molded wood frame. SIZE: 16” x 20-1/4”. CONDITION: Large areas of inpainting. There is a very thick layer of shellac which has been partially removed around the signature. 9-71746 (10,000-15,000)

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96

WUANITA SMITH (American, 1866-1959) BEACH SCENE. Outstanding unsigned oil on canvas beach scene shows several colorful beach goers with beach umbrellas. Two islands are seen off a large sandy beach showing strollers along the waters edge and bathers in the water. Other side of the board has a landscape scene showing apple trees and a fence in a spring setting. Housed in a fine carved and gilt replacement frame with a Guido Frame Studio label. PROVENANCE: Accompanying the painting is a letter which indicates the painting was given to the letter writer’s husband and her by Ms. Smith in 1945 as a wedding gift. SIZE: 15” x 18”. CONDITION: Very good, inpainting. 9-71533 (15,000-25,000)

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97

UNSIGNED (American, First half of the 20th Century) OGUNQUIT BEACH-GOERS. Colorful watercolor shows groups of bathers on a large beach with colorful umbrellas. People are seen at edge and in water. Unsigned. Housed in a fine ribbed gilt modern frame bearing the label of Guido Frame Studio, Boston. SIGHT SIZE: 17” x 21”. CONDITION: Very good. 9-71325 (2,500-3,000)

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98

JOHN CLIFFORD PELLEW (American, 1903-) A BEACH VIEW. Oil on board beach scene shows several bathers in rolling dunes with water and grass covered cliffs beyond. Signed lower right “Pellew 32”. A painting is seen on the reverse of board of a cityscape with hanging laundry between buildings. Housed in a fine carved wood arts & crafts style gilt frame. SIZE: 11-3/4” x 15-3/4”. CONDITION: Very good, some inpainting. 9-71490 (1,500-2,500)

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99

JON CORBINO (American, 1905-1964) “SEASHORE”. Oil on board beach scene shows five nude women on a sandy beach. Signed lower right “Jon Corbino”. Dated on reverse 1943. Also with name, address and title. Kleemann Galleries, New York label on back. Housed in a partial gilt fancy gesso decorated frame, which has a Newcomb-Macklin Co. label on reverse of frame. SIZE: 12” x 16”. CONDITION: Very good. 9-28959 (1,500-2,000)

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100

ROBERT WILLIAM WOOD (American, 1889-1979) SUNLIT BEACH. Oil on canvas scene shows large waves curling and flowing onto a sandy beach. The sunlight shines from behind under a blue sky. Signed lower right “Robert Wood”. Housed in a gilt gesso decorated frame with white wood liner. SIZE: 24” x 30”. CONDITION: Very good. 9-71558 (2,500-4,000)

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101

ROBERT WILLIAM WOOD (American, 1889-1979) “NEW ENGLAND AUTUMN”. Oil on canvas scene shows a small brook winding through fields and woods with a hill background. The woods have colorful fall foliage. Signed lower right “Robert Wood”. Titled on back and stamped “Painted by Robert Wood Reproduction Rights Reserved by Artist”. Housed in a fancy gilt carved frame with linen and gold liner. SIZE: 36” x 24”. CONDITION: Very good. 9-71750 (3,500-5,000)

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102

ROBERT WILLIAM WOOD (American, 1889-1979) “MT. SHASTA, CALIFORNIA”. Fine oil on canvas panoramic landscape shows a snow covered Mt. Shasta in the distance with trees and water in foreground. Signed lower left “Robert Wood 46”. Also having a Marshall Field Company label with artist and title. Also titled on reverse of canvas. Housed in its original gilt gesso decorated wood frame. SIZE: 25” x 30”. CONDITION: Very good, light craquelure. 9-71227 (5,000-7,000)

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103

THOMAS HILL (American, 1829-1908) “SUNSET ON MT. RANIER”. Oil on canvas scene shows snow covered mountain in distance, river with Indian encampment along its banks. Tree lined banks with nice sunset colors in sky. Housed in a replacement carved and gilt frame. Signed lower right T. Hill. SIGHT SIZE: 13 3/4” x 21 3/4” . CONDITION: Cleaned with some minor inpainting, near excellent. 9-71018 (40,000-60,000)

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104

THOMAS HILL (American, 1829-1908) VERNAL FALLS, YOSEMITE. Oil on canvas western landscape scene shows a wide short falls through rocky gorge with squared mountain peak beyond. The cascading river flows to the foreground. Signed lower left “T. Hill”. Housed in an antique carved wood gilt frame. SIZE: 16” x 20”. CONDITION: Relined, restored with inpainting. Good. 9-71908 (8,000-12,000)

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105

JOSEPH MORRIS RAPHAEL (American, 1869-1950) POND AND TREES. Large oil on masonite impressionistic scene shows a pond with colorful grasses having a backdrop of large trees. The artist used a large amount of paint and very bright colors and is an outstanding example of this early work when he was in France and surrounding countries. Signed middle left “Joe Raphael”. Housed in a modern decorated wood frame. SIZE: 31” x 38”. CONDITION: Very good. 9-71748 (10,000-20,000)

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106

JOSEPH MORRIS RAPHAEL (American, 1869-1950) LANDSCAPE, FRANCE. Oil on masonite impressionistic scene shows a tall wheat field in the forground looking out over a landscape with buildings and church. Bright pallet with heavy impasto use. Back of masonite is a Vose Galleries label indicating artist and title. Also a label from J.A. Cooling & Sons, London. Front is signed twice. One “Jos Raphael 1911” and the other “Joseph Raphael 1941”. It is our understanding that the painting had some damage and went back to the artist in 1941 and he signed it at that point also. A copy of a letter from Vose Galleries dated 1969 that confirms that the letter’s mother, in which the letter is addressed, had purchased two paintings by Joseph Raphael from Vose Galleries. Housed in a good arts & crafts style carved wood gilt frame. SIZE: 25” x 30”. CONDITION: Very good, inpainting. 9-71747 (10,000-20,000)

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107

GRANVILLE SEYMOUR REDMOND (American, 1871-1935) MORNING LIGHT”. Oil on board western scene shows a straight dirt road leading to mountains. Foreground with large tall trees, rock and grass sides. Signed lower left “Granville Redmond”. Housed in a period bronze colored gilt frame with similar liner. SIZE: 14” x 18”. CONDITION: Very good. 9-71926 (10,000-15,000)

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108

ALPHONSE BIRCK (French, 1859-) BEDOUIN ENCAMPMENT. Oil on canvas desert scene shows two tents with Bedouin inhabitants, a white horse stands outside and a camel train is seen arriving from the distance. Yellow ivory desert floor with Mesa type rock background. Signed lower right “A Birck” and inscribed “Bou-Saada 92”. Housed in a good ribbed edge old frame with gold liner. SIZE: 13-1/2” x 21-1/2”. CONDITION: Relined on new stretcher, minor inpainting. Very good. 9-71910 (3,000-5,000)

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109

PERCY GRAY (American, 1869-1952) SHADE TREE. Watercolor landscape scene shows a large tree at edge of field with rocks and connected house below. Low hills are seen under a colorful sky. Signed lower right “Percy Gray”. Housed in a fine partial gilt decorated frame with wide tan matte and inner gold liner. SIGHT SIZE: 7-1/2” x 10-1/2”. CONDITION: Very good. 9-71925 (3,000-5,000)

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110

MAURICE BRAUN (American, 1877-1941) AUTUMN COLORS. Fine oil on canvas fall scene shows a small brook winding through small hillside amongst colorful trees. Hill/mountain background under blue and cloud sky. Signed lower left “Maurice Braun”. Housed in a reproduction gilt molded wood frame with black liner. SIZE: 16” x 22”. CONDITION: Very good. 9-71924 (10,000-15,000)

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111

ALEXANDER A. DZIGURSKI (Americana, 1911-1995) MOONLIT CALIFORNIA COAST. Oil on canvas scene shows steep mountain cliffs with grass and tree covering lining the coastline with moonlight shining on turquoise to blue ocean. Foreground having a small beach inlet with crashing waves. Signed bottom right “A. Dzigurski”. Housed in an ebony and gilt molded wood frame with linen and gold liner. Copyright Reserve stamp on back. SIZE: 24” x 20”. CONDITION: Very good. 9-70923 (1,500-2,000)

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112

CHARLES WALTER STETSON (American, 1858-1911) PASADENA, CALIFORNIA LANDSCAPE. Unsigned oil on canvas evening scene shows the sun setting behind a ridge of mountains. The valley floor having several houses with camp fire and two figures. Scattered trees are seen on level ground. Housed in what may be its original heavy gesso decorated frame. SIZE: 22” x 30”. CONDITION: Relined with some inpainting. Very good. 9-70797 (3,500-5,500)

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113

FRANZ ARTHUR BISCHOFF (American, 1864-1929) MONTEREY COASTLINE. Oil on canvas coastal scene shows a large wave crashing against rocks. Blue and cloud sky. Signed lower right. Also indicated at top of stretcher number mark “37 Bischoff” and titled and signed on bottom of stretcher. Housed in an antique gesso decorated frame. SIZE: 20” x 16-1/4”. CONDITION: Very good, minor inpainting, evidence of stretcher marks. 9-71709 (5,000-7,000)

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114

ALEXANDER VAGO (1887-1946) PALM SPRINGS LANDSCAPE. Oil on board scene shows an arid area with flowers and trees with a hill beyond under a sunrise and blue sky. Signed lower right “A Vago”. Housed in a modern gilt molded wood frame. SIZE: 14” x 12”. CONDITION: 9-71415 (1,000-1,500)

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115

HENRY CURTIS AHL (American, 1905-1996) “SANTA MONICA MOUNTAINS, MALIBU, CALIFORNIA”. Oil on canvas board scene shows grass and flower covered meadow leading to large mountain. Signed lower right “HC Ahl”. Titled on back of board. Housed in a gilt molded wood modern frame. SIZE: 12” x 16”. CONDITION: Very good to excellent. 9-71418 (400-600)

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116

MAURICE GEORGE LOGAN (American, 1886-1977) SAN FRANCISCO STREET CAR. Oil on canvas San Francisco street scene shows a streetcar descending a steep hill lined with houses. San Francisco bay is seen in the background. Signed lower left and housed in a gold wide molded wood frame. SIZE: 20” x 24”. CONDITION: Good with inpainting. Area in street with unfilled chips with overpainting. 9-71700 (4,000-6,000)

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117

E. LAWSON (American, Early 20th Century) WESTERN LANDSCAPE. Oil on canvas western scene shows mountains with tall pine trees with water. Signed bottom right “E. Lawson”. Unframed. SIZE: 11” x 14”. CONDITION: Very good. 9-71738 (500-1,000)

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118

G. DE LUCA (19th/20th Century) MISSION COURTYARD. Watercolor scene shows the corner of a white stucco Mission church. There is a well, grass and flowers at the interior. Signed lower right “G. De Luca”. Housed in its original gilt oak frame with gilt matte. SIGHT SIZE: 13-1/2” x 9-1/2”. CONDITION: Very good. 9-71379 (500-700)

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119

ARTHUR BOWEN DAVIES (American, 1862-1928) “LIVE OAKS, MONTEREY, CALIFORNIA”. Unsigned oil on wood panel scene shows a grove of trees under blue skies. Titled on back of panel. Housed in a fine modern gesso decorated gilt frame. We have been told that these four Davies paintings were done during a 1905 trip to California. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5-1/4” x 9-1/2”. CONDITION: Very good. 9-70709 (1,000-3,000)

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120

ARTHUR BOWEN DAVIES (American, 1862-1928) “LAKE TAHOE”. Unsigned oil on wood panel scene shows a panoramic view of a lake with mountain backdrop and tall pine foreground. Titled on back of panel. Housed in a fine modern gesso decorated gilt frame. We have been told that these four Davies paintings were done during a 1905 trip to California. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5-1/2” x 9-1/2”. CONDITION: Warped panel, very good. 9-70707 (1,000-3,000)

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121

ARTHUR BOWEN DAVIES (American, 1862-1928) “CATHEDRAL PEAK TUOLUMNE MEADOWS YOSEMITE CAL”. Unsigned oil on wood panel scene shows a spiked peaked mountain with lower hills and meadow. Titled on back of panel. Housed in a fine modern gesso decorated gilt frame. We have been told that these four Davies paintings were done during a 1905 trip to California. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5-1/4” x 9-1/2”. CONDITION: Warped panel, very good. 9-70710 (1,000-3,000)

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122

ARTHUR BOWEN DAVIES (American, 1862-1928) “HALF DOME FROM GLACIER POINT, YOSEMITE, CALIFORNIA”. Unsigned oil on wood panel shows high peak amongst other peaks. Titled on back. Housed in a fine modern gesso decorated gilt frame. We have been told that these four Davies paintings were done during a 1905 trip to California. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5-1/4” x 9-1/2”. CONDITION: Warped panel, a crack in bottom left. 9-70708 (1,000-3,000)

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124

SEVERIN ROESEN (American, 1815-1872) STILL LIFE OF FRUIT WITH COMPOTE OF STRAWBERRIES. Outstanding oil on wood panel scene shows a reticulated porcelain compote filled with luscious strawberries surrounded by other fruit including grapes, lemon, apples and plums. All resting on a marble slab. Signed middle bottom right. Housed in an old gilt carved wood frame. NOTE: Accompanying painting is a letter regarding the authenticity from Judith Hansen O’Toole regarding this painting. SIZE: 11-3/4” x 16”. CONDITION: Very good, evidence of frame edge wear at top. 9-71210 (50,000-75,000)

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125

SEVERIN ROESEN (American, 1815-1872) STILL LIFE WITH FRUIT AND EMBROIDERED CLOTH. Oil on wood panel scene shows a group of fruit including grapes, peaches, strawberries, plum and pear. It sits on the edge of a marble top slab and partially covered with a gold decorated tablecloth. Signed middle lower right in reverse manner. Housed in a gilt molded wood frame. NOTE: Accompanying painting is a letter regarding the authenticity from Judith Hansen O’Toole regarding this painting. SIZE: 11-3/4” x 16”. CONDITION: Very good. Some frame edge wear and inpainting top. 9-71209 (50,000-75,000)

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126

OLIVER CLARE (American, 1853-1927) STILL LIFE WITH ROBIN’S NEST. Oil on canvas scene shows a Robin’s nest with three eggs next to colorful fruit including apples, peaches and grapes. Signed lower right. Housed in a period gold gesso decorated frame with gold textured liner. SIZE: 10” x 14”. CONDITION: Very good. 9-70335 (2,000-3,000)

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127

LEVI WELLS PRENTICE (American, 1851-1935) STILL LIFE WITH HAT AND EGGS. Oil on canvas still life scene shows a brown hat filled with eggs that have spilled out onto a straw floor. One egg is cracked. Unsigned on front but signed on back of canvas “L.W. Prentice”. Housed in a period carved wood and gesso frame with a pierced decorative border. SIZE: 14” x 20”. CONDITION: Very good with a couple of very light paint scuffs. 9-29609 (4,000-6,000)

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128

ALBERT FRANCIS KING (American, 1854-1945) BASKET OF APPLES. Oil on canvas still life scene shows a square basket on its edge with the contents of apples spilled on a table top. Signed lower right “A F King”. Housed in what appears to be its original regilt gesso decorated frame bearing a label from “David David Inc, Philadelphia, PA”. SIZE: 12” x 18”. CONDITION: Very good. 9-71107 (3,000-5,000)

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129

PAUL DELONGPRE (French/American, 1855-1911). Gouache on paper laid on canvas still life scene shows an arrangement of purple lilacs and white flowers against a brown background. The group of flowers is free floating. Signed just below the stems “Paul DeLongpre”. Housed in a gesso decorated gilt frame which is as is. SIZE: 28-1/2” x 20-1/2”. CONDITION: Very good with some minor foxing. 9-71565 (5,000-8,000)

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130

WALTER KEITH FRAME (American, 1895-1957) STILL LIFE WITH NEWSPAPER AND APPLES. Oil on canvas still life scene shows some red apples alongside and on a daily newspaper. A glass beaker and potted plant is behind. Signed lower left “Walter Frame”. Housed in a decorated wood frame. SIZE: 30” x 25”. CONDITION: Very good. 9-71727 (300-500)

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131

LAURA COOMBS HILLS (American, 1859-1952) VASE OF IRISES. Pastel still life shows three stalks of purple irises and green leaves in a tall slender footed vase. All against a green background. Signed lower left “Laura Hills”. Housed in a fine reproduction carved and gilt wood frame. SIGHT SIZE: 23-1/2” x 17-1/2”. CONDITION: Very good. 9-71911 (3,000-5,000)

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132

CHARLES STORER (American, 1817-1907) PAIR OF FLOWER STILL LIFES. Oil on canvas flower paintings housed in original gilt wide oak frames. One shows spray of morning glories, the other appears to be magnolias. Both set against a green background and signed “Chas. Storer 1901”. SIZE: 15” x 11”. CONDITION: One with craquelure, very good. 9-70132 (1,500-1,800)

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133

WILLIAM SOMMER (American, 1867-1949) INTERIOR STILL LIFE. Watercolor interior scene shows fruit laying on a magazine and floor. Signed lower left “Wm Sommer”. Housed in a modern decorated wood frame with tan matte. SIGHT SIZE: 10-3/4” x 14-1/2”. CONDITION: Very good. 9-71127 (800-1,200)

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134

CHARLES ETHAN PORTER (American, 1847-1923) STILL LIFE OF ROSES. Unframed oil on canvas still life scene shows red, pink, white and yellow roses in a blue banded stoneware jar. A red rose and two yellow petals are seen on the table top. Signed lower left “CE Porter”. SIZE: 19-1/4” x 16-1/4”. CONDITION: Several holes and thin spots. Otherwise good. 9-71373 (3,000-5,000)

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135

WILLIAM T. ROBINSON (American, 1852-1934) COLORFUL ZINNIAS. Fine oil on canvas still life scene shows a blue pitcher holding a colorful zinnia bouquet. The pitcher half sits on a white tablecloth. Signed lower right “W T Robinson”. Housed in a fine period and possibly original gesso decorated deep frame which bears a label from LE Murphy, Boston, MA. SIZE: 16” x 24”. CONDITION: Small old patch to reverse with corresponding inpainting. Very good. 9-70929 (2,200-3,000)

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136

MARY HARRIS (American, 20th Century) PAIR OF STILL LIFES. Unframed. One showing a Chianti bottle and green bowl. The other shows an Oriental basket covered vase and another vase. Unsigned, coming from the Estate. SIZE: 14-3/4” x 10-3/4”. CONDITION: Pinholes in corners, good. 9-71353 (200-400)

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136a

TRACY MEDLING (American, 20th Century) SUNLIT APPLES. Oil on board still life scene shows five yellow apples with sunlight streaming through a window with a golden curtain. A Bonsai tree in Oriental vase is beside on a blue tablecloth. Signed lower right “Medling”. Housed in a flat gilt wood modern frame. SIGHT SIZE: 9-1/4” x 15”. CONDITION: Very good. 9-71837 (300-500)

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136b

TRACY MEDLING (American, 20th Century) “CLEAR SKIES”. Oil on wood panel shows six herring gulls on a peaked roof under light blue sky. Titled on back. Signed lower right “Medling”. Housed in a modern partial gilt molded wood frame with linen liner. SIZE: 9-1/4” x 13”. CONDITION: Very good. 9-71838 (300-500)

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136c

T. A. CHARRON (American, 20th Century) NEW ENGLAND FARM IN WINTER. Oil on board winter scene shows a connected barn in front of a large mountain. Snow covered ground with shadows cascading from the buildings and fence. Housed in a fine wood gilt frame. SIGHT SIZE: 7-1/2” x 9-1/2”. CONDITION: Very good. 9-71836 (500-1,000)

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137

HOWARD LOGAN HILDEBRANDT (American, 1872-1958) PORTRAIT OF A LADY WITH A PLUMED HAT. Fine oil on canvas half portrait of an elegant woman with a bluish/green jacket and white frill edge blouse. She wears a fancy blue hat with plumage. Signed lower right. Housed in a gesso decorated gilt replacement frame having a white linen liner. SIZE: 27” x 22”. CONDITION: Relined, very good with minor touch up to background. 9-70861 (8,000-12,000)

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138

BERTHA DE HELLEBRANTH (American, 20th Century) “GOD’S MOUNTAINS”. Oil on canvas laid on board summer scene shows a hillside with small barn and trees. Signed lower left and typed label on back with title and artist name. Also Estate stamp on reverse. Housed in a silver painted wood molded frame. SIGHT SIZE: 15-1/2” x 18-3/4”. CONDITION: Good. 9-70877 (500-1,000)

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139

ELENA M. DE HELLEBRANTH (American, 1910-) “MADONNA BLUE …”. Unframed oil on canvas scene shows a portrait of a woman with a blue head shawl looking upwards. Mottled gray and blue background. Signed lower left. Also attached to back is an Allied Artists of American, Inc. National Academy Galleries label with artist and title. Back of the canvas is also signed and has her address. SIZE: 24” x 20”. CONDITION: Good. 9-70876 (500-1,000)

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140

ATTRIBUTED TO ARTHUR FITZWILLIAM TAIT (American, 1819-1905) TAKING AIM. Fine large oil on canvas landscape hunting scene shows two hunters with two dogs, one taking aim at a startled buck with doe. The scene is next to a small stream with mountain and hillside background. Unsigned. Housed in a fine period gesso decorated leaf and flower motif antique frame. SIZE: 26” x 36”. CONDITION: Relined, inpainting with some restoration. Very good. 9-29851 (10,000-20,000)

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141

IN THE MANNER OF ARTHUR FITZWILLIAM TAIT (American, 1819-1905) DEER IN PANORAMIC LANDSCAPE. Large unsigned oil on canvas scene shows a water filled gorge with high rock cliffs and trees. A large buck is seen on the left point of rocks. A large buck with three doe are seen on the right side and a large buck swims across water in center. Tall mountain backdrop with tree lined hillside. Housed in a gilt molded wood replacement frame with 19th Century stretcher and canvas. SIZE: 32” x 54”. CONDITION: 1” T-shaped puncture at top of rocks, small split on left rocks, dirty. Otherwise good. 9-29603 (4,000-6,000)

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142

NEWBOLD HOUGH TROTTER (American, 1827-1898) FALL HUNTING. Large oil on canvas scene shows three hunting dogs, one black, one auburn and one brown and white all on point with a hunter in background. Scene is set in a cleared field surrounded by trees with low hills in background with a setting sun. Signed lower right “NH Trotter”. Housed in what may be its original gesso decorated wide gilt frame. SIZE: 24” x 36”. CONDITION: Some paint chipping to surface, relined. Otherwise good. 9-70775 (4,500-6,500)

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143

CLARENCE E. BRALEY (American, 1854-1927) THE RETRIEVAL. Oil on canvas hunting scene shows a retriever type dog in marsh with a recently shot duck in mouth heading back to its handler. The dog is Setter type with auburn fur and white nose. The duck appears to be a hooded merganser. The dogs collar says ‘New Bedford”. Signed lower right “C. Braley”. Housed in its outstanding decorated flower design frame which is made of a flat wide oak frame having a gilt shaped inner border with scroll, leaf and flower design. SIZE: 22” x 28”. CONDITION: Very good. 9-70668 (2,500-3,500)

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144

FRANKLIN WHITING ROGERS (American, 1854-1917) “NIP”. Outstanding oil on canvas dog portrait of a black and white pit-bull type terrier. The dog has a collar and sits on a colorful Oriental rug with a grayish background. Signed lower right “FW Rogers”. Housed in its original outstanding deep gesso decorated gold frame. SIZE: 24” x 20”. CONDITION: Craquelure, some inpainting. Very good. 9-29716 (6,000-8,000)

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145

A. PALMER (19th Century) DOG ON THE DOCK. A large oil on canvas portrait of a white and black St. Bernard type dog laying on a dock. Waves lap against the dock and seagulls fly in a blue, white and dark sky. Signed lower right “A. Palmer 1887”. Housed in an old gesso decorated gold frame. SIZE: 28” x 36”. CONDITION: Relined, inpainting. Very good. 9-71663 (2,000-4,000)

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146

KENNETH STEVENS MACINTIRE (American, 1891-1979) SIAMESE CATS. Oil on canvas scene shows two Siamese cats walking down gold fabric. Signed upper right and housed in a fine gesso decorated wide ribbed frame. SIZE: 24” x 22”. CONDITION: Very good. 9-70835 (2,000-3,000)

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147

ATTRIBUTED TO ALEXANDER POPE JR (American, 1849-1924) THE SLEEPING TIGER. Oil on canvas scene shows a three-quarter view of a tiger with head facing forward against a gold and brown background. Housed in a fancy gilt liner. SIZE: 20” x 30”. CONDITION: Very good, some inpainting. 9-71355 (900-1,200)

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148

DANIEL LLOYD (19th Century) HIGHLAND NELSON. Oil on canvas portrait of a horse standing against a landscape backdrop. The horse wears a blanket and saddle and has a brown body with grayish striped and black hair. Titled under horse with what appears to be “Highland Nelson”. Unsigned. Housed in a modern partial gilt and mahogany frame with gilt liner. A note attached to the back by the restorer indicates “This painting was done by Daniel Lloyd when 15 years of age in the year 1826”. SIZE: 25” x 31”. CONDITION: Relined, restored, inpainting. 9-71680 (2,000-4,000)

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149

D W MATHIS? (19th Century) PORTRAIT OF A WHITE RACE HORSE. Oil on canvas scene shows a barn stall with large white horse and feed bucket. Signed lower right with what appears to be “D W Mathis 1856”. Housed in an antique gesso decorated frame (slight warp). SIZE: 28” x 36”. CONDITION: Relined, inpainting. Good. 9-71681 (2,000-4,000)

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150

SIGNED (19th/20th Century) PORTRAIT OF A RACE HORSE. Oil on canvas scene shows a large brown race horse with black tail standing with hay at its feet and jockey’s uniform and saddle on ground beside open drawer. A white blanket is seen with initials “TRS” and the painting is signed lower left illegibly. Housed in a large wide black ogee frame with gilt liner. SIZE: 25” 31-1/2”. CONDITION: Relined, inpainting. Good. 9-71633 (3,000-5,000)

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151

UNSIGNED (American, First half of the 20th Century) THE WHITE STALLION. Pastel portrait of a white horse in a late summer landscape. Horse stands in a golden grassy pasture lined with a stone and wood fence. Housed in a wonderful decorated wood frame with linen and white matte having a gold liner. SIGHT SIZE: 16” x 21-3/4”. CONDITION: Very good. 9-70901 (500-1,000)

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152

FREDERICK MORTIMER LAMB (American, 1861-1936) THREE HORSES. Large oil on canvas scene shows three horse heads with a summer landscape background under a bright blue and cloud sky. Green field and green trees. Signed lower left “FM Lamb 19?”. Housed in a decorated gilt modern frame. SIZE: 32” 46”. CONDITION: Very good with minor inpainting. 9-71393 (2,000-3,000)

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153

JAMES HENRY BEARD (American, 1811-1893) POOR RELATIVE. Outstanding oil on canvas interior scene shows two well groomed high society dogs seated next to the evenings presentation of dinner which is housed in a fine silver covered entrée dish and goblet. A neglected black bony dog sits next to the offering puzzled. Behind is seen another dog with head raised with a pompous look. A colorful tile floor with gold flower decorated curtain behind. Signed lower right “Jas. H. Beard. N.A. 1879”. Housed in what appears to be its original gesso decorated and gold lined gilt frame. SIZE: 29” x 36”. CONDITION: Relined with some minor inpainting. Very good. 9-70879 (22,500-32,500)

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154

WILLIAM HOLBROOK BEARD (American, 1824-1900) “OH WHAT A BIG HUMBUG”. Oil on academy board interior scene shows a monkey with striped gold and red robe seated in an antique wood and upholstered chair with arms resting on desk. A hand holds up his chin as his eyes fixate on a flying bug. Signed lower right “WH Beard”. Pencil titled on board label and retaining an Alexander Gallery, New York label with artist and title. Housed in a gesso decorated replacement frame. SIZE: 12” x 9-1/4”. CONDITION: Very good. 9-29879 (5,000-7,000)

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155

WILLIAM BAPTISTE BAIRD (American/French, 1847-1899) BARNYARD CHICKENS. Pair of oil on wood panel scenes show colorful chickens. One outside next to wheelbarrow, one inside looking out. Housed in identical gesso decorated gilt frames. Signed bottom left “W. Baird”. SIZE: 5-1/4” x 7-1/2”. CONDITION: Very good. 9-71909 (2,500-3,500)

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156

GEORGE ARTHUR HAYS (American, 1854-1945) “SPRINGTIME”. Oil on canvas spring scene shows a flock of twelve sheep facing the viewer in a grassy enclosed pasture. Stone walls lead to two red barns and a wood fence all framed by blossoming apple trees and other larger trees under a blue sky. Signed lower right “GA Hays”. Titled, signed and dated “29” on back of canvas. Housed in a fine carved wood gilt frame. SIZE: 16” x 20”. CONDITION: Craquelure, some surface dirt. Otherwise very good. 9-71567 (1,300-1,600)

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157

GEORGE ARTHUR HAYS (American, 1854-1945) “SHEEP, SMITHFIELD’S PASTURE”. Oil on canvas early fall landscape with a flock of sheep. The sheep are grazing facing the viewer in a rock strewn grassy field. Beyond are colorful trees in fall foliage with low hills beyond. Signed lower left “GA Hays”. Housed in a carved wood gilt frame. Titled and signed on back of canvas and dated “1929”. SIZE: 16” X 24”. CONDITION: Craquelure with some surface dirt. Otherwise very good. 9-71566 (1,300-1,600)

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158

ALEXANDER HELWIG WYANT (American, 1836-1892) “LANDSCAPE AND POOL”. Oil on canvas scene shows a pool of water surrounded by rocks with a tree along the water bank. A low valley is seen with light shining on valley floor with trees and shallow hillsides. A lightening sky is seen with gray puffy clouds. A wonderful use of light defining each item under a brightening sky. Housed in an oak leaf and acorn motif gesso decorated gilt replacement frame. PROVENANCE: Samuel T. Freeman & Co. Sale 1948. The Collection of Miss Anna, Hetzel, Item #120 (Catalog included with lot). SIZE: 18” x 26”. CONDITION: Craquelure, tiny chip lower left. Very good. 9-29607 (8,000-12,000)

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159

THEODORE M. WENDEL (American, 1859-1932) “SUNNY FIELD”. Large oil on canvas summer scene shows a green grass field leading to the edge of a wooded area. Circa 1915. Signed lower right “Theodore Wendel”. Housed in a magnificent carved wood gilt replacement frame having a stamp from the Frame Guild of Rhode Island. A fine work by this accomplished artist. SIZE: 25” x 30”. CONDITION: Very good. 9-71530 (7,000-10,000)

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160

JOHANN MONGELS CULVERHOUSE (American, 1825-1895) MOTHER AND CHILD WITH COWS. Large oil on canvas New England scene shows a mother and daughter with milk pail next to five dairy cows which are lying next to and standing in the edge of a pond under a large tree with hill and mountain background under blue and white cloud sky. Signed lower left “Johann Culverhouse 1875”. Housed in an outstanding modern Hudson River style frame with gilt liner. SIZE: 24” x 40”. CONDITION: Very good with very minor spot touch up. 9-71531 (15,000-25,000)

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161

THOMAS MORAN (American, 1837-1926) MORNING LIGHT. Fine oil on board early morning scene shows yellow sunrise with pink hues through a clearing in woods and bushes. Signed lower right with conjoined TM oran 1871. Housed in a partial gilt gesso decorated wood frame. Old pen inscription to reverse “No. 4A”. SIZE: 10” x 8”. CONDITION: Very good. 9-70853 (15,000-25,000)

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162

CONSTANTIN ALEXANDROVITCH WESTCHILOFF (American, 1877-1945) ROCKY BEACH. Oil on cardboard scene shows small waves coming onto beach with rocks at end all under a colorful blue, yellow and pink sky. Signed lower right “C Westchiloff”. Housed in a reproduction carved and wood gilt frame. SIZE: 8” x 16”. CONDITION: Warp to cardboard, otherwise good. 9-71775 (6,000-10,000)

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163

ALLEN BUTLER TALCOTT (American, 1867-1908) “OLD LYME, CONNECTICUT”. Fine oil on canvas landscape with flock of sheep. Large trees are seen under a cloud and blue sky. Rock and grass covered field. Signed lower left “Allen B. Talcott 1901”. Housed in a period re-gilt molded wood frame. SIZE: 24” x 30”. CONDITION: Very good. 9-71339 (9,000-12,000)

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164

BRUCE CRANE (American, 1857-1937) SUNSET SKIES. Oil on canvas scene shows a sunset over low clouds in colors of light green to yellow. It reflects in a small stream through meadow having a tree and house beside. Signed lower right. Housed in an outstanding gesso decorated wide frame with name tag. SIZE: 14” x 20”. CONDITION: Relined, inpainting. Very good. 9-70833 (8,000-12,000)

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165

ANDREW W MELROSE (American, 1836-1901) THE MOUNTAIN RETREAT. Oil on canvas scene shows a cabin high on a rocky mountain edge with a small stream running beside. A man sits beside the cabin and another overlooking the lake below with mountains in the background. Bright sunset sky with clouds in colors of pinks, orange, purple and blue. Signed lower left “A. Melrose”. Housed in a fine reproduction gilt carved wood frame, probably by the Guido Studio of Boston. SIZE: 24” x 20”. CONDITION: Relined, some inpainting, craquelure. Very good. 9-70916 (6,000-8,000)

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166

ROBERT EMMETT OWEN (American, 1878-1957) LATE FALL LANDSCAPE. Oil on canvas scene shows a wooded edge to a series of rolling fields lined with fences. Trees have lost most of their leaves and the ground is covered with leaves. Signed lower left. Housed in a fine gilt molded wood frame. SIZE: 14-1/4” x 19-1/4”. CONDITION: Very good. 9-71704 (2,500-3,500)

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167

GUSTAVE ADOLF WIEGAND (American, 1870-1957) SUNSET LANDSCAPE. Oil on panel shows several trees lining a green grass covered hillside with other trees in distance. Luminous sunset in background. Signed lower left. Housed in what possibly could be its fine gesso decorated frame with gold liner. SIZE: 10-1/2” x 13-3/4”. CONDITION: Very good. 9-70596 (2,000-3,000)

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168

ROBERT HAMILTON (American, 1877-1954) BIRCH TREES AND RED BARNS. Oil on canvas fall scene shows two large birch trees and colorful foliage against a connected double red barn with silo. A nice autumn hill background. Signed lower left “Robert Hamilton”. Housed in a fine carved wood period frame with a Newman Galleries label. SIZE: 30” x 25”. CONDITION: Very good. 9-70778 (2,000-3,000)

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169

SABINA TEICHMUN (American, 1905-1983) FAMILY HARVEST. Large oil on canvas scene shows a woman with three children next to a field being harvested. Several bushels of red fruit are seen and the woman sits on an upside down bushel basket consoling a young boy. Signed on back of canvas. Housed in a weathered carved wood frame with white liner. A well listed Provincetown Artist. SIZE: 36” x 24”. CONDITION: Several patches to reverse, inpainting. Generally very good. 9-70779 (1,000-1,500)

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170

ARTHUR R SAFFORD (American, 1900-1988) “OCTOBER”. Oil on canvas scene shows a small woodland pond lined with colorful trees in autumn colors. Signed lower right. Titled and signed on back of stretcher. Housed in a good molded wood gilt frame. SIZE: 20” x 24”. CONDITION: 9-71419 (800-1,000)

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171

MONOGRAMMED TSW (American, 19th Century) MT. WASHINGTON, FROM THE INTERVALE. Outstanding oil on canvas panoramic scene shows what appears to be Mt. Washington in the background and a series of low rolling hills dotted with fields and lined with stone walls. Farms are seen nestled amongst trees and farmers are seen with wagon and carts, cattle and horse drawer hay wagon. All under a blue and white cloud sky. Foreground has a corn field and the artist has signed the center with an artist monogram with initials “TS conjoined and a W. Housed in a wonderful lemon gold deep molded period frame. SIZE: 16” x 34”. CONDITION: Relined with some inpainting. Very good. 9-70609 (2,500-3,500)

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172

BENJAMIN CHAMPNEY (American, 1817-1907) AUTUMN VIEW. Oil on loose canvas shows a panoramic view of a small house nestled amongst colorful trees with a rolling hill and mountain backdrop. All under blue and white cloud sky. Pencil signed on back of canvas “B. Champney”. Housed in a good gesso decorated flower motif frame. SIZE: 6-3/4” x 10-1/2”. CONDITION: Very good. 9-71364 (2,000-3,000)

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173

JONAS LIE (American, 1880-1940) NEW ENGLAND FARM. Large oil on canvas scene shows a red New England farm with barns nestled amongst large trees. Fields are seen with houses in the background. Signed lower right “Jonas Lie 02”. Housed in a fine carved gilt arts and crafts style replacement frame. SIZE: 26” x 36”. CONDITION: Relined, inpainting. Very good. 9-70917 (10,000-15,000)

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174

JOHN F. ENSER (American, 1898-1962) MANADNOCK FARM. Oil on board New Hampshire scene shows a red barn with red silo framed by late summer trees with a large blue mountain in background under yellow and cloud sky. Signed lower right “John F. Enser”. Housed in a good gilt molded wood frame. On back is the following: “To Ilda Forbush with all good wishes from the artist and his wife John F. Enser Jan 8, 1953”. SIZE: 18” x 24”. CONDITION: Very good. 9-70085 (3,000-5,000)

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175

PHILLIP BROWN PARSONS (American, 1895-1977) “A FARM IN DERRY, NH 1930”. Fine oil on board fall scene shows a New England farm with barn, silo and Colonial home. Cows are seen in field under a cloud and blue sky. Titled on back and signed bottom right “P B Parsons”. Housed in a fine gilt molded wood replacement frame. SIZE: 10” x 14”. CONDITION: Very good. 9-70086 (800-1,000)

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176

RUSSELL SMITH (American, 1812-1896) “MOOSE HILL; SACO RIVER”. Outstanding oil on canvas scene shows tall mountains as backdrop under a setting sun with blue sky. Early fall foliage with a large river having a moose on a large ledge in foreground and a stag deer swimming across. Signed lower left “Russell Smith 1850”. Also titled and signed on back. Housed in its original outstanding gesso decorated gold painted frame. SIZE: 24” x 36”. CONDITION: Very good, small chip in sky. 9-70359 (10,000-20,000)

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177

GEORGE BAER (American, 1895-1971) THE JOURNEY HOME. Oil on canvas Alpine scene shows a two oxen team pulling laden cart with old woman beside. A fenced pasture and road are seen in foreground with tall sun drenched snow covered mountain peaks in background. Signed lower right “George Baer, Munchen”. Housed in a fine old gilt molded wood frame. SIZE: 38” x 25-3/4”. CONDITION: Very good, relined with craquelure. 9-70869 (6,000-10,000)

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178

GEORGE HAWLEY HALLOWELL (American, 1871-1926) “MOUNTAINOUS LANDSCAPE, ALPINE SUNSET”. Watercolor scene shows a tall rocky mountain peak with fog strewn valley and tree covered hill. Back having two labels, one from the Weatherspoon Art Gallery and the other from the “Raydon Gallery New York, NY” indicating it was exhibited in 1976 at the above exhibition called “Art on Paper 1976”. Also at the Spencer Museum of Art in Lawrence, Kansas in 1978 and the Union League Club, New York City 1980. Signed lower right “George H. Hallowell”. Housed in a fine period gilt thin ribbed frame. SIZE: 9-3/4” x 13-1/2”. CONDITION: Good. 9-70614 (3,500-4,500)

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179

J FRANCIS MURPHY (American, 1853-1921) NEW ENGLAND LANDSCAPE. Oil on canvas fall landscape shows a Colonial house nestled amongst a stand of tree with field in foreground and wood fence. Signed bottom right “J Francis Murphy”. Housed in a period carved wood flower decorated frame. SIZE: 10” x 14”. CONDITION: Restoration with inpainting, very good. 9-71372 (1,500-2,000)

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180

DANIEL KOTZ (American, 1848-1933) “INDIAN SUMMER”. Oil on canvas fall scene shows a dirt path in bright yellow colored woods with fence and colorful sky. Signed lower right “Daniel Kotz”. Housed in a fine gilt oak molded wood period frame. Title and artist typed label on back. SIZE: 16” x 24”. CONDITION: Relined, minor inpainting to left sky. Very good. 9-29877 (2,000-3,000)

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181

CHARLES WARREN EATON (American, 1857-1937) LANDSCAPE WITH TALL TREES. Oil on canvas summer landscape shows a line of tall trees with cow grazing. A fenced barn is seen on left side and a vista of meadows with tree lined edges are seen in distance. Signed lower right “Chas Warren Eaton”. Housed in a fine period gesso decorated frame with name plaque. SIZE: 16” x 24”. CONDITION: Original canvas has five canvas patches with minor inpainting. Otherwise very good. 9-70890 (2,000-3,000)

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182

HORACE BROWN (American, 1876-1949) “NOVEMBER AFTERNOON, WALNUT HILL”. Unframed oil on canvas scene shows a field and tree lined hill with lower green fields lined with trees. Signed lower left “Horace Brown”. Titled and signed on back of canvas. Probably a Vermont scene. SIZE: 32” x 40”. CONDITION: One patch, craquelure with some light chipping. 9-71351 (1,750-2,250)

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183

WILLIAM WALLACE GILCHRIST (American, 1879-1926) EARLY AUTUMN. Oil on canvas scene shows a winding river in late summer or early fall with trees starting to change color under blue and white cloud sky. Signed on the back “W. W. Gilchrist”. Housed in its original gesso decorated gilt frame. SIZE: 22” x 32”. CONDITION: Very good with some surface dirt. 9-71560 (3,000-5,000)

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184

AUGUST WEISS (American, 20th Century) THREE NEW ENGLAND LANDSCAPES. 1) Oil on canvas scene shows a woman and child on a sidewalk next to a large home with fence and trees. Signed lower left “Aug. Weiss”. Housed in a wide modern gold wood frame. SIZE: 20” x 24”. 2) Unframed oil on canvas board scene shows a path down to water with a sailboat at dock and Colonial home under trees. Signed lower right “Aug. Weiss”. 3) Unframed oil on canvas New England winter scene showing a snow covered landscape with hills and fields with river and bridge. Signed lower right “A. Weiss”. SIZE: 20” x 24”. CONDITION: Generally very good. 9-71732 (1,800-2,400)

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185

DANIEL CHARLES GROSE (American, 1865-1890) NEW ENGLAND FALL LANDSCAPE. Oil on canvas scene shows a river lined with colorful trees with mountain backdrop. Signed lower right “DC Grose”. Housed in its original lemon gold frame. SIZE: 8” x 12”. CONDITION: Very dirty, very good. 9-70616 (600-800)

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186

ARTHUR JAMES EMERY POWELL (American, 1864-1956) AUTUMN SHADOWS. Fine oil on canvas panoramic view shows several farmhouses dotting cultivated fields with hill background and a sloping hill foreground. Blue and cloud sky with shadows cast on different parts of the landscape. Signed lower right “Arthur J E Powell N.A.”. Housed in what appears to be its original carved gold frame. SIZE: 30” x 36”. CONDITION: Very good. 9-71751 (2,000-3,000)

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187

ABIGAIL OSGOOD WILLIAMS (American, 1823-1913) BAY OF NAPLES FROM CAPRI. Outstanding large oil on canvas Italian panoramic view from Ana Capri, Villa Damecota. Mount Vesuvius is seen spewing smoke under a wonderful sunset with hues from pink to light blue. Several boats are seen on the bay with many buildings along its shores. Signed lower left and inscribed “Roma 1866”. We believe this to be the same painting that was exhibited at the Boston Athenaeum and is mentioned in their records in 1868. Housed in a wonderful gesso decorated period wide frame. SIZE: 23-1/2” x 38-1/2”. CONDITION: Relined, minor inpainting. Very good. 9-71346 (14,000-18,000)

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188

JULES V. GUERIN (American, 1866-1946) TWO WORKS: “THE MARKET PLACE SIENA” AND “THE PORTA ROMAN SIENA”. Outstanding pair of oil on board paintings in the Orientalist style. Wonderful colors showing pink hue stucco buildings with large arched doorways, one showing a market scene with carts and people. The other a procession through a series of arches lined with trees. Both signed lower left and titled on back. Housed in matching arts & crafts style gilt carved wood replacement frames. SIZE: 12” x 10”. CONDITION: 9-70805 (6,500-8,500)

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189

MANOL (American, 20th Century) MORNING ON THE VERANDA. Oil on canvas Mediterranean scene shows a woman in white dress with large hat seated at a set table out on a veranda overlooking water with a boat and town beyond at the base of mountains. Signed lower left “Manol”. Housed in a wonderful French painted frame with linen liner. A typed label on back indicates that the artist is an American painter and works in Gary, Indiana. SIZE: 20” x 24”. CONDITION: Very good. 9-70836 (1,000-1,500)

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190

YARNALL ABBOTT (American, 1870-1938) “STREET IN ALGIERS”. Fine watercolor/gouache scene shows a stucco building with tree and figures. Signed lower left “Abbott”. An original Baltimore Watercolor Club 27th Exhibition (1923) label affixed to back with title and artist. Housed in a gilt molded wood frame with wide double matte. SIGHT SIZE: 8-1/4” x 8-1/4”. CONDITION: Very good. 9-70934 (1,200-1,500)

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191

UNSIGNED (American, Last Quarter of the 19th Century) CITY MARKET WITH HARBOR VIEW. Interesting unframed oil on canvas scene shows several wagon vendors with red and white umbrellas shading the produce. Several patrons are seen shopping and in the background can be seen a tall steamship stack and many people lining the street to the harbor. Unsigned. SIZE: 20” x 24”. CONDITION: Some inpainting, four areas of small paint loss. Good. 9-70855 (2,000-2,500)

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192

EDWIN LORD WEEKS (American, 1849-1903) VENICE HARBOR. Unframed oil on canvas laid on aluminum nighttime scene shows people, docks and boat. Signed lower right “E L Weeks, Venice”. SIZE: 12-1/2” x 24-1/4”. CONDITION: Inpainting, fair. 9-71319 (400-800)

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193

EUGENE CICERI (French/American, 1813-1890) THE HENHOUSE. Fine watercolor outdoor scene shows a small building with chickens and ducks outside on green grass area with trees. Signed lower right “Eug. Ciceri”. Housed in its original fancy gesso decorated gilt frame with wide gilt liner. SIGHT SIZE: 17-3/4” x 13”. CONDITION: Very good. 9-70827 (1,000-1,500)

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194

MARCH AVERY (American, 20th Century) “BRITTANY COAST”. Large oil on canvas scene shows a coastline with beach, cliffs and water. Bright green sky. Signed lower left and dated “77”. Housed in a simple silver wood frame. Back having a Summit Gallery LTD New York Exhibition label indicating title, artist, date, etc. March Avery is Milton Avery’s daughter who trained under her father. SIZE: 32” x 50”. CONDITION: Very good. 9-71718 (6,000-8,000)

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195

HOMER DODGE MARTIN (American, 1836-1897) “RICHMOND ON THAMES”. Oil on canvas scene shows a river with a three arch stone bridge having tree and dirt lined banks. A single sailboat is seen under trees and people stroll along a park area with buildings. Unsigned. Housed in an antique gesso decorated gilt frame with beaded liner having name plaque with artist and title. Back stretcher has a Whitney Museum of American Art label Museum No. P14041 with artist name and title. Also a partial label on frame. SIZE: 16-1/2” x 30”. CONDITION: Very good, masking varnish present. 9-70866 (18,000-22,000)

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196

HARRY A. NEYLAND (American, 1877-1958) “QUILLER COUCH BIRTHPLACE, CORNWALL, ENGLAND”. Oil on canvas scene shows an alleyway between stone buildings with large green hill and trees beyond. Three people walk in alleyway. Signed lower right “Harry Neyland” and titled in pencil on reverse of stretcher. Housed in a vine decorated gesso gold frame. Sir Arthur Quiller Couch was a literary figure in England with the pseudonym “Q”. SIZE: 27” x 21”. CONDITION: Very good. 9-71395 (2,000-3,000)

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197

HENRY MUHRMAN (American, 1854-1916) EUROPEAN FARMYARD. Oil on board farm scene shows two thatched roof houses with stucco walls having an area with chickens and woman with wheelbarrow. All under gray skies in a late fall scene. Housed in an antique gilt molded wood frame. SIZE: 21” x 30-1/2”. CONDITION: Very good, minor inpainting. 9-70796 (1,800-2,200)

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198

FRANK TOWNSEND HUTCHENS (American, 1869-1937) “PEASANT’S HOME IN PICARDY”. Oil on board scene shows a connected country farmhouse. A man with overalls walks down a path toward the front door. Signed lower left. Housed in its original gesso decorated frame with gilt liner. A Salmagundi Club auction sale label affixed to reverse with title and artist. SIZE: 12” x 16”. CONDITION: Minor inpainting, very good. 9-71699 (3,000-5,000)

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199

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828) “LOS CAPRICHOS”. Rare and complete set of 80 plates bound into a volume with plate No. 1 as cover. We believe this to be the Ninth Edition, made in the Calcografia for the Real Academia 1908-1912. The edition was limited to 180 copies and was issued in a cream pasteboard cover with self portrait on the front. PROVENANCE: Ex-Collection, Library of Waldo Peirce. Each page measures 13-1/2” x 9-1/2”. SIZE: Book is 13-3/4” x 10-1/2”. CONDITION: Binding has splits, the plates have varying degrees of foxing. There are no tears and the images are bold and clear. A catalog from the Calcografia Nacional Madrid dated 1908 accompanies lot. 9-70767 (10,000-20,000)

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200

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828) FIVE PLATES FROM THE LOS CAPRICHOS PORTFOLIO. Lot includes plates 19 “Todos Caeran”, 20 “Ya Van Desplumados”, 48 “Soplones”, 63 “Miren Que Grabes” and 69 “Sopla”. Indicated on back, these were from the edition from 1875-1880. All identically housed in black wood modern frames with ivory mattes. SIGHT SIZE: 9” x 6-1/2”. CONDITION: Very good, some light toning. 9-71347 (1,750-2,250)

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200a

OUTSTANDING CARVED MIRROR WITH THULIN FRAME. 4” w deep carved oak frame has leaf decoration and molded inner and outer edge. Heavy plate glass mirror. Back with original inset corner metal braces. Unsigned. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. SIZE: Inside is 38-3/8” x 22-1/4”. Outside is 44-3/4” x 28-3/4”. CONDITION: One corner has edge slices, otherwise very good. 9-29904 (1,500-3,000)

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200b

MIRROR WITH THULIN CARVED FRAME. Partial gilt carved wood frame houses plate mirrored glass. The frame has a carved signature “Thulin 1940” with artist monogram. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. SIZE: Frame interior is 18-1/8” x 14-1/8”. Outside is 22-3/8” x 18-3/8”. CONDITION: Very good. 9-29907 (400-600)

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200c

MARGARET FOSTER RICHARDSON (American, 1881-1945) PORTRAIT OF CLARENCE THULIN IN A THULIN FRAME. Oil on canvas half portrait shows a young man with black coat, tie and white shirt against a light gray background. Signed upper right “Margaret F. Richardson 1932”. Clarence Thulin is son of Walfred Thulin. FRAME: Housed in a partial gilt carved wood frame with carved signature and date “Thulin 1932” with artist monogram. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. SIZE: 27” x 19”. FRAME SIZE: Interior is 27-1/4” x 19-1/4”. Overall is 32-3/4” x 24-3/4”. CONDITION: Painting is very good, two light scratches. Frame: Loss to some gilt on very edges and bottom. 9-29908 (800-1,200)

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200d

JOHN HUBBARD RICH (American, 1876-1954) WASH DAY BY THE RIVER; IN A THULIN FRAME. Oil on canvas scene shows two people next to water with small waterfall washing clothes. A building is seen on the right side with tall poplar type trees in background. Signed bottom right “JH Rich, 06”. Probably a painting when Rich was in France. FRAME: A fine carved wood gilt frame with red wash to back and carved signature “1941 Thulin” with artist monogram. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. SIZE: 18” x 15’. FRAME: Inside is 15-1/4” x 18-1/8”. Outside is 21-1/8” x 18-1/8”. CONDITION: Pencil tip hole in figure, otherwise very good. Frame is very good. 9-29903 (1,000-2,000)

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200e

TWO THULIN FRAMES. 1) Carved gilt arts and crafts style thin frame houses a photographic portrait of Clarence Thulin, son of frame maker Walfred Thulin. Photograph is signed Bachrach. Pen signed on back of paper “Boston December 1925”?. SIZE: Inside is 14-1/4” x 11-5/8”. Outside is 15-1/4” x 12-1/2”. 2) Carved gilt arts and crafts style thin frame houses an etching of boats in a harbor signed in print. The gilt frame with carving at the corners also in an arts and crafts style. SIZE: Inside is 15” x 16-5/8”. Outside is 15-3/4” x 17-3/8”. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. CONDITION: Some loss to gilt on side edges, otherwise very good. 9-29906 (300-500)

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200f

MIRROR WITH THULIN CARVED FRAME. Rectangular mirror plate housed in a signed fancy gilt and carved wood Thulin frame. The frame decorated with high relief flowers and fruit with interspersed strap X’s with a red wash and carved signature “1941 Thulin” and artist monogram. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. SIZE: Inside is 19-1/2” x 15-1/2”. Outside is 24-1/2” x 20-1/2”. 9-29902 (500-1,000)

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200g

FRAMED HIGH SCHOOL DIPLOMA FOR CLARENCE THULIN IN THULIN FRAME. Unsigned gilt carved wood frame holds a Town of Belmont, Massachusetts diploma. The simple carved wood frame with arts and crafts style carving at corners. Clarence Thulin was son of Walfred Thulin. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family descent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. PROVENANCE: Thulin Estate, Hamden, Maine. Handed down through family decent from Walfred Thulin (1878-1949). Thulin worked for the Carrig-Rohane Workshop until he had his own shop in Boston from 1912 into the 1940’s. SIZE: Inner frame is 17-1/8” x 21-7/8”. Outside is 18-1/2” x 23-1/8”. CONDITION: Very good. 9-29905 (250-400)

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200h

GROUP OF THULIN ARCHIVAL PHOTOGRAPHS AND DRAWINGS. The lot includes: twelve photographs, three original drawings, a copy of a newspaper illustration, a business card with envelope and newspaper obituary. Photographs include five frames; a carved baptismal; two ornate religious frames; a carved lift top chest; a photograph of Thulin at Niagara Falls; an outstanding photograph of a carvers workshop early in Thulin’s career and probably Montreal, Canada; a photograph of Thulin’s workshop with inventory which shows various frames, a carved baptismal, blanket chest, two church chairs and frame in progress. A copy of an engraved illustration from the Boston Sunday Herald, November 13th, 1924 “Walfred Thulin, Great Swedish Wood Carver”. Obituary August 14th, 1949. An ink drawing of a carving with a matching overlay stencil. Also a pencil drawing of a corner of a frame design with annotations and with note to Mrs. Robert Saltonstall on his letterhead and also signed. PROVENANCE: Thulin Estate, Hamden, Maine. Accompanying lot is a copy of provenance from the grandson. SIZE: CONDITION: Fair to good, shows use. 9-29909 (300-500)

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200i

LARGE FRAME SIGNED FROM THE THULIN STUDIO, BOSTON. Original gilt and green painted carved panels with hand carved corner details. Carved signature “Thulin 1920 731”. SIZE: Frameable size is 45-1/2” x 37-3/4”. Total size is 51-1/2” x 43-1/2”. CONDITION: Scrapes and chips. Generally intact. 9-71349 (3,500-5,000)

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200j

SIGNED CARRIG-ROHANE FRAME. Frame with ebonized panels and decorated gilt and painted corners. Carved signature on the back “Carrig-Rohane Shop, Inc R.C. Vose No. 5859”. SIZE: Inside 24” x 18-3/8”. Outside is 27” x 21-3/8”. CONDITION: Very good, some light chipping to painted area. 9-70822 (450-650)

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201

WILLIAM TROST RICHARDS (American, 1833-1905) “LAND’S END”. Watercolor scene shows sharp rock cliffs with rocks in the ocean. A ship is seen on the horizon. Signed lower left “Wm T. Richards”. Title on reverse in script “Land’s End”. Housed in a simple gilt beaded edge frame. SIZE: 8” x 14”. CONDITION: Generally good. 9-71868 (3,750-4,750)

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202

WILLIAM TROST RICHARDS (American, 1833-1905) COASTAL SCENE. Watercolor coastline scene shows a rock and grass covered edge with blue water and land beyond. The sun’s rays are seen through cloud and blue sky. Signed lower right “Wm T. Richards”. Housed in a gray painted wood frame with gray matte. SIGHT SIZE: 10” x 14”. CONDITION: Good. 9-71865 (1,750-2,750)

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203

ZANTHUS SMITH (American, 1839-1929) THE BUBBLES, ACADIA NATIONAL PARK, MAINE. Small oil on paper by noted artist of a most popular Mt. Desert Island landscape. Unsigned work but descended from Zanthus Russell Smith Jr (Artist son), Bailey Island, Maine by descent to Franklin Russell Smith (artist’s grandson) of Portland, Maine. Housed in a carved antique gesso gold frame. SIZE: 4-1/2” x 6-1/2. CONDITION: Generally good. 9-71885 (2,250-3,250)

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204

UNSIGNED (American, Late 19th/Early 20th Century) ARCHITECTURAL SCENE. Architectural subject matter depicting a portrait of a 19th Century farmhouse in Auburn, Maine. Amateur but a nicely done painting of a house with green shutters, attached barn and yard with white fence. Interesting lattice work of porch. Housed in a gesso gold fancy frame, probably original. Stretcher with original paper label “Aiger Stubbs, Portland, Maine”. SIZE: 10” x 12” including frame. CONDITION: Generally good, two trees in foreground have craquelure. 9-71886 (700-900)

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205

SIGNED HOYER (Early 20th Century) MAJESTIC MOOSE. Large oil on canvas of moose shows a large majestic North American moose in snow covered wooded landscape. Nicely done. Painted on canvas and mounted on panel. Housed in a large period (probably original) wooden molded frame. SIZE: 18-3/4” x 25”. CONDITION: Painting and frame in nice condition, canvas has lifted a little of the panel background, excellent as is the frame. 9-71848 (1,750-2,750)

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206

HENRY ORNE RYDER (American, 1860-) PANORAMIC AUTUMN LANDSCAPE. Oil on board scene shows a nice fall wooded hillside overlooking water and hills. Good color. Signed lower left “HO Ryder”. Housed in a fine gesso decorated gilt frame with wide gold gilt liner. SIZE: 8” x 12”. CONDITION: Very good. 9-71864 (1,000-1,500)

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207

UNSIGNED (American, 19th/Early 20th Century) OREGON TRAIL . Unsigned, antique handsome 19th/early 20th century painting depicts a small wagon train in spruce falls with majestic snow capped mountains in the background. Frontiersman with musket is approaching and an Indian who has just shot a large deer. Housed in a contemporary frame with contemporary brass title “Oregon Trail”. A great early Western Theme scene. SIZE: 24-1/4” x 36-1/4”. Professionally cleaned and relined. Excellent condition. 9-71847 (2,750-3,750)

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208

EDWARD LOYAL FIELD (American, NY, 1856-1914) “SMALL COUNTRY FARM”. Oil on canvas of a small rural farm in hilly landscape with stone fences. Probably a Catskills or a Hudson River Valley, N.Y. scene. Signed in lower right “E. Loyal Field”. Housed in a reproduction antique-style gilt frame. Ex the Estate of E. L. Field, (Tovar collection number 16B). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. SIGHT SIZE: 8-1/4” h x 11-1/4”. CONDITION: Canvas not mounted on stretcher. Small scratch in lower right near signature; otherwise, very good. Frame very good. 9-71866 (1,250-1,750)

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209

EDWARD LOYAL FIELD (American, NY, 1856-1914) PASTURELAND UPSTATE NEW YORK. Oil on heavy paper fall pasture scene with rolling hills. Most likely a Catskills or Hudson River Valley scene, probably from the 1880’s or 1890’s. Signed “E. L. Field” lower right. Housed in a reproduction antique-style gilt gesso frame. Ex the Estate of E. L. Field, (Tovar collection number 20). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. SIZE: 8” h x 10” w. CONDITION: Very good. 9-71867 (1,250-1,750)

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210

ALFRED P. SMITH (American, 19th/20th Century) “CATSKILL CREEK AT CATSKILL”. Large oil on panel scene depicts the Catskill Creek Bridge in Catskill, New York. Stone structure with a few vehicles on it. Building in right foreground. Signed lower left “Alfred P. Smith”. On reverse “Oil Painting, Catskill Creek at Catskill 9 W Bridge by Alfred P. Smith South Cairl, New York Not For Sale”. Housed in an antique molded wood frame. SIZE: 18” x 24”. CONDITION: Small old repair in mid right and panel slightly warped. 9-71897 (650-750)

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211

JAMES P. MICHAEL (American, 20th Century) LOW TIDE, MALDEN. Oil on board scene shows sailing vessels at low tide. Signed lower right, also retaining paper label on back “James Michael Chlemsford Low Tide, Malden”. Housed in a contemporary gold frame. SIZE: 8-3/4” x 11-1/2”. CONDITION: Excellent. 9-71890 (1,250-1,750)

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212

JESSIE GARY BRADLEY (American, 20th Century) AFTERNOON AT THE HARBOR. Oil on canvas scene shows figures, boats and fish houses. Signed mid lower right. Housed in a contemporary gilt frame. SIZE: 20” x 24”. CONDITION: Very good to excellent. 9-71888 (2,500-3,500)

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213

C H BURLEIGH (19th/Early 20th Century). Oil on canvas depicts a street scene with numerous figures and sailing ships in the background. Housed in a gold tone wood frame. SIZE: 24” x 20”. CONDITION: Generally excellent. 9-71896 (800-1,200)

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214

SIGNED (American, Late 19th Century). Oil on panel scene shows farm buildings on a hilly landscape with figure and various flowers in foreground. Signed lower right illegibly. Housed in a gesso decorated gold frame. SIZE: 14-3/4” x 22-3/4”. CONDITION: Frame with imperfections, painting is soiled. 9-71894 (250-450)

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215

HERBERT CHRIST (American, 20th Century) BIRCHES IN SNOW. Oil on artist board scene shows a bright snowy hillside with white birches. Signed lower right “To Virginia, Herbert Christ 1974”. Unframed. SIZE: 16” x 12”. CONDITION: Excellent. 9-71892 (400-600)

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216

W. H. HUNTLEY (American, 19th Century) HAULED UP BOAT. Lightly colored oil on canvas scene shows a boat drawn up in wreck. Another boat in the background with two figures working on one. Signed lower right. Housed in an old gold tone carved frame. SIZE: 10” x 12-1/2”. CONDITION: Very good. 9-71889 (1,250-1,750)

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217

UNSIGNED (American, 19th/20th Century) STILL LIFE WITH APPLES. Nice oil on canvas still life scene shows five apples and a bent wood measure against a green backdrop and brown tabletop. Housed in an antique gilt frame with white liner. SIZE: 12” x 18”. CONDITION: Craquelure, very good. 9-71869 (700-900)

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218

VL (Early 20th Century) STILL LIFE WITH OYSTERS AND FRUIT. Oil on panel scene depicts a plate of oysters, bowl of peaches, a vase of pink roses, a glass of wine, etc. Monogrammed “VL” and dated “1908” lower left. SIGHT SIZE: 11-1/4” x 15-3/4”. CONDITION: There is a tight 6” separation on the upper portion of the painting; otherwise colors have a very nice muted antique look with strong graphics. 9-71871 (800-1,200)

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219

MAURICE BLUM (European, 19th Century) THE ART COLLECTOR. Oil on panel depicts a gentleman showing a painting to two perspective clients, one seated, admiring the painting with a magnifying glass on the table in front of them. Signed lower left. Housed in a carved gilt frame which is probably original. SIZE: 14-1/4” x 10-1/2”. CONDITION: Frame shows some wear, painting is generally very good. 9-71884 (2,500-3,500)

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220

UNSIGNED (European, 19th Century) SOLDIER AND MAID WITH HORN. Small oil on canvas depicts a soldier in tricorner hat with green velvet coat with boots. He holds his horn while a young maid blows it with a dog in the foreground. Signed lower right “EZ”, possibly Ziem. Housed in an antique gesso gold frame which is probably original. SIZE: 8-1/2” x 7-1/4”. CONDITION: Some craquelure, generally very good. 9-71899 (900-1,200)

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221

LUDWIG DOMINIK KOHRL (German, 1858-1927) PORTRAIT OF A YOUNG GERMAN GIRL. Oil on oak panel portrait of a young girl dressed in Bavarian type outfit having a wide brim hat with flower and feather spray, white ruffled sleeves, green dress with printed light green scarf and red ties across front. She wears earrings and a very bright smile. Signed upper left “L Kohrl”. Housed in a flat gold gilt wood frame. SIZE: 9-1/2” x 7-1/2”. CONDITION: Very good. 9-71870 (600-900)

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222

FRANCIS GARAT (French, 1870-) PARISIAN SQUARE. Watercolor on paper scene shows large monument with winged figure atop. Many stone buildings in background and mass of people and horse drawn carriages in foreground. Soft colors. Signed lower right. Housed in a contemporary ornamental gilt gold toned frame. SIZE: 10-1/4” x 14-1/4”. CONDITION: Generally good. 9-71891 (3,000-3,500)

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223

A. ROTH (American, 20th Century) LAKE LOUISE. Oil on canvas scene shows one of the most picturesque landscapes in North America, that of Lake Louise. Lake with snow covered mountains in background, evergreen trees in foreground and a single motorized boat on the lake. Flowers in foreground. Signed lower left and dated “1938”. Inscribed on reverse “Lake Louise, Canada by A. Roth 2 24 Olive Street Los Angeles, California”. Housed in what is probably its original carved frame. SIZE: 22” x 27”. CONDITION: Generally very good to excellent. 9-71893 (750-1,250)

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224

C.A. BRICE (American, 19th Century) PORTRAIT OF A YOUNG MAID”. Oil on canvas shows portrait of a young Art Nouveau woman wearing gold beads with pink roses. Signed lower right “C A Brice”. Housed in a gold tone carved frame. SIZE: 27” x 22”. CONDITION: Some craquelure, otherwise generally excellent. 9-71898 (450-650)

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225

UNSIGNED (American, Late 19th/Early 20th Century) THE KNIFE SHARPENER. Oil on panel scene depicts a portly gentleman with hat and umbrella seated on stoop beside a rear driven grinding device. Brick building in background with small kitten in the doorway. Unsigned. Housed in a contemporary gold frame. SIZE: 16” x 20”. CONDITION: Generally very good with some craquelure. 9-71895 (650-850)

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226

EDOUARD CORTES (French, 1882-1969) PARIS STREET SCENE AT DUSK. Fine oil on canvas street scene depicting a brightly lit theater front with sign posts and horse and carriages proceeding along street. Signed lower left “Edouard Cortes”. Housed in a fine original gesso decorated frame. SIZE: 13-1/2″ x 18-1/4″. CONDITION: Very good. 9-71181 (25,000-35,000)

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227

ANTOINE BLANCHARD (French, 1910-1988) “PLACE DE LA REPUBLIQUE, PARIS”. Oil on canvas scene shows a busy city square with large monument, tall buildings with lighted windows. Street lights are on and many people, wagons and a flower cart parade through the square. Signed lower right “Antoine Blanchard”. Housed in what appears to be its original partial gilt wood frame with linen liner. Back of canvas has title and artist. Stretcher has a label “Property of Kellogg Corp. Littleton. CO”. SIZE: 13” x 18”. CONDITION: Very good. 9-70930 (5,000-7,000)

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228

ANTOINE BLANCHARD (French, 20th Century) PAIR OF PARIS SCENES. Oil on canvas board scenes. One showing the Eifel Tower with river bridge and buildings. Other shows a dome building with people and streetlight. Identically housed in silver gilt molded wood frames with linen liners. SIZE: 9” sq. CONDITION: Very good. 9-70933 (3,000-4,000)

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230

PIERRE BOUDET (French, 1925-) “PARIS-QUAI DES ORFEVRES”. Oil on masonite Paris scene shows a river with riverboats, bridge and large cathedral in distance. Strollers and a horse and carriage are seen alongside. Signed lower right “P. Boudet”. Titled and signed on reverse. Housed in a very nice gilt gesso decorated frame with linen and gold liner. SIZE: 11” x 14”. CONDITION: Very good. 9-70932 (2,000-3,000)

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231

BERNARD BUFFET (French, 1928-1999) “IRIS BLEUS SAUR UN VERRE”. Outstanding oil on canvas still life shows blue iris and green leaves in a tall angular glass vase set on a white tabletop with paneled background. Signed left side “Bernard Buffet” and dated on right side “1977”. Housed in a gilt and black painted molded wood frame. Title is found on center stretcher in pencil. Also known as “Fleurs”. A label from the Galerie de La Presidence, Paris plus an Art Transit label from Paris are found on frame. PROVENANCE: A copy of the original receipt from the Galerie de La Presidence, Paris dated 1979 accompanies this lot along with the shipping and customs paperwork. SIZE: 25-3/4” x 20”. CONDITION: Very good. 9-71033 (35,000-40,000)

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232

LOUIS ICART (French, 1888-1950) FLOWER GIRL. Pastel on paper sketch shows a seated woman holding pink and white flowers in her hand with more alongside. Signed lower left. Housed in its original gesso decorated painted frame with highlighted lined matte. SIGHT SIZE: 17” x 13”. CONDITION: Generally very good. 9-70865 (2,000-3,000)

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233

LOUIS ICART (French, 1888-1950) “THOROUGHBREDS”. Etching and aquatint on paper scene shows a young woman on the back of a sprinting horse. Signed lower right in pencil. Beautifully housed in a modern gilt molded wood frame with triple red, white and blue matte. PLATE SIZE: 18-1/2” x 35-1/4”. SIGHT SIZE: 21” x 37-3/4”. CONDITION: Very good. 9-71678 (7,000-9,000)

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234

MARIE LAURENCIN (French, 1883-1956) THREE GIRLS. Unframed watercolor scene shows three girls with what appears to be a dog with a blue, black and light background. Signed lower left “Marie Laurencin 1928”. SIZE: 10-1/4” x 14-1/4”. CONDITION: Some fading, good. 9-71450 (1,000-2,000)

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235

JULES BRETON (French, 1827-1906) PRINTEMPS. Outstanding oil on canvas scene shows a young French woman hoeing a garden in the springtime. She is seen in country dress with pink top and black skirt. She wears a white and red cloth bandana over her hair. Blossoming trees are seen on the right side with a field in back ending in a tree line. Signed lower right “Jules Breton 1902”. Housed in a gilt gesso decorated replacement frame. SIZE: 38” x 31-3/4”. CONDITION: Craquelure, small chip on shoulder, inpainting. Very good. 9-71187 (120,000-150,000)

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236

(French, 19th Century) PRE-RAPHAELITE TAPESTRY DESIGN BY C. WAGREZ BRAQUENIE & CO. Outstanding oil on canvas with canvas liner tapestry design shows a central crowned woman leading a group of young women in song accompanied by six musicians. She sits on a tall thrown with a backdrop of castles and fruit trees. Foreground has two women in colorful dress seated in a garden of flowers and strawberries. Border with colorful flowers and fruit with butterflies. Bottom is signed in reverse. A magnificent painting in exquisite colors and realistic subject matter. Unframed. SIZE: 10’ x 7’4”. CONDITION: In unrestored condition with areas of paint loss at fold and creases. This will be a sensational painting when fully restored. 9-29867 (25,000-35,000)

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237

ATTRIBUTED TO JEAN LEON GEROME (French, 1824-1904) PORTRAIT OF A TURK. Oil on canvas half portrait shows a young man wearing fancy vest over a white shirt and white turban. He looks off to the side with nice facial details. Housed in a gesso decorated period frame which has damage. SIZE: 25” x 21”. CONDITION: Relined, restored with inpainting. Very good. 9-71367 (3,000-5,000)

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238

UNSIGNED (French, 19th Century) PORTRAIT OF A YOUNG WOMAN. Fine oil on canvas half portrait of a young woman seated next to a shelf with small vase of flowers. A red curtain is seen on the right side and she wears an elegant green dress and a double strand of pearls. Housed in its original gesso decorated gilt French frame with oval window. SIGHT SIZE: 11” x 9”. On square stretcher that is 12” x 9-1/2”. CONDITION: Surface dirt, very good. 9-71442 (1,000-2,000)

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239

PAUL CESAR HELLEU (French, 1859-1927) “PORTRAIT OF JEANETTE AND ELIZABETH STEADMAN”. Pastel of two young girls one seated with the other beside. The seated girl is reading from a book. Signed lower left “Helleu”. Title on reverse on the back of a Paris American Art Company board. Housed in a black and gilt stepped wood frame. SIZE: 16” x 13”. CONDITION: Very good. 9-71361 (3,000-5,000)

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239a

ALFRED SEIFERT (Czechoslovakian, 1850-1901) PORTRAIT OF A GIRL. Outstanding oil on mahogany panel shows a shoulder length portrait of a girl with long brown hair with light cascading from the right side. Wonderful detail in an elegant portrait. Signed “A Seifert”. Housed in a nice period gesso decorated gilt frame. SIZE: 8-1/4” x 6-1/4”. CONDITION: Very good. 9-71000 (4,000-6,000)

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240

SIGNED (Early 20th Century) THE ARAB MERCHANTS. Oil on wood panel scene shows two older men in Arab clothing seated with their fruit produce including melons and eggs. They sit outside a building with a city behind with tall temples. Signed lower right indistinctly. Housed in a fine and possibly original gesso decorated gilt frame with gilt liner. SIZE: 19-1/2” x 24-1/2”. CONDITION: Very good. Wood grain shows through painting for added texture. 9-71390 (2,000-3,000)

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241

FELIX W WYGROWALSKI (Polish, 1875-1944) MID DAY MEDITATION. Large colorful oil on canvas scene shows three Arab men kneeling on Persian prayer carpets in a desert setting. Bedouins with camels are seen in background on sandy mounds. Signed lower right “F K Wygrowalski”. Housed in a partial gilt wide wood painted frame with white wood liner. SIZE: 24” x 30”. CONDITION: Very good to excellent. 9-71126 (3,000-5,000)

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242

L. S. DE BIBORY (Mid-19th Century) PORTRAIT OF A YOUNG MAN. Oil on wood panel half portrait of a young man with dark hair wearing a black coat and white shirt. Inscribed in French in left corner with artist name and date 1845 with two more lines of writing. Housed in a period lemon gold molded wood frame. SIZE: 20” x 17”. CONDITION: Some chipping to central area, otherwise good. 9-70615 (1,500-2,500)

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243

MICHALE RUIZ? (20th Century) THE COUPLE. Oil on wood panel portrait of an older man and woman of shoulder length in very nice detail. The man wears a black hat, black coat with white shirt and blue tie. The woman in brown dress with brown scarf on head. Unsigned on front but signed on reverse with what appears to be “Michale Ruiz Artista Nes Musco Di Napoli”. Housed in a good carved pierced gilt frame. SIZE: 7-1/4” x 8-1/2”. CONDITION: 9-70352 (1,000-2,000)

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244

SIR WILLIAM RUSSELL FLINT (British, 1880-1969) “DIAPHENIA & HAZEL”. Tempera painting shows an interior setting with two nudes. One is a blonde haired woman seated on a red cushion with colorful throws beside her. Another woman is seated on cloth adjusting a tabletop oval mirror. Gold colored curtains surround a gray light colored background. Signed lower left “W. Russell Flint”. Housed in a fine gilt carved wood frame with linen matte. Archival frame which has a copy of the writing on the back with title and artist name. Also “Exhibited at RA 1939” (Exhibited at the Royal Academy in London). An outstanding example of this artist’s work. SIGHT SIZE: 19-1/2” x 26-1/2”. CONDITION: Very good to excellent. 9-26618 (50,000-60,000)

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245

HENRI WINSTANLEY (British, 19th Century) MORNING SUNRISE. Oil on canvas landscape scene shows a small brook winding through trees with rock and grass banks. Two houses are seen in distance under a morning sun. Housed in a fine pierce shell decorated gesso gilt frame. SIZE: 18” x 14”. CONDITION: Very good with inpainting. 9-70858 (3,500-4,500)

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246

OCTAVIOUS T. CLARK (British, 1850-1921) ENGLISH COUNTRY FARM. Fine oil on canvas scene shows a farmhouse with barns nestled amongst tall trees with fields, dirt road and stone bridge over a stream. A woman is seen with ducks walking along road. All under a white cloud and blue sky. Signed lower left “O T Clark”. Housed in an antique gesso decorated period frame. SIZE: 20” x 30”. CONDITION: Relined, restored with inpainting. 9-70918 (6,000-8,000)

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247

JMB (British, 19th Century) THE LONG FARWELL. Large oil on canvas scene shows a man with handkerchief knapsack over shoulder wearing a scarf, hat and brown coat leaving his wife who appears to be distraught at his departure. They are standing outside a home which is situated on a hillside with mountains behind. Several colorful chickens are seen on the grass and stone walk. A basket and water bucket along with a stoneware jug and spinning wheel are outside also. Signed with artist monogram bottom right which appears to be a conjoined “JMB” or “JVB”. Housed in its original gesso decorated wide frame with gilt liner. SIZE: 34” x 50”. CONDITION: Generally very good with one small puncture. 9-71391 (3,000-5,000)

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248

ALFRED FONTVILLE DE BREANSKI (1877-1955) GORING CHURCH. Outstanding watercolor scene shows a large church beyond a four arch stone bridge over a wide river. Several fishing boats and many people are around the bridge. Two swans are in the tranquil waters and large trees dot the edge. Signed lower left “A F de Breanski”. Back with label as being one of a pair, the other titled “Richmond Surrey”. Housed in a fine silver gilt molded wood frame with line highlighted matte and inner white matte. SIZE: 14-1/2” x 20-1/2”. CONDITION: Very good. 9-70922 (2,000-2,500)

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249

HAROLD GOLDTHWAIT (British, – 1922) COTTAGE BY THE RIVER. Oil on canvas scene shows a thatched roof cottage beside river with small boat and two figures. The grass covered banks have several large trees under white cloud and blue sky. Housed in its original gilt gesso decorated frame with glass. The back having a Marshall Field & Co label. SIGHT SIZE: 11-1/2” x 19-1/2”. CONDITION: Very good. 9-70891 (2,000-3,000)

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250

UNSIGNED (British, 19th Century) VISITING THE ORGAN GRINDER. Oil on canvas scene shows an elderly man and woman standing in front of a monkey on a table. The two people have colorful outfits and the monkey is dressed in a little soldiers outfit and there are various articles around the table that the monkey sits on including drum, gun, stein, dog, wine, cabinet, etc. There is a label affixed to the back stretcher from “W Boote & Sons Liverpool”. Housed in a wonderful and possibly original period gesso decorated frame with gilt liner and glass front. PROVENANCE: From a Belgrade Lakes, Maine home. SIZE: 19-3/4” x 16-3/4”. CONDITION: Very good. 9-71506 (1,500-2,500)

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251

JOHN ANSTER FITZGERALD (British, 1832-1906) THE OYSTER GIRL. Oil on canvas scene shows a young girl holding an open oyster up to a customer. She has long dark brown hair and a hat with tattered clothing and tattered shoes. Beside her she has formed an oyster shell igloo out of the used oyster shells. Inscribed signature on right bottom “J A Fitzgerald”. Housed in a double pierced gesso decorated gilt frame with gold liner. SIZE: 30” x 20”. CONDITION: Very good, some inpainting. 9-71712 (6,000-8,000)

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252

UNSIGNED (British School, 19th Century) LOW TIDE AT THE DOCKS. Oil on canvas marine scene shows two large fishing boats at low tide next to large dock area. Several people and buildings are on dock area and beyond. A large tall ship is seen in harbor with other sails and steamer. Unsigned. Housed in a period gesso decorated gilt frame with gilt liner. SIZE: 20” x 30”. CONDITION: Relined, restored with inpainting. 9-71389 (2,500-4,000)

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253

JOSEPH TONNEAU (British, -1891) SEVEN ARCHITECTURAL RUIN SCENES. All identically housed in silver gilt wood frames with white mattes which are discolored. Three are vertical scenes and four horizontal. Each depict what appears to be a cathedral type building which are only remnants of their magnificent structure. Each is signed and dated in the early 1890’s. SIGHT SIZE: 10-1/4” x 6-1/2” or 6-3/4” x 10-1/4”. CONDITION: Generally very good. 9-71360 (1,000-1,500)

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254

SAMUEL HOWITT (British, 1765-1822) HUNTER AND DOGS. A hunting dog sits barking and chained to his small doghouse as his master leaves with two other dogs on a hunting trip. Signed lower right. Housed in an ogee maple frame. SIGHT SIZE: 4-1/4” x 6-1/2”. CONDITION: Generally very good. 9-70394 (200-400)

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255

W A ROESLER (German/Russian, Late 19th/Early 20th Century) IN THE GARDEN. Outstanding large salon oil on canvas scene shows a mother in spring dress on a stone stairway looking over her daughter who is picking flowers in a low flowerbed. The stairs wind up toward the house and have a sculptured wood limb railing. The whole area is framed in colorful red rose bushes. Signed lower left “W.A. Roesler”. Housed in what appears to be its original pierced carved grape vine gilt frame. SIZE: Overall is 76” x 62-1/2” w. Canvas is 66” h x 52” w. CONDITION: One L-shape repair to canvas, inpainting, generally very good. 9-29866 (20,000-30,000)

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256

DAVID DAVIDOVICH BURLIUK (American, 1882-1967) TABLETOP STILL LIFE. Oil on board scene shows a red tablecloth covered table having a basket of fruit and wine bottle amongst other items atop. The wall backdrop has several paintings. Signed lower left “Burliuk”. Housed in a period molded wood painted frame. Heavy use of impasto adds a dimension to the painting. SIZE: 12” x 16”. CONDITION: Very good. 9-71705 (3,000-5,000)

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257

DAVID DAVIDOVICH BURLIUK (American, 1882-1967) COUNTRY FARMHOUSE. Oil on canvas bright scene shows a connected farmhouse with a stone wall in front. Flowers are seen over the wall and a patch of sunflowers behind the wall. A mother and child are seen in front feeding white ducks with a landscape background under blue and white sky. Signed lower right “Burliuk”. Housed in what may be its original gesso decorated gilt frame. SIZE: 22” x 29-1/4”. CONDITION: Very good. 9-71559 (3,000-5,000)

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258

SACHA MOLDOVAN (Russian/American, 1901-1982) “GIRL WITH DOG”. Oil on canvas colorful scene shows a young girl in blue dress walking up a path towards an opening in a white fence. A dog is seen going up the path and colorful flowers along the sides. Housed in a painted yellow and ivory fancy wood frame. Canvas is unsigned but the back stretcher has title and artist name. PROVENANCE: This painting was acquired directly from the artist at his studio in Peekskill, NY in the early 1960’s then acquired by our consignor. SIZE: 24” x 20”. CONDITION: Very good. 9-70571 (5,000-10,000)

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259

SACHA MOLDOVAN (Russian/American, 1901-1982) THE BARN. Oil on board scene shows a small red roof barn with what appears to be chickens out on a grass area. A black tree is seen against blue background. Signed on reverse “Sasha”. Housed in a modern partial gilt wide molded frame with yellow liner. PROVENANCE: This painting was acquired directly from the artist at his studio in Peekskill, NY in the early 1960’s then acquired by our consignor. SIZE: 7” x 9”. CONDITION: Very good. 9-70573 (1,000-2,000)

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260

SACHA MOLDOVAN (Russian/American, 1901-1982) TWO TREES. Oil on board scene shows two people seated between two black trees under a blue sky. Housed in a modern gilt fancy frame with linen and gold liner. Signed on back. PROVENANCE: This painting was acquired directly from the artist at his studio in Peekskill, NY in the early 1960’s then acquired by our consignor. SIZE: 9” x 12”. CONDITION: 9-70574 (1,000-2,000)

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261

SACHA MOLDOVAN (Russian/American, 1901-1982) MAN AT TABLE. Oil on board scene shows a figure in white shirt, black hat seated at a table. Blue wall behind with a window. Housed in a gold fancy frame with linen and gold liner. Signed on reverse of board. PROVENANCE: This painting was acquired directly from the artist at his studio in Peekskill, NY in the early 1960’s then acquired by our consignor. SIZE: 9” x 12”. CONDITION: 9-70572 (1,000-2,000)

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262

SACHA MOLDOVAN (Russian/American, 1901-1982) THE GREEN APPLE. Oil on board scene shows a green apple atop a black and blue table with a red background. Signed on reverse of board. Housed in a partial gilt molded wood frame with linen and gold liner. PROVENANCE: This painting was acquired directly from the artist at his studio in Peekskill, NY in the early 1960’s then acquired by our consignor. SIZE: 5” x 7”. CONDITION: Very good. 9-70575 (500-1,000)

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263

SACHA MOLDOVAN (Russian/American, 1901-1982) HARBOR SCENE. Oil on canvas scene shows a canal type harbor with fishing boats alongside the roadway. City is seen in background with roads. Signed lower left very lightly. Housed in a gesso decorated gold frame. SIZE: CONDITION: Very good, relined on canvas. 9-71695 (3,000-5,000)

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264

WLADIMIR BOLOTOW (Russian/American, 20th Century) STREET SCENE. Oil on canvas New York street scene shows a line of buildings with storefronts down below. Various stairways in wrought iron and antennas on the roof. Signed lower right “H. Bolotow”. Housed in a simple deep thin frame. U S Art Canvas Company New York stamp to stretcher. SIZE: 19-3/4” x 24”. CONDITION: Good with minor inpainting. 9-71735 (800-1,200)

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266

ALEXANDER GOULAIEV (Russian, Last half of the 20thCentury) “ATYASIERS 1973”. Oil on canvas landscape scene shows trees and valley floor with water in a panoramic landscape. Unsigned front but signed and titled on canvas in Cyrillic. Housed in a fine gesso decorated metal leaf frame. SIZE: 25” x 39-1/2”. CONDITION: Very good. 9-70881 (2,000-3,000)

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267

SONIA DELAUNAY (Russian, French, 1885-1979) ABSTRACT DESIGN. Watercolor abstract design of green, red and blue splotches on a black background. Housed in a fine modern gilt and ebonized frame with double black matte having name tag. Back with a window which displays the Provenance stamp indicating authenticity. Includes a signed stamp by Charles Delaunay. Also a stamp indicating the Robert Perrier Collection. SIGHT SIZE: 6-3/4” x 7-1/4”. CONDITION: On the left side there is evidence of a small fold with a rip which has been flattened, otherwise very good. 9-29410 (3,000-5,000)

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268

ARTHUR BEECHER CARLES (American, 1882-1952) ABSTRACT. Unframed oil on canvas abstract has many images in bright colors. Signed lower right “Carles”. nscribed on back of canvas “To Emma Rey From Carles “40””. SIZE: 24” x 35”. CONDITION: Very good. 9-71321 (15,000-20,000)

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269

BERNARD DE HOOG (Dutch, 1867-1943) PRAYER AT THE TABLE. Fine oil on canvas interior scene shows two women seated at a country table with a teapot and bowl of food with plate. Their hands are clasped in prayer gesture. Sunlight streams through a half curtain window and a cat sits atop a stand in between two ladder-back chairs. Signed lower right “Bernard De Hoog”. Housed in an excellent gesso decorated fancy frame with gilt wood liner. SIZE: 16” x 20”. CONDITION: Very good. 9-71474 (7,000-10,000)

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270

BAREND CORNELIS KOEKOEK (Dutch, 1803-1862) MEETING THE TRAVELER. Oil on cradled wood panel scene shows a traveler with his dog walking on a dirt road coming upon a man leading a horse driven two wheel cart. All seen under two large trees which frame a large church. In the distance a windmill is seen on bluff of land overlooking water. Signed lower left on a rock “BC Koekoek ft 1840”. Housed in a wide gesso decorated gilt frame. SIZE: 12-1/2” x 15-1/2”. CONDITION: Horizontal inpainted lines which corresponds to old cracks in the panel. Good to very good. 9-70770 (8,000-12,000)

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271

ROELOF DOZEMAN (Dutch, 1924) DUTCH HARBOR SCENE. Oil on canvas harbor scene shows several boats moored and docked alongside large buildings in a cityscape. Light reflects on water. Signed lower right. Housed in a gilt molded wood frame. SIZE: 24” x 36”. CONDITION: Thin paint, fair to good. 9-70331 (800-1,200)

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272

JAN JACOB COENRAAD SPOHLER (Dutch, 1837-1923) VIEW WITH WINDMILLS, CITY AND WATER. Oil on canvas scene shows a waterway with several boats and a small rowboat with four people. Alongside is a dirt road with strollers lined with homes and large windmills. A city is seen in the background with large buildings. Signed lower left “JC Spholer”. Housed in a period gesso decorated re-gilt frame with gilt liner. SIZE: 11-3/4” x 18-1/4”. CONDITION: Good, some inpainting. 9-70856 (3,500-5,000)

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273

CIRCLE OF ISAAC ISRAELS (Dutch, 1865-1934) COMPLETING THE OUTFIT. Oil on canvas interior scene shows a woman in a very colorful fine dress holding a necklace at her chest with head down looking at it. A flower vase is seen on a stand beside her in a room setting. Signed lower left in red “Isaac Israels”. SIZE: 15” x 12”. CONDITION: Relined with masking varnish, possibly some inpainting. Otherwise very good. 9-70125 (3,000-5,000)

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274

J. H. DeVRIES (Dutch, 19th Century) FARMERS MARKET. Oil on wood panel scene shows a woman seated in a ladder back chair with different baskets of farm produce arranged in front and in back. A customer stands in front with a building, carts and other figures behind. Signed lower left and dated “1879”? Housed in a painted gesso decorated frame with linen liner. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5” x 10-1/2”. CONDITION: Very good, dirty. 9-70725 (500-1,000)

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275

NIEK VAN DER PLAS (Dutch, 1954) SUMMER BEACH SCENE. Oil on wood panel beach scene shows two girls with red white fringed umbrella on a sandy beach with other beach goers. Blue ocean with a white sail is seen on horizon. Signed lower right. Also signed on reverse. Housed in a fine gesso decorated frame with linen liner. SIZE: 11-1/2” x 15-1/2”. CONDITION: Very good. 9-71402 (2,000-3,000)

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276

PETER BAUMGARTNER (German, 1834-1911) THE BIRTHDAY. Oil on canvas interior scene shows a man seated in an upholstered wing chair opening a gift with a young girl standing beside. She looks on the unwrapped package while a white dog stands and looks on. Off to the left the mother walks in with candle on a tray with a tea set and a young child brings a long stemmed pipe. All in colorful costume in festive surroundings. Signed lower right “P Baumgartner”. Housed in its original gesso decorated frame which has been regilt. Back of the stretcher has an original title in German. SIZE: 12-1/2” x 10-1/2” w. CONDITION: Two patches to reverse, masking varnish. Very good. 9-70979 (8,000-12,000)

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277

JOSEPH JOST (Austrian, 1888) “EASCHNAERTE FUTTERUNG”. Oil on wood panel interior scene shows a young child holding a duck while another child is seated on a stool and offers the duck food. Signed upper right “J Jost”. Housed in a fine deep gesso decorated fancy frame with gilt liner. Back with a penciled titled. SIZE: 10-1/4” x 8-1/4”. CONDITION: Very good. 9-71370 (1,000-1,500)

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278

MANNER OF ANDERS LEONARD ZORN (Swedish, 1860-1920) NUDE IN SHALLOW POOL. Oil on canvas scene shows a nude woman standing in ankle deep water with a green, red and dark background. Housed in an antique gesso decorated frame which has some loss. SIZE: 28” x 22”. CONDITION: Two tears which have been taped and unrepaired. Otherwise good. 9-71328 (2,500-3,500)

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279

FRANCOIS VERHEYDEN (Belgian, 1806-1890) BOATS UNDER THE WILLOW. Oil on board scene shows three sailboats brought up on shore. Two houses are seen on left side with cows in a fenced pasture. All framed by a large willow tree. Signed lower right “F. Verheyden”. Housed in a period decorated wood frame. SIZE: 33-1/2” x 30”. CONDITION: Very good. 9-70090 (2,500-3,500)

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280

CHARLES J. SCHUMACHER (German, 20th Century) “LAKE KUNZ VOYELSBERG”. Oil on artist board panoramic landscape scene shows a lake nestled in between tall mountains under cloud and blue sky. Signed lower right “Schumacher” and inscribed with artist’s monogram. Also signed in pencil on reverse and titled. Housed in a small molded gilt wood frame. SIZE: 5” x 10-1/2”. CONDITION: Very good, a light scratch above mountains. 9-71460 (500-1,000)

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281

FRANZ SCHIER (German, 1822-1952) “WEINHEIM, GERMANY 1951”. Gouache landscape scene shows a hill with large building atop and another smaller hill with castle. A town is nestled at the bottom with trees and dirt road in foreground. Housed in a gilt molded wood frame. SIGHT SIZE: 14-1/2” x 19”. CONDITION: Very good. 9-71416 (300-500)

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282

FRITZ JANSCHKA (Austrian, 1919) ABSTRACT FIGURES. Pen and ink abstract shows two figures with other symbols and shapes. Signed bottom right “Janschka 59”. Unframed. Hinged to a board. Janschka was a founder of the Viennese school of Fantastic Realism. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 16” x 13-3/4”. CONDITION: Good. 9-70718 (500-1,000)

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283

MANNER OF JOSEPH BEUYS (German, 1921-1986) ELECTRICITY. A composition collage with paper, cardboard, watercolor and cutouts. The theme appears to be electricity, which is depicted by wires coming from a telephone pole and connecting to a variety of sources having plusses and minuses. Signed in the center of a red flattened box, which is part of the composition. The box also has cutout word and number “Lach 12″. Housed in a bleached light stained molded wood frame with double matte. SIGHT SIZE: 10-3/4″ x 13-3/4”. CONDITION: Very good. 9-28984 (800-1,200)

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284

HENDRICK VERSCHUURING (Dutch, 1627-1690) TRAVELERS RESTING BY A TEMPLE. Fine oil on wood panel outdoor scene shows four men on horseback stopping near water and large temple with two Monks on the stairway, a woman with basket of clothes, a dog and several bathers in and around the water. A landscape is seen with classical ruins and mountain in background. Signed lower “H Verschuuring” and “T. A. 1677”. Back of the raised panel has a painted “G.V.K.”, part of a red wax seal and an old numbered label. Housed in an old ebonized frame with gilt liner having name plaque. SIZE: 13-3/4” x 16-1/2”. CONDITION: Very good, masking varnish. 9-29952 (6,500-8,500)

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284a

UNSIGNED (Flemish or Dutch, 17th Century) LADY AND HER PARROT. Oil on zinc interior scene shows a marble alcove with a four level round birdcage that has been opened and a green parrot is being held on the right hand of a young woman who is feeding it with her left hand. A girl is holding a plate of food that the young lady is picking from. A decorative carpet is draped over the alcove. A green drape is pulled back on a nail. There is very nice detail to the lady’s dress and facial features. Remnants of an old label which is illegible on the reverse. Housed in a later 19th Century gesso decorated frame with gilt liner. SIZE: 9-3/4” x 8-1/2”. CONDITION: Very good with some inpainting. 9-71952 (4,000-6,000)

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285

ATTRIBUTED TO FRANZ FRANCKEN, THE YOUNGER (Flemish, 1581-1642) CHRIST WITH THE MONEY CHANGERS IN THE TEMPLE. Oil on wood panel scene shows Christ next to a man with large hat with crown and beard. He points to a side alter with gold coins and bag. A number of other well dressed gentleman are seen behind him in a fancy interior setting. An arched open window looks out to castle and landscape. A monkey is seen in right corner, a small boy in red outfit and dagger in left. Housed in a good stained and gilt molded wood frame. Back of the panel has two 1-1/2” red wax seals. PROVENANCE: Gittelson Gallery 1950; Guttman Gallery frame. Sold by James D. Julia, Inc. August 3rd, 1995 from the collection of Joseph & Hazel Marcus. A three page typed description which was compiled by the Marcus’s accompanies painting. SIZE: 18-1/2” x 16-3/4”. CONDITION: There are three butterfly repairs to back of wood panel. They hold together a vertical crack which can be seen from the front. Some restoration. 9-26250 (10,000-15,000)

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286

AFTER SALOMON KONINCK (Dutch, 1609-1656) “PORTRAIT OF A BURGOMASTER”. Oil on wood panel shows a portrait of an elderly gentleman in a rich black velvet robe and a black broad rim hat. He wears a gold chain and medallion. His right hand rests upon an open book on the table beside him. This portrait is very much in the style of Rembrandt. Back of the panel has a cutout old catalog entry indicating the painting was from the Goldschmidt Collection, Paris and has a wax seal indicating it is from the collection of E. Fischhof, Paris. There also is a penned label indicating artist and number “741”. Housed in a fine gesso decorated gilt modern frame with velvet and gold liner. Probably a fine 19th Century copy. SIZE: 13-1/4” x 10”. CONDITION: Very good, minor touch up. 9-71446 (2,000-4,000)

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287

AFTER CARLO MARATTA (Italian, 1625-1713) OLD MASTER – IMMACULATE CONCEPTION. Early 19th, possibly 18th Century unsigned oil on canvas copy of the famous work by Carlo Maratta that sits in San Isidoro, Basilica, Rome. The painting depicts the Virgin Mary with baby Jesus. The infant holds a long spear with the tip at a snakes head at her feet. Cherubs and angels surround them in a heavenly type state. Housed in a good gilt fancy wood frame with name tag and dates. SIGHT SIZE: 25-3/4” x 18-3/4”. CONDITION: Very good. The painting has had at least two restorations with inpainting, relined. 9-29141 (2,000-4,000)

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288

UNSIGNED (Italian, 18th Century) STILL LIFE OF FLOWERS. Oil on canvas scene shows a large round glass vase with colorful flowers on a shelf with grapes, leaves and fallen flowers. Housed in a gilt carved wood modern frame. SIZE: 38” x 26”. CONDITION: Relined, restored, inpaianting with craquelure. Good. 9-70839 (2,000-3,000)

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290

SIGNED (European, 18th/19th Century) OLD MASTER – CUPID. Oil on canvas scene shows a standing cherub with bow and arrow and small wings standing on books and various other articles. There is a signature or artist monogram in the lower right corner which is illegible. Back of the wax relining is a wax seal. Housed in a carved and gesso gilt frame. SIZE: 25” x 17”. CONDITION: Restored, inpainted. Good. 9-71392 (1,000-1,500)

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291

UNSIGNED (European, 18th/19th Century) OLD MASTER. Oil on canvas scene shows Jesus under a heavy cross being whipped by a man and prodded by an armored soldier. Cliff is seen with water beyond. Unsigned. Housed in an antique gold painted frame. SIZE: 22” x 17”. CONDITION: One patch to reverse, inpainting. Stretcher lines can be seen. Otherwise good. 9-71407 (1,000-1,500)

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292

AFTER PIETER DE HOOCH (Dutch, 1629-1684) INTERIOR WITH FIGURES. Oil on cradled panel shows an interior scene with two women and a child and a dog on a checkerboard floor. The woman appears to be giving a lesson. There is a label on reverse indicating that it was part of an art touring exhibit 7/12/33. Housed in a wood frame with velvet and gold liner. SIZE: 20” x 16-1/4”. CONDITION: Restored with inpainting. Good. 9-71552 (1,000-1,500)

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293

UNSIGNED (19th Century) OLD MASTER COPY. Oil on canvas laid on board scene shows a woman looking upward holding a striped and white robe around her with open book resting on a skull. Landscape with sky and clouds is seen on the right side. Housed in a period gesso decorated gilt frame. Frame has an old Manhattan Warehouse Company label. SIZE: 19” x 15”. CONDITION: Very good, small touch up to mouth area and masking varnish. 9-29717 (500-1,000)

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294

VICTOR DUBREUIL (French, 19th/20th Century) STILL LIFE WITH CIGARETTES. Oil on canvas tabletop scene shows two packs of Sweet Corporal cigarettes and smoking tobacco with matches, pipe and mug. Signed lower left “V. Dubreuil”. Housed in a modern ebonized molded wood frame with gilt liner. Dubreuil is best known for his money Tromp-L’oeil images. SIZE: 12” x 14”. CONDITION: Relined, craquelure with inpainting. 9-70919 (6,000-8,000)

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295

LOUIS ROBERT ARTHUR LATAPIE (French, 1891-1972) TABLETOP STILL LIFE. Oil on board tabletop still life shows a pitcher, compote of fruit and fruit on a round wood table. Signed lower left “Latapie”. Housed in a modern gilt decorated wood frame with white matte. SIGHT SIZE: 8’ x 10”. CONDITION: Very good. 9-70162 (2,000-3,000)

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296

ANDRE DUNOYER DE SEGONZAC (French, 1884-1974) “HOUSE AND TREES”. Pen and ink wash scene shows a house with barns behind tall wispy trees with a cultivated field in the foreground. Signed lower right “A. Dunoyer De Segonzac”. Housed in a fine gesso decorated gilt French style frame with white linen matte and white liner. SIGHT SIZE: 10-3/4” x 16-3/4”. CONDITION: Acid toning to edge, otherwise good. 9-29739 (7,500-10,000)

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297

SCHOOL OF NARCISSE VIRGILE DIAZ DE LA PENA (French, 1808-1876) FIGURE IN YELLOW SANDALS. Oil on wood panel shows a figure in colorful dress wearing yellow sandals. Unsigned. Housed in a gesso decorated gilt antique frame, which is as is, having a gold liner having a brass tag “Diaz”. SIZE: 9” x 6”. CONDITION: Some inpainting. Fair to good. 9-71414 (800-1,200)

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298

ATTRIBUTED TO JEAN BAPTISTE CAMILLE COROT (French, 1796-1875) “VENTE MORT”. Oil on mahogany panel scene shows a small stream in a landscape with hills and gray sky. Identified on back with modern writing with title, “Paris” and artist. Housed in a modern gilt frame with linen and gold liner. SIZE: 6-1/4” x 10-1/2”. CONDITION: Very good. 9-71376 (2,000-3,000)

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299

PAUL VERNON (French, 19th Century) MEDITERRANEAN FISHERMAN. Oil on canvas scene shows a small sail fishing boat next to a smaller boat with nets out on tranquil blue sea. A small fishing village is seen on the edge of a flat coast. Signed lower right “Paul Vernon”. Housed in an antique gesso decorated gilt frame. SIZE: 14” x 24”. CONDITION: Relined, restored, inpainting. Good. Painting was cleaned and the area with signature was left alone. 9-71529 (4,500-6,500)

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300

HONORE DOMIER (French, 1808-1879) “THREE FIGURES, ONE READING”. Oil on canvas interior scene shows a man seated reading from an open book with two other men beside. Signed lower right in script “h.D”. Housed in an antique French style gesso decorated frame which has some damage. The back with two typed titles and remnants of other labels. SIZE: 11” x 9”. CONDITION: Some minor chips, one area at center lifting, inpainting. Otherwise good. 9-71449 (6,000-10,000)

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301

YVONNE CANU (French, 1921) THE LITTLE CLOWN. Unframed oil on canvas portrait of a young clown from the shoulders up looking sideways. Nice impressionistic view with a colorful costume. SIZE: 10” x 8”. CONDITION: Very good. 9-71722 (400-600)

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302

GASTON SEBIRE (French, 1920) “CABINES LE SOIR”. Oil on canvas French beach scene shows twelve beach side cabanas with several figures walking toward and on the beach. Two ships are seen on a tranquil ocean under a morning sky. Signed lower right “G Sebire”. Housed in a fine painted carved wood frame with linen matte and gold liners. An original Wally Findlay Galleries tag is affixed to back. SIZE: 8-3/4” x 19-1/2”. CONDITION: Very good. 9-29736 (3,000-4,000)

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303

JULES VERNIER (French, 1862) BEACH AT LOW TIDE. Oil on wood panel shows several fishing boats on beach with many beach goers. Several sails are seen on a tranquil water. The large expanse of beach is bordered by green trees. Unframed. Signed lower right “J. Vernier”. SIZE: 12-1/4” x 7”. CONDITION: Surface dirt, very good. 8-87463 (1,250-1,750)

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304

ELMER VAGH-WEINMANN (French/Hungarian, 1906) “ST. TROPE”. Unframed oil on canvas abstract scene shows a harbor with boats and buildings. Signed on bottom right and also signed on reverse with title and date “1975”. SIZE: 23-3/4” x 28-3/4”. CONDITION: Very good. 9-71736 (400-600)

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305

GEORGES FERRO-LAGREE (French, 1941) THE TOWN SQUARE. Colorful pastel scene shows a European city square with many people and birds. Colorful buildings are seen as a backdrop under a blue sky. Signed lower left. Housed in a gilt gesso decorated frame with wide matte. SIGHT SIZE: 10” x 10-3/4”. CONDITION: Very good. 9-29737 (2,000-3,000)

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305a

GEORGES FERRO-LAGREE (French, 1941) “BORD DE L’OISE”. Oil on canvas scene shows a river with boats in winter with a village scene. Signed lower right. Titled on reverse with signature and numbered “981”. Housed in a gilt gesso decorated frame with a Guido Frame Studio stamp. SIZE: 13” x 16”. CONDITION: Very good. 9-29738 (2,000-3,000)

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306

M. PLEISSNER (20th Century) PAIR OF PARIS STREET SCENES. 1) Titled “Moulin Rouge”. Oil on board scene shows the famous windmill front façade next to various other storefronts. People and horse carts parade on the street. SIZE: 12” x 16”. 2) Oil on board scene shows a street corner with telephone booth, horses and people next to a column front building. SIZE: 16” x 20”. CONDITION: Generally very good. 9-71733 (800-1,200)

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307

JESSIE LEACH FRANCE (American, 1862-1926) FRENCH RIVER BRIDGE. Oil on board shows a two arch stone bridge with vehicles atop. Below is a large single mast barge type boat being loaded by a crane. Signed lower right “J L, France”. Other side has a painting of sheep in landscape, unsigned. Housed in an antique grain painted molded wood frame with gilt liner. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 5-1/2” x 8”. CONDITION: Good. 9-70713 (1,000-2,000)

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308

LOUIS EMILE BENASSIT (French, 1833-1902) OFFICER’S ON HORSEBACK. Oil on wood panel shows three officers on three different colored horses (brown, black and white) meeting on a dirt road with two soldiers on horseback behind. Signed lower left “E Benassit”. Housed in a fine modern gesso decorated gilt frame. SIGHT SIZE: 13-1/4” x 10”. CONDITION: Very good. 9-70579 (2,000-3,000)

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309

VICTOR DUBREUIL (French, 19th/20th Century) CHARGE OF THE CAVALRY. Oil on canvas military battle scene shows a charge of military men on horseback toward opposing force with small hill and building beyond. Signed lower left “ V Dubreuil”. Housed in its original gesso decorated gilt frame with fancy gilt beaded liner. Titled in French on stretcher. SIZE: 10” x 16”. CONDITION: Very good. Surface dirt. 9-71326 (1,000-2,000)

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310

G. GAUTBERON (French, 19th Century) “THE RAID”. Oil on wood panel winter scene shows three soldiers with rifles breaking through a wood door of a housing compound. Other soldiers advance through an alleyway. Signed lower right “G GautBeron”. Housed in a magnificent gesso decorated flower and leaf motif period frame with multiple gilt liners, one having an artist tag indicating “Paris, France”. SIZE: 16” x 12”. CONDITION: Very good. 9-71337 (1,800-2,200)

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311

UNSIGNED (South American?, First half of the 19th Century) PORTRAIT OF A MILITARY OFFICER. Large oil on canvas three-quarter portrait shows a distinguished officer wearing blue tunic with silver embroidered red cuffs and collar. He wears a gold watch key at waist and a silver sword with decorative tassel. He stands next to a green covered table with paper and inkstand. He holds a paper in his left hand which has writing which may indicate the artist or person. His other hand is held in center section inside tunic. SIZE: 39” x 29-1/2”. CONDITION: Relined, inpainting. Very good. 9-71368 (4,000-6,000)

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312

PIERRE JUSTIN OUVRIE (French, 1806-1879) ROTTERDAM HARBOR. Fine watercolor harbor scene shows the Rotterdam city buildings at the edge of water with a four arch bridge with figures atop. A number of fishing boats are seen docked along the buildings and a man in a rowboat is seen in the foreground. Signed lower right “Justin Ouvrie – Rotterdam”. Housed in its original gesso decorated gilt frame with wide matte under glass. SIGHT SIZE: 9” x 13”. CONDITION: Very good. 9-71318 (2,000-3,000)

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313

ALEXIS DE BROCA (French, 1868) “COTE DE BRETAGNE”. Watercolor scene shows a figure along beach and rocky ledge coastline. Signed lower left. Also signed and titled on back including “Catalog No. 23 Gallerie George Petit Exhibition 1911”. Housed in a fine gesso decorated modern frame with wide white matte and inner gold liner. SIGHT SIZE: 9” x 7”. CONDITION: Remnant of an adhesive backing at top of paper, otherwise good. 9-70894 (2,000-3,000)

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314

M VERNIER (French, 19th Century) “COTES DE NORWEGE”. Oil on canvas harbor scene shows a large tall ship with boats beside and a town nestled up against a mountain backdrop. Net fisherman are seen off two boats in foreground. Signed lower right “M. Vernier” with title and date “93”. Housed in a ebonized molded wood frame with gold liner. SIZE: 16” x 25-3/4”. CONDITION: One patch to reverse with corresponding inpainting, otherwise good. 9-70874 (3,000-4,000)

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315

SIGNED (French School, 19th Century) THE FISHER WOMEN. Oil on board marine scene shows three women hauling nets off a fishing boat. Several boats are seen beyond with seagulls flying overhead. Signed lower right with what appears to be “W. Cian…”. Housed in an antique gesso decorated wood frame with gilt liner. SIZE: 11-1/4” x 14-1/2”. CONDITION: Some consolidation to paint, very good. 9-70860 (6,500-8,000)

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315a

H. S. (European, Late 19th Century) THE FISHER WOMEN. Large oil on canvas marine scene shows two women in country dress. One holding fish net with poles, the other holds baskets. They walk beside a seated boy leaning against a wood post. Several single mast fishing boats are seen on sandy beach. One with initials “H.S.” and dated “96”. Many boats are seen on a tranquil sea with two preparing to leave. Housed in a magnificent gold deep flower decorated gesso frame with gold liner. On back of frame is an old Dayton Art & Antiques label. SIZE: 24” x 42”. CONDITION: Craquelure, very good. 9-28446 (2,250-2,750)

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316

JEAN COUTY (French, 1907-1991) MEDITERRANEAN HARBOR. Oil on board harbor scene shows several boats against a backdrop of buildings and hill. In the foreground is a small boat with awning named “Maria”. Signed lower left “J. Couty”. Housed in a partial gilt molded wood frame. SIZE: 19-1/2” x 27-3/4”. CONDITION: Very good with minor inpainting. 9-70397 (1,000-2,000)

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317

LOUIS BOSA (Italian, 1905-1981) “HALLOWEEN”. Oil and watercolor scene of a Halloween procession with seven colorful figures in scary outfits with three in skunk outfits under a full moon. Signed lower right “Bosa”. On reverse is a Kleemann Galleries, New York label with artist and title. Housed in a weathered ogee type wood frame with wide linen matte. SIGHT SIZE: 9-3/4” x 18-1/2”. CONDITION: Very good. 9-70820 (3,500-4,500)

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318

R. GIORDANO (Italian, Early 20th Century) THE VILLA. Oil on canvas evening scene shows a villa or stucco fronted building with two doorways with mountain background. Signed lower right “R Giordano”. Housed in a carved decorated wood frame. SIZE: 21-3/4” x 27-3/4”. CONDITION: Relined, restored, inpainting, fair. 9-70776 (1,000-2,000)

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319

UNSIGNED (Italian, 19th Century) PAIR OF NAPLES HARBOR SCENES. Pair of oval gouache harbor scenes show a building lined harbor with many boats and volcano spewing smoke in background. The oval scenes are housed in a matched pair of fine walnut deep carved wood frames with gold liners, brown mattes and inner gold liner. SIGHT SIZE: 7-1/4” x 10”. CONDITION: Very good. 9-71338 (1,750-2,250)

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320

A RODETTI (Italian, 19th Century) THE GRAND CANAL. Oil on academy board scene shows a plaza next to the Grand Canal with many people and tall monument. The buildings line the canal with a colorful sailboat in the water. Signed lower left “A. Rodetti”. Housed in a period partial gilt wood frame. SIZE: 10” x 14”. CONDITION: Very good, upper right corner with small repair. 9-70599 (500-1,000)

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321

ENSEL SALVI (Italian, 20th Century) NAPLES HARBOR. Oil on canvas nighttime scene shows a bright full moon over Naples harbor. Mount Vesuvius is seen in the background with bright lava stream. The harbor is dotted with boats and the edge with buildings and trees. Signed lower left “E Salvi”. Housed in its original gesso decorated white painted frame which is slightly warped. SIZE: 19-3/4” x 27-1/2”. CONDITION: Very good. 9-70752 (400-600)

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322

PRIDDA? (Italian, Early 20th Century) THE GRAND CANAL. Oil on canvas scene shows two gondolas with large buildings in the background. Signed lower right. Unframed. SIZE: 19-3/4” x 27-1/2”. CONDITION: Thin canvas with some holes. 9-71417 (100-300)

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323

UNSIGNED (European, 19th Century) THE FORTUNE TELLER. Oil on canvas scene shows a young maiden having her palm read by a Gypsy with a young child beside. A small dog is seen at the feet of another girl with hands clasped under chin. All seen in a landscape having a marble railing. Housed in its original gesso decorated frame which is “as is”. SIZE: 10” x 8-1/2”. CONDITION: Generally very good. 9-70580 (500-1,000)

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324

RAVEL (European, 19th Century) THE DWELLING. Oil on canvas mounted on board outdoor scene shows a large house with second story porch with several trees and what appears to be a tent off its left back side. All under blue and cloud sky. Signed lower right “Ravel”. Housed in a gilt gesso decorated deep lemon gold frame. SIZE: 20” x 27-1/2”. CONDITION: Very good. 9-70777 (4,500-6,500)

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325

UNSIGNED (European, 19th Century) MADONNA. Pastel type painting of a Madonna with crossed hands on chest has long flowing hair and blue robe. Housed in a wonderful early 18th/19th Century stand up frame having scroll and leaf carving on a stepped serpentine base. Oval molded wood frame for picture. SIZE: Image is 14” x 11-1/2”. Frame is 26” x 17-3/4”. CONDITION: Frame is good, painting has some scratches and rubs but generally good. 9-70924 (500-1,000)

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326

A. ROUSSEL (European, 19th/20th Century) STILL LIFE OF FLOWERS. Oil on canvas still life scene shows a pottery vase with a bouquet of colorful flowers. Signed lower right “A. Roussel”. Housed in what appears to be its original gesso decorated gilt frame with some gesso damage. Back of frame with modern pen “A. Adeline Maud Van Schaik”. SIZE: 13” X 9-1/2”. CONDITION: Very good. 9-70828 (800-1,200)

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327

SIGNED (European, First half of the 20th Century) EUROPEAN HARBOR. Oil on board scene shows a two-mask fishing boat coming into a small harbor with cliffs and grass covered hills with buildings. Signed lower right. Housed in a gilt molded wood frame. SIZE: 26” x 37-1/2”. CONDITION: Restored with inpainting. 9-29729 (400-600)

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328

ATTRIBUTED TO JOAN MIRO (Spanish, 1893-1983) ABSTRACT COMPOSITION. Watercolor and pencil scene of two figures under star and moon. Signed in pencil lower right “Miro”. Housed in a black wood frame with double mattes. Consignor has indicated that the piece went from a German collector to Lloyd Beckman Association to Fine Arts of Michigan. SIGHT SIZE: 9-1/2” x 6-3/4”. CONDITION: Good. 9-70149 (3,000-5,000)

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329

JUAN ORIHUEL BARTA (Spanish, 1906-1982) NUDE STUDY. Oil on board of a nude woman seated on white cushions. Signed lower right and dated “1940”. Housed in a simple wood frame with linen and gold liner. SIGHT SIZE: 6-1/4” x 4”. CONDITION: Very good, minor touch up. 8-87462 (800-1,200)

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330

C ARNESON (Danish, First half of the 20th Century) THE FISHING BOAT. Oil on canvas scene shows a two-mast fishing boat proceeding through white capped ocean with several other boats. Housed in a fine gilt molded wood frame. SIZE: 25-1/2” x 35-1/4”. CONDITION: Discolored varnish layer, otherwise very good. 9-29731 (500-700)

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331

EMILY LOUISE ORR ELLIOTT (Canadian, 1867-1952) PANORAMIC FALL LANDSCAPE. Colorful oil on board fall scene shows colorful trees against a low hill and blue cloud sky background. Signed lower left “E. L. Elliot”. Housed in its original period gilt and carved wood frame. Haynes Art Gallery Toronto label on back. SIZE: 9-3/4” x 7-1/2”. CONDITION: Very good. 9-70802 (650-850)

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332

ATTRIBUTED TO JESSIE LEACH FRANCE (American, 1862-1926) MOONLIT FRENCH HARBOR SCENE. Unsigned oil on academy board scene shows a fishing boat moored to edge of land with family gathering. Appears to be a winter scene with snow covered ground. Housed in a tiger motif decorated frame. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 10” x 17-1/4”. CONDITION: Good. 9-70714 (500-1,000)

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333

CHARLES EDMOND RENAULT (French, 1829-1905) IMPRESSIONISTIC LANDSCAPE WITH COWS. Oil on canvas scene shows a tree lined pasture with a small pool of water and cows grazing under blue and cloud sky. Signed lower left. Housed in a gilt molded wood frame. Back of canvas having a Paris canvas stamp and a label from Adolph de Jong Art, NYC. SIZE: 10-3/4” x 16-1/4”. CONDITION: Dime size chip to bottom, otherwise good. 9-70905 (2,000-3,000)

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335

JULES FRANCOIS ARCHILLE AMBROISE (French, 20th Century) PATH TO THE SEA. Watercolor scene shows a path between buildings leading to open ocean. Signed lower right “Ambroise 1909”. Housed in a partial gilt molded wood frame. SIGHT SIZE: 21” x 14-1/2”. CONDITION: Very good. 9-70882 (1,000-2,000)

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336

K.V. (19th/20th Century) LANDSCAPE WITH CHICKENS AND PEOPLE. Oil on canvas scene shows two women walking along a dirt road lined with tall trees and stacked wood. A hedge row is on one side leading to a fence sided bridge with child feeding chickens. Signed lower right “KV”. Housed in a gesso decorated gold frame. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 9-1/4” x 14-1/4”. CONDITION: 9-29948 (1,000-1,500)

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337

UNSIGNED (19th/20th Century) COUNTRY COTTAGE. Oil on canvas landscape scene shows a dirt road winding alongside a thatched roof cottage with trees and grass. Housed in what appears to be its original lemon gold and gesso decorated frame. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 10” x 14”. CONDITION: Surface dirt, otherwise very good. 9-29949 (1,000-1,500)

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338

OSCAR ANTONIO VAZ (Argentinean, 1909-1987) “BARRACAS AL SUR”. Oil on board harbor scene shows two fishing boats next to a dock in a harbor setting. Signed lower left “Oscar Vaz”. Housed in a gilt carved wood frame with linen and gold liner. Title and artist written on back. SIZE: 12-1/2” x 10-1/2”. CONDITION: Very good. 8-87461 (2,000-2,500)

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339

JORGE LARCO (Argentinean, 1897-1967) FAMILY BEACH TIME. Oil on canvas board beach scene shows a four person family including boy, girl infant and mother. Signed lower left “Larco”. Unframed. SIZE: 9-1/2” x 11-3/4”. CONDITION: Scattered retouch, otherwise very good. 8-87464 (1,000-1,400)

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340

CORREA (Mexican, 17th/18th Century) THE DICE GAME. Unframed large oil on canvas scene shows four uniformed military men playing dice on a military drum. Nice colorful helmets with plumes. Signed on bottom “Correa FET”. SIZE: 43” x 24-3/4”. CONDITION: Craquelure, small chip, masking varnish. Generally fair to good. 9-70774 (2,000-3,000)

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341

AFTER DIEGO RIVERA (Mexican, 1886-1957) HARVESTING THE LETTUCE. Pastel on brown paper scene shows a figure in white clothes with broad brim hat bent over picking a head of lettuce. Rows of lettuce are seen on a brown ground. Signed lower left “Diego Rivera”. Housed in a carved wood gilt frame with white matte. SIZE: 17” x 12”. CONDITION: Very good. 9-71473 (3,000-5,000)

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342

MARCEL JANCO (Israeli, 1895-1984) “DADADADA SURRUDADATER DA”. Oil and watercolor on paper abstract scene shows triangles with arrows. Signed in center “M. Janco”. Titled on right side. Housed in a fine modern carved gilt wood frame with inner linen matte and gold liner. SIGHT SIZE: 10-1/4” x 17-1/4”. CONDITION: Very good. 9-70824 (1,750-2,250)

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343

JACQUES EDZER PIERRE (Haitian, 20th Century) “HAITIAN MARKET”. Unframed oil on canvas scene shows a busy market with a large crowd and merchants with colorful produce. Signed in the center bottom “D. Pierre”. Signed and titled on back stretcher. SIZE: 16” x 20”. CONDITION: Very good. 9-71721 (300-500)

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344

EVERETT GEE JACKSON (American, 1900-1995) MEXICAN OPEN MARKET. Unframed oil on canvas scene shows a large group of people dressed in orange and yellow with various produce. Signed bottom right “Jackson”. Signed on back of canvas “Everette Gee Jackson”. SIZE: 24” x 15-3/4”. CONDITION: Very good. 9-71720 (1,800-2,400)

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345

B. FIPINOLA (First half of the 20th Century) SOUTH AMERICAN FAMILY. Oil on masonite scene shows a mother and two children all dressed in colorful country attire. The mother wearing a beaded necklace and bowl formed hat. Signed lower right. Housed in a gilt textured molded wood frame. SIZE: 26” x 19-1/2”. CONDITION: Surface dirt, generally very good. 9-71335 (400-600)

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346

SIGNED (Mid 20th Century) PERUVIAN BEGGAR MAN. Oil on canvas board shows a seated man with stick and one shoe. His clothes are tattered and he wears a hat. He holds his hand out and has a clay pot next to him. Signed lower right indistinctly. Housed in its original gold molded wood frame. SIZE: 18” x 23-1/2”. CONDITION: Very good. 9-71336 (300-500)

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347

SIGNED (French School, 19th Century) THE SOLDIER. Oil on wood panel shows a soldier holding musket and wearing a backpack with blue coat, red pants and red hat. He has just entered through a wood door into a courtyard. Signed lower left “F. Dulainey”? Housed in an antique gold gesso decorated frame with gold liner. SIZE: 14” x 10”. CONDITION: Two nail holes at top and chip to lower left. Otherwise very good. 9-70896 (1,000-2,000)

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348

SUZANNE ROGER (French, 1899-1986) SURREAL LANDSCAPE. Colorful oil on canvas scene shows wiry trees with vineyard and grassy area. Multi-colored background is signed upper right “Suzanne Roger”. Housed in a gilt wood frame with linen liner and inner gold matte (discolored). SIZE: 13” x 22”. CONDITION: Very good. 9-29407 (2,000-3,000)

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349

ANDRE DUNOYER DE SEGONZIAC (French, 1884-1974) FLEEING THE FLAMES. Oil on wood panel scene appears to show two figures running from yellow and red flames with black smoke. Signed lower left “AD Segonziac”. Housed in a gesso decorated gold frame. SIZE: 11” x 14-1/2”. CONDITION: Very good. 9-70093 (1,000-2,000)

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350

JEAN EVE (French, 1900-1968) “LA TERRE AU MOMENT DU LABOUR”. Oil on canvas surrealistic scene shows a bare tree at the end of a cultivated field under a cloud and blue sky. Signed lower right “Jean Eve 1930”. Titled on back of stretcher. Housed in a period textured gilt molded wood frame. SIZE: 29” 21-1/4”. CONDITION: Half dollar size tear and missing paint to upper left. Otherwise very good. 9-70113 (3,000-5,000)

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351

UNKNOWN ARTIST CIPHER (20th Century) VIEW FROM SHORE. Oil on artist board pointillist scene shows a small sailboat off a tree lined shoreline. Signed lower right with artist monogram/cipher which only shows a conjoined HE in half a circle. Housed in a modern double frame decorated with shells and scrolls. SIZE: 8-1/4” x 10-1/2”. CONDITION: Very good. 9-29422 (600-800)

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352

SCHOOL OF BERNARD BUFFET (French, 1928-1999) THE GREEN VASE. Oil on masonite still life scene shows a green flower decorated vase holding a large spray of flowers with green leaves. The vase sits atop a white and brown shelf with barn board back. Signed upper left “1986 Bernard Buffet”. SIZE: 24” x 20”. CONDITION: One corner is clipped, good. 9-28986 (600-800)

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353

AFTER HENRI HAYDEN (French, 1883-1970) ABSTRACT STILL LIFE. Oil on canvas abstract scene shows what appears to be fruit and a carafe on a colorful table setting. Signed lower right “Hayden”. Housed in a black gilt lined frame, which is damaged. SIZE: 15-1/2” x 17-1/2”. CONDITION: Very good. 9-28991 (400-600)

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354

SCHOOL OF AUGUSTE HERBIN (French, 1882-1960) GEOMETRIC COLORS. Oil on canvas abstract scene shows black shapes on a blue top field with central circle of green and blue. The bottom half has geometric shapes on a yellow background including blue, green, black, red and white shapes. Signed center bottom “Herbin 55”. SIZE: 24” x 30”. CONDITION: Very good, one small patch to back. Craquelure. 9-27725 (1,500-2,000)

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355

SCHOOL OF JEAN ALBERT GORIN (French, 1899-1981) ABSTRACT SQUARE. Oil on panel abstract scene shows a compilation of white, green, yellow and purple squares lined in black. Signed lower right in pencil “J. Gorin 63”. An old Amsterdam Gallery label of L P. Reeker is on back. SIGHT SIZE: 10-1/4” x 6-3/4”. Panel size is 11” x 7-1/2”. CONDITION: Very good. 9-29409 (200-300)

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356

UNSIGNED (20th Century) STILL LIFE OF FRUIT. Oil on wood paneling still life scene shows a grouping of fruit including peaches, grapes, melon and pear. A birds nest is seen with five eggs, a butterfly and a salamander. Unframed. SIZE: 12” x 16”. CONDITION: Some cuffs and scratches with paper residue. Good. 9-71348 (400-600)

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357

E.B. (Last Quarter of the 19th Century) “ALICIAE AMICAE DILECTISSIMAE”. Oil on canvas still life scene shows a golden lyre with pink, yellow and white flowers having a white bowtie and sheet of paper falling off table with title, artist initials and a date in Roman Numerals 1878. Housed in a modern gilt frame with linen liner. SIZE: 36” x 13-1/2”. CONDITION: Relined, restored, inpainting, very good. 9-71343 (450-550)

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358

COLIN CAMPBELL COOPER (American, 1856-1937) NEW YORK WINTER STREET SCENE. Oil on panel scene shows a busy New York street scene in the midst of a snow storm. Lines of vehicles are seen with large buildings which have flags flying. Signed lower left “CC Cooper”. Housed in a fancy flower decorated gesso gold frame. SIZE: 20” x 16”. CONDITION: Very good. 9-70863 (17,500-22,500)

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359

FRANCOIS (American, Mid 20th Century) NEW YORK CITY DOCKS. Oil on wood paneling scene shows a busy dock area in New York with large ships next to big warehouses with train and truck traffic. A large three stack ocean liner is seen in harbor. Buildings are labeled “New York Dock”. Signed lower right “Francois 39”. Housed in a flat wood frame with wood liner. SIZE: 26-1/2” x 38-3/4”. CONDITION: Good, surface dirt. Would brighten with a cleaning. 9-70862 (5,000-7,000)

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360

D E TIREFORT (American, Mid 20th Century) WINTER AT WASHINGTON SQUARE. Oil on canvas New York scene shows the arch at Washington Square in a winter snowstorm. Several vehicles are seen beyond the arch and a lone pedestrian with umbrella walks toward street light. Signed lower right “D E Tirefort”. Housed in a fine painted white reticulated fancy frame. SIZE: 24” x 30”. CONDITION: Very good. 9-70864 (3,500-5,000)

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360a

LEONARD MOORE DAVIS (American, 1864-1938) FLAGS ON PARADE DAY. Oil on wood panel scene shows a New York street scene with a large Flag Day parade. People line the streets while buildings are displaying many different flags. Trinity Church is seen on the left with tall buildings on either side. Signed lower left “L Davis”. Housed in a modern gesso decorated gilt frame. SIZE: 16” x 12”. CONDITION: Very good. 9-71969 (5,000-7,000)

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361

ALBERT DELMONT SMITH (American, 1886-1962) COLUMBUS MONUMENT, NEW YORK CITY. Oil on canvas scene shows an early view of what is now Columbus Circle in New York City. The monument is at the intersection of Broadway, Central Park West, Central Park South (59th Street), and Eighth Avenue, on the southwest corner of Central Park in Manhattan. Scene shows the tall monument with pedestrians, carts and automobiles in a wide multi-lane street. Large buildings surround the plaza type scene. Signed lower right “Albert D. Smith”. Housed in a gold wide period frame which may be original to the painting. SIZE: 30” x 40”. CONDITION: Good with inpainting. 9-71703 (5,000-7,000)

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362

ATTRIBUTED TO JOHANN BERTHELSEN (American, 1883-1972) “CHRISTMAS IN NEW YORK”. Oil on canvas mounted on cardboard scene shows a Christmas tree in front of tall buildings with pedestrians. Evening under a light snowfall. Unsigned. Housed in a wide carved wood silver frame with silver lining. SIZE: 22” x 30”. CONDITION: Very good. 9-71742 (400-600)

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363

FRANKLIN EDWARD MORRIS (American, 1938-) WASHINGTON STREET SCENE. Oil on board scene shows several horse driven carriages along a wide street lined with trees. Tall buildings can be seen beyond the trees. Unsigned front. Back with a penned inscription “Painted by my father Franklin E. Morris after a painting by Childe Hassam” and signed “JA Morris”. Also a stamp from David Terry Fine Art, Columbus, Ohio. Housed in a good carved gilt wood frame. Morris is known to do both Washington and New York street scenes. SIZE: 8” x 10”. CONDITION: Very good. 9-71472 (1,500-2,500)

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364

FRANKLIN EDWARD MORRIS (American, 1938-) GATHERING FLOWERS. Unframed oil on canvas scene shows a woman in white summer outfit with yellow broad brimmed hat. She is bent down picking flowers from a clearing next to a brook. A large tree casts shade on parts of the flower spotted ground. Signed lower left “F E Morris”. SIZE: 24” x 30”. CONDITION: Very good. 9-71698 (3,000-5,000)

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365

CAROLINE VAN HOOK BEAN (American, 1879-1980) “A DOORWAY IN FLORIDA”. Fine watercolor Florida scene shows a stucco building with an exposed bell over the doorway surrounded by palm trees and colorful tropical bushes. Signed bottom right. Housed in an outstanding carved gilt period frame. SIGHT SIZE: 16-3/4” x 12-1/4”. CONDITION: Very good. 9-71377 (2,000-3,000)

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366

PEDRO AMERSALA (First half of the 20th Century) COUNTRY DANCING. Interesting oil on canvas southern scene shows six children, two with string instruments playing under a tree to a boy and a girl who are dancing together while a boy and a girl hold long sticks that she dances between. A waterway is seen with a man next to a boat and a shack lean to us under a large tree. Signed lower right. Housed in a gilt molded wood frame with linen and gold liner. SIZE: 21” x 27-1/4”. CONDITION: Quarter size hole in the tree, craquelure. Otherwise good. 9-70870 (5,000-7,000)

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367

EMILY LANSINGH MUIR (American, 1904-2003) WASH DAY, DOMINICA. Oil on canvas colorful summer scene shows a number of women washing their clothes on rocks and in large pools. Some clothing is being stretched out on rocks to dry. Housed in a fine gilt molded wood frame with linen liner. SIZE: 24” x 28”. CONDITION: Very good. 9-71481 (2,000-3,000)

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368

ARNALDO CASELLA TAMBURINI JR (Italian/American, 1885-1936) SPANISH FIESTA. Oil on board scene shows a man and woman dancing amongst a group of musicians with other people at tables. Signed middle bottom left “A Tamberini Jr”. Tamberini was Court painter to the Italian king and was of noble birth. Housed in a gilt molded wood replacement frame. PROVENANCE: Accompanying lot is a copy of an Exhibition of Paintings by Tamberini, Boston, Mass 1966 indicating that this was #18 in that exhibition. Also an appraisal from Arvest Galleries, Boston, Mass. SIZE: 30” x 23”. CONDITION: Small chip to central hat, otherwise very good. 9-70142 (2,000-3,000)

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369

ALFRED THOMPSON BRICHER (American, 1837-1908) FALLS AT TAUGHAUUSCK ON LAKE CAYUGA. Watercolor scene shows tree lined rocks with waterfall flowing into a pool below. Signed lower left with conjoined “AT Bricher”. Housed in a simple black painted wood frame with tan matte. Back has typed label indicating location, artist name and “Circa 1890”. SIZE: 4-3/4” x 3-3/4”. CONDITION: Very good. 9-70408 (800-1,200)

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370

WILLIAM LANGSON LATHROP (American, 1859-1938) SAILS ALONG THE NEW JERSEY SHORELINE. Oil on canvas scene shows several sailboats on calm water with a houseline shoreline with low hills. Signed lower right “W L Lathrop 04”. Housed in an antique rosewood style frame with gold liner. SIZE: 16” x 22”. CONDITION: Very good, inpainting. 9-71555 (14,000-16,000)

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371

ANTON GERLACH (American, 19th Century ) “MOONLIGHT EXCURSION, LANDSCAPE ON THE SCHUYLHILL”. Oil on canvas evening scene shows several boats on a wide river, one being filled with passengers. The river is lined with trees and there are buildings on the far bank. A full moon is seen through break in clouds. Signed lower left. Also labeled and signed on back with Philadelphia, PA. SIZE: 30” x 50”. CONDITION: Several tears and holes in need of restoration. 9-71383 (2,000-3,000)

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372

ELWYN GEORGE GOWEN (American, 1895-1954) PAIR OF LANDSCAPES. 1) Titled on reverse “Sunset from the Airport”. Oil on board scene shows a low landscape with gray and colorful sky. Signed lower left. 2) Oil on board scene shows an oncoming rainstorm over water, building and rocks in foreground. Estate stamped on reverse. Unsigned front. Both housed in identical carved wood gilt arts & crafts style replacement frames. SIZE: 8” x 10”. CONDITION: Very good. 9-71548 (1,400-1,600)

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373

CHARLES HENRY MILLER (American, 1842-1922) “BOUQUET OF OAKS, STEWARTS POND, JAMAICA, LONG ISLAND”. Oil on canvas-board landscape scene shows a large oak tree with a fallen branch in the middle of a large meadow. A nice summer scene. Initialed and dated lower right corner “C.H.M. Aug 17th 1892”. Titled and inscribed on bottom left. Housed in a fine gesso decorated gilt frame with linen liner. SIGHT SIZE: 14” x 22-1/2”. CONDITION: Restored, inpainting. Very good. 9-70825 (1,800-2,250)

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374

HARRIET B NEWHALL (American, 1870-1940) “LOWER MT. VERNON ST.”. Oil on canvas scene shows several large buildings, one having a clock tower, another with two spires. People and cars are seen on the broad avenue. We believe the building with the clock tower is the Charles Street Meeting House. Titled and signed on stretcher, also signed lower right. Housed in a nicely carved gilt period frame. Frame with flower carving a the corners and a notched inner border, possibly the work of a Boston frame studio. SIZE: 30” x 40”. CONDITION: Very good. 9-71340 (1,250-1,750)

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375

HENRI FARRE (American, 1871-1934) “BOSTON GARDEN MEMORIAL”. Oil on canvas laid on cardboard scene shows a Boston landmark with cars and pedestrians in front. Signed lower left “HF”. Title written on paper attached to stretcher. Housed in a gilt period frame. SIZE: 9” x 12”. CONDITION: Very good. 9-71696 (600-800)

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376

THOMAS BARTHOLOMEW GRIFFIN (American, 1858-1918) “THE DELAWARE”. Outstanding large oil on canvas landscape shows a river cascading through boulders with rock and tree lined banks. Low hills are seen going into background. All under a darkening approaching rain storm coming from the left and starting to obscure the light white clouds and blue sky. Signed lower right “T B Griffin”. Housed in what appears to be its original fancy decorated gilt frame. Signed and titled on back of canvas. Frame has an Edward Jackson Brooklyn, NY label. SIZE: 25” x 30”. CONDITION: Very good. 9-29007 (3,000-5,000)

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377

JOHN ELLIOTT (American, 1859-1925) “THE RIVER”. Oil on canvas impressionistic scene shows a river having groups of blossoming lily pads with tree lined banks leading to a small hill. Unsigned front but back of canvas with title, artist and dates. Probably a South Carolina Scene. Housed in a fine carved wood gilt antique frame. SIZE: 18” x 40”. CONDITION: Cleaned with minor inpainting. Very good. 9-71907 (4,000-5,000)

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378

JOHN F. BERNINGER (American, 1897-1981) FALL LANDSCAPE WITH RIVER. Oil on board scene shows a river cascading over rocks beside a hillside dotted with trees in fall foliage. Signed lower right. Housed in a gold molded wood frame. “Berninger is one of the premier artist’s to come out of the Baum school and is best known for his well-executed landscapes of the Lehigh Valley”. SIZE: 12” x 14”. CONDITION: Very good. 9-29953 (3,000-5,000)

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379

WALTER EMERSON BAUM (American, 1884-1956) CITY GIRL. Oil on board half portrait of a young woman wearing a white dress with a city backdrop having a river and tall buildings. On back of board in old script “Painted from life by Walter E. Baum of ? ?”. In pencil it appears to say “Casein on board”. Signed lower left “Baum”. Housed in a gilt molded wood frame. SIZE: 16” x 11-1/2”. CONDITION: Very good. 9-70185 (800-1,200)

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380

EVERETT SHINN (American, 1876-1953) THE BURLESQUE HOUSE BAND. Fine oil on canvas scene shows a four piece band including a banjo, guitar, cello and piano. Four men sit in chairs against the wall and a plank floor. Signed upper right “Shinn” and followed by a possible illegible date. Writing on reverse of stretchers indicating a previous owner, frame type and more. Housed in a brown and white painted molded wood frame. SIZE: 18-1/4” x 18”. CONDITION: Very good with minor inpainting. 9-71745 (8,000-12,000)

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381

EASTMAN JOHNSON (American, 1824-1906) “THE BLACKSMITH SHOP”. Oil on board scene shows a seated man lighting his pipe with a pair of wrought iron tongs holding an ember. He wears a leather apron, vest and white shirt. Signed lower right “E. J”. Housed in what maybe its original wide gesso decorated frame with old name plaque. The back having an old label which indicates title and artist name. Also a pencil label on back of board. SIZE: 13-1/2” x 10-3/4”. CONDITION: Very good. 9-70327 (5,000-8,000)

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382

EDWIN AUSTIN FORBES (American, 1839-1895) UNION SUPPLY WAGON. Oil on canvas Civil War scene shows a wagon train with the lead covered wagon filled with crates being lead by three teams of two horses having two black drivers accompanied by a soldier on horseback. Several other wagons are seen behind. All along a wide dirt road with high grass banks under a blue and cloud sky. Signed lower left. From 1861-65 Frobes was a staff artist Frank Leslie’s Illustrated newspaper, covering the Army of the Potomac throughout the war. Housed in a gilt wood frame with linen and gold liner. SIZE: 12” x 18”. CONDITION: Relined, minor inpainting. Very good. 9-70800 (14,000-18,000)

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383

THEODORE VICTOR CARL VALENKAMPH (American, 1868-1924) THE TALL SHIP. Oil on canvas scene shows a three-mast tall sailing ship in full sail coming towards viewer in rough seas. Blue and cloud sky. Signed lower right “TVC Valenkamph”. Housed in what appears to be its original gilt molded wood frame which has a “Chappell’s Pasadena, CA” label. SIZE: 28” x 36”. CONDITION: Very good. 9-71708 (3,000-5,000)

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384

JAMES GALE TYLER (American, 1855-1931) SHIP IN DISTRESS. Outstanding oil on canvas scene shows a large sailing vessel wrecking on coastal rocks with cliff behind. Several crewmen are seen aboard and the central mast has the US flag upside down in distress signal. Large light green and white waves punish the boat. Signed lower right “James G. Tyler”. Housed in a magnificent gesso decorated period frame with a label from J. H. Gillespie’s Sons, New York. SIZE: 20” x 30”. CONDITION: Relined, inpainting. Very good. 9-70878 (8,000-12,000)

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385

FREDERICK LEO HUNTER (American, 1858-1943) PAIR OF TALL SHIP PAINTINGS. Oil on canvas nautical scenes show a three-mast sailing ship in full sail sailing left to right and right to left on a wavy sea. Nice colorful scene. Signed lower right “F Leo Hunter 1927” and “1931”. Housed in identical and what is probably their original gesso decorated gilt frames. SIZE: 18” x 24”. CONDITION: Very good with minor inpainting. 9-71554 (1,250-1,750)

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386

STEPHEN SALISBURY TUCKERMAN (American, 1830-1904) THE RETURN OF THE FISHING FLEET. Large oil on canvas scene shows a number of large two-mast fishing boats coming into a beach on big waves. People are seen on the beach ready to secure the boats and unload the catch. Scene is under a gray stormy sky. Signed lower right “Tuckerman 76”. Housed in a natural wood molded frame. SIZE: 36” x 50”. CONDITION: Craquelure, good. 9-71403 (2,000-3,000)

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387

EDGAR NEWITT NYE (American, 1879-1943) PROVINCETOWN DOCK. Oil on board scene shows men dockside with a boat being loaded near and two sailboats passing. The board in which the painting is on is only partly covered with paint. Signed lower right. Housed in a weathered gray flat wood frame with natural molded wood liner. SIZE: 28-1/4” x 14-3/4”. CONDITION: Very good. 9-70899 (2,000-3,000)

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388

WILLIAM FREDERICK PASKELL (American, 1866-1951) SUNSET CRUISE. Fine watercolor shows tranquil sea with single mast sailboat going left to right with two other sails in distance. A dock with moored sailboat beside is on left side. All under a colorful setting sun sky. Signed lower left “Wm Paskell”. Housed in a fine gesso decorated replacement frame. SIGHT SIZE: 5-3/4” x 13-3/4”. CONDITION: Very good. 9-70889 (500-1,000)

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389

T BAILEY (American, Mid-20th Century) THE “MAY B”. Oil on canvas scene shows a marsh area with single mast sailboat with “May B” on stern. Tranquil water with low hillside with trees and sailboats in distance. Signed lower right “T Bailey”. Housed in a good period gold frame. It is generally known that T. Bailey was the pseudonym for William Paskell. SIZE: 24” x 36”. CONDITION: Good. 9-29728 (400-600)

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391

HOWARD RUSSELL BUTLER (American, 1856-1934) COLORFUL COASTAL SUNRISE. Oil on canvas beachside scene shows a series of waves breaking on shallow water. Background a colorful sunrise in shades of pink, yellow and blue. Estate signed lower left “H. R. Butler, Estate”. Housed in a fine flower decorated gesso frame. SIZE: 15” x 25”. CONDITION: Craquelure, minor touch up, otherwise very good. 9-70821 (2,500-3,500)

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392

WILLIAM ANTON JOSEPH CLAUS (American, 1862-1926) ONCOMING WAVES. Oil on board scene shows seascape with white cresting waves in turquoise and dark blue. Sails are seen on horizon under a bluish/gray and white sky. Signed lower right “WAJ Claus”. Housed in a painted molded wood frame. Director of the Claus Art School, Claus was among the early artist’s to establish a studio on Monhegan Island, Maine. SIZE: 17-3/4” h x 24-1/2” w. CONDITION: Surface dirt, very good. 8-87466 (1,000-1,500)

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393

ALPHONSE JOSEPH SHELTON (American, 1905-1976) “EVENING, OCEAN POINT”. Fine oil on canvas coastal scene shows waves crashing onto rocky ledge with colorful sunset beyond. Signed “AJ Shelton” lower left. Housed in its original carved gilt wood frame. SIZE: 24” x 36”. CONDITION: Very good. 9-71482 (1,500-2,500)

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395

PAUL DOGHERTY (American, 1877-1947) INCOMING TIDE. Oil on canvas coastline scene shows water cascading over large coastal rocks with a foam topped inlet. Signed “Dougherty” bottom center. Housed in a gesso decorated gold frame. SIZE: 20” x 24”. CONDITION: Some inpainting, signature fluoresces under blacklight. Very good. 9-71714 (3,000-5,000)

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396

GILBERT TUCKER MARGESON (American, 1852-1949) NEW ENGLAND COASTLINE. Oil on board scene shows a large wave crashing against a rock ledge. A three-mast sailboat is seen on horizon under blue and cloud sky. Housed in a wide gesso decorated modern gilt frame. Other side of the board is painted with a capital building scene. SIZE: 23” x 26-3/4”. CONDITION: Inpainting, good. 9-71599 (2,500-3,500)

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397

CHARLES HENRY RICHERT (American, 1880-1974) ROCKY INLET. Oil on board scene shows a rocky coastline with a small inlet with waves coming in. Water in light green and white. Sigend lower right “Ch. Richert”. Housed in an antique gesso decorated frame. Who’s Who lists Richert as working in Massachusetts. SIZE: 10” x 14”. CONDITION: Very good. 9-70921 (1,250-1,750)

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398

EVERETT LLOYD BRYANT (American, 1864-1945) DUNES TO THE SEA. Mixed media on paper scene shows plant covered dunes leading down to the ocean with rocks. Signed lower right “EL Bryant”. Housed in an antique quartered oak flat frame. SIGHT SIZE: 19-1/2” x 29-1/2”. CONDITION: Some foxing, good. 9-70898 (2,000-3,000)

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399

EDMUND DARCH LEWIS (American, 1835-1910) COASTAL SEASCAPE. Watercolor scene shows a beach with large rocks and small greenish waves. Signed lower right “Edmund D Lewis” and dated. Housed in a period partial gilt frame with modern colored double mattes. SIGHT SIZE: 9” x 20”. CONDITION: Good. 9-70892 (2,000-3,000)

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400

LOUISE MARY WAHL KAMP (American, 1867-1959) TRANQUIL SHORELINE. Oil on panel coastal scene shows turquoise water in a U-shaped rock lined bay. Signed lower right “Louise M. Kamp”. Housed in a line incised flower decorated gilt carved wood frame signed “Amos Shontz”. SIZE: 7” x 9”. CONDITION: Very good. 9-70883 (750-1,250)

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401

A. ROBINSON (First half of the 20th Century) COASTAL INLET. Oil on canvas board coastal scene shows waves crashing into small inlet lined with large rocks. Signed bottom right “A. Robinson”. Housed in an Eastlake period frame with gold liner. This possibly is the work of Albert Henry Robinson (Canadian, 1881-1956). SIZE: 10” x 14”. CONDITION: Very good. 9-71557 (500-1,500)

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402

WILLIAM EDWARD NORTON (American, 1843-1916) SEASCAPE. Oil on canvas seascape shows blue water with a colorful cloud sky. Signed lower left. Housed in a gilt gesso decorated wood frame. SIZE: 7-3/4” x 11-1/2”. CONDITION: Relined, very good. 9-71729 (400-600)

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403

NAN GREACEN (American, 1908-1999) ROSES ALONG THE FENCE. Oil on canvas garden scene shows pink roses growing along a three-slat wood fence. Other bushes and buildings are seen in background. Signed lower right “Nan Greacen N.A.”. Housed in a modern gilt carved wood frame. Nan is daughter to artist Edmund Greacen. PROVENANCE: Acquired directly from the artist. PROVENANCE: From a Baltimore, Maryland area private collection. SIZE: 20” x 24”. CONDITION: Very good. 9-29616 (2,000-4,000)

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404

NAN GREACEN (American, 1908-1999) ROSES IN A GLASS VASE. Oil on board table top still life scene shows a footed glass vase holding yellow, pink and red roses with green leaves. Signed lower left “Nan Greacen N.A.”. Housed in a fine gold and silver molded wood frame with linen liner. Nan Greacen was daughter of Edmund Greacen who participated in the New Movement of Impressionistic Paintings. PROVENANCE: From a Maryland Collection; Acquired directly from the artist. SIZE: 16” x 20”. CONDITION: Very good. 9-29620 (2,000-3,000)

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405

NAN GREACEN (American, 1908-1999) “MASSACHUSETTS LIGHTHOUSE”. Unframed oil on board coastal scene shows a beach with rocks looking out over ocean to a point of land with lighthouse. Signed lower right “Nan Greacen N.A.”. Back in black magic maker “Painted in Gloucester Mass on sketching trip to Mass with friends, 1979 “Massachusetts Lighthouse””. Nan is daughter to artist Edmund Greacen. A rare subject matter for this artist best known for her still life’s. PROVENANCE: Acquired directly from the artist. PROVENANCE: From a Baltimore, Maryland area private collection. SIZE: 22” x 28”. CONDITION: Very good. 9-29621 (2,000-3,000)

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406

EDMUND WILLIAM GREACEN (American, 1877-1949) “SOUTHPORT HARBOR”. Oil on board scene shows several boats including a two-mast sailboat moored in a tranquil harbor under a light pink, yellow and blue sky. Signed lower left. Back retains a Salmagundi Club label and also titled on back. Housed in a fine replacement frame in the arts & crafts style. SIZE: 15-3/4” x 12”. CONDITION: Under blacklight the signature appears to be enhanced. Very good. 9-29876 (5,000-7,000)

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407

BEN FOSTER (American, 1852-1926) MOONRISE OVER BACKYARD GARDEN. Oil on canvas scene shows a full moon rising above low hills with a garden path leading to a stone wall. Tall flowers line the path. Signed lower left. Housed in a fine gilt carved wood frame. SIZE: 36” x 24”. CONDITION: Very good. 9-70931 (7,000-10,000)

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408

BEN FOSTER (American, 1852-1926) CABIN IN THE COUNTRY. Unsigned oil on canvas scene shows a cabin at edge of woods with green bushes and dirt road. Housed in a fine gilt carved wood frame having modern name plaque with title. SIZE: 23-1/4” x 29-3/4”. CONDITION: Relined, on new stretcher. Restored and inpainted. Very good. 9-27742 (300-500)

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409

CHARLES PAUL GRUPPE (American, 1860-1940) “SUNDAY MORNING AT THE FARM”. Fine oil on canvas board shows connected farm buildings with a back corral having cows. Several trees frame the farmstead with the foreground having a split rail fence and green pasture. Signed lower right “Chas. P. Gruppe”. Housed in a fine period arts & craft carved and gilt wood frame with glass having a New York City label. An early penned artist label on reverse with title and artist signature. SIZE: 12” x 16”. CONDITION: Very good. 9-71093 (4,000-6,000)

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410

CHARLES PAUL GRUPPE (American, 1860-1940) PORTRAIT OF A YOUNG WOMAN. Oil on board scene shows a young woman seated in a grassy area with flowers. One hand holds a book in lap and the other steadies her. Signed lower right “Chas P. Gruppe”. Housed in a modern gilt frame. SIGHT SIZE: 11-1/2” x 15-1/2”. CONDITION: Very good. 9-71701 (2,000-3,000)

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411

ROBERT HOGG NISBET (American, 1879-1961) SUMMER LANDSCAPE WITH RIVER. Unsigned oil on board scene shows a rock and grassy banked small river with large trees and hillside. Housed in a fine period gesso decorated gilt frame. Attached to back is a copy of a note which indicates that this painting was one of the unsigned works from the collection of the late Robert H. Nisbet, signed by the executor of the Estate, City Trust Company. SIZE: 21-3/4” x 30”. CONDITION: Very good. 9-70818 (3,750-4,750)

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412

ROBERT HOGG NISBET (American, 1879-1961) BEACH GIRL. Etching on paper shows a young woman in bathing suit at edge of beach with waves lapping at her feet. Pencil signed “Nisbet” and “3rd State 1st Imp”. Housed in a find bead decorated ebonized molded wood frame with wide ivory matte. IMAGE SIZE: 7-3/4” x 9-3/4”. SIGHT SIZE: 8-1/2” x 10-1/2”. CONDITION: Very good to excellent. 9-70913 (200-400)

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413

LEON KROLL (American, 1884-1975) SUN BATHING BEAUTY. Fine oil on canvas beach scene shows a nude young woman seated on sand dune peering out at a calm ocean. She wears a white headband over her blond hair and she wears white china flats on her feet. The scene is against a blue and white cloud sky with tinges of pink. Possibly a Cape Ann beach scene. Signed lower right “L. Kroll”. Housed in a fine and possibly original gilt gesso decorated frame. SIZE: 23-1/2” x 31-1/2”. CONDITION: Very good with some inpainting, mostly on bottom 3” and one spot in sky. 9-70096 (6,000-9,000)

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414

LEON KROLL (American, 1884-1974) THE BALLERINA. Mixed media on paper scene shows a ballerina in red tights seated in a blue chair massaging her ankle. Signed lower right “Leon Kroll”. Housed in a fine silver gilt gesso decorated frame with white matte and white liner. SIGHT SIZE: 16-1/4” x 13”. CONDITION: Very good. 9-71010 (4,000-6,000)

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415

GEORGE INNESS JR (American, 1854-1926) THE WOODLAND WATERFALL. Oil on birch bark scene shows a small cascading waterfall over rocks surrounded by trees. Signed bottom left. Back of the birch bark in period handwriting “From G I Jr. to Miss Ryan A Souvenir of the Artist Falls, North Conway, NH”. Housed in a period ebonized Eastlake frame with gold liner. SIZE: 6-1/2” x 4-1/4”. CONDITION: Very good with very minor spot inpainting. 9-71374 (1,000-1,500)

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416

GEORGE INNESS (American, 1825-1894) SUNDOWN-CATTLE DRINKING. Oil on canvas landscape scene shows seven cattle in shallow water drinking. A man in small rowboat is beside in a low summer landscape with green trees under a post sunset sky. Signed lower right “G Inness” and dated “1868”. Housed in a fine gesso decorated gilt frame with gilt liner. REFERENCE: George Inness, Leroy Ireland, University of Texas, 1965 No 423. Ex-collection: The artist to a private collection to Mr. Buck, East Hampton, New York to Ainslie Gallery, New York to a private collection to Grand Central Galleries, NY (Inventory No. B3871) to a private collection, CT until 2002 to a private collection. SIZE: 16” x 24”. CONDITION: Relined, restored with inpainting. Good. 9-71120 (60,000-80,000)

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417

WILLIAM ROBINSON LEIGH (American, 1866-1955) ARCTIC CAMP DISASTER. Monochromatic gouache on hardboard scene shows an Arctic camp with tent, pack sleds, dogs and men in the midst of an ice breakup with storm. A dog desperately tries to save itself from the icy water while two men struggle with a packed sled. Another team is shown in background with a tent askew. Signed lower left “W. R. Leigh 1899”. Housed in a gray painted molded wood frame with gray matte. Original label on back of board “No. 8990 Article II William Leight Pub. in March 1900”. Probably an illustration for McClure’s or Scribner’s whom he did illustrations for. SIGHT SIZE: 19” x 14”. CONDITION: Very good. 9-70981 (8,000-12,000)

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418

DEAN CORNWELL (American, 1892-1960) “INDUSTRIAL STUDIES FOR MURALS OF INDUSTRY AND COMMERCE”. Oil on canvas study for the murals in the Los Angeles Public Library, Circa 1930. Unsigned. Study shows various themes of commerce and industry including butcher, bakery, newspaper, printing, textiles, automotive and steel production. Very colorful with nice graphic appeal. Housed in fabulous carved and gilt arts and craft style frame. American Illustrators Gallery label affixed to reverse. REFERENCE: Dean Cornwell, Dean of Illustrators by Patricia Janis Broder, Watson-Guptill Publications. SIGHT SIZE: 10-1/4” x 35-1/2”. CONDITION: Very good. 9-70873 (15,000-20,000)

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419

DEAN CORNWELL (American, 1892-1960) “INDUSTRIAL STUDIES FOR MURALS OF INDUSTRY AND COMMERCE”. Oil on canvas study for the murals in the Los Angeles Public Library, Circa 1930. Unsigned. Study shows various themes of commerce and industry including butcher, bakery, newspaper, printing, textiles, automotive and steel production. Very colorful with nice graphic appeal. Housed in fabulous carved and gilt arts and craft style frame. American Illustrators Gallery label affixed to reverse. REFERENCE: Dean Cornwell, Dean of Illustrators by Patricia Janis Broder, Watson-Guptill Publications. SIGHT SIZE: 10-1/4” x 35-1/2”. CONDITION: Very good. 9-70872 (15,000-20,000)

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420

COURTNEY ALLEN (American, 1896-1969) THE HUNTERS. Oil on board illustration scene shows five hunters at the edge of a lake in a snow covered area trying to hail down a passing boat. They have recently shot and dragged to the edge a large buck. Each is outfitted with woolen jackets and pants. Signed lower left. Housed in an ebonized gesso decorated frame. The back board has wood cradle. SIZE: 17-1/4” x 37”. CONDITION: Very good. 9-71401 (1,000-1,500)

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421

ATTRIBUTED TO JESSE WILCOX SMITH (American, 1863-1935) THE LETTER. Oil on canvas interior scene shows a young girl in fine white dress seated at a table writing a letter with a fountain pen. A black inkwell is next to the paper and a long hair black cat is seated beside. The girl has curly blonde hair with a black ribbon. Backdrop is a colorful printed wallpaper. Unsigned. Housed in a period gilt oak and ripple decorated frame. SIZE: 15-3/4” x 13-1/4”. CONDITION: Relined, very good with inpainting. 9-71535 (8,500-10,000)

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422

EDMUND F. WARD (American, 1892-1991) PIRATES BOUNTY. Oil on canvas board scene shows six pirates in an interior tavern like scene with man on knees next to treasure chest and the head pirate holding a cross. Unsigned with reverse having two Estate stamps and signed Estate Representative. Unframed. SIZE: 20” x 24”. CONDITION: Some light scrapes, good. 8-87465 (1,250-1,750)

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423

JOHN ALAN MAXWELL (American, 1904-1984) PIRATE ILLUSTRATION. Oil on board scene shows a half portrait of a pirate with blue coat and tri-corner hat and red bandana. He wears a gold earring and green parrot is perched on his shoulder and he holds a small handgun. His ship is seen off a sand dune beach. Housed in a gilt and black frame. Signed lower right “John Alan Maxwell”. SIZE: 18-1/4” x 20”. CONDITION: Very good, inpainting. 9-71405 (1,000-1,500)

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424

MILTON JAMES BURNS (American, 1853-1933) ILLUSTRATION – “SCHOOL OF SHARKS”. Fine monochromatic oil illustration for Charles Lewis Shaws story, this being the illustration on page 14 “The Thrasher Shark in its Agony Gave a Leap out of the Water”. Large illustration shows two men on a capsized boat with a caught shark being held by chain and line by both men. Two other sharks are seen circling and an oncoming boat with man with harpoon is close. Signed “Burns 96”. Information on whitened border and pencil inscription on back. Housed in a black molded gilt edged frame with white matte. SIGHT SIZE: 15” x 18-1/2”. CONDITION: Good with craquelure and some very light chipping. 9-29418 (2,500-3,500)

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425

MILTON JAMES BURNS (American, 1853-1933) COASTAL SCENE. Watercolor scene, possibly the Normandy coast, shows three connected houses with other houses atop cliff having a lighthouse atop rock outcropping in rough ocean waves. Signed lower left “Burns”. Housed in a fine gilt gesso decorated modern frame with highlighted white matte. SIGHT SIZE: 9-1/2” x 13-1/4”. CONDITION: Very good. 9-70906 (500-1,000)

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426

JOHN WARD DUNSMORE (American, 1856-1945) “FRONTICEPIECE FOR RODERICK RANDOM VOL-1”. Oil on canvas scene shows a man with gun on horseback. He points the gun at two drifters who are walking along a dirt road, one on knees pleading for mercy. In background are three soldiers on horseback galloping towards them. Back of canvas has title. The character of Roderick Random was made famous through the books of Tobias Smollett. Housed in a gilt molded wood frame. SIZE: 14-1/4” x 24”. CONDITION: Very good. 9-70885 (1,500-2,500)

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427

GERRIT ALBERTUS BENEKER (American, 1882-1934) “HARK TO THE CASTANETS”. Monochromatic oil on canvas illustration shows a fisherman that has entered through a doorway to confront a woman who is dancing in front of a chair. Signed lower right “Garrit A. Beneker 1916”. Title and caption is attached to the back in old writing “Hark to the Castanets… She resembled a fat, old circus horse trying half-forgotten tricks in the …”. Housed in a modern ebonized molded wood frame with silver liner. SIZE: 32” x 22”. CONDITION: Wax relining, inpainting. Very good. 9-71396 (1,500-2,500)

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428

EDWIN AUSTIN ABBEY (American, 1852-1911) THE SLEDDING TRIP. A small unframed watercolor sketch shows a boy pulling a young girl on a sled through snow with bushes and tree behind. Signed lower left “EA Abbey 1877”. Abbey was a staff artist for Harper’s Magazine and this dates from a second tour with Harper’s and may well have been used. Abbey was a founder of the Bohemia Colony in England with John Signer Sargent. PROVENANCE: The Donelson Farquhar Hoopes Estate, Steuben, Maine. SIZE: 4” x 7”. CONDITION: Very good. 9-70715 (500-1,000)

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429

FRANCIS WENDEROTH SAUNDERS (American, 1901-1992) “GARGANTUA”. Large watercolor of the locomotive Gargantua. Shows a black locomotive with tender billowing dark smoke into a yellow gold sky. Signed bottom right “F Wenderoth Saunders 75”. Titled and described on back of painting. Housed in a molded wood colored frame with white matte. SIGHT SIZE: 21-1/4” x 29-1/2”. CONDITION: Very good. 9-71397 (1,000-1,500)

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430

PALMER COLE HAYDEN (American, 1890-1973) “THE DAREDEVIL”. Watercolor amusement park scene shows a man with cape jumping from a tall structure. Many people are below watching. There is a large rollercoaster and Ferris wheel as part of the amusement park. Signed and titled on reverse of cardboard. Housed in a small black molded wood frame with highlight white matte. SIGHT SIZE: 13-1/4” x 9-1/2”. CONDITION: Very good. 9-71694 (600-800)

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431

CHARLES CONSTANTINE HOFFBAUER (German/American, 1875-1957) THE CIRCUS HORSE. Oil on canvas circus scene shows a prancing white horse with lady riding side saddle wearing a red coat, brown dress and black hat. A crowd is beyond with a bright light. Two people sit in foreground watching the center ring. Signed lower right “C. Hoffbauer”. Housed in a black and gold carved wood wide frame. SIZE: 23-1/2” x 31”. CONDITION: Several patches to reverse, some inpainting. Very good. 9-71906 (5,500-7,500)

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432

LEROY NEIMAN (American, 1926) BLACK LABRADOR. Limited edition color serigraph depicts a leaping black Labrador dog through marsh grass and water. Signed lower right and numbered “180/300”. Housed in a fine molded metal silver frame with white matte. SIGHT SIZE: 29” x 37-1/2”. IMAGE SIZE: 27” x 36”. CONDITION: Very good. 9-29977 (1,000-3,000)

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433

LEROY NEIMAN (American, 1926-) THE BOXER. Unframed serigraph shows what appears to be Mohamed Ali with arms raised surrounded by several people in bright colors. Pencil signed on right edge “Leroy Neiman” and in plate and dated “76”. TOTAL SIZE: 23” x 25-1/2; IMAGE SIZE: 23” x 17-1/2”. CONDITION: Some foxing to margins, very good. 9-29976 (500-1,000)

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434

SALVADOR DALI (Spanish, 1904-1989) “THE LANCE OF CHIVALRY”. Colored lithograph scene shows a knight on white horseback slaying a dragon with a large lance. Pencil signed. Nicely housed in a carved gilt wood frame with linen and blue matte. Attached to the back is a 1978 Certificate of Authenticity ‘Dali Retrospective Volume I The Lance of Chivalry This Edition No. A/P”. SIGHT SIZE: 25-1/4” x 18-1/4”. CONDITION: Very good. 9-71128 (1,250-2,000)

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435

SIGNED (French, 20th Century) ABSTRACT PRINT. Lithograph on paper shows a large black E shape against a mottled background. Pencil signed indistinctly and titled in French. Housed in a modern molded wood gilt frame. SIZE: paper is 25-3/4” x 19”. Image is 15-1/2” x 13-1/2”. CONDITION: Very good. 9-71424 (200-400)

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436

MAXFIELD FREDERICK PARISH (American, 1870-1966) “STARS”. Framed large colorful print shows nude woman seated at edge of ocean looking up at a star filled sky. Housed in what appears to be its original gesso decorated gilt frame. SIZE: 30” x 18”. CONDITION: Very good. 9-71190 (1,000-1,500)

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437

GEORGE WESLEY BELLOWS (American, 1882-1925) DEMPSEY AND FIRPO. Lithograph scene shows the classic fight scene showing Dempsey falling through the ropes after being hit hard by Firpo. A large group of spectators is seen around the ring. Housed in a black wood molded frame with black liner and white matte. SIZE: 17” x 21-1/2”. CONDITION: The print has no margins and is laid down on a thick fiberboard. A period lithograph. Otherwise very good. 9-71342 (3,500-5,000)

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438

ERNEST DAVID ROTH (American, 1879-1964) SET OF THREE FRAMED ENGRAVINGS. 1) Hugh Mercer’s Apothecary Shop – Fredericksburg-VA. 2) Home of Mary Washington – Fredericksburg, VA. 3) Tomb of Mary, Mother of Washington and Meditation Rock. All signed in print and dated “1928”. Identically housed in fine silver gilt wood framed with ivory mattes. PLATE SIZE: 9-3/4” x 12-1/4”. CONDITION: Very good. 9-70669 (500-750)

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439

ARTHUR ROTHSTEIN (American, 1915-1985) THREE FRAMED PHOTOGRAPHS. Identically housed in simple mahogany molded wood frames with white mattes. Each photo is mounted on white board and signed in pencil below. 1) 12-3/4” x 9-3/4” photo shows an older couple holding farm produce including corn, potatoes, melon and tomatoes. 2) 9-3/4” x 12” photo shows a bearded man in a room setting. 3) 9-1/2” x 12-3/4” photo shows a young black girl looking out of a log cabin. CONDITION: Very good. 9-70403 (2,000-3,000)

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439a

MARION POST WALCOTT (American, 1910-1990) RETURN FROM SCHOOL. Framed and pencil signed photograph shows eight children walking along a dirt road, one with umbrella and each carrying something in their hands. A river is seen off to the right and a rock ledge off to the left. Housed in a fine gesso and veneered frame with white matte. IMAGE SIZE: 8-1/4” x 11-1/4”. SIGHT SIZE: 9-1/4” x 12”. CONDITION: Very good to excellent. 9-70406 (1,000-2,000)

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439b

RUSSELL LEE (American, 1903-1986) MAKE-DO MERRY GO ROUND. Unsigned framed photograph shows three young children on a merry go round made of a wagon wheel on post. Nicely housed in a veneer and gesso decorated frame with white matte. SIGHT SIZE: 9-1/4” x 13”. CONDITION Very good to excellent. 9-70404 (1,000-2,000)

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440

JOHN WILLIAM CASILEAR (American, 1811-1893) AUTUMN LANDSCAPE. Oil on canvas laid on masonite oval scene shows trees on a small hillside with rocks and cliff under a blue and white cloud sky. Signed lower right “JWC 61”. Housed in what may be its original gesso decorated re-gilt frame with oval window. SIGHT SIZE: 6-1/2” x 8-1/2”. CONDITION: Inpainting, very good. 9-70798 (5,000-7,000)

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441

EDMUND C. COATES (American, 1816-1871) MOUNTAIN RETREAT. Fine oil on canvas scene shows a home with outhouse next to a cascading stream with pool below. Several ducks are seen on the water and two women are seen feeding chickens outside of the dooryard. A church is seen nestled in the woods. On the right side is a panoramic view of a river valley with tall mountain peaks under a blue and cloud sky. Signed lower left “E C Coates 1863”. Housed in an old gilt carved wood frame. SIZE: 12” x 16”. CONDITION: Very good with some inpainting to sky and craquelure. 9-70769 (1,500-2,500)

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442

RUDOLF TSCHUDI (American, 1855-1923)KEEL BOATING ON THE COLORADO. Oil on canvas landscape scene shows a large river at the base of tall cliff sided mountains. A flat bottom boat with a fisherman and family is in the middle of the river. A road with tall trees is seen on left side. Signed lower right “R Tschudi 1900”. Housed in a silver gesso decorated frame with name tag. SIZE: 22” x 27”. CONDITION: Very good, minor touch up. 9-71553 (1,500-2,500)

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443

DEWITT CLINTON BOUTELLE (American, 1817-1884) VALLEY FARM. Oil on canvas bright late summer scene shows a farmer in his pasture with cows grazing next to pond with ducks. Colorful trees surround the pond and pasture. Farm buildings are seen at the end of the meadow. Several rooftops are seen over the tree level. All under an expansive sunlit sky. Signed lower right “Boutelle 1859”. Housed in an antique birdseye maple veneered ogee frame. SIZE: 20-1/4” x 30”. CONDITION: Small patch on reverse, craquelure, minor touch up. 9-70875 (6,500-8,500)

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444

WILLIAM MERRITT POST (American, 1856-1935) LATE FALL LANDSCAPE WITH STREAM. Oil on canvas colorful scene shows several buildings amongst a large grove of trees with a stream having grassy banks leading to a meadow under blue and cloud sky. Signed lower right “W. Merritt Post”. Housed in an outstanding period gesso decorated gilt frame with gilt liner. SIZE: 14” x 20”. CONDITION: Very good. 9-70801 (3,750-4,750)

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445

GARY DUDA (American, 1951-) SUMMER LAKE. Oil on canvas scene shows forested hills with water in the foreground having shores of rock and grass. Signed lower right “G. Duda”. Housed in a modern gesso decorated gilt frame with linen liner. SIZE: 18” x 24”. CONDITION: Very good. 9-70330 (800-1,200)

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446

R PREUSSL? (American, First Quarter of the 20th Century) STREAM FED MEADOWS. Oil on canvas landscape scene shows a small stream meandering down through meadows having grass and lined with tall trees. Signed lower left with what we believe is “R Preussel”. Housed in its original paint and decorated wood frame. SIZE: 20” x 23”. CONDITION: Craquelure, fair to good. 9-71410 (700-1,000)

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447

JACOB DUTWEILER WAGNER (American, 1852-1898) LANDSCAPE WITH FARMHOUSE. Oil on board impressionistic scene shows a small New England house next to field with trees. A marshy area with pond is seen in foreground with a figure and cows in pasture. Housed in its original gilt carved wood frame. The back with remnants of a Boston, MA gallery label. Signed bottom center “J Wagner”. SIZE: 10” x 14”. CONDITION: Untouched, craquelure with surface dirt. 9-29917 (1,000-2,000)

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448

WILLIAM MARK FISHER (American, 1841-1923) “LANDSCAPE WITH SHEEP”. Oil on wood panel scene shows a flock of twelve sheep on rock, grass and bushy hillside under a blue and cloud sky. Signed lower right. Housed in its original gesso decorated gilt frame bearing two old labels to reverse. One label is a Hendrickson, Doll & Richards, Boston and Museum of Fine Arts indicating artist, subject and owner “Charles Francis Loaned 1886”. PROVENANCE: Collection of Mrs. George T. Francis, Philadelphia, PA. SIZE: 9-1/2” x 12-3/4”. CONDITION: Very good. 9-29947 (9,000-12,000)

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449

J CANNARIATO (American, 20th Century) CITY NOCTURNE. Oil on board scene shows several vehicles crossing what appears to be a New York bridge. Nighttime scene and lights line the bridge with traveling cars on the other side. Signed bottom right center. Housed in what appears to be its original distressed wood molded frame with linen liner. A painting typical of the Joan Sloan School. SIZE: 24” x 18”. CONDITION: Very good. 9-71968 (800-1,200)

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450

ALFRED JANSSON (American, 1863-1931) ROAD THROUGH THE WOODS. Oil on canvas scene shows a wide dirt road through deep forest. A large tree is seen in foreground. Signed lower right and dated “1904”. Housed in a fine gilt wood replacement frame. SIZE: 24” x 28”. CONDITION: Relined, inpainting, small nick in tree. Otherwise very good. 9-29826 (1,200-1,800)

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451

MONOGRAMMED (American, First Half of the 20th Century) RIVER LANDSCAPE. Oil on board White Mountains type landscape with a wide river winding through small hills. Foreground having birch trees and grass lined banks. Signed with artist monogram bottom right. Also there is a painting on the back of a mountain landscape with the same monogram. Housed in a gilt carved wood frame with black liner. SIZE: 8” x 14-1/2”. CONDITION: Very good. 9-71734 (300-500)

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452

FRANCIS WHEELER (American, 1879-LAKESIDE COTTAGE. Oil on board scene shows a large summer cottage estate nestled amongst trees beside water and hills. Signed lower right “Wheeler”. Housed in a lemon gold antique frame with black velvet liner. SIZE: 8-1/4” x 13”. CONDITION: Very good. 9-70897 (1,000-2,000)

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453

ROY MARTELL MASON (American, 1886-1972) FLY FISHING. Fine watercolor scene shows a man standing in a John boat. He wears a hat, yellow shirt and green pants and has a wicker creel over his shoulder. He fishes amongst dead trees in a small pond with grass lined banks. Signed lower left “Roy M. Mason”. Housed in its original partial gilt molded wood frame with wide linen matte and white liner. SIGHT SIZE: 14-1/2” x 21-1/2”. CONDITION: Very good. 9-70612 (2,500-3,500)

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454

HARDIE GRAMATKY (American, 1907-1979) “FISHING IN CANADA”. Fine watercolor scene shows two fisherman at a juncture of a stream and river. One sits on rocks while other is fishing at the junction. Nice colorful sporting scene. Signed lower left. Also titled and signed on the back. Housed in a weathered molded wood frame with linen liner and off white matte. SIGHT SIZE: 12” x 17-3/4”. CONDITION: Very good. 9-70402 (3,000-5,000)

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455

JERVIS MCENTEE (American, 1828-1891) FISHING BY THE ROCKY POOL. Oil on canvas scene shows a small brook at bottom of valley with a large pool below large rocks. A fisherman walks down towards the pool. Signed lower right “J. McEntee”. Housed in an antique wide gesso decorated frame with gilt liner. SIZE: 20” x 30”. CONDITION: Very good. 9-70868 (17,500-22,500)

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456

AIDEN LASSELL RIPLEY (American, 1896-1969) A DAY FISHING. Watercolor scene shows three men fishing off large rocks on the coast. They have two bait buckets and are fishing in a small inlet off a large rock. Signed lower left and dated “1932”. Housed in a fine ribbed gilt wood frame with white matte. SIZE: 16” x 20”. CONDITION: Very good. 9-70568 (2,500-3,500)

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457

ARTHUR R SAFFORD (American, 1900-) THE LITTLE FISHERMAN. Unframed oil on canvas scene shows a young boy with red hair wearing bib overalls and white shirt and barefoot standing next to a rock on a river fishing. Signed lower right. SIZE: 36” x 28”. CONDITION: Very good. 9-29725 (500-800)

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458

UNSIGNED (American, 19th Century) THE MILL FISHING HOLE. A run down mill is seen alongside a river with a non working wheel. Two fisherman are seen at edge of cascading pool. A house is seen above the river flanked by tall trees. Housed in a deep walnut Victorian frame with gold liner. SIZE: 8” x 10”. CONDITION: Craquelure, inpainting. Good. 9-70910 (300-500)

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459

ADA CLIFFORD MURPHY (American, 19th/20th Century) “THE OLD GARDEN”. Oil on canvas scene shows a neglected garden of an old gabled cottage, with rows of hollyhocks in full blossom, and a chicken coop at left beneath gnarled apple trees. Signed lower left “A. C. Murphy”. Back of frame has label from the Pennsylvania Academy of Art 59th Annual Exhibition and another label from Anderson Galleries and also an indication that it is from the collection of John Daly, sold at the American Art Association, 1907. Housed in what probably is its original gesso decorated fancy frame with gilt liner. Ada is wife of John Frances Murphy. SIZE: 9” x 14-3/4”. CONDITION: Inpainting, very good. 9-71534 (6,000-8,000)

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460

HAMILTON HAMILTON (American, 1847-1928) THE BUTTERFLY CATCHER. Fabulous oil on canvas scene shows a young girl with long brown hair wearing a brown/red coat, blue pants and long stockings and shoes. She is kneeling on one knee and her hand is out grasping towards a butterfly that has landed on one of the flowers in a large bouquet of flowers which is held in a large blue urn on cement plinth. Colorful poppies and greenery is seen in the background. Signed lower left “Hamilton Hamilton NA”. Housed in what appears to be its original gilt fancy gesso decorated frame. SIZE: 8” x 20”. CONDITION: Very good. Cleaned and restored with relining, no inpainting. 9-29037 (12,500-17,500)

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461

FRANK SIMON HERRMANN (American, 1866-1942) THE GARDEN BENCH. Fine gouache garden scene shows a blue park like bench at the end of a small path lined with purple iris and white flowers. All in a lush setting. Signed lower right “FS Herrmann”. Housed in a nice partial gilt molded wood frame. SIGHT SIZE: 22-1/2” x 28-1/2”. CONDITION: Very good. 9-70904 (2,000-3,000)

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462

ARTHUR S. CUMMING (American, 1847-1913) FIELD OF FLOWERS. Watercolor scene shows a colorful large field with distant trees and small grove. Signed lower left. Housed in a period decorated wood frame. SIGHT SIZE: 16-1/2” x 26”. CONDITION: Light water stain above trees, otherwise good. 9-70091 (1,200-1,500)

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463

PARKER S. PERKINS (American, 1862-1942) NEW ENGLAND WINTER COASTLINE. Fine oil on canvas New England coastline scene shows snow covered rocks and tidal pool. A bright sun shines and reflects in a small inlet. A fine large work from this Massachusetts artist. Housed in a fine period carved rib design frame with inner rib liner. Signed lower left. SIZE: 20” x 24”. CONDITION: Very good, some inpainting. 9-70819 (3,500-4,500)

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464

JOHN NICHOLS HAAPANEN (American, 1891-) THE PASSAGE. Oil on canvas winter scene shows a snow banked water with evergreens and other trees. Signed lower left and dated “26”. Housed in a replacement silver gilt molded wood frame. SIZE: 20” x 24”. CONDITION: Very good, relined with some minor touch up. 9-71483 (3,000-4,000)

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464a