Annual Winter Antique & Fine Art Auction
Grosses Over $2.8 Million!

Auction: January 31, February 1 & 2, 2008

Preview: January 30, 2008

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
1

JOHN CUTHBERT HARE (American, 1908-1978) NEW ENGLAND LIGHTHOUSE. Fine watercolor scene shows a red and white striped lighthouse with attached white building. Early evening scene is shown with gray and light clouds with moored sailboats beyond the lighthouse. Signed lower right. Housed in a wood frame with white matte. SIZE: 12-1/2” x 16. PROVENANCE: Rankin Estate, Annapolis, Maryland. CONDITION: Very good. 9-29690 (500-700)

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2

WILLIAM FREDERICK PASKELL (American, 1866-1951) CLIPPER SHIP. Oil on canvas scene shows a three-mast ship sailing left to right under full sail with several people on deck. Signed lower left. Housed in a black wood frame with gold liner and behind glass. SIZE: Sight: 9-1/4″ x 13″. CONDITION: Very good. 9-91630 (400-600)

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3

CLEMENT DREW (American, 1806-1889. “THATCHER’S ISLAND LIGHT, CAPE ANN”. Oil on academy board seascape shows two sailboats in rough seas going by the twin lighthouses of Thatcher’s Island off Rockport, Mass. Titled and signed on reverse and dated “1884”. Housed in a fine gilt molded wood frame. SIZE: 9-1/4” x 12”. PROVENANCE: Rankin Estate, Annapolis, Maryland. CONDITION: Very good 9-29659 (1,000-1,500)

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4

WILLIAM TROST RICHARDS (American, 1833-1905) “SHIP NEAR LIGHTHOUSE”. Gouache on paper scene shows a ship next to lighthouse with large waves crashing at side. White, gray and black image. Unsigned but bearing the label of William Vareika Fine Arts with artist, title and provenance “Family of the Artist”. Housed in a modern gilt molded wood frame with beige matte and having name plaque. SIZE: 4” x 6-1/2”. CONDITION: Very good. 9-91098 (1,000-1,500)

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5

BERTHA E. BAXTER (American, 1895) FROZEN HARBOR, ROCKPORT. Oil on canvas harbor scene shows a two-mast schooner moored alongside a wharf with tall posts with different colored houses. Signed lower left and dated 1935. The harbor has ice and the snow covers the rooftops and boats. Housed in a fine gilt molded wood frame with bead edge. SIZE: 20″ x 24″. CONDITION: Minor inpainting, small v-shape repaired tear in green boat. Otherwise good. 9-91610 (1,200-1,800)

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6

THOMAS R CURTIN (American, 1899-1977) “ROCKPORT HARBOR”. Oil on canvas scene shows the Cape Ann town of Rockport’s harbor showing the yacht club flying the American flag on tall flagpole with small colorful boats moored to docks. Motif #1 and other buildings with a townscape and hill behind. In foreground are small fishing shacks on rocky shore and several boats are seen in the harbor. Housed in a silver gilt wood frame. Unsigned but stamped several times “Thomas R. Curtin Estate No 123”. Back having a label from Dematteteis Gallery, Annapolis, Maryland. SIZE: 20″ x 24″. PROVENANCE: Rankin Estate, Annapolis, Maryland. Purchased from Clarke Gallery, Stowe, Vermont. CONDITION: Very good. 9-29689 (2,000-3,000)

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7

TOD LINDENMUTH (American, 1885-1976) SUMMER HARBOR SCENE. Oil on canvasboard scene shows a two-mast sailboat in dry dock next to a dock with two small buildings at end. Several houses are seen beyond. All under a pastel sky which reflects in the calm water. Signed lower left. Housed in a fine reproduction carved and gilt frame. SIZE: 13″ x 16″. CONDITION: Very good. 9-91601 (3,000-5,000)

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8

PAUL STRISIK (American, 1918-1998) “GLOUCESTER, MASS”. Oil on masonite beach scene shows a small sailboat at edge of beach with two figures. Seagulls fly overhead in a panoramic view of the shoreline including other sailboats. Signed lower left. Also signed, titled and dated “August 1964″ on reverse. Housed in its original silver gilt frame with linen and white liner. A gilt name tag attached to linen liner. Frame also having a Strisik stamp. SIZE: 12″ x 20”. CONDITION: Very good. 9-91596 (4,000-6,000)

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9

JOHN S. CAGGIANO (American, 20th Century) “A TOUCH OF GINGERBREAD”. Outstanding oil on masonite Cape Ann scene shows a Colonial home with large porch, fence with colorful flowers and flowering bushes. Signed lower left. Also titled and signed on reverse and dated “1995”. Housed in a fine carved and gilt wood frame. SIZE: 24″ x 20″. CONDITION: Very good to excellent. 9-91277 (4,000-6,000)

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10

DONALD ALLEN MOSHER (American, 1945-) CAPE ANN BOATYARD IN WINTER. Oil on canvas winter scene shows a single mast red and white sailboat in wooden cradle alongside water with snow covered ground. Several colorful buildings are seen amongst the harbor under an early evening sky. Signed lower left. Housed in a fine carved and gilt frame which is stamped “Mosher Gallery 13 Main St. Rockport, Mass.”. SIZE: 16″ x 22″. CONDITION: Very good to excellent. 9-91276 (5,000-7,500)

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11

WAYNE BEAM MORRELL (American, 1923-) MANCHESTER BY THE SEA. Fine oil on canvas scene shows a number of sailboats moored next to land and dock, one being the “Sea Fire”. A number of figures are seen on the boat and on land. Reflections of the boats are seen in the foreground water. Signed lower right. Marked on back stretcher “Manchester 1974”. Also written on canvas “Exhibited at Newmans Gallery, Phila Nove. 1974”. Housed in a green and gold molded wood frame with linen and gold liner. An excellent example of this artist’s work. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-91290 (5,000-8,000)

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12

WAYNE BEAM MORRELL (American, 1923-) LATE FALL LANDSCAPE. Unsigned oil on masonite late fall scene shows a man standing by an overflowing stream with a barn and outbuildings beyond. Housed in a gilt carved wood modern frame. SIZE: 17-1/2″ x 23-1/4″. CONDITION: Very good. 9-91097 (800-1,200)

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13

WAYNE BEAM MORRELL (American, 1923-)GLADIOLAS BY THE SEA. Oil on masonite coastal scene shows a path leading to the ocean with colorful flowers, large red Gladiolas are in full bloom. Signed on reverse. Housed in a gilt molded wood frame. SIZE: 12″ x 16″. CONDITION: Surface grime, otherwise very good. 9-91296 (800-1,200)

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14

HENRY J. BILLINGS (American, 1894-) ROCKPORT COAST WITH THATCHER’S ISLAND. Oil on canvas scene shows the rocky Rockport, Massachusetts coastline looking out to a part of Thatcher’s Island with one of the twin lighthouses. Several sails are seen on a deep blue sea under cloud and blue sky. Signed lower left “Billings”. Housed in its original carved and painted silver frame. SIZE: 25″ x 30″. CONDITION: Some surface dirt, very good. 9-91585 (2,500-4,000)

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15

HENRY BILLINGS (American, 1894-)GLOUCESTER TROLLERS. Oil on canvas scene shows a blue fishing troller moored next to a black fishing troller in between two docks. An overhead sun sheds light on the boats and harbor water. Signed lower left “Billings”. Housed in its original carved wood frame. SIZE: 20″ x 24″. CONDITION: Very good. 9-91584 (2,500-4,000)

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16

GORDON HOPE GRANT (American, 1875-1962) NORTH SHORE HARBOR SCENE. Fine watercolor of a harbor scene, possibly Gloucester, Massachusetts; showing a two-mast schooner with blue and white hull next to several fishing boats with other fishing boats, dories and buildings. Seagulls fly in a cloud and blue sky. Signed lower right. A fine watercolor by this popular artist. Housed in a gilt molded wood frame with linen matte and white liner. SIZE: 14” x 21”. PROVENANCE: Rankin Estate, Annapolis, Maryland. CONDITION: Very good. 9-29677 (2,000-3,000)

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17

ATTRIBUTED TO GORDON HOPE GRANT (American, 1875-1962) AMERICAN TALL SHIP. Oil on canvas shows a three-mast ship with white hull in full sail sailing towards viewer off a point of land with large lighthouse. A deep blue sea with white caps hosts several other sailboats. Housed in its original gilt carved wood frame. SIZE: 20″ x 27-1/4″. CONDITION: Very good. 9-91305 (1,200-1,500)

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18

HARRIET AIKEN VINCENT (American, 1864-1931) EARLY MORNING GLOUCESTER, MASS. Oil on canvas street scene shows ten people, buildings on right and left and early morning sunlight shining in window. Wonderful pastel colors in this impressionistic scene. Signed lower left “H.A. Vincent 16″. Housed in a reproduction gold frame. SIZE: 18″ x 24”. CONDITION: Very good, canvas repair to back with corresponding inpainting. 9-91944 (10,000-15,000)

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19

EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING CHORES”. Oil on artist board scene shows three men working on a large net which is being taken off a fishing boat. The men work on a large dock which the boat is moored to. Two other figures are seen on opposite dock, one in a small boat and other boats and buildings are seen in the harbor. The scene has the glow of morning sun and lifting fog. Signed lower right. Housed in a modern silver gilt wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-91226 (8,000-12,000)

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20

EMILE ALBERT GRUPPE (American, 1896-1978) “THE CLAMER”. Oil on canvas scene shows two men and a small motorboat landing on a small beach area. They are at the end of a cove lined with rocks and trees. Signed lower left. Housed in a fine gilt molded wood replacement frame. Title and artist on back of stretcher “The Clamer by Emile A. Gruppe Long Island, NY”. SIZE: 25″ x 30″. CONDITION: Very good. 9-91265 (12,000-16,000)

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21

EMILE ALBERT GRUPPE (American, 1896-1978) HENRY FORD SCHOONER. Outstanding oil on canvas portrait of the schooner Henry Ford. It is shown sailing from left to right slightly toward viewer. A crew member is atop one of the masts and the schooner is leaning over in brisk wind. Light blue and cloud sky and deep blue ocean. The Henry Ford was built by A. D. Story and its home port was Gloucester, Massachusetts. The boat plans were drawn in 1921 and donated to the Mystic Seaport Museum. It won the 1922 International Cup Elimination trial but lost to Bluenose in 1922. It went on to win the 1923 Fisherman’s Race on Gloucester’s 300th Anniversary. The racing fisherman, as this boat is known as, was designed primarily to meet the requirements of International racing and have been held up as the finest examples of the Gloucester fishing schooners that were ever built. Signed lower right. Housed in its original carved and wood gilt frame. Titled on top of back stretcher. A nice early work. SIZE: 30″ x 25″. CONDITION: Very good. 9-91562 (12,000-16,000)

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22

EMILE ALBERT GRUPPE (American 1896-1978) “MORNING BASS ROCKS”. Large oil on canvas scene shows waves crashing onto rocky coastline. A classic scene for this Rockport/Gloucester artist. A nice rendition of this popular spot. Signed lower left. Housed in its original green washed molded wood frame with white liner. Title and artist on back stretcher also date “1964”. SIZE: 25″ x 30″. PROVENANCE: Acquired directly from the artist. Accompanying the painting is the original typed receipt from Emile A. Gruppe Gallery dated July 2, 1964. CONDITION: Very good, some discolored varnish, would clean up nicely. 9-74680 (6,000-8,000)

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23

JAY HALL CONNAWAY (American, 1893-1970) “OMINOUS SUMMER DAY”. Oil on canvas board shows a dark cloud approaching over a hillside with trees and field in foreground. One feels the impending storm. Unsigned front, but signed and titled on reverse by the artist. Housed in a good gilt decorative frame with gilt liner. SIZE: 18″ x 24″. CONDITION: Very good. 9-91219 (1,500-2,500)

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24

JAY HALL CONNAWAY (American, 1893-1970) MAINE COAST. Oil on board shows green and white waves crashing on grass covered rocky ledge. Storm clouds in background. Signed lower right “Connaway” and dated “10.6.42”. Housed in a partial gilt molded wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-91274 (1,500-2,500)

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25

THOMAS M NICHOLAS (American, 1963-) “HARBOR AT PORT CLYDE, ME”. Outstanding oil on canvas harbor scene shows two men working on a red skiff in foreground. A large dock with lobster traps and building and boats, houses and trees in the background. All under a cloud and blue sky. A wonderful summer scene of one of Maine’s picturesque small harbors. Signed lower left “TM Nichols”. Housed in a fine arts & crafts style carved and gilt frame. Back of canvas is written by the artist the title and inscribed “For the collection of Robert C. Slack N.F.S.” and signed by the artist. SIZE: 22″ x 28″. PROVENANCE: Commission by Robert Slack from the artist. Sold as No. 682 in the Estate Sale of Robert C. Slack March 2002. CONDITION: Very good to excellent. 9-912887 (8,000-12,000)

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26

THOMAS M NICHOLAS (American, 1963-) THE RED BARN. Fine oil on masonite summer scene shows a large Colonial red house having a two-story red barn on stone foundation. Fields lined with rock walls spotted with trees. Signed lower right “TM Nicholas”. Housed in a fine carved and gilt modern wood frame. SIZE: 12″ x 20″. CONDITION: Very good to excellent. 9-91597 (2,500-3,500)

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27

WILLIAM LESTER STEVENS (American, 1888-1969) OLD BOATYARD – MAINE. Outstanding large oil on canvas Maine harbor scene shows a fishing shack at the end of an inlet with a boatyard. Several boats are seen on land with lobster traps and various other boatyard items. The sun shines on the inlet and boatyard causing a jeweled reflection over the whole scene. A wonderful example of this artist’s finest work. Signed lower right “W Lester Stevens N.A.”. Housed in a fine modern carved and gilt wood frame. SIZE: 25″ x 30″. CONDITION: Very good to excellent. 9-91618 (8,000-12,000)

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28

WILLIAM LESTER STEVENS (American, 1888-1969) “QUIET COVE”. Outstanding large watercolor Maine scene shows two houses next to ocean inlet harboring two sailboats. A mountain is seen in the background. Possibly a scene in Mt. Desert Island. Signed lower right “W. Lester Stevens N.A. A.W.S.” Housed in a good wood replacement frame with double matte. SIZE: Sight 19-1/2″ x 17-1/2″. CONDITION: Very good. 9-91806 (5,000-7,000)

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29

WILLIAM LESTER STEVENS (American, 1888-1969) INNER HARBOR. Watercolor harbor scene shows a river at the end of a harbor surrounded by buildings and hills. A large church is seen on edge of hill. Signed lower right “W. Lester Stevens”. Probably a northern Maine coastal scene. Housed in a gesso decorated gilt frame with white matte. SIZE: Sight: 17-1/2″ x 21-1/2″. CONDITION: Very good. 9-91337 (1,500-2,500)

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30

WILLIAM LESTER STEVENS (American, 1888-1969) COASTAL HARBOR. Watercolor scene shows a village with large church nestled below green and blue hillside. A fisherman tends to drying fish on rack in foreground. Possibly a Maine scene. Signed lower right “W Lester Stevens”. Housed in a modern gilt wood frame with white matte. SIZE: Sight: 17-1/2″ x 21-1/4″. CONDITION: Very good. 9-91338 (1,500-2,500)

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31

SAMUEL PETER ROLT TRISCOTT (American, 1846-1925) BLACKHEAD, MONHEGAN ISLAND. Watercolor scene shows a sunset reflecting on the rocky cliffs with water crashing on the lower rocks and sparse trees on a hillside in the foreground. A flock of seagulls is seen along the cliffs. Signed lower right “SP Rolt Triscott”. Beautifully housed in a blue and gold wood frame with thick linen matte. In 1905 Triscott moved to Monhegan and lived there permanently until the end of his life. He was one of the first artists to make the island his home. SIZE: 10-3/4″ x 13-1/2″. CONDITION: Very good. 9-91301 (2,000-3,000)

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32

SAMUEL PETER ROLT TRISCOTT (American, 1846-1925)OLD FOG STATION ON MANANA ISLAND. Fine watercolor scene shows crashing waves on a rocky shore with sails on the horizon and the old fog station on a rocky bluff. Signed lower left “SP Rolt Triscott”. Beautifully housed in a blue and gold wood frame with thick linen matte. In 1905 Triscott moved to Monhegan and lived there permanently until the end of his life. He was one of the first artists to make the island his home. SIZE: SIGHT: 9″ x 13″. CONDITION: Very good. 9-91300 (1,500-2,500)

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33

LAURENCE PHILIP SISSON (American, 1928-)”TIDAL VESTIGE”. Outstanding oil on board Maine shoreline scene shows tidal pools reflecting the detailed pebble, rock and brush lined beach. The colors in shades of purple, blue, gray and green. Signed lower left “L. Sisson”, titled on reverse. Housed in what appears to be its original weather decorated molded wood frame with gilt and linen liner. An outstanding example of this subject matter by this Maine artist. SIZE: 30″ x 44″. PROVENANCE: Lad Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90925 (2,000-3,000)

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34

LAURENCE PHILIP SISSON (American, 1928-) “STORM WARNING”. Fine watercolor coastal scene shows a lobsterman in lobster boat near shore with oncoming storm clouds with rain. Signed lower left Laurence Sisson. Housed in a fine gray speckled molded wood frame with white liner and acid free ivory matte. SIZE: Sight 22″ x 28″. CONDITION: Very good. 9-72129 (1,250-1,750)

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35

CARL GUSTAF SIMON NELSON (American, 1898-1988) LOBSTER CLAWS. Goauche still life scene shows a number of hanging lobster claws in various colors. Signed lower right “C G Nelson 52″. Housed in a modern frame with ivory liner. SIZE: Sight: 29-3/4″ x 21-1/4”. CONDITION: Very good to excellent. 9-91632 (800-1,200)

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36

VINCENT ANDREW HARTGEN (American, 1914-2003) “AUROREAN PINES-MAINE 1975”. Fine watercolor shows a bright yellow sun shining through pine needle branches. Signed lower left and dated “1975”. Housed in a painted white frame. Back paper having the title, date and artist name in the artist’s hand. SIZE: Sight: 23-1/2″ x 35-1/2″. CONDITION: Very good. 9-91045 (800-1,200)

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37

GEORGE MCCONNELL (American, 1852-1929) VIEW OF PORTLAND HEADLIGHT. Oil on board scene shows coastal rock shoreline having the Portland Headlight lighthouse and attached white buildings. Sailboats are seen in the distance under a light blue cloud sky. Signed lower left and dated “1918”. Housed in a period gilt carved wood frame. SIZE: Sight: 7″ x 12-1/2″. CONDITION: Very good. 9-91602 (800-1,200)

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38

ANNE CARY BRADLEY (American, 1884-1956) “BATHING BEACH OGUNQUIT, MAINE”. Oil on board scene shows a sandy and rock beach that ends at large rocks. Birds are flying in a colorful sky. Signed lower right and titled on back. Housed in its original copper colored wood frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-92039 (800-1,200)

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39

RUSSELL K. CHENEY (American, 1881-1945) MONHEGAN LANDSCAPE. Oil on canvas scene shows the first snows of winter. Pine trees have spots of snow and a faraway hill has snow covered ground. Signed lower left and dated “20”. Housed in its original gilt and black painted molded wood frame. SIZE: 24″ x 30″. CONDITION: In need of cleaning, otherwise appears to be very good. 9-90306 (1,500-2,000)

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40

EDMUND WARD (American, 1892-1991) BASE OF WHITE HEAD. Oil on canvas coastal scene shows large waves in a green ocean crashing onto rocky coastline. Two seagulls are flying through the mist. Signed lower left “Edm. F. Ward 73″. Housed in a fine gilt gesso decorated frame with linen and gold liner. SIZE: 20″ x 30”. CONDITION: Very good with very a minor inpainted spot. 9-91794 (1,500-1,800)

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41

SIGNED (American, Monhegan School) “MONHEGAN”. Oil on board scene shows a wave crashing into large rocks feeding a tidal pool in foreground. Signed lower left with artist monogram and dated “74”. Housed in a good molded wood frame with gold liner. SIZE: 16″ x 20″. CONDITION: Very good. 9-91858 (400-800)

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42

WALTER FARNDON (American 1876-1964) SOMES SOUND, MAINE. Oil on canvas Maine summer scene shows a connected house with barn next to water with two sail boats sailing next to far shore with hill backdrop. Sunlight casts shadows and sunlit areas. Signed lower right “Walter Farndon N.A.” Housed in a gilt carved wood modern frame. Somes Sound is near the entrance to Southwest Harbor, Mt. Desert, Maine. SIZE: 14″ x 18″. CONDITION: Very good. 9-90232 (8,000-12,000)

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43

WALTER FARNDON (American, 1873-1964) BOAT AT DRY DOCK. Watercolor scene shows a boat on a wood cradle outside a large building near dock and water. Signed in pencil “Walter Farndon N.A.” at center bottom. Also having an Estate label on reverse. Housed in a modern distressed motif wood frame with wide tan matte and inner wood liner. SIZE: Sight: 18″ x 22-1/2″. CONDITION: Good. 9-91770 (1,500-2,000)

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44

ABBOTT FULLER GRAVES (American, 1859-1936) CHURCH, KENNEBUNKPORT, MAINE. Outstanding oil on canvas scene shows the South Congregational Church in Kennebunkport, Maine framed amongst colorful trees and grass lawn. Light shines from the right reflecting on the green doors of the church front. The full steeple is shown with clock and weathervane. Bright colors can be seen in the trees and bushes. The sky with glimpses of bright blue amongst the clouds. Inscribed bottom right “To John Feaster” and signed “Abbott Graves ANA”. This painting was a gift to John who was the Minister of this church. The painting shows the best of Graves’ work. Housed is a gilt molded wood frame. SIZE: 24″ x 19-3/4″. CONDITION: Very good. 9-91347 (25,000-35,000)

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45

ABBOTT FULLER GRAVES (American, 1859-1936) YELLOW ROSES. Fine oil on canvas still life shows a group of yellow and pink roses with red and green leaves in an Oriental style pottery jar. Signed lower right “Abbott Graves”. Housed in what appears to be its original pierced edge gesso decorated wood frame. SIZE: 18″ x 11″. CONDITION: Very good 9-74504 (12,000-17,000)

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46

JAMES EDWARD FITZGERALD (American, 1899-1971) “DORYMAN-MONHEGAN”. Watercolor monochromatic scene shows a man rowing in a dory over peaked wave. Attached to back is the original bill of sale from “Edgar F. Hubert” and signed by Edgar and Anne, dated December 3rd, 1975 with title, artist and “This painting was in Mr. Fitzgerald’s studio on Monhegan Island at the time that we took possession under the terms of his will in 1971”. The backboard also has a James Fitzgerald stamp. Housed in a silver frame with white matte. SIZE: SIGHT 25” x 19”. CONDITION: Very good. 9-70750 (5,500-6,500)

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47

JAMES EDWARD FITZGERALD (American, 1899-1971)MT. KATAHDIN. Outstanding watercolor shows a view of Mt. Katahdin from one of the surrounding ponds. The colorful trees and mountain are reflected in the water. Signed lower right. Housed in a fine wood frame with white matte. SIZE: 17-3/4″ x 23-3/4″. CONDITION: Very good to excellent. 9-91623 (6,000-10,000)

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48

THOMAS NADEAU (American, 20th Century) THE BARN. Oil on board cover illustration for Downeast Magazine March 1974 (this magazine cover is attached to back). Also attached to back is a letter from Downeast Magazine dated April 3rd, 1973. Painting shows a large barn with gray weathered siding with trees, stone foundation and snow. Signed lower left and dated “73”. Housed in its original gray molded wood frame with linen liner. SIZE: 18″ x 22″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good to excellent. 9-90920 (3,000-4,000)

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49

THOMAS NADEAU (American, 20th Century)WINTER THAW. Oil on canvas scene shows a snow covered field with a partially uncovered rock ledge. Trees are seen beyond the field with a sliver of blue sky. Signed lower right “Thomas Nadeau 72-73”. Housed in a silver gilt wood frame. SIZE: 26″ x 36″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good, small section of craquelure and lifting paint at top center. 9-90926 (2,000-3,000)

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50

THOMAS NADEAU (American, 20th Century) “UNDAUNTED”. Oil on masonite portrait showing Mr. Larman of Portland, Maine. He is seen standing against a green shadowed background wearing a suit and holding a cane at his side. He looks to the right and wears a cap. Wonderful detail to the figure. Signed upper left and dated 1970. Pencil titled on reverse. SIZE: 26″ x 34″. PROVENANCE: Estate of Dr. Ladd Heldenbrand, So. Portland, Maine. CONDITION: Very good. 9-90923 (3,000-5,000)

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51

THOMAS NADEAU (American, 20th Century) WHAT A SHAME. Large oil on board scene shows a dead seagull on its back at the edge of the water and sandy beach. A figure stands over with only their boots showing. Signed lower right “Thomas Nadeau 70”. Housed in original molded wood frame with linen liner. SIZE: 30″ x 40″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90919 (2,000-4,000)

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52

HOWARD CLIFFORD (American, 1950-) “SURFACE SERIES I 1984”. Large oil on canvas modernist scene shows a sun over water with large rocks having a skyline in black, green and bright pink which is reflected in the water. Signed bottom right “HC”. Housed in a simple wood frame. Signed and titled on reverse with description of pallet used. SIZE: 48″ x 72″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90918 (5,000-8,000)

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53

ANDREW NEWALL WYETH (American, 1917-) “FOG BELL”. Framed callotype limited edition, signed in plate lower left, also pen signed lower right. Scene shows a pointed lighthouse building with large bronze bell attached to side. 1978 Edition of 250, numbered “140”. Housed in an aluminum frame with brown matte. SIZE: SIGHT: 29″ x 19-3/4″. CONDITION: Very good. 9-91311 (3,500-5,000)

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54

ANDREW WYETH (American, 1917-) “OPEN HOUSE”. Limited edition lithograph pencil signed and numbered “163/300″. Print shows different colored horses outside an abandoned house. One horse peaks out of a first floor window. Beautifully housed in a copper colored wood frame with linen and green matte. SIZE: Sight: 17-1/4″ x 30-3/4”. CONDITION: Very good to excellent. Not examined out of frame. 9-91392 (1,500-2,500)

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55

NORMAN ROCKWELL (American 1894-1978) THE READING LESSON. Limited edition lithograph shows a man and young girl seated in front of a fireplace. The man appears to be reading from a book with the girl attentively listening. Pencil signed and numbered “128/200”. Housed in a black and silver molded frame with double mats. SIZE: Sight: 18-1/4 x 13-1/2. CONDITION: Very good. 9-90913 (500-1,000)

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56

ANDY WARHOL (American, 1928-1987) “MOBIL”. Limited edition screen print image of the Mobilegas sign with Pegasus. Signed lower left and numbered “20/190″. The right corner having two embossed stamps. Housed in a modern metal frame with linen backing. SIZE: 38″ x 38”. PROVENANCE: From a private Portland, Maine home. CONDITION: Very good to excellent. 9-91939 (22,500-32,500)

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57

ROBERT GWATHMEY (American, 1903-1988)”AUTUMN BOUQUET”. Oil on canvas still life shows a silver water pitcher filled with an arrangement of dried fall flowers amongst oak leaves. Against a bluish background. Signed in one of the bottom leaves in the arrangement. Back of frame is an Everson Museum of Art Syracuse, New York Exhibition label from the “Flowers, Gardens, Bouquets in Art 1979 Exhibition”. Another label is attached to back of backing board from Terry Dintenfass Inc., New York with artist, date and title. Housed in a gilt molded wood frame. SIZE: 36″ x 24″. PROVENANCE: Ex-Robert Lang, Rye, New York Collection. CONDITION: Professionally relined and has a new turnbuckle type stretcher. Very good condition. Under blacklight there is what appears to be a restored vertical slit in the canvas in the background. 9-91115 (15,000-25,000)

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58

PETER TYSVER (American, 20th/21st Century) “PEONIES AND WHITE ROSES”. Outstanding oil on canvas still life shows a blue vase with pink and white flowers and green leaves. Beside the vase is a clear glass vase with white flowers. Several white petals have fallen on the tabletop and the background is medium blue. Signed lower right “PL Tysver”. Also titled, signed and dated “2003” on back of canvas. Housed in a fine gilt frame with gilt liner. SIZE: 24″ x 24″. CONDITION: Very good to excellent. 9-91616 (3,000-6,000)

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59

MAURICE ABRAHAM WAAS (American, 1843-1927) STILL LIFE WITH WINE, PIPE AND BOOKS. Oil on canvas tabletop scene shows a bottle of Chianti, pipe, glass of wine and books on a green tablecloth. Signed lower right “M.A. WAAS, 1881”. Also on back of canvas “Painted by M.A. Wass Phila. PA. 1881″. Housed in what may be its original fancy gesso decorated gilt frame. Waas was a Philadelphia dentist, an amateur painter and according to his daughter, was a friend of Harnett’s. His work certainly is inspired by Harnett’s example. SIZE: 10″ x 12”. CONDITION: One small patch with corresponding inpainting, otherwise very good. 9-91091 (3,000-4,000)

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60

JANE PETERSON (American, 1876-1965) ORIENTALIST STILL LIFE. Oil on canvas still life scene shows an Oriental blue/green vase with flowering dogwood branches. Flanking the vase are two foo-dog figurines. The scene having a backdrop of copper, silver and gold paint. Housed in a fine gilt arts & crafts style frame by and signed “Goodnow”. SIZE: 22″ x 28″. CONDITION: Relined, restored with inpainting. 9-92173 (6,000-8,000)

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61

MARGUERITE STUBER PEARSON (American, 1898-1978) CLASSICAL STILL LIFE WITH FRUIT AND WINE. Oil on canvas still life scene shows an alabaster carved compote filled with fruit including pineapple, lemon and colorful grapes. A tall glass of red wine is beside and the left side of the table has two books with a classical marble statue. Light blue Oriental Kimono has been placed on the table. Signed lower right “Marguerite S. Pearson”. Housed in a good carved and painted wood frame with white and gray liner. SIZE: 30″ x 25″. CONDITION: Very good, relined with some inpainting including craquelure. 9-92192 (2,000-3,000)

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62

DAVID DAVIDOVICH BURLIUK (American, 1882-1967) STILL LIFE OF LILIES AND BOWL. Unframed oil on canvas shows three colorful lilies in a gold bowl with green bowl as backdrop. Colorful mottled background. Signed in gold bowl rim “Burliuk”. SIZE: 20″ x 26″. CONDITION: Chipping to borders with some random chips across painting, generally good. 9-92194 (3,000-5,000)

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63

K L MCCRACKEN (American, Late 19th Century) STILL LIFE WITH PINK FLOWERS. Oil on canvas scene shows an amber Victorian glass bulbous vase holding an arrangement of pink and white flowering branches against a tan background. Signed lower right “K L McCracken March 1892″. Housed in its original gesso decorated gilt frame with gilt liner. SIZE: 25″ x 11”. CONDITION: Very good. 9-92186 (500-700)

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64

CARL HIRSCHBERG (American, 1854-1923) JUMP IN FOR A RIDE. Oil on canvas beach scene shows a small rowboat being pulled in shallow water by a young boy in blue shirt, green shorts and cap. A girl with pink lace trimmed outfit and pink parasol sits in front and another boy with blue shirt and yellow hat sits in back. All look toward a small black and white dog who looks up wondering whether he is invited. A shallow beach area is seen with a rock quay with a sailboat on the horizon. Signed lower right and dated “1906”. Housed in a modern gilt wood frame. SIZE: 24-1/2″ x 35-1/2″. CONDITION: Relined on new stretcher, restored, inpainting. 9-92182 (5,000-7,000)

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65

DANA POND (American, 1880-1962) PORTRAIT OF TWO GIRLS. Outstanding oil on canvas outdoor spring scene shows two girls seated, one in white looking at viewer with sunlit background. The other below in gray dress looking down at some flowers. A wonderful play of light and color. Signed upper left and dated “01”. Housed in a fine gesso decorated gilt frame. SIZE: 40″ x 30-1/2″. CONDITION: Very good. 9-91062 (25,000-35,000)

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66

SIGNED (Last quarter of the 19th Century) GATHERING IN THE GARDEN. Outstanding oil on canvas outdoor scene shows a family gathered outside an old stone building which is covered with flower vines and surrounded by flowers and trees. A young maiden in fancy pink dress, hat and parasol is seated on some rocks and smells a red rose that she is holding in her hand. Her mother, in a black dress, looks on. Two children are seen gathering flowers with a white dog beside. Three older girls are seen in the background, one picking flowers. The painting is signed lower right indistinctly. Housed in its original gilt liner. The frame was not found in the house. This untouched painting exhibits outstanding detail, color and subject matter. Obviously done by an artist of great talent. SIZE: 17-1/2″ x 14-3/4″. PROVENANCE: Estate of Jane Stradley, Kemblesville, Pennsylvania and Princess Anne, Maryland. CONDITION: Craquelure and surface dirt. Appears to be untouched. There is a small 1/4″ chip at center left. Otherwise very good. 9-91667 (5,000-10,000)

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67

ALEXANDER BROOK (American, 1898-1980) “GIRL IN PINK DRESS”. Large oil on canvas interior scene shows a side view of a young girl in a pink dress standing beside a wood side chair. A white mantle with small painting is seen beyond the room divider. Signed bottom right “A. Brook”. Housed in a partial gilt molded wood frame. Attached to the back stretcher is a Santa Fe East Galleries Exhibition label from 1981. Also a Salander-O’Reilly Galleries, New York label. The label indicates that it was executed in 1945, No. AB14. SIZE: 49-1/2″ x 30″. CONDITION: Very minor touch up, very good. 9-91234 (4,000-6,000)

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68

ROBERT LEWIS REID(American, 1862-1929) PORTRAIT OF A YOUNG BOY WITH BLUE COLLAR. Oil on canvas full length portrait shows the boy seated wearing a white outfit with blue collar having white stripes. Signed upper left. Housed in a wonderful period original gilt frame with glass front. Frame retaining part of its original label of Albert Milch Picture Framer, New York. SIZE: 36″ x 24″. CONDITION: Background raw canvas has toning, otherwise very good. 9-92064 (4,000-6,000)

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69

SAMUEL GEORGE PHILLIPS (American, 1890-1965) AFTERNOON REST. Oil on canvas garden scene shows a mother and infant seated in a chair in garden setting. They sit under a colorful tree and the mother wears a yellow hat. Unsigned front. Signed on the back “Phillips”. There are two names in pen on stretcher “Miss Stewart” and “Miss” ?. SIZE: 18″ x 15″. CONDITION: Very good. 9-72938 (1,000-1,500)

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70

JOSEPH HENRY HATFIELD (American, 1863-1928) “AFTERNOON INTERLUDE”. Oil on canvas spring scene shows a woman with flowers seated beside a huge tree at the edge of a field with split rail fence. The viewer looks through tree and can see a distant blue hill. Signed lower left “JH Hatfield”. Housed in a wonderful carved and gilt wide modern frame with decorative title and artist plaque. SIZE: 24″ x 18-1/4″. CONDITION: Very good. 9-91609 (4,000-6,000)

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71

JANE PETERSON (American, 1876-1965) VENICE. Fine oil on board. Venice canal scene shows a gondola with figures in front of a series of large houses. The water is green with some reflections. Signed lower left “Jane Peterson”. Inscribed on reverse “with love to my dear Mrs. Chisholm from Jane Peterson, Venice Sept 8, 1922.” Housed in a modern gilt molded wood frame with linen liner. SIZE: 19″ x 19″. CONDITION: Very good. A couple of small chips at frame edge. In need of cleaning. 9-91528 (15,000-25,000)

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72

JANE PETERSON (American, 1876-1965) “DAWN IMPRESSION”. Unsigned watercolor sketch impressionistic scene shows a curving harbor with buildings under blue sky. Attached to back is Tom Veilleux Gallery label indicating provenance as Artist Estate at Auction 1966, Robert Schoelkopf, New York. Nicely housed in a modern carved wood gilt frame with linen matte and gold inner liner. SIZE: SIGHT: 8-1/2″ x 11-1/2″. CONDITION: Very good. 9-90244 (1,000-1,500)

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73

FREDERICK JOHN MULHAUPT (American, 1871-1938) THE STONE WALL. Oil on board New England fall landscape shows large trees paralleling a stone wall next to a barn an hillside with green field in the foreground. Signed lower right “Mulhaupt”. Housed in a gray painted molded wood frame with gold liner. SIZE: 12″ x 15-3/4″. CONDITION: This painting is dirty and has discolored varnish and will clean up nicely. Cut bottom right corner edge. 9-91566 (12,000-16,000)

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74

LEONARD OCHTMAN (American, 1854-1934) SPRING LANDSCAPE. Oil on canvas scene shows a field lined with tall trees having a large stone wall across the center. Signed lower left. Housed in an excellent carved wood and gilt frame with linen liner. SIZE: 16″ x 22″. CONDITION: Very good, some inpainting. 9-91942 (2,000-4,000)

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75

CHARLES WILSON KNAPP (American, 1823-1900) “LANDSCAPE”. Unsigned oil on canvas landscape scene shows a winding rock and dirt bank stream with small bridge winding through woods and field. Blue hills are seen as backdrop under white and blue sky. Housed in a fine reproduction gesso decorated gilt frame having a Guido Frame Studios frame stamp. SIZE: 12″ x 16″. CONDITION: Very good with minor inpainting, relined on new stretcher, cleaned. 9-91302 (2,000-3,000)

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76

DELBERT DANA COOMBS (American, 1850-1938) SUMMER SAILING. Oil on canvas scene shows a small sailboat on a calm lake, the banks with rock ledge, trees and grass. In the distance is a small hill with more water and sailboat. All under a white and pink cloud blue sky. Signed lower left “DD Coombs 1884″. Housed in a modern gilt molded wood frame. Frame bearing a Barridoff Galleries label from July 11, 1981 Auction. SIZE: 14″ x 24”. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90902 (2,000-3,000)

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77

EMILE ALBERT GRUPPE (1896-1978) “COVERED BRIDGE IN VERMONT (CAMBRIDGE, VERMONT)”. Fine large oil on canvas winter scene shows a snowbank river winding through a field and under a large covered bridge. A village is nestled at the base of snow and tree covered hill. Signed lower right “Emile A. Gruppe”. Housed in its original carved wood frame. SIZE: 30″ x 36″. CONDITION: Very good, discolored varnish, would brighten with cleaning. 9-91561 (16,000-20,000)

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78

EMILE ALBERT GRUPPE (American, 1896-1978) HILLSIDE OAK. Oil on canvas landscape shows rocky hillside with large oak tree having brilliant orange foliage. Seen through the foliage is a bright blue sky. Hillside is covered with large rocks and green grass covered with fallen orange leaves. Signed lower right “Emile A. Gruppe”. Housed in its original carved molded wood gilt frame. SIZE: 20″ x 18″. CONDITION: Very good, surface grime. 9-91940 (8,000-10,000)

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79

CARL WILLIAM PETERS (American, 1897-1980) WINTER STREAM. Unsigned oil on canvas scene shows a stream winding through snow and tree lined banks with a bridge and green roof to the left and red barn on right under a lightening blue and cloud sky. Back of canvas stamped with the Carl Peters signature and signed by Elaine P. Woodbury, daughter of the late Carl W. Peters. Housed in a decorative gilt frame with wood liner. SIZE: 25″ x 30″. CONDITION: Very good. 9-91621 (6,000-9,000)

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80

GEORGE MATTHEW BRUESTLE (American, 1871-1939) NEW ENGLAND WINTER. Fine oil on board winter scene shows a New England hillside with cart path through rock wall. The mid winter scene shows scattered fields on low hillside. Signed bottom right. Housed in a wood frame with linen matte and gold liner. SIZE: 16″ x 20″. CONDITION: Very good. 9-91564 (2,500-4,000)

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81

BRUCE CRANE (American, 1857-1937) WINTER SOLITUDE. Oil on canvas winter scene shows a marsh area in a field with tree lined border. Setting sun reflects in the water under a mostly cloudy sky. Housed in a modern gesso decorated wood frame. SIZE: 10″ x 18″. CONDITION: Relined, very good. 9-92038 (2,000-3,000)

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82

JOHN FABIAN CARLSON (American, 1874-1945) “WINTER STREAM”. Oil on board landscape shows a winding brook through snow covered ground with grove of trees. Signed lower right. Housed in a wide molded wood antique frame. SIZE: 19-1/4″ x 26″. CONDITION: Very good. 9-92036 (3,000-5,000)

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83

M.L. CASS (American, 19th Century) WINTER ESCAPADES. Large oil on canvas winter scene shows a panoramic landscape with snow covered hills, village with church and houses and frozen water with figures. Foreground shows a logging sled pulled by two brown horses and having four people atop. Behind is pulled a small sled carrying two people. Three boys are seen off to the side throwing snowballs at the oncoming group. A farmhouse with hay barns and fenced area is seen on right side. All under a blue and cloud sky. Signed lower right “ML Cass”. Housed in a gesso decorated antique frame. SIZE: 26″ x 36″. CONDITION: Relined, stretched on new stretcher. Crack in original canvas in sky, some spot inpainting, craquelure, otherwise very good. 9-74362 (2,000-3,000)

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84

H. BOYLSTON DUMMER (American, 1878-1945) MAINE LOGGING. Oil on canvas scene shows three loggers working logs down a rapid river. Two are seen on edge of river with poles and a logger with wool jacket and hat is seen riding a log while balancing with a long pole. Signed lower right. Back of canvas is written “Painted by H. Boylston Dummer Mrs. H. Boylston Dummer”. Housed in a wide silver molded wood frame. SIZE: 25″ x 30″. CONDITION: Very good. 9-91292 (3,000-4,000)

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85

ADRIANO MANOCCHIA (American, 1950-) WHITE TAIL DEER BELOW MT. KATAHDIN. Outstanding oil on canvas realistic scene shows five large deer grazing in marsh grasses with a backdrop of Mt. Katahdin in Baxter State Park. The foreground has a stream running through the grass with bright blues. Signed lower left. Also signed and dated “1990” on reverse. Housed in a modern molded wood frame with linen and gold liner. This painting was commissioned by the Sportsman’s Alliance of Maine and presumably was used in their promotional material. SIZE: 26″ x 36″. CONDITION: Very good to excellent. 9-91142 (3,000-5,000)

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86

PETER TYSVER (American, 20th Century) FIELD OF WALLS. Oil on canvas landscape scene shows grass fields separated by stone walls with a mountain/hill background. A nicely rendered Maine landscape. Signed bottom right “Tysver”. Housed in a molded wood frame with linen liner. SIZE: 17″ x 24″. CONDITION: Very good. 9-90302 (400-600)

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87

RON SLATER (American, 1966-) IMAGES OF THE IMAGINATION. Contemporary mixed media collage shows a white textured square surrounded by collage scenes depicting images and events across the world. The collage areas use commonly found parts and pieces from household goods and printed material. The artist has incorporated a door in the upper left and the bottom right which when opened houses various pieces that evoke memories. Self framed with a 1″ collage border. Signed bottom right “R. Slater”. Mr. Ron Slater is a contemporary artist from Portland, Maine. SIZE: 48″ x 40″. PROVENANCE: Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90932 (1,000-2,000)

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88

CHARLES GREEN SHAW (American, 1892-1974) PLAYING CARD MONTAGE. A framed collage of four 18th Century French playing cards and four ivory gaming pieces. They are centered on a bronze round metal dated 1897. All pieces are backed to a red felt-like fabric. Housed in a ebonized and gilt wood frame having an original label on back “Montage by Shaw”, a number sticker at top of frame “386”. A pamphlet titled “Montages by Charles Shaw: An Exhibition at Washburn Gallery New York”, dated 1976 accompanies the lot. A similar example is pictured and this may have been in that exhibit. SIZE: Overall 17-1/2″ x 14-1/2″. SIGHT: 15-1/4″ x 12-1/2″. CONDITION: There is a small “L” shaped tear in backing fabric, otherwise good. 9-92023 (3,000-5,000)

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89

JOHN MARIN (American, 1870-1953) COLLAGE OF JOHN MARIN ITEMS. An interesting collage including etching done in 1948 “Lobster Fisherman”, pencil numbered “122/125” and pencil signed. This etching is No. 172 in Zigrosser’s “The Complete Etchings of John Marin”. A hand written letter signed and dated “April 29/47” in regards to a woman in New Jersey who is interested in acquiring one of his paintings; Also there is a large gelatin silver print titled “John Marin, New Jersey by George Daniell” and signed by the photographer”. The last item is a First Day Cover of an envelope “Honoring Abstract Art”. All housed in a good gilt wood frame with cutout matte. SIZE: Sight: 24″ x 22″. CONDITION: Very good. 9-91626 (1,500-2,500)

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90

WALT FRANCIS KUHN (American, 1877-1949) “PARADE”. Watercolor scene shows a parading horse with man dressed in fancy uniform. Signed lower right and dated “41”. Titled bottom left of a hand line highlighted matte which is housed in a modern frame with wide white matte. SIZE: Sight: 7″ x 8″. CONDITION: Very good. 9-90909 (2,000-3,000)

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91

REYNOLDS BEAL (American, 1867-1951) “SPARKS CIRCUS”. Mixed media circus scene shows a number of circus workers and participants outside a big top flying two American flags. A large crowd is seen along with an elephant and figure on horseback. Signed lower right, dated “1931” and titled. Housed in a good gesso decorated modern frame with double matte. SIZE: SIGHT: 14-1/2″ x 16-1/4″. CONDITION: Very good. 9-91284 (6,000-8,000)

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92

REYNOLDS BEAL (American, 1867-1951) WOMEN’S JAZZ BAND-GORMAN BROS. CIRCUS. Mixed media circus scene shows the Big Top flying American flags and a variety of circus performers in foreground. Signed lower left and dated “1926” and inscribed “Gorman Bros. Circus”. Wonderfully housed in a carved double frame with linen matte and decorative artist plaque. SIZE: Sight: 14-1/4″ x 17-3/4″. CONDITION: Very good. 9-91593 (4,000-6,000)

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93

JON CORBINO (American 1904-1964) “CIRCUS COMPOSITION”. Oil on canvas shows several views of a circus performer on horseback all against a gold background. Signed lower left “Corbino”. Titled and having the artist’s name and address on reverse. SIZE: 24″ x 20″ . CONDITION: Very good. 9-90660 (1,500-2,500)

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94

WALT FRANCIS KUHN (American, 1877-1949)”CALIFORNIA HERE I COME!”. Mixed media scene shows a nude showgirl on a prancing horse. Pen titled at bottom with an embossed stamp “Association of American Painters and Sculptors Inc”. Unsigned. Mounted on a white background and housed in a silvered gilt frame with white matte. SIZE: 8-3/4″ x 5-3/4″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90910 (1,000-2,000)

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95

WALT FRANCIS KUHN (American, 1877-1949)”SAY’S YOU?!”. Pen, ink and watercolor scene shows a man seated backwards in a side chair giving a mean scowl to a man beside. They appear to be clowns in a circus show. Signed on the left and dated “1941”. Matte having a free hand drawn line highlighting and caption and embossed stamped “Association of America Painter’s and Sculptors Inc.”. Matte and watercolor free standing in a modern silver gilt frame with white matte. SIZE: Sight: 5-1/2″ x 7-3/4″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very good. 9-90911 (2,000-3,000)

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96

GEORGE BENJAMIN LUKS (American, 1867-1933) FISHING IN NOVA SCOTIA. Colorful pastel scene shows a fisherman standing knee deep in water with fly rod in hand and line in water. He stands over a small cascading river with pool at his feet. Above him is a winding river lined with trees. Signed lower left. Housed in a fine gilt period carved wood frame with double matte. Accompanying the pastel is a copy of a typed letter hand signed by Mercedes Luks and dated Sept. 14, 1964 indicating that this is by the hand of her late husband and recalling that George and some of his friends went up to Nova Scotia to paint and talk to the local fisherman to use as a subject matter. SIZE: Sight: 8-1/2″ x 8″. CONDITION: Very good. 9-92048 (4,000-6,000)

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97

ERIC SLOANE (American, 1905-1985) “THE DUNE”. Oil on masonite hunting scene shows a hunter on a snow covered coastal dune with oncoming flock of ducks under gray skies in late afternoon. Titled lower left and signed lower right. Also signed on reverse “Eric Sloane Brookfield, Conn.”. Housed in a weathered wood molded frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-91943 (2,500-4,000)

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98

HERMAN ROUNDTREE (American, 1878-9144)THE BIRD HUNTERS. Outstanding watercolor hunting scene shows two hunters, one shooting a shotgun into some trees. The other stands ready and there is a walking cane/seat beside them. Scene is shown in fall with wonderful colors. Signed lower left. Housed in a fine carved wood period frame with gilt liner and watercolor highlighted white matte. SIZE: SIGHT: 13-1/2″ x 9-1/2″. CONDITION: Very good to excellent. 9-91025 (800-1,200)

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99

KENNETH L. CARLSON (American, 1937-)”GREEN KINGFISHER”. Original illustration for plate No. 46 Birds of Western North America by Laurence C. Binford, Illustrated by Kenneth L. Carlson. Illustration shows a Kingfisher at the bottom of a dive submerged next to a timber and rock floor of a river bed with a small bullhead minnow in its beak. Signed lower right “K. Carlson”. Housed in a fine wood frame with triple matte. Accompanying the framed illustration is a copy of the book which has been inscribed and signed by the illustrator and author. SIZE: SIGHT: 15-1/2″ x 12-1/2″. CONDITION: Very good, some toning to the white background. 9-91136 (2,000-3,000)

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100

GAYLE PORTER HOSKINS (American, 1887-1962) ILLUSTRATION OF PIRATES. Oil on canvas scene shows the deck of a ship with a group of people. A man with sword at side holds up a young child who is holding a doll in her left hand. A young woman stands beside. To the right is another man and woman with mammy beside and two pirates, one looking over the rail at another ship which parallels the boat. Signed lower right. Housed in a simple black wood frame. Back of canvas has pencil writing with instructions. Accompanying painting is an exhibition catalog from 1972 from the Wilmington Society of the Fine Arts. Hoskins was a member of the Brandywine School and had counseling from Howard Pyle. This is probably an illustration for a book or magazine between the year 1909-1926. SIZE: 15″ x 36″. PROVENANCE: Estate of Jane Stradley, Kembelsville, Pennsylvania and Princess Anne, Maryland. CONDITION: Very good. 9-91657 (1,000-2,000)

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101

AIDEN LASSELL RIPLEY (American, 1896-1969) “THE MONKEY”. Oil on canvas colorful scene shows a monkey seated next to a treasure chest of gold coins. The sand partially obscures a human skull and the treasure chest. Tropical vegetation and large rock are seen with a distant view of the ocean. Signed lower right “AL Ripley”. Housed in a fine silver gilt molded wood frame with silver liner. SIZE: 23-1/2″ x 16″. CONDITION: Relined, minor inpainting. Very good. 9-91266 (1,000-1,500)

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102

FREDERICK LOWENHEIM (American, 1870-1929) SPILLED MILK. Unframed oil on canvas illustration shows two children standing over a bowl which has fallen off a table and broke spilling its contents. A small puppy laps up the milk. The older child wipes away tears of the other child with her dress. Monogrammed lower right “FL”. SIZE: 36″ x 30″. CONDITION: Three patches to reverse with some inpainting. Very good. 9-91782 (2,500-3,500)

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103

ROBERT BATEMAN (Canadian, 1930-)”BULL MOOSE STUDIES”. Mixed media study of two bull moose heads. Watercolor and black chalk work. Pencil signed, dated “1992” and titled. Housed in a fine gilt molded wood frame with multiple mattes. SIZE: SIGHT: 9-1/2″ x 7″. PROVENANCE: Estate of Dr. Ladd Heldenbrand, So. Portland, Maine. CONDITION: Very good to excellent. 9-90921 (1,000-2,000)

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104

FREDERICK COFFAY YOHN (American, 1875-1933) “MART’S A GETTIN’ READY FOR A TOURNEYMENT; A KNIGHT OF THE CUMBERLAND” Illustration for Scribner’s Magazine having a Scribner’s Magazine label on reverse indicating that this was from the article “A Knight of the Cumbeland” “Mart’s a Gittin’ Ready for a Tournament”. Black and white gouache scene shows a young lady sitting side saddle on her horse while another woman is behind on another horse and they are passing a horse with father and son. Signed lower left “FC Yohn”. Housed in a silver gilt molded wood frame with linen matte and silver lining. SIZE: Sight: 20-3/4” x 14”. CONDITION: Very good. 9-90973 (600-1,000)

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105

UNSIGNED (American, Mid 20th Century) “MEET SCOTLAND’S FAVOURITE SON”. Oil on canvas illustration possibly for Johnnie Walker Scotch Whiskey. Scene shows Johnnie Walker character dressed in red tuxedo, white pants and gold top hat. He is surrounded by men, one of which is on horseback and one holding back a hunting dog. All under blue sky. Housed in a period weathered molded wood frame with white liner. Two names written on back “Schneider” and “Sayles”. Also some numbers “C1328/1-4COL” and “C1329/1-4COL”. SIZE: 23″ x 25″. PROVENANCE: CONDITION: Very good. 9-91011 (500-1,000)

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106

WILLIAM ALLEN ROGERS (American, 1854-1931) “IN THE WATERMELON PATCH”. Watercolor illustration depicting three black boys at the edge of a corn field eating recently harvested watermelon. Signed bottom left “WA Rogers”. Titled on reverse. Also “St. Nicholas A1840”. This may be in reference as to where the illustration was used. Housed in a molded oak frame with inner white and gold matte with textured inner green matte. Rogers was born in Springfield, Ohio and worked much of his life for Harper’s Weekly and was a member of the Century Association and the Society of Illustrators. SIZE: Sight 8″ x 11-1/2″. Image is 7-1/2″ x 10-3/4″. CONDITION: Very good. 9-74376 (300-600)

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107

UNSIGNED (American, 19th/20th Century)TREK TO FORT LARAMIE Oil on board scene shows a Frontiersman striding next to two husky dogs pulling sled which is not visible. Snow shoes are on the back of the man and he holds a rifle. Another man is leading on the path and a fort is seen in the background. Housed in a period gilt decorated frame. Possibly an illustration by a very competent artist. SIZE: 18-1/2″ x 15″. CONDITION: Some surface dirt, very good. 9-92170 (2,000-4,000)

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108

MORRIS HALL PANCOAST (American, 1877-1963) COASTAL ROAD. Oil on board scene shows a dirt road lined with wispy trees with a rocky shoreline and blue water. The view is possibly Rockport from the north along Back Beach. Signed lower left. Housed in a fine carved and gilt period frame. Back of board is written “Murray 9210″. SIZE: 12″ x 16”. CONDITION: Very good. 9-92169 (2,000-3,000)

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109

MARQUES E REITZEL (American, 1896-1963) “THE TRAIL” IN RARE STANFORD WHITE FRAME. FRAME: 3-1/4″ wide frame having a gilt patina surface with multiple bead and line surrounding borders. PAINTING: Oil on canvas scene shows a panoramic view of farmlands and farm in a summer landscape under blue and white cloud sky. Signed lower right. An original Chicago Artist’s 13th Annual Exhibition, 1926 label attached to reverse. We are told that the consignor purchased this painting from a family member of the artist and they said that the artist received 1st prize at this exhibit and was awarded $500 and that the artist was a friend of Stanford White. SIZE: Outside is 22″ x 22″. Inside is 16″ x 16″. CONDITION: Frame is very good with original patina. Painting has surface dirt, very good. 9-92172 (10,000-15,000)

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112

CHARLES HENRY EBERT (American, 1873-1959) TROPICAL PARK. Oil on canvas scene shows a walkway along water with lush vegetation and flowers shaded by tall palm trees. Signed lower right “Ebert”. Housed is a fine gilt molded wood frame. SIZE: 25″ x 21″. CONDITION: Very good, a few small chips in palm trees. 9-92018 (4,000-6,000)

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113

HENRY LAWRENCE FAULKNER (American, 1924-1981) KEY WEST COTTAGES. Unframed oil on light board shows a line of houses with fences reflected in the water. The houses are painted pink, green and blue. Unsigned. On reverse is the name “Stella Brooks”. A photograph accompanies lot showing the artist with Stella Brooks and a friend. Also a period photograph of some of the artist’s work and a letter to Jeanne & Emily from the artist. The letter is addressed to the other woman in the large photograph with the artist. SIZE: 9″ x 16-1/2″. CONDITION: Very good. 9-92026 (3,000-5,000)

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114

GEORGE PEARSE ENNIS (American, 1884-1936) “SEMINOLE INDIAN WASHING, FLORIDA”. Oil on board Florida scene shows a woman in Native American outfit washing clothes against a rock in a lush river setting. Signed lower right “Ennis”. Housed in a fine gilt molded wood frame with gilt liner and name plaque. A very unusual subject matter for this Maine artist. SIZE: 14-1/4″ x 18-1/4″. CONDITION: Very good. 9-91588 (5,000-7,000)

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115

GEORGE PEARSE ENNIS (American, 1884-1936) “COMING STORM”. Outstanding oil on board Maine coastal scene shows a coastal inlet with large rocky shore. The scene is shown in deep blues and greens and the sky has puffy white to blue clouds. Signed lower left “Ennis”. Titled on back of board. Housed in a fine modern carved wood and gilt frame. SIZE: 10-1/4″ x 14-1/4″. CONDITION: Very good. 9-91589 (1,500-2,500)

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116

GEORGE PEARSE ENNIS (American, 1884-1936) THE CONVERTED MILL. Fine watercolor shows a stone mill which appears to have been converted to a residence. A picket fence has been put across the dam and remnants of the water wheel are seen down stream. Building is framed with colorful fall foliage trees under blue sky. Signed lower right “Ennis”. Housed in a metal modern frame with linen matte. SIZE: SIGHT: 15-3/4″ x 11-3/4″. CONDITION: Very good. 9-92056 (600-800)

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117

SAMUEL COLMAN (American, 1832-1920) “ROCKS NEAR COMPTON”. Oil on board scene shows a river with wooden bridge and rocky shoreline with trees under blue sky. Remnants of the signature can be seen lower left. Housed in a gesso decorated gilt frame with shaped cutout matte. On reverse are two Barridoff Gallery labels, one indicating the provenance as Estate of the artist. SIZE: Sight: 9-1/4″ x 14″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Inpainting, very good. 9-90905 (4,000-6,000)

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118

SAMUEL COLMAN (American, 1832-1920) RIVER CROSSING. Outstanding oil on canvas sunset landscape shows four figures in a small boat crossing a narrow point in a river. Trees and field line the river with two cows at a point and wonderful sunset sky. Signed lower right “S Colman” and dated “63”. Housed in a gilt molded wood replacement frame. SIZE: 20″ x 30″. CONDITION: Very good, minor inpainting. 9-91220 (5,000-10,000)

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119

FREDERIC RONDEL SR. (American, 1826-1892) SUNDAY AT THE BEACH. Oil on canvas scene shows a U-shaped beach area with six fancy dressed figures strolling along the beach also a two-wheel carriage with horse on far bank. A row boat is in the tranquil water. Trees are seen with a field and low hills beyond. All under a nicely rendered cloud and blue sky. Signed lower right “F. Rondel” and original label is affixed on reverse and dated “187_”. Housed in a deep Victorian walnut frame with gilt liner. Rondel is best remembered as Winslow Homer’s only formal art teacher. SIZE: 11″ x 19″. CONDITION: Relined with some inpainting. 9-92013 (15,000-20,000)

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120

HENRY ARTHUR ELKINS (American, 1847-1884) LANDSCAPE WITH COWS, BIRDS & FISHERMAN. Oil on canvas scene shows a lone fisherman at edge of pond on a slight hillside pasture with cows and sheep. A split rail fence keeps them from the background woods. A crow is perched on dead tree with other birds in a cloud and light blue sky. Signed lower left “H A Elkins”. Housed in a fine period gilt gesso decorated frame with gilt liner. SIZE: 14″ x 20″. CONDITION: Canvas patch to reverse with corresponding inpainting. Very good. 9-92009 (6,000-8,000)

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121

WILLARD LEROY METCALF (American, 1858-1925) PASTEL IMPRESSIONS. Oil on canvas scene shows a stream curving through flat grassy area towards woods that have a lavender hue. The pallet is very pastel with soft colors and nice impressionistic feel. Artist monogrammed with a capital M in circle bottom right. Housed in a modern gilt molded wood frame. SIZE: 14-3/4″ x 19-1/2″. CONDITION: Very good. 9-92063 (8,000-10,000)

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122

GEORGE LAFAYETTE CLOUGH (American, 1824-1901) “VIEW NEAR GLEN COVE, L.I. 1866”. Fine unsigned oval oil on canvas landscape scene shows a pond with cows and horses and a connected farmhouse beyond nestled between two small hills. There is a gentleman rowing two women holding parasols on the right portion of the pond and a rowboat has been pulled up on shore in the foreground. A wonderful blue sky with white clouds finish the landscape. Housed in its original carved walnut frame. The title is written on the back of canvas and dated. This painting was found as one of a pair of oval paintings identically framed, both titled on reverse of canvas, this one being unsigned and the other with full signature. SIZE: 22″ x 30″. CONDITION: Three canvas patches to reverse with corresponding inpainting, edge has been strip lined. Very good. 9-91620 (10,000-15,000)

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123

ELISHA TAYLOR BAKER (American, 1827-1890) ALONG THE LONG ISLAND SHORE. Oil on canvas scene shows two windmills with large building on shoreline edge. A fire blazes at the edge with a sailboat beyond. On the right side are seen a line of sailboats with a building having a turret. Left side shows a distant town/city with domed and spire buildings. Two rowboats and a barrel are seen below the windmill under an early evening sky with pink and white clouds. Signed lower right with conjoined “ET Baker”. Housed in a modern carved wood frame. SIZE: 16″ x 20″ CONDITION: Relined, inpainting line in sky. Very good. 9-74502 (10,000-12,000)

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124

ELISHA TAYLOR BAKER (American, 1827-1890) AUTUMN IN THE FOREST. Fine oil on artist board scene shows a small woodland pool with pond lilies reflecting the surrounding trees which are sunlit and colorful. At the center is a small blue patch of sky behind the thick growth. Monogrammed lower left. Housed in a magnificent antique style gesso decorated gilt frame with gilt liner. SIZE: 8-1/2″ x 6-1/2″. CONDITION: Very good. 9-91598 (2,500-3,500)

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125

WILLIAM WALTON (American, 1843-1915) FISHKILL ON THE HUDSON, NEWBURG, N.Y. Large oil on canvas valley scene shows a foreground with cows standing in a small pool of water while other rest on grass covered field. Houses and a town line a river with mountain backdrop. White cloud and blue sky. Signed lower right “W Walton”. Housed in its original gilt liner. Marked on back of stretcher “William Walton 1843-1915 Hudson River, Newburg, N.Y.”. SIZE: 30″ x 50″. CONDITION: There are five cross taped patched to reverse of canvas and one slit just above mountains. Surface dirt. Some old inpainting corresponding to patches. When cleaned it will brighten significantly. 9-73383 (5,000-8,000)

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126

ALBERT BIERSTADT (American, 1830-1902) PANORAMIC VIEW OF CASTLE AND VALLEY. Large oil on canvas scene shows a Continental scene with a large castle atop cliff. The castle overlooks a river valley with snow capped mountains in the distance. The foreground shows three women with gathering baskets walking along dirt paths and crossing a wood bridge over a small mountain stream. An Alpine house is seen on the left side. All under light blue and white cloud sky. Signed lower right with conjoined AB and dated “1868”. Attached to top left corner is an original label which appears to have a location “Schloss Tirol”. According to Matthew Baigell’s book on Albert Bierstadt is was in 1867 that Bierstadt traveled to England and then toured the continent and returns in 1869. SIZE: 24-3/4″ x 35″. CONDITION: Three tears with a small missing section. Painting appears to be untouched under blacklight but in need of cleaning and restoration. 9-92078 (15,000-25,000)

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127

A. MILLIGAN (American, 19th Century) THE KILL. Oil on canvas scene shows a Native American on white horse spearing a running buffalo. A mountain and pasture landscape is the backdrop. Signed lower left “A. Milligan”. Housed in what may be its original gesso decorated gilt frame. The painting probably influenced by Albert Bierstadt’s similar work. SIZE: 17″ x 20″. PROVENANCE: The Estate of Jane Stradley, Princess Anne, MD and Kemblesville, PA. CONDITION: Several tears, surface dirt, otherwise good. 9-91894 (1,000-1,500)

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128

WILLIAM KEITH (American, 1838-1911) “MOUNTAIN IN WHITE”. Oil on wood panel mountain landscape scene shows a white snow covered mountain peak beyond a ravine with steep sides and cliff. Signed lower right “W Keith 09”. Also “#3 Mountains in Winter W/ Keith Painted in 1909″ on reverse. Housed in a gesso decorated gilt period frame. SIZE: 11-1/2″ x 8”. CONDITION: Very good. 9-91640 (1,500-3,000)

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129

GEORGE HARVEY (American, 1800-1878) MOUNTAIN LAKE. Oil on canvas scene shows a lake with sailboat under a large range of mountains. The river has cut a gap and there is a small house on right shore. In foreground is a man and woman with basket and there is a man in a rowboat beside. Signed lower left “G Harvey”. Housed in a modern decorated molded wood frame. SIZE: 23-3/4″ x 28-1/2″. CONDITION: Relined, restored with inpainting, consolidated wrinkles, fair to good. 9-92043 (4,000-6,000)

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130

JOSEPH KLEITSCH (American, 1885-1931) CALIFORNIA LANDSCAPE WITH EUCALYPTUS TREES. Oil on canvas scene shows several eucalyptus trees on a hillside with green pasture below under a multi-color sky. Signed lower right “J. Kleitsch”. Housed in its original carved gilt frame. SIZE: 21″ x 17″. CONDITION: Very good. 9-74484 (30,000-50,000)

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131

MAURICE BRAUN (American, 1877-1941) CALIFORNIA VALLEY. Unframed oil on artist board scene shows a view looking down a valley with green top mountain and foreground of red flowers flanking a path. Light blue and white cloud sky. SIZE: 7″ x 9″. CONDITION: A cleaning will brighten painting, otherwise very good. 9-91222 (5,000-8,000)

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132

HERBERT SARTELLE (American, 1885-1955) “VALLEY ROAD AND CALIFORNIA MOUNTAINS”. Oil on canvas scene shows a road winding through a valley floor and mountains. A colorful sky reflects pink on the far away mountains. Signed lower right. Housed in a modern gesso decorated frame. SIZE: 20″ x 24″. CONDITION: Very good, craquelure, stretcher lines. 9-91582 (1,000-2,000)

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133

WILLIAM FREDERICK RITSCHEL (American, 1864-1949) CALIFORNIA SURF. Oil on board scene shows green and blue water crashing against a cliff side shoreline with seagulls flying. All under a turquoise and blue white cloud sky. Signed lower left “W. Ritschel N.A.”. Housed in a period carved wood and gilt frame. SIZE: 24″ x 30-1/2″. CONDITION: Very good. 9-92095 (4,000-6,000)

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134

ALEXANDER DZIGURSKI (American, 1911-1995) LIGHTHOUSE ON THE COAST. Large oil on canvas panoramic coastal scene shows green and white tipped waves crashing onto rock ledges. The background shows a large coastline with left hand hills holding a large white lighthouse. Mountains are seen in the background with what appears to be large towns along its edge. Signed lower right. Housed in a modern gilt molded wood frame. Possibly a California coastline scene. SIZE: 23-3/4″ x 47-1/2″. CONDITION: Wax relining, some minor touch up, very good. 9-91615 (4,000-6,000)

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135

ROBERT WILLIAM WOOD (American, 1889-1979) PATH TO THE LAKE. Oil on canvas scene shows a small body of water with spruce lined points having a shallow end in foreground with grasses and colorful trees. Two paths lead to the waters edge on right side. Signed bottom right “Robert Wood”. Housed in a period gilt wood deep frame. SIZE: 25-1/2″ x 41-1/2″. CONDITION: Very good. 9-92123 (5,000-10,000)

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136

FREDERICK MORTIMER LAMB (American, 1861-1936) TREE LINED ROAD AT SUNSET. Oil on board scene shows a dirt road lined with tall trees and rock walls. A colorful sunset is seen beyond the woods with darkening sky. Signed lower left “F.M. Lamb”. Back of board is written “Bought from my old teacher Mort. Lamb when I was 16 years old. Paid 60 dollars, I give it to my granddaughter Marina …”. Housed in a period gilt carved wood frame by Walfred Thulin and having a carved signature dated 1923. SIZE: 17″ x 10-1/2″. CONDITION: Scratch to bottom edge, generally very good. Edge chips to where frame nails contacted board. 9-91281 (1,200-1,800)

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137

ALFRED THOMPSON BRICHER (American, 1837-1908) ROCK STREWN BEACH. Fine watercolor on paper shows a beach with large and small rocks having small waves with sailboat nearby and one in distance. A grass covered sand dune is seen at the end of a beach. Signed lower right with conjoined “AT Bricher 35”. Housed in a fine gilt reeded edge frame with white matte. Deeley Gallery, Manchester Village, VT label affixed to reverse. SIZE: 10-1/4” x 26-1/2”. PROVENANCE: Rankin Estate, Annapolis, Maryland. Deeley Gallery. CONDITION: Very good. 9-29645 (8,000-12,000)

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138

ERNEST LAWSON (American, 1873-1939) SUMMER LANDSCAPE. Fine colorful oil on board landscape shows a road winding past fields bordered by trees under white and blue sky. A large tree on left. Signed lower right “E Lawson”. Housed in a fine oil spot decorated copper colored frame. SIZE: 7-1/2″ x 9-3/4″. CONDITION: Very good. 9-92027 (6,000-8,000)

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139

ERNEST LAWSON (American, 1873-1939) COLORFUL IMPRESSIONISTIC LANDSCAPE. Oil on board scene shows colorful trees looking out over valley under light blue sky. Signed lower right “E Lawson”. Housed in a good oil spot copper colored frame. SIZE: 7-1/2″ x 9-1/2″. CONDITION: Very good. 9-92028 (6,000-8,000)

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140
Revised: 1/24/2008

WITHDRAWN.

CHARLES SCHREYVOGEL (American, 1861-1912)CASCADING RIVER. Oil on canvas scene shows a rushing river through large rocks surrounded by dark trees and hillside. The sky shows a recent storm. Possibly a westerN landscape. Signed lower left “Cha’s Schreyvogel”. Housed in a fine carved and gilt replacement frame. SIZE: 18″ x 28″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Relined, inpainting. Very good. 9-90904 (4,000-6,000)

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141

WALTER LOFTHOUSE DEAN (American, 1854-1912) “A FALLING BAROMETER”. Oil on canvas harbor scene shows three schooners, the closest having a green hull and two masts with figures. A calm water is seen in foreground and the far shore has colorful buildings. The sky is clouding over and rain may be imminent. Signed lower left and titled on reverse of stretcher. Housed in a fine period silver gilt wood frame. SIZE: 14″ x 18″. CONDITION: Very good. 9-91592 (3,000-5,000)

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142

WALTER LOFTHOUSE DEAN (American, 1854-1912) SEASIDE SUMMER VIEW. Oil on canvas coastal scene shows gentle waves in blues and greens with a rocky shore and two sailboats in the distance. All under turquoise blue and white sky. Signed lower left “Walter L. Dean”. Housed in a fine gilt replacement frame with gilt liner and name plaque. SIZE: 16-1/2″ x 24″. CONDITION: Very good with minor inpainting along bottom edge. 9-91595 (3,500-5,500)

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143

ANDREW GEORGE WINTER (American, 1893-1958) DUELING CLIPPER SHIPS. Oil on panel scene shows two four-mast tall ships sailing left to right side by side in three-quarter sail. The ocean has white capped deep blue sea under gray and white cloud sky. Signed bottom right “A. Winter 33″. Housed in a period carved wood gilt frame. SIZE: 22″ x 28”. CONDITION: Very good. 9-91599 (6,000-8,000)

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144

BERNARD COREY (American, 1914-2000) SUMMER SLUMBER. Oil on panel summer scene shows a small cleared area with yellow flowers lined by trees with a small brook. Signed lower right. Housed in a fine modern molded wood gilt frame with gilt liner. SIZE: 9″ x 14″. CONDITION: Very good to excellent. 9-91612 (1,500-2,500)

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145

BERNARD COREY (American, 1914-2000) LINGERING SNOW. Oil on panel early spring scene shows a New England farm nestled below forested hill with patches of snow still remaining. Signed lower right. Housed in a fine gilt molded wood frame with silver and gold liner. SIZE: 9″ x 12″. CONDITION: Very good to excellent. 9-91614 (2,500-3,500)

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146

BERNARD COREY (American, 1914-2000) WINTER SOLITUDE. Oil on board scene shows a New England landscape with a large Colonial farm on both sides on a dirt road. The fields have patches of snow and the roofs are snow covered, all under a light gray sky. Signed lower right. Housed in a nice gilt linen and gold lined frame. SIZE: 8″ x 12″. CONDITION: Very good to excellent. 9-91567 (2,000-4,000)

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147

BERNARD COREY (American, 1914-2000) FISHING THE BLACKSTONE. Oil on board summer scene shows two figures in a red rowboat on a small canal with bridge. A path winds along a grassy bank while the other side has large trees. Signed bottom right and titled “Blackstone Canal” on reverse. Housed in a fine gilt carved wood replacement frame. SIZE: 10″ x 14″. CONDITION: Very good. 9-91613 (2,500-3,500)

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148

COREY (American, Last half of the 20th Century) BOATS AT DOCK. Watercolor scene shows large green hulled sailboat with smaller boat beside, moored to a tall dock with building. Signed lower right. Free mounted to a piece of foam board mounted to a frame. SIZE: 18″ x 24″. CONDITION: Good. 9-92055 (600-800)

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149

CARL HAROLD NORDSTROM (American, 1876-1965) WINTER LANDSCAPE. Watercolor scene shows a river winding through a hillside town, the river having snow covered grass banks. Signed lower right “Carl H. Nordstrom”. Housed in a gilt wood frame with white linen matte. SIZE: SIGHT: 13-1/2″ x 9-1/2″. CONDITION: Very good. 9-91273 (1,000-1,500)

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150

ATTRIBUTED TO BENJAMIN CHAMPNEY (American, 1817-1907) NEW ENGLAND FOOTHILLS. Oil on canvas landscape shows a small brook running through a meadow lined with large trees with rolling foothills beyond. A light blue and white cloud sky. Unsigned. Housed in a good period gesso decorated gilt frame. “Champney” in pencil in written on back of frame. SIZE: 18″ x 30″. CONDITION: Very good, cleaned, some inpainting. 9-90823 (3,000-5,000)

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151

WILLIAM H. EPPENS (American, 1885-)THE GOOD PROCESSION. Unframed oil on canvas scene shows a figure with a single file line of white geese proceeding up a dirt path with two houses behind and a lake scene landscape. Some colorful trees are in foreground. Signed lower right “W H Eppens”. SIZE: 30″ x 36″. CONDITION: Craquelure, minor small chips, good. 9-91264 (2,000-3,000)

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152

EDWARD TAYLOR SNOW (American, 1844-1913) “A SUMMER DAY, NEW JERSEY”. Large mixed media summer landscape shows four sheep lying next to water under three large trees at the edge of a pasture with trees in background under light blue sky. Signed lower right “E. Taylor Snow”. Housed in a fine gesso decorated modern gilt frame with linen matte and small gold liner. Frame having a brass plaque with title and artist name. Attached to the back are the original exhibition labels which were removed from the original frame as follows: Art Club of Philadelphia, 1906 Ninth Annual Exhibition; Louisiana Purchase Exposition, 1904; and two others. SIZE: SIGHT: 21-1/2” x 34-1/2”. PROVENANCE: Fine private Long Island, New York mansion. CONDITION: Very good. 9-73995 (2,000-4,000)

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153

JOAN KERRY (American, 20th Century)SUMMER SHADOWS. Large pastel scene shows shadows from a house lengthening on a green and flower covered field with water. The field and house are surrounded by trees under a colorful sky. Signed lower right “JA Kerry”. Housed in a modern chrome like frame. SIZE: 37-1/2″ x 27-1/2″. CONDITION: Very good. 9-91259 (1,500-2,500)

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154

PAUL NOBLE JAMES (American, 20th Century) SPRING IN RURAL NEW ENGLAND. Oil on canvas colorful scene shows a dirt road winding next to a country farm. The road is lined with a stone wall and blossoming apple trees. Beyond a tree covered hillside are blue mountains. Signed lower left. Housed in a gilt molded wood frame with linen and gilt liner. SIZE: 22″ x 28″. CONDITION: Very good to excellent. 9-91297 (1,200-1,800)

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155

PHILLIP POIRIER (American, late 20th century) CEDAR BROOK. Acrylic on board scene shows a cascading brook in early Spring through a woodland. Nice detail and color, signed lower right “Poirier”. Housed in a gray shadowbox type frame. A Frost Gully Gallery, Portland, ME. label affixed to reverse with artist’s name ,title and date of 1993. SIZE: 24″ x 17-3/4″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Very Good to excellent. 9-90933 (800-1,200)

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156

HARRISON BIRD BROWN (American, 1831-1915) COASTAL LANDSCAPE. Oil on canvas scene shows waves crashing upon steep cliffs having grass covered tops. Signed bottom right “H.B 1874″. Housed in a gesso decorated gilt frame. SIZE: 9″ x 15”. CONDITION: Very good. 9-91604 (2,000-3,000)

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157

ALEXANDER BOWER (American, 1875-1952) “ROCKS AND SURF”. Oil on canvas Maine coastal scene shows waves crashing into an inlet with rocky ledge shoreline. The painting is partially signed lower right and signed on reverse of which there is a photograph of the title and artist signature which was on the original canvas. Housed in a wide shell decorated partial gilt and white wash frame. SIZE: 24″ x 36″. CONDITION: Very good, relined, minor inpainting. 9-91761 (1,800-2,000)

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158

SCHOOL OF MABEL MAY WOODWARD (American, 1877-1945) THE SUNBATHERS. Good unsigned oil on board beach scene shows a group of beach goers lying under colorful beach umbrellas in colorful swimsuits. An Oriental parasol in red, blue and gold shields one bather. Beyond the umbrellas is a wavy green ocean with blue sky. Housed in a partial gilt molded wood frame with linen matte. SIZE: 8″ x 10″. CONDITION: Very good with only minor inpainting. 9-92014 (12,000-18,000)

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159

ANTHONY THIEME (American, 1888-1954) “MOTIF #1” Oil on canvas Rockport Harbor scene shows a number of boats moored alongside a dock with connected red building and number of people, both on the boats and on the dock. There are two fishing schooners side by side and two smaller boats side by side. Signed lower left “A. Thieme” . Housed in what appears to be its original carved gilt frame. ” SIZE: 20″ x 24″. PROVENANCE: From a fine Boston, Massachusetts home. CONDITION: Very good 9-73074 (20,000-30,000)

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160

ANTHONY THIEME (American, 1888-1954) FLORIDA DUNES. Watercolor southern scene shows small sand dunes with grass tops looking out toward a beach area with crashing surf. Palm trees are seen on left side. Signed lower left “A. Thieme”. Housed in a fine gilt molded wood modern frame with tan linen matte. Frame having a decorative artist plaque. SIZE: Sight: 8″ x 12-3/4″. CONDITION: Very good. 9-91590 (1,200-1,800)

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161

ANTHONY THIEME (American, 1888-1954) “ST. GEORGE ST., ST. AUGUSTINE, FLORIDA”. Unsigned oil on masonite scene shows a street with carriage and horse and a girl in red skirt and white blouse walking beside large tree. Two story homes are seen with balconies and flowers line the fences. Identified on back of masonite, circa 1949-50. Housed in a gold frame within a painted frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-92059 (6,000-8,000)

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162

ANTHONY THIEME (American, 1888-1954) “NEW YORK”. Colored pencil drawing of a New York street with large buildings in the background. Pencil titled and signed “AT” bottom right. Housed in a oak molded wood frame. SIZE: SIGHT: 8-1/2″ x 11-1/2″. CONDITION: Very good. 9-92083 (300-500)

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163

GUY CARLETON WIGGINS (American, 1883-1962) “FISHING SHACK AT OLD LYME”. Fine watercolor shows a fishing shack with open door, lobster buoys and lobster traps at edge of harbor with path leading through rocks. Another small building is seen on a dock with a man tending to a moored lobster boat. Several seagulls are seen overhead and perched on rooftop. Signed lower left “Guy Wiggins Lyme, Conn.” Label on reverse from Galleries Maurice Sternberg, Chicago, Ill. with artist title, etc. Housed in a good gilt carved wood frame with decorated matte and glass. Accompanying the watercolor is the original receipt and correspondence from Sternberg. Also a copy of December, 1977 American Art Review magazine which illustrates this watercolor in color in an article titled “Guy Wiggins: American Impressionist”. SIZE: 10″ x 13-1/4″. CONDITION: Very good. 9-91050 (15,000-20,000)

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164

GUY CARLETON WIGGINS (American, 1883-1962) “THE NEW YORKERS”. Watercolor Manhattan street scene shows a group of pedestrians strolling along a city street. The nearest building flying American flag. Signed lower left “Guy Wiggins N.A.”. Affixed to back is a label from Frederick Kappel & Co., New York with artist and title. Housed in its original gesso decorated carved wood frame with linen liner and brown matte, behind glass. SIZE: Sight: 3-1/4″ x 2-1/2″. CONDITION: Very good. 9-91049 (10,000-15,000)

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165

JOHANN BERTHELSEN (American, 1883-1972) LITTLE CHURCH AROUND THE CORNER. Oil on panel scene shows several people bundled up against the cold and snow. They are outside a gate with small building behind which are two big red towers. Scene reflects the ongoing snow storm. Signed lower right. Housed in a carved gilt modern wide frame. SIZE: Sight: 11-1/4″ x 8-1/4″. CONDITION: Very good. 9-91052 (15,000-20,000)

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166

JOHANN BERTHELSEN (American, 1883-1972) TIMES SQUARE, NEW YORK CITY. Oil on board winter street scene shows the intersection at Times Square. Several pedestrians cross the road in front of stopped cars. Signed lower right. Housed in a partial gilt French style frame. SIZE: 20″ X 14″. CONDITION: Very good. 9-91051 (17,500-22,500)

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167

MAURITZ FREDERIK DE HAAS (American, 1832-1895) HUDSON UNDER THE MOONLIGHT. Large oil on canvas scene shows a large paddle wheel steamer sailing along a waterway while a small boat with three men net fish. A ferry landing with several sailboats is seen on right side with buildings and dock. Mountains are seen on right side. Signed lower left “MFH de Haas N.A.”. Housed in a good wide gilt frame. SIZE: 27-1/2″ x 41″. CONDITION: Very good. 9-92121 (10,000-15,000)

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168

ALFRED HENRY MAURER (French/American, 1868-1932) HUDSON RIVER, ULSTER COUNTY, NEW YORK. Oil on canvas scene shows a line of houses in winter next to a large river with mountain background. Several bare trees are seen with a snow covered ground. A bright sun with rays shines from the upper left corner. Signed lower right partially obscured “A H Maurer” and titled on reverse. SIZE: 20-1/2″ x 25-1/2″. CONDITION: Good. 9-92025 (6,000-8,000)

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169

ATTRIBUTED TO FRANCIS AUGUSTUS SILVA (American, 1835-1886) SUNSET AT LAKE GEORGE. Oil on canvas scene shows a wonderful sunset sky over a calm lake which reflects the color of the sky. A log cabin is scene on grassy peninsula with outbuilding and sailboat near shore. Unsigned front but having an early typed label on reverse with artist name. Housed in what appears to be its large fancy gesso decorated gilt frame with gilt liner. SIZE: 18″ x 28″. CONDITION: There are two small holes, one in water and one in sky, original canvas, chipped area to right bottom corner, otherwise good, frame has breaks in liner. 9-92175 (8,000-10,000)

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170

THOMAS DOUGHTY (American, 1793-1856) SAILING ON A SUMMER DAY. Fine oil on board landscape scene shows a small lake at the base of majestic mountains. Two people are heading out in a small sailboat to catch another which is in the middle of the lake. A scene very reminiscent of Mt. Washington and surrounding area. Signed lower left. Housed in its original gesso decorated frame with newer bronze coloring. Original Thomas Miller artist board label affixed to reverse. Also an old label with early writing having artist name and possible title. Frame having a gallery sticker from “Braus Gallery New York City”. SIZE: 12″ x 10″. CONDITION: Very good. 9-92177 (5,000-10,000)

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171

ATTRIBUTED TO JOHN FERGUSON WEIR (American, 1841-1926)ROGERS SLIDE, LAKE GEORGE. Oil on artist board scene shows a rock lookout overlooking Lake George and the mountains. A boat can be seen with two figures on the calm water under blue and white cloud sky. Unsigned but having title on back of board. Housed in a fine reproduction Hudson River style frame. SIZE: 9″ x 12″. CONDITION: Very good, with minor spot inpainting. 9-92189 (1,500-2,500)

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172

JOHN WELLS JAMES (American, 1873-1951) THE RED SKIFF. Oil on board summer scene shows several small rowboats pulled up on grassy shoreline with a house and hill beyond. Signed lower right. Also signed on back of board. Housed in a gilt molded wood frame. SIZE: 10″ x 14″. CONDITION: Very good. 9-92181 (2,000-3,000)

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174

WILLIAM PICKNEY TOLER (American, 1826-1899)SAILING THE GALE. Large oil on canvas nautical scene shows two American ships passing in rough water under dark skies. Each fly the American flag and are seen with some sails up. Signed lower right “W.P. Toler”. Housed in what appears to be its original period gesso decorated gilt frame and wide gilt liner. Also signed on reverse of stretcher “W.P. Toler”. SIZE: 24″ x 42″. CONDITION: Very good. 9-72305 (5,000-8,000)

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175

FRANKLIN DULLIN BRISCOE (American, 1844-1903) “ON THE FISHING BANKS”. Oil on canvas marine scene shows several fishing boats pulling in the nets. Several sails are seen on the horizon with the sun shining through fog. Signed lower left “JD Brisco 91”. Housed in a modern carved wood frame with gilt liner. SIZE: 18″ x 36″. PROVENANCE: Dr. Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Relined, inpainting. Very good. 9-90903 (3,000-5,000)

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176

ATTRIBUTED TO JOHN H. BEARD (American, 19th Century) THE ONCOMING SAILBOAT. Oil on canvas scene shows a one mast sailboat approaching a wood pylon dock with three people atop. The water is at low tide and a small row boat is dry on sand. A cleared hillside is seen under gray skies. Signed center bottom “BEARD 88”. Housed in its original gesso decorated antique frame. On reverse of stretcher is an A. A. Walker & Co. Framing label. SIZE: 12″ x 16″. CONDITION: Four areas of paint loss and canvas showing, otherwise good. Surface dirt. 9-90269 (300-500)

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177

EDMUND DARCH LEWIS (American, 1835-1910) SAILING ALONG THE COAST. Watercolor scene shows small waves, coastal rocks and a single mast sailboat with other sails in the distance. Housed in a mahogany molded wood frame with white matte. Signed lower right “Edmund D. Lewis 1897”. SIZE: Sight: 9-1/4” x 20-1/4”. CONDITION: Matte and watercolor have brown toning. Generally good. 9-91108 (1,500-2,000)

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178

HUGH KNIGHT SMITH (American, Last half of the 20th Century)THE ST. ROSALIE AT DOCK. Oil on canvas scene shows the fishing boat moored to the edge of a dock with buildings. Other boats and buildings are seen amongst the harbor. Signed lower right. Housed in a decorated molded wood frame with white liner. SIZE: 22″ x 28″. CONDITION: Very good to excellent. 9-91279 (2,500-3,500)

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179

UNSIGNED (American, Mid 20th Century) CAPE ANN CHURCH. Oil on canvas Rockport School street scene shows a street lined with houses ending at a side view of a large church with tall steeple and red domed top. Housed in a modern gilt molded wood frame. SIZE: 24″ x 18″. CONDITION: Very good. 9-91299 (1,750-2,250)

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180

JONAS LIE (America, 1880-1940) “GRANITE STREET, ROCKPORT”. Unsigned oil on canvas mounted on board shows a woman and cat outside a small house with picket fence and large tree. A church is seen in background. On the back the artist is identified with the artist and title. Housed in a stained oak frame. SIZE: 12″ x 15-3/4″. CONDITION: Very good. 9-92086 (1,500-2,000)

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181

CHARLES SALIS KAELIN (American, 1858-1929) ALONG THE DOCKS. Oil on artist board harbor scene shows several boats moored along a large dock with buildings. Signed lower right “CS Kaelin”. Housed in a wood frame with brown matte and glass. SIZE: 8-3/4″ x 11-3/4″. CONDITION: Tack holes at edge, surface dirt, otherwise good. 9-92057 (1,200-1,800)

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182

CHARLES PAUL GRUPPE (American, 1860-1940) DUTCH BEACH WITH BOATS. Oil on canvas Dutch beach scene shows a group of women walking towards the water. In foreground in a small fleet of fishing sailboats, one with drying nets and some on wheeled cradles. Signed lower right “Chas P. Gruppe”. Housed in a fine carved gilt wide replacement frame. SIZE: 13″ x 19-1/2″. CONDITION: Relined, very good, minor inpainting. 9-91600 (4,500-6,500)

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183

ANNA MARY RICHARDS BREWSTER (American, 1870-1952) “CHALK CLIFFS, THE ISLE OF WIGHT”. Oil on canvas coastal scene shows a high white cliff with grass top and pastel colored ocean with small waves having white tips. Signed lower left and dated “99”. Label attached to back with title and artist. Housed in a fine modern fancy gilt decorated frame. SIZE: 15″ x 10″. CONDITION: Very good. 9-91603 (2,500-4,000)

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184

ALDRO THOMPSON HIBBARD (American, 1886-1972) EUROPEAN HARBOR SCENE. Oil on canvas scene shows three boats moored in calm harbor with rocky coastline having a town nestled below tall mountains with steep cliffs. Signed lower left “A.T. Hibbard”. Housed in a fine gilt replacement frame with gilt liner. SIZE: 24″ x 34″. CONDITION: Relined, very good. 9-91622 (4,000-6,000)

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185

ATTRIBUTED TO RANDALL VERNON DAVY (American, 1887-1964) THE CLAM DIGGERS. Oil on panel scene shows a group of women and children going down to the water with gathering baskets. They wear traditional French or Dutch outfits including wooden clogs. Housed in a gilt molded wood frame with gilt liner. SIZE: 7″ x 14″. CONDITION: Very good, one small chip to center. 9-92022 (4,000-6,000)

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186

WOUTER VERSCHUUR (Dutch, 1812-1874) A QUARRY HAUL. Outstanding oil on large mahogany panel scene shows three large work horses pulling a two-wheel wood cart laden with large quarry rocks. A man is leading the team while another walks beside the cart. The cart is being pulled across a shallow river with a double arch stone bridge behind. Several horses and people cross the bridge and a woman and boy look on with their dog. Mountains with castle and town are seen beyond the bridge. Signed lower right “W. Verschuur”. Mahogany panel has a lattice work backing in oak. Housed in a good gesso decorated gilt replacement frame. SIZE: 27″ x 39-1/2″. CONDITION: Surface dirt, the colorful sky will be enhanced with a cleaning, discolored varnish. Very good. Appears to have some inpainting along edges where old frame met the painting. 9-91801 (20,000-30,000)

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187

JOSEF ISRAELS (Dutch, 1824-1911) PREPARING THE MEAL. Oil on canvas interior scene shows a young mother with infant seated at a table with a man and woman peeling vegetables. Another woman pours coffee while a cat looks to the infant. A window is on left side cascading light on the scene. Signed lower left. Housed in a modern gesso decorated frame. SIZE: 22-1/4″ x 26-1/4″. CONDITION: Several old patches to reverse, inpainting, stretcher lines. Very good. 9-91248 (10,000-15,000)

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188

HERMANN AUGUSTUS KNOOP (German, 1856-1900) PREPARING THE STEW. Oil on canvas interior scene shows the kitchen of a Monastery with four Monks. Two large fish are being examined by three of the Monks while another shucks clams. Various vegetables are laid out on the table and bench. A steaming cauldron is seen under a window and the interior is well appointed with furniture and accessories. Signed lower right “A. Knoop 89″. Housed in a fine replacement gesso decorated frame with liner. SIZE: 28″ x 19-1/2”. CONDITION: Relined on new stretcher, with inpainting, very good. 9-91092 (2,500-3,500)

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189

WILHELM LOWITH (German, 1861-1932)THE MUSIC RECITAL. Oil on board interior scene shows a group of fancy dressed men in an elegant room setting being conducted in a recital. The instruments include violin, cello, bass fiddle, flute, etc. Another man listens as he sits in a large blue armchair. Signed lower right “W. Lowith 1892”. Housed in a gilt molded wood frame. A typed paragraph is on reverse with some history. SIZE: SIGHT: 10″ x 8-1/2″. CONDITION: Very good, there are very fine horizontal craquelure lines. 9-90822 (3,000-5,000)

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190

ALESSANDRO SANI (Italian, 19th/20th Century) INTERESTING NEWS. Oil on canvas interior scene shows an older man and woman seated and resting against a stand. The man sits reading a newspaper “La Tribuna” while the woman, in a pink apron and blue shirt looks on while she is taking a rest from her yarn spinning. Signed upper right “A. Sani”. Housed in a period gesso decorated gilt frame. SIZE: 21-1/4″ x 25-3/4″. CONDITION: Very good. 9-91089 (3,000-4,000)

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191

BRUNO CARUSO (Italian, 1927-) GIRL AT WINDOW Watercolor interior scene shows a young girl in red dress peering out of a window leaning on the sill up on her tiptoes. Signed lower left. Housed in a pink washed wood frame with white mat. SIZE: Sight: 15″ x 10″. CONDITION: Very good. 9-90662 (1,000-1,500)

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192

CLELIA BOMPIANI-BATTAGLIA (Italian, 1848-1927) THE SHEPHERDESS. Watercolor landscape scene shows a shepherdess in colorful costume with a small goat beside her. She stands at the edge of a body of water, lined with trees and rocks. Signed lower left. Housed in a linen covered wood frame with linen matte having a gold liner all behind glass. SIZE: Sight: 21-1/4″ x 13-1/2″. CONDITION: Very good. 9-90645 (1,000-1,500)

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193

UNSIGNED (Italian, 19th/20th Century) TWO NAPLES HARBOR SCENES. Two small gouache scenes show different views of the harbor with buildings, ships and people with Mt. Vesuvius in the background. Nice detailed pictures. Unsigned. Housed in identical antique decorated frames with gilt liners, one having an oval painted area, the other rectangular with a brown border. SIZE: Image: 4-1/2″ x 6-1/4″. CONDITION: Very good. 9-91072 (700-1,000)

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194

CHARLES LEVIER (French, 1920-2004) TWO WORKS: “VIEU QUAI DE NICE” and ANOTHER. Both identically housed in their original stained oak frames with gilt liners. One shows a harbor lined with buildings and walkway with boats. The other shows a building lined street with sole pedestrian. Both signed lower right “Levier”. One retains its original label. SIZE: 15″ x 30″. CONDITION: Very good. 9-91947 (1,500-2,500)

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195

MARCEL DYF (French, 1899-1987) ICE CREAM VENDOR. Unsigned oil on canvas scene shows an ice cream cart with yellow umbrella and signed “Glace”. Attended by an older man while younger boy stands beside. All encompassed in a street scene. Housed in a fine beaded gilt modern frame. SIZE: 36″ x 28″. CONDITION: Very good. 9-92019 (3,000-5,000)

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196

ATTRIBUTED TO ANDREW LHOTE (French, 1885-1962) MOUNTAINSIDE VILLAGE. Oil on canvas scene shows a grouping of white stucco houses on a mountain top with wall and stairway to summit. Signed lower right. Housed in a gilt and black decorated frame. SIZE: 23-3/4″ x 28-1/2″. CONDITION: Very good. 9-92092 (3,000-5,000)

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197

ATTRIBUTED TO MAURICE UTRILLO (French, 1883-1955)PARIS STREET SCENE. Oil on canvas shows an early evening scene of a street lined with stores and many pedestrians. There appears to have just been a light shower and the sky reflects of the wet street surface. Housed in a good French style carved frame with white liner. SIZE: 20″ x 24″. CONDITION: Some areas of inpainting, relined, craquelure. Good. 9-91237 (3,000-5,000)

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198

NARCISSE-VIRGIL DIAZ DE LA PENA (French, 1807-1876) REFLECTIONS IN A WOODLAND POOL. Oil on wood panel scene shows a nude woman kneels next to small pool in the woods and looks at her reflection in the water. Signed lower left “N Diaz”. Housed in a gesso decorated period frame. SIZE: 14″ x 11-3/4″. CONDITION: Very good. 9-92030 (4,000-6,000)

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199

M. LE. ROL. (French, 19th/20th Century) BUSY HARBOR. Oil on canvas harbor scene shows several small and large sailboats with one sidewheel steamer. A town is seen on a flat shoreline with tall cathedrals and red roof stucco buildings. Signed lower left. Housed in a good replacement gilt decorated frame. SIZE: 22″ X 28″. CONDITION: Relined, inpainting. Very good. 9-91777 (1,500-2,000)

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200

PAUL MAIK (French, 1894-1985) “THE SEA”. Oil on canvas scene shows three sailboats in the three-color sky reflected on the water. A port is seen on the right horizon. Signed lower right. Housed in a carved wood gilt frame with liner decorated with carved flowers. SIZE: 18″ x 24″. CONDITION: Very good with a heavy varnish. 9-91250 (2,000-3,000)

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201

HENRY MILTON WILSON (British, 1873-1923) LOGGING THE FIELDS. Oil on canvas scene shows two men with a team of horses and large wagon harvesting logs from a cleared field. Signed lower right “HMW”. Housed in a fine gesso decorated gilt replacement frame with linen liner. SIZE: 14″ x 24″. CONDITION: Very good, relined, inpainting. 9-91795 (1,400-1,800)

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202

JOHN LANCASTER (British, last half of 20th century) WHITE FLOWERS. Oil on board, still life scene shows a branch of white flowers and buds with green leaves against a light and dark gray background. Signed lower right John Lancaster 1968. Housed in a burl and gilt wood frame. SIZE: 8″ x 10″ CONDITION: Very Good. 9-91252 (1,500-2,000)

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203

JOHN LANCASTER (British, Last half of the 20th Century) PINK ROSES. Oil on board, still life scene shows two pink roses with green leaves and bud against a light and dark gray background. Signed lower left, John Lancaster 1965. Housed in a good burl and gilt frame. SIZE: 6″ x 8″. CONDITION: Very good. 9-91253 (1,500-2,000)

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204

WILLIAM RUSSELL FLINT (Scottish, 1880-1969) SALON WITH NUDE. Oil on wood panel interior scene shows a partial nude woman seated in a French style armchair while another woman with fancy dress stands beside her. A red covered footstool, brass lamp and side chair decorate the room with a backdrop of pink curtain. Signed lower right “W. Russell Flint”. Housed in an antique style modern frame in bronze and gold color. SIZE: 7″ x 10″. CONDITION: Very good. 9-91070 (3,000-5,000)

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205

HAL ROBINSON (American 1875-1933) STREAM SIDE BATHER. Oil on canvas summer scene shows a nude woman on the edge of a stream with lush green foliage surrounding. Blue and white cloud sky. Signed lower left Hal Robinson. Housed in a fine carved wood gilt frame with linen liner. SIZE: 16-1/4″ x 12-1/4″. CONDITION: Relined. Small spot of inpainting. Very good. 9-91130 (500-1,000)

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206

LOUIS MICHEL EILSHEMIUS (American, 1864-1941) “BATHING IN THE FOREST STREAM”. Oil on paper scene shows two female nudes bathing in a stream surrounded by woods. Their clothes are piled on the right. Signed bottom right. The back with title, also pencil “Collection Clara Lataer 1936″, also Indiana Museum of Modern Art stamp on reverse. Housed in a modern wood frame with brown matte. SIZE: 13-1/2″ x 19”. CONDITION: Good. 9-92073 (1,000-1,500)

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207

MAURICE FROMKES (American, 1872-1931) INTERIOR NUDE. Oil on canvas interior scene shows nude woman with sheer cloth held over part of her body. Unsigned. Housed in a modern, bronze decorated wood frame. SIZE: 27″ x 20″. CONDITION: Very good, some minor touch up. 9-90304 (400-600)

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208

HENRY VARNUM POOR (American, 1888-1970) “NUDE ON THE ROOF”. Oil on canvas laid on panel shows a nude woman lying on a white blanket on a roof with red railing. Signed lower left “H V Poor” and signed and titled on reverse. Housed in a decorative gilt frame with linen liner. SIZE: 19-1/2″ x 16″. CONDITION: Right corner has some flaking and along right edge, otherwise very good. 9-92020 (2,000-3,000)

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209

JOHN FRENCH SLOAN (American, 1871-1951) SLEEPING NUDE. Pencil drawing of a reclining female nude in sleeping position. Signed lower right “J.S. 38″. Housed in a modern chrome frame with gray matte. SIZE: Sight: 7″ x 9-1/2”. CONDITION: Paper has foxing spots, otherwise good. 9-91790 (1,500-2,000)

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210

RON JOHNSTONE (American, Mid 20th Century) THE ALCOVE NUDE. Surrealistic oil on wood panel scene shows a nude woman with arms over head standing in a marble alcove. A bright green vine encompasses the left side and a green lizard and large bug crawl on her body. A small colorful beach ball is at her feet. Signed on reverse and dated “1940”. Housed in a silver gilt wood frame. SIZE: 37-1/4″ x 14-1/2″. CONDITION: Very good, minor inpainting. 9-91781 (300-500)

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211

GEORGE ARMFIELD (British, 1808-1893) ON POINT. Fine oil on canvas field hunting scene shows two hunting dogs on point in a sunlit grassy area. A small bramble vine is seen in foreground. Signed lower right. Housed in what appears to be its original gold gesso decorated frame with gilt liner having artist name. One of the finest examples of this artist’s work that we have handled. SIZE: 12″ x 16″. CONDITION: Very good with one small patch to reverse with corresponding minor inpainting. 9-73540 (5,500-7,500)

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212

UNSIGNED (19th Century) PAIR OF HANGING BIRDS. The pair of oil on panel paintings are housed in identical carved walnut Victorian frames having gold liners. One shows a dead Robin hanging from a small string attached to a nail. The other shows a Flicker type bird. The birds are seen against the stained wood of the panel. SIZE: 18″ x 12-3/4″. CONDITION: Good with some light scratches, some light warping to boards. 9-91303 (600-1,000)

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213

EDWIN HENRY LANDSEER (British 1802-1873) “STUDY OF A DEER”. Graphite drawing of a bleating stag standing in shallow water. Title and signed lower left. Housed in an antique painted frame with white matte. SIZE: 10-1/2″ x 14-3/4″. CONDITION: Very good. 9-91857 (800-1,200)

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214

CORNELIUS RAAPHORST (Dutch, 1875-1954) PLAYFUL KITTENS. Oil on wood panel shows a number of kittens and a cat playing with a ball of yarn next to a blue a white bowl. Housed in a good ebony and gilt antique frame. There is a Neumann & Vettin, Amsterdam label fixed to reverse. SIZE: 13-1/4″ x 16-3/4″. CONDITION: Surface dirt, good. 9-92094 (3,000-5,000)

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215

JOSEPHINE STEVER (American, 19th Century) FEEDING TIME. Oil on canvas scene shows a large full milk pan with eight dogs and cats drinking. Another dog and cat looks on while sixteen chicks and one chicken are beside. Signed lower right and date “Xmas 1900″. Reverse has New York canvas stamp. Housed in a lemon gold molded wood frame. SIZE: 12″ x 18”. CONDITION: Very good. 9-91552 (2,200-2,800)

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216

WALTER SATTERLEE (American, 1844-1908) “THE TAXIDERMIST”. Watercolor occupational scene shows a man in blue smock working on a spread winged bird in his shop. Other exotic birds are seen in various stages of completion. Signed lower left “W. Satterlee”. Housed in a good decorated gilt frame with gilt matte. SIZE: SIGHT SIZE: 19″ x 12-3/4″. CONDITION: Very good. 9-91125 (500-800)

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217

FRANK DOBSON (British, 1888-1963) THREE WORKS: BIRD STUDIES. Pen and ink with pastel studies of three varieties of birds “Splendid Sunbird”, “Common Hangnest” and “Shrike”. All framed and matted, one without glass. Each study shows two birds in full color with pen drawings in other poses. SIZE: SIGHT SIZE: 14″ x 18-3/4″. CONDITION: Good. Some toning, one with small puncture in left corner. 9-91204 (500-1,000)

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218

ANTON PICK (Austrian, 1840-1902) THE ALPINE MILL. Outstanding large oil on canvas Continental scene shows a mill at the edge of a cascading river with large boulders. It is nestled at the base of steep mountains under gray, white and light blue sky. A large bird flies over the river. Signed bottom right “A Pick”. Housed in what is its original wide gesso decorated gilt frame with gilt liner and name plaque. SIZE: 29″ x 39-1/2″. CONDITION: Relined, very good. 9-92202 (2,000-4,000)

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219

ANDRIANUS EVERSEN (Netherlands, 1818-1897) THE OLD MILL. Oil on panel scene shows a man and woman conversing on a dirt road outside a working water mill. A house is seen on left, grass in the foreground with chickens. All under cloud and blue sky. Signed lower right “A. Eversen”. Housed in a good gilt pierced French style gilt frame with linen liner. SIZE: 11″ x 8-3/4″. CONDITION: Very good. 9-92185 (3,000-5,000)

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220

WILLIAM PETERS WATSON (British, 1883-1932) HIGHLAND SHEEP. Outstanding oil on canvas scene shows eight large sheep in a highland setting with mountains and lake. Nice detail to the hillside and sheep. Another flock resides on lower hilltop. Signed lower right “W Watson 1909″. Housed in its magnificent original frame with its gilt liner having an artist tag. SIZE: 24″ x 36-1/2”. CONDITION: Relined, minor inpainting. Very good. 9-92200 (8,000-12,000)

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223

GIOVANNI SIGNORINI (Italian, 1808-1858) ANIMAL KINGDOM. Outstanding oil on canvas nature landscape shows a grassy topped rocky stream bank having a group of animals and birds resting. The animals include seven large deer, rabbit, porcupine, three ducks, an egret, white ibis and woodpecker. This scene is all encompassed in a mountain and tree landscape under white and blue sky. Signed lower right and dated “1850”. Housed in a period decorated gilt frame. The canvas signed on reverse “Giov. Signorini Firenzy 1850”. Also a exhibition label of “Paintings Kept By Signor F. De Tivoli”. SIZE: 20-1/2″ x 26-/4″. CONDITION: Several old canvas patches to reverse, inpainting, old restoration with some unattended splits, craquelure, generally intact. A wonderful example by this important artist. 9-90387 (4,000-8,000)

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224

UNSIGNED (European, 18th/19th Century) OLD MASTER. Oil on wood panel scene shows a woman surrounded by three children and having an angel holding a laurel wreath above in clouds. Woman is holding grapes in one hand while a child reaches. Unframed. The single board panel having a lattice work attached cradle. SIZE: 42-1/2″ x 30″. CONDITION: Vertical cracks in board, extensive chipping and paint loss. Nice quality. 9-91009 (1,000-2,000)

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225

UNSIGNED (European)OLD MASTER TRYPTIC. Large oil on gessoed wood panel tryptic has its original gilt decorated with gilt writing frame. Written on the frame is the following Latin phrase “ANGE LVS DOMINIA PPARVIT IOSEPH DICENS SVRGE ACCIPE PVERVMEP MATRE MEIVS ETFVGEINE GIPTVNFT ESTOIBIVS OEDVM DICAMTIBI MATHEI SEGVN DO CAPITVLO”. Central two-board panel depicts what appears to be Mary and Joseph, three children and three other figures bringing baskets of fruit. The left panel showing two figures with sunburst atop with dove. Right panel with baby being offered to a king with others beside. Panels are attached with cotter pin hinges. The piece appears very early, possibly prior to 1700 but we can not determine the age. SIZE: Central panel is 34-1/2″ x 31″. Side panels are 34-1/2″ x 15-1/2″. CONDITION: There is paint losses, uneven varnish layer. In need of restoration. Undoubtedly there is some restoration which is hidden by a masking varnish. 9-91024 (1,000-2,000)

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226

UNSIGNED (European, 18th/19th Century) OLD MASTER COPY. Oil on canvas landscape scene shows several figures including two women, two putti, a man with gold sculpture and a figure in the shadows. A tambourine is seen in the foreground with flowers and the background with an early evening mountain landscape. Housed in a gold replacement antique frame. SIZE: 22″ x 27-1/2″. CONDITION: Relined, masking varnish, craquelure with restoration. 9-91012 (500-1,000)

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227

UNSIGNED (19th Century) ALLEGORICAL SCENE. Oil on canvas interesting religious scene depicting stages of life inside a cathedral with macabre side scenes of hanging people, devils and skeletons. Unsigned. Housed in a gilt molded wood frame. SIZE: 14″ x 20″. CONDITION: Relined, some chipping at edges, craquelure, masking varnish. Good. 9-91028 (500-1,000)

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228

UNSIGNED (European, 19th Century)OLD MASTER COPY. Oil on canvas scene shows a number of women in fancy gowns with several putti dropping flowers. Other figures are seen in the landscape. A cow lays in foreground with wreath on head. Housed in a fine gilt gesso decorated frame with corner losses. SIZE: 14-1/2″ x 20-1/2″. CONDITION: Surface dirt, good. 9-91010 (500-1,000)

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229

SIGNED (18th Century Style) STUDY OF THREE PUTTI. Unframed orange chalk drawing of three putti. There is a signature on the lower right that appears to have the last name spelled “Lash_ _ _”? Drawing on early rag type paper with imperfections. SIZE: 12-1/4″ x 9″. CONDITION: Very good. 9-92068 (600-800)

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229A

JOSEPH MEDER GERMAN PORTFOLIO OF OLD MASTER DRAWINGS. Albertina-Facsimile Handzeichnungen, Franzosischer Meister Des XVI-XVIII Jahrhunderts 1922 by Kunstverlag Anton Schroll & Co. In Wien. Portfolio containing the original cardboard cover, a text which has been numbered “220”. The prints are matted and hinge attached. They are not individually numbered but carry an impressed number on the matte indicating their order in the portfolio. The works are a copulation of various artists and the prints have an embossed company seal. This portfolio has numbers 1 through 40 of the 80 that are in the original double portfolio. SIZE: Book: 24″ x 18″. CONDITION: The mattes have foxing but the prints are in good condition; Cover shows wear and binding separation. 9-91540 (400-600)

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229B

MAGNIFICENT SALON SIZE PERIOD BARBIZON FRAME. Gesso decorated frame having a 9″ wide border of flowers and leaves with several decorative borders. SIZE: Overall is 68″ x 89-1/2″. Inside 50-1/4″ x 73-1/8″. CONDITION: Very good, some small repairs and very minor losses. 9-91079 (6,000-8,000)

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229C

OUTSTANDING 19TH CENTURY LOUIS XV DESIGN FRAME. Each corner having a large scrolled foliate cartouche, sides having similar but smaller cartouches. A medium border with bellflower and raised flower motif. The inner border having a sand finish with fleur di lis interior border. An outstanding frame worthy of any important painting. SIZE: Inside rabbit is 32-3/4″ x 26-1/2″. Overall is 44-3/4″ h x 38-1/2″ w x 3-3/4″ d. CONDITION: Very good with only minor faults. 9-91334 (4,500-6,500)

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230

WILLIAM BEWICK (American, 1795-1866) MISER’S BITS OF GOLD. Oil on wood panel half portrait of a seated man in tattered clothes and hat holding a silver teapot that is full of gold coins with some other coins on the table. A wonderful detailed rendering of the man in this genre scene. Signed lower right “W. Bewick”. Housed in a fancy gilt frame. SIZE: 18-1/4″ x 14-1/4″. CONDITION: Very good, slight warp to top of panel. 9-91578 (500-1,000)

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231

UNSIGNED (European, 19th Century) THE YOUNG SWORDSMAN. Oil on canvas interior scene shows a young boy pulling a fancy sword out of its scabbard while he leans against a seated man wearing Musketeer type outfit. He wears a metal gorget and he sits in a tall armchair with his fancy hat resting on its top section. Unsigned. Housed in a modern molded wood decorated frame. SIZE: 17-3/4″ x 14-1/2″. PROVENANCE: From a fine Bangor, Maine Mansion. CONDITION: Two small patches to reverse with corresponding inpainting. Very good. 9-74215 (300-500)

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232

ANNA ELIZABETH KLUMPKE (American, 1856-1942) THE SPINNING WHEEL. Oil on canvas scene shows a young woman in French country attire spinning yarn on a small spinning wheel. She leans against a window ledge which has a plant and window beside. Sun shines through the window and reflects on her white shirt. Signed lower left “Anna E. Klumpke”. Housed in a gold molded wood frame. SIZE: 17″ x 14″. CONDITION: Very good. 9-91232 (2,000-4,000)

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233

DONATUS BUONGIORNO (American, 1865-) THE CELLO PLAYER. Oil on canvas interior scene shows an older man seated in front of a window wearing a green coat and black top hat. He reads from an open music score and his cello rests against a chair beside. Signed lower right “D. Buongiorno”. Housed in its original gesso decorated gilt frame liner. SIZE: 15-1/2” x 11-3/4”. CONDITION: Very good. 9-72255 (2,000-3,000)

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234

WALTER GAY (French/American, 1856-1937) STATUE AT VERSAILLES. Oval oil on canvas architectural scene shows a classical figure resting against large fluted columns with a sky background. Signed on the figures plinth “Walter Gay”. Housed in a modern gilt molded wood frame with decorative gilt wood matte. SIZE: 24-1/2″ x 20″. CONDITION: Very good. 9-91772 (2,500-3,500)

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235

LOUIS COMFORT TIFFANY (American, 1848-1933) EUROPEAN FLOWER MARKET. Oil on canvas scene shows a flower market set up in town square. The vendors having a variety of colorful flowers, each section with their own shade umbrella. A large building is seen in the background and a woman has selected some flowers and placed them in her basket. Signed lower right. Housed in a carved wood stained frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-92065 (6,000-8,000)

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236

LAWTON SILAS PARKER (American, 1868-1954) GIVERNY, FRANCE. Oil on canvas mounted on masonite scene shows an alleyway with floral trellis. Trees in rust and green leaves and buildings. Signed lower left “LP”. Identified on back of masonite. Housed in a gold molded wood frame. SIZE: 17-1/2″ x 14″. CONDITION: Some inpainting, very good. 9-92061 (4,000-6,000)

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237

UNSIGNED (Late 19th Century) WORKING THE FIELDS. Oil on canvas farming scene shows two teams of six oxen pulling man guided plows. In the foreground is grass and flower covered ground and in the background are low hills under blue and white cloud sky. Housed in a modern gilt molded wood frame. SIZE: 14″ x 27″. CONDITION: One small patch to reverse, inpainting, craquelure, good. 9-91580 (800-1,200)

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238

SIGNED (19th/20th Century) COWS IN A PASTURE. Oil on canvas scene shows several cows in a green pasture. Three cows are next to water in the foreground. Housed in a textured gold wood frame. Signed lower right with what appears to be “M.J. Schotte”. Back marked “Dick Degraff Holland”. SIZE: 16″ x 20″. CONDITION: Very good. 9-91565 (800-1,200)

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239

ELEANOR PARKE CUSTIS (American,1896-1983) WASH DAY. Unsigned gouache scene shows a large brick Colonial home with attached barn and silo. A woman in blue dress hangs her wash to be dried on a large clothesline. Two large trees frame the scene which overlooks a blue lake, fields with cows and a partially cloudy sky. Housed in a fine gilt carved wood frame. SIZE: SIGHT: 19″ x 25″. CONDITION: Very good. 9-91278 (20,000-30,000)

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240

JOHN EDWARD COSTIGAN (American, 1888-1972) AMISH BATH TIME. Large outstanding watercolor shows eight figures bathing at a stream side pool. Two women wear white Amish type bonnets and figures are in various stages of dress. Probably a scene in the Pennsylvania area. Signed lower left “J.E. Costigan N.A.”. Housed in a flat wood frame with ivory liner. SIZE: Sight: 21-1/2″ x 27-1/2″. CONDITION: Very good to excellent. 9-91624 (5,000-10,000)

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241

WILLIAM A. HARPER (American, 1873-1910) SUMMER BREEZE. Oil on canvas tropical scene shows several sailboats on turquoise water with buildings in the foreground and buildings at the base of a hill with red roofs. Two large palm trees on right side. Lower left signed “W.H.”. Heavy impasto work in bright colors. A wonderful impressionistic southern scene. Housed in a wide gilt molded wood frame. SIZE: 16″ x 18″. CONDITION: Very good, some inpainting. 9-92062 (6,000-8,000)

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242

FRANK VINCENT DUMOND (American 1865-1951) SPRINGTIME IN CONNECTICUT. . Oil on board springtime scene shows grass, fields interspersed with green trees. In the distance are low blue hills under light blue sky. Signed lower right. Housed in a good modern carved and gilt wood frame. SIZE: 10″ x 16″. CONDITION: Very good. 9-74708 (4,000-6,000)

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243

ATTRIBUTED TO JAMES CRAWFORD THOM (American, 1835-1898) GATHERING CHESTNUTS. Oil on canvas landscape scene shows two girls gathering chestnuts under large trees. Colorful bushes and grasses are seen amongst the forest floor. Blue sky peaks through the high canopy. Housed in a lemon gold molded wood frame. SIZE: 24″ x 17-3/4″. CONDITION: Relined, craquelure, very good. 9-91791 (2,000-3,000)

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244

DANIEL F. WENTWORTH (American, 1850-1934) AUTUMN SPLENDOR. Outstanding oil on canvas fall scene shows a tall oak tree with reddish/orange foliage surrounded by grass covered and rock strewn hillside. Other colorful trees are seen around under blue and white cloud sky. One of this artist’s best works. Signed lower left. Housed in an original gilt carved wood frame. SIZE: 18″ x 24″. CONDITION: Very good, light craquelure 9-74713 (4,000-6,000)

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245

DANIEL CHARLES GROSE (American, 1838-1890) FALL IN THE NORTHEAST Oil on canvas scene shows a pond surrounded by trees and grass. Fall colors of golds, orange and reds reflect in the calm water. A snow capped mountain is seen in the distance all under a blue and white cloud sky. Signed lower right “D C Grose”. Housed in a fine gilt molded wood frame. SIZE: 8″ x 12″. CONDITION: Very good with minor inpainting. 9-92010 (2,500-3,000)

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246

HEDLEY WILLIAM WAYCOTT (American, 1865-1938) EARLY FALL LANDSCAPE. Oil on board scene shows a fenced pasture with colorful trees and grasses under blue and white sky. Signed lower right and dated “1925”. Housed in a molded wood gilt frame. SIZE: 25″ x 35″. CONDITION: Board is warped, otherwise very good. 9-90653 (1,500-2,500)

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247

HARRIET RANDALL LUMIS (American, 1870-1953) “FOGGY MORNING”. Fine oil on canvas fall scene shows a dirt road with stone wall and large trees with fall foliage colors. A nice western Massachusetts scene. Signed lower right and titled on back of stretcher. Housed in a good reproduction gesso decorated frame. SIZE: 21″ x 26″. CONDITION: Very good. 9-91575 (4,000-8,000)

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248

JONAS JOSEPH LAVALLEY (American, 1858-1930) IMPRESSIONISTIC FALL LANDSCAPE. Oil on canvas landscape scene shows a tree and grass lined stream with mountain in background under an orange and yellow sky. Fall colors of orange, red, yellow and gold. Signed lower right. Housed in a period and probably original gilt molded wood frame. SIZE: 12″ x 14″. CONDITION: Very good, under blacklight it appears that the signature has been enhanced. 9-91576 (1,000-2,000)

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249

WILLIAM LAVALLEY (American, 1862-1943) BERKSHIRE VISTA. Oil on canvas summer scene shows a view looking over a small village from a flower and grass covered hillside. Hills are seen in the background under light blue sky with white clouds having pink highlights. Signed lower right. Housed in its original gesso decorated gilt frame. SIZE: 10″ x 13″. CONDITION: Relined, restored, very good. 9-91577 (800-1,200)

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250

W FRANCIS SNOW (American, 19th/20th Century) NEW ENGLAND HOMESTEAD. Fine oil on canvas New England landscape shows a large yellow saltbox Colonial home having three stories, green shutters and large brick chimneys. A small connected barn is partially hidden by a large blossoming apple tree. The sun cascades light from the left side and there is another home on a hillside in the distance. Signed lower left “W F Snow”. Housed in its original gilt carved wood frame. SIZE: 18″ x 25″. CONDITION: Very good with light craquelure and some varnish discoloring. 9-74354 (800-1,200)

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251

HARRY LAVENDER ADOLPHUS CULMER (American, 1854-1914) “THE FOREST BROOK.” Large oil on canvas scene shows a winding brook with rock and grass banks through a thick forest. Blue sky can be seen through trees and sunlight shines through the thick canopy on the floor below. Signed lower right “HLA Culmer”. Titled on stretcher on reverse. Housed in a gesso decorated gilt frame with gilt liner which is probably original framing. SIZE: 30″ x 40″. CONDITION: Very good. 9-91798 (5,000-10,000)

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252

ANTONIO PIETRO MARTINO (American, 1902-1988) CALIFORNIA RIVER. Oil on masonite scene shows a valley floor with winding river and fields and trees. The panoramic view shows blue mountains in the distance. Housed in a period gilt carved wood frame. SIZE: 13″ x 18″. CONDITION: Very good. 9-92161 (1,800-2,400)

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253

WILLIAM A HILL (American, Mid 20th Century) “HAMPTON FALLS IN OCTOBER”. Oil on canvas autumn scene shows a New England church flanked by colorful maple trees. The clock show 3:00 pm and the scene is shown under bright blue sky. Signed lower right. Titled and signed on back of canvas, also a label with alternate title “Church, Hampton Falls”. Housed in a good gilt molded wood frame. SIZE: 20″ x 24″. CONDITION: Very good. 9-92037 (600-800)

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254

ALEXANDER DZIGURSKI (American, 1911-1995) AUTUMN SPLENDOR. Oil on canvas fall scene shows a lake surrounded by colorful trees and grassy banks. All under a white cloud and blue sky. Signed lower right. Artist copyright stamp to reverse. Housed in a French style white painted frame. SIZE: 24″ x 36″. CONDITION: Very good. 9-91611 (800-1,200)

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255

GIFFORD BEAL (American, 1879-1956) “MAINE SHORE”. Oil on canvas scene shows a lighthouse on a point of land with other buildings on a hillside. Palette of green, blues and golds. Signed lower right. Back of canvas states “Maine Shore, Gifford Beal, Maine Shore” and stretcher stamped “William A. Meil”. Housed in a replacement gold decorated frame. SIZE: 25″ x 31-1/2″. CONDITION: Very good. 9-91941 (10,000-12,500)

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256

GIFFORD BEAL (American, 1879-1956) BACK YARD VIEW. Oil on board scene shows the back side of several buildings with tree and steps. Signed lower right. Housed in a period arts & crafts style carved gold frame. SIZE: 15-3/4″ x 11-3/4″. CONDITION: Very good. 9-91240 (1,500-2,000)

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257

MAX KUEHNE (American, 1880-1968) ONCOMING TRAIN. Oil on board scene shows a black locomotive coming towards viewer while another train is going away with the red caboose in foreground. A walkway with rail is seen next to tracks. Large buildings are beyond the train. Signed lower left “Kuehne”. Housed in a decorative wood modern frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-91243 (500-1,000)

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258

ELIOT O’HARA (American, 1890-1969) “COAL SHUTE NEAR BRAVE’S FIELD, BOSTON”. Fine watercolor showing a train yard with a large building and locomotives billowing smoke. Signed center bottom. Titled on reverse of backing board. Housed in a modern metal frame with white and brown matte. SIZE: Sight: 14″ x 21-1/2″. CONDITION: Very good. 9-91631 (1,000-2,000)

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259

HAROLD JACOB BRUDER (American, 1930-) “A TIME OF MIRACLES”. Large oil on canvas scene shows a New York City scene with a wide street lined by buildings with cars and pedestrians. Titled and signed on reverse of canvas and dated “2/76”. Housed in a simple wood frame with gold plastic edge. SIZE: 48″ x 60″. CONDITION: Very good. 9-90307 (1,000-1,500)

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260

NETTIE BLANCHE LAZZELL (American, 1878-1956) “CHATHAM SQUARE, N.Y.C.” Mixed media white and black drawing shows a busy section of New York City with subway line, pedestrians and store fronts. Most done in a black charcoal/pencil, some white highlights. Signed lower right and dated “1929”. Also identified on reverse. Unframed. SIZE: Overall is 12″ x 9″. Image is 9-3/4″ x 6-3/4″. CONDITION: Some rubs, generally very good. 9-92101 (3,000-5,000)

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261

HENRIETTA DUNN MEARS (AMERICAN, 1877-1970), “BROOKLYN, WILLIAMSBURG BRIDGE”. Oil on masonite scene shows a large bridge spanning the east river connecting Brooklyn with the lower eastside of Manhattan. Several boats are docked next to a wharf with piled high cargo. Appears to be an early morning scene with some lights shining signed lower right and titled on label on reverse. SIZE: 19-1/2″ x 23″ CONDITION: Very good. 9-90262 (1,800-2,200)

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262

BELLE DE TIREFORT (American, 20th Century) CENTRAL PARK IN WINTER. Oil on canvas board scene shows a one horse carriage proceeding through snow covered road with New York City skyline partially obscured by wind swept snow. A tree shows the power of the wind. Signed lower right “De Tirefort 62”. Housed in a bluish-gray wood frame with white liner. SIZE: 24″ x 20″. CONDITION: Very good. 9-90259 (1,000-1,500)

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263

ALSON SKINNER CLARK (American 1876-1949) CITY BEYOND THE FARM. Oil on canvas board spring time scene shows a mother and daughter next to a connected farmhouse under tall trees with colorful leaves. On the horizon line there is a city, possibly New York with tall buildings and spires. Signed lower right “Alson Clark”. Housed in a modern gilt carved wood frame. SIZE: 12″ X 16″. CONDITION: Very good. 9-90240 (2,000-3,000)

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264

ELSIE RUBIN (American, Mid 20th Century)CITYSCAPE IN WINTER. Interesting oil on board scene shows angular colorful city buildings in a nighttime setting with recently fallen snow. A boy pulls his sled up the street while a horse looks on. Signed lower right. Housed in a gesso decorated antique frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-91295 (2,000-4,000)

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265

MAY JANKO (American, 1926- ) NEW YORK CITY SKYLINE. Colorful abstract view of a large city skyline in bold colors. Signed lower right “Janko”. Housed in a modern yellow and gold strip frame. SIZE: 24″ x 18″. CONDITION: Very good. 9-92053 (2,000-3,000)

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266

FANNIE C. MARKS (American, Mid-20th Century) CENTRAL PARK CAFE. Oil on canvas outdoor scene shows several people around small green tables with blue umbrellas in a park setting with trees and flowers. Large buildings can be seen surrounding the park. Housed in a modern gesso decorated frame with linen lining. The stretcher retains a label from Doudiers of Charleston, S.C. Signed lower right “F C Marks”. Accompanying the painting is the laminated exhibition label from the Non-member label Allied Artist’s of America National Academy Galleries New York, New York with alternate titled “Cafe-Park-Zoo”. SIZE: 20″ x 24″. CONDITION: Several patches to reverse, inpainting. 9-92091 (800-1,200)

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267

LOUIS SAPHIER (American, Early 20th Century) “GARDEN OF ST. JOHN’S CHURCH, NEW YORK CITY”. Unframed oil on canvas scene shows the formal gardens which surround a church building included are a series of garden paths with various small gardens having fences, pedestals, urns and decorative bird sculptures. Also the windows of the background buildings have window boxes filled with flowers. Signed lower left and dated “1935”. Titled and signed on back of canvas also. SIZE: 24″ x 36″. CONDITION: Appears to have a consistent discolored varnish, otherwise very good. 9-92082 (500-1,000)

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268

UNSIGNED (American, Mid 20th Century) “MIDTOWN, NEW YORK CITY”. Watercolor scene shows large skyscrapers from a park like setting. Titled in pencil on matte. Housed in a stained molded wood frame. When examined out of frame, there is a second watercolor on the reverse showing a scene of mountains and a lake. SIZE: SIGHT: 21-3/4″ x 14″. CONDITION: Very good. 9-91003 (400-800)

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269

FERDINAND KAUFMANN (American, 1864-1942) ESCORTING THE CRUISE SHIP. Fine oil on canvas busy harbor scene shows two tugboats bringing in a large ship. A two-deck green passenger ferry is beside greeting the ship. Signed lower right “F. Kaufmann”. Housed in a decorative gilt wood frame. SIZE: 24″ x 31-3/4″. CONDITION: Relined, some inpainting, very good. 9-92122 (5,000-10,000)

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270

PHILIP HOWARD EVERGOOD (American, 1901-1973) “THE HOUSE THAT JACK BUILT”. Oil on wood panel nighttime scene shows a thick forest with tall black trees with two Colonial homes having chimneys. In the foreground are two white dogs and white flowers. In front of a tree which is white and has been broken off halfway up the trunk which spreads across the painting. Signed lower right “Philip Evergood VIII LVI”. Back with a title. Housed in a weathered molded wood and carved frame with linen liner. SIZE: 19-1/4″ x 23-1/4″. CONDITION: Very good. 9-91260 (20,000-30,000)

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271

MOSES SOYER (American, 1899-1974) THE GYPSY GIRL. Oil on canvas portrait of a young woman wearing a colorful striped shawl and holding a tambourine in her lap. She has a pink scarf over her dark brown hair. Signed bottom right “M Soyer”. Housed in a fine carved and gilt modern frame with linen liner. SIZE: 23-3/4″ x 12″. CONDITION: Relined, very good. 9-92130 (3,000-5,000)

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272

RAPHAEL SOYER (American, 1899-1987) “CLAIRE 1961”. Half portrait of a seated nude woman. She is seen against a greenish mottled background. Signed upper right. Signed and titled on reverse. Housed in a carved and partially gilt wood frame with linen and gold liner. SIZE: 12″ x 9″. CONDITION: Some inpainting bottom left. Otherwise very good. 9-90443 (4,000-6,000)

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272A

GEORGE GROSZ (American 1893-1959) “DR. X UND FRAY”. Oil on canvas interior scene shows a woman in bed with her dress pulled up and an older doctor listening to her heart. A vase of flowers is next to the bed and the room is well appointed. Signed lower left “Grosz” and title on back of canvas. Housed in a modern gilt frame. SIZE: 16” x 20”. CONDITION: Three small patches with corresponding inpainting. One small spot in wall. Otherwise good. 9-90283 (4,000-6,000)

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273

PAUL STARRETT SAMPLE (American, 1896-1974) SNEAKING A SMOKE. Watercolor scene shows several boys smoking cigarettes behind a fence next to a barn. One boy peaks through a break in the fence as lookout. Signed bottom right. Housed in a fine carved gilt modern frame with double mattes. SIZE: 12″ x 21-3/4″. CONDITION: Very good. 9-92108 (2,000-3,000)

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274

STANFORD WILLIAMS (American, Late 20th Century) 1940’S STREET SCENE. Unframed oil on canvas scene shows a wide street having three and four-story buildings and store fronts. There are groups of African-Americans in small groups in amongst colorful cars. Colorful blue sky. Signed lower right. SIZE: 26″ x 32″. CONDITION: Very good. 9-92097 (300-500)

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275

E. A__? (Continental School, 19th Century) THE UNRULY CLASSROOM. Large oil on canvas. Interior scene shows a female teacher with “switch” in hand seated next to a standing boy who is crying. Fifteen children are seen misbehaving. A chair has been knocked over with books and papers scattered. The interior scene is a well appointed room. Signed lower right indistinctly. Also “Munich” after the signature. Housed in a gesso-decorated gilt wide frame. SIZE: 33-1/2” x 42-1/2”. CONDITION: Inpainting. Otherwise very good. 9-74686 (2,000-4,000)

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276

ATTRIBUTED TO RALPH LADELL GOINGS (American, 1928- )TWO WORKS: BEFORE & AFTER SCHOOL. Oil on canvas scenes show a yellow school bus dropping students off at school and a yellow school bus picking students up at school. Each is signed and housed in wood frames. SIZE: 16″ x 20″. CONDITION: Very good. 9-92081 (1,200-1,500)

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277

NICOLI CIKOVSKY (American, 1894-1987) SWIMMING LESSONS. Oil on masonite scene shows a group of children and two adults getting ready for a swimming lesson on a sandy beach with turquoise water. There is a wharf with buildings at the end of the beach. Unsigned. Housed in a gilt fancy frame with velvet and gold liner. SIZE: 24″ x 30″. CONDITION: Needs cleaning, otherwise very good. 9-92042 (1,000-1,500)

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278

BERNARDUS JOHANNES BLOMMERS (Dutch, 1845-1914) CHILDREN AT THE BEACH. Oil on wood panel beach scene shows several children playing on the beach. Three boys are seen with toy boats on a tidal pool. A young girl stands beside. Other beachgoers are seen along a large sandy beach under blue sky. Signed lower right “Blommers”. Housed in a silver gilt molded wood frame with silver lining. SIZE: 9″ x 13-3/4″. CONDITION: Generally very good, one small ding to left edge. 9-72955 (2,000-3,000)

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279

HERMANUS (HENRI) ANTONIUS DAALHOFF (Dutch, 1867-1953) AFTERNOON CHORES. Oil on wood panel Dutch scene shows a woman outside her house tending to chores. The muted scene in shades of green and light colors. Signed lower right “HA Dallhoff”. Housed in a period gesso decorated frame with gilt liner. SIZE: 9-1/4″ X 14-1/2″. CONDITION: Very good. 9-91766 (1,000-1,500)

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280

ATTRIBUTED TO GEORGE HENRIK BREITNER (Dutch, 1857-1923) CITY STREET. Unframed oil on wood panel street scene shows a horse drawn coach, wagon and two women next to big buildings. Initialed lower left. SIZE: 12″ x 14-1/4″. CONDITION: Very good. 9-91763 (900-1,200)

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281

ATTRIBUTED TO GEORGE HENRIK BREITNER (Dutch, 1857-1923) DUTCH MARKET SCENE. Unframed oil on wood panel scene shows a marketplace having carts with awnings and several pedestrians. Colorful buildings and tree are seen in the background. Initialed lower left. SIZE: 11-1/2″ x 16″. CONDITION: Very good. 9-91762 (900-1,200)

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282

ATTRIBUTED TO SERGI A. VINOGRALOV (Russian, 1869-1938) THE EMPTY FARMYARD. Oil on canvas summer scene shows a thatched roof barn with empty hay wagon, several chickens stand on dirt area and a large church is seen in the background with connected buildings. Signed in Cyrillic bottom right. Housed in an ebonized frame with gold edge. SIZE: 11-3/4” x 16-3/4”. CONDITION: Very good. 9-90247 (2,000-3,000)

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283

VLADIMIR CHEREBAEV (Russian, 20th Century) CENTRAL PARK. Oil on canvas spring scene shows New York’s Central Park with pond, people and flowering trees. Large buildings are seen beyond. Signed lower right “V. Cherebaev 86″. Housed in a fine gilt wood frame. SIZE: 20″ x 24”. CONDITION: Very good. 9-91945 (2,000-4,000)

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284

MEIR AXELROD (Russian, 1902-1970)HARBOR FRONT COTTAGE. Interesting oil on masonite scene shows a red cottage with green door with connected buildings at the edge of a harbor. The left side continues the scene but in a darker image which may represent looking through a curtain on the edge of an open window. Signed lower left “M. Axelrod”. Housed in a white reeded edge frame with white wood liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-91286 (2,000-3,000)

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285

DIEGO RIVERA (Mexican, 1886-1957) “FEMME NUE”. Pen and ink drawing of a nude female with hand held up and finger pointing. Signed lower right. Housed in a modern gilt frame with blue matte and inner gold liner. Accompanying the drawing is a catalog entry from the sale at auction of the Hemingway Collection by Kruse Auctioneers, October 29th, 1978. This study was probably done in Italy, 1920-1921. SIZE: Sight: 7-1/2″ x 5″. CONDITION: Good. 9-91800 (2,000-4,000)

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286

ATTRIBUTED TO CARLOS MERIDA (Guatemalan, 1891-1984) ABSTRACT MODERNIST FIGURES. Oil and mixed media on board shows three black bodied figures with orange slice heads having block colored background. Signed center bottom right “Carlos Merida 1978″. Housed in a distressed oak frame. SIZE: 22-3/4″ x 15-1/2”. CONDITION: Water stains at edges, otherwise good. 9-91783 (2,000-4,000)

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287

BARON ERNST VON MAYDEL (Austrian, 1888-1960) “A BICYCLE BUILT FOR TWO”. Outstanding fantasy watercolor scene shows two grasshoppers riding a bicycle built for two across a long grass blade amongst colorful flowers. Signed lower right. Reverse having attached a two-page brochure from the “Exhibition of Motifs Aquarelles by Baron Ernst Von Maydell from the Corcoran Gallery of Art, Washington D.C. November 3rd to December 2nd, 1951”. This watercolor was number 33 in this exhibition. Housed in a silver painted molded wood frame. SIZE: Sight: 9-3/4″ x 10″. CONDITION: Toning to background, very good. 9-90664 (1,500-2,000)

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288

BARON ERNST VON MAYDELL (Austrian, 1888-1960)”DEEP SEA RACE”. Outstanding fantasy watercolor shows an underwater scene with mermaids atop three different fish with other fish and a colorful sea floor. Signed lower left. Reverse having attached a two-page brochure from the “Exhibition of Motifs Aquarelles by Baron Ernst Von Maydell from the Corcoran Gallery of Art, Washington D.C. November 3rd to December 2nd, 1951”. This watercolor was number 14 in that exhibition. Housed in a silver painted molded wood frame with gray matte. SIZE: SIGHT: 9″ x 10-1/4″. CONDITION: Toning to background, very good. 9-90663 (1,500-2,000)

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289

ROBERT HARTLEY CAMERON (American, 1909-)THE BLUE KIMONO. Outstanding oil on canvas scene shows a young woman wearing a blue flower decorated kimono and gold dress. She sits in a garden setting and has an open flower decorated Oriental parasol in her hand resting on her shoulder. She has a red flower in her blond hair. Signed lower right. Housed in a large decorated gilt frame. SIZE: 30-3/4″ x 30″. CONDITION: Very good to excellent. 5-66664 (9,000-12,000)

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290

CLARA D. DAVIDSON (American, 1874-1962) THE PINK CAMELLIAS. Fine oil on canvas portrait of a young woman in white seated on a garden bench with surrounding flowers. She wears a pink flower in her broad brim hat and at waist. She holds a parasol which is open and viewed half way above the bench. Signed lower right. Housed in a fine carved and gilt modern frame with decorative artist plaque. SIZE: 22-1/2″ x 15″. CONDITION: Very good, minor inpainting, relined on new stretcher. 9-91606 (6,000-8,000)

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291

BEULAH SELESNICK (American, First half of the 20th Century)PORTRAIT OF A WOMAN. Oil on canvas Boston School portrait shows a seated woman in side view against a grayish background. Signed lower left. Inscribed on back of canvas with artist and address. Housed in a fine carved and gilt reproduction frame from Guido Frame Studio. SIZE: 30-1/4″ x 21″. CONDITION: Some minor inpainting, craquelure, very good. 9-91245 (3,000-5,000)

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292

WILLIAM MCGREGOR PAXTON (American 1869-1941) PORTRAIT OF A WOMAN. Oil on canvas half portrait of a woman in a red dress. She looks off to the right against a green and black background. Signed lower right “Paxton”. Housed in a gilt wood frame. SIZE: 20″ x 16″. CONDITION: Very good. 9-90264 (2,000-3,000)

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293

THOMAS WILMER DEWING (American, 1851-1938) THE BLUE DRESS. Pastel sketch half portrait of a woman with a blue dress and brown hair. Light shines from the left side casting a shadow over the right part of her face. Signed lower right “TW Dewing”. Housed in a magnificent period deep shadowbox type frame with gilt gesso decoration. A gilt artist plaque is affixed to liner. SIZE: Sight: 10-1/2″ x 8-1/2″. CONDITION: Very good. 9-91767 (2,000-4,000)

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294

ATTRIBUTED TO GUSTAVE COURBET (American, 1819-1877) ADMIRING FROM A DISTANCE. Oil on canvas scene shows a mother and daughter walking along a path while a man hides behind a tree spying on the oncoming girls. A house is seen in the distance under blue and white sky and scattered trees on the green grass field. Signed “Courbet” lower left. Housed in a ebonized frame with gilt gesso decorated having a brown velvet shaped matte. SIZE: 16″ x 15″. CONDITION: One small patch to reverse with minor inpainting, otherwise good. 9-92040 (4,000-6,000)

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295

MARION T. MACINTOSH (American, 1871-1936) “DINGLE BAY”. Large oil on canvas scene shows a blue bay nestled amongst hills and mountains. The viewer is looking over grass covered rocks towards the bay. Signed lower left. Housed in a gilt modern carved wood frame. Index card on back indicates that originally it was from the Estate of Calvin S. Hathaway and another title for the painting is Donegal Cove, Ireland. The scene is located in Northwest Ireland. SIZE: 28” x 30”. CONDITION: Very good. 9-90006 (1,500-2,000)

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296

TSUGOHARA FOUJITA (French/Japan, 1886-1968) SELF PORTRAIT. Mixed media head study of the artist wearing thick round glasses, mustache and straight hair. A light blue shaded background. Signed on left and dated “1933”. Housed in an Oriental style gold and black painted frame with black and white matte. SIZE: Sight: 5-1/2″ x 4-3/4″. CONDITION: Very good. 9-92176 (5,000-7,000)

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297

MARTHA WALTER (American, 1875-1976) WOMAN IN THE WINDOW. Oil on canvas scene shows a woman in black dress with black hair and gold earrings looking out from a balcony with green railing and lavender curtains. An orange birdcage hangs above her. Signed lower left. Housed in its original decorated wood frame. SIZE: 14″ x 12″. CONDITION: Very good. 9-92178 (3,000-5,000)

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298

ATTRIBUTED TO ISAAC ISRAELS (Netherlands, 1865-1934) “DE CARROUSEL”. Oil on wood panel shows a group of adults and children on a street having a carousel. Tall city houses are seen behind. Signed lower right. Housed in a modern gesso decorated gilt frame. Back of board is title, artist and a German certificate. SIZE: 19″ x 25-1/4″. CONDITION: Very good. 9-92180 (3,000-5,000)

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299

FRANCIS DE EDERLEY (American, 1904-1959) OUT OF WORK. Oil on canvas scene shows three men along a front of a building, one sits with head in hand on stoop, another sits on a bulkhead and the other is leaning against a wall. Unsigned front but signed on back canvas and identified on stretcher. Housed in a modern black and gold wood frame. SIZE: 22″ x 32″. CONDITION: Left 4″ of side has extensive chipping, some inpainting to left corner and along edge. Otherwise good. 9-92188 (2,500-3,500)

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301

CLARA D. (SIMPSON) DAVIDSON (American, 1874-1962) FLOWER LINED WALKWAY. Oil on canvas scene shows a Colonial doorway in blue hews with a large tree on right and colorful flowers lining the front walkway. Unsigned front. Estate stamped on reverse and numbered “6117”. Housed in a gilt oak wood frame with beaded liner. SIZE: 19-3/4” x 16”. CONDITION: New stretcher, relined. 9-74619 (1,750-2,250)

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302

JOAN KERRY (American, 20th Century) HARBOR FLOWERS. Tempera on masonite scene shows a colorful flower garden in front of a harbor building constructed on stilts. The harbor can be seen with a sailboat in blue water beyond building. Signed lower right. Housed in a gilt molded wood frame with linen and white liner. SIZE: 24″ x 20″. CONDITION: Very good. 9-91275 (1,500-2,500)

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303

ATTRIBUTED TO WILLIAM MERRITT CHASE (American, 1849-1916) HOUSE IN CARMEL, CALIFORNIA. Unsigned oil on board shows a multi-level house with trees, garden and steps under a blue sky. There is a portrait of a woman on the reverse. SIZE: 16″ x 18″. CONDITION: Good. 9-92024 (6,000-8,000)

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304

ANNA ALTHEA HILLS (American, 1882-1930) CALIFORNIA MISSION. Watercolor on board landscape scene shows a tall brick tower with walls having blue mountains in background. Foreground has a grassy area with a cow. Signed lower right “A A Hills”. Housed in a modern gilt wood frame with linen liner. SIZE: Sight: 17″ x 12″. CONDITION: Good. Watercolor has been painted on a textured surface. 9-91638 (3,000-5,000)

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305

GEORGE GARDNER SYMONS (American, 1863-1930) SOUTHERN CALIFORNIA MISSION. Oil on canvas Western scene shows a street with stucco buildings. Corner building having a small balcony with colorful flower pots. Large mountains are seen in the background under blue and white cloud sky. Signed lower right “Gardner Symons”. Housed in what appears to be its original thin gilt molded wood frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-92072 (800-1,200)

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306

EMIL JEAN KOSA SR. (American, 1876-1955) CALIFORNIA MISSION. Unframed oil on canvas scene shows a stucco building partly covered with green vines having a garden and sandy soil. All under bright blue sky. Unsigned front but signed on back of canvas “Emil Kosa 1911″. SIZE: 12″ x 16-1/2”. CONDITION: Some inpainting, stretcher lines visible. Otherwise very good. 9-92070 (600-800)

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307

CHARLES BUTLER KEELER (American, 1882-1964) CALIFORNIA VILLAGE. Oil on board scene shows a hillside village with white stucco buildings. In foreground are two large trees on hillside. Signed lower left. Housed in a period molded wood gold frame. SIZE: 14-3/4″ x 17-3/4″. CONDITION: Very good. 9-91126 (500-800)

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308

CHARLES THELLER WILSON (American, 1855-1920) REDWOOD FOREST. Large oil on canvas California scene shows a dirt road winding through tall trees. Light breaks through and shines on road and sides of trees. Signed lower right “CT Wilson, Humboldt 1900”. Housed in an antique original reeded edge wide gold frame. SIZE: 30″ x 45″. CONDITION: Very good with one small patch to reverse. 9-74850 (1,500-2,000)

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309

JACK WILKINSON SMITH (American, 1873-1949) WESTERN CASCADE. Oil on board scene shows a river cascading through a break in a large rock ledge. A tall mountain is seen in background with trees. Signed lower left. Housed in a decorative period wood frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-91583 (3,000-5,000)

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310

PAUL DOUGHERTY (American, 1877-1947) MOONLIT COAST. Oil on canvas coastal scene shows waves crashing onto beach with rocks. A bright moon casts light through clouds onto surface of water. Signed lower right “Dougherty”. Housed in a carved and gilt wood frame with gilt liner. SIZE: 20-1/4″ x 26-1/4″. CONDITION: Relined, very good. 9-92124 (5,000-10,000)

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311

ATTRIBUTED TO LIONEL WALDEN (American, 1861-1933) THE WAVE. Oil on canvas scene shows a large wave crashing on to smooth rock ledge. The sea is shown under dark cloud sky. Signed lower left. Housed in its original gesso decorated gilt frame. SIZE: 14″ x 25″. CONDITION: Four patches to reverse, inpainting, chipping to center on left side, signature has either been added on enhanced. 9-92098 (4,000-6,000)

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312

H R BUTMAN (European, 20th Century) ROUGH GOING. Oil on canvas marine scene shows four men in a small boat named “Pilot Dieppe”. They are cresting a large wave heading for an oncoming large sailing vessel. Signed lower left “HR Butman 1902”. Housed in a molded oak frame with white liner. SIZE: 20″ x 36″. CONDITION: Very good. 9-73485 (1,500-2,500)

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313

HARRINGTON FITZGERALD (American, 1847-1930) SHIP ABLAZE. Oil on wood panel marine scene shows a large ship at low tide fully engulfed in bright orange and red flames. Signed lower left. Housed in an antique gold wood frame. SIZE: 19-3/4″ x 30″. CONDITION: Some light overpaint, dirty. Otherwise good. 9-91893 (1,000-2,000)

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314

ALFRED GUNNER BJAREBY (American, 1899-1967) FISHING SHACK INTERIOR. Oil on canvas laid on panel scene shows the wall and floor interior of a fishing shack. The contents include buoys, rope, barrels, oars and rain slicker. Signed lower left and dated “1950”. Housed in a fine carved wood and gilt replacement frame. SIZE: 11-3/4″ x 15-1/2″. CONDITION: Very good. 9-91591 (1,400-1,800)

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315

SIGGED (Mid 20th Century) “GOING HOME”. Large watercolor seascape shows a two-mast schooner passing a smaller skiff with sail. Bright blue ocean with bold colors. Signed lower right indistinctly, possibly F. Mitchell. Housed in an oak wood frame with white matte. SIZE: Sight: 21-1/2″ x 29-3/4″. CONDITION: Very good. 9-90959 (1,000-1,500)

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316

GEORGE H HATHAWAY (American, 1852-1903) SCHOONER OFF CUSHING ISLAND, MAINE. Unsigned oil on artist board coastal scene shows a sailboat in blue green water sailing near an island with a small gazebo on a rock side cliff. Pine trees are seen in the background. Housed in a modern molded wood gilt frame. Cushing Island is in Casco Bay, Maine. SIZE: 4-1/2″ x 6″. CONDITION: Very good. 9-92011 (1,000-1,500)

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317

MARSHALL JOHNSON (American, 1850-1921) ROUNDING THE POINT. Oil on canvas laid on cardboard monochromatic scene shows a three-mast ship passing a point with a large lighthouse and building. Signed lower left. Housed in a modern frame with white matte. SIZE: Canvas is 15″ x 21-1/2″. Sight: 13-1/4″ x 19-3/4″. CONDITION: Canvas is glued to a cardboard sign with some evident tears at edges, small hole at left edge and a scratch through the ocean. Otherwise good. 9-91799 (1,000-2,000)

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318

LUCIAS A. BRIGGS (American, 1852-1931) AN AMERICAN FRIGATE OFF THE COAST. Watercolor ship portrait shows a three-mast frigate sailing left to right in calm water. An American flag is seen off the stern and several deck hands are seen. Several sails are seen in front of a city landscape dotted with church spires and large domed capital building. Signed lower left “LA Briggs”. Housed in a fine gilt molded wood frame with gray matte having inner gold liner. Briggs is listed in the Dictionary of Marine Artists as working in Boston in 1894-96. SIZE: 17” x 22-1/2”. CONDITION: Light water stain in lower left corner, otherwise very good. 9-90970 (600-800)

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319

ALVA GLIDDEN (American, Early 20th Century) CAMDEN HARBOR WITH MT. BATTIE. Watercolor scene shows a tranquil harbor with sailboats and houses at the base of a hill with a tower. A lobster shack is seen in foreground with lobster traps beside. Signed lower right “Alva”. Housed in a gilt molded wood frame. SIZE: Sight: 18″ x 22-1/2″. CONDITION: Very good. 9-91216 (800-1,200)

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320

MARY KING LONGFELLOW (American, 1852-1945) “FARMHOUSE CUSHING’S ISLAND. Fine watercolor landscape scene shows a home on a hillside nestled under blossoming apple trees with a stone wall and hillside. Initialed lower left and dated “1887”. Housed in a gilt wood frame with white matte. Attached to back are two Barridoff Galleries, Portland, Maine labels, one indicating that it descended from the collection of the artist, then to the small family of Portland, Maine. SIZE: Sight: 9-1/2″ x 17″. PROVENANCE: Ladd Heldenbrand Estate, So. Portland, Maine. CONDITION: Three small foxing spots in hillside, otherwise very good. 9-90912 (1,000-2,000)

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321

ARNOLD WHITTMAN KNAUTH II (American, 1918-) “HOBIE CATS”. Oil on masonite scene shows a sailboat race between small catamaran two-man boats with tall striped sails. Signed lower right “A. Knauth”. Housed in a good molded wood frame with white liner. Titled an signed on reverse of frame. SIZE: 13″ x 18″. CONDITION: Very good. 9-91289 (1,000-1,500)

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322

ANDREW BOARDO LUND (American 1877-1959)”SLOOP AT DRY DOCK”. Oil on canvas scene shows a large red and white hulled sloop next to a building ready for fitting. Signed lower left. Housed in a wood frame with white liner. SIZE: 28″ x 25″. CONDITION: Very good. 9-91859 (1,000-1,500)

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323

FREDERICK JUDD WAUGH (American, 1861-1940) “APPROACHING STORM”. Oil on board coastal scene shows white tipped green waves breaking on coastal rocks. Signed lower right. Housed in an old, possibly original gilt carved wood frame. Titled on back. SIZE: 10″ x 13″. CONDITION: Some surface dirt, otherwise very good. 9-92074 (3,000-5,000)

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324

FREDERICK JUDD WAUGH (American, 1861-1940) THE CRASHING WAVE. Oil on canvas coastal scene shows waves crashing onto rocks. Signed lower right “Waugh”. Housed in a modern decorated frame with linen liner. SIZE: 16″ x 20″. CONDITION: Very good. 9-92060 (6,000-8,000)

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325

LAURENCE PHILIP SISSON (American, 1928-) AT THE EDGE OF THE WOODS. Outstanding oil on masonite scene shows a dead forest with the floor of sand, silt and rocks. Different pools of water reflect the landscape with edges of small pebbles in colorful pinks and grays. Signed lower left “L Sisson”. Housed in a contemporary pine frame. An impressive painting of movement and color by a master of this genre. SIZE: 30″ x 48″. CONDITION: Very good. 9-70969 (2,500-3,500)

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326

LAURENCE PHILLIP SISSON (American, 1928-) BOOTHBAY NOCTURNE. Large oil on board scene shows a full moon and dark sky over a large inlet which has half filled during the tide. A dory is seen on the right side and several fishing shacks above it. Signed lower right “L. Sisson”. Housed in a shadowbox type silver gilt frame. SIZE: 36-1/2″ x 44″. CONDITION: Very good. 9-91789 (4,000-5,000)

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327

LAURENCE PHILIP SISSON (American, 1928- ) “THE BERRY PICKERS”. Oil on masonite scene shows several people picking berries on low bushes surrounded by jutting rock ledge. Two sailboats are seen on a calm bay with a village beyond at the base of a mountain. Signed lower right “L Sisson 50″. Retaining an early Robert C. Vose Boston, MA label on reverse. Housed in a decorated wood frame of the period. SIZE: 18-3/4″ x 29”. CONDITION: Very good. 9-92187 (3,000-5,000)

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328

EMILY LANSINGH MUIR (American, 1904-2003) FURY OF THE SEA. Oil on canvas scene shows a storm raging against a lobster mans shack, dock, boat and stacked lobster traps. The lobsterman in yellow slicker is seen braving the storm along with a seagull. Signed lower left. Housed in a fine gilt molded wood frame with gilt liner. SIZE: 20″ x 26″. CONDITION: Very good. 9-91633 (2,000-3,000)

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329

BLAIKIE HINES (American, 20th Century) “ACADIAN SHORE SCHOODIC POINT”. Oil on masonite Maine coastal scene shows the flat rock shoreline with crashing waves and lone sailboat on horizon. Blue and white cloud sky. Signed lower left “Blaikie Hines”. Housed in an antique regilt gesso decorated frame with name plaque. SIZE: 22″ x 36″. CONDITION: Very good to excellent. 9-91390 (2,500-4,000)

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330

BLAIKIE HINES (American, Late 20th Century) “OCTOBER MOONLIGHT”. Oil on masonite nighttime scene shows a landscape with dead tree, rocks on a slight hillside. All under a full moon and a single bird flies under the moonlight. Signed lower left and titled on reverse. Housed in a black painted molded wood frame. SIZE: 16″ x 19-3/4″. CONDITION: Very good to excellent. 9-91056 (800-1,200)

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331

BLAIKIE HINES (American, Late 20th Century) “NEBRASKA TERRITORY, 1862”. Oval oil on masonite scene shows three teepee’s, horses and Native Americans in an encampment beside a river and mesa. The scene is shown under a bright colorful sky with yellow and gray clouds having spots of blue sky. The colorful sky is reflected in the water. The scene performed in a 19th Century style. Housed in a gilt modern frame with oval cutout gilt wood matte. A wood artist plaque is affixed to the front. Signed lower left. SIZE: Sight: 18″ x 22″. CONDITION: Very good. 9-91388 (1,000-1,500)

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332

ATTRIBUTED TO STEPHEN MORGAN ETNIER (American, 1903-1984)IN THE BACKYARD. Oil on canvas attached to wood board backyard scene shows a man with dog seated on low wall in a patio setting. Another figure is on green lawn with an arched doorway beyond. Unsigned. Housed in a period carved wood frame. SIZE: 12″ x 16″. CONDITION: Some very fine craquelure which shows a white canvas behind, otherwise good. 9-91769 (1,000-1,500)

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333

STEPHEN MORGAN ETNIER (American, 1903-1984) SCHOOL’S OUT. Early oil on canvas scene shows a large brick school letting out its children. Several parents have arrived to pick them up in cars and by foot. A monument in a park setting is seen on the right side. Unsigned front but signed on the back and dated “1936”. Housed in an antique wide gesso decorated frame. Old writing on back stretcher indicating that the painting came from Milch Galleries of New York. SIZE: 17″ x 25″. CONDITION: Under glass. Good, some lifting and small chips to bottom edge. 9-90038 (3,000-5,000)

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334

WILLIAM LESTER STEVENS (American, 1888-1969) GLOUCESTER DOCKS. Oil on canvas scene shows a green hull fishing boat moored to a wharf with other sails in background, houses and hills. On right side is a dock with small boat. Signed lower right “W Lester Stevens N.A.”. Housed in a modern molded wood gilt frame. SIZE: 23-1/2″ x 30″. CONDITION: Very good. 9-92179 (5,000-8,000)

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335

JACK VAN RYDER (American, 1899-1967) THE COLORFUL MESA. Oil on canvas board western scene shows a tall colorful mesa dropping down to desert floor with giant sequoia and bushes. Nice pastel colors under a blue sky. Signed lower right. Housed in a period gilt decorated wood frame. SIZE: 17-3/4″ x 24″. CONDITION: A few inpainted spots in sky, otherwise very good. 9-92183 (2,000-3,000)

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336

AARON DRAPER SHATTUCK (American, 1832-1928) A WALK TO TOWN. Wonderful oil on canvas scene shows a woman with basket walking along dirt road. A house with porch sits on grassy hillside with stream below. Through the trees meadows and barns can be seen below blue hills. A nice New England landscape. Signed lower left and dated indistinctly. Housed in a good gilt carved wood frame. SIZE: 12″ x 20″. CONDITION: Very good with some inpainting, relined. 9-92174 (4,000-6,000)

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337

BENJAMIN CHAMPNEY (American, 1817-1907) PANORAMIC VIEW OF MT. WASHINGTON. Unframed oil on canvas fall scene shows a river lined with colorful trees and at far bank four cows. Fields are beyond under a large snow capped mountain. Signed on reverse of stretcher “B. Champney”. SIZE: 12-1/2″ x 20-1/2″. CONDITION: Areas of chipping on left side and bottom edge, 2″ tear in sky, 1″ tear to right tree. Surface dirt. Otherwise good. 9-92190 (1,000-1,500)

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338

JOHN POPE (American, 1821-1880) COWS IN A WOODLAND STREAM. Oil on canvas scene shows a herd of brown and white cows in an around a woodland stream. A thick woods with green foliage is seen. The water with lilies and the green grass banks having flowers. Signed lower right “J Pope”. Housed in a good modern gesso decorated gilt frame. SIZE: 16″ x 24″. CONDITION: Very good. 9-92191 (2,000-3,000)

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339

JULIA KUMMEL SUTHERLAND (American, 19th/20th Century) POND FISHING. Unsigned oil on canvas landscape scene shows a man fishing in a meadow pond under a large tree. People are seen in distance haying and there is a house at the top of a dirt path. A pleasing late summer scene. Housed in a modern stained wood frame. Index card with artist attached to back. SIZE: 10-1/2” x 20”. CONDITION: Small area at center with paint loss, frame lines. Otherwise very good. 9-90007 (200-400)

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340

CHANDLER (American 19th/20th century) FIVE LANDSCAPES. An outstanding collection of five identically framed pastel landscapes. The colorful landscapes include water, trees, mountains and houses. All are signed bottom left or right. Each is housed in the same fine gesso decorated gold frames with glass. SIZE: Sight: 11-1/2″ x 23-1/2″. CONDITION: Frames have only a few nicks. Pastels are good with only minor imperfections. 9-90967 (1,000-2,000)

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341

HENRY J. BILLINGS (American, 1894-) WINTER BIRCHES Large oil on canvas winter scene shows three groups of white birches in a small clearing with snow covered ground and dense woods beyond. Signed lower right “Billings”. Housed in its original carved and gilt wood frame with carved initials “HB”, most likely an artist carved and decorated frame. SIZE: 30″ x 36″. CONDITION: Very good. 9-91291 (2,500-3,500)

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342

HENRY J. BILLINGS (American, 1894-) CARIBBEAN STREET SCENE. Oil on canvas street scene shows red roofed stucco buildings with palm trees and various people. Center of the street has a large steeple and column front building. Signed lower right “Billings”. Housed in a modern carved wood gilt frame. SIZE: 20″ x 24″. CONDITION: Very good. 9-91587 (500-1,000)

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343

HENRY J. BILLINGS (American, 1894-) “VILLA SAN MICHELE, CAPRI”. Oil on board scene shows a long stone stairway leading to a white stucco villa perched on the side of a cliff. Signed lower right “Billings”. Attached to reverse “From the New York No-Jury Exhibition Salons of America, Inc. Forum Galleries New York City”. Housed in a period carved wood frame. SIZE: 20″ x 16″. CONDITION: Very good. 9-91586 (400-800)

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344

NICHOLAS LUISI (American, 1894-1977) “MONHEGAN SURF”. Oil on board coastal scene shows colorful waves crashing onto rocks. Signed lower right. Housed in a wood frame with light matte and glass. SIZE: SIGHT SIZE: 9-1/2″ x 12-1/2″. PROVENANCE: Acquired by consignor directly from the artist’s family. CONDITION: Very good. 9-74435 (500-800)

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345

NICHOLAS J. LUISI (American, 1894-1977) “ISLAND INN MONHEGAN, MAINE, 1950”. Oil on canvas landscape shows a view of a large building and outbuildings with hillside having trees and fence. Signed lower right. Titled and signed on reverse of stretcher. Housed in its original gray and white painted frame. SIZE: 17-1/4″ x 22″. PROVENANCE: Acquired by consignor directly from the artist’s family. CONDITION: Very good, minor inpainting. 9-74445 (500-1,000)

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346

NICHOLAS LUISI (American 1894-1977) “TWO DEAD PINE”. Watercolor scene of two trees against a colorful background. Signed lower left. Housed in a modern molded wood frame with white matte. SIZE: 14-1/2″ x 10-1/2″. PROVENANCE: Acquired by consignor directly from the artist’s family. CONDITION: Very good. 9-74447 (400-600)

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347

NICHOLAS LUISI (American, 1894-1977) “MONHEGAN FOREST”. Large oil on canvas scene shows two dead trees in front of a pine forest with a full moon behind. A colorful scene. Signed lower right “N. Luisi”. Housed in its original wide molded wood frame which has title on reverse and plaque “Awarded Honorable Mention Audubon Artist Tenth Annual 1952”. SIZE: 32″ x 26″. PROVENANCE: Acquired by consignor directly from the artist’s family. CONDITION: Very good, relined 9-74444 (1,000-2,000)

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348

ALVA GLIDDEN (American, Early 20th Century) MAPLE SUGARING. Oil on board winter scene shows men gathering sap from trees and filling a large tub pulled by a two-horse team on a sled. The sugar house is behind amongst a stand of pines and maple trees. A nice Berkshire mountain scene. Unsigned. Housed in its original painted white frame. SIZE: 16″ x 20″. PROVENANCE: Our consignor purchased this unsigned work with the previous signed work with is purported to be by the same artist. CONDITION: Very good. 9-91217 (800-1,200)

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349

EDWARD P. BUYCK (American, 1888-) “THE CUT”. Oil on canvas self portrait of the artist in clown attire holding a number of brushes and painters pallet. A stick that was held by a string has broken and torn the painting the artist was working on and a small tear has fallen from his eye. Signed lower right. Also titled and signed on reverse and dated “1948”. Housed in a period gilt frame. SIZE: 25″ x 30″. CONDITION: Very good. 9-91094 (1,200-1,500)

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350

UMBERTO ROBERTO ROMANO (American, 1905-1984) “ROBERTO”. Oil on artist board shows a head study in blue. Signed lower right. Titled in pen on reverse. Housed in a splash painted molded wood frame with wood liner. SIZE: 10″ x 8″. CONDITION: Very good. 9-91627 (500-1,000)

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351

REYNOLDS BEAL (American, 1867-1951) DOWNEY BROS. CIRCUS, “ELEPHANTS AND APPALOOSA”. Mixed media scene shows a wide view of a circus with three large tents flying American flags, two large elephants with riders, a man on Appaloosa horse and other performers. Signed lower left, dated “1934” and inscribed “Downey Bros. Circus”. Wonderfully housed in a carved and gilt double frame with white matte. SIZE: Sight: 14-1/4″ x 17-3/4″. CONDITION: Very good. 9-91617 (4,000-6,000)

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352

REYNOLDS BEAL (American, 1867-1951) JUMBO AND THE CIRCUS. Mixed media circus scene shows two elephants with a variety of circus performers and ring master. Jumbo stands in front of his large poster and the background has two large tents, one flying the American flag. Pencil signed bottom left and dated “1936”. Housed in a wonderful carved and gilt double frame with glass and tan matte. SIZE: Sight: 14-1/4″ x 18″. CONDITION: Very good. 9-91594 (4,000-6,000)

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353

REYNOLDS BEAL (American, 1867-1951) “GORMAN BROS. CIRCUS”. Mixed media circus scene shows a big top with three American flags with a number of people entering the big top. Some performers are seen in foreground. Signed center bottom, dated 1928 and titled. Housed in a fine carved and gilt replacement frame with linen matte and gold inner liner. SIZE: 10-1/2″ x 14-1/2″. CONDITION: Very good. 9-91282 (4,000-6,000)

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354

WILLIAM HENRY JOHNSON (American, 1901-1970) FAUVIST STILL LIFE. Oil on canvas scene shows a green vase with bowl against a mottled background. Signed on back “Wm Johnson”. Housed in a fine modern gilt molded wood frame. SIZE: 22″ x 18″. CONDITION: Very good. 9-92021 (6,000-8,000)

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355

MARTHA WALTER (American/French, 1875-1976) STILL LIFE OF PEONIES. Oil on canvas scene shows a silver vase brimming with large white orange center flowers with green leaves and unopened buds. Signed lower left. SIZE: 24″ x 30″. CONDITION: Very good. 9-92162 (4,000-6,000)

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356

SIGNED (American, 19th/20th Century) CARNATIONS. Oil on canvas still life scene shows a tumbled bouquet of red and pink carnations with green leaves. Signed lower right possibly Chech or Chelch or Cheeh. Housed in a gold period frame with gold liner. SIZE: 12″ x 20″. CONDITION: One patch to reverse, very good. 9-91268 (1,800-2,200)

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357

MALCOLM HUMPHREYS (American, 1892-1963) TABLE TOP STILL LIFE. Oil on canvas scene shows a glass, two pitchers, bowl and three pieces of fruit on a table top with colorful cover. Signed lower right “M.H. 33″. Housed in a painted wood frame. SIZE: 21″ x 27”. CONDITION: Several small holes, area in left corner with inpainting, otherwise good. 9-92087 (600-800)

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