Annual End of Summer Antique & Fine Art Auction
New Record for Summer Auction
Totals Over $5,000,000!

Auction: August 23-26, 2011

Preview: August 25, 2011

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
2000

GEORGE M. HATHAWAY (American, 1852-1903) OWLS HEAD, MAINE. Oil on board Maine coastline scene shows the rock ledge with Owls Head Light and a sailboat in rough water having white tipped green wave crashing onto foreground rocks. Signed bottom right “G M Hathaway”. Housed in a gesso decorated gilt antique frame. SIZE: 6″ x 10-1/4″. CONDITION: Very good. 9-22859 (1,000-1,500)

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2001

UNSIGNED (American, 19th/20th Century) SAILING OFF THE CLIFF HOUSE, YORK, MAINE. Interesting oil on canvas laid on aluminum scene shows a two-mast black-hulled schooner sailing right to left past the original large multi-story inn with wrap around porch and flying the American flag. It sits atop a grass covered bluff with steep ocean side. The view is from the ocean and looking along the shoreline dotted with houses. The Cliff House, a landmark in coastal southern Maine was opened in 1872 and has had an illustrious past and is still in operation today. Housed in a modern carved wood frame with decorative brass buttons at the corners. SIZE: 22″ x 36″. CONDITION: Craquelure with some inpainting, otherwise good. 9-22994 (1,000-2,000)

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2002

HARRISON BIRD BROWN (American, 1831-1915) GRAND MANAN. Outstanding oil on canvas coastal scene shows steep cliffs bathed in sunlight with dark storm clouds above. Glimpses of blue sky can be seen and the surf is high cascading waves onto the foreground beach which are sunlit with bright green and white tips. Signed lower right “H B Brown”. Housed in its original frame liner. SIZE: 13″ x 23″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: One small area of paint loss in edge of wave, some touch up to top edge, otherwise very good. 9-22409 (2,000-3,000)

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2003

HARRISON BIRD BROWN (American, 1831-1915) SHORELINE VISTA. Oil on canvas shoreline scene depicting either Maine or New Hampshire coastline shows a foreground beach with calm water reflecting a rocky shoreline with trees under blue & white cloud sky with glimpses of pink. Signed lower right “H B Brown”. Housed in a double frame liner with gesso gilt decoration. SIZE: 13″ x 23″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good. 9-22410 (2,000-3,000)

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2004

HARRISON BIRD BROWN (American, 1831-1915) THE COMING FALL. Oil on canvas colorful landscape scene shows a wide river winding around a tall tree topped cliff with a house nestled on its grass covered bank amongst colorful trees. Signed lower left “HBB”. Housed in a modern replacement gesso decorated gilt frame with gilt liner. SIZE: 20″ x 36″. CONDITION: Very good with some minor touch up. 9-22373 (2,500-4,000)

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2005

LAWTON PARKER (American, 1868-1954) “MONHEGAN ISLAND, MAINE 1921”. Oil on board coastal scene shows waves crashing onto coastal rock formations. Signed lower left. Titled and dated on reverse. Housed in a fine gilt decorated wood frame. SIZE: 10″ x 13-1/2″. CONDITION: Minor touch up, very good. 9-22864 (2,000-3,000)

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2006

HOWARD HALL DARNELL (American, 1858-1939) “WHITEHEAD, MONHEGAN ISLAND, MAINE”. Oil on canvasboard coastal Monhegan scene shows a rock outcropping with waves and seagulls. Beyond is the Whitehead cliffs with grass and wooded top. A light blue to yellow sky. Signed lower left and housed in an antique gesso decorated gilt frame. A Monhegan Historical & Cultural Museum exhibition label on reverse from 2009. SIZE: 14-3/4″ x 18-1/2″. CONDITION: Minor touch up, very good. 9-22865 (2,000-3,000)

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2007

JAN MARINUS DOMELA (American, 1894-1973) “GAFF RIG, MONHEGAN ISLAND”. Oil on canvas harbor scene shows a quiet harbor with several boats having a house dotted shoreline with lighthouse and buildings atop grass covered hill. Signed lower right and dated “31”. Several labels to reverse. Housed in a carved gilt wood frame with branded “SHAIJN SPECK San Francisco”. SIZE: 20″ x 24″. CONDITION: Very good. 9-22863 (1,500-2,500)

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2008

ERIC HUDSON (American, 1864-1932) “MONHEGAN VILLAGE-MAIN STREET”. Unsigned oil on canvas Monhegan street scene shows colorful buildings lining a curving road under blue and white cloud sky. Attached to back is a signed statement stating that in 1999 Greg Rollins was hired by Eric Hudson’s daughter, Jacqueline, to clean the contents of her attic. They came across this painting which was done by her father and gifted it to Greg who in turn gifted it to his father, Stephen Rollins. Signed “Stephen Rollins June 22, 2008″. Housed in a replacement carved wood frame with gilt liner having an artist plaque. SIZE: 14″ x 20”. CONDITION: Very good. 9-98724 (1,000-2,000)

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2009

ALFRED RUSSELL FULLER (American, 1899-1980) MONHEGAN FISH HOUSE. Oil on masonite Monhegan Island scene shows a two-door building with ramps and stacked lobster traps. A fisherman is seen on the water side with rocky coastline beyond. Signed bottom right. Housed in its original gilt carved wood frame. The title and location on reverse, also dated “1936”. SIZE: 10″ x 14″. CONDITION: Very good. 9-22215 (800-1,200)

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2010

DON STONE (American, 1929-) LOBSTERING OFF MONHEGAN. Outstanding large watercolor shows a lobster boat with stacked lobster pots traveling left to right near Monhegans shoreline. Signed lower left “Don Stone”. Housed in a black & gold molded wood frame with wide decorative mattes. SIZE: Sight: 21″ x 29″. CONDITION: Very good. 9-22866 (2,000-3,000)

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2011

BERNARD COREY (American, 1914-2000) LOW TIDE, MAINE COAST. Oil on canvas laid on masonite coastal Maine view shows a fish shack on tall stilt dock with lobster trap, figure & lobster boat. The little cove opens up to larger water with rocky coastline. Signed bottom right. Housed in a good gilt carved wood frame. SIZE: 10″ x 14″. CONDITION: Very good. 9-22663 (1,500-2,500)

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2012

LAURENCE PHILIP SISSON (American, 1928-) “MAINE PEBBLE MOSAIC”. Fabulous large oil on canvas laid on masonite scene shows a pebble and rock strewn beach area with water in small pools and edges. A prime example of Sisson’s realistic coastal beach views. Signed lower right “L Sisson”. Titled on reverse. Housed in a simple wood edge frame. SIZE: 42″ x 72″. CONDITION: Very good. 9-22362 (4,000-6,000)

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2013

LAURENCE PHILIP SISSON (American, 1928-) “MAINE WHEN”. Outstanding large oil on masonite coastal Maine scene shows an inlet with pebble and sand beach having pools of water. The left & right coastlines with trees and rock. All under a colorful pink cloud sky. Signed lower left “L Sisson”. Titled on reverse. Housed in a gilt wood frame with wide linen matte. SIZE: 42″ x 60″. CONDITION: Very good. 9-22364 (6,000-8,000)

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2014

LAURENCE PHILIP SISSON (American, 1928-) THE COASTAL INLET. Unframed oil on masonite coastline study showing sections of a pebbled beach with high rock coastline. Unsigned. SIZE: 32″ x 48″. CONDITION: Very good. 9-22363 (2,000-4,000)

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2015

PAUL BERNARD KING (American, 1867-1947) “EVENING LIGHT” – MONHEGAN HARBOR. Outstanding oil on canvas harbor scene shows several dock areas with sailboats lining each side of a sunlit harbor. A man in a rowboat is seen in the foreground and colorful figures can be seen outside a building. Signed lower right. Housed in a fine gesso decorated partially gilt frame having a Newman Galleries label. Back of stretcher has a Grand Central Art Galleries Inc. New York Exhibition tag with artist & title. SIZE: 25″ x 30″. CONDITION: Relined, minor inpainting, very good. 9-23579 (10,000-15,000)

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2016

JAY HALL CONNAWAY (American, 1893-1970) “ROCKY COAST”. Oil on board coastal Maine scene shows a rocky cliff coastline being pummeled by large waves producing white water. Signed lower right. Housed in a fancy gilt frame with linen liner. A Kennedy Galleries Inc. NY label on reverse. SIZE: Sight: 19-1/2″ x 29-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good with some inpainting. 9-23485 (4,000-6,000)

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2017

STEPHEN MORGAN ETNIER (American, 1903-1984) “WINTER’S SUPPLY”. Oil on masonite Maine scene shows eight harvested logs beside a house ready for winter cutting & splitting. Patches of snow are seen amongst the brown ground. Signed lower right. Housed in its original wood stained frame with wide linen matte and gold liner. Titled & signed on reverse. REFERENCE: BitterSweet Magazine, April 1984, page 18, illustrated article “Mainestreams In Art” Stephen Etnier by Martin Dibner. Section of magazine included with painting. SIZE: 20″ x 36″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good. 9-22406 (4,000-6,000)

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2018

ANNA ELIZABETH HARDY (American, 1839-1934) A PALETTE OF ROSES. Oil on board still life scene shows a clear round bowl with water supporting nine roses in colors of white, yellow, and pink. Another white rose rests on the tabletop beside. Signed lower right “A E Hardy”. Housed in a modern copper gilt carved wood frame with white matte. SIZE: Sight: 9-1/2″ x 15-1/4″. PROVENANCE: From a Bangor, Maine home. CONDITION: Very good. 9-22845 (4,000-6,000)

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2019

VIVIAN MILNER AKERS (American, 1886-1966) INTERSECTING PATHS. Wonderful oil on canvas winter Maine landscape shows a broad view of a snow covered landscape with house, trees and mountains. The foreground shows a series of intersecting paths leading down to a snow covered house. Signed lower right “V Akers 1937″. Housed in a good reproduction carved and gilt frame with wide gilt liner. SIZE: 24-1/2″ x 30-1/2”. CONDITION: Very good. 9-22275 (4,000-6,000)

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2020

WALDO PEIRCE (American, 1884-1970) “APPLE PICKERS OF POMONA”. Outstanding oil on canvas scene shows nine apple pickers harvesting apples in an apple orchard. Four men are seen on ladders while another man moves a ladder and three men bring pails filling up the bushel boxes. One woman is seen with a full bucket. All under blue sky. Signed lower right “W Peirce 42”. Housed in a modern gilt wood frame with linen liner. The back of canvas having title, also signed “W Peirce Pomona NY Oct. 42″. The best example of Peirce’s work that we have had the opportunity to offer. SIZE: 31″ x 43”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23540 (10,000-15,000)

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2021

WALDO PEIRCE (American, 1884-1970) THE BLUE VASE. Oil on canvasboard oval still life scene shows a wildflower bouquet arranged in a floral decorated blue pitcher The arrangement sits on a table near a window with iron grate overlooking a nearby building. Inscribed bottom right “For Ruth From Waldo”. Housed in a oval antique frame. SIZE: Sight: 19″ x 15″. CONDITION: Very good. 9-22806 (1,500-2,500)

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2022

CARL SPRINCHORN (American, 1887-1971) “RED MAPLE”. Watercolor sketch scene shows a tall tree with red foliage intermixed with yellow & green. Signed lower right. Also having a New Bertha Schaefer, New York label with title, artist & date “1921”. Housed in an old wood frame with glass front. SIZE: Sight: 22-1/2″ x 18″. CONDITION: Some light surface dirt, minor foxing, good. 9-22982 (300-500)

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2023

CARL SPRINCHORN (American, 1887-1971) COASTAL HOME. Pastel scene shows a rundown house with small boat nestled amongst bushes and tall grass. Several seagulls are seen, one on a fence post in the foreground. All under a sweeping cloud and blue sky. Signed lower left and dated “1927”. Housed in a molded wood frame. SIZE: Sight: 22-1/2″ x 18-1/4″. CONDITION: Very good. 9-22352 (2,000-4,000)

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2024

CARL SPRINCHORN (American, 1887-1971) TWO PENCIL SKETCHES. 1) Female torso. Signed lower right “CS”. Housed in a painted wood frame with highlighted matte. 2) Nude female wearing a turban. Signed lower left. Housed in a partial gilt frame with highlighted matte. In 1914 Sprinchorn felt the desire for some additional study and enrolled at the Académie Colarossi in Paris where he worked regularly from the life model. These two drawings have the original mats from his first solo exhibition with George Hellman in New York in 1916. It was at Hellman’s where he first met Marsden Hartley who admired these works when he visited the gallery with Alfred Stieglitz, Hartley’s agent. Hartley asked for Sprinchorn’s card and said he would like to visit him. Serendipitously, they both turned up in Provincetown the following summer where their 28-year friendship began. SIZE: Sight: 1) 10-1/4″ x 8″. 2) 10-1/2″ x 8″. PROVENANCE: Estate of the artist. CONDITION: 1) Foxing spots, otherwise good. 2) Some light toning, very good. 9-21986 (1,000-1,500)

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2025

CARL SPRINCHORN (American, 1887-1971) PARIS PROMENADE. Pen, ink and wash drawing of two women in fancy dress in front of a columned building front. Titled “Paris, 1914” and signed in pencil “C.Sp.”. With funds that Carl Sprinchorn saved from his 1913 teaching job at the Los Angeles Art Institute, he made a lengthy trip the next year to Paris and his Swedish homeland. Throughout his early career, he made many drawings of society women from memory and imagination. Housed in a period frame with glass and matte. SIZE: 14″ x 11″. PROVENANCE: Estate of the artist. CONDITION: Very good, white spot repair on right margin. 9-21985 (1,000-1,500)

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2026

ERIC HOPKINS (American, 1951-) “END OF THE ISLAND”. Watercolor/gouache Maine coastal scene shows a coastline with rocks and tall trees under blue & white cloud sky. Signed lower right. Titled lower left. Housed in a simple black frame with white matte. The back having an Eric Hopkins Gallery label. SIZE: Sight: 12″ x 16″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23534 (800-1,200)

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2027

ANDREW NEWELL WYETH (American, 1917-2009) “FOG BELL”. Framed callotype limited edition, signed in plate lower left, also pen signed lower right. Scene shows a pointed lighthouse building with large bronze bell attached to side. 1978 Edition of 250, numbered “94”. Housed in a fine modern partial gilt wood frame with white matte. SIZE: Sight: 29-1/4″ x 20″. Image: 27-1/2″ x 18-3/4″. PROVENANCE: From a fine Maine home. CONDITION: Very good to excellent, not examined out of frame. 9-21752 (2,000-4,000)

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2028

ANDREW WYETH (American, 1917-2009) “DISTANT THUNDER, 1961”. Pencil signed print showing a woman lying on a grassy field with dog having binoculars, mug, and basket of blueberries. Noted below title is that the painting was from the Collection of Mrs. Norman B. Woolworth. Housed in a wood frame with gold edge. SIZE: Sight: 32″ x 19-3/4″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23514 (500-1,000)

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2029

JAMIE WYETH (American, 1946-) “IRIS AT SEA”. Limited edition colored lithograph shows purple iris in the foreground looking up at a connected lighthouse against blue sky. Numbered XII/CCC and pencil signed. From an edition of 300 plus 25 artist proofs. Printed by Nash Editions, October 1995 and having a certificate of authenticity on reverse. Housed in a fine gilt wood frame with glass. SIZE: 41-1/4″ x 35″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good to excellent. 9-23511 (1,500-2,500)

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2030
Revised: 8/22/2011

Please Note: There is a typo in the title. It is not Stell and Shevis Williams, it is William and Stell Shevis.

STELL & SHEVIS WILLIAMS (American, Mid 20th Century) “CAMDEN HARBOR-MAINE”. Colorful silkscreen scene shows lobster boat & dinghies in a harbor with town & hill background. Pencil titled lower left. Signed and dated “66” lower right. Housed in its original wood frame with glass & white trim. SIZE: Sight: 10-1/2″ x 13″. CONDITION: Very good. 9-22285 (500-1,000)

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2031
Revised: 8/22/2011

Please Note: There is a typo in the title. It is not Stell and Shevis Williams, it is William and Stell Shevis.

STELL & SHEVIS WILLIAMS (American, Mid 20th Century) “FARM IN SUMMER”. Framed serigraph shows a Camden, Maine scene of a connected farmhouse below blue hills under blue & white sky. Pencil titled bottom left. Signed and dated “68” from an edition of 100. Original biographical card on reverse. Housed in its original deep white painted frame with glass and white matte. SIZE: Sight: 10-1/2″ x 18-1/2″. CONDITION: Very good. 9-22287 (400-600)

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2032

JOHN W MCCOY (American, 1910-1989) “GEORGE’S RIVER”. Mixed media on paper panoramic landscape scene shows a calm river in between grass pastures lined with trees. The far bank with a church & houses along the road that crosses the ridge. A large expanse of cloud filled sky. Signed lower right. Housed in a modern painted wood frame with wide white matte. SIZE: Sight: 21-1/2″ x 30″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23487 (2,000-3,000)

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2033

JOHN W. MCCOY (American, 1910-1989) “THE WAY OUT”. Fine watercolor scene shows a white fenced entrance way leading out to a road with two corner trees. Signed lower right. Housed in a gilt wood frame with linen and white liner under glass. The frame supporting a plaque inscribed “Awarded the M. Grumbacher Prize for Watercolor Audubon Artist 14th Annual-1956″. On reverse is a registrars record with a return address of Babcock Gallery. SIZE: Sight: 22″ x 29-1/2”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store).. CONDITION: Very good. 9-23489 (4,000-6,000)

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2034

JOHN W MCCOY (American, 1910-1989) “OUT FRONT”. Mixed media on paper scene shows five black ducks on blue water with foreground grassy shoreline looking off to a horizon line under cloud sky. Signed lower right. Housed in a modern silver frame with wide white matte. SIZE: Sight: 21″ x 28-3/4″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23488 (2,000-3,000)

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2035

JOHN SQUADRA (American, 1932-) “THE SILENCE”. Oil on canvas colorful scene shows a Great Blue Heron perched atop a branch looking out over a calm sunset scene which is reflected in bright gold to lavender tones on the still water. The sky from peach to blue with lavender shoreline. Signed lower right and titled lower left. Housed in a modern gilt wood frame. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-22796 (2,000-3,000)

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2036

JOHN SQUADRA (American, 1932-) “PRIMAVERA”. Oil on canvas interesting surreal scene shows a winter wooded landscape with an inset mouth & nose section of the Mona Lisa. Signed lower right and titled lower left. Housed in a simple light blue wood frame. SIZE: 40″ x 30″. CONDITION: Very good to excellent. 9-22797 (1,500-2,500)

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2037

PAUL SCHULENBURG (American, Late 20th Century) “RETURN TO SPRUCE HEAD”. Fine large oil on canvas Maine dock scene shows a lobster boat returning to its home dock being unloaded by a man with a winch with two lobstermen on boat. Signed lower right. The back having an original artist label and biography. Housed in a simple black wood frame. SIZE: 48″ x 36″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23522 (800-1,200)

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2038

MIKE GRAVES (American, 1952-) BEHIND SAND BEACH-ACADIA NATIONAL PARK. Oil on canvas Maine scene shows a water inlet with trees and mountain beyond. The mountain is the precipice in the park and as indicated in a note from the artist, it was one of his favorite spots to paint. Signed lower right. Housed in a modern gilt wood frame. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-21827 (2,000-3,000)

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2039

PHILIP LITTLE (American, 1857-1942) LOW TIDE AT MUSCONGUS BAY, MAINE. Oil on canvas Maine coastal scene shows a coastline with several islands at low tide. A flock of seagulls can be seen over the colorful seaweed covered rocks. Signed lower left and dated. Housed in an antique gilt oak frame. SIZE: 18″ x 24″. CONDITION: Relined, very good with some inpainting. 9-21983 (2,000-3,000)

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2040

WILSON HENRY IRVINE (American, 1869-1936) “COAST OF MAINE”. Oil on canvas coastline scene shows deep blue ocean sending small white tipped waves onto rock strewn beach. All under a blue & white cloud sky. Signed lower left “Irvine”. Housed in a gilt molded wood frame. Title on reverse of stretcher. SIZE: 22″ x 28″. CONDITION: Craquelure, thin canvas, good. 9-23108 (3,000-5,000)

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2041

MOUNTFORT COOLIDGE (American, 1888-1954) THE RISING MOON. Unframed, large oil on canvas scene shows a full moon rising over water in the distance. The foreground with trees and rocks. The sky is dark blue with light blue clouds. Estate stamped on reverse of stretcher. SIZE: 30″ x 34″. CONDITION: Surface dirt, craquelure, otherwise very good. 9-22496 (2,000-3,000)

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2042

COLIN PAGE (American, 1977) “THE MARY DAY”. Oil on canvas harbor scene shows the Mary Day of Camden, Maine. The two-mast schooner is scene at dock flying American Flag off stern. Other boats are seen in the busy harbor dock area under blue sky. Signed lower right. Titled on reverse. Housed in a modern gold & black shadowbox frame. SIZE: 20″ x 24″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23532 (1,000-1,500)

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2043

COLIN PAGE (American, 1977) FIELD OF FLOWERS. Oil on canvas scene shows a field of daisies having purple flowers in the background. Signed lower left. Housed in a black shadowbox frame. SIZE: 28″ x 32″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23536 (1,000-1,500)

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2044

PHILIP BARTER (American, 1936-) “MT. ABRAMS”. Bold, colorful, oil on canvas Maine landscape shows a double peaked blue mountain having a cloud and blue sky. The foreground with a colorful expanse of whimsical trees. Signed bottom right “Philip” and titled on reverse. Housed in a simple blue painted wood frame. SIZE: 24″ x 30″. PROVENANCE: From a Maine collection. CONDITION: Small spot in sky with touch up, otherwise very good. 9-22851 (2,500-4,000)

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2045

ELSIE SCULL (American, 20th Century) “PUMPKIN COVE, MAINE PEMAQUID”. Oil on board scene shows a cove with oncoming waves lined by trees & rocks. Signed lower left. Housed in its original white painted wood frame. SIZE: 7″ x 9″. CONDITION: Surface dirt, otherwise very good. 9-23066 (200-300)

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2046

CARROLL SARGENT TYSON (American, 1877-1956) “EMILY, KENNEBUNK, 39”. Oil on canvasboard beach scene shows a young blonde haired girl seated on a rock with her feet in the water. A large rock is beyond with three sails under light cloud sky. Signed with initials lower left and having an original label on reverse with title & artist. Also an artist stamp. Housed in a gold painted wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-23604 (1,000-1,500)

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2047

NORMAN WEST (American, 20th Century) “STOW, ME”. Oil on board colorful landscape shows a purple mountain ridge with valley floor having green fields, dark borders and a small pond. Unsigned front, pencil signed, titled and address on reverse. Housed in a good modern Guido Studio gilt wood frame. SIZE: 8″ x 10″. CONDITION: Very good. 9-22739 (600-800)

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2048

ANTONIO CIRINO (American, 1889-1983) SNUG HARBOR, MAINE. Oil on wood panel depicts a small harbor scene with moored schooners near harbor edge with green hills beyond. Signed lower left. Housed in a light cherry wood carved frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-22494 (2,000-3,000)

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2049

KATHERINE ADAMS LOVELL (American, 1877-1965) “SUMMER IN OGUNQUIT, MAINE”. Oil on canvas summer scene shows people and cars in a busy downtown area under blue sky. Signed lower right “K Lovell”. Housed in a good replacement gilt frame with linen liner. SIZE: 18-1/4″ x 22″. CONDITION: Very good. 9-22274 (1,500-2,000)

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2050

JESSE LEACH FRANCE (American, 1862-1926) MAINE’S ROCKY COAST. Oil on board coastal scene shows low tide with exposed rocky shoreline and white capped blue waves. All under a colorful sky. Signed lower right. Housed in a gilt carved wood frame. SIZE: 10″ x 16″. CONDITION: Very good. 9-23031 (800-1,200)

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2054

EDWARD MITCHELL BANNISTER (American, 1828-1901) WHISPERING WIND. Oil on canvas summer scene shows a landscape with two women at edge of water surrounded by trees which show movement in the wind. All under a blue & cloud sky. Signed lower right “E m Bannister”. Housed in a fine gesso decorated gilt frame. SIZE: 11-1/4″ x 19-1/4″. CONDITION: Minor inpainting, very good. 9-23618 (15,000-20,000)

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2055

WILLIAM TROST RICHARDS (American, 1833-1905) “EARLY SPRING GERMANTOWN, 1875”. Watercolor spring scene shows a stream winding through meadows dotted with trees. Several people can be seen below hill and cows graze in the distance. Housed in a fine gilt modern frame with white matte. SIZE: Sight: 8-1/4″ x 12-1/2″. CONDITION: Very good. 9-23028 (3,000-5,000)

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2056

IRMA RENE KOHN (American, 19th/20th Century) “FOXGLOVES IN A NEW ENGLAND GARDEN”. Fine oil on canvas American impressionist scene shows a woman standing beside a cart path lined with grass and tall colorful flowers. A large barn is in the background with tall poplar trees under blue sky. Signed lower right “Irma Kohn 19″. Housed in a fine gilt carved wood frame. The back stretcher having an original penned title. SIZE: 16″ x 20”. CONDITION: Very good. 9-23599 (4,000-6,000)

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2057

ABBOTT FULLER GRAVES (American, 1859-1936) “AT THE LANDING”. Outstanding oil on canvas flower garden scene shows a young woman seated at the landing of a stairway. She looks at a recently picked red rose and is surrounded by her garden filled with red rose bushes. A stone wall is beyond with a field leading to connected farmhouse with blue door. Signed lower left. Housed in a fine gilt carved wood frame with carved maker’s name “Philip N. Yates”.An outstanding example of this artist’s work. SIZE: 20″ x 24″. PROVENANCE: From a fine Maine home. CONDITION: Very good to excellent. 9-22216 (100,000-150,000)

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2058

BERNARD LANGLAIS (American, 1923-1977) “LION FACE”. Painted wood relief of a lion face. The lion in a crouched position with paw beside face. Housed in a simple white wood frame. The back having a Hobe Sound Galleries North Portland, Maine label with artist & title. Accompanying the lot is the original receipt dated February 28, 1985. Also included is a folder with biographical & exhibition brochures and a copy of a Magazine Antiques article. SIZE: Overall including frame: 25″ x 48-3/4″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good. 9-22413 (6,000-9,000)

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2059

CLARKE BATTLE FITZ-GERALD (American, 1917-2004) “EYE OF THE NEEDLE”. Outstanding wood sculpture formed by a single cut from an elm tree, found in Castine, Maine with a cavity at the center. The face chip carved with nice patina, the interior painted white. Mounted on a steel plate. Signed on metal plate “FG”. NOTE: A letter accompanies the lot which was written to the previous owners by the artist. It discusses the “female-ness” of the subject matter and his thoughts surrounding his interpretation. Also accompanying the lot is a number of exhibitions, newspaper articles & pamphlets regarding the artist, some showing this sculpture in place at the Payson Gallery. SIZE: TOTAL: 33-1/2″ h x 34″ w. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good to excellent. 9-22414 (6,000-9,000)

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2060

CABOT LYFORD (American, b. 1925) CARVED WHALE SCULPTURE. Circa 1981. This fine walnut sculpture, carved from the solid, depicting a whale exiting the water, tail partially visible on the circular base. Beneath the base is carved the artist’s signature “LYFORD 81”. Note: Cabot Lyford of New Harbor, Maine did much of his work in stone. It is somewhat uncommon to have an example of his art carved in wood. SIZE: 28″ h. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Very good original condition. Shrinkage cracks were filled with strips of walnut prior to carving. Structurally very good with medium brown patina. 9-22407 (2,000-3,000)

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2061

EMILE ALBERT GRUPPE (American, 1896-1978) “CHILDREN AT THE STREAM”. Oil on canvas mounted to masonite scene shows four children in a rock lined woodland pool in a summer landscape. Signed lower left. Housed in a fine carved & gilt double frame with glass front. The inside liner having a gilt wood artist & title plaque. SIZE: 8″ x 10″. CONDITION: Very good. 9-22695 (3,000-5,000)

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2062

EMILE ALBERT GRUPPE (American, 1896-1978) OCTOBER IN VERMONT. Oil on canvas fall scene shows a dirt road with colorful birches on each side leading to a hill in background under blue sky. Signed lower left. Housed in a good carved wood & gilt modern frame. SIZE: 20″ x 18″. CONDITION: Very good. 9-22661 (3,000-5,000)

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2063

WILLIAM LESTER STEVENS (American, 1888-1969) CURVE IN WINTER ROAD. Outstanding oil on canvas winter landscape shows a curving road through birch trees with winter snow covered ground. The sun reflects off the snow lighting the trees with its winter glow. A nice early work by Stevens. Signed lower left “William Lester Stevens NA”. Housed in a black painted gold decorated frame. Accompanying the painting is a brief history from a previous owner indicating that this painting was purchased from Stevens in 1940 as a 40th wedding anniversary gift. SIZE: 25″ x 30″. CONDITION: Very good. 9-22673 (7,000-10,000)

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2064

WILLIAM LESTER STEVENS (American, 1888-1969) “WEST GLOUCESTER HAYSTACKS”. Oil on canvasboard fall scene shows a landscape with colorful trees, fields, and a bard with two large haystacks. In the distance can be seen a sliver of rich blue water. All under a colorful blue & white cloud sky. Signed lower right “W Lester Stevens”. Housed in a period gilt molded wood frame. On reverse is marked “1932”. An outstanding gem from an early period of this artist’s career. SIZE: 12″ x 14″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22125 (3,000-5,000)

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2065

WILLIAM LESTER STEVENS (American, 1888-1969) LOWER PASTURE, BARWAY. Oil on canvas spring scene shows a scene looking down from the road towards a lower pasture area below trees with a fence in the foreground. Signed lower right “W. Lester Stevens N. A.”. Housed in a gray painted frame with linen and wood liner. SIZE: 20-1/2″ x 24-3/4″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22124 (2,000-4,000)

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2066

KATHRYN E. BARD CHERRY (American, 1880-1931) “MORNING ON MAIN STREET, GLOUCESTER, 27”. Oil on canvasboard Gloucester, MA scene shows a view along Main St. lined with buildings and people walking along the sidewalk. All under pink & white clouds with blue sky. Signed lower right. Housed in a fine carved & gilt frame with wide gilt liner. Titled in pencil on reverse. SIZE: 23-1/2″ x 20″. CONDITION: Restored with inpainting, very good. 9-22665 (12,000-18,000)

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2067

JAMES GAYLE TYLER (American, 1855-1931) THE PORT LIGHT. Fine oil on canvas nautical scene shows a three-mast ship sailing at a slight angle toward viewer in a moonlit evening scene. The port light shines bright red and partial sails are up. It moves through wavy ocean with two ships in the background. The full moon shines bright behind clouds and blue sky. Signed lower left and numbered on reverse of canvas “292”. Housed in its magnificent original fancy gilt frame with gilt liner. SIZE: 20″ x 16″. CONDITION: Very good. 9-22368 (1,800-2,400)

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2068

JAMES GAYLE TYLER (American, 1855-1931) CAPE ANN FISHERMAN. Black & white oil on canvas nautical scene shows a weathered sea captain at the tiller of his fishing boat in heavy seas. Two other boats are seen in the distance under gray sky. Signed lower left and dated “1904”. Housed in a black painted wood frame with gilt liner. Back of canvas numbered “213” and having a Salmagundi Club Black & White exhibition tag. SIZE: 28″ x 22″. CONDITION: Very good. 9-23102 (2,000-3,000)

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2069

FRANK KNOX MORTON REHN (American, 1848-1914) EVENING ON GLOUCESTER BAY. Oil on canvas scene shows a dark group of buildings with dock and ships. A sunset is almost complete with colors reflecting on the dark water surface. Two sails are seen with a small rowboat. Signed lower right “FKN Rehn, N.Y.”. On reverse of stretcher is a pencil label with artist & title which is illegible. Housed in a modern decorative wood frame. SIZE: 16″ x 28″. CONDITION: Relined, inpainting, very good. 9-23036 (3,000-5,000)

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2070

HARRY AIKEN VINCENT (American, 1864-1931) HARBOR SCHOONER AT LOW TIDE. Mixed media watercolor & pastel scene shows a schooner on dry ground at low tide with other schooners behind. Signed lower left and dated “07”. Housed in a fine modern carved & gilt double frame with wide linen matte and gilt wood artist plaque, all behind glass. SIZE: Sight: 11-1/2″ x 15-3/4″. CONDITION: Very good. 9-22705 (1,750-2,250)

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2071

AGNES LAWRENCE PELTON (American, 1881-1961) CRANES BEACH. Oil on canvasboard pastel colored scene shows waterside view of the beach with dunes and chimney amongst the tall trees. Signed with artist stamp lower right. Also Estate stamped on reverse. Housed in a good decorated wood frame with gold edge. SIZE: 9-1/2″ x 19-3/4″. CONDITION: Very good. 9-23067 (1,000-1,500)

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2072

KEN KNOWLES (American, 1968-) “FROM THE RAILWAYS, GLOUCESTER, MA.”. Large oil on canvas Gloucester Harbor scene shows two fishing boats moored at parallel docks. A two-mast schooner sails right to left with other boats & buildings beyond. Wonderful cloud & blue sky. Signed lower right. Signed, titled, & dated on reverse. Housed in a gilt wood modern frame. SIZE: 24″ x 30″. CONDITION: Very good to excellent. 9-22774 (4,500-6,500)

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2073

KEN KNOWLES (American, 1968-) “CAPE PORPOISE, MAINE”. Fine oil on masonite scene shows the harbor at low tide with several small sailing boats and one larger sailboat in the distance. A large antique home with barn is seen on the right with others on grassy shoreline. Signed lower left. Housed in a gilt modern wood frame. Title, signed, and dated on reverse. SIZE: 20″ x 24″. CONDITION: Very good to excellent. 9-22772 (4,000-6,000)

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2074

KEN KNOWLES (American, 1968-) “WINTER MARSHES, HOG ISLAND”. Oil on masonite winter scene shows the tidal marsh area in Essex, MA with a tree lined border and hills in the distance. Signed lower right. Also signed and titled on reverse. Housed in a gilt wood modern frame. SIZE: 16″ x 20″. CONDITION: Very good to excellent. 9-22773 (2,500-3,500)

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2075

DAVID TUTWILLER (American, 1952-) “PASSING OF THE YANKEE CLIPPER. Large oil on canvas harbor scene shows a two-mast schooner passing by the New Haven Railroard harbor rails with a large dock in foreground having MELISSA’S Seaside Cafe and the large schooner “Henderson” tied to wharf. Signed lower right. Housed in a carved and gilt modern frame. Titled, signed, and dated “2004” on reverse. SIZE: 24″ x 36″. CONDITION: Very good to excellent. 9-22675 (1,250-1,750)

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2076

THOMAS M. NICHOLAS (American, 1963-) WOODLAND STREAM. Oil on masonite winter landscape shows a stream with snowy banks winding through light woods. Signed lower right “TM Nicholas”. Housed in a fine carved wood gilt frame. SIZE: 8″ x 10″. CONDITION: Very good to excellent. 9-22680 (1,750-2,250)

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2077

THOMAS M. NICHOLAS (American, 1963-) NEW ENGLAND WINTER COVE. Oil on board winter scene shows a small harbor area with houses on slight hill leading to docks with moored lobster boats. Signed lower right. Housed in a fine carved gilt wood frame. SIZE: 6″ x 8″. CONDITION: Very good to excellent. 9-22679 (1,000-1,500)

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2078

THOMAS M. NICHOLAS (American, 1963-) “ALONG THE CHARLES”. Oil on masonite panel scene shows several houses along the bush and tree lined bank of a calm river reflecting the scene. Signed lower right. Housed in a carved and gilt wood frame. On reverse is attached an entry card for the Massachusetts Horticultural Society Exhibition of Plein Air Masters at Work. Pencil alternative title “View from Elm Bank, Wellesley”. SIZE: 8″ x 10″. CONDITION: Very good to excellent. 9-21829 (800-1,200)

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2079

PAUL STRISIK (American, 1918-1998) “SPRING NEW ENGLAND”. Oil on canvas Rockport, MA street scene shows a saltbox Colonial home with two figures beside looking out towards ocean with two sails. A nice colorful scene. Signed lower left. Artist stamp on reverse, also artist gallery tag on back. Dated “May 1961″. Housed in its original decorated molded wood frame with painted liner. SIZE: 20″ x 24”. CONDITION: Very good. 9-23037 (6,000-8,000)

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2080

PAUL STRISIK (American, 1918-1998) “SILVER LIGHT”. Oil on masonite winter scene shows late afternoon winter landscape with connected white house having light shining in the window. The sky is a light yellow with gray clouds. A pleasant New England winter scene. Signed lower left. Titled on back with artist label. Housed in a gilt molded wood frame with linen matte and gold liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-22668 (2,750-3,250)

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2081

CARL WILLIAM PETERS (American, 1897-1980) READYING THE BOATS. Oil on board Cape Ann scene shows two men next to small boats at low tide near a backdrop of buildings. A nice colorful scene from this accomplished artist. Signed lower right. Housed in a gilt wood frame with linen liner. Accompanying the painting is an excerpt from Rocky Neck and the Davis Prize, page 629 showing a similar, but larger painting. SIZE: 16″ x 20″. CONDITION: Very good. 9-21830 (5,000-7,000)

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2082

OTIS PIERCE COOK (American, 1900-1980) THE GREEN SCHOONER. Oil on canvasboard harbor scene shows a three-mast green schooner tied alongside a wharf with building with seagulls flying above. Several other boats are seen, one drying a net. Signed lower right. Housed in its original silver gilt wood frame. SIZE: 16″ x 14″. CONDITION: Very good. 9-22697 (2,000-3,000)

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2083

BERNARD COREY (American, 1914-2000) “LOBLOLLY COVE, ROCKPORT, MASS”. Oil on canvas mounted to masonite coastal scene shows two figures at edge of rocky beach with point of land under colorful sky. Signed lower right. Housed in a painted wood frame. Title on reverse and Rockport Art Association label. SIZE: 9″ x 12″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22127 (1,400-2,000)

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2084

BERNARD COREY (American, 1914-2000) PATH TO THE POINT. Oil on board coastal scene shows a rock and grass shore having a path leading to water beyond. Signed lower left. Housed in a good gilt carved wood frame with a carved “Goodnow” signature (Paul Goodnow). On reverse is an Estate Certificate of Authenticity, signed by the executrix. SIZE: 10″ x 14″. PROVENANCE: This painting was part of Bernard Corey’s collection. CONDITION: Very good to excellent. 9-21828 (1,200-1,600)

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2085

MARIE LISZT (American, 1902-1992) MORNING ON ROCKY NECK. oil on canvas Gloucester street scene shows people strolling along an intersection with several houses. The far right yellow house with red roof was Emile Gruppe’s home. The scene is shown under large green trees and blue sky. Signed lower left. Housed in a gilt carved wood frame with gilt liner. SIZE: 20″ x 24″. CONDITION: Very good with very minor touch up. 9-22667 (2,500-3,500)

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2086

MARIE LISZT (American, 1902-1992) SECURING THE BOW. Oil on canvas harbor scene shows a man securing the bow of his small boat near a wharf with building and large fishing trawler. Bright morning light cascades across the harbor. Signed lower left “M Listz”. Housed in a good carved wood and gilt frame with wide gilt liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-22664 (2,000-3,000)

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2087

ATTRIBUTED TO SUSETTE SCHULTZ KEAST (American, 1892-1932) CORNER HOUSE IN ROCKPORT. Unsigned oil on board street view scene shows two Colonial houses on a corner with white picket fence. The back having a lucite window with a small sketch on reverse. The lucite has a partial Bianco Gallery label. Housed in a silver gilt wood frame. SIZE: 8″ x 10″. CONDITION: Very good. 9-23074 (1,000-1,500)

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2088

JUNIUS ALLEN (AMERICAN, 1898 – 1962) “BOAT DOCK ROCKPORT”. Oil on Masonite coastline scene shows a lobster boat moored next to dock with small building. The shoreline with green trees and blue sky. Signed lower left. Housed in a natural wood frame with white liner. SIZE: 12″ x 16″. CONDITION: Very good. 9-20023 (600-800)

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2089

WAYNE BEAM MORRELL (American, 1923-) “MARSH SUNSET”. Oil on board scene shows three ducks in a marshy area with three flying overhead in sunset sky. Housed can be seen on the far shore with trees at land points. Signed lower left. Titled, inscribed, and signed on reverse. Housed in a gilt wood frame with linen liner. SIZE: 8″ x 12″. CONDITION: Very good. 9-22671 (600-1,000)

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2090

WAYNE BEAM MORRELL (American, 1923-) “SPRING POND, 1958”. Oil on masonite spring scene shows a fisherman near a pond with colorful trees under blue & white cloud sky. Signed lower right “Wayne Morrell, 1958”. Location on left corner “Weathersfield, Conn. March 12 ’58”. Housed in a good gilt carved wood frame with white matte. SIZE: 15″ x 19-1/4″. CONDITION: Very good. 9-23027 (500-800)

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2091

HARRY HERING (American, 1887-1967) FRONT BEACH, ROCKPORT, MASS. Oil on masonite Rockport, MA scene shows the busy town beach with bathers casting shadows on the sandy beach. A backdrop of colorful houses nestled below green trees with church steeple. Signed lower right. Housed in a carved wood frame with linen & gilt liner. SIZE: 25″ x 30″. CONDITION: Some minor chipping to surface, generally very good. 9-23090 (600-800)

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2092

UNSIGNED (American, Early 20th Century) ROCKY NECK, GLOUCESTER. Oil on canvasboard Rockport/Gloucester school painting shows the famous Art Colony area of Gloucester with its harbor looking across to ships and buildings. The foreground with a dock and building. Housed in a carved and gilt wood modern frame. SIZE: 11″ x 14″. CONDITION: Very good. 9-22873 (800-1,200)

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2093

BERNARD COREY (American, 1914-2000) “SPRING”. Oil on canvas mounted to masonite springtime panoramic landscape of a shallow valley area with farmhouses and barns, fields & trees. Signed lower right. Housed in its original gilt frame with linen and white liner. On reverse is a Rockport Art Association exhibition label. SIZE: 9″ x 14″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22126 (1,200-1,800)

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2094

BERNARD COREY (American, 1914-2000) WATER LILIES. Oil on canvas laid on panel shows a pond filled with water lilies having pink flower edges and wooded banks. Signed lower right, signed on reverse. Housed in a carved wood gilt modern frame. SIZE: 10″ x 14″. CONDITION: Very good. 9-22666 (1,500-3,000)

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2095

DON STONE (American, 1929-) THE RED BARN. Fine watercolor winter scene shows a road leading to a large red barn with cupola. Two figures are seen with dog walking beside the barn on a curve in the road. Signed lower right. Housed in a stained flat wood frame with silver liner and glass. SIZE: Sight: 8-3/4″ x 18-1/2″. CONDITION: Very good. 9-22688 (800-1,200)

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2096

DON STONE (American, 1929-) THE ABANDONED HAY WAGON. Watercolor scene shows a stone wall dividing fields with golden grass. A hay wagon rests up against the far side of the wall under dark and light cloud sky. Signed lower right and dated “1963”. Housed in a stained wood flat frame with silver liner. There is an unsigned work on the reverse. SIZE: Sight: 10-1/2″ x 28″. CONDITION: Very good. 9-22689 (1,000-1,500)

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2097

AIDEN LASSELL RIPLEY (American, 1896-1969) “ORANGE TREE”. Fine watercolor scene shows several branches of oranges against a bright blue sky. Signed upper left “A L Ripley 1925″. Housed in a modern gilt frame with white matte. The back having a Coe Kerr Gallery New York label. Also a Sarah Woolworth New York label. SIZE: Sight: 18″ x 14”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23506 (1,500-2,500)

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2098

AIDEN LASSELL RIPLEY (American, 1896-1969) LOUNGING ON THE FREIGHTER. Watercolor scene shows five passengers lounging on a deck with heavy machinery in the sun. Signed lower right “A L Ripley 27″. Housed in a modern gilt wood frame with white matte. SIZE: Sight: 15-1/2″ x 19”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23525 (1,000-1,500)

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2099

OGDEN MINTON PLEISSNER (American, 1905-1983) “AUTUMN GROUSE HUNT”. Outstanding watercolor hunting scene shows a hunter with shotgun at shoulder aimed at a recently flushed grouse with pointer standing in grass covered ground. Remnants of light snow are seen in the cart track & stone wall. Signed lower right. Housed in a modern decorative frame with linen matte and inner gilt liner. Plaque inset in matte with title and artist. SIZE: Sight: 17-1/2″ x 27-1/2″. CONDITION: Very good. 9-22945 (30,000-50,000)

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2100

OGDEN MINTON PLEISSNER (American, 1905-1983) TWO PENCIL SIGNED SPORTING PRINTS. 1) “The Battenkill at Benedict’s Crossing”. Colored print shows a fisherman with fish on, on a river near a farm. Pencil signed lower right. In a limited edition of 275 prints, published in 1978. Housed in a molded wood frame with decorative double matte. 2) “Hillside Orchard – Grouse Shooting”. Colored print shows a hunter on a rock wall lined road shooting a flying grouse. Published in 1975 and limited to 270 prints. Housed in a gilt molded wood frame with decorative matte. SIZE: Sight: 1) 18″ x 23″. 2) 16″ x 25″. CONDITION: Very good. 9-22684 (1,000-1,500)

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2101

ROLAND H. CLARK (American, 1874-1957) “JOURNEY’S END”. Outstanding oil on canvas wildlife scene shows a flock of 10 Canadian Geese coming in to land in a winter marsh setting with blue water, ice, snow and grasses. Distant hills can be seen under gray and white sky. On reverse is an original label from Abercrombie & Fitch Company, New York with artist and title. Also a Richard W Oliver auction sticker. The painting is housed in a fine gilt, gesso-decorated frame with white linen liner. SIZE: 20″ x 24″. PROVENANCE: From a private Virginia collection. CONDITION: Very good. Relined on new stretcher. A portion of the old stretcher has been kept. Also the original labels and the pen inscription on canvas has been rewritten on lining. 9-20274 (10,000-20,000)

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2102

BODGE (American, 20th Century) TWO BIRD HUNTING SCENES. Both identically housed in gilt frames with gray and ivory matte. 1) Gouache hunting scene shows a man shooting a partridge in flight while four fly away. Tall, dried grass area in a fall scene under gray clouds. Signed lower right “Bodge”. 2) Gouache scene shows a hunter walking along ocean beach area holding his pump shotgun and carrying a line of duck decoys. He smokes a pipe and looks out to the coastline edge where ducks are taking off and flying into a setting sunset. Signed lower right “Bodge”. SIZE: Sight: 16-1/2″ x 12-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22461 (2,500-3,500)

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2103

WILLIAM JOSEPH SCHALDACH (American, 1896-1982) HOOKED. Fine watercolor scene shows a brown trout recently hooked leaping out of water with unseen hook attached to line going into water. The fish has been caught at the bottom of a waterfall. Signed lower right. Housed in a black & gold wood frame with white matte. SIZE: Sight: 13″ x 16″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23495 (1,500-2,500)

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2104

WILLIAM JOSEPH SCHALDACH (American, 1896-1982) AFTER THE MAYFLY. Fine watercolor stream side scene shows a leaping brook trout after a mature mayfly. A cascading stream is seen with rocky bank. Signed lower left. Housed in a black & gold frame with white matte. SIZE: Sight: 12-1/2″ x 18″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23494 (1,500-2,500)

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2105

LOUIS DARLING (American, 1916-1970) FLY FISHING FOR RAINBOW TROUT. Fine watercolor fishing scene shows a fisherman wading in river having rocky banks. A recently hooked rainbow trout is jumping in rapids with tight line leading to a fisherman’s fly rod. Signed lower left. Housed in a modern gilt frame with white matte. SIZE: Sight: 13-1/2″ x 19-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23486 (1,000-2,000)

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2106

JOHN WALTER SCOTT (American, 1907-1987) FLY FISHING THE LILY PADS. Gouache 1950’s fishing scene shows a gentleman angler standing in a small motorboat being guided by his well dressed guide who handles the motor. The fly has landed amongst the pond lilies and the backdrop is a cultivated hillside with castle and houses. Signed lower right. Housed in a wood molded frame with double mattes. SIZE: Sight: 20-1/2″ x 15-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22460 (2,500-3,500)

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2107

HAROLD JAMES CUE (American, 1887-1961) FISHING WITH GRANDPA. Unframed oil on canvas illustrative scene shows a young boy with fishing rod & can of worms walking across grass & daisy covered field toward the old mill stream. His grandfather is seen beside him telling a fish tale and showing the size of the one that got away. The scene shows a background landscape with mill under blue & white cloud sky. Signed lower right. SIZE: 34-1/4″ x 25-1/4″. CONDITION: Some minor touch up, very good. 9-23370 (800-1,200)

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2108

JOHN WALTER SCOTT (American, 1907-1987) OUTMATCHED. Interesting gouache scene shows three men in a rowboat who have harpooned a large sawfish at nighttime. The man in the back shines a bright light exposing the giant fish as he surges out of the water with the embedded harpoon which is attached to the bow of the small rowboat. Signed lower left. Housed in a green marbleized frame with white & green matte. SIZE: Sight: 16″ x 12-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22458 (1,500-2,500)

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2109

GARY COOLEY (American, 1947-) “SPRING CREEK TROPHY”. Outstanding polychrome bronze of a Salmon swimming above river rocks and log. Wonderful colored patina in a realistic setting. Titled, signed, numbered “1/45” and dated “4/98″ on base. The bronze is mounted to a molded edge shaped wood plinth having artist & name plaque. SIZE: Total: 11″ h x 16” l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22435 (1,250-1,750)

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2110

GARY COOLEY (American, 1947-) “BEAVERKILL BEAUTY”. Fine polychrome bronze of a Rainbow Trout near the waters bottom with rocks and sunken log. The piece with realistic color patination. Mounted to a molded edge shaped wood plinth with artist title plaque. Signed in bronze on back rock with title, artist, and edition 5/10. SIZE: Total: 10″ h x 13-1/2″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22434 (1,250-1,750)

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2111

LEE LESTER (American, 20th Century) THE FISHERMAN. Outstanding bronze depicting a large bear with coho salmon in mouth walking on rock ledge. The bronze is mounted to a shaped green marble base which is attached to a molded edge wood base with title and artist plaque. Bronze is signed “S L Lester 12/50”. Brown to black patina with polychrome salmon. SIZE: Total: 15″ h x 24″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22432 (2,750-3,250)

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2112

LEE LESTER (American, 20th Century) TURKEY. Bronze model of a standing turkey. Signed on base “S L Lester 6/150”. The shaded brown patina turkey seen in walking pose on natural base mounted to an oval green marble atop molded edge oval wood base. SIZE: 14-1/2″ h x 12″ l. PROVENANCE: From a private New York Collection. CONDITION: Oxidized area a top of head, otherwise very good. 9-22431 (700-900)

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2113

GARY COOLEY (American, 1947-) TRANQUILITY. Bronze depicting a great blue heron amongst cattails and reeds. The bronze mounted to a round black marble-type base. The bronze signed, titled and numbered “20/35″. The bronze having realistic polychrome colors in greens, blues & browns. SIZE: Total: 36”. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22433 (1,500-2,000)

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2114
Revised: 8/22/2011

Additional Information: We have been told that this work might not be by Benson and thus we do not guarantee it.

FRANK WESTON BENSON (AMERICAN, 1862 – 1951) FLIGHT OF DUCKS. Large watercolor wildlife scene shows a flock of 19 ducks flying over ocean waves. A colorful sky in blues and yellows is reflected in the choppy ocean. Signed lower left, “F. W. BENSON 29″. Housed in a fine gilt wood frame with line highlighted mat. SIZE: Sight size: 22-1/2″ x 30-1/4”. PROVENANCE: From a private Virginia collection. CONDITION: Very good. 9-20273 (20,000-40,000)

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2115

FRANK WESTON BENSON (AMERICAN, 1862-1951) DUCKS. Pencil signed lithograph wildlife scene shows five ducks swimming right to left in calm water. Pencil signed below image, also “Copyright F W Benson” and “A.W. Elson & Co., Boston”. Housed in its original fumed oak flat frame with glass front. SIZE: Sight: 19-1/2″ x 23-1/2″. Image: 12-3/4″ x 17″. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Some toning, foxing spots, white spots in left margin. Otherwise good, not examined out of frame. 9-22197 (600-900)

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2116

HERMANN GUSTAV SIMON (American, 1846-1895) “A PERFECT FIND”. Outstanding oil on canvas hunting dog scene shows two Setters, one standing at point, the other laying down in a grass area pointing off to the right at an unseen game. Late fall scene with the hillside having trees, bushes, grass, and large rocks. Gray clouds fill the sky. Signed lower right “Hermann Simon 1879″. Housed in a magnificent and possibly original gesso decorated gilt frame with gilt liner. SIZE: 22″ x 32”. CONDITION: Relined, craquelure, very good. 9-23577 (5,000-8,000)

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2117

LEANDER ALLEN PLUMMER (American, 1857-1914) TWO WORKS: RED HEADED DUCKS. Identically housed in black painted wood frames. Both oil on canvas scenes of a male & female red headed duck in pond surroundings. One signed lower right “LA Plummer”, the other unsigned. SIZE: 18″ x 24″. CONDITION: Very good. 9-22835 (1,400-1,600)

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2118

PETER MUNRO (British, 1954-) AMONGST THE LILY PADS. Oil on masonite wildlife scene shows two ducks swimming between lily pads and tall grass. The water is still reflecting the grass and providing light rings from the swimming ducks. Signed lower left and dated “1988”. Housed in a gilt wood frame with linen and wood liner. SIZE: 20-3/4″ x 36″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22462 (2,500-3,500)

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2119

HOWARD L. HILL (American, -1870) PROTECTOR OF THE FAMILY. Outstanding oil on canvas wildlife scene shows a male grouse standing tall upon a rock at the edge of woods and field. Nestled below the rock is the hen and five chicks. The background with a New York or New England landscape with fields, trees and landscape. Housed in a period gold gesso decorated frame with gold liner. SIZE: Sight: 30-3/4″ x 22-1/2″. PROVENANCE: From a private New York Collection. CONDITION: Relined with minor inpainting, very good. 9-22447 (5,000-7,500)

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2120

PETER MUNRO (British, 1954-) BLACK GROUSE. Oil on masonite wildlife scene shows a black grouse swooping down from a pine tree onto snow covered grassy area. The hen sits atop a pine bow in an authentic setting. Signed lower left and dated “1989”. Housed in a gilt molded wood frame with linen liner. SIZE: 18″ x 27″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22463 (2,500-3,500)

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2121

ARCHIBALD THORBURN (British, 1860-1935) SCOTTISH GROUSE. Limited edition colored print after a painting by Archibald Thorburn. Pencil numbered “716/850″. Published October 1997 by William Marler. Scene shows a large flock coming to and away from the viewer over colorful marsh and grassland. Housed in a modern gilt frame with green matte. SIZE: Sight: 14-1/4″ x 24”. PROVENANCE: From a private New York Collection. CONDITION: Very good, not examined out of frame. 9-22466 (800-1,200)

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2122

ARCHIBALD THORBURN (British, 1860-1935) “THE TWELFTH”. Pencil signed colored print published by Lawrence & Bullen, London, 1899. Scene shows a flock of partridge coming towards viewer over a grass landscape. Housed in a modern gilt frame with green matte. SIZE: Sight: 14-3/4″ x 22-3/4″. PROVENANCE: From a private New York Collection. CONDITION: Very good, not examined out of frame. 9-22465 (1,000-2,000)

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2123

JOHN WALTER SCOTT (American, 1907-1987) CALLING IN THE CROWS. Fine gouache hunting scene shows a hunter in camouflage clothing holding his shotgun at the ready and using a bird call to lure a flock of crows which fly nearby. He crouches under pine boughs and looks upward. Signed lower right. Housed in a modern wood frame with double brown mattes. SIZE: Sight: 19-1/4″ x 14″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22459 (1,000-1,500)

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2124

GEOFFREY DASHWOOD (British, 1947-) “CARRION CROW”. Life size bronze of a crow perched on a branch with square base. The crows wings are curved down and his head is facing to the side with open beak. Signed “Dashwood 9/12”. Greenish/black patina. SIZE: 10″ h x 16-1/2″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22444 (6,000-8,000)

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2125

GEOFFREY DASHWOOD (British, 1947-) “EAGLE OWL”. Life size bronze of an owl with mottled brown patina. Signed on back base “Dashwood 5/12”. SIZE: 25-1/2″ h. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22441 (5,500-7,500)

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2126

GEOFFREY DASHWOOD (British, 1947-) BARN OWL. Bronze owl perched on a rectangular base. Head sideways with hollow eyes. Base inscribed “Dashwood 7/12″. Bronze brown patina. SIZE: 10-1/2″ x 13”. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22439 (4,000-6,000)

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2127

GEOFFREY DASHWOOD (British, 1947-) COCK PHEASANT. Life size bronze of a pheasant standing on a round disc base which is signed “Dashwood 7/12”. Bronze with a mottled brownish/green patina. SIZE: 15″ h x 33″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22442 (4,500-6,500)

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2128

GEOFFREY DASHWOOD (British, 1947-) “BLACK GROUSE”. Life size bronze of a male black grouse with fanned tail feathers perched on a stump. Signed “Dashwood 2/12”. Black patina. SIZE: 16″ h x 12″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22443 (4,500-6,500)

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2129

GEOFFREY DASHWOOD (British, 1947-) PINTAIL DUCK. Life size bronze of a pintail duck. Back inscribed “Dashwood 2/12″ Nice brown & green patina. SIZE: 6″ h x 16” l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22440 (4,000-6,000)

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2130

GEOFFREY DASHWOOD (British, 1947-) MALLARD DUCK. Life size bronze of a preening head Mallard. The duck stands on a round disc base which is inscribed “Dashwood 3/12”. Mottled green & brown patina. SIZE: 10-1/2″ h x 13″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22445 (4,000-6,000)

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2131

GRANT HACKING (American, 1964-) “AFTER THE RAIN-BULL ELK”. Outstanding large oil on canvas wildlife scene shows a bull elf with huge rack bleating against a western river valley with large mountain range under blue & cloud sky. Signed lower left. Housed in a decorative partially gilt carved wood frame. Titled, signed, & dated on reverse of canvas. SIZE: 50″ x 60″. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22469 (8,000-12,000)

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2132

GRANT HACKING (American, 1964-) “BULL MOOSE-MT. WASHINGTON”. Large oil on canvas New Hampshire White Mountain scene shows a large majestic bull moose grazing in low bush with a backdrop of a snow peaked Mt. Washington under light blue and white cloud sky. Signed lower left. Housed in a fine gilt carved wood frame.Inscribed on reverse of canvas with title, artist and date of “2010”. SIZE: 30″ x 40″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22449 (2,000-3,000)

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2133

GRANT HACKING (American, 1964-) “FOLLOWING THE SCENT”. Oil on canvas wildlife scene shows a red fox turning to follow the scent across a snow covered area. Signed lower left. Titled, signed, and dated “2008” on reverse. Housed in a peach colored weathered wood frame with wood liner. SIZE: 16″ x 20″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22452 (800-1,200)

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2134

GRANT HACKING (American, 1964-) “CLIFF DWELLERS”. Oil on canvas wildlife scene shows six mountain goats grazing on high grass near cliffs. Titled, signed, and dated on the reverse of the canvas. Housed in a fine weathered wood frame with gilt edge. SIZE: 24″ x 30″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22451 (1,750-3,000)

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2135

GRANT HACKING (American, 1964-) EVENING SHADOWS-MOUNTAIN LION. Oil on canvas winter scene shows a mountain lion crossing a snow covered grass area with sun casting his shadow on the ground. Signed lower left. Signed & dated on reverse. Housed in a carved and gilt wood frame. SIZE: 24″ x 36″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22450 (1,500-3,000)

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2136

GRANT HACKING (American, 1964-) OUT OF THE SHADOWS. Outstanding oil on canvas African wildlife scene shows a standing tiger in a tropical setting with a shaft of bright sunlight cast on his body. Signed lower left. Housed in a fine carved & gilt wood frame which has the carved signature of Grant Hacking. SIZE: 18″ x 24″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22453 (1,500-2,500)

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2137

BOB F. KUHN (American, 1920-2007) TAKING AIM. Gouache African hunting scene shows a man perched in a tree stand aiming his rifle down at a tiger next to a recently fallen animal. Signed lower right “Kuhn”. Housed in a gilt molded wood frame with linen and gold matte. SIZE: Sight: 22-3/4″ x 15-3/4″. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22454 (3,000-6,000)

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2138

JASON LIPPITT CLARK (American, 1883-1969) THE PRONGHORN. Small bronze depicting a standing a pronghorn deer on a naturalistic base which is signed “Jas L. Clark”. Brown patina. SIZE: 10-1/2″ h x 10″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22456 (1,500-2,500)

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2139

ATTRIBUTED TO ANTOINE-LOUIS BARYE (French, 1795-1875) DEAD GAME. Interesting bronze depicting five different dead birds laying flat on a disc. Their heads droop over the side of disc. There is what appears to be an added signature “Bayre” with possible title. The bronze is mounted to a wood disc. SIZE: 9″ dia. x 3″ h (incl. base). CONDITION: Very good, wear to wood base. 9-23366 (1,500-2,500)

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2140

UNSIGNED (19th/20th Century) SETTER AT POINT. Fine bronze sculpture of a pointing hunting dog standing on a rectangular bronze plinth. Wonderful old dark patina. SIZE: 7″ h x 8-1/2″ l x 4-3/4″ w. CONDITION: Very good. 9-22682 (400-600)

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2141

PIERRE JULES MENE (FRENCH,1810-1879) VALET DE CHASSE LOUIS XV AVEC CINQ CHIENS. 20th Century edition showing the King atop his horse holding five hounds on a leash all on a naturalistic base. Polychrome decorated set on a black marble base. Signed on base “PJ Mene 1869”. SIZE: Without marble: 23-1/2″ h x 26-1/2″ l x 15″ d. With base: 25″ h x 30″ l x 18″ d. CONDITION: Very good. 9-23437 (2,000-3,000)

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2142

RUSS VICKERS (American, 1923-1997) “IT TAKES AN APACHE”. Oil on canvas western Civil War scene shows an Apache guide mounted atop his horse pointing the way to a Union officer on horseback. There are seven other soldiers on horseback below. The backdrop is a Sequoia dotted desert landscape with mountains under blue and cloud sky. Signed lower right and dated “1980”. Housed in a good carved weathered wood frame with gilt and linen liner. Titled, dated, and signed on reverse. SIZE: 24″ x 36″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22448 (6,000-7,000)

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2143

ATTRIBUTED TO FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “A CAVALRY SCRAP”. Oil on canvas scene shows a charging Cavalry amongst Indians on horseback in a desert setting. Signed lower right. Housed in an antique gesso decorated gilt frame. This appears to be a study for the final large version which is at the University of Texas. NOTE: When Remington was on assignment with Company K, 10th Cavalry he sketched a scene and entitled it “Riderless Horse.” When he was commissioned by the Knickerbocker Hotel in New York to paint “A Cavalry Charge” he used the riderless horse as the center figure and completed this gigantic painting by adding Indians and cavalrymen engaged in a ferocious battle. The painting was a gift to The University of Texas at Austin, in 1943 from Ima Hogg, and hangs on the second floor gallery of the Humanities Research Center. Also, The Charge, aka A Cavalry Scrap, was printed and published in 1910 in Collier’s Weekly (the right hand 1/3 was not used). SIZE: 20-1/4″ x 46-1/2″. PROVENANCE: From a Connecticut Collection. CONDITION: Craquelure, surface dirt, very good. 9-22264 (10,000-20,000)

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2144

F THOMAS QUIGLEY (American, 20th Century) THE CAVALRY CHARGE. Oil on canvas Civil War scene shows five men with pistols drawn charging ahead on horseback through rock & grass area. Signed bottom right “F. Thomas Quigley”. Housed in a decorative frame having a linen and wood liner. SIZE: 24″ x 36″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22267 (800-1,200)

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2145

F THOMAS QUIGLEY (American, 20th Century) THE TRUSTED SCOUT. Oil on canvas western scene shows a frontiersman using two arrows and his hand to prop up his rifle for a precision shot. His trusted Native American scout points to the target. They sit above a grass bluff overlooking other hills. Signed lower right “F. Thomas Quigley”. Housed in a good weathered wood molded frame with linen and wood liner. SIZE: 24″ x 36″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22266 (1,000-2,000)

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2146

EDWARD T. VEBELL (American, 1921-) WANTED. Mixed media on board illustration scene shows an outlaw with holster and gun, turquoise shirt, wide brim hat and red bandana burning his wanted poster in front of a Wells Fargo & Co. sign. Signed lower right. Housed in a modern wood frame with silver gilt liner. SIZE: Sight: 18-3/4″ x 15″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22262 (800-1,200)

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2147

EDWARD T. VEBELL (American, 1921-) CORNERED. Outstanding gouache illustration western scene shows a Sheriff who is being shot by a man cornered in an alleyway with a storekeeper with rifle in a slightly open doorway and another lawman approaching behind the sheriff. Signed bottom right “Ed Vebell”. Housed in its original weathered frame with inlaid rope border and inner canvas liner behind glass. SIZE: Sight: 19-1/2″ x 15-1/2″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good to excellent. 9-22273 (1,000-2,000)

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2148

BOB DALE (American, late 20th Century) “SHOOTOUT AT THE END OF AN ERA”. Outstanding watercolor/gouache illustration showing three men on a stage shooting two men near a poker table. Signed lower left and dated “85”. Housed in a natural wood two-tier frame with double mattes and glass. This piece was a full page illustration on page 8 of the “Sunday Magazine”, “San Antonio Express” Sunday Edition, February 24, 1985 (copy accompanies lot). SIZE: Sight: 18-1/2″ x 16″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good. 9-22268 (800-1,200)

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2149

C. WOODWARD (American, Mid-20th Century) THE FATAL SHOT. Unframed oil on masonite illustrative scene shows a cowboy having just shot another cowboy on horseback. The horse rears out of fright and the man clutches his chest as his gun falls from his hand. Signed lower right and dated “41”. The back stamped “Property of Argosy All Rights Reserved”. Possibly the work of Cleveland Landon Woodward (1900-1986). SIZE: 28″ x 26-1/4″. PROVENANCE: From a Connecticut Collection. CONDITION: Some spot touch up, very good. 9-22269 (800-1,200)

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2150

ROBERT MACFIE SCRIVER (1914-1999) “THE WINCHESTER RIDER”. Circa 1979. This limited edition example (197/250), Big Horn Foundry. The limited edition figural bronze titled: “The Winchester Rider” was commercially commissioned and based on the famous Winchester logo featuring a mounted frontiersman, running at a full gallop, carrying a lever action Winchester rifle. The integral base with sagebrush and cow skull in relief. Marked: 197/250 Bob Scriver/1979. Mounted on a faceted walnut plinth additionally mounted with a plaque inscribed with the title “The Winchester Rider”. Robert “Bob” Macfie Scriver (1914-1999) was a Montana sculptor who was born on the Blackfeet reservation of Anglophone Quebec parents. He specialized in western subjects, and his first efforts were small inexpensive souvenir wildlife figurines cast in plaster and air-brushed in natural colors. Entry into a statewide contest for an heroic-sized portrait of Charles M. Russell, a contest he failed to win, provided the impetus to become a “real” sculptor and attracted the support and guidance of Charlie Beil, a noted Canadian sculptor. Both men built foundries and cast their own bronzes, guaranteeing high quality. In the late 1950’s the Blackfeet tribe and Scriver conferred about a series of bronzes to be cast in heroic size. These included “No More Buffalo,” “Transition”, “The Return of the Blackfeet Raiders and the well known “Winchester Rider” are some of his finest work. His works are to be found in various museum collections including, but not limited to, The Whitney Gallery of Western Art at the Buffalo Bill Historical Center, The Great Plains Art Museum, Montana Historical Society and the Rockwell Museum of Western Art in Corning, New York. SIZE: 15-1/4″ h (statue) 17″ h (overall) x 20-3/4″ l. CONDITION: Very good overall with fine dark brown patina. 9-22066 (8,000-10,000)

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2151

EARL E. HEIKKA (American, 1910-1941) ROAD AGENT. Limited edition bronze shows a cowboy with pistols in each hand looking back and firing. The horse is in a galloping position and the base is signed, also inscribed “Van Kirk Nelson 9/30”. SIZE: 11-1/2″ h x 12″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22446 (1,500-2,500)

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2152

JOE RUIZ GRANDEE (American, 1929-) US CAVALRYMAN AND COLLECTORS EDITION BOOK. The book “The West Still Lives – A Book Based on the Paintings & Sculpture of Joe Ruiz Grandee by Joy Schultz” and numbered “56/126”. Signed by both artist and author. The book having an interesting calfskin cover. The half bust bronze depicting a uniformed Cavalryman. Signed on reverse and numbered “56/126”. Both are presented on a custom wood stand. SIZE: Bronze: 6-1/2″ h x 5-1/2″ w. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22438 (500-1,000)

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2153

ATTRIBUTED TO THOMAS HILL (American, 1829-1908) WESTERN WAGON TRAIN. Outstanding unframed oil on canvas western scene shows tall mountains in the background with white billowy cloud sky. The foreground shows a valley with grass and water. Along a river bend is seen a wagon train with four covered wagons. SIZE: 21″ x 31″. PROVENANCE: Ex. Hilton Estate Collection of Greenville, Maine. CONDITION: Very good. 9-22792 (6,000-9,000)

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2154

SYDNEY MORTIMER LAWRENCE (American, 1865-1940) “MOUNT MCKINLEY”. Oil on canvasboard landscape scene shows a snow covered Mt. McKinley with its jagged peak towering up over the landscape with mountains, river, and tree lined banks. Signed lower left. Housed in an antique gesso decorated gilt frame with wide gilt liner having a gilt wood artist plaque. SIZE: 15-3/4″ x 20-1/2″. CONDITION: Very good. 9-22640 (12,000-15,000)

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2155

ALBERT BIERSTADT (American, 1830-1902) ROCKY MOUNTAIN PASS. Oil on canvas mounted to board western Rockies scene shows two men on horseback descending down a hillside path with stream and mountain peak. Signed lower right “A Bierstadt”. Housed in a fine gesso decorated gilt period frame with replaced gilt liner. SIZE: 11-1/2″ x 16-1/2″. CONDITION: Inpainting including enhancement of signature, very good. 9-22067 (8,000-12,000)

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2156

NORTON BUSH (American, 1834-1894) WESTERN MOUNTAIN VALLEY LANDSCAPE. Large oil on canvas western scene shows a stream running through flower, bush, & tree meadows leading down a valley with large mountains under a cloud & blue sky with waning sunlight. Signed lower right. Housed in its original gilt gesso decorated frame. SIZE: 22″ x 36″. CONDITION: Surface grime, small chipping across painting, craquelure, otherwise good. 9-22517 (4,000-6,000)

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2157

CORNELIUS DAVID KRIEGHOFF (Canada/American, 1812-1872) THE WINTER FORGE. Oil on canvas winter scene shows a woman who has gathered sticks with a bundle attached to her back crossing frozen water and approaching a building with a man working a forge. Snow covered hillside backdrop with house on right. Signed lower left. Housed in a modern fancy gilt frame with gilt liner. SIZE: 8″ x 12″. CONDITION: Discolored varnish which shows in craquelure grooves, good. 9-23438 (5,000-10,000)

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2158

THOMAS HILL (American, 1829-1908) VERNAL FALLS, YOSEMITE. Oil on canvas depicting Vernal Falls with rushing stream below. The ledges surmounted by Evergreen trees with a small mountain in background. Signed lower left “T. Hill”. Housed in a gold molded gessoed frame. Frame stamped on reverse “N. Grieve Co., Hand Carved New York & London”. SIZE: Sight: 15-3/4″ x 19-3/4″. CONDITION: Relined, some inpainting, very good. 9-22997 (5,000-7,000)

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2159

JOHN AMORY CODMAN (American, 1824-1886) NEW HAMPSHIRE LAKE SCENE. Oil on canvas scene shows two figures knee deep in water. One with bundle of sticks, the other with basket on head, walking across water to a group of four cows. Large trees and rocky shoreline. A rock cliff is seen in background beyond the lake. Birds fly against a cloud and blue sky. Signed lower right “JA Codman”. Housed in a wide deep lemon gold antique frame. White chalk mark on back might indicate title of Echo Lake. SIZE: 18-1/4” x 24-1/4”. CONDITION: Some inpainting, mostly in sky. Very good. 8-87412 (2,750-4,250)

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2160

PATRICK VINCENT BERRY (American, 1852-1922) NEW YORK LANDSCAPE. Oil on canvas scene shows a farmer in a field looking towards houses, fields and woods. Signed lower left “P V Berry”. Housed in its fine fancy gesso decorated gilt frame with gilt liner. SIZE: 16″ x 24″. CONDITION: Dirty, some damage to ornate gesso on frame. 8-87628 (800-1,200)

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2161

PETRO PAVESI (Italian, Early 20th century) “CARDINAL’S VISIT WITH THE POPE”. This watercolor depicts the interior of a library with two cardinals entertaining the Pope with tea. This detailed and fanciful interior includes oriental rugs and tapestries, a huge elaborate wooden library with multiple leather-bound volumes and much more. Signed lower left, “P. PAVESI, 1901”. Framed on an ornate gesso gilt frame with gold liner. SIZE: (sight) 17” h. x 13” w. CONDITION: Very good. 9-23420 (1,000-2,000)

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2162

FRANCIS GARAT (French, 1870-?) A PARISIAN SCENE. Soft watercolor on paper with large monument of winged runner. Image depicts considerable activity with pedestrians, horse-drawn carriages, omnibus and a panorama of large buildings in the background. Signed lower right, “FRANCIS GARAT” in a contemporary gilt gessoed frame. SIZE: 10” h x 14” w. CONDITION: Generally good. 9-23421 (2,000-4,000)

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2163

JEAN LOUIS ERNEST MEISSONIER (Italian/French, 1815-1891) PLEADING THEIR CASE. Oil on wood panel interior scene shows thirteen figures in an opulent setting in a large room with a view through arched doorway. A three-member family is being presented to the official who sits in an armchair next to four men at a table who are recording the event. A boy is seen holding a flag in the left corner and light shines through a stained glass window near a portrait over a large fireplace. Signed lower left “JLE Meissonier”. Housed in an antique gold gesso decorated frame. SIZE: 13-1/2″ x 22-1/2″. CONDITION: Very good. 9-22803 (3,500-5,500)

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2164

BERNARD BUFFET (French, 1929 – 1999) CANAL SCENE. This signed lithograph on paper is dated ’56 in the upper right corner and depicts a canal scene within a French city. A large cathedral is in the foreground with numerous boats in the canal. In shades of black and cream with red and blue highlights. The antique-style wooden frame with distressed white finish. The reverse features a label, “L. A. BIGELOW, BROOMFIELD STREET, BOSTON”. SIZE: (sight) 26” w x 18” h. CONDITION: Very good. 9-23426 (250-350)

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2165

JULES-LEON-EDOUARD JACQUET (French) Engraving, The Art Connoisseur. 18th Century scene depicting two art patrons examining a portfolio of engravings with numerous artworks on the wall. Signed in pencil lower right “Jules Jacquet” also affixed with original label on reverse “From Robert Dunthorne Liverpool, artist Jules Jacquet, Subject Ces Amateurs d’ Estampes, After Jce Meissonier State= First & only of 250 copies published”. Matted and framed in simple gold and ebony frame. SIZE: 18-1/2” h x 13-1/4” w. CONDITION: Generally good. 8-85251 (300-500)

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2166

GIOVANNA BATTISTA PIRANESI (Italian, 1720-1778) “PALAZZO DELLA CONSULTA” AND “S. GIOVANNI IN LATERANO MAIN FACADE WITH PALACE AND SCALA SANTA ON THE RIGHT”. Large unframed and unmatted engravings. 1) “Veduta Del Palazzo Fabbricato Sul Quirnale…” shows the exterior of a fancy ornate building with people on a wide boulevard. 2) “Venduta Della Basilica Di S. Giovanni Laterano”, number 694 shows a large building with large plaza. SIZE: Overall: 1) 22-1/2″ x 30-1/2″. 2) 22″ x 30-1/2″. CONDITION: Both have water stains into the image on the bottom, generally good. 8-76000 (500-1,000)

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2167

ELIE A. PAVIL (French 1873-1948) “CHILDREN ON A BEACH”. Impressionist watercolor of a boy and a girl seated on a sunny beach. In the background numerous boats and figures. Signed lower right, Pavil. Housed in a simple black frame. SIZE: 8” h x 10-1/2” w. CONDITION: Very good. 8-87350 (1,750-2,250)

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2168

LEON GIRARDET (French 1857-1895) MAID IN STORM WITH UMBRELLA. This delightful watercolor on paper depicts a beautiful young French maid in a windswept rainstorm. The driving rain has inverted her umbrella. Signed in lower right, “Amon ami Edwmond Wickham / Leon Girardet”. Housed in a gesso decorated gilt frame with double gilt lined mattes. SIZE: 12″ x 8-1/2″. CONDITION: Generally very good. 8-87351 (1,250-1,750)

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2169

LOUIS ICART (French, 1888-1950) “LES BRACELETS”. Framed pencil signed oval scene shows a lovely young woman wearing fancy dress and arranging her six blue bracelets on her left arm as she looks toward viewer. Pencil inscribed “75”. Also with “Copyright 1924″ and printers information at top edge. Housed in a gilt frame with period matte. The back having a Schwartz Gallery, New York label. SIZE: Image: 17-1/2″ x 13”. CONDITION: Very good. 9-23193 (800-1,200)

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2170

LOUIS ICART (French, 1888-1950) “THE LAMP”. Etching and aquatint scene shows a young woman in white fancy dress lounging on a blue upholstered chaise beside a lamp table with lamp having a pink shade. Pencil signed lower right and above image on left “Copyright 1948 by L. Icart, Paris”. Housed in a simple gold frame with white matte. SIZE: Sight: 17″ x 20-1/2″. PROVENANCE: From a fine Maine home. CONDITION: Very good, not examined out of frame. 9-22348 (1,000-1,500)

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2171

THEODORE ROUSSEAU (French, 1812-1867) LANDSCAPE WITH FIGURE. Oil on mahogany panel scene shows a figure walking along a dirt path between lines of tall trees which stand above a pond with far away trees under blue and white cloud sky. Signed lower right “T. Rousseau”. Housed in its original fabulous stepped gesso decorated gilt frame with gilt liner. SIZE: 11-3/4″ x 16″. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Surface dirt, very good. 9-21957 (6,000-9,000)

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2172

MAURICE DE VLAMINCK (American/French, 1876-1958) VASE DE FLEURS. Oil on canvas still life scene shows a brown vase filled with colorful flowers. Red, blue, white, and orange Aster-type flowers all scene against a shaded gray/blue background. Signed lower right. Housed in a carved shell decorated wood frame with linen liner. Accompanying the painting is a copy of the original receipt from Kende Galleries, Inc. New York City dated 1952 for this painting. SIZE: 15″ x 18″. CONDITION: Very good. 9-23582 (30,000-50,000)

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2173

MAURICE DE VLAMINCK (American/French, 1876-1958) RIVERSIDE TOWN. Watercolor scene shows two haystacks at the edge of a marshy water area with town on far bank. Signed lower right. Housed in what appears to be its original decorative wood frame with canvas matte. On reverse of back paper is a Boris Mirski Art Gallery, Boston, MA stamp. SIZE: Sight: 14-3/4″ x 19″. PROVENANCE: Descended through the family of Shepherd Brooks, Boston, MA. & Medford, MA. CONDITION: Light toning at edges, not examined out of frame. 9-22188 (10,000-15,000)

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2174

FRITS THAULOW (French, 1847-1906) “BORDS DE LA RIVIERE D’ARQUES”. Oil on canvas scene shows a river winding past thatched roof house with treed landscape. The sun is setting casting colorful reflections in the water. Signed lower right. Housed in a modern gilt frame with metal artist & title plaque. SIZE: 15″ x 18″. CONDITION: Relined with inpainting, very good. 9-22734 (12,500-17,500)

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2175

EUGENE BOUDIN (French, 1824-1898) FRENCH LANDSCAPE WITH COWS. Oil on mahogany panel shows six cows laying & standing in a grass covered field with a farmhouse nestled amongst tall trees. In the distance is the continuation of the field with other cows and farmhouses with a low hill beyond. All under a blue & white cloud sky. Signed bottom right and dated “55”. Housed in a fine gesso decorated gilt frame with linen liner. The panel has a wood grid support. NOTE: Accompanying the lot is a copy of a recent conservator’s receipt for cleaning from Simon Parkes of New York City. SIZE: 14-3/4″ x 21-3/4″. PROVENANCE: Property from a New York Estate. CONDITION: Very good, recently cleaned with some light inpainting. 9-23609 (30,000-50,000)

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2176

FRANCOIS GALL (French/Hungarian, 1912-1987) ANTICIPATING A RENDEZVOUS. Oil on canvas cafe scene shows a young woman in blue dress seated at a small round table having her afternoon tea. Several other patrons are seen in the background with a waiter. Signed lower right “F Gall”. Housed in a fine gilt wood frame with linen liner. SIZE: 24″ x 29″. CONDITION: Very good. 9-22572 (20,000-40,000)

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2177

EUGENE GALIEN-LALOUE (FRENCH, 1854-1941) WINTER PARIS STREET SCENE. Gouache scene shows recently fallen snow in a city square with monument and busy boulevard. Many people are seen in the afternoon light. Signed lower left “E Galien Laloue”. Housed in a fine gilt frame with watercolor decorated matte. SIZE: 7-1/4″ x 12″. CONDITION: Very good. 9-22638 (8,000-12,000)

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2178

VICTOR GABRIEL GILBERT (French, 1847-1933) “SCENE DE RUE A PARIS”. Oil on board Paris street scene shows a produce vendor tending to a woman customer. The street is busy with pedestrian and vehicle traffic. Signed lower left. Housed in a modern decorative frame. SIZE: 12″ X 15-1/2″. CONDITION: Very good. 9-22293 (7,000-9,000)

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2179

EDOUARD LEON CORTES (French, 1882-1969) PARIS IN THE SPRING. Oil on canvasboard street scene shows a corner with tall buildings and tree with many pedestrians and one car. Signed lower left. Housed in a carved wood partially gilt frame. SIZE: 11″ x 13″. CONDITION: Very good. 9-22419 (5,000-10,000)

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2180

EDOUARD LEON CORTES (French, 1882-1969) NIGHTTIME IN PARIS. Oil on board nighttime oil sketch shows a street with sidewalk filled with people in front of a storefront with many lights. A darkening sky is seen over large buildings with a street having horse-drawn wagons. Signed lower left. Housed in a period bronze colored gesso decorated frame. SIZE: 9-1/2″ x 14-1/2″. CONDITION: Very good, one small scrape on upper left margin. 9-23053 (4,000-6,000)

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2181

ANDRE GISSON (American/French, 1921-2003) THE BUSY BOULEVARD. Oil on canvas Paris street scene shows the wide boulevard with horse drawn carriages and automobiles. A young girl with her peach colored parasol crosses the street followed by her mother & brother. Signed lower left. Housed in a carved wood frame with painted liner. SIZE: 24″ x 30″. CONDITION: Very good. 9-22569 (4,000-6,000)

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2182

ANDRE GISSON (American/French, 1921-2003) SIDEWALK ART SALE. Oil on canvas Paris street scene shows a sidewalk lined with paintings for sale with many pedestrians on the broad boulevard and several horse drawn carriages with buildings in the background. In the foreground, a mother & daughter walk toward viewer, the daughter wearing a bright red dress. Signed lower right. Housed in a French style frame with painted liner. SIZE: 20″ x 24″. CONDITION: Very good. 9-22565 (3,000-5,000)

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2183

ANDRE GISSON (American/French, 1921-2003). Oil on canvas Paris street scene shows a woman & child crossing the street. Several people are seen along the sidewalk under a green awning near flowers that are reflected in the wet street. A single-horse pulled buggy is seen. A large cathedral is seen beyond the cars & wagons. Signed lower right. Housed in its original white painted frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-22566 (2,000-4,000)

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2184

JEAN BERNARD DESCOMPS (French, 1872-1948) HOLDING UP PEACE THROUGH THE CENTURIES. Impressive and important large bronze figural group shows four 24″ historical French military figures, one from each of the 16th, 17th, 18th & 19th Centuries holding up an oval shield atop which is a 24″ 20th Century military figure holding a peace offering of heather. Each figure is in the appropriate attire of the time and holds the period weapon. The four supporting figures are mounted to a large square naturalistic topped base which is inscribed with the artist’s name. Round foundry mark Cire perdue L. Catti, Foundeur. Also “Épreuve unique cire perdue Mr. Frederic Lachevre” indicating this was a single casting in the lost wax technique for Mr. Frederic Lachevre. Frederic Lachevre was born in 1855 and died in 1943 He was a bibliographer, scholar and literary critic and a French specialist on debauchery. SIZE: 48″ h x 32″ x 31″. Approx. 600 lbs. PROVENANCE: From a fine Texas Estate. CONDITION: Bronze has a wonderful verdigris patina having been outside. 9-22955 (5,000-10,000)

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2185

HENRY ETIENNE DUMAIGE (FRENCH, 1830-1888) TWO DANCERS WITH TAMBOURINE. Bronze sculpture of two maidens close together, one holds a tambourine. Signed on the square base “Dumaige Sculp.”. Nice brown bronze patina. SIZE: 14-3/4″ h. CONDITION: Very good. 9-23162 (1,800-2,200)

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2186

CHARLES (KARL) KORSCHANN (FRENCH, 1872-1943) CENTERPIECE WITH SHEEP AND CHILDREN. The bronze figural oval centerpiece depicting a ewe and two lambs on one end, the other end with two children at play with small dog. Signed on side “Ch. Korschann”. Also having a French foundry mark “Paris Louchet Ciseleur”. Wonderful gold dore finish. SIZE: 8-1/2″ h x 18″ l x 10″ w. CONDITION: Very good. 9-22577 (1,500-2,500)

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2187

ARMAND JULES LEVEEL (French 1821-1905) TWO BRONZES, DRUMMER AND BUGLER WITH MATCHING STANDS. Third quarter 19th century, French. The figural bronzes depicting a drummer in full military uniform and a bugler similarly attired. Each leaning against partially destroyed fencing. Each mounted on a circular plinth engraved with the artist’s name “A. LEVEEL”. In addition each plinth engraved with the name of the foundry “DELESALLE ET CIE EDIT”. This lot is accompanied by a pair of two-tier tripod stands embellished with brass mounts, raised on brass sabots. SIZE: Statues: 18″ h; Stands: 43″ h. CONDITION: The bronzes with unaltered patina, dark greenish brown coloration. No damages or restoration noted. The stands retain original polished surfaces, all in very good condition. 9-22575 (5,000-8,000)

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2188

UNSIGNED (19th/20th Century) AN ELEGANT WOMAN. Fine bronze & ivory sculpture shows a standing woman with edge of dress holding recently picked flowers. Her arms, shoulders, and head are ivory, the remainder is bronze. Her arm is extended while the other holds her dress to contain the flowers. She is mounted to a stepped square green marble base. SIZE: Total: 7-3/4″ h. Bronze: 6″ h. CONDITION: Some dark age lines in ivory, her right hand with loss of fingertips, otherwise very good. 9-23475 (800-1,200)

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2189

JEAN FRANCOIS THEODORE GECHTER (French, 1796-1844) GREYHOUND. Bronze sculpture of a standing greyhound looking back. He stands atop a naturalistic oval ground. Signed “J. Gechter”. Mounted to a rectangular black marble base. Dark brown patina. SIZE: Bronze: 12″ h. Total: 13-1/4″ h. CONDITION: Very good. 9-23178 (1,200-1,800)

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2190

ANDREI NIKOLAEVICH SHILDER (RUSSIAN, 1861-1919) SUNLIT FOREST POOL. Large oil on canvas forest scene shows a woman gathering sticks alongside a woodland pool surrounded by large trees bathed in sunlight. Signed lower left and dated “1892”. Housed in a black and brown decorated frame. SIZE: 27″ x 41-1/2″. CONDITION: Very good. 9-22579 (20,000-30,000)

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2191

IVAN IVANOVICH SHISHKIN (Russian, 1832 – 1898) LANDSCAPE STUDY. Graphite drawing depicting a dirt road winding through rock & bush area with a stream and large rock in foreground. Signed in Cyrillic lower right and dated “1860”. Housed in a modern decorative frame with wide gold matte. SIZE: Sight: 11-1/4″ x 15-3/4″. CONDITION: Very good. 9-22580 (15,000-20,000)

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2192

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) “AT T. SOYER’S GARDEN”. Oil on canvasboard shows a woman seated in a lawn chair with hands clasped in lap. She is seen against a groomed lawn area with flowers and trees & sky background. We believe this to be Raphael Soyer’s wife. Signed lower right “Burliuk 1951″ and titled below. Housed in a white painted oak frame. SIZE: 14″ x 10”. CONDITION: Very good. 9-22578 (3,000-5,000)

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2193

DAVID DAVIDOVITCH BURLIUK (American/Russian, 1882-1967) PORTHOLE VIEW OF NEW YORK CITY. Interesting oil on board shows a light blue porthole looking out towards a city skyline under bright moon which all reflects on the water. Signed lower left. Housed in a modern gold frame. SIZE: Sight: 9″ x 13-1/4″. PROVENANCE: From a private Collection. CONDITION: Minor paint fleck to right top quarter, otherwise very good. 9-22350 (6,000-9,000)

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2194

DAVID DAVIDOVICH BURLIUK (America/Russian, 1882-1967) FRENCH RIVIERA. Oil on canvas scene shows a large crescent beach with many people having a city lining the double lane road with green mountain peak. All under blue & white cloud sky. Signed lower right “Burliuk”. Housed in a modern wood frame. SIZE: 12-1/4″ x 15-1/4″. CONDITION: Minor inpainting, very good. 9-23087 (2,000-3,000)

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2195

DAVID DAVIDOVICH BURLIUK (American/Russian, 1882-1967) THREE KITTENS. Oil on canvasboard scene shows three kittens holding onto and peaking over a wood fence with blue sky background. Signed lower right “Burliuk”. Housed in a modern oak frame. SIZE: 9″ x 12″. CONDITION: Two round spots on left side with missing paint, surface dirt, otherwise very good. 9-23088 (1,000-1,500)

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2196

WLADIMIR G. KRIKHATZKIJ (RUSSIAN, 1877-1942) “TRAIN STATION SQUARE, ODESSA”. Circa 1930. Oil on board rooftop view of the large train station with park beside and busy sidewalk in front of the building with many gold onion domes. Signed lower right. Housed in a decorative painted frame with gold liner. SIZE: 8-1/4″ x 12-1/4″. CONDITION: Some inpainting, paint flecks in domes, otherwise very good. 9-22582 (3,000-5,000)

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2197

SUCHKOV FEDOT VASILIEVICH (Russian, 1870-1958) RUSSIAN VILLAGE IN WINTER. Oil on canvas mounted to board scene shows a number of buildings & houses and two tall steeples amongst snow covered ground. Signed in Cyrillic and dated “1920” lower right. Housed in a modern gilt frame with white edge. SIZE: 6″ x 13-3/4″. CONDITION: Very good. 9-22581 (3,000-5,000)

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2198

PRINCE PAOLO (PAUL) TROUBETZKOY (RUSSIAN,1866-1938) THREE COSSACKS ON HORSEBACK. Outstanding bronze group depicts three armed men in traditional costume atop horses. All on a thin bronze rectangular plate base. Base inscribed “Paul Troubetzkoy Milano 1897”. SIZE: 15″ h x 22-1/2″ l x 13″ d. CONDITION: Very good. 9-22576 (15,000-25,000)

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2199

EVGENY ALEKSANDROVICH LANSERE (RUSSIAN, 1848-1886) TROIKA GROUP. 20th Century. Bronze sculptural group shows a three-horse team pulling a sled carrying the driver, man, woman & boy. Signed on top of base in Cyrillic. Nice brown bronze patina. SIZE: 10-1/4″ h x 17-3/4″ l x 9-1/4″ d. CONDITION: Very good. 9-23161 (8,000-12,000)

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2200

HARRY E.J. BROWNE (European, 19th Century) THE SULTAN’S HAREM. Large oil on canvas interior scene shows a partially clad young woman with long golden hair reclining on a long blue & white brocade upholstered sofa. She holds a palm fan in one hand. Another young woman is seen playing a lute and dressed in a light blue gown. An inlaid tabaret table holds a clear glass vase with pink & white flowers. A decorative wall backdrop & Oriental rug floor covering. Signed lower left. Housed in its original gold gesso decorated frame. SIZE: 30″ x 60″. CONDITION: Old wax relining with some modern inpainting, restored. In very good condition. 9-22747 (20,000-25,000)

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2201

ANTONIETTA BRANDEIS (Czech Republic/Italian, 1849-1920) “PALAZZO ALBRIZZI”. Oil on wood panel Venice canal scene shows a gondola and gondolier on still water proceeding under colorful vine covered bridge with tall villas lining the canal. All under a light blue sky. Signed bottom right. Titled in pencil on back. Also having a Charles Naya Venice stamp. Housed in a fine gesso decorated gilt frame. SIZE: 8-1/2″ x 4-3/4″. CONDITION: Very good. 9-22808 (5,000-10,000)

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2202

GIACOMO GUARDI (Italian, 1764-1835) BOATS ON A VENICE CANAL. Watercolor on paper scene shows several gondolas on a canal with people in foreground and two towers with bridge. Signed on reverse & titled in Italian. Housed in what appears to be its original gilt frame. The watercolor has been mounted with only a spot glue mark to a fancy watercolor & gilt backing board with an artist cartouche. The backboard having a Adolphe Stoll French label. SIZE: 3″ x 6-1/4″. CONDITION: Very good. 9-22991 (8,000-12,000)

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2203

GIACOMO GUARDI (Italian, 1764-1835) CANAL WITH CITY VIEW. Watercolor on paper Venice scene shows several gondolas and sailboat in foreground. A large city scene in background with bridge and figures along the canal. Signed in pencil & titled on reverse. The paper spot glued at top corners to a watercolor highlighted board with artist cartouche. Adolphe Stoll French label on reverse of backing board. Housed in its original gilt wood frame with glass. SIZE: 3″ x 6″. CONDITION: Very good. 9-22990 (8,000-12,000)

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2204

CARLO CIAPPI (Italian, 19th/20th Century) TWO GENRE WORKS. 1) Oil on canvas scene shows a man seated on a wine barrel while four boys play a make-do band, one drums a copper kettle, one plays cymbals with pot lids, another toots a funnel, and another boy has a baton as conductor. The interior is set with one-drawer table, plate rack, fireplace, and cassone. Signed with initials lower left. Housed in its original gilt gesso decorated frame with liner. 2) Oil on canvas scene shows a mother with seven children, one has a bunch of grapes, others are watching a make do puppet show by one of the girls. The mother knits as she watches over the children. Interior set with household belongings. Signed lower left. Housed in a fine gilt fancy frame with gilt liner. SIZE: 1) 18″ x 26″. 2) 15-3/4″ X 19-3/4″. CONDITION: Very good. 9-22645 (4,000-6,000)

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2205

GIOVANNI MARESCA (Italian, 19th Century) TWO WORKS: STREET URCHIN. Both oil on board paintings identically housed in Florentine style gilt pierced frames. One shows a boy smoking a cigarette standing next to his broom. He wears a tattered green & red outfit and a tramp type hat. Signed lower left. The second shows a boy with brown pants and white shirt carrying a broom under his arm and stepping forward while whistling a tune. Signed lower right. SIZE: Sight: 15-1/2″ x 11-1/2″. CONDITION: Very good with minor inpainting. 9-22178 (1,000-2,000)

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2206

H. ARDINNO? (Italian, 19th/20th Century) VIEW OF SIENNA, ITALY. Large oil on canvas city scene shows a tall brick tower over stucco and stone buildings. Signed lower left indistinctly. Housed in a fancy gilt frame. SIZE: 37-1/2″ x 25-3/4″. CONDITION: Craquelure, surface dirt, inpainting. Otherwise good. 9-22236 (2,000-3,000)

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2207

FILIPPO BARTOLINI (Italian, 1861-1908) ON GUARD. Watercolor portrait of a soldier standing guard outside a stucco building. He wears a blue jacket with white pants and holds his rifle with attached bayonet at his side. Signed lower right. Housed in an oak carved frame. SIZE: Sight: 16-1/2″ x 13″. CONDITION: Water stains and foxing. 9-21832 (500-1,000)

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2208

EDOUARD JEAN BAPTISTE DETAILLE (French, 1848-1912) “REVIEW OF THE 1ST LIFE GUARD”. Oil on canvas military scene shows a broadside view of a soldier atop a black stallion. He wears formal red jacket with armor vest and spiked helmet. In background are a number of other soldiers in line up fashion. All set in a grass area under cloud and blue sky. Signed lower left “Edouard Detaille 1879″. Housed in a modern gilt, carved wood frame. On back of stretcher is an original American Art Association Anderson Gallery exhibition label from February 4, 1931 Sale No. 3887, lot #24. SIZE: 18-1/4″ x 15”. PROVENANCE: From a West Virginia Collection. CONDITION: Very good. 9-21797 (6,000-9,000)

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2209

JACQUES-CHARLES OUDRY (French, 1720 – 1778) FAMILY OF HARES. Early oil on canvas woodland scene shows a group of five gray and white rabbits on a dirt,grass and flower woodland floor. Signed lower left and dated 1769. Housed in a fine gilt gesso decorated frame. SIZE: 21-1/2″ x 29-3/4″. CONDITION: Relined with a few patches to canvas, inpainting and restored. Very good 9-22234 (6,500-8,500)

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2210

AFTER ALBRECHT DURER (German, 1471 – 1528) GIANT FLEMISH RABBIT. This very early oil on canvas depicts a rare species of rabbit known as the flemish giant rabbit. This image depicts a giant flemish rabbit in wooded landscape. It is housed in an antique wood and gesso frame. Painted on a very early seamed canvas. SIZE: 14″ x 10-1/4″. CONDITION: Canvas in need of cleaning. Frame with imperfections. 9-21895 (10,000-15,000)

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2211

UNSIGNED (European, 18th/19th Century) OLD MASTER OF MADONNA. Oil on canvas half portrait of a woman with downward gazing eyes and crossed hands at her chest. She wears a blue shawl and is seen against a dark brown background. Housed in a period gilt and black frame. SIZE: 26″ x 20″. CONDITION: Relined, with restoration. Very good. 9-22748 (1,750-2,250)

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2212

UNSIGNED (European, 18th Century) THE THREE KINGS. Large oil on canvas Old Master depicts the Three Kings visiting the baby Jesus with Mary & Joseph. Behind the Kings are a procession of camels with people. Unsigned. Housed in a 19th Century gold gesso decorated frame. SIZE: 31″ x 45-1/2″. CONDITION: Relined with some restoration, left corner with scratches, otherwise good. 9-22520 (1,500-2,000)

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2213

UNSIGNED (European, 18th/19th Century) PAIR OF OLD MASTER LANDSCAPES. Each oil on canvas mounted to masonite panel identically housed in modern gilt wood frames. One showing a man fishing below falls with two figures on shoreline with large villa. The other shows three figures on shoreline with trees under blue & cloud sky. SIZE: 9-1/4″ x 12″. CONDITION: Some restoration, craquelure, good. 9-22744 (1,000-1,500)

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2214

UNSIGNED (European, 18th/19th Century) THE BABY JESUS. Unframed oval oil on canvas shows a child in make-do bed with man & woman looking over. They both wear crowns and hold their hands up, the man holding a stalk of long stem flowers. SIZE: 33-1/2″ x 24-1/2″. CONDITION: Fine craquelure, unrestored with some light scrapes and losses. 9-21878 (800-1,200)

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2215

UNSIGNED (European, 18th/19th Century) OLD MASTER. Oil on canvas Old Master landscape shows three figures on a rock sided path overlooking a distant lake with mountains & hills under blue & white cloud sky. SIZE: Sight: 13-1/2″ x 17″. CONDITION: Restored with inpainting, craquelure, relined, good. 9-22547 (800-1,200)

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2216

UNSIGNED (European, 18th/19th Century) OLD MASTER. Oil on canvas scene shows two men seated on rock outcropping being praised by three men with angel beside. Housed in a decorative gilt modern frame. SIZE: 15-3/4″ x 12″. CONDITION: Craquelure, restored with inpainting. Fair to good. 9-23170 (700-900)

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2217

UNSIGNED (Mexican, 18TH/19TH Century) OLD MASTER – SAINT WITH SKULL. Small oil on canvas mounted to cardboard scene shows a man with halo wearing a blue robe with two angels beside. His hand resting on a skull. SIZE: 6-1/4″ x 4-1/2″. CONDITION: Very good with very minor inpainting. 9-23367 (300-500)

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2218

UNSIGNED (European, 19th Century) DIVINE INTERVENTION. Watercolor on paper mounted on board scene shows a Saint putting a hold on a beheading which is in process. Three figures are kneeling & blindfolded while a swordsman wields a long sword. The background is a large castle with hills. Housed in a Victorian walnut frame. SIZE: 8″ x 10″. CONDITION: Restoration at center, otherwise very good. 9-22634 (2,200-2,800)

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2219

JOHN FLAXMAN (English, 1755-1826) ANGELS OF DEATH. Pen & ink drawing shows three angels blowing death down upon men & horses below. Unsigned front with a pencil identification on reverse. Hinge mounted with a hinge mounted matte having plastic window. SIZE: Actual: 6-1/2″ x 10-1/2″. Overall: 13-3/4″ x 17-3/4″. CONDITION: Very good. 9-22810 (3,000-5,000)

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2220

JOHANN BAADER (German, 1709-1779) CLASSICAL DRAWINGS. Four pieces of paper, three of which are double sided for a total of seven drawings. Each are done in pencil and show classical scenes involving people, horses, etc. Hinge mounted to a light board with four cut-out matte. SIZE: Each pieces: 5-3/4″ x 3-1/2″. Overall: 13-3/4″ x 17-3/4″. CONDITION: Foxing, good. 9-22809 (300-500)

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2221

EDWARD ALGERNON STUART DOUGLAS (BRITISH, 1850-Died Circa 1920) THE CHASE. Oil on canvas fox hunting scene shows three riders (two men & one woman) jumping a fenced hedgerow between two fields chasing a pack of dogs which has surrounded the fox. A colorful cloudy sky. Signed lower left “EAS Douglas”. Housed in a modern gilt frame with gilt liner. SIZE: 18″ x 24″. CONDITION: Relined, inpainting, very good. 9-23499 (4,000-6,000)

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2222

EDWARD ALGERNON STUART DOUGLAS (BRITISH, 1850-Died Circa 1920) AFTER THE HUNT. Oil on canvas fox hunting scene shows five riders on horses (four men & one woman) dressed in traditional hunting attire. One is leaving the group and tipping his hat. The group of hounds intermix amongst the horses & riders. The background is the setting sun sky. Signed lower right “EAS Douglas”. Housed in a modern gilt fancy frame with gilt liner. SIZE: 18″ x 24″. CONDITION: Relined with some inpainting, very good. 9-23500 (4,000-6,000)

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2223

HARRY HIME (British, 19th/20th Century) PORTRAIT OF TWO GREYHOUNDS. Oil on canvas scene shows two standing brown & white greyhounds facing left in profile view at the edge of a field looking out to farmland with farms under blue & white cloud sky. Signed lower left and dated “1912”. Housed in a modern gilt wood frame with gilt liner. SIZE: 23-1/2″ x 33-1/2″. CONDITION: 1-1/2″ tear in upper right sky, inpainting to top edge, otherwise very good. 9-23501 (1,500-2,500)

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2224

HARRY HIME (British, 19th/20th Century) PORTRAIT OF TWO BROWN GREYHOUNDS. Oil on canvas scene shows two brown greyhounds facing right in profile against a field of grass leading to panoramic vista under blue & white cloud sky. Signed lower left and dated “1912”. Housed in a decorative modern gilt wood frame with gilt liner. SIZE: 23-1/2″ x 33-1/2″. CONDITION: Some minor touch up, very good. 9-23502 (1,500-2,500)

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2225

FLORENCE JAY (British, Act. 1905-1920) PORTRAIT OF THE BEAGLE “TRUSTY”. Oil on canvas portrait shows the standing beagle facing right with tail up. The profile view with a shaded brown background. Signed lower left “Florence Jay 1914″. Housed in a replacement fancy frame with scroll decoration and inner gilt liner. SIZE: 18″ x 24”. CONDITION: Very minor touch up, very good. 9-23497 (1,000-2,000)

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2226

ALBERT LUDOVICI (British, 1820-1894) LONDON STREET URCHINS. Oil on board scene shows thirteen young children playing amongst storage kegs with a dog and two chickens. A man is seen with red cap and stick coming toward the kids through an opening in the wall. Signed with artist monogram and dated “1861” lower right. Housed in an antique gesso decorated frame. SIZE: 7-1/4″ x 14-3/4″. CONDITION: Very good, craquelure. 9-23047 (3,000-5,000)

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2227

CHARLES HUNT II (British, 1829-1900) “CHILDREN’S FROLICS, 1861”. Oil on canvas genre scene shows an interior room with seven boys in various activities. One boy dresses as a woman and as he puts on his flower decorated bonnet another boy laughs holding up a mirror. Another boy pretends to be the man of the family with cane, pipe, and bonnet. Two young boys eat jam from a jar and one boy drinks tea from the spout of the tea kettle. The room is filled with accessories including filled china cupboard, slant lid desk and tray with upset china. Signed lower right and dated “1861”. Housed in a fancy gold pierced period frame. SIZE: 28″ x 36-1/4″. CONDITION: Inpainting, heavy varnish layer. Very good. 9-23576 (4,000-6,000)

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2228

CHARLES DUKES (British, fl. 1829-1865) FLOWERS FOR MOTHER. Oil on canvas scene shows a woman with bare feet and young child in red wrap on shoulder walking a dirt path with older boy with walking stick behind. Her older daughter runs to catch up with hand full of flowers. All seen under a light blue and cloud sky. Unsigned front but having an original penned label to reverse with artist name. Housed in a regilt antique fancy frame with gilt liner having a modern metal artist plaque. SIZE: 19″ x 14″. CONDITION: Inpainting, old wax relining, very good. 9-22878 (1,000-1,500)

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2229

TRISTRAM HILLIER (British, 1905 – 1983) “PEAT CARRIERS, 1952”. Oil on wood panel scene shows a red sail sailboat sailing away from viewer leaving a dock area loaded with coal. Seaweed covered rocks in the foreground under light gray skies. Signed lower left. Titled and dated on reverse. Housed in a partial gilt wood frame with white gold liner. SIZE: 6-1/2″ x 9-3/4″. CONDITION: Very good. 9-22683 (6,000-8,000)

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2230

JACQUES FRANCOIS CARABAIN (Belgian, 1834-1933) MARKET BY THE CANAL. Outstanding oil on canvas view of a city scene with a cobblestone street having merchants with produce & flowers selling to various town folk. In the foreground is a man with basket walking towards viewer accompanied by his dog. The scene is set under a blue & white cloud sky. Signed lower right. Housed in a modern replacement decorative frame. Frame having a Newman Galleries Philadelphia label. SIZE: 20-3/4″ x 16-1/4″. PROVENANCE: From a fine Maine home. CONDITION: Relined, a small chipped area in sky, craquelure, inpainting. 9-23607 (18,000-24,000)

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2231

ALEXANDRE JOSEPH DAIWAILLE (Dutch, 1818-1888) AND EUGENE VERBOECKHOVEN (Belgian, 1799-1881) SUMMER AFTERNOON. Outstanding oil on canvas bucolic summer landscape having sheep and cows in a grassy pasture beside a cascading stream with high rock banks leading to the shepherd and his dog who rest on the grassy top under large trees. Several farmhouses are seen beyond the animals under trees and mountain. A blue & cloud sky casts shadows of light throughout the scene. Signed lower right by both artists. Housed in a fine gesso decorated gilt frame with gilt liner having metal artist plaque. SIZE: 21-1/2″ x 31″. CONDITION: Very good, relined with some inpainting. 9-21874 (5,000-8,000)

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2232

FRANCOIS VANDEVERDONCK (Belgian, 1848-after 1890) PRIDE OF THE FAMILY. Oil on wood panel scene shows a ram and ewe with their two young lambs. They stand & rest on short grass with flowers next to a small water area with two ducks and one chicken. In the distance is the town under a gathering cloud sky with areas of blue. Signed center bottom and dated “1874”. Also a painted white area on back of panel signed by the artist with a foreign title and inscription. Housed in a gilt period frame with gilt liner. SIZE: 18-1/4″ x 26-3/4″. CONDITION: Some inpainting, very good. 9-22564 (5,000-7,000)

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2233

EUGENE JOSEPH VERBOEKHOVEN (Belgian, 1798-1881) AFTERNOON REST. Oil on canvas bucolic scene shows two cows and a sheep resting beside a large tree with the herd beyond being tended by a shepherd. A castle is seen before large mountains under blue and white cloud sky. Signed lower left. Housed in an antique gesso decorated frame. SIZE: 20″ x 24″. CONDITION: Relined with some inpainting, pencil point chip in tree, otherwise very good. 9-23032 (3,000-5,000)

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2234

ALBERTUS VERHOESEN (Netherlands, 1806-1881) TWO WORKS: POULTRY IN LANDSCAPES. Oil on wood panels identically housed in wonderful deep gesso decorated gilt frames with gilt liners. One showing a rooster and hen with chicks nesting in a woven basket with straw in landscape. Signed bottom left and dated “1873”. The second showing chickens and a peacock next to a brick wall in landscape. Signed lower left and dated “1875”. SIZE: 5-1/4″ x 7″. CONDITION: Very good. 9-22737 (10,000-15,000)

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2235

CORNELIS VAN LEEMPUTTEN (Netherlands/Belgian, 1841 – 1902) KEEPING THE CALM. Outstanding oil on canvas barn animal scene shows four sheep and four chickens outside a fenced area being tended to by a black sheep dog. A panoramic landscape under an expanse of blue and cloud sky. Signed lower right and housed in its original magnificent deep wide gesso decorated gilt frame with multiple gilt liners. SIZE: 18-1/2″ x 30″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Craquelure, very good. 9-22403 (2,000-4,000)

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2236

SIGNED (European, First quarter of the 20th Century) TWO WORKS: BARNYARD CHICKENS. Oil on canvas scenes showing a rooster guarding a bowl of feed while three hens are beside. Signed lower left which appears to be “G Schwartz”. Housed in identical partial gilt wood frames. SIZE: 15-3/4″ x 23-3/4″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good. 9-22263 (1,500-2,500)

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2237

SIGNED (European, 19th Century) THE SENTRY. Unframed oil on wood panel scene shows a ram with two lambs below. He looks out over a coastal area with a herd of sheep and sailboats on calm water. Seagulls fly overhead in a blue & white cloud sky. Signed lower left indistinctly. SIZE: 14″ x 10″. CONDITION: Some chipping at previous frame edges, a few elsewhere, otherwise very good. 9-21877 (1,000-2,000)

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2238

JEAN MAURICE THIBON (French, 19th Century) A FAMILY OF CHICKENS. Oil on canvas scene shows eighteen colorful chickens in an interior barn setting with dirt and straw floor. In the foreground is a feeding dish with five chicks and hen. Light cascades through an unseen window on the left, partially lighting the scene. Signed lower right “J Thibon”. Housed in a modern gilt frame with linen liner. SIZE: 17″ x 21″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Five small patches to reverse, 1-1/2″ open crease on left margin, craquelure. Minor touch up, otherwise very good. 9-22408 (1,000-1,500)

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2239

MATILDA BERNARD (European, 19th Century) THE FRIGHTENED FLOCK. Oil on canvas winter scene shows a huddled flock of sheep amidst a snowstorm. Two sheep dogs look on equally frightened and a woman is seen holding a cross in the background. Signed lower right. Housed in its original gesso decorated wide frame with losses. SIZE: 26″ x 40″. CONDITION: Craquelure, surface dirt and yellowed varnish. Otherwise good. 9-21845 (500-1,000)

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2240

FELIX JANSE (French, 19th/20th Century) INSIDE THE STABLES. Oil on canvas scene shows a large brown horse standing at a feed trough in a cobblestone floor stable. Various horse accoutrements hang on the wall. Signed lower right “Fx Janse 1883″. Housed in a decorated frame with liner. SIZE: 21″ x 24-1/2”. CONDITION: Some minor imperfections, mostly along stretcher edge. Good. 9-22760 (1,500-2,500)

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2241

GONZALO ARIZA (American/Colombian, 1912-) FOG OVER THE PLAINS. Fine watercolor panoramic landscape shows a distant mountain range with wide expanse of leveled plain having areas of border trees showing mist rising in the morning sun. Wonderful cloud and blue sky with hints of the northern sun. Signed lower right. Housed in a silver gilt wood frame with double green mattes. The frame having a Newman Galleries, Philadelphia label. SIZE: Sight: 17″ x 22-3/4″. PROVENANCE: From a fine Maine home. CONDITION: Very good. 9-23606 (6,000-9,000)

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2242

THANOS TSINGOS (Greek,1914-1965) POPPIES. Oil on canvas scene shows black, white, & red poppies against a shaded black to white background. Signed lower right. On back of stretcher “Gren”. Housed in a modern red flat frame. The artist has used thick impasto to give a 3-dimensional look. SIZE: 10-3/4″ x 16″. CONDITION: Some surface dirt, otherwise very good. 9-22735 (12,000-16,000)

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2243

ELIASZ KANAREK (POLISH, 1901-1969) HARLEQUIN WITH LUTE. Enamel on masonite colorful scene shows a dancing man dressed in a harlequin outfit holding a lute-like musical instrument against an orange backdrop. Signed lower right. Housed in a wood partial gilt frame with linen liner. SIZE: 23″ x 11-1/4″. CONDITION: Very good. 9-22686 (2,500-3,500)

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2244

ELIASZ KANAREK (POLISH, 1901-1969) STILL LIFE OF FLOWERS. Enamel on masonite still life scene shows flowers with tall stems and green leaves in a yellow pitcher. One has wilted and lies on the table beside. Signed lower right. Housed in a gilt & painted wood frame. SIZE: 17-3/4″ x 14″. CONDITION: Very good. 9-22687 (2,000-3,000)

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2245

JULIAN CEGLINSKI (Polish, 1827-1910) THE CITY SQUARE MARKET. Outstanding watercolor shows a large open cobblestone square having many produce merchants and customers. The backdrop is a series of four-story row-buildings. Signed lower right “J. Ceglinski 1903″. Housed in a fine gilt wood modern frame with glass & matte by Guido Frame Studio. SIZE: Sight: 8-1/2″ x 10”. CONDITION: Very good. 9-22757 (1,750-2,250)

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2246

STEFAN MACIEJ MAKAREWICZ (POLISH, 1912) ON THE WAY TO CHURCH. Oil on wood panel fall scene shows seven figures and a dog proceeding to a church nestled amongst trees past a golden wheat field which is ready for harvest. All under blue & white cloud sky. Signed lower left. The back having artist name & address. Housed in a painted wood frame. SIZE: 11″ x 16-1/2″. CONDITION: Some chipping in fence & sky, otherwise good. 9-22524 (300-500)

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2247

CURT AGTHE (German, 1862-1943) THE ROAD TO ROME. Oil on canvas landscape scene shows a dirt road with trees on one side and stucco buildings on the right. All under a deep, blue sky. Signed lower left and dated “1913”. Also inscribed on back of canvas and signed. Housed in a gilt antique carved frame. SIZE: 22″ x 28-3/4″. CONDITION: Relined, some inpainting, very good. 9-22244 (3,000-4,000)

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2248

FRITZ SONDERLAND (German, 1836-1896) A BIT OF MISCHIEF. Oil on canvas interior scene shows a young girl hiding behind a wall with spoon to her lips. She wears a fancy red dress and looks to her side hiding from her mother who is seated at a fancy set table but glancing out toward her daughter. Wonderful room accessories including a double candle sconce, fancy carved chair and wine cooler. Signed lower right. Housed in a modern fancy French style frame. SIZE: 26-1/4″ x 17-3/4″. CONDITION: Craquelure, relined with some restoration. Very good. 9-23578 (4,000-6,000)

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2249

JULIUS NOERR (German, 1827-1897) THE SUCCESSFUL HUNT. Oil on mahogany panel winter hunting scene shows men on and off horseback outside a tavern with a sled with recently shot stag. The hounds gather at the feet of a man with large brass horn and whip accepting a glass from the taverns barmaid. Kids look on at the fallen majestic animal. Chickens are seen in the foreground and a city is seen beyond the leafless trees. Housed in its original gilt gesso decorated frame. Signed lower left. The mahogany panel with a stamp “ADRIAN BRAGGER MUNCHEN”. Accompanying the painting is a copy of the original receipt dated November 17, 1885 from Emanuel van Gelder. SIZE: 13-1/4″ x 22″. PROVENANCE: By descent from E.R. Squibb, founder of E. R. Squibb & Sons. CONDITION: Very good, surface dirt. 9-22295 (2,000-3,000)

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2250

SIGNED (American/French, 19th Century) AFTER THE HUNT. Oil on canvas hunting scene shows a blue jacketed hunter dressing a recently shot deer with his two hunting dogs beside. He has hung his hunting pouch on a nearby branch and there is a small clearing with thick woods. Signed lower left indistinctly, possibly Wyant or Wyeth. Housed in an antique gesso decorated gilt frame with gilt liner. SIZE: 18-1/2″ x 21-3/4″. CONDITION: Relined with some minor inpainting. 9-22876 (1,000-1,500)

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2251

AUG MULLER (German, 19th Century) THE BARNYARD FIND. Oil on canvas scene shows three different colored kittens coming upon two recently hatched chicks at the edge of a straw lined floor. Signed upper right “Aug. Muller Munchen 1900″. Housed in a good carved wood frame having a Foster Bros. Boston label. SIZE: 16″ x 20”. CONDITION: Wax relining, one small repaired hole, craquelure, very good. 9-23070 (2,000-3,000)

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2252

PHILIP KLIER (German, 1820-1885) SIX WORKS: BUTTERFLY PLATES. Each unframed watercolor & pen on paper mounted to light cardboard. They depict different butterflies with some labeling. Meticulously rendered in different views. Accompanying the lot is a typed letter from Elizabeth Klier with the history of Philip and his talent for drawing butterflies. Also there is a translated letter dated “1876” from Count Gustave of Enzenberg regarding his review of all of the butterfly watercolors that he was given. He took it upon himself to mount the paper on light cardboard and then bind them in two volumes. He returned them to Philip and wanted nothing in return. SIZE: 8-1/4″ x 6-1/4″. CONDITION: Some toning and light foxing, otherwise very good. 9-22538 (1,500-2,000)

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2253
Revised: 8/22/2011

Additional Information: Painting is as cataloged, however, we overlooked mentioning that it is relined.

THEODORE WORES (American, 1859-1939) THE BUTTERFLY KIMONO. Large oil on canvas portrait of a woman wearing a light color kimono decorated with colorful butterflies and having a deep blue central sash. She looks towards and places her hand on an apple blossom branch and at her feet is a teapot with cup and saucer. She holds an open fan down by her side. All set against a sea mist color background. Signed upper right. Housed in an outstanding replacement gilt carved wood frame with gilt carved liner. SIZE: 58″ x 26″. CONDITION: Very good with inpainting. 9-22230 (15,000-20,000)

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2254

FRANCIS PATRICK MARTIN (British, 1883-1966) NATURE’S SIRENS. Large oil on canvas colorful scene shows three young women near lake under large tree. Two are standing clothed in red & lime colored robes, another is half clad seated below the tree. Signed lower right. Housed in a magnificent gesso decorated gilt frame. Born in Anstruther, Scotland, trained at and later president of Glasgow School of Art Works of the artist are in the permanent exhibit at the Glasgow Museum. SIZE: 50-1/4″ x 40-1/4″. CONDITION: Very good. 9-22570 (10,000-20,000)

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2255

ROBERT BRACKMAN (American, 1898-1980) “EARLY CHORES”. Large oil on canvas interior scene shows a half dressed woman applying makeup in front of an oval wall mirror. In the foreground is a bunch of flowers, a white ironstone pitcher and a flower decorated yellow hat. Signed lower right. Also titled and signed on reverse. Housed in a fine gilt wood frame by Guido Frames of Boston. SIZE: 36″ x 28″. CONDITION: Some minor touch up, very good. 9-22662 (10,000-15,000)

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2256

JULIAN SCOTT (American, 1846-1901) THE SCARLET LETTER. Oil on canvas landscape scene shows a woman and child picking flowers next to a path with oncoming man having a walking stick and sword. The woman’s dress having below her collar a large red “A”. An early evening scene with colorful banded sunset. Signed lower left and dated “1884”. Housed in what appears to be its original gilt gesso decorated frame with gilt liner. SIZE: 12″ x 22″. CONDITION: One small patch to reverse with minor inpainting. Otherwise very good. 9-22471 (8,000-12,000)

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2257

FREDERICK JAMES BOSTON (American, 1855-1932) THE READING LESSON. Oil on canvas interior scene shows two young girls reading from an open book. The younger girl in a golden flower decorated dress sits next to an older girl in deep blue dress who holds the book open on her lap. They sit on stools on an Oriental carpet and a green upholstered Empire sofa is in the background. Signed lower right. Housed in a fine carved gilt wood frame with gilt liner by Guido Frame Studio. SIZE: 22″ x 18″. CONDITION: Craquelure, some inpainting, restored. Very good. 9-22736 (6,500-8,500)

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2258

M. WALTER (American, Mid 20th Century) THE POND MODEL. Wonderful oil on board scene shows a young boy seated on the edge of water on a grassy area with rocks. He gazes down at his toy sailboat which is sailing away. Signed lower left “M? Walter 52″, possibly the work of Martha Walter. Housed in a decorative gold frame. SIZE: Sight: 12-1/4″ x 9-1/2”. CONDITION: Very good. 9-23065 (3,000-5,000)

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2259

DORTHEA SHARP (European, 1874-1955) FUN AT THE BEACH. Unsigned oil on wood panel French beach scene shows a mother & father with two children near a cabana on a sandy beach. Other cabanas and small boat are beyond. Housed in a gilt wood frame from the Guido Frame Studio. SIZE: 12″ x 16″. PROVENANCE: A copy of a letter to authenticate the provenance and line of descent is included with this lot. CONDITION: Very good. 9-22730 (5,000-7,000)

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2260

ATTRIBUTED TO EDWARD HENRY POTTHAST (American, 1857-1927) BEACH FROLICS. Oil on canvasboard scene shows several women with small children playing in beach side surf. Their reflections are seen in the shallow water, all under a blue sky. Housed in a gold gesso decorated frame. SIZE: 12″ x 16″. CONDITION: Very good. 9-22999 (3,000-5,000)

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2261

MARTHA FARHAM CAHOON (American, 1905-1999) UNDER THE SEA. Oil on wood chest top shows a green ocean with shell and seaweed sea floor supporting several fish including two big tuna. Two of the fish are blowing bubbles. Signed lower right. SIZE: 18″ x 30-3/4″. CONDITION: Very good. 9-23094 (3,000-5,000)

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2262

LYONEL FEININGER (American, 1871-1956) “WINDSPIEL”. Rare lithograph on fibrous Japan paper scene shows the old locomotive & tender traveling left to right spewing forth heavy black smoke. “Windspiel” is on the central part of the locomotive. Signed in the plate “Feininger 1906”. Unsigned but on the back bottom “Locomotive”. Housed in a modern decorative frame with triple matte. SIZE: Total: 9-1/4″ x 15-1/4″. Image: 6″ x 12-1/2″. PROVENANCE: From a fine Maine home. CONDITION: Examined out of frame. The piece is loose in corner mounts. There is a faint outline on the margin from a previous framing, a few light foxing lines to the fiber, and 1″ area of fiber at bottom of image which has brown tone. 9-22294 (15,000-25,000)

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2263

ATTRIBUTED TO JOHN SINGER SARGENT (American, 1856-1925) CHURCH BEYOND THE TREES. Unsigned watercolor study of a landscape looking across towards a multi-steeple church with foreground trees. All under a light yellow and blue sky. Housed in a modern gilt wood frame with linen matte having a gold edge behind glass. The back having a Coe Kerr Gallery, NY label. This watercolor was in the process of being researched at the time of Mr. Woolworth’s death. SIZE: Sight: 13-3/4″ x 9-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Examined out of frame. Hinge mounted, very good. 9-23491 (4,000-6,000)

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2264

ATTRIBUTED TO JOHN SINGER SARGENT (American, 1856-1925) VILLA COURTYARD. Unsigned watercolor scene shows the interior courtyard with a well and columned portico are having windows. Housed in a modern gilt wood frame with linen matte having a gold edge, behind glass. The back having a Coe Kerr Gallery, NY label identifying the artist at John S. Sargent. This watercolor was in the process of being researched at the time of Mr. Woolworth’s death. SIZE: Sight: 9-1/2″ x 13-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store).. CONDITION: Examined out of frame, hinge mounted. Very good. 9-23490 (4,000-6,000)

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2265

ATTRIBUTED TO JOHN SINGER SARGENT (American, 1856-1925) FIGURES OUTSIDE THE CHURCH. Unsigned watercolor on board scene shows a number of people outside a building with arched doorways and tall windows. A large tree obscures a view of the water and another building. Housed in a modern gilt wood frame with linen matte having a gold edge behind glass. The back having a Coe Kerr Gallery, NY label. This watercolor was in the process of being researched at the time of Mr. Woolworth’s death. SIZE: 10-1/2″ x 14-1/2″. Sight: 9-3/4″ x 13-3/4″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Examined out of frame. Very good. 9-23492 (5,000-10,000)

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2266

ATTRIBUTED TO JOHN SINGER SARGENT (American, 1856-1925) THE GIRL IN PINK. Unsigned watercolor shows a girl in a pink dress sitting on the edge of a beach with two other figures and two chickens. Housed in a modern gilt wood frame with linen matte having a gold edge, behind glass. A Coe Kerr Gallery, NY label on reverse. This watercolor was in the process of being researched at the time of Mr. Woolworth’s death. SIZE: Sight: 9-3/4″ x 17-1/4″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Examined out of frame. Hinge mounted, generally good. 9-23493 (4,000-6,000)

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2267

IN THE MANNER OF JOHN SINGER SARGENT (American, 1856-1925) GREEK RUINS. Oil on canvasboard scene shows a sketch of a hilltop with Roman ruins with trees in foreground. Signed lower right “John S Sargent”. Housed in a decorative wood frame. SIZE: 14″ x 18″. CONDITION: Very good. 9-23099 (200-400)

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2268

JOHN LAFARGE (American, 1835-1910) IMPRESSIONISTIC LANDSCAPE. Oil on wood panel landscape scene shows woods at the edge of a meadow which is reflected on the water foreground. All under a blue sky with yellow & pink tints around the clouds. Signed lower left “JLF”. Housed in a gilt oak frame with gilt liner. SIZE: 11-1/4″ x 10-1/2″. CONDITION: Some minor touch up, surface dirt, very good. 9-22632 (9,000-12,000)

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2269

WILLIAM MORRIS HUNT (American, 1824-1879) TALL POPLARS. Oil on canvas evening scene shows a setting sun behind tall poplar trees and rock outcropping. Wonderful sky from deep green to peach. Signed with initials lower left “WMH”. Housed in its original gesso decorated frame with gilt liner. SIZE: 17″ x 7-3/4″. CONDITION: Restored, craquelure, very good. 9-22703 (2,500-3,500)

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2270

ERNEST LAWSON (1873-1939) CONNECTICUT COUNTRYSIDE. Outstanding oil on canvas summer scene shows a foreground hillside with fence and rock ledge looking over to buildings surrounded by trees and grass covered hills. Beyond are lavender low mountains under blue & white cloud sky. Signed lower left “E Lawson”. Housed in a fancy French style frame with linen and gold liner. The frame having a gilt wood title and artist plaque. Attached to reverse is an Adams Davidson Galleries Washington, DC Exhibition tag. SIZE: 14″ x 18″. PROVENANCE: From a fine Maine home. CONDITION: Very good, with craquelure. 9-22345 (25,000-35,000)

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2271

ERIC SLOANE (American, 1905-1985) THE BARN ENTRANCE. Oil on masonite scene shows an open barn door leading to a perpendicular stairway with shadows being cast by the small entrance way roof. The door is a bluish/green and the barn has a stone facade. Signed lower right “Eric Sloane N.A.”. Housed in a wonderful weathered carved wood frame. SIZE: 23-1/2″ x 29-1/2″. PROVENANCE: From a fine Texas Estate. CONDITION: Very good. 9-22957 (8,000-12,000)

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2272

ARTHUR CLIFTON GOODWIN (American, 1864-1929) SWAN BOATS, BOSTON COMMON. Outstanding oil on canvas scene shows a family at edge of water looking over toward the swan boat which gives tours of Boston Common through the waterway. Buildings can be seen beyond the trees. Signed lower right “A C Goodwin”. Housed in a fine carved & gilt wide frame with gilt & carved liner. SIZE: 32″ x 38″. CONDITION: Some inpainting, very good. 9-22522 (7,000-10,000)

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2274

ANDREW A. MELROSE (American, 1836-1901) UNDER THE ELMS. Oil on board nice New England town view shows a couple walking under two tall trees with foreground connected house with woman at gate. The house has overgrown branches & vines covering its fence and siding. A steeple can be seen beyond the trees under blue and white cloud sky. Signed lower left “A Melrose”. Housed in a good modern gilt frame with wide gilt liner. SIZE: 13-1/2″ x 11-1/2″. CONDITION: Very good, some touch up. 9-21508 (3,000-5,000)

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2275

ATTRIBUTED TO BENJAMIN CHAMPNEY (American, 1817-1907) PICNIC BELOW MT. WASHINGTON. Unsigned oil on canvas White Mountain scene shows the majestic Mt. Washington in the center with the foothills and valley below. In the foreground is a woman & man seated and standing next to a large rock enjoying the scenery. All under a blue & white cloud sky. Housed in its original, period, gesso decorated frame. Attached to the back is a conservators report of Nancy Lee Snow, Falmouth, Maine. SIZE: 12-1/4″ x 20-1/4″, PROVENANCE: From a fine Maine home. CONDITION: Craquelure, otherwise very good. 9-22131 (2,000-3,000)

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2276

ATTRIBUTED TO BENJAMIN CHAMPNEY (American, 1817-1907) SNOW COVERED PRESIDENTIAL RANGE. Oil on canvas White Mountain scene shows three cows by river with grass and tree covered banks leading to tall mountains with snow covered peaks. Unsigned. Housed in a modern gilt frame. SIZE: 11-1/2″ x 20-1/2″. CONDITION: 1″ tear in sky, surface dirt, one small patch with corresponding damage in water. 9-21802 (1,000-1,500)

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2277

GEORGE HERBERT MCCORD (American, 1848-1909) SKATING AT SUNSET. Fine oil on canvas winter scene shows three youngsters on frozen water near a village dotted with houses & church steeple. One child holds a stick, the other a sled. A wonderful, bright sunset sky from light blue to yellow gold over distant mountains. Signed lower right and dated “87”. Housed in a magnificent gilt gesso decorated frame with multi-gilt liners. SIZE: 12″ x 20″. CONDITION: Relined, minor painting. Very good. 9-23589 (6,000-8,000)

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2278

JOHN JOSEPH ENNEKING (American, 1841-1916) WINTER SUNSET. Oil on academy board landscape scene shows an ice & snow bordered water with open water reflecting the background colorful sunset which is seen over a small hillside with trees and snow. Signed lower right “Enneking”. Housed in a fancy gilt gesso decorated frame with gilt liner having a Foster Bros., Boston framing label. SIZE: 10″ x 14″. CONDITION: Roughness along top frame edge, some inpainting, very good. 9-22220 (4,000-6,000)

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2279

ROBERT WILLIAM WOOD (American, 1889-1979) “SUNSET”. Large oil on canvas landscape scene shows a colorful sunset between two stands of white birch trees with grass lined stream and hills beyond. Wonderful sky shading from light blue to pink. Signed lower left. Housed in a magnificent gesso decorated gilt frame. Titled on reverse of stretcher. SIZE: 28″ x 36″. PROVENANCE: From a fine Texas Estate. CONDITION: Craquelure, otherwise very good. 9-22956 (4,000-8,000)

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2280

HARRINGTON FITZGERALD (American, 1847-1930) WINTER SUNSET. Oil on mahogany panel winter scene shows a bright colorful sunset from blue to salmon colors. In the foreground, two men work on a boat with nearby snow covered ground. A large windmill is at point of land with houses beyond. Signed lower right. Housed in a gold & white painted antique frame. SIZE: 19-3/4″ x 30″. CONDITION: Some inpainting, very good. 9-22641 (2,000-3,000)

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2281

DUBOIS FENELON HASBROUCK (American, 1860-1934) RETURNING AT SUNSET. Oil on board winter scene shows a figure walking along a snow covered path lined with fence toward a saltbox Colonial home with barn. A colorful sunset is the backdrop with pink, light clouds under a light blue sky. The sun has just set casting shades of yellow, peach, and orange. Signed lower right and dated “89”. Housed in a fine period gesso decorated frame. SIZE: 9-1/2″ x 12″. CONDITION: Very good 9-23588 (1,500-2,500)

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2282

CHRISTOPHER HIGH SHEARER (American, 1846-1926) DISTANT CHURCH UNDER SUNSET. Unsigned oil on canvas mounted to board shows a colorful sky with pink clouds and bright sunlight. Framed with trees centering on a distant church steeple. Housed in its original gilt gesso decorated frame having an artist plaque “C.H. Shearer”. SIZE: 10″ x 8″. CONDITION: Very good with very minor touch up. 9-22986 (800-1,200)

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2283

DANIEL F. WENTWORTH (American, 1850-1934) WINTER SUNSET. Oil on canvasboard scene shows a winding small stream through snow covered field with scattered trees. A bright sunset in oranges and yellows is the backdrop. Signed lower left. Housed in a lemon gold frame with linen & gilt liner. SIZE: 6″ x 8″. CONDITION: Very good. 9-22674 (600-800)

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2284

ARTHUR PARTON (American, 1842-1914) OLD FARM HOUSE IN THE CATSKILLS. Large oil on canvas scene shows a 2-1/2 story Colonial home with rock wall, dirt driveway and large trees. There are clothes out on the line and window & door open airing out the house for spring cleaning. Signed lower left. Housed in its original magnificent gesso decorated gilt frame with wide gilt liners. NOTE: Possibly exhibited in 1881 at the National Academy of Design as No. 439. SIZE: 22″ x 30″. CONDITION: Relined, some inpainting. Very good. 9-22886 (5,000-7,000)

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2285

WILLIAM MATTHEW HART (Irish/American, 1830-1908) THE OLD HOMESTEAD. Outstanding oil on canvas scene shows an old farmhouse covered with vines nestled under large oak & maple trees. The fall colors are approaching with a tree on the left side turning red. Five figures can be seen on the plush lawn and a barn hides under the tall trees. A blue & cloud sky finishes the canvas. Signed lower right. Housed in a gesso decorated gilt period frame. SIZE: 15-1/2″ X 13″. CONDITION: Some inpainting, very good. 9-22700 (4,000-6,000)

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2286

ATTRIBUTED TO LEVI WELLS PRENTICE (American, 1851-1935) ADIRONDACKS IN AUTUMN. Large unsigned oil on canvas autumn scene shows a small pond surrounded by mountains and colorful trees. The foreground with grass & rock covered area with fallen limbs and small water pools. Housed in a fine gesso decorated gold frame with gold liner. SIZE: 19-3/4″ x 36″. CONDITION: Very good with light craquelure. 9-22988 (6,000-8,000)

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2287

WILLIAM LANGSON LATHROP (American, 1859-1938) RETURNING TO THE FARM. Oil on canvas mounted to masonite summer scene shows a man returning home to his connected farmhouse which is nestled amongst the tall trees and field. Signed lower left “W L Lathrop”. Housed in a gilt molded wood frame. SIZE: 16″ x 20″. CONDITION: Very good, some light surface dirt. 9-23104 (4,000-6,000)

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2289

GRANT WOOD (American, 1891-1942) WILLIAM BREEDING FAMILY FARM. Oil on canvas scene shows an older man with walking stick and dog standing outside their connected white farmhouse with large tree under colorful sky with white clouds. On the back is a typed label “Grant Wood Painting of William Breeding, Anamosa, Iowa, About 1910 When Wood was about 18-20 years old”. Housed in its original gilt gesso decorated frame. SIZE: 12″ x 15″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good. 9-22272 (3,000-5,000)

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2290

FRANK A. BARNEY (American, 1862-1954) SUMMER ON THE FINGER LAKES. Oil on canvas late summer scene shows colorful trees leading down to a large lake with two sailboats under blue & white cloud sky. Signed lower right. Housed in its original gilt molded wood frame. SIZE: 18″ x 24″. CONDITION: Very good. 9-22868 (800-1,200)

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2291

FRANK A. BARNEY (American, 1862-1954) FOUR MINIATURE LANDSCAPES. Outstanding set of four oil on board paintings identically housed in gilt wood frames. Locations of the paintings are as follows: Near Indian Lake; Owasco Lake South of Wyckoff; Owasco Lake Letchworth Looking Up Towards Cascade; and Owasco Lake From Above Wyckoff. Each showing a colorful view of hills, water, trees, and fields. All signed. SIZE: Sight: 3″ x 4″. CONDITION: Very good. 9-22867 (1,500-2,500)

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2293

WILLIAM MERRITT CHASE (American, 1849-1916) GARDEN PARK. Oil on canvas mounted to board spring scene shows a lovely garden centering around a large garden pool with center figural fountain. Well arranged flower beds with shrubs and flower borders. Signed lower left “Wm M. Chase”. Housed in a small gilt frame. SIZE: 7″ x 9-1/2″. CONDITION: Very good. 9-23602 (1,000-2,000)

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2294

CIRCLE OF GEORGE INNESS (American, 1825-1894) NEW ENGLAND SUMMER LANDSCAPE. The oil on canvas panoramic scene shows a foreground path leading down a hill through trees towards a large farm with pond and green fields. The farm includes a connected white farmhouse and red barn and there appears to be a gray mill at the end of the pond. The scene is shown under white/gray clouds and blue sky. Signed “G. Inness” bottom right, signature is not guaranteed to be authentic. House in its original Eastlake ebonized and gilt frame. A nice period 19th Century landscape. SIZE: 17-1/2″ x 25-3/4″. CONDITION: Very good. 9-21824 (3,000-5,000)

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2295

EMILE BOULARD (French, 1861-1943) COWS IN A SUMMER LANDSCAPE. Oil on board landscape scene shows a few cows and two geese in a green pasture lined with trees. Signed lower left. Appears to have pencil title on reverse which is difficult to read. Housed in a simple gilt wood frame. SIZE: 4-3/4″ x 7-1/4″. CONDITION: Surface dirt, otherwise very good. 9-23601 (800-1,200)

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2296

JOSEPH JEFFERSON IV (American, 1829-1905) THE WOODLAND CASCADING BROOK. Large oil on canvas scene shows a small brook cascading over rocks through trees with hill in background. All under blue & white cloud sky. Signed lower right “J Jefferson 94”. Housed in a period stained molded wood frame. Partial title on label on reverse “Mountain Ravine Rips Ravine” (in reference to Rip Van Winkle – A part that Jefferson played for many years in his acting profession). SIZE: 35″ x 27″. CONDITION: Relined, inpainting, very good. 9-22416 (2,000-3,000)

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2297

HOMER DODGE MARTIN (American, 1836-1897) LIGHT IN THE FOREST. Oil on canvas woodlands scene shows a clearing leading to dense woods with a bright center sunlit area. Signed bottom right “H D Martin 91″. Housed in a decorative wood frame with linen and wood liner. SIZE: 8″ x 10”. PROVENANCE: Purchased from Schuster Gallery; From a fine Maine home. CONDITION: Very good, some touch up to edges. 9-22346 (1,500-2,500)

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2298

JOHN JOSEPH ENNEKING (American, 1841-1916) HOMESTEAD BY THE MOUNTAIN LAKE. Unsigned oil on canvas landscape scene shows tall mountains surrounding a quiet lake with foreground houses and figure in grass & rock pasture. Housed in its original gilt gesso decorated frame with gilt liner having an old gilt wood artist plaque. SIZE: 8-3/4″ x 13-3/4″. CONDITION: Very good, small area of inpainting lower left. 9-22546 (2,000-3,000)

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2299

JOHN JOSEPH ENNEKING (1841-1916) THE BURDOCK PLANT. Unsigned oil on academy board shows a foreground large leaf plant in a garden setting with house under trees in background with blue & white cloud sky. Housed in a gilt modern frame with gilt liner. SIZE: 9-1/2″ x 6-3/4″. CONDITION: Very minor spot touch up, very good. 9-22701 (2,000-3,000)

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2300

EDWARD PERCY MORAN (American, 1862-1935) SUMMER STREAM. Oil on canvas landscape shows a summer scene with trees flanking a small brook through grass fields with colorful wild flowers. All set under a gray & white cloud sky with glimpses of blue. Signed lower left and housed in a period gesso decorated gilt frame. SIZE: 10″ x 8″. CONDITION: Very good. 9-22417 (3,000-5,000)

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2301

ROBERT MELVIN DECKER (American, 1847-1921) HILLSIDE ORCHARD. Oil on board spring scene shows apple trees blossoming on a grass covered hillside with foreground stone wall and gate. A large oak tree frames the scene with distant hill under a blue and white cloud sky. Signed bottom left. Housed in its original gesso decorated gilt frame with glass. SIZE: Sight: 21-1/2″ x 8-1/2″. CONDITION: Very good, two paint chips at edge of bottom frame. 9-21875 (2,000-4,000)

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2302

EDWARD LOYAL FIELD (American, 1856-1914) CABIN BY THE LAKE. Outstanding large oil on canvas landscape scene shows a path with swing gate open, leading beside a rustic house nestled under large trees with a glimpse of a lake beyond. There are colorful flowers in the grass beside the path and the sky is blue with billowing clouds. Signed lower left. Housed in its original magnificent gesso decorated wide frame with multiple gilt liners. The nicest example of this artist’s work that we have sold or seen. SIZE: 30″ x 25″. PROVENANCE: From a Connecticut Collection. CONDITION: Craquelure, very good with minor inpainting. 9-22271 (2,000-4,000)

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2303

EDWARD LOYAL FIELD (American, 1856-1914) COUNTRYSIDE HOMESTEAD. Fine oil on canvas landscape scene shows a farmhouse with barns & rock wall nestled amongst a few trees having a road leading by through a wood gate. Dark clouds have passed the area and blue sky is seen on the left. Signed lower left “E Loyal Field”. Housed in its original gesso decorated frame which has been painted which has some losses. SIZE: 20″ x 30″. CONDITION: Very good. 9-22983 (2,000-3,000)

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2304

HENRY BOESE (American, 1824-1863) CROSSING THE STREAM. Oil on canvas scene shows four cows crossing a low stream with grass and sand banks topped with trees. Mountains are seen in the distance under dark & light cloud sky. Signed bottom right “H Boese”. Housed in a modern gilt molded wood frame. SIZE: 22″ x 36″. CONDITION: Inpainting, one patch on reverse, very good. 9-22887 (4,000-6,000)

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2305

THOMAS BIGELOW CRAIG (American, 1849-1924) “MID SUMMER”. Oil on canvas scene shows two cows standing in shallow water, one drinking. The stream runs through a wooded area with colorful sky above. Signed lower left. Titled & signed on reverse. Housed in a period gold painted frame with gold liner. SIZE: 20″ x 16″. CONDITION: Very good. 9-22758 (3,000-5,000)

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2306

A. H. WYANT? (Late 19th Century) PANORAMIC VALLEY LANDSCAPE. Large oil on canvas scene shows a shepherd with flock of sheep near a winding path leading down to the valley floor with winding river and mountains as backdrop. Colorful sky and mist rising off in the distant valley. Signed lower left with initials A H or W S Wyant and dated 18_5. Housed in a fine, modern gilt replacement frame. SIZE: 30″ x 42″. CONDITION: Craquelure, inpainting, wax relining, very good. 9-21880 (2,000-4,000)

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2307

ARTHUR PARTON (American, 1842-1914) AFTERNOON LIGHT. Oil on canvas pastoral scene shows sheep grazing in a sunlit meadow area near cooling water and trees. Signed lower right. Housed in a period and possibly original gilt wood frame with carved bead gilt liner. SIZE: 14″ x 22″. CONDITION: Relined with some inpainting, very good. 9-22875 (1,500-2,000)

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2308

PORFIRIO SALINAS (American, 1910-1973) “BLUE BONNETS-LA FLOR DE TEXAS”. Fine small oil on canvas Texas landscape showing a foreground field with blue & white flowers and orange blossoming cactus. The view looks over the field to low hills and trees under a light blue sky with white clouds. Inscribed bottom left “Para Raphael Porfirio Salinas”. Also titled on reverse of stretcher. Housed in its original gilt carved wood frame with linen liner. SIZE: 9″ x 12″. CONDITION: Very good. 9-22421 (6,000-9,000)

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2309

JOHN (JACK) FROST (American, 1890-1937) MID-DAY MOON. Fine oil on canvas summer scene shows a valley with trees & fields under blue & cloud sky with a large full moon present. Mountains recede into the horizon and a dirt path runs through pasture with cows and buildings. Signed lower right. Housed in a fine period gesso decorated frame. SIZE: 15″ x 20″. CONDITION: Relined, some inpainting. Very good. 9-23584 (20,000-30,000)

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2310

JOSEPH MORRIS RAPHAEL (American, 1869-1950) “IN THE GARDEN”. Oil on canvas scene shows a woman seated in garden setting holding pink roses and surrounded by flowers and a bird bath. Signed lower left and dated “1909”. Housed in a gilt decorated wood frame with gilt liner. Titled, signed and dated on reverse of canvas. SIZE: 25″ x 20″. CONDITION: Very good. 9-22298 (8,000-12,000)

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2311

JOHN MARSHALL GAMBLE (American, 1863-1957) SANTA BARBARA WILD FLOWERS. Oil on canvas landscape scene shows a sandy cart path curving down through tall dry grass towards tall green trees with mountain background. Signed lower left. Housed in a gilt wood frame. SIZE: 18″ x 20″. CONDITION: Very good. 9-21577 (6,000-9,000)

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2312

MARY ELIZABETH PRICE (American, 1877-1965) THE ORANGE PARASOL. Interesting oil on canvas showing a figure with orange parasol beside a tree next to a river with high bank and trees. Signed lower right and dated 1908. Housed in a wonderful carved and gilt wood replacement frame. SIZE: 28″ x 28″. CONDITION: Water area with touch up, very good. 9-22707 (4,000-6,000)

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2313

KARL SCHMIDT (American, 1890-1962) PAIR OF CALIFORNIA COASTLINE VIEWS. Identically housed in carved gilt wood frames with black liners. Oil on canvas scenes, each showing a view of water crashing onto coastal rocks. One presumably a continuation of the other. One signed lower left, the other unsigned. SIZE: 25″ x 10″ each. PROVENANCE: From a Maine collection. CONDITION: Relined, very good. 9-22846 (4,000-6,000)

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2314

WILLIAM JOHNSTONE (British, 1897-1981) THREE WORKS: LANDSCAPE; UNTITLED & “COLORADO LANDSCAPE”. All three watercolor abstracts are housed in similar frames with mattes. The mattes having artist name and date. Larger landscape is pencil signed and dated “1954”. The second initialed lower right. The third shows a rock fragment with pictographs. Sepia, ink and wash, signed with initials and dated “1949”. SIZE: Sight: 7-1/2″ x 11-3/4″; 5″ x 6-3/4″; 5-3/4″ x 6-1/2″. CONDITION: Very good. 9-22255 (3,500-4,500)

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2315

ELIZA ROSANNA LAMP BARCHUS (American, 1857-1959) WESTERN LANDSCAPE WITH MT. HOOD. Oil on canvas scene shows a snow peaked mountain leading to small rocky hills and foreground water with rock strewn shoreline. A colorful sky from pink to light blue with shaded clouds. Signed bottom right. Housed in what appears to be its original lemon gold molded wood frame. SIZE: 12″ x 18″. CONDITION: Some inpainting, thin paint layer, otherwise very good. 9-22644 (2,000-2,500)

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2316

GEORGE WILLIAM SOTTER (American, 1879-1953) “OUTWARD BOUND”. Oil on board coastal scene shows a three-mast schooner sailing right to left in calm ocean beyond foreground coastal rocks. Another ship can be seen on distant horizon. Signed lower right. Housed in a gilt molded wood frame. SIZE: 20″ x 24″. CONDITION: Surface dirt, very good. 9-22430 (12,000-15,000)

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2317

EDWARD HENRY POTTHAST (American, 1857-1927) SAILING OFF THE ROCKY COAST. Oil on canvas coastal scene shows four sailboats off cliffsided shoreline. The foreground with small waves crashing onto coastal rocks. Signed lower left “E Potthast”. Housed in a gilt carved wood frame. SIZE: 20″ x 30″. CONDITION: Several canvas patches to reverse, one open puncture, some restoration. 9-23062 (6,000-8,000)

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2318

HENRY WARD RANGER (American, 1858-1916) SAILING. Oil on canvas open ocean scene shows two sailboats on white tipped wavy sea under blue & white cloud sky. A nice impressionistic view. Housed in an outstanding modern ribbed edge gilt frame with wide ribbed gilt liner. SIZE: 24″ x 32″. CONDITION: Inpainting, very good. 9-22709 (5,000-7,000)

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2319

LOUIS DOYLE NORTON (American, 1867-1940) SUMMER AFTERNOON. Oil on canvasboard summer scene shows three boys on a rock wall near water with boat beside. A large connected farmhouse is seen beyond grass field set amongst trees. Signed lower right “L D Norton”. Housed in a good carved wood gilt replacement frame. SIZE: 10″ x 14″. CONDITION: Very minor touch up, very good. 9-22648 (2,500-3,500)

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2320

THEODORE ROBINSON (American/French, 1852-1896) HOUSE IN A FRENCH LANDSCAPE. Oil on canvas scene shows a boy alongside a stream with wild flowers leading to connected house under colorful sky. Signed lower left “Th. Robinson”. Housed in a gilt modern wood frame. The back stretcher having a Sarah Woolworth, New York label. SIZE: 24″ x 18″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store).. CONDITION: Very good with some minor touch up. 9-23507 (8,000-12,000)

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2321

PHILIP LESLIE HALE (American, 1865-1931) BOAT RIDE IN GIVERNY. Oil on canvas French scene shows two figures in a rowboat on a quiet pond with lily pads and forested bank under blue and cloud sky. Signed lower left. Housed in a good reproduction gilt frame with gilt liner. SIZE: 13″ x 18″. CONDITION: Very good with some minor touch up. 9-22642 (9,000-11,000)

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2322

FRANCIS AUGUSTUS SILVA (American, 1835-1886) ITALIAN COASTAL VIEW. Oil on wood panel shows a view of a mountainous coastline with several small boats and buildings along the low coastal plain. All under a gray & white cloud sky. Signed lower left with initials “FAS”. Housed in a period gesso decorated fancy deep frame with gold fabric and gilt liner. SIZE: 4-1/4″ x 8″. CONDITION: Inpainting, very good. 9-22219 (8,000-12,000)

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2323

SAMUEL HESTER CRONE (American, 1858-1913) VENICE. Oil on board scene shows Venice Harbor with sailboat and gondola against a cityscape background. Signed lower left. Housed in a carved oak gilt frame. SIZE: 5″ x 15-1/4″. CONDITION: Inpainting, very good. 9-22233 (2,750-3,500)

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2324

GEORGE WASHINGTON NICHOLSON (American, 1832-1912) GATHERING BESIDE THE MEDITERRANEAN. Oil on canvas scene shows a gathering of people under a make do tent on the bluff overlooking the quiet Mediterranean with towns on either side. Signed lower left. Housed in a fine gesso decorated gilt period frame with two gilt liners. SIZE: 16″ x 26″. CONDITION: Some inpainting, very good. 9-22245 (3,000-4,000)

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2325

MAX KUEHNE (American, 1880-1968) AMONG THE HACIENDAS. Oil on canvas panoramic view of a closely grouped connected houses amongst the colorful sandy hills. Signed lower right “Kuehne”. Housed in a good gesso decorated gilt wood frame with white linen liner. SIZE: 20″ x 24″. CONDITION: Very minor touch up, very good. 9-22649 (3,000-4,000)

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2326

EDWARD LAMSON HENRY (American, 1841-1919) “THE KOEFFEL & OLD CHURCH AT OBERAMMERGAU”. Oil on board Bavarian scene shows three workers in a field with a town beyond having large church with onion shaped steeple. Also having a large mountain peak in the background supporting a large cross. Unsigned front but the back having a pencil inscription “The Koeffel & Old Church 2000 FT high at Oberammergau Bavarian Alps, a sketch from nature Sept. 1871 by E.L. Henry”. Housed in a decorative bronze gilt with double mattes. SIZE: Sight: 9-3/4″ x 13-3/4″. CONDITION: Bottom corner edge with slight paint loss, left margin has 2″ tight surface tear. 9-21813 (2,000-4,000)

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2327

EDWIN LORD WEEKS (American/European, 1849-1903) THE BUSY ENTRANCE. Unframed oil on paper laid on board Middle Eastern scene shows several camels and groups of people entering through an arched entrance way to a square with other people surrounded by buildings. Signed lower right. SIZE: 6-1/4″ x 10-1/2″. CONDITION: Some tears but stable, fair to good. 9-22540 (2,000-3,000)

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2328

WILLIAM LEROY METCALF (American, 1858-1925) CANAL SCENE WITH ARTIST. Small oil on canvas mounted to board scene shows an artist standing in front of his easel looking across at two sailboats in a canal with sandy banks. Seen under a dark, gray sky. Signed lower right with M in a circle and having a date “1913”. Housed in an antique gilt frame. SIZE: 4-3/4″ x 7″. CONDITION: Very good. 9-23050 (2,000-3,000)

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2329

WILSON HENRY IRVINE (American, 1869-1936) “AUTUMN AFTERNOON”. Oil on canvas colorful fall scene shows bright colored trees at the edge of a river reflecting colors in a calm water. Signed lower left “Irvine”. Housed in what we believe to be a Newcomb-Macklin carved gilt frame. Attached to the stretcher is a label from Grand Central Art Galleries, New York having title and another penned label. SIZE: 25″ x 30″. CONDITION: Very good. 9-22276 (3,000-5,000)

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2330

GEORGE LORING BROWN (American, 1814-1889) “AUTUMNAL AFTERNOON”. Oil on canvas New England scene shows a river leading to a house with campfire under colorful hills with mountain background. All under blue & white cloud sky. Housed in an antique gilt frame with modern linen liner. Unsigned front but having a title inscription with artist signature and dated “1868”. Inscribed on reverse “Autumnal Afternoon, View on the Pemigewasett New Plymouth, N.H. Painted from nature Geo. L. Brown 1868, Retouched, 1872″ SIZE: 10″ x 13”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good with a couple of minor chips in sky. 9-23558 (2,000-3,000)

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2331

HAROLD MATTHEWS BRETT (American, 1880-1955) THE CHECKER GAME. Oil on canvas illustrative scene shows two men playing a game of checkers while three others look on. They are at the General Store and one of the participants is the owner. An open doorway can be seen behind the game with a man & woman conversing. The store is filled with produce and it appears it is also the Post Office. Signed lower right “H M Brett”. Brett studied under Howard Pyle and soon thereafter his illustrative work debuted in Harper’s Weekly and began to appear in most of the national magazines. Housed in an antique carved gilt frame. SIZE: 24″ X 36″. CONDITION: Some minor touch up, very good. 9-22723 (8,000-12,000)

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2332

CHARLES DANA GIBSON (AMERICAN, 1867 – 1944) ARCHITECTURAL DIFFERENCES. Black ink on light board interior scene shows a husband & wife at an architect’s office reviewing plans for their new house. The husband thinks of a small country home while his much younger, sophisticated woman dreams of her palatial Estate. Signed center bottom, unframed. SIZE: 15″ x 21″. PROVENANCE: Descent through the artist’s family. CONDITION: Some light surface dirt, very good. 9-23005 (2,000-3,000)

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2333
Revised: 8/11/2011

Additional Information: This drawing appeared in Life Magazine in July 1929, “Mr. Pipp: He Considers the Lilies of the Beach”

CHARLES DANA GIBSON (AMERICAN, 1867 – 1944) LOOK AT ME!. Ink & pencil on board beach scene illustration shows an elderly man running between two “Gibson Girls” with other women bathing on the beach & playing ball. Unframed, signed lower left. The back having a Life Magazine stamp indicating a rush order for engraving use. SIZE: 15″ x 21″. PROVENANCE: Descent through the artist’s family. CONDITION: Foxing & surface dirt, otherwise very good. 9-23004 (1,500-2,500)

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2334

CHARLES DANA GIBSON (AMERICAN, 1867 – 1944) BACK FROM SHOPPING. Pencil & black ink illustration showing an elegant “Gibson Girl” with long dress, coat, and hat, walking and having a large clothing box at side. Pencil signed, unframed. SIZE: 23″ x 18″. PROVENANCE: Descent through the artist’s family. CONDITION: Surface dirt, good. 9-23001 (1,000-1,500)

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2335

CHARLES DANA GIBSON (AMERICAN, 1867 – 1944) “GEORGIUS & PATER A NEW POISON”. Outstanding pen & ink illustration shows Locusta in the presence of Nero trying the poison prepared for Britannicus. After a painting by Sylvestre. Gibson has used this scene as a commentary with the Poison labeled George’s Theories and the stricken man labeled “Labor”. Nero’s belt is labeled “McGlynn”. Marked in pencil at bottom right “Life for Aug. 30″, presumably used in Life Magazine. Unframed, signed lower left. SIZE: 19-3/4″ x 26”. PROVENANCE: Descent through the artist’s family. CONDITION: The borders with dirt & some small tears & losses; the image is very good. 9-23002 (2,000-3,000)

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2336

CHARLES DANA GIBSON (AMERICAN, 1867 – 1944) STAND OFF. Pencil & black ink illustration showing a man in black tuxedo smoking a cigarette with his back turned to a young woman with evening dress having her hand on side as she looks towards the man. Signed center bottom, unframed. The back having a stamp “Copyright by Life Publishing Co. No. 3597″ SIZE: 23″ x 18-1/4”. PROVENANCE: Descent through the artist’s family. CONDITION: Surface dirt and round edges, otherwise good. 9-23000 (1,000-1,500)

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2337
Revised: 8/11/2011

Additional Information: This drawing appeared in Life Magazine on September 1, 1904 “Postponing the Inheritance: Miss Tagg Explained the Game to her Uncle, who is Greatly Improved by the Exercise”. This was drawing XIV of the “Snob’s Progress” series.

CHARLES DANA GIBSON (AMERICAN, 1867 – 1944) SHUNNED. Pencil & ink drawing depicts a young “Gibson Girl” holding a golf club teaching an older man golf. A middle age man looks on in a disgruntled fashion. The background shows the country club with many club members with ladies. Unsigned, unframed. Numbered in corner “D1435″. SIZE: 23″ x 29”. PROVENANCE: Descent through the artist’s family. CONDITION: Outside borders with stains and minor losses, good. 9-23003 (1,500-2,500)

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2338

JOHN PHILIP FALTER (American, 1910-1982) ILLUSTRATION FOR “FOUR ROSES WHISKEY”. Oil on canvas illustration for the magazine ad depicting two gentleman at a red booth table in a gentleman’s club ordering their favorite whiskey from the waiter. The full page ad shows the painting image with the caption “Four-star hit with a Lone-Star Man”. Signed lower left. Housed in a black & gold frame with linen liner. Accompanying the painting is a copy of the magazine ad. SIZE: 18″ x 27″. CONDITION: Very good. 9-23091 (2,000-3,000)

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2339

UNSIGNED (Mid 20th Century) SNEAKERS. Unframed illustration gouache scene shows two side by side sneakers covered with chewing gum advertisements. SIZE: Sight: 13-1/2″ x 19″. Board: 20″ x 23″. CONDITION: Very good to excellent. 9-22536 (1,000-1,500)

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2340

UNSIGNED (Mid 20th Century) TWO WORKS: CLEAR FRUITS. Unframed, gouache advertising pieces showing a collage of colorful fruits including cherries, lemons, oranges & limes. The back marked in pencil “Bill Devlin”, also stamped “Bill Devlin Assoc.”. SIZE: Sight: Approximately 7″ x 5-1/2″. Board: 20″ x 15″. CONDITION: Very good. 9-22534 (800-1,200)

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2341

UNSIGNED (Mid 20th Century) TWO WORKS: CORN HUSKER LOTION. Both gouache on board portraits of men, one being a conductor holding a lamp, the other a construction working with metal hat. Identified on reverse with date of 1966 with a stamp of the S.A. Summit, Inc., New York. Unframed. SIZE: Image: 16″ dia. Total: 18-1/2″ x 20″. CONDITION: Very good. 9-22535 (500-800)

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2342

JOHN WALTER SCOTT (American, 1907-1987) TWO ALLIGATOR ILLUSTRATIVE WORKS. 1) Gouache scene shows an alligator attacking a wild boar which has disrupted the nest of small alligators. The alligator crunches down on the front leg of the squealing boar while the little alligators flee the nest. Signed lower right. 2) Gouache scene shows a hunter shooting an alligator which is attacking his hunting dog which is shown swimming away. Signed lower right. Both identically housed and matted in decorative green marbleized frames. SIZE: Sight: 17-1/2″ x 13″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22457 (2,750-3,750)

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2343

SIGNED (British/American, 20th Century) OWL. Outstanding watercolor portrait of an owl with outstretched wings perched on a stump. Pencil signed illegibly “Bryan ?” and dated “1977”. Housed in a fine gilt molded wood frame with triple colored mattes. SIZE: Sight: 22-1/2″ x 18-1/4″. PROVENANCE: From a private New York Collection. CONDITION: Very good to excellent. 9-22455 (500-1,000)

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2344

JULES MOIGNIEZ (1835-1894) A STANDING HERON. Outstanding antique bronze depicting a standing heron on a naturalistic base with plants, seashells, and wave. The base signed “J Moigniez” in a nice brown patina. SIZE: 22″ h x 13″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22437 (3,000-4,000)

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2345

ANNA VAUGHN HYATT HUNTINGTON (American, 1876-1973) CHILD’S PLAY. Bronze sculpture shows a nude child pulling the tail feathers of a chicken. The child looks upward with glee as the bird tries to escape. Rectangular base to bronze is attached to a black marble base, the bronze being signed and dated “1952”. SIZE: Total: 13″ h x 19″ l. PROVENANCE: From a private New York Collection. CONDITION: Very good. 9-22436 (3,000-5,000)

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2346

THOMAS HART BENTON (American 1889-1975) “SUNDAY MORNING”. Limited edition, signed original lithograph from the Associated American Artists Series. The scene shows a small church being visited by African-American parishioners. Signed bottom right in pencil “Benton”. Housed in its original thin wood frame with white matte. SIZE: Sight: 10-1/4″ x 13-1/4″. CONDITION: Toning to edges of matte, otherwise very good. Not examined out of frame. 9-22277 (1,500-2,500)

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2347

EASTMAN JOHNSON (American, 1824-1906) THE REPRIMAND. Etching shows a young lady being scolded by an elderly man who is seated holding his cane and wearing a top hat. He sits before a brick fireplace adorned with household items. Signed in the plate “E Johnson”. Signed below the plate in the print “W. Shirlaw”. Housed in a walnut Victorian frame with beaded edge and modern white matte. SIZE: Sight: 13-1/4″ x 16-1/4″. CONDITION: Not examined out of frame. Some minor imperfections, generally very good. 9-22722 (2,000-3,000)

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2348

MARGARET FOSTER RICHARDSON (American, 1881-1945) THREE WORKS: “AUNT CINDY”, “AUNT LIZA”, AND UNTITLED. Pencil on paper half portraits of black women. All signed in pencil on bottom edge. Similarly housed in decorative silver frames with wide linen matte and silver wood edge. Two are pencil titled to left of head, the other untitled but having several small sketches around head. SIZE: 6-1/2″ x 5″; Untitled example is 4″ x 5-1/2″. CONDITION: Titled works are very good, untitled example has two minor losses at top edge. 9-22542 (1,500-2,000)

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2349

GYULA TORNAI (Hungarian, 1861-1928) THE FORTUNE TELLER. Unframed oil on board scene shows a black woman relaxing with arms stretched on a porch corner bench with open area looking to woods. Signed lower left. SIZE: 15″ x 22″. CONDITION: Some light scratches, upper left corners has 1″ sq. of missing painting, surface dirt, otherwise good. 9-23044 (1,000-1,500)

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2350

WILLIAM FREDERICK DE HAAS (American, 1830-1880) MORNING LIGHT. Oil on canvas coastal scene shows low tide exposing seaweed covered rocks and small sandy area. Small fishing boat with figure is seen in the foreground with several sails on the horizon and a lighthouse on a point of land. Signed lower right. Housed in a gilt gesso decorated frame with gilt liners. SIZE: 17″ x 33″. CONDITION: Relined, craquelure, otherwise good. 9-22516 (5,000-7,000)

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2351

MANNER OF FAIRFIELD PORTER (American, 1907-1975) POINT LIGHTHOUSE. Unsigned oil on canvas coastal scene shows a lighthouse at the point of a large rock promontory with waves crashing onto foreground rock ledges. Housed in a wood frame with inner gold frame behind glass. SIZE: 21″ x 25-1/2″. CONDITION: Very good. 9-22518 (3,000-5,000)

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2352

TULLY FILMUS (American, 1903-1998) THE NET FISHERMAN. Oil on canvas fishing scene shows two groups of men in small boats lifting a fish filled net from water. Signed lower right and dated “56”. Housed in its original flat wood frame with raised painted liner. SIZE: 14″ x 30″. CONDITION: Very good with some minor retouch. 9-22635 (1,500-2,200)

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2353

ERNEST LAWSON (American, 1873-1939) MARSHLAND. Oil on wood panel impressionistic scene shows a colorful low area with what appears to be marsh grass with rocks beyond. Signed center bottom. Housed in a decorative carved wood frame. SIZE: 8″ x 12″. CONDITION: Good. 9-23048 (3,000-5,000)

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2354

JORGE LARCO (Argentinean, 1897-1967) FAMILY BEACH TIME. Oil on canvas board beach scene shows a four person family including boy, girl infant and mother. Signed lower left “Larco”. Unframed. SIZE: 9-1/2” x 11-3/4”. CONDITION: Scattered retouch, otherwise very good. 8-87464 (700-1,200)

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2355

HENRIETTE RONNER-KNIP (Dutch, 1821-1909) BEST FRIENDS. Fine oil on wood panel scene shows a white cat and tiger striped cat close together on painted piece of furniture. Two-tone wall background. Housed in what appears to be its original gesso decorated frame, which has a fruit and flower motif. Frame is stamped “F. W. Herrick Furniture and Picture Frames, NY”. Painting is beautifully done and signed in the upper left, however we have been advised that this may not be a genuine work of Ronner, therefore we are not guaranteeing the signature or authenticity of this painting. SIZE: 13” x 8-1/2”. CONDITION: Very good. 8-87492 (2,500-4,500)

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2356

C. FRUTIGER?? (19th Century) ALPINE VILLAGE. 19th Century oil on panel painting of small alpine village with rushing brook, snow capped mountains in the background within an evergreen landscape. Various figures on the village road. Housed in a damaged gold gilt gesso frame. SIZE: 9-1/2” h x 7” w. CONDITION: Painting is soiled but overall generally good. Frame has extensive damage. 8-87088 (750-1,250)

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2357

HUGO O. VON HOFSTEIN (American, 1865 – ?) LAKE SHORE SCENE. Watercolor on paper depicts the rocky shores of a large lake with evergreens on opposite shore. Signed lower left, “H. VON HOFSTEIN, STOCKHOLM, 1921”. Von Hofstein, an American artist, originally came from Winnetka, Illinois and was a pupil of A. Larsen, and others. Framed in a gesso, molded, patinaed gold frame. SIZE: (sight) 14-1/2” h x 19” l. CONDITION: Very good. 9-23423 (600-800)

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2358

FRANK COHEN KIRK (Russian/American – 1889-1963) “LANDSCAPE IN SUMMER”. An oil on panel or board placid country scene with hills, forests, fields and water in the background. Various homes on the side of the hill. Signed lower left, “F. C. KIRK”. In the original, off-white, molded white wood frame. We are told that many of Kirk’s works were featured in a book published in the mid-20th century. SIZE: (sight) 9-1/2” h x 11-1/2” w. CONDITION: Very good. 9-23422 (600-900)

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2359

ALBERT SHELDON PENNOYER (American, 1888 – 1957) FIGURES IN A WOODED LANDSCAPE. This pastel outdoor scene depicts two figures in a hilly, western landscape with trees, etc., likely a California scene. Signed lower left, “A. SHELDON PENNOYER”. Framed in a simple, patinaed, gilt molded frame. SIZE: (sight) 14-1/2” h. x 21” l. CONDITION: Very good. 9-23424 (1,000-1,500)

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2360

FINE WATERCOLOR AND PENCIL DRAWING OF SPORTING DOG, SIGNED H. ALKEN. This well executed piece has detailed, pencil-drawn landscape with extremely well detailed watercolor image of a pointing dog. Signed, “H. ALKEN” in lower left. SIZE: 8” w x 6″ h. CONDITION: (In cardboard matte) Excellent. 9-23199 (750-1,250)

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2361

JOHN EDMUND CALIFANO (American, 1862-1946) THE BOUNTIFUL TABLE. Outstanding oil on canvas still life shows six apples, bananas, and a pineapple set on a square wood table with a black to light gray background. Signed upper left. Housed in its original antique gesso decorated gold frame with gold liners. SIZE: 18″ x 28″. CONDITION: Some inpainting, very good. 9-22637 (7,000-10,000)

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2362

GEORGE LOFTUS NOYES (American, 1864-1954) ZINNIAS AND FRUIT. Outstanding oil on canvas still life scene shows a copper pot of colorful zinnias on a tabletop covered with a printed cloth. A bowl of grapes and plums are beside as well as a porcelain Buddha and three loose plums. Signed center bottom. Housed in a fine carved wood frame. SIZE: 25″ x 30″. CONDITION: Very good. 9-22297 (6,000-9,000)

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2363

ABBIE LUELLA ZUILL (American, 1856-1921) A PICK OF STRAWBERRIES. Oil on canvas still life scene shows two quart baskets of strawberries. One is on its side spilling its contents on the grass covered ground. A backdrop of strawberry plants fills the canvas. Signed lower right. Signed on reverse “E Zuill 1893″. Housed in a gilt gesso decorated period frame. SIZE: 14″ x 18”. CONDITION: Relined with some inpainting. Very good. 9-22647 (4,000-6,000)

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2364

BARTON STONE HAYS (American, 1826-1914) APPLES & BLUEBERRIES. Oil on academy board still life scene shows ten apples with a basket of blueberries on a tabletop with shaded green background. Signed lower right. Housed in a modern gesso decorated gilt frame. SIZE: Sight: 11-1/2″ x 17-3/4″. CONDITION: Very good, inpainting. 9-22650 (2,000-3,000)

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2365

WILLIAM BREWSTER CONELY (American, 1830-1911) A PLATE OF APPLES. Oil on canvas still life scene shows four apples on a plate with light to dark brown background. Signed lower left “W.B. Conely 1903”. Housed in a period gesso decorated gilt frame. Back of canvas “Painted by W B Conely in his 73rd year”. SIZE: 10″ x 14″. CONDITION: Very good, small tape patch to reverse. 9-23022 (1,800-2,200)

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2366

STANLEY GRANT MIDDLETON (American, 1852-1942) STILL LIFE WITH ORIENTAL VASE. Oil on canvas interesting still life composition has a central oriental vase on a teak stand with a griffin figural brass candlestick beside. A man’s coat & hat are hung beside with a flower printed table cover. Signed lower left. Housed in a copper type gilt fancy frame. SIZE: 24″ x 20″. CONDITION: Very good. 9-22804 (3,000-5,000)

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2367

JANE PETERSON (American, 1876-1965) BLUE VASE OF ZINNIAS. Oil on canvas still life scene shows a blue bulbous vase supporting various colored full bloom zinnias. All seen against a mottled light brown background. Signed lower right. Housed in a gilt molded wood modern frame. SIZE: 25″ x 30″. CONDITION: Stretcher line present with stretcher line craquelure and some light lifting. Otherwise good. 9-23059 (3,000-5,000)

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2368

EDWARD CHALMERS LEAVITT (American, 1842-1904) A BASKET OF ROSES. Oil on canvas still life scene shows a fixed handled rectangular basket filled with yellow & red roses. A half full water glass sits beside the basket and one red rose has fallen out. Signed lower right. Housed in a modern gilt carved wood frame having a wood gilt artist plaque. SIZE: 20″ x 32″. CONDITION: Relined, some inpainting, very good. 9-22704 (2,000-3,000)

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2369

AARON SHIKLER (New York, 1922- ) PORTRAIT OF MAURICE?. Excellent depiction of a middle aged balding gentleman in blue business shirt and brown trousers standing with his hands on his hip. Initialed in lower left “AS57”. Housed in a simple antique style gold frame. Inscribed on reverse “To Maurice With Deep Gratitude Aaron Shikler”. SIZE: 7-3/4″ h x 4-3/4″ w. CONDITION: Generally very good. 9-21894 (3,000-4,000)

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2370

VICTOR DEBREUIL (American,1846-1946) THREE BILLS. Oil on canvas trompe l’oeil of three U.S. bills laid on top of each other with bent corners and realistic images. Signed below middle bill. Housed in a good period deep gesso decorated gilt frame with gilt liner. SIZE: 8″ x 10-1/2″. CONDITION: Very good. 9-23023 (8,500-10,000)

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2371

ERNEST LUDWIG KIRCHNER (Germany, 1880-1938) TREES. Watercolor and graphite scene depicts a group of trees with green tops. Unsigned front but on reverse is a square purple stamp “Nachlass E. L. Kirchner” and written in pen underneath is “A Bc/Aa 28”. Above the box is a pencil inscription “K3728″. Housed in a modern gilt frame with white matte. SIZE: 17″ x 21”. CONDITION: Examined out of frame, very good with a small tear in the edge of the paper under the matte. 9-22586 (5,000-10,000)

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2372

AKOP (UR) GURDJAN (American/Armenian, 1881-1948) NUDE FLANKED BY LLAMAS. Art deco terracotta sculpture shows a standing nude woman with arms outstretched and around two opposing standing llamas. Art deco stylized figures showing a frontal view on one side and the back side on the other. Signed on the rectangular base “A Gurdjan”. SIZE: 14-1/2″ h x 16-3/4″ w x 5″ d. CONDITION: Vertical crack through wrist down through top of leg on right llama. Nice patina, otherwise very good. 9-22751 (4,000-5,000)

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2373

ATTRIBUTED TO HUGHIE LEE-SMITH (American, 1915-1999) THE BARREN TREE. Unsigned oil on canvas scene shows a single tree with no leaves having six crows flying above. It stands next to a small river/canal through brown landscape to low hills under dark clouds. Housed in a silver wood frame with linen liner. SIZE: 16″ x 20″. CONDITION: Craquelure, good. 9-23072 (2,000-3,000)

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2374

FREDERICK STUART CHURCH (American, 1842-1924) AMONGST THE REEDS. Oil on canvas scene shows a young woman with brown hair having a pond lily adorning her hair. She stands amongst tall reeds which envelope her and she gazes across the pond lily filled water. Signed lower right “F.S. Church N.Y. 1910 Copyright”. Housed in a gesso decorated frame which is as is. SIZE: 22″ x 16″. CONDITION: Top half background with consolidation, craquelure, and chipping, otherwise good. 9-22946 (3,000-5,000)

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2375

FREDERICK STUART CHURCH (American, 1842-1924) THE BLUE BONNET. Watercolor half portrait of a young woman wearing a blue & white bonnet. She gazes downward and is seen against a light pastel background. Signed lower right. Housed in a black painted molded wood frame with white matte. SIZE: Sight: 9-3/4″ x 5-3/4″. CONDITION: Very good. 9-22633 (600-800)

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2376

NICOLA D’ASCENZO (American, 1871-1930) “THE BATHER”. Oil on canvas scene shows a nude woman sitting beside a small pond with pond lilies, surrounded by rocks & colorful wildflowers. Seagulls fly over her catching her gaze and the water is in the background. Signed lower left. Housed in its original gilt carved wood frame. Back of stretcher with original title, also the frame with a North Shore Arts Exhibition of Gloucester, 15th Annual Exhibition, 1937 label. SIZE: 27″ x 34″. CONDITION: Relined, inpainting, very good. 9-23460 (1,000-2,000)

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2377

ATTRIBUTED TO HANS HOFMANN (American/German, 1880-1966) COASTAL SUN BATHERS. Watercolor scene shows three women with blankets at side of rocky coastline with water and hills. Initialed lower left “HH 14”. The back of the watercolor pencil inscribed “Corse 14″. This may indicate this was done while in Corsica in and around 1914. Housed in a fine carved & gilt decorated frame with white matte & glass. SIZE: Sight: 12-1/2″ x 14”. CONDITION: Very good. 9-22949 (2,000-4,000)

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2378

LEON KROLL (American, 1884-1974) THREE NUDE STUDIES. All set in hinged mattes and not laid down. 1) Black wash showing two nude women from the side having Estate stamped back & numbered “1004”. 2) Sanguine sketch of a nude woman, Estate stamped & numbered “1032”. 3) Black charcoal of a seated nude woman, Estate stamped & numbered “1008”. SIZE: Sight: 1) 16″ x 11-1/2″. 2) 18-1/2″ x 11-1/2″. 3) 15-1/2″ x 10″. PROVENANCE: Acquired from the Estate. CONDITION: Generally very good, some light fox spots. 9-21701 (1,500-3,000)

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2379

UNSIGNED (American, Early 20th Century) DAPPLED LIGHT. Oil on canvas scene shows a nude woman in a hilltop wooded area overlooking a valley with blue hills. Housed in a modern carved and gilt wood frame. SIZE: 24″ x 36″. CONDITION: Inpainting, very good. 9-22879 (1,000-1,500)

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2380

EDWIN D. BOLENBAUGH (American, 1901-1974) LOLITA & THE SWAN. Oil on canvas mounted to the frame scene shows a young woman seated next to a pond with two swans surrounded by wildflowers & blue shaded sky. Signed lower left. The canvas attached to a white painted wood frame. SIZE: Canvas: 37″ x 28″. CONDITION: Inpainting, faint stretcher lines, good. 9-22989 (1,500-2,000)

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2381

MORGAN J. RHEES (American, Late 19th Century) BEAUTY. Oil on canvas mounted to board portrait of a young woman with bare shoulders having a flower wreath in her blonde hair. The portrait is profile from the shoulders up. Signed across the top. Housed in an antique gilt wood frame. SIZE: 9-1/4″ x 7-1/4″. CONDITION: Very good. 9-22240 (800-1,200)

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2382

WILLIAM MCGREGOR PAXTON (American, 1869-1941) PORTRAIT OF A GIRL. Oil on canvas profile half portrait of a young woman wearing a dark dress. her hair tied with a blue ribbon and held with a silver barrette against a dark background. Signed lower left “Paxton”. Housed in a good gilt carved wood replacement frame. SIZE: 21″ x 17-1/4″. CONDITION: Very good with some light touch up. 9-22351 (2,000-3,000)

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2383

EMILY NICHOLS HATCH (American, 1871-1959) PORTRAIT OF A YOUNG SOCIALITE. Large oil on canvas 3/4 portrait of a young woman seated on a sofa in an evening dinner outfit holding her green pillbox hat. She has a modern hairdo for the time and there is a colorful cloth behind her head. Signed lower left and dated “1926”. Housed in a simple gilt wood frame. The canvas having a “Blanchet, Paris” canvas stamp. SIZE: 36-1/2″ x 28-3/4″. CONDITION: Canvas patch to reverse with corresponding inpainting, very good. 9-23060 (1,000-1,500)

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2384

WILLIAM ANDERSON COFFIN (American, 1855-1925) PORTRAIT OF AN ARTIST. Oil on wood panel shoulder portrait of a young man with mustache and brown hair wearing a broad brim hat. Possibly an artist and possible a self portrait. Signed upper right “W A Coffin 1886″. Housed in an antique gesso decorated gilt frame. SIZE: 11″ x 9”. CONDITION: Surface dirt, very good. 9-22246 (1,750-2,250)

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2385

HENRY OLIVER WALKER (American, 1843-1929) THE CELLO PLAYER. Large oil on canvas scene shows a young man playing a cello with a young woman beside holding a violin. A woodland setting with a note nailed to a tree. Signed lower left “H O Walker, 1909″. Housed in a fancy gilt modern frame. SIZE: 36″ x 40-1/2”. CONDITION: Inpainting, very good. 9-22643 (5,000-7,000)

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2386

SUSAN RICKER KNOX (American, 1874-1959) TEA WITH FRIENDS. Oil on canvas scene shows three women having tea in an outdoor setting. Three different colorful outfits, each having a stylish hat. Signed upper left. Housed in a good carved and gilt wood frame. SIZE: 29″ x 36-1/2″. CONDITION: Relined, inpainting, very good. 9-23580 (2,000-4,000)

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2387

SIGNED (19th/20th Century) READING THE LOVE LETTER. Pastel evening scene shows a woman in nightgown seated beside a table with lit lamp reading a letter. The interior scene with vase of flowers, painting on the wall and upholstered & French style furniture. Signed lower left indistinctly. Housed in a wonder antique gilt pierced gesso decorated frame with glass front. SIZE: Sight: 21″ x 17-1/2″. CONDITION: Very good. 9-22571 (2,000-4,000)

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2388

ATTRIBUTED TO WILLIAM WORCESTER CHURCHILL (American, 1858-1926) THE RECITAL. Oil on canvas interior scene shows a woman in black gown playing the piano. A vase of yellow flowers is set on the piano top and the music score is open which she reads from. Unsigned. Housed in its original gesso decorated gilt frame. The stretcher having a Cutler’s Art Store New Haven, CT label. SIZE: 25″ x 30″. CONDITION: 1″ hole below piano, otherwise very good. 9-21699 (1,500-2,500)

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2389

V. SABATER (Spanish/Italian, Late 19th Century) ENJOYING THE RECITAL. Fine watercolor interior scene shows a fancy setting with woman singing beside a piano player as two elegantly dressed people are seated at a small table with wine glasses. Signed lower left “V Sabater 1877″. Housed in a wonderful gilt wood frame with white matte, gilt liner, and inner white matte with glass front. SIZE: Sight: 9-1/2″ x 13-1/2”. CONDITION: Very good. 9-23025 (800-1,200)

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2390

CLARENCE FREDERICK UNDERWOOD (American, 1871-1929) PATIENTLY WAITING. Watercolor & gouache on board scene shows a young woman in blue dress with black boots standing next to a column waiting patiently. Signed lower right. Housed in a good carved gilt wood frame with linen matte having gold wood edge. SIZE: Sight: 27″ x 18″. CONDITION: Very good. 9-22655 (1,000-2,000)

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2391

GILBERT GAUL (American, 1855-1919) PICNIC BY THE RIVER. Oil on board scene shows a rock lined walkway along a large river with two boats and buildings beyond. A green picnic table is set with a chair and drying clothes but the picnics participants are missing. Signed lower right “G Gaul”. Housed in its original carved & partial gilt frame. SIZE: 12″ x 16″. CONDITION: Very good. 9-23575 (2,000-4,000)

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2392

IDA SEDGWICK PROPER (American, 1873-1957) “BRIDGE OVER CANAL, NEW HOPE”. Oil on board Pennsylvania scene shows an arched bridge with river leading through town center lined with trees. Signed bottom right “Proper”. Titled on reverse. SIZE: 17″ x 14″. CONDITION: Very good. 9-22693 (3,000-5,000)

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2394

AARON HARRY GORSON (American, 1872-1933) MILLS ALONG THE RIVER. Oil on board scene shows a large river winding through large town with mill and houses. Artist identified on reverse as “A H Gorson”. Housed in an antique gesso decorated gilt frame with gilt liners. SIZE: 19″ x 22-3/4″.A CONDITION: Very good. 9-22877 (2,000-4,000)

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2395

ADOLF ARTHUR DEHN (American, 1895-1968) “PASTURES AND HILLS, PENNSYLVANIA”. Watercolor panoramic scene shows two large farms with red barns set amongst pastures and hills. The foreground pasture having sixteen cows, all under a blue & white cloud sky. Signed lower left. Housed in a fine modern frame with linen and white matte behind glass. On reverse has been placed the old Milch Galleries label, also a Sarah Woolworth NY label. SIZE: Sight: 19-1/2″ x 27-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23512 (1,500-2,500)

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2396

ADOLF ALBERT DEHN (American, 1896-1968) “WINTER IN PENNSYLVANIA”. Watercolor winter scene shows several large farms nestled amongst rolling hills covered with snow under dark cloud skies. Signed lower right. Housed in a decorated modern frame with white matte having the old Milch Galleries label affixed to reverse. SIZE: Sight: 20″ x 26-1/2″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23513 (1,500-2,500)

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2397

ALICE LOWE LECZINSKA FERGUSON (American, 1880-1951) “THE CLARK FARM NEW HOPE”. Oil on board colorful scene shows a connected farm with barns. Signed lower left “A L Ferguson 46”. Interesting dab technique. The back of the board with title and stamped “Ferguson Ceramic & Plaster Workshop”. Housed in an antique gesso decorated gilt frame. SIZE: 9″ x 12″. CONDITION: Very good. 9-23038 (600-800)

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2398

PAUL BERNARD KING (American, 1867-1947) LIGHT THROUGH THE WINTER WOODS. Oil on canvasboard winter landscape scene shows a snow covered field with two fallen logs looking out toward a hilltop through trees and seeing the light shine from a nearby house. Signed lower right. Housed in a modern carved gilt frame. SIZE: 12″ x 16″. CONDITION: Very good. 9-22696 (2,500-3,500)

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2399

JOHN FABIAN CARLSON (American, 1874-1945) SHADES OF PURPLE. Oil on canvasboard winter scene shows a stream leading through light woods with snow covered ground. The sun casts purple hues across the wooded area. Signed lower left. Housed in a carved gilt wood frame. SIZE: 12″ x 16″. CONDITION: Surface dirt, very good. 9-23585 (2,000-4,000)

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2400

KEN GORE (American, 1911-1990) “SNOW ON THE BROOK”. Oil on canvas winter scene shows a partially snow covered brook lined with trees having shadows in sunlit areas. Signed lower right. Titled and numbered “8105”. Also dated “1981”. Housed in a decorative wide wood frame with white liner. SIZE: 24″ x 30″. PROVENANCE: From a private Massachusetts collection. CONDITION: Very good. 9-22123 (1,500-2,500)

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2401

CHARLES EPHRAIM BURCHFIELD (American, 1893-1967) “WASHINGTON SQUARE ARCH”. Pencil drawing showing the large stone arch with figures and a two-horse carriage. Bottom left corner with foundation stamp and “B-262″. From the New York sketchbook, 1916. Washington Square Arch is mentioned by John I. H.Baur and illustrated full-page on page 55 of The Inlander. Though Burchfield made some important contacts in New York, including Mary Mowbray-Clarke, who became his first agent, it was a difficult time for him, both economically and spiritually. It’s clear from what he wrote in his journal that his state of mind was unsettled. He had always lived in the country and the metropolis wore on his psyche. Throughout Burchfield’s career he used abstract symbols to superimpose human emotions upon natural subjects and that was a large part of what gives his work power and imagination. The ink drawing of a bat shape that appears over the arch is a significant symbol of his distraught mental state at this time, which was probably drawn prior to the Washington Square Arch work itself. One of the other works that Baur chose to illustrate shows a hotel at night where the windows become bat shapes also. Burchfield was an artist who matured early and Baur understood the importance of these drawings in Burchfield’s oeuvre. SIZE: 9-1/4″ x 6”. CONDITION: Very good. 9-21987 (2,000-4,000)

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2402

CHARLES EPHRAIM BURCHFIELD (American, 1893-1967)”OUTSIDE THE NEW YORK PUBLIC LIBRARY”. Pencil drawing of a street scene with figures, street light, and trees. Burchfield was awarded a scholarship to go to the National Academy in New York in 1916. Though it wasn’t to his liking (he lasted one day) he stayed in New York for two months. A sketchbook marked “New York” was found after Burchfield’s death and this was one of the first to be sold from that sketchbook from Kennedy Galleries, representing Burchfield’s Estate. The drawing, with a free floating mount in a modern gilt frame with double matte. The drawing, in the upper right corner is stamped “C E Burchfield Foundation B-254. SIZE: 9-1/4″ x 6”. CONDITION: Very good. 9-21988 (2,000-4,000)

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2403

HENRY MARTIN GASSER (American, 1909-1981) “THE HARBOR FROM HAMILTON HILL”. Outstanding watercolor shows a harbor during winter with snow covered ground and buildings. A car makes its way through heavy snow traveling right to left. Signed lower left “H Gasser”. Housed in a fine molded wood gilt frame with double mattes. SIZE: Image: 19-1/2″ x 24-1/2″. Total: 21″ x 26″. PROVENANCE: From a fine New Hampshire home. CONDITION: Very good, examined out of frame. 9-22132 (5,000-8,000)

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2404

JOHANN BERTHELSEN (American, 1883-1972) SLEDDING IN CENTRAL PARK. Oil on canvas Central Park winter storm scene shows kids sledding on a long hill with the New York skyline in the background. Signed lower right. Housed in a modern carved wood & gilt frame. SIZE: 25″ x 30″. CONDITION: Some touch up in sky, otherwise very good. 9-23026 (4,000-6,000)

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2405

HAYLEY LEVER (American, 1875-1958) CELEBRATION IN NEW YORK. Oil on canvas New York street scene shows the tall buildings decked out in US flags. A procession of vehicles loaded with people parade down the road. Signed lower left. Housed in a modern carved & gilt frame. SIZE: 20″ x 16″. CONDITION: Discolored varnish layer, otherwise very good. 9-22527 (6,000-8,000)

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2406

GUY CARLTON WIGGINS (American, 1883-1962) “SNOW ON BROOKLYN BRIDGE”. Small oil on canvasboard winter scene shows people huddled against the snow with a backdrop of the Brooklyn Bridge & houses. Signed lower left. Also titled & signed on reverse. Housed in a modern wood frame with gold inner border. SIZE: 9-3/4″ x 7″. CONDITION: Very good. 9-23051 (4,000-6,000)

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2407

CLYDE J. SINGER (American, 1908-1999) “PARKING LOT, SUNDAY MORNING, EAST FRONT ST.”. Oil on canvas scene shows a man & woman in front of a vacant lot surrounded by colorful buildings. Signed lower left. Titled and signed on reverse & dated “1954”. Housed in a painted wood frame. SIZE: 24″ x 32″. CONDITION: Some surface chipping, one small puncture, in need of touch up. Otherwise very good. 9-23463 (2,000-3,000)

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2408

REYNOLDS BEAL (American, 1866-1951) THE SALUTE, 1939. Mixed media on paper scene shows two large elephants flanking a man holding an American flag while others look on. Several tents are in the background, all flying American flags. One elephant sits raising its trunk in salute. Signed lower right, dated “1939” and inscribed “Downey Bros. Circus”. Housed in a fine gilt & carved wood double frame with linen matte & glass. REFERENCE: Exhibition label on reverse from the 2005 Exhibition at the Cahoon Museum of American Art titled “Dusty Glory: The Circus in American Art”. A copy of the museum’s exhibition booklet is included. SIZE: Sight: 15″ x 18-1/2″. CONDITION: Very good to excellent. 9-22659 (3,000-6,000)

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2409

REYNOLDS BEAL (American, 1866-1951) THE PATRIOT, 1935. Mixed media on paper circus scene shows a man atop a circus wagon holding a large American flag. A clown performs for the foreground viewers and several tents can be seen flying American flags. Signed lower left “Reynolds Beal 1935 Downs Bros. Circus, Gloucester, Mass.”. Housed in a fine carved & gilt double frame with wide linen matte and glass front. REFERENCE: Exhibition label on reverse from the 2005 Exhibition at the Cahoon Museum of American Art titled “Dusty Glory: The Circus in American Art”. A copy of the museum’s exhibition booklet is included. SIZE: Sight: 14-1/2″ x 18″. CONDITION: Very good to excellent. 9-22660 (3,000-6,000)

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2410

REYNOLDS BEAL (American, 1867-1951) “GORHAM BROS. CIRCUS, 1932”. Mixed media scene shows a busy circus with performers outside the Big Top which is flying American flag. Two girls are seen on circus wagon while band plays in foreground. Signed lower right and titled lower left. Housed in a gilt molded wood replacement frame with linen matte and gold liner behind glass having a Guido Frame Studio, Boston label. SIZE: Sight: 14-1/2″ x 17-3/4″. CONDITION: Very good. 9-22944 (4,000-6,000)

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2411

WILLIAM E. POWELL (British, 1878-1955) PAIR OF PARROT WATERCOLORS. Each identically housed in decorative wood frames with watercolor highlighted mattes. Both are signed, one lower right and the other lower left. One shows a yellow & green parrot perching on a branch with red berries; the other a red, green & blue parrot perched on a branch with purple grapes. When placed on the wall, the parrots face each other. SIZE: Sight: 14″ x 10″. CONDITION: Very good. 9-22073 (1,500-2,500)

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2412
Revised: 8/22/2011

Correction: The title should be: IN THE MANNER OF PAUL REED. We do not represent them to be by Paul Reed.

PAUL ALLEN REED (American, 1919-) PAIR OF RED ABSTRACTS. Oil on canvas abstract scenes in colors of red, pink, yellow, and green. Signed on reverse of canvas. Each stretcher marked “Sauchuk”. Housed in wood frames. SIZE: 14″ x 16″ and 16-1/4″ x 18″. CONDITION: Some inpainting to one, otherwise very good. 9-23063 (4,000-6,000)

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2413

SERGE CHARCHOUNE (Russian, 1888-1975) ABSTRACT COMPOSITION. Oil on masonite scene shows a colorful piling of rectangles having a outlined cityscape in the background. Signed lower left. Housed in a black modern frame. A cutout Sotheby’s catalog with this painting is attached to reverse indicating the provenance was Midcontinental Fine Arts, Chicago. SIZE: 24″ x 28″. CONDITION: Very good. 9-23605 (6,000-8,000)

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2414

ROLPH SCARLETT (American, 1889-1984) MULTI-COLOR ABSTRACT. Oil on masonite shows a round cyclone type scene with jumbled symbols at center. Signed lower right. Housed in a square flat gilt frame with raised canvas covered liner. SIZE: 23-1/4″ x 23-1/4″. CONDITION: Very good. 9-22523 (3,000-5,000)

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2415

ATTRIBUTED TO OSKAR KOKOSCHKA (American/British, 1886-1980) ABSTRACT FIGURE. Oil on masonite scene shows a woman seated in a chair against a multi-colored background. Signed lower right “OK”. Housed in a molded wood frame with white liner. SIZE: 17″ x 14-1/2″. CONDITION: Surface dirt, very good. 9-23040 (3,000-5,000)

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2416

PAUL JENKINS (American/French, 1923-) “PHENOMEA BARAKA NORTH”. Watercolor on paper abstract shows a splash of red, blue, and yellow combined in a colorful splash. Signed middle right. Titled on reverse & dated “1977”. Housed in a silver metal frame. SIZE: 43″ x 31″. CONDITION: Very good. 9-23468 (3,000-5,000)

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2417

RAYMOND (CARL) JONSON (American, 1891-1982) RECTANGLES. Gouache on board abstract scene shows intersecting rectangles with a gray center area. Signed lower left. Housed in a modern black frame with white matte. SIZE: Sight: 8″ x 10-1/2″. CONDITION: Very good. 9-22290 (1,000-2,000)

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2418

OSCAR FISCHINGER (American, 1900-1967) LINES & FLAGS. Watercolor abstract scene shows colorful intersecting lines producing colorful flag style shapes. Signed lower right. Housed in a modern black frame with white matte. SIZE: Sight: 8″ x 10-1/2″. CONDITION: Very good. 9-22291 (1,000-1,500)

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2419

MANNER OF JOAN MITCHELL (American, 1926-1992) ABSTRACTION. Oil on masonite abstract scene in colors of blue, green, yellow, and red. Signed lower right. Housed in a white painted wood frame. SIZE: 20″ x 16″. CONDITION: Very good. 9-23096 (1,000-1,500)

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2420

ELAIN (American, 20th Century) MODERN ABSTRACT. Large oil on canvas abstract scene in reds, yellows, & blues. Signed bottom right “Elain”. Housed in a silver metal frame. SIZE: 48″ x 48″. CONDITION: Good, surface dirt & discolored varnish. 9-22521 (500-1,000)

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2421

ROBERT WARREN DASH (American, 1934-) ABSTRACT. Unframed oil on paper abstract scene in colors of white, red & black. Signed upper left and dated “91”. Mounted to a foam board with tape. SIZE: 47-1/2″ x 31-1/2″. CONDITION: Some surface chips, good. 9-23093 (400-600)

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2422

TERRY FROST (English, 1915-2003) THREE WORKS: COLORFUL ABSTRACTS. All three with colorful line and half circle compositions. Each signed lower right and housed in decorative wood frames with mattes. Two are mixed media and one is a watercolor. SIZE: Sight: 7″ x 10″; 7-1/2″ x 8-1/2″; 7-1/2″ x 9-1/4″. CONDITION: Very good. 9-21814 (2,000-4,000)

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2423

BLANCHE ODIN (French, 1865-1957) STILL LIFE WITH FLOWERS. Watercolor still life scene shows a green vase filled with white lilies and blue hyacinths. Next to the vase is a fancy jewelry cask and several petals have fallen on the table surface next to it. Signed lower right. Housed in a modern oak carved wood frame with glass. SIZE: Sight: 30″ x 17″. CONDITION: Very good. 9-22235 (2,500-3,500)

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2424

NARCISSE-VIRGIL DIAZ DE LA PENA(French, 1807-1876) STILL LIFE OF ROSES. Unframed oil on canvas still life scene shows white and red roses stacked on a naturalistic setting, shaded dark brown to tan. Signed lower left “N Diaz”. SIZE: 10-1/2″ x 16″. CONDITION: Relined, craquelure, paint loss to left corners, otherwise fair to good. 9-22753 (1,000-2,000)

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2426

KARL XAVIER ROUSSEL (French, 1867-1944) SONG OF THE SABINE. Oil on board scene shows a figure with flute serenading a nude woman under a dark sky. Signed and dated indistinctly lower right. Housed in an antique gilt frame with gilt liner. SIZE: 8″ x 9-1/2″. CONDITION: Very good. 9-22253 (2,250-2,750)

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2427

LUC TULLAT (French, 1895-) “LA CHAPELLE-SUR-LOIR”. Oil on canvas French river landscape shows a large connected house with chimneys beside large tree with paved driveway on the edge of a large river. Signed lower right. Title on reverse. SIZE: 13″ x 16″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Some surface dirt, very good. 9-23523 (800-1,200)

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2428

GASTON SEBIRE (French, 1920-2001) “LES ARBRES ET LES OISEAUX”. Oil on canvas landscape scene shows houses against a wooded backdrop with a field in foreground with a flock of blackbirds overhead. Signed lower right. Housed in a fine gilt wood wide frame with linen and gilt liner. The liner having a metal title and artist plaque. The back having a Wally F. Galleries, New York label and string tag number “29630”. SIZE: 7-1/2″ x 18-1/2″. PROVENANCE: From a fine Maine home. CONDITION: Very good. 9-22296 (1,500-2,500)

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2429

ANDRE GISSON (American/French, 1921-2003) “PARIS VIEWS” ARCH DE TRIOMPHE. Oil on canvas Paris scene shows the Arch de Triomphe with a backdrop of large buildings. Many pedestrians, some holding parasols and the foreground with colorful flowers and trees. Signed lower left “A Gisson”. Housed in a good fancy gilt frame with linen liner. SIZE: 12″ x 24″. CONDITION: Very good. 9-22568 (2,000-4,000)

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2430

ANDRE GISSON (American/French, 1921-2003) A BUSY AFTERNOON. Oil on canvas Paris street scene shows a busy boulevard with people, cars & carriages. A tall monument is seen beyond trees with a flower vendor at the corner. Signed lower left. Housed in its original white painted wood frame. SIZE: 16″ x 20″. CONDITION: Very good. 9-22567 (2,000-4,000)

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2431

LEON VUILLEMINOT ERPIKUM (French, 19th Century) WOODLAND SLEEP. Oil on wood panel woodland scene shows a sleeping nude woman amongst green grass backed by trees. Signed lower left and dated lower right “1886”. Housed in a gilt molded wood frame with artist plaque. SIZE: 11″ x 16″. PROVENANCE: From a fine Maine home. CONDITION: Very good. 9-22854 (1,000-1,500)

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2432

JEAN DUFY (French, 1888-1964) “FEMME ASSISE (MME DUFY)”. Watercolor portrait of a seated woman wearing a greenish/gray dress with striped blouse, against a blue/green background. Signed lower right. On reverse is a label from Herman C. Goldsmith, New York, NY with artist & title. Housed in a decorative gold and black wood frame with linen matte & inner gold liner. SIZE: Sight: 16-3/4″ x 10-1/2″. CONDITION: Very good. 9-21650 (6,000-8,000)

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2433

ADOLPH JOSEPH THOMAS MONTICELLI (French, 1824-1886) THE GRAND BALL. Oil on wood panel scene shows people arriving in fancy gowns outside a large stone arch. Signed lower right. Housed in a partial gilt frame with gilt liner having metal artist plaque. SIZE: 13-1/2″ x 21-1/2″. CONDITION: Some inpainting, very good. 9-22639 (4,000-6,000)

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2434

ATTRIBUTED TO GUSTAVE COURBET (French,1819-1877) PICNIC AT THE FALLS. Large oil on canvas scene shows a tall waterfall cascading through rock ledge ending in a large pool. A big tree offers shade to two figures who sit reading it its shadow. Another man is at the falls. Glimpses of blue sky can be seen in a woodland canopy top above the falls. Signed lower right which probably was added later. Housed in a gilt wide molded wood frame. SIZE: 25-1/2″ x 36-1/2″. CONDITION: Small hole in sky, some restoration, craquelure. 9-22511 (5,000-7,000)

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2435

ATTRIBUTED TO HENRY EDMOND CROSS (French, 1856-1910) “PAYSAGE AVEC DES ARBRES, SAINT CLAIRE”. Oil on canvas colorful scene shows three tress overlooking water & coastline. Interesting technique of dabbing the paintbrush producing an extremely colorful & vibrant scene. Unsigned but having a typed label on reverse. Housed in a gilt gesso decorated frame. SIZE: 20″ x 23-3/4″. CONDITION: Very good. 9-22537 (3,000-5,000)

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2436

FB (French, 20th Century) HOT AIR BALLOONING OFF NORMANDY. Oil on plywood scene shows four colorful balloons flying over a coastal scene with white cliffs. Several well dressed onlookers at the beach and eight boats near the coast. Signed bottom right “FB”. Housed in a modern gilt molded wood frame. SIZE: 30-1/4″ x 48″. CONDITION: Very good. 9-22069 (4,000-6,000)

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2437

HENDRIK HULK (Netherlands, 1842-1937) “AMSTERDAM HARBOR”. Oil on canvas harbor scene shows several fishing boats in front of a large steamer with several boats in the background in a large harbor setting. The sun shines through clouds and casts light and reflections on the water. Signed bottom right “H Hulk”. Housed in a black painted wood frame with gold border. A metal artist & title plaque attached. SIZE: 30″ x 20″. CONDITION: Old patch to reverse, inpainting, top stretcher line evident, good. 9-22292 (2,000-3,000)

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2438

PIETER CORNELIUS DUMMERSEN (Dutch, 1834-1908) “HOORN ON THE ZUIDERZEE, HOLLAND”. Small oil on mahogany panel coastal scene shows a boat unloading and women carrying away the catch. A tall tower building is seen at the edge of town. Other boats are seen under a blue and scattered white cloud sky. Titled on reverse. Also with a red wax seal. Signed lower left and dated “1892”. Housed in a gold molded wood frame. SIZE: 6″ x 8″. CONDITION: Some surface dirt, very good. 9-22752 (1,200-1,600)

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2439

JAN VAN DE CAPPELLE (Dutch, 1624-1679) BOATS ON A CALM SEA. Unsigned black & white chalk on blue paper scene shows three boats in the foreground, others in the distance with a figure on dry land beside. Housed in a modern silver edge frame with double mattes. Discovery Gallery Inc. Santa Fe, New Mexico label on reverse indicating From the Collection of Victor Koch, London. Also a Kulicke New York framing label. SIZE: Sight: 9-3/4″ x 15-3/4″. PROVENANCE: From a Bar Harbor, Maine home. CONDITION: Very good. 9-23357 (1,200-1,500)

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2440

UNSIGNED (European, 19th/20th Century) THE FISH MARKET. Large oil on canvas laid on board scene shows a large fish market with two men bartering over assorted fish. In the background a woman carries a bushel basket and a man carries a large basket. Gas lights light the scene. Housed in an antique gilt carved wood frame. SIZE: 36-1/4″ x 28-3/4″. CONDITION: Relined, minor touch up, very good. 9-22720 (1,500-2,500)

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2441

JAMES BAKER PYNE (British, 1800 – 1870) GATHERING AT THE DOCK. Oil on canvas English coastal scene shows a gathering of women and men near large stone pier with people onloading cargo onto ships which are on the far side with masts showing. Signed lower left “Jme. Pyne”. Housed in a period frame with losses. SIZE: 12″ x 20″. CONDITION: Restored with inpainting, relined. 9-23587 (1,500-2,000)

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2442

WILLIAM PADGETT (British, 1851-1904) GATHERING SEAWEED ON BRITTANY BEACH. Two women are seen next to large piles of seaweed on a flat beach with seagulls flying under a gray and white cloud and blue sky. Signed lower right “W Padgett”. Housed in a fine gesso decorated period frame with gilt liner. SIZE: 18-1/2″ x 24-1/2″. PROVENANCE: From an Ellsworth, Maine Estate. CONDITION: Very good. 9-21947 (1,000-1,500)

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2443

ALFRED GEORGE STANNARD (British, 1828-1885) ENGLISH FISHING FLEET. Unsigned oil on canvas coastal scene shows several fishing boats at low tide being readied for a fishing trip. Several people are seen in & about and several boats are seen in calm water. A house with stairway is seen on left side with drying nets on the wall. All under light blue & cloud sky. Housed in a modern gilt frame. SIZE: 21-1/4″ x 28-3/4″. CONDITION: Relined, craquelure, a couple of small chips, otherwise very good. 9-23112 (600-800)

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2444

JOHN HENRY MOLE (British, 1814-1886) “THE FISHERMAN’S RETURN”. Fine watercolor scene shows a fisherman landing his boat and greeting his family. He holds a jug in one hand and kisses his baby in the other. His daughter looks on at the fine catch as his son unloads the boat. Signed lower right and dated “1856”. Housed in a fine gesso decorated gilt frame with artist plaque. SIZE: Sight: 19-1/2″ x 15-1/2″. CONDITION: Very good. 9-23454 (1,500-2,500)

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2445

SIMKA SIMKHOVITCH (American/Russian, 1893-1949) SONYA. Unframed oil on canvas 3/4 portrait of the artist daughter as a young girl. She is seen in a wooded area reading a book. Signed lower left. REFERENCE: See 1939 Exhibition, PA Academy of Art. Ex-Milch Galleries, NYC. SIZE: 21-1/4″ x 13″. CONDITION: Very good. 9-22731 (5,500-7,500)

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2446

SIMKA SIMKHOVITCH (Russian/American, 1893 – 1949) “RUSSIAN MAID”. Watercolor scene shows a maid washing a large white pan in a dry sink. Signed lower right and dated “1924”. Housed in a decorative wood frame with white matte. An old label from the previous frame “From the Cleveland Museum of Art, Fourth Exhibition of Watercolors & Pastels, 1927″ with artist & title attached to reverse. SIZE: Sight: 8″ x 5-1/2”. CONDITION: Very good. 9-22745 (1,750-2,250)

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2447

SIMKA SIMKOVITCH (Russian/American, 1893-1949) STILL LIFE OF ZINNIAS. Unframed oil on canvas still life scene shows a tall black Bristol vase decorated with Jenny Lind figure holding a bouquet of white, yellow, pink, and red zinnias with other greenery. Signed center bottom and dated “1930”. SIZE: 33″ x 25″. CONDITION: Discolored varnish, otherwise good. 9-22732 (2,750-3,750)

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2448

NICOLAI S. CIKOVSKY (Russian/American, 1894-1984) SUMMER STROLL. Oil on panel scene shows a sandy beach with two rowboats pushed up amongst the grass and a woman in pink strolling at the water’s edge. All under a blue & white cloud sky. Signed lower right. Housed in a painted molded wood frame. SIZE: 11-1/2″ x 24″. CONDITION: Very good. 9-22583 (2,000-3,000)

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2449

SERGEI DANILOVICH DUMENKO (Ukrainian, 1909) SUMMER IN ODESSA. Oil on board summer scene shows a woman tending a herd of brown cows with several houses and people on a small hillside. Signed lower right in Cyrillic and dated “39”. Housed in a gilt molded wood modern frame. SIZE: 14-1/4” x 19”. PROVENANCE: Boris Wilnitsky Fine Arts, Vienna, Austria. CONDITION: Some inpainting, very good. 9-22651 (800-1,200)

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2450

ANDREI AFANASIEVICH EGROV (Russian, 1878-1954) THE PATH HOME. Gouache/light oil winter scene shows a woman with a gather of sticks walking along a thin path through deep snow toward a haystack and woods. In the background is a frozen lake surrounded by colorful trees. Signed lower right. Housed in its original gilt wood frame behind glass. SIZE: Sight: 12″ x 18″. PROVENANCE: From a fine Maine home. CONDITION: Two chips in background woods, otherwise very good. 9-22077 (2,000-4,000)

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2451

CONSTANTIN ALEXANDROVITCH WESTCHILOFF (Russian/American, 1877-1945) WAVES BREAKING ON THE ROCKY COAST. Oil on canvas coastline scene shows a crashing wave along a rocky cliff with two seagulls flying over and sunshine cascading reflections on the water. Signed lower right. Housed in a partially gilt frame with white and gold liner. Back retaining an old entry from an auction catalog with title. SIZE: 16″ x 20″. PROVENANCE: West Palm Beach, FL Estate. CONDITION: Surface dirt, very good. 9-98809 (2,000-4,000)

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2452

ANDREI AFANASIEVICH EGROV (Russian, 1878-1954) WINTER RIDE. Gouache winter scene shows a one-horse driven sleigh with man riding toward viewer on a well used trail across snow covered field with woods beyond. All under blue sky. Signed lower left. Housed in its original simple gold frame. SIZE: Sight: 10-1/2″ x 12″. PROVENANCE: From a fine Maine home. CONDITION: Very good. 9-22078 (1,500-2,500)

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2453

JEAN LAURENS (19th/20th Century) RUSSIAN CURRIER. Oil on canvas winter scene shows a six-horse pulled sleigh driven by a man on one of the horses and a man with a gun looks back at two wolves in the snowbank. Signed lower left and dated “1907”. Housed in a period gesso decorated gilt frame (with losses) with gilt liners having title plaque. SIZE: 20″ x 30″. PROVENANCE: From a West Virginia Collection. CONDITION: Relined, very good. 9-21798 (2,500-4,000)

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2454

VLADIMIR MIKHAILOVICH SINITSKI (Russian, 1896-1980) THE APPLE ORCHARD. Oil on board scene shows two fruit trees behind a home with rain barrel and fence. Signed lower right in Cyrillic and dated “68”. Housed in a modern carved gilt frame. SIZE: 10-1/2″ x 13-1/2″. PROVENANCE: Boris Wilnitsky Fine Arts, Vienna Austria. CONDITION: Very good. 9-22656 (600-900)

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2455

A. SCHULTE (French, Second half of the 20th Century) THREE STILL LIFE WORKS. Oil on canvas works show different still life with table top views of fruit and flowers. One with carafe of wine, another with plate & pear, and the largest showing a red tray with roses, pansies & fruit. All similarly housed in modern gilt decorative frames with linen liners. Each signed “Schulte”. One having writing on stretcher “A. Schulte” with French address. SIZE: 23-1/2″ x 28-1/2″; 21-3/4″ x 15″. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23537 (1,000-2,000)

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2456

JEAN LOUIS LEFORT (French, 1875-1954) CHILDREN AT THE BEACH. Oil on wood panel scene shows ten children in colorful outfits playing on a sandy beach in shallow water. One plays with his toy sailboat, others collect shells amongst the rocks. Colorful sky with waves in the background. Signed lower right. Housed in a fine gesso decorated gilt frame. SIZE: 15-3/4″ x 23-1/2″. CONDITION: Very good. 9-23034 (1,500-2,500)

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2457

ATTRIBUTED TO AUGUSTE RODIN (French, 1840-1917) STANDING NUDES. Graphite heightened with watercolor scene shows two standing nude women. Signed lower right “A Rodin”. A Meltzer Gallery, New York label from previous framing is attached to the reverse. Housed in a modern wood frame with linen matte. SIZE: Total: 15-3/4″ x 11-3/4″. CONDITION: Some fold and light toning, good. 9-22870 (1,000-3,000)

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2458

ATTRIBUTED TO AUGUSTE RODIN (French, 1840-1917) RECLINING NUDE. Graphite heightened with watercolor scene shows a portrait of a reclining nude woman. Signed lower right in pencil “A Rodin”. The back having a Meltzer Gallery, New York label removed from its previous framing. SIZE: Total: 11″ x 15-3/4″. CONDITION: Vertical crease and other smaller creases, good. 9-22871 (1,000-3,000)

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2459

ANGE (French? First quarter of the 20th Century) FOUNTAIN AT PLACE DE LA CONCORDE. Oil on canvas Paris scene shows the well known landmark with large fountain and obelisk. A large number of people and vehicles are seen with a columned building background. Signed bottom right “Ange”. Housed in a fine French style pierce carved wood gilt frame with linen liner. The frame having an unidentified brand, also “N.Y.” and “France”. The medial stretcher having an old label “Zborowski 26 Rue De Seine Paris”. SIZE: 18-1/4″ x 22″. PROVENANCE: From a Connecticut Collection. CONDITION: Very good. 9-22265 (1,000-2,000)

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2460

SIGNED (French, 19th/20th Century) THE ARCHED BRIDGE. Oil on canvas scene shows a small arched bridge over a brook leading between hillsides with foreground trees and grazing sheep. Signed bottom right with what appears to be “D.N.Jacquarrie”. Housed in an antique gesso decorated white painted frame with gilt liner. SIZE: 14″ X 20-1/2″. CONDITION: Relined with inpainting, craquelure, good. 9-22793 (1,000-2,000)

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2461

ATTRIBUTED TO HENRIETTA RONNER (Belgian, 1821-1909) THREE LITTLE KITTENS. Unsigned oil on canvas laid on board scene shows one black & white kitten with collar bell and two small gray tiger kittens. Housed in a modern gilt frame. SIZE: Sight: 3-1/4″ x 6-1/4″. CONDITION: Very good. 9-22728 (1,500-2,000)

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2462

HIPPOLYTE EMMANUEL BOULANGER (Belgian, 1837-1874) THATCHED COTTAGE BY THE POND. Oil on canvas laid on panel scene shows a cottage with figure beside nestled under tall trees next to a pond under grey & white cloud sky. Signed lower left. Housed in a modern gilt frame with linen matte and gold liner. SIZE: 5-1/4″ x 6-1/2″. CONDITION: Very good. 9-22869 (600-800)

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2463

ROBERT RUSSELL MACNEE (British, 1880-1952) “THE END HOUSE”. Oil on canvas English country scene shows a thatched roof farmhouse with chickens outside the front door and road leading beyond. Signed bottom right “R Russell Macnee 1915”. A label on reverse of canvas with title, artist, & address. “Winsor & Newton’s” London canvas stamp. Housed in a period gold frame with linen and gold liner. SIZE: 14″ x 18″. PROVENANCE: From a Portland, Maine area Estate. CONDITION: Some touch up to edge areas, some consolidation to paint surface with craquelure. Good. 9-22402 (1,200-1,600)

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2464

G D HUNT (British, 19th Century) HIGHLAND LAKE REFLECTIONS. Large oil on canvas landscape scene shows two fisherman in a boat at the edge of a calm lake which is reflecting the background hills and mountains which are being lit by a colorful sky and hidden sun. A shower is moving off to the right. Signed bottom right and dated “1876”. Housed in an outstanding original gesso decorated gilt frame with gilt liner. SIZE: 27″ x 44″. CONDITION: Relined, inpainting, very good. 9-21876 (2,000-4,000)

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2465

RAOUL MILLAIS (British, 1901-1999) PICNIC BY THE LAKE. Oil on canvas summer scene shows a small lake surrounded by grass and trees under a light blue and white cloud sky. In the foreground is an elegant group of people, two are fishing, two ladies are seen in fancy dress & two men are seen next to and on top of a horse. The family dog is seen playing on the sunlit grass. Signed lower right. Housed in a carved decorated wood frame. SIZE: 10″ x 12″. CONDITION: Very good. 9-22541 (2,000-3,000)

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2466

WILLIAM MELLOR (British, 1851-1931) “RYDAL WATER – WEST MORELAND”. Oil on canvas landscape scene shows a lake surrounded by mountains with foreground rock ledge and pebble shoreline. Signed lower right. Housed in a re-gilt wood period frame with gilt liner. Signed and titled on reverse. SIZE: 12″ x 20″. CONDITION: Patch to reverse with corresponding inpainting and restoration, very good. 9-21819 (1,500-2,500)

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2467

EUGENE VAN HOVE (European, 19th Century) TRAVELER PASSING A WATERFALL. Oil on canvas landscape scene shows a man in red coat walking with dog across a wood bridge just beyond a cascading waterfall with steep cliffs. A castle ruin can be seen on top of a cliff with a flock of birds in a sun setting with blue & white clouds. Signed lower right and dated “1856”. Housed in its original gilt wood frame. SIZE: 21-1/4″ x 16″. CONDITION: Light craquelure, very good. 9-23029 (1,500-2,500)

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2468

S. TOUDOUZE (European, 19th Century) NATURE’S STILL LIFE. Large oil on wood panel shows a gathering of natures flowers amongst leaves in a natural setting with hills and sky behind. Signed lower left and dated “1882”. Housed in a period gilt gesso decorated frame with gilt liner. SIZE: 37″ x 28-1/2″. CONDITION: Panel has butterfly repairs to vertical split at center, inpainting, thick varnish layer, fair to good. 9-22519 (2,500-3,500)

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2469

CLEMENTE PUJOL DE GUSTAVINO (Spanish, 19th Century) A REST ON THE VERANDA. Oil on wood panel scene shows a young woman in a fancy pink dress with matching hat having a large gold neck scarf. Her arms are crossed holding a fan and the background is a Classical influenced rail with urn topped post. Signed lower left. Housed in a pierce decorated gilt frame. SIZE: 11″ x 8″. CONDITION: Very good, very minor touch up. 9-22241 (3,250-3,750)

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2470

ALBERTO PLA Y RUBIO (Spanish, 1867-1937) FIERY VINES. Oil on wood panel laid on panel scene shows the edge of a wooded area having tall green trees and colorful trailing vines in red, yellow, and greens. All under blue sky with white clouds. Signed lower right. Housed in a gilt carved oak frame. SIZE: 17-1/4″ x 12″. CONDITION: Restored crack with inpainting. 9-22239 (2,250-2,750)

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2471

FRANCISCO REBOLO GONZALES (Brazilian, 1902-1980) EARTH’S FURY. Oil on canvas scene of a smoldering lava spewing dark volcano and the march of the population away from it. Signed lower right. Housed in an oak frame. SIZE: Sight: 19-1/2″ x 24″. CONDITION: Very good. 9-22533 (1,000-1,500)

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2472

RAMOS CATALAN (Chilean, 19th/20th Century) WHITE PEAKS. Oil on canvas South American scene shows a ridge of high snow peaked mountains dropping to a flat valley floor. Signed lower right. Housed in a gilt carved oak frame. SIZE: 11″ x 13-1/4″. CONDITION: One small patch to reverse, minor inpainting, very good. 9-22238 (800-1,200)

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2473

JOHANNES HERMAN BRANDT (Denmark, 1850-1926) “CRASHING SURF”. Oil on canvas coastal scene shows a large wave pummeling a rocky shore causing a large plume of spray. Signed lower left and dated “1898”. Housed in its original gesso decorated leaf motif gilt frame with gilt liner. SIZE: 16-3/4″ x 23″. CONDITION: Relined, some inpainting. Very good. 9-21818 (1,000-1,500)

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2474

ATTRIBUTED TO FRANCIS WHEATLEY (British, 1747-1801) “HEREFORD MARKET”. Outstanding unsigned oil on canvas market scene shows a man holding the reins of a small white cow next to a tent with family selling various produce & eggs. The man & woman stand out front while the kids play under the tent. The background scene of a village with people and distant water. Housed in a fine fancy gilt frame with fancy gilt title and artist plaque. F.R. Identification label on reverse with artist & title. SIZE: 18-1/4″ x 24-1/2″. CONDITION: Relined with some inpainting, very good. 9-23496 (1,000-2,000)

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2475

BERNARD CECIL GOTCH (British, 1876-1940) TWO WORKS: TOWER BRIDGE & CATHEDRAL INTERIOR. 1) Fine watercolor shows a fancy stone bridge over river with large tower having cathedral windows and six-spire top. Signed bottom right “Bernard C. Gotch”. 2) View of the inner doorways of a large building. Signed bottom right “Bernard Gotch”. Housed in identical gold frames with different highlighted mattes. SIZE: Sight: 1) 14-1/2″ x 10-1/2″. 2) 14-1/2″ x 9-1/2″. PROVENANCE: From a fine Maine home. CONDITION: Both are very good. 9-21921 (800-1,200)

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2476

WILLIAM MATTHISON (British, 1853-1926) TWO WORKS: CAMBRIDGE UNIVERSITY. Two watercolors showing different parts of Cambridge University. One being an interior, the other is outside looking toward trees, building, and church. Both signed “W Matthison”. Nicely housed in gilt frames with white mattes. Accompanying the watercolors is a book “Cambridge” by MAR Tucker, illustrated by W. Matthison. SIZE: Sight: 14″ x 9-1/2″ and 13-1/2″ x 9-1/2″. PROVENANCE: From a fine Maine home. CONDITION: Very good. 9-21922 (800-1,200)

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2477

A. CHESTER (British, 19th/20th Century) LIFFEY RIVER, DUBLIN, IRELAND. Watercolor evening scene shows several boats on a wide river with a cityscape background and a large five-arch stone bridge with street lights atop. Signed lower left “A. Chester”. Housed in a decorative partial gilt wood frame. SIZE: Sight: 15-1/2″ x 23-1/2″. CONDITION: Very good. 9-22249 (800-1,200)

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2478

WILLIAM POSEY SILVA (American, 1859-1948) “COTTAGE IN PICARDY, FRANCE”. Oil on board scene shows a long red roof cottage under tall trees with blue & pink sky. Signed bottom right. Housed in a modern gilt carved wood frame. The back having a Kennedy Galleries label. Also an Abbott Silva label. SIZE: 18″ x 14″. CONDITION: Very good. 9-23103 (2,000-3,000)

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2479

FRANK MILTON ARMINGTON (American/Canada, 1876-1941) FRENCH TOWN SCENE. Oil on wood panel scene shows a garden area behind a house with tall town buildings nearby. Signed lower left. Housed in a partial gilt frame with linen liner. SIZE: 16″ x 12″. CONDITION: Inpainting, very good. 9-22525 (1,000-1,500)

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2480

ATTRIBUTED TO LOUIS RITMAN (American, 1889-1963) LANDSCAPE IN GIVERNY. Oil on canvas impressionistic scene shows a barn amongst tall trees with colorful fields and foreground wildflowers. Unsigned. Housed in an antique gold painted wood frame. SIZE: 20″ x 18″. CONDITION: Very good. 9-23095 (600-800)

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2481

M. KATZ (Mid 20th Century) PARISIAN EVENING. Oil on canvas scene shows a river with arched bridges and a corner block with tall building under evening sky. Signed lower right. Housed in a decorative partial gilt gesso decorated frame. SIZE: 24″ x 36″. CONDITION: Very good. 9-22251 (400-600)

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2482

GEORGE HENRY BOGERT (American, 1864-1944) THE FRENCH COUNTRYSIDE. Oil on canvas mounted to masonite summer scene shows a canal with grass covered banks and dirt road leading to a small village surrounded by tall trees. A figure is seen in a field with crows. Signed center bottom. Housed in a white wood frame. SIZE: 22-1/2″ x 36″. CONDITION: Several areas which appear to be tears with loss of paint, in need of restoration. 9-98898 (800-1,200)

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2483

GORDON HOPE GRANT (American, 1875-1962) “MARSEILLES HARBOR”. Fine watercolor harbor scene shows a large two-mast ship tied to a mooring buoy with many smaller boats surrounding it. The backdrop is tall buildings under blue & white cloud sky. Signed lower left and inscribed “Marseilles 1927″. Housed in a modern silver gilt frame with white & gray matte. An old artist label with title on back. SIZE: Sight: 11″ x 16”. PROVENANCE: Robert Frederick Woolworth Estate, Monmouth, Maine. (F.W. Woolworth Store). CONDITION: Very good. 9-23505 (1,000-2,000)

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2484

GEORGE WILLIAM SOTTER (American, 1879-1953) VENETIAN CANAL. Oil on board Venice scene shows an arched bridge over a canal lined with tall buildings. Shadows are cast by angled sunlight and figures are seen atop the bridge. Signed lower left. Housed in a modern carved & gilt wood frame. SIZE: 7″ x 4-3/4″. CONDITION: Very good. 9-23581 (1,500-2,500)

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2485

ERNEST DAVID ROTH (American, 1879-1964) VENICE GONDOLA. Oil on panel sketch shows a black gondola moored to a tall post near buildings doorway. Signed lower right. Housed in a replacement carved & gilt wood frame with wide carved & gilt liner having gilt wood artist plaque. On reverse is a signed statement certifying that this is a sketch for a larger painting, signed by the curator of the Mattatuck Historical Society. SIZE: 9″ x 13-1/2″. CONDITION: Very good. 9-22702 (1,250-1,750)

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2486

OLIVER DENNETT GLOVER (American/British, 1861-1927) VENICE. Watercolor scene shows a gondola in front of a distant entrance to a canal with white fronted domed building, tower and walls. All under blue sky. Signed lower left. Housed in a carved gilt wide frame with glass. SIZE: Sight: 8-1/2″ x 10-3/4″. CONDITION: Very good. 9-22694 (600-800)

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2487

JOSEPH LINDON SMITH (American, 1863-1950) PONTE DI CASTELVECCHIO, VERONA, ITALY. Oil on canvas Italian scene shows a three-arched stone bridge with towers over a large river. All seen under a blue & white cloud sky. Signed lower left. Housed in an antique gilt frame. SIZE: 16″ x 23″. CONDITION: Restored, inpainting, good. 9-22636 (1,000-1,500)

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2488

ZULLO (19th/20th Century) THE PYRAMIDS OF GIZA. Watercolor Egyptian scene shows two men with camel having the three pyramids and the sphinx as a backdrop. Signed bottom right “Zullo”, possibly T. Zullo. Housed in its original oak frame with wide gilt matte. SIZE: Sight: 9-1/2″ x 19″. CONDITION: Some foxing, otherwise very good. 9-21848 (300-500)

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2489

HAYLEY LEVER (American, 1875-1958) “THE CUT AT ST. AUSTRELL, ENGLAND, 1904.”. Oil on canvas landscape shows a notch between two hills in a springtime setting. Signed lower right “Hayley Lever”. Housed in a gilt, modern wood frame. REFERENCE: Hayley Lever exhibition catalog of the Clayton & Liberatore Art Gallery, Bridgehampton, NY. Illustrated No. 11. Also accompa