Revised: 1/15/2016

Please Note: Great News! This painting is not oil on board but oil on canvas mounted to board.

CHARLES HERBERT WOODBURY (American, 1864-1940) WAVE PEAKS.

Oil on board Housed in a good modern gilt frame with linen liner Signed lower left “Woodbury” SIZE: 8″ x 10″. Overall: 14″ x 16″ CONDITION: Very good 50000-3 (1,500-2,500) – Lot 1000

CHARLES HERBERT WOODBURY (American, 1864-1940) BATHING OFF OGUNQUIT ROCKS.

Watercolor Housed in a period carved gilt frame Signed middle bottom “Charles H Woodbury” SIZE: Sight: 7″ x 10″. Overall: 13-1/2″ x 17-1/2″ CONDITION: Very good 49933-6 (1,000-1,500) – Lot 1001

FRANK MONTAGUE MOORE (American, 1877-1967) “BREAKERS IN MOONLIGHT”.

Oil on Masonite Housed in a white painted carved wood frame Signed lower right “F.M. Moore”, signed and titled on verso SIZE: 15″ x 20″. Overall: 19-1/4″ x 24-1/2″ CONDITION: Good, signature fluoresces under U.V. light 49865-1 (800-1,200) – Lot 1002

THOMAS R. CURTIN (American, 1899-1977) CRASHING SURF.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Thos. R. Curtin” SIZE: 16″ x 20″. Overall: 20-1/2″ x 24-1/2″ CONDITION: Very good, with 2 inch area of in-paint lower right corner (signature o.k.) 49972-13 (800-1,200) – Lot 1003

GEORGE CARPENTER (American, 1928-2006) ROCKY SURF.

Oil on board Housed in a contemporary giltwood frame Signature incised in paint lower left “George Carpenter” SIZE: 12″ x 16″. Overall: 14-3/4″ x 20-3/4″ CONDITION: Excellent 49972-17 (800-1,200) – Lot 1004

WILLIAM LESTER STEVENS (American, 1888-1969) MAINE PASSING STORM.

Watercolor Housed in a contemporary gray painted wood frame, matted under glass Signed lower left “W. Lester Stevens.N.A.” SIZE: Sight: 20-1/4″ x 26-3/4″. Overall: 29″ x 35-3/4″ CONDITION: Overall very good condition, minor vertical abrasion left edge and minor fading. Not examined out of frame. 49972-4 (1,500-2,500) – Lot 1005

DONALD ALLEN MOSHER (American, 1945-2014) “STONINGTON, MAINE”.

Oil on canvas Housed in a giltwood frame with presentation plaque Signed lower right “Donald Allen Mosher”, signed and titled on verso stretcher SIZE: 20″ x 24″. Overall: 26-1/2″ x 30-1/2″ CONDITION: Very good 49812-1 (3,000-5,000) – Lot 1006

GEORGE CARPENTER (American, 1928-2006) “OGUNQUIT, MAINE”.

Oil on board Housed in a contemporary giltwood frame Signed and dated lower left “George Carpenter 1972”, inscribed on reverse “George Carpenter, Ogunquit, Maine, The Island Oil, Late Winter ’71” SIZE: 16″ x 20″. Overall: 17″ x 21″ CONDITION: Excellent 49972-16 (800-1,200) – Lot 1007

WALTER E. SCHOFIELD (American, 1866-1944) COAST OF MAINE.

Oil on canvas Housed in a contemporary carved giltwood frame Signed lower left “Schofield” Note: According to Dr. Valerie Livingston, this work was painted on Chebeague Island in Maine circa 1919-21. Dr. Livingston writes, “Schofield’s paintings from [the 1920s] have a striking affinity for the site: a languorous, pleasurable look at the colorful California harbors (Harbor Scene), scenes of the dry crisp western mountains (The Canyon, Tujunga), and from Maine, sun-drenched rocky shorelines of Chebeague Island. All are painted with the artist embracing the motif with a spare descriptive brush in broad, hard, determined strokes that confirmed his presence at the scene” (W. Elmer Schofield: Proud Painter of Modest Lands, Bethlehem, Pennsylvania, 1988, p. 42). SIZE: 29-3/4″ x 36″. Overall: 39″ x 45″ PROVENANCE: Private Collection, circa 1989; Previous owner acquired at Sotheby’s, New York, May 25, 1995, lot 69. CONDITION: Very good to excellent condition 49892-4 (17,500-22,500) – Lot 1008

WALDO PEIRCE (American, 1884-1970) JUNGLE FANTASY.

Oil on canvas Housed in a gray frame Signed, dated and inscribed lower center “pour Mlle Blanc et sus Petits Ecolier/WP. 1934” Note: Miss Ninette Blanc acquired this painting directly from Waldo and gifted this to the brother of our consignor. His recollections of Miss Blanc in his own words are as follows: “I met Ninette Blanc in 1979 when I worked for Village Visiting Neighbors. She lived alone in a 5 flight walk up in Soho. Miss Blanc was in her 80’s when I met her and was a shut in. We become friends pretty quickly as she was interested in art and culture and had led a long interesting life. I got her back out into the world, we sat in the park, went to museums and enjoyed roast beef sandwiches from the nearby Portuguese deli.” “She had been a nurse, then retired and traveled around the world. She wrote plays, children’s books and studied photography. For a time, she ran a nursery school in the Village. Waldo Peirce’s twin sons went to her school. It was progressive, they learned French, played piano, camped outside and studied the stars, all in Greenwich Village in the 1930s. She closed the school after only a few years, as she had trouble collecting the tuition. The painting hung in her apartment for many years. We talked about Waldo Peirce and his younger wife and the children along with many other people in her life, some famous, some not. She gave me the painting, her plays, children’s books and her library of classics before she died in 1981.” Painting is accompanied by two photographs of Waldo & his family along with the photographs of Ninette Blanc. SIZE: 30″ x 40″. Overall: 32″ x 43″ PROVENANCE: Miss Nanette Blanc, gift to brother of current owner CONDITION: Very good, with minor canvas buckle and small hole upper left 49876-1 (8,000-12,000) – Lot 1009

ABBOTT FULLER GRAVES (American, 1859-1936) ARRANGING THE FLOWERS.

Oil on canvas Housed in a period carved giltwood frame Signed lower right “Abbott Graves”, canvas stenciled “Wadsworth Howland Co., Boston & Chicago” SIZE: 29-1/2″ x 42″. Overall: 49-1/2″ x 37-1/2″ CONDITION: Good condition with canvas detached from stretcher upper left, several flake losses and restoration in upper right and upper left corners. Old discolored varnish, will need minor restoration. 49998-1 (10,000-15,000) – Lot 1010

ROBERT E. MOORE (American, b. 1927) COASTAL LANDSCAPE.

Watercolor on paper Housed in a silver painted wood frame with double mat Signed lower right “ROBERT E. MOORE AWS” SIZE: Sight size: 21″ x 28″. Overall: 33″ x 41″ CONDITION: Signature is faded lower right, other wise very good condition, not examined out of frame. 49577-2 (2,000-4,000) – Lot 1011

LAURENCE SISSON (American, b. 1928) TWO WORKS: “ORIENTAL MOON” AND “NORTHERN LIGHTS”.

Watercolor on paper Unframed Signed lower left “L. Sisson” SIZE: 22-1/4″ x 30-1/2″. CONDITION: Very good. 50042-3 (1,000-2,000) – Lot 1012

LAURENCE SISSON (American, b. 1928) TWO WORKS: “SUNSET BOOTHBAY” AND “MIST AND WITCHES BROOM”.

Watercolor on paper Unframed Signed lower left “L. Sisson” SIZE: 21″ x 27-3/4″ and 21-3/4″ x 30″ CONDITION: Very good 50042-2 (1,000-2,000) – Lot 1013

LAURENCE SISSON (American, b. 1928) TWO WORKS: “SURF AT SOUTH PORT” AND “REED ISLAND”.

Watercolor on paper Unframed Unsigned SIZE: 22-1/2″ x 30-3/4″ CONDITION: Very good 50042-1 (1,000-2,000) – Lot 1014

EDWARD BURRILL (American, 1835-1913) SPORTSMEN ON A MAINE RIVER.

Oil on canvas mounted to board Housed in a modern gilt molded wood frame with gilt liner Signed lower left “E. Burrill” SIZE: 12″ x 18″. Overall: 17-1/2″ x 23-1/2″ CONDITION: Very good, restored with in-painting 50065-8 (2,500-3,500) – Lot 1015

WALTER M BRACKETT (American/United Kingdom, 1823-1919) THREE BROOK TROUT.

Oil on canvas Housed in a carved walnut period frame with gilt liner Signed lower right “W.M. Brackett 1872″ SIZE: 12-1/2″ x 20”. Overall: 18-1/2″ x 26-1/2″ CONDITION: Very good 49925-4 (3,500-5,500) – Lot 1016

SAMUEL A. KILBOURNE (American, 1836-1881) TWO CHROMOLITHOGRAPHS OF FISH.

From “Game Fishes of the United States”, Boston: Armstrong & Co., 1878-1881. Including: 1) “Blue Fish”, signed and dated in plate lower left “S.A. Kilbourne 1878” 2) “The Grayling”, signed and dated in plate lower left “S.A. Kilbourne 1880″ Both housed in matching carved wood frames with identical mats SIZE: Sight: 13-1/2″ x 20”. Overall: 22-1/2″ x 28-1/2″ CONDITION: Both in very good condition, not examined out of frame. 49990-2 (600-800) – Lot 1017

ATTRIBUTED TO ARTHUR FITZWILLIAM TAIT (American, 1819-1905) TAKING AIM.

Oil on canvas Housed in an elaborately carved oak leaf giltwood frame Unsigned SIZE: 26″ x 36″. Overall 34-1/4″ x 44-1/4″. CONDITION: Good, restored condition, lined, inpaint, minor chips to frame 49821-1 (2,500-4,000) – Lot 1018

GERARD R. HARDENBERGH (American, 1855-1915) TWO STILL LIFES OF HANGING GAME BIRDS.

Two oils on canvas laid down on board Housed in vintage frames Each signed and dated lower left “Gerard R. Hardenbergh 1899″ SIZE: Each: 17-3/4″ x 12”. Overall: 19-3/4″ x 13-3/4″ CONDITION: Good, both with yellowed varnish and restored tears 49944-4 (750-1,250) – Lot 1019

ELLI BODO (American, 20th Century) “INTO THE WIND”.

Acrylic on Masonite House in contemporary wood frame Signed with copyright lower right “ELLI BODO”, signed, numbered and titled on verso “Bodo #230”, stamped “All Reproduction Rights Reserved” SIZE: 20″ x 40″. Overall: 22-1/4″ x 42-1/4″ CONDITION: Very good 49859-4 (800-1,200) – Lot 1020

GEORGE NORTHUP (American, b. 1940-) SETTERS.

Bronze on wood base set with 3 bronze plaques Signed on side of bronze “Northup 18/28 1989″ SIZE: 23″ h (total) x 25″ w x 11” d CONDITION: Very good 49944-3 (800-1,200) – Lot 1021

AFTER PIERRE JULES MENE (French, 1810-1879) TWO DOGS HUNTING PHEASANTS.

Bronze Signed on base P.J. Mene SIZE: 8-1/2″ h x 16″ l CONDITION: Very good 49944-5 (500-800) – Lot 1022

AFTER JULES MOIGNIEZ (French, 1835-1894) PHEASANT.

Bronze Signed on rock “J. Moigniez” SIZE: 21-1/4″ h x 21-1/4″ w x 9″ d. CONDITION: Very good with dark brown patina 49944-1 (750-1,250) – Lot 1023

MORITZ ROTHBERGER (Austria, 19th/20th Century) THE HUNTER.

Bronze Signed on top of base “Moritz Rothberger 1900″ SIZE: 19-1/2” h CONDITION: Very good 49944-2 (500-800) – Lot 1024

WILLIAM R. DAVIS (American, b. 1952) “SUNSET RIVER SKETCH”.

Oil on board Housed in a contemporary black painted frame with gilt liner Signed lower left “W. Davis”, signed and titled on the reverse “William R. Davis, Sunset River Sketch” SIZE: 5″ x 7″. Overall: 9-3/4″ x 11-3/4″ CONDITION: Very good to excellent 49843-3 (1,000-1,500) – Lot 1025

WILLIAM R. DAVIS (American, b. 1952) “TWILIGHT MARSH”.

Oil on Masonite House in a contemporary giltwood frame Signed lower left “W. Davis”, signed, titled and dated on the reverse “William R. Davis, Twilight March 2001″ SIZE: 5″ x 7”. Overall: 11-3/4″ x 13-3/4″ CONDITION: Very good to excellent 49843-4 (1,000-1,500) – Lot 1026

LESTER A. GILLETTE (American, 1855-1940) GLOUCESTER HARBOR.

Oil on board Housed in a giltwood frame with Guido label Signed lower right “L A Gillette”, inscribed on reverse “No. 655″, titled on Comenos Fine Arts label affixed to verso SIZE: 14″ x 16”. Overall: 19″ x 21″ CONDITION: Very good condition. 49925-2 (4,000-6,000) – Lot 1027

DONALD ALLEN MOSHER (American, 1945-2014) MOTIF #1 IN WINTER.

Oil on canvas Housed in a carved giltwood frame with linen liner Signed lower left “Donald Allen Mosher” SIZE: 9″ x 12″. Overall: 15-1/2″ x 18-3/4″ CONDITION: Very good 49653-2 (1,000-1,500) – Lot 1028

WAYNE MORRELL (American, 1923-2013) “NOVEMBER MARSHES”.

Oil on Masonite Housed in modern gilt frame with linen liner Signed lower right “Wayne Morrell”, inscribed on reverse with title and date of 1986 SIZE: 12″ x 16″. Overall: 19″ x 23″ CONDITION: Very good to excellent 50066-2 (800-1,200) – Lot 1029

WAYNE MORRELL (American, 1923-2013) “HILLS OF HAVERHILL, IPSWICH, MA”.

Oil on Masonite House in a good gilt wood frame with linen liner Signed lower left “Wayne Morrell”, also titled and dated on verso 1976 SIZE: 18″ x 24″. Overall: 25″ x 31″ CONDITION: Very good to excellent 50066-1 (1,500-2,500) – Lot 1029A

GRANT WOOD (American, 1891-1942) “SORRENTO, 1924”.

Oil on board Housed in what appears to be its original stained wood frame Signed & titled lower left “Grant Wood Sorrento 1924” and inscribed lower right “Painted especially for Harriet Cutler” SIZE: 9″ x 11-1/4″. Overall: 13″ x 15″. PROVENANCE: Acquired directly from the artist and descended through the Cutler family. CONDITION: Surface dirt, frame rubbing along sides, two tack holes. Surface may have never been varnished, in need of cleaning and varnishing 50113-2 (8,000-12,000) – Lot 1029B

GRANT WOOD (American, 1891-1942) “SORRENTO 1924”.

Oil on artist board Housed in what appears to be its original stained wood frame Signed & titled lower left “Grant Wood “Sorrento 1924″ SIZE: 7-1/2″ x 9-1/2”. Overall: 11-1/8″ x 13″ PROVENANCE: Acquired directly from the artist and descended through the Cutler family. CONDITION: Very good, surface dirt 50113-1 (8,000-12,000) – Lot 1029C

EMILE ALBERT GRUPPE (American, 1896-1978) “GLOUCESTER MORNING”.

Oil on canvas Housed in a contemporary white painted wood frame Signed lower right “Emile A. Gruppe”, titled on stretcher “Gloucester Morning” SIZE: 30″ x 36″. Overall: 37″ x 43″ PROVENANCE: Acquired directly from the artist CONDITION: Very good to excellent. 49924-1 (10,000-15,000) – Lot 1030

EMILE ALBERT GRUPPE (American, 1896-1978) ROCKY COVE.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe” SIZE: 20″ X 24″. Overall: 28″ x 32″ CONDITION: Good, restored condition, slight canvas buckle. UV examination shows several large areas of retouch in sky and rocks upper right 49843-2 (4,000-6,000) – Lot 1031

EMILE ALBERT GRUPPE (American, 1896-1978) SHADOWED SNOWBANK STREAM.

Oil on canvas Housed in its original silver gilt molded wood frame Signed lower right “Emile A Gruppe” SIZE: 25″ x 30″. Overall: 28-1/2″ x 33-1/2″ CONDITION: Very good 50057-1 (6,000-8,000) – Lot 1032

Revised: 1/8/2016

Please note: Condition should read Very good to excellent with craquelure.

ALDRO THOMPSON HIBBARD (American, 1886-1972) “CANADIAN ROCKIES”.

Oil on canvas Housed in a period carved giltwood frame Signed lower left “A.T. Hibbard”, Rockport Art Association label affixed to verso frame Exhibited: Rockport Art Association, “A.T. Hibbard, N.A.”, October 5-November 11, 2012, Illustrated in the book A. T. Hibbard, N. A. (1886 – 1972) American Master, by Rockport Art Association, pg 45, also a preliminary study of the same illustrated on pg 96. SIZE: 36″ x 42″. Overall: 42″ x 48″ CONDITION: Very good to excellent with craquelure. 50005-1 (15,000-25,000) – Lot 1033

ALDRO THOMPSON HIBBARD (American, 1886-1972) CAPE ANN HARBOR VIEW.

Oil on board Housed in a contemporary giltwood frame Signed lower right “A.T. Hibbard” SIZE: 8″ x 10″. Overall: 12-1/2″ x 14-1/2″ CONDITION: Good condition, signature possibly enhanced 49843-1 (3,000-5,000) – Lot 1034

CHARLES MOVALLI (American, b. 1945) “FBI WHARF: GLOUCESTER”.

Oil on board Housed in a contemporary giltwood frame Signed lower left “C. Movalli”, signed, dated, and titled on reverse “Charles Movalli 1977″ SIZE: 16″ x 20”. Overall: 24″ x 28″ CONDITION: Very good 49843-9 (1,500-2,000) – Lot 1035

GEORGE TURLAND GOOSEY (British/American, 1877–1947) “GLOUCESTER, MASS. U.S.A.”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Geo.Turland.”, titled on reverse “Gloucester, Mass. U.S.A.” SIZE: 12″ x 16″. Overall: 17-1/2″ x 21-3/4″ PROVENANCE: From the Estate of George Turland CONDITION: Very good condition 49902-6 (800-1,200) – Lot 1036

CHARLES CURTIS ALLEN (American, 1886-1950) TWO DORIES.

Oil on board Housed in a contemporary giltwood frame Signed lower left “Chas. Curtis Allen” SIZE: 9″ x 11″. Overall: 17-1/2″ x 19-1/2″ CONDITION: Very good to excellent 49843-6 (1,000-1,500) – Lot 1037

C. HJALMAR “CAPPY” AMUNDSEN/JJ ENWRIGHT (American, 1911-2001) BOAT AT DOCK.

Oil on board Housed in a carved wood frame with linen liner Signed lower left “HJALMAR” Note: J.J. Enwright (pseudonym for Hjalmar “Cappy” Amundsen) was born Caspar Hjalmar Emerson III. In his early career, he is believed to have created up to 275 paintings a year over a period of six years under the name of Enwright. SIZE: 14″ x 19-3/4″. Overall: 21-3/4″ x 27″ CONDITION: Paint surface has large shrinkage cracks and yellowed varnish. 50023-14 (800-1,200) – Lot 1038

KENNETH KNOWLES (American, 1968- )”AFTERNOON LIGHT T. WHARF, BOSTON”.

Oil on Masonite Housed in a contemporary giltwood frame Signed lower left “Knowles”, signed and dated on verso “Ken Knowles ’00” SIZE: 9″ x 12″. Overall: 16-1/2″ x 19-1/2″ CONDITION: Uneven varnish layer, very good 49972-19 (1,000-1,500) – Lot 1039

FRANK CORSO (American, 1952-) SAILBOATS AT DOCK.

Oil on canvas Housed in a modern gilt frame with white liner Signed lower right “Corso” SIZE: 18″ x 24″. Overall: 25″ x 31″ CONDITION: Very good to excellent 50066-3 (800-1,200) – Lot 1040

FRANK CORSO (American, b. 1952) SUMMER LANDSCAPE WITH BARN AND ROAD.

Oil on Masonite Housed in gold molded wood frame with linen liner Signed lower right “F. P. Corso” SIZE: 16″ x 20″. Overall: 23″ x 27″ CONDITION: Very good 50066-4 (500-800) – Lot 1041

FREDERICK LEONARD KING (American, 1879-1947) FISHERMAN TENDING HIS NETS.

Gouache on paper Housed in a contemporary carved giltwood frame Signed lower right “King” SIZE: 24″ x 18″. Overall: 31″ x 25″ CONDITION: Excellent condition, not examined out of frame. 50023-17 (1,500-3,000) – Lot 1042

PAUL GOODRIDGE (American, 1912-1991) COLLECTION OF THIRTY-FIVE OIL PAINTINGS.

Oils on canvas Unstretched and unframed All estate stamped on verso “Paul Goodridge, Gloucester, Mass” Including: 1) Boats at Dock, dated “July 12, 60″ on verso, 21″ x 27″; 2) 28 Dock Views, ranging from 16″ x 20″ to 20″ x 24″; 3) Small Dock View,. 11-1/2″ x 16″ 4) Seascape, 15″ x 18″ 5) Quarry in Autumn, 20″ x 24” 6) Still Life, signed and dated lower right “Paul Goodridge 34″, 19-1/4″ x 16″ 7) Two Portraits, 20″ x 16″ SIZE: Up to 21″ x 27” PROVENANCE: Acquired from the Estate of the Artist CONDITION: All loose, unstretched. Many in good condition, some with losses, creases and surface abrasions. 49932-7 (1,500-2,500) – Lot 1043

ALBERT BAAB INSLEY (American, 1842-1937) LADIES BY THE SHORE, WINGERSHEEK BEACH.

Oil on canvas Housed in a giltwood frame Signed and dated lower left “Albert Insley 1902”, inscribed on backing board “Wingersheek Beach from Annisquam” SIZE: 14″ x 20″. Overall: 18″ x 24″ CONDITION: Good condition, lined. 50023-11 (1,000-2,000) – Lot 1044

FRANK HENRY SHAPLEIGH (American, 1842-1906) “GREEN HILL, COHASSET”.

Oil on board Housed in a Hastings & Davenport gilt wood frame Signed lower left & dated “F.H. Shapleigh 1880″ Titled & signed on verso SIZE: 7-1/4″ x 12-1/2″. Overall: 15-1/4″ x 20-1/4”. CONDITION: Good with restoration upper right and 1/2″ area of in-paint in sky, frame has minor losses 47890-8 (2,000-3,000) – Lot 1045

ARTHUR CLIFTON GOODWIN (American, 1864-1929) HINGHAM HARBOR VIEW.

Oil on canvasboard Housed in a contemporary period style giltwood frame Signature incised in paint lower left “A.C. Goodwin”, label on verso reads “In Memory of the day at Hingham with Floyd Rogers, W.B. Forster 1911”, inscribed on verso “A.C. Goodwin”, Arvest Galleries, Inc., Boston label affixed to reverse SIZE: 12″ x 15″. Overall: 20″ x 23″ CONDITION: Overall good, with small chip lower left (near signature) 49888-2 (1,200-1,800) – Lot 1046

ARTHUR VIDAL DIEHL (American, 1870-1929) PROVINCETOWN WHARF.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Arthur V. Diehl” SIZE: 8-3/4″ x 14″. Overall: 16″ x 21-1/2″ CONDITION: Good overall condition 49843-7 (1,500-2,000) – Lot 1047

WILLIAM LESTER STEVENS (American, 1888-1969) “WINTER’S GLORY”.

Oil on Masonite Housed in a contemporary giltwood frame with presentation plaque Signed lower right “W. Lester Stevens.N.A.”, titled and inscribed on the reverse “Winter’s Glory/W.Lester Stevens N.A. at Cricket Hill, Conway, Mass (home studio)” SIZE: 30″ x 36″. Overall: 41″ x 47″ CONDITION: Very good to excellent 49925-1 (5,000-7,000) – Lot 1048

Revised: 1/15/2016

Please Note: Great News! This painting is oil on board, not oil on masonite.

WILLIAM LESTER STEVENS (American, 1888-1969) SPRING LANDSCAPE.

Oil on masonite Housed in a period gilt wood frame Signed lower right “W Lester Stevens” SIZE: 12″ x 16″. Overall” 14-1/2″ x 18-1/2″ CONDITION: Very good 50089-2 (1,000-2,000) – Lot 1049

WILLIAM LESTER STEVENS (American, 1888-1969) “ROAD THROUGH BACKWOODS”.

Watercolor and gouache on paper Housed in a wood frame with gilt liner, and matted under glass Signed in pencil lower right “W. Lester Stevens N.A.”, titled on label affixed to reverse SIZE: Sight: 7-1/2″ x 10-1/2″. Overall: 15″ x 18″ CONDITION: Very good, not examined out of frame 49972-6 (600-900) – Lot 1050

WILLIAM LESTER STEVENS (American, 1888-1969) “PRIVATE BACKROAD”.

Watercolor and gouache on paper Housed in a wood frame with gilt liner, and matted under glass Signed in pencil lower right “W. Lester Stevens.N.A.”, titled on label affixed to the reverse SIZE: Sight: 7-1/2″ x 10-1/4″. Overall: 15″ x 18″ CONDITION: Very good, not examined out of frame. 49972-5 (600-900) – Lot 1051

STEPHEN MANIATTY (American, 1910-1984) “STEAM SHADOWS”.

Oil on canvas Housed in a silver painted wood frame with linen liner Signed lower right “S.G. Maniatty”, inscribed on stretcher “Title: Steam Shadows, Artist: S.G. Maniatty, Jon’s Sugar House Conway, MA” SIZE: 25″ x 34″. Overall: 32″ x 41″ CONDITION: Very good. 49653-1 (1,500-2,500) – Lot 1052

LEO B. BLAKE (American, 1887-1976) “GETTING THE MAIL”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Leo B. Blake”, inscribed “M-83″ on verso SIZE: 20″ x 24”. Overall: 27-1/2″ x 31-1/2″ CONDITION: Very good 49972-11 (2,000-4,000) – Lot 1053

LEO B. BLAKE (American, 1887-1976) “LOGGING UP IN THE BERKSHIRES”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Leo B. Blake”, inscribed “S-56/#393″ and titled on label affixed to verso SIZE: 16″ x 20”. Overall: 23-3/4″ x 28″ CONDITION: Very good 49972-12 (1,500-2,500) – Lot 1054

LEO B. BLAKE (American, 1887-1976) “TENDING THE HORSES”.

Oil on canvas Housed in a contemporary gold frame Signed lower right “Leo B. Blake”, inscribed “M-75/4739″ on stretcher SIZE: 20″ x 24″. Overall: 27″ x 31”. CONDITION: Excellent. 49972-10 (2,000-3,000) – Lot 1055

LEO B. BLAKE (American, 1887-1976) “BARN BY WINTER STREAM”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Leo B. Blake”, titled on label affixed to verso SIZE: 9″ x 12″. Overall: 16-1/2″ x 19-1/2″ CONDITION: Excellent 49972-9 (600-900) – Lot 1056

BERNARD COREY (American, 1914-2000) “FALL ON THE FARM”.

Oil on Masonite Housed in a contemporary giltwood frame Signed lower right “Bernard Corey”, inscribed “B.VT/undercoat house paint” and titled on a label on the reverse SIZE: 10″ x 14″. Overall: 16″ x 20″ CONDITION: Excellent 49972-3 (1,000-1,500) – Lot 1057

BERNARD COREY (American, 1914-2000) “SUMMERS REST”.

Oil on Masonite Housed in a contemporary giltwood frame Signed lower left “Bernard Corey” SIZE: 9″ x 14″. Overall: 14-1/2 x 19-1/2″ CONDITION: Excellent 49972-2 (800-1,200) – Lot 1058

BERNARD COREY (American, 1914-2000) “MELTING SNOW”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Bernard Corey”, bears artist’s estate certificate of authenticity on verso signed by Carolynne J. Grimley (Estate no. BC549), and a label from Royka’s Fine Art SIZE: 10″ x 14″. Overall: 16″ x 20″ CONDITION: Excellent 49972-1 (800-1,200) – Lot 1059

JOHN JOSEPH ENNEKING (American, 1841-1916) “WOODLAND POOL”.

Oil on canvas Housed in a period wide gesso decorated flower & leaf motif gilt frame with gilt liner having an artist plaque attached Signed lower right “Enneking” Title and stenciled “Estate John J Enneking, Florence E. Long, Grace E. Ward, J Elliott Enneking Administrators” on verso SIZE: 20″ x 24″. Overall: 32″ x 36″ CONDITION: Very good with some very minor touchup 49925-3 (15,000-20,000) – Lot 1060

JOHN JOSEPH ENNEKING (American, 1841-1916) “WARM WINTER DAY”.

Oil on board Housed in a contemporary giltwood frame with presentation plaque Signed lower right “Enneking” SIZE: 10″ x 14″. Overall: 18″ x 22″ CONDITION: Very good to excellent 50043-2 (5,000-7,000) – Lot 1061

CARL WILLIAM PETERS (American, 1897-1980) STREAM RAMBLING THROUGH WINTER LANDSCAPE.

Oil on canvas Housed in a contemporary giltwood frame Estate stamp on verso canvas signed by Elaine Woodbury SIZE: 25″ x 30″. Overall: 29″ x 34″ PROVENANCE: Acquired from the family of the artist CONDITION: Very good condition. 49883-1 (3,000-5,000) – Lot 1062

CARL WILLIAM PETERS (American, 1897-1980) HUNTERS IN AN AUTUMN LANDSCAPE.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Carl W. Peters” inscribed on the reverse “Carl W. Peters No. 369-A” SIZE: 25″ x 30″. Overall: 29″ x 34″ PROVENANCE: Acquired directly from the artists family CONDITION: Very good 49883-2 (3,000-5,000) – Lot 1063

CARL PETERS (American, 1897 – 1980) WINTER LANDSCAPE WITH STREAM.

Oil on canvas Housed in a natural carved wood frame with linen liner Unsigned SIZE: 20″ x 24″. Overall 27″ x 31″ PROVENANCE: Acquired and descended through the family of the artist. CONDITION: Very Good 49518-2 (2,000-3,000) – Lot 1064

ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER VERMONT LANDSCAPE.

Oil on board Housed under glass in giltwood frame with wood liner Signed lower left “A.T. Hibbard” SIZE: 8″ x 10″. Overall: 13-1/4″ x 16″ PROVENANCE: Acquired directly from the artist CONDITION: Very good 49864-1 (3,000-5,000) – Lot 1065

THOMAS R. CURTIN (American, 1899-1977) VERMONT AUTUMN LANDSCAPE.

Oil on canvas mounted on Masonite Housed in an artist carved and painted frame Signed lower left “Thom. R. Curtin” SIZE: 24″ x 32″. Overall: 30″ x 38″ PROVENANCE: Acquired from the artist in 1971 CONDITION: Very good, paint surface stable, minor varnish discoloration in sky. 49993-1 (4,000-6,000) – Lot 1066

THOMAS R. CURTIN (American, 1899-1977) VERMONT FARM IN WINTER.

Watercolor on paper Housed in a giltwood frame, matted under glass Signed lower right “Thos. R. Curtin” SIZE: Sight: 17-1/4″ x 23″. Overall: 25″ x 30-1/4″ CONDITION: Very good, not examined out of frame. 49972-15 (1,000-1,500) – Lot 1067

THOMAS R. CURTIN (American, 1899-1977) “WAHCONAH FALLS”.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Thos. R. Curtin” SIZE: 16″ x 20″. Overall: 23-1/2″ x 27-1/2″ CONDITION: Very good. 49972-14 (4,000-6,000) – Lot 1068

KENNETH KNOWLES (American, b. 1968) “ACROSS THE RIVER IN JAMAICA, VT”.

Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Ken Knowles ’99”, signed, dated and titled on reverse “Across the River in Jamaica, VT, Ken Knowles 1999″ SIZE: 24″ x 30”. Overall: 31″ x 37″ CONDITION: Excellent 49972-20 (2,000-3,000) – Lot 1069

KENNETH KNOWLES (American, 1968-) “JEFFERSONVILLE, VT”.

Oil on board Housed in a molded wood partial gilt frame Signed lower left “Ken Knowles” Titled, signed & dated “2010” on verso SIZE: 24″ x 30″. Overall: 28-1/2″ x 34-1/4″ CONDITION: Very good to excellent 50066-5 (1,500-2,500) – Lot 1070

JAMES KING BONNAR (American, 1883-1961) DRIVING THE HORSES UP THE MOUNTAIN ROAD IN WINTER.

Oil on board Housed in a contemporary giltwood frame Signed lower right “James King Bonnar” SIZE: 15-3/4″ x 19-1/2″. Overall: 23-1/2″ x 27-1/2″ CONDITION: Excellent 49972-7 (2,000-3,000) – Lot 1071

JAMES KING BONNAR (American, 1883-1961) POWNAL VERMONT LANDSCAPE.

Oil on board Housed in a good gilt replacement wood frame Signed faintly lower right “Jas K. Bonnar”, Rockport Art Association label affixed to verso, inscribed “James K. Bonnar, Rockport, Mass.” and titled on label on reverse. SIZE: 16″ x 20″ CONDITION: Very good. 49972-8 (2,000-3,000) – Lot 1072

WILLIAM EDWARD NORTON (American, 1843-1916) NEW HAMPSHIRE LANDSCAPE.

Oil on canvas laid down on mahogany panel Housed in a giltwood frame Signed and inscribed lower left “W. E. Norton. Atelier.”, titled on a Vose Galleries, Boston label taped to verso (inventory #27645) SIZE: 11-3/4″ x 15-1/2″. Overall 17-1/2″ x 21-1/2″ CONDITION: Overall good, with minor restoration 49888-1 (1,200-1,800) – Lot 1073

SAMUEL GERRY (American, 1813-1891) FARMHOUSE WITH TREES AND LIVESTOCK.

Oil on canvas Housed in antique style gesso decorated gilt frame Signed lower right “S.L. Gerry” SIZE: 8-1/2″ x 7-1/2″. Overall: 12-1/4″ x 11-1/2″ CONDITION: Light craquelure, minor touch-up, very good 50065-10 (1,800-2,200) – Lot 1074

JOHN WHORF (American, 1903-1959) WINTER LANDSCAPE WITH HOUSES AND BARNS.

Watercolor on paper Housed in black and gold wood frame with double mat Signed lower right “John Whorf” SIZE: 15″ x 21″. Overall: 23″ x 28-1/2″ CONDITION: Good. 50065-6 (2,500-3,500) – Lot 1075

CARROLL BROWN (American, 1868-1923) AUTUMN LANDSCAPE.

Oil on canvas Housed in a white frame Signed lower right “Carroll Brown” Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924 Note: This lot is accompanied by a copy of the exhibition pamphlet noted above SIZE: 30″ x 40″. Overall: 36″ x 46″ PROVENANCE: Kathryn M. Brown (sister-in-law of the artist); By descent through the family CONDITION: Discolored varnish, surface dirt, several punctures 49720-1 (2,000-3,000) – Lot 1076

CARROLL BROWN (American, 1862-1923)”MY TREES”.

Oil on board Housed in a giltwood frame Signed lower left “Carroll Brown” Inscribed with title on owner’s label affixed to verso Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924, item 9. Note: This lot is accompanied by a copy of the exhibition pamphlet noted above. SIZE: 15″ x 21-1/2″. Overall: 17-1/2″ x 21-1/4″ PROVENANCE: Kathryn M. Brown (sister-in-law of the artist); By descent through the family CONDITION: Good with minor vertical craquelure 49720-2 (2,000-3,000) – Lot 1077

CARROLL BROWN (American, 1862-1923) “POND LILIES”.

Watercolor on paper Housed in a giltwood frame with double mat Signed and dated lower right “Carroll Brown ’97” Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924. Note: This lot accompanied by a photocopy of the pamphlet from the above mentioned exhibition. SIZE: Sight size: 11″ x 18-1/2″. Overall: 16-1/4″ x 24″ PROVENANCE: Kathryn Brown (sister-in-law of the artist); By descent through the family CONDITION: Good with mat burn along edges, not examined out of frame 49720-3 (1,000-2,000) – Lot 1078

CARROLL BROWN (American, 1862-1923) SPRING LANDSCAPE WITH BLOSSOMING TREES.

Oil on canvas Housed in a giltwood frame Signed lower left “Carroll Brown” Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924. Note: This lot is accompanied by a photocopy of the pamphlet from the above mentioned exhibition. SIZE: 18″ x 25″. Overall: 22″ x 29″ PROVENANCE: Kathryn M. Brown (sister-in-law of the artist); By descent through the family CONDITION: Good, minor stretcher marks 49720-4 (1,000-2,000) – Lot 1079

Revised: 1/28/2016

Please Note: Obviously from the illustration there are 6 paintings described and photographed. There are 6 being offered not 5 as stated in the title.

CARROLL BROWN (American,1862-1923) SIX PAINTINGS.

Including 1) “Wind Storm”, oil on canvas, signed lower left “Carroll Brown”, inscribed with title on stretcher and signed on verso canvas. 2) “Budding Trees, Cragsmore”, oil on board, signed and dated lower right “Carroll Brown ’08”, titled on verso. 3) Landscape, watercolor and gouache on board, signed lower right “Carroll Brown”. 4) Seascape, watercolor on board, signed and dated lower right “Carroll Brown ’08”. 5) Sheep by a Fence, watercolor, signed lower right “Carroll Brown”. 6) Chickens, watercolor on board, signed and dated lower right “Carroll Brown ’06” 1) Exhibited: John Levy Galleries, New York. “Memorial Exhibition of Paintings by Carroll Brown”, February 25-March 8, 1924, no. 13. This lot is accompanied by a photocopy of the pamphlet from the exhibition. SIZE: 1) 22″ x 30″. 2) 10-7/8″ x 14-7/8″ 3)21-1/2″ x 30″ 4)21-1/2″ x 30″ 5)19-1/2″ x 13-1/2″ 6) 6-1/2″ x 9-1/2″ PROVENANCE: Kathryn M. Brown (sister-in-law of the artist); By descent through the family CONDITION: 1) Surface grime, small losses in foreground, edges chipped. 2) Chips to edges. 3) Board is chipped on all edges, large section detached. 4) Board is chipped on all edges, large section detached. 5) Waterstaining along bottom edge. 6) Faded, waterstains 49720-5 (1,500-2,500) – Lot 1080

MARTIN JOHNSON HEADE (American, 1819-1904) ROMAN NEWSBOYS II, 1849.

Oil on canvas Housed in a molded wood gilt antique frame with title & artist plaque Unsigned Note: The second version of a similar work of the same title painted in Rome in 1848 now hangs in the Toledo Museum of Art, this painting appears as #17 on page 202 in ‘The Life and Work of Martin Johnson Heade, A Critical Analysis and Catalogue Raisonne’ by Theodore E. Stebbins, Jr., Yale University Press, New Haven and London, 2000, along with a comparison of the two versions. Painting depicts two young tattered boys hawking broadsheets marked ‘Roma’, one on the left wearing a paper hat marked Pius IX, one on the right perched atop a post, both looking to the left, looming shadows include a silhouette of a cross, and a silhouette of a Cardinal’s hat on the lower left. REFERENCE: Included in the exhibition “The Lure of Italy American Artists and The Italian Experience, 1760-1914″ Museum of Fine Arts, Boston, Sept. 16 – Dec. 13, 1992; The Cleveland Museum of Art Feb 3 – April 11, 1993; Museum of Fine Arts, Houston May 23 – Aug 8, 1993. The restoration was under the supervision of the Boston Museum of Fine Arts. A rare example of a genre scene by this American Master, the two versions of this appear to be the only genre scenes that have survived. The first version was much more political, painted during the Unification struggle and the ouster of the Pope from Rome which occurred while Heade was in Italy; this version was done after the suppression of the revolt and the Pope’s return, thus the presence of the cross, his name, the Cardinal’s cap, and the removal of political graffiti and broadsides from the wall, the change from a Liberty cap to a sailor’s cap on the boy on the right, the papers being offered changed from revolutionary tracts to ‘Roma’. SIZE: 29-1/4″ x 24-1/2”. Overall: 35-1/2″ x 31″ PROVENANCE: Thomaston Place Auctions Aug. 2008; A private Maine/Texas collection. CONDITION: Very good, lined on new stretcher, some restoration with inpainting 50012-13 (200,000-400,000) – Lot 1081

ATTRIBUTED TO HENRY ERNEST SCHNAKENBERG (American, 1892-1970) STROLLING THE SIDEWALK BETWEEN CENTRAL PARK & 5TH AVE.

Unstretched oil on canvas Unsigned Housed in a partial gilt gesso decorated frame with mat behind glass (canvas appears to be sandwiched between glass & foamboard) SIZE: Sight: 18-1/2″ x 14-1/2″. Overall: 26″ x 22″ CONDITION: Very good, not examined out of frame, bottom right with 2-1/2″ visible tear 50068-17 (2,500-3,500) – Lot 1082

JOHANN BERTHELSEN (American, 1883-1972) HORSE DRAWN SLEIGH IN A WINTRY LANDSCAPE.

Oil on canvas Housed in a partial gilt gesso decorated framew ith linen and gilt liner Signed lower right “Johann Berthelsen” SIZE: 16″ x 20″. Overall 24″ x 28″ CONDITION: Very good, 50000-4 (2,000-4,000) – Lot 1083

EUGENE MORLEY (American, 1909-1953) “HIGH WORKS”.

Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “E. Morley 1935”, signed, dated and titled on the reverse “Eugene Morley 1935/High Works” SIZE: 30-1/2″ x 35″. Overall: 35″ x 40″ PROVENANCE: Freemans, December 5, 2004, Lot 120 (sold as “Mining Town”) CONDITION: Overall good, lined and restored condition 49782-1 (4,000-6,000) – Lot 1084

GEORGE GARDNER SYMONS (American, 1863-1930) THE STONE MILL IN WINTER.

Oil on board Housed in a giltwood frame Signed lower left “Gardner Symons”, inscribed on verso “Irene Trevekkow(?), Bronxville NY #23″ SIZE: 21-3/4″ x 17-1/2”. Overall 29-1/4″ x 25-1/2″ CONDITION: Very good, with scattered retouch 49340-1 (6,000-9,000) – Lot 1085

WALTER EMERSON BAUM (American, 1884-1956) “CITY HOTEL”.

Oil on Masonite Housed in a modern giltwood frame Signed lower right “W.E. Baum ’49” also having on verso two exhibition labels, one from “The Ohio Valley Oil And Water Color Show, 1951”, the other “American Water Color Society, 1950″, written on verso is a list of four locations that it was exhibited including Pennsylvania Academy of Fine Arts. SIZE: 24″ h x 30″ w. Overall 31-1/2″ h x 37-1/2” w. PROVENANCE: Property from the collection of Robert Dickerman, New York, NY. CONDITION: Very good. 49874-1 (5,000-7,000) – Lot 1086

WALTER EMERSON BAUM (American, 1884-1956) “POINT PLEASANT”.

Oil on canvas Housed in carved and painted wood frame Signed lower right “Baum”, inscribed on the reverse “Blanche Wisler Hunsberger/Walt Emerson Baum, Dec. 4, 1941” and date “1940” SIZE: 25″ x 30″. Overall: 29-3/4″ x 34-3/4″ PROVENANCE: Blanche Wisler Hunsberger, Pennsylavania; by descent to current owners CONDITION: Very good with minor surface dirt. 49886-1 (4,000-6,000) – Lot 1087

WALTER EMERSON BAUM (American, 1884-1956) “BRANCH CREEK, BERGY, PA”.

Oil on light cardboard Housed in a modern carved gilt wood frame Signed lower right “Baum” SIZE: 7-1/2″ x 6″. Overall: 14-1/2″ x 12-1/2″ CONDITION: Very good 50089-4 (800-1,200) – Lot 1088

WALTER EMERSON BAUM (American, 1884-1956) RIVER LANDSCAPE IN WINTER.

Oil on board Housed in a giltwood frame Signed lower right “W.E. Baum” SIZE: 4″ x 6″. Overall 5-1/8″ x 7″. PROVENANCE: Blanche Wisler Hunsberger, Pennsylvania; by descent to current owner CONDITION: Very good, with minor varnish discoloration 49886-3 (2,000-4,000) – Lot 1089

WALTER EMERSON BAUM (American, 1884-1956) THE YELLOW BRIDGE.

Oil on board Housed in a giltwood frame Signed lower left “W.E. Baum” SIZE: 4″ x 6″. Overall: 5-1/8″ x 7″ PROVENANCE: Blanche Wisler Hunsberger, Pennsylvania; by descent to current owner CONDITION: Very good, with surface dirt lower right 49886-2 (2,000-4,000) – Lot 1090

GEORGE CARPENTER (American, 1928-2006) “PERSIMMON BARNS ON SNOWY RIVER”.

Oil on board Housed in a contemporary giltwood frame Signature incised in paint lower left “George Carpenter” SIZE: 14-3/4″ x 18-1/2″. Overall: 22″ x 26″ CONDITION: Excellent 49972-18 (1,000-2,000) – Lot 1091

WILLIAM M HART (American, 1823-1894) ROCKY HILLSIDE WITH HILL BEYOND.

Oil on canvas Housed in a period gilt gesso decorated frame with gilt liner Signed lower right “Wm Hart” SIZE: 11-1/2″ x 19″. Overall: 17″ x 24-1/2″. CONDITION: Very good with minor touch up 50068-8 (4,000-5,000) – Lot 1092

WILLIAM M. HART (American, 1823-1894) LANDSCAPE WITH COWS.

Oil on board Housed in an ornate giltwood frame Signed lower right “Wm Hart” SIZE: 8-1/2″ x 13″. Overall: 15-1/2″ x 20″ CONDITION: Very good, craquelure arrested with varnish, touch up in shrinkage cracks lower right and in sky 49919-4 (1,500-2,500) – Lot 1093

JAMES BREVOORT (American, 1832-1918) COASTAL SCENE WITH SAILBOATS.

Oil on canvas Housed in its original gesso decorated gilt frame with minor losses Unsigned front, identified on stretcher and dated indistinctly Note: Work is very reminiscent of A.T. Bricher subject matter SIZE: 18-1/2″ x 39-1/2″. 27″ x 48″ (overall) CONDITION: 3 patches on verso, in-painting, bottom edge with roughness and some flaking on bottom 3″ 50064-6 (3,000-5,000) – Lot 1094

WILLIAM CHARLES FRERICHS (American, 1829-1905) SOUTHERN LANDSCAPE WITH HILLS AND LAKE.

Oil on canvas Housed in a period carved giltwood frame Signed middle right “W Frerichs” SIZE: 22″ X 36″. Overall: 31-1/2″ x 45-1/2″ CONDITION: Overall good condition, with minor varnish discoloration and minimal retouch 49638-1 (6,000-8,000) – Lot 1095

EDMUND DARCH LEWIS (American, 1835-1910) PANORAMIC LANDSCAPE WITH FARMS, RIVER, COWS & MOUNTAINS.

Oil on canvas Housed in a gilt bead decorated frame Signed lower right “Edmund D Lewis 1872″ SIZE: 28″ x 50”. Overall: 34″ x 56-1/2″ CONDITION: Lined, restored with inpainting, good 50065-9 (6,000-8,000) – Lot 1096

D.A. FISHER (American, 1867-1940) CONWAY MEADOWS, 1886, WHITE MOUNTAIN SCHOOL.

Oil on canvas laid down on Masonite Housed in a period giltwood frame Signed with initials and dated indistinctly lower left “D.A.F ’86” SIZE: 22″ x 36″. Overall: 33″ x 47″ CONDITION: Good, restored condition. Canvas has been laid down on Masonite, small loss lower center, giltwood frame has been restored and has minor losses 49932-4 (2,000-4,000) – Lot 1097

WILLIAM BRUCE (American, 1861-1911) LANDSCAPE WITH LAKE AND SHEEP.

Oil on canvas Housed in its original gilt wood frame with gilt liner Signed lower left “W. Bruce 1904″ SIZE: 18″ x 30. Overall 23″ x 35” CONDITION: Very good, some scattered re-touch 50035-1 (2,000-4,000) – Lot 1098

ROBERT VAN BOSKERCK (American, 1855-1932) PANORAMIC SUMMER LANDSCAPE.

Oil on canvas Housed in a modern gilt wood frame Signed lower left “R W Van Boskerck” SIZE: 20″ x 30″. Overall: 23-1/2″ x 33-1/2″ CONDITION: 1 patch to verso, restored with in-painting, otherwise very good 50065-2 (3,000-5,000) – Lot 1099

WILLIAM HENRY HOWE (American, 1844-1929) COWS IN PASTURE.

Oil on canvas Unframed Signed lower right “Howe” SIZE: 13-1/4″ x 19-1/4″ CONDITION: Overall good restored condition. Canvas has been lined and re-stretched,minor touch up in grassy areas 49903-1 (1,500-2,500) – Lot 1100

WILLIAM HENRY HOWE (American, 1844 – 1929) COWS GRAZING UNDER LOW SUN.

Oil on canvas Housed in its original gilt gesso decorated frame (with losses & loss to bottom liner) Signed lower right “William H. Howe 87″ SIZE: 24″ x 32-1/2″ Overall: 27-3/4″ x 48-1/2” CONDITION: Surface dirt, discolored varnish, paint losses at bottom frame edge 46509-4 (1,000-2,000) – Lot 1101

HAL ROBINSON (American, 1875-1933) AFTERNOON LANDSCAPE WITH BARNS & COWS.

Oil on canvas Housed in its wonderful original gilt frame with gilt liners Signed lower left “Hal Robinson” SIZE: 15″ x 28-1/4″. Overall: 25-1/2″ x 38-1/2″ CONDITION: Very good with some touch up 50068-5 (3,000-5,000) – Lot 1102

JOSEPH MORVILLER (American/French, 1800-1870) HARVESTING FROM THE RIVER.

Oil on canvas Housed in a magnificent gesso decorated gilt frame with gilt liner (re-gilt) Signed lower right “J Morviller” A nice Hudson River School style composition showing a man with hand scythe filling a boat and a man & woman with a fishing net on a path Joseph Morviller, born in Paris, was a landscape painter & lithographer. He studied fresco painting in England and France. he came to Boston, Massachusetts in 1852, painting his characteristic picturesque winter landscapes with genre elements. His images were published as chromo-lithographs by the Boston art-print publisher, Louis Prang. SIZE: 26″ x 36″. Overall: 36-1/4 “x 46-1/4” CONDITION: Wax lined, restored with inpainting, very good 50065-1 (6,000-8,000) – Lot 1103

HARRY ROSELAND (American, 1866-1950) “DANCE OF THE AUTUMN LEAVES”.

Oil on board Housed in a giltwood frame Signed lower right “Harry Roseland”, titled on a Salmagundi Club label affixed to verso SIZE: 12″ x 16″. Overall: 14-1/2″ x 18-3/4″ CONDITION: Very good 49832-1 (8,000-12,000) – Lot 1104

HARRY ROSELAND (American, 1866-1950) “THE MAGIC WATER”.

Oil on canvas Housed in original carved giltwood frame with presentation plaque Signed lower left “Harry.Roseland” SIZE: 20″ x 30″. Overall: 29-1/2″ x 39-1/2″ PROVENANCE: Prominent Newport, Rhode Island Collection CONDITION: Very good with discolored varnish, two small pinholes, and small loss to lower right 49872-2 (5,000-7,000) – Lot 1105

Revised: 1/14/2016

Please Note: JOHN SINGER SARGENT COMPLETE PAINTINGS; ORMOND/KILMURRAY VOLUME IV:, Page 412
#788 Donkeys In A Moroccan landscape (recto) and Three Boats (verso)

Violet Sargent (Mrs. Frances Ormond), 1925; Her son F. Guillaume Ormond, 1955; His heirs, 1971; Coe Kerr Gallery, New York, 1989; Mr. and Mrs. Harry Spiro; Private collection

Exhibitions: New York, Coe Kerr Gallery, American Impressionism, 1989 19 May-23 June 1989, No.37, Ill. Cat. N.P. (color) as “Donkeys In The Desert With Squatting Figure”

Literature: Mount 1955 p444 (K8034) dated 1880; 1957 Ed., p354 (K8034); 1969 Ed., p461 (K8034); As “Three Donkeys In A Desert With Squatting Figure”

JOHN SINGER SARGENT (American, 1856-1926) “DONKEYS IN A DESERT, MOROCCO 1880”.

Oil on wood panel Housed in a fine carved & gilt wood frame Unsigned Verso depicting a study of three Venetian gondolas Reference: Sargent Catalog Raisonne, ‘Figures and Landscapes, 1874-1882’, page 298 SIZE: 10″ x 13-1/4″. Overall: 18″ x 22″ PROVENANCE: Thomaston Auction Galleries, Aug. 2009; A private Maine/Texas collection CONDITION: Very good 50012-12 (150,000-250,000) – Lot 1106

CHARLES P GRUPPE (American, 1860-1940) “PASTURE IN DUMA, HOLLAND”.

Oil on canvas Housed in a gilt wood frame Signed lower left “Chs. P. Gruppe” SIZE: 14″ x 20″. Overall: 21-1/2″ x 27-1/2″ CONDITION: Good restored condition, lined, several small areas of retouch in sky, 2 inch restoration upper right in trees, minor scattered retouch on edges. 1055-1 (4,000-6,000) – Lot 1107

GEORGE LORING BROWN (American, 1814-1889) “VIEW NEAR ROME”.

Oil on canvas Housed in a thin gilt frame Signed center bottom “G L Brown, Rome” Inscribed on verso with title, artist, & date “1855” SIZE: 33″ x 54″. Overall: 33-3/4″ x 54-3/4″ CONDITION: Craquelure with some touch up, good 50065-4 (10,000-15,000) – Lot 1108

HERMANN HERZOG (American/German, 1832-1932) HARVESTING THE WHEAT WITH MOUNTAIN BACKDROP.

Oil on canvas Housed in period gold gesso decorated frame Signed lower right “H Herzog” SIZE: 15″ x 21-1/4″. Overall: 23-1/2″ x 30-1/2″ CONDITION: Lined with in-painting, very good 50065-5 (5,000-8,000) – Lot 1109

WILLIAM LAMB PICKNELL (American, 1853-1897) WOMAN TENDING HER GARDEN, BRITTANY.

Oil on canvas Housed in a period carved giltwood frame Signed lower right “Wm. L. Picknell” SIZE: 17″ x 24″. Overall: 24-14″ x 32″ CONDITION: Very good 50004-2 (5,000-8,000) – Lot 1110

ELMER BOYD SMITH (American, 1860-1943) “Springtime in Brittany, France”.

Oil on canvas laid down on Masonite Housed in a carved giltwood frame with linen liner Signed, dated and inscribed lower left “-E. Boyd Smith- Auvers sur Oise-1894-“, stamped on reverse “E. Boyd Smith Estate”, inscribed on reverse with title and date “1894” and bearing label inscribed “Auvers sur Oise-1894″ SIZE: 19″ x 15”. Overall: 23″ x 19-1/2″ CONDITION: Very good 50008-1 (2,500-3,500) – Lot 1111

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SAMUEL COLMAN (American, 1832-1920) “SPAIN”, 1861.

Oil on canvas Housed in a carved giltwood frame Note affixed to reverse states “Noted by artist on reverse side ‘Spain’ Paintd by Samuel Colman 1861”, a Certificate of Provenance from the Shattuck Collection affixed to reverse is signed and dated “Katherine S. Emigh, 8-1-79″ SIZE: 11-1/4″ x 15-1/4”. 18″ x 22″ PROVENANCE: Estate of Marian Colman Shattuck, sister of the artist; by descent to her granddaughter, Katherine S. Emigh CONDITION: Very good, wax lined, with minor surface scratch upper left and small indent with minor loss lower right in tree (above wall) 49919-3 (2,000-4,000) – Lot 1112

JULES PAGES (American, 1867-1946) THE OLD THATCHED ROOF, BRITTANY.

Oil on canvas Housed in a modern gesso decorated gilt frame with gilt & linen liner Signed lower right SIZE: 18″ x 24″. Overall: 25″ x 31″ CONDITION: Very good 50089-1 (2,000-4,000) – Lot 1113

HENRY NAPPENBACH (American, 1862-1931) EUROPEAN STREET SCENE.

Oil on canvas laid down on panel Housed in a period ornately carved gilt wood frame Signed and dated lower right “Henry Nappen 1895″ SIZE: 22″ x 26-1/2”. Overall: 34″ x 38″ CONDITION: Surface grime, scattered retouch, otherwise very good 49117-4 (1,200-1,800) – Lot 1114

Revised: 1/8/2016

IMPORTANT NOTE: The inscription on the verso corresponds to the entry on page 421 of the Hans Hofmann Catalog Raisonne of Paintings Volume II indicating that its title is Botanic Garden and that it’s HH Catalog No. is 391-1948

HANS HOFMANN (American, 1880-1966) ABSTRACT IN COLORS.

Oil on artist cardboard mounted to wood stretcher Housed in a gilt wood frame Signed lower right “Hans Hofmann 42” On verso is an old label bearing “Catalog No. 391-1948/Botanic Garden Oil/on Cardboard 22″ x 30″”. The same is written in pencil along the top of the stretcher and back of board. The back has been painted white and inscribed “To Dave Passell/Our Love/Hans & Renate” SIZE: 22″ x 30″. Overall: 23-1/4″ x 31-1/4″ PROVENANCE: Gifted from the artist & his wife to our consignor CONDITION: Very good with surface dirt. The painting surface has thick impasto (1/4″ to 1/2″ high in spots) and a few small areas appear to have missing impasto (some were probably in the making) 50036-1 (100,000-150,000) – Lot 1115

Revised: 1/14/2016

Please Note: Great News! Unsigned front but on verso: William Sommer Studio Stamp, Artist’s title in pencil “Pink Spring” and Artist’s initials in pencil “W.S. 271”.

WILLIAM SOMMER (American, 1867-1949) THE RED BRIDGE AND LANDSCAPE.

Watercolor and ink on paper Housed in green and white painted wood frame with white mat, verso of frame retaining a Cleveland Museum of Art “William Sommer Memorial Exhibition 1950″ label Unsigned SIZE: 11-3/4″ x 16″. Overall: 20-1/4″ x 24-3/4”. CONDITION: Light toning, otherwise very good. 50064-2 (4,000-6,000) – Lot 1116

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WILLIAM SOMMER (American, 1867-1949) HOUSE WITH TREES.

Watercolor and ink on paper Housed in white washed wood frame with linen mat having gold edge, behind glass Signed lower left “WM Sommer” SIZE: 10-1/4″ x 14-1/4″ (sight). 19″ x 22-1/2″ (overall) CONDITION: Some light toning, otherwise very good, not examined out of frame 50064-3 (2,000-3,000) – Lot 1117

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SPECIAL ST. JUDE CHILDREN’S HOSPITAL LOT.

This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please also note: The entire proceeds of this lot (to include the buyer’s premium), shall be donated to the St. Jude Children’s Hospital. St. Jude’s is one of the finest hospitals in North America today for the research and care of children afflicted with cancer. We hope that you will consider competing on this lot, we consider it to be an extremely worthwhile cause and we have dedicated ourselves to include similar lots in every single one of our auctions, the proceeds of which will be donated to St. Jude’s. Thank you for your participation. CONDITION: Very good to excellent. 45568-1 (300-500) – Lot 1117A

MAURICE FREEDMAN (American, 1904-1985) “SUNSET BAY”.

Oil on canvasboard Housed in a molded wood frame Signed lower right “Maurice Freedman, 57” Titled, signed & dated on verso of board. Also retaining two labels “Kodner Galleries St. Louis, MO” and “Greenhut Galleries, Portland, ME” SIZE: 16″ x 20″. Overall: 21-1/2″ x 25-1/2″ CONDITION: Very good 50000-6 (6,000-9,000) – Lot 1118

MARGUERITE ZORACH (American, ) “WATERFALL”.

Oil on canvas Housed in a painted red wood frame Signed lower left “Marguerite Zorach” Attached to foam back on verso are original labels include Kraushaar Galleries, New York SIZE: 18″ x 15″. Overall: 24-1/2″ x 21-1/4″ CONDITION: Very good 50000-2 (8,000-12,000) – Lot 1119

MARGUERITE ZORACH (American, 1887-1968) STANDING NUDE FIGURE.

Charcoal and sanguine on paper Housed in a contemporary giltwood frame, matted under glass Signed lower right “M. Zorach” SIZE: Sight: 16-1/2″ x 10-1/2″. Overall: 24-1/4″ x 19-1/4″ CONDITION: Very good overall condition, with crease lower left corner, not examined out of frame. 50023-16 (1,000-2,000) – Lot 1120

ATTRIBUTED TO OLGA COSTA (Mexican/American, 1913-1993) MOUNTAINOUS LANDSCAPE WITH DESERT AND TREES.

Oil on board Housed in a wood frame with linen liner Signed lower left “Costa” SIZE: 15-3/4″ x 19-3/4″. Overall: 21-1/4″ x 26″ CONDITION: Very good condition. 50023-2 (1,000-2,000) – Lot 1121

GEORGE CONSTANTINE (Greek/American, 20th Century) GLOUCESTER SCENES #27.

Four pastels on paper Two housed in contemporary giltwood frames 1 & 2) Two framed works unsigned, with Boris Mirski Gallery labels on the reverse 3 & 4) Two unframed works, one signed lower left “Constantine” and one signed lower right “Constantine” SIZE: 1 & 2) 20-1/2″ X 15″. 3 & 4)17-1/2″ x 24″. Overall size of largest frame: 24″ x 29″. CONDITION: 1 & 2) The two framed works are in very good condition, not examined out of frames. 3 & 4) The two unframed works have tears in each. 49990-3 (600-800) – Lot 1122

Revised: 1/8/2016

IMPORTANT NOTE: This example was deaccessioned from the Crocker Art Museum in Sacramento

ROBERT KULICKE (American, 1924-2007) PEAR AND APPLE ON A GREY SURFACE.

Essence of oil on prepared sandpaper Housed in a natural wood frame with white mat Signed center bottom “Kulicke” SIZE: 4-1/4″ x 5-1/4″. Overall 11-3/4″ x 12-3/4″ CONDITION: Bottom right corner has diagonal cracks and one crack in upper left corner, otherwise very good 50000-5 (2,000-4,000) – Lot 1123

WALT KUHN (American, 1877-1949) “BLUE ACROBAT”.

Gouache and ink on paper Housed in a giltwood frame and matted under glass Signed and dated lower left “Walt Kuhn 1929” Literature: “Selections from the Collection of Hirschl & Adler Galleries, Vol VIII”, New York, 1988-67, #30 (catalogue included with this lot) SIZE: Sight: 12″ x 8-1/2″. Overall: 20-3/4″ x 17-1/2″ CONDITION: Very good, not examined out of frame 50000-1 (5,000-10,000) – Lot 1124

BERNARD CHAET (AMERICAN, 1924 – 2012) “IN MEMORIUM”.

Oil on canvas Housed in simple black wood frame Signed lower right “Chaet”, also signed on verso and dated Oct 1945, also retaining a title and artist label SIZE: 45″ x 40″. OVERALL: 46-1/2″ x 41-1/2″ CONDITION: 3″ tear in center, surface dirt, otherwise good. 49990-6 (3,000-5,000) – Lot 1125

FARIS MCREYNOLDS (American, 1977) ABSTRACT WITH FIGURES.

Oil on canvas Housed in a simple silver gilt shadowbox type frame Signed on verso “Faris” SIZE: 52″ x 48″. Overall: 54″ x 50″ CONDITION: Very good 50068-11 (4,000-6,000) – Lot 1126

UNSIGNED (20th/21st Century) STAR LANDSCAPE.

Watercolor/ gouache on paper Unsigned Housed in a modern white frame with white mat behind glass (stamped on verso “PSG Framing, Boston”) SIZE: Sight 34-1/2″ x 34-1/2″. Overall 43-3/4″ x 44″ CONDITION: Very good to excellent 49818-27 (3,000-4,000) – Lot 1127

HAROLD EUGENE EDGERTON (American, 1903-1990) “BULLET THROUGH BANANA, 1964” AND “CRANBERRY JUICE INTO MILK, 1960”.

Dye transfer photographs Housed in modern black metal frames with white mats Original paperwork on verso indicates the photographer signed which may be on the back of photograph or under mat SIZE: 1) Sight 14″ x 16″. Overall 20-1/4″ x 24-1/4″. 2) Sight 15-1/2″ x 13-1/2″. Overall 24″ x 20″ CONDITION: Very good 49955-1 (1,500-2,000) – Lot 1128

LOUIS L BETTS (American, 1873-1961) NUDE IN LANDSCAPE.

Oil on canvas Housed in a fine old wide gesso decorated gilt frame with gilt liners Signed upper right “Louis Betts” SIZE: 40″ x 30″. Overall: 51-1/2″ x 41″ CONDITION: Very good, lined with rigid support, restored with inpainting 50068-2 (6,000-8,000) – Lot 1129

BERNARD KARFIOL (American, 1886-1952) “NUDE ON RED COUCH”.

Oil on canvas Housed in its original wide carved gray painted wood frame with white wood liner Attached to the stretcher is a Downtown Gallery NY exhibition label with title and artist Signed lower left “B Karfiol NA” NOTE: A very similar painting is titled “Hilda 1929” and is in the collection of the Whitney Museum of American Art and is illustrated in their American Artist Series “Bernard Karfiol” by Jean Slusser, 1931. SIZE: 30″ x 40″. Overall 40″ x 50″ CONDITION: Very good, with one small patch to verso with some inpainting 1012-1 (2,500-3,500) – Lot 1130

JOHN WHORF (American, 1903-1959) RECLINING NUDE.

Watercolor Housed in a contemporary giltwood frame Signed lower right “John Whorf” SIZE: 14-1/2″ x 21″. Overall: 23-1/4″ x 29-1/4″ CONDITION: Very good condition, not examined out of frame 50023-1 (2,000-4,000) – Lot 1131

JOHN GRABACH (American, 1886-1981) “ARTIST AND MODEL”.

Oil on canvas Housed in a carved regilt frame Signed lower right “John Grabach ANA” SIZE: 16″ x 20″ CONDITION: Some inpainting with uneven varnish layer, good 49727-1 (1,500-2,500) – Lot 1132

HERMANN MURPHY (American, 1867-1945) A VASE OF ROSES.

Oil on canvas Housed in a fine gesso decorated gilt frame with linen liner Signed lower left “H Dudley Murphy” SIZE: 18″ x 14″. Overall: 25″ x 21″ CONDITION: Very good 50065-3 (6,000-8,000) – Lot 1133

EDWARD CHALMERS LEAVITT (American, 1842-1904) STILL LIFE WITH ORANGES AND GRAPES.

Oil on canvas Housed in a period carved giltwood frame Signed and dated lower left “EJ Leavitt 1876”, inscribed and dated on verso canvas “E.J. Leavitt. Pnr/1876″ SIZE: 24″ x 18”. Overall: 30-1/2″ x 24″ CONDITION: Very good, with minor 1″ area of in-paint upper center in background, minor craquelure 50047-3 (2,000-4,000) – Lot 1134

JAMES G. TYLER (American, 1855-1931) SEASCAPE.

Oil on canvas Housed in a carved giltwood frame Signed lower left “James G. Tyler” SIZE: 18″ x 24″. Overall: 26″ x 31-1/2″ CONDITION: Signature possibly enhanced, craquelure, surface dirt 49739-9 (2,000-3,000) – Lot 1135

JAMES HAMILTON (American, 1819-1878) COASTAL SHIPPING UNDER A SUNSET SKY.

Oil on canvas Housed in an antique carved wood frame with finish losses Signed lower right “J Hamilton” Attached to back stretcher is a Brooklyn Museum loan tag SIZE: 20″ x 30″. Overall: 25″ x 35″ CONDITION: Wax & canvas lining, overall craquelure with some inpainting 50068-4 (3,000-5,000) – Lot 1136

EDWIN FLETCHER (English, 1857-1945) SHIPS IN HARBOR AT SUNRISE.

Oil on canvas Housed in a period giltwood frame Signed lower left “E. Fletcher” SIZE: 16″ x 24″. Overall: 24-1/2″ x 32″ PROVENANCE: Estate of Siro R. Toffolon of Old Lyme, CT. CONDITION: Good, with craquelure, discolored varnish, stretcher marks and restoration in sky 49476-58 (3,000-5,000) – Lot 1137

JAMES AUGUSTUS SUYDAM (American, 1819-1865) COASTAL VIEW AT SUNSET.

Oil on panel. Housed in a period black frame Signed and dated lower right “J.A. Suydam 1855″ SIZE: 6″ x 16”. Overall: 8-1/4″ x 18″ CONDITION: Very good, with minor discolored varnish 50047-2 (5,000-8,000) – Lot 1138

JOHN PRENTISS BENSON (American, 1865-1947) GALLEON AT SEA.

Oil on canvas Housed in a period gilt carved wood frame Signed and dated lower left “John P. Benson 1923”, stenciled on verso “John P. Benson 1923/New York” SIZE: 30″ x 36″. Overall: 33-1/2″ x 39-1/2″ CONDITION: Very good 50043-1 (2,500-3,500) – Lot 1139

RAYMOND P FRASER (American, 20th Century) CLIPPER SHIP.

Oil on canvas Housed in a carved & white painted wood frame Signed & dated lower right “Robert P. Fraser 77″ SIZE: 24″ x 36”. Overall: 30-1/2″ x 42″ CONDITION: Restoration around the sales, surface grime, good 49744-1 (1,200-1,800) – Lot 1140

HOWARD A. TERPNING (American, 1927-) “SPRING CAME EARLY”.

Oil on canvas Housed in a barn board style frame with plaque Signed and dated lower left “Terpning 75”, title inscribed on verso with dedication “To Norm Flayderman With Best Regards Howard Terpning.” Howard A. Terpning is one of the best known and respected members of the Cowboy Artists of America, and is in fact known as “The Storyteller of the Native American”. Terpning was educated at the Chicago Academy of Fine Arts and the American Academy of Art. Early in his career, as a commercial artist , he produced cover art for publications including “Time”, “Newsweek” and “Field and Stream”. Other clients included TWA and the movie industry, where his posters advertised “The Guns of Navarone” and “Dr. Zhivago” among others. A commission from Winchester Firearms however marked a turning point for the artist. Reigniting an interest in the Old West, in the 1970’s Terpning he left behind his commercial work and moved to Arizona where he began his career as a Western painter. Within three years he was elected to the National Academy of Western Art and the Cowboy Artists of America, (the two major showcases of contemporary western art) since then he has earned many prestigious awards from that organization as well as many others. His book, “The Art of Howard Terpning” won the Wrangler “Outstanding Art Book” award from the National Cowboy Hall of Fame. SIZE: 22″ x 28″. Overall: 30″ x 36″ CONDITION: Very good 49992-1 (125,000-175,000) – Lot 1141

HOWARD A. TERPNING (American, 1927-) “SEARCHING THE MOUNTAINS”.

Oil in canvas Housed in a barn board style frame with plaque Signed and dated lower right “Terpning 75”, bears inscription on verso with title, artist signature and “Best Regards to my friend Norm Flayderman” SIZE: 25″ x 35″. Overall: 34-1/2″ x 44-1/2″ CONDITION: Very good 49992-2 (100,000-130,000) – Lot 1142

ALEXANDER FRANCIS LOEMANS (Dutch/American, act. 1816-1898) MOONLIT ENCAMPMENT WITH FIGURE and MORNING LIGHT AT THE WATERFALL.

Two oils on board Housed in matching black wood frames with incised decoration Signed lower right “A.F. Loemans” SIZE: 24″ x 9-1/2″ (each). Overall: 25-3/4″ x 11-1/4″ CONDITION: Both good with minor surface dirt, abrasions and minor losses 50047-1 (2,000-4,000) – Lot 1143

FRANK MONTAGUE MOORE (American, 1877-1967) “SPARKLING COVE”.

Oil on Masonite Housed in a carved and painted wood frame Signed lower right “F.M. Moore”, inscribed on verso “Sparkling Cove, 444K, F.M. Moore” SIZE: 24-1/2″ X 30″. Overall: 30-1/2″ x 35-1/2″ CONDITION: Very good, with minor varnish discoloration in sky and abrasion along top edge 49865-2 (2,000-4,000) – Lot 1144

MAURICE BRAUN (American, 1877-1941) LANDSCAPE WITH FARM.

Oil on canvas Housed in modern carved and gilt frame with wide gilt liner, with some finish losses Signed lower right “M. Braun” SIZE: 13″ x 16″. Overall: 20″ x 23″ CONDITION: Lined, craquelure and some touch-up 50065-7 (8,000-10,000) – Lot 1145

WH FORD (Mid-Late 20th century) INDIAN ENCAMPMENT BELOW THE ROCKIES.

Oil on canvas Housed in a modern gilt molded wood frame Signed lower left “W Ford” SIZE: 18″ x 40″. 21-3/4″ x 44″ (overall). CONDITION: Thin paint throughout with speckled canvas showing. 49922-62 (800-1,200) – Lot 1146

AFTER MARTIN JOHNSON HEADE (American, 1819-1904) HUMMINGBIRDS, POSSIBLY BY KEN PERENYI.

Oil on board Unframed Bears inscription lower left “M.J. Heade”, label fragment on verso “F.W. D…” for art supplier F.W. Devoe & Co. SIZE: 12-14″ x 17-3/4″ CONDITION: Good, with vertical cracking, chips to corners and abrasions. Minor touch up in upper left corner. 49702-1 (1,500-2,500) – Lot 1147

ATTRIBUTED TO GERARD THOMAS (Flemish, 1663-1720) THE SCULPTOR’S STUDIO.

Oil on canvas Unframed Unsigned, bears inscription on verso “Jan Brueghel” SIZE: 18″ x 24″ CONDITION: Canvas has been lined and restretched on new stretcher, craquelure throughout. Minor in-paint and touch up in several areas. 49968-2 (8,000-12,000) – Lot 1148

FLEMISH SCHOOL (16/17th Century) REVELERS AT THE VILLAGE FESTIVAL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned SIZE: 15″ x 24-1/4″. Overall: 20″ x 30″ CONDITION: Overall good restored condition. Paint surface has craqeulure arrested by lining. Scattered in-paint throughout with a large patch of lower right corner replaced 49991-1 (7,000-9,000) – Lot 1149

ITALIAN SCHOOL (17th Century) ST. PAUL IN CONTEMPLATION.

Oil on canvas Housed in a contemporary giltwood frame Unsigned SIZE: 56″ x 43″. Overall: 51″ x 64″ CONDITION: As expected for its age. The Canvas is lined, there is spotty discolored varnish, craquelure, and canvas buckle with restoration throughout. 49991-6 (4,000-6,000) – Lot 1150

AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (Italian, 1609-1685) “VERGINE ADDOLORATA/VIRGIN IN SORROW”.

Oil on canvas Housed in a 19th century giltwood frame with presentation plaque inscribed “Sassaferrato” Unsigned Note: Also known as “Our Lady of Sorrows”, the original painting by Sassaferrato is in the collection of the Uffizi Gallery, Florence. It has been copied often by various artists since it’s creation in the 17th century. SIZE: 20-3/4″ x 17″. Overall: 27″ x 23-1/2″ CONDITION: Good, restored condition. Canvas has been lined to arrest craquelure, horizontal line of cracking bottom third. In-paint in face and hands, varnish inconsistencies and surface dirt. 49991-5 (2,500-5,500) – Lot 1151

ITALIAN SCHOOL (18th/19th century) THE RESURRECTION OF CHRIST.

Oil on canvas Unframed. Unsigned, inscribed on stretcher illegibly Note: An engraving by French artist Pierre Drevet (1697-1739), in the Fogg Art Museum collection, has a similar composition to this one, noting the engraving was created after a painting by J. Andray. The ghostly figure sitting on the wall to the left of the canvas is replaced by an angel in the engraving. An image of the original painting by J. Andray or any other reference to it was not found. The skill of execution of the engraving far surpasses this painting, therefore, an assumption could be made that this work is likely also after the painting by J. Andray or possibly after the Drevet engraving. SIZE: 23″ x 13-1/4″ PROVENANCE: From the Marilyn Young Collection CONDITION: Good, craquelure, lined with 18th century hemp 49722-2 (2,000-3,000) – Lot 1152

CIRCLE OF LEONARDO COCCORANTE (Italian, 1680-1750) FIGURES IN A COASTAL LANDSCAPE WITH ARCH.

Oil on canvas/hemp Housed in a contemporary frame with linen liner Unsigned, bears “Wilhlem Knoch, Dortmund” label affixed to verso canvas with typed inscription “Abbatini, Guido Ubaldo, 1600-1656″ SIZE: 7″ x 14-1/2”. Overall:13″ x 20-1/2″ CONDITION: Overall good, with craquelure and reinforced canvas. Minor touch up. 49991-2 (3,000-5,000) – Lot 1153

NUVOLONE (Italian School, 17th/18th Century) THREE PUTTI BY A STREAM.

Oil on canvas Housed in a deeply recessed carved mahogany frame with gilt liner Signed lower left “Nuvolone” Note: Two 17th century Italian painters with the surname of Nuvolone include Giuseppe (1619-1703) and Carlos (1608-1665). Although these artists are known to have included putti in their works, there are no signatures to compare to. Further, each artist painted with heavy chiaroscuro and much darker foreboding atmospheric conditions. This whimsical painting was likely painted in the late Baroque period by a follower of Giuseppe. SIZE: 9-3/4″ x 7-1/2″. Overall: 17″ x 15″ CONDITION: Canvas has old lining with several patches on verso (light still comes through in places), paint surface has craquelure. Areas of in-paint and touch up throughout. 50023-12 (500-1,000) – Lot 1154

JOHANN BAPTIST LAMPI THE YOUNGER (Italian/Austrian, 1775-1837) PORTRAIT OF A GENTLEMAN.

Oil on canvas Housed in a replacement gilt frame with oval window Signed lower left “Lampi filius/pinxit 1809″ SIZE: 30″ x 24-1/2”. Overall: 34-1/2″ x 28-1/2″ PROVENANCE: George Bachelor, Miami, circa 1993; Thence by descent; A Florida Collection. Offered at Sotheby’s, 2015 CONDITION: Old lining, craquelure, with some inpainting 50045-1 (20,000-30,000) – Lot 1155

NEOPOLITAN SCHOOL (17th Century) ST. PETER IN PRAYER.

Oil on canvas Housed in a contemporary giltwood frame Unsigned Note: This is likely a fragment from a larger painting SIZE: 25″ x 21″. Overall: 30-1/4″ x 26-1/2″ CONDITION: Overall good condition for it’s age. Canvas is hemp and not lined, minor rippling of surface, paint surface is stable with no loss, however, minor cracquelure 49991-4 (800-1,200) – Lot 1156

MANNER OF CLAUDE LE LORRAIN (French, 1600-1682) FIGURES IN A MEDITERRANEAN PORT.

Oil on canvas Unframed Unsigned SIZE: 27″ x 43″ CONDITION: Good, restored condition. Very good quality with an extremely faint halo of a signature barely visible lower right in dark pigment along bottom “Lo…n.” Possible the signature was lost during previous restoration. Old 17/18th century canvas laid down on waxed canvas and re-stretched. Amount of restoration inconclusive, as both old and new restoration visible under blacklight. Discolored yellow varnish indicates not recently restored. 49968-1 (2,000-4,000) – Lot 1157

Revised: 1/14/2016

Please Note: Important Information. We have further information on the painting and subject. Circa 1796-1803. The boy, identified on the frame plaque as Master Honeywood, could be William Philip Honywood (1790-1831), son of soldier and Whig politician, William Honywood (1759-1818), who, like his son after him, served in parliament. They boy depicted wears a skeleton suit, high waisted trousers that button to a shirt, that was fashionable during the Regency period of 1790-1820. Boys wore these suits from the time of 6 years of age until 12, which corresponds to the age William Philip Honywood would have been when painted. Beechey was known to have painted members of the extended Honywood family, including “Captain Honywood” and “Filmer Honywood”. Other English artists known to have painted members of the Honywood family include Sir Joshua Reynolds and John Northcote.

SIR WILLIAM BEECHEY (British, 1753-1839) “PORTRAIT OF MASTER HONEYWOOD”.

Oil on canvas Housed in a period carved giltwood frame with presentation plaque Unsigned Note: Sir William Beechey was an English artist best known for portraits of the royal family and many famous and fashionable people of his time. He began his studies at the Royal Academy in 1772. On account of his success as a portraitist and the royal commissions he received, Beechey was granted the honour of knighthood and elected a full member of the Royal Academy in 1793. In the early part of his painting life Beechey specialised in small-scale full-length portraits, such as this young boy holding a bow and arrow in a landscape. A portrait of Master Honeywood’s father, Captain Honeywood, also painted by Beechey, was sold in 1900 at the Fishcof-Blakeslee Collection auction held in New York. SIZE: 24″ x 20″. Overall: 30″ x 25″ PROVENANCE: A Massachusetts Collection CONDITION: Minor craquelure, lined, areas of restoration 49872-3 (3,000-5,000) – Lot 1158

MANNER OF ROSA DE TIVOLI (German, 1655-1706) ITALIAN LANDSCAPE WITH A SHEPHERD PLAYING FLUTE NEAR A WATERFALL.

Oil on canvas Housed in a contemporary giltwood frame Unsigned Note: Rosa di Tivoli (The Rose of Tivoli) was the nickname given to the German Baroque painter Philipp Peter Roos after he became active painting in and around Tivoli and Rome about 1677 SIZE: 23″ x 32-1/2″. Overall: 28″ x 37-1/2″ CONDITION: Good, restored condition. Canvas has been lined, paint surface is dry and brittle, old restoration (in-paint) in several areas. 49991-7 (2,000-3,000) – Lot 1159

BOLOGNESE SCHOOL (17th Century) MERCURY, ARGUS AND IO.

Oil on canvas/hemp Housed in a contemporary giltwood frame Unsigned Note: The story of Mercury and Argus is found in Ovid’s Metamorphoses and is part of the longer tale of Jupiter and Io, the beautiful young woman whom Jupiter seduced and then transformed into a white heifer in order to hide her from his jealous wife, Juno. When Juno discovered the deception, he sent Argus, her hundred-eyed watchman, to guard Io and prevent her from returning to her family. Jupiter then dispatched Mercury to kill Argus in order to free Io. SIZE: 54″ x 46″. Overall: 55″ x 63″ CONDITION: As expected for age. Canvas has been lined, losses along bottom, discolored varnish, craquelure and restoration throughout. 49991-3 (5,000-7,000) – Lot 1159A

PAUL CEZANNE (French, 1839-1906) “THE LARGE BATHERS”.

Lithograph in colors Housed in a giltwood frame Signed lower right in plate “P. Cezanne” Note: Published by Ambrose Vollard, Paris, c. 1896-98 (Venturi 1157), in an edition of 100. A wonderful history on this print can be found at www.tate.org.uk SIZE: Plate size: 16-1/4″ x 20-1/8″. Sheet size: 19″ x 24-1/2″. Overall: 26″ x 28-3/4″ PROVENANCE: Prominent Newport, Rhode Island Collection CONDITION: Very good, printed on MBM paper with watermark, minor fading, mat burn, small tear upper left edge of sheet 49872-4 (8,000-12,000) – Lot 1160

ATTRIBUTED TO EDVARD MUNCH (Norwegian, 1863-1944) “SOSTRENE”.

Bronze mounted to slate with plywood support Presented in a teak wood pedestal Signed and titled along the slate edge “Sostrene” and “E Munch” NOTE: The subject of this bronze work is thought to be a depiction of the Meissner sisters. The sisters were sitters for several of Munch’s prints and paintings, including; a color print titled “Sostrene Meissner 1907 – 1908” also an oil on canvas in the Bergen Art Museum circa 1907, an oil on canvas in the Munch Museum, Oslo, Norway, an oil on canvas of Olga Meissner, circa 1907 in the Hiroshima Museum of Art in Japan, and an oil on canvas and crayon titled “Weeping woman (Olga Meissner)” in the Munch Museum, Oslo, Norway. Each of these depict the sisters circa 1907 where it appears the depiction of the sisters in this bronze are of an older aged sisters. Very little is known about Edvard Munch’s sculpture, especially his bronze work. There has been very little research and academic study as little is known. Upon Munch’s death the contents of his studio and the collection of his works were given to the city of Oslo, Norway, where a Museum was founded to house the collection. Included were 100 paintings, 1500 watercolors and drawings, 18,000 prints and 6 sculptures, along with 92 sketch books and letters. History of the discovery: This sculpture was purchased at a small estate auction in New York. It purportedly had come from a New York estate. The bronze on its slate base was permanently affixed to the wood pedestal that currently holds it. The new owner decided to separate it from its base to build a more appropriate presentation, upon removing the bronze from its base where it had been epoxied strongly to the pedestal for what is thought to be at least 50 years. Upon separating the pieces the slate was found to have the signature and title etched on the side where it had been hidden from view ever since it had been glued into the pedestal. The new owner realized the potential significance of the title and signature, it is being offered with this history and attribution. SIZE: Bronze only 12-1/2″ h. Slate 3/4″ h x 24″ w x 11-1/2″ d. Pedestal 33-3/4″ h x 25-3/4″ w x 13-1/2″ d. Overall height 47″. CONDITION: Slate has been repaired having a plywood supporting reinforcement to bottom. Pedestal has cracks and some separation. Bronzes are pitted with casting flaws in the making with some rubs, having an all over spot verdigris patina. Bronzes have not been examined off slate. 49923-1 (30,000-60,000) – Lot 1161

VASILY VASILEVICH VERESHCHAGIN (Russian, 1842-1904) TOMB ENTRANCE.

Oil on canvas Unframed Unsigned, stamped on the reverse “VERESTCHAGIN COLLECTION/ASA/November 17th 1891” Note: Vereshchagin, son of a landowner father of noble birth, was a Russian artist best known for battle scenes. He began his art studies at the St. Petersburg Academy and later studied in Paris under Jean-Léon Gérôme. A journey in Syria and Palestine in 1884 inspired a series of Bible Land paintings that were subsequently sold by the American Art Galleries in New York in 1891. A painting listed as No. 32 “One of the Old Jewish Tombs near Jerusalem” is not illustrated, however, the description corresponds with this painting. (American Art Galleries, Vassili Verestchagin Collection Auction Catalogue, pg. 31). SIZE: 10-1/2″ x 13-1/2″ PROVENANCE: American Art Galleries, New York, Vassili Verestchagin Collection sale, November 17-18, 1891 CONDITION: Very good with discolored varnish 49868-1 (8,000-12,000) – Lot 1162

ATTRIBUTED TO SERGEI SOUDEIKINE (Russian/American, 1883-1946) SOLDIERS APPROACHING A MONK WATCHING OVER A FIGURE RECLINING UNDER A TREE.

Oil on board Housed under glass in a giltwood frame Signed lower left “Soudeikine” SIZE: 12″ x 9-1/8″. Overall: 18-1/2″ x 15-1/2″ CONDITION: Very good 50011-1 (2,000-4,000) – Lot 1163

ATTRIBUTED TO EVERT PIETERS (Netherlands, 1856-1932) FAMILY AT THE GATE.

Oil on canvas Housed in a wide gilt wood frame with gilt liner Unsigned SIZE: 36″ x 32″. Overall: 50″ x 46″ CONDITION: Three stabilizing patches on verso, 1-1/2″ tear in center, in need of some restoration 50064-5 (2,000-3,000) – Lot 1164

THOMAS EDWIN MOSTYN (American/United Kingdom, 1864-1930) “A MEDITERRANEAN GARDEN”.

Oil on canvas Housed in an antique carved wood frame with oval window Signed lower right “Schillay & Rehs Inc. New York” label on verso SIZE: Canvas: 28″ x 36″. Oval: 26″ x 32″ (sight); Overall: 35-1/2″ x 41-1/2″ CONDITION: Three chips in sky, craquelure, some inpainting 50088-1 (3,000-5,000) – Lot 1165

WILLIAM WATSON (Scottish, 1831-1921) HIGHLAND CATTLE AT RIVERS EDGE.

Oil on canvas Housed in a painted carved wood frame Signed and dated lower right “W. Watson 1909″ SIZE: 24″ x 36″. Overall: 30-1/2 ” x 43″ PROVENANCE: A Massachusetts Collection CONDITION: Very good with discolored varnish, surface grime and lined 49872-1 (3,000-5,000) – Lot 1166

Revised: 1/14/2016

Please Note: There is a small old tear at the very edge of the liner which was missed in cataloging.

PEDER MORK MONSTED (European, 1859-1941) THREE DEER IN WOODED & STREAM LANDSCAPE.

Oil on canvas Housed in an antique gesso decorated copper gilt frame Signed lower right “P Monstead 1900″ SIZE: 11-3/4″ x 17-3/4”. Overall: 23-1/4″ x 30″ CONDITION: Very good 50068-1 (10,000-15,000) – Lot 1167

VICTOR (WIKTOR) KORECKI (Russian, 1890-1980) SUMMER LANDSCAPE WITH MARSH, HAY & FLOWERS.

Oil on canvas Housed in its original gesso decorated gilt frame Signed lower right “Wiktor Korecki” Signed on verso of canvas “W Korecki” SIZE: 20″ x 24″. Overall: 27-1/2″ x 31-1/4″ CONDITION: Very good 50068-15 (1,500-2,500) – Lot 1168

FRIEDRICH KOKO-MICOLETSKY (Czech, 1887-1981) ALPINE SUNSET GLOW IN WINTER.

Oil on canvas Housed in a contemporary ebonized wood frame Signed lower right “F.A. Koko-Micoletsky” Note: A biographical note about the artist accompanies this lot. SIZE: 24″ x 26″. Overall: 29″ x 20-1/2″ PROVENANCE: The Stacy-Marks Art Gallery, Sussex, 1940 CONDITION: Very good, with minor loss upper right in mountainside 50004-3 (1,000-1,500) – Lot 1169

ANDREAS SCHELFHOUT (Netherlands, 1787-1870) ICE FISHING.

Oil on panel Housed in a period giltwood frame Signature and date carved into panel on reverse “A.SCHELFHOUT 1825” Inscription carved into panel: “Offer Aan Het Vaderland” SIZE: 11″ X 14-3/4″. Overall: 19″ x 23″ CONDITION: Very good, paint stable, restoration in sky 50023-3 (3,000-5,000) – Lot 1170

UNSIGNED (Continental School, 19th century) FISHERMAN’S CATCH.

Oil on canvas Housed in a 19th century gilt molded wood frame SIZE: 39-3/4″ x 66″. Overall: 43″ x 72-1/2″ CONDITION: Overall surface grime both sides, old yellow varnish, cracking lower left, several small holes, canvas in original condition (not lined) 49954-2 (1,200-1,800) – Lot 1171

ALFRED WEBER (Swiss, 1859-1936) “GREETING THE CARDINAL”.

Watercolor on paper Housed in a carved giltwood frame Signed lower right “A. Weber” SIZE: Sight size: 15″ x 20″. Overall: 23-3/4″ x 18-1/2″ PROVENANCE: Prominent Newport, Rhode Island Collection CONDITION: Very good, not examined out of frame 49872-5 (600-900) – Lot 1172

LUDWIG BLUME-SEIBERT (German/American, 1853-1929) THE VISITATION.

Oil on canvas Housed in a modern gilt wood frame Signed and dated indistinctly lower right “L. BLUME 18..” SIZE: 34″ x 43″. Overall: 44″ x 53″ CONDITION: Craquelure has been arrested by lining and new varnish, old and new restoration predominately along edges, with scattered retouch throughout 49087-5 (1,500-2,000) – Lot 1173

ADOLF MANFRED TRAUTSCHOLD (German, b. 1854) L’EMBARRAS DU CHOIX”.

Mixed Media on canvas Housed in a period giltwood frame Signed and dated lower left “Manfred Trautschold.1880”, bears label affixed to verso canvas inscribed “L’Embarras du choix, Manfred Trautschold, 18 S. Mark’s Crescent, Regard Park, London” SIZE: 12″ x 20″. Overall: 20-1/2″ x 28-1/4″ CONDITION: Good, with minor area of in-paint upper left corner. Craquelure in concentric circle, yellowed varnish. Frame has minor losses to molding. 49905-4 (2,000-3,000) – Lot 1174

MANNER OF ADOLPH SCHREYER (German, 1828-1899) ARABIAN HORSEMAN.

Oil on canvas Housed in a molded giltwood frame with presentation plaque Unsigned SIZE: 20″ x 16″. Overall: 23″ x 19″ CONDITION: Good, with several small areas of retouch and corresponding patches on verso (canvas not lined), minor craquelure 49888-11 (500-1,000) – Lot 1175

BARON ERNST VON MAYDELL (German, b. 1886) “AUTUMN!”.

Watercolor Housed in a modern silver painted wood frame Signed lower right “E.Maydell” SIZE: Sight size: 16″ x 13-1/2″. Overall: 24-3/4″ x 22″ CONDITION: Good, with mat burn along edges, toning of paper, not examined out of frame 49699-1 (800-1,200) – Lot 1176

DENYS GEORGE WELLS (English, 1881-1973) THREE STILL LIFES.

Including: 1) VENUS AND ATTENDANTS Oil on canvas housed in carved and paint decorated frame, under glass Signed lower right “Denys G. Wells” and titled on verso on a Royal Society of British Artists label affixed to frame. 2) STILL LIFE WITH STATUES Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “Denys G. Wells. 31”, inscribed on label affixed to stretcher “…Deny G. Wells, 45 A. Kingston Rd, New Malden, Sussex” 3) MADAME DU BARRY Oil on Masonite Housed in a carved and paint decorated wood frame Signed and dated lower right “Denys G. Wells.69”, title redacted on verso and inscribed “Denys Wells VPRBA” SIZE: 1) 16″ x 20″. 2) 20″ x 24″ 3) 21-1/4″ x 25-3/4″. Overall size to: 26″ x 30″ CONDITION: 1) Good 2) Good, with minor surface grime and staining to verso canvas 3) Good 50004-4 (800-1,200) – Lot 1177

WILLIAM OLIVER THE YOUNGER (British, 1823-1901) BUST PORTRAIT OF A WOMAN WITH A ROSE.

Oil on canvas Housed in what appears to be its original gesso decorated gilt frame Signed lower left “W Oliver 1880″ Cooling Galleries LTD, London label on verso SIZE: 12″ x 9”. Overall: 17-1/2″ x 14-1/2″ CONDITION: Light craquelure in hair with minor inpainting, otherwise very good 50068-12 (2,000-3,000) – Lot 1178

HENRY J YEEND KING (United Kingdom, 1855-1924) “GYPSY CART ON A COUNTRY LANE”.

Oil on wood panel with cross-hatched wood cradle backing Housed in a fine gilt gesso decorated frame Signed lower right “Yeend King” “Schillay & Rehs, Inc New York” label on verso SIZE: 12″ x 16-1/2″. Overall: 17″ x 21-1/2″ CONDITION: Some touch up in sky, otherwise very good 50088-2 (1,500-2,500) – Lot 1179

GEZA VASTAGH (Hungarian, 1866-1919) LION AND LIONESS.

Oil on canvas Housed in its original gilt wood frame with major losses Unsigned SIZE: 10″ x 17″. Overall: 17-1/2″ x 24-1/2″ CONDITION: Surface dirt, some scrapes and flake losses, otherwise good 50064-4 (2,500-3,500) – Lot 1180

LOUIS VALTAT (French, 1869-1952) “DELASSEMENT”, 1929.

Oil on canvas Housed in a period carved gitlwood frame with linen liner Signed lower right “Louis Valtat”, inscribed on verso stretcher “F326, E113-9, X30” Literature: Valtat, Jean. “Louis Valtat, Catalgoue de L’oeuvre Peint, 1869-1952″, Tome I, Edicions Ides et Calendes Neuchatel, illustrated plate #2057 Note: Photocopies of page from catalogue raisonne included with this lot. SIZE: 13-3/4″ x 10-3/4”. Overall: 20-3/4″ x 18″ CONDITION: Very good overall condition. Paint stable, lined. 49919-2 (5,000-10,000) – Lot 1181

ATTRIBUTED TO THEODORE CHASSERIAU (French, 1819-1856) “TRIUMPH OF YOUTH”.

Oil on paper Housed in a molded giltwood frame Inscribed on the reverse “La vielle femme de la campagne/La triomphe de la jeunesse” NOTE: Mr. Jean-Baptiste Nouvon of Les Amis de Theodore Chasseriau in France has approved the attribution of this painting based on photographs. SIZE: 14″ x 11″. Overall: 20″ x 16″ CONDITION: Very good 49747-1 (2,000-4,000) – Lot 1182

VICTOR LAINE (French, 1830 – 1911) “TWO BOYS PLAYING CARDS”.

Oil on canvas Housed in an excellent carved wood frame with scrolled leaf decoration signed lower left “Victor Laine” SIZE: 32″ x 39″. Overall 39-1/2″ x 47″ CONDITION: Lined, restored with some inpainting 50091-1 (2,000-4,000) – Lot 1183

GEORGE DU MAURIER (French, 1834-1896) FOUR ORIGINAL ILLUSTRATIONS.

Ink on paper Unframed Each signed and dated with annotations. Including 1) “Mr. Punch in Paris”, c. 1889. 2) “Feline Amenities”, c. 1889. 3) “The Child of the Period”, c. 1887. 4) “Taking the Law in Ones Own Hands,” not dated SIZE: 1) 10″ x 12″ 2) 8″ x 10″ 3) 8-1/2″ x 6″ 4) 8-1/2″ x 7-3/4″ CONDITION: 1) Water stains along edges 2) Good 3) Good 4) Front mat is attached (with losses to mat), drawing good 49743-1 (1,200-1,500) – Lot 1184

ALFRED E. L. STEVENS (French, 1823-1906) A LA PLAGE.

Oil on canvas Housed in a carved giltwood frame with presentation plaque Signed lower right “A Stevens” SIZE: 13-1/4″ x 18″. Overall 17-3/4″ x 23″ CONDITION: Overall good condition, in-paint in sky and touch up in several spots 49919-1 (3,000-5,000) – Lot 1185

EMILE BLONDEL (French, 1893 – 1970) “LA MOISSON”.

Oil on canvas Housed in a contemporary frame signed lower right “E Blondel”, titled in pencil on the stretcher SIZE: 18″ x 21-1/2″. Overall: 25-1/2″ x 29″ CONDITION: Very good 49911-1 (3,000-5,000) – Lot 1186

FRANCOIS RIVOIRE (French, 1842-1919) “FLOWERS”.

Watercolor on paper Unframed Signed lower right “Rivoire”, also having a David Bendann’s Baltimore label and title label attached to verso from previous framing SIZE: 20″ x 26-3/4″ CONDITION: Left top corner has section that was detached and glued, not restored on front, otherwise very good 16397-154 (800-1,200) – Lot 1187

FRED MONEY (French, 1882-1956) PARK VIEW WITH FIGURES.

Oil on canvas Housed in a modern carved giltwood frame Signed lower left “Fred Money” SIZE: 22″ x 18″. Overall: 29-1/2″ x 25-1/2″ CONDITION: Lined, craquelure along bottom edge 49911-2 (3,000-5,000) – Lot 1188

Revised: 2/2/2016

Please Note: The title of this painting has changed to PAINTED IN THE MANNER OF PAUL EMILE PISSARO (French 1884-1972) TWO CHILDREN HARVESTING THE TREE WITH HAYSTACKS BESIDE. The estimate should be $800-$1,200.

PAUL EMILE PISSARO (French, 1884-1972) TWO CHILDREN HARVESTING THE TREE WITH HAYSTACKS BESIDE.

Oil on wood panel Housed in a partial gilt wood frame which appears to be original Signed lower left “Paul Emile Pissaro” Also a pencil title and date “1941” on verso SIZE: 13-1/2″ x 19-1/4″. Overall: 18″ x 24″ CONDITION: Very good 50068-6 (3,000-5,000) – Lot 1189

PIERRE JEANNIOT (French, 1848-1934) LADIES ARRANGING FLOWERS AROUND THE TABLE.

Oil on canvas Housed in a fine French style pierced fancy frame with linen and gold liner Signed lower left “Jeannoit 1901″ SIZE: 21-1/2″ h x 32″ w. Overall 31″ h x 42” w. CONDITION: Very good. 49727-2 (3,000-5,000) – Lot 1190

PAUL EMMANUEL PERAIRE (French, 1829-1893) WINTER STROLL ALONG THE SHORE UNDER MOONLIGHT.

Oil on canvas Housed in a replacement partial gilt wood frame Signed lower left “P. Peraire” SIZE: 15″ x 24″. Overall: 19-1/2″ x 28-1/2″ CONDITION: Very good with some inpainting and small restoration in sky 50068-7 (2,000-3,000) – Lot 1191

LUIS GRANER Y ARRUFI (Spanish/American, 1863-1929) OCEAN VIEW AT SUNSET WITH EUCALYPTUS TREE.

Oil on canvas Housed in a carved giltwood frame Signed and dated lower left “L. Graner 1924.” SIZE: 20″ x 30″. Overall: 24″ x 34″ CONDITION: Good, unrestored condition, with vertical craquelure 50048-1 (2,000-4,000) – Lot 1192

LUIS GRANER Y ARRUFI (Spanish/American, 1863-1929) MEADOW AT SUNSET.

Oil on canvas Housed in a carved giltwood frame Signed and dated lower left “L. Graner 1923.” SIZE: 28″ x 50″. Overall: 33-1/2″ x 55-3/4″ CONDITION: Good, unrestored condition with discolored varnish and minor surface abrasions along edges 50048-2 (1,000-2,000) – Lot 1193

ATTRIBUTED TO EDUARDO LEON GARRIDO (Spain/France, 1856 – 1949) PAIR OF GYPSY PORTRAITS.

Oil on canvas Housed in similar painted wood frames with gold bead decoration, one having a Alfredo Alborch, Sevilla to reverse No visible signature SIZE: 23″ x 16-1/2″ and 21-1/2″ x 16-3/4″ (actual). 32″ x 26″ and 30″ x 25″ (overall). CONDITION: Both un-restored with surface dirt and craquelure, 1 lined, both having some in-painting. 50064-1 (2,000-3,000) – Lot 1194

PAWEL STELLER (Polish, 1895-1974) EIGHT WORKS ON PAPER.

Including: 1) “Wisla” Watercolor Unframed Signed, dated and inscribed lower right “P.Steller / Wisla – 1961”, stamped illegibly with pencil notation on reverse. 2) One framed and four unframed woodcuts including: “Fishing port in Sopot” (1956), framed; “From Jablonowskie Mountain” (1938); “Gaździnka z Cieszyńskiego” (1936); “Senior shepherd (Baca) from Beskid Slaski” (1936); Gristmill (1958); Each signed and dated lower right and titled lower left; stamped “Preozydium Wojewodskiej Rady Harcdowel /Ladytkow/ Katowicacb” on verso; 3) Two unframed woodcuts in color: “Beskidy koło Żywca” (1951); and Houses by the Vistula River (1954); signed and dated lower right, titled lower left SIZE: 1) 11″ x 13-1/2″. 2) sizes to 13-1/2″ x 9-1/2″. 3) 8-3/4″ x 11″ PROVENANCE: Acquired directly from the artist CONDITION: 1) Good, taped to front mat, slightly faded 2) Minor discoloration on “Fishing port in Sopot” which is the only one that is framed 3) Good 49914-1 (1,200-1,500) – Lot 1195

ALOIS ARNEGGER (Austrian, 1879 – 1963) MEDITERRANEAN COASTAL VIEW.

Oil on canvas Housed in original carved gilt wood frame Signed lower right “A. Arnegger” SIZE: 22-3/4″ x 31″. Overall: 28-1/2″ x 36-1/2″ CONDITION: Very good 50037-1 (1,500-2,500) – Lot 1196

FERDINANDO SILVANI (Italian, 1823-1899) WOMEN AT THE PRODUCE MARKET.

Oil on board Housed in a fine partial gilt & flower incised decorated frame Signed lower right “F Silvani” SIZE: 11″ x 18″. Overall: 17″ x 24″ CONDITION: Some inpainting, very good 50068-14 (800-1,200) – Lot 1197

AUGUSTO CORELLI (Italian, 1853-1910) VIEW OF SORRENTO, ITALY.

Gouache on paper Housed in a black frame with gilt highlight under glass Signed lower right “Corelli” and inscribed lower left “Sorrento” SIZE: 10-3/4″ x 16″. Overall: 15-1/2″ x 21″ CONDITION: Very good condition, with minor discoloration along right edge and small area in water left edge 50021-3 (700-900) – Lot 1198

ATTRIBUTED TO CARL OLOF LARSSON (Swedish, 1853-1919) QUEEN OF HEARTS – ILLUSTRATION.

Watercolor Unframed Unsigned but possibly an artist monogram lower left SIZE: 19-1/4″ x 14-1/4″ CONDITION: Good, some light dirt and stains 50064-7 (2,000-3,000) – Lot 1199

JOHN JAMES AUDUBON (American, 1785-1851) “GEOMYS DOUGLASSII/COLUMBIA POUCHED RAT”.

Hand colored lithograph Housed in a wood frame with green mat under glass Plate No. 21/CV, from “The Viviparous Quadrupeds of North America”, New York: J.J. Audubon and the Revd. John Bachman, 1847. Inscribed lower left “Drawn from Nature by J.W. Audubon” and lower right “Lith, Printed & Col. by J.T. Bowen, Philad. 1846″ SIZE: Sight: 19-1/2″ x 25-3/4”. Overall: 27-3/4″ x 33-1/2″ CONDITION: The print is in good condition with no signs of foxmarks or tears. Small area of discoloration lower right in margin. The paper is sealed between a layer of cardboard and the front mat, making it impossible to examine out of frame, therefore, the watermark is not visible. 49892-2 (1,000-1,500) – Lot 1200

Revised: 1/11/2016

Please Note: There is a hole in the horse painting discovered during set up.

SCOTT LEIGHTON (American, 1849-1898) SIX OIL PAINTINGS.

Six oils on canvas Housed in vintage giltwood frames All signed “Scott Leighton” Including: 1) Portrait of a Horse, signed lower right; 2) Barbizon style Landscape, signed lower left; 3) Two Horses in Pasture, signed lower right; 4) Landscape with Meadow, unsigned; 5) Chestnut Horse in Wooded Landscape, signed lower right; 6) White Mare and Foal, signed lower left; SIZE: 1) 8-1/4″ x 10″. 2) 7″ x 9″. 3) 10″ x 12″. 4) 9-1/4″ x 14″. 5) 7″ x 9-1/2″. 6) 7″ x 11″. CONDITION: 1) Yellowed varnish, thin paint, pinhole right edge. 2) Minor canvas buckle lower left, small losses. 3) Surface dirt, yellowed varnish, thin paint; 4) Surface dirt and scratches 5) Yellowed varnish and frame abrasion, thin paint 6) Canvas laid down on Masonite, with minor buckle, varnish discoloration and thin paint 49932-5 (1,000-2,000) – Lot 1201

AFTER GUILLAUME COUSTOU (French, 1677-1746) A PAIR OF FRENCH BRONZE MARLY HORSES.

Bronze 19th/20th century Unsigned SIZE: 19-1/2″ h x 16″ w x 7″ d PROVENANCE: A private Maine/Texas collection. CONDITION: Dark patina with losses to finish through rubs and scratches, 1 rein missing attachment screw, good 50012-4 (2,000-4,000) – Lot 1202

AUSTRIAN (19TH/20TH CENTURY) THIRTEEN SMALL ANIMAL BRONZES.

Polychrome bronze Lot includes; 4″ parrot signed “Geschützt”, two dogs, rabbit, 7 cats, rabbit and another parrot PROVENANCE: A private Maine/Texas collection. CONDITION: Generally very good, some minor color loss 50012-19 (1,000-2,000) – Lot 1203

TWO BENIN STYLE CIRE PURDUE BRONZE SCULPTURES.

1) 20th century, Africa. Large figure of a warrior with bow and blade, wearing a tooth necklace and appropriate attire standing atop carved plinth. 2) Circa 20th century. Hollow cast bronze head of a Benin Oni (king), figure has royal headdress and scarified face with perforations around mouth for the insertion of human hair to simulate tribal facial hair. SIZE: 1) 20″ h. 2) 19″ h. PROVENANCE: From a Maine collector. CONDITION: 1) Very good. 2) Very good. 49822-6, 49822-7, (100-200) – Lot 1204

AFTER DEMETRE CHIPARUS (Romanian, 1886-1947) THE DANCER.

Bronze Signed on base “D H Chiparus” Mounted to a slate base SIZE: 17″ h CONDITION: Very good 50023-7 (2,000-3,000) – Lot 1205

ANTOINE BOFILL (Spanish, 1875-After 1925) BOY WITH BIRD ON ARM.

Bronze Signed on base “Bofill” SIZE: 15-1/2″ h CONDITION: Nice brown bronze finish, the metal rod in his hand is bent, otherwise very good 49824-1 (400-800) – Lot 1206

MAX FINKELSTEIN (American, 1915-) TWO WORKS: COMPLEX #3 AND UNTITLED SQUARES.

Both aluminum sculptures Unsigned SIZE: 20-1/2″ x 9″ and 3″ x 3″ PROVENANCE: Acquired from the artist in California by the consignor’s family CONDITION: Very good 49751-1 (100-300) – Lot 1207

WINOLD REISS (American, 1886-1953) “THE MONTHS” (TWELVE WORKS).

Woodcuts on paper Unframed in lucite box Included is the frontice piece “The Months 12 Woodcuts by Winold Reiss Albert and Charles Boni New York, 1923″ SIZE: 13-1/4″ x 10” PROVENANCE: From the son of the artist, Tjark Reiss to Anna Roosevelt Halstead CONDITION: Very good 49988-1 (3,000-5,000) – Lot 1207A

Revised: 1/11/2016

Please Note: Estimate should be $2,000 to $4,000.

THOMAS SULLY (American, 1783-1872) “PORTRAIT OF HELEN SULLIVAN”.

Oil on canvas laid down on panel Housed in a period giltwood frame Monogrammed and dated lower right “TS 1837″ bears typed label on verso identifying the sitter and date SIZE: 11-3/4″ x 9-3/4″. Overall 16-1/2″ x 15″ CONDITION: Discolored varnish, tack holes visible along bottom edge, canvas laid down on wood panel, old restoration covered by masking varnish 49823-1 (2,000-4,000) – Lot 1208

WILLIAM MORRIS HUNT (American, 1824-1879) MINIATURE PORTRAIT OF GENTLEMAN WITH TOP HAT.

Watercolor on paper Housed in modern gilt frame Signed in pencil lower left “William M. Hunt 1851 N.H.” SIZE: 10-3/4″ x 7″. Overall: 15-1/2″ x 11-1/2″ CONDITION: Age toning, generally good 49933-7 (600-900) – Lot 1209

AMERICAN SCHOOL (19th century) WOMAN AT THE WINDOW.

Oil on canvas laid down on cardboard Housed in a carved and gilt decorated wood frame Signed and dated indistinctly lower left, bears label fragment inscribed “Feist” on verso of stretcher SIZE: 28″ x 22-1/2″. Overall: 35-1/2″ x 30″ CONDITION: Good with shrinkage cracks and craquelure 49843-5 (1,000-2,000) – Lot 1210

GEORGE LOFTUS NOYES (American, 1864-1954) SPRING WILLOW.

Oil on board Housed in a gilt modern wood frame with a Hackman Frame label Signed lower right “G L Noyes” SIZE: 8″ x 10″. Overall: 13″ x 15″ CONDITION: Very good 50035-3 (2,000-4,000) – Lot 1211

FRANCESCO SPICUZZA (American, 1883-1962) LANDSCAPE WITH POND AND CYPRESS TREES.

Oil on board Housed in a carved giltwood frame Signed lower left “Spicuzza” SIZE: 24″ x 30″. Overall: 27″ x 33″ CONDITION: Very good 49814-2 (1,000-1,500) – Lot 1212

CAMILLO ADRIANI (American, early 20th century) “IN THE OZARKS”.

Oil on canvas Housed in a carved giltwood frame Signed lower left “C. Adriani”, titled in pencil on stretcher “In the Ozarks” SIZE: 30″ x 24″. Overall: 34″ x 28″ CONDITION: Very good condition, with small patch on verso. 50023-4 (800-1,200) – Lot 1213

ROBERT M DECKER (American, 1847-1921) AUTUMN IN THE ADIRONDACKS.

Oil on canvas Housed in a modern gilt molded wood frame Signed lower left “R M Decker” SIZE: 10″ x 7″. Overall: 14-3/4″ x 11-1/2″ CONDITION: Some surface dirt, otherwise very good 49933-5 (600-800) – Lot 1214

ERIC TOBIN (American, b. 1958) “THE LAST DAYS OF FALL”.

Oil on canvas Housed in a silver painted wood frame Signed lower left “Eric Tobin”, inscribed “Bakersfield, Vermont” on the stretcher SIZE: 16″ x 20″. Overall: 20 1/2″ x 24 1/2″ CONDITION: Excellent 49972-21 (800-1,200) – Lot 1215

ROBERT ATWOOD (American, 1892-1970) ALONG A NEW HOPE, PENNSYLVANIA STREET.

Oil on canvas Housed in its original carved molded wood frame Signed lower left “Robert Atwood 45” On verso with a stamp “M N M Art Gallery Open Door Exhibition April 1951″ SIZE: 25″ x 30”. Overall: 29-1/2″ x 34-1/2″ CONDITION: Very good 50089-3 (800-1,200) – Lot 1216

AMERICAN SCHOOL (19th Century) TONALIST LANDSCAPE.

Oil on board Housed in a contemporary giltwood frame Initialled lower left “JH”, “JLF” or “JHF” SIZE: 11″ x 13″. 17-3/4″ 20″ CONDITION: Overall very good condition, with minor touch up along edges. The verso board has water stains 50023-9 (1,000-1,500) – Lot 1217

GEORGE WASSON (American, 1855-1926) WOODED LANDSCAPE IN LATE AUTUMN.

Oil on canvas Housed in an arts and crafts period carved giltwood frame with presentation plaque Signed and dated lower left “Georg S. Wasson. 1879”, bears owners label affixed to stretcher inscribed “Mrs. A.W. Lamprell, Kittery Point, Maine” and label fragment affixed to frame inscribed “George Wa..on, Loaned by..Char..Hallowell” Note: A dictionary & stand owned by the artist will be included in Session 2 of our current auction SIZE: 16-1/4″ x 14-1/4″. 22-1/2″ x 20-1/2″ PROVENANCE: Available upon request. CONDITION: Very good condition, paint stable, only minor touch up. Frame has been cut and reassembled to fit painting, minor gilt loss and seam separation. 49890-6 (1,200-1,800) – Lot 1218

GEORGE AMES ALDRICH (American, 1872-1941) SPRING LANDSCAPE.

Oil on panel Housed in a gold painted wood frame Signed lower right “G. Ames Aldrich” SIZE: 20″ x 24″. Overall: 22″ x 26″ CONDITION: Good with surface scratches, frame has losses and overpaint 49814-3 (1,500-2,000) – Lot 1219

WILLIAM MEADE PRINCE (American, 1893-1951) ILLUSTRATION OF AN ELDERLY COUPLE BEING LED AWAY FROM A WINGED SPORTSCAR.

Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “Wm.Meade/Prince/1926″ SIZE: 18″ x 38-1/4”. Overall: 21-3/4″ x 41-1/2″ PROVENANCE: James D. Julia, Jan. 26, 2005, Lot 103 CONDITION: Good restored condition. The canvas is lined with restoration throughout. 49892-3 (2,000-3,000) – Lot 1220

CHARLES E. CHAMBERS (American, 1883-1941) HOLIDAY GIFTS.

Oil on canvas Unframed Signed lower right “C.E. Chambers”, canvas stamped on verso “Victor Claessens Waereghem Belgiout” SIZE: 32″ x 25″ PROVENANCE: Acquired from the artist’s estate CONDITION: Good, restored condition. Not lined, large vertical scratch restored, minor scattered touch up. 50023-18 (3,000-5,000) – Lot 1221

ALLAN LEHTIS (American, 1932-2006) THREE LANDSCAPES.

Three acrylics on canvas Housed in black and gold frames Each signed lower right “ALLAN LEHTIS” Including 1) Cranes Flying Over Water 2) Arctic Landscape 3) Maine Coast Note: Maine artist, Allan Lehtis was born in 1932 in Estonia and immigrated to the U.S. shortly before the end of World War II. He studied art at the American Academy of Art in Chicago and in 1956-57, while in the Navy served as an artist and photographer to the Commander of the Atlantic Fleet. In 1972, Lehtis moved to Maine and opened Windswept Art Studio in Albion. In a 1976 interview for an exhibit at the Thomas College Art Gallery, Lehtis states “Part of an artist’s job is to get people to look at their world with a fresh eye and new point of view.”(1) In 1981, Lehtis received a commission from the Maine Commission on the Arts & Humanities to create a mural for the Poland Community School in Poland, Maine. The panoramic scene spans the four seasons from dawn to dark recording the history of the Town of Poland. Works by Lehtis have been exhibited in galleries and museums throughout Maine, New York and Chicago. (1) Lewiston Evening Journal, September 7, 1976. SIZE: Each 40″ x 34”. Overall: 36″ x 41-1/2″ CONDITION: Very good 49577-1 (2,000-4,000) – Lot 1222

JEFFREY SABOL (American, 20th Century) FOUR OILS ON BOARD.

Including: 1) WIDOWS WALK, unframed, signed and dated lower left “Sabol 92”; 2) TREES IN FOG, housed in a painted rustic wood frame, unsigned; 3) LIGHTHOUSE, unframed, signed and dated lower right “Sabol 96”, inscribed in pencil on reverse “Falkner Light, Guilford” 4) RED DOOR, housed in gold frame with linen liner, signed and dated lower right “Sabol 96”, dedicated on reverse “To Wenfine on her Birthday with Love, from Jeff”. SIZE: 1) 24″ x 34″. 2) 32″ x 20″. 3) 28″ x 8″. 4) 10″ x 8″ CONDITION: 1) Minor varnish discoloration, otherwise good. 2) abrasions and surface dirt, several areas of retouch; 3) Minor varnish discoloration and abrasions to edges. 4) Very good. 49909-1 (1,500-2,000) – Lot 1223

JOHN DOWD (American, b. 1960) “FIRST SNOW BEACH POINT”.

Oil on linen Housed in white slat wood frame Signed lower right “J. Dowd”, titled on William Scott Gallery, Provincetown label SIZE: 16″ x 20″. Overall: 17″ x 21″ CONDITION: Very good. 49843-8 (2,000-3,000) – Lot 1224

ELMER NOVOTNY (American, 1909-1997) “OURAY, COLORADO”.

Tempera on Masonite Housed in a carved and painted wood frame Sigend lower left “E.L. Novotny”, titled on exhibition label from Cleveland Museum of Art on verso frame Exhibited: Cleveland Museum of Art, “44th May Show”, May 16-June 24, 1962, #418 SIZE: 18″ x 30″. Overall: 25-1/2″ x 37-1/2″ CONDITION: Very good 50026-2 (1,000-2,000) – Lot 1225

HAROLD VAN BUREN MAGONIGLE (American, 1867-1935) “PORTRAIT OF AN OLD FRIEND”, 1933.

Oil on canvas board Housed in a contemporary giltwood frame Signed lower right “H.V.B. Magonigle A.N.A.”, signed, titled and dated on verso “Portrait of an Old Friend, H. Van Buren Magonigle -1933″ Note: Harold Van Buren Magonigle was an American architect, artist, and author best known for his memorials. Born in New Jersey, Magonigle worked for Calvert Vaux, Rotch & Tilden, Schickel and Ditmars and McKim Mead & White before opening his own practice in 1903. He was the designer of the McKinley Memorial Mausoleum in Canton, Ohio and the Liberty Memorial in Kansas City, Missouri. Magonigle and sculptor Attilio Piccirilli collaborated as architect and artist on two familiar monuments in New York City: the Monument to the USS Maine in Columbus Circle, and on the Fireman’s Memorial on Riverside Drive and West 100th Street. Magonigle’s papers are held by the New York Public Library and by the Drawings and Archives Department in the Avery Architectural and Fine Arts Library at Columbia University. (Source: http://archives.nypl.org/mss/1838) SIZE: 24″ x 20”. Overall: 32-1/4″ x 38″ CONDITION: Very good condition. 49905-5 (1,500-2,000) – Lot 1226

JEFFREY SABOL (American, 20th century) FOUR PAINTINGS.

Including: 1) DORIES AT DOCK, oil on board, housed in a painted rustic wood frame, signed and dated lower right “Sabol ’93”; 2) LOBSTER BOAT AT DOCK, oil on board, unframed, signed and dated lower right “Sabol ASMA 00”, dedicated in pencil on reverse “To my good friend Scott, Happy Christmas and a great New Year, 2000, Jeff”; 3) TWO DORIES, oil on canvas, unframed, signed and dated lower left “Sabol ’96”; 4) SWEET PEA, oil on board, unframed, signed and dated lower left “Sabol 95″; SIZE: 1) 30-3/4″ x 24″. 2) 28″ x 8″. 3) 24″ x 36″. 4) 22″ x 28”. Overall size to: 35″ x 29″ CONDITION: 1) Losses and abrasions to red dinghy; 2) minor varnish discoloration, otherwise good. 3) discolored varnish, otherwise good; 4) good condition 49909-2 (1,500-2,000) – Lot 1227

RUFINO TAMAYO (Mexican, 1899-1991) PRE-COLUMBIAN FIGURE.

Watercolor and pencil Housed in a contemporary black frame with linen mat under glass Signed and inscribed lower right “Tamayo 0-72″ SIZE: Sight: 12″ x 9”. Overall: 23-1/2″ x 20-1/2″ CONDITION: Appears to be in overall very good condition, not examined out of frame 50023-15 (1,000-3,000) – Lot 1228

CHARLES CARYL COLEMAN (American, 1840-1928) FIGURES IN A MOONLIT GARDEN.

Oil on board Housed in contemporary giltwood frame Signed lower left with triple C monogram SIZE: 16″ x 20″. Overall: 23″ x 27″ CONDITION: Good, with surface dirt and scattered flake losses along bottom 50004-1 (4,000-6,000) – Lot 1229

BERNHARDT WALL (American, 1872-1956) THE GREAT FLOOD OF 1937.

Oil on canvas Housed in a vintage wood frame Signed and dated lower right “Bernhardt Wall 37″ SIZE: 26″ x 30”. Overall 32″ x 36″ CONDITION: Surface dirt, craquelure, paint flaking lower left 49822-5 (300-500) – Lot 1230

AMERICAN SCHOOL (19th Century) STILL LIFE WITH PIPE AND TOBACCO.

Oil on canvas laid down on board Housed in a period molded giltwood frame(having chips to gilding) Unsigned having possible monogram “H” on pouch SIZE: 7″ x 9″. Overall: 11″ x 13″ CONDITION: Good, with two minor losses in background. Several areas of touch up 50023-10 (1,000-1,500) – Lot 1231

AMERICAN SCHOOL (19th Century) STILL LIFE WITH CHEST, PIPE AND MAINE BOOK.

Oil on board Housed in an early 20th century giltwood frame Unsigned but possibly Nicholas Alden Brooks Inscribed in pencil on reverse “Johnson 4502″ SIZE: 14″ x 12”. Overall 19-3/4″ x 17-3/4″ CONDITION: Overall good condition, board slightly warped, scattered in-paint 50023-5 (1,000-2,000) – Lot 1232

SIGNED (American, 20th Century) TWO STILL LIFE WORKS.

1) Alice Hilliard (American, 20th Century) Oil on canvasboard Housed in a period gilt frame with losses Signed lower left 2) Indistinctly signed “Chabaully”? (Probably French) Oil on canvas Unframed Signed lower left indistinctly SIZE: 1) 19-3/4″ x 16″. Overall: 22-1/2″ x 18-1/2″ 2) 16″ x 10-1/2″ CONDITION: Good 49743-2 (800-1,200) – Lot 1233

HENRY DE WAROQUIER (French/American, 1881-1970) “ROSES”, 1938.

Oil on canvas Housed in a giltwood frame Signed lower left “Henry de Waroquier”, inscribed lower right in red “No.M.141.”, verso canvas inscribed “No-M.141/HbeW”, titled on a Rex Evans Gallery, Los Angeles label (loose) SIZE: 16-1/4″ x 13″. Overall: 22″ x 18-3/4″ CONDITION: Overall good restored condition, paint surface stable, canvas lined with wax, minor buckle, scattered in-paint throughout. 49892-1 (600-900) – Lot 1234

ATTRIBUTED TO JANE PETERSON (American, 1876-1965) POT OF FLOWERS.

Oil on board Housed in modern gilt wood frame with linen liner Bears signature lower right “Jane Peterson” SIZE: 18″ x 14″. Overall: 23-1/4″ x 19-1/2″ CONDITION: Very good, signature may have been added at a later time 49753-1 (800-1,200) – Lot 1235

ROBERT DOUGLAS HUNTER (American, 1928-2014) “STILL LIFE WITH WICKER COVERED DEMI-JOHN”.

Oil on canvas Housed in a contemporary giltwood frame with green painted liner Signed and dated lower left “Robert Douglas Hunter ’97” SIZE: 22″ x 33″. Overall: 29-1/2″ x 41″ CONDITION: Very good to excellent 50043-3 (1,500-2,000) – Lot 1236

AFTER NICHOLAS POCOCK (British, 1740-1821) FOUR COLORED SHIP ENGRAVINGS.

All engraved by R & D Havell Plate 1 – 4 showing the battle between the frigate Java and frigate Constitution All housed in black mats with gold edge SIZE: Sight: 19″ x 22″. Overall: 25″ x 18″ CONDITION: Very good 49745-13 (1,500-2,000) – Lot 1237

AFTER WILLIAM LIONEL WYLLIE (British, 1851-1931) “U.S.S. 44-GUN FRIGATE CONSTITUTION (OLD IRONSIDES)”.

Colored engraving Housed in a black mat with gilt edge Published by Robert Dunthorne & Son, 1924 SIZE: Sight: 18″ x 23-1/2″. Overall: 24″ x 29-1/2″ CONDITION: Very good 49745-14 (600-800) – Lot 1238

AFTER SIR GEORGE CHAMBERS (British, 1803-1840) “THE PORT OF LIVERPOOL”. TAKEN FROM SEACOMBE, CHESHIRE.

Colored engraving Housed in a black mat with gold edge After a painting by Sir George Chambers, engraved by James Carter and published in 1841 SIZE: Sight: 24-3/4″ x 38″. Overall: 30-3/4″ x 44″ CONDITION: Very good 49745-11 (300-400) – Lot 1239

BRITISH SCHOOL (19th Century) TWO SHIP ENGRAVINGS.

1) “First-Class Packet Ship Yorkshire of New York” Published by James Connel & Sons, after a painting by W. R. McMinn Housed in a black mat with gilt edge 2) “The British Queen on Her First Voyage from London to New York” Published by G. S. Tregear 1838 Housed in a black mat with gold edge SIZE: 1) Sight: 22″ x 27″. Overall: 28″ x 33″ 2) Sight: 19″ x 25-1/2″. Overall: 25-1/4″ x 31-1/2″ CONDITION: Very good 49745-12 (300-400) – Lot 1240

AMERICAN SCHOOL (19th Century) VICTORIAN PORTRAIT OF THREE CHILDREN POSING IN CLASSICAL ATTIRE.

Oil on canvas Housed in an ornate giltwood frame with oval liner Unsigned SIZE: 18-1/2″ x 22-1/2″. Overall: 29″ x 33″ CONDITION: Overall good, paint surface has horizontal craquelure, not lined. 50023-6 (1,000-2,000) – Lot 1241

GEORGE TURLAND GOOSEY (British/American, 1877-1947) OLIVE GROVE, MAJORCA, SPAIN.

Oil on board Housed in a contemporary giltwood frame Signed lower right “Geo Turland.” SIZE: 12″ x 15-1/2″. Overall: 17-1/2″ x 21-1/2″ PROVENANCE: From the Estate of George Turland CONDITION: Very good condition 49902-5 (800-1,000) – Lot 1242

GEORGE TURLAND GOOSEY (British/American, 1877–1947) SPANISH LANDSCAPE.

Oil on canvas Unframed Signed lower right “Geo.Turland.” SIZE: 22-1/4″ x 30″ PROVENANCE: From the Estate of George Turland CONDITION: Overall good condition, with minor canvas buckle. 49902-9 (800-1,200) – Lot 1243

GEORGE TURLAND GOOSEY (British/American, 1877–1947) “CEYLON”, 1935.

Oil on canvas laid down on Masonite Housed in a contemporary giltwood frame Signed lower left “Geo.Turland.”, inscribed on verso “Ceylon 1935 on back” SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the Estate of George Turland CONDITION: Very good. 49902-1 (800-1,200) – Lot 1244

GEORGE TORLAND GOOSEY (British/American, 1877-1947) “CEYLON”, 1935.

Oil on Masonite Housed in a contemporary giltwood frame Signed lower left “Geo. Turland.” SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the Estate of George Turland CONDITION: Very good condition. 49902-2 (800-1,200) – Lot 1245

GEORGE TURLAND GOOSEY (British/American, 1877–1947) “OFF COAST OF CORNWALL ENGLAND”.

Oil on panel Housed in contemporary giltwood frame Signed lower left “Geo Turland.”, titled on reverse “Off Coast of Cornwall England” SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the Estate of George Turland CONDITION: Very good condition 49902-8 (800-1,000) – Lot 1246

GEORGE TURLAND GOOSEY (British/American, 1877–1947) SPANISH BRIDGE.

Oil on canvas board Housed in a contemporary giltwood frame Signed lower right “Geo Turland.” SIZE: 12″ x 16″. Overall: 17-1/2″ x 21-1/4″ PROVENANCE: From the Estate of George Turland CONDITION: Very good condition. 49902-4 (600-800) – Lot 1247

GEORGE TURLAND GOOSEY (British/American, 1877–1947) “Brick Kiln”.

Oil on canvas board Housed in a contemporary giltwood frame Signed lower right “Geo. Turland” SIZE: 12″ x 16″. Overall: 17-1/4″ x 21-1/4″ PROVENANCE: From the Estate of George Turland CONDITION: Very good. 49902-3 (800-1,000) – Lot 1248

GEORGE TURLAND GOOSEY (British/American, 1877–1947) VENETIAN CANAL.

Oil on panel Housed in a giltwood frame Signed lower left “GTurland” SIZE: 12″ x 16″. Overall: 17-1/2″ x 21-1/2″ PROVENANCE: From the Estate of George Turland CONDITION: Very good 49902-7 (800-1,200) – Lot 1249

SUSAN MILLER CHASE (American, 20th century) THREE GIRLS ON A BEACH.

Oil on 1/8″ cardstock Unframed Signed lower right “Susan Miller Chase” also stamped on reverse SIZE: 10″ h x 7-1/4″ w CONDITION: Very good, yellowed varnish layer. 49825-1 (1,000-1,500) – Lot 1250

MORA (American School, 20th Century) A MOTHER WITH TWO CHILDREN IN A LANDSCAPE.

Oil on canvas laid down on panel Housed in a contemporary giltwood frame with linen liner Signed lower left “Mora” SIZE: 7″ x 5″. Overall: 12″ x 10″ CONDITION: Very good 50023-8 (600-800) – Lot 1251

ANDRE (GITTLESON) GISSON (American, 1921-2003) YOUNG GIRL IN PROFILE.

Sepia ink wash on paper Housed in contemporary frame with linen mat under glass Signed lower right “Gittleson” Note: This work was likely an early work created while or shortly after Gisson was studying art at the Pratt Institute. Born Anders Gittleson, the artist adopted the name Andre Gisson to appear French. It is rare to find works signed with his original surname. SIZE: 14-1/2″ x 19-1/2″. Overall: 23″ x 28″ CONDITION: Overall good condition. Minor discoloration visible, not examined out of frame. 50023-13 (400-600) – Lot 1252

IVAN OLINSKY (American, 1878-1962) “YOUNG GIRL”.

Oil on canvasboard Housed in a modern carved & gilt frame with wide gilt liner Signed upper left “Ivan G Olinsky” Verso of board is a 1951 Salmagundi Club Thumb-box Exhibition label SIZE: 12″ x 9″. Overall: 17-1/2″ x 14-1/2″ CONDITION: Good with minor touch up 50068-13 (2,000-3,000) – Lot 1253

INITIALED J.H.L. AMERICAN SCHOOL (19th Century) GENTLEMAN’S FARM.

Oil on thin board Housed in gilt molded wood frame Initialed lower right “J.H.L.” SIZE: 13-1/2″ x 18″. 15-1/2″ x 19-3/4″ (overall) CONDITION: Repaired tear in sky, glossy varnish, surface dirt, fair to good 49922-90 (800-1,200) – Lot 1254

AFTER FRANZ A. BISCHOFF (American, 1864-1929)”CARRYING THE WOMAN ASHORE”.

Highlighted print Housed in a giltwood frame Signed and inscribed lower right “Cop. by Franz A. Bischoff” SIZE: 18″ x 14-1/2″. Overall: 29″ x 25″ CONDITION: Discolorations and spotting, not examined out of frame 49860-1 (100-150) – Lot 1255

DIEUDONNE CEDOR (Hatian, b. 1925) VOODOO RITUAL, 1947.

Tempera on board Unframed Signed and dated lower right “D.L. Cedor-/10/47” Note: Dieudonne Cedor is considered one of the leading Haitian painters of the 20th century. This work was created in 1947, the year the artist left his career as a cabinetmaker to devote himself to art. He became a member of the “Centre d’ Art”, where he studied under the supervision of Rigaud Benoit, who taught him the elementary principals of pictorial art. In 1949, Cedor became a member of the committee of administration of the “Centre” and was later elected president of the Haitian Artist Association, and became a founding member of the “Foyer des Arts Plastiques”. SIZE: 16-1/4″ x 20″ CONDITION: Good, with minor abrasions, and splatter of white pigment lower left 49850-1 (800-1,200) – Lot 1256

FIVE FRAMED DOG PRINTS.

Including: 1) Marguerite Kirmse (American, 1885-1954) “The Milky Way”, etching, signed lower right and titled lower left 2) German School (20th Century) “Flick and Flook” etching, signed lower right and titled and blindstamped “Heinrich Trittler” lower left 3, 4 & 5) Three Etchings of Dogs, all signed lower right SIZE: 1) Plate: 6-1/2″ X 8-3/4″. 2) Plate: 9″ x 6-1/8″ 3)Range from: 6″ x 4-1/2″ to 8-1/2 x 6 in. Overall of largest: 17-1/2″ x 13-1/2″ CONDITION: All five in overall good condition, not examined out of frames. 49990-10 (800-1,200) – Lot 1257

JOAN MIRO (Spanish, 1893-1983) “UNE FEMME”.

Color lithograph with pochoir (Mourlot #1712) Housed in a modern wood frame with linen mat under glass Signed in pencil lower right “Miro” and numbered lower left “119/300”, signed in plate lower right “Miro” SIZE: 17-7/8″ x 14-5/8″. Overall: 29″ x 24″ CONDITION: Very good condition, colors strong. Not examined out of frame. 50026-1 (2,500-4,000) – Lot 1258

SALVADOR DALI (Spanish, 1904-1989) THREE COLOR WOOD ENGRAVINGS, FROM THE DIVINE COMEDY.

Including 1) “Apparition of Dante’s Great-Great-Grandfather”, numbered “127/150”; 2) “In the Hands of Antaeus”, numbered “18/150”; and 3) “On Geryon’s Back”, numbered “46/150”. Housed in original frames Each signed lower right “Dali”, with The Societie de Verification de la Nouvelle Gravure Internationale of New York, Collector’s Guild certificate affixed to verso Note: Salvador Dali illustrated Dante Alighieri’s Divine Comedy between 1951 and 1960. He created 101 watercolor drawings to interpret the text, which were subsequently printed by wood engraving technique. The society states that these were published in a limited edition of 150, signed by Dali. SIZE: Plate size: 9-1/2″ x 7″. Overall: 18″ x 14″ CONDITION: Very good, minor discoloration along mat edge, not examined out of frames 49822-10 (300-500) – Lot 1259

CARLOS MERIDA (Guatemalan, 1895-1984) TWO FIGURES.

Lithograph Housed in a contemporary wood frame, matted under glass Signed lower right “Carlos Merida”, numbered lower left “18/30″ SIZE: Plate: 11-1/2″ x 9-1/4”. Overall: 24-1/2″ x 20-1/2″ CONDITION: Very good, with minor discolorations in margins, not examined out of frame 49990-5 (500-700) – Lot 1260

THREE AMERICAN 20TH CENTURY FRAMED LITHOGRAPHS.

Including: 1) Henry Schwartz (1927-2009), “Mahler Conducts Bruckner”, signed and dated in pencil lower right “Henry Schwartz 1990”, titled lower center and numbered lower left “26/30” 2) Elizabth Saltonstall (1900-1990), “Gannets, Young & Old”, signed in pencil lower right, titled lower left and inscribed “ed-24” 3) John De Martelly (1903-1979), “Two Old Toms”, signed in pencil lower right “John de Martelly” SIZE: 1) Plate: 9-1/2″ x 10-1/2″. 2) Plate: 9″ x 7-1/4″. 3) 11-1/8″ x 8″. Largest overall: 18-1/2″ x 18″ CONDITION: All three framed and matted, in very good condition, not examined out of frames. 49990-11 (700-900) – Lot 1261

JACK LEVINE (American, 1915-2010) “TO AN UNKNOWN GERMAN PHOTOGRAPHER IN THE WARSAW GHETTO”.

Lithograph Housed in a gilt metal frame, matted under glass Signed in pencil lower right “J. Levine”, titled lower center, numbered lower left “67/120″ SIZE: 18-1/2″ x 25”. Overall: 26-3/4″ x 35″ CONDITION: Overall good condition, minor fading, not examined out of frame. 49990-1 (500-700) – Lot 1262