Annual Samoset Auction
Our Largest Grossing Summer Auction: $3.3 Million!

Auction: August 24th-26th, 2005

Preview: August 23, 2005

Please Note: All prices include the hammer price plus the buyer’s premium, which is paid by the buyer as part of the purchase price. The prices noted here after the auction are considered unofficial and do not become official until after the 46th day.

If you have questions please email antiques@jamesdjulia.com.


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Image Lot
Price
Description
1

ROBERT CHARLES GRUPPE (American, 1944-) TRANQUIL COVE. Unframed oil on canvas scene shows a calm inlet with several boats at mooring including a large green schooner. A couple of sails are seen going towards open ocean. Appears to be a North Shore Massachusetts scene. Signed lower right. SIZE: 24” x 36”. CONDITION: Very good to excellent. 9-27174 (1,000-2,000)

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2

ROBERT CHARLES GRUPPE (American, 1944-) “CORTEZ”. Unframed oil on canvas harbor scene shows a variety of small boats at dock with low buildings. A blue hulled boat is seen with two people and five pelicans swim closely by. Signed lower right. Titled and signed on back stretcher. SIZE: 24” x 36”. CONDITION: Very good to excellent. 9-27173 (1,000-2,000)

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3

MIKE GRAVES (American, Late 20th Century) CAPE ANN BEACH SCENE. Oil on canvas beach scene shows many bathers with colorful beach umbrellas. Some people are in the surf, others on sandy beach. Signed lower right “Mike Graves”. Housed in a nice gilt molded wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-26435 (2,200-2,800)

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4

MIKE GRAVES (American, Late 20th Century) SUNBATHING AT CAPE ANN BEACH. Oil on canvas scene shows a crescent shaped beach with two lifeguard tower chairs and many people walking and sunbathing. Signed lower right “Mike Graves”. Housed in a fine gesso decorated gilt frame. SIZE: 10” x 16”. CONDITION: Very good. 9-26434 (1,800-2,200)

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5

WILLIAM LESTER STEVENS (American, 1888-1969) HALIBUT POINT, ROCKPORT. Oil on canvas coastal scene shows rocks at waters edge with small waves. Two boats are seen on a calm ocean. Signed lower left and lower right “W. Lester Stevens NA”. Housed in a fine gesso decorated gilt frame with linen liner. SIZE: 24” x 30”. CONDITION: Very good, relined. 9-26852 (7,000-10,000)

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6

WILLIAM LESTER STEVENS (American, 1888-1969) NEW ENGLAND LANDSCAPE WITH CHURCH STEEPLE. Large oil on canvas New England scene shows a large church having large steeple with weathervane and green shutters. Some flowering trees line dirt road with a large tree on right side. Signed lower right “W. Lester Stevens N.A.”. Housed in a carved painted frame. SIZE: 25” x 30”. CONDITION: Very good. 9-27666 (4,000-6,000)

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7

ARTHUR LINGQUIST (American, 1889-1975) “AFTERNOON SHADOWS”. Oil on canvas scene shows a New England connected farmhouse with barn and shack. A dirt road winds by with rock wall and wire fence. Late fall with some colorful foliage present. Signed lower right “A Lingquist”. Housed in a gilt molded wood frame with linen liner. SIZE: 20” x 24”. CONDITION: Very good. 9-27122 (2,000-3,000)

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8

ARTHUR LINGQUIST (American, 1889-1975) “VERMONT TROUT STREAM”. Oil on canvas New England scene shows a rushing stream through boulders lined with evergreens and birches. A mountain is in the background under blue sky. Signed lower right “A Lingquist”. Housed in a fine modern gilt molded wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-27123 (1,500-2,500)

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9

MAURITZ FREDERIK DE HAAS (American, 1832-1895) “SUNSET – LONG ISLAND”. Oil on board evening scene shows a single mast sailboat with sail up and two figures on board next to a skiff with two figures. They are close to shore with small waves and some mooring posts. A two-mast sailboat is seen in distance under a setting bright sun which casts an orange and yellow sunset under partly cloudy skies. Signed lower right. Housed in its original fancy gilt frame with gilt liner and artist plaque. A label with title and artist name on back. Also a Winsor & Newton Millboard label. PROVENANCE: From a fine Maine home. SIZE: 11-3/4” x 10”. CONDITION: A chip 1” from the bottom right edge has lodged itself into several pieces under the framing glass. The upper right corner has a small section of lifting paint with all paint present. Otherwise in very good condition. Untouched. 9-27584 (2,500-4,000)

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10

JAMES GALE TYLER (American, 1855-1931) ON THE WAY TO PORT. Oil on canvas marine scene shows a fully laden fishing boat rushing to port. In full sail having two masts and three men on board. Another boat is seen off right side. Signed lower right “James G. Tyler”. Housed in a fine gilt molded wood replacement frame. SIZE: 20” x 15”. CONDITION: Very good. 9-27054 (2,000-4,000)

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11

WILLIAM RICHARDSON TYLER (American, 1825-1896) MEDITERRANEAN HARBOR. Oil on canvas scene shows an Italian harbor with buildings and boats moored alongside city wharf. A small gondolier is seen on left next to colorful sailboat. Signed lower left “WR Tyler”. Housed in its original wood frame with regold paint. SIZE: 12” x 20”. CONDITION: Some restoration, inpainting. Good. 9-28075 (2,000-4,000)

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12

ALEXANDER HELWIG WYANT (American, 1836-1892) IMPRESSIONISTIC LANDSCAPE. Oil on canvas landscape shows trees beyond a field under gray and white clouds. Signed lower left. Housed in its original fancy gilt gesso decorated frame with gold liner having artist name tag. SIZE: 7-1/4” x 12”. CONDITION: Very good. 9-27712 (3,000-5,000)

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13

ALEXANDER HELWIG WYANT (American, 1836-1892) SUMMER HILLSIDE. Fine watercolor landscape scene shows a grass covered hillside bordered by trees. Foreground crossed by a stone wall. Signed lower left “AH Wyant 1872”. Housed in what appears to be its original gesso decorated pierced fancy frame with gold liner having artist plaque. SIGHT SIZE: 9-3/4” x 7-1/4”. CONDITION: Very good. 9-27736 (1,500-2,000)

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14

LAURENCE PHILIP SISSON (American, 1928-) TIDE POOL AND ROCKS. Large oil on canvas ocean side scene shows large granite rocks with crashing waves into a long tidal pool. Signed lower left “L. Sisson”. Housed in a modern gilt wood frame. SIZE: 30” x 48”. CONDITION: Very good. 9-27295 (4,000-6,000)

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15

FREDERIC JUDD WAUGH (American, 1861-1940) “AFTERNOON GLOW”. Oil on masonite coastal scene shows waves crashing on rocks in a late afternoon/early evening setting sun. Signed lower left. Housed in a fine gilt carved wood replacement frame. Titled on reverse. SIZE: 14-1/4” x 18”. CONDITION: Minor inpainting, very good. 9-26790 (5,000-7,000)

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16

MARY CABLE BUTLER (American, 1865-1946) OFF THE COAST-MONHEGAN, MAINE. Outstanding oil on canvas seascape with blue ocean having white cresting waves lapping on rocks and foreground with coastal rock ledges. Signed lower right “Mary Butler”. Housed in an outstanding gilt carved wood replacement modern frame. SIZE: 24” x 32”. CONDITION: Very good. Cleaned with only very minor spot inpainting. Relined, restretched. 9-27959 (3,000-5,000)

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17

CHARLES HERBERT WOODBURY (American, 1864-1940) DORY BOAT FISHERMAN. Oil on board scene shows a single fisherman rowing his boat up a large wave. Signed lower right. Housed in a fine art nouveau style gilt carved frame. Nice colors of blues in a well rendered Woodbury seascape. SIZE: 20” x 24”. CONDITION: Very good. 9-27709 (8,000-12,000)

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18

CHARLES H. WOODBURY (American, 1964-1940) “MARINE”. Oil on canvas scene shows open ocean with horizon with white cresting waves. Back of canvas in pencil “Property of E. W. P.(Elizabeth Ward Perkins) C. H. Woodbury Marine 149”. Housed in a gilt molded wood frame. Unsigned front. SIZE: 17” x 21”. CONDITION: Very good. 9-27202 (800-1,200)

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19

JAY HALL CONNAWAY (American, 1893-1970) FIGURE ON ROCKY COAST. Oil on canvas scene shows what is probably Monhegan Island with a lone woman seated on rocky coastline looking out at the ocean. Soft colors with effective use of light shading. Signed lower right “Connaway”. Housed in a simple wood frame with linen liner. SIZE: 15” x 22”. CONDITION: Relined, very good. 5-71777 (5,000-7,500)

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20

ABBOTT FULLER GRAVES (American, 1859-1936) HARBOR LOOKOUT. Outstanding oil on canvas summer scene shows two young ladies, one standing wearing pink dress and matching hat. The other seated beside with white dress, blue scarf and flower decorated hat. They look out over a blue harbor with sailboat racing by. A large town/city is in background with large center building. Other sailboats are seen against building. The women are surrounded by colorful tall flowers and they sit on a large granite outcropping. Signed lower right “Abbott Graves”. Housed in a gesso decorated gilt frame which is not original but period. To our knowledge, this painting has never been offered for sale and remains in its original untouched condition. The best Abbott Fuller Graves painting that we have seen. SIZE: 20” x 16”. CONDITION: Untouched, as found. It is dirty and has a 1/4” round hole just below the standing ladies hat at the end , mostly in the sky. There is surface dirt and some craquelure. 9-27164 (100,000-150,000)

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21

ABBOTT FULLER GRAVES (American, 1859-1936) GARDEN POOL. Gouache on paper scene shows a small pool lined with a tall white double column classical perimeter. Flowers hang over top rail and along waters edge. Signed lower left “Abbott Graves”. Housed in a modern gray painted frame with gray matte. SIGHT SIZE: 15-1/2” x 19-1/2”. CONDITION: Very good. 9-27188 (3,000-5,000)

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22

JAMES FITZGERALD (American, 1899-1971) SEINING OFF MONHEGAN UNDER MOONLIGHT. Large watercolor scene shows three dories having two men rowing in each in choppy water under full moon. Signed lower right. Housed in a gilt molded wood frame with wide white matte. SIZE: 20” x 24-3/4”. CONDITION: Very good. 9-27298 (9,000-12,000)

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22A

JAMES FITZGERALD (American, 1899-1971) “MONHEGAN MOON”. Oil on masonite scene shows a full moon over a choppy sea with deep blue sky and clouds. Signed lower right “James Fitzgerald”. Housed in a decorated molded wood frame. SIZE: 14” x 24”. CONDITION: Good. 9-28086 (3,000-5,000)

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22B

JAMES FITZGERALD (American, 1899-1971) “SKETCH OF AARAN ISLAND GIRL”. Black marker sketch of a girl with scarf on head. Titled with artist name on back with date “1971”. Housed in a wood frame with white matte. Unsigned. SIGHT SIZE: 5-1/4” x 3-1/2”. CONDITION: 9-26690 (250-500)

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23

WILLIAM THON (American, 1906-2000) “FEBRUARY SNOW 1977”. Outstanding watercolor on paper winter scene shows snowfall through an abstract black tree forest. Signed lower right “Thon”. There are six exhibition labels on reverse including National Academy of Design, Midtown Galleries, Audubon Artists, and Hobe Sound Galleries North. Housed in a fine gold leaf molded wood frame with linen matte. SIZE: 20-1/2” x 27”. CONDITION: Very good. 9-27297 (4,000-6,000)

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24

STANLEY M ZUCKERBERG (American, 1919-) “FISHERMAN’S WAKE-NOVA SCOTIA”. Fine oil on board scene shows the stern onboard view of a boat pulling a fishing dory along its wake with a flock of seagulls. Other fishing boats trailing in background with tall white and gray clouds in distance. A very realistic and detailed view. Signed lower right “Zuckerberg Nova Scotia”. Titled on back. Housed in what appears to be its original carved and partial gilt wood frame with linen and gold liner. Frame with title and artist plaque. SIZE: 30” x 24”. CONDITION: Very good. 9-27911 (2,000-4,000)

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25

HOWARD RUSSELL BUTLER (American, 1856-1934) “BALD HEAD CLIFF, OGUNQUIT, MAINE, STORMY SEA, MOONLIGHT WITH SINGLE STAR”. Oil on canvas scene shows rocky coastline with crashing waves. Signed lower right “H. R. Butler”. Housed in a wonderful gold leaf carved frame. SIZE: 25” x 32”. CONDITION: Cleaned with minor inpainting in very good condition. 9-27201 (2,000-3,000)

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26

BERNARD KARFIOL (American, 1886-1952) “RESTING”. Large oil on canvas scene shows two women seated on porch overlooking water with rocks. One wears a red dress, the other a blue robe. Signed lower left “B Karfiol”. Housed in its original white washed weathered frame with white liner. The back stretcher has title and dated 1935. A partial exhibit label and marked 59. SIZE: 40” x 30”. CONDITION: Very good. 9-27755 (8,000-12,000)

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27

BERNARD KARFIOL (American, 1886-1952) “THE POND IN THE WOODS”. Oil on canvas scene shows a pond visited by two nude bathers. Large trees and colorful foliage surround water. Signed lower left “B Karfiol”. Housed in a wide ripple carved ogee type frame. Titled and signed on stretcher. Also a label from Marbella Gallery, New York with artist, title and date Circa 1934. An auction label on reverse indicates the provenance as Dorothy Varian. SIZE: 12” x 18”. CONDITION: Very good. 9-27215 (1,500-2,500)

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28

ERNEST FIENE (American, 1894-1965) “MONHEGAN HARBOR”. Colorful oil on canvas Monhegan Island cove scene shows five boats moored side by side in front of large rocky cliff in dark and light green water under a bright yellow sky. Several white seagulls are seen against the black rock. Signed lower left “E. Fiene”. Titled on reverse. Housed in its original, possibly artist rendered, wide decorated partial gilt frame with white wood liner. PROVENANCE: From a New Jersey Collection. SIZE: 18” x 28”. CONDITION: Very good. 9-27305 (1,500-2,500)

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29

ATTRIBUTED TO HARRISON BIRD BROWN (American, 1831-1915) SEASIDE CLIFFS. Oil on canvas scene shows tall cliffs with crashing waves and seagulls flying above. Light shines from right side onto waves tops and cliff edge. Housed in a fine silvered gilt molded wood period frame. SIZE: 6” x 10”. CONDITION: Very good. 9-26544 (2,000-3,000)

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30

ATTRIBUTED TO CHARLES HENRY GIFFORD (American, 1839-1904) MISTY SAIL. Small unsigned oil on canvas laid on board scene shows a small sailboat in tranquil cove under a misty or foggy sunlit sky. Rocky beach is seen in foreground. Housed in a period gesso decorated frame. SIZE: 5” x 5”. CONDITION: Very good. 9-26546 (2,000-4,000)

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31

FREDRICK JOHN MULHAUPT (American, 1871-1938) “GLOUCESTER HARBOR”. Outstanding oil on canvas scene shows two two-mast fishing boats along side an L-shape dock with small boats. The green and red boat is in dry dock and being painted. Two other men work at end of dock. A two mast schooner with full sail goes left to right in the harbor. A hillside with many houses leads down to wharf side buildings. Signed lower left “Mulhaupt”. Titled and dated “Sept 1937” on back of canvas. Housed in its original gilt molded wood frame. SIZE: 25” x 30”. CONDITION: Original, untouched. Very good. 9-27169 (40,000-60,000)

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32

ANTHONY THIEME (American, 1888-1954) BOATS DOCKSIDE IN HARBOR. Large oil on canvas harbor scene shows a blue and red hulled fishing boat moored alongside two other fishing boats. Boats and bright sky reflect in tranquil water. Buildings and wharfs are seen in background. Signed lower left “A. Thieme”. On back of canvas is written in black “132A”. Housed in its original gilt gesso decorated frame. Never offered before at auction. A fine example of this artists work. SIZE: 24-1/2” x 29-3/4”. CONDITION: Very good, only very minor inpainting. 9-26791 (17,500-22,500)

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33

ANTHONY THIEME (American, 1888-1954) “AFTER THE STORM”. Large oil on canvas coastal scene shows large green and white waves crashing onto rocky shore. All under a blue and white sky. Signed bottom right “A. Thieme”. Titled on back of canvas and numbered in black “1401A”. Housed in a fine gilt carved wood replacement frame. SIZE: 30” x 36”. CONDITION: Very good. 9-26870 (15,000-18,000)

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34

EMILE ALBERT GRUPPE (American, 1896-1978) “BASS ROCKS, GLOUCESTER”. Colorful oil on board coastal scene shows grass covered rocks and blue ocean with waves breaking on rocks. Housed in a fine gilt arts and crafts carved replacement frame. Titled on back and inscribed “To Our Friend, Wayne Morrill From Andy And Florence Metz”. REFERENCE: This painting was used to show a step by step demonstration of how Gruppe paints a marine subject. This is illustrated on page 119 through 123 in the book “Gruppe on Color” by Emile A. Gruppe. The finished painting is shown on page 123 and is the painting being offered. The book accompanies lot. A rare find. SIZE: 16” x 20”. CONDITION: Very good. 9-27348 (10,000-15,000)

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35

EMILE ALBERT GRUPPE (American, 1896-1978) “SUMMER MORNING, GLOUCESTER”. Oil on canvas harbor scene shows several boats tied to docks with low hill and building docks in the background. Signed lower left. Housed in its original silver gilt carved wood frame. SIZE: 24” x 20”. CONDITION: Very good. 9-27170 (10,000-15,000)

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36

EMILE ALBERT GRUPPE (American, 1896-1978) “SUGARING IN VERMONT”. Large oil on canvas winter scene shows a Vermont sugar house being attended to by a man on a sled holding large blue/green sap barrel led by two brown horses. They have stopped in front of a large sugaring house with sliding door that is open. Signed lower right and titled and signed on back with date 1968. Housed in a fine arts and crafts style carved and gilt replacement frame. SIZE: 30” x 36”. CONDITION: Very good. 9-27349 (15,000-25,000)

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37

PAUL STARRETT SAMPLE (American, 1896-1974) “COFFEE TIME IN AMERICA”. Outstanding large oil on canvas winter scene shows a gray house with porch having three men who have stopped by from hauling logs and are talking with the lady of the house who has a large coffee pot in her hands and holds open the door. The two-horse drawn log wagon is seen next to mailbox on road which leads into valley dotted with New England farm houses. Rolling hills under a gray sky. Signed lower left “Paul Sample”. Housed in its original decorated carved wood frame with linen liner. Titled in pencil and signed on back stretcher. Also the back of canvas has a 27th Annual Art Director’s Exhibition label under the classification of Advertising Art Submitted by Benton & Bowles. REFERENCE: This painting was used as the focal point in one of the “Part of the American Scene” Maxwell House Coffee print ads. “Coffee time is any time when neighbors pass a friendly house on a chill winter day. A Welcome interlude in a long, cold journey. And because Maxwell House is America’s favorite… coffee time is Maxwell House time wherever you go. Painted in the Vermont hills by Paul Sample”. A copy of this advertisement accompanies the painting. This is one of four paintings for this campaign. PROVENANCE: A General Foods commission from Benton & Bowles Agency. It hung behind the Maxwell House coffee product manager’s desk and upon retirement he was given the painting and it is being consigned by him and has never been offered on the market before. SIZE: 34” x 40”. CONDITION: Very good, original canvas. Untouched. 9-27598 (40,000-60,000)

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38

PAUL STARRETT SAMPLE (American, 1896-1974) PORTRAIT OF A NURSE. Watercolor interior scene shows a nurse in white uniform seated on a blue upholstered chair. Signed lower right “Paul Sample”. Accompanying painting is a note stating that it was painting in 1938 at Paul Sample’s studio at Willoughby Lake, Vermont. Housed in a modern molded wood frame with ivory matte. SIGHT SIZE: 18-1/2” x 13”. CONDITION: Very good. 9-26920 (2,000-3,000)

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39

EDWARD WILLIS REDFIELD (American, 1869-1965) NEW ENGLAND CONNECTED FARMHOUSE. Colorful watercolor shows New England cape painted white with green shutters. Over a series of years a series of connected buildings have been added ending with a very large red barn. Two large sugar maples are in the front yard with a large grass area, colorful flowering bushes by the foundation. Signed lower left “E. W. Redfield”. Housed in a fine gilt replacement frame with double white matte. SIGHT SIZE: 11” x 15-1/2”. CONDITION: Very good. 9-26919 (2,000-3,000)

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40

WILLIAM LOUIS SONNTAG (American, 1822-1900) MIST IN THE MOUNTAINS. Large oil on canvas scene shows a mountain backdrop half obscured by a foggy mist. A lake valley with cascading stream, trees in red and green foliage, a flock of birds over waterfall with rock and grass foreground. All under a bright blue sky. Partial Frost & Adams label to stretcher. Housed in an outstanding regilt antique frame. Signed lower right “W L Sonntag” and dated. It is thought by some that this may be a scene of the Blue Ridge Mountains in Virginia, the Carter Notch in New Hampshire or just a rendition of the grandeur Paradise Lost. SIZE: 31-1/2” x 28”. CONDITION: Relined. Very good. 9-27137 (15,000-18,000)

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41

PAUL WEBER (American, 1823-1916) PASTORAL LANDSCAPE WITH SHEEP. Large outstanding oil on canvas landscape scene shows a flock of sheep passing a wood side stream toward a vast open meadow with trees beyond. A church with spire can be seen through opening in large trees. Signed lower left and housed in a magnificent gesso decorated wide fancy frame. SIZE: 23” x 38-1/4”. CONDITION: Relined, very good. Some restoration with inpainting. 9-26792 (15,000-20,000)

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42

CHARLES B. RUSS (American, 19th Century) NEW ENGLAND LANDSCAPE. White Mountain School oil on canvas panoramic scene shows a farm nestled in a valley with pond and mountains beyond. Several people are seen on hillside, road, in field and at the house. Cows graze in the pasture, which has a split rail fence. Signed lower right “C. B. Russ 1864”. Housed in its original deep gesso decorated gilt frame. A fine example of an early New England landscape. SIZE: 12” x 20”. CONDITION: Light craquelure, small patch on back with corresponding inpainting. 9-26801 (7,000-10,000)

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43

GEORGE INNESS SR. (American, 1825-1894) THE DROVER. Fine oil on canvas scene shows a panoramic view of a valley with farm and mountains in the background. The foreground has a man with two work horses driving a sled with a large log with red canvas atop. Two cows are seen on the edge of water and the house is seen in the background with smoke rising from the chimney. An arch stone bridge is seen over a small river. Signed lower left “G Inness”. Housed in an antique deep molded wood frame. PROVENANCE: Albert Margolies (Chairman Sordone Art Gallery of Wilkesbarre, Pa., 1950’s); Bernice Dinner (his daughter); Frank Messina to present consignor. SIZE: 12” x 20”. CONDITION: Relined, restored, inpainted. Very good. 9-27132 (5,000-8,000)

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44

JAMES S KING (American, 1852-1925) “CLOSE OF DARK”. Oil on canvas late evening scene shows a colorful sunset with tall trees and blue to orange sky. Signed lower left. Back retains its original Salmagundi Club Auction Sale label with artist name, title and address. Housed in an old carved wood gilt frame. SIZE: 12” x 16”. CONDITION: Craquelure, inpainting, good. 9-27730 (6,000-8,000)

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45

JOHN JOSEPH ENNEKING (American, 1841-1916) “WOODS AND A TRAIL, SUNSET”. Fine oil on board sunset scene shows a trail leading through dark woods with bright colored sunset. Signed lower left. Housed in a good molded wood gilt frame. A label from Pierce Galleries indicating that this work was registered in the Pierce Catalog Raisonne. SIZE: 8-1/2” x 12”. CONDITION: Very good. 9-27319 (2,000-3,000)

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46

WESLEY WEBBER (American, 1839-1914) FALL RIVER LANDSCAPE. Oil on canvas scene shows a small river with tall trees in fall colors with three figures on rocky bank. Signed lower left “W. Webber”. Housed in a replacement gilt molded wood frame. Label on back “Bought by Richard E. Vickersen for his ? Alfred P. Vickersen”. Titled in black on top of back stretcher “View on the ? River Near ?”. SIZE: 26” x 36”. CONDITION: Canvas patch to back with some inpainting. Generally very good. 9-27199 (2,500-4,000)

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47

CHARLES WARREN EATON (American, 1857-1937) LANDSCAPE WITH TALL TREES. Oil on canvas summer landscape shows a line of tall trees with cow grazing. A fenced barn is seen on left side and a vista of meadows with tree lined edges are seen in distance. Signed lower right “Chas Warren Eaton”. Housed in a fine period gesso decorated frame with name plaque. SIZE: 16” x 24”. CONDITION: Original canvas has five canvas patches with minor inpainting. Otherwise very good. 9-26950 (3,000-5,000)

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48

GEORGE GARDNER SYMONS (American, 1861-1930) HOUSE AND STREAM. Fine oil on canvas scene shows a house and barn with road, bridge and stream in a spring/summer landscape. Signed lower right “Gardner Symons”. Housed in a modern gilt wood frame. PROVENANCE: Estate of the artist, Zara Symons Betts, Estate of Irene Treverrow, Bronxville, New York. Sotheby’s Sale No. 4971 12/02/82. Present consignor. Copy of original invoice and catalog entry of Sotheby’s sale included. SIZE: 25” x 30”. CONDITION: Very good. 9-26251 (10,000-20,000)

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49

LOUIS RITMAN (American, 1889-1963) “THE GARDEN”. Oil on canvas scene shows a colorful and well groomed garden on the side of a brown house with stucco walls. A road passes to the right side and trees surround house. Signed lower right “L Ritman”. Housed in a fine gesso decorated gilt frame. There is an Estate stamp on the back of the canvas and it comes with a letter signed by Maurice Ritman, his brother which indicates that this painting was purchased from the Estate of Louis Ritman and the painting is Circa 1915. The letter is dated June 15th, 1989. SIZE: 21-1/2” x 25-3/4”. CONDITION: Very good. 9-26875 (18,000-23,000)

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50

ROBERT PHILIPP (American, 1895-1981) DESSERT AT THE PARK. Fine oil on canvas scene shows a red haired young woman seated at a square table with sherbet dish and spoon. Her elbow rests on the edge of the table and her hand is under her chin. Behind her is the New York skyline in back of a small body of water with several rowboats and people. Signed lower left “Philipp”. Housed in a fine partial gilt carved wood frame, which is probably original. The frame has label “Made by D. Matt New York, N Y”. Also black marker “NYAA 193”. Back of canvas has artist’s name. SIZE: 24-1/4” x 20-1/4”. CONDITION: Light craquelure, small area of chipping on table. Otherwise very good. 9-27016 (15,000-20,000)

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51

JAMES DANIEL TORLAKSON (American, 1951-) “ASHLAND AVENUE 1973”. Oil on canvas realist scene shows a street side view of two side by side modern houses with cars parked in front of a cement sidewalk and curb. Shadows are cast from a sunlit view. The back stretcher has a John Berggruen Gallery, San Francisco, California label indicating artist and title. Signed lower right. Housed in a black frame which is set away from the edge of the canvas. Torlakson is known for his realist watercolors and an oil painting rarely comes on the market as large as this. A prime example of the early photo realism school whom Torlakson was one of its earliest participants. SIZE: 30-1/2” x 42”. CONDITION: Very good to excellent. 9-26619 (8,000-10,000)

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52

LEOPOLD WIDLICZKA (American, 1870-) NEW YORK SKYLINE. Oil on canvas New York City scene shows several brownstone front multi-story tenements against a skyline of tall buildings. A clothesline is draped between a pole in one of the housing units. People are seen in windows and some balconies have flowers. Signed lower left. Housed in a gilt wide molded wood replacement frame. SIZE: 32” x 32-3/4”. CONDITION: Relined, inpainting. Very good. 9-27747 (6,000-8,000)

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53

WILLIAM NELSON (American, 1942-) “CHINESE RESTAURANT”. Oil on canvas street scene shows the front façade of Louie’s restaurant. A large neon side displays “Cantonese Famous Chinese Cuisine Cocktails”. Another awning and two stores are beside. Signed lower right “William Nelson 85”. Housed in a fine gold wood frame with linen liner. Attached to back is an exhibition ticket from the 1986 I. A. C. N.Y. Annual Exhibition. SIZE: 30” x 40”. CONDITION: Very good to excellent. 9-26620 (4,000-5,000)

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54

UNSIGNED (American, First half of the 20th Century) INDUSTRIAL CITYSCAPE. Unsigned oil on wood paneling shows a colorful industrial city with many smoke stacks and buildings, oil tanks and warehouses in the foreground with many buildings and a water tower in the background. These are all rendered in vibrant colors. The sky is seen in a pallet of purple, aqua and white displaying plumes of smoke billowing from the smoke stacks. The colors are reminiscent of a Theodore Earl Butler pallet. Found in the mid-west. Housed in a carved gilt period frame. The panel has no markings except in the upper left corner “471”. SIZE: 32-1/4” x 36”. CONDITION: Very good. 9-26622 (2,000-3,000)

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55

WALTER EMERSON BAUM (American, 1884-1956) “LITTLE LEHIGH”. Oil on board winter scene shows a river with high snow covered bank with trees under a blue and white sky. Signed lower left “W E Baum”. The back having artist label, also black writing “Yost Collection Quakertown Purchased by David Baum Aug ’74” with title and date of 1947. Housed in a good carved wood decorated frame. SIZE: 15-3/4” x 20”. CONDITION: Very good. 9-26871 (8,000-10,000)

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56

ATTRIBUTED TO EVERETT SHINN (American, 1876-1953) “RUE LOUIS-BOILLY”. Oil on board nighttime scene shows trees, street light, building and street. White typed label on back with artist name and title. Housed in a period gold leaf molded wood frame. Signed “Everett Shinn 1912”. SIZE: 18” x 24”. CONDITION: Inpainted area on bottom right. Signature appears to be added later. 9-26479 (4,000-6,000)

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57

AFTER GEORGE WESLEY BELLOWS (American, 1882-1925) “DEMPSEY – FIRPO”. Large oil on masonite fight scene after the famous lithograph by Bellows of the same title. The scene shows Dempsey falling through the ropes after being hit hard by Firpo. A large group of spectators is seen around the ring. The painting has a silver plaque on bottom right which states “Dempsey-Firpo Sept. 14, 1923 Gift of National Equipment Corp. Fall River, Mass”. The painting has a flat wide pine frame and the painting bears no signature. The history is that this was displayed in a bar room in the New Bedford/Fall River, Massachusetts area. This fight was very controversial due to Dempsey being out of the ring for 10 seconds and coming back and in two rounds winning the fight. SIZE: 48” x 77”. CONDITION: Generally good. Some minor scrapes and chips. 9-27782 (3,000-5,000)

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58

DON FREEMAN (American, 1908-1978) “THE NONCHALANCE BACK STAGE”. Oil on canvas stage scene shows woman with costume next to seated man on steps. All in a back stage interior. Signed lower left. Titled and signed on back of stretcher. Housed in a gesso decorated antique gilt frame. SIZE: 24” x 20”. CONDITION: Minor inpainting, very good. 9-26517 (4,000-6,000)

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59

WALT KUHN (American, 1877-1949) STILL LIFE. Oil on board tabletop scene shows a green bottle with carrots, squash and cabbage. A shadow is cast on wall by bottle. Signed lower left “Walt Kuhn 1936”. Unframed. SIZE: 14” x 10”. CONDITION: Good. 9-27064 (3,000-5,000)

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60

WALT KUHN (American, 1877-1949) PICNIC IN THE PARK. Oil on canvas summer scene shows a man and two women standing amongst large trees. A blanket is set with food and beverage. At edge of woods is a clearing with green ground under a light blue sky. Signed lower left “Walt Kuhn 1919”. Housed in a fine reproduction gilt gesso decorated frame. SIZE: 10” x 14”. CONDITION: Relined with some inpainting. Very good. 9-26917 (3,000-5,000)

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61

WALTER LAUNT PALMER (American, 1854-1932) SUNLIT FOREST STREAM. Pastel on cardboard scene shows a cascading stream through rocky banks having a wooded background with break in trees with yellow sky with peach highlights. Signed lower left “WL Palmer”. Housed in its original gesso decorated bronzed colored frame. SIZE: 18” x 40”. CONDITION: Very good. 9-27913 (3,000-4,000)

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62

ROGER DEERING (American, 1904-) “MOUNTAIN BRIDGE IN SPRING”. Oil on canvas New Hampshire scene shows a red painted covered bridge in a colorful spring landscape with blue mountain as backdrop. Signed lower right. Also titled on back and indicated that it was painted at Jackson, NH May 1968. An artist’s brochure is stapled to back. Housed in its original decorated wood frame with linen liner. SIZE: 20” x 24”. CONDITION: Very good. 9-27332 (1,000-2,000)

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63

ROBERT FLETCHER GILDER (American, 1856-1940) “ALONG THE RIVER”. Oil on board winter scene shows light cascading across the snow onto colorful birches and trees. Water is seen on right side with land beyond. Signed lower left “R. F. Gilder”. Housed in a molded oak flat frame with title and artist plaque. SIZE: 14” x 18”. CONDITION: Very good. 9-26974 (1,250-1,500)

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64

JOSEPH BENJAMIN DAVOL (American, 1964-1923) WINTER DAY. Oil on canvas winter coastal scene shows tree lined shore on ice covered inlet. Overcast day. Signed lower right “Davol”. Housed in a very fine reeded gilt modern replacement frame. SIZE: 17” x 21”. CONDITION: Very good. 9-27311 (1,500-2,500)

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65

SIGNED (American, 19th/20th Century) THE MOUNTAIN EXPLORER. Fine oil on canvas scene shows a mountain climber with ice pick atop a snow peak mountain overlooking tall peaks which poke through the cloud mass. The painting is signed lower right what possibly could be H.A. Hennins? or Fennins? The stretcher has a Bay State stretcher stamp and only a fragment of an exhibition label is seen. Housed in a good antique arts and crafts style gilt frame. SIZE: 18-1/4” x 24-1/4”. CONDITION: Very good. 9-26441 (2,500-4,000)

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66

EMILE ALBERT GRUPPE (American, 1896-1978) “THE SNOWY HILLS”. Oil on canvas winter scene shows Mt. Mansfield with snow covered valley. Signed lower right and housed in a carved partial gilt wide wood frame with linen liner. SIZE: 16” x 20”. CONDITION: Very good. 9-27352 (5,000-7,000)

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67

EMILE ALBERT GRUPPE (American, 1896-1978) “MOTIF #1”. Oil on canvas Rockport Harbor scene shows a red connected fish house on a stone wharf with several boats moored to side. Two men work in foreground, one in red shirt and the other in blue overalls. Signed lower right with title on back. Housed in a good carved gilt arts and crafts style replacement frame. SIZE: 20” x 24”. CONDITION: Very good. 9-27350 (10,000-15,000)

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68

EMILE ALBERT GRUPPE (American, 1896-1978) FISHING ON BASS ROCKS. Oil on canvas scene shows two men seated on rocks next to ocean having sailboat on horizon. Bass Rocks is a noted fishing and artist area of Gloucester, Massachusetts. Atlantic Road winds along Bass Rocks and is dotted with fine hotels. Signed lower right. Housed in a fine replacement gilt molded wood frame. A fine example of Emile Gruppe’s work. SIZE: 20” x 24”. CONDITION: Very good. 9-27351 (8,000-12,000)

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69

EMILE ALBERT GRUPPE (American, 1896-1978) A CAPE ANN CHURCH. Oil on canvas scene shows a large white church framed by large trees. Three people approach front entrance. Signed lower right and housed in a fine reproduction gilt Arts & Crafts frame. SIZE: 30” x 25”. CONDITION: Very good. 9-27961 (8,000-10,000)

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70

EMILE ALBERT GRUPPE (American, 1896-1978) MOTIF #1. Pencil sketch on paper shows a connected lobster shack atop stone pier with two fishing boats moored to side. A man loads lobster traps in foreground from dock. A classic scene showing Motif #1 in Rockport, Mass Harbor. Signed lower right “Emile A. Gruppe”. Nicely housed in a decorated wood frame with line highlighted white matte. SIGHT SIZE: 11-1/2” x 9-1/4”. CONDITION: Very good. 9-26783 (1,200-1,800)

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71

WILLIAM JAMES GLACKENS (American, 1870-1938) “ROCKPORT, MASS 1936 NO. 3”. Outstanding oil on board beach scene depicting ten bathers on a sandy and rock strewn beach with large yellow house on rocky point with sailboat off rocks. Foreground scene shows people with multi-colored bathing suits and men wearing hats with summer attire. Child in blue suit plays with white dog. Blue and green ocean has blue hulled white sail sailboat. A wonderful impressionistic scene with vibrant colors. Pencil signed and titled on reverse. Two Adams Davidson Galleries labels affixed to back. One indicating a title “Bathers at Rockport, 1936” and being exhibited in the “Washington Collects Exhibition February 19-April 7 1981” and illustrated as figure 32 in the catalog. The other label, which appears to be newer indicated title “Beach at Rockport”. Housed in a fine replacement gold gesso decorated frame. Accompanying this painting is a signed letter from Ira Glackens dated October 1978 to Anne Denton Blair on his stationary “Dear Annie – This little study of a beach, measuring 12″ x 16″ was painted by father at Rockport, Mass, in 1936. I remember the water as frigid, having visited Pa & Ma for a few days there, & this place was better for painting than bathing! There exists several studies of this place, but feel lucky you do not have to go in that icy water! yours affectionately, Ira Glackens”. Also two receipts from Adams Davidson Gallery dated December 3rd, 1980 and February 12th 1981. REFERENCE: William Glackens and The Eight by Ira Glackens, page 255-256 “W.& E. Sailed for New York on July, 22nd, as planned… they fled to Rockport Massachusetts…and W. produced a few studies of the beach…”. PROVENANCE: Descended in the Blair family. Sold James D. Julia auction 1/11/2003. SIZE: 11-1/2” x 15-1/4”. CONDITION: Very good. 5-71699 (200,000-300,000)

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72

KEN GORE (American, 1911-1990) “HAZE AT GOOD HARBOR BEACH”. Oil on board shows a sandy beach with low grass covered dune, sunlit tranquil ocean with island in background. Signed lower right. Housed in its original naturalistic wood frame with white liner. Original artist studio card with title and numbered 7215 on reverse. SIZE: 16 x 24”. CONDITION: Very good. 9-27333 (1,000-1,500)

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73

MAX KUEHNE (American, 1880-1968) VIEW TOWARD GOOD HARBOR BEACH, GLOUCESTER. Watercolor scene from the island off Good Harbor Beach shows many people on large sandy beach with big house on rock shoreline. Signed lower right “Kuehne”. Housed in a flat mahogany frame with white matte. SIGHT SIZE: 14-1/4” x 19”. CONDITION: Very good. 9-26745 (600-800)

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74

GEORGE HENRY SMILLIE (American, 1840-1921) “THE OLD HOME AT SPRINGTIME”. Outstanding oil on canvas springtime scene shows two blossoming apple trees outside a red barn. A bluish/purple lilac blossoms at end of barn with a green grass ground leading to a small stream with colorful ducks and ducklings. Signed lower left “Geo. H. Smillie N.A.”. Housed in an fine gilt carved wood frame bearing a label of J. H. Miller Co., Springfield, Mass. Also a label from Gill’s Art Rooms, Boston. Artist, title and signed on back of stretcher. An outstanding example by a desirable artist. SIZE: 14-1/4” x 20-1/4”. CONDITION: Very good. 9-27355 (7,000-10,000)

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75

WILLIAM TROST RICHARDS (American, 1833-1905) SUNLIT BEACH WITH BOATS. Outstanding large oil on canvas seascape shows a sandy beach with light waves and several boats on horizon including four sailboats and one troller. The largest being a one-mast, two sail sailboat sailing right to left. The sun shines through clouds and reflects on breaking waves. Signed lower right “W. T. Richards”. Housed in its original magnificent gesso decorated frame with name plaque. SIZE: 18” x 36”. CONDITION: Very good. 9-27359 (100,000-150,000)

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76

WILLIAM TROST RICHARDS (American, 1833-1905) COASTAL SEASCAPE. Oil on wood panel scene shows waves crashing on large rock outcropping with grass top. Two sailboats are seen on horizon under a cloud and blue sky. Signed lower right “W. T. Richards 1901”. Housed in an antiques stained oak frame with gold bead liner. SIZE: 17-1/2” x 14-1/2”. CONDITION: some minor inpainting at crack in sky, small scratch near date. Generally very good. 9-27052 (10,000-20,000)

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77

WILLIAM TROST RICHARDS (American, 1833-1905) “SHIP NEAR LIGHTHOUSE”. Gouache on paper scene shows a ship next to lighthouse with large waves crashing at side. White, gray and black image. Unsigned but bearing the label of William Vareika Fine Arts with artist, title and provenance “Family of the Artist”. Housed in a modern gilt molded wood frame with beige matte and having name plaque. SIGHT SIZE: 4” x 6-1/2”. CONDITION: Very good. 9-26940 (3,000-5,000)

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78

WILLIAM TROST RICHARDS (American, 1833-1905) “GULL ROCKS, GUERNSEY”. Scene shows rocky coastline with some grass covering. Well-lit sunshine reflects in greenish blue ocean with light waves. Signed lower right “Wm T. Richards”. Housed in what appears to be its original frame with old title plaque. Also has pencil title on reverse. PROVENANCE: Originally from a Philadelphia area home. Several paintings of the Guernsey area known to have been painted around 1890 by this artist. SIZE: 9” h x 16” w. CONDITION: Very good. Under frame chip off top center. 5-71702 (25,000-30,000)

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79

WILLIAM TROST RICHARDS (American, 1833-1905) CLIFFSIDE COASTLINE. Oil on panel coastal scene shows large grass covered cliffs under a light sunset sky with clouds. Waves crashing on rocks and sailboat in distance. Signed lower left “WT Richards 96”. Housed in a fine and probably original gesso decorated gilt frame. SIZE: 9” x 13”. CONDITION: Very good. 5-71701 (15,000-20,000)

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80

REGINALD MARSH (American, 1898-1954) THE BATHER. Watercolor scene shows a woman in a red dress/bathing suit against a beach background. Signed lower right “R. Marsh, 32”. SIZE: 8-1/2” x 5-1/2”. CONDITION: Very good. 9-28085 (1,200-1,500)

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81

EMILY LANSINGH MUIR (American, 1904-2003) “TALLYING THE LOBSTERS”. Oil on canvas scene shows four men on a dock next to a moored lobster boat. Two men count out of a barrel of lobsters while one man tally’s and a lobsterman looks on. Signed lower right. Also titled and signed on back of canvas with a location of Stonington, Maine. Housed in a fine gilt molded wood replacement frame. SIZE: 19” x 25”. CONDITION: Very good. 9-27337 (2,000-3,000)

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82

GIFFORD BEAL (American, 1879-1956) “PROVINCETOWN”. Oil on canvas town scene shows a street lined with homes and church at end of street. Two figures walk down street with large green tree. Signed lower right. Housed in an antique gesso decorated gold and silver wide frame. Back of stretcher has artist name and title. REFERENCE: For identical scene but larger size see Christie’s lot 222 December 1, 1989 sale. SIZE: 18” x 22”. CONDITION: The back of the canvas shows evidence of previous moisture and mold. The front canvas has been cleaned and is in very good condition. 9-27731 (10,000-15,000)

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83

THOMAS LORRAINE HUNT (American, 1882-1938) PROVINCETOWN CHURCH WITH BUILDINGS. Oil on masonite scene shows a large white church behind small wood buildings with stairways. Signed lower right “Thomas Hunt PTown 45”. Housed in a painted molded wood frame. Accompanying lot is a large photograph of the artist painting this picture inscribed “To Helen Lawrence with warmest regards and good wishes. Thomas Hunt”. SIZE: 24” x 20”. PHOTOGRAPH: 14” x 16”. CONDITION: Very good. 9-27705 (4,000-6,000)

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84

FRANCIS AUGUSTUS SILVA (American, 1835-1886) SAILING OFF LONG SANDY BEACH. Fine watercolor scene shows a sailboat sailing along a sandy beach with crashing waves. There are several people strolling on beach with buildings having flags atop. The coastline curves around and has large buildings at edge. Seagulls fly over crashing waves. Signed lower left “F. A. Silva 75”. Housed in a reproduction narrow gesso decorated gilt frame. SIGHT SIZE: 12-1/4” x 20”. CONDITION: There are several marks in the sky including some light scratches. Some toning but generally good. The matte has been fastened to its original cardboard backing and we have not inspected the watercolor outside of the matte. 9-27379 (8,000-12,000)

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85

ROBERT SALMON (American, 1775-1858) FISHING PARTY BEACHING A BOAT. Oil on panel scene shows four men pulling boat onto beach. Several men bring large buckets of fish up to clearing in front of rock outcropping with large passageway. Two sails are seen in distance along a rocky shoreline. Sun from right side casts a pink hue on the clouds that are present. Signed on reverse “Painted by R. Salmon 1804”. There are also numbers “No. 37” and “#53”. Faintly signed lower right. PROVENANCE: Richard Bourne Auction 11/29/69 lot #248. SIZE: 12” x 16”. CONDITION: Very good. 9-26946 (8,000-12,000)

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86

ALFRED THOMPSON BRICHER (American, 1837-1908) COASTAL INLET. Oil on canvas summer scene shows a rock cliff shoreline with sailboats on a tranquil sea. White clouds in a blue sky and grass is seen on top of cliffs. Signed lower right with conjoined first initials AT Bricher. Housed in a reproduction gilt frame. SIZE: 10” x 20”. CONDITION: Good, inpainting and restoration. 9-28073 (10,000-20,000)

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87

ALFRED THOMPSON BRICHER (American, 1837-1908) “STORMY SURF, GRAND MANAN”. Oil on board coastal scene shows waves crashing against rocky cliffs and beach. Gray clouds with a hint of blue. Signed lower left with conjoined first initials “ABricher”. Titled and dated “1875” on back. Housed in a good gesso decorated antique frame. SIZE: 5” x 9”. CONDITION: Some inpainting, very good. 9-27135 (4,000-6,000)

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88

CARL HAROLD NORDSTROM (American, 1876-1965) HARBOR SCENE. Colorful oil on board tranquil harbor scene shows several buildings with docks beside and moored sailboats. Foreground has dock with buckets and barrels. Signed lower right “CH Nordstrom”. Back side of the board is also painted with an India or African street scene with elephants and people in parade fashion. Housed in a gilt carved wood frame. SIZE: 10-3/4” x 13-3/4”. CONDITION: Very good. 9-26521 (1,500-2,500)

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89

CARL HAROLD NORDSTROM (American, 1876-1965) HARBOR WHARFS. Fine oil on board harbor scene shows several wharfs with buildings alongside water with figure seated on rocks and mooring post. Signed lower right. Housed in a fine gilt reproduction wide fancy frame. The reverse of painting is painted with an unfinished landscape. SIZE: 11” x 14”. CONDITION: Very good, some inpainting. 9-27577 (1,000-1,500)

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90

GEORGE M HATHAWAY (American, 1852-1903) THE RESCUE AT SEA. Watercolor marine scene shows a three-mast sailboat flying American flag upside down as a signal of distress. The masts have been broken and the sails down. A lifeboat has been dispatched from a large three-mast steamship. All under dark clouds with a sunny break. Signed lower left “GM Hathaway”. Housed in a gilt oak frame with white matte. SIGHT SIZE: 11-1/2” x 17-1/2”. CONDITION: Very good. 9-27053 (1,500-2,500)

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91

GEORGE M. HATHAWAY (American, 1852-1903) PORTLAND HEAD LIGHT WITH SIDE WHEEL STEAMER. Oil on board of a fine detailed painting showing the Portland Head Light with connected buildings on a rock point with green and white waves having a coastal steamer sailing by. Two other sails are seen on horizon with a white and blue sky. Housed in what is probably its original gesso decorated gilt frame. SIZE: 9” x 12”. CONDITION: Very good with some inpainting. 9-27219 (1,000-2,000)

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92

ATTRIBUTED TO GEORGE M. HATHAWAY (American, 1852-1903) “SCHOONER HEAD MT. DESERT, MAINE”. Oil on board coastal scene shows a rocky shoreline with hump shaped point with several schooners in gray water under a sun setting sky. Unsigned. Housed in a wide fancy gesso decorated gilt antique frame. SIZE: 4-1/4” x 7-3/4”. CONDITION: Very good. 9-26970 (1,200-1,400)

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93

GEORGE M HATHAWAY (American, 1852-1903) “BATTLESHIP ILLINOIS”. Oil on board scene shows the white hulled double stacked battleship going right to left through choppy green ocean. Five men are seen on deck and schooner is seen off bow. Signed lower right “G M Hathaway”. The battleship was built in 1898 at Newport News, Virginia. Housed in a gold gesso decorated frame. SIZE: 11-1/2” x 17-1/2”. CONDITION: Very good, minor inpainting. 9-27130 (1,500-2,500)

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94

FRANK KNOX MORTON REHN (American, 1848-1914) “WHEN THE TIDE IS OUT, CAPE ANN”. Oil on canvas scene shows a beach with scattered rocks and rock outcropping, waves hitting rocks and a lone seagull flying in a blue to light blue sky. Signed lower right “FKM Rehn N.Y.”. Housed in a molded wood gilt modern frame. Exhibition label attached to stretcher with artist and title. Also written in pencil on stretcher. SIZE: 22” x 36”. CONDITION: Inpainting, very good. 9-27153 (2,000-3,000)

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95

FRANK KNOX MORTON REHN (American, 1848-1914) BEACH UNDER A CRESCENT MOON. Watercolor scene shows waves crashing on a sandy beach with two sailboats in the distance under a light sky with crescent moon. Signed lower right. Housed in a fine replacement gilt gesso decorated frame with inner linen matte with gold liner. SIGHT SIZE: 17-1/2” x 27”. CONDITION: Very good. 9-26941 (1,750-2,250)

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96

FRANK KNOX MORTON REHN (American, 1848-1914) FALL LANDSCAPE. Oil on canvas scene shows a river with bridge leading to a house with large barn. All in late fall colors. Signed lower right “FKM Rehn”. Original Frank K. M. Rehn Inc. label on reverse. Housed in a modern gilt linen lined frame. SIZE: CONDITION: Very good. 9-26694 (1,000-2,000)

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97

WILLIAM STANLEY HASELTINE (American, 1835-1900) “PORTLAND HEAD LIGHTHOUSE”. Oil on board scene shows a grass covered rocky point with white lighthouse having connected building. A sailboat and steamship are seen off point and green waves with white caps hit rocks. Housed in a period gesso decorated deep frame. Signed and titled on back of board. A certificate of appraisal from Anthony Capodilupo of Boca Raton, Florida accompanies lot. SIZE: 9” x 12”. CONDITION: There is a vertical thin scrape in sky, otherwise very good. 9-27708 (10,000-15,000)

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98

GEORGE MCCONNELL (American, 1852-1929) PORTLAND HEADLIGHT. Good oil on board coastal view shows the large Portland, Maine lighthouse with connected buildings. Large waves crash on rocks with high white spray. Cloudy and blue sky. Signed lower right and dated “1925”. Housed in a modern gilt molded wood frame. SIZE: 19-1/2” x 24”. CONDITION: Very good. 9-27222 (800-1,200)

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99

GEORGE MCCONNELL (American, 1852-1929) COASTAL SEASCAPE. Oil on canvas scene shows waves crashing into large rocks with sailboats on horizon and seagulls flying under a lightened sky. Signed lower left “Geo. McConnell 1900”. Housed in its original decorated molded wood frame. SIZE: 13” x 22”. CONDITION: Very good, minor inpainting to edges. 9-27221 (500-800)

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100

GEORGE MCCONNELL (American, 1852-1929) SACO RIVER. Oil on board scene shows a river winding past blue mountain in fall colorful landscape. Signed lower left “Geo. McConnell 1919”. Housed in a flower decorated thin wood frame. SIZE: 13” x 19”. CONDITION: Generally very good. 9-27220 (300-500)

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101

LEONARD C. LANE (American/Canadian, -1978) “PORTLAND HEADLIGHT”. Oil on canvas coastal scene shows a large white lighthouse with connected buildings having green roofs. It stands at the end of a rocky point with the Maine coastline beyond. Light blue sky with wispy white clouds and seagulls flying over rocks. Signed lower left. Housed in a good gilt and ebony color wood frame with linen liner. SIZE: 20” x 26-1/4”. CONDITION: Very good. 9-27912 (2,500-3,500)

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102

ANTONIO PIETRO MARTINO (American, 1902-1989) PIGEON COVE, ROCKPORT. Oil on board scene shows a granite enclosed small harbor with rowboats moored on calm water. A lobster boat is seen outside of entrance with a figure in a rowboat. Signed lower left. Housed in its original painted wood frame with linen liner. SIZE: 10” x 20”. CONDITION: Very good. 9-27778 (3,000-5,000)

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103

JOSEPH LYMAN (American, 1843-1913) “NEWPORT, RHODE ISLAND”. Oil on canvas coastal scene shows waves crashing onto rocky shore. Inscribed on back of canvas “Newport, RI Sept. 1881 by Joseph Lyman NA Presented to Annie and Leon by Helen and Harry 1902”. Signed and titled lower left. Housed in a reproduction gilt molded wood frame with name tag. SIZE: 12-1/4” x 21”. CONDITION: Some thin scrapes across surface of painting. New stretcher, some surface dirt. Otherwise very good. 9-27716 (2,000-3,000)

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104

GEORGE PEARCE ENNIS (American, 1884-1936) SAILING OFF BLACK HEAD, MONHEGAN. Watercolor scene shows two schooners off large cliff with figures aboard. Signed lower left “Ennis”. Housed in a fine gilt molded wood frame with ivory matte. SIGHT SIZE: 15-1/2” x 19-3/4”. CONDITION: Very good. 9-27336 (800-1,200)

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105

GEORGE HOWELL GAY (American, 1858-1931) SUMMER DAY ON THE MAINE COAST. Fine watercolor scene shows a long view of the coast with waves lapping onto rocky shore with two sailboats on horizon under a cloud and blue sky. Housed in a gilt molded wood frame with off white matte. Signed lower left “Geo Howell Gay”. SIGHT SIZE: 9-3/4” x 19-3/4”. CONDITION: Very good. 9-27225 (600-1,000)

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106

CAROLINE M. BELL (American, Mid-20th Century) HARBOR SCHOONER. Oil on board harbor scene shows a blue hulled two-mast schooner tied to dock. Another boat is scene behind. Signed lower left. Housed in a fine carved wood gilt period wood frame. SIZE: 20” x 16”. CONDITION: Good. 9-27418 (500-800)

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107

RALPH ALBERT BLAKELOCK (American, 1845-1919) SUNLIT HARBOR. Oil on board scene shows three-mast ship anchored off coastline having three other small boats. Yellow diffused sunlight reflects on water. Signed lower left “R. A. Blakelock” in red. Housed in an antique gilt deep molded wood frame with gold liner having artist name plaque. SIZE: 4” x 7”. CONDITION: Very good. 5-71790 (20,000-25,000)

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108

RALPH ALBERT BLAKELOCK (American, 1847-1919) THE ENCAMPMENT. Oil on wood panel scene shows two teepees with figures beside nestled amongst tall trees with sunset type background. Signed lower left “R A Blakelock”. Housed in a gesso decorated frame which has Little Gallery Princeton, NJ label affixed. SIZE: 9-1/2” x 15”. CONDITION: Fair to good, craquelure, minor chips. Needs cleaning. 9-26680 (3,000-5,000)

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109

UNSIGNED (American, 19th/20th Century) PAIR OF SOUTHERN COASTAL ENCAMPMENT SCENES. Fine pair of oil on board scenes shows a coastal waterway surrounding points of land. 1) Scene shows a red roof headquarters building flying American flag. In the foreground is a large white tent and sailboat on right side. A large encampment is seen beyond the water with nine buildings and people under an American flag. Open ocean is seen beyond. 2) A similar scene but from a slightly different angle shows a dock with man in boat, headquarters with American flag, encampment on hill and sailboats. Both identically housed in gilt molded wood frames. A fine pair with nice detailed work. SIZE: 9-1/2” x 15”. CONDITION: Cleaned with minor inpainting, very good. 9-27435 (4,000-6,000)

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110

JOHN CARLETON WIGGINS (American, 1848-1932) BATTLE AFTERMATH. Small oil on canvas Civil War scene shows a burned out building in a sunlit landscape. In the foreground are a number of dead soldiers which appear to be in Confederate gray. A cannon is seen in ruins. Signed lower left “J C Wiggins”. Housed in a good antique gilt molded wood frame. SIZE: 6” x 8”. CONDITION: Relined, very good. Bottom edge has some repaint. 9-26967 (5,000-8,000)

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111

WILLIAM AIKEN WALKER (American, 1838-1921) BACK FROM THE COTTON FIELDS. Oil on board scene shows a black man with basket of cotton on head walking towards small boat next to large grasses and water. A fence is seen along the edge and in background. Signed lower right “W A Walker”. Housed in its original gold gesso decorated frame with painted artist name and date “1892”. SIZE: 9-1/4” x 18-3/4”. CONDITION: Dirty, one small spot on left side just above trees. Otherwise very good. 9-27919 (8,000-12,000)

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112

HARRY HERMAN ROSELAND (American, 1868-1950) PASSING THE TIME. Oil on board interior scene shows an elderly woman wearing red shawl, white bonnet and apron and dark dress. She sits in a ladder-back side chair in front of a large empire style mahogany dresser. An umbrella stands up against the wall and a ball of yarn is seen on the ground. Signed lower right with an artist monogram. The board has a stamp “F. Devoe & Co.”. Written in pencil on back is “Harry Roseland” and the antique frame has a Harry Roseland name plaque. SIZE: 10” x 8”. CONDITION: Very good. 9-26687 (3,000-5,000)

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113

THADDEUS WELCH (American, 1844-1919) LOUIS PRANG’S DAUGHTER AND GRANDCHILDREN. Outstanding oil on board family portrait scene shows a young woman in white dress and yellow hat standing beside two daughters, one placing a wreath of flower around a small lamb and the other daughter standing next to their dog. They stand in a green grass area between two stone walls with blossoming apple trees framing a clearing which shows the family homestead. Signed lower left “T. Welch 85”. Index card on back gives history of people in the painting as follows: “Rosa Prang Heinzen 1853-1943 daughters of Louis Prang wife of Karl Heinzen (son of Karl Heinzen German Rev.) With daughters Henriette 1879-1956 and Rosa Helen born 1884-1973”. Housed in a fine gesso decorated period frame. PROVENANCE: Descended through the Louis Prang Family. Never offered until now. Louis Prang was one of the foremost American lithographers from the 19th Century. SIZE: 13-1/2” x 10-1/4”. CONDITION: Very good. 9-27068 (10,000-15,000)

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114

LEVI WELLS PRENTICE (American, 1851-1935) SEASCAPE. Oil on canvas coastal scene shows two sailboats on a green ocean with waves hitting a rocky shoreline. A long piece of land is seen on horizon under a cloud and blue sky. Signed on center bottom rock “LW Prentice”. Housed in a fine heavy gesso decorated gilt period frame. Godel & Co Fine Art label affixed to back. SIZE: 15” x 19”. CONDITION: Very good, inpainting. 9-27923 (4,000-6,000)

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115

GEORGE HENRY BOUGHTON (American, 1833-1905) “INDIFFERENCE”. Outstanding oil on canvas scene shows a flower, and grass covered field with two ladies in colorful dress with parasols and bonnets. They walk past a gentleman in blue long-tail formal coat with white pants and white top hat. Nine white ducks are seen between them and beyond the ducks are nine figures which are playing a ball game, possibly cricket or baseball. The hillside background supports a large multi-chimney house with light reflecting in the windows. Housed in its original gilt gesso decorated frame with wooden painted name tag which has title, artist and the following poem “When my hair is gray, then shall I be wise then, thank heaven I shall not care for bronze brown eyes.” SIZE: 18-1/4” x 36-1/4”. CONDITION: Very good. 9-27165 (30,000-50,000)

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116

THOMAS MORAN (American, 1837-1926) “WINDMILL AT BRIDGEHAMPTON”. Oil on board scene shows windmill on left side with grassy marsh and threatening sky. Signed lower right with artist monogram “TM”. Label on reverse indicates title. Housed in a gold gesso decorated frame. We believe this to be the Beebe Windmill that is located at Ocean Road and Hildreth Ave., which was built in Bridgehampton, Long Island in 1820 and moved in 1915. SIZE: 6” h x 10” w. CONDITION: Very good. 5-71703 (45,000-65,000)

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116A

THOMAS MORAN (American, 1837-1926) VENICE HARBOR. Large engraving by Thomas Moran after a painting by Alfred Fisher Bunner (American, 1841-1897). The engraving is pencil signed by both Bunner and Moran. Remark edition. At top of engraving “Copyright 1889 by Radtke, Lauckner & Co. N.Y.”. The scene shows people in boats on a large waterway with the city of Venice in background. Housed in a fine gilt molded wood replacement frame with white matte. SIGHT SIZE: 21-1/2” x 30”. CONDITION: Very good. 9-26786 (5,000-8,000)

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116B

AFTER THOMAS COLE (American, 1801-1848) “VOYAGE OF LIFE”. Set of four framed black and white engravings by James Smillie. All identically housed in modern gilt carved wood frames with white mattes having a gold line border. Prints include Voyage of Life – Childhood; Youth; Manhood and Old Age. Printed by J. H. Daniels, Boston. SIGHT SIZE: 18” x 24”. OVERALL SIZE: 29-1/2” x 34-1/2”. CONDITION: Restored, very good. Not examined out of frames. 9-26785 (4,000-6,000)

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116C

AFTER THOMAS COLE (American, 1801-1848) VOYAGE OF LIFE. Early oil on canvas scene shows swan led boat with figures leading to a boy on a swan in front of a doorway with man. The idyllic scene shows water, birds, trees and sky. Unframed. Probably first half of the 19th Century. SIZE: 25-1/4” x 30-1/4”. CONDITION: Unrestored, craquelure, four small holes. In need of restoration. 9-26761 (800-1,200)

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116D

UNSIGNED (American, 19th Century) “JACOBS DREAM”. Allegorical oil on canvas scene shows a man sleeping beside pool of water in a dream state with eight angels descending on a misty ray of light from the sky. The background is a moonlit tropical landscape with waterfalls, palm trees and cliffs. Housed in a fine gesso decorated wood frame. The canvas stamp “Prepared by Edwd. Dechaux, New York”. The stretcher with old pen inscription “Anne Hall Flushing, LI”. SIZE: 31-1/2” x 36”. CONDITION: Inpainting to craquelure, very good. 9-26469 (1,200-1,600)

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117

HARRISON CADY (American, 1877-1970) EIGHT DRAWINGS FROM THORTON BURGESS NATURE SERIES. The eight pen and ink drawings are housed in two frames, four in each. 1) Has number 12.394 thru 12.397. Dated 9/22/51; 9/24/51 thru 9/26/51. Each is signed “H Cady” and shows old and young Mr. Toad and Bluffer. Each has a hand written caption. 2) Has 12.398 thru 12.401 and dated 9/27/51 thru 9/29/51 and 10/1/51. Each signed “H. Cady” and scenes show Bluffer and old and young Mr. Toad. Each has a hand written caption. The two gold frames have white matte with four cutouts. SIZES: 7” x 6” each. TOTAL FRAME SIZE: 15” x 40”. CONDITION: Generally very good. 9-27910 (2,000-4,000)

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118

ATTRIBUTED TO HOWARD PYLE (American, 1853-1911) DIVIDING THE SPOILS. Oil on canvas scene shows three pirates around a table and one man is rolling dice out of a shaker. It is an interior of a ship’s cabin. There is a woman in a green dress whom has wrists tied up. She sits next to gold coins, treasure chest and other booty. The scene is shown at an angle, which gives the sense of the ship rocking. Appears to be signed in the center bottom in black “Pyle”. Housed in a fine gilt molded wood replacement frame. SIZE: 18” x 22”. CONDITION: Relined with some inpainting. Very good. 9-27057 (8,000-12,000)

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119

AMOS SEWELL (American, 1901-1983) BLACK AND WHITE ILLUSTRATION. Graphite on paper illustration shows a violin player with family in background. Signed lower right. Housed in a modern flat black frame with white and black mattes. SIGHT SIZE: 31-1/4” x 10-1/4”. CONDITION: Very good. 9-27343 (500-800)

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120

ROLF ARMSTRONG (American, 1890-1960) “VENUS”, NUDE WOMAN SEATED AT LAKE’S EDGE. Pastel calendar illustration shows a blonde nude young woman seated on a green grass bank with her reflection seen in royal blue water. Her head held up high looking toward viewer. The appearance of being bathed in a bright moonlight with shadows cast. Signed in right grassy bank “Rolf Armstrong”. Housed in a fine gilt molded wood frame. REFERENCE: Full page illustration on second frontice page of “The Great American Pin-Up” by Martignette/Meisel. Also illustrated on page 121 of “The Glamour Art of Rolf Armstrong Pin-Up Dreams” by Dobson/Wooldridge who indicate that its title was Venus circa 1934. NOTE: Both of these reference books accompany lot. PROVENANCE: Illustration House 5/10/03 lot 110. SIGHT SIZE: 29-1/2” x 40-1/2”. CONDITION: Very good. 9-26617 (25,000-35,000)

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121

HENRY (HY) HINTERMEISTER (American, 1897-1972) DAVE AND THE WARDEN. Colorful oil on canvas fishing illustration shows a decked out older man holding up a recently caught tiny fish with one hand and a ruler in the other. He stands at the bottom of a cascading stream while a warden looks on from above. Two of his friends are on the other bank laughing. Signed lower left “Hy Hinker meister”. Housed in original gilt molded wood frame. SIZE: 21” x 28”. CONDITION: Very good. 9-27422 (4,000-6,000)

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122

ATTRIBUTED TO HENRY (HY) HINTERMEISTER (American, 1897-1972) SCARY CATFISH. Oil on board fishing scene shows a young boy with bamboo rod pulling a large catfish on dock which is head to head with his small dog. The painting is signed “S. Eleanor” which we believe is a pseudonym used by the artist. Housed in a fine reproduction gilt and carved wood frame. SIZE: 12” x 16”. CONDITION: Good. 9-27423 (600-800)

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123

JOHN WARD DUNSMORE (American, 1856-1945) “FRONTICEPIECE FOR RODERICK RANDOM VOL-1”. Oil on canvas scene shows a man with gun on horseback. He points the gun at two drifters who are walking along a dirt road, one on knees pleading for mercy. In background are three soldiers on horseback galloping towards them. Back of canvas has title. The character of Roderick Random was made famous through the books of Tobias Smollett. Housed in a gilt molded wood frame. SIZE: 14-1/4” x 24”. CONDITION: Very good. 9-26795 (2,000-3,000)

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124

REMINGTON SCHUYLER (American, 1884-1955) “HANGED IF IT ISN’T CURLY GRAHAM!”. Western illustration charcoal on paper scene shows a cowboy on horseback with man pointing six shooter at him and he holds his hands up. Signed lower right. Also caption below drawing “Galley 17 Then suddenly a man stepped from behind a giant boulder and moved towards him. Six shooter leveled steadily”. Housed in a modern black frame with ivory matte. Accompanying lot is the book which contains this illustration titled “Curly Graham, Cow Puncher” by Joseph Bushnell Ames. Signed by the author and published in 1924. On page 72 is the tipped in illustration. SIGHT SIZE: 27” x 18”. CONDITION: Light white smear to right bottom. Otherwise very good. 9-26695 (500-1,000)

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125

NORMAN MILLS PRICE (American, 1877-1951) ILLUSTRATION OF PIRATES. Watercolor on paper study of two pirate heads, one with beard and red scarf the other with mustache and blue scarf. Signed bottom right. Unframed. SIZE: 12-1/2” x 9-1/2”. CONDITION: Very good. 9-27058 (500-700)

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126

HARRY LESLIE HOFFMAN (American, 1871-1964) FISH AND FROGS. Colorful underwater scene shows three goldfish and two frogs swimming amongst a sunlit grass and leaf filled water. Unsigned. Housed in a fine gilt molded wood frame. A fine example of this artists work in this subject matter. SIZE: 24” x 34”. CONDITION: Very good, relined, restored with inpainting. 9-26474 (4,000-6,000)

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127

ROCKWELL KENT (American, 1882-1971) “CANTERBURY TALES”. Set of five pencil signed engravings each showing five figures from the story. Signed lower right. Housed in tan colored mattes which have been shrink wrapped on foam board. Circa 1930. SIGHT SIZE: 11-1/2” x 34-1/2”. TOTAL SIZE: 16-1/2” x 40”. CONDITION: Very good, some fold marks. 9-27296 (3,000-5,000)

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127A

ROCKWELL KENT (American, 1882-1971) TROUBADOUR. Black and white print has pencil signature on lower right and shows a man with lute against a mountain landscape under starry skies. Housed in a modern black molded wood frame with double matte. SIGHT SIZE: 8-3/4” x 6-1/2”. CONDITION: Generally very good. 9-27318 (500-1,000)

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128

WALDO PEIRCE (American, 1884-1970) ELLEN AS THE ARTIST. Oil on canvas scene shows one of Peirce’s children dressed in black smock and seated in front of artists easel with canvas. The backdrop is a green field leading to blue ocean. Signed and inscribed “Love Ellen 16 Aug ‘53”. On back is signature of “W. Peirce” and same date. Housed in a fine gilt molded wood frame. SIZE: 16” x 12”. CONDITION: Very good. 9-27294 (2,500-4,000)

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129

WALDO PEIRCE (American, 1884-1970) FLOWERS IN A STONEWARE JUG. Oil on canvas scene shows a group of wildflowers in a brown top stoneware jug sitting atop a gray table on a deck overlooking water, rocks and island. Signed lower right with initials “WP 68”. Signed and dated on the reverse of the canvas. Housed in a fine carved wood gilt frame with white wood liner. SIZE: 20” x 16”. CONDITION: Very good. 9-27627 (1,500-2,500)

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130

ROBERT EMMETT OWEN (American, 1878-1957) “HAYING”. Fine oil on canvas scene shows large hay wagon topped with hay being driven by a man in front of two work horses. Another man walks beside. Large tree, cloud and blue sky. Signed lower right “R. Emmett Owen”. Housed in a fine gilt carved wood frame. Back bearing a Vose Galleries of Boston label. SIZE: 14” x 16”. CONDITION: Very good. 9-27308 (3,000-5,000)

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131

ROBERT EMMETT OWEN (American, 1878-1957) THE RED MILL. Oil on board summer landscape shows connected red mill with large water wheel and mill pond surrounded by tall green trees. Signed lower right “R. Emmett Owen”. Housed in a fine gilt ogee style frame with gadrooned decoration. SIZE: 17” x 22”. CONDITION: Very good. 9-27599 (2,500-3,500)

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132

WILLIAM MASON BROWN (American, 1828-1898) BASKETS OF STRAWBERRIES. Fine oil on canvas scene shows three slatted baskets of strawberries. Two have fallen over and the contents spilled onto a flower and leaf strewn ground. Signed lower left “WMB”. Housed in a fine gesso decorated gilt period frame. SIZE: 13-1/2” x 18”. CONDITION: Relined, there is some inpainting but it is very hard to discern due to masking varnish. Very good. 9-27610 (10,000-20,000)

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133

ATTRIBUTED TO SEVERIN ROESEN (American, 1815-1871) BOUNTIFUL FRUIT. Unsigned oil on canvas scene of fruit on a table. Fruit include green and purple grapes, plums, pear, half a lemon, peach, raspberries, cherry and strawberries. Housed in a copper toned molded wood replacement frame. SIZE: 12” x 15”. CONDITION: Relined, restored horizontal tear, inpainting. Good to very good. 9-27061 (3,500-5,000)

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133A

JNO N. PIERSCHE (19th Century) BOUNTIFUL FRUIT. Pastel on paper tabletop scene shows a large grouping of peaches, grapes and other fruits. A copper vase and leaves serve as backdrop. Signed lower left and dated “92”. Housed in a magnificent gilt gesso decorated frame with glass. SIGHT SIZE: 31” x 47”. CONDITION: Very good. 9-28035 (3,500-4,500)

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133B

UNSIGNED (American, 19th Century) BOUNTIFUL FRUIT. Oil on canvas still life scene shows a basket of peaches, grapes, lemon, strawberries and other fruit on a two tier table with grape leaves and vine. Housed in a fine period gesso decorated antique frame. SIZE: 22” x 27”. CONDITION: Relined, inpainting, very good. 9-27617 (2,000-4,000)

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133C

J. H. ROBINSON (19th Century) STILL LIFE OF FRUIT. Oil on canvas still life scene shows a large group of fruit on a thatched mat and in an open basket. The fruit include green and red grapes, pear, apples, plums, peach, raspberries and strawberries. Signed lower right and dated “1874”. Housed in what appears to be its original wide, deep gesso decorated gilt frame. The frame has an inner gold liner, which has identification of artist and title. SIZE: 16” x 20”. CONDITION: Craquelure, very good. Possibly some old restoration. 9-26754 (4,000-6,000)

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133D

L. HI__Y? (Late 19th Century) BASKET OF ROSES. Large oil on canvas still life scene shows basket of ten pink roses with green leaves. Signed lower right indistinctly. Housed in a magnificent gesso decorated multi-tier frame with inner gold liner and glass window. Frame has label from Max Williams 397 Fifth Ave, New York. SIZE: 18” x 28”. CONDITION: Very good. 9-98488 (1,750-2,250)

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134

MAY WILSON PRESTON (American, 1873-1949) TABLE TOP STILL LIFE WITH YELLOW FLOWERS. Oil on board still life scene shows a glass vase filled with yellow flowers. A small white bowl with orange flowers is in front with teapot in back. Signed lower left. Housed in a period gilt carved wood frame stamped Foster Bros. SIZE: 20-1/2” x 23-3/4”. CONDITION: Very good. 9-27714 (3,000-5,000)

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135

PEGGY DODDS (American, 1900-1987) PITCHER OF FLOWERS. Pastel still life scene shows a flower decorated white pitcher holding a large arrangement of colorful flowers set on a red cloth. Signed lower right “Peggy Dodds”. Housed in a fine gilt carved wood arts and crafts replacement frame with glass front. SIGHT SIZE: 29-1/2” x 22”. CONDITION: Very good. 9-26804 (3,000-5,000)

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136

ARNOUD WYDEVELD (American, 1823-1888) PEACH AND PLUMS. Oil on board still life scene shows one peach with three plums set on a stand and grass background. Signed lower right. Housed in what may be its original gilt gesso decorated frame. SIZE: 6” x 9-1/2”. CONDITION: Very good. 9-27433 (2,500-3,500)

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137

ALEXANDER POPE (American, 1849-1924) “PONCE DE LEON”. Fine oil on canvas horse portrait shows a large brown horse standing tall and proud. He stands on a hay floored stable. This horse portrait was painted for Thomas W. Lawson (1857-1925). Famed Boston area millionaire he was a stockbroker and author who at the turn of the century accumulated over $50 million and lived a lifestyle associated with his wealth. Signed lower left. Housed in a magnificent fancy gilt gesso decorated frame with gold liner. SIZE: 28” x 34”. CONDITION: Cleaned with very minor inpainted spots. Very good. 9-27699 (15,000-20,000)

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138

ALEXANDER POPE (American, 1849-1924) PORTRAIT OF A LION. Oil on canvas scene shows a head portrait of a lion against a dark background. Fine detail. Signed upper left and dated “97”. Housed in an antique gold wood frame. Stretcher has Frost & Adams label. SIZE: 18” x 15”. CONDITION: Craquelure, very good. 9-27283 (3,000-5,000)

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139

J. J. ENWRIGHT (American, 1905-) “FISHING QUARTERS, GLOUCESTER”. Oil on canvas scene shows two-mast fishing boat with blue, white and green hull moored alongside buildings. A man walks between buildings and other figures and buildings are seen in back of boat. Other boats are moored along dock. Signed lower left “J. J. Enwright”. Housed in its original gilt carved wood frame. Titled and signed on reverse of stretcher. SIZE: 24” x 30”. CONDITION: Very good. 9-26438 (2,500-3,500)

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140

J. J. ENWRIGHT (American, 1905-?) “A CAPE COD HARBOR”. Large oil on canvas signed in lower right, depicts two large sail boats at dock with a couple of dories in the foreground. Village in the distance. Framed in original period gold frame; bearing paper label from Loester’s Art Galleries. Pencil inscription (very hard to read) indicates date, sales number, order number, etc. Date appears to be 29?? Also signed on stretcher and numbered 4992 “A Cape Cod Harbor”, J. J. Enwright; a nice, large, bold and colorful dockside scene for which Enwright is so popular. SIZE: 27-1/2” h x 37-1/2”w. CONDITION: Painting and frame very good. 9-27997 (2,750-3,250)

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141

ANDREW WINTER (American 1893-1958) “MAINE WHARF, PORT CLYDE, MAINE”. Oil on panel by well-known Maine artist, Andrew Winter. Impressionistic view of lobstermen at Port Clyde wharf at low tide. Signed in lower right, A. Winter, and in pencil on reverse inscribed, “Maine Wharf, Port Clyde, Maine, by Andrew Winter”. SIZE: 11-1/4” h x 15-1/4” w. CONDITION: Very good. 8-87354 (4,000-6,000)

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142

MONOGRAMMED “VL” (Early 20th Century) STILL LIFE WITH OYSTERS AND FRUIT. Depicting plate of oysters, a beautiful vase of white and pink roses and a bowl filled with fruit (primarily peaches) together with a glass of wine. Monogrammed “VL” and dated “1908” in lower left. SIGHT SIZE: 15-1/2”l x 11-1/4”w. CONDITION: There is a tight 6” separation on the upper portion of the painting; otherwise colors have a very nice muted antique look with strong graphics. Very appealing. 9-28054 (1,000-1,500)

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143

WRAY PHYSIOC (Early 20th Century?) STARLIT MID-EASTERN SCENE. Depicts a number of white-robed Middle East figures, one with donkey with palm trees and some low stucco or sandstone buildings in the background. All under a star-lit blue sky. Signed in the lower left. Matted and framed in a small simple gilt frame. SIGHT SIZE: 5-3/4”l x 7-1/4”w. CONDITION: Generally excellent. 9-28055 (750-1,250)

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144

HUGO O. VON HOFSTEIN (American 1865 -) LAKESIDE SCENE. Watercolor on paper depicting a lake and rock-strewn shore (huge tree-covered boulder in the foreground), evergreens on the opposite shore. Signed lower left, “H. VON HOFSTEIN, STOCKHOLM, 1921”. Hofstein was an American artist originally from Winnetka, Illinois and was a pupil of A. Larsen and others. Framed in original antique gold frame. SIGHT SIZE: 14-1/2” h x19” w. CONDITION: Generally very good to excellent. 9-28063 (700-900)

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145

CHANSONETTA STANLEY EMMONS (19th Century) LAKESIDE SCENE. This folky oil on panel done by the mother of the famous Kingfield, Maine photographer and artist Chansonetta Stanley Emmons Chansonetta’s two brothers were the famed originators of the Stanley Steamer automobile but more importantly the Stanley dry plate used in photography. This folky painting depicts a cottage by a lakeside with mountainous background and a sailboat out on the lake. Signed in the center, “NETTA STANLEY, 1875”. Framed in a Victorian gilt gessoed frame. SIGHT SIZE: 15-3/4” h x 19-1/2”w. CONDITION: Generally very good. 9-28064 (700-900)

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146

ALVA GLIDDEN (Early-Mid 20th Century) GLOUCESTER OR ROCKPORT HARBOR SCENE. This oil on canvas depicts boats at dock with a pier and buildings in foreground and a sailboat and dory in the background with a village. Signed in lower right, “ALVA GLIDDEN”. With an attached presentation on reverse “PAINTED BY ALVA GLIDDEN WITH LOVE TO CHRISTINA.” Framed in natural wood-colored molded frame. SIGHT SIZE: 22-1/2” h x 29-1/2”w. CONDITION: Generally very good. 9-28065 (1,000-2,000)

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147

MYRTLE M. DYKEMAN (American, 20th Century) – GLOUCESTER OR ROCKPORT HARBOR. Harbor scene. OOP believed to be Gloucester or Rockport Harbor with stone pier, buildings, boats at dock and various figures. Signed in lower left and framed in 20th century wooden frame. SIZE: 15-1/2” h x 19-1/2”w. CONDITION: Painting generally good (a couple of small rub marks). Frame generally good. 9-28081 (700-900)

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148

UNSIGNED (American, 19th Century) VICTORIAN NEW ENGLAND SEASIDE RESORT. OOP depicting large resort hotel by the sea with a red building in the background. Framed in an old gilt gesso Victorian frame. Unsigned and untitled. SIZE: 11-1/4”w x 7-1/4”h. CONDITION: Painting in generally good condition. Gesso frame with a couple of imperfections. 9-28080 (400-800)

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149

ARTHUR FREDERIC BRIDGMAN. (American, Tusgekegee, Alabama. 19th-20th Century) “COWS IN A WOODED PASTURE”. Oil on canvas depicting two cattle in a wooded pasture with large boulder in the forefront. Signed lower left “F. A. Bridgman”. Framed in an old gilt gesso frame. SIZE: 11-3/4” h x 16” w. CONDITION: Oil in very good condition. Frame minor imperfections. 8-87344 (6,000-9,000)

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152

JANE PETERSON (American, 1876-1965) THREE WHITE MACAWS. Fine watercolor tropical scene shows three white birds with golden crests perched on a branch with red flowering blossoms and green leaves. Signed lower right. Housed in a bamboo style carved frame with white liner and white matte. SIGHT SIZE: 19-1/2” x 29”. CONDITION: Very good. 9-27190 (4,000-6,000)

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153

JANE PETERSON (American, 1876-1965) THREE MACAWS. Large watercolor on paper scene shows three brightly colored Macaws on branch in green tropical setting. Signed lower left “Jane Peterson”. Housed in a modern molded wood frame with double matte in red and tan. SIGHT SIZE: 19-1/2” x 25-1/2”. CONDITION: Very good. 9-98559 (5,000-7,000)

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154

ANNA MARY RICHARDS BREWSTER (American, 1870-1952) “JAFFA, JERUSALEM”. Outstanding oil on canvas Mid-Eastern street scene shows 20+ people walking along a crowded street lined with stucco buildings having colorful balconies. Some women in very colorful dresses with head scarves. A small child walks in foreground. Signed lower left “A. R. Brewster”. Housed in its original period gilt frame. Back of original frame has partial label with title and artist name. One of the finest examples by this artist who is William Trost Richards daughter. SIZE: 20” x 30”. CONDITION: Relined, very good. 9-27065 (15,000-25,000)

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155

ANNA MARY RICHARDS BREWSTER (American, 1870-1952) “CLOVELLY VILLAGE, ENGLAND”. Oil on canvas laid on masonite scene shows boy holding toy boat and holding girls hand as they walk down lane next to houses. Unsigned but having a Winthrop Gallery label with artist name, title and date of 1895. Housed in a fine gilt decorated replacement frame. SIZE: 13-1/4” x 9”. CONDITION: Very good. 9-26796 (2,000-3,000)

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156

JOHN FERGUSON WEIR (American, 1841-1926) NIGHTTIME FOUNTAIN. Unsigned, unframed oil on wood panel nighttime scene shows two tier fountain in courtyard with tall Cyprus like trees in front of a large stucco building. PROVENANCE: A typed letter dated May 18th, 1987 accompanies painting certifying that it descended in the family and was painted by J. F. Weir. Signed Ann Haas. SIZE: 15” x 10-3/4”. CONDITION: Inpainting, wood panel is bowed. 9-26459 (3,000-5,000)

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157

PAUL CORNOYER (American, 1864-1923) PARIS STREET SCENE. Oil on canvas sketch shows what appears to be a Paris bus stop with tall building behind. Signed lower right “Sketch by Paul Cornoyer”. Lower left titled “Paris”. Cornoyer visited France from 1889-1894 and this is probably from this period. Housed in an antique gesso decorated gilt frame. SIZE: 8-1/2” x 6-1/2”. CONDITION: Relined, restretched, inpainting around inscription and signature. Good. 9-98981 (800-1,200)

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158

JEAN CHARLOT (American, 1898-1979) THE BAPTISM. Oil on board scene shows seated nude figure next to a smaller standing figure who is pouring water out of a bowl onto the seated figures head. A green and yellow background. Housed in a flat wide frame. Signed lower right “Jean Charlot 33”. SIZE: 8” x 6”. CONDITION: Very good. 9-26457 (4,500-6,000)

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159

WILLIAM RICHARDSON TYLER (American, 1825-1896) “AFTER THE RAIN”. Oil on canvas summer scene shows a landscape with dirt road and farmer and dog herding four cows with house in background along side a large field with other cows, split rail fence with large trees. Signed lower right “W. R. Tyler”. Housed in a 5-1/2” w gilt reeded frame. Title and artist name on back of stretcher. SIZE: 22” x 38”. CONDITION: Some minor inpainting, very good. 9-26672 (4,000-8,000)

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160

UNSIGNED (American, 19th Century) LANDSCAPE WITH HOUSE AND COWS. Outstanding oil on canvas scene shows a three-story Colonial house with an attached building. There is a fenced yard and a rain barrel at end of gutter, a stream with grass and flower banks in foreground and water is seen next to two cows grazing. A bright sun is seen reflecting on horizon with sky colors of purple to very light blue. Housed in a fine Hudson River style gilt gesso decorated replacement frame. SIZE: 14” x 24”. CONDITION: Relined, very good. 9-27421 (4,000-6,000)

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161

HERBERT W MEYER (American, 1882-1960) “THE CALM VALLEY”. Fine oil on canvas scene shows a New England valley with connected house nestled between hills. Signed lower right. Titled in pencil on back stretcher. Also Babcock Galleries New York label on stretcher. Original period carved wood and gilt frame with glass front. SIZE: 12” X 16”. CONDITION: Very good. 9-26981 (3,000-5,000)

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162

HENRY HOBART NICHOLS (American, 1869-1962) MOUNTAIN LANDSCAPE. Oil on board scene shows tall mountain range with snow peaks, rolling hills in foreground with trees and rocky pastures. Possibly a Rocky Mountain or Alaskan scene. Signed lower right “Hobart Nichols”. Housed in a fine regilt carved wood old frame. SIZE: 12-1/2” x 16”. CONDITION: Very good, minor inpainting. 9-26872 (3,000-4,500)

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163

ROBERT WILLIAM WOOD (American, 1889-1979) GOLDEN GLOW. Superb oil on canvas fall landscape shows a stream with bridges lined with grassy banks having tall trees all with golden foliage. Sunlight shows behind light clouds and everything reflects in the water. Signed lower right. Housed in its original fine gesso decorated frame. SIZE: 20” x 28”. CONDITION: Very good. 9-27960 (3,000-5,000)

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163A

ROBERT WILLIAM WOOD (American, 1889-1979) A NORTHWEST MOUNTAIN SCENE. This large bright beautiful oil on canvas depicts a luminescent snow-covered majestic mountain in the background. In the foreground a mountain brook and ledges in a tree covered landscape. Signed in the lower right, “Robt. Wood” and framed in an antique simple gold frame. SIZE: 30” h x 36”w. CONDITION: Painting very good to excellent, frame very good. 9-28090 (3,000-6,000)

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164

SAMUEL COLMAN (American, 1832-1920) THE INTERVALE. Oil on board landscape scene shows two cows in foreground on wide stream with two figures on grassy bank. Hay wagon is seen on other bank and trees surround the scene under blue and purple sky. Signed lower right “Sam’l Colman”. Housed in a gilt molded wood modern frame. SIZE: 6-1/2” x 10-1/2”. CONDITION: Evidence of a crease in the board at back of cows. Generally very good. 9-27136 (4,000-6,000)

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165

WALTER CLARK (American, 1848-1917) “CORN STACKS”. Oil on canvas scene shows several tall corn stacks in a harvested field against a sloping hillside background. Unsigned front. Backboard with stamp “Estate of Walter Clark from the Collection of his granddaughter Rosalie Humhreys”. Newman Galleries label on reverse with title and artist name and Reg. No. 17290 C. Housed in a fine gilt molded wood replacement frame. SIZE: 14-1/4” x 20-1/4”. CONDITION: Very good. 9-27312 (2,000-3,000)

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166

WILLIAM FISHER (American, 1891-1985) WINDSWEPT CORN STACKS. Oil on canvas scene shows slightly sloping hillside with harvested cornstalks A small building with red roof is on top of hill with wind swept tree. Signed lower right. Housed in a gray painted wood frame with white liner. SIZE: 25” x 30”. CONDITION: Inpainting, good. 9-27304 (1,000-2,000)

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167

ELIOT CANDEE CLARK (American, 1883-1980) GWYNN’S ISLAND, VIRGINIA. Oil on board scene shows a low island with river inlet having a moored sailboat and a power boat alongside dock. A house is seen on bluff overlooking blue ocean with sailboat. Signed lower right “Eliot Clark”. Written on back in black “Gwinn’s Isle VA 54”. Housed in a good gilt frame with white liner. SIZE: 20” x 27”. CONDITION: Very good. 9-26431 (3,000-5,000)

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168

GEORGE HERBERT BAKER (American, 1878-1943) FALL LANDSCAPE RICHMOND, INDIANA. Oil on masonite fall scene shows a dirt road winding through woods with colorful foliage. Signed lower right “G H Baker”. Housed in a period decorated molded wood frame. Title written on back “Scene off Richmond, Newcastle Rd NW of Richmond, Indiana” and dated November 8, 1941. SIZE: 24” x 30”. CONDITION: Very good. 9-27783 (2,000-3,000)

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169

CHARLES HENRY MILLER (American, 1842-1922) THE OLD MILL. Oil on board scene shows a thatched roof mill next to a stream. A large water wheel is working while two figures are at end of water. A figure in red and blue stands in doorway. There are several trees surrounding the mill and birds fly in a white cloud and blue sky. Signed lower left “C H Miller”. Housed in a fine gilt gesso decorated reproduction frame. SIZE: 13” x 20-3/4”. CONDITION: Inpainting, very good. 9-27720 (2,500-3,500)

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170

WALTER KRAWIEC (American, 1889-1982) THE CIRCUS. Fine watercolor scene shows a large circus with big top flying American flag. Two white horses next to a circus wagon with dog is seen in foreground. Signed lower right “W. Krawiec”. Housed in an excellent double gilt wood frame with wide tan linen matte with glass. SIGHT SIZE: 10-1/2” x 14-1/2”. CONDITION: Very good. 9-26799 (3,000-4,000)

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171

REYNOLDS BEAL (American, 1867-1951) SELLS FLOTO CIRCUS, VISIT TO SALEM. Mixed media colorful scene shows two tents and circus wagon under large trees. American flag sits atop one tent. Pencil signed lower left and inscribed “Sells Floto, Salem June 14th, 1929”. Nicely housed in a gilt molded wood frame with highlighted matte. SIGHT SIZE: 8-1/2” x 11-1/2”. CONDITION: Very good. 9-26698 (1,000-2,000)

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172

UMBERTO ROBERTO ROMANO (American, 1905-1982) “JO JO THE BOY CLOWN”. Oil on board scene shows a colorful shoulder portrait of a clown with fancy makeup and hat. Signed lower right. Housed in a silver wood frame with wide linen matte. Also pencil titled and signed on reverse. SIZE: 21-1/4” x 14-3/4”. CONDITION: Very good. 9-27307 (1,000-1,500)

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173

NAHUM TSCHACBASOV (American, 1899-1984) CLOWN WITH BLUE BALL. Oil on canvas portrait of a clown in white outfit holding blue ball. Signed lower right “Tchacbasov” and what appears to be “46”. Housed in a weathered oak frame with wood matte. SIZE: 12” x 8”. CONDITION: Good. 9-27677 (500-1,000)

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174

CARL GUSTAF SIMON NELSON (American, 1898-1988) “THE ACTOR-1938”. Oil on board shows an abstract rendering of a man with hat in colorful costume. Signed lower left “C. G. Nelson 38”. Housed in a wide oak stained frame. Back has information regarding the artist and his works. SIZE: 20” x 18”. CONDITION: Very good. 9-27313 (1,000-2,000)

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175

JACK LEVINE (American, 1915-) ABSTRACT COMPOSITION. Colorful oil on board scene with broad brush strokes. Signed lower left “J. Levine 59”. Housed in a ogee style gilt replacement frame. SIZE: 16” x 20”. CONDITION: Very good. 9-27328 (2,500-4,000)

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175A

ELLSWORTH KELLY (American, 1923-) “DRACENA II”. Transfer lithograph on paper in black on white showing a leaf type drawing. Circa 1983-1985. Publisher Gemini Gel. Pencil signed and numbered 28/30 and embossed CII in corner. PROVENANCE: Christie’s New York, Lot 286 November 2, 2003. Unframed and unmounted. SHEET SIZE: 43” x 31-1/2”. CONDITION: Professional repair from the top down 5” just reaching into the black part of the print. Otherwise very good. 9-27958 (1,000-2,000)

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175B

WERNER DREWES (German/American, 1899-1985) “MANHATTAN”. Color woodcut from an edition of 30 done in 1954. The scene shows abstract New York skyline with tug going under bridge. Pencil signed “2/XXX St. II Drewes 54”. Housed in a modern black frame with beaded gold edge and white matte. SIGHT SIZE: 18-3/4” x 12-1/4”. CONDITION: Very good. 9-27345 (800-1,200)

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176

CARL ROBERT HOLTY (American, 1900-1973) FIGURE READING. Oil on canvas interior scene shows a person with red striped shirt seated in a lounge type chair with feet up on table. An abstract scene with vivid colors. Signed lower right. Housed in an old gesso decorated gilt frame. SIZE: 16” x 20”. CONDITION: Very good. 9-27741 (2,000-3,000)

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177

UNSIGNED (American, Mid-20th Century) THE THREE CHAPS. Oil on canvas modernist scene shows three men at table with wine. They wear fancy coats and ties with tall hats. Housed in a gilt molded wood frame. SIZE: 16” x 20”. CONDITION: Very good. 9-27446 (400-600)

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178

LEROY NEIMAN (American, 1921-) “ALONG THE BEACH”. Small oil on masonite scene shows a large building on a wooden pier with several boats next to and on side beach. A couple of bathers are seen walking on beach and dark blue water in the distance. Signed lower right and dated “59”. A nice unusual small example of Neiman’s work. Housed in a chrome shadowbox type frame with label of Kulicke Frames New York. On label in pencil “Am. Rep. Inc. Co.”. SIZE: 7” x 10-1/2”. CONDITION: Very good. Right corner has some paint consolidation showing some thin cracks. 9-27672 (3,000-5,000)

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178A

LEROY NEIMAN (American, 1921-) “GOLF WINNERS”. Serigraph pencil signed lower right, shows six golfers in swinging pose against a green and blue background. From an edition of 500. Signed in print and dated “84”. Housed in a modern metal style frame with double matte. SIGHT SIZE: 20-3/4” x 33”. CONDITION: Very good. 9-26732 (1,000-1,500)

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178B

DAVID DAVIDOVICH BURLIUK (American, 1882-1967) LANDSCAPE WITH HOUSE AND ROAD. Colorful summer landscape shows a connected Colonial house with blue barn with colorful trees and bushes with green pastures. A straight blue/green road has railroad crossing just beyond house. Housed in a molded wood and linen liner frame. SIZE: 20” x 24”. CONDITION: Very good. 9-28084 (5,000-7,000)

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179

IVAN GREGOREWITCH OLINSKY (American 1878-1962) PORTRAIT OF YOUNG WOMAN. Oil on board, shoulder length portrait shows a woman with dark hair looking right wearing a red scarf on head with white blouse. Signed upper left. Housed in a fine carved gilt Arts & Craft style frame. SIZE: 16” x 12”. CONDITION: Very good. 9-27432 (4,000-6,000)

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180

GERTRUDE NASON (1890-1965 ) FLOWER POT OF RED TULIPS. Oil on canvas still life scene shows red tulips with green leaves in a red terracotta pot with blue plate underliner. They sit upon a stand with a paper picture on wall behind. Housed in a gilt carved wood frame. SIZE: 20” x 16”. CONDITION: Relined with inpainting around edges, otherwise very good. 9-27322 (1,000-1,500)

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181

GERTRUDE NASON (American, 1890-1965) PORTRAIT OF A WOMAN. Oil on canvas shoulder length portrait shows a woman with black short hair looking off to the left. She wears a brown colored dress. Light blue background. Signed lower left. SIZE: 18” x 16”. CONDITION: Repair to neck area, inpainted. 9-25012 (400-600)

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182

GEORGE BENJAMIN LUKS (American, 1867-1933) THE THINKING NUDE. Oil on board scene shows a nude woman seated at edge of rocks. Signed lower right “George Luks”. Housed in an antique gilt molded wood frame. SIZE: 10” x 8”. CONDITION: Craquelure, good. 9-27710 (2,000-3,000)

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183

BUTLER, PARIS 1889 (19th Century) PORTRAIT OF A YOUNG GIRL. Oil on canvas of a full standing young girl wears large hat, black dress with white shirt. She is set against an almost black background and has a wonderful country look. Canvas stamp to back “Paul Foinet, Paris”. Housed in what may be its original large fancy gesso decorated gilt frame. Signed lower right. SIZE: 40” x 32”. CONDITION: Some craquelure and needs cleaning, small puncture in hat. 5-71803 (1,000-2,000)

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184

GEORGE FULLER (American, 1822-1884) PORTRAIT OF A BOY. Oil on canvas portrait from shoulder up shows young boy with brown hair against a dark background. Bottom inscribed “Isidore Pelfresne Sep 9 1875”. Housed in a period gilt molded wood frame with linen liner. Stretcher with stencil mark from Kleemann Galleries, New York. Also frame has Kleemann Gallery label with title “Study of a Head”. A New Britain Museum of American Art Deaccessioned label is attached to back dust board. SIZE: 19-3/4” x 15-3/4”. CONDITION: 1” lifted crack in background. Otherwise very good. 9-26954 (1,300-1,600)

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185

ELLIOT BOUTON TORREY (American, 1867-1949) THE FLOWERED DOORWAY. Oil on canvas scene shows a connected house and shed have an open dooryard with colorful flowers bordering a cobblestone entryway. Signed lower left. Housed in a reproduction gilt gesso decorated frame. SIZE: 21” x 28-3/4”. CONDITION: Very good. 9-27749 (2,500-3,500)

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186

CLARA D. (SIMPSON) DAVIDSON (American, 1874-1962) FLOWER LINED WALKWAY. Oil on canvas scene shows a Colonial doorway in blue hews with a large tree on right and colorful flowers lining the front walkway. Unsigned front. Estate stamped on reverse and numbered 6117. Housed in a gilt oak wood frame with beaded liner. SIZE: 19-3/4” x 16”. CONDITION: New stretcher, relined. Very good. 9-26445 (1,600-1,800)

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187

GREGG SPEARS (American, Late 20th Century) MARKET DAY IN CHICAGO. Outstanding oil on canvas city scene (Taylor Street in Chicago) shows many people on a brick colored cobblestone street shopping from an open market set up in front of shops on the first floor of multi-story brick buildings. There is a meat seller, fish seller, a restaurant and fruit being sold by individual merchants. Signed lower right “Spears”. Housed in a gold molded wood frame with linen liner. A wonderful cityscape by a fine Chicago black artist. SIZE: 30” x 40”. CONDITION: Very good to excellent. 9-26621 (3,000-5,000)

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188

LUIGI LUCIONI (American, 1900-1988) INTERIOR ROOM SCENE. Large oil on canvas scene shows mahogany gate leg table with one half round leaf up displaying a group of items. Included is a blue and white vase, pitcher, cup, a multi-colored sugar bowl, brown teapot, a plate with apple, a tapestry throw and a fancy silver mirror with reflections of a girl. On each side of the table are two windows with sheer curtains. Light cascades on arrangement with shadow reflections on wall. Signed lower right “Luigi Lucioni”. Housed in a gesso decorated gilt frame. SIZE: 30” x 72”. CONDITION: Very good. 9-26952 (7,000-10,000)

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189

WAYNE BEAM MORRELL (American, 1923-) WOODLAND POND IN FALL. Oil on masonite colorful landscape shows tree lined water in bright fall colors reflected at the waters edge under a blue sky. Signed lower left. Housed in a carved and gilt modern replacement frame. A nice early example by this Rockport artist. SIZE: 18” x 30. CONDITION: Very good. 9-26777 (3,000-4,000)

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190

WAYNE BEAM MORRELL (American, 1923-) “SPRING ARRIVES AT THE RIVER”. Large oil on board scene shows a river lined with trees in a spring time landscape. Signed lower left and dated 59. Housed in a fine arts and crafts style replacement frame. A fine early example of this artist’s work. SIZE: 24” x 30”. CONDITION: Very good. 9-27437 (2,000-3,000)

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191

WAYNE BEAM MORRELL (American, 1923-) COWS IN A LANDSCAPE. Unsigned oil on masonite summer landscape shows three cows in a pasture next to stream with large trees under a light sky. Housed in a decorated beveled wood frame. An early work by this Rockport, Massachusetts artist. SIZE: 11” x 14”. CONDITION: Very good. 9-26744 (1,500-2,500)

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192

CHRISTOPHER HUNTINGTON (American, 1838-) “HEAD LAND IN SPRING – MONHEGAN 1964”. Oil on wood panel scene shows a Monhegan coastline covered with green trees and grass. Signed lower left “Huntington 64”. Housed in a fine silvered gilt wood frame with wide linen matte. SIZE: 16” x 20”. CONDITION: Very good. 9-27301 (2,000-4,000)

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193

CHRISTOPHER HUNTINGTON (American, 1838-) “JUNE DAY – MONHEGAN”. Oil on wood panel shows a Monhegan cliff with evergreens in foreground and a flowering tree. Initialed “CH” and dated “67” bottom right. Also titled, signed and dated on reverse. SIZE: 13-3/4” x 18”. CONDITION: Very good. 9-27300 (2,000-4,000)

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194

TOM RICHARD CAVANAUGH (American, 1923-) MAINE FISHING SCHOONER. Oil on board marine scene shows a Maine schooner sailing left to right with two masts, sails up, flying American flag. Several figures are on board under a light sky. Signed lower left “TC”. Housed in a natural wood modern frame. Circa 2000. SIZE: 18” x 24”. CONDITION: Very good to excellent. 9-27461 (1,800-2,000)

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195

TOM RICHARD CAVANAUGH (American, 1923-) FROM THE SEA. Oil on canvas still life scene shows a group of sea born items including drift wood, shells, shovel with bucket and seaweed. Signed upper left “Cavanaugh 1946”. Also signed on back. Housed in a painted wood frame. SIZE: 20” x 24”. CONDITION: Craquelure, very good. 9-27460 (1,800-2,000)

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196

JAMES A. CAMLIN (American, 1918-1982) HOMEWARD BOUND. A fine watercolor scene shows a fishing boat coming back to dock with several buildings. A colorful sunset sky with yellows, pinks and blues. Signed lower right. Housed in a modern gilt wood frame with ivory matte. Watercolor is two-sided with the other side scene of an ocean inlet with houses and is fully signed on lower left. A color copy of the reverse is attached to back. SIGHT SIZE: 14” x 21”. CONDITION: Very good. 9-27566 (1,000-2,000)

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197

WILLIAM ARNOLD EYDEN (1893-1982) “AFTER THE STORM OGUNQUIT, MAINE”. Large oil on canvas scene shows crashing white waves over coastal rock shoreline. Signed lower left “W A Eyden”. Housed in a painted wood frame. SIZE: 40” x 50”. CONDITION: Painting has plastic backing for support. Very good condition, but could use a light cleaning. 9-28002 (1,000-2,000)

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198

DONALD STONE (American, 1929-) MAINE COAST. Oil on board coastal scene shows a grass covered rock shoreline with seagulls and water. Signed lower left “Don Stone NA”. Housed in a fine gilt wood frame with linen liner. SIZE: 8-1/2” x 11-1/2”. CONDITION: Very good. 9-27739 (1,000-1,500)

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199

JAMES EMERY GREER (American, -1948) RAIN SQUALL OFF RAM ISLAND LIGHTHOUSE. Oil on board scene shows a rocky coastline having large waves with lighthouse on point of land. A rain squall is seen against a light yellow sunlit background. This is a scene off Ram Island, Maine located in Casco Bay. Signed lower left. Housed in a molded wood stained and green painted frame. SIZE: 22” x 30”. CONDITION: Very good. 9-27356 (1,000-1,500)

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200

JAMES EMERY GREER (American, -1948) HAZEY DAY, WINTER. Oil on board winter scene shows a valley dotted with houses in a colorful landscape. Signed lower right. Housed in a period gesso frame. SIZE: 16” x 20”. CONDITION: Very good. 9-27419 (1,000-1,500)

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201

JAMES EMERY GREER (American, -1948) NEW ENGLAND COASTAL SCENE. Oil on board scene shows several New England connected houses on hillsides with water and boat. Purple mountains are seen in background. Signed lower left. Housed in fine gilt Arts & Crafts style replacement frame. SIZE: 16” x 20”. CONDITION: Very good. 9-27420 (800-1,200)

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202

ABRAHAM HULK SR. (Dutch/American, 1813-1897) TRANQUIL BAY. Oil on canvas scene shows a low point of land at low tide having wood post dock with two ships beside and people. A house is seen beyond with a sail beyond. Several boats are seen moored in a quiet bay. Blue and pink cloud sky. Signed lower left. Housed in an old carved gilt wood frame. SIZE: 16” x 24”. CONDITION: Fair to good. Needs cleaning and has had some restoration. 9-28074 (2,000-4,000)

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203

GARDNER ARNOLD RECKHARD (Reckard) (American, 1858-1908) EARLY FALL LANDSCAPE. Large oil on canvas scene shows small pond amongst tall trees with turning foliage. Sloping banks have colorful wildflowers and fields beyond. Gray and white clouds scattered amongst a blue sky. Signed lower right “G.A. Rickard”. Housed in its magnificent wide and deep gesso decorated fancy frame. SIZE: 25-1/2” x 36-1/4”. CONDITION: Relined, very good. Canvas appears to be mounted on hard board with canvas back. 9-25161 (3,000-4,000)

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204

JOHN FREDERICK KENSETT (American, 1818-1872) BRIDLE VEIL FALLS, YOSEMITE. Oil on wood panel scene shows a panoramic view of a falls on the right side through mountain-V and large valley with mountains behind. In foreground a campfire with figures is seen. Signed lower left with conjoined initials “JFK” which may have been added. Housed in an antique gesso decorated frame. SIZE: 5-1/2” x 10”. CONDITION: Panel has slight warp, craquelure which imitates grain in wood. Some inpainting. 9-26513 (6,000-8,000)

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205

JOHN AMORY CODMAN (American, 1824-1886) NEW HAMPSHIRE LAKE SCENE. Oil on canvas scene shows two figures knee deep in water. One with bundle of sticks, the other with basket on head, walking across water to a group of four cows. Large trees and rocky shoreline. A rock cliff is seen in background beyond the lake. Birds fly against a cloud and blue sky. Signed lower right “JA Codman”. Housed in a wide deep lemon gold antique frame. White chalk mark on back might indicate title of Echo Lake. SIZE: 18-1/4” x 24-1/4”. CONDITION: Some inpainting, mostly in sky. Very good. 9-27600 (4,500-6,500)

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206

EDWARD C. COATES (American, 1816-1871) GOING FISHING. Oil on canvas landscape scene shows a boy with long fishing pole walking down path to river with rowboat tied to tree. Two large trees are seen on high bank with fields on either side. Signed lower left “E. Coates”. Housed in a fine period gesso decorated frame. SIZE: 9” x 13”. CONDITION: Three canvas patches to reverse with corresponding inpainting. 9-27721 (2,500-3,000)

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207

UNSIGNED (American, 19th Century) HUDSON RIVER SCHOOL. Oil on canvas scene shows elegantly dressed man and woman walking up road between rocks and trees with water having two sailboats and hills beyond. All under a blue and white/gray cloud sky. Housed in its original gesso decorated frame which is as is. SIZE: 20” x 24”. CONDITION: Craquelure, good. 9-27273 (1,000-2,000)

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208

ROLAND ROOD (American, 19th/20th Century) THE BLOSSOMING APPLE TREE. Oil on canvas spring scene shows a blossoming tree against a landscape. Signed lower left “Roland Rood 1910”. Also signed on reverse and dated. Housed in a gilt molded wood period frame. SIZE: 18” x 22”. CONDITION: Very good. 9-27624 (1,000-1,500)

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209

FREDERIC KNIGHT (American, 1855-1930) SUMMER STREAM. Unframed oil on board scene shows a depleted stream with dirt banks, bushes and large trees. Signed lower left “Fred Knight 1890”. Academy board label from A. T. Osborne & Co., Cleveland, Ohio. SIZE: 18-1/2” x 12-1/4”. CONDITION: Inpainting, good. 9-26462 (1,200-1,600)

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210

LEONARD MOORE DAVIS (American, 1864-1938) ALASKAN LANDSCAPE. Oil on canvas scene shows purple mountains with one snow capped peak. In foreground is a flower decorated wood gate having a light affixed to top. Signed lower left “Leonard M. Davis”. Housed in a period carved wood frame. SIZE: 20” x 30”. CONDITION: Craquelure, one section on mountain peak missing paint. Some small flecks across paint surface missing. Fair. 9-26535 (1,000-1,500)

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211

SIGNED RUD SEWELL (?) (American, Mid 20th Century) “VALLEY OF THE CHITINA”. Oil on canvas Alaskan landscape scene shows large blue mountains with valley having marshland in foreground. Signed lower right indistinctly. Nice bold colors in blues, greens and browns. Titled on reverse of canvas. Also titled “Blue Mts, Chitina River” on stretcher. A rare Alaskan scene. SIZE: 25” x 35”. CONDITION: Two dime size areas of paint loss on right side. 9-27115 (2,000-2,500)

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212

DANIEL CHARLES GROSE (American, 1865-1890) FALL MOUNTAIN/VALLEY LANDSCAPE. Oil on canvas scene shows a cascading stream with colorful tree lined banks. Low hills rise to tall mountain peaks with snow covered tops. A sunset casts shades of yellow, pink and blue across the sky. Signed lower left “D C Grose”. Housed in a fine decorated modern frame. SIZE: 8” x 12”. CONDITION: Minor inpainting, very good. 9-27425 (1,500-2,500)

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213

W.J. (19th Century) CASCADING FALLS. Oil on canvas scene shows cascading white water flowing through rocks and gorge with waterfall in background, mountain, clouds and blue sky. Signed on rock “WJ”. Housed in its original gold painted large wood frame with decorative fruit corner embellishments. SIZE: 12” x 22-1/2”. CONDITION: Very good, relined, cleaned, some inpainting. 9-27825 (1,000-1,500)

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214

JOHN EDMUND CALIFANO (American, 1862-1946) LIVESTOCK AT WATERING HOLE. Large oil on canvas scene shows five sheep and three cows with farmer at a small watering hole. Background has tall mountain peaks lit by a bright sun. Signed lower right “J. Califano”. Housed in a gold painted molded wood frame. SIZE: 29” x 42”. CONDITION: Restored, six canvas patches to back but in generally very good condition. 5-71763 (3,000-5,000)

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215

CALIFANO (American, 20th Century) EUROPEAN LANDSCAPE. Oil on canvas scene shows tree lined dirt road with mother and child. A thatched roof house on right side set amongst fields with trees. Signed lower right “Califano”. Housed in a modern molded wood decorated frame. SIZE: 24” x 36”. CONDITION: Very good. 9-26692 (500-1,000)

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216

UNSIGNED (American School, Late 19th Century) GIRL WITH SONGBIRD. Nice oil on canvas interior scene shows a young woman seated in chair wearing red dress and purple apron. A small yellow bird stands atop one drawer stand next to birdcage with flowers behind. A nice pleasing composition. Housed in a regilt period gesso decorated frame. SIZE: 17-1/2” x 22-1/4”. CONDITION: Very good. Minor inpainting. 9-26448 (2,000-3,000)

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217

FIDELIA BRIDGES (American, 1834-1923) BLUEBIRDS IN LANDSCAPE. Watercolor scene shows two bluebirds perched on flowering branches against a water and tree landscape under an orangey sky. Signed lower right “F. Bridges 1874”. Housed in a gilt modern wood frame with white matte. SIGHT SIZE: 8-1/2” x 5-3/4”. CONDITION: Very good. 9-26773 (4,000-6,000)

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218

UNSIGNED (19th Century) PAIR OF BIRD WATERCOLORS. Fine watercolor on paper of bird illustrations. One shows Goldfinch, Indigo bird, Mexican Tanager (male and female). The other shows Louisiana Tanager and Scarlet Tanager (male and female). Very nicely executed in great detail and color. Identically housed in modern gilt frames with double highlighted mattes. SIGHT SIZE: 10-1/4” x 9”. CONDITION: Light foxing, generally very good. 9-26741 (1,500-2,500)

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219

HENRY DUTTON MORSE (American, 1826-1888) CHICKS. Oil on board scene shows four chicks resting in a grassy area. Nice detail and nice soft colors. Signed lower right “HD Morse 1864”. Housed in an antique birdseye maple veneered frame. SIZE: 7-1/2” X 9-1/2”. CONDITION: Very good. 9-27415 (3,000-4,000)

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220

SCOTT LEIGHTON (American, 1849-1898) “THE RED COW”. Oil on canvas scene shows a large brownish/red cow standing in a grassy field with fences and tree border. Signed lower right “Scott Leighton”. Housed in its original wide gesso decorated frame. Marked “#245” on back and titled on old red decal. SIZE: 16” x 24”. CONDITION: Some inpainting, very good. 9-27148 (1,500-2,500)

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221

EDMUND DARCH LEWIS (American, 1835-1910) DEER IN A MOUNTAIN LANDSCAPE. Oil on canvas scene shows five deer in small clearing next to lake with tall mountains and palm trees. Signed lower right “Edmund D. Lewis”. Housed in an antique gold painted gesso decorated frame. SIZE: 20” x 26”. CONDITION: Relined with some restoration. Craquelure. Fair to good. 9-26696 (2,000-4,000)

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222

CLINTON LOVERIDGE (American, 1824-1902) SHEEP IN GOLDEN FIELD. Oil on canvas backed by board scene shows flock of sheep proceed through gate in wooden fence from grassy field to large field of golden wheat under a cloudy sky with blue patches. Signed lower left “C. Loveridge”. Housed in a flat carved oak frame with gold liner. SIZE: 16” x 24”. CONDITION: Very good. Restored, mostly in sky, inpainting. 9-98950 (800-1,200)

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223

WILLIAM MCDOUGAL HART (Scottish/American, 1823-1894) TWO COWS IN WATER LANDSCAPE. Black and white watercolor scene shows two cows standing in calm water with tall tree shoreline and tall mountains in background. Signed lower left “WM Hart”. Housed in a modern decorated molded wood frame with line highlighted white matte. SIGHT SIZE: 7” x 5-1/2”. IMAGE SIZE: 6” x 4-1/2”. CONDITION: Very good. 9-26788 (1,250-1,750)

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224

EDWARD REYNOLDS KINGSBURY (American, 1855-1940) COLORFUL SEASCAPE. Heavy oil on canvas bright colored scene shows waves crashing onto rocks with tidal inlet. A pink and blue sky and ocean from deep blue to light green. Signed lower right. Housed in a molded pine frame with linen liner. An envelope is attached to back addressed to Kingsbury. SIZE: 20” x 24”. CONDITION: Relined, very good. 9-27276 (1,000-1,500)

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225

GEORGE HENRY LEONARD (American, 1869-) FRENCH COAST WITH BATH HOUSES. Oil on canvas scene shows several bath houses along a turquoise sea with grass covered sandy beach. Signed lower left. Partial label from the Pennsylvania Academy of the Fine Arts Sixty-Seventh Annual Exhibition. J. H. Miller Co. label on stretcher. Housed in a gilt molded wood frame. SIZE: 16” x 23-1/2”. CONDITION: Very good. 8-87332 (1,000-2,000)

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225A

GEORGE HENRY LEONARD (American, 1869-) FRENCH VILLAGE SCENE. Oil on canvas scene shows tall stucco building with dirt road leading to double arched bridge. The painting appears to be unsigned but came in with the previous painting from the same home. Housed in its original frame with a J. H. Miller Co. label. SIZE: 15” x 18”. CONDITION: Very good. 8-87333 (600-800)

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225B

GEORGE HENRY LEONARD (American, 1869-) TOWNSCAPE SKETCH. Watercolor scene shows building rooftops with tall spire. Signed lower right “G. H Leonard”. Housed in a simple wood frame with tan matte. J. M. Miller Co label affixed to back. Boston Art Club Exhibition label on reverse. SIGHT SIZE: 5-1/4” x 8-3/4”. CONDITION: Slight toning at edge, otherwise very good. 8-87335 (150-300)

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225C

GEORGE HENRY LEONARD (American, 1869-) LANDSCAPE SKETCH. Double sided landscape sketch on wood panel. One side showing two trees in a landscape. Other side with house, road and trees. Signed lower left “G HL”. Housed in a simple wood decorated frame. SIZE: 7-1/2” x 11-1/2”. CONDITION: Good. 8-87334 (100-300)

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225D

EDWARD LOYAL FIELD (American, N.Y. 1856-1914) STONE FARM HOUSE. Oil on canvas depicting stone house and archway. Signed in lower left, “Edward L. Field”, framed in contemporary antique style gilt gesso frame. The scene is believed to depict Field’s farm and studio in the Catskills or the Hudson River Valley, done probably some time in the 1880’s or 1890’s. Ex the estate of E. L. Field, (Tovar collection number 216). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. Unstretched, laid on hardboard (but not affixed). SIZE: 7” h x10-1/4” w. CONDITION: Painting surface cracked in some places, but generally good. Frame very good. 9-27981 (2,500-3,500)

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225E

EDWARD LOYAL FIELD (American, NY, 1856-1914) “SMALL COUNTRY FARM”. Oil on canvas of small rural farm in hilly landscape with stone fences. Probably Catskills or Hudson River Valley, N.Y. Signed in lower right E. Loyal Field. In a reproduction antique-style gilt frame. Ex the estate of E. L. Field, (Tovar collection number 16B). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. SIZE: 8-1/4” h x 8-1/4” h. CONDITION: Canvas not mounted on stretcher. Small scratch in lower right near signature; otherwise, very good. Frame very good. 9-27985 (1,500-2,000)

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225F

EDWARD LOYAL FIELD (American, NY, 1856-1914) PASTURELAND UPSTATE NEW YORK. Hilly fall pasture scene with rolling hills. Probably Catskills or Hudson River Valley–probably 1880’s to 1890’s. Oil on heavy paper. Signed E. L. Field lower right. Framed in reproduction antique-style gilt gesso frame. Ex the estate of E. L. Field, (Tovar collection number 20). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. SIZE: 8” h x 10” w. CONDITION: Very good to excellent. 9-27983 (1,500-2,000)

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225G

EDWARD LOYAL FIELD (American, NY, 1856-1914) NEW YORK PASTURES. Oil on canvas. Laid on hardboard (but not affixed) of impressionist landscape scene depicting hilly pastures bisected by stone fence. Probably Catskills or Hudson River Valley, and probably done in the 1880’s to 1890’s. Signed on reverse canvas. Framed in the reproduction antique-style gilt gesso frame. Ex the estate of E. L. Field, (Tovar collection number 16A.) Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. SIZE: 7-1/2” x 9-1/4”. CONDITION: Generally very good. 9-27984 (1,250-1,750)

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225H

EDWARD LOYAL FIELD (American, NY, 1856-1914) COUNTRY COTTAGE AND FARM. Oil on panel depicts small cottage and farm in a rural setting. Probably Catskills or Hudson River Valley. Signed on reverse, “Edward L. Fields, 1888”. Ex the estate of E. L. Field, (Tovar collection number 26). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. SIZE: 4-3/4” h x 6-1/2”. CONDITION: Sky above the landscape painted only with the sun; no other in-painting. Otherwise, painting not finished in the sky. 9-27986 (1,000-1,500)

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225I

ATTRIBUTED TO EDWARD LOYAL FIELD (American, NY, 1856-1914). Oil on panel depicts moonlit cottage in forested landscape. Unsigned, but Ex the estate of E. L. Field, (Tovar collection inventory number 18). Field studied in France under Carolus-Duran. After returning to the U.S., he became a full member of New York’s prestigious Salmagundi Club. Framed in a reproduction antique-style gold frame. SIZE: 8” h x 6” w. CONDITION: Painting, very good. Frame also very good. 9-27982 (1,250-1,600)

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226

THOMAS BUFORD METEYARD (American, 1865-1928) COASTAL SEASCAPE. Fine watercolor shows waves crashing onto rocky shoreline with island being grass and rock covered. Signed lower right “T B Meteyard”. Housed in a oak flat molded gilt frame. SIGHT SIZE: 6-1/2” x 4-3/4”. CONDITION: Very good. 9-26454 (1,200-1,600)

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227

EDITH LUCILLE HOWARD (American, 1885-1960) “AT THE SHORE 1938”. Oil on board lake shore scene shows many swimmers at edge of water and in water surrounded by trees and sandy shoreline. Signed lower left “LH”. Signed and titled on back. Housed in a gilt molded wood replacement frame. SIZE: 7” x 9”. CONDITION: Very good. 9-27711 (1,000-1,500)

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228

S. H. HUNT (American, 20th Century) SUMMER SAIL. Small one-mast two-sail boat has four figures aboard and sails left to right in a choppy sea. Signed lower left. Housed in a good carved gold wood frame with white liner. SIGHT SIZE: 7-1/2” x 9-1/2”. CONDITION: Good. 9-27774 (75-125)

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229

JOHN CUTHBERT HARE (American, 1908-1978) “APPROACHING STORM-CAPE COD” AND “LIFTING FOG – CAPE COD”. Watercolors are identically framed and show a dock side scene with boats, one having figures loading the boat. Both signed bottom right. Housed in a colored molded wood frame with wide white matte. SIGHT SIZE: 7” x 8”. CONDITION: Very good. 9-27362 (800-1,200)

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230

JOHN HARE (American, 20th Century) CAPE COD STREET SCENE. Watercolor scene shows a dirt road flanked by New England houses, one having a large tree beside a picket fence. Signed lower right. Housed in a fine wood gilt molded wood frame with ivory matte. SIGHT SIZE: 11” x 8”. CONDITION: Very good. 9-26918 (500-800)

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231

UNSIGNED (American, Early 20th Century) “PIPING PLOVER, CAPE COD MARSHES”. Small oil on board portrait of a white and brown bird standing on grassy marsh with ocean as backdrop with two small sailboats. White and purple sky. Old label on back with title. Housed in its original flat molded wood gilt frame. SIZE: 9” x 12”. CONDITION: Chip to middle top edge. Otherwise very good. 9-26976 (750-1,000)

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232

WILLIAM B. GLEASON (American, 1824-1886) “THINGLE BEACH” AND “FROM LITHFIELD’S”. Pair of oil on board Boston Harbor scenes. Both have title on reverse and one is dated “June 22, 1878”. Unsigned fronts and one is signed on reverse. Both housed in identical antique style gesso decorated gilt frames by Guido Frame Studio. SIZE: 8-1/2” x 12-1/4”. CONDITION: Slight warp to boards, inpainting. Very good. 9-27289 (2,250-2,750)

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233

WILLIAM MATTHEWS HEKKING (American, 1885-1970) “NEW FOUNDLAND SERIES”. Oil on masonite scene shows blue, green and white waves against rocks with buoy, sailboats and steamer on horizon. Signed lower left “Wm. M. Hekking”. Title and artist name on reverse. Housed in a double gilt modern frame. SIZE: 18” x 24”. CONDITION: Very good. 9-27299 (800-1,200)

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234

RICHARD HAYLEY LEVER (American, 1876-1958) STILL LIFE OF VEGETABLES. Watercolor scene shows a white plate having three turnips and two carrots atop with another turnip beside. All on a counter with green background. Signed in pencil lower right. Housed in a fine gilt decorated wood frame with double matte. SIGHT SIZE: 13-1/2” x 17-3/4”. CONDITION: Very good. 9-27329 (1,500-2,500)

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235

THERESA FERBER BERNSTEIN (American, 1890-2002) “CARNATIONS”. Mixed media on paper still life shows vase of yellow and red carnations. Pen title on left corner and pencil signed and dated in the right corner. Housed in a gilt wood frame with white matte. SIGHT SIZE: 16” x 13”. CONDITION: Very good. 9-25015 (2,000-3,000)

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236

PAULINE LENNARDS PALMER (American, 1867-1938) TABLE TOP STILL LIFE. Oil on canvas scene shows a table filled with objects including glass pitcher, a clear apothecary bottle, blue wine glass, yellow bowl with spoon, silver tea caddy with platter, tea strainer, hand painted plate and more. Several tablecloths are seen draped over mahogany table. Signed lower left “Pauline Palmer”. Housed in a decorative gilt modern frame with gilt liner. SIZE: 25” x 30”. CONDITION: Very good. 9-27738 (2,000-3,000)

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237

LEONID GECHTOFF (American, 1883-1941) STILL LIFE WITH FLOWERS. Dramatic oil on canvas tabletop scene shows white bulbous tall vase with rust and ivory colored flower with green leaves. Light shines from left side onto orange and red tablecloth with purple to black background on right. Signed lower right “L Gechtoff”. SIZE: 30” x 30”. CONDITION: Inpainting mostly to the right side, very good. 9-26504 (800-1,200)

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238

ALFRED S. MIRA (American, 1900-1980) POTTED POINSETTIA. Oil on canvas still life scene shows a red flower with green leaves in a colorful flowerpot with matching bowl beside. Mottled yellow background. Signed lower right “A. Mira”. Housed in a gilt molded wood frame. SIZE: 20” x 16”. CONDITION: Very good. 9-27722 (1,500-2,000)

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239

UNSIGNED (American, Early 20th Century) VASE OF PINK FLOWERS. Oil on board scene shows a large hand painted vase filled with large red and pink flowers against a curtain background. The painting is unsigned but inscribed on reverse with what appears to be “For Ms. Anne Land The Albee House 1915”. Housed in a fine reproduction gesso decorate gilt frame. SIZE: 62” x 22”. CONDITION: Some scrapes and paint drippings. Otherwise good. 9-27732 (1,000-1,500)

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240

GUY CARLETON WIGGINS (American, 1883-1962) LANDSCAPE WITH FARM HOUSE. Oil on board summer scene shows a red barn with wood silo and hay pile. A green grass hillside with trees under a white cloud and blue sky. Signed lower left. On back of board “June 24, 1939”. Housed in a gilt modern replacement frame. SIZE: 6” x 8”. CONDITION: Very good. 9-27726 (4,000-6,000)

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241

FRANK HILL SMITH (American, 1841-1904) SEWING ON THE VERANDA. Oil on canvas scene shows young woman seated in a rattan chair on an open veranda overlooking grass covered lawn and tranquil ocean. Sun appears to be rising with nice pastel colors. She wears a long flowing blue dress with lace trimmings. She works on what appears to be a flower print tablecloth. Signed lower left “F. Hill Smith 75”. Housed in a magnificent gilt gesso decorated frame. SIZE: 17-1/2” x 25”. CONDITION: Relined, very minor inpainting. Very good. 9-26746 (5,000-8,000)

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242

WILLARD LEROY METCALF (American, 1858-1925) MURAL STUDY FOR “JUSTICE”. Gouache on paper scene shows winged goddess of justice amongst people, cherubs and soldiers in a classical setting. Signed lower right “W. L. Metcalf 1899”. Housed in a gilt molded wood frame with white matte. SIGHT SIZE: 4-1/2” x 24-3/4”. CONDITION: Very good. 9-26939 (4,000-6,000)

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243

ERNEST ALBERT (American, 1857-1946) IMPRESSIONISTIC LANDSCAPE. Oil on canvas soft pastel colored scene shows trees and hills under a light blue and white sky. Signed lower right. Housed in a fine antique deep gesso decorated frame. SIZE: 8-1/2” x 10-1/2”. CONDITION: Very good with two minor inpainted spots. 9-27306 (1,000-2,000)

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244

BEN FOSTER (American, 1852-1926) CABIN IN THE COUNTRY. Unsigned oil on canvas scene shows a cabin at edge of woods with green bushes and dirt road. Housed in a fine gilt carved wood frame having modern name plaque with title. SIZE: 23-1/4” x 29-3/4”. CONDITION: Relined, on new stretcher. Restored and inpainted. Very good. 9-27742 (4,000-6,000)

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245

BEN FOSTER (American, 1852-1926) “GREEN VALLEY”. Oil on canvas scene shows a meadow and slight hill with trees and larger hill beyond. Unsigned. Housed in a modern gilt replacement frame with name and title plaque. SIZE: 20-1/2” x 18-3/4”. CONDITION: Restored, inpainted. Fair to good. 9-27734 (2,000-3,000)

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246

JOHN WHORF (American, 1903-1959) SUMMER LANDSCAPE. Watercolor scene shows meadow lined with tall trees. Signed bottom right “John Whorf”. Housed in a fine gilt molded wood frame with white matte having gold highlights. SIGHT SIZE: 10” x 14”. CONDITION: Very good. 9-26793 (2,250-2,750)

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247

FRANK ALFRED BICKNELL (American, 1866-1943) A PAIR OF LANDSCAPES. Watercolor scenes showing an autumn low hillside with colorful trees. The other shows a house at the end of water with colorful trees. Both signed “Frank A. Bicknell” and housed in identical original gilt molded wood frames and white mattes bearing the stenciled label of “Newcomb-Macklin Co Picture Frame Makers New York”. SIGHT SIZE: 7-1/4” x 10”. CONDITION: Very good. 9-26947 (2,000-4,000)

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248

DR. EDWARD RUGGLES (American, 19th Century) PAIR OF MINIATURE PAINTINGS. Oil on paper mounted on light board. 1) Titled “Maine Coast” shows small steamboat under gray and white rain clouds with crashing waves on rocky shore. Appears to be unsigned but titled on reverse. 2) A mill next to dam with figure in background. This piece is lightly signed bottom right, which is hard to distinguish. It is titled on the back “Old Mill …”. Housed in identical antique gilt gesso decorated frames. REFERENCE: A letter dated 1956 from the Frick Art Reference Library indicates history of artist. Also a letter from the Museum of the City of New York dated 1957. SIZE: 3-1/2” x 5”. CONDITION: Very good. 9-26778 (2,500-3,500)

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249

WILLIAM HENRY HILLIARD (American, 1836-1905) PAIR OF LANDSCAPES. Oil on canvas landscape scenes, both having trees and rock lined streams with mountain backgrounds. Identically housed in old gilt molded wood frames. The paintings are unsigned on the front but each has a pencil inscription on top stretcher and signed in pencil, one dated 77. SIZES: 8-1/2” x 6-1/2”. CONDITION: Very good, one small chip in sky. 9-26968 (2,500-3,000)

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250

JOHN HENRY HILL (American, 1839-1922) CASCADING POOL. Fine watercolor on paper scene shows cascading water through rocky banks into pool. Evergreen lined banks under a blue and cloud sky. Signed lower right with conjoined initials JHH 1898”. Housed in a fine modern gilt molded wood frame with ivory matte. SIGHT SIZE: 11-3/4” x 9-3/4”. CONDITION: Very good. 9-26943 (1,750-2,250)

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251

IVAR JOHN MATHESON (American, -1963) “MOUNT MANSFIELD SCENE FROM CAMBRIDGE, VERMONT”. Oil on board Vermont winter scene shows a tall blue mountain with snow covered valley dotted with houses. Signed lower left. Housed in an antique partial gilt carved wood frame. A label on back with artist name, address and title. SIZE: 12” x 16”. CONDITION: Very good. 9-27316 (400-600)

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252

FRANK RUSSELL GREEN (American, 1856-1940) AUTUMN LANDSCAPE WITH FIGURES. Oil on canvas scene shows two men with blue coats at edge of colorful woods. They appear to be cutting wood. Background shows a group of houses beyond a large field. Light gray and white cloud sky. Signed lower left “Frank Russell Green”. Housed in a fine gilt gesso decorated replacement frame. SIZE: 12” x 16”. CONDITION: Very good. 9-26798 (3,000-4,000)

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253

CARL SPRINCHORN (American, 1887-1971) SUMMER LANDSCAPE. Colorful oil on canvas landscape shows purple hills beyond tall trees with bows being pushed by wind under a light and cloudy sky. Signed lower left. Housed in a painted and gilt wide frame with linen matte. SIZE: 24” x 30”. CONDITION: Relined with some inpainting. Very good. 9-27303 (4,000-6,000)

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254

GILBERT DAVIS MUNGER (American, 1837-1903) THE CLEARING. Oil on canvas landscape shows a small stream pool on the edge of woods overlooking an open field with blue sky. Framed with trees. Signed lower left. Housed in its magnificent original flower decorated gilt gesso frame. SIZE: 24” x 19”. CONDITION: Surface dirt and discolored varnish. Otherwise very good. 9-26693 (2,000-4,000)

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255

WILLIAM CROTHERS FITLER (American, 1857-1915) WINTER NIGHT SOLITUDE. Oil on canvas late evening scene with only a little light left in the day shows a village in background with a snow covered banked stream. A rabbit sits up looking at two men next to stream who are looking up at flock of crows. Signed lower right “W.C. Fitler NY”. Housed in a fine carved and gilt wide wood replacement frame. SIZE: 14-3/4” x 21”. CONDITION: Relined, restored, inpainted. 9-26794 (2,250-2,750)

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256

GEORGE MATTHEW BRUESTLE (American, 1871-1939) “COUNTRYSIDE”. Oil on canvas laid on board scene shows a summer landscape with trees and pasture strewn with rocks under a blue and white cloud sky. Signed lower right. Housed in a very fine old carved and decorated frame with name plaque. Framed under glass. Partial old exhibit label on reverse. SIZE: 12” x 16”. CONDITION: Very good. 9-26921 (2,000-3,000)

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257

JOHN MACKIE FALCONER (American, 1820-1903) “NORTH DUTCH CHURCH, NEW YORK, JULY 5TH 1875”. Oil on board scene shows church front attached to other buildings with large pile of rubble in front with two people atop. Inscribed in bottom right “North Dutch Church, New York, July 5th 1875 NW 50 Fulton & William Streets”. Also signed “J.M. Falconer 1875”. An important of the time scene of the cataclysmic fire, which destroyed the North Dutch Church. Well detailed in its rendering. Housed in a reproduction period style frame. SIZE: 16-1/2” x 12”. CONDITION: Very good. 9-26789 (2,500-3,500)

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258

ATTRIBUTED TO JOHN PHILIP FALTER (American, 1910-1982) KITE FLYING. Small oil on board scene shows a group of people flying kites on the top of a hill. A boy and a man carry kite up side of hill while colorful kites fly overhead. Three ladies in white dresses stand atop hill. Signed lower left “JF”. Housed in a double matte without frame. SIZE: 6” x 4”. CONDITION: Very good. 9-27291 (1,200-1,600)

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259

CHARLES CLARENCE DAWSON (American, 1889-1981) SOUTHERN TREE LINED STREET. Watercolor scene shows several large trees adorned with colorful hanging mosses. A dirt road is seen with figure striding having a line of houses beside. Signed lower right. Housed in its original painted wood, molded frame with line highlighted white matte. A fine painting by a noted African American artist. SIGHT SIZE: 12-1/2” x 16-1/2”. CONDITION: Very good. 9-27434 (3,000-5,000)

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260

WAYNE BEAM MORRELL (American, 1923-) THE TREE VISITOR. Oil on canvas scene shows a Downy woodpecker perched on the side of a tree, which has made a nest in a knot in the tree. Signed lower right. Nicely housed in a modern gilt wide wood frame. A nice early example of this artist’s work. SIZE: 24” x 18”. CONDITION: Very good. 9-26953 (1,500-2,500)

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261

WAYNE BEAM MORRELL (American, 1923-) THE BLACK CAT. Oil on masonite scene shows a black cat lying on a red upholstered sofa. Signed bottom right. Housed in a modern gilt molded wood frame. An unusual subject for this early example. SIZE: 11” x 11-3/4”. CONDITION: Very good. 9-26769 (1,000-1,500)

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262

WAYNE BEAM MORRELL (American, 1923-) HARVEST STILL LIFE. Oil on masonite tabletop scene shows orange pumpkin, red apple, yellow pear and stoneware jug. All sitting on a ruffled cloth with multicolored background. Signed lower right. Housed in a bronzed gilt modern frame. SIZE: 16” x 20”. CONDITION: Good. 9-26752 (800-1,200)

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262A

SIGNED (Early 20th Century) STILL LIFE WITH VASE OF FLOWERS. Oil on canvas scene shows footed shaped hand painted vase holding a large arrangement of blue and orange/yellow flowers. Signed lower right. Housed in a period, probably original, carved and gilt frame. SIZE: 26-1/2” x 18-1/2”. CONDITION: Very good. A patch to back with corresponding inpainting. 9-26963 (1,200-1,600)

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262B

A. DURAN (20th Century) TABLE TOP STILL LIFE. Oil on canvas scene shows a decorated porcelain water pitcher in the center of a group of green grapes, yellow apples and pear with trailing grape vines. Signed lower right. Housed in a fine pierce carved and gesso decorated frame. SIZE: 21-1/4” x 25-3/4”. CONDITION: Relined, very good with some minor inpainting. 9-27279 (500-750)

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262C

A. DEBELLUL? (Late 19th Century) BASKET OF ROSES. Outstanding still life shows a twig style basket filled with red and pink roses and blue iris. The basket sits on a rock with green vine background. Signed on lower right and dated “1897”. Housed in a fine gilt molded wood frame. SIZE: 23-1/2” x 32”. CONDITION: Relined, some inpainting. Very good. 9-27826 (600-1,000)

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262D

? ABBATI (Early 20th Century) STILL LIFE IN WINDOWSILL. Oil on board scene shows colorful floral arrangement in blue vase resting on table in front of window overlooking beach with water with land beyond. Written on back of board and frame is what appears to be “Abbati 2050” and there appears to be a first initial which is illegible. Housed in a partial gilt molded wood frame with linen liner. SIZE: 24” x 20”. CONDITION: Very good. 9-26964 (600-800)

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263

RAY G. ELLIS (American, 1921-) ELEPHANTS ON THE SERENGETI. Oil on canvas African scene shows a herd of five elephants walking through grass filled plain with low hills in background. Housed in a gilt pierce carved wood frame. Signed lower left “Ray G. Ellis”. SIZE: 24” x 36”. CONDITION: Very good. 9-27407 (1,250-1,750)

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264

A.B. (American School, late 19th/Early 20th Century) HUNTING DOG WITH RABBIT. Oil on board scene shows a black retriever like dog holding a dead rabbit in its mouth. It prances through a summer landscape with grasses, rock and flower ground. Signed lower left “A.B.”. SIZE: 5-1/2” h x 12” w. CONDITION: Tack hole at top center, otherwise good. 9-96017 (500-1,000)

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264A

ARTHUR BURDETTE FROST (American, 1851-1928) PAIR OF HUNTING CHROMOLITHOGRAPHS “RABBIT SHOOTING” AND “PRAIRIE CHICKENS”. Framed prints show two different hunting scenes. One with man and boy shooting rabbits. Other with man shooting prairie chickens. Identically housed in mahogany veneered frames with wide linen mattes. From the series “Shooting Pictures New York… Charles Shribner & Sons 1895”. Chromolithographs by Armstrong & Co, ; Boston. SIGHT SIZE: 12-1/2” x 19-1/4”. CONDITION: Generally very good. 9-27614; 27613 (400-800)

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265

CHRIS RITTER (American, 1906-1976) “BLACK DUCK”. Watercolor scene shows a hanging black duck with title below. Pencil signed “Chris Ritter”. Housed in a fine weathered molded wood frame with linen liner. Back has a label from Pine Tree Designs Ogunquit, Maine. Also Barn Gallery; Francis Hyde Bangs Collection. SIGHT SIZE: 29-1/2” x 21-1/2”. CONDITION: Very good. 9-27558 (500-1,000)

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266

SIGNED (19th/20th Century) BARN CHICKENS. Oil on wood panel scene shows a large white rooster standing over four brown and white hens with seven chicks. A floor model sharpening wheel and barrel is seen in background with edge of stucco building. Signed lower right which is illegible but very well done. Unframed. SIZE: 5-1/4” x 6-1/4”. CONDITION: Generally very good. 9-26688 (500-1,000)

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267

SIGNED (American, First Quarter 20th Century) ROOSTER AND HEN. Oil on cigar box top shows a colorful scene with chickens with fence and house in background. Signed lower right with what may be “A. Vaga”. Housed in a dark stained molded wood frame. SIZE: 5” x 7-3/4”. CONDITION: Very good. 9-26717 (100-150)

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268

STANTON MACDONALD WRIGHT (American, 1890-1973) “DIANA & THE MINOTAUR”. Pen and ink drawing showing a nude woman bathing with four other women being approached by a standing minotaur. Titled and signed at center bottom. Housed in a fine ebonized wood frame with green matte with cutout for title and signature. PROVENANCE: Originally owned by Mrs. Tozzer Lincoln (Dole) of the Dole family of Hawaii, New York, New Hampshire and Los Angeles. SIGHT SIZE: 19-1/4” x 23-1/2”. CONDITION: Very good. 9-25781 (2,500-3,000)

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269

CHARLES HENRY ALSTON (American, 1907-1977) “MY BROTHERS”. Oil on canvas scene shows a portrait of two black men against a backdrop of buildings. One wears a blue coat, the other wears a red coat. Titled and signed on reverse of canvas. Also Chicago 1930. Unsigned front. Charles Alston was a teacher and artist and also directed the Harlem Art Workshop during the Great Depression. Housed in a carved arts and crafts style gilt frame. SIZE: 24” x 20”. CONDITION: Very good. 9-27612 (2,000-4,000)

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270

AFTER MARGARET TAYLOR GOSS BURROUGHS (American, 1917-) “FROM THE LAND”. Oil on canvas scene shows a black couple with child. Beside them is what appears to be a cotton bloom and tobacco stock. Behind which is a house which is a small cabin with porch. Unsigned but titled and pencil signed on stretcher. Burroughs was the founder of the Museum of Negro History. SIZE: 30” x 26”. CONDITION: There are two scrapes and some tiny paint flecks missing. Good. 9-26509 (800-1,200)

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271

JOSEPH CLINTON DEVILLIS (American, 1878-1912) THE SHANTY. Small oil on wood panel scene shows a small house with rock wall in front and other structures. Green trees surround house with blue sky and clouds. Signed lower right. Housed in an ebonized chip carved replacement frame. A small work by this Afro-American artist. SIZE: 5-1/4” x 6-1/4”. CONDITION: Very good, minor inpainting. 9-27428 (300-500)

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272

WILLIAM STAPLES DROWN (American, 1856-1915) SOUTHERN STREET SCENE. Watercolor scene shows house with balcony alongside street. Colorful blooming trees fences and a figure of a woman is seen beside fence. Signed lower left and dated “88”. Housed in a flat oak gilt frame with ivory matte. Modern label on back states “From Collection of Joseph E. Cartwright, Newport, R. I.”. SIGHT SIZE: 10-3/4” x 14-1/2”. CONDITION: Very good. 9-27361 (400-600)

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273

HENRY CURTIS AHL (American, 1905-1996) “SPRING DAY NORTHERN GEORGIA”. Oil on masonite colorful scene shows a pond with house bordered with trees and hill. A dirt road cuts through foreground. Signed lower right “HC Ahl”. Titled on reverse. Housed in a silver molded wood frame. SIZE: 10-1/4” x 8-1/4”. CONDITION: Very good. 9-27145 (500-700)

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274

GEORGE DANIELL (American, Mid 20th Century) SWIMMERS ON THE DELTA. Watercolor scene shows five men are seen swimming on a river with steamboat in background. Signed lower left in pencil “Daniell”. Dated on reverse “1938”. Housed in a modern molded wood frame with ivory matte. SIGHT SIZE: 13-1/2” x 19-1/2”. CONDITION: Very good. 9-27326 (500-800)

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275

HENRY ALBERT BOTKIN (American, 1896-1983) ABSTRACT. Oil on canvas abstract scene with splashes of red, green, blue, black and orange. Signed and dated with initials “58”. Housed in a modern metal shadowbox type frame. SIZE: 12” x 16-1/4”. CONDITION: Very good. 9-27314 (500-800)

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276

ALEXANDER MINEWSKI (American, 1917-1979) ABSTRACT HARBOR SCENE. Watercolor on paper scene shows boats in what appears to be a bridge and dock area. Signed lower right “Minewski”. Housed in a fine gilt reeded edge carved frame with white matte. SIGHT SIZE: 9-1/2” x 13-1/2”. CONDITION: Very good. 9-27621 (500-1,000)

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277

VINCENT ANDREW HARTGEN (American, 1914-2003) BLUE AND BLACK ABSTRACT. Square watercolor scene shows splashes of black with blue. Signed lower right. Housed in a simple black frame with wide white matte. SIZE: 6-1/2” x 6-1/2”. CONDITION: Very good. 9-27341 (300-500)

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278

WILLIAM SHARP (American, 1900-1961) “CORRIDA”. Oil on masonite modernistic abstract scene of bull fighters and bulls in bull ring. Nice bright colors. Signed lower right “W.S.” Back is titled on masonite. Housed in a simple wood molded frame with linen liner trimmed in an inner gold liner. SIZE: 22-1/2” x 30-1/4”. CONDITION: Very good. 9-26873 (2,500-4,000)

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279

DORIS EMRICK LEE (American, 1905-1983) THE PORCH BARBER. Oil on canvas scene shows a man cutting another man’s hair while seated on a porch. A young girl and boy look on. Signed lower left green on green which is very hard to discern. Housed in a fine modern green painted and gilt frame with modern name plaque on frame. SIZE: 29” x 18”. CONDITION: Some areas of thinning surface paint, good. 9-27718 (1,500-2,500)

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280

CHARLES J. MOVALLI (American, 1845-) “PETER AND THE DOG”. Oil on canvas scene shows a boy and dog outside an open door barn with house beyond. Signed lower left. Housed in its original decorated molded wood frame with linen liner. SIZE: 20” x 24”. CONDITION: Very good. 9-27346 (1,000-1,500)

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281

MARGARET D.H. KEANE (American, 1927-) CRYING CHILD. Oil on canvas scene shows a young child with tears dropping from her large brown eyes. A multi-gray self frame is signed upper right “MDH Keane”. Housed in a modern molded wood black frame. SIZE: 18” x 14”. CONDITION: Very good. Appears to have a water stain down right side of image which may be removed when painting is cleaned. 9-27784 (1,500-2,500)

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282

WILL ROWLAND DAVIS (American, 1879-1944) FOUR PORTRAITS. All unframed oil on canvas, three unsigned, one signed “Davis” front and back. Sitters are Leila Corin Hassoldt (23” x 18”); Lucille Hassoldt Davis (23” x 18”); two unidentified of a woman (21” x 17”) and man (signed) (20” x 15”). PROVENANCE: Descended through the artist’s family. CONDITION: Generally good. 9-26612 (800-1,200)

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283

WILL ROWLAND DAVIS (American, 1879-1944) FOUR FRAMED PORTRAITS. Four pastel portraits as follows: 1) An oval portrait in a simple wood frame of a boy in blue shirt identified and inscribed on back as Milton G. Davis about 10 years old done by his Uncle Will R. Davis. SIZE: 14” x 11”. 2) Portrait of a woman with gray shirt and purple overcoat. SIZE: 13” x 10”. 3) Woman in blue blouse, side view. SIZE: 16” x 13”. 4) Woman in blue outfit including hat with gold chain. PROVENANCE: Descended through the artist’s family. SIZE: 14-1/2” x 12”. Unsigned works. CONDITION: Very good. 9-26613 (800-1,200)

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284

WILL ROWLAND DAVIS (American, 1879-1944) FOUR BOTANICAL PASTELS. Each housed in a modern white matte with foam board. Each of a different flower. Unsigned. PROVENANCE: Descended through the artist’s family. SIGHT SIZE: Vary but approximately 13” x 11”. CONDITION: Very good. 9-26614 (800-1,200)

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285

CHARLES ABEL CORWIN (American, 1857-1938) PORTRAIT OF A YOUNG GIRL AND HER DOG. Large oil on canvas full-length portrait of a young girl in white shorts and shirt standing in grassy shoreline next to light blue ocean. Her black and white beagle type dog stands beside and looks up at her. Signed lower left “Charles Abel Corwin Ocean View VA. 1907”. Housed in a fine gilt molded wood replacement frame. SIZE: 48-1/2” x 36”. CONDITION: Very good. 9-25011 (400-600)

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286

HOWARD LOGAN HILDEBRANDT (American, 1872-1958) PORTRAIT OF A WOMAN IN RED SCARF. Oil on masonite half portrait shows woman with red scarf on head and red vest over a white dress. Background looks through window onto colorful tree. Signed lower right “H L Hildebrandt NA”. Housed in a modern gesso decorated bronzed frame. SIZE: 24” x 20”. CONDITION: Very good. 9-26726 (1,200-1,600)

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287

TOM KEOGH (American, 1922-1960) HAREM GIRLS. Watercolor and ink sketch shows three seated girls and one standing dressed with head shawls and long dresses. Signed lower right “Keogh 53”. Housed in a molded wood frame with watercolor highlighted matte. SIGHT SIZE: 12-3/4” x 12-1/4”. CONDITION: Good. 9-26758 (3,000-5,000)

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288

LOIS MAILOU JONES (American, 1905-1998) CABARET SINGER – PARIS. Pastel scene shows a nude half portrait of a native island woman. She wears large round silver earring and appears to be seated in a blue upholstered chair. Signed lower left. Housed in a modern gilt wood frame with double linen matte. SIGHT SIZE: 13-1/4” x 8-1/2”. CONDITION: Good. 9-27706 (2,000-3,000)

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289

WILLIAM PARTRIDGE BURPEE (American, 1846-1940) MEDITERRANEAN FISH HUTS. Watercolor scene shows stone fish huts with wood doors and nets outside drying. Several sails are seen on a blue sea with mountains in background. Signed lower right “WP Burpee”. Housed in what appears to be its original gilt frame with wide gilt matte. SIGHT SIZE: 7” x 10-3/4”. CONDITION: Very good. 9-27186 (1,000-1,500)

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290

WILLIAM PARTRIDGE BURPEE (American, 1846-1940) “GOVERNOR’S PALACE, GRENADA”. Watercolor on paper scene shows a large stucco and red tile roofed building set high above a village with mountains in background. Signed lower right “WP Burpee”. Housed in a modern gilt wood frame with gilt matte. SIGHT SIZE: 19-1/2” x 13-1/2”. CONDITION: Some foxing noticeable in sky. Otherwise very good. 9-27404 (500-800)

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291

HENRY BACON (American, 1839-1912) DESERT TRAVELER. Watercolor desert scene shows five pyramids with lone figure walking through desert dwarfed by the size of the pyramids in the distance. From one of Bacon’s trips to the Giza Plateau. Signed lower right “H. Bacon 1903”. Housed in a fine reeded partial gilt decorated frame with gold highlighted matte. SIGHT SIZE: 12-1/2” x 19-1/2”. CONDITION: Very good. 9-26742 (600-1,000)

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292

HENRY BACON (American, 1839-1912) MEETING THE SHIP. Charcoal and pastel drawing scene shows an incoming sailboat being rowed towards shoreline with women waiting to unload boat. A colorful sunset sky. Signed lower right “HB”. Housed in a carved wood flat frame. SIGHT SIZE: 15-1/2” x 23-1/2”. CONDITION: Vertical crease, otherwise good. 9-26737 (400-800)

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293

HENRY BACON (American, 1839-1912) PORTRAIT OF A GENTLEMAN. Charcoal sketch of a white haired gentleman with black coat. Signed lower right “Henry Bacon”. Housed in a fine gesso decorated modern frame with wide ivory matte. SIGHT SIZE: 22” x 17-3/4”. CONDITION: Very good. 9-26738 (300-500)

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294

UNSIGNED (American, Early 20th Century) PORTRAIT OF YOUNG WOMAN. Oil on canvas Boston School portrait shows a young woman seated on sofa wearing a fancy pink dress. Unsigned. Housed in an antique bronzed colored carved wood frame. SIZE: 38” x 30”. CONDITION: Craquelure. Appears to have old repainted areas. Very good. 9-27827 (600-800)

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295

MADGE WILCOX HENGERER (American, Mid-20th Century) “JULIE”. Oil on canvas portrait of a young black woman wearing red dress seated beside table with glass vase filled with large white flowers. Signed lower left and dated “1952” or “1962”. Original label on reverse indicating title and artist. SIZE: 26” x 20”. CONDITION: Very good, some craquelure. 9-25029 (600-800)

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296

SALLY A. TATE (American, 1908-) GIRL IN BLUE. Oil on canvas portrait of a young black woman in blue dress seated in a red chair. Written on back of canvas “Week of Mar 3, 1952 S. A. Tate No. 24”. Unsigned front. Housed in a its original gilt decorated wood frame. SIZE: 22” x 18”. CONDITION: Very good. 9-27771 (200-300)

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297

UNSIGNED (American, First half of the 20th Century) FLAMINGO DANCER. Charcoal on paper scene of a young woman with dark hair and flower above ear seated wearing a white dress with black shawl and holding a fan in her right hand which rests on her leg. Housed in a 19th Century gesso decorated deep frame with white matte. Frame is in good condition also. SIGHT SIZE: 24” x 17”. CONDITION: Very good. 9-26764 (250-400)

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298

DOROTHY BLOCK (American, 1904-) “QUARTET”, “DUET NO. 2” AND “THE LISTENER”. Three oil on canvas paintings all identically framed with similar subject matter of musicians playing instruments. One shows string instrument and piano. Another shows man listening to base fiddle. Other shows a singer with piano player. Two are signed bottom right and one is signed bottom left. All are titled and signed by the artist on back of canvas. Two have original International Center of Culture and Art of Bordighera 3rd Exhibition of American Paintings label. Housed in original white stained oak frames. SIZE: 36” x 12”. CONDITION: Very good. 9-27724 (2,000-3,000)

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299

ALFRED CHENEY CHADBOURN (American, 1921-1998) THE KAISER. Large oil on canvas scene believed to be Kaiser Wilhelm II on horseback with another officer beside. He is adorned with all of his military regalia including spiked helmet, sword and medals. In 1888 Wilhelm II became the 9th King of Prussia and the 3rd Emperor of Germany. Signed lower right “A. Chadbourn”. Housed in a simple wood frame. PROVENANCE: From a Waterville, Maine collection. SIZE: 48” x 50”. CONDITION: Surface dirt and background paint drips. Good. 9-26909 (1,000-3,000)

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300

FREDERICK ANDREW BOSLEY (American, 1881-1942) A GARDEN FAMILY PORTRAIT. The double sided oil on canvas front scene shows a woman with two children in a courtyard with castles. A peacock is seen on right side. A fantasy type scene. Other side is portrait of a young child in chair. Unsigned canvas’s but written on stretcher “Bosley”. Unframed. SIZE: 24” x 30”. CONDITION: Good. 9-27285 (1,200-1,600)

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301

NELSON AUGUSTUS MOORE (American, 1824-1902) “MOON SHINERS”. Oil on canvas nighttime scene shows a small cabin with out building with fires inside. A man is seen outside. This is all in a treed area with moon shining through trees. Titled on back with an “N A Moore” studio stamp. Signed lower right and dated. Housed in a modern decorated wood frame. SIZE: 7-1/2” x 9”. CONDITION: Very good. 9-27426 (1,500-2,500)

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302

NELSON AUGUSTUS MOORE (American, 1824-1902) SUMMER STREAM. Fine watercolor/gouache scene shows a cascading stream with different green colored bushes on banks. A red and stone bridge is seen amongst tall trees. Initialed and dated “1900” bottom left. Housed in a fine gesso decorated gilt frame with ivory matte. SIGHT SIZE: 6-3/4” x 9-3/4”. CONDITION: Very good. 9-27427 (1,000-2,000)

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303

FREDERICK W OLIVER (American, 1876-1963) “4 PENNY KNOLL”. Oil on board scene shows a New England town in fall colors. A winding road goes by picket fence and yard with Colonial house. Other houses and steeple behind. Signed lower left “FW Oliver”. Housed in a gilt carved wood replacement frame. Pencil dated on reverse 1941. Probably shows a scene in Rockport, Massachusetts or a surrounding town. SIZE: 14” x 18”. CONDITION: Very good. 9-26444 (1,750-2,250)

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304

ANNE CARY BRADLEY (American, 1884-1956) “THE HOUSE WITH NOBODY IN IT”. Oil on board scene shows a New England Colonial home with picket fence and flowering bushes and tall grassy lawn. Signed lower left “AC Bradley”. Pencil titled and signed on reverse. Housed in a painted period wood frame. SIZE: 17-3/4” x 23-3/4”. CONDITION: Very good. 9-27921 (700-1,200)

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304A

BENJAMIN CHAMPNEY (American, 1817-1907) SAILING DAYS. Fine watercolor scene shows two fishing sailboats near shore with low waves with eleven other sailboats on horizon. All under a light yellow to blue sky. Signed lower right “Champney”. Housed in its original gesso decorated frame with gilt matte. A very unusual subject for this White Mountain School landscape painter. PROVENANCE: Found in a New Hampshire barn. SIGHT SIZE: 11-1/4” x 23”. CONDITION: Generally good. There are some light stains on the very edge by the matte. 9-28100 (2,000-4,000)

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305

CHARLES PAUL GRUPPE (American, 1860-1940) CLAMMERS. Watercolor Dutch scene shows two women on sandy beach. One is raking for clams, the other looks out at ship. Signed lower right and dated “’90”. Housed in a painted wood frame with linen matte, wood liner and gray matte. SIGHT SIZE: 10” x 14”. CONDITION: Good. 9-27406 (600-800)

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306

CHARLES C. GRUPPE (American, 1928-) PULLING IN THE NETS. Oil on canvas seascape scene shows boat with several men pulling in colorful net. A sailboat is seen in background with another boat. Signed bottom right “C. Gruppe”. Housed in a gilt molded wood frame. SIZE: 24” x 36”. CONDITION: Very good. 9-26436 (500-700)

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307

HARRISON BIRD BROWN (American, 1831-1915) COASTLINE WITH SAILBOAT. Watercolor scene shows waves crashing onto rocks with two-mast sailboat on horizon. Signed lower left with conjoin initials and last name and date “06”. Housed in a gilt carved wood frame with gold matte. SIGHT SIZE: 8-3/4” x 11-1/2”. CONDITION: Very good. 9-27223 (300-500)

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308

SIGNED (American, 20th Century) THREE COASTAL SCENES. Oil on boards, all signed with what appears to be “CWR” or “Clair”. 1) Sand dunes with water and seagulls. 9” x 12” – Water stains in sky, good. 2) Pair of dock scenes. 5-1/4” x 6” – Good. All housed in identical painted wood frames. 9-27842 (300-500)

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309

ROBERT HENRY LOGAN (American, 1875-1942) BEACH WITH FIGURES. Oil on panel scene shows several people seen on beach and rocks with small waves. An island is seen off shore under a cloud and blue sky. Signed lower left “R. Logan”. Housed in a painted black molded wood frame. SIZE: 6-1/4” x 7-1/2”. CONDITION: Very good. 9-27217 (250-350)

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310

UNSIGNED (American, Early 20th Century) INLET HARBOR SCENE. Oil on masonite New England scene shows a wharf with wood posts having single mast sailboat beside. Buildings and house are seen at edge of water with hillside and buildings in distance. Possibly a Maine scene. Housed in its original bronzed decorated wood frame. SIZE: 10” x 14”. CONDITION: Very good. 9-27819 (250-400)

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311

CHARLES D. CONTIS (American, Mid-20th Century) “LATE FEBRUARY IN NEW ENGLAND”. Large oil on canvas winter scene shows a large red mill building next to water with three seagulls. Snow covers the landscape with houses and blue hills in background. Signed lower left “C. D. Contis”. Housed in a fine gilt molded wood replacement frame. Attached to back of canvas is an exhibition label from the “Jordan Marsh Company 15th Annual Exhibition of Paintings May 22 – June 3, 1944”. The label has artist name, address and title. We have been unable to find any information on this artist but a very nice regional work. SIZE: 30” x 36”. CONDITION: One small patch with corresponding inpainting. 9-26727 (1,000-1,500)

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312

CHARLES MORTON (American, Mid-20th Century) WINTER STREAM. Oil on canvas scene shows a stream winding by several houses with tree lined banks. Signed lower left. Housed in a fine gilt wide carved frame. SIZE: 16” x 20”. CONDITION: Very good. 9-27625 (700-1,200)

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313

JAMES KING BONNAR (American, 1885-1961) “NEW ENGLAND WINTER”. Oil on canvas winter scene shows a red sleigh with figures behind horse on a snow covered hillside with hills and house dotted valley below. A fine New England scene. Signed lower right “James K. Bonnar” Housed in its original gilt carved wood frame. Original artist label to reverse. SIZE: 25” x 30”. CONDITION: Very good, a minor inpainted chip. 9-27327 (1,500-2,500)

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314

ROBERT C WOODBERRY (American, 1874-) WINTER LANDSCAPE. Watercolor winter scene shows a stream through woods. Signed lower right “R C Woodberry”. Housed in an antique gesso decorated frame with wide white matte. SIGHT SIZE: 14-1/2” x 21”. CONDITION: Very good. 9-27623 (1,200-1,600)

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315

EUGENE LAFORET (American, 20th Century) SPRUCE TREES IN WINTER LANDSCAPE. Oil on canvas on masonite winter scene shows a small area of water surrounded by a hillside with trees. On right are tall spruces covered with snow with road winding through. Signed lower left “E. Laforet”. Also an artist label on reverse. SIZE: Housed in a partial gilt gesso decorated frame. 12” x 16”. CONDITION: Very good, surface dirt. 9-27270 (200-400)

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316

EUGENE LAFORET (American, 20th Century) FIGURES IN SPRING LANDSCAPE. Oil on canvas mounted on masonite scene shows blossoming trees surround small pond with house. Two figures walk beside cleared grass covered area. Signed lower left “E. Laforet”. Also an artist label on reverse. Housed in a partial gilt gesso decorated frame. SIZE: 9” x 12”. CONDITION: Very good, surface dirt. 9-27269 (200-400)

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317

JAMES EVERETT STUART (American, 1852-1941) “BATCHELDER’S GROVE, ABOUT ONE MILE NORTH OF EXETER, MAINE”. Oil on canvas landscape scene shows woods at edge of low hillside. Signed lower left. Dated “September 1st 1906” and numbered “1303”. Housed in its original decorated molded wood frame having inscription on reverse. SIZE: 18” x 30”. CONDITION: Very good. 9-27630 (1,000-2,000)

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318

EDMUND FRANKLIN WARD (American, 1892-1991) “WALDOBORO DOCK”. Unsigned fine oil on canvas impressionistic landscape shows a stone lined dock area with buildings and river. Background has a tree lined field on a sloping hill. Housed in a nice painted white wood frame with linen liner. PROVENANCE: Comes with Certificate guaranteeing the work and signed by the Estate Representative “Elizabeth Ward Tyler” dated 11/3/04”. SIZE: 30” x 36”. CONDITION: Very good. 9-26603 (800-1,200)

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319

JOSEPH OWEN DUMMER (American, 1860-1935?) “MAINE LANDSCAPE”. Oil on canvas scene shows a coastal beach with rocky end, sailboat off point. Signed and dated “1884”. Housed in a gold molded wood decorated frame. Label on back with artist name, title and location “Weld, Maine”. SIZE: 20” x 27”. CONDITION: Two patches to reverse with some inpainting. Good. 9-27208 (800-1,200)

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320

FRANK HENRY SHAPLEIGH (American, 1842-1906) WOODLAND WATERFALL. Oil on brass plated stovepipe cover woodland scene shows a cascading stream through rocks and wooded forest. Signed lower left with initials “FS 86”. SIZE: 12” dia. Painting is 9”. CONDITION: Chipping to left side, fair to good. 9-27719 (800-1,200)

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321

GIBEON BRADBURY (American, 1833-1904) “SALMON FALLS, ON THE SACO 1889”. Unframed oil on canvas scene shows a narrow gorge with a small mill in background and a cascading pool below. The edges of rocks have colorful trees under a blue and pink sky. Titled and signed on back “G.E.B. 1889”. SIZE: 24” x 18-1/2”. CONDITION: Very good. 9-27210 (600-800)

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322

PHILIP WASS BROWN (American, Mid-20th Century) “BAD FISH VALLEY” DOVER-FOXCROFT, MAINE. Oil on canvas landscape scene shows a flat valley between low hills having several houses and field. Unsigned canvas but identified and titled on frame. Housed in a modern carved wood frame with gold liner. SIZE: 26” x 31”. CONDITION: Craquelure, generally good. 9-27274 (500-700)

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323

PERCY A. SANBORN (American, 1849-1929) PAIR OF LANDSCAPES. Two watercolor landscapes signed “Sanborn” in bottom right. One shows a stream with birch and other trees and rocky bank. The other shows a sunset with several New England homes and figures walking on dirt road. Both are housed in antique frames with modern wide mattes. Sanborn is best known for his ship portraits but worked in Belfast, Maine area where he had a studio. SIGHT SIZE: 9-3/4” x 15-1/2”. CONDITION: Very good. 9-27228 (500-1,000)

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324

ALFRED RUSSEL FULLER (American, 1899-1990) MONHEGAN COASTLINE. Watercolor scene shows rock and grass/tree coastline with water beyond. Housed in a flat gilt wood frame with wide ivory matte. SIGHT SIZE: 14-1/4” x 17-1/4”. CONDITION: Very good. 9-27620 (500-1,000)

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325

LESTER JOSEPH CHANEY (American, 1907-) MAINE COASTAL SCENE. Oil on masonite winter scene shows coastline with snow covered hills dotted with small spruce trees. A large expanse of water is seen beyond. Signed lower right “L. Chaney”. Housed in a gilt decorated wood frame. SIZE: 11” x 14”. CONDITION: Very good. 9-27315 (500-800)

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326

RICHARD GREENE (American, 20th Century) CAMDEN HILLS. Oil on board winter scene shows a stream winding through snowy hillside with snow and tree covered hill with town nestled in valley. Housed in a fine paint decorated modern frame. SIGHT SIZE: 19-1/4” x 23-1/4”. CONDITION: Very good. Some paint added, possibly by artist, to right and bottom. 9-27226 (400-800)

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327

ROBERT EARL MOORE (American, 1956-2003) “A MAINE OTTER TRAIL”. Watercolor winter scene shows a Maine inlet landscape with a path dug through snow. Signed lower right. Housed in its original weathered wood frame with double matte. Label on back with title and other information. SIGHT SIZE: 7” x 10-1/4”. CONDITION: Very good. 9-27224 (400-600)

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328

JOSIAH THOMAS TUBBY (American, 1875-1958) “OIL CITY FROM WESTERN PROMENADE PORTLAND, MAINE”. Watercolor scene shows the oil and gas tanks lining Portland Harbor with other buildings and roads. Pencil inscription to back with artist and title, dated March, 1948. Housed in a simple stained wood frame with wide ivory matte. SIGHT SIZE: 10-1/2” x 17”. CONDITION: Generally very good. 9-27214 (200-400)

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329

JOSEPH PIERRE BIRREN (American, 1865-1933) “GIANTS OF THE BROOK”. Oil on board spring landscape shows small brook running through trees in meadow. Flowering trees are seen on edge of meadow under a light blue sky. Signed lower right. Housed in a fine period decorated wood frame. Titled and signed on reverse, also number 392. SIZE: 32” x 38”. CONDITION: Very good. 9-27629 (2,000-3,000)

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330

FRANK TOWNSEND HUTCHENS (American, 1869-1937) “RIVER SCENE EVENING”. Oil on board evening scene shows a house with boat docked on river next to arched stone bridge. Reflections of the tree lined bank, house and bridge are seen in the river. Signed lower left “FT Hutchens”. Housed in its original fancy gilt and painted frame with linen liner. Hickson & Alexander Panton Gallery, London label to reverse. SIZE: 8” x 10”. CONDITION: Very good. 9-27729 (2,500-3,000)

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331

FRANK SIMON HERRMANN (American, 1866-1942) DARKENING SKIES. Gouache on paper scene shows dark purple and black clouds obscuring a bright yellow sun. A dark landscape with sunlit forest edges. Signed lower right. Housed in a gilt molded wood frame. SIZE: 20” x 24”. CONDITION: Very good. 9-26719 (1,000-2,000)

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332

JULIUS ROSE (American, 1828-1911) FISHING ON THE NORWEGIAN FJORD. Colorful panoramic oil on canvas scene shows two fisherman on large rocky shoreline with a deep blue fjord surrounded by tall mountains, some with snow peaks. Signed lower left “Julius Rose Munchen”. Housed in a gilt modern wood frame. SIZE: 24” x 36”. CONDITION: One small patch to reverse, craquelure. Very good. 9-27191 (1,500-2,500)

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333

TUNIS PONSEN (American, 1891-1968) “A DUTCH FARMHOUSE”. Oil on canvas farmyard scene shows a white stucco house with open yard having many chickens. A girl is seen on right side of house and figure is in doorway. Signed lower right. Housed in its original painted over gilt molded wood frame. There is a Detroit Institute of Art exhibit label with title and artist. Also identified and titled on stretcher. SIZE: 20” x 24”. CONDITION: There is a 1-1/2” slit in sky, otherwise very good. 9-27661 (1,500-2,000)

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334

G. J. BRYAN (First half of the 20th Century) “YELLOWSTONE FALLS 1935”. Watercolor scene shows a waterfall cascading through green trees. Signed lower right “G. J.