Annual End of the Summer Spectacular Maine Auction
Totals $3.1 Million!

Auction: August 25 - 29, 2009

Preview: August 23 - 28, 2009

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
3000

ARMORIAL CHINESE EXPORT PLATE. The 18th Century deep plate having the arms of Wagenfelt and Lagermarck. From a service that was made for the Swedish commodore “Henrik Wagenfelt to commemorate his marriage to Johanna Lagermarck. The plate having a delicate border of famile rose enamels surrounding the arms of each family. REFERENCE: Roth, Chinese porcelain for the Swedish East India Company, 1965 P.12 Illustration No. 12. SIZE: 9” dia. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good. 9-96550 (800-1,200)

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3001

CHINESE EXPORT MUG. Qian Long Period; 4th quarter 18th Century. This lovely example applied with a blue dragon handle, the central panel is paint-decorated with a busy harbor scene surrounded by mountainous terrain flanked by magenta reserves depicting treed landscapes. Paint and gilt decorated on a terracotta and gilt background. SIZE: 5-3/8″ h. CONDITION: Tight vertical hairline from upper rim to midpoint of canister, a rim chip opposite handle and a small firing imperfection on interior of canister beside handle. Under glaze decoration is bold, clear and bright. 9-97402 (1,500-2,500)

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3002

CHINESE EXPORT ARMORIAL DEEP PLATE. Mid 18th Century. Paint decorated with the arms of Michel of Kingston Russell, Dorset, rendered beneath a floral decorated ribbon tied banner. The border decorated with floral sprays. Literature: for additional information see “Chinese Armorial Porcelain” by David Sanctuary Howard page 489, number P20. SIZE: 8-3/4″ d x 1-3/4″ h. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good overall, the polychrome decoration remaining bright. No restoration noted. 9-96551 (500-1,000)

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3003

CHINESE EXPORT ARMORIAL DEEP PLATE. Mid 18th Century. Paint decorated with the arms of Michel of Kingston Russell, Dorset, rendered beneath a floral decorated ribbon tied banner. The border decorated with floral sprays. Literature: for additional information see “Chinese Armorial Porcelain” by David Sanctuary Howard page 489, number P20. SIZE: 8-3/4″ d x 1-3/4″ h PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good overall, the polychrome decoration remaining bright. No restoration noted. 9-96551-1 (500-1,000)

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3004

ELEPHANT JOSS STICK HOLDER. Chinese, first half 20th century. The fanciful orange elephant with golden tail fitted with a ceremonial polychrome floral blanket and saddle mounted with a joss stick holder. SIZE: 7-3/4″ h x 9″ l. CONDITION: Very good overall. No damages or restoration noted. 9-96602 (800-1,200)

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3005

CHINESE POLYCHROME DECORATED GARDEN SEAT. Early 20th Century. Decorated overall with floral branches and peaches. Also with butterflies throughout within medium blue borders with floral sprays. Decorated also with pierced coins and bosses in medium blue with scrolling decoration. Stamped with the retailer “GUMPS” of California. SIZE: 18-1/2″ h x approx. 14″ dia. CONDITION: Very good overall with strong colors, no restoration or damages. 9-97665 (3,000-5,000)

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3006

PAIR OF FAMILLE ROSE COVERED TEMPLE URNS. Each covered urn with onion finial decorated with a floral landscape with exotic birds and butterflies, polychrome painted on an eggshell ground. The covers floral decorated. SIZE: 18-1/2″ h x 9-1/2″ d (approx.). PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Both vases appear to be in original untouched condition. The base of one with a Y-shape hairline crack. 9-96556 (1,500-2,500)

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3007

UNSIGNED (Chinese, 19th Century) PORTRAIT OF A WOMAN WITH HARP. Outstanding oil on canvas Oriental Export portrait shows a woman in elegant black dress with gold earrings and chain seated on a high back red upholstered settle playing a large gilt wood harp. Her ostrich plumage decorated bonnet is behind the harp on a stand. She has an adjustable wooden music stand with open music score to her left. The background a pleasing green color. Housed in a modern gilt wood frame. The back indicating a relining in 1959. SIZE: 32″ x 26″. CONDITION: All over thin craquelure, very good with minor inpainting. 9-97564 (1,500-2,000)

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3008

CHINESE UNDERGLAZE BLUE GARDEN SEAT. Mid 19th Century. This fine example with pierced coins and bosses decorated overall with fanciful dragons in a water landscape. Bordered with smoke reserves. SIZE: 14-1/2″ h x approx. 10-1/2″ dia. CONDITION: Very good overall with fine glaze decoration, no restoration or damages noted. 9-97663 (2,000-4,000)

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3009

FINE SEMI-ANTIQUE PEKING ORIENTAL CARPET. Second half 19th century. The pale indigo field woven overall with trees and exotic birds of all descriptions. The upper left corner with setting sun, the bottom row woven with marshes and a treed rocky grotto with heron and other waterfowl rendering the effect of a fine pastoral canvas painting in soft hues. The guard borders with Greek key design and scrolling vinery. The main border woven with cartouches, each cartouche bearing a different species of domestic or wild animal. SIZE: 14’3″ x 11’4″ CONDITION: This supple carpet with soft palette showing overall wear within acceptable parameters. The ends with wear and the selvege with areas of weakness. All aspects are restorable. 9-97083 (3,000-5,000)

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3010

MASSACHUSETTS MAPLE QUEEN ANNE TILT TOP CANDLE STAND. Second half 18th century. The shaped top with serpentine edge, hinged on an urn form ring-turned standard raised on a tripod cabriole leg base, terminating in pad feet. SIZE: 27-3/4″ h x 20-1/4″ x 20-1/4″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Refinished in a light honey brown color. One leg repaired at juncture to standard. 9-96572 (600-900)

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3011

NEW ENGLAND QUEEN ANNE MAPLE CHEST ON FRAME. Last quarter 18th century, Coastal Massachusetts or Rhode Island. The rectangular dovetailed case with applied molded cornice having 6 graduated thumbmolded long drawers, fitted on a conforming frame with scalloped apron, raised on short cabriole legs on spoon pad feet. SIZE: 62-1/2″ h x 35-3/4″ w (case) x 19-1/2″ d (overall). CONDITION: The chest with cleaned surfaces and later hardware in original holes, backboards original, the frame base somewhat later, made from old timbers. Some damage to thumbmolding, lower drawer right facing. Some damage to base frame molding, left front corner facing. Minor damage to cornice molding, right rear facing. 9-96809 (4,000-6,000)

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3012

COASTAL NEW ENGLAND CHIPPENDALE FIGURED MAPLE SLANT LID DESK. Last quarter 18th century. The rectangular dovetailed figured maple case with chestnut secondary wood fitted with a thumbmolded hinged lid opening to a stepped interior of valanced pigeon holes centering a pinwheel carved central drawer over two rows of smaller drawers, the lid supported by lopers centering 4 graduated thumbmolded long drawers on a molded base raised on original ogee bracket feet. SIZE: 42-1/4″ h x 36-1/4″ w (case) x 18-1/2″ d. CONDITION: Very good overall structural condition. The surfaces professionally repolished. Backboards and feet original. 9-97255 (4,000-6,000)

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3013

NEW ENGLAND CLASSICAL CARVED MAHOGANY DROP LEAF TABLE. Mid 19th century. The rectangular top with hinged shaped leaves above the conforming apron fitted with a single drawer and opposing sham drawer, the ends with gadrooned carving, the corners with acorn pendant finials, joined to a columnar pedestal on a rectangular base with concave edges, raised on winged acanthus-carved claw feet on brass casters. SIZE: 29-1/2″ h x 21-1/2″ w x 39″ d. Open 59″ x 39″. CONDITION: Retains original finish with dark brown color. Two areas with old losses at hinges. Structurally good. Finish needs repolishing. 9-96528 (600-900)

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3014

DAGHESTAN ORIENTAL RUG, EAST CAUCASUS. Circa 1900. Five aligned diamond medallions alternating blue-gray and dark jade green on a madder red field within multiple candy cane, sawtooth and polychrome flowerhead guard borders. The ivory main border with geometric latticework. SIZE: 7′ 4″ x 4′ 3″. CONDITION: Rug retains nearly full pile throughout, the foundation quite supple. Selvages and ends mostly intact. Some small old professional repairs. 9-97510 (4,000-6,000)

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3015

ANTIQUE HAGIJALLI TABRIZ ORIENTAL RUG, NORTHWEST PERSIA. First half 19th century. Woven with a tree of life within a rocky grotto in shades of beige, brown and green, the tree filled with exotic birds and pendant flowers, further flanked at the base by grazing mountain goats and birds. The upper wine-red spandrels woven with coiling dragons each devouring a human figure. Within a blue-black and beige main border of floral baskets flanked by undulating ribbons. The upper panel between the main border and central field woven with 3 cartouches, each with Arabic writing (see photos). SIZE: 6′ 11″ x 4′ 10″. CONDITION: This fine antique example with areas of wear to foundation and losses to selvage and ends still makes a strong statement and is salvageable. 9-97511 (4,000-5,000)

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3016

EXCEPTIONAL KAZAK ORIENTAL RUG, WEST CAUCASUS. Circa 1900. This brilliantly woven example featuring three central diamond polychrome medallions with latchhook edges, bordered by two rows of seven square crab medallions, centering stylized dogs and human figures on a deep indigo field, all within multiple polychrome crab, candlestick and saz leaf borders. SIZE: 7’7″ x 5’6-1/2″. CONDITION: With moderate wear to upper medallion in field at one o’clock; areas of creasing in lower right corner and edge facing, one hole in each corner and some minor losses to selvage and ends. This remains a strong example with vibrant colors, good pile and supple texture. 9-95126 (3,000-4,000)

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3017

SHERATON CHERRY AND BIRD’S-EYE MAPLE CHEST OF DRAWERS. Circa 1840. Probably New York state, rectangular top above the conforming case with mahogany crossbanded frieze, fitted with 4 drawers. The uppermost deep drawer with mahogany crossbanding over three graduated long drawers, all with bird’s-eye maple panels with cockbeaded edges. The case sides with recessed panels, the whole raised on ring turned legs on ball feet. SIZE: 44-1/2″ h x 46″ w x 20″ d. CONDITION: Professionally restored and repolished, brass handles are later quality examples. 9-96440 (750-1,000)

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3018

UNSIGNED (American, First half of the 19th Century) PORTRAIT OF A GIRL WITH A RED ROSE. Outstanding oil on canvas portrait of a young girl seated in a black chair wearing a white dress, blue shoes, red three-string beaded necklace and holding a pink rose in lap. She is in a room setting with green drape with open window looking out to a landscape with mountains, river and trees. Housed in a period wood frame with gilt liner. SIZE: 34″ x 28″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Professionally restored, relined on replaced stretcher with turn buckle mechanism. Inpainting, very good. 9-95835 (3,000-5,000)

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3019

NEW ENGLAND SHERATON CHERRY ONE DRAWER STAND. Circa 1840. This unusual example with square chamfered top and ovolu corners projecting above the conforming frieze fitted with a single drawer raised on square fluted legs transitioning to reeded and spool turned cylindrical ankles and reeded spool turned tapering feet. SIZE: 29″ h x 19-1/4″ w x 18-7/8″ d. CONDITION: Very fine original condition. The brass knob a later replacement of appropriate design. 9-97519 (800-1,200)

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3020

UNSIGNED (American, 19th Century) FAMILY READING. Oil on canvas American genre scene shows a mother seated in a red sofa with her two daughters. They all look at an open book in her lap. Another daughter is on the floor with a doll. Probably a southern scene. The interior furniture in the French taste with an urn of flowers and a red drape. Housed in its fine regilt gesso decorated period frame. SIZE: 27″ x 22″. CONDITION: Surface dirt, one small puncture in white dress, otherwise very good. 9-96815 (2,500-3,500)

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3021

NEW ENGLAND SHERATON FIGURED MAPLE AND MAHOGANY BOW FRONT CHEST OF DRAWERS. Circa 1840. The rectangular top with bow front and turret corners above the conforming case fitted with four bowfront long drawers with mahogany crossbanding, cockbeaded edges, and tiger maple panels, flanked by engaged reeded columns, the whole raised on cylindrical ring turned legs on suppressed ball feet. SIZE: 43-1/2″ h x 45″ w x 23-1/2″ d. CONDITION: Professionally restored and repolished. Seam shrinkage crack at rear of each side panel, left rear side with possible burn damage. Later quality brass eagle hardware. 9-97543 (2,000-3,000)

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3022

CLASSICAL CARVED GILT WOOD GIRANDOLE MIRROR. The circular convex mirror plate within a reeded ebonized slip and conforming deep molded ribbon tied and beaded frame, surmounted by a carved displayed eagle perched on a bracket above a spray of gilt water leaves. The frame sides mounted with gilt leaf sprays, all above a scrolled leafy pendant terminating in a pineapple. SIZE: 41-1/4″ h x 26-1/2″ overall. CONDITION: The mirror retains original glass and pine backboard. Gilding is also original with minor losses and touch-ups. Minimal losses to carved elements. Very fine original condition overall. 9-97227 (3,000-5,000)

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3023
Revised: 8/19/2009

Correction: Should read as Last Quarter of the 18th Century NOT 19th Century.


FINE PAIR OF MASSACHUSETTS CHIPPENDALE MAHOGANY SIDE CHAIRS. Last quarter 19th century. Probably Salem area, each with a cyma-curved crest rail terminating in molded ears above the pierced vasaformed splat. Above the trapezoidal slip seat. Raised on frontal cabriole legs and square chamfered backswept rear legs. All joined by a blocked and turned H stretcher, the front legs terminating in platform pad feet. SIZE: 37″ height of back x 17″ height of seat. PROVENANCE: Former property of Nina Nightingale. CONDITION: Each of pegged construction, retaining older surfaces with good patina. No restorations noted. Seat frames appear original. Very good overall. 9-96416 (4,000-6,000)

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3024

FINE PAIR OF NEW YORK FEDERAL BRASS ANDIRONS. Early 19th century. Each acorn finial above a faceted dome top continuing to an octagonal standard raised on unusual arch scrolled legs ending in round disc feet. SIZE: 20-1/2″ h x 20-1/4″ d. CONDITION: Andirons professionally polished with restoration to dogs. One with small circular hole at back of shaft. Very good overall. 9-96447 (1,200-1,800)

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3025

BOOK: “DESCRIPTION DE L’EGYPTE”. Second edition, Paris, C.L.F. Panckoucke 1826. The large edition having engraved large plate (elephant folio) pages with the natural inhabitants of Egypt. Full title page reads: “Description de l’Egypte ou recueil des observations et des recherches qui ont ete faites en Egypte pendant l’Expedition de l’Armee francaise. Seconde edition. Dediee au Roi. Publiee par C.L.F. Panckoucke, Chevalier de la Legion d’Honneur. Atlas geographique. Paris, Imprimerie de C.L.F. Panckoucke. MDCCCXXVI” (Description of Egypt, or the collection of observations and research which was made in Egypt during the expedition of the French Army). Each 27″ x 20″ page impressed mark with an embossed sphinx in a circle and engraver name. The plates each numbered, subjects include: Bats, animals, birds, reptiles including snakes, fish, mollusks, crustaceans, insects including spiders, sea life including coral, plant life, fossil and mineral deposits. The book is bound with partial Morocan red leather with an end binding in gold “Description De L’Egypte Historie Naturelle” with decorative red and black marble boards. Approximately 232 plates comprise this book. We are not sure how many volumes this encompasses but it is 1/4 of the large plates found in the complete edition. Most likely this is a copulation of volumes I and II. None are hand colored and there was suppose to be a colored frontispiece that is not present. The second edition usually consists of 37 volumes with 24 volumes bound in 26 books. 10 volumes of plates and 1 volume of maps. SIZE: Total: 28″ x 22″. CONDITION: Binding is damaged but intact, pages are very good with only some beginning and end pages with edge wear. 9-97406 (12,500-17,500)

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3026

BOOK: SOUVENIRS D’EGYPTE BY ALEX. BIDA & E. BARBOT. Paris, Lemercier. Elephant folio, dated 1850, half leather, royal blue cloth with bright gilt gold letter cover and spine. Hard cover. Twenty-four lithographs, views and costumes. First edition of an extremely rare and collectible bound folio depicting views of Egyptian cities and their surroundings and different costumes of the region. The plates are from two French Orientalist painters. The costume plates are by Alexandre Bida. Each plate is titled in French, Arabic and English. SIZE: 22-1/2″ x 17″. CONDITION: Leather has typical rub wear, foxing to the lithograph plates, mostly on the borders. 9-95018 (3,000-5,000)

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3027

CAST BRASS HANGING SABBATH LAMP. 19th Century, probably central European. This eight-light chandelier fitted with scrolling arms cast with deer joined to a central well with pendant finial. The central turned shaft surmounted by a lion with shield and suspended by four baluster turned brass chains. SIZE: 35″ h x 33″ dia. CONDITION: Candle sockets modified for electricity, the arms drilled with small holes for wires. Structurally very good and original. 9-97558 (4,000-6,000)

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3028

NEW ENGLAND SHERATON BIRDSEYE MAPLE 2 DRAWER STAND. Circa 1840. The rectangular top of birdseye maple above the conforming case fitted with two drawers, raised on swelled ring-turned cylindrical legs with multiple ring-turned cuffs, raised on ball feet. SIZE: 31″ h x 19-1/2″w x 16″ d PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Restored and refinished with old shrinkage crack at rear of top. Otherwise, good. 9-95992 (800-1,200)

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3029

MASSACHUSETTS SHERATON TIGER MAPLE AND BIRCH BOW FRONT SIDEBOARD. First quarter 19th century. This diminutive bow front example in the manner of Alden Spooner, Athol, Mass. The rectangular top with bow front, turret corners, and a scrolled splash guard above the conforming case fitted with a pair of aligned short drawers above a pair of bowed cupboard doors flanked by deep bottle drawers above a long bow front drawer. flanked by swelled cylindrical reeded pilasters. Raised on swelled and ring-turned urn form legs terminating in ball feet. SIZE: overall 45″h, 43″ w, 22″d. CONDITION: Professionally re-polished, retaining original splash guard and wooden knobs with good honey color and patina. Small shrinkage crack left side panel facing. 9-97412 (8,500-10,000)

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3030

FINE PAIR OF NEO-CLASSICAL MAHOGANY CUTLERY URNS. Last quarter 19th century, American. Each urn form turned benchmade example with urn finials in two parts. The top section fitted to the base with a square flange and collar held in place by a dowel. Each base fitted with an insert top designed to hold cutlery. Each on a square plinth raised on ogee bracket feet. SIZE: 25-3/4″ h. CONDITION: Very good overall, retaining original surfaces and fittings. Old dark patina. 9-96755 (5,000-8,000)

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3031

SHERATON MAHOGANY DROP-LEAF SEWING TABLE. Circa 2nd quarter 19th century. The square top fitted with hinged D-form leaves above the conforming case fitted with three drawers, all with bird’s-eye fronts, the bottom drawer fitted with silk bag in frame. Raised on ring, spool, and spiral turned legs terminating in brass-capped casters. SIZE: 29″ h x 18″ w x 18-3/4″ d. CONDITION: Professionally restored and repolished. Brass hardware replaced. Overall very good with nice color and patina. 9-96417 (2,000-3,000)

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3032

HERIZ CARPET NORTHWEST PERSIA. Second quarter 20th century. Geometric poled blue-black center medallion with polychrome fanciful birds and lotus blossoms within a salmon ground flanked by ivory spandrels within a blue-black border of polychrome floral latticework. SIZE: 9′ 4″ x 6′ 7″. CONDITION: With good rich colors and overall even and acceptable wear. One end of rug professionally strengthened. Overall very good. 9-97508 (3,000-4,000)

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3033

KASHGAI ORIENTAL RUNNER, NORTH PERSIA. Second quarter 20th century. With 12 rows of geometric lozenges depicting stylized candlesticks, all within a claret red field, densely populated with stylized flowerheads within an ivory main border of geometric stepped latticework. SIZE: 9′ 7″ x 3′ 6-1/2″. CONDITION: Overall very good with even wear on half of rug. Selvages intact, ends slightly frayed. 9-97509 (2,500-3,500)

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3034

QUEEN ANNE TILT TOP BIRDCAGE TEA TABLE. Third quarter 18th century. The circular one board figured Cuban mahogany top with molded rim, hinged to a birdcage support, joined to a ring turned columnar support, raised on arched cabriole tripod base terminating in platform pad feet. SIZE: 26-1/2″ h x 28″ d. CONDITION: Retains old dark finish, professionally polished and restored, very good overall with replaced cleat. 9-97240 (1,200-1,800)

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3035

NEW ENGLAND CHIPPENDALE MAHOGANY LOWBOY. Coastal Massachusetts or Rhode Island, last quarter 18th century. The rectangular top with molded edge above the conforming case fitted with a molded long drawer over three aligned short drawers, the astragal arched apron fitted with acorn pendant finials raised on cabriole legs with shaped returns terminating in ball and claw feet. SIZE: 29-3/4″ h x 34-1/2″ w x 17-3/4″ d. CONDITION: With early crackled surfaces, original backboard, no restoration noted. 9-97239 (4,000-6,000)

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3036

UNSIGNED (American, 18th Century) PORTRAIT OF EDWIN SY OF TRENTON, NEW JERSEY. Outstanding oil on canvas half portrait shows a young man with green and gold edge coat, white shirt and collar. He has curled grayish hair. The portrait surrounded by a painted oval porthole with brown edges. Housed in a replacement gilt and decorated frame. Purchased in 1964 from Dana Tillou of the Tillou Gallery who purchased it in the spring of 1960 at the Colosseum Show. Thought to be a New York artist. The information provided above was in a letter from Dana Tillou provided to our consignor. SIZE: 27″ x 21″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Relined, minor inpainting. Very good. 9-96017 (3,000-5,000)

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3037

FINE PAIR OF MASSACHUSETTS FEDERAL BRASS ANDIRONS. Circa 1800. Each with steepled top and ball finials joined to tapered ring-turned shafts above arch spurred legs terminating in slipper pad feet. SIZE: 21-1/4″ h x 18-1/2″ d. CONDITION: Very good structural condition. Original log stops and rests. 9-96441 (700-1,000)

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3038

MASSACHUSETTS CHIPPENDALE TILT TOP TEA TABLE. Second half 18th century. This fine Boston example with circular hinged figured mahogany top joined to a cylindrical standard raised on a cabriole leg having tripod base with acanthus carved knees terminating in bold carved ball and claw feet. SIZE: 28-1/4″ h x 31″ d. CONDITION: Very good with dark rich mahogany color and old patina. No restoration or imperfections noted. 9-96410 (4,000-6,000)

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3039

IMPORTANT AMERICAN BURLED DIPPER AND A BRACE. Second half 19th century. The dipper, a fine and rare burled treen example of white cedar, is decorated overall with etched double circles. The underside decorated with a three petal design within a double ring in the style of Abenaki Indians. The deep bowl is joined by a sweeping handle with crude thumb grip. The early burled brace with ring turned and molded flattened circular handle, the opposing end fitted with a cylindrical threaded bit holder. SIZE: Dipper: 5-1/2″ h x 13-1/4″ l x 7-3/4″ w. Brace: 14″ l. CONDITION: These fine and rare examples both with very good patina and surfaces. The dipper with roughness around the upper rim, possibly resulting from early use and resulting wear, otherwise very good overall. The brace with old shrinkage cracks within normal parameters. 9-97532 (5,750-6,250)

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3040

ATTRIBUTED TO JACOB MAENTEL (AMERICAN, 1763 – 1863) PORTRAIT OF A MAN IN BLUE COAT. Watercolor full-length portrait of a man wearing a blue coat with tails, blue pants, and tall black boots. Housed in a Victorian walnut frame with gold lining. SIZE: 12-1/2″ x 8-1/4″. CONDITION: Good. 9-96356 (3,000-5,000)

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3041

PRIMITIVE INTERIOR SCENE WITH MAN, WOMAN AND CAT IN THE STYLE OF JOSEPH H. DAVIS. Late 19th/early 20th century. Watercolor on light cardboard, interior scene shows a man and woman seated in similar scroll-backed chairs and dressed in fine black clothes. The man having a black suit and seated in front of a smoke decorated Sheraton table with open bible, basket of fruit and top hat. The woman in black dress with white bonnet with small red open book in lap. Below the table is a seated cat and above the table a painting of a mill with leaf garland surrounding. Housed in an antique ogee frame. SIZE: 9 3/4″ x 14″ CONDITION: Some stain to bottom edge and browning, otherwise very good. 97754 (2,000-4,000)

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3042

CUSHING & WHITE “BLACK HAWK” TROTTING HORSE WEATHERVANE. 2nd half 19th century. Showing old gilded and verdigris surfaces, this full-bodied example now decorated with later two-toned brown paint; with cast ears, molded and cut-sheet combination on mane and tail. Sold together with custom stand. SIZE: 18″ h. x 24″ l. CONDITION: Structurally very good overall. Vane with buckshot dents on both sides. 9-95587 (4,000-8,000)

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3043

GILDED FULL BODIED COPPER HORSE AND SULKY WEATHERVANE. Late 19th century, American. This example of a running horse with zinc head and ears and sheet metal mane and harness, the rider depicted with outstretched arms and whip seated on a sheet copper sulky. SIZE: Vane: 17″ h x 35-1/2″ l. CONDITION: Retains original gilded surfaces with verdigris patina. A minor seam split on proper left foreleg of horse, minor 1/2″ seam split alongside mane. Otherwise very good with no other damages or restoration noted. This weathervane is offered with stand. 9-97515 (3,000-5,000)

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3044

PENNSYLVANIA FEDERAL BIRD’S-EYE MAPLE TALL CASE CLOCK. First quarter 19th century. Bonnet with concave molded swan’s neck cornice terminating in concave rosettes, centered by three spool turned finials above the astragal arched door, flanked by 4 swelled colonnettes opening to an enameled painted moon phase dial, an Arabic and Roman numeral chapter ring and calendar aperture, all within scrolling spandrels. The brass 8-day movement with time and strike operation, the iron faceplate engraved “Osborne” (probably Thomas Osborne, working in Birmingham England 1800-1825). The narrow throat with canted corners fitted with a double arched tombstone door, joined to the concave molded box base, raised on bracket feet with shaped returns. Accompanying the lot is a newspaper article regarding the sale of the Yates Estate at 713 Greenwood Ave., Trenton, NJ which is the auction in which it came from. SIZE: 88-1/2″ h x 12-3/4″ w throat x 10-1/2″ d. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: This nice example with strong graining is refinished with bright color and good patina. The works with old restorations, the dial with small repainted areas. Sold with weights, key, winder, and pendulum. 9-95939 (4,000-8,000)

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3045

PAIR OF CHIPPENDALE WALNUT SIDE CHAIRS. The matched pair having square front legs with chamfered inside corner. A dovetailed H-stretcher, back curving back legs, rush seats. Nicely pierce carved curving backsplats with carved shaped eared crest. The rush seats held in place with applied top molding and rosehead nail fastened bottom supports. SIZE: 37″ h x 17-1/2″ seat h a 21″ seat w x 15-1/4″ seat d. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Very good, two small losses to top chair seat molded edge, two very minor cracks in backsplat. 9-95892 (500-1,000)

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3046

PENNSYLVANIA CHIPPENDALE WALNUT DROP LEAF DINING TABLE. Second half 18th century. The rectangular top with conforming hinged leaves projecting above the molded apron raised on square chamfered legs with applied molded marlborough feet. SIZE: 29″ h x 18-1/4″ w (closed), 50-1/2″ w (open) x 41-1/2″ d. CONDITION: Totally restored and refinished. 9-97238 (1,000-1,500)

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3047

CHERRY AND MAHOGANY VENEERED PENNSYLVANIA TWO-PART CORNER CUPBOARD. Mid 19th Century. Top section having an ogee molded cornice over one large glazed door with twelve panes. The top panes a squat tombstone shape. Spool half columns and four plate grooved shelf areas. Bottom section having a single central drawer flanked by faux drawers, all with brass knobs under which are two mahogany veneered paneled doors with two shelf areas behind. Resting on two turned front squat feet. SIZE: 86″ h x 41″ w x 20″ d. Inside shelf depth is 17-1/2″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Very nice original condition. 9-95823 (1,000-1,500)

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3048

CHIPPENDALE PARCEL GILT CARVED LOOKING GLASS. Late 18th Century. Rectangular plate within a pierced and scrolling surround of foliate vinery and flowerheads, with pierced cartouches and surmounted by a spread wing phoenix. SIZE: 61-1/2″ x 27″. CONDITION: Mirror appears to retain original plate and old if not original surfaces. Phoenix has been reattached but in need of restoration. Frame with losses to gesso, gilding, and some structural cracks. 9-96737 (1,000-1,500)

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3049

UNSIGNED (British, 18th Century) PORTRAIT OF SIR THOMAS STANLEY. Oil on canvas oval portrait shows a man with long curly white hair wearing a red coat with white scarf. A blue and white coat of arms is on the left. Housed in a decorative old but not period frame with gold liner having an oval window. The canvas is mounted to a rectangular stretcher and has a typed label identifying the sitter. The frame has a Society of Art Portland, Maine exhibition label which is illegible. SIZE: 30″ x 25″. CONDITION: Relined, restored with inpainting. 9-96814 (3,000-5,000)

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3050

SAROUK CARPET CENTRAL PERSIA. The deep burgundy field with large scrolling palmettes and floral sprays in shades of deep indigo and ochre within a dark indigo main border of scrolling palmettes and flowerhead lattice work. SIZE: 15’7″ x 10’2″ CONDITION: Showing wear throughout the central area exposing some knots but not foundation. Color remains strong. Loss to end fringe, selvege good. 9-97148 (5,000-7,000)

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3051

UNSIGNED (Mid 19th Century) PORTRAIT OF TWO SISTERS. Oil on canvas large portrait depicting two young girls in landscape. The older girl in white dress with blue shoes, blue waist ribbon and hair ribbons. Her hair is parted in the middle with curls cascading the sides. She holds a branch with red berries in her lap. Her younger sister is seated above her with one hand on her shoulder. She wears a rose colored dress with rose colored shoes and has long curly brown hair. Below them is a basket with fruit, a teacup and saucer and a doll figurine with dog beside. On the left side is a small red flower garden with green grass and the background is a sunset sky with cliff on the right. Over the girls shoulder is what appears to be a faint outline of a ship on the horizon. Housed in a period gilt molded wood frame. Back of the canvas pencil inscribed “Fallon 22″. SIZE: 32-3/4″ x 44”. PROVENANCE: Family history has indicated that this portrait was thought to have come from the Philadelphia side of the family. Estate of Dr. Lee W. Richards Jr. of Augusta, Maine. Obstetrician & Augusta’s first specialist. CONDITION: Relined with some chips and flaking on the right side, visible horizontal crease in center, craquelure. Good. 9-97672 (5,000-8,000)

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3052

OLIVER FRAZER (FRAZIER) (American, 1808-1964) FAMILY PORTRAIT. Fine unframed oil on canvas round portrait of a young mother seated on a red sofa holding a book in one hand, the other arm resting on the shoulders of her young daughter while the other younger daughter clings to her neck. The backdrop is a classical marble column with colorful landscape. The mother wears a gold pocketwatch on chain, a bracelet and gold ring. The older daughter wears a necklace and white dress. The canvas is stretched in a rectangle and was once framed with a round matte. Unsigned front but signed on back of canvas. A wonderful rendered portrait by this Kentucky artist. SIZE: 14-1/2″ x 12-1/4″. CONDITION: Craquelure with inpainting, very good. 9-96320 (2,000-4,000)

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3053

UNSIGNED (American, Mid 19th Century) FOLK ART PORTRAIT OF A GIRL WITH HER CAT. Oil on canvas portrait of a girl seated on a fancy sofa holding a light black cat in her lap. She wears a green lace edge dress and has a long red linked necklace. She sits next to a window with hill landscape and dark curtain swag. Housed in a period gilt frame with gilt liner. SIZE: 30-1/4″ x 20-1/4″. CONDITION: Relined, minor inpainting, original canvas shows a horizontal seam near bottom. Very good. 9-97703 (2,000-4,000)

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3054

KANO EISHIN (Japanese, 1717-1763) ELDERLY FISHERMAN. Circa 1762-63, Edo period. This exceptional watercolor kakemono on silk executed in the last year of his life, as noted by the presence of the Seal of Hoin in lower right. The scene depicts an elderly bearded gentleman seated on a promontory with bamboo fishing rod looking into the middle distance. The painting within a floral brocade border wrought with golden thread. Housed in a modern marbleized gold frame. Kano Eishin (Kano Hidenobu), given name Genshichiro. G o Eishin/Hidenobu, Jotekisai and later Y u sei. Eishin was appointed the 11th master of the Nakahashi Branch of the Kan School. He gained the status of Hogen in 1746, and later, in 1762, he was given the title of Hoin. He was the second son of Kano Ujinob (1675-1724) and his elder brother was Kano Norinobu. Eishin became one of the coveted Kano painters for the Tokugawa governor under the patronage of Tokugawa Ieharu (1737-1786) the 10th Tokugawa Shogun who reigned from 1760-1786. Kano Eishin is buried at the Joshi-ji Temple, Tokyo. Works by the artist can be found in the collections of: Tohoku University Library: Portrait of Akita Sadasue, Ryukoku University, Kyoto, and an eight-fold screen of cranes and pine trees. The screen is displayed in the V.I.P. room on the first floor and was specially displayed for the visit of the Jeiji Emperor in Meiji 13 (1880). SIZE: 64″ x 29″ sight. CONDITION: Very good overall with some horizontal creases. Not examined out of frame. 9-97009 (5,000-8,000)

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3055

RARE PAIR OF CHINESE STORAGE JARS WITH COVERS. Mid 18th Century. Made for the domestic market and decorated overall in Canton underglaze blue of pastoral tree landscapes, the lids similarly decorated. Each container of rectangular form with a rectangular decorated panel within a zigzag border. Each with a square conforming lip. The style of painting on these storage jars shows influence of the “Mustard Seed Garden”, a series of books teaching the Chinese painters the desired for results expected within the Ching Dynasty. SIZE: 15-1/2″ h x 8-3/4″ l x 3-1/2″ w. CONDITION: Glaze in very fine condition overall, base rim of each with minor chips. No damages or restorations noted. 9-97661 (10,000-15,000)

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3056

PAIR OF CLASSICAL STYLE URNS IN LOWESTOFT TASTE. Mid 19th century, China. Each classical urn with handles fitted with a pierced cover and onion finial, molded and paint decorated in tones of blue and gold with scrolling drapery and pendant wreaths interspersed with blue floral sprays. Each mounted on a square plinth paint decorated with blue geometric trelliswork. SIZE: 17″ h. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good overall with minimal wear to gilding. 9-96548 (6,000-8,000)

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3057

PAIR OF CHING DYNASTY GARDEN SEATS. Late 19th Century, China. These domestic examples were not intended for export. The dated garden seats polychrome decorated in shades of green, grays, blues and orange. The circular top with opposing fanciful Foo dogs within floral vinery. The sides with pierced bosses. Each decorated with a scene of artists and musicians, opposing scene of attendants bathing a young boy in front of a six-panel room divider, thought to be the boy chosen by the Empress Dowager CIXI to succeed her in the mid 1890’s. The borders with floral reserves. SIZE: 14-1/2″ h x approx. 11-1/4″ dia. CONDITION: Very good overall with no restoration or damage noted. 9-97662 (5,000-7,000)

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3058
Revised: 8/19/2009

Correction: Date should read “1894” and not “1895”.


PRESENTATION COPY OF NEW TESTAMENT TO EMPRESS-DOWAGER CIXI. Circa 1895. This rare and important edition prepared by the British and Foreign Bible Society and presented to the Dowager Empress of China Tszchi Yoanyu Kangi Chaoyu Chaung Cheng Shokung Chinien Chungshi, for her 60th birthday with inscription. “British + Foreign Bible Society Presented by Committee to The Right Rev.d William Wharton Cassels, D.D., Lord Bishop of Western China, in recognition of valuable service rendered to the Society in China.” Signed by Chairman of Committee and Secretaries. “The Bible House, 146, Queen Victoria St. London, 25th November 1895.” The original described as: “The book is royal quarto size, 10 by 13 by 2, is printed on the finest paper procurable and in the largest of movable metallic type. The border around each page is of gold.” This example having a red keystone border. “The volume given to the Empress was bound in silver boards; that belonging to the society is bound in costly black morocco.”, of which this is an example, “The ornamentation is that of birds and bamboo in relief. The name of the book, ‘Complete New Testament,’ is in large characters of gold, on which is the inscription ‘Classic of Salvation for the World.’ According to the Chinese, the bamboo is an emblem of peace and the birds are messengers; the design on the covers, therefore, conveyed to the Dowager Empress a ‘message of peace’ from her Christian subjects.”-New York Times, June 30, 1896. A copy, owned by the China Christian Council and Three-Self Patriotic Movement, was auctioned off for HK $850,000 in Hong Kong in August 2004 in conjunction with the “A Lamp to my Feet, A Light to my Path” exhibition, with the proceeds donated to the Medical College of the Chinese University of Hong Kong for SARS research. SIZE: 12-1/2″ x 9-3/4″ x 1-3/4″. CONDITION: The cover and binding showing areas of wear on edges of spine and corners. The pages in very fine condition overall with minimal, if any, foxing. The frontice page with inscription intact, clear and legible. 9-97086 (40,000-60,000)

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3059

UNSIGNED (Chinese, 19th Century) PORTRAIT OF A GIRL AT DESK. Watercolor/oil interior scene shows a young woman in fancy jacket seated at an L-shaped desk and she holds a rolled scroll in one hand and looks forward at viewer. Housed in an original hardwood ebony frame with original wood backing. SIZE: Sight: 25″ x 17″. Overall: 27-1/2″ x 19-1/2″. CONDITION: Some discolored varnish layer, otherwise very good. 9-96826 (1,000-1,500)

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3060

PAIR OF CHINESE SQUARE BACK HARDWOOD ARMCHAIRS. Mid 19th century. The bowed crestrail continuing to cylindrical stiles centering the serpentine shaped and molded rectangular splat, joined to the paneled plank seat. Each raised on cylindrical legs, the frontal legs with picture frame moldings, all joined by box stretchers and frontal foot rest. The legs with shaped bracket returns. SIZE: 40-1/2″ h of back, 21″ h of seat. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Professionally repolished with restoration to one crestrail. Very good overall with nice patina. 9-96577 (800-1,200)

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3061

PENNSYLVANIA CHIPPENDALE MAHOGANY CORNER CHAIR. Last quarter 18th century. The stepped pillow crest joined to the curved medial arm continuing to paddle grips joined to baluster and ring turned stiles alternating with vasiform splats, joined to the square seat rail fitted with a slip seat. The rails with deep arches. Raised on square chamfered legs, joined by an X-form stretcher. SIZE: 31-1/2″ h of back x 31-3/4″ w overall x 17″ h of seat. CONDITION: The chair retains old original surfaces with dark brown patina, somewhat dry. The seat rail strengthened with L-brackets, the frame augmented with molded brackets for seat frame. 9-97541 (2,000-4,000)

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3062

FINE PENNSYLVANIA CHIPPENDALE MAHOGANY BALL & CLAW FOOT DINING TABLE. 4th quarter 18th cent., probably Philadelphia. The rectangular top with deep hinged leaves projecting above the arched and scalloped apron raised on molded and angular cabriole legs terminating in finely carved ball and claw feet. Two legs hinged and swiveling for leaf support. SIZE: 29″ h x 44″ d x 20-3/4″ w; open: 64″ w. PROVENANCE: By descent through the family. CONDITION: Table retains original clean surfaces with good color and patina with minor old restoration to knee of one leg. Restoration of foot seams retaining original elements. Very good overall. 9-97085 (3,000-5,000)

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3063

PENNSYLVANIA QUEEN ANNE CURLY MAPLE CHEST ON FRAME. Second half 18th century. Concave molded cornice above the conforming case comprising 3 aligned arched and thumb molded short drawers above a pair of aligned thumb molded drawers over 4 graduated long drawers flanked by engaged reeded quarter columns. The whole fitted to a molded conforming frame with scalloped apron of pegged construction, raised on short cabriole legs, terminating in Trifid feet. SIZE: 63-1/2″ h x 37-3/4″ w case x 21-1/4″ d. CONDITION: Structurally very good, professionally refinished. Brass hardware mounted in original holes. 9-96503 (5,000-7,000)

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3064

FINE KASHAN ORIENTAL CARPET CENTRAL PERSIA. Second quarter 20th century. The blue-black Arabesque poled central medallion with pale indigo border flanked by floral-filled urns. The pink field with dense scrolling polychrome floral vinery and palmettes within blue-black spandrels. The blue-black main border with scrolling floral trellis work. SIZE: 17’11” x 10’10” CONDITION: Very good condition overall with full pile and rich colors. No repairs or restoration noted. 9-97572 (4,500-8,000)

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3065

FINE BAKHTIARI-SOUMAC BAGFACE. First quarter of the 20th Century. Fine example woven with two earth tone polychrome oval medallions flanked by four geometric stylized patterns within stylized feathers within multiple zigzag, running hook, pole and sawtooth guard borders. The opposing ends woven in a bakhtiari pattern. SIZE: 24-1/2″ x 23-1/2″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Fine example with minimal wear, retaining rich earth tones. 9-96576 (1,200-1,800)

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3066

CLASSICAL GILTWOOD CONVEX MIRROR. First quarter 19th century. Gilt crest with displayed eagle on a rock pediment flanked by scrolling leaftips above the gilt molded surround mounted with spherules and a reeded ebony slip centering a convex mirror plate, all above a c-scroll leafy pediment. SIZE: 51″ x 32″. CONDITION: Gilding is dry and crusty, mirror with minor foxing, minor losses to gilding with original mirror plate and backboard. Some restoration. 9-95791 (2,000-3,000)

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3067

MASSACHUSETTS CHIPPENDALE MAHOGANY OXBOW SLANT LID DESK. Late 18th century. The rectangular dovetailed case fitted with a hinged sloping lid opening to an interior of pigeonholes. The lid resting on lopers, the case fitted with 4 graduated reverse serpentine drawers with cockbeaded edges, retaining original brass hardware, the case raised on 4 short cabriole legs with scalloped returns terminating in ball and talon feet. SIZE: 44″ h x 40-3/4″ w x 22″ d. CONDITION: The case retains older polished surfaces. Backboards a combination of original and later replacements. The legs appear original with some old replaced blocks. 9-96971 (2,500-4,500)

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3068

NEW ENGLAND QUEEN ANNE CHERRY TRAY TOP CANDLESTAND. Circa 1800. The single board square top with applied tray molding joined to the baluster-turned shaft, raised on an arched cabriole leg tripod base, terminating in slipper feet. SIZE: 26″ h x 14-1/4″ w x 14-3/8″ d. CONDITION: Very good overall with old cleaned surfaces. No restorations noted. 9-97258 (400-600)

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3069

NEW ENGLAND MAHOGANY TILT TOP CANDLESTAND. Last quarter 18th century. This fine example with a gilt checkerboard top with string inlaid border and edges tilting on a ring and urn turned standard raised on an arched cabriole leg tripod base terminating in delicate ridged and pointed platform pad feet. SIZE: 28-1/4″ h x 16-3/4″ x 16-5/8″. CONDITION: Table retains original old surfaces, the checkerboard with appropriate crackle, some losses to string inlaid edging. Structurally very good with one old professional repair at ankle of one leg. 9-97514 (2,500-3,500)

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3070

OUTSTANDING FREDERIC WINGATE FEDERAL TALL CASE CLOCK. Circa 1820. Frederic Wingate, (1782-1864), Augusta, ME. The bonnet with three brass ball-and-spire finials centering the pierced crest above the molded cornice. The arched door flanked by freestanding columns with brass capitals and bases opening to a painted face decorated with clusters of fruit inscribed “Frederic Wingate Augusta No. 179”. The gilt spandrels each painted with a single peach centering a Roman numeral chapter ring, sweep second subsidiary dial, calendar aperture, and time & strike apertures. The eight-day brass works original to the face. The throat with engaged quarter columns centering a molded rectangular panel door opening to the case interior retaining the original paper label of the maker affixed to the backboard indicating “Bought in 1829″ in pencil. The throat joined to the concave molded box base, raised on French feet centering a scalloped and shaped apron. The pine case with a simulated rosewood grained finish. SIZE: Ht 93″ Throat Width: 13 3/4″ D 9 1/2” PROVENANCE: By descent through the Jewett family of Solon, Maine being the original owner who purchased the clock in 1820. CONDITION: The case and works appear all original with minor restoration to pierced crest, some losses to base molding, and an old break in case below lower hinge on case door. 9-97724 (10,000-15,000)

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3071

OUTSTANDING FOLK ART DEPICTION OF SWAN’S ISLAND, MAINE. The painting depicts a tall white lighthouse with attached building and American flag on tall flagpole at the end of a peninsula of land with houses, roads and schooners in the bay. The artist has framed the painting with two gray curtain swags at top corners. Signed lower right “T.S”. Housed in a modern partial gilt frame with linen and partial gilt liner. Purportedly a scene of Swan’s Island, Maine. SIZE: Sight: 7-1/4″ sq. PROVENANCE: Originally found in a Winterport, Maine attic. CONDITION: Light water stain in sky, generally very good. 9-97417 (6,000-8,000)

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3072

BOOK: THE HISTORY OF THE DISTRICT OF MAINE BY JAMES SULLIVAN. Circa 1795. First edition, signed by the author and with a hand written correction in the text on page 7. Illustrated by a new correct map by Osgood Carleton of the District which states, “A MAP of those parts of the Country most famous for being harassed by the Indians, on and long after their first settlement; and more particularly treated of in Judge SULLIVAN’S HISTORY of the District of MAINE”. Published by I. Thomas and E. T. Andrews, Faust’s Statue, 45 Newbury Street, Boston, 1795. The book is dedicated inside front cover in script, “Honble Woodbury Langdon Esq from his most humble servant/The Author“. SIZE: 8-1/4″ x 5″ x 1-3/8”. CONDITION: Original leather cover, the spine with red leather nameplate. The map in original state with small tears. The binding unattached from spine. Pages of book clear and legible with some foxing. 9-96424 (3,000-5,000)

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3073

TWO ANTIQUE MOCHA PITCHERS. Large pitcher with variegated blue tobacco and cream earthworm decoration on cream background. Body also decorated with wide blue band and tobacco-brown pinstripe bands. The small pitcher having a central gray band ornamented with a blue, tobacco-brown and white earthworm design, background of body a very light slate gray with multiple tobacco-brown pinstripes. SIZE: Larger 7-1/2″h, smaller 4-1/4″h. CONDITION: The larger with very light overall stain, having a chip on base and repaired chip on rim with 3″ hairline crack. The smaller having a repaired handle. 9-97644 (750-1,250)

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3074

WONDERFUL RARE MOCHA DECORATED PEPPER POT. Decoration includes a glaze drizzled cobalt blue on top pour spout with various tobacco-brown bands on body. Major background of body a light slate gray with a cream, tan/brown and dark brown earthworm around the complete body. SIZE: 3″ h. PROVENANCE: From an old estate in Phillips, Maine. CONDITION: Excellent. 9-97645 (1,250-2,250)

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3075

WONDERFUL SMOKE AND PAINT DECORATED MAINE SHERATON STAND. Hardwood one-drawer stand with nicely turned Sheraton legs. The frame and legs in original old worn red paint. The top and drawer front with original creamy gray background and mottled smoke decoration. Stand is untouched. SIZE: 18-1/2″ x 16-1/2″ top, stand 28″h. PROVENANCE: Recently found in an early Maine home in Phillips Maine. CONDITION: Retains original red paint, basically strong all over. The top with original tan and smoke decoration, now lightly faded with a couple of scattered stains. The drawer front bold,strong and graphic. Fitted with original Sheraton brass mushroom pull. 9-97656 (8,000-12,000)

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3076

EZRA AMES (AMERICAN, 1768 – 1836) MINIATURE PORTRAIT ON PAPER OF MILITARY OFFICER. Signed on reverse, “CAPTAIN BURDETTE, EZRA AMES 1806 ALBANY”. Ames was born in 1768, died 1836 worked in Massachusetts and New York. SIZE: Oval image 3″ x 2-1/4″. CONDITION: Generally good. 9-97634 (1,250-1,750)

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3077

EARLY WATERCOLOR MARRIAGE RECORD. This watercolor marriage record with fanciful leaf border ornamented at top with cherub or winged angel “FAMILY RECORD TIMOTHY HANSCOM BORN AUGUST 6, 1795 & ASNETH GREELY BORN FEBRUARY 13TH 1801 MARRIED DECEMBER 2ND 1819”. Also lists children and birth dates and features a photographic image of the couple. SIZE: 15-1/2″ 18-1/2″h. PROVENANCE: Found in Central Maine, believed originally from China Maine. CONDITION: Floral decoration faded and stained. 9-97653 (450-850)

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3078

WONDERFUL FOLK CARVED LIMESTONE PLAQUE OF LEGENDARY PUGILIST JOHN L. SULLIVAN. This limestone plaque features a wonderful rendition of the first gloved heavyweight champion of the world. Sullivan was born in 1858 and died in 1918 and was the first heavyweight champion of gloved boxing from February 7th 1882 to 1892. He was also the last heavyweight champion of bare knuckle boxing under the London prize ring rules and also the first American athlete to earn over a million dollars. The plaque is a wonderful relief likeness of Sullivan in his crossed arm pose looking to his right. Facial features and hair wonderfully executed. The reverse of the stone carved in relief, “J.L.S.”. Nothing is known about the very accomplished artist that executed the likeness, but it was found in central Maine and dates to the late 19th century. A wonderful bold depiction. SIZE: 13-1/4″ x 12″. CONDITION: Generally excellent with a nice old, aged patina. 9-97651 (2,500-3,500)

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3079

PAIR OF 19TH CENTURY PORCELAIN BLACK FIGURAL PEG LAMPS. Each with dramatic facial features and original bright Polychrome decoration. One of a dapper black gentleman with blue-banded hat and pink tie, the other a handsome black lady with white bonnet and blue ribbon. Oil burners marked, “KOSMOS BRENNER”. Complete with a set of antique brass beehive push up candle sticks. SIZE: Lamps alone with burner 7-1/2″h, w/candle sticks 17″ h. CONDITION: Small separation in woman’s bonnet rim, probably at time of making, otherwise good. 9-97636 (1,000-1,800)

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3080

EARLY DECORATED LEATHER FIRE BUCKET. Early leather bucket with dark green background and gilt gold decoration with black highlight “J. MASON W. F. S. NO1 1848”. Bucket retains its original leather handle which has an old make-do repair. SIZE: 13″ h. CONDITION: Overall scattered paint separation, most notably in date. 9-97642 (800-1,200)

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3081

EARLY GLAZED DECORATED REDWARE BANK. The ovoid bank with knurled top having a slit in the side near the top for coins. Repeating brown splotch decoration on red/brown glaze. Underside dated in pencil “1875”. SIZE: 4-1/2″ h. CONDITION: Excellent. 9-97639 (500-800)

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3082

OVOID HANDLED MINI JUG. Redware jug with exaggerated teardrop ovoid form having an all over dark green/brown tobacco colored glaze and applied handle. SIZE: 5-1/4″ h. CONDITION: Large chip in top neck, otherwise very good. 9-97640 (75-125)

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3083

EARLY PEAFOWL DECORATED SOFT PASTE TEAPOT. Beautiful glazed soft paste teapot with Peafowl on branch decoration on each side. Feather decoration on spout with leaf decoration and blue banding on lid. SIZE: 7″ h. CONDITION: Decoration bright, glaze very strong and bright with imperfections including old repair to rim of base, hairline on lid, inner top lip of pot, and tip of spout repaired. 9-97641 (400-600)

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3084

TWO CARVED BUTTER BOARDS. The smallest with rosettes of decoration including stag head, fowl, fruit and flowers. The larger with 18 ornamental squares including roosters,hearts, butterflies, swans cornucopias etc., also carved with initial “F”. SIZE: Larger 11-1/2″ x 5-1/2″, smaller 6-1/4″ x 3-3/4″. CONDITION: Warm old mellow patina. 9-97638 (250-350)

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3085

NEW ENGLAND SHERATON GILTWOOD MIRROR. Second quarter 19th century. The two-part mirror plate within a molded surround, the frame mounted with engaged ropetwist columns, the corners blocked and applied with floral rosettes. SIZE: H 37″ W 19 3/4″ CONDITION: Substantial wear to original gilded surfaces. Upper mirror plate replaced. Minor losses to gesso, structurally good. 9-97657 (400-700)

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3086

DECORATED FAIENCE AND PEWTER STEIN. Multi-colored decoration with leaping horse and trees having mauve green and yellow highlights. Pewter lid engraved, “K.M.R”. Pewter reinforcement band on base. SIZE: 9″ h. CONDITION: Old hairline crack in base, otherwise very good. 9-97646 (350-650)

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3087
Revised: 8/25/2009

Correction: Made by Sampson, not Oriental Export

CHINESE EXPORT PORCELAIN COVERED MINIATURE URN. The 19th Century urn with overall floral decoration and raised white enamel highlights and having an armorial crest with lion and horse and banner “SOLA VIRTUS INVICTA”. Ovoid in shape with gilt highlights at top and bottom. The underside with red Chinese chop marks. SIZE: 5-1/2″ h. CONDITION: Excellent. 9-97643 (250-450)

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3088

OUTSTANDING MOLDED COPPER BULL WEATHERVANE. 19th Century. The standing figure with a long dropping tail, applied horns and ears. Green verdigris patina. SIZE: Ht 18″ x 30″ L PROVENANCE: Private Florida collector. CONDITION: Two bullet holes, otherwise very good. 97755 (12,000-16,000)

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3089

AMERICAN MOLDED COPPER CODFISH WEATHERVANE. Late 19th/early 20th century. This full-bodied example with original gilding of diminutive proportions modeled with sheet copper fins and open mouth. Accompanied by a modern stand. SIZE: Height of vane: 11″ overall; length 26″ overall. CONDITION: Retains original gilded surfaces with nice verdigris patina. A shallow depression at base of proper right side of tail. Two small dents beneath rear of dorsel fin, proper left side. Otherwise very good, no restorations noted. 9-97683 (8,000-12,000)

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3090

BIDJAR ORIENTAL CARPET. Second quarter 20th century with overall dense polychrome floral and sazleaf lattice work on a blue-black field, the claret main border with polychrome scrolling palmettes within multiple pink and pale indigo guard borders filled with flowerheads. SIZE: 18’2″ x 11’3″ CONDITION: Very good overall with even full pile and dark rich colors. Minor losses to ends. 9-97609 (4,000-6,000)

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3091

TWO PART QUEEN ANNE HIGHBOY. Top section having a cornice molding over two side by side drawers over three graduated drawers with attached molded base. Bottom section having a top attached molding over one long drawer over small central drawer flanked by deep drawers. Double lobed cutout skirt supported by four tall cabriole legs with a stylized Dutch foot. Possibly an Oyster Bay style Long Island highboy. SIZE: 71-1/2″ h; Bottom case 42″ w x 20-1/2″ d. Top case 40″ w x 19″ d. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Mis-matched brasses, refinished. Some minor restoration. Overall very good. 9-95822 (8,000-12,000)

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3092

NEW ENGLAND CHIPPENDALE MAHOGANY TILT TOP TEA TABLE. Last quarter 18th century, probably Massachusetts. The circular hinged top joined to a birdcage support, swiveling on the urn turned standard, raised on a tripod cabriole leg base, terminating in boldly carved ball and claw feet. SIZE: 27″ h x 27-1/2″ d. CONDITION: Structurally good, top professionally reset and cleaned. Base with old surfaces. Birdcage key absent. 9-96810 (3,000-5,000)

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3093

TWO-PART MAHOGANY SECRETARY. This fine desk and bookcase combination has a top section with cornice top, two mullion glazed doors, each having twelve glass panels with cathedral arched tops. Interior of the two doors is set on the left side with three adjustable shelves and on the right side with seven pigeon holes next to four vertical letter slots over six drawers next to another seven pigeon holes. The doors set over three small drawers, each fitted with brass knobs. Bottom section having two over two drawers, a fold over writing area, round columns ending in bulbous and ball feet.A wonderful example of this style secretary. SIZE: 75″ h x 42″ w x 20-1/2″ d. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Very good. 9-95826 (1,500-2,500)

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3094

AMERICAN FOLK ART PAINTED BARBER’S POLE. Last quarter 19th century. This carved and painted example of baluster form with heavy ball finial painted in swirling red, white and blue. The central turned section painted with diamond forms, the turnings in gold and black. Now mounted on a later steel base. SIZE: 75-1/2″ h x 16-1/2″ circumference (approx). CONDITION: Barber pole retains original painted surfaces, now dried and flaking from weathering. Old screw holes evident from previous mounting. Otherwise very good structural condition. 9-97171 (3,000-5,000)

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3095

IMPORTANT AMERICAN PICTORIAL HOOKED RUG BY NANCY SHIPPEE. Circa 1851, Massachusetts. This fine example with a polychrome floral arrangement centered within a dark brown panel within a border woven with polychromed diamonds alternating with medium indigo arrows, the corners with stylized floral sprays, the lower border signed in script “Nancy Shippee Aged 38 1851″ in orange wool within a pale ochre panel. SIZE: 48″ x 23” PROVENANCE: Nancy Shippee ne. Nancy Oaks, born 1813, Clarksburg, MA; married Christopher Shippee, 1846; deceased 1903, Vermont. CONDITION: With losses and weaknesses around edge. The main body intact with vibrant color. 9-97039 (10,000-20,000)

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3096

IMPORTANT AMERICAN FOLK ART PORTRAIT OF JAMES PEARTHREE, ESQ. 1833. The portrait, mounted in a later Victorian frame, depicting a gentleman with black coat and white shirt with high collar, sporting a goatee, posed in a chair, red book in right hand, dominoes in the foreground, framed by tasseled drape and titled in the drapery, “Jms. Pearthree Esqr. 1833” For two similar examples relating to the positioning of a book in the sitter’s right hand, refer to “American Folk Painters” by John & Katherine Ebert, Page 93, both examples. The book is included with the sale of this painting. SIZE: 20″ x 16″ CONDITION: Upper border with paint loss, the paint with craquelure. Colors remain strong and vibrant, very good overall. 9-96474 (4,000-6,000)

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3097

JAMES SANDFORD ELLSWORTH (American, 1802-1874) PAIR OF MINIATURE AMERICAN FOLK ART PORTRAITS. Second quarter of the 19th C. Pair of miniature watercolor half portraits presented here are of an elderly woman depicted with a ribbon tied lace bonnet in a black dress seated reading a book. The initials “JSE” inscribed lower right. The second portrait is of an elderly gentleman with white hair in a blue/black coat holding a closed book. The printed inscription “J.S.E. Ptr.” in lower left. Both portraits with the cloud like framing of the heads and lower body characteristic of Ellsworth’s works. Mounted in period frames. SIZE: 3″ x 2-3/4″. CONDITION: Somewhat faded but otherwise structurally good. 9-97043 (2,500-4,000)

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3098

GOLD LEAF SILHOUETTE OF WOMAN WITH BONNET. Late 18th century. This gold leaf example depicting a 3/4 profile of woman in a lace bonnet with shawl. Mounted in its original oval frame with gilt slip. With faint pencil inscription on back. SIZE: Frame Size: 6 3/4″ x 5 3/4″ CONDITION: The silhouette with deterioration and discoloration around the edges, otherwise structurally good. Frame intact with original finish. 9-97044 (2,500-4,000)

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3099

FINE HERIZ ORIENTAL CARPET, NORTHWEST PERSIA. 1st quarter 20th century. The oversized geometric lobed medallion in shades of indigo and madder red on a madder red field, with dense geometric polychrome vinery within stepped turquoise and jade green spandrels, the midnight blue main border with ivory and salmon stylized flowerheads amidst geometric latticework. SIZE: 13’3″ x 9’10”. CONDITION: Overall very good with nearly full pile and soft color palette. End fringes mostly intact, one selvage with 4″ damage, opposing corners with wear, otherwise good. 9-95109 (2,000-3,000)

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3100

SEMI-ANTIQUE KABISTAN, NORTHWEST CAUCASUS. Circa 1900. Three aligned octagonal medallions with latch-hook borders on a terracotta field interspersed with human, bird and horse-like figures. The main deep indigo border woven with polychrome crabs with candy cane edge, further bordered by stylized “S” forms. SIZE: 7′ 6″ x 4′ 9″. CONDITION: Overall good with pleasing colors. Minor damages to ends and selvage with moderate wear commensurate with age and old small professional repairs. 9-97507 (2,000-3,000)

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3101

CLASSICAL CARVED MAHOGANY LYRE BASE CARD TABLE. Second quarter 19th century. Probably New York, the rectangular hinged figural mahogany top with round corners above the conforming concave frieze on a lyre form molded support, applied with carved acanthus leaves, joined to a plinth with incurved sides, raised on acanthus carved outswept legs with scrolled volutes, terminating in original brass capped claw foot casters. SIZE: 29-1/2″ h x 33″ w x 17″ d. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Professionally polished and restored with good color and patina. Old shrinkage cracks in top. Hinged and casters original. 9-96585 (800-1,200)

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3102

CLASSICAL MAHOGANY DROPLEAF BREAKFAST TABLE. Second quarter 19th century, probably New York or Philadelphia. The rectangular top with D-form hinged leaves above the conforming frieze, fitted with a single drawer with convex front and opposing sham drawer, and four acorn pendant finials. Raised on a figural oval pedestal joined by four scrolled corbel supports on a base with concave sides terminating in shaped claw feet fitted with casters. SIZE: 28″ h x 47-1/2″ d x 21-1/2″ w closed, 56-1/4″ w open. CONDITION: Professionally refinished and restored in very good structural condition. Each leaf retaining original fittings originally used to join this table to conforming ends. One toe of a single foot missing. 9-96498 (1,000-2,000)

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3103

FINE MARQUETRY AND MAHOGANY SEWING TABLE. Second quarter 19th century. Rectangular hinged top inlaid with a floral filled urn centering a song bird bordered by a scrolling foliate cartouche within contrasting string inlaid border opening to a fully fitted interior of 8 lidded compartments all inlaid with floral sprays, 3 compartments for spools of thread. The lid interior mounted with a rectangular mirror plate above a single drawer with leather lined writing surface, pen tray, inkwell and powder jar above a bag slide. The apron and drawer fronts all with marquetry vinery. The case raised on lyre form marquetry supports joined to a rectangular plinth with incurved sides on suppressed disc feet. SIZE: 29″ h x 17-3/4″ w x 13-3/4″ d. CONDITION: Very fine overall with high quality marquetry and rich patina. Material on sewing bag in need of some restoration. Small shrinkage cracks on lower shelf and on perimeter of lid. 9-96409 (1,200-1,600)

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3104

BAKHTIARI ORIENTAL RUG, NORTHWEST PERSIA. Second quarter 20th century. Three aligned polychrome diamond medallions within a brick red field of dense polychrome devices within a saz leaf ivory border, within a blue-black main border of dense flowerheads, latticework and vinery. SIZE: 6′ 4″ x 4′ 9-1/2″. CONDITION: With deep rich colors and nearly full pile having one minor restored split at one corner, otherwise very good. 9-97506 (2,000-3,000)

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3105

ANTHONY GABRIEL QUERVELLE (Philadelphia, 1789-1856) FINE PAIR CLASSICAL MAHOGANY GAME TABLES. Circa 1830. Each rectangular hinged top with canted corners swiveling above a conforming bolection molded frieze above a stepped swelled ring turned columnar pedestal with leaf carved ring base, joined to a molded incurvate plinth, raised on scrolling acanthus carved claw feet terminating in casters. SIZE: 29-1/2″ h x 36″ w x 18″ d. CONDITION: Professionally repolished and cleaned over original surfaces, minor losses to veneer along apron. Very good overall. 9-97002 (6,000-9,000)

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3106

ANTHONY GABRIEL QUERVELLE (Philadelphia, 1789-1856) CLASSICAL MAHOGANY WORK TABLE. Second quarter 19th century. The rectangular hinged top with rounded corners crossbanded in mahogany and rosewood. Opening above the conforming case, fitted with a baise-lined writing surface and compartments for inkwell and pens, further opening to a multi-drawer jewelry compartment lined with original paper. The front with bolection molded frieze over a single deep drawer with stepped demilune molding with rosewood crossbanded outline. The case raised on acanthus carved and ring turned standard terminating in a circular stepped plinth, set on a platform base with incurved sides terminating in acanthus carved scroll claw feet raised on casters. SIZE: 30-1/2″ h x 23″ w x 16-1/2″ d. PROVENANCE: By descent through the family to the current owner. CONDITION: Professionally cleaned and repolished over original surfaces. No restoration or repairs noted. 9-97003 (5,000-8,000)

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3107

OUTSTANDING 19TH CENTURY ZINC STATUE OF AN INDIAN WARRIOR. Life size statue shows the Brave standing with bare feet on a rock and stump plinth. He holds an arrow in his right hand and a bow in his left. He looks to his left with long flowing hair and wears traditional garb. The rock by his left foot is inscribed “Robert Wood & Co. Makers Phila.”. The figure has a later green paint to resemble a green verdigris patina. REFERENCE: “America’s Indian Statues” by Marion E. Gridley, Page 24 and page 89 show identical figures, one having the addition of a flat front feather headdress and indicating that there are several found that are identical at Akron, Cincinnati and Lodi, OH; at the Old Fort in Schenectady, NY; Calhoun, GA; Ishpeming, MI and Portage Park, Barberton, OH. Also, an identical example but with a polychrome finish was advertised on page 44 in the Antiques Magazine, July 1975 by Florentine Craftsman. The book, the Antiques magazine and the article accompany the statue. Our consignor purchased this piece from the owner of the “Smithfield Mansion” where it was a centerpiece of a boxwood garden on his Estate. Heziah Smith, founder of Smithfield Village, which was home of the Smithfield Iron Foundry, located near Mt. Holly, NJ. SIZE: 73″ h x 29″ at widest x 26″ at deepest. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good with repaint and minor repairs. 9-95999 (15,000-25,000)

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3108

IMPORTANT AMERICAN SILVER PLATED MODEL OF COASTAL SLOOP. Second half 19th century. Fine realistic and detailed model of a fully rigged coastal sloop under sail cast by the “Meriden Brittania Co. Meriden CT” and so marked on interior of the plinth. The boat mounted on rectangular mirrored silver plateau, the gilt rims applied with shells continuing to sloping sides cast with floral sprays, the corners with dolphin mounts, raised on 6 supports in the shape of fanciful conch shells on rectangular plinths. The boat manned by a youth with cap, vest and breeches. The model accompanied by the original table form case carved of walnut, applied with shells and dolphins. SIZE: Case: 51″ h x 37″ l x 23-1/2″ w. Model: 24-3/4″ h x 27-1/2″ l x 16-1/4″ w. PROVENANCE: Owned by Walter Ketter, Proprietor of the Red Circle Inn, Nashotah, WI, Sotheby’s New York to the current owner. CONDITION: Silver casting and cabinet all with original surfaces. Structurally very good. 9-96537 (7,500-10,000)

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3109

AMERICAN CARVED AND GILT PILOT HOUSE EAGLE. Mid 19th century. This fine example of a displayed eagle carved in pine from the solid, depicted on rock work plinth. SIZE: 30″ h, 64-1/4″ wingspan. CONDITION: Structurally very fine condition overall. Professionally regilded. Carved with well reticulated plumage, and well detailed eyes and beak. Traces of original gesso remain beneath plinth. 9-97170 (3,000-5,000)

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3110

CURRIER & IVES (PUBLISHER, 19TH CENTURY) “THE GRAND NEW STEAMBOAT PILGRIM, THE LARGEST IN THE WORLD”. Large folio colored lithograph shows the steamboat full of people flying six different flags and traveling right to left. A small one-masted sail boat is in foreground. Copyright 1883 and having a full legend indicating this was the flagship of the Fall River Line and listing all her attributes. Housed in a black molded wood frame with gilt edge and watercolor highlighted white mat. SIZE: Image size 20-1/2″ x 34-1/2″, sight size 25-1/4″ x 35-1/2″. CONDITION: Not examined out of frame. Evidence of professional restoration. Generally good to very good. 9-97552 (2,000-3,000)

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3111

JOHN HALEY BELLAMY (1836-1914) CARVED EAGLE PLAQUE. The carved gilt eagle clutching a partial red, white and blue shield. REFERENCE: “JOHN HALEY BELLAMY CARVER OF EAGLES” by Yvonne Brault Smith, Pg. 69 for a nearly identical example, 26″ x 4″. SIZE: Ht 6 1/2″ L 24 1/2″ D 4 1/2″ CONDITION: Structurally very good, retaining old surfaces and original gilding and paint. Painted banner showing some wear from excessive polishing or cleaning. Proper left wing with old stress crack visible from rear. Stress crack at mid-point of proper left wing tip with slight separation. 9-97001 (5,000-10,000)

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3112

IMPORTANT AMERICAN CARVED EAGLE WALL PLAQUE. Mid 20th century. The gilt decorated displayed eagle carved with talons clutching crossed draped American flags and US shield painted in red, white and blue. SIZE: 16″ h x 53″ wingspan. CONDITION: Carving retains original paint and gilding with well articulated plumage. No damage or restoration noted with cleaned surfaces. 9-96535 (6,000-8,000)

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3113

UNSIGNED (19th Century). Oil on canvas nautical scene shows two ships, one with American flag and one with British flag, sailing left to right in dark white capped ocean. Land is on left side, all under a sunset sky from light blue to pink. The foreground ship having a blue company pennant “T.L.Co”. The ship named “M.F. Chapman”. The American ship is unidentified. Housed in a fine gilt molded wood frame with a Guido Frame Studio label. SIZE: 22″ x 36″. CONDITION: Relined, very good. Restored with inpainting. 9-96805 (6,000-9,000)

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3114

ROY CROSS (American, 1924-2008) U.S.S. CONSTITUTION. Outstanding gouache nautical scene shows the majestic Constitution sailing under full sail in white capped blue sea. The ship leads four other tall ships coming toward viewer. Great detail is shown in the ships rendering including rigging, deck and deck hands. The scene is shown under a light blue and white cloud sky. Signed lower left “Roy Cross” and Copyright “1976”. Superbly housed in a fine gesso decorated gilt frame with linen and gilt liner. Also having a decorative title and artist plaque. The Constitution is shown circa 1804 and depicts it as the flagship of the US Mediterranean Squadron under Captain Edward Preble. SIZE: 22″ x 30″. PROVENANCE: Purchased from Marine Arts Gallery in 1977. CONDITION: Very good to excellent. 9-96936 (7,000-10,000)

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3115

DEREK GEORGE MONTAGUE GARDNER (British, 1914-2007) “50 SOUTH ICE TO PORT”. Oil on canvas nautical scene shows a three-mast tall ship sailing slightly toward viewer from left to right. Wonderful coloration in the sea with white caped blueish/green to dark blue. The ship is passing an iceberg. All under a cloud sky with a lightened area having peach to yellow coloring. Signed lower right. Housed in an outstanding gesso decorated gilt wood frame. The painting shows the “Berwickshire” under shortened sail heading westward to round the horn. This ship was a small iron barque built by Russell & Co. on the Clyde in 1860 for Larrs Shore Line and lasted until 1923 when she was broken up at Genoa. A wonderful work with great detail and understanding by this artist. SIZE: 20″ x 30″. CONDITION: Very good, some craquelure around the stretcher line. 9-97619 (17,500-22,500)

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3116

HENRY SCOTT (British, 1911-1966) “THE AMERICAN DOWN EASTER “GRANITE STATE” OFF THE LIZARD”. Fine large oil on canvas nautical scene shows the three-mast tall ship in full sail with two pilot boats and other sails on horizon. White tipped choppy sea under white cloud and blue sky. Signed lower left. Housed in a fine gilt decorative frame having a gilt wood artist plaque and presentation plaque as follows: “Presented to Robert J. Haugh on the occasion of his retirement from Minet (1990)”. Titled on reverse of stretcher and having a label from MacConnal-Mason & Son, LTD. SIZE: 30″ x 40″. CONDITION: Very good to excellent. 9-96894 (10,000-15,000)

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3117

PERCY A. SANBORN (American, 1849-1929) PORTRAIT OF THE SHIP “C.B. HAZELTINE”. Fine oil on canvas portrait of a three-mast black hulled ship sailing left to right into a busy harbor. A large sailing vessel is seen off stern and the busy harbor with ships and steamers off bow. The ship shown in full sail flying U.S. flag and identifying smaller flags. A number of figures are seen on deck. All under a blue and white cloud sky. The ships name emblazoned on the back side. A hand written painted legend at center below the ship reads “Ship CB Hazeltine; Welcome Gilkey, Searsport, Master. Built at Belfast, ME. 1859”. Signed bottom right “Percy Sanborn” in script. The ship built in Belfast, Maine by C.P. Carter & Co., 1859. Welcome Gilkey Master 1859-1978. Original owners were Andrew J. Ross, Welcome Gilkey, Enoch Barnard and others. Housed in its original black stained oak wood frame. An outstanding example of this famous Maine artist. SIZE: 22″ x 34″. PROVENANCE: From a fine Searsport, Maine home. CONDITION: Original canvas, very good with very light stretcher marks. 9-95771 (20,000-25,000)

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3118

PERCY A. SANBORN (American, 1849-1929) PORTRAIT OF THE HALF BRIG “STEPHEN BISHOP”. Unsigned oil on canvas portrait of a two-mast sailing vessel in full sail sailing left to right with steamship off stern and busy large harbor view with mountains off bow. The black hulled ship has US flag flying, ship pennant and another star flag. Several figures are seen aboard. All under a blue and white cloud sky with three birds. hand written painted legend below ship at center “Brig Stephen Bishop of Searsport, Captn. C.H. Gilkey-Leghorn, 1874″. Built in New Haven, CT, 1867. Charles H. Gilkey Master 1877-1879. Housed in its original black stained oak molded wood frame. A fine work by this famous Maine artist. SIZE: 18″ x 26”. PROVENANCE: From a fine Searport, Maine home. CONDITION: Original canvas, very good. 9-95772 (8,000-12,000)

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3119

CARVED AND PAINTED EAGLE PLAQUE WITH FLAG ATTRIBUTED TO GEORGE STAPF. George Stapf (Harrisburg & Lancaster, PA, 1862-1958). This rare carved plaque having a gilt spread wing eagle surmounted by an American Flag, holding a red, white and blue shield in its right talon. Stapf worked in Lancaster and Harrisburg and carved eagles for government buildings, including G.A.R Posts. The flag, having applied stars, the upper body facing left with open beak. A wonderful, patriotic plaque. SIZE: Wingtip to wingtip is 30”; Flag is 32”. Total height is 19-1/2”. CONDITION: Very good with some small losses, left talon partially missing, restored. 9-72565 (12,500-17,500)

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3120

JAMES GAYLE TYLER (American, 1855-1931) PORTRAIT OF THE TUGBOAT H.A. CRAWFORD. Large oil on canvas scene shows the Crawford sailing right to left having three men aboard, one at the wheel of the wheelhouse which is decorated with a gold pilot eagle. An American flag and ships pennant fly off a flagpole at the stern and “H.A.C.” flag off flagpole at bow. They approach a three-mast ship off the bow which is a depiction of the “Savannah” whose name is on the back sail. This tugboat went to the rescue of the Savannah’s crew after a crash in New York Harbor and then towed the Savannah to safety. Signed lower left “J G Tyler” and “Oswego”. Housed in a good gilt molded wood frame with artist plaque. Frame having a Kennedy Galleries, Inc. New York label. SIZE: 27″ x 34″. PROVENANCE: Kennedy Galleries to The Harbor Yacht Club, Hampton Bays, VA. CONDITION: Wax relining, some inpainting. Very good. 9-97589 (15,000-20,000)

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3121

THOMAS H. WILLIS (American, 1850-1925) PORTRAIT OF THE SHIP “COLUMBINE”. Silk and oil depiction of the two-mast schooner sailing right to left in a green wavy ocean. The sails are silk with thread lines and needlework and material deck and hull with needlework American flag and pennants. The name emblazoned on the deck house and there are twelve people aboard. Off the bow are some low hills and tall lighthouse. Signed lower right “T Willis 1907″. Housed in its original gesso decorated gilt frame. SIZE: Total: 26″ x 42″. Sight: 19-1/2″ x 35-1/2”. CONDITION: Restored, very good. 9-96962 (6,000-8,000)

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3122

AMERICAN CARVED CHERRY DISPLAYED EAGLE STERNBOARD. Second quarter 20th century. This realistically carved example “Designed by Bill McCoy at Palm Beach Florida 1941” (inscribed in pencil) and carved by “Lloyd Hansen Thomas Camden, Maine USA” (carved in back of plaque). The displayed eagle carved perched on an American shield. SIZE: 42″ h overall, 84″ wingspan. PROVENANCE: De-accessioned from MBNA. CONDITION: Retains original finish with good color and patina, the plumage realistically carved. In very good condition overall. The cherry laminated on a pine foundation and fitted with original iron supports. Minor old shrinkage cracks noted. 9-96534 (8,000-12,000)

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3123

ATTRIBUTED TO JOHN HALEY BELLAMY CARVED EAGLE PINE WALL PLAQUE. Second half 19th century. This example depicting a flying eagle clutching banner in beak. Literature: A similar example to this model is illustrated on page 73 of John Haley Bellamy Carver of Eagles by Yvonne Brault Smith. SIZE: 8″ h x 51″ w. CONDITION: Originally in white paint with polychrome decorated banner. Now stripped and polished showing remnants of old paint. The banner with losses to left outer end and to inner edge of right side beneath beak. The carving has multiple small nail holes from previous mounting. Overall good condition and restorable. 9-96536 (8,000-12,000)

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3124

MID-ATLANTIC FEDERAL INLAID CHERRY DINING TABLE. Circa 1810, probably Maryland. In two parts, each demilune section fitted with a hinged rectangular leaf above a deep apron bordered with string and dot inlay, raised on 5 square tapered legs headed by inlaid arrowheads, icicle inlays, and bordered with contrasting stringing, terminating in banded cuffs. The 5th leg on each section hinged to support the drop leaf. SIZE: 30″ h x 46″ w x 48″ l (closed), 85″ l (open). CONDITION: Professionally refinished and repolished, minor losses to inlaid cuffs and professional restorations to top boards. 9-97004 (2,000-4,000)

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3125

MID-ATLANTIC REGION FEDERAL INLAID MAHOGANY CARD TABLE. First quarter 19th century. The hinged rectangular top with serpentine front and ovolo corners, the edges with inlaid stringing above the conforming frieze of figural mahogany with borders of contrasting string inlays raised on 5 tapered square legs, the fifth leg hinged to support the top. SIZE: 29-1/2″ h x 35-1/2″ w x 17″ d. CONDITION: Professionally cleaned and repolished. Very good overall. 9-96494 (2,000-3,000)

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3126

FOUR-DRAWER CHIPPENDALE WALNUT CHEST. Probably southern having an applied molded edge top, four graduated drawers on an applied bracket base. Each drawer fitted with two eagle decorated brasses which are replacements. The drawer fronts having an applied beaded edge facing. SIZE: 37″ h x case 38″ w x 20″ d. Top 39-1/2″ x 21-1/4″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Some restoration, refinished, missing one bale. Good. 9-95842 (700-900)

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3127

NEW ENGLAND CHIPPENDALE MAPLE TALL CHEST OF DRAWERS. Last quarter 18th century, probably New Hampshire. The rectangular dovetailed case with applied molded cornice fitted with 6 graduated thumbmolded long drawers, raised on ogee bracket feet. SIZE: 62″ h x 37-1/2″ w (case) x 19″ d (overall). CONDITION: With older mahoganized finish (early 20th century) and replaced brass hardware of the same period. Backboards original as are the bracket feet. Very good overall. 9-96969 (2,500-4,500)

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3128

HERIZ CARPET NORTHWEST PERSIA. Second quarter 20th century. The geometric poled deep indigo center medallion with serrated edge within a wine-red field flanked by ivory and polychrome spandrels within a dark indigo main border of polychrome floral latticework. SIZE: 6′ 2″ x 4′ 8-1/2″. CONDITION: With deep rich color. Minor even wear. The ends and selvage intact, with professional reweaving of one end. Very good overall. 9-97505 (3,000-3,800)

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3129

23 ARCHITECT COPIES OF BLUEPRINTS FOR THE WHITE HOUSE, CIRCA 1951. The title block “Commission on Renovation of the Executive Mansion-The Architect of the White House-Commissioner of Public Buildings Contracting Officer-Mostly dated between 1950-1951. Some have minor hand written annotations including initials and dates for Lorenzo S. Winslow who Truman had picked as White House architect along with William Adams Delano. They both had a fashionable architectural practice in Manhattan. The renovation of the White House began in 1949 and ended on March 27, 1952. Some stamped on reverse “Harry Alexander, Inc.” 1) Basement Floor Plan. 2) Ground Floor Plan. 3) Architectural Details of the East Room. 4) Details of the East Room. 5) Private Dining Room Fireplaces. 6) Detail Stairs #1. 7)Detail of Stairway. 8) Basement Mezzanine Plan. 9) Details of the North Hall and Book Storage Room. 10) Windows in West Seating Hall and East Hall. 11) Details of Firebacks, Green and Blue Room. 12) Fireback Details East Room. 13) Models in Main Stairway. 14) Breakfront Bookcase, Center Hall Second Floor. 15) Plan Details Room G-1. 16) Details of Room G-15. 17) Details of Room G-9. 18) Hall and Passage. 19) Green Room Details. 20) First Floor Center hall. 21) First Floor Entrance Hall. 22) North and West Wall Center Hall. 23) First Floor Entrance Hall. SIZE: 1-8) Approximately 41″ x 48″. 9-18) Approximately 32″ x 42″. 19) 25-1/2″ x 36″. 20-23) 12-1/2″ x 36″. CONDITION: Larger examples are “as is” with rips, losses and discoloration. Medium sizes are generally good with some losses and rips. Smaller sizes with losses and rips. 9-95760 (12,000-16,000)

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3130

ORIGINAL ENGRAVING OF THE AMENDMENT ABOLISHING SLAVERY. Circa 1868. This engraving executed by the “WESTERN BANKNOTE & ENG. CO. CHICAGO”, is a copy of the original document signed by Abraham Lincoln, Hannibal Hamlin and the Senators and Representatives of the 38th Congress who voted in favor of the passage of the joint resolution to abolish slavery, approved February 1, 1865. This rare Reconstruction-era engraving of 1868 is identical to ones owned by the Smithsonian and the Chicago Historical Society. Another example sold at Christie’s New York Gallery, December 3, 2007, Lot 157. SIZE: 22″ x 16″ Sight size CONDITION: Not examined out of frame, the document with some creases and deterioration along lower borders, otherwise good with clearly visible text and signatures. Now mounted in a later frame. 9-96530 (3,000-5,000)

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3131

FRAMED AUTOGRAPH: ABRAHAM LINCOLN, PRESIDENT (American, 1809-1865) & WILLIAM H. SEWARD SEC. OF STATE (American, 1801-1872). Outstanding framed collage incorporating a partially seen document having a signature of Abraham Lincoln as President and William H. Seward as Secretary of State. Also matted above the document is an oil on board side shoulder length portrait of Lincoln and is attributed to Xanthus Russell Smith. Also incorporated is a First Day Issue envelope cover of the 85th Anniversary of the Address at Gettysburg dated 1948; First Day Issue postmark and stamps over an engraving of William H. Seward and a First Day Issue envelope dated 1967 of the 100th Anniversary of the Alaskan purchase. Housed in a modern dark frame with a white matte having five cutouts. SIZE: Total: 29″ x 11-1/2″. Signature: 2″ x 8-1/2″. Portrait: 7-1/2″ x 6-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Signature document shows folds and small foxing spot, signature is clear and unobstructed. Oil painting is very good as is the remainder. 9-95958 (2,000-3,000)

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3132

RARE ABRAHAM LINCOLN POLITICAL BANNER FROM THE JESSE K. DUBOIS FAMILY. Circa 1864. A double tail, cotton, chevron-shaped hanging banner with a three-quarter bust portrait of a young Abraham Lincoln in the center. Depicted at a younger age with short hair and beard, white shirt, black bow tie and black coat above the slogan. “The Preserver of our Country/1861”, within a blue border containing 70 five-pointed stars. N.B. It is general consensus of several experts consulted by the family in determining the authenticity of this banner that while it is absolutely authentic and of the period with solid provenance, there are some curious characteristics centering around the date on the banner. Based on certain known photographs of Lincoln, the consensus for a date closer to 1864 is felt more appropriate. Also supporting this later date is the use of “The Preserver of our Country (or Nation)”. This slogan was not used in respect to Lincoln until approximately 1863 in preparation for the second term election. One other similar banner is known to exist in a private New England collection (The Frank & Virginia Williams Lincolnian Collection) and is illustrated in “Collecting Lincoln” by Stewart Schneider on page 55. It is thought by one expert that the Lincoln portrait on this banner may have been taken from an Anthony Burger photograph, of February 1864, used on the five dollar bill. The Dubois family home in Springfield, Illinois is today a part of the Lincoln Homestead site of the National Park Service. SIZE: Banner 37″l x 24-1/4″w, now mounted in a museum quality modern frame 49-1/2″ x 36-1/4″. PROVENANCE: By descent through the family of Jesse K. Dubois (1811-1876), personal friend, political contemporary, and neighbor of Abraham and Mary Todd Lincoln. It is purported that the banner was a gift from Mary Todd Lincoln to Adelia Morris Dubois, wife of Jesse. It was then passed to their daughter Susan, later Susan Adams (1833-1874) then to her daughter Agnes Adams (d. 1923), later Agnes Huntington who then passed it to her daughter Agnes Huntington who later became Agnes Huntington Rossbacher who gifted the banner to her grandson. CONDITION: The banner with some fraying along the edges, generally water staining throughout with accompanying mild discoloration and with three horizontal folding creases. Otherwise in very good condition considering early lack of preservation and the fact that this was most likely a functioning campaign banner. 9-96292 (50,000-75,000)

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3133

IMPORTANT LOCKET WITH LOCKS OF GEORGE & MARTHA WASHINGTON’S HAIR. The teardrop shaped locket with bow top having beveled glass front and back. The bow having nine pink cut stones with a banner intertwined with white enamel and letters “AMILLE GAGE”. The extension of the banner on the bottom with “MON DE”. The locket was descended in the family as follows: Belonged first to Mrs. Tobias Lear; She gave it to Admiral George Washington Storer who gave it to his daughter Mary Washington Storer who gave it to Mabel Storer Decatur who gave it to Ann Decatur Peirce who gave it to the present owner. Accompanying the locket is a small envelope which is inscribed with old handwriting “Locket which belonged to Mrs. A.L. Jones – containing hair of Gen & Mrs. Washington given to Adml. Storer by Mrs. Tobias Lear”. Tobias Lear was George Washington’s military and private secretary, also friend, and was the brother of the wife of Captain Samuel Storer. Samuel Storer’s daughter Mabel married William Beverly Decatur (who changed his name legally to Stephen Decatur, the consignor’s great grandfather). The consignor’s grandfather Stephen Decatur Jr. wrote the book The Private Affairs of George Washington. This book was written from the Tobias Lear’s papers. Tobias Lear was brother-in-law to Captain Samuel Storer and the consignor is directly descended from Captain Samuel Storer. Tobias Lear was the consignor’s great, great, great, great uncle by marriage. SIZE: 1″ x 3/4″. CONDITION: Good. 9-97025 (2,500-5,000)

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3133A

HISTORICAL COLLECTION OF DECATUR FAMILY ITEMS. 1) Early gold pocket watch belonging to Thomas Ten Eyck. The watch has attached an old pen inscribed provenance which is handwritten on a Mr. Stephen Decatur calling card “Thomas Ten Eyck’s watch which my father Commodore Stephen Decatur always wore and although blind, he could always quickly tell the time by sense of touching the hands with his fingers”. Thomas Ten Eyck’s daughter, Marie Ten Eycj, married Commodore Stephen Decatur’s brother Col. John Pine Decatur, who was the consignor great, great, great grandfather. The watch is in a double case with London hallmarks believed to be 1777/8 or 1811. The movement with fancy filigree work signed “Peacock 3847 Royal Exchange London”. Verge Fusee movement. 2) 18kt yellow gold hunter case pocket watch by American Waltham. Back with monogram, the case marked “18K”, the movement marked “A.M. Watch Co.”, serial number “2040159”. The front cover having the Decatur family crest of a dragon head over crown and the back with monogram “SD” (probably Stephen Decatur, Jr). 3) A 2-1/2″ h x 3″ dia unmarked silver handless cup with thin rolled rim. There is a script period monogram “A.P.” on side of cup. This is for Anna Pine Decatur, who was wife of then Captain Stephen Decatur Senior who was Commodore Stephen Decatur’s father (the Commodore had no children). Col. John Pine Decatur, received the cup then gave it to his daughter, Ann Pine Decatur (Mrs. Wm. H. Parsons) then to her son (Wm. Decatur Parsons); to the Commodore’s brother to the consignors mother Ann Courtney Decatur. In 1854 Anna Pine Decatur married Capt. William H. Parsons who captained ships owned by Ichabod Goodwin of Portsmouth, New Hampshire who was governor of New Hampshire (1859-61). An old handwritten note accompanies the cup. 4) 2″ l napkin ring. The napkin ring inscribed “Stephen Decatur Jr”. A crude oval form, silver plated napkin ring belonging to Stephen Decatur, Jr who was born April 10, 1880 and died March 7, 1964. He was the son of Stephen Decatur of Boston and Mabel Storer of Portsmouth, New Hampshire. Mabel Storer was the daughter of Samuel Storer and Sarah Parker Rice Goodwin of the prominent Goodwin family of Portsmouth, New Hampshire. Stephen Decatur Jr married Winifred Rogers who was the daughter of Rear Admiral Charles Rogers. 5) 3″ Military fabric covered bar pin of Military Rank. 6) 2″ stick pin with eagle crest. According to the family this belonged to Commodore Stephen Decatur, the consignors great, great, great, great uncle. 7) 13-1/2″ letter opener with ivory handle and silver plated hardware with sheath. The pointed blade is marked with name, which is illegible and has gold colored engraving work. SIZE: As noted. CONDITION: Everything shows use, generally in good condition. The watches are as is, but are intact. 9-97026 (2,000-4,000)

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3134

UNIQUE AMERICAN FOLK ART DIORAMA WATERCOLOR. Mid 19th century. This rare and important diorama discovered in a western Massachusetts home, consisting of over 50 linen panels sewn together horizontally, each with a pencil and watercolor historical scene depicting events beginning with the Boston Tea Party and ending perhaps a year prior to the Civil War. Some panels designed with certain degrees of realism, while other panels are rendered more in the manner of caricatures. Panel 1) Depiction of the Boston Tea Party showing a three masted ship with British flag. 2) Depicts the Battle of Lexington Green, a church in the background. 3) Depicts an early revolutionary battle for a bridge. 4) Depicts Colonist sharpshooters firing from trees at a British formation. 5) Depicts an American officer directing a recruit towards a formation of soldiers with Colonial flags. 6) Depicts Hessian and British troops storming an American position (probably Bunker Hill). 7) Depicts Colonial soldiers entering a burning village with covered wagon. 8) A watercolor depicting Washington and his army crossing the Delaware. 9 & 10) Each depicting a battle scene between the Colonists and the British. 11) Depicts two pair of uniformed soldiers at the riverside in front of a village. 12) A watercolor depicting an Native American warrior attempting to prevent a second warrior from killing a female Colonist with a hatchet. 13) A watercolor of the American flag shown with 32 stars (1858-1859). 14) A watercolor battle scene probably depicting Molly Pitcher and the War of 1812. 15) Another watercolor panel probably depicting another battle scene from the war of 1812. 16) A watercolor depicting an American soldier in a tent beneath an American flag and two other soldiers conversing with a female on horseback. 17) A band of Native Americans attacking a house being defended from the upper story by the home owners. 19) Four Native American warriors being chased by two female riders on horseback, brandishing bonnets. 20) A watercolor scene depicting the army’s surrender to the Americans. 21) Scene depicting the withdrawal of an enemy army and the sailing away of the same. 22) Scene of General Washington’s farewell (annotated on the bottom of the panel). 23-25) A long panel depicting rows of military horsemen followed by a horse drawn caisson and canon, followed by a fife and drum corps. 26) Depicting columns of infantry led by a mounted officer. 27) Depicts a horse drawn carriage labeled “G. WASHINGTONS BAGGAGE”. 28 & 29) The next elongated panel depicting 12 horses pulling the Liberty Car rendered with a large American flag, lady liberty and a displayed eagle with banner “Liberty or Death. 30-34) Satiric panel with various vignettes including a yelling man with cat hanging from his posterior, a figure falling off the back of a horse belching smoke, a caricature of two horse heads with pipe and the phrase “WHEN SHALL WE THREE MEET AGAIN”, and a black child in a night cap blowing out a chamber stick. 35) A small panel depicting treed opossums in moonlight. 36 & 37) A procession of people being dragged by a running horse in turn being attacked by flying crows and a biting dog. 38-42) A long panel depicting the caricatures of five individuals including an elderly black man being attacked by three dogs, a black woman with brush, a caricature of Lincoln (?) stooping over the figure of a young lady wearing an apron followed by a similar caricature of a very tall and thin female holding the hand of a young boy with stovepipe hat. 43-49) The following panel depicting a series of allegorical characters the first a man with hog-tied pig followed by a female in plumed hat with goose, a boy being thrown from a horse, a bearded man firing gun over shoulder,a man walking with three children, a boy in striped pants with a pumpkin figure, a girl riding a giraffe facing boy with whip and a black boy dancing with a plumed hat. 50) Depicting three rabbits roasting on spits over a camp fire. 51-58) Woman in red dress, her arm around a young man’s throat followed by a woman in dress with pigtails drinking from a bottle, followed by a woman in cap and dress with an umbrella facing a bull and a sign reading “Beware of Bull”, followed by two cats fighting over a mouse, a man in stovepipe hat observing boy spearing a frog, two black men being attacked by dogs, a man in long coat punishing two young boys, one being held by the ear, five ghoulish animals with long tails and red eyes dancing, male and female figure dancing/fighting with brooms, a black woman facing a mythical creature in half alligator half horse, a man with umbrella and telescope on donkey, black boy carrying a watermelon facing a black man with stovepipe hat, walking stick and paper. 59) The final panel a portrait rendition of Washington beneath the banner “Farewell” with a rose bud border. The whole mounted within a rectangular box frame. Each end of the diorama joined to a turning spindle within the box frame. SIZE: The total of the panels approximately 50′ in length x 10″h. The box frame 29-1/2″l x 12-3/4″w x 3″d. CONDITION: The box frame in very good original condition, the spindles good, the linen panels all with varying degrees of foxing and staining, some with ink stains. The painted vignettes for the most part are clear. 9-97620 (10,000-30,000)

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3135

FRAMED AUTOGRAPH: JOHN HANCOCK; PRESIDENT SECOND CONTINENTAL CONGRESS (American, 1737-1793). Framed presentation of the Declaration of Independence which is a reprint of the John Dunlap broadside which is after a copy owned by the Maine Historical Society of which this is a limited edition reproduction. Limited to 100 by the Ascensius Press on a mold-made rag paper. On the bottom right has been placed an authentic John Hancock signature which has been clipped from another document. The part reads “Chas. Thomson by order of Congress John Hancock, President”. Charles Thompson was the Secretary of Congress and this signature is the same as it appears on the Declaration of Independence. Housed in a fine teak frame with white matte. SIZE: Total: 25″ x 19″. Signature document: 1-1/2″ h x 4-1/4″ l. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Hancock document has light fold, signature is strong and clear. 9-95942 (800-1,200)

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3136

FRAMED AUTOGRAPH: JOHN HANCOCK DOCUMENT. The document signed “JOHN HANCOCK AS GOVERNOR OF THE COMMONWEALTH OF MASSACHUSETTS”. Appointing Joseph Card Ensign in the 4th Regiment, 2nd Brigade and 8th Division of the Militia of the Commonwealth comprehending the counties of Lincoln, Hancock and Washington. Dated July 4th, 1791. SIZE: Sight size: 11-1/2″ x 15-1/2″. CONDITION: The document was folded and the folds are apparent along with tape,glue marks at the folds that are discolored. Foxing. The writing and signature are clear. 9-96983 (1,200-1,800)

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3137

THOMAS JEFFERSON FIRST INAUGURAL SPEECH ON SILK. The text of the 3rd President’s inaugural address printed on silk in two columns, titled “SPEECH OF THOMAS JEFFERSON, PRESIDENT OF THE UNITED STATES, DELIVERED AT HIS INSTALMENT (sic), MARCH 4, 1801”. The document, passed down through the family of the present owner, was discovered in the will case of James A. Sharpe of Augusta, KY, April 23rd, 1839. SIZE: 16-1/4″ h x 11-3/4″ w sight. CONDITION: The material is currently mounted in a frame under glass. Some slight fraying at top and bottom of document outside of border. Small insect holes present throughout. Otherwise in good condition. Text is clear. 9-97006 (2,000-4,000)

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3138

PAIR OF AMERICAN CAST IRON GEORGE WASHINGTON ANDIRONS. Third quarter 19th century. These fine paint decorated examples depicting Gen. George Washington leaning on a draped pedestal, hat in hand, standing on a draped molded plinth with a hanging medallion, raised on conforming feet. The cast serial number “1022” is found at the rear of the base. SIZE: Ht 19 3/4″ L 17″ CONDITION: Structurally very good retaining original surfaces showing expected wear with good patina. 9-97036 (500-800)

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3139

AMERICAN CARVED GEORGE WASHINGTON COMMEMORATIVE WHEEL BAROMETER. Circa 1840. Designed and executed by Guiseppi Tagliabue (1812-1878), an important maker of scientific instruments in New York. The wheel barometer mounted within a heavily carved case rendered with cross, pike, gun, sword, anchor, tasseled cord and drapery and with a bust portrait rondele of George Washington. The instrument featuring a circular silvered barometer dial within a convex glass and brass bezel. The thermometer within a rectangular compartment carved with shells. The thermometer also with silvered dial, engraved “G. Tagliabue/302 Pearl St/N.Y”. The barometer dial engraved “Guiseppi Tagliabue/302 Pearl Street/N.Y.”. The aperture adjusting hole set below Washington’s profile takes a small key with round turned know which is present. Lot is sold together with a framed bibliography of the maker. SIZE: Overall height 56″ CONDITION: This fine example, beautifully carved and retaining its original finish in chocolate brown patina. The instruments in good clean order. A 3/4″ diameter hole at 1:00 above the barometer dial to which was originally attached a carved element of unknown description and now absent. 9-97391 (15,000-25,000)

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3140

AMERICAN FOLK ART WHIMSY OF WASHINGTON’S HEADQUARTERS NEWBURG, NY. 19th century. The carved and painted tabletop model with removable peaked roof section opening to a mahogany interior with tray. Designed in the likeness of George Washington’s Newberg, New York Headquarters. SIZE: 8″ h x 12-3/4″ l x 12-1/4″ w. CONDITION: In original untouched condition, one chimney with minor damage and minor chips along roof line. Very good overall. 9-97259 (1,800-2,200)

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3141

GEORGE WASHINGTON CAMEO BROOCH. Outstanding white (pearl) lava cameo depicts the profile of George Washington carved in high relief. Back of the cameo is inscribed “Wasington”. The octagonal shaped cameo is mounted in a simple 14kt yellow gold frame with pin and c-clasp. Gold is unmarked but tests 14kt. SIZE: 1-1/2″ x 1-1/4″. CONDITION: Very good to excellent with tight hairline at top left corner. 9-96980 (2,000-4,000)

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3142

EXTRAORDINARY WASHINGTON FAMILY SILK EMBROIDERY. Second half 18th century, probably Fredericksburg, Virginia. This silkwork wrought by Mildred Gregory Washington (1777-1805), daughter of Charles Washington and niece of General George Washington. Mildred Gregory Washington, second wife of Captain Thomas Hammond of Charles Town, Jefferson County, Virginia was married until her death in 1804/05. Capt. Thomas Hammond then married Nancy Newton Collins in 1807, retaining the silkwork within their family. Their son, George Washington Hammond married Sarah Ann Taylor, retaining the silkwork in their family. Their daughters were Florinda Jones Hammond (1846-1922) and Mary Mildred Hammond (1836-1933). Mary Mildred Sillivan (nee Hammond) took stewardship of the silkwork. Subsequently she gifted the silkwork to her niece, Elizabeth Tilford Keferstein (1874-1941), daughter of Florinda Hammond Tilford and John Boyle Tilford, Jr. A family quilt exists, fashioned over a period of 6 years by the three wives of Captain Thomas Hammond including Mildory Gregory Washington and Nancy Newton Collins. The silk and chenille embroidered picture depicting a young woman in a fitted pale blue jacket with dark trim, with a brimmed cap, wearing a blue and gold striped full length skirt and black shoes, holding a hay rake in her right hand. She is facing a young man in blue jacket with white trousers and leggings, black shoes with buckles and seated on a haystack beside a seated dog, holding a pitchfork, all on a grassy foreground. They are positioned beneath a large central willow tree, a bird flying within. The middle ground with spotted pig, fence, and small farmhouse. Rendered overall in muted and subdued tones of golds, silvers, greens and blues. This rare folk art rendition with similarities to the rural themes seen in the “Fishing Lady” embroideries of Boston and also with regional characteristics of rural Virginia, Frederick County in the 18th century. References: The Algernon Sydney Sullivan Collection of family documents from the Stewart Bell Jr. Archives Room, Handley Regional Library, Winchester-Frederick County Historical Society, Winchester, Virginia. For additional background information of the the family see “Uplifting of the South” by Kathleen Curtis Wilson and “Mary Mildred Sullivan (Mrs. Algernon Sydney Sullivan) A Biography” by Anne Middleton Holmes. Accompanied by a typed history titled, “EARLY AMERICAN SILK EMBROIDERY – A Family Relic”, documented and written by George Hammond Sullivan, son of Algernon Sydney Sullivan and Mary Mildred Hammond Sullivan, New York, September 1, 1923. It is our opinion that this is a rare and superior example of 18th Century Folk Art needlework worthy of any serious collector’s attention with extraordinary potential for appreciation. SIZE: Sight 15″ x 12-1/4″. CONDITION: The silkwork in very good structural condition. The foundation now a medium brown from age with some deeper discoloration in area around the young woman’s torso. There is also some fraying to the foundation along the borders of the work, outside the borders of the stitching. The colors are somewhat faded, but present a pleasing overall tonality. 9-97615 (20,000-40,000)

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3143

FRAMED AUTOGRAPH: CHARLES LINDBERGH; AVIATOR (American, 1902-1974). Outstanding collage incorporating two rare and superb signed photographs and other memorabilia. The first is 14″ x 11″ light sepia-tone head and shoulders portrait (by Acme News Pictures) of the young aviator wearing his tools of the trade: leather flight jacket, helmet and goggles hanging around his neck. Signed in bold black ink “Charles A. Lindbergh”. PROVENANCE: Profiles in History, No. 68, Catalog 34. Originally from the Estate of Aviation Secretary William P. MacCracken. Another superb signed photograph is 7″ x 9″ by Underwood signed “C.A. Lindbergh” showing the aviator standing beside his plane “Spirit of St. Louis”. Also an unsigned photograph of a half portrait, two Lindbergh Congressional Medal copies, three First Day Issue envelope covers, and a TWA Flight 800 Commemorative Flight with pilot signature. SIZE: Total: 19″ x 30-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96113 (8,000-12,000)

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3144

CHARLES A. LINDBERGH MEMORABILIA. This fabulous lot includes: Scrapbook album One: Containing First Day Issue postage envelopes and prints. 1) Signed Douglas Corrigan (builder/mechanic of the Spirit of St. Louis). 2) Double sided signed print Douglas Corrigan. 3) Limited Edition signed Jean-Luc Beghin cockpit print with stamp. 4) Three signed photographs and First Day Cover by Jimmy Pyle (James T. Pyle, American Aviator). 5) Lindbergh Day Special Flight cover. 6) Lucky Lindbergh airmail envelopes. 7) Lindy music sheet covers. 8) Signed envelope by H.A. Gurney (pilot). 9) Signed Verne Jobst, aviator, First Day Issue cover photograph. 10) Several foreign Lindy cover envelopes including Caracas, Venezuela, 1928. 11) Three signed pieces by Bob Cunningham, designer of the 50th Anniversary stamp. 12) Signed cover by navigator and captain San Francisco to Honolulu cover. 13) Approximately 200 First Day Issue envelope covers, most being early examples and mostly different. Album Two: Contains Lindbergh related First Day covers, approximately 47. Miscellaneous loose items including booklet “Trophies and Decorations of Colonel Charles A. Lindbergh”. A front page of the Evening Bulletin May 21, 1927 “Lindbergh Arrives at Paris” and more. NOTE: A wonderful collection of hard to find and quite desirable Lindbergh memorabilia. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME CONDITION: Generally very good. 9-96142 (2,000-4,000)

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3145

RARE LINDBERGH RELATED RECORD ALBUM. The Victor record numbered “35835-A” titled “President Coolidge Welcomes Colonel Lindbergh at Washington, D.C., June 11, 1927-Part 1” and “Part 2″ double sided ablum. The black album has its original dust jacket. SIZE: 11-3/4” dia. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Good with some damage to sleeve. 9-95988 (100-200)

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3146

FRAMED AUTOGRAPHS: CHARLES A. LINDBERGH; AVIATOR (American, 1902-1974); HARRY GUGGENHEIM; PHILANTHROPIST (American, 1890-1971); BUZZ ALDRIN; ASTRONAUT (American, 1930-); MICHAEL COLLINS; ASTRONAUT (American, 1930-) & JOHN GLENN, ASTRONAUT (American, 1921-). This collage of astronauts and aviators has a central photograph of Charles Lindbergh and Harry Guggenheim shown arriving at Bolling Field to be present at the International Civic Aero Conference in Washington, December 12, 1928″. An international newsreel photograph. It is bordered on top and bottom with four bronze medals including “Pioneers of Flight”, “Tribute to Apollo”, “Robert Hutchings Goddard” and another Robert Goddard. Surrounding these are six First Day Issue covers. One, First Man on the Moon, 1969, signed by Aldrin, Collins & Armstrong. One signed by Harry Guggenheim on a Robert Goddard First Day Issue. Also, there is a photo of John Glenn outside his capsule which is signed. Another is a postcard of Lindbergh standing beside the Spirit of St. Louis and dated “1927”. Also incorporated into the collage is a Charles Lindbergh signature “C.A. Lindbergh, March 1934″. A nice grouping of signatures, subject matter and stamps. Housed in a shadowbox type frame with ivory matte having fifteen cutouts. SIZE: Total: 20-1/4″ x 24-3/4”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96114 (2,000-4,000)

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3147

FRAMED AUTOGRAPH: WILBUR WRIGHT, AVIATOR (American, 1867-1912) & ORVILLE WRIGHT, AVIATOR (American, 1871-1948). Collage incorporating a postcard of Wilbur Wright in black and white which is autographed. Also a postcard showing the first manned flight, 1903 at Kitty Hawk which is signed “Orville Wright”. Also included in a print title “Honoring the Wright Brothers” and a First Day Issue showing Kitty Hawk map with different airmail stamps including 6 cent airmail (Wilbur & Orville Wright), 6 cent airmail (50th Anniversary of Powered Flight), 2 cent International Civil Aeronautics Conference, and two 31 cent US Airmail, postmark dated 1978. Housed in a silver wood frame with white matte having four cutouts. SIZE: Total: 27-1/2″ x 10-3/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96112 (2,000-4,000)

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3148

FRAMED AUTOGRAPH: MAXWELL ANDERSON; PLAYWRIGHT/AUTHOR (American, 1888-1959) & KATHERINE CORNELL, ACTRESS (American, 1893-1974). The central part of this collage has a 9-1/4″ x 7″ vintage photograph of Katherine Cornell seated with a fancy print dress. The photograph is inscribed “Best Wishes Katherine Cornell”. Also there is a signature with inscription “Good Luck… Maxwell Anderson 1950”. Also with a print of Anderson and cover illustration “The Wingless Victory”. Housed in a silver gilt wood frame with white matte with six cutouts. SIZE: Total: 14″ x 23″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96109 (800-1,200)

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3149

FRAMED AUTOGRAPH: MARK TWAIN (SAMUEL CLEMENS); AUTHOR, (American, 1835-1910). The piece incorporates a wonderful photograph showing Twain seated in a wicker chair dressed in a three-piece suit and wearing a flat brimmed white hat. Boldly signed “Mark Twain” in the lower white border. Also there is a clipped signature “Yr Truly, Samuel L. Clemens Mark Twain”. Housed in a modern wood frame with gray matte having two cutouts. SIZE: Total: 13″ x 9″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95964 (800-1,200)

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3150

FRAMED AUTOGRAPH: WALT WHITMAN, POET (American, 1819-1892). Collage incorporates a signed photo reproduction portrait signed below in blue pencil “Walt Whitman”. The signature has been authenticated and initialed on the back of the portrait by Charles Hamilton (noted authority). A clipped signature “Walt Whitman” and a Rockwell Kent print of Whitman. Attached to back is a First Day Cover “Famous American, 1940″. Housed in a gilt wood frame with white matte having three cutouts. SIZE: Total: 9-3/4″ x 13-3/4”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95959 (1,000-2,000)

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3151

FRAMED AUTOGRAPH: HERMAN MELVILLE; AUTHOR (American, 1819-1891). Incorporated in this collage is a signature on white paper “H Melville”. Also a colored etching titled “Melville” by Jack Coughlin and numbered “54/75″. Also are two First Day Issue covers, one honoring the whaling industry, 1970, the other saluting Herman Melville, 1984. SIZE: Total: 15″ x 8-1/2”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95969 (2,000-3,000)

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3152

GILDED COPPER EAGLE AND BANNERETTE WEATHERVANE. The full bodied copper displayed eagle perched upon a ball finial above the openwork scrolled banner with cast zinc arrow head opposing the sheet copper feather. SIZE: Vane: 27″ h x 44″ l. CONDITION: The weathervane retains old gilded surfaces with good verdigris patina. No restorations noted. The eagle with a split in the proper right wing shoulder. This weathervane to be sold with stand. 9-97516 (1,250-2,500)

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3153

UNUSUAL FOLK ART CARVED PATRIOTIC WALKING STICK. American, Second half 19th century. This ebonized walking stick carved overall with raised stars, crosses, shields, cartouches, cloverleaf and other geometric shapes. Each is decorated with a polychrome stained etched device, mostly military related such as swords, crossed arrows, cannon and anchor, etc. The upper half nicely decorated with American eagles and “The Great Shield of the United States”. SIZE: Ht 34 1/2″ CONDITION: Retains good original surfaces with a single shrinkage split in upper half of shaft. 9-97079 (500-1,000)

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3154

FINE WHIMSICAL AMERICAN FOLK ART SEATED FOX. Early 20th century. This paint decorated red fox carved from the solid in a seated position looking skyward, its tail wrapped around a rectangular plinth. SIZE: 27-1/2″ h. CONDITION: Very good original condition with good patina and color. There are minor chips and roughness to the ends and edges of ears. Additional roughness and paint loss to end of snout. Proper right front corner of plinth with chip. 9-96758 (500-1,000)

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3155

REVEREND LEMUEL WILLIS OAK PRESENTATION GOBLET. Mid 19th century. This nice example of treen mounted with two silver plaques, the first engraved in script, “Presented to Rev. Lemuel Willis, by a friend.“. The second, mounted on the opposing side, engraved in script, “This piece of wood is a part of a timber used in the construction of the first Universalist Church erected in New England in 1779 at Gloucester Mass.“. The Reverend Willis (1802-1877), of Warner, New Hampshire, was a noted speaker for the Universalist Church throughout Southern New Hampshire and Northern Massachusetts. This turned goblet with flared molded rim footed on a stepped and circular plinth. SIZE: 8-3/4″ h x 7-1/2” d. CONDITION: With old crusted and crackled surfaces and with vertical hairline shrinkage cracks. The base rim with shrinkage checking. Overall very good. 9-97533 (800-1,200)

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3156

CARVED & PAINTED FISH TRADE SIGN. Billingsgate Fish Market, circa 1920, London, England. This colorful polychrome painted example depicting 3 carved fish joined at the tails by rope, mounted on an iron bracket. Removed from the Billingsgate Market from one of its 20th century renovations. SIZE: 63″ l of sign, 69″ l including bracket, 31″ w. CONDITION: This mostly original example with some professional restoration to tails and fin areas. Otherwise the weathered surfaces with some loss to paint on body areas, evident in photograph. Structurally very good overall. 9-97031 (2,000-4,000)

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3157

FOLK ART CARVING OF LADY IN GREEN DRESS. Late 19th century, American. Carved from the solid with articulated arms fashioned with long straight brown hair, her arms joined at the shoulders and positioned for carrying an object. Wearing a long sleeve green dress cinched at the waist, barefoot on a wooden plinth. SIZE: 18-1/2″ h. CONDITION: With original painted surfaces, the arms reattached, the proper right forearm and hand a later addition, the proper left foot also a later addition. Proper left forearm shaped and drilled for positioning of carried item (now absent). Rear of head with check mark. 9-97217 (600-900)

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3157a
Revised: 8/19/2009

Lot Number Changed: This was lot 3183.

CARVED AND PAINTED STRINGER OF FIVE BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being painted birch bark. One of only a few known, this is considered to be Irvine’s most desirable carving and exemplifies both craftsmanship as well as creativity. SIZE: Overall: 15″ x 33 1/2″; Four trout 12″; One trout 15″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 97492 (27,500-32,500)

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3158

CARVED AND PAINTED 20 1/2″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, inscribed “1978/Chamberlain Lake”, the backboard being painted birchbark. SIZE: 11 1/2″ x 27 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97774 (2,000-3,000)

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3159

CARVED AND PAINTED 18″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 12″ X 28″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97757 (2,000-3,000)

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3160

CARVED AND PAINTED 21″ BLACK BASS BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain. SIZE: 12″ x 28 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97776 (2,000-3,000)

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3161

CARVED AND PAINTED 18″ BROWN TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being painted birchbark. SIZE: 11″ x 23 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97772 (2,000-3,000)

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3162

CARVED AND PAINTED 35″ LAKE TROUT BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being painted birchbark. SIZE: 17″ x 42 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97758 (3,000-5,000)

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3163

CARVED AND PAINTED 29″ SALMON BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 16″ x 34″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97759 (3,000-5,000)

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3164

CARVED AND PAINTED 19″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard carved in the shape of the State of Maine, titled “Maine” with pine branch and pine tree on birchbark painted background. SIZE: 21 1/2″ x 34″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97761 (6,000-8,000)

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3165

CARVED AND PAINTED 14″ DOUBLE BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the background being a natural light stain. SIZE: 12″ x 28″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97769 (4,000-6,000)

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3166

CARVED AND PAINTED 12 1/2″ WHITE PERCH BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 9 1/2″ x 15″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97763 (2,500-3,000)

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3167

CARVED AND PAINTED 25″ PICKEREL BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain. SIZE: 14″ x 33″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97770 (2,000-3,000)

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3168

CARVED AND PAINTED 19 1/2″ BASS BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 12″ x 28″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97777 (2,000-3,000)

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3169

CARVED AND PAINTED 20 1/2″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being painted birchbark. SIZE: 12″ x 28 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97778 (2,000-3,000)

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3170

CARVED AND PAINTED 19″ SALMON WITH TANDEM STREAMER IN MOUTH BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard carved in the shape of the State of Maine, titled “Maine” with pine branch and pine tree on birchbark painted background. SIZE: 18″ x 28″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97773 (3,000-5,000)

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3171

CARVED AND PAINTED 26″ ATLANTIC CHAR(?) BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 15″ x 33″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97771 (2,000-3,000)

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3172

CARVED AND PAINTED 17″ PICKEREL BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 8″ x 22″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97762 (1,500-2,500)

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3173

CARVED AND PAINTED 30″ LAKE TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain. SIZE: 15″ x 36″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97775 (3,000-5,000)

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3174

CARVED AND PAINTED 21″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 12″ x 28″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97760 (2,500-3,500)

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3175

CARVED AND PAINTED 19″ LANDLOCKED SALMON BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 10″ x 23″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97756 (2,000-3,000)

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3176

CARVED AND PAINTED 12″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard carved in the shape of the State of Maine, titled “Maine” with pine branch and pine tree on birchbark painted background. SIZE: 15 1/2″ x 24″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97768 (4,000-6,000)

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3177

CARVED AND PAINTED 27″ LAKE TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, inscribed ” 7 3/4# caught on Echo Lake/March 16, 1968″ the backboard being painted birchbark. SIZE: 15″ x 36″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97767 (3,000-5,000)

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3178

CARVED AND PAINTED 22″ BROWN TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain. SIZE: 12″ x 28″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97766 (1,500-2,500)

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3179

CARVED AND PAINTED 12″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP,ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 8″ x 19 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97764 (1,000-1,500)

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3180

CARVED AND PAINTED 23 1/2″ SALMON BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being painted birchbark. SIZE: 14 1/2″ x 33″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97780 (3,000-4,000)

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3181

CARVED AND PAINTED 16″ BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, inscribed “July 3, 1980″, the backboard being painted birchbark. SIZE: 10 1/2″ x 23 1/2” PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97779 (1,500-2,500)

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3182

CARVED AND PAINTED 6″ CHICKADEE BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain decorated with pine branch. SIZE: 8″ x 8″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97765 (1,000-2,000)

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3184

SIGNED 23 1/2″ LANDLOCKED SALMON BY PAUL MAILMAN. Signed on reverse of plaque “Paul Mailman/Lowell, ME”, the backboard having a painted lake scene background. SIZE: 17″ x 31 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97782 (400-600)

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3185

SIGNED 36″ PIKE BY SONNY CASTELLANO ON PAINTED BIRCHBARK. Signed on reverse of plaque “Sonny Castellano”, the backboard being painted birchbark. SIZE: 11″ x 39 1/2″ PROVENANCE: From the Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 9-97781 (400-500)

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3186

CARVED RELIEF PLAQUE OF A SALMON ATTRIBUTED TO A.W. WENTWORTH OF MAINE. A tree log slice has inset oval carved 23″ Salmon which has colorful paint and realistic features. The back having a note “Information from family-thought to be carved and painted by Reverend A. W. Wentworth, traveling minister in Maine-mostly Baldwin area. Minister North Deering Church for short time in ’30’s. Died 1960″. SIZE: Overall is 42″ x 13-1/2”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-96044 (200-400)

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3187

OUTSTANDING CARVED BROOK TROUT DIORAMA IN AQUARIUM SETTING. Large glass case with wood frame and base, mirrored back. Inside has two 19″ carved wood and painted brook trout, each perched on piece of driftwood which makes them appear as if swimming. Bottom lined with peastone with carved wood turtle, rocks, and lily pads. SIZE: 22″ h x 30 1/2″ w x 18″ deep. CONDITION: Very good. 9-96767 (1,000-2,000)

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3188

ASSEMBLED WEDGWOOD SHELL FORM DESSERT SERVICE. Second half 19th century. Comprised of 2 scallop shell serving bowls and 12 scallop dishes. Most with a pink border and pale yellow highlights, all on a cream ground. Each with an impressed “Wedgwood” mark. SIZE: Largest 13-3/4″ l. Dishes 8-3/4″ d. CONDITION: One round plate with minor chip. Small serving dish with chips at corners. Large serving dish with chip on edge, otherwise all good. 9-96414 (600-900)

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3189

REGENCY INLAID ROSEWOOD TEA CADDY. First quarter 19th century. The rectangular hinged lid opening to an interior fitted with two lidded compartments centering a compartment for tea bowl. The case with satinwood crossbanding and central diamond inlays. Raised on suppressed brass ball feet. SIZE: 6-1/2″ h x 12-1/4″ l x 6″ d. CONDITION: Professionally restored and repolished. Interior lockplate absent. 9-97241 (250-500)

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3190

NICELY CARVED 18TH CENTURY LIFT TOP BLANKET CHEST. The molded edge single plank top having two hand wrought hinges which opens to reveal a lidded till and open box. The front having three panels, each having a deeply carved relief grape bunch with leaves. The top and bottom border with decorative carving band, the side front panels with grape vine carving. The front apron having nicely carved scroll design with graduated carved ball design. The sides with a carved boot jack design. SIZE: 25-1/2″ h x 51-1/2″ at widest x 21″ d. PROVENANCE: From a Washington, Maine Estate. CONDITION: Nice old patina, old crack on right side. Generally very good. 9-95776 (1,500-2,500)

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3191

PAIR OF PAUL STORR SILVER COVERED ENTREE DISHES. London, 1817. The matched pair having bases in rectangular form with flat rim decorated with gadrooned edge interspersed with scallop shell and leaf decoration. Marked on end with “P.S.” for the maker and four other hallmarks. One marked “1” and the other marked “2”, both having “89”. Each having a standing stag on each bottom side. The covers having removable handles which have opposing lion head’s on a large flower head. The handles hallmarked with maker’s mark. The covers having a rectangular dome form with a top decoration matching the bottom outside edge. The underneath of the lids have identical borders to the base which allows it to be used without the handle as an open dish. Both lids having identical hallmarks to the base. One top is marked “1” and the other “2”. Also under where the handle attached, one is marked “1 89” and the other “2 89”. The upper sides of the cover having a crest which shows a knights helmet atop a shield with three rearing goats. WEIGHT: 70 tr. oz each. Total being 140 tr. oz. SIZE: 5″ h x 12-1/2″ l x 10″ w. CONDITION: Very good with some light dimpling, light use with knife marks, slight indent at handle juncture which can only be seen from underneath. 9-95754 (20,000-25,000)

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3192

ENGLISH STERLING CREAMER BY WILLIAM BATEMAN AND DUNKIRK SUGAR BOWL. A 3″h sterling creamer with ribbed low pattern hallmarked “1813” along with a 3-1/2″h sterling Dunkirk Silversmith footed sugar bowl. Creamer is 7 Troy oz, sugar bowl is 4 Troy oz, total weight is 11 Tory oz. SIZE: As indicated above. CONDITION: Very good. 9-97452-1 (100-200)

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3193

ENGLISH SILVER REPOUSSE CENTER BOWL. London, 1795-96. Chased and fluted center bowl cast with handles of female winged creatures. Decorated overall with scrolling floral vinery centering cartouches, raised on a similarly decorated pedestal base. The base rim with maker’s and date marks (see photo). 36 troy oz. SIZE: 8-1/2″ h. 8-3/4″ dia. of bowl. 12-1/2″ overall width. CONDITION: Very good overall. Inside of bowl showing wear to solder marks at attachment of pedestal base. 9-96620 (1,000-2,000)

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3194

GEORGIAN CARVED OAK TWO-PIECE CORNER CABINET. Top section having a molded cornice over two six-glass pane doors flanked by beveled reeded side panels. Three fixed shelf areas. Bottom section having an attached molded top edge, two inset panels with molded edge, front bracket base. Inside fitted with three fixed shelf areas. SIZE: 85-3/4″ h x 57-1/2″ at widest; 26″ d shelves. PROVENANCE: From a Washington, Maine Estate. CONDITION: Generally very good. 9-95780 (2,500-3,500)

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3195

CHIPPENDALE MAHOGANY WING CHAIR. Last quarter 18th century, probably English. The serpentine crest-rail continuing to ogival wings centering the rectangular over upholstered back joined to conforming rolled arms centering a rectangular over upholstered seat with cushion raised on square chamfered frontal legs and back-swept rear legs, joined by a recessed box stretcher. SIZE: 45-1/2″ height of back, overall width 32″. CONDITION: Structurally very good condition overall with old surfaces. The back panel is exposed for examination. 9-97545 (1,500-2,000)

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3196

HERIZ PALACE CARPET, NORTHWEST PERSIA. First half 20th century. The angular ivory geometric center medallion within a stepped blue-black conforming border, all with polychrome saz leaf, floral and geometric polychrome latticework designs on a brick red ground with ivory spandrels, the main dark indigo border with stylized lotus blossoms and geometric trellis work. SIZE: 20’6″ x 10’7″. CONDITION: Fine example with rich palette, showing overall even wear commensurate with age. Very good condition. 9-94980 (7,500-9,500)

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3197

IRISH COROMANDEL DRESSING BOX. Circa 1849. This fine example engraved on the brass lock plate “AUSTIN Manufacturee St. Andrew St. DUBLIN”. Of rectangular form, the hinged lid inlaid with brass and fitted with a velvet latched lid opening to a storage compartment and in itself a stationary compartment. The box with a removable tray fitted with 7 cut glass bottles and 4 rectangular cut glass boxes all with chased silver lids. Each hallmarked. Centering a smaller tray fitted with various instruments of personal hygiene. The front of the box with a hinged lid opening to reveal two long drawers, the top drawer leather lined, the bottom drawer fitted with a tooled leather lid opening to a compartmented jewelry tray. The box fitted with campaign style brass carrying handles. SIZE: 7-1/2″ h x 13-1/2″ l x 9-1/2″ d. CONDITION: The wood surfaces with original finish. Several pieces of brass stringing and inlays in need of restoration. The central rondel or plaque absent. The silver lidded boxes and bottles in good condition. Some stoppers with flakes. 9-96982 (1,500-2,500)

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3198

REGENCY MAHOGANY DROP LEAF BREAKFAST TABLE. First quarter 19th century. The rectangular top with molded edge joined to hinged D-form leaves projecting above the conforming apron fitted with a deep frieze drawer and opposing sham drawer raised on a ring-turned pedestal joined to four outswept molded legs headed with acanthus leaf carving terminating in cast brass scrolled foliate feet with casters. SIZE: Ht 27 1/2″ L 41 1/2″ Width closed 21 1/2″; Top opened 45″ x 42″ CONDITION: The tabletop with a circa 1920 re-polish, now cloudy. The base retaining original finish with dark patina. The hardware and feet original. Piece of cockbeading missing on drawer otherwise very good. 9-97610 (1,000-1,500)

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3199

UNSIGNED (English, 19th Century) TWO WORKS: FAREWELL AND WELCOME HOME. Oil on metal genre scenes housed in identical antique gilt molded wood frames. The first shows a seven member family in an interior setting preparing for their two youngest boys to leave home. It is a fine room setting with piano, tea urn on a stand and covered floor. The second shows the return of the two boys in an exterior house setting with the mother having arm extended to the eldest boy who pets the family dog. SIZE: 22″ x 30″. CONDITION: Some surface scratches, dry surface with flaking, consolidated varnish. Good. 9-96823 (1,500-2,500)

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3200
Revised: 8/27/2009

Correction: Book consists of actual algae samples NOT watercolors

INTERESTING & IMPORTANT SMALL SCRAPBOOK OF ALGAE WATERCOLORS ATTRIBUTED TO ANNA ATKINS. Anna Atkins (1799-1871) was an English botanist and photographer. She was the first person to publish a book illustrated exclusively with photographic images. She self-published the book British Algae: Cyanotype Impressions. This book has a leather cover with gold embossed trim titled “Algae”. It is inscribed on the inside in period writing “Charles Putnam – A birth-day token from his AFFte (affectionate) Aunt Anna Feb 9, 1850”. Lower on the page “Nantucket, Mass”. It was known that she worked in New England during this time period. The book has tipped-in twenty 3-1/2″ x 4″ watercolors of different algae. There are no other markings whatsoever. We have been unable to confirm the link between Charles Putnam and Anna Atkins, but it seems by the inscription that this is either a family member or someone very close i.e. the word “affection”. The other key is the inscription “Aunt Anna” on an early book that deals with algae supports the attribution. SIZE: 6-3/4″ x 6-3/4″. CONDITION: Binding has water and mold damage. Inside watercolors are very good. The tissue paper with foxing. 9-96981 (3,000-5,000)

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3201

HAND COLORED MAP OF NORTH WALES BY ROBERT MORDEN. 18th century. This is a hand-colored watercolor map of North Wales including parts of St. George’s Channel and the Irish Sea. Upper right corner decorated with a cartouche in which is printed “NORTH WALES/By Robt, Morden”. Robert Morden (1650-1703) was a British cartographer whose maps were published in 1695, 1722, 1753 and again in 1772. This particular example is undated and has been removed from Camden’s .Brittania. SIZE: 14 1/4″ x 17″ Sight CONDITION: Very good overall with minor discoloration and foxing to paper. Watercolors retain good clarity. Vertical crease in middle of map extending full length. Mounted in a later frame. 9-97230 (400-600)

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3202

O-CHI-YAI (Japanese, 19th Century) PORTRAIT OF THE STEAMSHIP “COSTA RICA”. Detailed gouache portrait of the black hulled center wheeled steamer sailing left to right with other sails off bow and stern. Bottom left artist signed “O-Chi-Yai Nagasaki”. Titled bottom center “Costa Rica” and bottom right “Drawer”. Outside the center wheel housing is written “P.M.S.S. Co.”. The ship is seen flying an American flag off stern, the decks having 30 figures, the sea in a light to dark blue. Housed in a white painted carved wood frame decorated with shell motifs with matte which could be its original frame. The 1783 ton Costa Rica was built in 1891 in Chester, PA and was part of the Pacific Mail Steamship Company. In 1917 it was sold to L.A. Pederson, NY; in 1923 sold to Northern Fisheries, San Francisco; and was scrapped in 1935. SIZE: Sight: 17-1/4″ x 26-3/4″. CONDITION: Not examined out of frame. No rips or tears evident. All over foxing spots, strong colors and some light water marks and scratches. 9-96300 (4,000-8,000)

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3203

MIN QUA (Chinese, 19th Century) PORTRAIT OF THE SHIP “THOMAS BELL”. Large oil on canvas portrait of a three-mast ship with black hull in full sail sailing left to right with a port in the background having many different ships. The ship has eight crew members aboard and flies the British flag and ships pennant off mast. The sky in a pink to blue color with white clouds. The legend “Thomas Bell Geo Gruzelier Commander Leaveing Shanghi Harbour”. Signed lower left and inscribed bottom right “Painter”. Housed in a replacement gilt decorated frame. SIZE: 25-1/4″ x 40-3/4″. PROVENANCE: The historic Perry House on the harbor in Southport, CT, descended through the family. CONDITION: Relined, very good. 9-96355 (15,000-25,000)

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3204

OUTSTANDING AND IMPORTANT WATERCOLOR, INK, AND NEEDLEWORK DOUBLE MEMORIAL BY ALIDA DUNBAR; ALONG WITH A PORTRAIT BELIEVED TO BE ALIDA DUNBAR ATTRIBUTED TO EZRA AMES. Needlework picture is framed behind a reverse painted black and gold edged piece of glass with name of maker at bottom. Gilt early frame. Picture shows large central three door building with two spires and blue roof. Urn topped memorial stones have writing as follows: “In memory of Mary Graverat died 6 February 1797 aged 55 years and 6 months”. Other has “In memory of Henry Graverat died 15th August 1802 aged 64 years 7 months and 3 days”. Girl is shown at each stone grieving. Large trees on sides, right one is large weeping willow. Flowers, fence, gate, trees and hillside are included in picture. This sampler closely resembles a group that has been linked to Albany, New York. The portrait purportedly was painted in 1808 by Ezra Ames (1768-1836) of Albany, New York. Robert Dunbar of Albany, New York married Alida Graverat Dunbar (1773-1840) on March 24, 1796. The memorial was done by Alida for her father and mother Henry and Mary Graverat. Robert Dunbar commissioned two portraits to be painted by Ezra Ames in 1808. SIZE: Sight size: 23 1/4″ x 29 1/2″, needlework image size: 19 3/4″ x 25 3/4″. Portrait 31″ x 25″. CONDITION: Some loss and splits in silk backing, stains, most needlework intact, some flaking to reverse painted areas. Portrait very good. 9-97407 (8,000-18,000)

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3205

UNSIGNED (New France, 18th century) RARE FOLK PORTRAIT OF YOUNG ROYALTY. Oil on canvas depicting a young boy in 17th/18th century attire with high lace collar, 3/4 length formal coat with red trim at collar and sleeves, bow with ornate grip in right hand and red arrow in left hand, with red stockings woven with a fleur de lis at the ankle, and wearing black shoes with red high heels. These are all accoutrements of royalty accorded the children of the Dauphin, the King’s Heir Apparent. The red heels and red edged shoes remained a privilege for the French nobility until the time of the French Revolution originating with Louis XVI. A King Charles Spaniel rearing on its hind legs for attention is in the lower right. SIZE: Sight: 42-1/2″ h x 32-3/4″ w. CONDITION: Extensively restored by a respected conservator in Southern Maine. Whether executed by a French itinerant artist of the time or executed by the “Freake Painter”, as has been supposed. This example has many attributions to both. 9-97008 (10,000-15,000)

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3206

GILBERT CHARLES STUART (American, 1755-1828) PORTRAIT OF WILLIAM MEEKER. Oil on canvas half portrait of a young man wearing a blue/black coat with small brass buttons, a very high white neck cloth and a ruffled white shirt. The light brown hair is brushed back with curls at the neck. The background with greenish/olive tones becoming a warm brown. Right center with a possible initial signature. REFERENCE: No. 543 in the Catalog Raisonne of Stuart’s Works compiled by Lawrence Park and published in 1926. Listed as owned by David Z. Norton of Cleveland, Ohio. William Meeker was a London shipping agent for the London firm “Meeker and Denman” and this was probably painted in London between June 1775 and October 1787. REFERENCE: Exhibited at “Cleveland Art Loan Exhibition, Cleveland, 1913 No. 160A”. Housed in a fine gilt gesso decorated frame with metal artist plaque. SIZE: Sight: 28″ x 23″. PROVENANCE: From a fine Sudbury, MA home. CONDITION: Very good, restored, relined with inpainting. 9-96953 (20,000-30,000)

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3207

CHINESE CARVED NETSUKE. Meiji period. A small carved example depicting “Kinko reading as he rides a giant carp through the waves”. SIZE: Ht 1 1/2″ L 2″ CONDITION: Retains original surfaces, drill below at mid-point of fish through base. 9-96979 (1,000-1,500)

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3208

CHINA TRADE BRASS BOUND LEATHER COVERED TRUNK. Mid 19th century. This rectangular camphor example covered in leather, paint decorated with scrolling polychrome floral borders and panels on a blue ground, bound overall with brass strap work and highlighted with an ornate configuration of brass tacks. The case ends fitted with brass carrying handles, the lid fitted with a brass ring. SIZE: 15-1/2″ h x 35″ l x 17-1/2″ d. CONDITION: Retains original painted and stenciled designs on original leather cover. Strap work and studs with minimal restoration. Overall very good with near original surface. 9-96504 (800-1,200)

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3209

JAPANESE INLAID BRONZE URN, MEIJI PERIOD. 3rd quarter 19th century. The urn with ring mask handles, the bulbous middle section modeled with battle scenes depicting a godlike immortal warrior mounted on a foo dog, the opposing side with warriors. the scenes inlaid with mixed metals. The whole raised on shaped legs and molded plinth. SIZE: 23-1/2″ h. CONDITION: Very good overall with nice color and patina. No signatures noted. 9-95809 (800-1,200)

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3210

IMARI CHARGER WITH SCALLOPED RIM. Second half 19th century, Japanese. This large example with scalloped rim and ridged fans, polychrome decorated and with three rondels of herons, the central main rondel decorated with a ribbon tied floral bouquet set on a veranda. The reverse decorated with blue floral sprays. SIZE: 18″ d. CONDITION: Very good overall with bright rich colors and no restorations noted. The underside with remnants of illegible old paper label. 9-96595 (800-1,200)

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3211

CANTON COVERED TUREEN. Mid 19th century. This example with canted corners, the conforming dome lid with pomegranate finial. The tureen with sloping sides, the handles in the form of rabbit’s heads, on a conforming footed base. Decorated overall in blue with floral bouquets in urns, the lid decorated with landscape scenes, a man and woman in foreground. SIZE: 8″ h x 13-1/4″ l x 8-3/4″ w. CONDITION: Appears to be in very fine condition overall, showing no restorations under black light, interior lid rim with one chip. 9-97531 (2,250-2,750)

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3212

UNSIGNED (Chinese, 19th Century) PORTRAIT OF A YOUNG WOMAN. Oil on canvas Oriental portrait of a young woman in blue outfit and red slippers. She sits on a garden seat with flowers in the background and beside a planter of flowers resting on a plinth. The background in light blue to pink. Housed in a good Chinese carved hardwood frame. SIZE: Sight: 23″ x 17-1/4″. CONDITION: Very good. 9-96827 (1,200-1,800)

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3213

CHINESE ANCESTRAL PORTRAIT OF A GENTLEMAN. Watercolor on paper portrait shows the gentleman seated in royal robes in a large throne type chair. He wears a fancy headdress and the floor covering is decorated with white cranes. The paper is mounted within a white brocade silk border. All housed in a modern gilt wood molded frame with light colored matte. SIZE: Sight: 43″ x 25″. CONDITION: Very good, some light foxing to background paper. 9-97013 (500-800)

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3214

GROUP OF ORIENTAL TABLEWARES. Second half 19th century. Including a mandarin wall pocket, rose medallion individual tureen with undertray, a pair of “sang du boeuf” vases, a Canton warming dish, two rose medallion plates, etc. Ten pieces total. Together with four Chinese export porcelain reference books. SIZE: Wall Pocket: 10 3/4″; Pr of Vases: 7 3/4″H PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Some roughness to edges and rims, no major restorations or damages noted. 9-96559 (800-1,200)

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3215

GEORGIAN MAHOGANY SIDE TABLE, PROBABLY IRISH. Last quarter of the 18th century. The rectangular top with molded edge above the conforming frieze applied with scrolling wave carvings and carved C-scroll returns, raised on chamfered square molded legs. SIZE: 28″ h x 25″ l x 19-5/8″ d. CONDITION: Table with good early, if not original, surfaces. Applied frieze carvings and returns also appear original. 9-97530 (2,000-3,000)

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3216

GEORGE III MAHOGANY ARMCHAIR. Late 18th century. The serpentine crest rail with outscrolled ears above the pierced splat, joined to the over-upholstered trapezoidal seat covered in needlework of the period, flanked by bold serpentine arms with exaggerated volute grips on incurved arms, raised on molded and chamfered legs joined by recessed box stretcher. SIZE: 36″ h. of back. CONDITION: Old dark surface repairs to ear, stretcher restored. Overall very good. 9-93142 (500-800)

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3217

18TH CENTURY CARVED ENGLISH OAK SETTLE. The bench having three-panel back with carved borders and decorative carved elements. The top straight crest having a carved central molded band. Single plank seat, scrolled arms supported by nicely carved posts which extend from the block and turned leg. The bottom legs supported by a box stretcher with incised line decoration. Nice old patina. SIZE: 43″ h x 53-1/2″ l x 20″ at deepest; 18″ seat h x 15″ seat d. PROVENANCE: From a Washington, Maine Estate. CONDITION: Very good with a 1/2″ strip added to inside of plank seat to make up for shrinkage at juncture of back. 9-95779 (2,000-3,000)

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3218

ENGLISH CREAMWARE BLACK TRANSFER-PRINTED MUG. Last quarter 18th cent. Transfer decorated depicting a young boy and girl examining a butterfly in a wooded landscape within a rondele titled “FRIENDSHIP LOVE and UNITY” within a banner beneath a floral spray centering two clasped hands. Beneath the rondele is the quotation “Accept this PLEDGE of AFFECTION” above a drapery swag. SIZE: 6″ h. CONDITION: Four vertical old hairline cracks running downwards from rim. The rim with a small old flake beside handle. The molded base rim also with old small hairline cracks and chips. Otherwise very good. No restoration noted. 9-97060 (500-700)

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3219

COLLECTION OF WORCESTER, BOW AND CAUGHLEY TABLEWARES. 3rd quarter 18th century. Including: 1) Worcester 13-1/2″ oval platter with scalloped molded edge and cobalt gilt-decorated border centering radiating floral tendrils and sprigs, painted open crescent mark in underglaze blue, old crack and repaired break running diagonally one o’clock to eight o’clock, with some wear to gilded and painted surfaces. 2) Worcester porcelain blue and white ‘Natural Sprays Group’ pattern 4″ baluster milk jug and 5-1/4″ vase, transfer-printed in underglaze blue with floral sprays and butterflies, hatched crescent mark in underglaze blue; vase with base rim chip and repair, milk jug very good overall with no defects noted. 3) Caughley porcelain blue and white 4-3/4″ dia. saucer together with unmarked 3″ dia. tea bowl, printed in underglaze blue with floral sprays, the saucer with printed “S” mark in underglaze blue; very good overall, no restorations noted. 4) Bow porcelain blue and white and gilt-decorated 2-3/8″ cup and 4-1/2″ dia. saucer with blue floral sprigs, gold-gilt heightened and with iron red and green painted dots, marked with “T” in underglaze blue (probably Thomas Frye); with expected wear to gilding, otherwise very good. SIZE: As noted above. CONDITION: As noted above. 9-95136 (1,500-2,000)

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3220

SIX STAFFORDSHIRE ITEMS. 1) Early 19th Century decorated cow creamer, 5″ h x 6-1/2″ l – Loss to cover glaze, otherwise good. 2) 8″ h Staffordshire figure of a Scottish man with large sheep, fitted for lamp with lamp bracket – Some glaze losses, otherwise good. 3) 4-3/4″ h woman with basket – Repaired, “as is”. 4) 4″ Scottsman – Good. 5) 2-1/2″ girl with cat – Paint loss. 6) 4-1/4″ h Toby creamer with mans head with gray hair – Old hairline at handle juncture. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: As noted abote. 9-95821 (400-800)

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3221

SERAPE ORIENTAL RUG, NORTH PERSIA. 1st quarter 20th cent. The geometric blue-black poled medallion within a salmon toned field of dense polychrome floral vinery within indigo spandrels, the blue-black main border with scrolling floral lattice work. SIZE: 10’9″ l x 8’6″ w. CONDITION: The carpet with old professional restoration Even overall minor wear but retaining good pile. Salvages and ends intact. A nice example in good overall condition. 9-97082 (2,000-3,000)

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3222

INLAID DOCUMENT BOX. 19th Century. The fine hinged lid walnut box having a central tunbridge ware style castle inlay surrounded by birdseye maple border. The sides, front and back having birdseye maple panels with the front panel having a shield escutcheon plate. Original key present. SIZE: 6-1/2″ x 12-3/4″ x 9-3/4″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Generally very good. 9-95852 (200-400)

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3223

EARLY ENGLISH PICTORIAL SAMPLER. The framed sampler having a flower vine border encompassing a rectangular area with thirteen line verse surrounded by pictures including crowned lions, flowers, birds, basket of fruit, trees, man and woman with shepherds crook, dog and sheep. The top area central panel having doves, butterfly, birds on tree and squirrels. Housed in a period ribbed wood designed frame with gilt liner. SIZE: Sight: 16″ x 12″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Significant losses to verse stitching, losses in corners, border and other areas. 9-95847 (300-500)

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3224

FRAMED ENGLISH ALPHABET SAMPLER BY JOAN PRICE, 1800. Nine alpha-numeric rows with an inscription “Joan Price marked her sampler in the year of our lord, 1800 Aged 8 years”. Housed in an antique birdseye maple frame with gold liner. Colors of red, white, blue and green. SIZE: Sight: 15-1/2″ x 11-1/2″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Faded, some minor losses. Fair to good. 9-95849 (300-500)

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3225
Revised: 8/23/2009

Additional Information – PROVENANCE: The historic Perry House on the harbor in Southport, CT, descended through the family.

GEORGE III MAHOGANY TALL CASE CLOCK WM. SYKES HOLBECK. Late 18th century. The bonnet with molded swan’s neck pediment terminating in brass rosettes centering three ball finials above the astragal arched door, flanked by fluted Corinthean columns opening to an arched dial with moon phase aperture and incised “WILLm. SYKES, HOLBECK” above a silvered chapter ring within four cast brass scrolling spandrels, the engraved center dial with sweep second hand, calendar aperture, and time and strike apertures. The figured mahogany throat fitted with a molded door with concave arch, flanked by engaged fluted quarter columns, above the concave molded box base with canted corners, raised on a molded plinth with bracket feet. The whole with contrasting cross banding and string inlays. Clock sold with pendulum, winder, weights and three finials. SIZE: 93″ h x 15-1/2″ w (throat) x 9-1/2″ d. CONDITION: Case in very good structural condition with original finish; a professional repair on swan’s neck pediment. The interior or door affixed with label stating that the works received a complete cleaning in 1994, subsequently cleaned in 1998 and 2000. 9-97209 (1,500-2,500)

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3226

SET OF 4 LOUIS XVI FAUTEUILS EN CABRIOLET. 2nd half 18th century. Each chair constructed of beech having an oval molded padded back joined to outcurved arms ending in fluted scrolled grips, raised on S-curved stop-fluted supports centering a round overupholstered seat with molded rail; raised on tapering, cylindrical, fluted, ring-turned legs headed by carved flowerheads. SIZE: Each: 35-1/4″ h. of back, 17″ h. of seat. CONDITION: Each with professional restoration and repolishing. Structurally intact, each chair originally designed with cane back and seat; current upholstery is mounted over the original caned frames. 9-95615 (1,000-2,000)

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3227

HENRY MARC DOUBLE DIAL CALENDAR CLOCK. French, first half 19th century. The enameled upper dial with Roman numeral chaptering, open escapement, time and strike apertures, and marked “H. MARC/PARIS” within a molded mahogany conforming mount set on a scrolled plinth. The brass movement with the serial number “28507”, the maker’s name stamped within a rondel above a second rondel stamped with “Medaille d’Or”. The calendar dial within a mahogany housing with concave sides, the enameled dial beneath a beveled glass bezel, the outer dial with months of the year centering two smaller dials, the left dial with numerical days of the month, the right dial with the days of the week, above a paint decorated moon phase aperture, the brass mechanism accessible from a hinged mahogany door at the rear. The whole raised on a conforming rectangular plinth with concave ebonized molding. Sold with original pendulum. SIZE: 17-1/2″ h x 12-1/4″ w x 6″ d. CONDITION: The case cleaned and polished. The brass works also appear to have been cleaned. Very good overall. 9-97502 (1,200-1,500)

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3228

RALPH GOUT TRIPLE CASE VERGE FUSEE POCKET WATCH. London, late 18th century. This gold-tone timepiece with enameled dial marked “Ralph Gout/London“. The dial painted with floral sprays and Ottoman numerals and sub-numerals. Mounted in a hinged triple case. The ornate brass works engraved in script “Ralph Gout 740 London”. SIZE: Diameter of dial 1 3/4″. Diameter of largest case 3″. CONDITION: The triple case showing wear to all surfaces. The enamel dial with chipping around edges. The hands with losses to tips. The mechanism appears clean and intact not verified as running. Winding key absent. Good overall. 9-97399 (3,500-4,500)

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3229

CONTINENTAL TERRACOTTA GLAZED FIGURE OF SEATED DOG. The well modeled figure of a seated dog in the act of begging with left paw raised is finished in a cream colored crackle glaze. The animal is seated on a square molded plinth in a mottled green glaze decorated through the center with terracotta and black free form lines. SIZE: 20″ h. CONDITION: Very good overall with minor flakes and chips along base rim of plinth. Any roughness within the figure appears to be a result of the glazing and not any actual damage. 9-97529 (800-1,200)

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3230

IMPRESSIVE MAJOLICA FIGURAL CENTERPIECE PROBABLY WILHELM SATTLER. Second quarter 19th century. In the form of a fanciful sauceboat with a scrolling handle decorated with masks with a turquoise interior and a scrolling cartouche beneath the prow. Supported by a crouching chimera joined to a scrolling base decorated with leaf tips. Raised on scrolled feet decorated with scallop shells. Beneath the base the maker’s mark of “WS & S” within a rectangular embossed stamp. In addition, the serial number 6532 is engraved beneath the glaze. A gilt painted “KS” on the interior of a foot. SIZE: Ht 21 3/4″ L 17 3/4″ W 8 1/2″ CONDITION: Very good original condition with no evidence of restoration or other damage. 9-97709 (1,000-2,000)

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3231

SULTANABAD ORIENTAL CARPET. Circa 1900. Blue-black field with dense scrolling floral vinery, bold latticework and pendant floral bouquets interspersed with leafy sprays, the brick red main border with ivory and blue-gray floral latticework. SIZE: 12’2″ x 8’9″. CONDITION: This antique example with even wear overall; some professional reweaving and coloration. 9-94978 (8,000-10,000)

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3232

FINE LOUIS XVI WALNUT COMMODE. Last quarter 18th century. The rectangular paneled top with molded edge above the conforming case with stop-fluted pilasters centering three long drawers, the case apron fluted, the ends paneled, raised on tapering, cylindrical, fluted, ring-turned feet. SIZE: 32″ h. x 44-1/2″ x 20″ d. CONDITION: Drawers are warped concavely, otherwise good overall condition, retaining old hardware. No restorations noted. 9-95616 (1,000-2,000)

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3233

DUTCH ‘STAART’ HOODED WALL CLOCK. Mid-19th century. This fine example with arched molded hood above the astragal door flanked by engaged Corinthian half-columns, opening to the conforming painted arched dial decorated with a Dutch village scene, above the Roman numeral chapter ring and subsidiary brass alarm dial mounted with brass filigree hands, the dial center further paint-decorated with two figures on a green cloud-like ground centered by stamped brass figural spandrels; the single train brass movement striking on a bell, chain-driven with single weight, the pendulum recessed within the shaped and paint-decorated case with fretted scrolled side brackets and tri-form apron, centering a pressed brass lenticle of classical form, the apron paint-decorated with a scene of a canal and windmill, the sides floral-decorated, all on a gray ground. SIZE: 50″ l. x 13-1/2″ overall w. x 8″ d. PROVENANCE: From an East Sangerville, Maine private collection, by descent from the estate of Sidney Wetmore Davidson ( 1894-1979 ), Brooklyn Heights, New York, to the present owner, a grand-daughter. Mr Davidson was founding partner in the New York Law Firm, Davidson, Dawson and Clark, and an avid collector of clocks that he hunted down in New York and Boston. Once a week, his cloak restorer visited his home in Brooklyn Heights to wind the clocks and undertake any necessary repairs. Mr. Davidson gave some of his clocks to the Brooklyn Museum where he was Chairman of the Governing Committee for many years. Pieces that were not kept by the family, were sold at Sotheby’s New York after his death. CONDITION: Clock appears totally original with no restoration. Very good overall. 9-94923 (1,000-2,000)

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3234

GROUP OF 10 LOUIS XVI CARVED DINING CHAIRS, INCLUDING A PAIR OF FAUTEUILS. Last quarter 18th century. This associated set, all similar in form and design, the primary difference being in the treatment of the foot. Six side chairs, originally designed as chairs with caned backs and seats, all with arched molded crest rail and finials, the frontal legs stop-fluted with ringed cuff and ball foot; two additional side chairs in cream paint, similar to the first but with ringed cuff and cylindrical foot. The pair of fauteuils in cream paint, designed for upholstering, nearly identical to those previously described but having onion feet. SIZE: EACH FAUTEUIL: 34-3/4″ h. of back x 22-1/2″ overall w. x 13″ h. of seat rail. SIDE CHAIRS: 34-1/2″ h. of back, 15-1/2″ h. of seat rail. EACH CREAM SIDE CHAIR: 34-1/2″ h. of back, 14-3/4″ h. of seat rail. CONDITION: Pair of fauteuils with later paint over original paint, structurally sound. Pair of cream-painted side chairs with later paint over original, addition of large custom seat blocks and restoration to legs at seat, cane seat frames no longer present beneath upholstery. The six side chairs professionally stripped and repolished, originally in cream paint, structurally good. 9-95614 (3,000-5,000)

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3235

SCANDINAVIAN NEO-CLASSICAL GILT DECORATED ARCHITECTURAL MIRROR. First half 19th century, possibly Sweden. The rectangular mirror plate within a concave molded surround, the edges with egg and dart and leaf tip molding. Beneath the architectural frieze applied with classical female figures depicting a semi-nude woman seated on a pedestal serenaded by a second female playing a stringed instrument, mounted on a white background. The architectural crest joined to a molded cornice carved with water leaves. The base with a concave apron applied with an anthemion leaf cartouche flanked by masks on an egg and dart molded plinth. SIZE: 61″ h x 28″w overall. CONDITION: Overall in very fine condition with professional early painting and re-gilding. The mirror plate and backboard are later replacements. Otherwise, very good overall. 9-97577 (1,500-2,500)

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3236

PAIR OF FRAMED 18TH/19TH CENTURY GREEK ISLAND PRINTS. Both identically housed in gilt wood frames with watercolor highlighted mats. One shows a large group of people harvesting nut fruits. They are gathering them in small pails, placing them in barrels and moving them to a large drying pit. A harbor is seen against tall mountains and a big windmill. The other shows a calm harbor with ferry moving horses and men across the water. Unidentified publisher. SIZE: Sight size: 15″ x 23-3/4″. CONDITION: Prints have been laid down on board. Vertical fold at center. Some toning, otherwise good. 9-97557 (800-1,200)

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3237

CONTINENTAL MARQUETRY SAVONAROLA CHAIR. Mid 19th Century. The arched and scalloped back splat joined to pilasters with pronounced squat finials, joined to down-sloping arms ending in rolled grips centering a plank seat, raised on frontal and rear arched supports joined by rectangular side stretchers on stepped platforms. The whole with dense contrasting marquetry masks, fanciful figures in cartouches and overall vinery. SIZE: 38-1/2″ h to back x 25-1/2″ overall w. CONDITION: Retains old cleaned finish. Restored with old break at the frontal support. Overall good. 9-96293 (500-800)

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3238

CANADIAN PROVINCIAL LADDERBACK ARMCHAIR. Province of Quebec, last half 18th century. This fine example with three shaped splats joined to cylindrical stiles headed by flattened knopped finials joined to shaped arms on baluster turned supports centering a trapezoidal woven seat. Raised on cylindrical legs, joined by a double box stretcher. SIZE: 36-1/2″ h of back, 24-3/4″ w overall. CONDITION: Chair retains original surfaces and early, if not original, woven seat. 9-97237 (300-500)

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3239

UNSIGNED (CANADIAN, 19TH CENTURY) PORTRAIT OF MARIE BEAUDRY OF QUEBEC. Oil on canvas half portrait of a woman in fur coat with white dress. She wears a jewelry ensemble including earrings, gold necklace and three rings. She has a feather and flower decorated hat and she holds some small wildflowers in her hands. Green background. Housed in a modern decorative frame. SIZE: 32-1/2″ x 25″. CONDITION: Wax relining, restored with inpainting. Very good. 9-97555 (1,500-2,500)

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3240

FINE CONTINENTAL NEO-CLASSICAL CARVED TANKARD. 18th Century. This oversized example depicting a classical battle scene carved on a section of elephant tusk and mounted with a cast brass filigreed tankard frame. Hinged lid with pineapple finial cast overall with leaf tips and masks hinged on conforming collar and joined to an “S” scrolled brass handle cast with a carotid joined to a conforming base cast with leaf tips and sprays of fruit. The ivory body of the tankard carved with a tumultuous battle scene of warriors, horses, shields and various weapons superimposed on the whole. SIZE: 14-1/4″ h. CONDITION: The lid with small corroded holes and some minor denting. The tusk with multiple shrinkage cracks and splits throughout. 9-97562 (8,000-10,000)

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3241

IMPORTANT SCRIMSHAW TUSK FROM NAPOLEONIC WARS. 1st quarter 19th century. This rare British example traces two military campaigns. The first carvings depict the “TERRITORY OF CALCUTTA” with a rendition of Fort William on the “RIVER HOOSLEY” (Hooghly). Next is a depiction of a large fort with British flag and the names “ASSAYE” and “MOHAULPORT”. The battle of Assaye, September 23, 1803, was part of the Second Mahratta War in India; Mohaulport is a village where a battle was fought on November 1, 1803. Both were part of the Anglo-Mahratta campaigns. The central section of the tusk is scrimmed with the symbol of King George III, an officer on horseback brandishing a sabre and the name “SIR ARTHUR WELLESLEY” (1769-1852), the first Duke of Wellington, and a British officer in command of British troops during the Anglo-Mahratta campaigns. The next panel depicts two soldiers facing each other, separated by the name “ALEPPI” (also India). The last panel is scrimmed with the names “CORUNNA” and “ROLICA” centering a church. The Battle of Rolica in Portugal was fought on August 11, 1808; the Battle of Corunna in northwest Spain was fought on January 16, 1809. Both battles were part of the Napoleonic Wars and both were under the command of Lieutenant General Arthur Wellesley. The name “SGT. A. BOTHAMLEY” and “45TH FOOT” are lightly scrimmed on the reverse of the tusk. At the time of cataloging, we were unable to locate archival records for an A. Bothamley, 45th Foot, in the aforementioned campaigns. We did find an Arthur Thomas Bothamley, 24th Foot, in India in 1844. SIZE: 28″ l. PROVENANCE: From a private collection. CONDITION: Very good overall, with good color and patina. 9-94991 (8,000-12,000)

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3242

UNSIGNED (19th Century or earlier) OLD MASTER. Oil on canvas Old Master type painting shows a man with dog holding a wreath in his hand with woman at his side and cupid above with bow and arrow. All in a landscape. Housed in a 19th Century gold gesso decorated frame. SIZE: 25″ x 19″. CONDITION: Relined with some inpainting. Very good. 9-97746 (800-1,200)

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3243

FRENCH BRASS TELESCOPE WITH OAK TRIPOD BASE. Early 20th Century. Large barrel telescope, adjustable in height on center tubular post by thumbnut, the original oak tripod stand (collapsible with wingnuts), the legs ending in brass collard pin feet. The focusing system in the tube contains the eyepiece, and has a hidden straight row of gear teeth (the rack) running along one side of it, which are engaged by a simple gear (the pinion), attached to a knob, to adjust focus. This is a refracting telescope; that is, only lenses are used to form the image (not mirrors or prisms). A. Bardou was a prolific Paris maker of fine telescopes and optical instruments in the late 19th century, succeeded by Bardou & Sons. They supplied numerous American scientific instrument sellers. Engraved at end of barrel, “BARDOU & SON. PARIS”. SIZE: Length of telescope closed 39″, overall height as seen in photo 5′. CONDITION: Very good with original optics, lenses need cleaning. The brass barrel has not been polished. The barrel collar with dent, minor shallow dents on barrel. Tripod retains original finish with shrinkage crack on upper collar. 9-97549 (800-1,200)

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3244

UNIQUE PAIR OF ANCHOR FORM ANDIRONS. Late 18th/early 19th century, American. Each in the form of an anchor flange joined to a hexagonal log rest forged of cast iron. SIZE: 26-1/2″ h x 32″ d (overall). CONDITION: Very good overall, all original. 9-97559 (800-1,200)

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3245

IMPORTANT HALF HULL MODEL SHIP’S MODEL “PARMA”. First quarter 20th century. This large model comprised of 13 lifts in mahogany and spruce depicted with bowsprit, keel, rudder, fore and aft deck profiles, and four masts. Mounted on an oak board. Name plate on backboard in English: “Parma Ferdinand Laeisz Built 1902 A. Rodger & Co Port Glasgow Scotland”. The Parma was built in 1902 at Port Glasgow, Scotland. She was sold to Ferdinand Laeisz’s Flying P Line in 1911, and eventually sold out as a hulk from Hamburg ship breakers in 1947. SIZE: 98″ l x 15-3/4″ h x 6-3/4″ d. PROVENANCE: Deaccessioned from a New York maritime museum. CONDITION: Very good original condition with original surfaces. 9-97030 (2,000-4,000)

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3246

VICTORIAN DIARAMA OF THE TUGBOAT “RAVEN”. Last quarter 19th century. This planked and hand-painted ship model of the “Raven” built by Frank Wiley in the 1880’s and so stated on a period photograph accompanying the model. The model is set within a period frame with mirrored back and fitted within a simulated green ocean. SIZE: Ht 19″ Overall length 40″ Depth 11″ CONDITION: In original condition with old surfaces and good patina. The frame with small losses to gilt accents. Overall good. 9-97408 (2,750-4,750)

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3247

IMPORTANT LAMINATED HALF HULL SHIP’S MODEL “PASSAT”. First quarter 20th century. This large model of a four masted square rigged ship with 13 lifts in mahogany and maple depicting fore, aft, and center raised decks, each painted white with portholes in addition to rudder, keel, bowsprit and four masts. The oak mounting board with half round molded edge. Painted in cream across bottom: “Passat Lange 322′ Breite 47.2′ Tiefgang 22′ Tonnen 3,091 Gerbaut von Blohm & Voss fur Reederei F. Laeisz 1911″. The Passat was built in 1911 by Blohm & Voss, Hamburg for Ferdinand Laeisz. She was the sister ship of Peking of New York City. The Passat is now a museum ship in Travemunde, a borough of Lubeck, Germany. SIZE: 97″ l (backboard) x 16″ h x 7″ d. PROVENANCE: Deaccessioned from a New York maritime museum. CONDITION: With all original surfaces. Bowsprit missing, chips in upper right hand and lower left backboard molding, otherwise very good. 9-97029 (2,000-4,000)

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3248

VERY RARE ANTIQUE NARWHAL TUSK (UNICORN OF THE SEA) CANE. This walking stick made from sections of narwhal tusks joined together by baleen rings. Ebony tip at bottom. SIZE: 38″ l. CONDITION: Generally good. Missing object at handle. 9-97018 (2,000-3,000)

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3249

FINE CARVED NEPTUNE SHIP’S FIGUREHEAD. Mid 19th century. This heavily carved and polychrome painted oak bust depicting the fierce visage of Neptune, purportedly removed from a small privateer. SIZE: 15″ h x 24-1/2″ w x 13″ d. CONDITION: The carving retains original paint decoration. An old repair within the mustache running horizontally approximately 2″ from the bottom, repairing an old split in the carving. An excellent example, well preserved and in fine overall condition. 9-97546 (3,000-5,000)

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3250

JOSEPH W. PIERCE (American, Mid 19th Century) PORTRAIT OF THE SHIP “GLORY OF THE SEAS”. Large watercolor ship portrait shows a three-mast black hulled ship in full sale flying the American flag. The name emblazoned on the bow. Several smaller ships are seen outside a point of land with windmill and lighthouse. Signed lower right and dated “1871”. Housed in its original deep walnut frame with gold liner having a replaced matte with gold liner. The “Glory” was built in East Boston in 1869 by Donald McKay and Pierce was in Boston/Marblehead area when this painting was done. The painting originally hung in the marine store owned by the Lincoln family of Boston which was location on Atlantic Street Wharf in Boston. SIZE: Sight: 24″ x 36″. CONDITION: Some restoration on left side, otherwise very good. 9-97526 (3,000-4,000)

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3251

SIGNED (Italian, 19th Century) PORTRAIT OF THE BRIG STEPHEN BISHOP. Gouache watercolor showing the black hulled two-mast ship sailing right to left into an Italian harbor. Several small boats are seen off the bow and stern with a low mountain background. Several figures are seen on deck. A US flag and ship pennant off back mast. The ships name emblazoned in gold on the back side. A hand written legend in margin “Brig Stephen Bishop W.B. Gilkey Master December 2 1859”. It is signed bottom right indistinctly, possible “Celi”. Housed in a black molded wood frame. SIZE: Sight: 19″ x 24-1/2″. PROVENANCE: From a fine Searsport, Maine home. CONDITION: Shadow lines at top and a corner crack at left top. Otherwise very good. 9-95773 (2,500-4,000)

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3252

FINE DIMINUTIVE SCRIMSHAWED TOOTH. Circa 1813. This small two sided example depicting two Native American figures, with horses, one horse and rider standing and second individual and horse positioned on the ground. Reverse showing a displayed eagle with 16 star American flag, a banner clutched in his beak engraved “FLAG OF OUR US” beneath a rayed sun with face. The polished base of the tooth with the incised initials “JJ” over the date “1813”. SIZE: Ht 3″ CONDITION: Very good original condition with nice color and patina. 9-96978 (1,000-1,500)

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3253

AMERICAN SAILOR-MADE WHALE IVORY SWIFT. Mid-19th century. This turned and polychrome decorated tabletop example with vise fastener of typical accordian form having 13 arms each with four accordion staves. SIZE: Length closed 20 1/4″ CONDITION: The swift retains its original surfaces with nice color and patina. The ties, however, are mostly absent making it impossible to open the swift without disassembling. Some staves are broken; we assume all elements to be present. Small turned fastener on shaft absent, otherwise very good. 9-97409 (1,200-1,800)

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3254

SCRIMSHAW TUSK OF WHALING SHIPS. The tusk depicting a scene of five sailing ships (probably whalers) in various aspects on the open sea. 20th Century. SIZE: 22-1/4″ l. PROVENANCE: From a private collection. CONDITION: Tusk with an aged honey brown patina, scrimshaw work crisp and clear. Base end with chips, otherwise very good. 9-94995 (600-800)

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3255

PAIR OF VICTORIAN SCRIMSHAW TUSKS. 2nd half 19th century. Each carved with ‘Gibson Girl’ fashion figures and mounted in a floral carved walnut bracket. SIZE: Each tusk: 15-3/4″ l. Overall mounted: 32″ l. CONDITION: Each tusk drilled at the base for mounting in bracket. Each tip also drilled. Good color and patina on tusks and bracket. Very good overall. 9-94994 (1,500-2,500)

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3256

LAMINATED HALF HULL SHIP’S MODEL “REINDEER”. Third quarter 19th century. This laminated half hull made of maple and mahogany, depicting the keel, stem, rudder, three masts and bowsprit, mounted on pine backboard with applied molding, affixed with a brass label stamped “SB/17”. The hull above the water line painted black. It is believed that this is a model of the whaling ship “Reindeer” built in Mattapoisett, Massachusetts in 1853 and so marked on the bottom of the mounting board. SIZE: Overall 10-1/4″ h x 38-1/2″ l x 4-1/2″ d. PROVENANCE: Deaccessioned from a New York maritime museum. CONDITION: Retains all original surfaces, very good overall. 9-97027 (1,500-2,000)

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3257

LAMINATED HALF HULL SHIP’S MODEL “BIRD OF THE WAVE”. Third quarter 19th century. This laminated half hull made of maple, pine, walnut and mahogany, depicting the keel, stem, rudder and bow, mounted on a molded oak board, affixed with a metal label stamped “JH/1857”. Stenciled on the back of the mounting board is “BIRD OF THE WAVE 178T 1857 Jos. HOLMES”. The hull above the water line painted black. It is believed that this is a model of the 178 ton Brig built by Joseph Holmes in 1857 at the Jones River Ship Yard in Kingston, Massachusetts. SIZE: Overall 8-1/2″ h x 38″ l x 4-1/2″ d. PROVENANCE: Deaccessioned from a New York maritime museum. CONDITION: Very good overall, retaining original surfaces. 9-97028 (2,000-4,000)

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3258

FINE GRAND BANKS SCHOONER SHIP MODEL. Circa 1930. This fine example with planked hull and decking, rendered fully rigged and outfitted but without sails, mounted on a plinth in the form of a dry-dock quay. Masts, booms and deck housings in white paint, hull in black, red beneath the waterline; flying an American flag. This model is displayed in a custom-made glass case. SIZE: Model: 51-1/2″ l. Model and stand: 42″ h. Case: 45″ h. x 57″ l. x 16″ w. PROVENANCE: Wedding gift purchased in Old Quebec in 1930; descended through the original family. CONDITION: Very fine original condition, with some oxidation to anchors and stern board. One chain has become unattached from bowsprit. 9-95307 (1,000-2,000)

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3259

ATTRIBUTED TO THOMAS BUTTERSWORTH JR (British, 1797-1842) “STORM IN THE CHANNEL”. Oil on wood panel shows ships floundering in a storm off a cliffside shoreline. Five ships are present. All under a dark gray sky with showers with an opening having sunlit area. Appears to be unsigned. Housed in a gilt gesso decorated frame. SIZE: 11″ x 14-1/2″. CONDITION: Very good. 9-97608 (3,000-5,000)

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3260

H R BUTMAN (American, First half of the 20th Century) PORTRAIT OF A THREE-MAST SHIP. Large oil on canvas nautical scene shows a black hulled three-mast ship flying American flag sailing right to left with lighthouse on point of land and other ships on a blue white capped ocean. White cloud sky with glimpses of blue. Signed lower left “H R Butman, 1932″. Housed in a gilt frame liner. SIZE: 25″ x 46-3/4”. CONDITION: Two patches to reverse with corresponding inpainting, very good. 9-97527 (4,750-5,250)

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3261

LUNDGREN (American, Mid 20th Century) RUNNING THE COURSE. Oil on canvas marine scene shows a blue hulled sailing yacht sailing with four other yachts on light ocean under colorful sky. The blue hulled yacht sails from right to left and has several people aboard. Housed in a silvered gilt molded wood frame. The name “Parkman” is written on the stretcher. Possibly a portrait of the Parkman Family yacht sailing amongst other New York City Yacht Club yachts. Signed lower right “Lundgren”. Possibly the work of Charles Lundgren (American, 1911-1988). SIZE: 32″ x 41″. PROVENANCE: From a private collector. CONDITION: Very good. 9-96766 (400-600)

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3262

RENE EMIL QUENTIN (CANADIAN, 1860 – 1914) “TO THE RESCUE OF SHIP ON FIRE”. Oil on canvas scene shows a coastal steamer steaming towards a boat in the distance that is ablaze. A 10-man row boat with men rowing battle rough seas in foreground. Signed bottom right and dated 1905. Housed in its original gilt wood frame. Titled, signed and dated on reverse of canvas. SIZE: 20″ x 24″. CONDITION: Very good. 9-97167 (500-1,000)

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3263

LARGE HAND WRITTEN “LIST OF VESSELS BUILT BY GOSS & SAWYER, BATH, MAINE”. The broadside type format in vertical form with title on top and a listing of 123 ships showing the date of measurement, official number, rig type, name and specific size measurements. The dating of the ships from 1866-1881. The types of ships include Schooner, Brig, Bark, Barge, Sloop, Yacht, Barketine, Steamer, and Ship. This piece probably housed in one of the offices of warehouses of the company. Housed in a carved Victorian black walnut frame with gilt liner. Goss & Sawyer was one of the most successful American ship building companies in the world in the late 19th Century. SIZE: Sight: 54″ x 26-1/2″. Overall: 59″ x 31-1/2″. CONDITION: Paper is toned with some losses to edge and small holes in margin, crack in bottom center edge of glass. 9-95789 (1,000-3,000)

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3264

THE HATCH FAMILY BIBLE OF KENNEBUNK, ME. Second half 18th century. This leather-bound hand tied Bible with the names of various Hatch family members hand-written on the interior of the front and rear covers. CONDITION: The overall condition is poor to fair with extensive damage to the cover and binding. 9-96455 (300-500)

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3265

HATCH FAMILY SILK CRAZY QUILT, STATE OF MAINE. Second half 19th century. Quilted by Mrs. Joseph Hatch, Kennebunk, Maine. Exhibited at the Maine State Fair and at the Century Club Hobby Show in 1935. Made of all polychrome silk patches and squares with black velvet borders and a muted green silk backing. SIZE: 57″ x 61″. CONDITION: Very good condition. 9-96460 (400-600)

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3266

HATCH FAMILY MEMORIAL WATERCOLOR. Second quarter of the 19th Century. Depicting a winged female angel within a cloud, wearing a sash and carrying a quill pen suspended above a field of trees. Reverse inscribed as follows: “My mother born July 28, 1774 Died…My father born October 10, 1776 (Joseph Hatch Jr (wrote above) Born 1798) Joseph S. Hatch Grandson of above born April 27, 1829. Joseph I. Hatch, great grandson of above, born March 24, 1860. Joseph R. Hatch, great-great grandson born December 17, 1886. Joseph W. Hatch, great-great-great grandson Born June 18, 1922. (I filled that in so that JSH is the son of the JH Jr. who wrote the first three lines. Joseph Richmond Hatch). Unframed. SIZE: 8-1/4″ x 10-1/4”. PROVENANCE: From the Captain Joseph S. Hatch family of Kennebunk, Maine. CONDITION: With general overall fading, minor and minimal foxing. Very good overall. 9-96468 (300-500)

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3267

JOSEPH S. HATCH COLLECTION OF MASONIC DOCUMENTS. Third quarter 19th century. Rolled within a paint decorated tin inscribed “J.S. HATCH. / CHELSEA MASS.”, the tube contains several documents relating to Masonic order and membership including Grand Council of Royal & Select Masters of Massachusetts, Chelsea, Mass. Branch; Royal Arch Chapter Masonic Lodge, certificate of Masonic membership; Grand Encampment of Massachusetts and Rhode Island, Chelsea, MA 13 March 1865, Joseph S. Hatch and similar documents. SIZE: Tube 20-1/2″ l. CONDITION: With minor losses and wear to painted surfaces, the enclosed documents somewhat dry and brittle with age. Good overall. 9-96473 (400-600)

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3268

THE LITTLEFIELD FAMILY CREST. Late 19th century. This hand-colored watercolor hatchment of the Littlefield coat of arms mounted within a modern frame accompanied by a piece of the original backboard to which is attached a fragment dated August 10, 1802, Boston, describing the characteristics of the Littlefield coat of arms granted in 1663 to Sir Hugh Littlefield of Yorkshire, England. SIZE: 13″ x 9 1/2″ Sight. CONDITION: The hatchment in very good condition overall with minor discoloration to paper and very minimal insect damage to edges of paper. The backboard and attached document in fair condition with discoloration and deterioration to paper. 9-96466 (600-900)

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3269

GROUP OF HATCH FAMILY DOCUMENTS ASSEMBLED BY JOSEPH W. HATCH. First half 19th century. This selection includes Richmond Hatch’s 1834 workbook of mathematical studies, various calligraphic examples of various family members, an 1822 letter of thanks to Captain Hatch and a 2003 compilation titled “THE LAST VOYAGE OF RICHMOND HATCH ON BOARD THE SHIP HOWARD 1840” written by Joseph W. Hatch. Within this book are photocopies of the documents sold here along with a brief family history. Also included is the original letter from New Orleans dated February 20, 1840 to Captain Joseph Hatch from his son, Richmond Hatch, telling of life aboard ship and an original letter dated Liverpool, England, May 24, 1840, from Captain Charles Williams of the ship “Howard” notifying Captain Hatch of the death of his son. CONDITION: Overall very good condition included the period papers. 9-96467 (600-800)

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3270

RARE HOURGLASS OF CAPTAIN JOSEPH S. HATCH. First half 19th century. This nice example of the period mounted in its original ebonized box frame and still in operating condition. SIZE: 6″ h overall x 2-3/4″ x 2-3/4″. PROVENANCE: Hatch family, Kennebunk, Maine by descent. CONDITION: Nice original condition showing appropriate wear, etc. 9-96453 (400-600)

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3271

NEW AMERICAN PRACTICAL NAVIGATOR 1852 AND AMERICAN COAST PILOT 1854. Mid 19th century. The former property of Joseph S. Hatch, sea captain, Kennebunk, ME, each volume with his signature. The first, the 1852 edition of “The New American Practical Navigator: Being an Epitome of Navigation” by Nathaniel Bowditch complete with a chart of the Atlantic Ocean. Note Pg 256 contains a dried flower attached to the page and a notation in pencil “Given to JS Hatch by L. Hardin after words Mrs F Hatch”. Also found within, (a cartes de visite) annotated “My grandfather hatch – JRH Joseph Smith Hatch“. Second volume signed Jos. S. Hatch 1856 within the cover. In addition, the stamp of the retailer “Frederic W. Lincoln, Jr., Navigation Store, 136 Commercial Street, Boston” appears on the inside of front cover. Titled “The American Coast Pilot; containing DIRECTIONS for the PRINCIPAL HARBORS, CAPES AND HEADLANDS on the COASTS OF NORTH AND SOUTH AMERICA”, May, 1854 edition by Edmund M. Blunt. Contains a chart of hurricane tracts of 1855 and 1854; a chart of the Gulf Stream by A.D. Bache, 1854; charts of Long Island Sound, Portsmouth Harbor, Delaware Bay and others. CONDITION: The leather bindings and covers of both in fair condition, several sections have come loose from spine. The pages in good overall condition, clear and readable without major weaknesses. There are creases and tears in the maps due to folding and use. 9-96454 (300-500)

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3272

JOHN LORD BRASS SPEAKING TRUMPET. First quarter 19th century. Brass speaking horn with shaped molded mouthpiece, inscribed in script on bell “John Lord”. John Lord, a Kennebunk native was, among other things, first keeper of the Goat Island Light. SIZE: 18-1/2″ h. CONDITION: Very good, showing expected and normal dents and indentations resulting from use. 9-96458 (1,000-1,500)

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3273

RARE PAIR OF ENGRAVED TUMBLERS. Early 19th century. Engraved with the initials of, and owned by, John S. Lord, Kennebunk, Maine. Each with a laurel spray and cartouche containing the letters “JSL” in script opposing an engraving of a clipper ship within a fanciful bridge frame. SIZE: 4″ h x 3-1/2″ d. CONDITION: Very nice with no chips and only minor insignificant surface scratches. 9-96459 (1,500-2,500)

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3274

MINIATURE PORTRAIT OF CAPTAIN JOSEPH S. HATCH, KENNEBUNK, MAINE. Circa 1826. This miniature portrait on ivory depicting the young captain in black coat, white shirt with high collar and bowtie. On the front of the shirt is painted a tiny anchor. Rendered on a pale blue background. SIZE: 2 1/2″ x 2″ Sight CONDITION: Mounted in a frame of the period beneath a convex glass within a brass surround. Written in pencil on the paper backing in script, “Joseph Hatch, Jr./London Eng./1826/Kennebunk, Me” 9-96452 (1,000-1,500)

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3275

HATCH FAMILY TWO SIDED SCRIMSHAW WHALE’S TOOTH. Early 19th century. This nice two sided example scrimmed on the front with a floral plant emanating from a classical urn highlighted in red ink. The opposing side depicting three auks beneath a bird in a small tree. SIZE: 5-3/4″ h x 2-1/2″ wide x 1-1/4″ d. CONDITION: With nice color and patina and clear etching. Small shrinkage cracks evident. Very good overall. 9-96464 (1,000-1,500)

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3276

HATCH FAMILY ‘LADY LIBERTY’ SCRIMSHAW TOOTH. Third quarter 19th century. This small example scrimmed with the bust of Lady Liberty beneath laurel garland, surmounted by patriotic shield. SIZE: 5-1/4″ h. CONDITION: Nice condition with good patina. Vertical shrinkage cracks apparent, but stable. Small brass pin protruding slightly from tip of tooth. 9-96465 (1,000-1,500)

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3277

HATCH FAMILY JOSLIN’S PATENT TERRESTRIAL GLOBE, BOSTON. Second quarter 19th century. Manufactured by Gilman Joslin Company of Massachusetts and titled “Joslin’s Terrestrial Globe Containing all the late discoveries and geographical improvements, also the tracks of the most celebrated circumnavigators”. This edition “Revised by G. W. Boynton”. Globe mounted within a calendar and astrological ring on a cast iron bracket revolving on a tripod paint decorated base with original paint decoration. SIZE: 37″ h overall x approx 11-1/2″ d of globe. PROVENANCE: Ex-Hatch Family, Kennebunk, Maine. CONDITION: Globe and all accompanying parts in very good condition overall with minor blemishes and small losses to printed paper. 9-96471 (6,000-8,000)

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3278

CURRIER & IVES (PUBLISHER, 19TH CENTURY) TERRIFIC ENGAGEMENT BETWEEN THE MONITOR AND MERRIMACK. Colored lithograph shows the two iron-clads firing on each other. The fight occurred in Hampton Roads in 1862 where the Merrimack was crippled and the whole rebel fleet was driven back to Norfolk. Housed in a black gold edged modern frame with highlighted mat. SIZE: Image size: 15-3/4″ x 22-1/2″, sight size: 18″ x 23″. CONDITION: A restoration to left side, tears and a light water stain upper left. Otherwise very good. Not examined out of frame. 9-97554 (1,200-1,600)

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3279

HISTORY OF YORK COUNTY, MAINE WITH ILLUSTRATIONS. Published in 1880, this volume is the first published history of York County, Maine. Belonging to the Joseph S. Hatch family of Kennebunk and so initialed “JSH” on the frontice page. CONDITION: Overall good condition with extensive damage to spine, the pages, however, are intact and readable. 9-96457 (150-250)

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3280

THREE AMERICAN FRAMED SILHOUETTES. Mid 19th century. 1) Fully painted silhouette of William Marden (1745-1838) in tailcoat holding a walking stick and top hat. 2) Double bust profile silhouette of Hannah Sherron Cann (born 1763) and John W. Cann (born 1760), additionally marked in script “Louise’s great-great grandmother and grandfather”, both descending in the Hatch family. 3) Framed bust profile silhouette of Charlotte Hatch (1802-1822) “Unmarried”. SIZE: 1) 9″ x 6-3/4″ sight. 2) 3-3/4″ x 4-3/4″ sight. 3) 3-1/2″ x 2-3/4″ sight. PROVENANCE: Hatch family of Kennebunkport, Maine. CONDITION: All in very good condition, mounted in old frames. 9-96469 (300-500)

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3281

HAIDA ARGILLITE FIGURE OF A STANDING FEMALE. Very finely carved in the form of standing female, her hands holding midsection, dressed in a very high collared shirt with triple necklace and long skirt. The mask-like face, with stylized features wearing a coiffure of long, wrapped hair extending down her back. When seen from below, the feet and legs can be seen for about an inch under the skirt. Last quarter 19th century. SIZE: 7 1/2″ H PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-96696 (8,000-12,000)

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3282

HAIDA ARGILLITE FIGURE OF A WOMAN. The figure, commonly referred to as a sea captain’s wife, shows the common features of a western civilization figure. The woman standing holding hands at mid-waist, a coiffed hairdo with coat and long skirt. Last quarter 19th century. SIZE: Ht 7″ PROVENANCE: From a private Maine collection. CONDITION: Very good with a small flake off bottom of skirt. 9-96697 (8,000-12,000)

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3283

INLAID NORTHWEST COAST CEDARWOOD FROG SHAPED GREASE BOWL. The low figure of a frog with head up having inset abalone eyes, the back carved with a 1 1/2″ deep bowl surrounded by four rectangular inset pieces of ivory and 41 white opalescent beads. Probably Haida. SIZE: Ht 4″ L 11″ 5 1/2″ D PROVENANCE: From a private Maine collection. CONDITION: Very good with nice patina. 9-96698 (4,000-6,000)

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3284

OUTSTANDING CARVED NORTHWEST COAST CEDAR BIRD-FORMED OIL DISH. 19th century, possibly Tlingit. The carved bowl with a bird head handle. The body having other carved symbols. A flat serrated rim. SIZE: Ht 3 1/2″ x 6 1/2″ L x 4″ W PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-96700 (8,000-12,000)

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3285

TLINGIT CARVED SHAMAN FIGURE. Outstanding carved figure of a man with elbows bent and holding arms to chest. The figure sits on a round domed base which is one piece. The decorated face with red and black features and the figure wearing a crown with carved thorns. Presently mounted to a black square base. 19th century. SIZE: Max. Ht of figure without black base: 14″ PROVENANCE: From a private Maine collection. CONDITION: Figure is very good. Thorned crown and garment are intact but loose. Missing one thorn in crown. 9-96706 (8,000-12,000)

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3286

KWAKIUTL DRUM DECORATED WITH KILLER WHALE. The round drum having a stretched hide top paint decorated with a killer whale and concentric circles in colors of red and black. The inside rim pencil inscribed “Hunt” and the wood frame fastened with copper tacks. The Hunt family is a large family group in the northwest. SIZE: 11 1/2″ Diameter PROVENANCE: From a private Maine collection. CONDITION: Good. 9-96704 (1,500-2,000)

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3287

NORTHWEST COAST ANTIQUE DRUM. The backside of the drum face decorated with a black and red face. Tacked edge with undecorated top, circa 1910 or earlier. SIZE: 11″ Diameter PROVENANCE: Skinner, 4/25/87 Fernberger estate, presently from a private Maine collection. CONDITION: 1 1/2″ tear to center of drum. 9-96705 (1,500-2,000)

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3288

TLINGIT DECORATED COVERED BASKET. The round basket base decorated on the side with multi-colored crosses. The top having a slightly domed center and having rings of alternating triangles in gold and orange. SIZE: Ht 5″ x 9″ Diameter PROVENANCE: From a private Maine collection. CONDITION: One slight area of roughness on rim, otherwise very good. 9-96701 (1,200-1,600)

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3289

FINE WOVEN BALEEN AND BONE COVERED BASKET. The Northwest coast basket, signed “Johnny Kayoulik”. The round basket having a round bone base, and the fitted cover having a central carved bone whale’s tail. SIZE: Ht 3″ 4″ Diameter PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-96699 (1,200-1,600)

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3290

INTERESTING NORTHWEST COAST DECORATED WOOD MASK. The mask decorated in red, blue, green and black paint having two holes carved for eyes and the open mouth. The mask is fitted with two holes on each side for rawhide band. Probably 19th century, southern Kwakiuti. Probably representing “Komokwa” (undersea god). SIZE: 10″ x 8″ PROVENANCE: From a private Maine collection. CONDITION: Mask has been broken vertically and re-glued, otherwise good. 9-96702 (2,000-10,000)

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3291

NORTHWEST COAST DECORATED CARVED TOTEM POLE. The graduated figures decorated in black, red and green depicting different animal deity forms. The finial on top is probably not original. SIZE: 16″ without top figure; 18″ overall. PROVENANCE: From a private Maine collection. CONDITION: Very good. 9-96707 (600-900)

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3292

NATIVE AMERICAN TOTEM. Possibly Northwest. Carved, depicting a seated figure with loincloth wearing a feathered mask with headdress, not unlike an eagle or hawk but with a fanciful long trunk. Dark gray/black color with red and ochre accents. SIZE: Ht 75 1/2″ CONDITION: Structurally good, paint decorations somewhat faded. Insect damage throughout. 9-96976 (2,500-3,500)

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3293

RARE NORTHWEST COAST NATIVE AMERICAN SPEAKER’S STAFF. Late 19th century. This nicely carved cypress staff depicting three human figures; the topmost holding a fish and wearing the headdress of a cat, the middle figure holding a staff with conical headdress and the bottom figure wearing a trunkated headdress, holding a rabbit and standing on a turtle head(?). The staff surmounted by a pommel grip and having an elongated tip. Probably Pacific coast of Vancouver island. SIZE: L 33 3/4″ PROVENANCE: From a private Maine collection. CONDITION: Very fine original condition with good patina. All carvings intact except top figure’s arms may be repaired or replacement. 9-96703 (5,000-7,000)

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3294

NORTHWEST COAST WHALING CANOE. Turn of century, Southern style, possibly Makah. Boldly carved prow in the form of a wolf’s head, 3 seat, mast’s pocket and wire re-enforced one piece construction of hull. The carved prow and the stern are separate section of wood added to the one piece hull. Two, separate wooden gunnels cap the edges of the hull. The words “cis a qis” is carved along the upper center of each side along with decorative scroll carving. At 23’+ long this is an unusual and rare surviving example of a canoe of this age. SIZE: 23’+ long. CONDITION: Paint along sides is old and worn, bow prow has been re-painted. One seat brace needs repair, newer braided rope helps retain seat position. Old crack in prow. 9-96437 (8,000-12,000)

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3295

NORTHWEST COAST HORN CARVING. This fine Native American carving depicting a series of wild animal heads including foxes and wolves, bears, moose and elk, eagle and hawk. Carved from an animal horn and mounted on a turned rosewood plinth with original old patina. SIZE: 10-1/4″ h overall. CONDITION: Very good overall. 9-97525 (300-400)

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3296

CAPTAIN THOMAS BENJAMIN ROLF POWDER HORN. Late 18th century. This nice scrimshawed example, the first two panels carved with the owner’s name, the next panel decorated with scrolling leaf tips. The next two panels, each with a deer grazing on a tree. The whole within multiple geometric designed borders. The end-cap and lanyard are absent. The narrow end applied with a carved wood pouring spout. SIZE: L 12″ PROVENANCE: Purchased in late 1950’s in Gloucester, MA directly from the grandson of the ship captain. CONDITION: As mentioned, with original surfaces, good patina and color. 9-96608 (1,500-2,500)

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3297

CIVIL WAR ERA SWORD. Cavalry sword with blade marked “US J.H. 1857” “Ames Mfg Co. Chicopee, MA”, comes with scabbard. SIZE: 43″ with scabbard. CONDITION: Generally good. 9-96750 (200-400)

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3297A

CIVIL WAR ERA SWORD. Cavalry sword with blade marked “US C.W.W. 1864” “Emerson & Silver Trenton”, comes with scabbard. SIZE: 42-1/2″ with scabbard. CONDITION: Generally good. 9-96750-1 (200-400)

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3298

CIVIL WAR ERA SWORD. Blade marked “Proved Solingen”. A decorated pierced hilt with “E. Pluribus Unum US” with eagle, having scabbard. SIZE: 38″ with scabbard. CONDITION: Generally good. 9-96750-2 (200-400)

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3299

UNSIGNED (American, 19th Century) PORTRAIT OF A WOMAN. Unsigned oil on canvas half portrait of a young woman wearing a blue collared brown robe with white shirt. Housed in a gold painted older frame. SIZE: 30″ x 25″. CONDITION: Restored, relined with inpainting. 9-96973 (1,200-1,800)

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3300

UNSIGNED (American, 19th Century) MOOSEHEAD. Primitive folk art oil on wood panel shows a large moose head jutting out behind a tree and rock outcropping. A snow covered lake is seen with mountain behind. All under a colorful light blue to peach colored sky. Housed in an antique decorated frame. SIZE: 16-1/2″ x 20″. CONDITION: Some chipping on grain lines, otherwise very good. 9-96709 (1,000-2,000)

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3301

UNSIGNED (American, 19th Century) PAIR OF PORTRAITS OF A WOMAN AND GENTLEMAN. Fine oil on canvas ancestral half-portraits. The first shows a young woman with brown hair and eyes seated in a green upholstered chair and wearing a brown dress with lace collar and cuffs. She wears a pink ribbon with bow tie at neck with mourning pin. Her hand holds a page of an open book which is beside her. She is seen against a reddish background. The second shows a man in dark suit with white shirt and black bow tie. His arm rests on an arm chair and he is holding an item in his hand. He is seen against a greenish background. Housed in modern antique style frames. SIZE: 30″ x 25″. PROVENANCE: From a Central Maine Estate. CONDITION: Very good. Relined on new stretchers, minor inpainting. 9-73321, 9-73322 (1,000-2,000)

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3302

UNSIGNED (American, Mid 19th Century) PORTRAIT OF A GIRL WITH BASKET OF FLOWERS. Oil on canvas full length portrait of a young girl in blue dress with lace collar holding a basket of roses in her hand. She stands on a colorful floor covering beside an urn of roses and Queen Ann candlestand. Red drapes flank her head. Unsigned. Housed in an antique birdseye maple period frame with silver liner. SIZE: 30″ x 22″. CONDITION: Relined, very good. 9-97704 (1,000-3,000)

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3303

RARE PERSIAN RHAGES TYPE BOWL. 12th century. This fine enameled bowl from the Warren E. Cox collection and illustrated in Plate 98 of his book “The Book of Pottery and Porcelain,Volume 1“. The small bowl with sloping sides joined to a footed base. The exterior in deep indigo mottled glaze with lustred writing. The upper rim grading to a green. The bowl interior with triangular panels of turquoise, indigo and ivory having a secondary glaze forming borders between the panels and with scrolling circular brush strokes within the panels. The opposing ivory panels decorated with female figures of the period. A similar bowl is to be seen in the permanent collection of the Metropolitan Museum of Art, New York, NY having come, as did the above described bowl, from the collection of Warren E. Cox as quoted in a Bill of Sale dated November 5, 1958 by the office of S.H. Mori, Historic Arts from the Orient, Chicago, IL. SIZE: Ht. 2 3/4″ Diameter 7” PROVENANCE: This bowl is accompanied by the letter and original Bill of Sale, Chicago, IL together with a photocopy of the page illustrating this bowl in Warren Cox’s book CONDITION: Heavily and extensively restored and reassembled from all original fragments. 9-95800 (1,500-2,500)

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3304

LARGE ORIENTAL POLYCHROME DECORATED GARDEN SEAT. Early 20th Century. Decorated overall with large floral blossoms and fanciful birds within polychrome floral reserves on a mustard ground decorated with deep indigo pierced coins and bosses, each with dense floral blooms. Stamped with the retailer “GUMPS” of California. SIZE: 18″ h x approx. 14″ dia. CONDITION: Very good overall with strong colors, no damages or restorations noted. 9-97664 (3,000-5,000)

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3305

SEVEN ANTIQUE ORIENTAL CARVINGS. 1) 5″ h ivory carving of a man with hands on an octopus which is holding onto a plant. Unsigned. 2) 6-1/2″ h ivory statue of a man on teak base. 3) 3-1/4″ h x 1-1/2″ dia. ivory covered jar with decoration of woman and child having written characters on the back. 4) 3″ ivory covered snuff jar with scrimshaw work of men. 5) 3″ h crystal Buddha. 6) 2-3/4″ carved turquoise figure of a woman holding a flower. 7) 4-3/4″ h carved turquoise figure of a woman on teak base. CONDITION: Generally very good. 9-96654 (800-1,200)

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3306

IMARI OVAL DEEP DISH AND OTHER TABLEWARES. Mid-19th century. The oval deep dish with scalloped edge, the lobed fluted sides with underglaze blue paint-decorated feather decorations alternating with jade green lobes with underglaze blue feather decorations, centering an underglaze blue painted fanciful peacock in flight on a white ground, the exterior paint decorated in underglaze blue scrolling vinery on a white ground, the oval deep foot rim centering a recessed base with square underglaze blue maker’s mark. Together with late 19th/early 20th century Canton 4-1/2″ dia. tea bowl and associated 4-3/4″ dia. saucer and 3-1/2″ h. 3-part condiment, all in good condition. SIZE: Oval deep dish: 2-1/2″ h. x 9″ l. x 5-1/4″ w. CONDITION: Oval deep dish: Very good overall with minor roughness to rim. 9-95136-2 (500-1,000)

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3307

PAIR CHINESE EXPORT STONEWARE MANDARIN DECORATED URNS. Mid 19th century. Each example with everted scalloped rim, densely decorated with symbols of plenty, butterflies and floral vinery, with panels of scholarly pursuits. SIZE: 17″ h. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good overall, no restoration or damages noted. 9-96552 (1,000-1,500)

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3308

FOUR ORIENTAL EXPORT TEAPOTS. Lot includes a 5-1/4″ h blue and white intertwined strap handled covered teapot; 6-1/4″ pink and white covered teapot with pink flower clusters (professional repair to rim and hairline crack); 5-1/4″ h Rose Medallion type teapot (repaired handle); 4-3/4″ h barrel form teapot holder with teapot. Cylinder shaped teapot fits into a covered barrel form porcelain holder (restoration to barrel lid, teapot has repaired chip to cover). PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: As noted above. 9-95910 (800-1,200)

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3309

COVERED BOAR’S HEAD ORIENTAL EXPORT TUREEN. Cut corner rectangular footed tureen in bold cobalt blue decoration has boar head handles and conforming lid. SIZE: 8-1/2″ h x 14″ l with handles x 9″ d. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Very good. 9-95917 (800-1,200)

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3310

TWO PIECES OF BLUE AND WHITE ORIENTAL EXPORT. 1) 2-1/2″ h x 15″ x 11-1/2″ deep serving dish. Cut corner rectangular piece has nice blue on white decoration. 2) 7-1/2″ h covered jar with blue decoration. Slightly domed lid with flaring rim has Foo Dog finial. (bottom with tight hairlines, rim of cover with roughness) PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: As noted above, otherwise very good. 9-95918 (800-1,200)

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3311

CANTONESE FAMILLE ROSE ARMORIAL PLATTER. Mid 19th century. Platter edge polychrome paint decorated with a row of dragons, centering an oval panel depicting an emissary kneeling before an empress and her attendants beneath a Grant family crest. SIZE: 11-3/4″ x 8-3/4″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good overall with normal and acceptable wear to gilding. 9-96549 (600-800)

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3312

SIX ORIENTAL EXPORT PLATES. All blue and white and different. Four deep and two shallow plates. One having an urn of flowers. SIZE: All approximately 9″ dia. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Three with flea bites and roughness to edge, one with roughness to edge, small chips and two hairlines. 9-95908 (500-1,000)

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3313

IMPORTANT FEDERAL BOWFRONT DRESSING TABLE IN CREAM PAINT. New England circa 1810. The bowfront or demi-lune dressing table with scrolled splashguard, fitted with a central frieze drawer and accompanied by an original free-standing and conforming glove box on ball feet. Paint-decorated overall in original cream paint with beige and green border stripes. The splashguard and drawer fronts decorated with foliate sprays and fruit clusters. The whole raised on tapered squared legs. SIZE: Overall height 35 3/4″ W 35 3/4″ D 18 1/2″. Glove Box dimensions: H 4 3/4″ W 20″ D 9 3/4″. PROVENANCE: Estate of Dr. Lee W. Richards Jr. of Augusta, Maine. Obstetrician & Augusta’s first specialist. CONDITION: With all original surfaces and elements. The paint with substantial areas of wear, structurally very good overall. 9-97668 (3,000-5,000)

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3314

FOUR DRAWER TIGER MAPLE CHIPPENDALE CHEST. Top having a molded overhanging top under which are four graduated drawers fitted with new bale handled brasses. Original veneered bracket foot base. SIZE: 34″ h x top 38-1/2″ x 20″. Case 36″ x 19″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Cracks in side panels, refinished, missing locks. Good. 9-95841 (800-1,200)

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3315

IMPORTANT GROUPING OF MINIATURE WATERCOLOR PORTRAITS. First half 19th century. Five watercolors of a woman and boy. The female oval portraits rendered in a frontal and three-quarter bust profile wearing a head scarf with a jeweled brooch and a pearl necklace. Clothed in a lace empire dress adorned with a watch fob and chain. The young boy done in a rectangular full portrait in blue suit with lace collar playing with a hoop with two additional smaller side view oval half portraits. SIZE: Rectangular 5″ x 3 1/2″ sight. Ovals 2 3/4″ x 2 1/4″. CONDITION: All with brown foxing and staining. The central full portrait with creased upper corners and water stain between. Three with visible insect damage. 9-96756 (3,000-5,000)

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3316

TWO AMERICAN MOURNING WATERCOLORS. Mid 19th century. The oval example depicting a woman, hat in hand, seated on a wooded hillside, a dog at her feet. The round example depicting 2 young girls seated in front of a cage in the act of releasing doves. Both watercolors are unsigned and framed in later gold gilt frames. SIZE: Oval: 10″ x 8″ sight. Round: 8-3/4″ d sight. CONDITION: Both watercolors in very good condition, the oval example with small crease at bottom, the round example with some smudging at opening of bird cage, the frame with old repairs. 9-95806 (1,000-2,000)

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3317
Revised: 8/23/2009

Additional Information – PROVENANCE: The historic Perry House on the harbor in Southport, CT, descended through the family.

AMERICAN CHIPPENDALE CARVED MAHOGANY SLANT LID DESK. Last quarter 18th century, probably New York. The rectangular dovetailed case fitted with a sloping hinged lid with thumbmolded edges opening to an interior of valanced pigeonholes, centering a shell carved door opening to a removable interior of pigeonholes and drawers, exposing two concealed valuables drawers, centering a shell carved prospect door, flanked by document drawers carved with stylized pineapples, further flanked by arrangements of small document drawers above molded lopers centering a long drawer over three additional graduated long drawers flanked by engaged fluted quarter columns, on a molded base, raised on ogee bracket feet with scalloped returns. SIZE: 42″ h x 42-1/4″ w (case) x 21-1/2″ d. CONDITION: Desk retains old original surfaces with dark patina, the sides with old visible shrinkage cracks on seam. The original bracket feet with repairs. Replaced hardware in newly drilled holes. Some damage to thumbmolding on one drawer. Old damage to right lower facing. 9-97208 (1,500-2,500)

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3318

TABRIZ ORIENTAL CARPET NORTHWEST PERSIA. Second quarter 20th century. Woven with three indigo small medallions, the rose red field with dense floral vinery in shades of indigo, ochre and green within a blue-black main border of flowerheads and palmettes. SIZE: 19’2″ x 7’3″ PROVENANCE: Estate of Dr. Lee W. Richards Jr. of Augusta, Maine. Obstetrician & Augusta’s first specialist. CONDITION: Very good overall with full pile, strong color and with losses to fringe. 9-97671 (4,000-6,000)

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3319

FINE PAIR OF CLASSICAL HUNNEMAN BRASS ANDIRONS. Boston, Massachusetts, First quarter of the 19th Century.Each ball top with molded mid-band above a ring-and bauluster-turned shaft, raised on lappeted arched spurred legs terminating in ridged slipper feet. The dogs with original brass plates and log stops. Marked “Hunneman/908/Boston”. SIZE: 15-1/2″ h x 20-3/4″ l. CONDITION: Very good structurally, original burnished. 9-97248 (700-1,000)

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3320

PENNSYLVANIA PAINT DECORATED PINE CUTLERY BOX. 2nd quarter 19th Century. Of rectangular form with sloping sides, the upper edges notched and fitted with a medial divider with pierced grip. Paint decorated overall in red-orange with applied mustard scrolling decorative highlights. SIZE: 5″ h x 13″ l x 7″ w. CONDITION: Structurally in very good condition. Exterior painted surfaces with wear. Interior showing wear to paint and wood resulting in interior paint with greater than 50% loss. 9-96689 (1,500-2,500)

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3321

NEW ENGLAND FEDERAL FOUR POST CANOPY BED IN RED WASH. Probably Coastal Maine, first quarter 19th century. The four swelled ring turned posts surmounted by a full arched canopy top. The headposts joined by a panel board, the frontal posts reeded and swelled, joined by square wood rails. SIZE: 72″ h of posts, 53-1/2″ w, 6′ length of rail. CONDITION: Structurally very good with professionally restored washed surfaces. 9-97235 (2,000-4,000)

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3322

ANTIQUE PINE CUPBOARD IN BLUE PAINT. The one-piece cupboard on a removable bracket base has two long double paneled doors over two short one-panel doors. Nice molded cornice and mid decorative molding. The doors with light yellow salmon panels surrounded by blue. The interior set with three shaped front shelves, bottom with one shelf. A nice old paint, probably original. 6″ high removable base is a later replacement. SIZE: 82″ h x 43″ w x 22″ d; Interior shelf depth is 18″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Generally very good with only minor paint loss. 9-95827 (3,000-5,000)

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3323

FINE FEDERAL BRASS AND WIRE FIRE FENDER. Early 19th century. The D-form wire work fender with three faceted beehive finials mounted on a half round brass rail raised on flat claw feet. SIZE: 14-1/2″ h overall x 47″ w. CONDITION: The fender mounted on original steel plate frame. Wire work good, brass finials and feet appear original. 9-96497 (700-1,000)

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3324

DELFT BALUSTER FORM PITCHER. Probably mid-19th cent. Unmarked baluster form swirled example with handle paint decorated overall with fruit and flower heads on a stipled background. The rim painted with s scrolls, the handle similarly decorated. SIZE: 8-1/2″ h. CONDITION: With chips and glazing losses along rim edge, similar glazing losses on base rim, the handle with surface chips and glazing loss, the body with a vertical hairline Y form crack from rim to mid point of pitcher. Otherwise retaining good color in glaze. 9-96596 (400-600)

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3325

DELFT MAGENTA DECORATED MUG W/PEWTER LID. Probably 2nd half 18th cent. This unsigned example with applied handle and fitted with a pewter hinged lid with shell finger grip and stamped with the initials “I P”, fitted to the cylindrical body paint decorated with opposing panels depicting buildings and tower. The handle painted with horizontal stripes. The top and base rims with a border of stripes. SIZE: 7″ h. CONDITION: Overall in good condition with small chips and glaze losses at rim and base rim and losses to glaze on handle. 9-97061 (600-800)

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3326

FINE DELFT TWO-HANDLED BOWL. Probably mid-19th cent. This signed example of bulbous form with crimped flaring rim applied with intertwined branch handles paint decorated on the exterior with mountainous treed landscape, one side with a cherub gripping a spray of fruit. The pale blue interior centrally decorated with chateaus, floral sprays and flying insects throughout. SIZE: 4″ h. Overall diameter 9″. CONDITION: With minimal and minor rim flakes, the glaze and paint decorations generally in very good condition. No restoration noted. 9-96616 (400-600)

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3327

LOT SEVEN DELFT BLUE AND WHITE DECORATED PLATES. Set of five plates having a central blue flower surrounded by three flower clusters and an arrow blue border with yellow edge. Along with two other miscellaneous plates. SIZE: 9″ dia. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Repaired chip to one rim, roughness to edges. 9-95820 (300-500)

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3328

EDWARD SHERIFF CURTIS (American, 1868-1952) “THE BLANKET WEAVER-NAVAJO” AND “IN THE LAND OF THE APSAROKE”. 1) Large photogravure by John Andrew & Son from copyright photograph 1904 by E.S. Curtis, Plate 34, titled “The Blanket Weaver-Navajo” below image. Taped to a double matte and housed in a modern wood frame with glass. 2) Small photogravure “From copyright photograph 1908 by E S Curtis”, titled “In the Land of the Apsaroke” below image. Housed in a period frame with replaced matte. SIZE: 1) 13″ x 17″. 2) Sight: 8-1/4″ x 3-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: 1) Examined out of frame, all over toned, two small white dots at center top. 2) Very good, not examined out of frame. 9-96220 (1,000-2,000)

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3329

FINE NATIVE AMERICAN BASKET. American, 19th century. This large shallow circular basket decorated with woven arrowheads, human figures, stylized crosses and zigzag designs. SIZE: 15-1/4″ d x 3-1/2″ h. CONDITION: Very good overall with some losses to rim bindings, structurally sound and with good color. 9-97052 (1,000-1,500)

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3330

AFTER GEORGE CATLIN (AMERICAN, 1796 – 1872) TWO WORKS: WI-JUN-JON, & ANOTHER. Colored lithograph shows two-part scene of Wi-Jun-Jon the Assinneboin Chief in traditional dress (going to Washington) and showing him in military formal attire returning to his home. The second lithograph title “North American Indians #1″ showing three native American Indians in native dress. Both are shrink-wrapped with beige mats and are reprints from the original early prints. SIZE: Sight size: 19-1/2″ x 15” each. CONDITION: Very good. 9-97042 (500-1,000)

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3331

CLASSIC DIAMOND PATTERN NAVAJO RUG. First half 20th century. With two aligned central diamonds with orange serrated edges, the interiors stepped with ivory, gray, wine and brown patterns. The end borders of black, ivory and plum. SIZE: 5’2 1/2″ x 3′ 2 1/2″ CONDITION: Very good overall, no holes, stains or weaknesses. 9-96713 (500-700)

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3332

NAVAJO RUG ARROW PATTERN. The triangular patterns with serrated edges in shades of beige, brown, ivory and wine red all on a field of earthtones within a chocolate brown border. SIZE: 3’3″ x 7′ CONDITION: Very good overall, tightly woven with minor spotting. A larger stain in one corner 6″ from end. 9-96714 (500-700)

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3333

GROUP OF NATIVE AMERICAN OBJECTS. Late 19th-early 20th century. Including a rare and unusual woven water carrier retaining original woven basket-form sling; a gourd-form rattle; two shallow baskets, including one with a design of three winged creatures; a small beaded pouch embellished with a flower and the initials “SP”; and a table rug of diamond and snowflake forms on a green ground. SIZE: WATER CARRIER: 23-1/2″ h. GOURD RATTLE: 12″ l. BASKETS: 8-1/2″ d. and 11-1/2″ d. POUCH: 3″ x 3-1/4″. RUG: 32″ x 21-1/2″. PROVENANCE: From an East Sangerville, Maine private collection. Bequeathed from the estate of Hanna Lane Gray of East Sangerville to Sidney and Alice Davidson, Brooklyn Heights, New York, and by descent to the present owner, a grand-daughter. CONDITION: Water carrier with damage around upper lip and breaks to straps. Gourd rattle with small crack at handle. Pouch and two baskets with no visible issues. 9-94958 (400-800)

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3334

EYE DAZZLER NAVAJO BLANKET. Circa 1920. This fine example of repeated zig-zag patterns in dark brown, red and ivory within a red and black striped border. SIZE: 5’3″ x 3’4″ CONDITION: Very good overall with strong colors and tight weave intact. Some slight and insignificant spot staining throughout. 9-97212 (400-600)

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3335

RANCE HOOD (American, 1941) “WAR CHIEF”. Limited edition print numbered “1172/1500″. Signed and numbered by the artist. Scene shows a half view of a Native American in war cry next to horse. A descriptive brochure and artist tag attached to reverse. Housed in a gilt wood frame with brown matte. SIZE: Sight: 15-1/2″ x 18”. PROVENANCE: Collection of Elwyn Dearborn of Medford, NJ & Portland, ME. CONDITION: Some toning to paper, otherwise very good. 9-96228 (200-300)

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3336

FRAMED PHOTOGRAPHIC PRINT OF THE PASSAMAQUODDY CHIEF SAPIAL. The print mounted to a light board and identified “Chief Sapial 1885” in white on the bottom right corner. Written on the backing board “Pleasant Point, Perry, Maine Passamaquoddy Washington County”. Housed in a black wood frame. SIZE: Print: 8″ x 5″. CONDITION: Creases in top corners, otherwise good. 9-97054 (200-400)

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3337

FINE NORTHERN NEW ENGLAND HARDWOOD DEEP TRENCHER IN RED WASH. Early 19th century. This fine example with protruding carved carrying handles of rectangular form with steeply canted sides in original finish. Together with a food chopper marked “G. S. Osborne & Co. Newark, N.J. Established 1826”. SIZE: Bowl: 6-3/4″ h x 29″ l x 18″ w. CONDITION: The chopping bowl with old chips on end edges. The interior heavily scratched from usage. The chopper in very good overall condition. The handle with original finish. 9-97254 (2,000-3,000)

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3338

MAINE FEDERAL MAPLE SLANT-LID DESK. First quarter of the 19th Century. The rectangular dovetailed case with hinged sloping lid supported on lopers and opening to a stepped interior of valanced cubbies over short drawers centering a prospect door carved with an oval rayed patera, further opening to a valanced cubby over blocked drawer, the whole stepped above an additional row of document drawers. The case fitted with four graduated thumbmolded drawers retaining original brass hardware, on a molded base raised on shaped bracket feet with scalloped returns. SIZE: 43″ h. x 37-1/2″ case w. x 20-1/2″ d. PROVENANCE: Originally owned by, among others, Jasper Porter Morgan and Daniel Porter Morgan, both of Sedgwick in Hancock County, Maine, and descended through the family to the current owner. Desk is accompanied by photographs and various documents pertaining to the family in the 19th century. CONDITION: Case has been stripped in the past, retaining traces of original red wash. Backboards, hardware and feet all appear original. Some glueblocks absent in base, others original. Lid and side panel with normal shrinkage, three bails absent. Overall in very nice condition with solid family provenance. 9-95128 (2,500-3,000)

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3339

FRENCH MINIATURE PORTRAIT. Mid-19th century. The oval portrait of a woman with sash and flowing robe, painted on porcelain and signed “C. de St. Mare” and mounted in its original oval frame with scrolling brightwork, mounted as a brooch. SIZE: Overall: 2-7/8″ x 2-1/3″. CONDITION: Very good overall. 9-92870 (300-500)

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3340

NEW ENGLAND JELLY CUPBOARD IN RED WASH. First half 19th century. The rectangular cabinet with 3/4 dovetailed splashguard above the conforming case fitted with a pair of aligned short drawers above a pair of cupboard doors, the shaped apron continuing to bracket feet. SIZE: 50″ h (overall) x 44″ w (overall) x 17-1/2″ d. CONDITION: Retains nice original surfaces, very good overall. 9-96970 (1,200-1,800)

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3341

PAINT DECORATED TOOL CHEST; DOVER, MAINE. 2nd half 19th century. The pine and maple tool chest with paneled hinged lid, bound with iron strapping, opening to an interior fitted with walnut tool box. Lid interior painted with a river scene, a pole boat, mountainous background and birds in flight with cartouche border within grained outer border and titled beneath in gilt letters “LEANDER GAREY. OF DOVER MAINE.” The molded dovetailed box raised on a plinth and fitted with iron carrying handles. SIZE: 21″ h x 38″ l x 23-1/2″ d. CONDITION: Retains original painted surfaces. Landscape scene in very good condition overall, minor and minimal imperfections. All hardware original. 9-96533 (2,000-3,000)

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3342

FOUR EXCEPTIONAL HAND-COLORED MAPS BY CYRUS A. FARWELL. Mid-19th century. Pen-and-ink hand-colored examples. The first, a double hemisphere world map, centered by a hand-drawn and colored cartouche in which is written “THE WORLD BY CYRUS FARWELL”. Accompanied by 3 smaller maps executed in the same manner: A) map of the United States as it existed at the time; B) map of North America; C) map of South America. Maps now mounted on foam core. SIZE: LARGEST MAP: 19″ x 46″. MAP A: 19-1/4″ x 23-3/4″. MAP B: 24″ x 19″. MAP C: 23-3/4″ x 19″. PROVENANCE: Cyrus Augustin Farwell, born Dorset, Vermont, 1832 (Partial biography accompanies this lot) by descent through the family. CONDITION: Overall extremely good condition. With some minor foxing and wrinkles increasing along edges of paper. 9-95427 (2,000-4,000)

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3343

MAP OF THE STATE OF MAINE AND PROVINCE OF NEW BRUNSWICK BY MOSES GREENLEAF. Circa 1844. Engraved by J.H. Young & F. Dankworth, Philadelphia. This third edition dated 1844, showing the State of Maine and the Province of New Brunswick including the western Gulf of St. Lawrence. A hanging wall map with molded top border fitted for hanging and lower rod. SIZE: 52″ x 43″ PROVENANCE: Estate of Dr. Lee W. Richards Jr. of Augusta, Maine. Obstetrician & Augusta’s first specialist. CONDITION: Showing several deep creases and areas of loss to map in lower section with discoloration from age. Overall in fair condition. 9-97669 (800-1,200)

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3344

MAP OF MOOSEHEAD LAKE AND NORTHERN MAINE, 1883 BY LUCIUS L. HUBBARD. The map revised edition embracing the headwaters of the Penobscot, Kennebec and St. John rivers. Specially adapted to the uses of sportsmen and lumbermen. Housed in what appears to be its original Victorian style frame with gold liner. SIZE: Sight: 27-1/2″ x 21-1/2″. CONDITION: Generally good with some wrinkles which appear to have come from being rolled at one time. Otherwise very good. 9-97053 (800-1,000)

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3345

FRAMED MINIATURE ON IVORY OF A YOUNG WOMAN. Rectangular miniature painting shows a young woman with long, curly brown hair leaning with an open book and she wears a fine jewelry suite. Unsigned. 19th century. Housed in a gilt wood frame. SIZE: 4-1/4″ x 3-1/2″. CONDITION: Very good. 9-97194 (350-450)

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3346

DOUBLE SAILOR’S VALENTINE. The octagonal hinged case fitted with a double conforming shellwork montage. Wrought overall with floral design and geometric panels centering a heart on the right and a rosette on the left decorated within with “TO MY MOTHER”. SIZE: Interior Diameter 8 1/4″. Case 2 3/4″ x 8 3/4″ x 9″ CONDITION: Missing several shells in border, some “flower” petals and some seed shells in central rosette. The case in need of repolishing otherwise good. The liner in need of restoration. 9-97396 (800-1,200)

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3347

H MCCABE (American, Mid 20th Century) IN PURSUIT OF THE WHALE. Large oil on board nautical scene shows a large whaling ship flying American flag sailing left to right with two small whaleboats pursuing a breaching sperm whale. Signed lower right “H McCabe”. Housed in a modern gilt wood frame with linen liner. SIZE: 28-1/2″ x 34″. CONDITION: Minor inpainting, very good. 9-96418 (700-1,000)

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3348

ATTRIBUTED TO ROBERT SALMON (Scottish/American, 1775-1844) REPAIRING THE SHIP. Unframed watercolor mounted to board shows a two-mast large ship at dock leaning towards the dock with three men repairing the hull. Several other boats are seen along the docks, one with a British flag. Two men on the right corner are in a small boat which has lettering at the stern “Albion Yarmouth”, also initialed “RS”. An interesting watercolor for an artist that is unknown for his watercolor works. Two letters from Princeton University signed by John Wilmerding, who authored a book on Salmon, states that this very well could be a Salmon watercolor and that the quality is consistent with his work and the lettering on the boat look consistent with his hand. SIZE: 11-1/2″ x 17″. CONDITION: Some tears to edges and discoloration, intact and generally otherwise good. 9-96789 (800-1,200)

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3349

TWO SIDED SHELLWORK SAILOR’S VALENTINE. Each of octagonal form mounted within a conforming figured mahogany hinged box frame. One with a central floral starburst design, the opposing designed with a central heart beneath a floral bud super-imposed with a banner and anchor centering the word “LOVE”. SIZE: Dimensions of shellwork 10 1/2″ x 10 1/2″ sight. Box in total 3″ measuring 11 1/2″ x 11 1/2″. CONDITION: Very good overall with bright colored shellwork. 9-97232 (3,000-5,000)

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3350

DAVID JAMES (British, 1853-1904) PREPARING FOR THE RESCUE. Interesting oil on canvas scene shows a two-mast schooner floundering in stormy seas off the coast where a large wood dock has eleven men preparing for the rescue. An American flag whips in the wind at the top of a flagpole. One man holds a telescope to eye while others prepare. Beyond the dock is a lighthouse with building. Signed lower left “D James 78″. Housed in a modern partial gilt carved wood frame. The back stretcher having an old label. SIZE: 19-1/2″ x 30”. CONDITION: Old relining, some inpainting. Good. 9-97544 (1,500-2,500)

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3351

L T HOLMES (American, 19th Century) THE COLUMBIA AT SEA. Oil on canvas marine scene shows a black and red hulled two-mast schooner sailing right to left in windy conditions. The eight-man crew standing on the edge of the deck and the name emblazoned on the stern. The green sea with white caps all under a white cloud and blue sky. Signed lower left “LT Holmes 1885”. Housed in a fine period wide and deep gesso decorated frame with flower motif and gilt liner. The stretcher retaining its original “Frost & Adams Boston” label. SIZE: 22″ x 28″. CONDITION: Craquelure, varnish yellowing, some small repair with inpainting. Otherwise good. 9-97117 (1,750-2,250)

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3352

FOLK ART DIORAMA OF THE “OCEANIC”. Circa 1900. The 4-masted steamship sailing vessel rendered with fabric sails, mounted on a waveswept ocean, the painted backdrop a cloudy sky. In original mahogany shadowbox frame. The Oceanic, built in 1870, was the pioneer vessel of the WHITE STAR line: 3,808 gross tons, 420 ft. in length, 42 ft. in beam, registered for 166 1st class passengers and 1000 3rd class passengers. She sank in 1896. SIZE: 17″ h. x 36″ l. x 5″ d. CONDITION: Good overall, the model intact, the painted interior of the diorama with dryness. 9-95598 (500-800)

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3353

UNSIGNED (American, First half of the 19th Century) PORTRAIT OF A WOMAN WITH BOOK. Oil on canvas shows a middle age woman in black dress wearing a white lace bonnet with collar. A finger holds her position in the book and she is painted against a brown background. Period antique wood frame with gilt liner. SIZE: 30″ x 25″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Professionally restored, relined, re-stretched on new stretcher with turnbuckle mechanism. Inpainting, very good. 9-95836 (800-1,200)

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3354

SCRIMSHAW SWORDFISH BILL BY JOHN GEORGE KENNEDY. Mounted swordfish bill on a back plate of molded edge mahogany has decoration of spread wing eagle and shield, a large whaling scene with ships, men in boats and whales. A sperm whale is seen at the tip. Signed on left of decoration. SIZE: Bill is 37-1/4”. Back plate is 43-1/2”. CONDITION: Generally good. 9-96728 (300-500)

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3355

H. WILLIAMSON LTD., LONDON SHIP’S CLOCK. 8” white painted dial has name on dial, brass cover with heavy beveled glass bezel. Wood mounted back plate. The brass back plate with the serial number “3131”, marked “COVENTRY/ASTRAL”. SIZE: Overall is 10-1/2” dia. CONDITION: Some chipping to dial and a small flake off edge of bezel. Unknown working order, no key. 9-97019 (300-500)

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3356

NEW ENGLAND PINE WHALESIDE SHELF. Mid 29th century. This 4-tier example with fixed incurved shelves and unusual scrolling wave form side supports. SIZE: 34″ h x 30″ w x 9″ d. CONDITION: Originally painted, now with dark brown rubbed finish and with old minor repairs. 9-96511 (300-500)

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3357

JOURNAL OF A SURGEON ON BOARD AN AMERICAN PRIVATEER IN 1813. Circa 1813. Published in Boston in the year 1816,”A JOURNAL OF A YOUNG MAN OF MASSACHUSETTS, LATE, A SURGEON ON BOARD AN AMERICAN PRIVATEER”, presumably the journal of Benjamin M. Hartford, of Kennebunk, ME and so signed by him inside the front cover. It is a first person account of a young man signing on as an assistant surgeon aboard a privateer, the subsequent capture at sea by the British in 1813 and his internment at Melville Island, Halifax, at Chatham in England and lastly at Dartmoor Prison where they endured a massacre of American prisoners by the British guards. CONDITION: The leather-bound journal remains in good condition. There is some minor insect damage to the pages throughout. The pages with overall discoloration and foxing. 9-96456 (300-500)

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3358

CHINA TRADE BRASS BOUND CAMPHOR SEAMAN’S CHEST. Mid 19th century. The dovetailed rectangular box with hinged lid fitted with dual locks, the corners brass bound, having iron carrying handles. SIZE: 16″ h x 39-1/2″ l x 19-1/2″ d. CONDITION: Retains all original hardware. Minor shrinkage cracks on lid, refinished surfaces. Very good overall. 9-96501 (400-600)

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3359

AMERICAN SWORDFISH BILL SWORD. Circa 1908. This nicely painted example of American folk art designed as a ceremonial sword, the blade painted with small vignettes including the date “1908”, the initials “ESC”, a swordfish breeching, a displayed eagle clutching two crossed flags and an American shield, and a small seascape within a vine border, mounted with a chip carved hilt applied with the name “ELIZABETH”. SIZE: 37″ l. CONDITION: Overall very nice original condition, with minor paint losses within the seascape, body of fish and wing of eagle. Loss minimal and easily restored. Additionally with a 1″ splinter at tip of blade and at juncture of handle. 9-96542 (600-800)

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3360

PAIR OF AMERICAN CAST IRON EAGLE FINIALS. Late 19th cent. Each example depicting a displayed eagle with well-reticulated plumage mounted on a spherical plinth. Each finial with original mounting rod. SIZE: Overall height: 22-1/4″ Height of finial: 12-1/2″ Wingspan: 18-1/2″. CONDITION: Structurally very good, each in white paint with slight rusting, original mounting rods very good overall. 9-97289 (600-800)

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3361

OUTSTANDING SET OF LENOX SERVICE PLATES DEPICTING FAMOUS AMERICA’S CUP YACHTS. The cream plate having a cobalt blue with gold highlighted gadrooned border. Each plates center having a hand painted nautical scene with sailboat(s). Each plate on reverse is marked with the green Lenox mark (1930-1954) and has a gold typed description of the sailing scene. Each plate marked in gold “2249/J415B”. Also each is numbered differently. Each plate also marked “Specially made for J.E. Caldwell & Co. Philadelphia”. Yacht’s depicted include “Columbia”, “Rainbow”, “Resolute”, “Ranger”, “America”, “Enterprise” and more. The plates are numbered 1 through 19. Referred to as “The Yacht Defender Plates” and according to Lenox records they were sold in sets of 12 only. The sketches were made by Frank Holmes which were made into prints and filled in with hand painting. We would like to thank the Lenox Company for assisting us in the research of these plates. SIZE: 10-1/2″ dia. PROVENANCE: From a private collection. CONDITION: Very good to excellent. 9-96757 (500-1,000)

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3362

CARVED EAGLE WALL PLAQUE, ARTISTIC CARVING CO., BOSTON. 20th century. Polychrome painted rendition titled “Portsmouth”, model number E-28 illustrated on page 2 of the Artistic Carving Company catalog depicts an eagle with open beak set against a banner painted with the words “DON’T GIVE UP THE SHIP”, carved with a US shield against the proper left wing. SIZE: 9″ h x 27″ wingspan. CONDITION: Retains old surfaces, structurally intact with normal wear to gilding, very good overall. 9-96298 (1,500-2,500)

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3363

WHIMSICAL SWORDFISH SWORD. Third quarter 20th century. The sword, “From a swordfish caught by Dr. Frederic Breed off Martha’s Vineyard August, 1967 mounted by C. B. Stockbridge Gloucester, Mass.”, with a pen and ink drawing on the reverse of the blade depicting a fishing shack with seawall, dory, and fishing boat on choppy water with gulls flying in the background. The fanciful hilt carved in the form of a folk art fish. SIZE: 39-1/2″ l. CONDITION: In very nice original condition. 9-97233 (500-750)

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3364

CREAMWARE LIVERPOOL JUG. Mid 19th century. This nice example depicting an American clipper ship “MAC” on one side, the opposing side depicting an oval cartouche of Washington’s grave titled “WASHINGTON IN GLORY”. Beneath the spout is stenciled the great seal of the United States. SIZE: 9″ h. CONDITION: With overall restoration. 9-96476 (800-1,200)

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3365

DUTCH COLONIAL WHALE BONE MINIATURE SLANT LID DESK. 19th century. This diminutive example nicely rendered with hinged sloping lid and two over three drawers, the pinned case raised on fluted swelled ball feet with nice color and patina. SIZE: 3-1/4″ h x 2-3/4″ w of case x 2″ d. CONDITION: Very good. 9-96475 (400-600)

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3366

THREE ANTIQUE WHALES TEETH. 1) 4″ small tooth with scrimshaw design of a young girl standing – Roughness to bottom edge. 2) 8″ tooth with no scrimshaw – Very good. WEIGHT: 2.3lbs. 3)7″ tooth, no scrimshaw – Very good. WEIGHT: 1.4lbs. CONDITION: As noted above. 9-96653 (800-1,200)

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3367

NANTUCKET PURSE, UNMARKED. Mid 20th century. Of oval form with hinged conforming lid, rawhide strap hinges and clasp fitted with a swing handle, the purse with bone locking pin. The lid and body each mounted with oval hardwood board. SIZE: 11-1/2″ h overall, 6-1/2″ h of purse, 9-1/2″ l, 6-3/4″ w. CONDITION: The woven material overall very good, the rawhide fittings in need of replacement, handle and bone fittings good. 9-96395 (300-500)

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3368

SCRIMSHAW DECORATED SWORDFISH BILL. 19th/20th Century. Bill fish sword scrimshawed with a swordfish, clipper ship under sail, maiden beneath a tree, displayed eagle above the great American seal and 6 crossed flags, a female bust, and a panel with a South American rider on horseback beneath a floral spray. Now mounted as a ceremonial sword with scrolled and carved hilt. SIZE: 42-1/2″ l. CONDITION: Tip of sword is broken. Wear to gilt decoration, substantial damage to knuckle guard. 9-97010 (800-1,200)

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3369

SMALL CAST BRONZE PILOT HOUSE EAGLE. Late 19th Century, acquired from a building in Bath, Maine, depicting a cast bronze displayed eagle looking to the left, painted overall in gold paint. Underside of eagle set with a mounting screw. SIZE: 13″ h x 23″ wingspan. CONDITION: Very good overall, paint mostly intact. 9-97567 (500-700)

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3370

FITTED MAHOGANY CUSTOM TELESCOPE BOX. Second quarter 19th century. Rectangular hinged lid with molded edge mounted in the center with campaign style fitted brass carrying handle, the plate engraved “Captain Ainsworth / WARRINGTON”. Centered by an incised floral spray. Lid opening to an interior lined in original velvet, the box of dovetailed construction. SIZE: 3″ h x 37″ l x 8-1/2″ d. CONDITION: With shrinkage cracks in lid, proper right side. Width in need of reattachment to frame. Shrinkage crack in bottom, and missing wedge. 9-96472 (400-600)

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3371

UNSIGNED (American, 19th Century) PORTRAIT OF A GENTLEMAN. Oil on canvas mounted to masonite half portrait of a man wearing a top coat with white collar. Housed in a gilt wood antique frame with a Foster Brothers Boston label. SIZE: 26″ x 21″. CONDITION: Restored, good. 9-97116 (900-1,200)

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3372

LOT OF 22 EARLY DUTCH SHIP ENGRAVINGS BY G. GROENEWEGEN. 18th Century. The eighteen are mounted to buff backing heavy paper, three are unmounted. Each shows a different ship with title. SIZE: Approx. 5″ x 5-1/2″. CONDITION: Eighteen mounted examples are good, they have been spot glued on the left side only and some have glue bleed. The three loose examples have damage. 9-96354 (500-1,000)

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3373

FINE CARVED EAGLE ON ROCK PLINTH. Late 19th/early 20th Century. The nicely articulated eagle rendered with upswept wings, head turned to the left, with open beak, modeled on a rocky plinth. SIZE: 48-1/2″ h. CONDITION: Very good waxed polish finish and dark brown color. Possibly with minor professional restoration. Small shrinkage crack in plinth. 9-96832 (5,000-7,000)

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3374

CARVED SQUID RESTAURANT TRADE SIGN. Late 19th/early 20th century. From the “RESTAURANT L’ATLANTIC, LE VERDON”, France. This folk art example carved from the solid depicting a double sided squid. Mounted with original wrought iron hangers and sheet tin braces, designed to hang suspended from a building and to be viewed from both sides. The carved fins fitted to the posterior, as are the two major tentacles. This lot is sold together with a plinth base marked with the name of the restaurant from which it originated. SIZE: Overall: 30″ h x 53″ l. Size of base: 4″ h x 25″ l x 10 1/4″ w. CONDITION: Structurally intact and original. The painted surfaces mostly removed, the body now with waxed surfaces over remnants of old paint. 9-97032 (1,500-2,000)

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3375

LYON & HEALY BIRDSEYE MAPLE HARP. Late 19th century. This instrument, of typical form, marked by the maker on the brass headplate, “Lyon & Healy Makers Chicago, USA Patent Applied For Serial No. 3663”. The harp consists of a fluted column headed by a gilt decorated stylized capital, on a circular shaped plinth, raised on claw-feet and fitted with 7 foot pedals. SIZE: Overall 62-1/2″ h x 32-1/2″ d x 15″ w. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Structurally intact, gilding redone and with losses. Old surfaces scrubbed and cleaned. 9-95980 (1,500-2,500)

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3376

HEPPLEWHITE INLAID MAHOGANY BUTLER’S DESK. Early 19th century. The rectangular mahogany top with crossbanded and string inlaid edges above the conforming case, the upper deep drawer with hinged front opening to an interior fitted with a bank of document drawers centering 4 balanced pigeonholes over 3 additional long graduated drawers, all with oval string inlaid simulated panels and cockbeaded edges. Raised on French feet with shaped returns beneath an apron delineated with contrasting patterned geometric inlays. SIZE: 42″ h x 41″ w x 22-1/2″ d. CONDITION: Desk retains older professionally polished surfaces and with professional repairs to veneers. Old hardware in original holes. 9-97584 (900-1,200)

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3377

FEDERAL INLAID MAHOGANY SIDEBOARD. Circa 1810. Probably New York, the rectangular one board top with serpentine front above the conforming case fitted with a bow-front long drawer over a pair of bowed cabinet doors, all flanked by a deep drawer and door, each with concave fronts, raised on 6 tapered legs. The drawers and doors all with inlaid diamond escutcheons and contrasting string inlays. The legs, headed by elliptical stringing and with satinwood crossbanded cuffs. SIZE: 38-1/2″ h x 70″ l x 23″ d. CONDITION: Professional restored and refinished with replaced hardware. Slight shrinkage crack at midpoint of top, left side facing. Small diamond patch proper right side of top near center. Overall very good medium brown color. 9-96438 (1,000-2,000)

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3378

BANJO CLOCK BY KILLAM & CO., PAWTUCKET, RHODE ISLAND. Mahogany cased banjo clock having a black and white unsigned dial, reverse painted glass tablets. The bottom tablet showing the ship’s “Enterprise” and “Boxer” at battle. The throat glass with eagle, shield and scroll. The brass works signed by the maker and key, pendulum and weight are present. The top mounted with a brass eagle finial. SIZE: 39″ with finial x 10″ at widest. PROVENANCE: From a Washington, Maine Estate. CONDITION: Tablets have some minor chipping, generally in good condition. Unknown working order. 9-95778 (800-1,200)

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3379

THREE MAHOGANY CHIPPENDALE MIRRORS. All having scroll carved frames. SIZE: 24″ x 12-1/2″; 30″ x 16-1/2″; 33-1/2″ x 19-3/4″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Repairs, all pieces present. Two with original glass, the smallest with replacement. 9-95860 (500-800)

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3380

FEDERAL WIRE AND BRASS FENDER AND KNIFE BLADE ANDIRONS. First quarter 19th century. The D-form woven wire fire fender with half round brass rail surmounted by three turned brass finials together with a pair of iron knife blade andirons capped with brass steepled finials, raised on arched legs terminating in penny feet. SIZE: Fender: 15″ h overall x 41-1/2″ w. Andirons: 18″ h x 17-3/4″ d overall. CONDITION: The painted wire work with some damage and repairs to left rear side facing, otherwise good. The andirons with one small split in finial, the second finial with repairs and restoration, minor deterioration to feet. 9-96496 (500-800)

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3381

SEMI-ANTIQUE NORTHWEST PERSIAN CARPET. Circa 1900. The blue-black field with rows of dense polychrome vinery and latticework within multiple floral guard borders, the dark indigo main border with stylized polychrome flowerheads. SIZE: 10’5″ x 8’5″. CONDITION: Fine old example in good condition with overall even wear. 9-94975 (3,500-4,500)

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3382

HAMADAN ORIENTAL RUG, NORTHWEST PERSIA. First third of the 20th Century. Three rows of geometric stylized flowering trees on camel brown field of floral birds within three sand and medium blue guard borders of scrolling floral tendrils. SIZE: 6’6″ x 4’5″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Good pile with minor wear at the lower end. 9-96565 (1,000-1,500)

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3383

FERRAGHAN ORIENTAL RUG, WEST PERSIA. First half 20th century. Dense polychrome floral latticework on a blue/black field within ivory spandrels. The main border with palmette latticework. SIZE: 6’3″ x 4’1″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Wear overall, loss to selvage and ends. 9-96566 (800-1,200)

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3384

FINE NEW ENGLAND SHERATON INLAID MAPLE & MAHOGANY CARD TABLE. Circa 1840, probably Massachusetts. The rectangular hinged top with serpentine edges and checkerboard stringing and ogival corners above the conforming frieze, inlaid with figured maple centering a cross banded rectangular panel further centering an oval inlay. The whole raised on ring turned swelled and reeded cylindrical legs with ringed cuffs and tapering feet. SIZE: 29-1/4″ h x 35-1/4″ w x 18″ d. CONDITION: Very good overall with professionally restored and repolished surfaces showing rich color and strong contrasting figural woods. 9-97260 (1,200-1,800)

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3385

MAINE FEDERAL INLAID MAHOGANY BLIND DOOR SECRETARY. Circa 1810. In two parts, the rectangular upper section with concave molded cornice, the frieze inlaid with contrasting geometric stringing above a pair of cross banded cabinet doors, opening to three aligned drawers above three open compartments, stepped back and fitted on the lower case behind a folding baise-lined writing surface supported by lopers. The three long drawers with cock beaded edges, flanked by satinwood veneered pilasters continuing to square tapered legs. The doors and drawers with shield form escutcheons. SIZE: 48″ h overall x 39″ w x 21″ d. CONDITION: Professionally cleaned polished surfaces. Old repair to left front corner of hinged lid. Small losses to veneers on upper sides of lower case. One escutcheon absent. Otherwise very good with period brasses. 9-96525 (3,000-5,000)

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3386

PAIR OF FEDERAL BRASS ANDIRONS AND TOOLS. First quarter of the 19th century. The turned andirons having spur-arched legs ending in tall ball feet. Matching log stops. Including 25″ shovel and 25″ tongs. SIZE: Andirons: 17″h x 17″l;. CONDITION: Shows some use. Very good. 9-96512 (200-400)

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3387

UNSIGNED (19th Century) PORTRAIT OF A YOUNG WOMAN. Oil on wood panel shoulder length portrait of a young woman wearing a red lace edged dress with small bonnet. She tilts her head slightly and is smiling. Housed in a 19th Century gilt gesso decorated frame. SIZE: 13″ x 10″. CONDITION: Some inpainting, good. 9-97743 (500-800)

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3388
Revised: 8/19/2009

Additional Information: PROVENANCE: From the Estate of Mildred & Madeline Burrage of Wiscasset, Maine. Descended from furnishings of the Bangor, Maine home of their grandfather, Moses Giddings.


PAIR OF FRENCH FRAMED COLLAGE LANDSCAPES. Each housed identically in gilt gesso decorated frames with glass fronts. One titled “The Fall of Tummil” depicting a waterfall with tree and cliff sides having a pasture and mountains in background. A man stands atop left hand cliff. The other titled “Vue de la Cascade de St. Saphorin” depicting a cascading waterfall off a tall cliff with houses, bridge and mountains. Two people are seen in the foreground standing on a small beach. There is an arched bridge with several houses beside. Both pictures are three-dimensional in a shadow box type arrangement using bark and moss as decorations. The backgrounds, water, sky, etc. are watercolor. Mid 19th Century. SIZE: Sight: 15-1/2″ x 22″. Overall: 22-1/2″ x 28″. CONDITION: Each has a small tear in the upper right sky, frames with some losses, generally good. 9-97265 (1,500-2,500)

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3389

CARTE DE LA BARBARIE DE LA NIGRITIE ET DE LA GUINEE. Early 18th century. This engraved map of North Africa with Cape Verde Islands, Canary Islands and the Azores with original watercolor outlines made by Guillaume De L’isle (1675-1726) of the Royal Academy of Sciences. This map is dated August, 1707. Mounted in a modern frame. SIZE: 19 1’4″ x 24 3/4″ Sight CONDITION: This heavy stock paper, hand printed and colored, has a major crease running vertically mid-point of the map with minor discoloration and foxing throughout. The colors remain surprisingly vibrant. The paper with substantial rippling. Not examined out of frame. 9-97203 (300-500)

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3390

TWO MAINE PEWTER TEAPOTS. Second half 19th century. Allen Porter, Westbrook, ME and Freeman Porter, Westbrook, ME (1808-1848). The first example with the touchmark of Allen Porter, a teapot of squat and bulbous form, mounted with an S-scrolled ebonized handle, the lid with ebonized finial. The second, a lighthouse teapot with the touchmark of Freeman Porter, applied with a S-scrolled spurred handle. SIZE: Height of First: 7 1/4″; Height of Second: 10 3/4″ CONDITION: Both with clear touchmarks and very good patina. No restorations or damages noted. 9-96592 (400-700)

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3391

PAIR OF ROSWELL GLEASON PEWTER CHAMBERSTICKS. Roswell Gleason, Massachusetts (1799-1887). Each baluster-turned candlestick applied with a scrolled handle on a dish-turned base with clear touchmark “R GLEASON”. SIZE: Ht 6″ CONDITION: With good color and patina, bases with slight mis-shaping to rims. 9-96594 (400-800)

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3392

19TH CENTURY DUTCH PEWTER DISH RING STAND AND FLAT TUREEN. Two handled stepped flat tureen marked on the base with three hallmarks. The dish ring stand unmarked and having three feet with shaped apron. The feet presently wood which probably are replacements. SIZE: 13-1/2″ dia. (without handle); 9″ dia. stand. CONDITION: Some pitting, generally good. 9-97740 (200-400)

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3393

ENGLISH HALF-PINT PEWTER MUG OF NATHANIAL HAWTHORNE. Second quarter 19th century. This half-pint example engraved with the name of the owner, “NATHANIAL HAWTHORNE” in script, turned with incised edge and mid-banded, on a stepped flared base, applied with an S-scrolled handle. An illegible touchmark to right of handle. SIZE: Ht. 3 3/4″ CONDITION: Very good with minor roughness on rim. 9-96607 (300-500)

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3394

TWO BRITISH PEWTER CHARGERS. 18th century. The largest with the touchmark of John Duncomb, Birmingham, 1706. The second with the touchmark of Thomas Leach, London, 1747, monogrammed “H.B.” in script. SIZE: Largest: 20-1/4″ d. Smaller: 18″ d. CONDITION: The first with oxidation and pitting on back and denting to rim. The second in good condition. 9-96593 (500-700)

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3395

NEW ENGLAND FEDERAL INLAID CHERRY CHEST OF DRAWERS. Circa 1810, possibly Vermont. The rectangular top, string inlaid with mosaic design, above the conforming case, fitted with 4 graduated long drawers, each with contrasting fan corner inlays, the edges string inlaid, above the shaped apron continuing to shaped French feet. SIZE: 38″ h x 37-1/4″ w (case) x 18-3/4″ d. CONDITION: Chest retains original clean finish with very good patina. Brasses original, locks absent. Original chamfered backboards and feet. Very good overall. 9-97517 (3,000-5,000)

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3396

SOUTHERN NEW HAMPSHIRE FEDERAL MAPLE BOWFRONT CHEST OF DRAWERS. Circa 1820. The rectangular top with bowfront above the conforming case fitted with 4 graduated long drawers, each with mahogany cross banding and bird’s-eye maple panels, fitted with original brass hardware.The case raised on French feet, centering a scalloped, astragal-arched apron with central pediment. SIZE: 35″ h x 39-1/2″ overall w x 21″ d. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Refinished with restoration to veneers, feet reglued, old shrinkage split in top, reset with subsequent shrinkage. Hardware and backboards original. 9-95923 (2,000-4,000)

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3397

NEW ENGLAND QUEEN ANNE MAHOGANY & BIRCH TILT-TOP TABLE. Late 18th, early 19th Century. The hinged circular top tilting on an urn form turned standard, raised on an arched cabriole leg tripod base with pointed pad feet. SIZE: 28″ h x 29-1/2″ dia of top to 29-1/4″. PROVENANCE: Estate of Dr. Lee W. Richards Jr. of Augusta, Maine. Obstetrician & Augusta’s first specialist. CONDITION: Table is stripped of original red wash, now stained and polished a medium brown. Good condition overall. 9-97670 (700-1,000)

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3398

RHODE ISLAND QUEEN ANNE MAHOGANY POLE SCREEN. Last quarter 18th century. Probably Newport, oval molded screen mounted with floral polychrome silkwork, fitted with brass fastener and ring to a slender pole fitted with an acorn finial joined to a bulbous urn form turned standard raised on arched cabroile tripod legs terminating in pointed platform pad feet. SIZE: 57″ h overall, 15″ x 12″ screen. CONDITION: Very good overall, structural weakness evident in silkwork, one leg with professional repair at ankle. 9-96470 (800-1,200)

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3399

FINE NEWBURYPORT, MASSACHUSETTS, SAMPLER BY MARY TODD, DATED 1802. Executed in a variety of green, blue, pink, beige, cream, and brown silk stitches on a linen ground with rows of alphabet separated by various examples of stitchery above rows of verse over the lines Mary Todd born April 2 1792 wrought this Sampler in The eleventh year of her age Newbury Port Dec 1802 above an ornately wrought panel depicting two fruit trees on a hill with grazing sheep, feeding birds, and butterflies centering a floral-filled urn, the whole within a border of scrolling berry vinery. SIZE: 21-1/4″ x 17-1/2″ PROVENANCE: This sampler stayed with a family on Peak’s Island until 1975 when a descendant gave it to our consignor. CONDITION: Very fine sampler, in good overall condition, the rows of stitchery with iron ore brown dyes almost totally eradicated due to oxidation. Mounted in a later frame. 9-96539 (1,000-2,000)

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3400

PICTORIAL NEEDLEWORK SAMPLER BY HANNAH CHAPMAN, 1827. English sampler having a four-line verse surrounded by pictures including squirrel on potted plant, birds, flowers, basket of fruit, angels, deer, large brick house, lions, all encompassed by a strawberry vine border. The center inscribed “Hannah Chapman in the 12 year of her age 1827″. Housed in a fine period mahogany wood frame. SIZE: Sight: 16-1/2″ x 13”. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Some small holes, slightly stained. Good. 9-95848 (500-1,000)

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3401

HARRIS & CO. RUNNING HORSE WEATHERVANE. Late 19th/early 20th century. This molded copper example with shaped metal mane with a stamped brand “Harris & Co.” on proper right side of horse. Does not include stand. SIZE: 14″ h x 28-1/2″ l. CONDITION: Vane has been painted black. Minor seam splits and bullet holes. Otherwise good. 9-96639 (400-800)

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3401A

WOOD FISH WEATHERVANE FROM THE SOUTH WOLFBORO MEETING HOUSE, WOLFBORO, NEW HAMPSHIRE. Wood fish carved from single plank appears to be oak or chestnut. Sheet steel fins. Tail has metal reinforced top and bottom edge. Signs of modern paint to surface that is 20% on fish and still is on fins. Large carved wood ball on both top and bottom. Large directionals are attached to 12′ rod. SIZE: 56″l. CONDITION: Structurally good. 9-77984 (500-800)

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3402

ANTIQUE YOMUD CHUVAL, TURKMENISTAN. Last Quarter 19th Century. Three rows of four guls offset on a terracotta field within an ivory main border of stylized polychrome birds, the stepped “S” guard borders in pink and deep indigo. SIZE: 4’1″ x 2’8″. CONDITION: Very good overall with rich colors and minor even wear within acceptable parameters. 9-97423 (700-900)

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3403

BAKSHAISH RUNNER, NORTHWEST PERSIA. Second quarter 20th century. An elongated medallion in the form of three madder red sazleaf hexagons with opposing ivory arrowheads on a camel field within madder red polychrome floral and two sazleaf trellis borders. SIZE: 13’7″ x 3’2″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Very good overall with good pile and strong colors. Wear to fringe. Old re-weave repair to one corner. 9-96582 (1,000-1,500)

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3404

FOLK ART PAINTING OF A CAT AND MOUSE. The oil on artist board scene shows a white cat lying down, looking at a black mouse which stands in front of it. A red swag curtain is next to a window with morning glories. The back inscribed in pencil, “PAINTED BY LIBBIE B. SPRAGUE IN THE YEAR 1887″. Housed in what appears to be its original gesso decorated frame. SIZE: 8-1/4″ x 12”. CONDITION: Some light fleck chips. Generally very good. 9-97040 (500-800)

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3405

BASKET OF FRUIT THEOREM. 19th Century. Watercolor on cloth still life shows an S-handled basket style bowl on blue tabletop filled with grapes, cherries, apples, plums, pears and melon. Housed in a period gilt Empire style frame, behind glass. SIZE: 11-3/4″ x 13-1/2″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: All over brown toned, otherwise good. 9-95868 (400-800)

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3406

PAIR OF NEW ENGLAND HEPPLEWHITE MAHOGANY SIDE CHAIRS. Circa 1800. Each with an arch molded crestrail above a pierced Gothic splat, joined to a trapezoidal seat frame fitted with original slip seats, raised on square tapered frontal legs, connected by an H-form stretcher. SIZE: 36″ h of back, 17-1/2″ h of seat. CONDITION: Professionally restored and repolished. Very good overall. 9-97242 (800-1,200)

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3407

FEDERAL INLAID MAHOGANY CARD TABLE. Circa 1810, probably New York. Double elliptic figural mahogany hinged top with concave edges above the conforming cockbeaded frize raised on 4 square tapered legs with banded cuffs. SIZE: 29″ h x 35-1/2″ w x 17-1/2″ d. CONDITION: Professionally refinished with rich mahogany red to brown coloration. Very small and insignificant round holes filled beneath finish in top. Nice French polish. 9-96439 (800-1,200)

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3408

NEW ENGLAND FEDERAL INLAID MAHOGANY CARD TABLE. Circa 1810. Probably Massachusetts, the hinged rectangular single board elliptic top above the conforming frieze mounted with oval string inlaid center panel within a similar rectangular string inlaid panel, raised on 4 legs. The frontal legs headed by string inlaid oval paterae. SIZE: 29″ h x 35-1/2″ w x 17-1/2″ d. CONDITION: Nicely refinished with minimal restoration retaining original hinges. The top leaf is warped at front as noted in photo. 9-96422 (800-1,200)

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3409

GRENFELL HOOKED RUG OF FLYING GEESE. The rectangular rug mounted to a black material which has been placed over a stretcher for hanging. The rug having a black 2″ border depicting four flying geese, flying left to right, over white and green spruce trees in a nighttime setting with crescent moon. One corner on back with “Made in Labrador” tag. SIZE: 26″ x 42″. CONDITION: Some fading and small stains. 9-95075 (2,000-3,000)

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3410

FRAMED NEEDLEWORK PICTURE OF THE SIGNERS OF THE DECLARATION OF INDEPENDENCE. After a painting by John Trumbull which is housed in Independence Hall, Philadelphia. The colorful patriotic needlework shows the signers of the Declaration in front of a desk with Washington. Housed in an antique gold frame with black and gold liner behind glass. SIZE: Sight: 26″ x 33″. Overall: 31-1/2″ x 38-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ; Portland, ME. CONDITION: Very good. 9-95937 (500-1,000)

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3411

AMERICAN PICTORIAL HOOKED MAT. 19th cent. This colorful demilume example depicting a crowing rooster in foreground, the sun rising above a hillside in the background, a farm in the middle ground within a dark blue border. Finely wrought in bright polychrome colors. SIZE: 21″ h x 36″ l overall. CONDITION: Some spot staining in area of sun, a 1/2″ x 1/8″ strip of missing wool in lower right border. Otherwise, very good overall. 9-97283 (1,500-2,500)

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3412

AMERICAN HOOKED RUG OF RECUMBENT LION. Late 19th/early 20th cent. Depicting a recumbent male lion in shades of brown and red flanked by foliage. The background in grays and greens within a triple border. Executed in wool on burlap. SIZE: 4′ 4-1/2″ l x 2′ 9″ w. CONDITION: A rewoven area beneath the forelegs, a 3″ x 1-1/2″ area beneath the proper left shoulder in need of repair, additional spot behind the mane and at the mid-point of the right side facing by border in need of reweaving. Additional smaller areas rewoven or in need of additional reweaving, otherwise good condition. 9-97288 (800-1,200)

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3413

FINE HOOKED RUG OF CAROUSEL HORSE. Mid-20th century. Wrought depicting a prancing carousel horse in shades of variegated browns, with green and polychrome saddle, tassels and trappings, mounted on a candycane striped pole, all within a border of bright polychrome tassels, the whole on an ivory ground. SIZE: 30″ x 42″. PROVENANCE: From an East Sangerville, Maine private collection. Acquired in Topsham, Maine in the 1980’s by the present owner’s mother. CONDITION: With some weaknesses to one corner. 9-94944 (800-1,200)

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3414

SHAKERS’ CHAIRS ENFIELD, CONN. SIGN. Hand painted trade sign painted on a pine board. SIZE: 10-1/2″ h x 24-1/2″ w. CONDITION: Surfaces have been cleaned and scraped necessitating a repaint. Images are still intact. 9-97007 (200-400)

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3415

“SHAKERS NEAR LEBANON STATE OF N. YORK” HAND COLORED ENGRAVING. Depicts shakers dancing with a worldly female guest viewing from the left foreground, a top hat and walking stick in the right foreground. Titled, “SHAKERS near LEBANON state of N York, their mode of Worship. Drawn from Life.” SIZE: 11″ x 14-1/2″ sight. CONDITION: Good overall with slight foxing evident in borders, a vertical crease at midpoint of top section, upper right corner of border, lower right corner of border and diagonal crease lower right corner running through the word “York”. 9-97005 (400-600)

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3416

MOUNT LEBANON SHAKER COVERED OVAL STORAGE BOX. Circa 1869. This fine oval example inscribed in pen and ink under the lid “Presented by Sister Nancy L. Lockwood to M. Catherine Allen/Mount Lebanon/ Col. Co. N.Y./Sept. 1869”. SIZE: 5-3/4″ h x 13-1/2″ l x 9-3/4″ w. CONDITION: Box retains original pumpkin to honey brown color with original surfaces. The top with some restorable water staining. Very good overall. 9-97046 (1,500-2,500)

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3417

NEW ENGLAND FEDERAL TIGER MAPLE BOWFRONT CHEST OF DRAWERS. 1st Quarter 19th Century. The rectangular top with bowfront above the conforming case fitted with a pair of aligned short drawers above three long drawers, all with ebony string inlays above a shaped skirt and raised on modified French feet. The whole with strong tiger graining. SIZE: 37″ h x 43″ w x 19″ d CONDITION: Refinished and restored, nice figural veneers, original backboards, and retaining old, but not original, brass hardware. 9-95817 (1,500-2,500)

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3418

MASSACHUSETTS FEDERAL MAHOGANY SECRETARY. Circa 1825, probably Salem.In two parts, the upper case with swan’s neck pediment with floral brass rosetts centering three urn finials above a pair of cupboard doors with astragal glazed gothic panels, opening to an interior with an adjustable shelf over an arrangement of small drawers and pigeonholes, stepped back and fitted to the lower section having a hinged folding baize-lined writing surface supported by lopers, centering a deep upper drawer above two molded long drawers flanked by pineapple carved and rope twist columns above baluster form ring-turned legs. SIZE: 80-1/2′ h x 44-1/2″ w x 20″ d. CONDITION: Very good overall. Old restored shrinkage splits, center of base. Old restoration, swan’s neck pediment. 9-97245 (3,000-5,000)

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3419

FINE FEDERAL INLAID MAHOGANY CARD TABLE, PROBABLY BALTIMORE. Circa 1800. The rectangular hinged lid with serpentine front and bowed sides, the edges string inlaid above the conforming frieze with figured mahogany string inlaid panels raised on square tapered legs with string inlays and crossbanded cuffs. SIZE: 29-1/2″ h. x 36″ w. x 17″ d. CONDITION: Professionally restored and repolished with nice color and patina. Proper right front cuff missing. Fine overall. 9-90945 (3,000-5,000)

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3420

THREE MINIATURE PAINTINGS. 1) “The Musician” by Marie-Marguerite Frechette (American, 1878-1964). Oil on ivory half portrait of a man looking sideways with a green coat. Signed lower left. Housed in a simple wood frame. 2) “Montezuma’s Garden” (Balboa Park, Sand Diego, California) by Marie-Marguerite Frechette (American, 1878-1964). Oil on ivory miniature landscape shows gardens outside a stucco building. Signed lower left. Housed in a simple wood frame. 3) Signed (American 20th century). Courtyard. Miniature oil on canvas mounted to board shows an entryway with potted plants and gate. Signed bottom center indistinctly. SIZE: 1) 5″ x 4″. 2)3-3/4″ x 3-1/2″. 3) 3″ x 2-1/2″. CONDITION: Generally good. 9-97192 (450-650)

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3421

FRAMED AUTOGRAPH: ROBERT FROST, POET (American, 1874-1963). Collage incorporating a 9″ x 7″ photograph of Robert Frost inscribed “To Joseph Blumenthal for the books he has made of me-Robert Frost”. Also inset is the book “From Snow to Snow” by Robert Frost. Also two poems and a First Day Issue envelope cover dated “1974” with Robert Frost 10 cent stamp. Housed in an oak frame with white matte having five cutouts. SIZE: 22″ x 18-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good with strong signature. 9-95972 (400-800)

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3422

FRAMED AUTOGRAPH: CLEMENT CLARKE MOORE, AUTHOR (American, 1779-1863). Collage incorporates a signature “Clement C. Moore”, also ten individual pages from his poem “A Visit from St. Nicholas” (better known as “Twas the Night Before Christmas”). Also a colored print of Santa Claus, his sleigh and reindeer approaching a house along with a First Day Issue stamp over the poem dated “1972”. Housed in an antique Victorian black walnut frame with gold liner and double matted with green and red colored mattes. SIZE: Total: 30″ x 24″. Signature: 1-1/4″ x 3-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. Signature is strong and clear. 9-95974 (400-600)

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3423

FRAMED AUTOGRAPH: HENRY DEARBORN, SECRETARY OF WAR (American, 1751-1829). Collage including an early envelope addressed to John Page from the War Department signed “H. Dearborn”. Dated October 1, 1806. Also having a red seal and postmarked “Washington City Oct 1”. Included in the collage is an engraving by CW Peale of Dearborn, an obituary clipping, a postal cover of Fort Dearborn dated “1933” and a Century of Progress cover illustrating Fort Dearborn and signed by Victor S. McCloskey, Jr. (designer) and William B. Wells (letter engraver). Victor McCloskey designed the Fort Dearborn stamp and William B. Wells was responsible for the frame and lettering of the stamp. Dearborn was Secretary of War under Thomas Jefferson from 1801-1809. Housed in an antique style gilt frame with white matte having six cutouts. SIZE: Total: 19″ x 14-1/2″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96098 (500-800)

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3424

FRAMED AUTOGRAPH: GEORGE BERNARD SHAW; PLAYWRIGHT (American, 1856-1950). 4″ x 3-1/4″ postal card dated “1909” inscribed “I know nothing about it” and signed “JBS”. Also a trial engraving by James D. Havens (American, 1900-1960). The engraving pencil signed and dated “1935” and titled “PSHW” showing the playwright looking into a mirror. Housed in a black wood frame with light colored matte having three cutouts. SIZE: Total: 12″ x 15″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95966 (400-600)

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3425

FRAMED ALBUMEN PRINT OF ULYSSES S. GRANT. Photograph by Matthew Brady shows Grant with one hand in his pocket and the other holding the lapel of his coat. Housed in a gilt modern frame with double matte. Upon examination outside of frame, it has been glued down. SIZE: Sight: 8″ x 6″. CONDITION: As noted above, good. 9-97226 (500-1,000)

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3426

PAIR OF CENTENNIAL QUEEN ANNE CARVED WALNUT SIDE CHAIRS. 19th century. Each arched crestrail with molded volutes continuing to shaped and canted stiles centering the serpentine vasiform splat joined to the conforming molded foot. The trapezoidal slip seat raised on frontal cabriole legs, the knees shell carved with molded returns terminating in platform circular pad feet. The rear legs backswept with modified pad feet. SIZE: 41″ h (of backs) x 22″ w (seats). CONDITION: A rich honey brown patina with older surfaces. Each crestrail with stress cracks, otherwise good overall. 9-97256 (400-600)

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3427

QUEEN ANNE MAHOGANY TILT TOP BIRDCAGE TEA TABLE. Two-board top having an attached birdcage mechanism with simple turned columns. Base having an urn turned shaft supported by three outstretching snake legs with pad feet. Probably Pennsylvania, Last half of the 18th Century. SIZE: Top: 31″ x 30-1/2″; 28-1/2″ h. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Top has separation at the seam of the two boards, missing its donut and wedge for affixing birdcage to post. Otherwise very good. 9-95829 (800-1,200)

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3428

CLASSICAL EMPIRE MAPLE BUTLER’S CHEST, PROBABLY NEW YORK. Circa mid-19th century. The rectangular top applied with molded splashguard above the conforming case, the upper long drawer with hinged front opening to a writing surface with leather insert and a bank of pigeonholes, projecting above three cockbeaded long drawers. The top drawer with mahogany cross-banding and all drawers with bird’s-eye maple fronts, flanked by cyma-form pilasters continuing to rolled frontal feet. The case sides with recessed panels. SIZE: 56-1/2″ overall h, 46″ chest h x 47-1/2″ l x 22-1/2″ d. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: With professional restoration to veneers, restored diagonal splits in top at rear of case, otherwise very good overall with nice honey-brown color and original elements. 9-95949 (1,000-2,000)

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3429

ANTIQUE THREE MEDALLION ORIENTAL AREA RUG. Blue field having three connected medallions with a field having smaller geometric symbols. Three wide borders. SIZE: 7’5″ x 4′. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Some holes, frayed ends. Otherwise good. 9-95895 (400-800)

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3430

ABADEH OR AFSHAR RUG, CENTRAL PERSIA. Second quarter 20th century. Brick red medallion centered by four ivory lesser medallions, all with serrated edges on a dark indigo field. The whole with dense polychrome flowerheads, birds and other geometric devices within multiple guard borders of flowerheads. SIZE: 4′ x 3’7″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Even minor wear throughout, colors strong. Some losses to fringe and selvage. 9-96579 (400-600)

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3431

TWO SHERATON ANTIQUE MIRRORS. 1) Split column in original gilt with original top reverse painting on glass of basket of fruit. 2) Gilt split column mirror with overhanging crown molding with hanging balls. Original mirror plate. SIZE: 1) 33-1/4″ x 15-3/4″. 2) 32-1/2″ x 18-1/2″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Some light flaking to the reverse painting and deterioration to the mirrored surface, one ball missing. Otherwise good. 9-95838 (400-600)

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3432

SHERATON INLAID MAHOGANY SERPENTINE CARD TABLE. Circa 1840. The rectangular hinged top with serpentine edges with geometric string inlays above the conforming frieze with central inlaid oval panels within a rectangular panel flanked by bird’s-eye maple panel raised on ring-turned swelled reeded legs. SIZE: 29-1/2″ h x 35-1/4″ w x 18″ d. CONDITION: Professionally cleaned and repolished, hinged top slightly bowed. Otherwise, very good. 9-96493 (1,000-2,000)

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3433

SHERATON MAHOGANY COOKIE CORNER FOUR-DRAWER CHEST. Straight front chest having four mahogany veneered front drawers, each having two brass pulls. Case supported by two cookie topped front posts which have spool and rope turnings ending in high turned legs. Nice shaped skirt with scroll backsplash. SIZE: 45″ to top of backsplash x 44″ at widest x 17-1/2″ at deepest. Case 39-3/4″ w. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Generally very good with some splits in the side panels. 9-95854 (800-1,200)

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3434

NEW ENGLAND CLASSICAL MAHOGANY SIDEBOARD. Second quarter 19th century, probably Massachusetts. The rectangular top with molded stepped splashguard joined to baluster-turned gallery sides. The case fitted with a central cutlery drawer flanked by short drawers over four cupboard doors with figured mahogany gothic arched panels, alternating with engaged reeded column pilasters. On block bases above cylindrical legs terminating in ball feet. SIZE: Overall height 51 1/4″ W 73 1/4″ D 25 1/4″ CONDITION: With original cleaned and polished surfaces and original glass knobs. The top with old shrinkage cracks. Minor and minimal losses to veneers and cockbeading. 9-97692 (1,000-2,000)

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3435

NEW ENGLAND SHERATON MAHOGANY DROP LEAF SEWING TABLE. Circa 1840. The rectangular top with hinged D-form leaves above the case fitted with a bank of three drawers, raised on ring turned spiral twist legs, tapered feet fitted with brass capped casters. SIZE: 30″ h x 18-1/2″ w x 20-1/4″ d. CONDITION: Professionally refinished with minimal restoration. Rich brown color. 9-96505 (1,000-1,500)

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3436

TWO ANTIQUE APPLIQUED QUILTS. 1) Nine panel, central panel having a flower cluster with four trailing tulips. This panel is surrounded by eight panels consisting of a flower cluster with trailing double headed flower stems. Colors of green, orange, tan and gold against a white quilted background. 2) Large appliqued nine paneled quilt with three sides with borders. Each panel having a crossed stem green, red and gold tulip. Three sides having tulip heads. Back having a printed decorative backing. SIZE: 1) 68″ x 70″. 2) 85″ x 96″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Both with stains, otherwise good. 9-95832 (500-800)

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3437

GEORGE III MAHOGANY BUTLER’S TRAY WITH STAND. Late 18th Century. The rectangular tray with dovetailed gallery sides, each with open handles accompanied by a faux bamboo turned folding X-form stand. SIZE: Tray: 13″ x 19-1/2″. Overall: 28-1/2″ h. CONDITION: Very good overall with old surfaces. 9-97250 (500-1,000)

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3438

THREE 17TH OR 18TH CENTURY TRUNKS. Probably of Spanish or So. American original. 1) Dome top box with early lock and cotter pin hinges covered in dark heavy leather with scroll and flower decoration. 2) Small dome top hinged lid box with cotter pin hinges, heavy leather covering with flower and leaf design. Original lock with hasp. 3)Leather covered hinge top box with segmented interior. Lock present, hasp missing. Tooled design in geometric style. SIZE: 1) 7″ h x 21″ w x 12″ d. 2) 8″ h x 11″ w x 7″ d. 3) 4″ h x 10″ w x 7″ d. CONDITION: Generally very good, some damage and losses to leather. 9-96662 (500-800)

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3439

TWO SILVER HANDLED CUPS. Of similar design, one having an eight-sided base with serpent handle engraved. The second having six-sided base with scroll handle and llama. SIZE: Approximately 4 1/2″ H CONDITION: Some use with dents and rims are out-of-round. 97747 (300-500)

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3440

SILVER CHIMU FACE BEAKER. Tall silver goblet having a flared rim, bird-man face protruding from bottom third with blown-out round decoration to neck and base. Possibly marked under rim. Chimu culture, intermediate period, 1000-1476 a.d. SIZE: 11 3/4″ h x 5″ dia. rim. CONDITION: Some dents and small creases, small pinholes. Beak has old solder repair. Otherwise good. 97748 (500-800)

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3441

PAUL GAGARIN (Russian, 1885-1980) RIO DE JANEIRO LANDSCAPE. Oil on canvas colorful scene shows a low red roofed house behind a white stucco wall at the lower left, dated “1934” and inscribed “Rio”. This Russian artist did a number of Rio De Janeiro works. Housed in its original gray painted frame. SIZE: 25-3/4″ x 32″. CONDITION: Generally very good with one scratch in upper left. 9-96847 (700-1,000)

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3442

EUGENE CICERIE (French, 1813-1890) “RIO DE JANEIRO DA ILHA DAS COBRAS”. Eugène Cicéri (1812-1890) and Philippe Benoist (1813-after 1905), lithographers, published by George Luezinger. Outstanding colored lithograph showing the port of Rio de Janeiro with many ships, the city and mountains beyond. In the foreground are people walking and on horseback. Titled at center in margin. Also the following lines printed in margin “LITH. PAR EUG. CICERI ET PH. BENOIST D’APRES LE DAGUERORTYPE” and “IMP. LEMERCIER, PARIS” and also “PUBLIE A RIO DE JANEIRO CHEZ G. LEUZINGER”. Housed in a modern gilt frame with cutout matte. This is one from a portfolio of 10 executed in 1862. SIZE: Total print: 26-1/4″ x 35-1/2″. Image: 17-1/2″ x 28″. CONDITION: The print has been glued to foam board. It has repairs to tears at middle right which goes 3″ into the image. Bottom left with tear 2″ into image. Light foxing throughout. The margin has a thick layer of glue where a previous matte had been affixed. The colors are strong. Examined out of frame. 9-96387 (2,500-4,000)

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3443

EUGENE CICERIE (French, 1813-1890) “RIO DE JANEIRO DE CASTELLA”. Eugène Cicéri (1812-1890) and Philippe Benoist (1813-after 1905), lithographers, published by George Luezinger. Outstanding colored lithograph showing the port of Rio de Janeiro with many ships, the city and mountains beyond. In the foreground is a shepherd with goats and people standing and seated in a grassy area. The view overlooks the city onto the harbor. Also the following lines printed in margin “LITH. PAR EUG. CICERI ET PH. BENOIST” and “IMP. LEMERCIER, PARIS” and also “PUBLIE A RIO DE JANEIRO CHEZ G. LEUZINGER”. Also “PRIS AU DAGUERREOTYPE”. Also there is a “10” in the upper right corner. Housed in a modern gilt frame with cutout matte. This is one from a portfolio of 10 executed in 1862. SIZE: Total print: 26″ x 35-1/2″. Image: 17-1/2″ x 27-1/2″. CONDITION: The print has been glued to foam board. It has repairs to tears at middle right which goes 3″ into the image. Bottom left with tear 3-1/2″ into image. Light foxing throughout. The margin has a thick layer of glue where a previous matte had been affixed. The colors are strong. Examined out of frame. 9-96386 (2,500-4,000)

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3444

FRATELLI ALINARI (Italian, 19th Century) TWO FRAMED ALBUMEN PRINTS OF THE ARCH OF TITUS AND ANOTHER. Each with an embossed artist stamp in bottom right corner. Identically housed in antique oak frames with gilt bead lining. SIZE: (sight) 16-1/2″h x22-1/2″w. CONDITION: Very good. Not examined out of frame. 9-96308 (400-800)

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3445

CHINA TRADE CAMPHOR TRUNK. Mid 19th century. The rectangular hinged lid fitted to the conforming case, the whole brass bound with inset brass carrying handles. SIZE: 13″ h x 30″ l x 16″ d. CONDITION: Refinished and restored. 9-97234 (400-600)

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3446

ENGLISH VICTORIAN PAPER MACHE TILT TOP TABLE. Circa 1860. The oval top with notched quadrants and molded edges. Paint-and-gilt decorated with polychrome floral spray and scrolling cartouches and checkered spandrels. The whole highlighted with mother of pearl inlays. Hinged to the baluster turned standard on a stepped ring turned plinth raised on iron spade feet. SIZE: 29″ h x 29″ l x 23″ w. CONDITION: Retains all original surfaces with crackle in top. Some wear to gilded surfaces, normal expected wear and denting in plinth. Very good overall. 9-96972 (800-1,200)

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3447

FINE REGENCY 5-TIER MAHOGANY ÉTAGÈRE. First quarter 19th century. The five square shelves, each with apron, the 3rd fitted with a drawer, all joined by ring and block turned spindles, surmounted by urn-form spindles, raised on turned blocked feet. SIZE: 61-1/4″ h x 18-3/4″ x 18-3/4″. PROVENANCE: Estate of William Hoeschle of Belfast, Maine. CONDITION: Structurally very good with old cleaned surfaces. 9-96584 (600-900)

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3448

CONTINENTAL PAINTED PINE MARRIAGE CUPBOARD. Circa 1851, Dutch or German. Polychrome paint decorated overall with floral sprays and ribbon tied bouquets. The cabinet grain decorated in mustards and browns. The concave molded cornice with applied cresting and canted corners fitted to the conforming cabinet, the frieze with painted panel, decorated with the name of the bride “Ursula Miker 1851″ above a pair of paneled faux grained decorated doors on a molded plinth, raised on block feet. SIZE: 68″ h (overall) x 48-3/4″ w (overall) x 21-3/4” d. CONDITION: Very good overall retaining original painted surfaces with normal and expected areas of abrasion to painted surfaces. 9-97184 (600-800)

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3449

ENGLISH BRASS BOUND BOX ON STAND. Hinged lid box having brass edges and corner pieces, hasp lock, side brass handles and small block feet. A green modern felt interior. The box set in the custom made modern stand with cross stretcher. SIZE: Box: 9″ h x 17-1/2″ w x 11-1/2″ d. Stand: 15-1/2″ h x 18-1/2″ w x 12″ d. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: Generally good with a new finish, some restoration and imperfections. 9-95834 (200-400)

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3450

FINE EXPORT COURTING MIRROR. Reverse painted glass scene of a classical fighting scene. Border edge having mirrored panels. SIZE: 16-1/2″ x 10-3/4″. PROVENANCE: The Estate of Joan B. Hanson, Fair Haven, N.J. CONDITION: One small mirror piece missing, loss to decoration of scene. Otherwise good. 9-95875 (300-500)

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3451

FRAMED AUTOGRAPH: EUGENE O’NEILL; PLAYWRIGHT (American, 1888-1953). Framed collage having a handwritten letter on Casa Genotta Sea Island, Georgia stationary dated “Oct. 26th, 1933”. Signed “Sincerely Yours, Eugene O’Neill”. Also a penned autograph attached to a First Day Issue envelope with stamp commemorating Eugene O’Neill. The right side having a large etching pencil signed by Jack Coughlin, titled “Eugene O’Neill” and numbered “100/100″. Housed in a gilt and black wood frame with white matte having three cutouts. SIZE: Total: 13-1/2″ x 21”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-95967 (400-600)

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3452

FRAMED AUTOGRAPH: BRUCE SPRINGSTEEN, MUSICIAN (American, 1949-). Signed album cover and photograph. The framed presentation having a “Born in the USA” Bruce Springsteen album cover with artist signature at the bottom of his white t-shirt. The album itself is contained behind the cover. On the right side is a photograph of Bruce with guitar with a silver marker autograph over body. Housed in a red metal frame with red matte. SIZE: Total: 15″ x 26″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96102 (500-700)

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3453

FRAMED AUTOGRAPH: NEIL ALDEN ARMSTRONG, ASTRONAUT (American, 1930-). Framed collage incorporating a signed photograph with a First Day Issue “First Man on the Moon” stamp and postmark. Also a photograph of his first steps on the moon which also is postmarked and stamped First Day Issue. Attached is an Apollo 11 patch. Housed in a gilt wood frame with white matte having two cutouts. SIZE: Total: 23-1/2″ x 13-1/4″. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Very good. 9-96111 (800-1,200)

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3454

TWO SIDED “FRESH-EGGS FOR SALE” SIGN. The painted sign made of three boards with breadboard ends. Black border with white background having a black and white chicken in side view with “Fresh-Eggs For Sale” below. First half of the 20th Century. SIZE: 24″ x 30-1/2″. PROVENANCE: From a southern Maine home. CONDITION: Generally very good, some minor losses to wood edge and discolored flakes to surface. 9-96611 (800-1,200)

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3455

ENGLISH OR CONTINENTAL CARVED FOLK ART WALKING STICK. This carved and decorated example, possibly as early as the 18th century, rendered in a style reminiscent of the Elizabethan era. The burr grip carved in the form of a female head, applied with brass studwork in the form of a headdress. The upper shaft bound with a silvered cartouch