Winter Antique, Asian & Fine Art Auction
Totals $4 Million!

Auction: Jan. 30-31 & Feb. 1, 2013

Preview: Jan. 29th, 2013: 9am-5pm

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
1000

DONALD ALLEN MOSHER (American, 1945- ) FARM IN SUNLIT LANDSCAPE. Oil on canvas Housed in a modern gilt wood frame in good condition Signed “Donald Allen Mosher”, lower right SIZE: 20-1/4″ x 20″. Overall: 25″ x 25″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good to excellent 9-27354 (3,000-4,000)

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1001

T.M. NICHOLAS (American, 1963- ) RED BARN IN AUTUMN. Oil canvas Housed in a modern gilt carved wood frame in good condition Signed “T.M. Nicholas”, lower left SIZE: 20″ x 30″. Overall: 28″ x 38″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good to excellent 9-27385 (3,000-5,000)

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1002

T.M. NICHOLAS (American, 1963- ) “ACADIA NATIONAL PARK, MAINE”. Oil on canvas Housed in a gold Guido frame, in good condition with small chip Signed “T.M. Nicholas”, lower left Numerous pamphlets regarding painting and artist affixed to verso SIZE: 30″ x 40″. Overall: 36″ x 46″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27352 (6,000-9,000)

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1003

T.M. NICHOLAS (American 1963- ) VIEW OF GLOUCESTER FROM ANIMATED HARBOR. Oil on canvas Housed in a gold carved contemporary frame with some wear Signed “T.M. Nicholas”, lower left Label of Thomas Nicholas Gallery, Rockport on back of frame SIZE: 20″ x 18″. Overall: 26-1/2″ x 24″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27377 (3,000-5,000)

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1004

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER WINTER”. Oil on artist’s board Housed in a simple gold leaf 22/23 Karat Guido frame in good condition Signed “Emile A. Gruppe” lower right Signed and titled on verso SIZE: 12″ x 16″. Overall: 16-1/4″ x 20-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27362 (2,500-3,500)

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1005

EMILE ALBERT GRUPPE (American, 1896-1978) SMITH COVE, ROCKY NECK, GLOUCESTER. Oil on canvas Housed in a modern gilt wood frame in good condition Signed “Emile A. Gruppe”, lower right SIZE: 25″ x 30″. Overall: 31-1/2″ x 36-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27285 (7,500-12,500)

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1006

ERIC HUDSON (American, 1864-1932) “SCHOONER…” ON HIGH SEAS. Oil on canvas Housed in a period cove style bronze painted frame which is cut down with repairs Signed “Eric Hudson”, lower right Identified on stretcher and on fragmentary period label on verso SIZE: 24-1/2″ x 28-1/4″. Overall: 31-1/2″ x 35-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Thick impasto with craquelure 9-27316 (7,000-10,000)

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1007

ANTONIO CIRINO (American, 1889-1983) “A BIT OF CAPE ANN”. Oil on artist’s board Housed in a gold 1930’s carved frame, with some wear Signed “A. Cirino”, lower right. Titled on verso SIZE: 8″ x 10″. Overall: 9-1/2″ x 11-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered retouch, primarily to right side, otherwise very good 9-27340 (1,200-1,800)

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1008

ALDRO THOMPSON HIBBARD (American 1886-1972) MOTIF #1 IN WINTER. Oil on artist’s board Housed in a gilt molded wood Guido frame in good condition Signed “A.T. Hibbard”, lower right Inscribed on verso “To Johnny Vander Meer, just a memo of the first ‘Art lesson’ in Boston, A.T. Hibbard, July 13, 1939″ SIZE: 9″ x 11″, Overall: 12-1/2″ x 14-1/2” PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27306 (4,000-6,000)

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1009

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER HARBOR SCENE WITH CITY VIEWS BEYOND. Oil on artist’s board Housed in gold Guido frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27300 (3,500-5,500)

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1010

FREDERICK JOHN MULHAUPT (American, 1871-1938) “GLOUCESTER GILL NETTERS”. Oil on canvas Housed in a fine modern gesso decorated gilt frame with liner Signed “Mulhaupt”, lower right National Arts club exhibition 1932 label, and Cape Ann Arts festival label on verso SIZE: 28″ x 34-1/4″. Overall: 37″ x 43″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Wax lined with craquelure and minor retouch 9-27315 (50,000-80,000)

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1011

FREDERICK JOHN MULHAUPT (American, 1871-1938) “AT THE GUINEA WHARF”. Oil on board Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “Mulhaupt”, lower left Exhibition History: Allied Artists of America, Inc. 10th annual exhibition 1923 SIZE: 8″ x 10″. Overall: 10-3/4″ X 12-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27313 (20,000-30,000)

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1012

FREDERICK JOHN MULHAUPT (American, 1871-1938) “THE ICE-BREAKER’S PATH”. Oil on board Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “Mulhaupt”, lower right Exhibition History: Boston Art club, exhibition of intimate pictures; North Shore Arts Association of Gloucester, 1999 SIZE: 8″ x 10″. Overall: 10-3/4″ x 12-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27305 (20,000-30,000)

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1013

FREDERICK JOHN MULHAUPT (American, 1871-1938) “HARBOR LIFE”. Oil on board Housed in a gilt carved frame Signed lower left Mulhaupt”, lower left Exhibition History: Salmagundi club, thumb-box exhibition SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Shannon’s Fine Art Auctioneers, 4/26/2007, lot #13 CONDITION: Minor touch up, very good 9-27312 (20,000-30,000)

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1014

FREDERICK JOHN MULHAUPT (American, 1871-1938) FLOAT AT ROCKY NECK, EAST GLOUCESTER. Watercolor Housed in a Guido 22/23 karat gold leaf frame with glass in good condition Signed “Mulhaupt”, lower right SIZE: Sight: 8-3/4″ x 10-1/4″. Overall: 14″ x 15-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Some fading, otherwise very good 9-27308 (3,000-4,000)

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1015

WILLIAM LESTER STEVENS (American, 1888-1969) ROCKPORT HARBOR. Oil on canvas Housed in its original gilt carved wood frame in good condition Signed “W. Lester Stevens 1922″, lower right SIZE: 22″ x 27”. Overall: 28-1/2″ x 33-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Blackwood March 1/7/2009, lot 14B CONDITION: Craquelure, otherwise very good 9-27314 (8,000-12,000)

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1016

WILLIAM LESTER STEVENS (American, 1888-1969) LANES COVE. Oil on canvas Housed in a modern gilt carved frame with carved liner Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A Retrospective, September 27- November 9, 2003 illustrated on page 16 of Stevens’ book written by Judith A. Curtis. Also, a Flint Institute of Art exhibition label on verso SIZE: 34″ x 38″. Overall: 43″ x 47″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered retouching, otherwise very good 9-27273 (10,000-15,000)

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1017

WILLIAM LESTER STEVENS (American, 1888-1969) WEST TOWNSEND, VERMONT VILLAGE. Oil on canvas Signed “W. Lester Stevens”, lower left Housed in a gilt mid century frame in good condition Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003. Illustrated on page 18 in Stevens’ book written by Judith A. Curtis SIZE: 20″ x 24″. Overall: 25-3/4″ x 29-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27343 (6,500-9,500)

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1018

WILLIAM LESTER STEVENS (American, 1888-1969) “FALLS OF SHELBOURNE (ICY BROOK)”. Oil on canvas Housed in a gold a Guido frame, in good condition Signed “W. Lester Stevens NA”, lower right Identified on Child’s Gallery, Boston, label and on canvas and stretcher. Rockport Art Association Exhibition label affixed to frame verso Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 25 in Stevens’ book written by Judith A. Curtis. SIZE: 30″ x 36″. Overall: 36″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27283 (6,500-8,500)

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1019

WILLIAM LESTER STEVENS (American, 1888-1969) LATE WINTER MELT. Oil on canvas Housed in a carved wood period frame by Carrig-Rohane shop in 1924 Signed “W. Lester Stevens 1934″, lower right SIZE: 35″ x 42”. Overall: 39-1/4″ x 46″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined on new stretcher, retouch to bottom edge, appears to have a dirty varnish layer 9-27338 (8,000-12,000)

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1020

WILLIAM LESTER STEVENS (American, 1888-1969) OLD MILL, VERMONT. Oil on canvas Housed in a period carved gilt frame in good condition Signed “W. Lester Stevens N.A.” lower right SIZE: 42″ x 48″. Overall: 46-1/2″ x 52-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Pencil tip sized puncture below roof, otherwise very good 9-27265 (15,000-20,000)

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1021

WILLIAM LESTER STEVENS (American, 1888-1969) “THE OLD MILL”. Oil on canvas Housed in a modern gesso decorated gilt frame in good condition Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 41 of Stevens’ book written by Judith A. Curtis SIZE: 33″ x 37″. Overall: 40-1/2″ x 44-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered inpainting, very good 9-27391 (10,000-14,000)

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1022

WILLIAM LESTER STEVENS (American, 1888-1969) MILL DAM. Oil on canvas Housed in a fine modern gilt frame Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 17 in Stevens’ book written by Judith A. Curtis SIZE: 40″ x 46″. Overall: 47-1/2″ x 53-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Some inpainting, otherwise very good 9-27279 (15,000-20,000)

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1023

ALDRO THOMPSON HIBBARD (American, 1886 – 1972) VILLAGE WITH BRIDGE IN WINTER. Oil on canvas Housed in a modern gesso decorated frame Signed “A.T. Hibbard”, lower right Having a Rockport Art Association exhibition label September 27- 0ctober 27, 1996 SIZE: 30-1/4″ x 36-1/4″. Overall: 38-1/4″ x 44-1/4″. PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined, very good. 9-27277 (25,000-35,000)

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1024

ALDRO THOMPSON HIBBARD (American, 1886-1972) THE ROAD HOME/ A VERMONT VILLAGE SCENE. Oil on canvas Housed in a gold stippled period frame with some gold losses Signed “A.T. Hibbard”, lower right SIZE: 24″ x 30″. Overall: 29″ x 35″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27281 (10,000-15,000)

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1025

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT WINTER HOMESTEAD WITH SLEIGH. Oil on artist’s board Housed in a gold Guido frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 9″ x 12″. Overall: 11″ x 14″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27295 (3,000-4,000)

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1026

ALDRO THOMPSON HIBBARD (American 1886-1972) VERMONT WINTER SCENE WITH ROLLING HILLS. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Estate stamped “A.T. Hibbard”, lower left SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27301 (4,000-6,000)

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1027

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT VALLEY IN WINTER. Oil on canvas laid to board Housed in a gilt molded wood Guido frame in good condition Signed “A.T. Hibbard”, lower left SIZE: 9″ x 12″, Overall: 14″ x 17″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Two small surface chips, otherwise very good 9-27302 (3,500-5,500)

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1028

ALDRO THOMPSON HIBBARD (American, 1886 – 1972) WEST RIVER VALLEY, VT. Oil on canvas Housed in a modern Guido frame studio 22/23 karat gold leaf frame, in very good condition Unsigned Vose Galleries, Boston label on verso SIZE: 40″ x 49″. Overall: 45-1/2″ x 54-1/4 PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Small area of inpainting, very good. 9-27280 (30,000-40,000)

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1029

WILLIAM CHADWICK (American, 1879-1962) “HOUSE ON THE HILL”. Oil on canvas Housed in ornate carved and composite burnished gold frame, with losses Signed “W. Chadwick”, lower right Identified on verso on the Cooley Gallery label, Old Lyme, CT. Artist clippings also on verso SIZE: 16″ x 20″. Overall: 22″ x 26″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Light craquelure, otherwise very good 9-27304 (6,000-9,000)

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1030

WILLIAM CHADWICK (American, 1879-1962) SPRING LANDSCAPE WITH POND AND HOUSES BEYOND. Pastel on paper Housed in a gold ornate frame (no glass) Signed “W. Chadwick”, lower left Ingeborg Gallery/William Dobi Fine Art labels on verso SIZE: 17″ x 19 1/4″. Overall: 22-1/2″ x 25″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27303 (3,000-4,000)

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1031

PAUL SAMPLE (American, 1896-1974) “ISLAND POND MEADOWS”. Oil on canvas Housed in a gold 22/23 karat gold leaf Guido frame Signed lower left Identified on labels and graphite inscriptions on verso, including label from the Milch Galleries, NY SIZE: 14″ X 20″. Overall: 19-1/2″ x 25-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good. 9-27346 (5,000-7,000)

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1032

BRUCE CRANE (American, 1857-1937) “SPRING”. Oil on canvas Housed in a 1930’s carved & gold painted frame, cut down with losses Signed “Bruce Crane NA” lower left Identified & titled on the Greenwood Galleries, Stonington, CT label on verso SIZE: 18″ x 24″. Overall: 22″ x 28″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Sotheby’s, NY 3/8/07; The Greenwood Gallery, CT; Christie’s, NY 10/9/03 CONDITION: Heavy impasto, scattered craquelure, retouch primarily to center of composition 9-27392 (4,000-6,000)

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1033
Revised: 1/28/2013

Correction: Artist name is correct but his dates should read 1891-1955

ERNEST ALBERT, JR. (American, 1891-1955) “BIRCHES IN AUTUMN”. Oil on artist’s board Housed in a gold carved Guido frame in good condition Signed “Ernest Albert, Jr.” on lower left Identified on Salmagundi Club label on verso SIZE: 8″ x 10″. Overall: 12-1/2″ x 14-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27322 (1,200-1,800)

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1034

CARL WILLIAM PETERS (American, 1897-1980) “PETERS FARM, APRIL 1938”. Oil on Masonite Housed in a gold Guido frame in good condition Signed “Carl W. Peters”, lower left Identified in written inscriptions on verso SIZE: 12″ x 16″. Overall: 17″ x 20-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27290 (2,500-3,500)

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1035

WILLIAM JURIAN KAULA (American, 1871-1953) “BANK VILLAGE, NEW HAMPSHIRE”. Oil on artist’s board Housed in a gold, mid-century frame in good condition Signed “W.J. Kaula”, lower left Identified on the Guild of Boston Artists, Boston, label on verso SIZE: 12″ x 15″. Overall: 15″ x 18″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27360 (1,000-1,500)

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1036

ALDRO THOMPSON HIBBARD (American, 1886-1972) “BRIDGE AT BATH N.H.”. Oil on canvas Housed in a carved gilt wood frame with a label of “Gill Lagodich” Signed “A.T. Hibbard”, lower left Titled and numbered 143 on verso of canvas SIZE: 30-1/4″ x 40-1/4″. Overall: 35-3/4″ x 45-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27282 (20,000-30,000)

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1037

ALDRO THOMPSON HIBBARD (American, 1886-1972) SPRING THAW/ A SUNLIT VERMONT SCENE. Oil on canvas Housed in a gold Guido frame, in good condition Signed “A.T. Hibbard”, lower left SIZE: 25″ x 30″. Overall: 31-1/2″ x 36-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27324 (8,000-12,000)

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1038

ALDRO THOMPSON HIBBARD (American, 1886-1972) MOUNT CHOCORUA, NH. Oil on canvas Housed in a modern gilt wood frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 28″ x 44″. Overall: 34-1/2″ x 50-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27351 (20,000-30,000)

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1039

ALDRO THOMPSON HIBBARD (American, 1886-1972) FALL IN VERMONT. Oil on canvas Signed lower left, “A.T. Hibbard” Housed in a carved gilt replacement frame in good condition Exhibit label: Rockport Art Association Sept 27- Oct 27, 1996 on verso SIZE: 20″ x 24″, Overall: 23 1/4″ x 27 1/4″ PROVENANCE: John F. Gale collection, Cambridge, MA CONDITION: Very good 9-27344 (7,000-10,000)

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1040

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT SUMMER FARM WITH RIVER. Oil on canvas Housed in a modern gilt wood frame in good condition Estate stamped and signed “Winifred J. Hibbard” on verso SIZE: 30″ x 34″. Overall: 36″ x 40″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27297 (12,500-17,500)

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1041

WILLIAM LESTER STEVENS (American, 1888-1969) LANDSCAPE WITH APPLE TREES AND BARN. Oil on canvas Housed in a gilt mid century frame in good condition Signed “W. Lester Stevens, N.A.”, lower left SIZE: 22″ x 30″. Overall: 26″ x 33-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27339 (3,500-5,500)

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1042

WILLIAM LESTER STEVENS (American 1888-1969) APPLE BLOSSOMS. Oil on masonite Housed in a modern gilt wood frame Signed “W. Lester Stevens N.A.”, lower right SIZE: 15-3/4″ x 20″. Overall: 20-1/2″ x 24-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27357 (3,000-4,000)

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1043

WILLIAM LESTER STEVENS (American, 1888-1969) FARMHOUSE WITH COWS. Oil on canvas Housed in a modern ribbed gilt frame with liner Signed “W. Lester Stevens N.A.”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 56 of Stevens’ book written by Judith A. Curtis SIZE: 33-1/4″ x 39″. Overall: 41-1/2″ x 47-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined, inpainting to top edge, otherwise very good 9-27272 (7,000-11,000)

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1044

WILLIAM LESTER STEVENS (American, 1888-1969) “COWS AT PASTURE”. Oil on canvas Housed in a contemporary burnished gold and natural wood frame in good condition Signed “W. Lester Stevens NA”, lower right Rockport Art Association label affixed to frame verso Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 23 in Stevens’ book written by Judith A. Curtis. SIZE: 30″ x 36″. Overall: 36-1/2″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27383 (5,000-7,000)

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1045

WILLIAM LESTER STEVENS (American 1888-1969) AUTUMN LANDSCAPE WITH COWS, APPLE TREE AND FARM. Oil on canvas Housed in a black and gold cut down frame Signed “W. Lester Stevens N.A.”, lower right SIZE: 25″ x 30″. Overall: 29-1/4″ x 33-3/4 PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27386 (3,000-5,000)

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1046

WILLIAM LESTER STEVENS (American, 1888-1969) AUTUMN HAYSTACKS. Oil on artist’s board Housed in a period carved gilt frame with wear Signed “W. Lester Stevens”, lower right SIZE: 14″ x 16″. Overall: 17-1/4″ x 19-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27356 (2,500-3,500)

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1047

WILLIAM LESTER STEVENS (American, 1888-1969) LATE AUTUMN. Oil on canvas Housed in a gilt modern wood frame in good condition Signed “W. Lester Stevens N.A.”, lower right SIZE: 20″ x 26″. Overall: 26-1/4″ x 32-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Repaired small tear in sky, otherwise very good 9-27387 (2,000-3,000)

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1048

JAMES KING BONNAR (American, 1883-1961) “VERMONT WINTER”. Oil on canvas Housed in a weathered wood frame with painted liner Signed “James King Bonnar”, lower right SIZE: 36″ x 58″. Overall: 40″ x 62″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27380 (5,000-7,000)

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1049

STANLEY WINGATE WOODWARD (American, 1890-1970) “OLD RED BARN”. Oil on canvas Housed in a period carved wood frame in good condition Signed “Stanley Woodward”, lower right SIZE: 40″ x 50″. Overall: 45-1/4″ x 55-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27379 (5,000-8,000)

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1050

LEO B. BLAKE (American, 1887-1976) WINTER VERMONT RIVER VALLEY LANDSCAPE. Oil on Masonite Housed in a modern composite gilt frame in good condition Signed “Leo B. Blake”, lower right SIZE: 39-1/2″ x 58″. Overall: 42-3/4″ x 61-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27266 (3,000-5,000)

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1051

LEO B. BLAKE (American, 1887-1976) “UP IN THE HILLS”. Oil on canvas Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “Leo B. Blake”, lower right Child’s gallery label on verso SIZE: 36″ x 40″. Overall: 42-1/4″ x 46-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27388 (1,500-2,500)

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1052

LEO B. BLAKE (American, 1887-1976) AUTUMN BIRDSEYE VIEW OF A VERMONT VILLAGE/HORSE DRAWN WAGON & RIDER IN MID-GROUND. Oil on canvas Housed in a gold carved Baroque style frame with some wear Signed lower left “Leo B. Blake” Artist information and 1948 Vermont calendar with examples of the artist’s work affixed to verso SIZE: 20-1/2″ x 24-1/2″. Overall: 26″ x 28-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27319 (1,200-1,800)

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1053

JOHN FREDERICK CARLSON (American, 1874-1945) “SILVERY WATERS”. Oil on canvas Housed in a modern gilt gesso decorated frame in good condition Signed “John F. Carlson”, lower left SIZE: 25″ x 30″. Overall: 33″ x 38″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27310 (7,000-11,000)

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1054

JOHN FABIAN CARLSON (American, 1874-1945) “THROUGH THE HILLS”. Oil on board Housed in a carved gilt period frame with a partial Newcomb-Macklin label Signed “John F. Carlson”, lower right Signed and titled and verso SIZE: 12 x 16. Overall: 16-1/2″ x 20-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA; Shannon’s Fine Art auctions 5/4/2006, lot #37 CONDITION: Very good 9-27291 (4,000-6,000)

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1055

BERNARD COREY (American, 1914-2000) RED BARN IN SUMMER. Oil on canvas board Housed in a gold contemporary frame in good condition Signed “Bernard Corey”, lower right SIZE: 8-1/2″ x 12-1/4″. Overall: 11″ x 14-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27320 (1,300-1,900)

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1056

BERNARD COREY (American, 1914-2000) THE GREEN BARN. Oil on canvas laid to panel Housed in a 1920s gilt gesso decorated frame in good condition with some wear Signed “Bernard Corey”, lower left On verso, a Royka’s Fine Art label, “From the estate of Bernard Corey” SIZE: 10″ x 14″. Overall: 12-1/2″ x 16-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27327 (1,300-1,900)

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1057

BERNARD COREY (American, 1914-2000) “FALL ON THE FARM”/ FISHERMAN RETURNING WITH DAY’S CATCH. Oil on artist’s board Housed in a carved natural oak frame, early 20th century with some losses Signed “Bernard Corey”, lower right Identified on verso SIZE: 10″ x 14″. Overall: 12-1/2″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered retouch to center of composition, otherwise good 9-27345 (1,300-1,900)

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1058

BERNARD COREY (American, 1914-2000) AN AUTUMN VIEW INTO THE VALLEY. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “Bernard Corey”, lower right SIZE: Sight: 8-1/2″ x 13-1/2″. Overall: 14-1/2″ x 19-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27349 (1,000-1,400)

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1059

BERNARD COREY (American, 1914-2000) APPLE BLOSSOMS/ A SPRING LANDSCAPE WITH BARN. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “Bernard Corey”, lower right SIZE: Sight: 8-1/2″ x 13-1/2″. Overall: 14-1/2″ x 19-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27350 (1,100-1,700)

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1060

ALDRO THOMPSON HIBBARD (American, 1886-1972) SUNLIT HILLS, WINTER IN VERMONT. Oil on artist’s board Housed in a Guido 22/23 karat gold leaf frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 8″ x 10″. Overall: 10-3/4″ x 12-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27292 (4,000-6,000)

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1061

ALDRO THOMPSON HIBBARD (American, 1886-1970) “MOUNT MANSFIELD”. Oil on artist’s board Housed in a gold and black early 20th century frame, with wear to gold Signed “A.T. Hibbard”, lower right Identified on Vose Galleries, Boston, label on verso SIZE: 9″ x 12″. Overall: 11-3/4″ x 15″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Good 9-27271 (3,000-5,000)

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1062

ALDRO THOMPSON HIBBARD (American, 1886-1972) “BONDVILLE, VERMONT”. Oil on artist’s board Housed in a gold and green 1930’s frame with Gilt wear Signed “A.T. Hibbard”, lower left Identified on Wallace Gallery, East Hampton, NY and period exhibition label on verso SIZE: 9″ x 12″. Overall: 10-3/4″ x 13-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27268 (4,000-6,000)

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1063

ALDRO THOMPSON HIBBARD (American, 1886-1972) “LATE LIGHT”. Oil on artist’s board Housed in a modern gilt frame in good condition Signed “A.T. Hibbard”, lower left Period typed label with title on verso SIZE: 9″ x 12″. Overall: 10-3/4″ x 14″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27299 (3,000-4,000)

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1064

ALDRO THOMPSON HIBBARD (American 1886-1972) CONNECTED FARMHOUSE IN WINTER. Oil on artist’s board Housed in a modern gilt replacement frame Signed “A.T. Hibbard”, lower right SIZE: 9″ x 12″. Overall: 13-1/2″ x 16-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27296 (3,000-4,000)

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1065

WILLIAM LESTER STEVENS (American, 1888-1969) “VINAL HAVEN [sic], MAINE”. Oil on canvas Housed in a gold decorated Guido frame, in good condition Signed “W. Lester Stevens”, lower left Identified on period label on stretcher SIZE: 25″ x 30″. Overall: 31″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Subtle craquelure, otherwise very good 9-27375 (3,500-5,500)

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1066

WILLIAM LESTER STEVENS (American, 1888-1969) HOUSES BY THE BAY, CAMDEN, MAINE. Oil on canvas on Masonite Housed in a modern gilt wood frame in good condition Signed “W. Lester Stevens N.A.”, lower right SIZE: 17-1/2″ x 23-1/2″. Overall: 22-1/4″ x 28-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27355 (4,000-6,000)

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1067

WILLIAM LESTER STEVENS (American, 1888-1969) PIGEON COVE, ROCKPORT. Oil on canvas Housed in a gilt modern frame in good condition Signed “W. Lester Stevens”, lower right SIZE: 20″ x 24″. Overall: 23-1/2″ x 27″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27364 (1,500-2,500)

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1068

WILLIAM LESTER STEVENS (American, 1888-1969) BARNYARD WITH WAGON. Oil on board Housed in a modern gilt wood frame in good condition Signed “W. Lester Stevens”, lower right Exhibition History: Rockport Art Association, W. Lester Stevens, N.A. Retrospective, September 27- November 9, 2003 illustrated on page 57 of Stevens’ book written by Judith A. Curtis SIZE: 12″ x 14″. Overall: 17″ x 19″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27270 (1,500-2,500)

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1069

WILLIAM LESTER STEVENS (American, 1888-1969) MOUNTAIN VILLAGE AT MID-DAY. Oil on canvas Housed in a period gold carved frame with minor gold losses Signed “W. Lester Stevens”, lower right SIZE: 25″ x 30″. Overall: 29-1/2″ x 34-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27353 (3,000-4,000)

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1070

WILLIAM LESTER STEVENS (American, 1888-1969) WINTER LANDSCAPE WITH BARNS AND BROOK. Oil on masonite Housed in a 1920’s gilt frame, cut down with losses Signed “W. Lester Stevens N.A.”, lower left SIZE: 15-3/4″ x 30″. Overall: 18-1/2″ x 32-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27318 (3,000-4,000)

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1071

EDGAR FORKNER (American 1867-1945) BOATS AT DOCK. Oil on canvas Housed in a period gilt molded wood frame with wear Signed “Edgar Forkner”, lower right SIZE: 22″ x 28″. Overall: 27″ x 33″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Minor scrapes, otherwise very good 9-27389 (2,000-3,000)

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1072

VLADIMIR PAVLOSKY (American, 1884-1944) ANIMATED HARBOR SCENE WITH FISHERMEN UNLOADING THEIR CATCH. Oil on canvas Housed in a gold carved frame in good condition Signed “V. Pavlosky”, lower left SIZE: 25″ x 30″. Overall: 29″ x 33-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Lined and retouched, otherwise very good 9-27311 (2,500-3,500)

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1073

MARIA VERONICA LISZT (American, 1902-1992) ANIMATED HARBOR SCENE WITH FIGURE AND NUMEROUS VESSELS. Oil on canvas Housed in a natural carved wood frame with silver and gold highlights (possibly by the artist), in good condition Signed lower right SIZE: 16″ x 20″. Overall: 21″ x 25″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27365 (600-900)

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1074

JOHN A. COOK (American, 1870-1936) TWO WORKS: HARBOR SCENE AND BOAT YARD. Watercolors Both with modern frames with glass in good condition Both signed “John A. Cook”, lower left SIZE: Sight: 17-1/2 x 21-1/2″, and 15-1/2″ x 19-1/2″. Overall: 23-1/2″ x 27-1/2″, and 20-1/2″ x 24-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27394 (700-1,100)

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1075

JOHN A. COOK (American, 1870-1936) THREE HARBOR SCENES. Watercolors Two unframed, one with shadow box type frame in good condition All signed: one “J.A. Cook”, lower left, one “John A. Cook”, lower left, and one John A. Cook”, lower right SIZE: Unframed: 18″ x 22″. Framed, Sight: 9-1/2″ x 7-1/2. Overall: 15-3/4″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Unframed: some toning and light foxing, framed: very good 9-27366 (700-1,100)

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1076

JOHN A. COOK (American, 1870-1936) LOT OF THREE ANIMATED SUMMER HARBOR VIEWS. Watercolor on paper Two housed in contemporary gold Guido frames in good condition; third housed in a simple 1930’s gold painted frame in good condition All signed SIZE: Sight: 10-1/4″ x 7″. Overall: 14″ x 10-1/2″. Sight: 7″ x 10-1/4″. Overall: 10-1/2″ x 14-1/4″. Sight: 11″ x 7″. Overall: 12-1/4″ x 8-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27326 (1,000-1,400)

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1077

JOHN WHORF (American, 1903-1959) COASTAL FISH SHACKS WITH DUNES BEYOND. Oil on canvas Housed in mid-20th century black and a gold frame with some wear Signed lower right SIZE: 12-1/4″ x 28-1/2″. Overall: 15″ x 31″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27317 (1,500-2,500)

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1078

JOHN HARE (American, 1908-1978) LIGHTHOUSE AT DUSK. Oil on canvas Housed in a painted wood carved frame Signed “John Hare”, lower right SIZE: 25″ x 30″. Overall: 30-3/4″ x 35-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Light craquelure, small repair above lower rocks, otherwise very good 9-27384 (800-1,200)

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1079

JOHN HARE (American, 1908-1978) SUNLIT FARMSTEAD IN WINTER. Oil canvas Housed in a gilt carved wood frame in good condition Signed “John Hare”, lower right SIZE: 25″ x 30″. Overall: 28-1/2″ x 33-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27382 (1,500-2,000)

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1080

ALDRO THOMPSON HIBBARD (American, 1886-1972) SUNLIT WINTER LANDSCAPE WITH YELLOW HOUSE/ VERMONT MOUNTAIN IN BACKGROUND. Oil on artist’s board Housed in a gold Guido frame in good condition Signed “A.T. Hibbard” in lower left SIZE: 9″ x 12″. Overall: 14″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27275 (2,500-3,500)

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1081

ALDRO THOMPSON HIBBARD (American, 1886-1972) DAYBREAK WINTER LANDSCAPE/ VERMONT. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “A.T. Hibbard”, lower left Inscribed “49” on verso, possibly in artist’s hand SIZE: 7-1/4″ x 9″. Overall: 10″ x 12″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27278 (3,000-5,000)

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1082

ALDRO THOMPSON HIBBARD (American, 1886-1969) “LATE AFTERNOON VERMONT”. Oil on artist’s board Housed in a Guido 22/23 karat gold leafed frame in good condition Signed “A.T. Hibbard”, lower right Period typed label on verso SIZE: 9″ x 12″. Overall: 11-3/4″ x 15″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27294 (3,000-5,000)

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1083

ALDRO THOMPSON HIBBARD (American, 1886-1972) SNOWY VERMONT LANDSCAPE WITH HOMESTEAD. Oil on Masonite Housed in a gold Guido frame in good condition with minor losses to gold Signed “A.T. Hibbard”, lower right SIZE: 9″ x 12″. Overall: 14″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Good 9-27293 (3,000-4,000)

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1084

WILLIAM LESTER STEVENS (American, 1888-1969) FOREST INTERIOR IN WINTER WITH RUNNING BROOK. Oil on canvas (new stretcher) Housed in a wood and composite ornate gold frame with green wash with wear throughout Signed “W. Lester Stevens” lower right SIZE: 18″ x 22″. Overall: 23-1/2″ x 27-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Canvas deformation, in need of restretching, and scattered paint losses 9-27267 (2,000-3,000)

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1085

WILLIAM LESTER STEVENS (American, 1888-1969) “WAVES & ROCKY SHORELINE”. Oil on canvas Housed in a gold and grey washed period frame, in good condition Signed “W. Lester Stevens”, lower right Identified on catalog entry on verso SIZE: 25″ x 30″. Overall: 31″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good, with very minor scattered losses 9-27286 (2,000-3,000)

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1086

WILLIAM LESTER STEVENS (American, 1888-1969) “THE RAIL FENCE”. Oil on canvas Housed in a modern gilt wood frame Signed “W. Lester Stevens N.A.”, lower right SIZE: 30″ x 40″. Overall: 32″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27298 (3,500-5,500)

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1087

WILLIAM LESTER STEVENS (American 1888-1969) “FISHING VILLAGE (GASPE, QUEBEC)”. Oil on Masonite Housed in an ornate gold cut down frame Identified on verso SIZE: 28-1/2″ x 31″. Overall: 33-1/4″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Minor scattered retouching, otherwise very good 9-27276 (3,500-5,500)

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1088

WILLIAM LESTER STEVENS (American, 1888-1969) WINTER LANDSCAPE WITH HOUSE. Oil on artist’s board Housed in a carved gilt modern frame Signed “W. Lester Stevens”, lower left SIZE: 12″ x 14″. Overall: 16-1/2″ x 18-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27325 (1,200-1,800)

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1089

BERNARD COREY (American, 1914-2000) ROLLING HILLS IN SPRING WITH FARM BUILDINGS IN BACKGROUND. Oil on Masonite Housed in a gold contemporary frame with repairs Signed “Bernard Corey”, lower right SIZE: 9″ x 14″. Overall: 11-3/4″ x 16-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27374 (1,200-1,800)

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1090

BERNARD COREY (American, 1914-2000) BIRDSEYE VIEW OF SPRING LANDSCAPE SCENE WITH FARM BUILDINGS IN MID-GROUND. Oil on Masonite Housed in a gold contemporary frame, with some wear Signed “Bernard Corey”, lower right Inscribed on verso SIZE: 9″ x 14″. Overall: 11-1/4″ x 16″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27367 (1,000-1,400)

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1091

BERNARD COREY (American, 1914-2000) SPRINGTIME VIEW OF WHITE FARM THROUGH TREES. Oil on masonite Housed in a gold contemporary frame in good condition Signed “Bernard Corey”, lower right Inscribed on verso SIZE: 10″ x 16″. Overall: 12-1/4″ x 18-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27328 (1,000-1,400)

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1092

BERNARD COREY (American, 1914-2000) THE VALLEY IN SPRINGTIME WITH BARN IN MID-GROUND. Oil on Masonite Housed in a gold ornate early 20th century frame in good condition Signed “Bernard Corey”, lower right SIZE: 9″ x 12″. Overall: 12″ x 14-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27372 (800-1,200)

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1093

JOHN FABIAN CARLSON (American 1874-1945) “FARMYARD LYRIC”. Watercolor Housed in a period silvered wood frame with wear behind glass Signed “John F. Carlson”, lower right SIZE: Sight: 24-1/2″ x 29-1/2″. Overall: 29-3/4″ x 35″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Water stain at center, otherwise good 9-27309 (3,000-5,000)

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1094

JOHN FABIAN CARLSON (American, 1874-1945) “AMONG THE HILLS”. Oil on artist’s board Housed in a 22/23 karat gold leaf Guido frame in good condition Signed “John F. Carlson”, lower left Identified on verso and on Salmagundi Club label on verso SIZE: 8″ x 10″. Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Minor scattered retouching, primarily in mid-ground, otherwise good 9-27329 (2,000-3,000)

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1095

JOHN FABIAN CARLSON (American, 1874-1945) “WINTRY HILLS”. Oil on board Housed in a period gilt carved wood frame having Newcomb-Macklin company label on verso Signed “John F. Carlson”, lower right SIZE: 12″ x 16″. Overall: 16-3/4″ x 20-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Surface dirt, cracquelure 9-27289 (3,000-5,000)

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1096

EARLE A. TITUS (American, 1895-1962) THE FARM IN WINTER WITH MOUNTAINS BEYOND. Oil on Masonite Housed in a gold painted circa 1920s frame, with scattered losses throughout Signed “E.A. Titus”, lower left SIZE: 24″ x 32″. Overall: 28″ x 36″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Surface grime, otherwise very good 9-27336 (800-1,200)

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1097

CHARLES MOVALLI (American, 1945- ) “THE RED BARN”. Oil on canvas Housed in an ornate black and gold carved and composite handmade frame with some wear Signed “C. Movalli lower left Correspondence from artist affixed to verso SIZE: 24″ x 30”. Overall: 30-3/4″ x 36-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27323 (800-1,200)

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1098

ARTHUR LINGQUIST (American, 1889-1975) ROLLING HILLS OF VERMONT. Oil on canvas Housed in a gilt molded wood frame Signed “A. Lingquist”, lower right SIZE: 30″ x 36″. Overall: 33-1/2″ x 39-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Relined with wax reinforcement, scattered inpainting and craquelure, otherwise good 9-27393 (1,200-1,800)

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1099

ARTHUR LINGQUIST (American, 1889-1975) “WINTER VERMONT”. Oil on canvas Housed in a carved and silvered wood frame Signed “A. Lingquist”, lower right Boston Businessman’s Art Club label on verso SIZE: 26″ x 30″. Overall: 31″ x 35″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27390 (800-1,200)

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1100

ERNEST MEYER (American, 1863-1952) WINTER VILLAGE BELOW MOUNTAINS. Oil on canvas Housed in a period gilt wood frame, which is cut down with wear Signed “E. Meyer”, lower left SIZE: 24″ x 36″. Overall: 30-1/2″ x 42-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27284 (700-1,100)

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1101

ALDRO THOMPSON HIBBARD (American, 1886-1972) VERMONT VALLEY IN WINTER. Oil on artist’s board Housed in gold carved frame in good condition Signed “A.T. Hibbard”, lower right SIZE: 8″ x 10″. Overall: 13-1/2″ x 15-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27321 (3,500-5,500)

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1102

ALDRO THOMPSON HIBBARD (American, 1886-1972) RED BARN WITH FIGURE IN WINTER. Oil on artist’s board Housed in a 22/23 karat Guido gold leaf frame in good condition Estate stamped “A.T. Hibbard”, lower right SIZE: 8″ x 10″, Overall: 11-1/2″ x 13-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27307 (3,000-5,000)

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1103

ALDRO THOMPSON HIBBARD (American 1886-1972) SPRING THAW IN VERMONT VILLAGE. Oil on Masonite Housed in an ornate gold Guido frame with liner in good condition Estate stamped “A.T. Hibbard”, lower left SIZE: 8″ x 10″. Overall: 12″ x 14″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27269 (3,000-4,000)

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1104

ALDRO THOMPSON HIBBARD (American, 1886-1972) AFTERNOON SHADOWS. Oil on Masonite Fine carved gilt replacement frame with some gold losses Signed lower left “A.T. Hibbard” SIZE: 9″ x 12″, Overall: 14 3/4″ x 17 3/4″ PROVENANCE: John F. Gale collection, Cambridge, MA CONDITION: Very good 9-27274 (3,000-5,000)

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1105

STANLEY WINGATE WOODWARD (American, 1890-1970) GOLDEN SHADOWS/ THE RED BARN IN AUTUMN. Oil on canvas Housed in a grey burnished gold carved early 20th century frame in good condition Signed “Stanley Woodward”, lower right Stamped identification on stretcher and canvas on verso Small label (perhaps artist’s) on verso SIZE: 25″ x 30″. Overall: 30″ x 34-3/8″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27335 (1,500-2,500)

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1106

STANLEY WINGATE WOODWARD (American, 1890-1970) HOMESTEAD IN AUTUMN. Oil on canvas Housed in a gold gesso decorated frame Signed “Stanley Woodward”, lower right SIZE: 25″ x 30″. Overall: 30-1/2″ x 35-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27334 (1,200-1,800)

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1107

STANLEY WINGATE WOODWARD (American, 1890-1970) “CAPE ANN FARM/ POOLES”. Oil on Masonite Housed in a lemon gold carved frame with some wear Signed lower right Titled on verso and inscribed by artist on frame SIZE: 19-3/4″ x 24″. Overall: 23-1/2″ x 27-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27342 (1,200-1,800)

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1108

STANLEY WINGATE WOODWARD (American, 1890-1970) AN AUTUMN AFTERNOON IN THE FARMYARD WITH CHICKENS IN THE FOREGROUND. Oil on artist’s board Housed in a carved Arts and Crafts style 22/23 Karat gold leaf Guido frame with some wear Signed “Stanley Woodward” and dated “48”, lower left SIZE: 16″ x 20″. Overall: 22-1/4″ x 26-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27348 (800-1,200)

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1109

STANLEY WINGATE WOODWARD (American, 1890-1970) RED BARN IN AUTUMN. Oil on canvas Housed in a contemporary gold frame in good condition Signed “Stanley Woodward” lower center left SIZE: 20″ x 24″. Overall: 23″ x 27″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27363 (800-1,200)

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1110

BERNARD COREY (American, 1914-2000) DOUBLE SIDED AUTUMN LANDSCAPE SCENE WITH FOOTBRIDGE. Oil on board Housed in a contemporary gold frame Signed “Bernard Corey” lower left NOTE: Incomplete autumn landscape scene on verso, signed by artist in upper right SIZE: 9″ x 14″. Overall: 11″ x 15″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27371 (1,100-1,700)

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1111

BERNARD COREY (American, 1914-2000) WINTER VILLAGE. Oil on canvas Housed in a gold ornate early 20th century frame with splits and losses Identified as from the estate of Bernard Corey, estate number 12375 on Royka’s Fine Art label on verso Also estate stamped on canvas and stretcher SIZE: 10″ x 14″. Overall: 14″ x 17-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27361 (1,000-1,400)

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1112

BERNARD COREY (American, 1914-2000) BITTERSWEET/ AUTUMN LANDSCAPE. Oil on artist’s board Housed in a gold Guido frame in good condition Signed “Bernard Corey”, lower right SIZE: Sight: 9-3/4″ x 13-3/4″. Overall: 12″ x 16″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27347 (700-1,100)

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1113

LARS THORSEN (American, 1877-1952) RIVER LANDSCAPE, WINTER. Oil on canvas Housed in a partially painted molded wood frame with paint wear Signed “Lars Thorsen”, lower left SIZE: 28″ x 26″. Overall: 34″ x 42″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Sky fluoresces under blacklight, otherwise very good 9-27381 (1,200-1,800)

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1114

ROBERT E. MOORE (American, 1927-2006) “BUTTERCUPS”. Acrylic on canvas Housed in simple painted wood frame in good condition Signed “Robert Eric Moore”, lower right SIZE: 48″ x 60″. Overall: 48-1/2″ x 60-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27378 (1,200-1,800)

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1115

WILLIAM LESTER STEVENS (American, 1888-1969) COASTLINE VIEW. Gouache on board Housed in a modern 22/23 karat gold leaf frame by Guido frame studio, in very good condition Signed “W. Lester Stevens”, lower left SIZE: 10″ x 13″. Overall: 16-1/4″ x 19-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27341 (1,500-2,500)

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1116

WILLIAM LESTER STEVENS (American, 1888-1969) “EARLY MARCH- CONWAY”. Gouache on artist’s board Housed in a gold Guido frame in good condition Signed “W. Lester Stevens” Identified on verso SIZE: 7″ x 10″. Overall: 10-3/4″ x 13-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Fair, small and minor abrasions and pigment discoloration 9-27358 (800-1,200)

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1117

WILLIAM LESTER STEVENS (American, 1888-1969) DAPPLED SUNLIGHT WOODLAND INTERIOR WITH HOUSE. Oil on masonite Housed in a gold ornate cast metal frame with split at center top Inscribed “W Lester Stevens” upper right on verso SIZE: 14″ x 18″. Overall: 18″ x 21″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27359 (1,200-1,800)

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1118

WILLIAM LESTER STEVENS (American, 1888-1969) STILL LIFE WITH HIBISCUS AND BUDDHA. Oil on canvas Housed in a period wood and composite gold carved frame with very minor losses Signed lower right SIZE: 24″ x 20-1/2″. Overall: 27-1/2″ x 23-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27373 (800-1,200)

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1119

WILLIAM LESTER STEVENS (American, 1888-1969) MOUNTAIN INLET WITH FISHING SHACK AND BOATS. Watercolor on paper Housed under glass in a contemporary brown cove style wood frame Signed “W. Lester Stevens” lower right SIZE: 17″ x 21″. Overall: 24″ x 27-3/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Scattered minor foxing, otherwise very good. Not examined out of frame 9-27376 (1,200-1,800)

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1120

WILLIAM LESTER STEVENS (American, 1888-1969) LIGHTHOUSE AND KEEPERS BUILDINGS WITH SAILING VESSELS BEYOND. Watercolor on artist’s board Housed in a gold and perhaps artist enhanced period frame in with corner losses Signed “W Lester Stevens NA AWS” (twice) lower right SIZE: Sight: 14″ x 17-1/2″. Overall: 18″ x 21-1/2″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Good 9-27337 (800-1,200)

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1121
Revised: 1/11/2013

ADDITIONAL INFORMATION: Condition: Proper right front and hind legs each with visible molding seam.

HENRY HAASE-ILSENBURG (German, 1879-1960) EUROPA’S THEME- MUSK OX. Bronze Inscribed “HHaase”, “Oskar Gladenbeck” Reference: P1140 Bronzes Volume 4, by Harold Berman SIZE: 16″ high, 16″ long PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good with aged patina 9-27370 (1,500-2,500)Condition: Proper right front and hind legs each with visible molding seam.

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1122

ARY JEAN-LEON BITTER (French, 1883-1960) NYMPH WITH FAWN. Bronze Inscribed “Ary Bitter”, Seal: “Lin Paris J.L.” “70” SIZE: 33-3/4″ long PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good, polychrome patina 9-27287 (1,000-1,500)

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1123

VICTOR HEINRICH SEIFERT (German, 1870-1953) “THIRSTY”. Bronze Inscribed “Pro F.W. Seifert” SIZE: 24-1/2″ high. Overall: 29″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27332 (1,500-2,500)

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1124

EDWARD FRANCIS MCCARTAN (American, 1879-1947) PAIR OF ART NOUVEAU FIGURAL CANDLESTICKS. Bronze Inscribed “E McCarten” SIZE: 16-1/2″ high. Overall: 17-1/4″ PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good, later casting 9-27368 (1,500-2,500)

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1125

MARIO JOSEPH KORBEL (American, 1882-1954) NUDE WITH SANDALS. Bronze SIZE: 35-1/2″ high. Overall: 36-1/4″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Nice rich brown Patina, very good 9-27330 (2,000-3,000)

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1126

MATHURIN MOREAU (French, 1822-1912) “LA VAGUE” (THE WAVE). Bronze Inscribed “Math Moreau” SIZE: 22″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Plugged electrical wire hole, otherwise very good, with some rubs 9-27288 (1,500-2,500)

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1127

EMMANUEL VILLANIS (French, 1858-1914) “PRISE DE CORSAIRE” (PRISONER OF THE PIRATES). Bronze Inscribed “Prise De Corsaire” “E. Villanis” “B4418” with a “Societe Des Bronzes De Paris” seal SIZE: 33-3/4″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27369 (1,500-2,500)

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1128

AFTER FRANZ XAVIER BERGMANN (Austrian, 1861-1936) SLAVE GIRL AT AUCTION. Ploychrome bronze Inscribed with Bergmann cypher # SIZE: 27″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27333 (1,200-1,800)

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1129

FERDINANDO DE LUCA (Italian, 20th century) PAIR OF SEATED FLAPPERS TOASTING A GLASS. Polychromed bronzes Inscribed “De Luca” SIZE: 28″ and 28-1/2″ high PROVENANCE: The John F. Gale Collection, Cambridge, MA CONDITION: Very good 9-27331 (800-1,200)

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1130

T.M. NICOLAS (American, 1963-) WINTER LANDSCAPE SCENE BY THE STREAM. Oil on board Housed in contemporary gold frame Signed “T.M. Nicholas”, lower right SIZE: 11″ x 14″. Overall: 17-1/4″ x 20-1/4″. CONDITION: Very good. 9-28161 (1,800-2,400)

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1131

DAVID TUTWILER (American, 20th-21st century) “SOUTHERN TWILIGHT”. Oil on canvas Housed in contemporary gold frame Signed “David D. Tutwiler 2004 OPA”, lower right Identified on verso SIZE: 18″ x 43″. Overall: 26″ x 51″. CONDITION: Very good. 9-27746 (1,000-1,500)

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1132

KEN KNOWLES (American, 1968-) NANTUCKET HARBOR LIGHT. Oil on masonite Housed in a modern silver gilt carved wood frame Signed lower left “Ken Knowles” Titled on verso and dated “2011” SIZE: 24″ x 30″. Overall: 30-1/4″ x 37-1/4″. CONDITION: Very good to excellent 9-27674 (4,000-6,000)

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1133

KEN KNOWLES (American, 1968-) “THE NEW ENGLANDERS”. Oil on masonite Housed in a carved & gilt wood frame Signed lower right “Ken Knowles” Titled on verso and dated “2011” SIZE: 24″ x 30″. Overall: 29-1/2″ x 35-1/2″. CONDITION: Very good to excellent 9-27673 (4,000-6,000)

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1134

KEN KNOWLES (American, 1968-) “SAILING IN EAST GLOUCESTER”. Oil on canvas Housed in a carved & gilt modern wood frame Signed lower left Titled on verso & dated “06” SIZE: 16″ x 20″. Overall: 22-1/2″ x 26-1/2″. CONDITION: Very good to excellent 9-27675 (3,000-5,000)

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1135

EMILE ALBERT GRUPPE (American, 1896-1978) “EVENING LIGHT, VERMONT”. Oil on canvas Housed in a decorated wood frame with liner Signed lower right “Emile A. Gruppe” Titled & signed on stretcher of verso, also having a “Geraci Galleries, Rockport, MA” label SIZE: 30″ x 36″. Overall: 36-1/4″ x 42-1/4″. PROVENANCE: Purchased from Geraci Galleries as part of their exhibition in 1978. A copy of the original receipt accompanies the painting along with the exhibition list CONDITION: Very good 7-70288 (7,000-9,000)

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1136

EMILE ALBERT GRUPPE (American, 1896-1978) BEECHWOOD IN WINTER. Oil on canvas Housed in a fine carved & gilt modern wood frame Signed lower right “Emile A Gruppe” Titled on verso SIZE: 24″ x 20″. Overall: 31-1/2″ x 27-1/2″. CONDITION: Very good. 9-27749 (5,000-7,000)

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1137

EMILE ALBERT GRUPPE (American, 1896-1978) AFTERNOON WINTER LANDSCAPE. Oil on canvas Housed in a modern carved & gilt wood frame with some losses Signed lower right “Emile A Gruppe” SIZE: 18″ x 20″. Overall: 26-1/4″ x 28-1/4″. CONDITION: Very good. 9-27731 (4,000-6,000)

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1138

EMILE ALBERT GRUPPE (American, 1896-1978) OUT OF PORT/GLOUCESTER. Oil on artist’s board Housed in a contemporary frame Signed “Emile A. Gruppe”, lower left Identified on inscription on verso SIZE: 12″ x 16″. Overall: 16″ x 19-1/2″. CONDITION: Very good. 9-27681 (3,500-5,500)

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1139

CHARLES P. GRUPPE (American, 1860-1940) “OLD LYME”. Oil on canvas Housed in a period Newcomb-Macklin frame Signed “Charles P. Gruppe”, lower left SIZE: 30-1/4″ x 40″. Overall: 35-1/2″ x 44-1/2″. PROVENANCE: Henry P. Holt Gallery. Also, in “American Art Analog” book. CONDITION: Lined. Scattered retouch, primarily to sky. 9-27859 (7,000-9,000)

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1140

WILLIAM LESTER STEVENS (American, 1888-1969) THE RAILROAD TRESTLE. Oil on Masonite Housed in a gold Guido frame Signed “W. Lester Stevens and inscribed N.A.”, lower right Identified as John Gale collection on verso SIZE: 11-1/2″ x 14″. Overall: 16-1/2″ x 19″. PROVENANCE: Ex John F. Gale collection, Cambridge, Massachusetts. CONDITION: Very good, minor inpaint at rabbet edge. 9-28189 (3,000-5,000)

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1141

CHARLES HERBERT WOODBURY (AMERICAN, 1864-1940) “SWAMPSCOTT”. Oil on canvas Housed in a contemporary gold frame Signed “Chas Herbert Woodbury” and indistinctly dated, lower left Titled on canvas on verso Dedicated and dated “1926” on verso SIZE: 9-1/4″ x 13″. Overall: 13-1/4″ x 17-1/4″. PROVENANCE: Painting given to Elizabeth Ward Perkins in 1926. Ward was Woodbury’s former student and caretaker in his final years. CONDITION: Very good, retouched. 7-70257 (2,500-4,500)

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1142

HAYLEY LEVER (American, 1875-1958) FISHING PIER & YACHT, NANTUCKET, MA. Oil on canvas Housed in a modern carved gilt wood frame with gilt liner Signed lower left “Hayley Lever” SIZE: 13″ x 16″. Overall: 22″ x 25″. PROVENANCE: Stamp on verso “From the Collection of Clayton Liberatore Art Gallery, Bridgehampton, NY” CONDITION: Very good 9-27858 (3,000-5,000)

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1143

FREDERICK JOHN MULHAUPT (American, 1871-1938) “POOL IN THE WOODS”. Oil on canvas board Housed in a signed gold carved “Goodnow” frame Signed “Mulhaupt”, and identified on Allied Artists of America exhibition label on verso SIZE: 16″ x 12″. Overall: 21″ x 17″. CONDITION: Very good. 9-28193 (4,000-8,000)

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1144

ALDRO THOMPSON HIBBARD (American, 1886-1972) THE FARM- NEAR JOHNSON, VT. Oil on board Housed in a 20th century carved and gilt replacement frame Signed “A.T. Hibbard”, lower right SIZE: 18″ x 25-3/4″. Overall: 27″ x 34″ CONDITION: Very good. 9-27397 (7,000-9,000)

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1145

JOHN JOSEPH ENNEKING (American, 1841-1916) “THE FOOTBRIDGE, TWILIGHT”. Oil on canvas Housed in a modern gilt decorated frame with gilt liner Signed lower right “Enneking 01” A label from “Pierce Galleries” indicating its inclusion in the catalog raisonne on verso SIZE: 18″ x 24″. Overall: 25″ x 31″. CONDITION: Relined, minor retouch, very good 9-27750 (6,000-9,000)

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1146

ANTONIO CIRINO (American, 1889-1983) “NEW ENGLAND AUTUMN”. Oil on board Housed in a carved gilt frame in good condition Signed “A. Cirino”, lower left Artist label on verso SIZE: 10″ x 12″. Overall: 12″ x 14″. CONDITION: Very good. 9-27748 (1,500-2,000)

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1147

JOSEPH DE MARTINI (American, 1896-1984) CAPE ANN ROCKS. Oil on canvas Housed in a modern painted wood frame Signed “Joseph De Martini”, lower right SIZE: 30″ x 40″. Overall: 33-1/2″ x 43″. CONDITION: Very good, relined, inpainting. 9-27239 (2,000-3,000)

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1148

JOSEPH DE MARTINI (American, 1896-1984) MOONLIGHT- FISH BEACH, MONHEGAN. Oil on canvas Housed in a simple painted wood frame Signed “Joseph De Martini”, lower left SIZE: 26″ x 36″. Overall: 27″ x 37″. CONDITION: Very good. 9-27241 (800-1,200)

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1149

WILSON HENRY IRVINE (American 1869-1936) MONHEGAN ISLAND. Oil on canvas Housed in a contemporary gold carved frame Signed “Irvine” and dated, lower right Identified on Vose Galleries, Boston, label on verso SIZE: 18″ x 24″. Overall: 27″ x 34″. CONDITION: Very good, lined, very minor scattered inpainting. 9-28192 (4,000-6,000)

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1150

MEYERS ROHOWSKY (American, 1900-1974) “LOBSTER COVE, MONHEGAN ISLE”. Oil on canvas. Housed in its original carved and decorated frame. Signed lower left and dated 1946. Signed & inscribed verso in the artist’s hand: “Lobster Cove’ Monhegan Isle. Meyers Rohowsky 7 Washington Place New York City”. SIZE: 12″ x 16″. PROVENANCE: This painting hung in one place on the previous owner’s wall from the late 1940’s when she acquired it as a gift on her first wedding anniversary until 2005, when she sold it. Upstate New York home, then Private Collection, New York City. Another work (titled “On the Alert at Bryant Park – N.Y.C., 1941) by the artist, is presently at the Museum of the City of New York New York City. CONDITION: Very good. 9-25815 (800-1,000)

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1151

ABRAHAM JACOB BOGDANOVE (American, 1887-1946) MONHEGAN ISLAND INLET. Oil on artist board Housed in a carved & gilt modern frame Signed lower “A.J. Bogdanove” SIZE: 12″ x 16″. Overall: 18″ x 22″. CONDITION: Very good 9-27852 (2,000-3,000)

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1152

ABRAHAM JACOB BOGDANOVE (American, 1887-1946) ROCKY COAST WITH WAVES. Oil on artist board Housed in a modern carved & gilt frame Signed lower left “A.J. Bogdanove” SIZE: 12′ x 16″. Overall: 18″ x 22″. CONDITION: Very good 9-27857 (1,200-1,600)

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1153

J. WINTHROP ANDREWS (1879-1964) “WAVES- OGUNQUIT, ME”. Oil on artist’s board Housed under glass in a contemporary gold Stanford White style frame Signed “J.W. Andrews”, lower right Identified on Yonkers Art Association label (titled “Ebbing”) and on backboard SIZE: 8″ x 10″. Overall: 16″ x 18″. CONDITION: Very good. 9-28163 (500-700)

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1154

MICHAEL B. KARAS (American, 1954-) “OPEN SEA”. Oil on canvas Housed in a good silver gilt molded wood frame with linen liner Signed lower right and dated “79” Pencil titled on back stretcher SIZE: 24″ x 36″. CONDITION: Very good to excellent 9-26179 (2,000-3,000)

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1155

MICHAEL B. KARAS (American, 1954-) BREAKING WAVES. Oil on canvas Housed in its original gilt molded wood frame with linen liner Signed lower left SIZE: 30″ x 36″. CONDITION: Very good to excellent 9-24789 (2,000-3,000)

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1156
Revised: 2/14/2013

Correction: The description is correct as stands, the estimate however should read $7,000-$9,000 and the image in the printed catalog is not correct. To see the correct image go to Lot #1193 depicting boats in the harbor.

PAUL BERNARD KING (American, 1867-1947) “FISHING BOATS CAMDEN, MAINE 1919”. Oil on canvas Housed in a period carved and gilt frame which has a carved maker’s mark “F.X. Ferg. Phila PA” Signed “Paul King 1919″, lower right SIZE: 12″ x 16″. Overall: 20-3/4″ x 24-3/4”. CONDITION: Craquelure, some inpainting. 9-27405 (7,000-9,000)

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1157

WALDO PEIRCE (American, 1884-1970) “HAYING ON THE PENOBSCOT”. Oil on canvas Housed in an original period frame Initialed “W.P.” and dated “66”, lower right Identified on verso in the artist’s hand, and on 2 period exhibition labels from the University of Maine Art Collection SIZE: 24″ x 29″. Overall: 32-1/4″ x 37-1/4″. PROVENANCE: From the artist to a private New England collection. CONDITION: Very good. 9-27877 (2,000-4,000)

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1158

WILLIAM THON (American, 1906-2000) “MAINE WILDERNESS #221”. Oil on masonite Housed in a modern gilt frame, with linen and gilt liners Signed “Thon”, lower left Two Midtown Gallery labels and titled on verso SIZE: 36″ x 22″. Overall: 45″ x 31″. CONDITION: Very good. 9-27248 (800-1,200)

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1159

WILLIAM THON (American, 1906-2000) “LIGHT MIST”. Watercolor on paper Housed in a modern gilt frame with gilt and linen liners behind glass Signed “Thon”, lower right Midtown Galleries label on verso SIZE: 20″ x 26-1/4″. Overall: 27″ x 33-1/4″. CONDITION: Very good. 9-27249 (600-900)

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1160

JACK JONES (American, 1940-2011) “SUMMER CLOUDS”. Watercolor Housed in a fine modern gilt frame with double matte & glass Signed lower right “Jack Jones ISMP” To be sold to benefit the South Amherst Congregational Church SIZE: 12″ x 16″. Overall: 22-3/4″ x 26-3/4″. PROVENANCE: To be sold to benefit the South Amherst, MA Congregational Church. CONDITION: Very good 9-27860 (150-300)

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1161

SETH W. STEWARD (American, 1844 -1927) TODAY’S CATCH. Oil on canvas Housed in a simple painted wood frame Signed “S.W. Steward 1900″, lower left SIZE: 26″ x 15″. Overall: 27″ 15-3/4”. CONDITION: Relined, with areas of old repair, in need of some restoration, otherwise good. 9-27193 (2,000-4,000)

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1162

ALFRED GUNNAR BJAREBY (American, 1899-1967) BACKWOODS FISHING, MAINE. Oil on panel Housed in a fine modern carved & gilt wood frame with plaque Signed lower left SIZE: 11-1/2″ x 15-1/4″. Overall: 17-3/4″ x 21-1/2″. CONDITION: Very good 9-28396 (1,000-1,500)

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1163

DAVID A. FOOTER (American, b. 1931) “THE TAKE” MINIPI, LABRADOR. Oil on canvas Housed in a contemporary gold carved frame Signed and dated “David A. Footer ’02”, lower right Identified as number “428” on artist’s label on verso SIZE: 18″ x 24″. Overall: 25″ x 31″. CONDITION: Very good. 9-28191 (2,000-4,000)

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1164

CHARLES CHASE EMERSON (American, 1874-1922) “TROUT LAKE”. Oil on artist’s board Housed in a gold painted oak period Foster Brothers frame Signed “Chase Emerson”, lower left Identified on Vose Galleries, Boston, label on verso Fragmentary Foster Brothers frame label also on verso SIZE: 9″ x 11″. Overall: 16″ x 17-3/4″. CONDITION: Very good. 9-28190 (1,500-2,500)

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1165

WESLEY ELBRIDGE WEBBER (American, 1841-1914) FISHERMAN IN BOAT WITH ONCOMING VESSELS. Oil on canvas Housed in a magnificent original wide gesso decorated gilt frame with multiple liners Signed lower right “W Webber” Frame having a Hastings & Davenport, Boston frame label verso SIZE: 24″ x 44″. Overall: 38″ x 58″. CONDITION: Very good 9-28195 (6,000-8,000)

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1166

WESLEY ELBRIDGE WEBBER (American, 1841-1914) MOONLIT SAIL OFF LIGHTHOUSE. Oil on canvas Housed in its original gesso decorated gilt frame Signed lower left “Wesley Webber” SIZE: 26″ x 36″. Overall: 33-1/2″ x 43-1/2″. CONDITION: Surface with thick discolored varnish layer, untouched. 9-27694 (1,000-2,000)

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1167

WESLEY WEBBER, (American, 1841-1914) SHIP UNDER FULL SAIL IN HIGH SEAS. Oil on canvas Housed in period gilt frame Signed “Wesley Webber”, lower left SIZE: 20″ x 30″. Overall: 24-1/2″ x 35″. CONDITION: Good, two patches to verso, with inpaint 9-27714 (800-1,200)

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1168

JAMES GAYLE TYLER (American, 1855-1931) NIGHTTIME CAMPING. Oil on canvas Housed in an antique gilt carved wood frame with plaque with wear Signed lower left “James G Tyler” SIZE: 18″ x 30″. Overall: 24-1/2″ x 36-1/4″. CONDITION: Relined, inpainting 9-27691 (2,000-3,000)

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1169

FRANKLIN DULLIN BRISCOE (American, 1844 – 1903) ANIMATED MARINE SCENE WITH NUMEROUS FIGURES AND VESSELS. Oil on canvas Housed in an ornate period carved and composite frame, burnished with gold highlights with some losses Signed “F.D. Briscoe”, lower right SIZE: 37″ x 36″. Overall: 54″ x 52″. CONDITION: Very good, lined. 9-27832 (3,000-4,000)

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1170

OTIS S WEBER (American, 19th/20th Century) SAILING UNDER A FULL MOON. Oil on canvas Housed in its original gesso decorated gilt frame with losses Signed lower right “O.S. Weber” SIZE: 14″ x 11″. Overall: 22″ x 19″. CONDITION: Surface dirt, light craquelure, relined 9-28124 (1,000-1,500)

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1171

UNSIGNED (American, 19th/20th Century) SCHOONERS IN HARBOR UNDER MORNING MIST. Oil on canvas Housed in an antique stained oak frame with gilt liner SIZE: 20″ x 28″. Overall: 24-3/4″ x 32-1/2″. CONDITION: Very good 9-27745 (1,000-2,000)

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1172

ANDREW GEORGE WINTER (American, 1893-1958) BARQUE “PARMA RUNNING EASTING DOWN”. Oil on board Housed in a period gilt carved frame Signed lower right “A Winter” The Parma was built in Scotland in 1902 and christened the Arrow. Between 1902 and 1912 it made voyages between the Northeast U.S. and Kobe, Shanghai and Manila hauling exports from the United states. It was the fastest ship in the world at the time and set many records for the shortest time between these far east ports and the United states. In 1912 it was sold to a German company and renamed the Parma, it sailed between Europe and Chile and Peru. During the First World War it remained in Chile. After the war it was given to the United Kingdom as war reparations after the treaty signing. It then hauled timber from Finland to the United Kingdom and made several runs to Australia, once again establishing speed records. In 1936 it was involved in an accident,hitting a pier,and was scrapped. In its day it was famous for its speed and delivery of goods to the fore-mentioned countries. SIZE: 14-1/4″ x 21-1/2″. Overall: 19″ x 26-1/2″. CONDITION: Very good 9-28397 (2,000-4,000)

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1173

JEAN LAURENT (American, Last half of the 20th Century) PORTRAIT OF A SAILING YACHT. Oil on canvas Housed in a good modern frame with artist plaque Signed lower right SIZE: 30″ x 30″. Overall: 36″ x 36″. CONDITION: Very good. 9-25496 (2,000-3,000)

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1174

EDWARD BURRILL JR (American, 1835-1913) ONCOMING SAILBOAT. Oil on canvas Unframed Signed lower left “E Burrill” SIZE: 18-1/4″ x 14-1/4″. CONDITION: Inpainting and light craquelure, very good 9-27695 (800-1,200)

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1175

ALEXANDER BOWER (American, 1875-1952) LOOKING ACROSS THE WATER TO A CITY IN WINTER. Oil on canvas Housed in a mid 20th Century painted wood frame Signed lower right “Alexander Bower 1910″ SIZE: 27″ x 33″. Overall: 31-1/2″ x 37-1/2”. CONDITION: Very good 7-70282 (2,000-3,000)

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1176

GEORGE W. DREW (American, 1875-1968) COASTAL ROCKS & BOATS. Oil on canvas Housed in a period wood frame Signed lower right “George W. Drew” SIZE: 12″ x 16″. Overall: 19-1/2″ x 23-1/2″. CONDITION: Very good 9-27233 (500-1,000)

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1177

HENRY HAMMOND AHL (American, 1869-1953) CRASHING WAVES ON SUNLIT ROCKS, SHIPS IN DISTANCE. Oil on canvas board Housed under glass in a contemporary gold Stanford White style frame Signed “Ahl”, lower right SIZE: 8″ x 10″. Overall: 16″ x 18″. CONDITION: Very good. 9-28162 (500-700)

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1178

CONRAD FREITAG (American, 1802-1894) SHIPPING ON THE HIGH SEAS. Watercolor en grissaille on paper Housed in an antique wood frame, with double matte and glass Signed “Conrad Freitag Nov. 69(?)”, lower left SIZE: 11-1/4″ x 16-3/4″. Overall: 23-1/2″ x 29″. CONDITION: Very good. 9-27234 (800-1,200)

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1179

FREDERIC SCHILLER COZZENS (American, 1846-1928) WAITING FOR THE COOK AS WELL AS A BREEZE, 1913. Watercolor on artist board Housed in a modern gilt wood frame with double matte behind glass Signed lower left “Fred S. Cozzens. 13″ SIZE: Sight: 17″ x 13″. Overall: 26″ x 22”. CONDITION: Very good 9-27231 (400-600)

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1180

WILLIAM FREDERICK DE HAAS (American, 1830-1880) THE RESCUE- AN ANIMATED MARINE SCENE. Oil on canvas Housed in an ornate period gold frame Indistinctly signed, lower left SIZE: 10″ x 18″. Overall: 23-1/2″ x 31″. CONDITION: Good, lined, repaired tear and scattered retouch. 9-28170 (6,000-8,000)

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1181

MABLE MAY WOODWARD (American, 1877-1945) “FLOWER MARKET – ROME”. Oil on canvasboard Housed in its original gilt carved wood frame with a Tilden-Thurber Co. frame label on verso Signed lower left Titled on label on verso SIZE: 10″ x 13-1/4″. Overall: 17-3/4″ x 21-1/4″. PROVENANCE: From a Waterville, Maine Estate CONDITION: Surface dirt, otherwise very good 9-27221 (5,000-10,000)

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1182

THOMAS EAKINS (American, 1844-1916) “PORTRAIT OF MAYBELLE SCHLICHTER”. Oil on canvas Housed in a contemporary frame Unsigned, labels from The Baltimore Museum of Art and Babcock Galleries, New York, on the reverse SIZE: 10-1/2″ x 8-1/2″. PROVENANCE: Through the estate of Mrs. Eakins to Babcock Galleries, 1939; to the present owners, c. 1945. Exhibitions: Rembrandt to Rivers, The Baltimore Museum of Art, October-December, 1971. N.B. While Eakins was born in Philadelphia and studied in Paris, his portrait style drew heavily upon the unflinching physicality of the Spanish and Dutch painters of the 17th century. This particular portrait is a sketch of Maybelle Schlichter, a friend of Eakins, and the wife of the referee in Eakins’ famous painting “Taking the Count.” The sketch of Maybelle, number 308 in Lloyd Goodrich’s catalog of works by Eakins, is a sketch for a larger portrait which is listed as number 307 in Goodrich’s catalog. The larger oil painting hung in a 1998 Director’s Choice exhibit at the Frye Art Museum in Seattle, Washington. Dating from around 1898, the sketch represents Eakins’ method of painting his larger works from smaller renderings. CONDITION: Cut down, mounted, with retouch. 9-27922 (15,000-25,000)

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1183

THOMAS SULLY (American, 1783-1872) PREPARING TO BATHE. Oil on canvas Housed in a gilt wood antique frame having a gilt wood artist’s and title plaque Purportedly signed with monogram & dated “1864” lower left The canvas having a “Theo. Kelley Phil.” canvas stamp. SIZE: 20″ x 17″. Overall: 22″ x 18-1/2″. PROVENANCE: In the catalog raisonne, with picture; also mentioning it is signed and dated lower left. The subject is Fannie Rundle (1806-1828), daughter of Philadelphia friend George Rundle. He used her likeness for the remainder of his life after her untimely death at the age of 22 CONDITION: Craquelure, minor touch-up, very good. 9-25487 (4,000-6,000)

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1184

GASPARD DE LATOIX (British, 1858-1918) “OMUXISTOAN SARCEE INDIAN”. Oil on canvas Unframed Signed “G. Latoix”, lower left Note: Born in England, Latoix came to New York in the mid 1880’s. Later he traveled with his wife, also an artist, to the Southwest where they painted the Pueblo Indians of New Mexico. The sitter, Omuxistoan, is also seen in different clothing in an 1891 albumen print by Calgary photographers Boorne and May, currently in the collection of the George Eastman House, Rochester, New York. A reproduction of the photos is included with the lot. Omuxsitoan was a member of the Tsuu T’ina or Sarcee, tribe of the Athapaskan or Dene Nation; This reserve adjoins the southwestern city limits of Calgary. According to legend, the Sarcee split from a northern Nation, probably the Beaver, and moved to the plains, where they have maintained close contact with the Blackfoort, Cree, and Stoney. SIZE: 15-3/8″ 13-1/16″. CONDITION: Cut down, unstretched, surface grime and scattered losses. 9-27924 (7,000-9,000)

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1185

ENOCH WOOD PERRY JR (American, 1831-1915) DANCING CHILDREN. Oil on canvas Housed in a partial gilt modern frame Signed lower left “E Wood Perry N.A.” and dated illegibly Born in Boston, Enoch Wood Perry is known for his evocative mid-century genre scenes. While these scenes appear to be classically American, Perry actually studied in Germany, France and Italy. Upon his return to the United States his travels continued, this time taking him on painting expeditions to the American West with fellow artist Albert Bierstadt. Perry was a member of the American Watercolor Society and the National Academy of Design. His paintings are included in numerous private and public collections including New York’s Metropolitan Museum of Art. SIZE: 23″ x 33″. Overall: 28″ x 38″. PROVENANCE: Inherited by descent, from the family who bought the house and contents belonging to Nathan Clifford (US Supreme Court Justice; Atty Gen. of US Ambassador to Mexico). CONDITION: Light craquelure, some touch up, very good. 9-27764 (8,000-12,000)

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1185A

CHRISTIAN J. WALTER (American, 1872-1938) PEACEFUL VALLEY. Oil on canvas Housed in a molded wood gilt frame having title & artist plaque Signed lower left SIZE: 30″ x 40-1/4″ CONDITION: Very good, relined with minor inpainting 9-25592 (10,000-15,000)

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1185B

EDWARD AUGUST BELL (American, 1862-1953) LONGING FOR THE ARRIVAL. Oil on wood panel Housed in a fine gilt gesso decorated Stanford White conserved frame Signed lower left “ED A Bell” SIZE: 24″ x 18″. CONDITION: Minor touch up, very good 9-25593 (7,000-9,000)

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1185C

DAVID JOHNSON (American, 1827-1908) SKYROCKETS. Oil on board Housed in a period gesso decorated gilt frame Signed with monogram lower left and dated “78” Titled with presentation “To L.A. Lanthier with Compliments of the Artist” & signed by the artist “David Johnson 1878″ on verso SIZE: 10-1/2″ x 15”. Overall: 22-1/2″ x 26-1/2″ CONDITION: Very good 9-28169 (12,000-16,000)

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1186

PAUL CORNOYER (American, 1864-1923) ALONG THE GRAND CANAL – VENICE. Oil on artist board Housed in a modern gilt frame with liner Signed lower left “Paul Cornoyer” SIZE: 8″ x 10″. Overall: 16-1/4″ x 18-1/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Inpainting, very good 7-70262 (4,000-6,000)

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1187

PAUL STARRETT SAMPLE (American, 1896-1974) “CATHEDRAL ENCAMPMENT AT PALO-LAYTE”. Oil on canvas Housed in a carved & gilt frame with wear Signed lower right Paul Sample artist label on verso SIZE: 22″ x 30″ Overall: 25-1/2″ x 33-1/2″. CONDITION: Very good, relined. 9-27690 (8,000-12,000)

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1188

BENJAMIN FRANKLIN DE HAVEN (1856-1934) FOREST INTERIOR IN AUTUMN. Oil on board Ornate carved & gilt frame Signed “F. De Haven”, dated “1916”, and dedicated on verso SIZE: 12″ x 8″. Overall: 18″ x 14-1/2″. CONDITION: Good, scattered retouch and/or pigment florescence. 9-28168 (1,400-1,800)

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1189

ROBERT ATKINSON FOX (1860-1935) A LOT OF TWO PAINTINGS: MESAS THROUGH THE MIST & RUINS AND CYPRESS. Oil on canvas Unframed Mesa: unsigned. Ruins: Signed “R. Atkinson Fox”, lower right SIZE: Mesa: 30″ x 19″. Ruins: 26″ x 20″. CONDITION: Mesa: minor retouch with pigment florescence. Ruins: Scattered retouch and loss. 9-28171 (1,400-1,800)

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1190

CHARLES EDWIN LEWIS GREEN (American, 1844-1915) THE OLD MILL. Fine oil on canvas Housed in its original gesso decorated gilt frame with gilt liner Signed “CEL Green”, lower right SIZE: 10″ x 14″. Overall: 17″ x 21″. CONDITION: Minor touch-up. Very good. 9-25488 (2,500-4,000)

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1191

CHARLES WARREN EATON (American, 1857-1937) DUTCH LANDSCAPE WITH WINDMILL. Oil on canvas Housed in gilt molded wood 1920’s frame Signed “Chas Warren Eaton”, lower left SIZE: 16″ x 12″. Overall” 18-1/2″ x 14-3/4″. CONDITION: Good. 9-27226 (2,000-4,000)

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1192

CHARLES COURTNEY CURRAN (American, 1861-1942) REVERIE. Oil on canvas Housed in a contemporary gold Stanford White frame Signed “Chas C. Curran”, lower right SIZE: 14-1/2″ x 18″. Overall: 24″ x 27″. CONDITION: Lined, retouch throughout. 9-28165 (4,000-6,000)

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1193
Revised: 1/29/2013

The description is correct as stands, the estimate however should read $1,000-$2,000 and the image in the printed catalog is not correct. To see the correct image go to Lot #1156 depicting a bridge

ANTONIO PIETRO MARTINO (American, 1902-1988) DOUBLE ARCHED BRIDGE WITH TOWN. Oil on canvas Housed in a modern gilt frame with liner Signed “Antonio P. Martino”, lower right SIZE: 9″ x 15″. Overall: 12-1/2″ x 18-1/2″. CONDITION: Very good. 9-27400 (1,000-2,000)

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1194

JOHANN BERTHELSEN (American, 1883-1972) BROOKLYN BRIDGE IN SNOW STORM. Oil on artist board Housed in a modern gilt frame with liner and glass Signed lower right “Johann Berthelsen” SIZE: 16″ x 22″. Overall: 23-3/4″ x 19-3/4″. CONDITION: Very good 9-28159 (3,000-5,000)

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1195

JOHN APPLETON BROWN (American, 1844-1902) “LANDSCAPE”. Pastel Housed in its original wide gilt carved wood frame behind glass Signed lower left “J Appleton Brown” University Club of Boston Exhibition label on verso SIZE: 17″ x 21″. Overall: 27-1/4″ x 31-1/4″. CONDITION: Very good. 9-27687 (2,000-3,000)

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1196

ATTRIBUTED TO JAMES HOPE (American, 1818-1892) VIEW OF LAKE CHAMPLAIN FROM ROUSES POINT N.Y. Oil on canvas Housed in a modern gilt wood frame with some wear Unsigned SIZE: 12″ x 20″. Overall: 15-3/4″ x 24″. CONDITION: Craquelure, inpainting, good 9-27879 (2,000-5,000)

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1197

VICTOR DE GRAILLY (French/American, 1804 -1889) PANORAMIC VIEW OF WEST POINT. Oil on canvas Housed in a period carved and composition frame, with losses throughout Unsigned Period stamp of art supplier on verso SIZE: 17″ x 24″. Overall: 25″ x 32″. CONDITION: Original condition with craquelure, punctures, losses and retouch. 9-28173 (3,500-5,000)

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1198

LEVI WELLS PRENTICE (American, 1851-1935) RIVER IN LANDSCAPE. Oil on canvas Housed in a fine museum quality reproduction gilt frame Signed “L.W. Prentice 1874″ SIZE: 26-1/4″ x 48-1/4″. Overall: 34″ x 56”. CONDITION: Very good, inpainting, relined. 9-27244 (1,000-2,000)

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1199

FRANK HOUGHTON (Canadian, late 19th Century) THE PROSPEROUS FARM. Oil on canvas Housed in a magnificent period gesso decorated gilt deep frame with gilt fancy liner having minor losses Signed lower right SIZE: 26″ x 44″. Overall: 60″ x 40-1/2″. CONDITION: One small patch to reverse, some inpainting. Very good. 9-25494 (3,000-5,000)

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1200

PETER ROOS (American, 1850-1920) NIAGARA FALLS. Watercolor Housed in a 20th century gilt frame, with liner and glass Signed “P. Roos”, lower right SIZE: 19-1/2″ x 44″. Overall” 26″ x 50″. CONDITION: Very good. 9-27245 (800-1,200)

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1201

ROBERT WARD VAN BOSKERCK(AMERICAN, 1855-1932) ALONG THE RIVER. Oil on canvas Housed in a decorative gilt frame with liner, Signed “R.W. Van Boskerck”, lower right SIZE: 16-1/2″ x 24″. Overall: 22-1/4″ x 30-1/4″. CONDITION: Very good. 9-27230 (1,000-2,000)

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1202

W. BILS (American school, 20th century) LOT OF TWO NEW JERSEY SCENES: SPRING LANDSCAPE SCENE & ALONG THE RIVERBEND. Oil on board Housed in a matching black and gold frames Both signed “W. Bils”, on verso SIZE: 15″ x 10″. Overall: 15″ x 19-1/2″. CONDITION: Good, thick impasto, minor craquelure, surface grime. 9-28174-1 (2,000-3,000)

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1203

W. BILS (American school, 20th century) LOT OF TWO NEW JERSEY SCENES: “BRIDGE OVER HORSE PATH” & “PROSPECT PARK”. Oil on board Housed in matching black & gold frames Signed “W. Bils”, and identified on verso, second is signed and dated “1927” on verso SIZE: 15″ x 10″. Overall: 15″ x 19-1/2″. CONDITION: Good, thick impasto, minor craquelure, surface grime. 9-28174 (2,000-3,000)

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1204

W. BILS (American school, 20th century) LOT OF THREE NEW JERSEY LANDSCAPE SCENES. Oil on board Housed in matching contemporary black & gold frames Two of the three are identified on verso SIZE: 15″ x 10″. Overall: 15″ x 19-1/2″. CONDITION: Good, thick impasto, minor craquelure, surface grime. One with board loss, lower left. 9-28175 (2,250-2,750)

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1205

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) “THE ROAD TO ART- THE AWAKENING”. Oil on artist board Housed in a period painted wood frame, with wear and losses Signed “1945 Burliuk”, lower left Inscribed with title in pencil on verso SIZE: 14″ x 10″. Overall: 20-3/4″ x 16-3/4″. PROVENANCE: Private New England collection, acquired in 1945. CONDITION: Surface dirt. 9-27923 (8,000-12,000)

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1206

LEE GATCH, JR. (American 1902-1968) “THE CHILDREN’S TAPESTRY”. Mixed media, linen and oil on wood abstract scene shows a figure, a rooster, a jumping deer, a yellow half moon, orange and blue sun and other shapes. Signed lower right “Gatch/63″. On reverse is the original artist title. Also a clipped title from an exhibition. Housed in a gilt edge simple frame with black lining. Born near Baltimore, Gatch studied at the Maryland Institute of Fontainebleau and Academic Modern in Paris. Gatch’s teachers included John Sloan, Moise Kisling and Andrew Lhote. While in Paris he was influenced by Vuillard and Bonnard, his mature style is identifiably a vey American interpretation of Post-Impressionism, Cubism and Surrealism SIZE: 16″ x 22”. CONDITION: Very good. 9-26624 (2,500-3,000)

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1207

WILLIAM CHARLES PALMER (American, 1906-1987) “FISH STORY”. Oil on canvas Housed in a gilt decorated frame Frame with an Encyclopedia Brittanica Collection of American Painting label on verso Unsigned SIZE: 30-1/4″ x 36-1/4″. Overall: 39-3/4″ x 45-3/4″. CONDITION: Relined, some inpainting, very good. 9-27243 (2,000-4,000)

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1208

CHAIM GROSS (American, 1904-1991) FOUR WORKS: FIGURES AND LANDSCAPES. Two watercolors & two pen and ink Identically housed in simple silver wood frame with mats and glass (mattes as is) Watercolor signed “Chaim Gross”, lower right. Drawings signed “Chaim”, lower left SIZE: Watercolors: 5″ x 7″. Drawings: 4-3/4″ x 7-3/4″. CONDITION: Light foxing and toned, not examined out of frame 9-27235 (800-1,600)

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1209

EZIO MARTINELLI (American, 1913-1980) TWO ABSTRACT WORKS. Oil on canvas Unframed One unsigned; one signed “E. Martinelli 46″, lower right Ezio Martinelli studied at the Academy of Fine Arts in Bologna, Italy and at the National Academy of Design in New York from 1932-1936. Stylistically, Martinelli was part of the first generation of “New York School” abstract artists. Not unlike his contemporaries, including Willem DeKooning and Jackson Pollack, Martinelli was greatly influenced by the artistic and psychological theories currently in vogue. Surrealism, mythology, and the working of the subconscious were incorporated into a style that while being dynamic was clearly grounded in an ordered composition. SIZE: 50″ x 36″. Overall: 48″ x 36”. CONDITION: Very good. 9-27238 (600-1,000)

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1210

PRATT (American, Mid 20th Century) THE RED MOON. Oil on board Housed in a modern, metal frame Signed “Pratt”, lower right SIZE: 28″ x 23-1/2″. Overall: 29-1/4″ x 25-1/2″. CONDITION: Some roughness to frame edges, some inpainting, some top layer chips at left corners. 9-24330 (500-800)

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1211

LOUIS MICHEL EILHEMIUS (American, 1864-1941) MOONLIGHT- FIGURE IN BOAT. Oil on artist board Unframed Signed “Eilshemius”, lower left SIZE: 20-3/4″ x 40-1/2″. CONDITION: Very good. 9-27254 (500-1,000)

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1212

LOWELL BLAIR NESBIT (American, 1933-1993) VEGETABLE DYPTYCH -I -79. Oil on canvas Unframed Signed on verso with title Note: A large black and white photograph from 1981 showing Polly in front of paintings accompanies lot. SIZE: 75″ x 100″ ea. Total: 75″ x 200″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. Purchased directly from the artist. CONDITION: Very good. 7-70155 (15,000-20,000)

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1213

JOSEPH WOLINS (American, 1915-1999) TWO WORKS: “INDUSTRIAL NIGHT” AND “KING DAVID AND THE CONCUBINES”. Oil on masonite Housed in painted molded wood frames 1) Signed lower right “Wolins 1951” 2) Signed lower left “Wolins” SIZE: 1) 12″ x 16″. Overall: 19-3/4″ x 23-3/4″. 2) 16″ x 20″. Overall: 24-1/2″ x 28-1/2″. CONDITION: Very good 9-27253 (800-1,200)

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1214

JOHN WENGER (American, 1887-1976) TWO WORKS: CITY VIEWS. Oil on board Housed in identical gilt modern frames Signed lower right “Wenger” and “John Wenger” SIZE: Both: 16″ x 20″. Overall: 20-1/2″ x 24-1/2″. CONDITION: Very good 9-27252 (800-1,200)

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1215

JENNE MAGAFAN (American, 1916-1952) TWO WORKS: “THE BROKEN WINDOW” AND “BARN WITH POSTER”. Oil on masonite 1) Housed in a modern gilt frame with liner 2) Housed in a wood frame with liner Both signed lower right “Jenne Magafan” Both titled on verso SIZE: 1) 11-1/2″ x 8-1/2″ Overall: 17″ x 14″. 2) 9″ x 13-1/2″ Overall: 16″ x 20″. CONDITION: Very good 9-27237 (1,200-1,800)

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1216

SIGNED (American School, 20th century) A BOSTON SCHOOL STYLE PORTRAIT OF A YOUNG GIRL. Oil on canvas Housed in a Stanford White style gold frame Illegibly signed, lower left SIZE: 25″ x 18-1/2″. Overall: 33″ x 26-1/2″. CONDITION: Good, very minor retouch. 9-28177 (1,750-2,250)

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1217

SIGNED ILLEGIBLY (American, 19th/20th Century) PORTRAIT OF A GIRL WITH HER DOG. Oil on canvas Housed in its original wide gilt frame with damage Signed upper left illegibly SIZE: 34″ x 26″. Overall: 45-1/2″ x 37-1/2″. CONDITION: Surface dirt, good 7-73184 (400-600)

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1218

LOUIS RITMAN (American, 1889-1963) WOMAN WITH VEIL IN RED. Oil on board Housed in a modern gilt wood frame Signed lower right “L. Ritman” SIZE: Sight: 23″ x 17-1/2″. Overall: 25-3/4″ x 20-1/4″. CONDITION: Very good 9-27926 (2,000-2,500)

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1219

LOUIS KRONBERG (American, 1872-1965) BALLERINA IN BLUE. Oil on board Housed in a mid 20th Century painted wood frame Signed “L.K.” lower right SIZE: 20″ x 14-3/4″. Overall: 23″ x 18″. CONDITION: Very good 9-27845 (2,000-4,000)

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1220

LAURA COOMBS HILLS (American, 1859-1952) TULIP STILL LIFE. Pastel Housed in a fine modern gilt frame with liner behind glass with some gold losses Signed lower right “Laura Hills” SIZE: Sight: 28″ x 22″. Overall: 36″ x 31″. CONDITION: Very good 7-70194 (8,000-12,000)

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1222

AUBREY DALE GREER (American, 1904-1998) STILL LIFE OF PINK & WHITE FLOWERS. Oil on canvas Housed in a gesso decorated gilt frame with liner with corner losses Signed upper left “A D Greer” SIZE: 20″ x 24″. Overall: 27-1/4″ x 31-1/4″. CONDITION: Craquelure, very good. 9-27689 (2,000-3,000)

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1223

AUBREY DALE GREER (American, 1904-1998) ORIENTALIST STILL LIFE WITH FLOWERS. Oil on canvas Housed in a partial gilt carved wood frame with linen and matching liner Signed upper right “A D Greer” SIZE: 20″ x 16″. Overall: 27-1/4″ x 23-1/4″ CONDITION: Very good 9-27570 (800-1,200)

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1224

MINNA WALKER SMITH (American, 1883-1960) STILL LIFE OF ROSES. Watercolor on paper Housed in its original painted & gilt carved wood frame with glass Signed lower right “M Walker Smith” SIZE: Sight: 19-1/2″ x 15-1/2″. Overall: 25-1/2″ x 21-1/2″. PROVENANCE: Inherited by descent, from the family who bought the house and contents belonging to Nathan Clifford (US Supreme Court Justice; Atty Gen. of US Ambassador to Mexico). CONDITION: Very good. 9-27765 (400-800)

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1225

STANLEY GRANT MIDDLETON (American, 1852-1942) STILL LIFE WITH ORIENTAL VASE. Oil on canvas Housed in a copper type gilt fancy frame Signed lower left SIZE: 24″ x 20″. CONDITION: Very good 9-22804 (1,000-2,000)

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1226

FREDERICK M. FENETTY (Italian/American, 1854-1915) CANTON BOWL WITH PANSIES. Oil on canvas Housed in a re-gilt original wood frame with liner Signed lower right “F Fenetti” SIZE: 16″ x 30″. Overall: 23-1/2″ x 37-1/2″. CONDITION: Very good with some inpainting. 9-27742 (2,000-3,000)

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1227

MAURICE BRAUN (American, 1877-1941) ROLLING HILLS, CALIFORNIA. Oil on canvas Housed in a period frame, regilded Singed “Maurice Braun”, lower left SIZE: 20″ x 24″. Overall: 27″ x 31″. CONDITION: Good, lined, repaired tear, and scattered retouch 9-27846 (8,000-12,000)

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1228

MARION KAVANAUGH WACHTEL (American, 1870-1954) CALIFORNIA THROUGH THE TREES. Oil on canvas board Housed in a contemporary gold frame Signed “Marion Kavanagh Wachtel”, lower right SIZE: 13-1/2″ x 17-1/2″. Overall: 20″ x 24″. CONDITION: Very good to excellent 9-28388 (5,000-8,000)

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1229

MARTIN JACOB JACKSON (American, 1871-1955) “THE PATIO”/A SOUTHERN CALIFORNIA SCENE. Oil on board Housed in a period gold oak frame Signed “M.J. Jackson” Identified on verso, including exhibition label from the Oakland Art Gallery, Oakland, California SIZE: 11-1/2″ x 15″. Overall: 15″ x 19″. CONDITION: Very good, scattered craquelure. 9-27684 (1,500-2,500)

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1230

EVERETT LONGLEY WARNER (American, 1877-1963) WESTERN MOUNTAIN LANDSCAPE. Oil on artist board Housed in a period carved wood frame Signed lower left “Everett Warner” SIZE: 12-1/2″ x 16″. Overall: 13-3/4″ x 17-1/4″. CONDITION: Inpainting with restoration, good 9-27685 (2,000-3,000)

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1231

WALTER KOENIGER (American, 1881-1943) WINTER LANDSCAPE WITH COLORFUL MOUNTAINS. Oil on artist board Housed in a fine modern gilt frame with liner Signed lower right “W Koeniger” SIZE: 14″ x 18″. Overall: 19″ x 23″. CONDITION: Very good 7-70283 (1,500-2,500)

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1232

WALTER KOENIGER (American, 1881-1943) RIVER MARSH IN THE EVENING LIGHT. Oil on artist board Housed in a modern gilt frame with liner having edge losses Signed lower right “W Koeniger” SIZE: 14″ x 18″. Overall: 19″ x 23″. CONDITION: Some minor touch up, very good 7-70284 (1,500-2,500)

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1233

LEONARD C. LANE (American/Canada, 1910-1978) “CRYSTAL SEA”. Oil on canvas Housed in a modern fancy gilt pierced frame Signed lower left “Leonard C Lane” SIZE: 20″ x 26″. Overall: 27-1/4″ x 33-1/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70260 (1,200-1,800)

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1234

LEONARD C. LANE (American, Canada, 1910-1978) AFTER RAIN. Oil on canvas Housed in a modern gilt frame with wide liner Signed lower left “Leonard C Lane” SIZE: 20″ x 26″. Overall: 28-3/4″ x 34-3/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70261 (1,200-1,800)

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1235

MARY LOUISE FAIRCHILD (LOW) (American, 1858-1946) AUTUMN COLORS WITH ROAD & WATER. Oil on canvas Housed in a modern gilt carved wood frame Signed lower right “Mary Fairchild Low” SIZE: 18″ x 12″. Overall: 25-1/2″ x 19-1/2″. CONDITION: Very good 9-27929 (2,000-3,000)

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1236

F. O. WILLIAMS (American, 19th/20th Century) BARN WITH TREES AND FIELDS. Oil on canvas Housed in a period gilt frame with liner Signed lower right “F.O. Williams” SIZE: 12-1/2″ x 18-1/2″. Overall: 18″ x 24″. CONDITION: Relined with some restoration 9-27256 (400-600)

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1237

JAN MATUKLA (American/Czech 1890-1972) TWO SIDED WORK: HOUSES AND TELEPHONE POLES & SAILBOAT IN LANDSCAPE. Gouache watercolor and pencil; The back side black crayon drawing Housed in a good gilt modern frame with linen and gilt liner, back having glass with matte to view painting Signed lower left Accompanying the lot is a handwritten receipt from Robert Simpson of St. Davids, Pennsylvania to the Reverend Beatrice Blair SIZE: Sight: 14-1/2″ x 21-1/4″. CONDITION: Very good 9-26626 (2,000-2,500)

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1238

RICHARD EDWARD “EMIL” MILLER (American/French, 1875-1943) LOOKING THROUGH THE POPLARS. Oil on wood panel Housed in a ribbed gilt frame with wide double gilt liner Signed lower right “Miller” Inscribed on reverse in pencil to “Mr. Phil Fonk” and “Miller”. Also, “Easter Sunday, April 23, 1916″ SIZE: 10″ x 11”. CONDITION: Very good 9-24745 (3,000-4,000)

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1239

ARTHUR VIDAL DIEHL (American, 1870-1929) SUMMER IN PROVINCETOWN. Oil on artist’s board Housed in a period gold frame Signed “Arthur V. Diehl”, lower right SIZE: 12″ x 8″. Overall: 15″ x 10-1/2″. CONDITION: Very good, surface grime. 9-28196 (1,500-2,500)

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1240

RACHEL V. HARTLEY (American, 1884-1955) UNDER THE PALMS/A TROPICAL BEACH SCENE. Oil on canvas board Housed in a contemporary gold carved frame Signed “Rachel Hartley”, lower right SIZE: 19″ x 15″. Overall: 27″ x 23″. CONDITION: Good, minor retouch to rabbet edge. 9-28164 (1,200-1,800)

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1241

HARRY HERMAN ROSELAND (American, 1866-1950) PORTRAIT OF A SOUTHERN BELLE. Oil on canvas Housed in a period frame Signed “Harry Roseland”, lower right Fragmentary period label from Marshall Field & Company on verso SIZE: 16″ x 12″. Overall 21″ x 17″. CONDITION: Good, losses to lower rabbet edge, scattered retouch. 9-28194 (500-700)

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1242

SUSAN MILLER CHASE (American, 20th century) UNDER THE BEACH UMBRELLA. Oil on artist’s board Housed in a contemporary period style frame Signed “Susan Miller Chase”, lower right Stamped with artist’s inventory information on verso SIZE: 8″ x 10″. Overall: 16″ x 17-1/2″. CONDITION: Very good. 9-27556 (1,200-1,800)

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1243

GABRIEL SPAT (American, 1890-1967) BEACH SCENE. Oil on canvas Housed in gold period frame Signed “Spat”, lower right, possible estate stamped SIZE: 18″ x 34″. Overall: 22″ x 37″. CONDITION: Very good. 9-27854 (3,000-5,000)

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1244

GABRIEL SPAT (American, 1890-1967) “LA PLAGE A ONIVAL”. Oil on artist’s board Housed in period frame Signed “Gabriel Spat”, lower left Identified on plaque and on labels, including Janet Fleisher Gallery, on verso SIZE: 7-1/2″ x 10-1/2″. Overall: 13″ x 15-1/2″. CONDITION: Very good, surface grime. 9-27433 (1,500-2,500)

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1245

GABRIEL SPAT (American, 1890-1967) “ST. JEAN DE LUZ”. Oil on artist’s board Housed in period frame Signed “Gabriel Spat”, lower left Identified on Janet Fleisher The Little Gallery label stamped on verso SIZE: 9″ x 14″. Overall: 12″ x 17-1/4″. CONDITION: Very good, surface grime. 9-27434 (1,000-1,500)

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1246

HARRISON CADY (American, 1877-1970) ON THE ROAD IN ITALY. Watercolor on paper Housed in contemporary gold frame Signed “Harrison Cady”, lower left Identified on catalog entry affixed to verso SIZE: 18″ x 23″. Overall: 28-1/2″ x 33″. CONDITION: Very good, not examined out of frame. 9-27847 (2,000-4,000)

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1247

ATTRIBUTED TO WILLIAM LAMB PICKNELL (American, 1853-1897) “LE DE VIEL, MORET”. Watercolor on paper Housed in a 1930’s frame with mat behind glass with some wear Unsigned, inscribed with title, lower right SIZE: 19-1/4″ x 14″. Overall: 27″ x 21″. CONDITION: Good. 7-70117 (3,000-5,000)

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1248

FREDERICK GARRISON HALL (American, 1879-1946) “STILL LIFE- NORSE FISHERMAN”. Oil on canvas Housed in a 1927 Thulin signed, carved, and partially gilt frame, with some wear Signed “Hall”, lower right The frame, having seven labels on verso, including “Third Annual National Exhibition of American Art, 1938, New York City”; “The Pennsylvania Academy of the Fine Arts 129th Annual Exhibition 1934”; “National Academy of design”; “Museum of Fine Arts, Boston”; “The Guild of Boston Artists”; and “Museum of Fine Arts Special Loan Edition of Works of Frederick G. Hall.” SIZE: 30″ x 25″. Overall: 38-1/2″ x 33-1/2″. CONDITION: Very good. 7-70192 (400-600)

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1249

EDWARD DUFNER (American, 1872-1957) “SPRINGTIME TAORMINA-SICILY”. Oil on artist’s board Unframed Signed “E. Dufner”, lower left Identified on verso and on period label SIZE: 8-1/2″ x 9-1/4″. CONDITION: In original condition, surface grime. 9-27849 (1,500-2,500)

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1250

E.L. KINLOCH (American/European, 19th Century) ROMAN TRAGEDY. Oil on canvas Housed in a gilt gesso decorated frame, with some restoration Signed “E.L. Kinloch”, lower left SIZE: 30″ x 60″. Overall: 35″ x 64-1/2″. CONDITION: Some inpainting, very good. 9-25493 (1,500-2,500)

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1251

BRYANT CHAPIN (1859-1927) SPILLED STRAWBERRIES. Oil on canvas Housed in a period gilt molded oak frame with wear Signed lower left “Bryant Chapin 1909″ SIZE: 13″ x 17″. Overall: 17-3/4″ x 21-3/4”. CONDITION: Craquelure, very good 9-27688 (3,000-4,000)

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1252

CARDUCIUS PLANTAGENET REAM (American, 1837-1917) PLUMS. Oil on canvas Housed in a period gilt gesso decorated frame Signed lower right “C P Ream” SIZE: 14″ x 20″. Overall: 21″ x 27″. CONDITION: Minor touch up, very good 9-27738 (2,000-3,000)

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1253

AUGUST LAUX (American, 1847-1921) STILL LIFE WITH RASPBERRIES. Oil on canvas Housed under glass in period carved wood and composite frame, with losses Signed “A. Laux”, lower right SIZE: 10″ x 14″. Overall: 18″ x 20-1/2″. CONDITION: Very good. 9-28121 (1,500-2,000)

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1254

P. KEARNEY (American, 19th century) OPULENT STILL LIFE WITH SUMMER FRUITS. Oil on canvas Housed in a period gold frame Signed “Kearney”, center lower right SIZE: 27″ x 22″. Overall: 38″ x 33″. CONDITION: Very good, repaired punctures to verso, minor scattered retouch. 9-28181 (3,500-5,000)

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1255

P. ZEIGLER (American School, 19th century) STILL LIFE WITH PEACH. Oil on board Housed in modern gold frame Signed “P. Zeigler”, lower center SIZE: 6-3/4″ x 8″. Overall: 9-1/2″ x 11″. CONDITION: Good. 9-27561 (300-500)

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1256

RAOUL MAUCHERAT DE LONGPRE (French, 1855-1911) STILL LIFE WITH PINK ROSES AND WHITE LILAC. Mixed media including watercolor and gouache on paper Housed in a period gold painted frame Signed “Raoul M. de Longpre fils”, lower right SIZE: 26″ x 19″. Overall: 37″ x 29-3/4″. CONDITION: Good, not examined out of frame. 9-28167 (4,000-6,000)

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1257

RAOUL MAUCHERAT DE LONGPRE (French, 1855-1911) STILL LIFE OF PINK ROSES & WHITE LILACS. Gouache on board Housed in a gesso decorated gilt period frame with glass Signed center bottom “R M De Longpre. Fils” SIZE: Sight: 23-1/2″ x 19-1/2″. Overall: 28-1/2″ x 24-1/2″. CONDITION: Very good 9-27733 (2,000-3,000)

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1258

VICTOR GABRIEL GILBERT (French, 1847-1933) PARISIAN STREET SCENE WITH FLOWER VENDOR. Oil on board Housed in contemporary frame Signed “Victor Gilbert”, lower left Period inventory label affixed to reverse Victor Gilbert was born in Paris in 1847. While the artist was primarily self-taught, and only later in life received formal training, in both form and subject Gilbert speaks to the height of the Belle Epoque style. Widely collected during his life, Gilbert was known for his atmospheric Parisian scenes populated with haggling fruit vendors, demure flower sellers and elegant Parisians beautifully turned out in the most current fashion of the day. As seen in the above painting, Gilbert’s scenes are at one time gossamer plein air compositions very purposefully grounded in exacting detail. SIZE: 15″ x 18″. Overall: 17-1/2″ x 20-3/4″. CONDITION: Very good. 9-27722 (8,000-12,000)

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1259

CLAUDE VENARD (French, 1913-1999) “SAUVETAGE”. Oil on canvas Housed in contemporary gold and black frame Signed “C. Venard”, lower right Identified on Kodner Gallery label on verso Claude was a well known and aggressively collected French Mid-20th Century post-Cubist artist. His international reputation was promoted by numerous solo exhibitions in New York, Paris, London, Geneva, Tokyo & Buenos Aires. Included in both public and private collection, Venard’s paintings can be seen in London’s Tate Gallery and the Metropolitan Museum in New York among others SIZE: 20″ x 26″. Overall: 29″ x 35″. CONDITION: Very good, very minor scattered retouch. 9-27848 (4,000-6,000)

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1260

FRANCOIS GALL (French, 1912-1987) STREET SCENE/MONTMARTRE. Oil on canvas Housed in a reproduction Louis XIII style frame Signed “F. Gall”, and identified “Paris”, lower right SIZE: 16″ x 12″. Overall: 23″ x 9″. CONDITION: Good. 9-28197 (2,500-3,500)

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1261

ALFRED GUILLOU (France, 1844-1926) FISHING IN THE INLET. Oil on canvas Housed in an ornate period gold frame, with losses Signed “Alfred Guillou”, lower left, and an indistinct inscription, lower right Paris art supplier’s stamp on verso SIZE: 22-1/2″ x 19″. Overall: 31″ x 26″. CONDITION: Scattered retouch 9-28122 (1,500-2,000)

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1262

CHARLES FRANCOIS DAUBIGNY (French, 1817-1878) BARBIZON LANDSCAPE SCENE. Oil on canvas Housed in an ornate gold period frame Signed “Daubigny”, lower left SIZE: 14″ x 8″. Overall: 22-1/2″ x 16-1/2″. CONDITION: Craquelure and surface grime. 9-28172 (2,800-3,200)

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1263

BARBIZON SCHOOL (French, 19th/20th Century) “JOU DE FETE PONTRIEUX”. Oil on canvas laid on board Housed in gilt molded wood replacement frame SIZE: 26-1/2″ x 48″. CONDITION: Very good 9-25452 (3,500-4,500)

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1264

NARCISSE-VIRGIL DIAZ DE LA PENA (French 1807-1876) MOTHER AND CHILD. Oil on wood panel Housed in a magnificent, possibly original, pierce decorated fancy frame with gilt liner and glass having only minor losses Signed lower left “N.Diaz” SIZE: 15″ x 11-3/4″. Overall: 25-1/4″ x 22-1/2″. CONDITION: Light craquelure, very good, minor touch-up. 9-25870 (6,000-9,000)

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1265

JOHAN BARTHOLD JONGKIND (Netherlands/French, 1819-1891) SUNSET OVER THE CANAL. Oil on canvas Housed in an outstanding gesso decorated gilt period frame with gilt liner Signed center bottom “Jongkind 73?” SIZE: 18″ x 21-3/4″. Overall: 31-1/2″ x 35″. CONDITION: Very good. 9-25486 (15,000-20,000)

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1266

ANDRE BOURRIE (French 1936-) “FONTFROIDE”. Large oil on canvas Housed in a large gilt gesso decorated frame, with liner Signed “A. Bourrie”, lower right, titled on reverse SIZE: 58″ x 45″. Overall: 66″ x 53″. CONDITION: Very good. 9-26573 (1,000-1,500)

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1267

PAUL E. HARNEY JR. (American, 1850-1915) WOMAN AT THE WELL. Oil on canvas Housed in a regilt antique gesso decorated frame Signed lower left “Paul E Harney 1889″ Kamp Gallery labels on verso SIZE: 12″ x 18″. Overall: 17-1/2″ x 23-1/4”. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70264 (1,200-1,800)

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1268

GEORGES CHARLES ROBIN (French,1873-1943) WINTER LANDSCAPE WITH MILL, BOAT, & FIGURES. Oil on canvas Housed in a decorated French style frame with liner Signed lower right “Georges Robin” SIZE: 22″ x 18″. Overall: 29″ x 25-1/4″. PROVENANCE: Estate of a Private Texas Collector CONDITION: Very good 7-70263 (1,200-1,800)

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1269

CHARLES DESIRE HUE (French, 1825-1883) AN INTRODUCTION AT COURT. Oil on canvas Housed in a gold liner Signed “Charles Hue” and dated “1874”, lower right SIZE: 25″ x 40″. Overall: 27″ x 42″. PROVENANCE: Private New England collection. CONDITION: Good, original condition with surface grime. 9-28391 (3,000-5,000)

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1270

HORST HOBI BILLSTEIN (French, 1939-1998) “CHINOISERIES”. Oil on canvas Original wood frame with liner Signed lower right “Hobi” SIZE: 24″ x 19-3/4″. Overall: 28″ x 23-1/2″. CONDITION: Very good 9-27928 (1,500-2,500)

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1271

EDOUARD LEON LOUIS EDY-LEGRAND (French, 1982-1970) ALGERIAN WOMAN. Watercolor on paper Housed in 20th century frame Signed “Edy-Lagrand”, inscribed “alger” and dated “1924”, lower right Identified on plaque affixed to framed SIZE: 18″ x 13″. Overall: 25-1/4″ x 20-1/4″. CONDITION: Very good, not examined out of frame. 9-27406 (20,000-30,000)

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1272

JEAN JACQUES HENNER (French, 1829-1905) RECLINING NUDE IN LANDSCAPE. Oil on canvas Housed in a gilt French style frame Signed “J.J. Henner”, bottom left SIZE: 12-1/2″ x 18-1/4″. Overall: 19-1/4″ x 25″. CONDITION: Relined, inpainting, uneven varnish layer, good. 9-27259 (3,000-5,000)

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1273

JEAN JACQUES HENNER (French, 1829-1905) GIRL IN BLUE. Oil on board Housed in an antique gesso frame, with losses Signed “Henner”, upper right Several Paris labels on verso SIZE: 11-1/4″ x 7-1/2″. Overall: 23-1/2″ x 20″. CONDITION: Very good. 9-27262 (3,000-5,000)

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1274

JEAN JACQUES HENNER (French, 1829-1905) PORTRAIT OF A GIRL WITH BLUE HEAD SCARF. Oil on canvas Housed in a 20th century gilt frame, with liner and name plaque Signed “J.J. Henner”, center left SIZE: 21-1/4″ x 16″. Overall: 29″ x 24″. CONDITION: Relined, inpainting, light scratches to edges, otherwise very good. 9-27258 (2,000-3,000)

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1275

JEAN JACQUES HENNER (French, 1829-1905) RED HAIRED GIRL READING. Oil on board Housed in period frame Signed “J.J. Henner”, upper right SIZE: 7-1/2″ x 5-1/2″. Overall: 9-1/2″ x 6-1/2″. CONDITION: Very good. 9-27260 (1,500-2,500)

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1276

ALDO LUONGO (Argentinian 20th/21st Century) GOUCHO. Oil on masonite Housed in a contemporary carved & gilt wood frame Signed lower left “Aldo” SIZE: 27-1/2″ x 19-3/4″ Overall: 31-3/4″ x 23-3/4″. CONDITION: Very good 9-27853 (2,000-4,000)

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1277

J SULTAN ALI (Indian, 1920-1990) “MURIA MYTH”. Oil on canvas Housed in a simple wood frame Signed lower left and dated “1967” Also signed on reverse with title and date SIZE: 33″ x 36″. CONDITION: Very good 7-72630 (25,000-30,000)

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1278

BIREN DE (Indian, 1926-2011) THE MUSICIAN-1. Oil on canvas Housed in a period wood and gold frame Signed “Birend De” and dated “57”, upper left Identified on verso SIZE: 30″ x 21-3/4″. Overall: 34-1/2″ x 26″. CONDITION: Good, minor flaking and craquelure. 7-73458 (4,500-5,500)

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1278a

SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT. This lot consists of twelve past Julia auction firearm catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the 15% buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good. 8-87112 (300-400)

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1279

JATIN DAS (India, 1941- ) “FIGURE IN ORANGE LINE”. Oil on canvas Housed in a simple wood frame Signed lower left and dated “70” Title, dated, signed with address “N. Delhi-13 India” SIZE: 52″ x 40″. CONDITION: There is a 3″ x 19″ canvas patch to reverse. The front showing a stitched repair through the central green area. Under blacklight it does not show inpainting. This may be original to the painting 7-72631 (3,000-5,000)

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1280

JATIN DAS (Indian, 1941-) NUDE. Line drawing Housed in a modern metal frame Pencil signed and dated “73” Also with presentation inscription and with what appears to be “Artishi Print 1967″ in pencil SIZE: Sight: 34-1/2″ x 22”. CONDITION: Very good, some light wrinkling, tight 2″ tear in top margin 7-72632 (800-1,200)

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1281

VIJAY SHINDE (Indian, 20th century) TWO WORKS: ABSTRACTS. 1) Oil on canvas Unframed Signed upper left and dated 94 & signed on reverse of canvas and dated 93-94 2) Oil on canvas Unframed Signed upper left and dated 94 & signed and dated on reverse SIZE: 1) 32-2/3″ x 24″. 2) 33″ x 24″. CONDITION: Very good 9-26488, 9-26490 (1,000-2,000)

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1282

G.D. PAULRAJ (India 1914-1979) WASHING AT THE RIVER. Watercolor Housed in a partial gilt wood frame with double matte and glass, frame having a “Newcomb-Macklin Co. label Signed lower left SIZE: Sight: 14-1/4″ x 18-3/4” CONDITION: Very good 9-25724 (200-400)

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1283

ATTRIBUTED TO SIDNEY RICHARD PERCY (British 1821-1886) CASTLE RUINS IN LANDSCAPE. Oil on canvas Housed in a magnificent gesso decorated gilt frame with gilt liner Unsigned SIZE: 25″ x 33″. CONDITION: Restretched on slightly smaller stretcher, inpainting, very good 9-26638 (2,000-4,000)

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1284

PATRICK HENNESSY (Irish, 1915-1980) STILL LIFE WITH BROCADE AND APPLES. Oil on canvas Housed in period frame Signed “Hennessy”, lower right Fragmentary label fixed on verso Widely considered one of Ireland’s finest realist painters, Hennessey was born in Cork and raised and initially trained (on Scholarships at the Dundee College of Art) in Scotland. Other scholarships allowed his to study in Paris and Rome as well. His work was exhibited at the Royal Scottish Academy and was extensively featured in exhibitions at the Royal Hibernian Academy. His paintings are included in numerous public and private collections including the Irish Museum of Modern Art in Dublin. SIZE: 32″ x 23″. Overall: 43″ x 35″. CONDITION: Very good. 9-27568 (4,000-6,000)

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1285

PATRICK HENNESSY (Irish, 1915-1980) “ROSE AND BUTTERFLY”. Oil on canvas board Housed in original frame and liner Signed “Hennessy”, lower left Identified on Guildhall Galleries Limited Chicago, on verso Widely considered one of Ireland’s finest realist painters, Hennessey was born in Cork and raised and initially trained (on Scholarships at the Dundee College of Art) in Scotland. Other scholarships allowed his to study in Paris and Rome as well. His work was exhibited at the Royal Scottish Academy and was extensively featured in exhibitions at the Royal Hibernian Academy. His paintings are included in numerous public and private collections including the Irish Museum of Modern Art in Dublin. SIZE: 9-1/2″ x 6-1/2″. Overall 12″ x 8-1/2″. CONDITION: Very good. 9-27569 (800-1,200)

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1286

ATTRIBUTED TO WILLIAM WATSON (United Kingdom, 1831 -1921) HIGHLAND CATTLE. Oil on canvas Housed in a period gesso decorated gilt frame with plaque Signed “W.R. Watson”, lower right SIZE: 24″ x 36″. Overall: 30-3/4″ x 42-3/4″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Craquelure, very good. 7-70171 (2,000-3,000)

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1287

JAMES HAY DAVIES (British 1844-1930) MEETING OUTSIDE THE GATE. Oil on canvas Housed in a fine re-gilt gesso decorated period frame with gilt liner Signed lower left SIZE: 25-1/2″ x 28-1/4″. CONDITION: Relined, scattered inpainting, very good 9-26641 (1,000-1,500)

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1288

RONALD SEARLE (British, 1920-2011) A LOT OF FOUR WORKS ON PAPER: THREE ILLUSTRATIONS & ONE CARICATURE. Graphite and ink on paper Unframed Three signed “Ronald Searle” lower left and dated “1945”, lower right, the Caricature signed “Ronald Searle 1944″, lower right Illustrations titled in margin SIZE: Illustrations: 8-1/2″ x 7″. Caricature: 4″ x 3”. PROVENANCE: Through the family of Ron Wait. Note: Searle & Wait were in a prisoner of war camp in Singapore. In copies of correspondence which accompanies lot, Searle discusses their relationship. CONDITION: Damage and loss to margins, time toning. 9-27395 (1,000-1,500)

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1289

CHARLES STANFIELD (United Kingdom, 19th/20th Century) MOUNTAINS WITH CASCADING RIVER. Oil on canvas Antique gilt frame with wear & losses Signed lower right “C. Stanfield” SIZE: 24″ x 16″. Overall: 27-3/4″ x 19-1/2″. CONDITION: Craquelure, some inpainting, otherwise good 7-70271 (600-800)

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1290

AFTER JOHN FREDERICK HERRING, JR. (United Kingdom, 1815 -1907) LANDSCAPE WITH FARM AND LIVESTOCK. Oil on canvas Housed in a fine reproduction gesso decorated gilt frame Unsigned SIZE: 30″ x 44-1/2″. Overall: 35-1/2″ x 50″. CONDITION: Very good, inpainting, relined. 9-27236 (500-1,000)

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1291

JACOB EPSTEIN (Israel, 1921-2003) BARBARA. Bronze Mounted on a swivel top wood stand Unsigned Born on New York City’s Lower East Side, Jacob Epstein moved to London and became a British citizen in 1907. Epstein first studied at the Art Students League and later in Paris at the Academie Julien and the Ecole des Beaux-Arts with Rodin. During this period he became friends with artists including Modigliani, Picasso and Brancusi, and in 1913 became a founding member of the London Group of Artists; in that year as well, he exhibited at the history making Armory Show in New York City. Arguably one of the most important sculptors of the 20th century Epstein’s highly expressive style was often seen as controversial-not unlike that of his teacher, Rodin. Intrigued by the physical idiosyncrasies of both the man on the street as well as world leaders and luminaries, Epstein sculpted many of the major figures of the 20th century including Albert Einstein, Winston Churchill, Nehru and George Bernard Shaw. The subject of several books and creator of numerous public art commissions throughout Europe and the United Kingdom, Epstein was granted knighthood in 1950, five years before his death. SIZE: Bronze: 21″ h. Overall: 61″ h. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. Purchased by Polly in 1962 at a Los Angeles art gallery that was handling the artist’s works. CONDITION: Very good 7-70154 (15,000-20,000)

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1292

HENRY LINDER (American 1854-1910) BOY AND GIRL ANDIRONS. Important art nouveau style bronze andirons Signed on reverse “H.L.” Both marked “Roman Bronze Works N.Y.” SIZE: Andirons: 25″ h. – 8″ square bases – Dogs: 25″ l. CONDITION: Fabulous patina, very good 9-25711 (4,000-6,000)

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1292A

CHARLES SYKES (American/British, 1875-1950) SPIRIT OF ECSTASY. Bronze sculpture, later casting Mounted to a double green marble disc Inscribed on base “Charles Sykes No. 28″ SIZE: Bronze: 20-1/2″ h. Total: 22-1/4” h CONDITION: Very good 9-27567 (3,000-5,000)

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1292B

UNSIGNED (Probably 19th/20th Century) BUST OF A MILITARY OFFICE, POSSIBLY ADMIRAL HORATIO NELSON. Bronze Hollow cast which slips on a base of slate & wood SIZE: Bronze: 8-3/4″ h. Total: 16-3/4″. PROVENANCE: From a Montclair, NJ home CONDITION: Very good 9-28251 (800-1,200)

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1292C

VICTOR JOSEPH JEAN AMBROISE SEGOFFIN (French, 1867-1925) BUST OF A WOMAN. Marble Signed on back of shoulder SIZE: 22″ h x 14″ w. PROVENANCE: From a Montclair, NJ home CONDITION: Surface dirt, very good 9-28266 (700-900)

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1292D

UNSIGNED (Italian, 19th/20th Century) THE SPINARIO. Marble After a Greek bronze SIZE: 15-1/4″ h PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Nice patina, some rubs, minor dings to base rim, very good 7-70160 (500-700)

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1293

H.R. ANEZ (Late 19th Century) “MANDRIL”. Bronze Inscribed on neck with what appears to read “Mandril April 95 H.R. Anez PrS” SIZE: 21″ h. x 15″ at widest. CONDITION: Very good 9-25712 (3,200-3,600)

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1294

UNSIGNED (Possibly Greek or Roman, Unknown Age) DOUBLE HEAD. Marble SIZE: Carving: 8″ h. Base: 17″ h. CONDITION: Very good 9-25203 (1,500-2,500)

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1294A

CELESTE ANATOLE CALMELS (French, 1822-1906) THE DANCER. Bronze & ivory Signed on marble base “A. Calmels” Mounted to a stepped marble base SIZE: 14″ h CONDITION: Very good with expected darkened age lines in ivory 9-27504 (500-800)

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1295

LOUIS HOTTOT (French, 1834-1905) GIRL WITH BINOCULARS. Patinated bronze Signed in the casting “L Hottot” Bronze mounted to a green marble base with name plaque SIZE: Bronze: 24″ h. With base: 25-1/2″ CONDITION: Very good 9-24727 (1,000-1,500)

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1295A

UNSIGNED (19th/20th Century) RECUMBENT LION. Bronze SIZE: 6-3/4″ h x 11-1/2″ w. PROVENANCE: From a Montclair, NJ home CONDITION: Very good 9-28250 (800-1,200)

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1295B

TWO BRONZES (19th Century) TWO WORKS: BEARS PLAYING & CHERUB. Bronze Both mounted to marble plinths SIZE: Bears: 6-1/2″. Cherub: 7-1/2″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen. CONDITION: Bears have major loss to patina, cherub is very good 7-70163 (300-500)

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1295C

HENRI ALFRED-MARIE JACQUEMART (French, 1824-1896) PAIR OF HOUNDS WITH PUPPY. Bronze Signed on base “A Jacquemart” SIZE: 9″ h x 12-3/4″ w. CONDITION: Very good 7-73214 (4,000-6,000)

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1296

AGATHON LEONARD (French 1841-1923) ELIMINATING THE RATS. Bronze Signed on the ground “A. Leonard” SIZE: 5″ h x 8″ w x 4″ d. CONDITION: Very good 9-26020 (500-700)

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1297

ALBERT MORITZ WOLFF (Russian, 1854-1923) COSSACK & HIS SWEETHEART ON HORSEBACK. Bronze, unknown edition Signed lightly in Cyrillic SIZE: 12″ h. CONDITION: Very good 9-28372 (5,000-7,000)

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1298

BERTALAN DE KARLOVSKY (Hungarian, 1858-1938) HUNGARIAN FARM SCENE WITH NUMEROUS FIGURES. Oil on board Housed in period gold liner Signed “B. de Karlovsky Paris”, lower left SIZE: 21-1/2″ x 17-1/2″. Overall: 28″ x 24″. PROVENANCE: Private New England Collection. CONDITION: Good, original condition, scattered craquelure. 9-28390 (3,000-5,000)

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1299

ATTRIBUTED TO ANDREI NIKOLAEVICH SHILDER (Russian, 1861-1919) SUNLIT FOREST POOL. Oil on canvas Housed in a black and brown decorated frame Signed lower left and dated “1892” SIZE: 27″ x 41-1/2″. Overall: 34-3/4″ x 49-3/4″. CONDITION: Very good 9-25691 (12,000-15,000)

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1300

M. WALZICKA (Northern European School 19th Century) YOUNG GIRL IN INTERIOR. Oil on canvas Housed in period gold frame with green/gray liner Signed lower right SIZE: 32″ X 31 1/2″ PROVENANCE: From the “Harp House” of Camden, Maine. CONDITION: Very good. Minor puncture, patch to upper right corner, inpaint 9-26905 (300-500)

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1301

SIGNED ILLEGIBLY (European, 19th Century) INTERIOR NUDE STUDY OF MAN & WOMAN. Oil on canvas Housed in a painted wood frame with liner Signed lower right “A B___”? SIZE: 20-1/2″ x 30″. Overall: 30-1/4″ x 37-3/4″. CONDITION: Some inpainting, craquelure. 9-27416 (4,000-8,000)

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1302

UNSIGNED (European, 19th Century) TWO SAINTS HOLDING A CAMPANILE BELL TOWER. Oil on canvas Unframed SIZE: 15-3/4″ x 10-1/4″. CONDITION: Fine craquelure, very light abrasions, good 7-73220 (300-500)

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1303

UNSIGNED (European, 18th Century) TWO OLD MASTER WORKS. Sepia watercolor on paper Housed in reproductions frames with mattes, behind glass Smaller example identified on back “Daphne-Guereino (1590-1666)” Larger example with a “FAR Gallery, New York” label SIZE: 9-1/2″ x 12-1/4″. Overall: 16-1/2″ x 18-1/2″. 5-1/2″ x 6″. Overall: 9-1/4″ x 10″. CONDITION: Very good, some light foxing 9-28316, 9-28317 (500-1,000)

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1304

MANNER OF FRANS HALS THE ELDER (Dutch, 1580-1666) STUDY OF A CHILD. Oil on board Housed in a period style wood and gold frame Unsigned SIZE: 14″ x 10″. Overall: 19″ x 14″. CONDITION: Stable, retouched. 9-28341 (1,000-2,000)

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1305

ATTRIBUTED TO PHILIPP PETER ROOS (German/Italian, 1655/57 -1706) SHEPHERD, HIS FLOCK AND SHEEP DOG. Oil on canvas Housed in a large wide gilt wood frame, with losses Unsigned SIZE: 52-1/2″ x 75″. Overall: 64″ x 85″. PROVENANCE: From the “Harp House” of Camden, Maine. CONDITION: Relined as found, appears to be an unfinished canvas 9-26960 (1,000-2,000)

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1306

UNSIGNED (European, 19th century) THE CARD SHARPS. Oil on canvas Housed in a modern gesso decorated frame with liner Note: After the “Card Sharps” by Carravaggio SIZE: 30″ x 43-1/2″. Overall: 37″ x 50-1/2″. CONDITION: Restored, inpainted, good. 9-27408 (800-1,200)

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1307

B. ENGELS (European, 19th century) TAVERN SCENE WITH FIGURES. Oil on canvas Housed in a 20th century gilt frame, with minor losses Signed “B. Engels”, lower left Jack Partridge Antiques tag on verso SIZE: 25″ x 32-1/4″. Overall: 32″ x 39-1/2″. CONDITION: Relined, inpainting, very good 9-27407 (800-1,200)

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1308

UNSIGNED (European, 19th Century) INTERIOR WITH MOTHER & CHILD. Oil on wood panel Unframed Unsigned SIZE: 17-1/4″ x 14″. CONDITION: Very good with some inpainting 9-27251 (500-1,000)

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1309

UNSIGNED (European, 19th Century) PAIR OF INTERIOR SCENES WITH FAMILY. Oil on canvas Housed in identical modern antique style gesso decorated frames SIZE: 18″ x 15-3/4″. Overall: 22-1/2″ x 20″. CONDITION: Very good 9-27676 (2,000-3,000)

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1310

PAUL RITTER (German, 1829-1907) EXPANSIVE AUTUMN LANDSCAPE SCENE WITH COWS. Oil on canvas Housed in period liner Signed “Paul Ritter”, lower right SIZE: 29″ x 49″. Overall: 34-1/4″ x 53″. CONDITION: In original condition, craquelure throughout. 9-27457 (3,000-5,000)

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1311

LUDWIG BEMELMANS (Austrian, 1898-1962) SKETCH FOR MARINAR. Watercolor on paper Housed in a simple stained wood frame Signed “Bemelmans”, and inscribed with title, lower left Accompanied the work is a note by the artist’s daughter, Barbara Bemelmans, stating that this work was done by her father SIZE: 13″ x 19-3/4″. Overall: 20″ x 27″. PROVENANCE: The personal property of award winning American actress Polly Bergen. CONDITION: Very good. 7-70142 (4,000-6,000)

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1312

PHILLIPE (European 19th Century) ADVICE FOR A MOTHER AND CHILD. Oil on canvas Housed in a scrolling leaf motif antique frame Signed bottom left “Phillipe” and dated “18_ _” SIZE: 36″ x 28″. CONDITION: Relined, scattered inpainting, very good 9-26639 (1,500-2,000)

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1313

AUGUST XAVER CARL “KARL” VON PETTENKOFFEN (Austrian, 1822-1889) WINTER SCENE WITH HORSES & DRIVERS. Oil on board Housed in a period cove and acanthus leaf gold frame, with losses Signed “Pettenkoffen” and dated “1871”, lower right Collector’s stamps on verso SIZE: 29″ x 45″. Overall: 37″ x 53″. CONDITION: Good. 9-27836 (2,000-4,000)

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1314

JOHANNES FRANCISCUS CHRIST (Dutch, 1790-1845) CASTLE IN LANDSCAPE. Oil on panel Housed in a gesso decorated gilt frame, in good condition, with some minor losses Signed “J.F. Christ”, lower right SIZE: 6-3/4″ x 11-1/4″. Overall: 11″ x 15-1/2″. CONDITION: some light scratches to surface, minor inpainting, otherwise very good. 9-27734 (2,000-4,000)

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1315

FRANS PIETER TER MEULEN (Dutch 1843-1927) “SHEPHERD AND SHEEP”. Watercolor Housed in its original gilt frame with gilt matte behind glass Signed bottom right “Ter Meulen” A “Doll & Richards Boston” label on verso. Also a penned label “For the Boston Museum of Fine Arts from Mary and Fannie Kar _ _ _ (?) Shepherd & Sheep Ter Meulen” SIZE: Sight: 15-3/4″ x 12″. CONDITION: Very good. 9-25294 (800-1,200)

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1316

JOHN PHILIP HULTBERG (American, 1922-2005) “GULLIVER, 1958”. Oil on canvas Unframed Unsigned Four labels on verso, including: 1) “Instituto Nacional De Bellas Artes Museo Nacional de Artes Plasticas-Segunda Bienal Interamericana Mexico” with title, artist, etc. 2) Martha Jackson Gallery, New York label. 3) Anderson Gallery, Buffalo, New York label. 4) Anderson Charitable trust. SIZE: 42″ x 68″. PROVENANCE: Estate of David K. Anderson, son of Martha Jackson. CONDITION: Very good. 9-24594 (2,500-3,000)

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1317

WILLEM ALEXANDER KNIP (Dutch, 1883-1967) CANAL WITH HOUSES. Oil on board Housed in period style frame Signed “W.A. Knip”, lower left SIZE: 10″ x 15″. Overall: 19-1/2″ x 24″. CONDITION: Very good. 9-27571 (1,000-1,500)

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1318

LEENDERT DIJK (Dutch 1939-) EAISAGEM DE PETROPOLIS. Oil on canvas Housed in a fine carved wood frame with linen liner, frame having a title and artist plaque Signed on reverse of canvas also SIZE: 25-1/2″ x 31-1/2″. CONDITION: Very good 9-26041 (1,000-1,500)

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1319

SIGNED (Dutch school, 19th century) WINTER SCENE WITH WINDMILL. Oil on board Housed in period gold frame Indistinctly signed, lower right SIZE: 7-1/2″ x 5-1/2″. Overall: 14-1/2″ x 13″. CONDITION: Good. 7-70274 (400-600)

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1320

CURT FRANKENSTEIN (German, 1920-2009) “FLIGHT FROM TIME AND SPACE” 1964. Oil on board Housed in period frame Signed “Curt Frankenstein”, lower left SIZE: 26″ x 20″. Overall: 33-1/2″ x 28″. CONDITION: Very good, surface grime 9-27572 (400-800)

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1321

EUGENE VERBOECKHOVEN (Belgian, 1799-1881) LANDSCAPE SCENE WITH DONKEY. Oil on board Housed in period frame Signed “Eugene Verboeckhoven” lower left, and monogrammed SIZE: 6″ x 8″. Overall: 8-1/2″ x 10-1/4″. CONDITION: Very good, minor retouch. 9-27250 (800-1,200)

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1322

HENRY CHARLES FOX (United Kingdom 1860-1925) “HAYMAKING NEAR STRATFORD ON AVON”. Watercolor Housed in a find period carved gilt wood frame, having artist and title plaque Signed lower right and dated 1923 SIZE: 14-1/4″ x 21-1/4″. CONDITION: Very good 9-26484 (300-500)

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1323

MAURICE GROSMAN (French, 20th Century) SPRING LANDSCAPE SCENE IN THE FAUVE STYLE. Oil on canvas Housed in a Louis XIII style white painted frame Signed “M. Grosman”, lower right SIZE: 21″ x 34″. Overall: 28″ x 41″. CONDITION: Craquelure, scattered losses. 7-73521 (300-500)

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1324

ARTHUR VIDAL DIEHL (American, 1870-1929) BATTLESHIPS WITH APPROACHING LAUNCH. Gouache on board Housed in a fine modern gilt frame with liner & glass Signed lower right “Arthur V. Diehl 1923″ SIZE: 11″ x 11-1/2″. Overall: 18-1/2″ x 18”. CONDITION: Very good 9-28160 (1,250-1,750)

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1325

AIDEN LASSELL RIPLEY (American, 1896-1969) THE WARTIME LOOKOUT. Watercolor Housed in a fine carved and gilt frame with white matte Signed lower right “A Lassell Ripley 1942″ SIZE: Sight: 20-1/2″ x 29”. CONDITION: Very good 9-24600 (3,000-3,500)

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1326

MILTON JAMES BURNS (American, 1853-1933) WEATHERING THE GALE. Gouache Housed in a gilt wood frame with white matte Signed lower left “Burns” SIZE: Sight: 16-3/4″ x 14-3/4″. PROVENANCE: From a fine New Jersey home. CONDITION: Very good with some light stains to bottom caption area 9-24609 (400-800)

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1327

WILLIAM THOMAS SMEDLEY (American, 1858-1920) THE INTRODUCTIONS IN A LANDSCAPE. Gouache on paper Housed in a modern carved wood & gilt double frame with glass with some edge wear Signed lower left “W T Smedley 1896″ SIZE: Sight: 10-1/4″ x 13″. Overall: 18-1/2″ x 21-1/4”. CONDITION: Very good 9-27737 (800-1,200)

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1328

ANDERSON TYLER (American, 20th Century) BUSY CITY DOCK. Watercolor & graphite on board Housed in an antique gesso decorated gilt frame with white matte Signed lower right “Anderson Tyler 36″ SIZE: Sight: 15-1/2″ x 21″. Overall: 22″ x 27-1/4”. CONDITION: Very good. 9-27736 (800-1,200)

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1329

WILLIAM ROBINSON LEIGH (American, 1866-1955) “RAFTING”. Mixed media en grisaille on paper Housed in a modern gold frame Signed “W.R. Leigh” and dated “1900”, lower right Identified on plaque SIZE: 5-1/2″ x 12-1/2″. Overall: 13″ x 20″. CONDITION: Very good, not examined out of frame. 9-27735 (1,000-2,000)

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1330

ARTHUR BURDETT FROST (American, 1851-1928) FISHERMAN WITH FISH ON. Gouache Housed in a carved & gilt modern frames with matte behind glass having A.P.F. Inc label on verso Signed “A.B. Frost” lower right SIZE: 14-3/4″ x 11″. Overall: 22-1/2″ x 19″ CONDITION: Very good 9-27255 (600-900)

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1331

SIGNED (American school, 20th century) DETAIL AFTER THE PERIOD ILLUSTRATION “CANOE”. Oil on canvas Housed in a wooden period frame, perhaps designed by artist Signed “A. Staba” and date “1924”, lower left SIZE: 25″ x 17-1/2″. Overall: 30″ x 22″. CONDITION: Good. 9-28182 (400-600)

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1332

ANDY WARHOL (American, 1928-1987) “TORSOS” POSTER. Housed in a lucite frame Inscribed to “Polly” and signed “Andy Warhol” bottom right SIZE: 59-1/4″ x 39-3/4″. PROVENANCE: The personal property of award winning American actress, singer, and best-selling author, Polly Bergen CONDITION: Very good 7-70170 (800-1,200)

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1333

FREDERIC REMINGTON (American 1861-1909) “THE SCOUT”. Chromolithograph Housed in a walnut frame with white matte Signed in the plate “Copyright 1902 Charles Scribners Sons N.Y.” and also “The Brignard Litho Co. N.Y.” SIZE: Sight: 16-3/4″ x 11-1/2″. CONDITION: Very good, not examined out of frame 9-25457 (1,000-1,500)

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1334

NORMAN ROCKWELL (American, 1894-1978) “WINTER”. Lithograph printed in 1974 on Velin d’Arches paper Housed in a period metal frame with double matte under glass Pencil signed and marked “A/P” (for artist proof) Published by Circle Gallery, Chicago and pulled at the American Atelier, New York, New York Dec 1974 Bears a Circle Gallery embossing in the lower left corner SIZE: Sight: 14-3/4″ x 14-1/4″. Image: 13-1/2″ x 13-1/4″. PROVENANCE: Private Collection, New York City. CONDITION: Very good 9-25825 (800-1,200)

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1335

JAMES BROOKS (American, 1906-1992) “EASTERN”. Colored lithograph Housed in a black frame with white matte and glass Pencil signed, titled, dated 1982 and numbered “8/150″ in pencil on lower margin SIZE: Sight: 30″ x 22”. CONDITION: Very good 9-26623 (600-900)

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1336

ALEXANDRA NECHITA (American, 1985- ) “VICTORIOUS SPIRIT”. Colored lithograph Housed in a modern gilt frame, with minor loss, having gold edge mat and glass Signed “Alexandra Nichita ’96”, lower right, and numbered 694/2500, lower left SIZE: Sight: 28″ x 21″. Image: 26-1/2″ x 19-1/4″. Overall: 41″ x 33-1/2″. CONDITION: Very good. 7-73183 (300-500)

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1337

DARRELL AUSTIN (American, 1907-1994) “YOUNG BEAST IN A MARSH”. Oil on canvas Housed in a period wood frame Signed “Darrel Austin” and dated “’68”, lower left Identified on labels including label from the Edwin A. Ulrich Museum of Art, Wichita, Kansas on verso SIZE: 12″ x 16″. Overall: 18″ x 24″. CONDITION: Very good, craquelure. 9-27693 (800-1,200)

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1338

MAX BOHM (American, 1868-1923) ALONG THE WATERFRONT. Oil on canvas Housed in a contemporary carved silver gilt frame Signed “Max Bohm”, lower right SIZE: 16″ x 20″. Overall: 24″ x 28. CONDITION: Lined, scattered retouch. 9-28166 (1,000-1,500)

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1339

GEORGE W. DREW (American, 1875-1968) THE OLD HOMESTEAD IN SUMMER. Oil on board Housed in a period black painted frame Signed “George W. Drew”, lower left SIZE: 10″ x 6″. Overall: 14-1/4″ X 9-1/4″. CONDITION: Very good, craquelure and surface grime. 9-28178 (700-900)

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1340

RICHARD KIMBALL (American, 1865-1942) “ARCH OF VICTORY”. Oil on artist’s board Housed in contemporary gold frame Signed “Richard M. Kimball”, lower right Identified on verso and on Elliot Galleries label SIZE: 8″ x 10″. Overall: 14″ x 16″. CONDITION: Very good. 9-27692 (800-1,200)

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1341

WESLEY ELBRIDGE WEBBER (American, 1841-1914) PARADE OF GEESE. Oil on canvas Housed in its original gilt liner Signed lower left “W. Webber” SIZE: 16″ x 26″. Overall: 18″ x 28″. CONDITION: 1″ hole in canvas, chips, light craquelure, surface dirt with some inpainting 9-27715 (400-600)

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1342

HENRY DAVENPORT (American, 1882-) “OLD HOUSES, PORT NAVALO”. Oil on canvas Housed in its original carved & painted wood frame Signed lower right “Henry Davenport” SIZE: 15″ x 21-3/4″. Overall: 19-1/2″ x 26″. CONDITION: Very good with light craquelure with some inpainting 9-27840 (800-1,200)

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1343

HENRY DAVENPORT (American, 1882-) FOUR WORKS: NEW ENGLAND SCENES. Two oil on boards, one pastel and one pencil All housed in wood frames Three signed lower right “Henry Davenport” SIZE: Two Oils: 10-1/2″ x 13-1/2″ Overall: 13″ x 16″; Pastel: 11″ x 12″ Overall: 18″ x 18-1/2″; Pencil: 4-1/2″ x 3″ Overall: 7-1/2″ x 5-1/2″. CONDITION: Generally very good 9-27839 (800-1,200)

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1344

LINDSTROM (First half of the 20th Century) IMPRESSIONISTIC LANDSCAPE. Oil on board Housed in a modern partial gilt wood frame Signed lower right “E? Lindstrom” SIZE: 20″ x 16″. Overall: 26″ x 22″. CONDITION: Very good 9-27747 (200-400)

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1345

UNSIGNED (American, 19th Century) FIGURES ON BRIDGE OVER WATERFALL. Double sided oil on board Housed in a carved gilt wood replacement frame SIZE: 12-1/2″ x 9-1/4″. Overall: 19-1/2″ x 16-1/4″. CONDITION: Very good 9-27763 (400-600)

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1346

JOHN ALBERT THORN (Mid 20th Century) TREE LINED RIVERBANK. Oil on canvas Summer scene shows a river bend lined with tall trees. Signed lower right. Housed in original gilt frame. SIZE: 20″ x 24″. CONDITION: Very good. 9-26481 (300-500)

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1347

JOSEPH DE MARTINI (American, 1896-1984) “MADISON SQUARE GARDEN PIETA”. Oil on canvas Housed in a stained wood frame with liner Signed “Joseph De Martini”, lower right Also signed and titled on verso SIZE: 25-1/4″ x 38-1/4″. Overall: 33-1/4″ x 46″. CONDITION: Very good. 9-27240 (600-900)

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1348

JOSEPH DE MARTINI (American, 1896-1984) SELF PORTRAIT IN MIRROR. Oil on canvas Housed in a modern silver frame with liner Unsigned SIZE: 28″ x 22″. Overall: 30-1/2″ x 24-1/2″. CONDITION: Very good 9-27242 (400-600)

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1349

WILLIAM AUERBACH-LEVY (American, 1889-1964) VIEW THROUGH THE WINDOW. Oil on canvas Housed in a modern gilt wood frame Unsigned but Estate signed on canvas verso SIZE: 30″ x 25″. Overall: 34″ x 29″. CONDITION: Very good, inpainting. 9-27732 (500-800)

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1351

JOHN SWAN (American, 1948-) TREE AT THE EDGE. Oil on board Housed in a gilt molded wood frame Signed lower left “John Swan 76″ SIZE: 11″ x 14”. CONDITION: Very good 9-24603 (600-900)

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1352

PAUL MONTGOMERY (American, Mid 20th Century) THREE WORKS. All matted but unframed. 1) Shows a town scene with tall double spired cathedral with hills and blue sky background. Signed “Paul Montgomery 54”. 2) Tropical villa with arched entryway with tropical trees and vegetation. Signed “Paul Montgomery 52″. 3) Unsigned showing houses with a figure in a doorway. SIZE: 1) 20″ x 16″. 2) 15″ x 20″. 3) 16″ x 20”. CONDITION: Very good. 9-98750 (400-600)

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1353

SIGNED (American School, 19th century) LANDSCAPE SCENE WITH STONE BRIDGE. Oil on canvas Housed in period frame Indistinctly signed, lower left SIZE: 16″ x 36″. Overall: 23-1/2″ x 43-1/2″. CONDITION: Scattered retouch, and surface grime 9-27562 (400-600)

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